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Speaker 1: So it's taken a while, but my bathroom, your back

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Speaker 1: cave is finished.

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Speaker 2: The bath cave is bath cave, the bath cave, the

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Speaker 2: bath cave is done.

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Speaker 3: Nice.

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Speaker 4: Are you so happy?

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Speaker 2: I'm so happy.

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Speaker 3: And have you been reading in the shower?

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Speaker 1: No, I have not been reading in the shower at all.

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Speaker 1: Strangely enough, i've ever met a reading that's where you

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Speaker 1: should read.

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Speaker 2: It's like reading in a womb.

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Speaker 1: It's warm and cozy and wonderful. And I will get

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Speaker 1: back to reading in the shower, but for now, I'm

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Speaker 1: just getting used to my my bath cave.

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Speaker 2: And one of the things I have.

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Speaker 1: And I'll post a picture, is so there was this

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Speaker 1: useless kind of little closet thing that I've opened up

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Speaker 1: and made a much bigger kind of closet area, and

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Speaker 1: I have some Batman stuff up there. And so two

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Speaker 1: of the things I have are this bat signal that

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Speaker 1: you gave me, and then above that is the bat.

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Speaker 2: Shoes the sneakers that you gave me.

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Speaker 1: And so it looks super cool and it's exactly when

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Speaker 1: I asked the guy what kind of tie, he said, well,

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Speaker 1: what kind of towels you want? I said, imagine Batman

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Speaker 1: comes back from just fighting everybody in Gotham and he's

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Speaker 1: covered in blood.

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Speaker 2: What bathroom does Bruce Wayne walk into?

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Speaker 1: So that's the bathroom that I had designed, and I'm

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Speaker 1: pretty happy, pretty happy.

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Speaker 2: So it's like it's a cool.

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Speaker 1: Gray brick all along the side. You have to take

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Speaker 1: an elevator down.

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Speaker 3: Sick. I wish he.

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Speaker 4: Has a that comes out and removes his back.

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Speaker 2: Okay, it gets even better because I then put up

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Speaker 2: a hook and I went online and I found the

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Speaker 2: most Bruce Wayne robe I could find. It's this long,

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Speaker 2: black cape kind of thing with this sick hood that

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Speaker 2: comes out.

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Speaker 1: Wow.

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Speaker 4: Ants.

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Speaker 5: I'm at my parents' house right now and I'm in

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Speaker 5: my my where my grandparents used to live.

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Speaker 3: That's where I'm sleeping, and I saw a robe.

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Speaker 1: Oh it's going to be a good one too, Mickey

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Speaker 1: mouse robe.

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Speaker 2: I still have that which one is?

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Speaker 3: So I know it's just a little boom.

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Speaker 1: My gosh, I still have Is that the best? No? Right?

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Speaker 2: No?

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Speaker 3: But it does look pretty ragged. It's been loved.

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Speaker 2: I thought.

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Speaker 4: I thought, I thought we had boy me like Navy

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Speaker 4: Blue Boy.

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Speaker 3: We've got a lot of robes.

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Speaker 5: Okay, baby, he gave us no. But the Christmas gift

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Speaker 5: every year for.

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Speaker 1: Yeah, yeah, yeah, that was cool. I remember one year

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Speaker 1: Disney gave a gift. It was I think many years

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Speaker 1: after Boy Me World, and and then I had done

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Speaker 1: something I think it was kimpossible something like that, and

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Speaker 1: this little package arrived and I was like, oh, that sweet,

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Speaker 1: and I just forgot about it.

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Speaker 2: I forgot about it, and like a year later I

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Speaker 2: opened it. It was a video iPod.

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Speaker 4: Wow.

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Speaker 2: I was like, oh, I should have opened this a

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Speaker 2: long time ago.

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Speaker 1: Yeah, and I just kind of I've assumed it was

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Speaker 1: some little trinket for going and I was like, oh,

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Speaker 1: they've upped their their gift game a.

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Speaker 4: Couple of years ago. It was a Disney themed crock pot,

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Speaker 4: a little a mini crock pot and some silicons.

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Speaker 1: I still have the little Mickey Mouse. Uh the hands

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Speaker 1: that are it's Mickey's hands. But you've got the what

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Speaker 1: are they the measuring sticks like the measuring cups cut Yeah,

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Speaker 1: my parents.

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Speaker 3: Mickey Mouse phone downstairs, which is pretty great. Yeah really yeah,

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Speaker 3: Mickey the things.

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Speaker 2: Yeah, I still have the Mickey phone. I have that

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Speaker 2: my Darth Vader one.

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Speaker 4: Yeah, that's that's cute. I didn't get I got rid

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Speaker 4: of some I made some interesting choices. If things get

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Speaker 4: rid of I wish I still had some of those things.

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Speaker 2: I still have that stuff.

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Speaker 4: Yeah, anyway, Welcome to Pod Meets World.

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Speaker 2: I'm Daniel Fishl, I'm right or Strong, and I'm will

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Speaker 2: for Dell.

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Speaker 4: Welcome to today's episode recap at Season six, episode nineteen

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Speaker 4: Be True, air date April ninth, nineteen ninety nine. The synopsis.

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Speaker 4: When mister Feene finally musters up the courage to ask

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Speaker 4: Dean Bolander out, a surprise arrives in the form of

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Speaker 4: her ex, Curtis Kincaid, so Eric convinces Corey and Sean

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Speaker 4: to evoke their old bad boy college selves to keep

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Speaker 4: Foene's hopes alive. It was directed by mister Mickey Dolans,

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Speaker 4: the Drummer and the Monkies, Yes, the drummer and lead

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Speaker 4: singer of the legendary Monkeys, a pop group forever link

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Speaker 4: to Boy Meets World, as each member of the band

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Speaker 4: appeared on the show at some point, except except for

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Speaker 4: Mike Mesmeth Yes he did not.

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Speaker 1: Oh showed up the night of the of the sh

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Speaker 1: Oh and said Okay, I'll be in it, and they went,

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Speaker 1: that's not how that works, Mike.

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Speaker 2: We've been rehearsing all week.

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Speaker 1: This sounds the story. This is okay, this is this

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Speaker 1: is a Sherman story.

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Speaker 2: He's the one who brought him all.

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Speaker 3: Well, there you go.

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Speaker 1: Okay, he's the one who he's Mickey Dolan's best friend.

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Speaker 3: If it's a good Hollywood story.

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Speaker 1: Oh, I saw I saw him. He was one hundred

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Speaker 1: percent there with his big, bushy beard. So he was

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Speaker 1: definitely there that I can that I can attest to.

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Speaker 1: But I mean, that's the story we heard, is that

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Speaker 1: he was like, I want to be on the show,

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Speaker 1: and they were kind of like, you can't.

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Speaker 4: You can't do that now.

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Speaker 2: Yeah.

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Speaker 4: The Monkeys were put together by NBC to play a

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Speaker 4: fictional group for a scripted comedy, but became a real

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Speaker 4: life chart topping band with songs like I'm a Believer,

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Speaker 4: Last Train to Clarksville and Daydream Believer, great song, Why

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Speaker 4: so many Believers?

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Speaker 2: They believe in a lot of things. The Monkeys, I

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Speaker 2: do really worked for them. Yeah.

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Speaker 4: This was the only episode of Boy Meets World he directed,

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Speaker 4: and he is now the last surviving member of the Monkeys.

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Speaker 4: It was written by David Brownfield. And before I jump

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Speaker 4: into our guest stars, anyone want to share their overall thoughts.

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Speaker 5: All right, what did you guys think when you realized

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Speaker 5: which episode this was? When you because like I saw

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Speaker 5: the title be True, I was like, what is that?

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Speaker 3: And then it started.

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Speaker 5: I was like, this is the be episode that Mickey directed.

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Speaker 5: And then I was like, this one's awful. This is

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Speaker 5: a disaster. Everything about this is gonna suck. Oh my god,

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Speaker 5: I can't believe I have to watch this. And then

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Speaker 5: I was so pleasantly surprised. Yi, this is a great episode,

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Speaker 5: and I hated myself for tanking it.

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Speaker 3: I was like, writer, God, I was not good in

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Speaker 3: this episode.

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Speaker 2: It wasn't horrible, but I was like, I think you're great.

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Speaker 5: I know, me and Ben there's you know, we were

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Speaker 5: like not having fun, like and this is the classic.

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Speaker 5: Like my memory is entirely based on the experience on

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Speaker 5: the set, which was not fun.

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Speaker 3: This week.

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Speaker 2: For whatever reason, we were miserable.

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Speaker 5: I think it's because of the props. I think it's

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Speaker 5: because we had a different director. It felt like a

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Speaker 5: lot of things that had nothing to do with our show,

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Speaker 5: or I don't know, whatever reason. It was a bad

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Speaker 5: week personally, and so those memories completely infected what otherwise

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Speaker 5: is a very funny script and like totally fun, totally

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Speaker 5: fun episode.

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Speaker 1: Now that I agree with you one hundred percent, That's

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Speaker 1: what I remember was that this was not a good

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Speaker 1: week for us as a as a company, you know Bill.

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Speaker 1: I remember Bill having a lot of struggling this week

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Speaker 1: with just the kind of atmosphere that was brought onto

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Speaker 1: the set. This week was not a great one, and

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Speaker 1: there was some struggles that were going on there, and

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Speaker 1: I think that bled down to kind of the rest

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Speaker 1: of us. And so that's what I remembered too. And

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Speaker 1: I remember sitting that same thing where I was like,

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Speaker 1: oh God, this episode and then watching it with Sue,

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Speaker 1: We're both cackling. It was like, this is hysterically funny.

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Speaker 2: This is a great episode.

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Speaker 1: I was so happy we needed it this season with

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Speaker 1: the last couple episodes we've had, and so it was

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Speaker 1: just it was the quintessential.

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Speaker 2: I was so happy to see this episode again.

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Speaker 4: It was so fun. And I did remember that the

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Speaker 4: overall memory of this episode was that it was a

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Speaker 4: that it was bad. I didn't remember why, and even

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Speaker 4: hearing you guys talk about the energy on set, I

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Speaker 4: have no memory of what that energy was. Was there

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Speaker 4: a lot of conflict between Mickey and Michael.

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Speaker 2: No, it was Mickey and Bill.

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Speaker 3: Bill. I think Bill was you know, Bill had a

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Speaker 3: lot to do this episode.

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Speaker 5: I mean it was a lot suddenly, you know, he

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Speaker 5: went from what two lines of an episode in for

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Speaker 5: a while and to having to do a lot of comedy,

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Speaker 5: having to do physical stuff, having to like you know,

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Speaker 5: so I think that he was under pressure.

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Speaker 3: His wife was there.

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Speaker 5: Ye know, I don't know what happened, but it was

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Speaker 5: not a good on set environment. And I'm yeah, and yeah,

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Speaker 5: it's funny to hear that will because like I, you know,

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Speaker 5: I didn't consciously remember that it was Bill being upset,

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Speaker 5: but like I could tell, especially in the scene where

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Speaker 5: Ben and I are like breaking all the stuff, like

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Speaker 5: we are low energy, we are. I also think we

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Speaker 5: did not do a live audience. If I remember energy,

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Speaker 5: it is a block and shoot, which made it harder

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Speaker 5: and more complicated. So yeah, I think it was yeah,

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Speaker 5: But watching it, I was like I was just not

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Speaker 5: feeling it, which.

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Speaker 3: Is too bad because the idea of like.

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Speaker 5: Corey Sean doing their like Corey Sean stuff should have

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Speaker 5: been fun, Like we should have been having fun with

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Speaker 5: this stuff, and instead I could tell that it was laborious.

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Speaker 2: For me even watching it was like, yeah, it was

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Speaker 2: a strange week.

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Speaker 1: It was a strange week that still birthed a really

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Speaker 1: fun episode.

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Speaker 4: I know. It's even just listening to you guys talk

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Speaker 4: about it. It's funny to me that, like thinking taking

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Speaker 4: myself out of the show, thinking about people watching it

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Speaker 4: going they must have had so much fun that week,

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Speaker 4: you know, because like it does play like a really

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Speaker 4: fun episode, and then to know that bts. Everyone was like, let's.

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Speaker 1: Just get through it, because it is a shame. It

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Speaker 1: put It puts some OG's back together, put Corey and

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Speaker 1: Sean back together, and why they were.

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Speaker 2: Supposed to mafia guy.

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Speaker 1: Yeah, they put Eric and Feenie back together, and it

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Speaker 1: was the way it was supposed to be seen.

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Speaker 5: I was just like, oh, pure Eric feene Joy. I

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Speaker 5: was like, yes, just keep doing this, and you guys

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Speaker 5: are so good in it.

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Speaker 3: It was really fun and.

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Speaker 1: It was great and and yeah, I didn't remember obviously,

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Speaker 1: there's certain things that have become memes, like you're in

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Speaker 1: a triangle, Feenie, So I remembered when that came. I

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Speaker 1: was like, oh wait, this is this is that scene.

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Speaker 1: But other than that I and then the brain the

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Speaker 1: thing fast.

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Speaker 2: I remember that. Then the rest of the week I knew.

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Speaker 1: Nothing of this episode, the whole thing with Matt Lawrence

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Speaker 1: and the Giant shoes.

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Speaker 2: Didn't like. None of that was I remembered.

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Speaker 3: I will say, not a great beet story.

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Speaker 2: Well, it's just kind of thrown in there, and.

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Speaker 5: The tag is pretty pretty bad. There's a robber that

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Speaker 5: storyline just went to there. It's like this one note

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Speaker 5: joke three times and old.

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Speaker 1: Keep old women thinking that they shouldn't be together was

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Speaker 1: kind of the joke.

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Speaker 2: It should have been an old lady, and then it

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Speaker 2: should have been a little kid, and then it should like.

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Speaker 4: Right, why are there something lay in her building?

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Speaker 2: You know?

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Speaker 3: I bet this is how that went. They went, uh,

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Speaker 3: and then they walk.

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Speaker 5: Into the hallway and there's an old lady and she says,

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Speaker 5: you're too tall for it, right, And then they were

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Speaker 5: like and then then they come out and there's somebody

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Speaker 5: else who does it too, And then even the robber

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Speaker 5: does that, and they were like.

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Speaker 3: But what if the robber was also an old lady?

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Speaker 3: You know what I mean?

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Speaker 5: It was like it just went a hat on a hat,

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Speaker 5: and so they were like, actually, guys, it's it's not

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Speaker 5: that funny funny.

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Speaker 2: And now you're just I want those shoes, though I wasn't.

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Speaker 2: I want to try that. I want to see what it's.

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Speaker 1: Like to be because, as Susan pointed out to me,

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Speaker 1: and we'll get to it in the scene, she's in.

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Speaker 2: Flats, I know.

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Speaker 1: So I did not realize that she's literally like ten

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Speaker 1: inches taller than Matt.

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Speaker 4: Yeah, because he's not.

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Speaker 2: That much shorter than me. I mean, we're yeah, he's

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Speaker 2: maybe an.

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Speaker 3: Inch or so.

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Speaker 4: Yeah, he's probably at least five eight, if not five nine.

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Speaker 2: Yeah.

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Speaker 4: Guest starring Francis ex McCarthy is Curtis kincaid. He's a

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Speaker 4: recognizable character actor you've seen in movies like The Man

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Speaker 4: with Two Brains, Basketball, Summer School, and Summer Rental.

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Speaker 3: Yeah, oh okay.

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Speaker 5: Sole was immediately will oh god, yes, because I was like,

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Speaker 5: this guy's amazing. He must work all the time. But

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Speaker 5: I actually couldn't think of anything I've seen him in.

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Speaker 5: Summer Rental is the only movie that you mentioned that

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Speaker 5: I've seen, So.

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Speaker 1: You haven't seen The Man with Two Brains. No, Oh

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Speaker 1: my god, it's Steve Martin. Arguably Steve Martin's greatest movie

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Speaker 1: ever seen. So was the blinding reference to that? Were

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Speaker 1: they like riffing on not?

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Speaker 2: I mean not really he did.

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Speaker 1: He doesn't have that big a part, but it's Oh God,

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Speaker 1: the Man with Two Brains is It's one of the

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Speaker 1: greatest comedies of all time.

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Speaker 2: Well.

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Speaker 4: He was also in around one hundred TV shows, including Cheers,

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Speaker 4: Saint Elsewhere, alf, The Secret World of Alex Mac and ncis.

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Speaker 4: He is still working at the age of eighty three.

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Speaker 4: Oh sweet, Yeah, we have Bonnie Bartlett back as Dean

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Speaker 4: Lila Bolander. Yes, and Sandra Gould plays Little Old Lady.

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Speaker 4: She's best known as Gladys Kravitz on Bewitched, but also

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Speaker 4: amongst over her one hundred credits is I Love Lucy,

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Speaker 4: The Jack Benny Program. I'm just gonna say, program like

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Speaker 4: that program, Jack Benny Program. I'm watching my programs, The

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Speaker 4: Jack Benny Program, The Brady Bunch, and the Dawn Knotts movie,

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Speaker 4: The Ghost and Mister Chicken, and Boy Meets World was

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Speaker 4: her last role. She would die later that year at

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Speaker 4: age eighty three. Oh my god, she did to enjoy

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Speaker 4: the week either.

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Speaker 1: No God, but also you blew by one of the

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Speaker 1: biggest television characters of all time.

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Speaker 2: Missus misteris oh miss grat Have you never heard it?

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Speaker 1: Like? It's whenever somebody's a nosy neighbor, it's always a

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Speaker 1: real Missus Kravitz.

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Speaker 2: Yeah, real missus Kravitz.

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Speaker 1: That's where that's from. She's with the Missus Kravitz from Bewitch.

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Speaker 2: I had no idea. Oh that's awesome.

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Speaker 4: We have Lily and Adams as Missus Furlong. She was

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Speaker 4: a very busy background actor, best known as Tilly and

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Speaker 4: Steve Martin's the jerk scene in Navin's Humble Mississippi Beginnings,

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Speaker 4: but she also appeared in Bruce Almighty, Little Nikki Wings,

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Speaker 4: and Frasier. But honestly, she appeared in every TV show

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Speaker 4: from nineteen eighty two to twenty eleven, when she passed

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Speaker 4: away at the age of eighty nine. And finally, Mildred.

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Speaker 5: She gets a name and the other other woman gets

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Speaker 5: little old lady.

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Speaker 4: There's the other one is missus Bertleson.

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Speaker 2: Huh okay.

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Speaker 4: She was also on Party of Five, So Mildred Dumas

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Speaker 4: is Missus Bertleson. She was also on Party of Five,

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Speaker 4: Two Guys, A Girl in a Pizza Place, and two

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Speaker 4: episodes of Malcolm in the middle. So, which one do

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Speaker 4: we think is the robber little old lady? Why wouldn't

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Speaker 4: they call her robber or something?

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Speaker 5: Yeah, I don't know, Yeah, because I guess they would

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Speaker 5: know the other women because they were like in the

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Speaker 5: building or neighbors or whatever. But the robber would just

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Speaker 5: be the reveal is it's a little old lady.

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Speaker 4: Right right? Assed. I mean also you could call her

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Speaker 4: a burglar. You could call it, you know, call her.

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Speaker 1: Burglar to me evokes like the hamburglar, like the black

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Speaker 1: and white shirt and like, oh, I'm gonna punch you

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Speaker 1: in the mush.

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Speaker 2: See, Like that's like that kind of thing.

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Speaker 5: It's something that I like, I actually do tell my

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Speaker 5: writing students. I was like, an actor is going to

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Speaker 5: have to play this, and you're going to have to

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Speaker 5: hire them. If you write ugly girl number three or

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Speaker 5: fat guy eating in the corner, think about how that's

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Speaker 5: gonna make them feel, and think about the quality of

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Speaker 5: the performance you're going to get from the actor who

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Speaker 5: agrees to do that role versus you know, because they

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Speaker 5: are going to feel defeated already. Just start so just

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Speaker 5: try just try give him a name, give them a

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Speaker 5: little bit you know, it's a gift to the actor whatever.

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Speaker 5: Make it fun for them, not humiliating. But back in

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Speaker 5: the day, they still they used to do it all

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Speaker 5: the time. It would just write that, you know, geeky

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Speaker 5: guy whatever, and it's like they would think it's funny,

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Speaker 5: and you'd get that the perspective of the show or

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Speaker 5: the perspective of the movie is is that what?

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Speaker 3: But recognize that a human being is gonna have to

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Speaker 3: play this.

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Speaker 1: So give me.

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Speaker 4: If I started auditioning again and I started getting a

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Speaker 4: bunch of frumpy, middle middle aged lady roles, I'd be like,

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Speaker 4: oh god, it's okay.

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Speaker 5: But I mean even when it's positive, like because you know,

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Speaker 5: I remember having to audition for like hot guy this

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Speaker 5: or whatever, and I would not do it. I would

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Speaker 5: at audition or I'd just be like, I'm never gonna

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Speaker 5: get this. I would be so insecure that I'm like, well,

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Speaker 5: they will obviously want.

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Speaker 4: Right, is someone hotter than I would do that.

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Speaker 2: I did that all the time.

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Speaker 1: It's like, hey, we lucky to come in and read

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Speaker 1: for the quarterback. I'm like, why You're never going to

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Speaker 1: cast me as the quarterback? Like it's never gonna happen.

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Speaker 1: But is that fat guy three eating in the corner?

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Speaker 1: That is that available?

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Speaker 2: I'd like to I'd like to. Yeah, sitting in a corner.

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Speaker 2: That's all I have to do.

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Speaker 3: Love that.

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Speaker 2: I'll take that all day.

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Speaker 4: Jumping into our recap, we start in the student union.

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Speaker 4: Phoene walks in and Eric's seated at a table, quickly

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Speaker 4: spots him. Phoenie, you here, sit now. Phoene hesitantly approaches

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Speaker 4: his student Eric. Don't do that, Eric interrupts him, Dean bolander.

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Speaker 4: Phoene quickly takes a seat. Okay, what you got.

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Speaker 1: I was so happy just watching this because I don't

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Speaker 1: remember any of this, but just seeing Eric and Phoenie

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Speaker 1: together again, I.

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Speaker 4: Was like, oh, this is so much, so great.

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Speaker 5: So I'm also officially at the stage where I'm appreciating

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Speaker 5: and uh uh wishing I had Phoene's wardrobe. It's delightful.

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Speaker 5: I was just like I was coveting it. That's the

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Speaker 5: word I was looking for. I was coveting Phoenie's wardrobe.

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Speaker 5: I was like, I'm an old I'm an old man.

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Speaker 5: Now I want I want that because that was a

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Speaker 5: it's like a window pane when it is just I

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Speaker 5: was like oh, Phoenie, looking.

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Speaker 3: Good, looking good, FENI I want that coat.

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Speaker 4: It is so great.

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Speaker 3: Yeah, he always rocks the coat vest combo too.

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Speaker 5: Yes, I just feel like you have to be like

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Speaker 5: sixty plus to pull off.

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Speaker 1: But like Bonnie told me, I think he still has

402
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Speaker 1: a lot of his wardrobe. So I think a lot

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Speaker 1: of those suits that he's still got.

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00:18:20,240 --> 00:18:22,639
Speaker 4: Maybe you, maybe next time when we see Bill in

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Speaker 4: Long Beach, can you maybe ask him? Could I could

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Speaker 4: I borrow one of your jacket vest combos try out

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Speaker 4: for a weekend? See if I like it?

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Speaker 2: Thank you love it.

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Speaker 1: I'm sorry every time you just said when we see

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Speaker 1: Bill and Long Beach, I just picture Bill in his

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Speaker 1: scooter but rock back like this, driving and you're just

412
00:18:40,800 --> 00:18:43,280
Speaker 1: hearing like the LBC going on in the back, like yeah,

413
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Speaker 1: just Bill in the LBC.

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Speaker 4: I can't wait.

415
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Speaker 2: Yeah, I can't be awesome.

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00:18:47,320 --> 00:18:49,320
Speaker 4: So Eric asks, how old do you know, mister Feennie?

417
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Speaker 4: What ninety one hundred? Phoene glares back, one hundred. What

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Speaker 4: do you want? Eric clarifies himself, not what I want.

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Speaker 4: It's what you want. But you're not going after Phoene

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Speaker 4: informed Eric my relationship with Dean Bolander will proceed at

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Speaker 4: my pace, not yours. But Eric argues, you are such

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Speaker 4: a scaredy cat. I mean, here's a woman that you've

423
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Speaker 4: obviously got the hots for, and you're not gonna do

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Speaker 4: anything about it. Mister Feenie angrily looks at Eric. Mister Matthews,

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Speaker 4: don't reduce my feelings for the woman to the hats, unless,

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Speaker 4: of course, she used that term. Eric insists, mister Feenie,

427
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Speaker 4: you have been good to me over the years. You

428
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Speaker 4: taught me everything I never paid attention to. It's payback time.

429
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Speaker 4: Phoene's not interested. Oh no, no, no payback time. I

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Speaker 4: don't want it, Eric, Eric isn't hearing it while sipping

431
00:19:35,640 --> 00:19:38,360
Speaker 4: his coffee. It's out of your hands, Phoene, Sorry, out

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00:19:38,359 --> 00:19:41,680
Speaker 4: of your hands. Phoene explains, Dean Bolander is the kind

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Speaker 4: of woman that you have to romance slowly, carefully, like

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Speaker 4: an orchid. I'm a gardener, I know these things. Then

435
00:19:49,119 --> 00:19:52,080
Speaker 4: on cue to Pega and Angelo walk in with Dean Bolander.

436
00:19:52,320 --> 00:19:54,639
Speaker 4: The Dean tells the girls stop selling me. I like

437
00:19:54,720 --> 00:19:56,760
Speaker 4: the man very much, but he needs to pick up

438
00:19:56,800 --> 00:19:59,960
Speaker 4: the pace of this dance. To Penga defends her mentor

439
00:20:00,119 --> 00:20:02,480
Speaker 4: Or isn't there anything to be said for the old

440
00:20:02,520 --> 00:20:07,000
Speaker 4: fashioned approach. She sarcastically responds, yeah, and then makes a

441
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Speaker 4: fart noise.

442
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Speaker 2: Raspberry.

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Speaker 3: This could have been punched up a little bit. I

444
00:20:13,000 --> 00:20:17,480
Speaker 3: was like, why, why are to Panga and need us somewhere?

445
00:20:17,840 --> 00:20:19,720
Speaker 5: Yeah, it would have been nice to just give a

446
00:20:19,720 --> 00:20:22,560
Speaker 5: little bit of like pre conversation with you guys that

447
00:20:22,680 --> 00:20:25,000
Speaker 5: sets up that she that you think that she and.

448
00:20:24,960 --> 00:20:26,560
Speaker 3: PHOENI you know, I don't know. I know it's all

449
00:20:26,640 --> 00:20:27,320
Speaker 3: time constraint.

450
00:20:27,560 --> 00:20:34,400
Speaker 1: But then Justanga and and Angela and.

451
00:20:34,840 --> 00:20:37,240
Speaker 5: So big at this point, right, and then you have

452
00:20:37,560 --> 00:20:40,840
Speaker 5: like basically two guest stars. You have the Dean and

453
00:20:41,080 --> 00:20:43,919
Speaker 5: the Adventurer taking over so much time.

454
00:20:43,960 --> 00:20:46,280
Speaker 2: And old Lady one through eight a lot of people.

455
00:20:47,119 --> 00:20:47,280
Speaker 5: You know.

456
00:20:47,400 --> 00:20:49,680
Speaker 4: It is really interesting thinking about what we've talked about

457
00:20:49,720 --> 00:20:52,800
Speaker 4: with there being some tension between Mickey and Bill, it

458
00:20:52,920 --> 00:20:57,399
Speaker 4: is really interesting that they gave this Big Bill episode

459
00:20:58,040 --> 00:21:00,560
Speaker 4: to a first time director that.

460
00:21:00,640 --> 00:21:02,320
Speaker 2: Had a lot of set pieces. I mean, we had

461
00:21:02,320 --> 00:21:05,240
Speaker 2: the b and I remember that was a big problem.

462
00:21:05,400 --> 00:21:06,439
Speaker 2: And the props.

463
00:21:06,440 --> 00:21:08,280
Speaker 1: There was a ton of props and there was new sets,

464
00:21:08,320 --> 00:21:12,919
Speaker 1: and yeah, maybe that's why they I often wonder do you,

465
00:21:13,040 --> 00:21:14,600
Speaker 1: I mean, you're both directors, so you would know this.

466
00:21:15,040 --> 00:21:20,320
Speaker 1: How far into the process will they decide no audience?

467
00:21:21,680 --> 00:21:24,160
Speaker 2: I mean it's the table read or is it well

468
00:21:24,160 --> 00:21:26,159
Speaker 2: before when they're okay?

469
00:21:26,200 --> 00:21:30,040
Speaker 1: So it's not like sometimes before the scripts are coming

470
00:21:30,080 --> 00:21:31,840
Speaker 1: in in three weeks from the show, it's like, you know,

471
00:21:32,000 --> 00:21:33,600
Speaker 1: this episode here, we're not going to do this one

472
00:21:33,600 --> 00:21:34,359
Speaker 1: in front of the audience.

473
00:21:34,400 --> 00:21:38,040
Speaker 4: On Boy, we probably did decide at the production meeting.

474
00:21:39,160 --> 00:21:42,280
Speaker 4: On shows I work on now, if they're shows that

475
00:21:42,359 --> 00:21:45,080
Speaker 4: have a live audience, sometimes like by the time the

476
00:21:45,119 --> 00:21:47,399
Speaker 4: outline is out, it's already been discussed, this is going

477
00:21:47,480 --> 00:21:49,760
Speaker 4: to be a big episode. We're already thinking about blocking

478
00:21:49,760 --> 00:21:54,040
Speaker 4: and shooting, and so it's decided like well before. But

479
00:21:54,119 --> 00:21:57,399
Speaker 4: on Boy, we probably figured out at the production meeting

480
00:21:57,480 --> 00:21:59,840
Speaker 4: or the week before when the outline came out and

481
00:22:00,119 --> 00:22:02,680
Speaker 4: people were like, look at all these sets that we're

482
00:22:02,680 --> 00:22:03,359
Speaker 4: gonna have to build.

483
00:22:03,600 --> 00:22:04,360
Speaker 2: But this was a thing.

484
00:22:04,480 --> 00:22:06,480
Speaker 1: This was a thing on our show because think about

485
00:22:06,560 --> 00:22:08,600
Speaker 1: Heyfer's first episode was.

486
00:22:08,560 --> 00:22:09,760
Speaker 2: The Casablanca one.

487
00:22:10,320 --> 00:22:12,280
Speaker 1: I mean, it's like there is a lot of times

488
00:22:12,280 --> 00:22:15,359
Speaker 1: when they get first time directors really complicated shows.

489
00:22:15,400 --> 00:22:20,240
Speaker 3: That's true. Also, the Eskimo was.

490
00:22:19,520 --> 00:22:23,880
Speaker 4: Jody No, it was that was Lish yeah.

491
00:22:23,600 --> 00:22:26,760
Speaker 3: Yeah, yes, that was a difficult one.

492
00:22:26,920 --> 00:22:30,160
Speaker 4: Yeah, But I mean, and that is that's a that's

493
00:22:30,200 --> 00:22:32,440
Speaker 4: a definite test of the director for the first time,

494
00:22:32,560 --> 00:22:36,320
Speaker 4: for sure, and it's an unnecessary one. But like more

495
00:22:36,359 --> 00:22:40,359
Speaker 4: than even just first time director and big sets for Bill,

496
00:22:41,000 --> 00:22:46,240
Speaker 4: like Bill would have probably been a lot more comfortable

497
00:22:47,440 --> 00:22:51,440
Speaker 4: or somebody Kendall, somebody he really knew, who knew him

498
00:22:51,520 --> 00:22:56,639
Speaker 4: really well, who also knew how Bill liked to receive notes,

499
00:22:56,760 --> 00:23:00,000
Speaker 4: because did he ever receive notes? Like and so I can't.

500
00:23:01,560 --> 00:23:06,000
Speaker 4: It just feels like a situation that wasn't set up, Yeah,

501
00:23:06,119 --> 00:23:09,240
Speaker 4: could have been avoided and wasn't really the most supportive

502
00:23:09,280 --> 00:23:12,439
Speaker 4: of our you know, the actor on the show that

503
00:23:12,560 --> 00:23:18,040
Speaker 4: maybe deserved the most protection. So Dean Bolander continues, he

504
00:23:18,080 --> 00:23:20,600
Speaker 4: needs to do something, he needs to express his feelings.

505
00:23:20,600 --> 00:23:23,160
Speaker 4: Goodness knows, I've been dropping the man hints left and right.

506
00:23:23,560 --> 00:23:27,040
Speaker 4: Angela suggests maybe you're being too subtle. Dean Bolander shows

507
00:23:27,040 --> 00:23:29,480
Speaker 4: some skin and admits I hiked up my skirt at

508
00:23:29,480 --> 00:23:35,040
Speaker 4: the seminar. Angela is impressed. Damn. Back at the big table,

509
00:23:35,040 --> 00:23:37,359
Speaker 4: it is funny. Back at the table, Eric is giving

510
00:23:37,359 --> 00:23:39,879
Speaker 4: Feenie a pep talk. The time is now every second

511
00:23:39,920 --> 00:23:46,280
Speaker 4: you wait is another clogged artery. The professor turns to

512
00:23:46,320 --> 00:23:49,440
Speaker 4: look at Dean Bolander and admits, you know, my cholesterol

513
00:23:49,520 --> 00:23:53,800
Speaker 4: level is high. Eric dramatically asks George. If not, now,

514
00:23:54,119 --> 00:23:58,480
Speaker 4: when is this the first George from Eric? So I

515
00:23:58,480 --> 00:23:59,440
Speaker 4: think this is the first.

516
00:23:59,680 --> 00:24:02,120
Speaker 1: I mean that hit the ears weird where it's like, wow,

517
00:24:02,160 --> 00:24:03,960
Speaker 1: you just called him to George.

518
00:24:04,240 --> 00:24:07,919
Speaker 4: Yeah, and Phoene finally decides, Now he gets up, and

519
00:24:08,040 --> 00:24:10,480
Speaker 4: Eric jumps right out of his chair too, following Phoenie

520
00:24:10,520 --> 00:24:12,960
Speaker 4: and grabbing his shoulders. That's right, that's right, you are

521
00:24:13,000 --> 00:24:16,480
Speaker 4: the man. You are the man. Phoene can't take any more. Oh, well,

522
00:24:16,520 --> 00:24:19,800
Speaker 4: you just get lost. Eric quickly responds, I'm lost. Just

523
00:24:19,840 --> 00:24:23,880
Speaker 4: bring her home, Just bring her home. Phoene approaches the Dean.

524
00:24:24,440 --> 00:24:28,680
Speaker 4: Excuse me, Dean Bolander, There's something that I've been meaning

525
00:24:28,680 --> 00:24:31,359
Speaker 4: to say to you, And then just as he's getting

526
00:24:31,359 --> 00:24:34,200
Speaker 4: to the good part, he's interrupted by a man barging

527
00:24:34,240 --> 00:24:37,520
Speaker 4: into the student union with his arms wide open. There

528
00:24:37,680 --> 00:24:42,000
Speaker 4: she is Lilah Bolander, the eighth Wonder of the World.

529
00:24:42,920 --> 00:24:47,080
Speaker 4: Dean Bolander yells Curtis and runs into his arms. A

530
00:24:47,160 --> 00:24:54,320
Speaker 4: defeated Phoene says to Eric, he must know her, and

531
00:24:54,600 --> 00:24:59,600
Speaker 4: it's a romp. It's a romp. We're we're romping. We

532
00:24:59,640 --> 00:25:01,359
Speaker 4: go to a commercial break, and then we returned to

533
00:25:01,359 --> 00:25:03,760
Speaker 4: the student union. Curtis and Dean Bolander walk back to

534
00:25:03,800 --> 00:25:08,280
Speaker 4: a confused Feenie, their arms intertwined. The Dean is gushing, well, Curtis,

535
00:25:08,280 --> 00:25:11,720
Speaker 4: what's it been fifteen years? Curtis agrees, All this time,

536
00:25:11,760 --> 00:25:14,600
Speaker 4: I'm running around the world digging up bones and you're

537
00:25:14,720 --> 00:25:18,320
Speaker 4: here not aging a day. Doesn't seem fair, but I

538
00:25:18,440 --> 00:25:21,199
Speaker 4: like it. Eric tries to a sure feene Relax, this

539
00:25:21,240 --> 00:25:25,440
Speaker 4: guy's got nothing. Dean Bolander walks Curtis over. I want

540
00:25:25,440 --> 00:25:28,200
Speaker 4: you to meet someone. This is my colleague and friend,

541
00:25:28,359 --> 00:25:32,120
Speaker 4: George Feeney. Curtis reaches out his hand. Kurt Kincaid put

542
00:25:32,160 --> 00:25:35,640
Speaker 4: it there. Poene accepts the handshake and responds, a pleasure,

543
00:25:35,720 --> 00:25:39,320
Speaker 4: mister Kincaid. Curtis laughs, Oh, come on, what's with the mister?

544
00:25:39,800 --> 00:25:48,159
Speaker 4: It's doctor Kincaid. Wonderful, it's perfect doctor. What's with the

545
00:25:48,240 --> 00:25:53,040
Speaker 4: mister it's doctor? Dean Bolander explains, Curtis is in town

546
00:25:53,080 --> 00:25:55,600
Speaker 4: to speak at our science seminar. He's made some top

547
00:25:55,680 --> 00:25:59,760
Speaker 4: secret fines in Africa. So he came to pen.

548
00:26:00,680 --> 00:26:05,159
Speaker 5: Yes, of course, this is renowned international archaeology school.

549
00:26:05,680 --> 00:26:11,399
Speaker 4: FA okay, Curtis humbly brags, Oh, just a little something

550
00:26:11,400 --> 00:26:14,840
Speaker 4: that will change the course of the new millennium. Phoene's surprised.

551
00:26:15,119 --> 00:26:19,080
Speaker 4: So then you're an archaeologist, Curtis pleads George. That makes

552
00:26:19,080 --> 00:26:21,520
Speaker 4: me feel like a geezer with a compass. I prefer

553
00:26:21,680 --> 00:26:26,760
Speaker 4: Fortune Hunter Venture or my personal favorite Lila's X husband.

554
00:26:27,080 --> 00:26:30,240
Speaker 1: Oh sorry, no, audience, I'm doing it myself.

555
00:26:31,520 --> 00:26:34,800
Speaker 4: Eric whispers to Feeney X. It's not a problem. But

556
00:26:34,840 --> 00:26:38,320
Speaker 4: then Curtis grabs Dean Bolander's hands and proclaims, but I'm

557
00:26:38,359 --> 00:26:42,200
Speaker 4: here to win her back. Eric suddenly shifts course and suggests,

558
00:26:42,400 --> 00:26:45,080
Speaker 4: you know what, you've been alone this long? How about

559
00:26:45,480 --> 00:26:47,399
Speaker 4: you know, like a puppy.

560
00:26:48,960 --> 00:26:52,320
Speaker 2: Solid for one with a puzzle. Yeah, poor George.

561
00:26:52,840 --> 00:26:55,720
Speaker 1: Does anybody else have a problem thinking that Pembrooke has

562
00:26:55,800 --> 00:26:58,200
Speaker 1: to be just a school if Eric's at.

563
00:26:58,040 --> 00:27:00,119
Speaker 4: It, No, I have a But.

564
00:27:01,600 --> 00:27:04,400
Speaker 2: It's like Eric and Tapanga are at the same school.

565
00:27:04,880 --> 00:27:07,000
Speaker 5: But there are those schools that are big, like big

566
00:27:07,119 --> 00:27:08,200
Speaker 5: state schools.

567
00:27:07,880 --> 00:27:10,639
Speaker 3: Are big and they have you know, various levels.

568
00:27:10,640 --> 00:27:14,439
Speaker 2: So this is the Arizona State of I think.

569
00:27:14,280 --> 00:27:16,040
Speaker 3: It's a Penn State. I think it's like Penn State,

570
00:27:16,200 --> 00:27:18,040
Speaker 3: because Penn State is is.

571
00:27:18,000 --> 00:27:21,119
Speaker 5: Actually a very good school, but it's also very big,

572
00:27:21,160 --> 00:27:23,960
Speaker 5: and they allow you know, they have a higher acceptance

573
00:27:24,040 --> 00:27:26,879
Speaker 5: rate because they have like state funding, so they allow

574
00:27:26,960 --> 00:27:29,480
Speaker 5: people that have like a certain GPA. So it's like,

575
00:27:29,520 --> 00:27:32,080
Speaker 5: you know, it's it's basically like combining a junior college

576
00:27:32,119 --> 00:27:34,200
Speaker 5: and a university, but when you get that big, it's

577
00:27:34,240 --> 00:27:36,800
Speaker 5: like you have all the levels represented.

578
00:27:36,680 --> 00:27:40,080
Speaker 2: The junior college version of basically you know that works

579
00:27:40,080 --> 00:27:42,280
Speaker 2: for me? Then okay, So then.

580
00:27:42,200 --> 00:27:44,399
Speaker 4: We're in the school hallway. Eric stands in front of

581
00:27:44,400 --> 00:27:49,120
Speaker 4: Sean and Corey's bake sale table, dramatically narrating a god

582
00:27:49,160 --> 00:27:52,679
Speaker 4: in a Godfather esque accent, and the man stepped in

583
00:27:52,760 --> 00:27:55,560
Speaker 4: between them, and the course of true love for one

584
00:27:55,800 --> 00:27:58,280
Speaker 4: of our own may have forever been altered by this

585
00:27:58,960 --> 00:27:59,960
Speaker 4: ski voice.

586
00:28:01,160 --> 00:28:02,280
Speaker 3: I don't think it's even a word.

587
00:28:02,680 --> 00:28:03,400
Speaker 4: I don't know either.

588
00:28:06,920 --> 00:28:07,200
Speaker 1: I don't know.

589
00:28:07,400 --> 00:28:10,000
Speaker 2: I don't even think it's a word. Okay, where where

590
00:28:10,000 --> 00:28:11,880
Speaker 2: does this come from? No idea.

591
00:28:12,000 --> 00:28:14,480
Speaker 1: It's also way too long. It's funny, but way too

592
00:28:14,480 --> 00:28:15,919
Speaker 1: way too funny.

593
00:28:15,920 --> 00:28:18,280
Speaker 5: So I was watching this episode with Ocean, who is like,

594
00:28:18,359 --> 00:28:20,399
Speaker 5: you know, only seeing one or two episodes of Boys

595
00:28:20,440 --> 00:28:22,560
Speaker 5: World ever, he used to come to Tapians but he

596
00:28:22,880 --> 00:28:24,280
Speaker 5: and and that was his date.

597
00:28:24,359 --> 00:28:26,920
Speaker 3: He's like, okay, we get the joke this is And

598
00:28:26,960 --> 00:28:29,440
Speaker 3: I was like, you know what happened? We did it.

599
00:28:29,440 --> 00:28:31,880
Speaker 5: It was probably like only four lines, and the writers

600
00:28:31,880 --> 00:28:32,879
Speaker 5: just thought it was so funny.

601
00:28:32,920 --> 00:28:35,840
Speaker 3: And then they were like, let's keep going. This could

602
00:28:35,840 --> 00:28:37,119
Speaker 3: only get better going.

603
00:28:37,200 --> 00:28:39,640
Speaker 5: It was like, wow, let's let's pull some to Panga

604
00:28:40,040 --> 00:28:42,280
Speaker 5: Angela dialogue and give it to the guys doing this.

605
00:28:42,560 --> 00:28:45,600
Speaker 3: Yeah, that'll be funny to give it. Toy drove to

606
00:28:45,640 --> 00:28:45,960
Speaker 3: the ground.

607
00:28:46,040 --> 00:28:49,040
Speaker 5: They drove it to the ground. By the time, like

608
00:28:49,120 --> 00:28:51,960
Speaker 5: I'm getting up and walking around. It was like just

609
00:28:52,160 --> 00:28:53,920
Speaker 5: if we just had us like sipping the.

610
00:28:53,840 --> 00:28:56,360
Speaker 4: Thing, Corey saying, how do you come to me?

611
00:28:57,160 --> 00:28:57,960
Speaker 2: But I just didn't know.

612
00:28:58,360 --> 00:28:59,600
Speaker 3: I just wanted I was.

613
00:29:00,040 --> 00:29:01,760
Speaker 2: I remembered this. I knew it was funny.

614
00:29:01,840 --> 00:29:05,280
Speaker 3: It was funny, but without the music which sets it up.

615
00:29:05,680 --> 00:29:08,000
Speaker 3: Why is this happening? Why are we suddenly Italian?

616
00:29:08,320 --> 00:29:10,120
Speaker 4: I'm saying, I don't why do you have a bake sale?

617
00:29:10,440 --> 00:29:13,200
Speaker 1: I know, well, I think the whole point is supposed

618
00:29:13,240 --> 00:29:20,040
Speaker 1: to be you're the two you're the godfathers of Mayhem.

619
00:29:20,760 --> 00:29:25,600
Speaker 1: So but you've gone legit because Corey is on probation

620
00:29:25,960 --> 00:29:28,200
Speaker 1: and you have found yourself while traveling.

621
00:29:28,280 --> 00:29:29,400
Speaker 3: How do you know Corey is on.

622
00:29:29,960 --> 00:29:30,680
Speaker 2: He even says it.

623
00:29:30,720 --> 00:29:34,000
Speaker 1: He says that the principle put me on probation for

624
00:29:34,040 --> 00:29:36,160
Speaker 1: but he goes, I remember, Eric, I hate a teacher.

625
00:29:36,680 --> 00:29:38,960
Speaker 2: I'm on probation. If I do anything, you kicked out

626
00:29:38,960 --> 00:29:39,200
Speaker 2: of here.

627
00:29:39,240 --> 00:29:42,360
Speaker 5: I guess I just wish before the accents that was

628
00:29:42,400 --> 00:29:43,640
Speaker 5: set up, do you know what I mean? It was

629
00:29:43,720 --> 00:29:46,560
Speaker 5: like it was like Eric said I need help. I

630
00:29:46,600 --> 00:29:48,760
Speaker 5: needed someone to help me. And somebody you know, was

631
00:29:48,880 --> 00:29:51,080
Speaker 5: next to you and said, well you can't ask Corey

632
00:29:51,080 --> 00:29:51,800
Speaker 5: and Sean why not?

633
00:29:51,880 --> 00:29:52,920
Speaker 3: Well they've gone legit.

634
00:29:53,360 --> 00:29:55,479
Speaker 5: And then we cut this scene, you know, and then

635
00:29:55,520 --> 00:29:57,960
Speaker 5: I'm like, oh, okay, they have to do the bake

636
00:29:58,040 --> 00:29:58,960
Speaker 5: sale because I don't know.

637
00:29:58,960 --> 00:30:01,200
Speaker 3: It was just like to have I was discussing.

638
00:30:00,760 --> 00:30:03,800
Speaker 5: It already in Italian accents.

639
00:30:03,840 --> 00:30:06,880
Speaker 3: I was just disoriented. Okay, I'll just go with it.

640
00:30:07,200 --> 00:30:08,280
Speaker 3: Yeah whatever.

641
00:30:08,320 --> 00:30:12,160
Speaker 2: Yeah, too long and very random, but a lot of math.

642
00:30:12,160 --> 00:30:13,960
Speaker 4: For a funny joke. It is a funny joke, but

643
00:30:13,960 --> 00:30:18,120
Speaker 4: there's a lot of math to get to it. And

644
00:30:18,120 --> 00:30:20,400
Speaker 4: and yeah, once we got the joke and get a

645
00:30:20,400 --> 00:30:21,840
Speaker 4: good solid laugh, get out.

646
00:30:22,800 --> 00:30:24,800
Speaker 1: And I also I think we should have dropped the

647
00:30:24,800 --> 00:30:26,280
Speaker 1: accents at some point and been like, why are we

648
00:30:26,320 --> 00:30:27,400
Speaker 1: Italian like you?

649
00:30:27,800 --> 00:30:29,360
Speaker 2: Why are you doing that circle?

650
00:30:30,120 --> 00:30:30,800
Speaker 4: Why are you doing it?

651
00:30:30,840 --> 00:30:33,000
Speaker 2: You did it? I don't know. This isn't even my hat,

652
00:30:33,080 --> 00:30:35,920
Speaker 2: Like I mean, it could have been funny. Yeah.

653
00:30:36,080 --> 00:30:38,640
Speaker 4: Corey looks at Eric and also delves into this mafia

654
00:30:38,680 --> 00:30:42,000
Speaker 4: inspired moment. Why do you come to us now on

655
00:30:42,200 --> 00:30:46,600
Speaker 4: this the day of our bake sale? Eric explains, well,

656
00:30:46,640 --> 00:30:50,160
Speaker 4: because this just happened like five minutes ago. Corey asks, Okay,

657
00:30:50,200 --> 00:30:52,719
Speaker 4: what do you need? And Eric admits I need for

658
00:30:52,800 --> 00:30:55,560
Speaker 4: you to do me this favor. The tension is broken

659
00:30:55,640 --> 00:30:58,600
Speaker 4: up by Sean loudly slurping his coffee. Corey puts his

660
00:30:58,640 --> 00:31:01,080
Speaker 4: hand on his chest. You need me to do you

661
00:31:01,120 --> 00:31:04,520
Speaker 4: this favor. You never invited me into your home, You

662
00:31:04,640 --> 00:31:08,640
Speaker 4: never invited me for a cup of coffee. Sean shakes

663
00:31:08,640 --> 00:31:09,760
Speaker 4: his head in disapproval.

664
00:31:10,120 --> 00:31:12,640
Speaker 5: Eric thought, but at this point, I was like, the

665
00:31:13,080 --> 00:31:15,160
Speaker 5: joke is going to be that Sean never speaks, but

666
00:31:15,200 --> 00:31:17,280
Speaker 5: he has all the power exactly, And so I thought

667
00:31:17,320 --> 00:31:18,960
Speaker 5: Corey was going to have to like check with me,

668
00:31:19,080 --> 00:31:21,120
Speaker 5: and I like do a double sip, which that means

669
00:31:21,440 --> 00:31:21,920
Speaker 5: means something.

670
00:31:22,000 --> 00:31:23,000
Speaker 3: Oh, it's like a And.

671
00:31:23,000 --> 00:31:24,400
Speaker 5: I thought that would have been way funnier and we

672
00:31:24,400 --> 00:31:26,400
Speaker 5: could have just gotten out. But instead of talking, I

673
00:31:26,440 --> 00:31:27,600
Speaker 5: got to get up and do that.

674
00:31:27,720 --> 00:31:32,280
Speaker 4: Yeah, Eric admits, yes, I know, and for this, I

675
00:31:32,320 --> 00:31:35,360
Speaker 4: am sorry, but we must help Foene. But he mustn't

676
00:31:35,400 --> 00:31:37,640
Speaker 4: know that it is us that is the biggest This

677
00:31:37,720 --> 00:31:39,960
Speaker 4: is the biggest job we've ever attempted to pull off.

678
00:31:40,120 --> 00:31:42,240
Speaker 4: I come to you with my hat in my hand.

679
00:31:42,800 --> 00:31:46,600
Speaker 4: Corey pipes up, it's my hat, and Eric snaps back,

680
00:31:46,680 --> 00:31:48,800
Speaker 4: it's my hand. Are you in or are you out?

681
00:31:49,120 --> 00:31:50,600
Speaker 3: Great beat, Sean.

682
00:31:50,440 --> 00:31:53,600
Speaker 4: Chimes in, Eric, we're flattered that you've come to us,

683
00:31:53,920 --> 00:31:58,280
Speaker 4: but look around. We're legitimate now. Corey points out we're

684
00:31:58,320 --> 00:32:01,880
Speaker 4: in the bake sale business. But Eric pleads, guys, it's feeny.

685
00:32:01,960 --> 00:32:05,120
Speaker 4: He's family. This may be his one chance at true love.

686
00:32:05,680 --> 00:32:09,160
Speaker 4: Sean reminds him, I just spent sixty eight bucks traveling

687
00:32:09,200 --> 00:32:17,280
Speaker 4: around this country. I learned a few things about life.

688
00:32:17,840 --> 00:32:21,280
Speaker 4: Corey asks, why don't you tell him what you learned? Sean, Then,

689
00:32:21,880 --> 00:32:25,360
Speaker 4: breaking character, Corey whispers to his brother, I love this part,

690
00:32:25,880 --> 00:32:28,680
Speaker 4: Sean starts his diatribe. I learned to be at peace

691
00:32:28,720 --> 00:32:31,240
Speaker 4: with myself. I like looking over my shoulder and not

692
00:32:31,320 --> 00:32:33,959
Speaker 4: worrying about who's coming after me. Then as a student

693
00:32:34,000 --> 00:32:36,360
Speaker 4: walks past Sean, he does look over his shit.

694
00:32:37,800 --> 00:32:40,840
Speaker 5: Funny, it's such a good kind of He was on

695
00:32:40,880 --> 00:32:43,080
Speaker 5: the other side though, right on the camera, because you

696
00:32:43,200 --> 00:32:44,040
Speaker 5: just I look away.

697
00:32:44,360 --> 00:32:51,800
Speaker 4: But yeah, the rhythm is oh, it's so funny. He continues.

698
00:32:51,960 --> 00:32:54,720
Speaker 4: These schemes and capers I used to hatch. They only

699
00:32:54,800 --> 00:32:57,720
Speaker 4: lead to despair. That's what I learned. I also learned

700
00:32:57,760 --> 00:33:00,680
Speaker 4: never to park a trailer across a railroad track. When

701
00:33:00,720 --> 00:33:01,600
Speaker 4: that thing is down.

702
00:33:02,360 --> 00:33:05,680
Speaker 5: It's perfect right, because if I knew the name for it,

703
00:33:05,680 --> 00:33:07,920
Speaker 5: it wouldn't be fun I think.

704
00:33:09,440 --> 00:33:09,920
Speaker 3: So good.

705
00:33:10,640 --> 00:33:12,720
Speaker 4: It's like, if you knew the name for it, it would

706
00:33:12,720 --> 00:33:14,920
Speaker 4: be a full lesson learned. Instead, it's just.

707
00:33:17,680 --> 00:33:18,200
Speaker 1: You learn.

708
00:33:20,160 --> 00:33:21,080
Speaker 3: That good.

709
00:33:22,320 --> 00:33:26,040
Speaker 4: Corey ads. Besides, Eric, I hit a teacher. Remember the

710
00:33:26,080 --> 00:33:28,640
Speaker 4: dean put me on probation. I do one thing wrong,

711
00:33:28,680 --> 00:33:31,200
Speaker 4: I'm out of here. Sean asks Eric, don't you think

712
00:33:31,240 --> 00:33:33,880
Speaker 4: Phoene can take care of himself? But Eric shakes his head.

713
00:33:34,000 --> 00:33:37,640
Speaker 4: I'm ashamed. I'm ashamed to call you guys, my brother Sean.

714
00:33:38,360 --> 00:33:40,400
Speaker 4: The more we say how long this went on? Every

715
00:33:40,400 --> 00:33:42,120
Speaker 4: time I read another thing, though, I'm like, but what

716
00:33:42,160 --> 00:33:42,640
Speaker 4: do you cut?

717
00:33:43,320 --> 00:33:46,240
Speaker 3: That's a problem cut. They were like, we just gotta

718
00:33:46,280 --> 00:33:47,320
Speaker 3: go with it. We just gotta.

719
00:33:48,800 --> 00:33:50,560
Speaker 2: It's really funny. It was just too long, but it's

720
00:33:50,600 --> 00:33:51,280
Speaker 2: really funny.

721
00:33:51,480 --> 00:33:54,280
Speaker 4: He grabs a cupcake off the table and shoves it

722
00:33:54,280 --> 00:33:56,880
Speaker 4: in his mouth, staring down Sean in the process. Then

723
00:33:56,960 --> 00:34:00,640
Speaker 4: he walks away to a big applause from the inmates. Unimpressed,

724
00:34:00,640 --> 00:34:02,880
Speaker 4: Sean tells Corey, he ate the paper.

725
00:34:03,800 --> 00:34:07,320
Speaker 2: Wait a minute, that's right, there's applause. Yeah, so maybe

726
00:34:07,320 --> 00:34:08,120
Speaker 2: there was audience.

727
00:34:08,920 --> 00:34:12,160
Speaker 4: There must have been audience.

728
00:34:12,640 --> 00:34:12,960
Speaker 1: Yeah.

729
00:34:13,080 --> 00:34:16,640
Speaker 2: Maybe it sounded pretty organic though, the clapping, that's right.

730
00:34:17,320 --> 00:34:21,000
Speaker 5: And there's the reaction to the brain stuff they oh

731
00:34:21,040 --> 00:34:21,480
Speaker 5: and awe.

732
00:34:21,520 --> 00:34:24,240
Speaker 2: But I also I definitely remember.

733
00:34:24,680 --> 00:34:27,520
Speaker 4: Wait, you know what I remember? Maybe they played this

734
00:34:27,640 --> 00:34:32,480
Speaker 4: episode for another audience, like another week's audience capture and

735
00:34:32,560 --> 00:34:33,680
Speaker 4: captured reaction.

736
00:34:33,880 --> 00:34:36,239
Speaker 2: That's what they did. Yeah, yeah, that could have been it.

737
00:34:36,280 --> 00:34:39,120
Speaker 4: The brain stuff. There's no way that would have been

738
00:34:39,120 --> 00:34:40,640
Speaker 4: something we shot in front of the audience.

739
00:34:40,719 --> 00:34:43,080
Speaker 1: No, that was the other side of the that was

740
00:34:43,120 --> 00:34:44,360
Speaker 1: the same side as the audience.

741
00:34:44,400 --> 00:34:46,040
Speaker 2: As well down you're looking at the audience.

742
00:34:46,040 --> 00:34:47,719
Speaker 1: It was all the way down to the left, and

743
00:34:47,760 --> 00:34:49,879
Speaker 1: it was a big, cavernous kind of set at the time,

744
00:34:50,000 --> 00:34:51,600
Speaker 1: and that definitely wasn't done.

745
00:34:51,480 --> 00:34:52,160
Speaker 3: In front of the audience.

746
00:34:52,560 --> 00:34:54,200
Speaker 2: I can't remember if we just blocked and taped a

747
00:34:54,200 --> 00:34:56,680
Speaker 2: couple scenes and then.

748
00:34:56,840 --> 00:34:57,600
Speaker 3: I'm just remembering.

749
00:34:57,640 --> 00:35:00,719
Speaker 5: This is the episode where and Sing came to visit

750
00:35:00,760 --> 00:35:02,520
Speaker 5: and I had the conversation about the monkeys.

751
00:35:03,400 --> 00:35:07,760
Speaker 4: Tell the story again. It's so funny. That story cracks

752
00:35:07,840 --> 00:35:08,160
Speaker 4: me up.

753
00:35:08,239 --> 00:35:10,440
Speaker 5: It was. Yeah, so we were at Craft Service and

754
00:35:10,560 --> 00:35:14,520
Speaker 5: it was me and Justin and I guess Lance or

755
00:35:14,520 --> 00:35:17,839
Speaker 5: whoever else having a conversation about like what's next, and

756
00:35:17,840 --> 00:35:21,160
Speaker 5: and just well, yeah, for indsake, and Justin was like, yeah, well,

757
00:35:21,480 --> 00:35:23,920
Speaker 5: you know, they want us to do like a TV

758
00:35:24,000 --> 00:35:26,560
Speaker 5: show or you know, like with the band as acting.

759
00:35:26,920 --> 00:35:28,960
Speaker 5: And I was and I was like, uh, are you

760
00:35:29,000 --> 00:35:31,240
Speaker 5: going to do that? And You're like, yeah, we really

761
00:35:31,239 --> 00:35:32,680
Speaker 5: don't want to do that. And we were both just

762
00:35:32,719 --> 00:35:35,919
Speaker 5: sort of like acknowledging and that's kind of a crappy.

763
00:35:35,680 --> 00:35:38,040
Speaker 3: Cheesy hockey idea.

764
00:35:38,440 --> 00:35:41,239
Speaker 5: And Mickey Dolan's grabbed a handful of nuts right behind

765
00:35:41,320 --> 00:35:43,600
Speaker 5: from Craft Services, like why why not why not? And

766
00:35:43,760 --> 00:35:47,879
Speaker 5: was eating and I just remember watching Justin turn make realize.

767
00:35:47,600 --> 00:35:49,560
Speaker 3: Who he was talking to, make the calculation be like, oh,

768
00:35:49,600 --> 00:35:51,759
Speaker 3: well it's just not you know, we'll see it's you're

769
00:35:51,760 --> 00:35:52,120
Speaker 3: on Twitter.

770
00:35:52,160 --> 00:35:55,600
Speaker 5: We'll probably I don't know why we would, and like

771
00:35:55,760 --> 00:35:59,520
Speaker 5: it was just one of the greatest moments only see

772
00:35:59,560 --> 00:36:05,799
Speaker 5: the creation and like, oh Timberlake back pedaling in front

773
00:36:05,840 --> 00:36:06,080
Speaker 5: of them.

774
00:36:07,719 --> 00:36:09,560
Speaker 2: Only in Hollywood craft service tables you.

775
00:36:09,520 --> 00:36:12,120
Speaker 1: Get to see this kind of Oh why would band

776
00:36:12,160 --> 00:36:13,160
Speaker 1: being a TV show?

777
00:36:13,200 --> 00:36:14,800
Speaker 3: That's the dumbest thing I've ever heard.

778
00:36:15,040 --> 00:36:19,960
Speaker 4: Oh hello, Hello, he's behind me, isn't it.

779
00:36:19,960 --> 00:36:22,040
Speaker 5: It probably also came out of now that I realized

780
00:36:22,040 --> 00:36:25,200
Speaker 5: that the conversation probably evolved out of Nobody's angel having

781
00:36:25,239 --> 00:36:28,160
Speaker 5: been on our show, so you know, the idea of

782
00:36:28,200 --> 00:36:32,120
Speaker 5: like boy bands appearing on shows, Like I'm sure that

783
00:36:32,120 --> 00:36:33,480
Speaker 5: that's why he and I were talking.

784
00:36:33,280 --> 00:36:35,719
Speaker 4: About Mickey Dolan's direct that episode.

785
00:36:35,840 --> 00:36:37,399
Speaker 3: That would that would have made sense.

786
00:36:37,640 --> 00:36:40,080
Speaker 5: But I'm sitting there, Yeah, I probably was like, you know,

787
00:36:40,160 --> 00:36:42,719
Speaker 5: it really didn't work, Like we had these girls on

788
00:36:42,719 --> 00:36:44,600
Speaker 5: her ship, you don't know what. And then Justin was like, yeah,

789
00:36:44,600 --> 00:36:45,920
Speaker 5: they want us to do it, but it's gonna be

790
00:36:45,960 --> 00:36:47,000
Speaker 5: why would we ever do that?

791
00:36:47,120 --> 00:36:51,520
Speaker 3: Oh, mickey, it's a great moment.

792
00:36:52,440 --> 00:36:55,000
Speaker 4: So then we're in the apartment. Jack and Rachel are

793
00:36:55,000 --> 00:36:57,399
Speaker 4: making out, but something seems to be bothering her. Jack

794
00:36:57,480 --> 00:37:00,400
Speaker 4: is worried. What's the matter? She explains, you know, I

795
00:37:00,440 --> 00:37:02,680
Speaker 4: really love this, but have you noticed that this is

796
00:37:02,680 --> 00:37:07,879
Speaker 4: all we do? Jack smiles, Yeah, isn't it great? She agrees, Yeah, yeah,

797
00:37:07,920 --> 00:37:10,960
Speaker 4: it is great, but I want more. Jack looks up

798
00:37:11,000 --> 00:37:14,279
Speaker 4: at God. Oh thank you. He grabs Rachel's hand to

799
00:37:14,320 --> 00:37:17,000
Speaker 4: head upstairs. Well, more is right this way.

800
00:37:17,160 --> 00:37:20,879
Speaker 1: So they're not sleeping together, of course, lived together, of course,

801
00:37:20,960 --> 00:37:21,520
Speaker 1: sleep together.

802
00:37:21,840 --> 00:37:23,520
Speaker 2: It's just but again, we've we've.

803
00:37:23,360 --> 00:37:26,120
Speaker 1: Already talked about the fact that that Jack has had

804
00:37:26,160 --> 00:37:28,360
Speaker 1: sex because he's in the Streame episode.

805
00:37:28,400 --> 00:37:31,480
Speaker 2: He's dead. So you just I don't know why they

806
00:37:31,520 --> 00:37:32,520
Speaker 2: had to bracket.

807
00:37:32,120 --> 00:37:34,359
Speaker 1: The fact that they're definitely not having sex, Like, why

808
00:37:34,480 --> 00:37:38,399
Speaker 1: even address it in any way? Shape because it's they're

809
00:37:38,440 --> 00:37:39,840
Speaker 1: in their twenties and they live together.

810
00:37:40,280 --> 00:37:41,200
Speaker 3: Yeah, enter dating.

811
00:37:41,600 --> 00:37:43,719
Speaker 1: I mean, it's just a kid's show, I know, but

812
00:37:43,760 --> 00:37:45,880
Speaker 1: it's not though at this point they were all, you know,

813
00:37:46,239 --> 00:37:47,200
Speaker 1: adults in college.

814
00:37:47,560 --> 00:37:49,320
Speaker 2: Yeah, yeah, it's TJF.

815
00:37:49,320 --> 00:37:52,000
Speaker 3: Though they're still hoping that eight year olds are watching.

816
00:37:53,000 --> 00:37:53,600
Speaker 2: Yeah, I don't know.

817
00:37:53,640 --> 00:37:56,120
Speaker 1: It just seemed like a weird thing to throw out there, like, yes,

818
00:37:56,160 --> 00:37:58,840
Speaker 1: I get to have sex with this adult woman I live.

819
00:37:58,719 --> 00:38:04,399
Speaker 4: With the next thing, she said, But but she stops him.

820
00:38:04,440 --> 00:38:07,280
Speaker 4: Oh no, I mean I want us to be a couple.

821
00:38:07,920 --> 00:38:12,360
Speaker 4: So okay, so they're not officially a couple.

822
00:38:12,640 --> 00:38:13,600
Speaker 2: They live together.

823
00:38:13,640 --> 00:38:15,520
Speaker 4: I mean that's but they live together because they're because

824
00:38:15,520 --> 00:38:17,160
Speaker 4: they were living together.

825
00:38:17,160 --> 00:38:19,960
Speaker 2: They separate rooms. We think they're I think she went

826
00:38:20,040 --> 00:38:20,800
Speaker 2: up in one direction.

827
00:38:20,920 --> 00:38:28,040
Speaker 4: He Jack's confused. We are a couple. She's not sold.

828
00:38:28,080 --> 00:38:29,960
Speaker 4: I want to go out, Jack, we haven't gone out

829
00:38:29,960 --> 00:38:32,280
Speaker 4: since we've become a couple. Why don't we ever go anywhere?

830
00:38:32,280 --> 00:38:34,440
Speaker 4: So I guess they are a couple. I don't know.

831
00:38:34,880 --> 00:38:37,360
Speaker 4: He disagrees. We go plenty of places. He points to

832
00:38:37,360 --> 00:38:40,000
Speaker 4: different places in the apartment. First you went there, then

833
00:38:40,040 --> 00:38:41,800
Speaker 4: you went there, and now we're gonna go up there.

834
00:38:42,200 --> 00:38:44,600
Speaker 4: She clarifies, I want to be with people. I want

835
00:38:44,600 --> 00:38:48,520
Speaker 4: to go dancing. Jack looks stressed. Let's go to the movies.

836
00:38:48,960 --> 00:38:51,319
Speaker 4: She points out. The movies are dark, no one will

837
00:38:51,320 --> 00:38:53,480
Speaker 4: see us, and I want to show you off. She

838
00:38:53,520 --> 00:38:55,840
Speaker 4: scoots closer to him. I want to go dancing. You

839
00:38:55,880 --> 00:38:59,520
Speaker 4: can dance, right, Jack half heartedly answers, Yeah, I can dance.

840
00:39:00,040 --> 00:39:02,160
Speaker 1: It's a great answer to the way he does it

841
00:39:02,280 --> 00:39:02,960
Speaker 1: because he can.

842
00:39:05,400 --> 00:39:07,360
Speaker 2: Yes, Yes, I can dance.

843
00:39:08,880 --> 00:39:11,320
Speaker 4: She hugs him and exclaims, great. Then we'll go dancing

844
00:39:11,320 --> 00:39:14,239
Speaker 4: tomorrow night. She begins to walk upstairs. Oh, Jack, this

845
00:39:14,360 --> 00:39:16,239
Speaker 4: is going to be so much fun. I can't wait.

846
00:39:16,840 --> 00:39:19,279
Speaker 4: Jack does not seem to be too happy about this plan.

847
00:39:20,360 --> 00:39:22,279
Speaker 4: And then we're in Phoenie's classroom and the students are

848
00:39:22,280 --> 00:39:24,480
Speaker 4: sitting at their desks, while Feenie and Dean Boland are

849
00:39:24,480 --> 00:39:26,919
Speaker 4: also watch on as Curtis speaks to the class about

850
00:39:26,920 --> 00:39:30,840
Speaker 4: his adventures. So I jump off the cliff, grab hold

851
00:39:30,880 --> 00:39:33,799
Speaker 4: of a big old branch jungle gym to the river

852
00:39:34,080 --> 00:39:37,560
Speaker 4: and never saw Chief Yakazo's ugly mug again. And the

853
00:39:37,600 --> 00:39:40,360
Speaker 4: cursed Ruby of the zang Kwai now resides in the

854
00:39:40,360 --> 00:39:44,400
Speaker 4: Turkish Museum of Natural History, diagonally across from the Hard

855
00:39:44,520 --> 00:39:53,160
Speaker 4: Rock Cafe. Hard Rock Cafe makes me laugh. So gosh,

856
00:39:53,200 --> 00:39:55,080
Speaker 4: it was so big in the nineties.

857
00:39:55,239 --> 00:39:57,800
Speaker 2: It was so great, and it was do you remember

858
00:39:58,080 --> 00:39:58,920
Speaker 2: Planet Hollywood?

859
00:39:59,400 --> 00:40:02,719
Speaker 1: Is the captain crunched chicken fingers that we would all

860
00:40:02,760 --> 00:40:05,680
Speaker 1: go to get the cafic crunch with that amazing dipping sauce.

861
00:40:05,760 --> 00:40:08,480
Speaker 5: Like, why did we I feel like I was always

862
00:40:08,480 --> 00:40:10,680
Speaker 5: being invited to planet Hollywood for some of the events.

863
00:40:10,680 --> 00:40:11,719
Speaker 3: We were always.

864
00:40:11,400 --> 00:40:13,640
Speaker 4: Invited to Planet Hollywood. We got to put our hands

865
00:40:13,640 --> 00:40:14,440
Speaker 4: in the mud.

866
00:40:14,800 --> 00:40:15,160
Speaker 2: I don't know.

867
00:40:15,680 --> 00:40:16,920
Speaker 3: They only wanted to peng us.

868
00:40:17,160 --> 00:40:18,600
Speaker 2: No, I got I had mine done too.

869
00:40:18,920 --> 00:40:21,439
Speaker 3: Really you did it too, for sure, And it wasn't mud.

870
00:40:21,440 --> 00:40:22,560
Speaker 3: It was cement, right, I.

871
00:40:22,560 --> 00:40:25,960
Speaker 5: Mean that's like, okays, muddy stuff, just like you put

872
00:40:25,960 --> 00:40:26,840
Speaker 5: it in mud and then wash it.

873
00:40:26,920 --> 00:40:29,040
Speaker 4: Oh okay, so like four inches three four.

874
00:40:28,920 --> 00:40:32,320
Speaker 1: Inches okay, regular photo this episode photo.

875
00:40:33,280 --> 00:40:35,960
Speaker 5: For some reason, they put her in lifts then even

876
00:40:36,000 --> 00:40:37,160
Speaker 5: though they look like flats.

877
00:40:37,520 --> 00:40:40,240
Speaker 2: Look how much taller she is now?

878
00:40:42,000 --> 00:40:46,640
Speaker 4: Yeah, maybe she's in flats for that opening scene so

879
00:40:46,680 --> 00:40:48,680
Speaker 4: that we established she's in flats, and then for the

880
00:40:48,680 --> 00:40:50,280
Speaker 4: rest of the episode she actually wore heels.

881
00:40:50,440 --> 00:40:52,799
Speaker 1: Oh maybe that's what it is, because I mean she's like,

882
00:40:53,800 --> 00:40:55,839
Speaker 1: she's like, it's six inches taller than him.

883
00:40:56,080 --> 00:40:59,200
Speaker 4: Though if she stood right next to him, it wouldn't

884
00:40:59,200 --> 00:41:01,280
Speaker 4: be that big of a difference. I bet that angle,

885
00:41:01,840 --> 00:41:03,480
Speaker 4: but I do it is possible that she had on

886
00:41:03,560 --> 00:41:05,480
Speaker 4: little heels for the rest of the episode, and for

887
00:41:05,520 --> 00:41:08,080
Speaker 4: that establishing shut those.

888
00:41:07,840 --> 00:41:11,759
Speaker 2: Are her shoes in the episode. I can't tell what

889
00:41:11,800 --> 00:41:12,200
Speaker 2: they are.

890
00:41:12,239 --> 00:41:13,759
Speaker 4: Ah, there's a little heel there.

891
00:41:13,880 --> 00:41:15,960
Speaker 3: Oh yeah, oh yeah, that's what.

892
00:41:16,160 --> 00:41:18,279
Speaker 1: Okay, So that's what because this is the two of

893
00:41:18,320 --> 00:41:21,480
Speaker 1: them together when he's in I can't dig shoes.

894
00:41:21,640 --> 00:41:24,520
Speaker 3: Yeah, because he's getting like six inches.

895
00:41:24,200 --> 00:41:27,480
Speaker 2: Off of that at least at least, so okay.

896
00:41:27,840 --> 00:41:30,880
Speaker 4: All the students except for Eric, clap in amazement to

897
00:41:30,880 --> 00:41:35,040
Speaker 4: paying an angela let out and inspired Wow. Eric aggressively

898
00:41:35,080 --> 00:41:38,560
Speaker 4: asks them, Hey, whose side are you on? Phoene speaks up, well,

899
00:41:38,600 --> 00:41:42,480
Speaker 4: thank you, doctor Kincaid for that vivid story, which provides

900
00:41:42,560 --> 00:41:45,759
Speaker 4: us with a perfect transition into today's assignment, where on

901
00:41:45,920 --> 00:41:49,880
Speaker 4: neighboring crete we will find Sir Arthur Evans excavating a

902
00:41:49,960 --> 00:41:53,360
Speaker 4: minoan nosis. I don't know what. I don't know how

903
00:41:53,400 --> 00:41:56,200
Speaker 4: to say any of the beginning in eighteen ninety nine,

904
00:41:56,840 --> 00:41:59,879
Speaker 4: as Phoeney continues to lecture, the class clearly falls into

905
00:42:00,560 --> 00:42:02,440
Speaker 4: Eric casually walks to the front of the room to

906
00:42:02,480 --> 00:42:04,680
Speaker 4: throw something out, and on his way back to his seat,

907
00:42:04,800 --> 00:42:07,000
Speaker 4: Eric coughs into Phoene's ear, you're dying.

908
00:42:07,200 --> 00:42:08,680
Speaker 3: Do something.

909
00:42:10,120 --> 00:42:13,360
Speaker 4: Phoeney continues, we will read what Evans was most interested

910
00:42:13,400 --> 00:42:16,200
Speaker 4: in excavating and the effect it had on archaeology in

911
00:42:16,239 --> 00:42:22,279
Speaker 4: the twentieth century. Even Curtis looks bored. He exclaims, ponderous, man, ponderous,

912
00:42:22,400 --> 00:42:26,080
Speaker 4: while shaking his head. Dean Bolander tells her ex George

913
00:42:26,120 --> 00:42:30,200
Speaker 4: is a fine educator, Curtis. Curtis shrugs his shoulders. Sorry,

914
00:42:30,200 --> 00:42:32,959
Speaker 4: but when you've had these experiences firsthand, it's a little

915
00:42:33,000 --> 00:42:35,719
Speaker 4: hard to get excited about reading a book. But I

916
00:42:35,800 --> 00:42:39,720
Speaker 4: suppose reading is a lot safer than actually doing something.

917
00:42:40,120 --> 00:42:45,080
Speaker 2: Oh Shot, still in the audience, Yehill be the audience.

918
00:42:45,400 --> 00:42:47,680
Speaker 4: Eric, Corey and Sean overhear these statements, and a little

919
00:42:47,680 --> 00:42:51,920
Speaker 4: Italian music starts to play. The three boys exchange looks.

920
00:42:52,600 --> 00:42:55,880
Speaker 4: Corey leans into Sean back in his godfather accent. I

921
00:42:55,920 --> 00:43:00,520
Speaker 4: feel as though this gentleman may require our attention. Sean

922
00:43:00,840 --> 00:43:05,720
Speaker 4: nods in agreement, perhaps a lesson in humility. Corey adds

923
00:43:05,920 --> 00:43:11,120
Speaker 4: something big, Shawna grees something spectacular. Corey looks at Sean

924
00:43:11,200 --> 00:43:14,120
Speaker 4: and in his normal voice, prefaces, but let's not get

925
00:43:14,120 --> 00:43:17,439
Speaker 4: caught like all the other times. Okay, and then we're

926
00:43:17,440 --> 00:43:23,799
Speaker 4: in the college science department storage closet. Sure, Corey and

927
00:43:23,840 --> 00:43:25,200
Speaker 4: Sean walk inside, and.

928
00:43:29,840 --> 00:43:32,959
Speaker 2: Seriously, it's like, is this the Smithsonian? What's happening here?

929
00:43:34,040 --> 00:43:38,000
Speaker 4: Apparently this college is an overflow from a museum. Corey

930
00:43:38,120 --> 00:43:42,000
Speaker 4: is excited. Oh ho, shany of all the plans we've concocted,

931
00:43:42,440 --> 00:43:46,160
Speaker 4: this is the best one. And we have concocted some doozies.

932
00:43:46,600 --> 00:43:49,279
Speaker 4: Shawn agrees, and Feenie always caught us. But we're in

933
00:43:49,320 --> 00:43:53,040
Speaker 4: college now, we are older, we're wiser. Corey wonders, you

934
00:43:53,040 --> 00:43:55,680
Speaker 4: think he's up to the challenge. Sean grins. It's us

935
00:43:55,719 --> 00:43:59,239
Speaker 4: against him, living on the edge. Babe. Corey gushes, I

936
00:43:59,320 --> 00:44:02,080
Speaker 4: like it when you call him babe. Sean is ready.

937
00:44:02,160 --> 00:44:04,520
Speaker 4: All right, So Eric said, this guy Curtis stored all

938
00:44:04,560 --> 00:44:06,839
Speaker 4: the stuff from his last dig here in the science lab.

939
00:44:07,239 --> 00:44:10,640
Speaker 4: Corey examines the artifacts. Yeah, he's supposedly got something that's

940
00:44:10,680 --> 00:44:13,800
Speaker 4: going to alter the course of the new millennium. Sean asks,

941
00:44:13,840 --> 00:44:16,359
Speaker 4: are we ready to execute phase one of our master plan?

942
00:44:16,719 --> 00:44:19,480
Speaker 4: Didn't you guys already have this conversation like you were

943
00:44:19,480 --> 00:44:21,680
Speaker 4: we ready? It feels like we could have cut this

944
00:44:21,840 --> 00:44:22,520
Speaker 4: little part out.

945
00:44:22,640 --> 00:44:25,560
Speaker 2: This is also a terrible plan, breaking artifacts. It's like,

946
00:44:25,760 --> 00:44:26,760
Speaker 2: how is this the plan?

947
00:44:27,040 --> 00:44:31,279
Speaker 5: This wat this is where we were miserable, and I think, yeah,

948
00:44:31,320 --> 00:44:32,480
Speaker 5: you know, it's just I don't know.

949
00:44:32,640 --> 00:44:36,720
Speaker 4: It is true that for all the mayhem Corey and Sean,

950
00:44:36,880 --> 00:44:40,400
Speaker 4: cause they're not usually destructive.

951
00:44:39,880 --> 00:44:43,799
Speaker 5: No at all, No, and that the funny parts were

952
00:44:43,840 --> 00:44:47,000
Speaker 5: always that Sean was making Corey do it and Corey

953
00:44:47,080 --> 00:44:51,480
Speaker 5: was more nervous, right, amazingly, so the dynamic of the

954
00:44:51,520 --> 00:44:54,879
Speaker 5: Corey Sean doesn't ever work like this, right, Like think

955
00:44:54,920 --> 00:44:56,960
Speaker 5: about think about the B and B episode, right, like

956
00:44:57,000 --> 00:44:59,800
Speaker 5: the whole the dynamic is Sean being like, it's gonna

957
00:44:59,840 --> 00:45:00,360
Speaker 5: be fine.

958
00:45:00,400 --> 00:45:04,120
Speaker 4: It's exactly, it's a victimless crime, right yes.

959
00:45:04,200 --> 00:45:06,480
Speaker 5: And and but also just the between the two of us,

960
00:45:06,480 --> 00:45:10,000
Speaker 5: the energy, whereas this has this like weird performative, like

961
00:45:10,719 --> 00:45:12,439
Speaker 5: I don't know, it just feels weird.

962
00:45:12,760 --> 00:45:15,880
Speaker 4: It's yeah, yeah, I agree, this doesn't. It feels a

963
00:45:15,880 --> 00:45:20,080
Speaker 4: little out of character. Although the characters, the idea for

964
00:45:20,160 --> 00:45:23,040
Speaker 4: it is funny, it's just not not in character.

965
00:45:23,600 --> 00:45:25,680
Speaker 1: I remember, this is where all the problems started, was

966
00:45:25,760 --> 00:45:28,759
Speaker 1: just this set. Everything in this set was that we

967
00:45:28,760 --> 00:45:29,319
Speaker 1: were just not.

968
00:45:29,840 --> 00:45:31,719
Speaker 5: And I think coming back, it probably had to do

969
00:45:31,920 --> 00:45:34,440
Speaker 5: with just all the props, you know, like all that

970
00:45:34,480 --> 00:45:37,080
Speaker 5: stuff adds time makes actors.

971
00:45:37,160 --> 00:45:39,600
Speaker 4: Some actress are really good actors.

972
00:45:39,600 --> 00:45:41,440
Speaker 3: And then we had not We had to be that.

973
00:45:41,480 --> 00:45:43,440
Speaker 3: We had to like drug do you remember this.

974
00:45:43,520 --> 00:45:45,080
Speaker 4: We had to like there was a real bee.

975
00:45:45,800 --> 00:45:46,920
Speaker 2: Yeah, we had.

976
00:45:46,760 --> 00:45:48,719
Speaker 5: Like a b wrangler and and because you know, we

977
00:45:48,719 --> 00:45:50,799
Speaker 5: don't want to like put we had to put a

978
00:45:50,840 --> 00:45:51,680
Speaker 5: live b on her.

979
00:45:51,760 --> 00:45:53,560
Speaker 3: And I forget how we did it, but there's some

980
00:45:54,239 --> 00:45:56,360
Speaker 3: like thing you you.

981
00:45:55,880 --> 00:45:58,120
Speaker 5: Like, stun a bee and put it on her and

982
00:45:58,280 --> 00:45:59,600
Speaker 5: you know it probably didn't have a stinger.

983
00:45:59,640 --> 00:46:01,440
Speaker 3: I don't like. I just it was a lot. There

984
00:46:01,480 --> 00:46:03,279
Speaker 3: was a lot of stuff going on and everyone was

985
00:46:03,400 --> 00:46:03,960
Speaker 3: stressed out.

986
00:46:04,200 --> 00:46:06,440
Speaker 2: And there's like nine people in that set. Yeah, I

987
00:46:06,480 --> 00:46:08,319
Speaker 2: mean we think about it's the whole damn cast is

988
00:46:08,320 --> 00:46:10,960
Speaker 2: in that one set. Yeah. It was.

989
00:46:11,040 --> 00:46:14,200
Speaker 1: I remember just not going well the whole week. I

990
00:46:14,200 --> 00:46:16,239
Speaker 1: mean just it was every time we stepped into that set,

991
00:46:16,239 --> 00:46:17,319
Speaker 1: it was not a good time.

992
00:46:18,160 --> 00:46:21,640
Speaker 4: Yeah, hearing you talk about it, if I were a

993
00:46:21,680 --> 00:46:23,960
Speaker 4: director getting that script, I'd be like, oh my gosh,

994
00:46:24,000 --> 00:46:26,040
Speaker 4: we have a huge set with a bunch of props

995
00:46:26,040 --> 00:46:28,840
Speaker 4: and we've got nine people in it with a live b.

996
00:46:29,080 --> 00:46:30,240
Speaker 4: I'd be like, this is a nightmare.

997
00:46:30,320 --> 00:46:33,400
Speaker 1: Well, I remember you and I and Trina were just like,

998
00:46:33,480 --> 00:46:35,680
Speaker 1: we did our best to just tuck back away.

999
00:46:35,880 --> 00:46:36,880
Speaker 2: Yeah, and we were.

1000
00:46:36,760 --> 00:46:38,680
Speaker 1: Trying to step but then they'd have us step up

1001
00:46:38,719 --> 00:46:40,400
Speaker 1: for a line and then step back, and then step

1002
00:46:40,480 --> 00:46:41,880
Speaker 1: up for a line and step back, and it was

1003
00:46:41,960 --> 00:46:42,720
Speaker 1: just one of those.

1004
00:46:43,000 --> 00:46:45,400
Speaker 2: Very awkward, yeah, very awkward times.

1005
00:46:46,640 --> 00:46:50,080
Speaker 4: So Corey's enthused, let's mess this place up. The boys

1006
00:46:50,120 --> 00:46:52,600
Speaker 4: start aimlessly throwing paper in the air and moving things

1007
00:46:52,640 --> 00:46:55,319
Speaker 4: all around. Corey announces, you know, Shannie, I honestly don't

1008
00:46:55,320 --> 00:46:58,200
Speaker 4: see how anything could be simpler. He agrees this is

1009
00:46:58,320 --> 00:47:03,400
Speaker 4: child's play. What's this? Sure enough, he's examining a brain

1010
00:47:03,560 --> 00:47:07,360
Speaker 4: in a big jar. Corey insists that's gotta be his discovery.

1011
00:47:07,560 --> 00:47:10,719
Speaker 4: He discovered the world's first brain. If this gets out,

1012
00:47:10,719 --> 00:47:13,839
Speaker 4: PHOENI will never get the Dean. Sean's impressed. You could

1013
00:47:13,840 --> 00:47:18,120
Speaker 4: get any woman with the world's first brain. Corey wonders,

1014
00:47:18,280 --> 00:47:21,759
Speaker 4: could I get to Panga? Sean responds, yeah, I think

1015
00:47:21,840 --> 00:47:24,279
Speaker 4: you could could have been.

1016
00:47:24,200 --> 00:47:29,560
Speaker 1: Lifted also, So the just to follow the track.

1017
00:47:29,680 --> 00:47:30,600
Speaker 2: The plan is.

1018
00:47:32,520 --> 00:47:37,560
Speaker 1: Trash the stuff and make it and Blaine feenie. So

1019
00:47:37,600 --> 00:47:41,319
Speaker 1: then when the Dean comes in, what because Eric then

1020
00:47:41,440 --> 00:47:43,759
Speaker 1: throws in like he just made it up. Oh, this

1021
00:47:43,920 --> 00:47:46,239
Speaker 1: was an act of love, So that wasn't part of

1022
00:47:46,280 --> 00:47:47,320
Speaker 1: the original plan.

1023
00:47:47,640 --> 00:47:52,000
Speaker 5: So that I think the original plan is to make

1024
00:47:52,080 --> 00:47:56,920
Speaker 5: it look like Feenie destroyed ofrage of jealousy.

1025
00:47:57,080 --> 00:47:58,720
Speaker 3: Yeah, attacked his find.

1026
00:47:58,840 --> 00:48:00,880
Speaker 4: So I do think you're part of it. Was with

1027
00:48:01,000 --> 00:48:02,800
Speaker 4: that was was part of it, even.

1028
00:48:02,680 --> 00:48:04,680
Speaker 1: Though it seems I didn't play it like that at all,

1029
00:48:04,680 --> 00:48:07,080
Speaker 1: because I played it like I just Eric just comes

1030
00:48:07,120 --> 00:48:09,520
Speaker 1: up with But it's an act of love like it was.

1031
00:48:09,640 --> 00:48:11,959
Speaker 2: It wasn't like he. I didn't play it like I was.

1032
00:48:11,880 --> 00:48:14,759
Speaker 3: In on the You screwed it up as an actor.

1033
00:48:14,840 --> 00:48:18,600
Speaker 2: If that's the plan, this whole episode is my fault.

1034
00:48:18,920 --> 00:48:19,560
Speaker 2: That's my fault.

1035
00:48:19,640 --> 00:48:23,320
Speaker 1: You apologize just me andry about I didn't hear anything

1036
00:48:23,360 --> 00:48:24,400
Speaker 1: after be Wrangler.

1037
00:48:24,600 --> 00:48:25,319
Speaker 2: I'm honest with you.

1038
00:48:25,440 --> 00:48:28,759
Speaker 3: Let's go, I want to be a be Wrangler. Let's

1039
00:48:28,760 --> 00:48:29,239
Speaker 3: get Mackey.

1040
00:48:29,760 --> 00:48:33,520
Speaker 2: Yeah Francis you said, Francis is eighty three.

1041
00:48:33,560 --> 00:48:36,160
Speaker 4: Now he's still working, He's still doing it. Corey lets

1042
00:48:36,160 --> 00:48:39,719
Speaker 4: out a Homer Simpson style whoa and grabs the brain jar.

1043
00:48:39,960 --> 00:48:42,160
Speaker 4: Sean stops him. Whoa, whoa? Hey, that jar has been

1044
00:48:42,160 --> 00:48:45,160
Speaker 4: closed for five thousand years. Corey is struggling to open it.

1045
00:48:45,239 --> 00:48:47,520
Speaker 4: You know, this must be the world's first jar. How

1046
00:48:47,560 --> 00:48:50,399
Speaker 4: do I get this thing open? Also, this this joke

1047
00:48:50,400 --> 00:48:53,360
Speaker 4: about the world's first brain, isn't that funny?

1048
00:48:53,640 --> 00:48:53,920
Speaker 3: No?

1049
00:48:54,200 --> 00:48:57,080
Speaker 2: Not to keep it going, and it keeps going, Yeah.

1050
00:48:56,880 --> 00:48:58,839
Speaker 5: I know, And it's all this level of like are

1051
00:48:58,880 --> 00:49:01,480
Speaker 5: we supposed to be stupid? Because then we're able to

1052
00:49:01,560 --> 00:49:04,920
Speaker 5: like reference all the like yeah, actual artifacts and stuff.

1053
00:49:05,000 --> 00:49:06,919
Speaker 5: So it's like, are we doing this ironically?

1054
00:49:07,280 --> 00:49:07,759
Speaker 3: I don't know.

1055
00:49:08,280 --> 00:49:10,319
Speaker 1: You're also hitting a jar like you're going to open

1056
00:49:10,320 --> 00:49:12,560
Speaker 1: a screwtop jar, which is actually just a pull off things.

1057
00:49:12,680 --> 00:49:17,239
Speaker 5: I think the point was we know all these things

1058
00:49:17,280 --> 00:49:19,640
Speaker 5: are going to happen, and that we're supposed to just

1059
00:49:19,719 --> 00:49:24,320
Speaker 5: be like ironically protect like we're having a dialogue.

1060
00:49:23,719 --> 00:49:25,279
Speaker 3: To just we just want to trash the place.

1061
00:49:25,520 --> 00:49:28,040
Speaker 5: So this was supposed to be like if you paste

1062
00:49:28,120 --> 00:49:30,120
Speaker 5: this up and Ben and I played it with a

1063
00:49:30,200 --> 00:49:33,640
Speaker 5: level of like banter, like fast banter, I think it

1064
00:49:33,680 --> 00:49:37,720
Speaker 5: would have worked. But instead we're like kind of really

1065
00:49:37,760 --> 00:49:40,160
Speaker 5: playing it really saying like as if we think this

1066
00:49:40,520 --> 00:49:43,600
Speaker 5: it's slow, it's just not working. So I wonder if

1067
00:49:43,600 --> 00:49:45,400
Speaker 5: the dialogue was meant to be like hand me that

1068
00:49:46,440 --> 00:49:48,120
Speaker 5: we're a first jar and instead we're.

1069
00:49:47,920 --> 00:49:51,600
Speaker 3: Like, wow, that's the old you know. It's like it's

1070
00:49:51,680 --> 00:49:55,640
Speaker 3: just too intense, it's too slow, and it's it's it's

1071
00:49:55,640 --> 00:49:57,359
Speaker 3: an energy thing. We should this should have all been

1072
00:49:57,440 --> 00:49:58,680
Speaker 3: like breezy ridiculousness.

1073
00:49:58,800 --> 00:50:00,680
Speaker 4: Yes, you're right, you're right. You guys are if you

1074
00:50:00,760 --> 00:50:04,439
Speaker 4: guys are ironically having a conversation about this brain, Yes,

1075
00:50:04,440 --> 00:50:06,600
Speaker 4: it's it's funny ten times faster.

1076
00:50:06,719 --> 00:50:08,480
Speaker 3: Yeah, it's just like can't bampam. But you don't even

1077
00:50:08,520 --> 00:50:09,480
Speaker 3: have time to process it.

1078
00:50:22,880 --> 00:50:25,360
Speaker 4: So Corey is struggling to open it. You know, Uh,

1079
00:50:25,360 --> 00:50:27,600
Speaker 4: how do I get this thing open? Sean has an idea,

1080
00:50:27,880 --> 00:50:30,759
Speaker 4: hand me the rare Phoenician mallet. Corey picks up a

1081
00:50:30,800 --> 00:50:33,279
Speaker 4: nearby object, and Sean explains, no, no, no, no, that's

1082
00:50:33,320 --> 00:50:36,160
Speaker 4: an Egyptian dental tool. He points to a different object

1083
00:50:36,239 --> 00:50:38,719
Speaker 4: and hits the jar with it. The tool snaps in half,

1084
00:50:38,719 --> 00:50:41,680
Speaker 4: and Sean sighs, Phoenician piece of crap. So we've had

1085
00:50:41,719 --> 00:50:43,800
Speaker 4: a damn and a crap in one episode.

1086
00:50:43,960 --> 00:50:45,440
Speaker 2: We're also breaking artifacts.

1087
00:50:46,520 --> 00:50:48,839
Speaker 4: Sean isn't bothered. I'll replace it. I see them all

1088
00:50:48,840 --> 00:50:50,640
Speaker 4: the time at bed bath and Phoenician.

1089
00:50:51,719 --> 00:50:52,120
Speaker 3: Good joke.

1090
00:50:52,120 --> 00:50:55,240
Speaker 4: It's a funny joke. Here, hand me the byzantine statue

1091
00:50:55,239 --> 00:50:58,319
Speaker 4: of King Hafaratu. Corey hands him the gold piece and

1092
00:50:58,360 --> 00:51:00,640
Speaker 4: Sean hits it on, hits it on the jar as

1093
00:51:00,680 --> 00:51:03,480
Speaker 4: hard as he can. On impact, it shatters into hundreds

1094
00:51:03,480 --> 00:51:06,759
Speaker 4: of pieces. Sean moves along home shopping channel. There's six

1095
00:51:06,800 --> 00:51:10,120
Speaker 4: billion of them left now amongst the mess. Sean easily

1096
00:51:10,120 --> 00:51:12,200
Speaker 4: pops the lid off the brain jar and Corey reaches

1097
00:51:12,200 --> 00:51:15,759
Speaker 4: in to grab it. We get some ea from the

1098
00:51:15,840 --> 00:51:19,799
Speaker 4: audience as the slime drips off the prop. Wow, the

1099
00:51:19,920 --> 00:51:24,040
Speaker 4: human brain, Corey says, the thing that separates us from

1100
00:51:24,040 --> 00:51:27,160
Speaker 4: the animals. Seawan agrees, because they would have an animal brain.

1101
00:51:27,600 --> 00:51:29,719
Speaker 4: Corey nods in agreement. I hold in my mind a.

1102
00:51:29,719 --> 00:51:31,759
Speaker 3: Lot of character that Corey just like, is cool with

1103
00:51:31,840 --> 00:51:33,040
Speaker 3: reaching in and grabbing a brain.

1104
00:51:33,239 --> 00:51:36,320
Speaker 4: I know it's yeah.

1105
00:51:36,719 --> 00:51:38,520
Speaker 5: I mean, first of all, that's just a weird thing

1106
00:51:38,560 --> 00:51:41,600
Speaker 5: to do. That's I don't think any person would just

1107
00:51:41,640 --> 00:51:42,280
Speaker 5: grab it.

1108
00:51:42,320 --> 00:51:45,600
Speaker 4: Okay, oh why would you? There's no reason. You broke

1109
00:51:45,600 --> 00:51:47,400
Speaker 4: it open, put it on the floor, tip it on

1110
00:51:47,440 --> 00:51:49,080
Speaker 4: its side. You don't need to take the brain out.

1111
00:51:50,000 --> 00:51:51,920
Speaker 4: Corey nods in agreement. I hold in my hands the

1112
00:51:51,920 --> 00:51:54,960
Speaker 4: pinnacle of God's creation. Think fast. He chucks the brain

1113
00:51:55,000 --> 00:51:57,080
Speaker 4: at Sean's chest and it falls to the ground. We

1114
00:51:57,160 --> 00:52:01,440
Speaker 4: see it split in half. Sean asks, you want personality

1115
00:52:01,520 --> 00:52:02,400
Speaker 4: or motor skills?

1116
00:52:02,880 --> 00:52:05,160
Speaker 2: Good joke, pretty good, Joe, very very fun.

1117
00:52:06,600 --> 00:52:08,040
Speaker 5: That's what they wanted to get to, because that's a

1118
00:52:08,360 --> 00:52:10,799
Speaker 5: good joke.

1119
00:52:10,000 --> 00:52:13,200
Speaker 4: To your idea or to your note earlier, where you

1120
00:52:13,239 --> 00:52:15,720
Speaker 4: were like, we know all of this is going to happen,

1121
00:52:15,960 --> 00:52:18,160
Speaker 4: Why then do you act? Why is it bad or

1122
00:52:18,200 --> 00:52:22,799
Speaker 4: shocking or surprising? When it splits in half, like now

1123
00:52:22,840 --> 00:52:25,399
Speaker 4: we've really done some damage to it, Like as if

1124
00:52:26,719 --> 00:52:29,200
Speaker 4: just opening it on its own wasn't bad enough. I

1125
00:52:29,239 --> 00:52:31,520
Speaker 4: don't know it just in this moment it felt like, oops,

1126
00:52:31,520 --> 00:52:34,520
Speaker 4: we may have gone too far and why? But why?

1127
00:52:34,719 --> 00:52:38,720
Speaker 4: Why is this too far? Anyway? We're in Phoenie's classroom.

1128
00:52:38,760 --> 00:52:41,359
Speaker 4: Phoene is teaching his students about energy when Eric, who's

1129
00:52:41,360 --> 00:52:43,080
Speaker 4: in the back of the classroom, slams his hand on

1130
00:52:43,120 --> 00:52:45,640
Speaker 4: his desk and shouts, Phoene, stop hiding behind your books.

1131
00:52:46,120 --> 00:52:49,320
Speaker 4: Phoene ignores Eric and continues his explanation on quantum physics,

1132
00:52:49,560 --> 00:52:52,760
Speaker 4: but Eric can see right past the facade. Oh, Phoenie

1133
00:52:52,760 --> 00:52:55,360
Speaker 4: you're in pain, Phoene snaps Eric, you're not even in

1134
00:52:55,440 --> 00:52:59,719
Speaker 4: this class. Nevertheless, Eric wages on, but someone who is

1135
00:52:59,719 --> 00:53:02,760
Speaker 4: perfect fine does not let some world famous, super duper

1136
00:53:02,800 --> 00:53:05,600
Speaker 4: explorer guy who's five times the man you'll ever be,

1137
00:53:05,840 --> 00:53:10,680
Speaker 4: swoop in and take your booty. Feenie angrily shouts, she

1138
00:53:11,040 --> 00:53:12,760
Speaker 4: is not my booty.

1139
00:53:14,000 --> 00:53:16,479
Speaker 1: I love you, and then he's like coming's like coming,

1140
00:53:16,520 --> 00:53:20,120
Speaker 1: the audience, like the his classroom. Down'm like, sorry, sorry,

1141
00:53:20,400 --> 00:53:21,160
Speaker 1: such a great beat.

1142
00:53:21,239 --> 00:53:23,960
Speaker 4: He is embarrassed by his outburst, but tells Eric and

1143
00:53:24,040 --> 00:53:27,120
Speaker 4: if she was my booty, I would prefer not to

1144
00:53:27,200 --> 00:53:30,640
Speaker 4: talk about my booty in front of the entire class.

1145
00:53:31,480 --> 00:53:34,920
Speaker 4: Eric breaks it to him, Look, come on, Phoenie, everybody knows.

1146
00:53:35,280 --> 00:53:37,680
Speaker 4: Phoenie insists, no one knows. I have behaved in a

1147
00:53:37,719 --> 00:53:41,400
Speaker 4: manner befitting a man of my situation. Eric decides to

1148
00:53:41,440 --> 00:53:44,760
Speaker 4: ask the class himself. Okay, who here knows who? Feenie

1149
00:53:44,840 --> 00:53:47,160
Speaker 4: loves the whole class, yells in unison.

1150
00:53:46,920 --> 00:53:48,319
Speaker 2: The dean.

1151
00:53:49,920 --> 00:53:50,880
Speaker 3: So they don't have to get paid.

1152
00:53:50,960 --> 00:53:53,960
Speaker 4: Yep, don't worry, we would never pay all those people.

1153
00:53:55,160 --> 00:53:58,600
Speaker 4: Foene points to the door. All right, everybody out now alone.

1154
00:53:58,719 --> 00:54:01,520
Speaker 4: Eric tries to assure him just rooting for you, mister Feoene.

1155
00:54:01,560 --> 00:54:04,640
Speaker 4: Why won't you make your move? Phoeney explains Eric. In

1156
00:54:04,719 --> 00:54:07,080
Speaker 4: a world that is not run by savages, there is

1157
00:54:07,120 --> 00:54:10,440
Speaker 4: such a thing as decorum. Now, decorum would suggest that

1158
00:54:10,480 --> 00:54:13,440
Speaker 4: a gentleman allow a lady to resolve an old relationship

1159
00:54:13,480 --> 00:54:16,919
Speaker 4: before he endangers her in a new one. Eric argues, yes,

1160
00:54:16,960 --> 00:54:19,239
Speaker 4: but see, you're already in a new relationship. You're in

1161
00:54:19,239 --> 00:54:22,720
Speaker 4: a triangle, Feene. Eric makes a triangle with his fingers.

1162
00:54:22,840 --> 00:54:24,560
Speaker 4: Do you make a square?

1163
00:54:24,800 --> 00:54:29,160
Speaker 2: Do you make a square that's become a meme? That trying?

1164
00:54:29,880 --> 00:54:31,960
Speaker 2: Rachel yell yah.

1165
00:54:33,120 --> 00:54:36,000
Speaker 4: Eric makes a square with his fingers and takes it,

1166
00:54:36,040 --> 00:54:38,280
Speaker 4: and take it from somebody who's been in a triangle

1167
00:54:38,320 --> 00:54:42,080
Speaker 4: before he who hesitates is lost. Eric realizes his pain

1168
00:54:42,120 --> 00:54:47,120
Speaker 4: and screams Rachel child. Phoene's concerned, but Eric and says,

1169
00:54:47,200 --> 00:54:49,359
Speaker 4: I'm okay, I'm okay, I'm fine, I'm just like you.

1170
00:54:49,680 --> 00:54:52,360
Speaker 4: This terrifies Foene. Oh dear, I don't want to be

1171
00:54:52,480 --> 00:54:55,640
Speaker 4: like you, and Eric starts sobbing, and then we're back

1172
00:54:55,680 --> 00:54:59,640
Speaker 4: in the science lab. Sean is still holding the split brain. Cory,

1173
00:54:59,680 --> 00:55:02,239
Speaker 4: you at a perfectly good world's first brain, and now

1174
00:55:02,320 --> 00:55:05,799
Speaker 4: look at it. Corey says, he's sorry, Sean Hansom see

1175
00:55:06,120 --> 00:55:11,239
Speaker 4: like this part. What so Sean handsom the brain and

1176
00:55:11,280 --> 00:55:13,960
Speaker 4: asks for help. Well, here, just like smash it back

1177
00:55:13,960 --> 00:55:16,880
Speaker 4: together and put it back in the jar. Corey nods

1178
00:55:16,880 --> 00:55:19,160
Speaker 4: and casually throws the brain back in the jar. You

1179
00:55:19,160 --> 00:55:22,279
Speaker 4: know what, I better hide this because then on c

1180
00:55:22,640 --> 00:55:25,560
Speaker 4: he drops the glass jar onto another glass jar and

1181
00:55:25,680 --> 00:55:28,439
Speaker 4: it is a shattered mess. This is the same kind

1182
00:55:28,440 --> 00:55:29,360
Speaker 4: of broken jars.

1183
00:55:29,200 --> 00:55:31,239
Speaker 1: A lot of broken jars, and it's the same kind

1184
00:55:31,280 --> 00:55:34,040
Speaker 1: of problem we had in the Godfather scene where it's

1185
00:55:34,080 --> 00:55:37,120
Speaker 1: like it's funny dialogue and funny stuff happening. That's just

1186
00:55:37,600 --> 00:55:40,359
Speaker 1: it's way too long. Yeah, they keep cutting back. They're

1187
00:55:40,400 --> 00:55:42,799
Speaker 1: still in the thing and still with the brain. After

1188
00:55:42,800 --> 00:55:44,960
Speaker 1: the Phoenix, it's like, okay, we're still on this.

1189
00:55:45,040 --> 00:55:46,880
Speaker 4: When if you were really pulling a keeper, you'd be

1190
00:55:46,920 --> 00:55:48,799
Speaker 4: in and out as fast as you could possibly be.

1191
00:55:49,040 --> 00:55:50,759
Speaker 4: You do what you needed to do, and you'd get

1192
00:55:50,800 --> 00:55:53,960
Speaker 4: out of it. And you know, thinking back to like

1193
00:55:54,040 --> 00:55:56,400
Speaker 4: you and you writer saying that you feel like you

1194
00:55:56,400 --> 00:56:00,759
Speaker 4: weren't committed to it, these questions were asked because even

1195
00:56:00,800 --> 00:56:05,040
Speaker 4: though it's maybe it's funny when you're the actor in it,

1196
00:56:05,239 --> 00:56:10,520
Speaker 4: and you're just looking for I need threads of reality

1197
00:56:11,440 --> 00:56:14,000
Speaker 4: to hold on to to. I can circle around them

1198
00:56:14,040 --> 00:56:17,040
Speaker 4: with with hilarity, but I need to know what the

1199
00:56:17,080 --> 00:56:21,280
Speaker 4: thread of reality is? Is this the plan? Like, what's

1200
00:56:21,320 --> 00:56:22,680
Speaker 4: the plan with the are we go?

1201
00:56:22,840 --> 00:56:23,520
Speaker 3: Are we is?

1202
00:56:23,560 --> 00:56:25,080
Speaker 4: Our plan to break the brain?

1203
00:56:25,480 --> 00:56:27,160
Speaker 3: I got the fix? This is the fix?

1204
00:56:28,239 --> 00:56:28,560
Speaker 4: Uh?

1205
00:56:28,719 --> 00:56:32,520
Speaker 5: To Panga and Angela are they're trying to stop, They're like,

1206
00:56:32,560 --> 00:56:34,000
Speaker 5: this is too far, this is too much.

1207
00:56:34,040 --> 00:56:34,839
Speaker 3: What are you guys doing?

1208
00:56:34,880 --> 00:56:38,680
Speaker 5: And we're lecturing them on how to be good you know,

1209
00:56:38,760 --> 00:56:41,120
Speaker 5: schemers and we're breaking everything so you're able to have

1210
00:56:41,160 --> 00:56:41,720
Speaker 5: the tension.

1211
00:56:42,000 --> 00:56:43,840
Speaker 3: You guys are like, don't know, put that down? That

1212
00:56:43,880 --> 00:56:46,200
Speaker 3: could be the first human brand, could it? Oh right?

1213
00:56:46,239 --> 00:56:48,680
Speaker 5: You know, and like we're being the kooky ones. Well,

1214
00:56:48,760 --> 00:56:50,600
Speaker 5: you guys are the thread of reality being like this

1215
00:56:50,680 --> 00:56:51,279
Speaker 5: is a stupid plan?

1216
00:56:51,400 --> 00:56:52,440
Speaker 4: Is the best a bad idea?

1217
00:56:52,480 --> 00:56:53,440
Speaker 3: And then you have something to.

1218
00:56:53,400 --> 00:56:56,480
Speaker 5: Do And then in the reveal scene you could be saying, oh,

1219
00:56:56,600 --> 00:56:59,040
Speaker 5: that actually worked. You know, there's a turn for your characters,

1220
00:56:59,040 --> 00:57:01,080
Speaker 5: like I can't believe it. We're instead this is all

1221
00:57:01,200 --> 00:57:02,200
Speaker 5: just like inevitable.

1222
00:57:02,280 --> 00:57:04,360
Speaker 1: Yeah, I would have I would have even taken that

1223
00:57:04,440 --> 00:57:06,440
Speaker 1: idea and gone even farther where I would have had

1224
00:57:06,480 --> 00:57:08,440
Speaker 1: the entire episode. The two people that are trying to

1225
00:57:08,440 --> 00:57:10,640
Speaker 1: get them together and scheming but bad at it are

1226
00:57:10,880 --> 00:57:14,879
Speaker 1: Angela and Panga, and it's and it's Sean and Corey like, ah,

1227
00:57:15,080 --> 00:57:17,160
Speaker 1: I'm never going to be able to do this by themselves,

1228
00:57:17,240 --> 00:57:20,480
Speaker 1: Like it's that and them having like the caper or

1229
00:57:20,520 --> 00:57:22,360
Speaker 1: trying to pull off a caper and just being bad

1230
00:57:22,360 --> 00:57:25,120
Speaker 1: at it is actually really funny.

1231
00:57:25,160 --> 00:57:26,840
Speaker 2: And then it's the boys kind of showing them how

1232
00:57:26,880 --> 00:57:27,200
Speaker 2: to do it.

1233
00:57:27,480 --> 00:57:29,160
Speaker 3: Yeah, but the girls just want to dance.

1234
00:57:29,320 --> 00:57:34,120
Speaker 4: So that's just to writer's point though, if it had

1235
00:57:34,160 --> 00:57:36,280
Speaker 4: been that we were that, maybe we were saying, like,

1236
00:57:36,360 --> 00:57:38,960
Speaker 4: you cannot do this. You're like, we never do anything.

1237
00:57:39,040 --> 00:57:41,280
Speaker 4: We don't We're not going to ruin anything that bad,

1238
00:57:41,640 --> 00:57:46,000
Speaker 4: we just said. And then it's an accident, right, yeah.

1239
00:57:46,040 --> 00:57:47,840
Speaker 2: Even though we can fix this crash.

1240
00:57:47,800 --> 00:57:52,439
Speaker 4: Exactly exactly, there's a couple of little fixes.

1241
00:57:52,120 --> 00:57:53,760
Speaker 1: That could have that could have happened, but it seem

1242
00:57:53,800 --> 00:57:56,040
Speaker 1: like they're literally just going in and trashing all this

1243
00:57:56,200 --> 00:57:57,400
Speaker 1: really priceless stuff.

1244
00:57:58,000 --> 00:58:02,080
Speaker 4: Yes, and then, for whatever reason, the brain separating is

1245
00:58:02,240 --> 00:58:06,440
Speaker 4: one step too far amongst the plan of already breaking stuff,

1246
00:58:06,480 --> 00:58:08,520
Speaker 4: so that loses much.

1247
00:58:08,440 --> 00:58:10,000
Speaker 3: Change in this the whole scene.

1248
00:58:10,160 --> 00:58:12,880
Speaker 5: It's two scenes, and all that happens is we walk in,

1249
00:58:13,120 --> 00:58:16,320
Speaker 5: break something to release a bee and open a window.

1250
00:58:16,360 --> 00:58:19,120
Speaker 5: Those are the only actual changes, right. Everything else is

1251
00:58:19,200 --> 00:58:20,800
Speaker 5: non change and it takes.

1252
00:58:20,960 --> 00:58:24,360
Speaker 3: Like two Yeah, it's like that's just the problem. And

1253
00:58:24,400 --> 00:58:26,480
Speaker 3: so if they had and so they're trying to cre

1254
00:58:26,560 --> 00:58:27,480
Speaker 3: attention because.

1255
00:58:27,240 --> 00:58:28,920
Speaker 5: They came up with some good jokes, you know, the

1256
00:58:28,920 --> 00:58:32,520
Speaker 5: finish and this the brain thing, the skills, and they

1257
00:58:32,560 --> 00:58:34,080
Speaker 5: just got hooked on those jokes and they were like, well,

1258
00:58:34,080 --> 00:58:34,760
Speaker 5: how do I pick.

1259
00:58:34,680 --> 00:58:40,360
Speaker 4: This work right? Corey's eyes widen. Uh oh, Sean walks over. Oh,

1260
00:58:40,440 --> 00:58:43,000
Speaker 4: he broke another jar. Wonder what was in that one.

1261
00:58:43,200 --> 00:58:46,280
Speaker 4: Suddenly we hear a loud buzz. Sean admits, whoa, that

1262
00:58:46,400 --> 00:58:49,440
Speaker 4: is one of angry bee. Corey fights on forget the bee,

1263
00:58:49,480 --> 00:58:53,320
Speaker 4: on to phase two. He points at the window. Sean smirks, yeah,

1264
00:58:53,400 --> 00:58:56,280
Speaker 4: how about we open a window for some air. Corey

1265
00:58:56,320 --> 00:58:58,960
Speaker 4: tries to stop him. Wait a minute, Sean won't opening

1266
00:58:59,040 --> 00:59:02,080
Speaker 4: a window set off alarm. And just as Sean opens

1267
00:59:02,120 --> 00:59:05,480
Speaker 4: the window and alarm goes off, Sean sarcastically comments, almost

1268
00:59:05,480 --> 00:59:08,040
Speaker 4: like this was part of their plan. Oh man, we

1269
00:59:08,120 --> 00:59:12,480
Speaker 4: never learn anything, do we, Corey responds, unbothered, no, And

1270
00:59:12,560 --> 00:59:15,640
Speaker 4: now the teacher from next door is gonna hear that alarm.

1271
00:59:16,160 --> 00:59:19,920
Speaker 4: Sean continues, and he's gonna come in here all mad.

1272
00:59:20,360 --> 00:59:22,880
Speaker 4: Corey adds, like they've seen it hundreds of times before.

1273
00:59:22,920 --> 00:59:25,400
Speaker 4: I know how this will end. And I wonder who

1274
00:59:25,400 --> 00:59:29,360
Speaker 4: that teacher's gonna be on cue. Phoene comes running through

1275
00:59:29,400 --> 00:59:31,760
Speaker 4: the door. Both Corey and Sean continue to go through

1276
00:59:31,760 --> 00:59:36,320
Speaker 4: the robotic motions. Oh no, it's feene The professor is concerned.

1277
00:59:36,360 --> 00:59:39,120
Speaker 4: What's going on in here? Corey says nothing, and Sean

1278
00:59:39,240 --> 00:59:43,000
Speaker 4: unconvincingly states, we didn't break this stuff. Phoene asks, well,

1279
00:59:43,000 --> 00:59:46,440
Speaker 4: who did? And Corey shouts you did, and both boys

1280
00:59:46,520 --> 00:59:48,520
Speaker 4: run out of the room and lock the door. Feeney

1281
00:59:48,600 --> 00:59:52,280
Speaker 4: yells and pounds on the door, but the boys are gone,

1282
00:59:52,440 --> 00:59:54,200
Speaker 4: and then we're back in the apartment. Rachel's in a

1283
00:59:54,200 --> 00:59:56,240
Speaker 4: tight black dress spinning around the living room.

1284
00:59:57,400 --> 00:59:58,600
Speaker 2: Dan's night, it's night.

1285
00:59:58,720 --> 01:00:01,680
Speaker 4: Can't wait to go out? Come on out, Jack, I

1286
01:00:01,680 --> 01:00:04,160
Speaker 4: want to see how good you look. Jack awkwardly appears

1287
01:00:04,200 --> 01:00:06,800
Speaker 4: and gives a little wave. How you doing. Rachel gives

1288
01:00:06,840 --> 01:00:11,040
Speaker 4: him a confused look, okay, something's different. Jack waves it off. Yeah,

1289
01:00:11,040 --> 01:00:13,520
Speaker 4: and we're going out. Let's go, but Rachel stops him.

1290
01:00:13,680 --> 01:00:17,360
Speaker 4: Oh wait a second, you're tall. Jack shrugs it off. Yeah,

1291
01:00:17,400 --> 01:00:20,320
Speaker 4: so are you. Let's go. Jack starts walking toward the door,

1292
01:00:20,360 --> 01:00:23,360
Speaker 4: but Rachel pulls him back. No, I mean I'm looking

1293
01:00:23,400 --> 01:00:25,960
Speaker 4: straight ahead and suddenly you're in my field of vision.

1294
01:00:26,240 --> 01:00:29,080
Speaker 4: What did you do? Jack reveals I'm standing up straight.

1295
01:00:29,160 --> 01:00:31,800
Speaker 4: You know me, I'm a schlump. I'm a real downlooker. Well,

1296
01:00:31,880 --> 01:00:33,800
Speaker 4: let's go. He tries to run for the door, but

1297
01:00:33,880 --> 01:00:37,440
Speaker 4: Rachel stops him again. She notices something. What's on your feet?

1298
01:00:38,000 --> 01:00:41,680
Speaker 4: Jack calmly responds, my dancing shoes. We pulled out to

1299
01:00:41,720 --> 01:00:46,600
Speaker 4: show that Jack, they looks like Herman Munster shir.

1300
01:00:49,800 --> 01:00:52,880
Speaker 2: Absolutely. The only thing missing are the bolts in his neck. Yeah,

1301
01:00:52,960 --> 01:00:54,120
Speaker 2: it's crazy.

1302
01:00:55,000 --> 01:00:57,600
Speaker 4: We pull out to show that Jack is wearing shoes

1303
01:00:57,600 --> 01:01:00,840
Speaker 4: with a six inch lift. Rachel rolls her eyes. Ugh,

1304
01:01:01,000 --> 01:01:04,640
Speaker 4: I can't believe this. You bought elevator shoes. Jack quickly responds,

1305
01:01:04,640 --> 01:01:07,480
Speaker 4: they're not elevator shoes. The guy never called them elevator shoes.

1306
01:01:07,920 --> 01:01:12,280
Speaker 4: Rachel asks, oh, what did he call them? Jack answers manly.

1307
01:01:12,040 --> 01:01:14,360
Speaker 2: Step ups good line.

1308
01:01:15,160 --> 01:01:17,959
Speaker 4: Rachel realizes what's going on here. That's why you didn't

1309
01:01:17,960 --> 01:01:20,080
Speaker 4: want to go out with me, because you're too embarrassed

1310
01:01:20,080 --> 01:01:23,560
Speaker 4: to be seen with me because I'm so tall. Jack

1311
01:01:23,600 --> 01:01:26,200
Speaker 4: tries to act oblivious. What are you talking about? Rachel

1312
01:01:26,200 --> 01:01:28,320
Speaker 4: explains my whole life, I've been the tall one, the

1313
01:01:28,360 --> 01:01:31,360
Speaker 4: bean pole. Hey stilts, how's the weather up there? But

1314
01:01:31,480 --> 01:01:33,840
Speaker 4: Jack insists you're crazy. You know why I didn't want

1315
01:01:33,840 --> 01:01:36,000
Speaker 4: to go out with you because I thought they'd say, hey,

1316
01:01:36,240 --> 01:01:38,960
Speaker 4: look at the model with that shrimp. Rachel doesn't get it.

1317
01:01:39,000 --> 01:01:40,919
Speaker 4: What are you talking about? You've never been worried about

1318
01:01:40,920 --> 01:01:43,560
Speaker 4: this before when we've been out, He says, yeah, but

1319
01:01:43,720 --> 01:01:46,160
Speaker 4: we've only ever been out as friends. I never really

1320
01:01:46,160 --> 01:01:48,560
Speaker 4: thought about this until we got together, you know what.

1321
01:01:48,760 --> 01:01:51,000
Speaker 4: To be honest, I never thought you'd be interested in me.

1322
01:01:51,480 --> 01:01:54,600
Speaker 4: Rachel reveals, well, I am interested in you Jack. She

1323
01:01:54,680 --> 01:01:57,760
Speaker 4: looks down at his shoes, but not in those. Jack

1324
01:01:57,800 --> 01:02:00,160
Speaker 4: sits down to take them off. You know what, I

1325
01:02:00,160 --> 01:02:03,240
Speaker 4: would love to go dancing? Her eyes light up. Really,

1326
01:02:03,440 --> 01:02:06,600
Speaker 4: you mean in front of everybody? Jack nods yes, in

1327
01:02:06,600 --> 01:02:09,720
Speaker 4: front of the whole world. All right, let's dance. He

1328
01:02:09,800 --> 01:02:11,720
Speaker 4: takes Rachel's hand and they walk right out the door

1329
01:02:11,720 --> 01:02:13,760
Speaker 4: and into the elevator, where an old lady is waiting.

1330
01:02:14,080 --> 01:02:16,720
Speaker 4: As they walk in, she screams, she's too tall for you.

1331
01:02:17,720 --> 01:02:20,720
Speaker 4: Jack stares at the woman, embarrassed as the elevator doors close.

1332
01:02:20,840 --> 01:02:22,440
Speaker 1: And that when they were standing next to each other

1333
01:02:22,440 --> 01:02:25,480
Speaker 1: in the elevator, she looks like she's three feet taller.

1334
01:02:25,240 --> 01:02:25,640
Speaker 3: Than he is.

1335
01:02:25,800 --> 01:02:28,360
Speaker 1: So they had to have leaning back and put her

1336
01:02:28,400 --> 01:02:30,840
Speaker 1: in something. And I mean they're they're definitely trying to

1337
01:02:30,840 --> 01:02:34,600
Speaker 1: play it up because there he's not five seven there

1338
01:02:34,640 --> 01:02:35,840
Speaker 1: and she's not five ten there.

1339
01:02:36,640 --> 01:02:40,840
Speaker 4: Just no way, no way. So yeah, so funny. Well,

1340
01:02:40,880 --> 01:02:43,920
Speaker 4: we're back in the science storage lab. Phoene is holding

1341
01:02:43,920 --> 01:02:45,439
Speaker 4: the brain in his hand the third time.

1342
01:02:45,680 --> 01:02:47,720
Speaker 2: Third time back in the lab. Get back in the lab.

1343
01:02:47,760 --> 01:02:48,720
Speaker 2: People back in the lab.

1344
01:02:49,080 --> 01:02:51,160
Speaker 4: Phoene is holding the brain in his hand, trying to

1345
01:02:51,200 --> 01:02:54,080
Speaker 4: wipe it clean. Just as Dean Bolander walks into the room.

1346
01:02:54,200 --> 01:02:56,400
Speaker 4: She's followed by Sean and Corey, and then Tapanga and

1347
01:02:56,440 --> 01:02:59,520
Speaker 4: Angela are there as well. Dean Bolander yells George and

1348
01:02:59,560 --> 01:03:02,760
Speaker 4: mister Fie. He insists he didn't do this. The Dean admits,

1349
01:03:02,880 --> 01:03:04,520
Speaker 4: I didn't believe them. When they told me. But it's

1350
01:03:04,560 --> 01:03:06,360
Speaker 4: hard to argue with something that's right in front of

1351
01:03:06,440 --> 01:03:09,280
Speaker 4: your face. Corey adds, yeah, we're just as shocked as

1352
01:03:09,280 --> 01:03:12,360
Speaker 4: you are. Dean Phoene begins to panic. Now look, this

1353
01:03:12,560 --> 01:03:15,880
Speaker 4: is insane. Sean yells at him to put the brain down.

1354
01:03:16,320 --> 01:03:19,040
Speaker 4: Dean Bolander asks, what in Heaven's name were you thinking

1355
01:03:19,080 --> 01:03:22,080
Speaker 4: when you did this. Phenie insists I didn't do it.

1356
01:03:22,360 --> 01:03:24,760
Speaker 4: They did, and he points to Sean and Corey the

1357
01:03:24,800 --> 01:03:33,200
Speaker 4: boy's gasp. Corey is shocked. Pearls, mister Feenie, we are insulted.

1358
01:03:33,280 --> 01:03:36,280
Speaker 4: Sean and I have been upstairs selling muffins for the underprivileged.

1359
01:03:36,800 --> 01:03:39,040
Speaker 4: Phoene says that's not true. The boys were down here

1360
01:03:39,080 --> 01:03:41,280
Speaker 4: with him. He points at to Panga. You wouldn't lie

1361
01:03:41,280 --> 01:03:44,200
Speaker 4: for him. Where was he to? Panga recites he's been

1362
01:03:44,240 --> 01:03:48,320
Speaker 4: selling muffins all day. Angela robotically joins in, so was Sean.

1363
01:03:48,840 --> 01:03:53,000
Speaker 4: Sean is proud. We're legitimate. Now, Dean Bolander asks, why

1364
01:03:53,000 --> 01:03:55,480
Speaker 4: did you do this? George Eric, who we learn is

1365
01:03:55,520 --> 01:03:57,360
Speaker 4: also in the room and must have snuck in with

1366
01:03:57,400 --> 01:03:57,880
Speaker 4: the girls.

1367
01:03:59,120 --> 01:04:02,200
Speaker 1: Shuls If from No, It's it's like like when Shin

1368
01:04:02,360 --> 01:04:03,720
Speaker 1: gave us that card, and all of a sudden, I

1369
01:04:03,760 --> 01:04:05,760
Speaker 1: was holding a queen just there.

1370
01:04:05,960 --> 01:04:07,720
Speaker 2: Eric, is it from nowhere? Yep?

1371
01:04:09,680 --> 01:04:12,320
Speaker 4: Uh, you know something, Dean, this was simply just an

1372
01:04:12,360 --> 01:04:15,400
Speaker 4: act of love culminating in an act of vandalism. It

1373
01:04:15,440 --> 01:04:18,400
Speaker 4: actually happens all the time. Dean Bolander wants to know

1374
01:04:18,840 --> 01:04:21,439
Speaker 4: an act of love? Was this an act of love?

1375
01:04:21,560 --> 01:04:25,280
Speaker 4: George Peeney looks around and sees Sean Corey nodding their heads.

1376
01:04:25,680 --> 01:04:29,400
Speaker 4: He reluctantly admits yeah, and then nods his head with

1377
01:04:29,440 --> 01:04:36,400
Speaker 4: more confidence. Yep. I wonder if Stewart had just said

1378
01:04:36,600 --> 01:04:41,160
Speaker 4: it was an act of love, if Dean Bolander.

1379
01:04:42,600 --> 01:04:46,440
Speaker 2: Exactly yeah, you'd never know.

1380
01:04:46,880 --> 01:04:53,400
Speaker 4: I mean this idea that the dean of the school.

1381
01:04:54,520 --> 01:04:58,440
Speaker 2: You you went in and destroyed all these priceless artifacts

1382
01:04:58,560 --> 01:05:02,960
Speaker 2: for really a man's career for me, and destroyed this invention.

1383
01:05:02,600 --> 01:05:08,080
Speaker 4: For the next so hot it makes no sense.

1384
01:05:10,160 --> 01:05:13,480
Speaker 2: Not I like it is Adam Jensen got you did he.

1385
01:05:13,600 --> 01:05:13,800
Speaker 3: Just go.

1386
01:05:15,720 --> 01:05:20,720
Speaker 2: He got arrested for felonies vandalism.

1387
01:05:20,960 --> 01:05:24,280
Speaker 5: I mean it is in the Corey Stewart storyline. That

1388
01:05:24,400 --> 01:05:26,960
Speaker 5: is Corey's argument, right, Like I hit him out of

1389
01:05:26,960 --> 01:05:27,640
Speaker 5: an act of love.

1390
01:05:28,320 --> 01:05:29,960
Speaker 4: I had to protect my my pro property.

1391
01:05:30,680 --> 01:05:31,520
Speaker 2: But that makes sense.

1392
01:05:32,360 --> 01:05:36,080
Speaker 1: That at least makes sense some guys, you know, being

1393
01:05:36,120 --> 01:05:38,240
Speaker 1: inappropriate with your woman punching that guy in the face,

1394
01:05:38,320 --> 01:05:39,080
Speaker 1: that makes sense.

1395
01:05:39,200 --> 01:05:41,360
Speaker 2: This makes no sense whatsoever.

1396
01:05:41,760 --> 01:05:44,520
Speaker 4: And then Curtis walks into the room. All right, nobody move,

1397
01:05:44,560 --> 01:05:48,000
Speaker 4: where's my bee? The Dan asks be? What be? And

1398
01:05:48,080 --> 01:05:50,760
Speaker 4: Curtis reveals my bee. It's my discovery.

1399
01:05:51,040 --> 01:05:53,320
Speaker 3: Corey the school and doesn't know what discovery?

1400
01:05:53,400 --> 01:05:58,440
Speaker 5: What you come here to lecture your great discovery?

1401
01:05:58,760 --> 01:06:01,440
Speaker 4: I don't know what baby? Why didn't he say what bee?

1402
01:06:01,600 --> 01:06:04,040
Speaker 4: Like Cory and Sean me?

1403
01:06:04,360 --> 01:06:05,560
Speaker 3: Anybody what bee?

1404
01:06:05,560 --> 01:06:05,760
Speaker 1: Oh?

1405
01:06:05,840 --> 01:06:06,480
Speaker 3: Yeah, there you go.

1406
01:06:06,920 --> 01:06:09,360
Speaker 4: Corey knows what happened and says to Sean, uh oh.

1407
01:06:09,520 --> 01:06:12,760
Speaker 4: Curtis feverishly searches the room. It's an African killer bee.

1408
01:06:12,800 --> 01:06:16,160
Speaker 4: I've been searching for it for years. Sean laughs, Curtis,

1409
01:06:16,200 --> 01:06:18,040
Speaker 4: you've been out of town a little too long. Those

1410
01:06:18,080 --> 01:06:20,640
Speaker 4: African killer bees are swarming all over the country. They're

1411
01:06:20,640 --> 01:06:24,080
Speaker 4: doing Philly next Tuesday. Curtis explains, this bee has a

1412
01:06:24,160 --> 01:06:27,240
Speaker 4: reverse by migration pattern. We made that species with the

1413
01:06:27,320 --> 01:06:29,680
Speaker 4: killer bees that are already here. They start migrating back

1414
01:06:29,680 --> 01:06:32,600
Speaker 4: to where they originated from, saving thousands of lives. I

1415
01:06:32,640 --> 01:06:35,040
Speaker 4: could be rich. Then again we hear the sound of

1416
01:06:35,080 --> 01:06:38,320
Speaker 4: a bee buzzing. Everyone freaks out and Eric yells everybody relaxed,

1417
01:06:38,400 --> 01:06:40,200
Speaker 4: I'll kill it and reaches.

1418
01:06:39,880 --> 01:06:43,760
Speaker 2: For what they throw in rich I know, because they.

1419
01:06:44,080 --> 01:06:49,120
Speaker 3: Wanted to be a bad guy.

1420
01:06:45,720 --> 01:06:51,200
Speaker 2: It's what does he do for a living?

1421
01:06:51,320 --> 01:06:52,680
Speaker 4: He's an archaeol archaeologist?

1422
01:06:52,720 --> 01:06:53,320
Speaker 3: So what is that?

1423
01:06:53,440 --> 01:06:56,000
Speaker 2: Hunts bees? I know, that's that's what he's after.

1424
01:06:56,160 --> 01:06:58,959
Speaker 4: He's after a bee with a migration adventure hunter hunt.

1425
01:06:59,120 --> 01:07:03,040
Speaker 4: He says, he's he's he's what's the guy who they

1426
01:07:03,040 --> 01:07:03,440
Speaker 4: do all the.

1427
01:07:03,480 --> 01:07:08,120
Speaker 1: Indian and thank you to all the batman you know.

1428
01:07:10,520 --> 01:07:18,160
Speaker 3: Schmidt scared of spiders and.

1429
01:07:18,280 --> 01:07:19,400
Speaker 2: Throws a rope around.

1430
01:07:20,840 --> 01:07:41,240
Speaker 4: Skirt spiders. Curtis jumps up and takes the small piece

1431
01:07:41,240 --> 01:07:44,400
Speaker 4: out of Eric's hands. No, don't touch that bee. Dean

1432
01:07:44,440 --> 01:07:48,880
Speaker 4: Bolander sadly recognizes the shattered artifact. Oh, Curtis, now the

1433
01:07:48,920 --> 01:07:52,480
Speaker 4: statue of King Hafaratu you gave me for our anniversary.

1434
01:07:52,800 --> 01:07:55,040
Speaker 4: It's broken, Curtis, isn't.

1435
01:07:54,840 --> 01:07:56,040
Speaker 3: Why is it in this closet?

1436
01:07:56,080 --> 01:07:58,480
Speaker 2: Then? Why is it also hollow?

1437
01:07:58,880 --> 01:08:03,160
Speaker 1: And why is is he giving He's giving her ancient and.

1438
01:08:03,280 --> 01:08:05,000
Speaker 3: She doesn't keep it at that house?

1439
01:08:05,400 --> 01:08:12,680
Speaker 1: No, clool S in the Science Science Archeology room at

1440
01:08:12,680 --> 01:08:13,640
Speaker 1: Penbrook University.

1441
01:08:13,880 --> 01:08:16,519
Speaker 4: And then, because we needed to further show he's a

1442
01:08:16,680 --> 01:08:20,400
Speaker 4: bad guy, the hell with the statue. This stuff is

1443
01:08:20,439 --> 01:08:25,400
Speaker 4: nothing but junk compared to that bee. Dean Bolander gasps,

1444
01:08:25,880 --> 01:08:29,080
Speaker 4: this is junk, and right at that moment, the bee

1445
01:08:29,320 --> 01:08:33,320
Speaker 4: lands on the Dean's neck. Curtis whispers, don't move the

1446
01:08:33,320 --> 01:08:36,320
Speaker 4: bees on you. Dean Bolander reminds him, Oh, Curtis, you

1447
01:08:36,360 --> 01:08:39,960
Speaker 4: know I'm allergic to bees. Curtis couldn't care less, so

1448
01:08:40,120 --> 01:08:41,920
Speaker 4: you puff up for a little while. This is my

1449
01:08:42,000 --> 01:08:46,000
Speaker 4: Nobel prize. Phoene slams his towel on the table and yells,

1450
01:08:46,080 --> 01:08:51,000
Speaker 4: I don't think so, Curtis. He heroically grabs the bee, which.

1451
01:08:51,520 --> 01:08:53,679
Speaker 3: Was a real nest.

1452
01:08:55,960 --> 01:09:00,280
Speaker 1: I have a I have a quick science question. Don't

1453
01:09:00,360 --> 01:09:02,360
Speaker 1: bees die once they sting you?

1454
01:09:02,479 --> 01:09:04,320
Speaker 3: Yeah, that's what happens.

1455
01:09:04,560 --> 01:09:08,240
Speaker 1: But I know, he says for a while, so it's

1456
01:09:08,240 --> 01:09:10,519
Speaker 1: like he doesn't want the bee to sting her.

1457
01:09:10,439 --> 01:09:11,960
Speaker 4: Because then the bee is going to do That's what

1458
01:09:12,000 --> 01:09:14,040
Speaker 4: I thought. I was like, he should be doing everything

1459
01:09:14,040 --> 01:09:14,479
Speaker 4: to be like.

1460
01:09:14,520 --> 01:09:17,679
Speaker 2: To make sure that care of this bee. Yeah, exactly.

1461
01:09:17,840 --> 01:09:22,200
Speaker 5: They needed him to be a villain to her, so

1462
01:09:22,280 --> 01:09:23,719
Speaker 5: you could see his true colors.

1463
01:09:23,920 --> 01:09:25,000
Speaker 3: He doesn't actually.

1464
01:09:24,720 --> 01:09:26,439
Speaker 4: Want her, does and really care about her?

1465
01:09:26,800 --> 01:09:28,599
Speaker 1: Do you think you just when you have to make bees,

1466
01:09:28,640 --> 01:09:31,760
Speaker 1: you just put on like put him in a little

1467
01:09:31,840 --> 01:09:33,679
Speaker 1: room together and then put on like some Marvin Gay

1468
01:09:33,880 --> 01:09:35,560
Speaker 1: and you just see what happened.

1469
01:09:35,280 --> 01:09:39,840
Speaker 4: And really try like that. Yeah, exactly, You've never never

1470
01:09:39,920 --> 01:09:40,400
Speaker 4: thought about.

1471
01:09:41,560 --> 01:09:48,800
Speaker 5: They butt waggle to communicate to one another. A bee

1472
01:09:49,120 --> 01:09:52,120
Speaker 5: can waggle its butt and other bees will know how

1473
01:09:52,280 --> 01:09:55,240
Speaker 5: far the source of pollen is and where which direction

1474
01:09:55,320 --> 01:09:57,200
Speaker 5: it is just by the way they waggle their butts.

1475
01:09:57,200 --> 01:09:59,200
Speaker 3: It's a whole like yeah, really cool.

1476
01:09:59,520 --> 01:10:03,160
Speaker 1: Thank I just talked with the bees in my house,

1477
01:10:03,680 --> 01:10:05,840
Speaker 1: which I assigned a treaty with the bees. So if

1478
01:10:05,840 --> 01:10:07,920
Speaker 1: the bees this is years ago, Susan knows about it.

1479
01:10:07,960 --> 01:10:08,840
Speaker 1: She's a bee.

1480
01:10:09,520 --> 01:10:12,040
Speaker 2: No no, no, this is outside. With the number of bees.

1481
01:10:12,040 --> 01:10:14,759
Speaker 2: If any of them go in the pool and are dying,

1482
01:10:15,080 --> 01:10:18,160
Speaker 2: we have to save them, and then the pact is

1483
01:10:18,200 --> 01:10:20,160
Speaker 2: then they don't sting any of us, so nobody gets

1484
01:10:20,160 --> 01:10:22,200
Speaker 2: stung around the house and we save the bees. It's

1485
01:10:22,200 --> 01:10:24,360
Speaker 2: been a pack that's been We're twenty five years into

1486
01:10:24,360 --> 01:10:26,839
Speaker 2: this pact right now. So it's been been holding Well.

1487
01:10:26,720 --> 01:10:28,719
Speaker 4: It's nobody's been stung at your house.

1488
01:10:28,880 --> 01:10:29,799
Speaker 2: Nobody's been stung.

1489
01:10:29,840 --> 01:10:31,960
Speaker 1: We save bees every day, so we we've got with

1490
01:10:32,040 --> 01:10:33,360
Speaker 1: a very symbiotic relationship.

1491
01:10:33,400 --> 01:10:37,240
Speaker 5: But it's I've not had children running around your house

1492
01:10:37,280 --> 01:10:40,320
Speaker 5: because that's when gets stung. Oh really, Oh yeah, it's

1493
01:10:40,360 --> 01:10:44,639
Speaker 5: always it's always the kids who are like, like.

1494
01:10:44,640 --> 01:10:46,320
Speaker 3: That's not going to calm the bee down.

1495
01:10:46,640 --> 01:10:50,559
Speaker 4: That's how it's like splashing the bee. I'm like, you're

1496
01:10:50,640 --> 01:10:53,240
Speaker 4: just making the bee angry. Just let the bee.

1497
01:10:53,280 --> 01:10:55,439
Speaker 2: Are you afraid of bees too? Or is it just spiders?

1498
01:10:55,520 --> 01:10:56,439
Speaker 4: No, No, just spiders.

1499
01:10:57,200 --> 01:10:59,240
Speaker 1: A bee that can actually sting you, that doesn't bother

1500
01:10:59,240 --> 01:11:03,840
Speaker 1: you at all. It's flying with a little hypodermic needle

1501
01:11:03,880 --> 01:11:05,679
Speaker 1: and that doesn't freak you out. But despite a tiny

1502
01:11:05,680 --> 01:11:07,800
Speaker 1: spider in front of you, and you grip my arm

1503
01:11:07,880 --> 01:11:09,360
Speaker 1: until there's blood that appears.

1504
01:11:09,680 --> 01:11:11,360
Speaker 4: Where were we recently when that happened again?

1505
01:11:11,400 --> 01:11:16,000
Speaker 1: The car somewhere the airport and you grabbed onto me

1506
01:11:16,280 --> 01:11:17,360
Speaker 1: like we were about to be in.

1507
01:11:17,280 --> 01:11:22,040
Speaker 4: A spider dropping down from the roof, the smallest little spice,

1508
01:11:22,400 --> 01:11:24,800
Speaker 4: the size of a piece of dust, And I said,

1509
01:11:24,800 --> 01:11:28,720
Speaker 4: why does this always happen to me freaking out. He

1510
01:11:28,840 --> 01:11:33,280
Speaker 4: Win says, oh the bee stings, mister Feeney. He wins

1511
01:11:33,400 --> 01:11:35,879
Speaker 4: is out O. Then he hands the bee to Curtis.

1512
01:11:36,120 --> 01:11:38,639
Speaker 4: I think this belongs to you. I'll return the stinger

1513
01:11:38,680 --> 01:11:40,840
Speaker 4: as soon as it works its way out of my flesh.

1514
01:11:41,040 --> 01:11:43,920
Speaker 4: Curtis pleads with the insect. No, no, no, no, don't die,

1515
01:11:44,000 --> 01:11:48,160
Speaker 4: don't die quick? Where's the zoology department? All the students

1516
01:11:48,200 --> 01:11:50,680
Speaker 4: point in different directions, and Curtis runs out with the

1517
01:11:50,720 --> 01:11:54,400
Speaker 4: ailing bee in his hands. Eric exclaims, ha, that guy's

1518
01:11:54,439 --> 01:11:59,120
Speaker 4: a dope man. Dean Bolander grabs Phoene's hands in hers. George,

1519
01:11:59,320 --> 01:12:02,360
Speaker 4: that's the most wonderful thing anyone's ever done for me.

1520
01:12:03,400 --> 01:12:06,760
Speaker 4: Phoene promises, I wouldn't let anything harm you. Lila. I

1521
01:12:06,760 --> 01:12:08,920
Speaker 4: hope you know. I hope you feel the same way

1522
01:12:08,920 --> 01:12:12,679
Speaker 4: about me. She asks, what took you so long? Eric,

1523
01:12:12,720 --> 01:12:16,800
Speaker 4: from the side advises his teacher kiss her Pheoene. Phoene

1524
01:12:16,880 --> 01:12:19,720
Speaker 4: says all right and grabs Dean Bolander and kisses her.

1525
01:12:19,960 --> 01:12:23,920
Speaker 4: All the students and the audience members start clapping and cheering.

1526
01:12:24,120 --> 01:12:24,760
Speaker 2: Whoo.

1527
01:12:25,439 --> 01:12:28,200
Speaker 4: Corey explains to Sean, now this is a beautiful moment.

1528
01:12:28,560 --> 01:12:31,720
Speaker 4: Sean adds, what's even more beautiful. It's the first time

1529
01:12:31,720 --> 01:12:34,920
Speaker 4: we've ever gotten away with anything in our lives. They

1530
01:12:34,960 --> 01:12:38,680
Speaker 4: give each other five and we optical.

1531
01:12:43,000 --> 01:12:43,560
Speaker 2: Definitely.

1532
01:12:43,800 --> 01:12:46,280
Speaker 4: We're back in the student union. Sean and Corey are

1533
01:12:46,320 --> 01:12:49,960
Speaker 4: in orange jumpsuits scrubbing the windows. Corey says we've watched

1534
01:12:50,000 --> 01:12:52,880
Speaker 4: seven hundred and thirty four windows so far, and Sean asks,

1535
01:12:52,960 --> 01:12:55,400
Speaker 4: how did this blow up in our face? Corey says

1536
01:12:55,400 --> 01:12:58,479
Speaker 4: he doesn't know we had Phoene scammed. Sean admits, yeah,

1537
01:12:58,520 --> 01:13:01,759
Speaker 4: Pheene was nothing but a chick is tough. Dean Bolander

1538
01:13:01,760 --> 01:13:04,200
Speaker 4: and Feenie are sitting at a nearby cafe table. The

1539
01:13:04,240 --> 01:13:08,120
Speaker 4: Dean reaches for Phoene's hand and he winces. Dean Bolander asks, oh,

1540
01:13:08,160 --> 01:13:11,679
Speaker 4: does it still hurt? Phoene says a little. She asks

1541
01:13:12,000 --> 01:13:14,719
Speaker 4: you want me to Phoene cuts her off. Oh please,

1542
01:13:15,200 --> 01:13:18,719
Speaker 4: Then Dean Bolander kisses his hand and smiles. Phoene admits

1543
01:13:19,120 --> 01:13:21,880
Speaker 4: all better. He tells her he wants to thank her

1544
01:13:21,880 --> 01:13:25,839
Speaker 4: again for going easy on the boys, and Dean Bolander responds, Oh, George,

1545
01:13:25,840 --> 01:13:27,800
Speaker 4: one of the reasons I was attracted to you was

1546
01:13:27,800 --> 01:13:30,280
Speaker 4: because I've never seen a teacher whose students were willing

1547
01:13:30,280 --> 01:13:34,040
Speaker 4: to go to such lengths to see him happy. Phoene asks,

1548
01:13:34,240 --> 01:13:37,120
Speaker 4: you never actually thought I was the perpetrator. Dean Bolander

1549
01:13:37,160 --> 01:13:39,879
Speaker 4: assures him, Oh, I have no doubt that you're capable

1550
01:13:39,880 --> 01:13:43,559
Speaker 4: of acting with reckless abandon. Phoene smiles, Oh I am.

1551
01:13:43,760 --> 01:13:47,680
Speaker 4: I am. Eric, also in an orange jumpsuit, interrupts their

1552
01:13:47,760 --> 01:13:49,719
Speaker 4: date and sits down next to them. This is great,

1553
01:13:49,760 --> 01:13:51,920
Speaker 4: isn't it. I mean you love him, he loves you.

1554
01:13:52,160 --> 01:13:56,040
Speaker 4: I love you both. We're a triangle now, Dean, there's

1555
01:13:56,040 --> 01:13:58,599
Speaker 4: something you should know. Phenie and I like to hang

1556
01:13:58,640 --> 01:14:01,160
Speaker 4: out quite a bit, so I'm ever around and you

1557
01:14:01,200 --> 01:14:05,519
Speaker 4: guys are getting frisky. Peenie gets up and grabs Eric

1558
01:14:06,160 --> 01:14:09,120
Speaker 4: Eric's chair while he rambles on or whatever it is

1559
01:14:09,120 --> 01:14:11,080
Speaker 4: that you guys do. I'm going to need some kind

1560
01:14:11,120 --> 01:14:13,559
Speaker 4: of a signal to know that it's my time. This

1561
01:14:13,640 --> 01:14:15,880
Speaker 4: will work, he admits, as Phoeney pulls him out of

1562
01:14:15,880 --> 01:14:17,320
Speaker 4: his chair and drags him away.

1563
01:14:18,320 --> 01:14:22,120
Speaker 2: And then the girls get in trouble. They did as

1564
01:14:22,160 --> 01:14:23,080
Speaker 2: much as Eric did.

1565
01:14:24,840 --> 01:14:28,559
Speaker 3: They didn't initiate the plane. No, I don't know.

1566
01:14:28,680 --> 01:14:30,559
Speaker 1: I mean Eric's standing with the two of them over there,

1567
01:14:30,600 --> 01:14:32,120
Speaker 1: he didn't.

1568
01:14:32,439 --> 01:14:34,719
Speaker 2: They were dancing correct, we went dancing.

1569
01:14:34,800 --> 01:14:37,320
Speaker 4: I went dancing, So the worst thing we did.

1570
01:14:37,200 --> 01:14:37,720
Speaker 1: Was li.

1571
01:14:39,560 --> 01:14:41,519
Speaker 2: But that's the same worst thing that Eric did.

1572
01:14:42,120 --> 01:14:46,479
Speaker 5: Eric, Eric the dolousands and thousands of lives from Yeah,

1573
01:14:47,280 --> 01:14:49,080
Speaker 5: prob killer problems.

1574
01:14:49,120 --> 01:14:50,120
Speaker 3: Sad it's gonna solve.

1575
01:14:52,880 --> 01:14:55,400
Speaker 4: Well, we're back in the apartment. The elevator door opens

1576
01:14:55,400 --> 01:14:58,400
Speaker 4: and it's Jack and Rachel returning from their date. Jack admits,

1577
01:14:58,520 --> 01:15:00,599
Speaker 4: I don't know what I was thinking. We are perfect

1578
01:15:00,600 --> 01:15:04,519
Speaker 4: for each other. Another old lady neighbor watches as they

1579
01:15:04,560 --> 01:15:08,080
Speaker 4: walk to their apartment. Rachel greets her, Hi, Missus burtleson.

1580
01:15:08,439 --> 01:15:10,800
Speaker 4: Then the lady burts out, she's too tall for you.

1581
01:15:11,360 --> 01:15:13,960
Speaker 4: As she enters the elevator. Jack tries to run after her,

1582
01:15:13,960 --> 01:15:16,479
Speaker 4: but Rachel stops him. Jack, you said you were gonna

1583
01:15:16,520 --> 01:15:18,400
Speaker 4: You said you weren't gonna let this bother you. Okay.

1584
01:15:18,880 --> 01:15:21,799
Speaker 4: Jack dusts himself off and agrees it's no problem. I'm okay.

1585
01:15:22,160 --> 01:15:24,599
Speaker 4: Then Jack yells at the closed elevator, I hope the

1586
01:15:24,600 --> 01:15:27,360
Speaker 4: cable breaks. Missus birtles and Rachel.

1587
01:15:27,520 --> 01:15:28,479
Speaker 2: That was really funny in this.

1588
01:15:28,560 --> 01:15:31,280
Speaker 1: He didn't have a lot to do, but he's really funny.

1589
01:15:31,280 --> 01:15:35,280
Speaker 1: He's also one of those guys who his physical comedy

1590
01:15:35,360 --> 01:15:37,320
Speaker 1: he does. It comes from an awkward place. When he

1591
01:15:37,320 --> 01:15:39,080
Speaker 1: does his physical comedy. I can think he does it

1592
01:15:39,120 --> 01:15:40,200
Speaker 1: on purpose, and it works.

1593
01:15:40,479 --> 01:15:41,120
Speaker 4: It's so funny.

1594
01:15:41,200 --> 01:15:43,200
Speaker 2: It actually works for him. He's really good at it.

1595
01:15:44,360 --> 01:15:47,200
Speaker 4: Rachel ushers him back inside the apartment. Jack, why don't

1596
01:15:47,200 --> 01:15:50,880
Speaker 4: we go inside and make us snugly? Jack agrees, Yeah,

1597
01:15:50,960 --> 01:15:53,120
Speaker 4: I'm not too short for that. Rachel smirks.

1598
01:15:53,320 --> 01:15:53,559
Speaker 1: I know.

1599
01:15:54,200 --> 01:15:56,360
Speaker 4: When they open the apartment door they see someone wearing

1600
01:15:56,400 --> 01:15:59,960
Speaker 4: a ski mask stealing their boombox. Jack grabs a back,

1601
01:16:00,120 --> 01:16:03,759
Speaker 4: Hey cow, many closer and all club yeah. Jack lifts

1602
01:16:03,880 --> 01:16:07,680
Speaker 4: up the perpetrator's ski mask like you do, like you do,

1603
01:16:08,840 --> 01:16:14,640
Speaker 4: And it's another short, old lady. Who is this landlord?

1604
01:16:16,840 --> 01:16:19,360
Speaker 2: It's just hot chicks and old women. Welcome to our building.

1605
01:16:20,200 --> 01:16:20,680
Speaker 5: This is a.

1606
01:16:22,880 --> 01:16:24,280
Speaker 4: And some college kids.

1607
01:16:24,040 --> 01:16:25,519
Speaker 2: And some college kids. That's all we have.

1608
01:16:25,680 --> 01:16:28,880
Speaker 1: There's this apartment is for the thirty seven beautiful women,

1609
01:16:28,960 --> 01:16:30,719
Speaker 1: and then every other apartment is just old ladies.

1610
01:16:30,720 --> 01:16:31,719
Speaker 2: That's what it is.

1611
01:16:32,439 --> 01:16:36,080
Speaker 4: Well, the old lady burglar predictably says she's too tall

1612
01:16:36,160 --> 01:16:39,559
Speaker 4: for you and walks out with the electronic. Rachel pats

1613
01:16:39,680 --> 01:16:43,240
Speaker 4: Jack on the head while he just stands there in shock.

1614
01:16:45,720 --> 01:16:48,360
Speaker 4: There's your program there's your programs.

1615
01:16:47,760 --> 01:16:49,839
Speaker 3: Done without the without the tag I think.

1616
01:16:49,720 --> 01:16:52,400
Speaker 1: But that's the part you could have done with is

1617
01:16:52,439 --> 01:16:55,599
Speaker 1: just without the tags a good episode.

1618
01:16:55,640 --> 01:17:01,160
Speaker 5: I started this recap much more positive than Somehow, in

1619
01:17:01,240 --> 01:17:04,840
Speaker 5: the course of listening to recap everything, I hated all

1620
01:17:04,880 --> 01:17:05,120
Speaker 5: of it.

1621
01:17:06,960 --> 01:17:09,400
Speaker 4: So I did not like it as much in the

1622
01:17:09,439 --> 01:17:11,000
Speaker 4: recap I did watching it.

1623
01:17:11,240 --> 01:17:14,720
Speaker 5: Yeah, I feel like, what's the version of breaks in

1624
01:17:15,040 --> 01:17:19,599
Speaker 5: a Burglar Old Lady? We have stun the burglar old Lady.

1625
01:17:19,920 --> 01:17:23,920
Speaker 4: It's like a lot of like, don't ask any questions

1626
01:17:24,080 --> 01:17:24,559
Speaker 4: at all.

1627
01:17:25,160 --> 01:17:27,200
Speaker 3: But you know, I did enjoy it watching it last

1628
01:17:27,280 --> 01:17:28,040
Speaker 3: year's so you know.

1629
01:17:28,160 --> 01:17:30,439
Speaker 1: One of the reasons why though, and it's true, is

1630
01:17:30,520 --> 01:17:33,719
Speaker 1: because these last couple of episodes have been so dramatic

1631
01:17:33,800 --> 01:17:36,560
Speaker 1: and heavy. I know that the guys just holding a

1632
01:17:36,640 --> 01:17:39,040
Speaker 1: broken brain. Great, let's throw a pie.

1633
01:17:39,240 --> 01:17:42,559
Speaker 5: I also just think the performances, you know, are actually fun,

1634
01:17:42,640 --> 01:17:45,599
Speaker 5: Like it's actually like everybody's except for me and Ben

1635
01:17:45,720 --> 01:17:48,719
Speaker 5: in that scene, I feel like it's breezy, it's fun,

1636
01:17:48,800 --> 01:17:52,080
Speaker 5: and everybody keeps it moving, so you don't really notice,

1637
01:17:52,400 --> 01:17:52,880
Speaker 5: like you.

1638
01:17:52,880 --> 01:17:55,439
Speaker 3: Don't actually stop to think, why are the bees? Why

1639
01:17:55,520 --> 01:17:55,840
Speaker 3: the thing?

1640
01:17:56,320 --> 01:17:56,519
Speaker 2: Yeah?

1641
01:17:57,000 --> 01:17:59,679
Speaker 1: Yeah, when you break it down actually, beat by beat.

1642
01:17:59,760 --> 01:18:02,800
Speaker 1: It's it's not as funny as letting it wash over you.

1643
01:18:03,040 --> 01:18:06,200
Speaker 4: Yeah right, yeah, Well, thank you all for joining us

1644
01:18:06,240 --> 01:18:08,240
Speaker 4: for this episode of Pod Meets World. As always, you

1645
01:18:08,280 --> 01:18:10,840
Speaker 4: can follow us on Instagram pod Meets World Show. You

1646
01:18:10,920 --> 01:18:13,240
Speaker 4: can send us your emails pod meets World Show at

1647
01:18:13,360 --> 01:18:16,160
Speaker 4: gmail dot com. And we've got merch.

1648
01:18:16,800 --> 01:18:20,240
Speaker 2: Here we come, buying us some merch.

1649
01:18:21,200 --> 01:18:22,400
Speaker 3: I don't have any more.

1650
01:18:22,439 --> 01:18:24,560
Speaker 2: Lyrics, but it's supposed to be like the Monkeys.

1651
01:18:24,880 --> 01:18:26,640
Speaker 3: Oh god, the reference here?

1652
01:18:26,880 --> 01:18:28,640
Speaker 2: No, here he come walking down the street to the

1653
01:18:28,720 --> 01:18:29,759
Speaker 2: theme song of the Monkeys.

1654
01:18:30,240 --> 01:18:31,559
Speaker 3: No, have you ever seen the monkey?

1655
01:18:31,640 --> 01:18:32,080
Speaker 4: Monkeys?

1656
01:18:32,360 --> 01:18:32,400
Speaker 1: No?

1657
01:18:32,760 --> 01:18:35,840
Speaker 4: Do you think writers ever seen the monkey? Have you

1658
01:18:35,920 --> 01:18:40,640
Speaker 4: ever met this? I didn't even have a teav growing up.

1659
01:18:40,800 --> 01:18:43,920
Speaker 1: Good It's the Monkeys is a great show because it

1660
01:18:44,000 --> 01:18:48,200
Speaker 1: does not take itself seriously. It's ridiculous. It's campy. It's

1661
01:18:48,320 --> 01:18:49,559
Speaker 1: the sixties and the seventies.

1662
01:18:49,840 --> 01:18:53,840
Speaker 4: My mom had a huge crush on Peter Torque because

1663
01:18:53,880 --> 01:18:57,240
Speaker 4: she was the baby of the family and he and

1664
01:18:57,320 --> 01:18:59,280
Speaker 4: then he was my father on the show, and my

1665
01:18:59,400 --> 01:19:02,680
Speaker 4: mom was like, Peter Tork, I need to get a

1666
01:19:02,680 --> 01:19:04,320
Speaker 4: picture with Peter Trk And my mom didn't get a

1667
01:19:04,360 --> 01:19:05,680
Speaker 4: picture with anybody.

1668
01:19:06,280 --> 01:19:08,280
Speaker 2: You know, I gotta be honest when you think about it.

1669
01:19:08,360 --> 01:19:10,840
Speaker 2: The way your dad looked, especially back in the day

1670
01:19:11,000 --> 01:19:13,960
Speaker 2: during during boy kind of Peter Turkish.

1671
01:19:14,120 --> 01:19:18,439
Speaker 4: Oh yeah, long, forty blonde hair, a little turkey turkey.

1672
01:19:18,720 --> 01:19:20,679
Speaker 2: Your mom has a tight your mom has a tork?

1673
01:19:21,800 --> 01:19:22,760
Speaker 3: What your mom does?

1674
01:19:24,640 --> 01:19:27,680
Speaker 4: My dad, as a teenager looked very much like a

1675
01:19:27,880 --> 01:19:29,479
Speaker 4: young Matt Damon.

1676
01:19:30,240 --> 01:19:32,360
Speaker 2: Oh okay, yeah cool?

1677
01:19:32,400 --> 01:19:35,160
Speaker 4: Interesting anyway, UH will send us out.

1678
01:19:35,640 --> 01:19:37,160
Speaker 2: We love you all, pod dismissed.

1679
01:19:38,720 --> 01:19:41,439
Speaker 1: Pod Mets World is nheart podcast producer and hosted by

1680
01:19:41,560 --> 01:19:45,679
Speaker 1: Danielle Fischel, Wilfredell and Ryder Strong executive producers, Jensen Parp

1681
01:19:45,760 --> 01:19:49,000
Speaker 1: and Amy Sugarman, Executive in charge of production, Danielle Romo,

1682
01:19:49,360 --> 01:19:53,600
Speaker 1: producer and editor, Tara Sudbaksh producer, Maddy Moore, engineer and

1683
01:19:53,640 --> 01:19:56,280
Speaker 1: Boy Meets World super fan Easton Allen. Our theme song

1684
01:19:56,360 --> 01:19:58,360
Speaker 1: is by Kyle Morton of Typhoon and you can follow

1685
01:19:58,479 --> 01:20:01,160
Speaker 1: us on Instagram at Podmeets World Show or email us

1686
01:20:01,200 --> 01:20:03,320
Speaker 1: at podmes Worldshow at gmail dot com.