WEBVTT - Chapter 10 – Buzz Aldrin: Beyond the Moon

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<v Speaker 1>Buzz, an audio drama for iHeart Podcasts starring John Lithgow

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<v Speaker 1>and Jeffrey Arrand as buzz Aldron. This series is based

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<v Speaker 1>on real events, However, certain characters, names, incidents, locations, and

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<v Speaker 1>dialog have been fictionalized for dramatic purposes.

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<v Speaker 2>Chapter ten.

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<v Speaker 3>This is Walter Cronkite at Cape Kennedy. Neil Armstrong and

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<v Speaker 3>buzz Aldrin have lifted off the Moon in the lunar

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<v Speaker 3>module Eagle, and all is moving smoothly as they're about

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<v Speaker 3>to dock with the command module Columbia for the return

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<v Speaker 3>trip to Earth. Their rendezvous. In lunar orbit, some nine

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<v Speaker 3>miles above the Moon. Traveling at fifty five hundred feet

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<v Speaker 3>per second, Eagle will navigate to Columbia through deep space

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<v Speaker 3>using a computerized gyroscope comprised of rotating rings called gimbals.

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<v Speaker 4>Houston, any change in gimbal lock.

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<v Speaker 5>A negative Eagle.

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<v Speaker 6>Oh, this is flight. You've only got fuel and oxygen

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<v Speaker 6>for one shot at manual docking. If you don't make it,

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<v Speaker 6>he'll be unable to recapture.

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<v Speaker 4>Don't sugarcoated, Houston. Give it to me straight.

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<v Speaker 5>We're the three Musketeers boys.

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<v Speaker 7>I'm not going home. Without porthos and aramis.

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<v Speaker 8>I wrote my doctoral thesis on orbital rendezvous procedures to

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<v Speaker 8>address this exact contingency, human skill succeeding when technology falls short.

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<v Speaker 8>Did my confidence border on arrogance? No, it crossed that

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<v Speaker 8>border years before. I also knew that if I failed,

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<v Speaker 8>Mike would return to Earth alone. An Eagle might circle

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<v Speaker 8>the Moon forever, spending eternity with Neil Armstrong in an

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<v Speaker 8>orbiting mausoleum was not why I joined the space program.

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<v Speaker 4>Houston, ready to begin manual docking procedure. I'll rotate by

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<v Speaker 4>sight and get into position. Mike, Translate forward for capture.

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<v Speaker 7>Translating forward, Eagle.

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<v Speaker 4>We're thrusting to get closer to you.

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<v Speaker 2>Roger.

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<v Speaker 4>That burn complete, read burn complete.

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<v Speaker 9>I'm not going to do a thing, Mike. I'm leaving

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<v Speaker 9>her an attitude holder.

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<v Speaker 4>Okay, moving forward, Eagle approaching lights aligning for dockage. Thrusters firing.

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<v Speaker 7>You, okay, Mike, Roger, Eagles getting closer, slow and steady.

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<v Speaker 4>Buzz, Roger docking lights no longer in alignment. We need

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<v Speaker 4>to fire thrusters again, Houston, how are we on fuel?

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<v Speaker 6>Remaining?

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<v Speaker 4>Roger docking lights realigning.

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<v Speaker 6>If you're getting closer both twenty seconds of fuel remaining.

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<v Speaker 4>Eagle Roger.

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<v Speaker 6>Here within reach. Eagle fifteen seconds closer, ten seconds Eagle.

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<v Speaker 4>Roger connection made. The Eagle and Columbia are in hard.

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<v Speaker 7>Dock safety thrusts B three and C four Roger, Eagle.

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<v Speaker 6>Nothing like going down to the wire. Columbia. Are you

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<v Speaker 6>pumping cabin pressure?

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<v Speaker 7>Roger Houston.

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<v Speaker 9>Lunar module hatch has passed its integrity check.

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<v Speaker 5>I'm gonna go ahead with a tunnel leak check.

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<v Speaker 7>Roger, Columbia. Cabin pressure pumping and looking good.

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<v Speaker 5>Moving through the lunar module tunnel into Columbia.

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<v Speaker 7>Now, I left the light on for you.

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<v Speaker 8>Neil and I shared a harden with Mike, who said

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<v Speaker 8>he used my absence to his culinary advantage.

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<v Speaker 7>If you think there's any shrimp cocktail left, forget it.

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<v Speaker 8>We laughed, but there were tears in his eyes. I'm

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<v Speaker 8>Buzz Aldron, and this is the story you think you know,

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<v Speaker 8>but you don't.

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<v Speaker 2>Ignition frequent far five four.

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<v Speaker 6>Nonna with a gay babe here the angle planted a

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<v Speaker 6>one Paul tramp for man one diam.

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<v Speaker 8>You're listening to Buzz. This is the story of my

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<v Speaker 8>greatest achievement Chapter ten.

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<v Speaker 5>Like how does it feel to have company again?

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<v Speaker 7>Damn good, I'll tell you it'd be nice to have

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<v Speaker 7>a couple million Americans.

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<v Speaker 6>Up here, Roger, they're with you in spirits.

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<v Speaker 7>Neil and Buzz look like a couple of chimney sweeps,

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<v Speaker 7>and the lunar dirts like the finest sand I ever

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<v Speaker 7>saw gets on everything. Well, it's not getting on my

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<v Speaker 7>instrument panel. Lose the boots and helmets.

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<v Speaker 2>Let's take care of it. Is it.

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<v Speaker 9>Clean up the cockpit so there's room for all our trash.

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<v Speaker 7>We've only got room for the moon rocks, soil samples,

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<v Speaker 7>and film canisters. Everything else gets left an Eagle. Advisors, overshoes, gloves,

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<v Speaker 7>everything dirty.

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<v Speaker 4>That's a lot of history you were leaving behind.

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<v Speaker 8>Not to mention stuff that would have brought a fortunate auction.

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<v Speaker 8>We jammed all of it into Eagle and prepared ourselves

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<v Speaker 8>to say goodbye to the craft that kept us safe

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<v Speaker 8>and got us home.

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<v Speaker 6>Prepared a jedtison Eagle in Program forty seven, a station

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<v Speaker 6>keep before maneuvering for transfer of.

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<v Speaker 7>Injection over sending by for pyro arm.

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<v Speaker 6>Here, go for pyro arm and go for Eagle.

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<v Speaker 8>Jedtison Mike pushed a button eagle detached from Columbia. She

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<v Speaker 8>may have crashed into the lunar surface as we might have,

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<v Speaker 8>or fifty five years later she could still be in orbit.

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<v Speaker 10>No one knows.

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<v Speaker 8>Neil and I watched her drift away. She was a

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<v Speaker 8>good ship for Neil. That was the equivalent of an

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<v Speaker 8>emotional orgasm.

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<v Speaker 4>You okay, why you're looking at me?

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<v Speaker 10>Funny?

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<v Speaker 9>It did a hell of a job, but.

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<v Speaker 10>I owe you my life.

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<v Speaker 8>That's when tears came to my eyes. As the moon

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<v Speaker 8>faded from view, so did the euphoria of what we'd accomplished.

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<v Speaker 8>I thought of doctor Ludwig, who had wanted to ground me.

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<v Speaker 8>She said it'd be bad for me if Apollo leven failed,

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<v Speaker 8>but if it succeeded, it'd be worse. What does an

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<v Speaker 8>explorer do when there are no great unknowns left? In

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<v Speaker 8>my case, he moves his wife and family to California.

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<v Speaker 8>He drinks, so does she. He gets divorced twice, and

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<v Speaker 8>after eight years he's working at a Cadillac dealership in

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<v Speaker 8>West la.

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<v Speaker 4>This is a seventy seven Coupe Deville, mister Ennis. It's beautiful, beautiful,

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<v Speaker 4>top of the line straight from the factory. I'm throwing

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<v Speaker 4>in an end of the month discount, extended warranty, spoke wheels,

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<v Speaker 4>an autograph picture of myself that's bound to become a

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<v Speaker 4>collector's item. I mean, what the hell else can I do?

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<v Speaker 10>I don't like to be rushed.

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<v Speaker 2>Rushed.

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<v Speaker 4>If we go any's slower, bud.

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<v Speaker 2>The car will be used.

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<v Speaker 11>Well, I don't like your attitude.

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<v Speaker 4>You don't like my attitude.

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<v Speaker 2>I'm Jack Murphy, general manager.

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<v Speaker 10>What seems to be the problem.

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<v Speaker 4>So this guy's been nickel and diming me for the

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<v Speaker 4>past three hours.

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<v Speaker 11>He expects me to roll over just because he was

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<v Speaker 11>an astronaut. Well, there are other dealerships in town.

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<v Speaker 4>If I make the deal he wants, it'll be below

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<v Speaker 4>our cost.

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<v Speaker 6>You know what.

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<v Speaker 2>Tell this bozo to walks bus take it.

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<v Speaker 3>That's it.

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<v Speaker 2>Someone else. Help you step into my office and I'll

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<v Speaker 2>take care of it.

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<v Speaker 3>God damn it us.

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<v Speaker 2>We're in business to do business, so I don't have

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<v Speaker 2>to kiss the customers at Yes, you do, you do,

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<v Speaker 2>but from now on, do it somewhere else. You're saying,

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<v Speaker 2>pack your stuff. That's it.

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<v Speaker 4>You're firing buzz Aldron.

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<v Speaker 2>I'm firing a guy who should be the leading producer

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<v Speaker 2>in the dealership. You've been here six months. You haven't

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<v Speaker 2>sold a goddamn car. For Christ's sake, Buzz, you were famous,

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<v Speaker 2>famous as anyone ever one giant step for man. I mean,

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<v Speaker 2>I watched you on the moon putting up the flag.

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<v Speaker 2>You were a hero. What happened?

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<v Speaker 10>They came back.

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<v Speaker 8>The good thing about not selling cars is you don't

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<v Speaker 8>miss it. By then, I was drinking at a joint

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<v Speaker 8>in Silver Leg where I'm like, nobody knew my name,

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<v Speaker 8>but I noticed a woman staring at me from the

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<v Speaker 8>other side of the bar. I knew the look. She smiled.

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<v Speaker 8>Instead of smiling back, I went into the men's room

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<v Speaker 8>and called Joan for old times.

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<v Speaker 10>Sake, Hello, Hello, Hey, are you up?

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<v Speaker 6>Does it sound like I'm up?

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<v Speaker 10>You by yourself?

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<v Speaker 6>Oh? Come on, it's twenty to two bus.

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<v Speaker 10>Yeah. But are you by yourself?

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<v Speaker 6>Oh?

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<v Speaker 1>Yeah, you're lucky that Dodgs just left.

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<v Speaker 10>I thought i'd come over.

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<v Speaker 6>You don't live here anymore?

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<v Speaker 10>Just for an hour.

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<v Speaker 4>No, I'm not drinking.

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<v Speaker 6>I can't be around it. I don't want the kids

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<v Speaker 6>around it either.

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<v Speaker 12>I'll leave before they get up. Give my name to

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<v Speaker 12>the gate and I'll be over and in and out. Hello, Okay,

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<v Speaker 12>so much for old times. In the mirror, I saw

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<v Speaker 12>a woman, not the one.

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<v Speaker 10>From the bar.

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<v Speaker 8>It was my mother rather, And it'll be your fault

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<v Speaker 8>and not a pure reflex. After you've broken your first

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<v Speaker 8>men's room mirror, the rest comes easy, especially when you're

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<v Speaker 8>drunk and the woman looking at you blamed you for

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<v Speaker 8>her suicide, which wasn't necessary because you already blamed yourself.

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<v Speaker 8>Back in the bar, the woman who smiled at me

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<v Speaker 8>walked over and introduced herself, Brenda.

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<v Speaker 13>That your drink fust Do I know you?

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<v Speaker 8>Not yet a little later, I was in my car

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<v Speaker 8>overlooking the Pacific. A revolver was on the seat next

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<v Speaker 8>to me. I looked at the moon, picked up the gun,

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<v Speaker 8>and I was dreaming. NASA arranged a Q and A

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<v Speaker 8>on our way home, the first televised press conference from

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<v Speaker 8>space and Neil, how.

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<v Speaker 5>Did it feel to be the first man on the moon.

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<v Speaker 9>When you say feel, what exactly do you mean?

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<v Speaker 8>Of course feelings For Neil, we're uncharted territory. I have

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<v Speaker 8>some thoughts on that, but no one asked the sense

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<v Speaker 8>of bitches, which didn't surprise me, but did kiss me off.

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<v Speaker 8>I got pissed easy.

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<v Speaker 6>In those days, Buzz was a Follow eleven worth more

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<v Speaker 6>than the collection of moon rocks.

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<v Speaker 4>I believe it's an expression of the fundamental human desire

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<v Speaker 4>to explore new territories. I view this mission as only

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<v Speaker 4>a beginning, and if in the years to come, future

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<v Speaker 4>explorers will build on the foundation we've established, then yes,

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<v Speaker 4>it was more than Mike.

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<v Speaker 14>It must have been difficult being up in the command

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<v Speaker 14>module alone in orbiting the Moon while Neil and Buzz.

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<v Speaker 5>Were actually on the lunar surface.

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<v Speaker 10>It was Yeah, what was the hardest part figuring out

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<v Speaker 10>who was who?

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<v Speaker 8>The journey to the Moon was fueled by anticipation. Now

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<v Speaker 8>we just wanted to get home. As Mike, Neil and

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<v Speaker 8>I flew home at five times the speed of sound,

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<v Speaker 8>there wasn't much for us to do. Columbia more or

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<v Speaker 8>less fluid itself. We talked for the first and only

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<v Speaker 8>time about what our futures would look like after Apollo eleven.

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<v Speaker 8>Of course, I was shocked that Neil had his precisely planned.

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<v Speaker 9>I'm going to teach aerospace engineering, and I want to

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<v Speaker 9>develop a plan for civilian space flight in the twenty

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<v Speaker 9>first century, and I want to travel to some of

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<v Speaker 9>the places on Earth that we've seen from space, North

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<v Speaker 9>and South Poles, Brazilian rainforest, by a farm where he'sed cattle,

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<v Speaker 9>and make sure no one turns one small step into

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<v Speaker 9>a cottage industry.

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<v Speaker 7>I want to.

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<v Speaker 10>Strengthen my marriage.

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<v Speaker 4>You and Pat seem pretty solid, more than most of us.

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<v Speaker 9>Speak for yourself, buzz i am.

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<v Speaker 7>If we're solid, it's because of Pat and sacrifices she's made.

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<v Speaker 7>Now it's my turn, and once the ticker tape's cleaned

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<v Speaker 7>up and the world to are over, I'd like to,

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<v Speaker 7>I don't know, start a museum maybe at the Smithsonian,

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<v Speaker 7>to get kids as excited about space as I was.

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<v Speaker 4>Very admirable, boys, but you're missing the opportunity of a

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<v Speaker 4>lifetime will be sought after commodities. Fortune five hundred boards

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<v Speaker 4>of directors are gonna want us, and I'm gonna let

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<v Speaker 4>them pay for the pleasure of my company.

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<v Speaker 9>You capitalize on what we've done, you.

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<v Speaker 4>Bet your ass. First half of my life has been

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<v Speaker 4>for my country. The second half will be for my family.

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<v Speaker 11>And me.

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<v Speaker 8>I did the Fortune five hundred thing. The money flowed

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<v Speaker 8>in fast and out faster. Neil and Mike were living

0:15:57.320 --> 0:16:03.240
<v Speaker 8>the lives, they mapped out. I lived alone, nothing interested.

0:16:03.360 --> 0:16:08.920
<v Speaker 8>Me Making decisions was paralyzing. And I'm not just talking

0:16:09.280 --> 0:16:11.440
<v Speaker 8>big picture. What do I do now that I walked

0:16:11.520 --> 0:16:13.240
<v Speaker 8>on the moon kind of decisions?

0:16:13.760 --> 0:16:14.640
<v Speaker 13>It's up to you, sir.

0:16:15.080 --> 0:16:17.720
<v Speaker 7>Either you want pickles with your quarter pounder or you don't.

0:16:20.280 --> 0:16:24.000
<v Speaker 4>Maybe I should uh just get the big mac with cheese.

0:16:24.320 --> 0:16:26.280
<v Speaker 7>There are other guests waiting to be served.

0:16:26.600 --> 0:16:29.920
<v Speaker 4>I'll let him wait. Okay, how many pickles are on

0:16:30.000 --> 0:16:30.840
<v Speaker 4>the quarter pounder?

0:16:31.600 --> 0:16:33.640
<v Speaker 7>Let's go pal today, sir.

0:16:33.760 --> 0:16:35.760
<v Speaker 4>Either make up your mind or please step aside so

0:16:35.840 --> 0:16:37.400
<v Speaker 4>our other guests can make their choices.

0:16:37.480 --> 0:16:38.640
<v Speaker 7>I get hungry kids here.

0:16:39.200 --> 0:16:40.960
<v Speaker 8>He was a big biker type.

0:16:41.320 --> 0:16:42.240
<v Speaker 4>Shut the fuck up?

0:16:42.400 --> 0:16:43.040
<v Speaker 10>What did you say?

0:16:43.280 --> 0:16:44.520
<v Speaker 4>I said, you're an asshole.

0:16:45.160 --> 0:16:48.200
<v Speaker 8>He came at me and I was ready. I took

0:16:48.240 --> 0:16:52.400
<v Speaker 8>a swing at him whoa, but missed. He took one

0:16:52.480 --> 0:16:52.760
<v Speaker 8>at me.

0:16:54.240 --> 0:16:55.560
<v Speaker 10>And didn't. No.

0:16:55.840 --> 0:16:58.280
<v Speaker 7>Please, whoa, whoa?

0:16:58.360 --> 0:16:58.560
<v Speaker 10>Whoa?

0:16:59.280 --> 0:17:02.280
<v Speaker 7>Sir, sir, can someone help us here?

0:17:04.040 --> 0:17:06.679
<v Speaker 8>I bought quarter pounders for the biker and his kids,

0:17:07.040 --> 0:17:11.000
<v Speaker 8>and nobody pressed charges. Then I drove to the house

0:17:11.119 --> 0:17:13.680
<v Speaker 8>I lived in when I was married to Joan. We

0:17:13.800 --> 0:17:16.679
<v Speaker 8>had a couple of horses, and I saw her at

0:17:16.720 --> 0:17:21.760
<v Speaker 8>the corral with doctor Ludwig. After a while, I followed

0:17:21.840 --> 0:17:25.360
<v Speaker 8>Ludwig to a diner. Since leaving NASA, she had gone

0:17:25.400 --> 0:17:29.480
<v Speaker 8>into private practice. She asked me about my split lip.

0:17:30.320 --> 0:17:33.400
<v Speaker 4>I told her about the fight the Hamburger shop.

0:17:33.800 --> 0:17:37.560
<v Speaker 8>She said, the inability to make decisions, no matter how small,

0:17:38.240 --> 0:17:41.600
<v Speaker 8>is a classic symptom of the depression I inherited.

0:17:45.119 --> 0:17:49.920
<v Speaker 4>Sometimes I think I would have been better off dying

0:17:50.000 --> 0:17:53.280
<v Speaker 4>on the moon instead of living the way I am now.

0:17:54.359 --> 0:17:56.240
<v Speaker 13>And how are you living?

0:17:56.960 --> 0:18:01.960
<v Speaker 4>For the first time in twenty years? Have no structure,

0:18:03.520 --> 0:18:10.080
<v Speaker 4>no mission. If I did the depression everything, they'd take

0:18:10.160 --> 0:18:11.119
<v Speaker 4>care of themselves.

0:18:11.560 --> 0:18:12.359
<v Speaker 2>I'd be fine.

0:18:14.240 --> 0:18:14.880
<v Speaker 13>No, you wouldn't.

0:18:17.520 --> 0:18:21.040
<v Speaker 4>What if jone's the only one who really knows me?

0:18:21.920 --> 0:18:24.760
<v Speaker 4>What if we tried to get back together, She'd never

0:18:24.840 --> 0:18:25.240
<v Speaker 4>go for it.

0:18:26.080 --> 0:18:28.280
<v Speaker 13>How do you know I'd tell her not to?

0:18:29.600 --> 0:18:29.800
<v Speaker 10>Why?

0:18:30.880 --> 0:18:37.959
<v Speaker 13>Because friends don't let friends be stupid? Buzz. She's been

0:18:38.040 --> 0:18:41.040
<v Speaker 13>working to get sober, and I won't be a party

0:18:41.320 --> 0:18:42.200
<v Speaker 13>to her regression.

0:18:42.960 --> 0:18:43.680
<v Speaker 4>Neither would I.

0:18:44.119 --> 0:18:49.200
<v Speaker 13>You couldn't help it. And it's not because you don't

0:18:49.240 --> 0:18:53.600
<v Speaker 13>want what's best for her and your kids. It's because

0:18:53.680 --> 0:18:58.480
<v Speaker 13>you're not what's best for them. And that's because you're

0:18:58.520 --> 0:19:02.160
<v Speaker 13>a toxic combination of infla ego and love, self esteem.

0:19:02.080 --> 0:19:04.920
<v Speaker 4>And how the same bullshit we talked about eight years ago,

0:19:05.400 --> 0:19:06.080
<v Speaker 4>and look.

0:19:06.040 --> 0:19:06.560
<v Speaker 10>Where you are.

0:19:07.640 --> 0:19:12.160
<v Speaker 4>Well, what do you suggest treatment?

0:19:13.840 --> 0:19:17.800
<v Speaker 13>Admit you're an alcoholic and get into treatment. That's the

0:19:17.840 --> 0:19:18.359
<v Speaker 13>first step.

0:19:18.520 --> 0:19:21.360
<v Speaker 4>No, the first step is structure. I could go back

0:19:21.359 --> 0:19:23.359
<v Speaker 4>to the Air Force. They'd take me in a minute.

0:19:23.520 --> 0:19:25.040
<v Speaker 4>I could write my own ticket.

0:19:25.800 --> 0:19:28.920
<v Speaker 13>Go back to the Air Force. Buzz, You've got to

0:19:29.000 --> 0:19:33.600
<v Speaker 13>go forward or you won't be going anywhere.

0:19:39.520 --> 0:19:43.160
<v Speaker 8>General Tom Mahoney and I had been classmates at West Point.

0:19:43.840 --> 0:19:46.359
<v Speaker 8>I gave him a call at Edward's Air Force Base

0:19:46.440 --> 0:19:48.480
<v Speaker 8>and he said the door was always open.

0:19:50.680 --> 0:19:52.720
<v Speaker 2>So what can I do for you, Buzz?

0:19:54.560 --> 0:19:57.080
<v Speaker 4>I want to get back to work. I need a

0:19:57.119 --> 0:20:02.399
<v Speaker 4>recommendation from you. You know something I could sink my

0:20:02.520 --> 0:20:06.000
<v Speaker 4>teeth into. I mean, what's better than here at Edwards?

0:20:06.560 --> 0:20:08.560
<v Speaker 4>Like a homecoming from when I was coming down to

0:20:08.680 --> 0:20:13.720
<v Speaker 4>flight training? Uh Will, what's the hesitation?

0:20:14.040 --> 0:20:14.080
<v Speaker 7>No?

0:20:14.359 --> 0:20:16.760
<v Speaker 2>No, it's just you were here less than a year

0:20:16.920 --> 0:20:21.720
<v Speaker 2>and there was you know that problem with Bob White.

0:20:22.680 --> 0:20:24.520
<v Speaker 2>Now come on as your superior officer.

0:20:24.760 --> 0:20:26.679
<v Speaker 4>He was jealous of my celebrity.

0:20:26.800 --> 0:20:31.000
<v Speaker 2>Everybody knows that except him and maybe you I don't

0:20:31.040 --> 0:20:33.840
<v Speaker 2>deserve that. I got you the goddamn job.

0:20:34.480 --> 0:20:39.400
<v Speaker 4>I'm sorry, I'm sorry, Tom, I need a posting.

0:20:42.600 --> 0:20:44.520
<v Speaker 2>You were the second man on the moon.

0:20:44.440 --> 0:20:46.680
<v Speaker 4>And damnit, how many times do I have to be

0:20:46.800 --> 0:20:47.440
<v Speaker 4>reminded of that?

0:20:47.720 --> 0:20:50.800
<v Speaker 2>What I was gonna say is that counts for a lot.

0:20:52.240 --> 0:20:55.280
<v Speaker 2>But frankly, Buzz, we've heard your drinking. It is a

0:20:55.320 --> 0:20:56.240
<v Speaker 2>little out of control.

0:20:56.800 --> 0:20:57.600
<v Speaker 4>Now that's not true.

0:20:57.680 --> 0:21:02.320
<v Speaker 2>We hear that is what we hear. But I'm willing

0:21:02.359 --> 0:21:04.960
<v Speaker 2>to roll the dice again. It's just we've got to

0:21:05.080 --> 0:21:08.800
<v Speaker 2>be realistic. Now, listen to me. There may be an

0:21:08.840 --> 0:21:11.280
<v Speaker 2>opening at clear it's a radar station.

0:21:12.160 --> 0:21:13.320
<v Speaker 4>Where's that Alaska?

0:21:16.440 --> 0:21:20.080
<v Speaker 2>No, seriously, Anderson, Alaska. You put in a couple of

0:21:20.160 --> 0:21:23.399
<v Speaker 2>years there, and if there's no issues, then you.

0:21:23.440 --> 0:21:25.919
<v Speaker 4>Can come a couple of years in the middle of nowhere.

0:21:26.040 --> 0:21:28.600
<v Speaker 2>At the moments, you're pretty much unplaceable.

0:21:28.840 --> 0:21:31.040
<v Speaker 10>A word from you could change that.

0:21:31.240 --> 0:21:33.560
<v Speaker 2>The words Alaska. Now, if you want to get back

0:21:33.600 --> 0:21:36.080
<v Speaker 2>in the saddle, that rning what reindeer?

0:21:38.040 --> 0:21:38.240
<v Speaker 9>You know what?

0:21:38.600 --> 0:21:39.160
<v Speaker 10>Get Tom?

0:21:39.240 --> 0:21:41.640
<v Speaker 2>You know this has always been your problem. You think

0:21:41.720 --> 0:21:45.639
<v Speaker 2>the sun shines out your ass. You could take Alaska

0:21:45.880 --> 0:21:47.600
<v Speaker 2>and shove it up yours.

0:21:51.800 --> 0:21:52.520
<v Speaker 10>In those days.

0:21:52.680 --> 0:21:56.040
<v Speaker 8>If I was running for election as my own worst enemy,

0:21:56.400 --> 0:22:00.359
<v Speaker 8>I'd have won by a landslide. But those were days

0:22:00.400 --> 0:22:02.800
<v Speaker 8>I didn't even see coming. As we headed home. In

0:22:02.880 --> 0:22:08.159
<v Speaker 8>the command module, everything seemed normal as we programmed coordinates

0:22:08.160 --> 0:22:10.680
<v Speaker 8>for re entry into the Earth's atmosphere.

0:22:12.400 --> 0:22:16.760
<v Speaker 6>Upon eleven, Houston stand by and will center state vector

0:22:16.840 --> 0:22:19.600
<v Speaker 6>and re entry load. The data uploads are in.

0:22:19.960 --> 0:22:21.360
<v Speaker 9>Okay, sounds good.

0:22:22.119 --> 0:22:24.639
<v Speaker 6>You should know that President Nixon surprised your wife to

0:22:24.760 --> 0:22:26.840
<v Speaker 6>the phone call from Air Force one as he flew

0:22:26.880 --> 0:22:27.800
<v Speaker 6>out to San Francisco.

0:22:28.320 --> 0:22:33.280
<v Speaker 4>How about that, ah, I'm sure they loved it over cre.

0:22:33.359 --> 0:22:38.240
<v Speaker 6>Entry coordinates are as follows. Area is mid Pacific rule

0:22:38.560 --> 0:22:43.120
<v Speaker 6>zero zero zero one five to two zero zero one,

0:22:43.800 --> 0:22:48.280
<v Speaker 6>latitude plus one three three to two sextant star four

0:22:48.359 --> 0:22:51.919
<v Speaker 6>or five zero one eight nine er lift vector.

0:22:51.760 --> 0:22:54.720
<v Speaker 10>Up roger that Houston, I'll update your.

0:22:54.720 --> 0:22:56.600
<v Speaker 6>Retro times for various altitudes.

0:22:57.200 --> 0:22:59.119
<v Speaker 5>Backup. Cruz standing by to assist you.

0:23:00.119 --> 0:23:02.440
<v Speaker 6>I just want to remind you that the most discicult

0:23:02.480 --> 0:23:05.480
<v Speaker 6>part of your mission is going to be reentry over.

0:23:06.600 --> 0:23:11.280
<v Speaker 10>Thank you for that. We didn't know how difficult, but

0:23:11.440 --> 0:23:13.280
<v Speaker 10>in Hawaii they did.

0:23:15.280 --> 0:23:15.639
<v Speaker 2>Captain.

0:23:16.240 --> 0:23:19.200
<v Speaker 11>The Project thirty five satellite confirms that Apollo Levin's command

0:23:19.320 --> 0:23:21.200
<v Speaker 11>module is going to splash down in a hurricane.

0:23:21.400 --> 0:23:28.320
<v Speaker 14>Stop talking, Lieutenant, shut the door. You know better than

0:23:28.400 --> 0:23:31.040
<v Speaker 14>to mention Project thirty five. Yes, sir, but access is

0:23:31.200 --> 0:23:33.879
<v Speaker 14>code word, and you aren't even cleared to be briefed

0:23:33.920 --> 0:23:36.760
<v Speaker 14>on it. And now I hear you've been blabbing all

0:23:36.800 --> 0:23:39.960
<v Speaker 14>over operations about it, even to the insigns.

0:23:41.280 --> 0:23:43.440
<v Speaker 11>Sir, I know it's a breach, but Columbia is coming

0:23:43.480 --> 0:23:46.680
<v Speaker 11>down into thirty foot swells. The helicopters won't be able

0:23:46.720 --> 0:23:48.280
<v Speaker 11>to recover it. Lieutenant will lose that.

0:23:48.320 --> 0:23:51.360
<v Speaker 14>We're running strike packages out of Thailand tomorrow into North

0:23:51.440 --> 0:23:54.720
<v Speaker 14>Vietnam based on the data from Project thirty five, a

0:23:54.800 --> 0:23:59.439
<v Speaker 14>classified satellite the Communists don't know we have. But if

0:23:59.520 --> 0:24:02.760
<v Speaker 14>NASA changes of splash down land inside the North Vietnamese

0:24:02.760 --> 0:24:06.480
<v Speaker 14>will know the satellite exists, and sixty of our pilots

0:24:06.520 --> 0:24:10.680
<v Speaker 14>will be sitting ducks. Three lives or sixty.

0:24:12.000 --> 0:24:15.360
<v Speaker 10>You do the math with respect, sir.

0:24:16.520 --> 0:24:19.520
<v Speaker 11>They're the first men on the moon drowning like a

0:24:19.640 --> 0:24:20.439
<v Speaker 11>sack of cats?

0:24:21.760 --> 0:24:22.800
<v Speaker 10>Will that be our legacy?

0:24:39.359 --> 0:24:43.000
<v Speaker 1>Buzz, starring John Lithgow and Jeffrey Errand, is created by

0:24:43.040 --> 0:24:47.240
<v Speaker 1>Stephen Cronish and directed by John Scott Dryden. Chapter ten

0:24:47.400 --> 0:24:51.240
<v Speaker 1>is written by Matt Graham and Stephen Cronish. Original music

0:24:51.400 --> 0:24:55.359
<v Speaker 1>is by Sasha Putnam. Sound designed by Elouise Whitmore. The

0:24:55.480 --> 0:24:59.320
<v Speaker 1>producer is Emma Hearn. The executive producers are Jeremy Fox,

0:25:00.040 --> 0:25:05.200
<v Speaker 1>Scott Dryden, Stephen Cronish, Howard Stringer and Jason English. Buzz

0:25:05.320 --> 0:25:08.800
<v Speaker 1>is a production of Thoroughbred Studios, gold Hawk Productions, and

0:25:08.920 --> 0:25:10.040
<v Speaker 1>iHeart Podcasts.