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Speaker 1: Look man, oh I see you? Why why and look

2
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Speaker 1: over there? How is that nulture? Yes, goodness, Cultista's calling

3
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Speaker 1: high level of brownoutes today in l A. So if

4
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Speaker 1: I melt down, just blame mother Nature. Oh no, you

5
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Speaker 1: hate to hear that. She is soaring. The temperatures are

6
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Speaker 1: in the triple digits. L A is under attack by heat,

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Speaker 1: by heat. Ain't that the story. I'm gonna be there

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Speaker 1: in a few days, and I'm not really forward to it.

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Speaker 1: Bring your skimpiest clothes, because, honey, you are gonna want

10
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Speaker 1: to be very prepared for the heat. I just came

11
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Speaker 1: from Palm Springs. My brain is cooked. Tell me how

12
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Speaker 1: how your LDW was such a good l d w um.

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Speaker 1: I spent a lot of time in my favorite locale,

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Speaker 1: the Ace Hotel pool. I was sort of like, you know, vibing,

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Speaker 1: as they say, and I thought, if this was heaven,

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Speaker 1: I would say, period, period. Yes, if this is heaven, honey,

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Speaker 1: install the pearly gates. I don't see them. Boo. Cut

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Speaker 1: to me with a frozen Paloma salt or tahini rim tropical. Well,

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Speaker 1: we haven't even made the tropical yet, and you know

20
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Speaker 1: we went to tropical. See me sitting by the pool

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Speaker 1: frozen Paloma salt or Tahini rim, depending on your which

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Speaker 1: one of the binary you want that day, and then

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Speaker 1: sipping with your legs in the damn water watching flops

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Speaker 1: just like flop around the strangers of it, all the

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Speaker 1: characters you meet. If that's Heaven, sign me up for Heaven.

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Speaker 1: Sign me up for Heaven. Subscribe, Subscribe to Heaven. I

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Speaker 1: I love you what I know. It's a place you

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Speaker 1: love to go. Would you say that you are you know,

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Speaker 1: Ross Matthews level sort of Morganic Michael's level, Palm Springs.

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Speaker 1: I can't claim it as a NIP code yet, but

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Speaker 1: I do know that I will end up at the

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Speaker 1: Tropical bar a completely like other shade other than I

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Speaker 1: am now because of Big in the Sun. At some point,

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Speaker 1: let's say, when I get to like, you know, sixty

35
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Speaker 1: sixty six out there, they'll be in the outdoor area. Yeah, yeah,

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Speaker 1: post up in that outdoor area where like, um, all

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Speaker 1: the it's like it's very o c out there, oh

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Speaker 1: speaking which we literally we literally saw Vicky gun Wilson

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Speaker 1: there that one time. Right, I was just gonna say

40
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Speaker 1: this was before she was like, uh sort of figure

41
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Speaker 1: to us. But she was really very central in the restaurant.

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Speaker 1: She was sat very visibly. Yeah, she was really living

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Speaker 1: her tropical fantasy. You and I had such opposite weeks,

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Speaker 1: I would say, in such opposite climbs climates. You know

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Speaker 1: told us about your climb, Miley Cyrush. Well here's here's

46
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Speaker 1: the climb. Okay, and can we say it's a ruler culture.

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Speaker 1: It's the climate. That's all culture number thirty, it's the

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Speaker 1: climb period. I was working in Iceland and it was

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Speaker 1: one of it was a life changing experience. Okay, So

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Speaker 1: I do have to come out and tell come out now,

51
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Speaker 1: I have to tell the reader's a story that really

52
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Speaker 1: deals with shame. Oh my god, you're gonna do this.

53
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Speaker 1: I'm gonna do this because I I talked about in therapy.

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Speaker 1: I told you were the one of the first people

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Speaker 1: I told I support this and I want you to

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Speaker 1: go off now, Queen, Okay, Queen, this is truly the

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Speaker 1: honesty zone. It's crossed over into the period. The honesty

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Speaker 1: zone is indefinitely canceled, but every now and then we'll

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Speaker 1: bring it to law sculturistas. Okay. Now, I had a

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Speaker 1: day of work where we started out at a waterfall,

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Speaker 1: one of the many waterfalls, gorgeous waterfalls in Iceland. Start

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Speaker 1: had a day starting out there, just couldn't believe what

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Speaker 1: I was seeing. I was like, Wow, I'm very lucky

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Speaker 1: to be working period, and lucky to be working in

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Speaker 1: this environment. Wow, what a life we were having one

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Speaker 1: of the best days of your life. Yeah, let's say

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Speaker 1: nothing of the animals that you met along the way. Well,

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Speaker 1: I was going to say. Next stop was the locks

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Speaker 1: and Horse Farm, one of the famous horse farms in Iceland.

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Speaker 1: Ben Still, it was just there writing one of the

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Speaker 1: Icelandic horses. But a week ago, huge star, huge star director,

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Speaker 1: even huge director and me nominated director. I him best

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Speaker 1: of luck to him at the big show. At the

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Speaker 1: Big show and got to ride an Icelandic course, which

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Speaker 1: it's crazy. It's horse eugenics because the Icelandic horses can't

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Speaker 1: leave No, I'm sorry, No other horses can enter Iceland.

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Speaker 1: And if an Icelandic horse leaves Iceland for any reason,

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Speaker 1: it cannot come back. I'm sorry. Is this spiritual? It's

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Speaker 1: not spiritual, it's it's I think it's just like, uh,

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Speaker 1: because all the Icelandic courses are purebred horses there between

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Speaker 1: the size of a pony and like a full on mayor.

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Speaker 1: So basically they don't want any with other horses not

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Speaker 1: of Iceland because it could fun. It's for diseases. It's

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Speaker 1: for disease reasons mostly period. But you know, sort of

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Speaker 1: when I say it, it sounds like eugenics and it's

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Speaker 1: it's unfortunate, But I didn't sound like that when you

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Speaker 1: said it. Most horses, I think horses only have four

88
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Speaker 1: walks four gates, right, Icelandic horses have a fifth gate walk.

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Speaker 1: They were given a little bit more that God must

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Speaker 1: have spent a little more time on them. They have you.

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Speaker 1: The fifth walk is a trot. It's called a tilt

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Speaker 1: an Icelandic. And I was shown a video of my

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Speaker 1: horse handler riding this horse bare back while holding a

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Speaker 1: full glass of beer. Picture your favorite beer filled to them,

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Speaker 1: and you're holding it to the side while you're on

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Speaker 1: an Icelandic horse that is galloping at such a steady

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Speaker 1: clip and such at such a steady level way that

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Speaker 1: the that the beer, not a drop of beer, is

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Speaker 1: spilling out. Isn't that amazing? That is so? And so

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Speaker 1: what happened now, I'm telling you Matt, you would have

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Speaker 1: loved this. I'm I'm wrapped right now, and it really is.

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Speaker 1: You were truly in a different environment than me. You

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Speaker 1: sort of in the mountains with the horses, me in

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Speaker 1: the pool with the palm springs residents like this is

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Speaker 1: a tale of two cities that I've that I've ever

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Speaker 1: ever heard, never heard of, tell of two cities like

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Speaker 1: this like this now, I was having, as you said,

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Speaker 1: one of the best days of my life. And I

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Speaker 1: even told you this. When I did, you reached out

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Speaker 1: to say that when I prefaced the story that I'm

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Speaker 1: about to tell the readers to you, I said, this

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Speaker 1: was one of the best days of my life. I thought,

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Speaker 1: I'm so lucky to be experiencing these experiences. And then

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Speaker 1: at one point, it's a new deal. They're turning the

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Speaker 1: cameras at the horse farm. Sure, I have a costume

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Speaker 1: on that is five layers, both top and bottom. I

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Speaker 1: have crazy layers. The sound guy that's a crazy rig

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Speaker 1: on me with the wire just sticks the wire behind me.

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Speaker 1: So you know, a sound person will typically put the

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Speaker 1: microphone tape it to your your clothing, around your declate

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Speaker 1: your neck. I'm just I'm just your show. Biz legend.

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Speaker 1: You're very seasoned in the business, in the ways of

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Speaker 1: set life. I'm aware of where the place. We can

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Speaker 1: just say it like that. We don't have to say

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Speaker 1: too much of this verb between I know where the

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Speaker 1: microsc It's true, I too early to say legend in

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Speaker 1: my career. I think you have to wait a couple

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Speaker 1: of years. Jennifer Lewis herself said that you have the

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Speaker 1: it factor. We'll get to that later because I have

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Speaker 1: things to say about that episode, because it was truly

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Speaker 1: one of the best, one of the best interviews conversations

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Speaker 1: I've been privileged to listen to more on that la

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Speaker 1: That's not true, Ellen, but continue with your story. Legend.

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Speaker 1: The wire gets looped behind my back and typically you know,

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Speaker 1: they put the mic pack on your waist, clip it

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Speaker 1: to your waist, and again I have layers and layers

137
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Speaker 1: and layers of clothing on me. I go to my

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Speaker 1: trailer to relieve, relieve, defecate, take a big show. Can

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Speaker 1: I just pause for one second the fact that relieve

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Speaker 1: and defecate sort of mean the same thing. They feel

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Speaker 1: so different, like I'm stepping away to relieve myself and

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Speaker 1: I'm stepping away to defecate. You're saying the same thing,

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Speaker 1: but the where do you use can change everything, And

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Speaker 1: it's a rule of culture number forty nine. The word

145
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Speaker 1: word can change change everything. We'll defecate has some more

146
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Speaker 1: fricative sounds. Again, it's so freaking like like the cut

147
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Speaker 1: the foot, like it's just it's the death. It is

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Speaker 1: letting you know something sharp, hard and very real about

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Speaker 1: life is happening. Defecate relief sounds so meditative, sounds so natural.

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Speaker 1: Defecate that's hard. Anyway, continue iconic friend. I go to

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Speaker 1: the bathroom in my trailer, and to take down my pants,

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Speaker 1: I have to sort of move my scarf, move my pancho,

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Speaker 1: take off my pants, take off my thermal leggings underneath business,

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Speaker 1: take take down my compression guard. Moment. That's sort of

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Speaker 1: like helping me snatch a little bit for camera business,

156
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Speaker 1: which is which is what you know, what the costume

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Speaker 1: department gave me the movie magic. The wire is still

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Speaker 1: sort of mind you tatally behind me, my running down

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Speaker 1: my back, running down to the waist of the pants,

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Speaker 1: which is at this point on the floor or close

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Speaker 1: to the floor. I'm not one of those poopers who

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Speaker 1: you know, and some of these people and the most

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Speaker 1: iconic people, let's just say, are the people at public

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Speaker 1: urinals this elementary school style who put down the pants

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Speaker 1: to the ankles. Yeah. I think those are the most

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Speaker 1: iconic people around. And it shows the confidence that only

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Speaker 1: people out there are aspiring to you, and I have

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Speaker 1: a long way to go to get to that level. Well,

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Speaker 1: and also, bone, you have to understand some people they

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Speaker 1: have to get fully nude to in order to pee

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Speaker 1: or defecate. Sorry everyone for the again found it. Sorry

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Speaker 1: to these men and to these women, and so anyone

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Speaker 1: out there listening. But those icons are wearing rompers, and

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Speaker 1: you can't just do whatever you want. Okay, you can't

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Speaker 1: just do whatever you want. You have to get legends

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Speaker 1: through Jennifer lewis it factor legend? What happened next? I go,

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Speaker 1: I turn around. Everything looks good. I flushed the toilet.

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Speaker 1: I zip up, I pull up my compressions, my leggings,

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Speaker 1: my pants. Yeah, you're thinking at that point period period,

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Speaker 1: I go, I'm let me just re jigger the wire

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Speaker 1: a little bit and I'm good to go. I have

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Speaker 1: a huge poncho sort of draped over my ass as well.

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Speaker 1: I feel a little tugged behind me as I walk

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Speaker 1: out too set. We're shooting outdoors, mind you, and I'm

185
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Speaker 1: also in a crazy wig color contacts. I look stupid

186
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Speaker 1: for the comedy of the show. Aquafina is North from

187
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Speaker 1: Queen's a very comedic show. Am I giving too much context? Maybe?

188
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Speaker 1: Really what happened? I walked back. I walked back to set.

189
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Speaker 1: There's a bunch of horses all around. Crew people, wonderful Icelandic,

190
00:11:24,760 --> 00:11:30,040
Speaker 1: union paid crew people, fulfilled lives. They're so these these

191
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Speaker 1: people have worked one on every set you can think

192
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Speaker 1: of in Iceland, the Northman Halo, every Nordic noir you

193
00:11:36,400 --> 00:11:40,920
Speaker 1: can imagine. They are figures of esteem and respect. Executive

194
00:11:40,920 --> 00:11:42,440
Speaker 1: producer Anna is saying that she's on the end of

195
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Speaker 1: her seat. Okay, I'm I'm getting there. I walk right

196
00:11:46,040 --> 00:11:51,320
Speaker 1: in front of video village and Sacy, the iconic former

197
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Speaker 1: model who is now our production manager, Polish German beauty,

198
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Speaker 1: coolest girl on set, at the front of esteem, respect

199
00:12:00,480 --> 00:12:04,760
Speaker 1: and great beauty is calling. Is making restaurant reservations for

200
00:12:04,800 --> 00:12:07,520
Speaker 1: the entire casting crew every night at the most exclusive

201
00:12:07,520 --> 00:12:10,439
Speaker 1: places in wreck You. Actually, this woman has power. This

202
00:12:10,480 --> 00:12:16,360
Speaker 1: woman has seen this woman understands Queen's legends, Jason Queen's legend.

203
00:12:16,440 --> 00:12:19,080
Speaker 1: She's seen it all. She knows he's dying with them. Yeah,

204
00:12:19,320 --> 00:12:22,920
Speaker 1: she You would think that she has not experienced much

205
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Speaker 1: shame in her life. Maybe, and maybe that's a production.

206
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Speaker 1: Maybe maybe I'm assuming too much. She turned, We have

207
00:12:29,679 --> 00:12:33,200
Speaker 1: not interacted too many times. At this point, I hear

208
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Speaker 1: her call out my name. She goes, oh, Bowen, you

209
00:12:37,320 --> 00:12:40,760
Speaker 1: have um you have a little piece of paper dangling

210
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Speaker 1: behind you. I go, what? And before I pull up

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Speaker 1: the wire to see to fish up what was caught

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Speaker 1: on it, because I assume it was on my wire.

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Speaker 1: The director peeks out from behind village and he runs.

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Speaker 1: So the director of someone who runs a film a

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Speaker 1: TV set sort of is the leader. They're a figure

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Speaker 1: of esteem and um great pathority authority, and they're they're

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Speaker 1: a figure of respect. And if you look silly in

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Speaker 1: front of them, that's not great. You are the Jester

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Speaker 1: Flop period, the Jester Flop period and the clown square

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Speaker 1: known as a film set. Our director, the Great Jordan

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Speaker 1: Kim comes out and goes, oh, yeah, what is that? Oh,

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Speaker 1: I fish up the wire. It is a used wad

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Speaker 1: of toilet paper. Full of brown. And when you do

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Speaker 1: stay brown, you do mean your poop. Your poop was

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Speaker 1: all over your my desication. I've never felt everyone should

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Speaker 1: I've never felt more embarrassed in my light. Sister, Yeah,

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Speaker 1: that makes a lot of sense. Can you imagine the environment?

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Speaker 1: Can you imagine a more humiliating moment? I can't let

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Speaker 1: you hang out here by yourself. So I said to you,

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Speaker 1: if you shared this story, that I would share something

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Speaker 1: as well. No, no, no, no. I had a speedo

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Speaker 1: and I ruined it when I was sick in in

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Speaker 1: in Fire Island. I shared in the speedo and I

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Speaker 1: had to throw it. I threw it over the ledge.

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Speaker 1: I threw it over the blood. You you wait with

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Speaker 1: your shark man. I did go down and get it

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Speaker 1: and put it in the in the in the garbage,

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Speaker 1: just kidding? Did I? This will be one of the

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Speaker 1: great questions of law school ESA's. Did I go down

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Speaker 1: eventually and pick up the speedo and actually dispose of

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Speaker 1: it or did I just throw it over the allege

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Speaker 1: at Fire Island? It's not giving honesty's own if you're

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Speaker 1: not being Can I say something? No one will ever

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Speaker 1: find out the answer to this question. It will be

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Speaker 1: my great secret. But this is the thing. It's a

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Speaker 1: secret for you. And know what, you did not have

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Speaker 1: to tell anybody this period. Well, I'm saying, actually, I

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Speaker 1: take it back you. I would have to volunteer this

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Speaker 1: story to someone like me, your best friend, and I

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Speaker 1: don't judge you for it, my girl, your girl, and

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Speaker 1: I would say that I there was no escaping the

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Speaker 1: truth of the matter. There was no escaping the shame

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Speaker 1: of being in front of all your coworkers on a set,

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Speaker 1: on a foreign set, with people that you are you

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Speaker 1: I've only started to get familiar with. There is no

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Speaker 1: competition at all. Your story is the humiliating moment of

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Speaker 1: a lifetime. I was simply trying to be charitable in

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Speaker 1: my sharings because I feel so sad that you flopped

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Speaker 1: in the Clowns Square, so hard as to be covered

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Speaker 1: in your filth in front of figures of great esteem, respect, beauty, leadership,

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Speaker 1: and talent. Did I mention there were former models on

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Speaker 1: this set? Polish German legends. They had a great fortune

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Speaker 1: of beauty, These people, they had a great fortune of beauty.

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Speaker 1: Not I, Well, it gets better. I didn't. I don't

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Speaker 1: even think I told you this part. Tell me more

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Speaker 1: about it. I'm mortified, and I raced well. First of all,

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Speaker 1: sweet Jordan, God bless him, a kind effective director. You

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Speaker 1: shouldn't have seen that. But I've known him many years

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Speaker 1: and he's you know, he's he's wonderful. As I run

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Speaker 1: away after realizing what had happened, he says to me,

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Speaker 1: it happens. And I and this is what I said,

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Speaker 1: staring at the ground walking away, I go, no, it doesn't.

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Speaker 1: And I run back and I run. I scurry back

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Speaker 1: to my trailer and see that there is at least

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Speaker 1: two wads of use toilet paper on the ground in

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Speaker 1: the trap that I had, that that had come off

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Speaker 1: the tail. But my my little wire tail on the

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Speaker 1: way over. And there are teamsters p A s kind

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Speaker 1: of like who have been there all along, who probably

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Speaker 1: have gone, what is that? My girl was set decorating period.

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Speaker 1: I was props department. I was I was giving production design. Yeah,

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Speaker 1: special effects, special effects, practical things. You were making movies

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Speaker 1: this week. It was movie magic, this movie magic. And

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Speaker 1: I walked back to my trailer and I go, oh

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Speaker 1: my god, I've shot all over this set, and so

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Speaker 1: I was I could not bring myself to talk. I

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Speaker 1: could not bring myself to talk about it to anyone

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Speaker 1: until the last night where Saucy took us out for drinks, dined,

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Speaker 1: and then at one point I did say to say

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Speaker 1: to Saucy, well, I was telling the story to two

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Speaker 1: other people UM at the bar, and then Saucy was

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Speaker 1: sitting next to me and she had over she was

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Speaker 1: in another conversation, but she overheard me recounting the story,

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Speaker 1: and then Saucy goes, you know what, Bowen, I'm so

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Speaker 1: glad that you're like, you have a sense of humor

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Speaker 1: about it now, because I was so scared that I

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Speaker 1: had embarrassed you so much by letting you know what

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Speaker 1: was happening. And I said, no, Saucy, you did me

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Speaker 1: such a favor. She goes, I just wanted. She was like,

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Speaker 1: I had to let you know before more people saw.

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Speaker 1: And she I really do think she she changed my life.

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Speaker 1: She is a heroine, I have to say, has stepped

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Speaker 1: forth and really taking her place in the last culture

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Speaker 1: Stas canon. And it is UM actually our honor to

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Speaker 1: announce that UM Saucy is a winner of the Legend Award,

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Speaker 1: the last culture Stas Legend Award, and she might be

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Speaker 1: nominated for more and the nomine the nomination, the full

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Speaker 1: nomination will be Saucy, the Icelandic production manager who told

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Speaker 1: Bowen he had shipped on his costume. On his costitume. Yeah,

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Speaker 1: I mean she is a nominee. She is a recipient

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Speaker 1: of the Legend Award, and that does not mean she

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Speaker 1: has won the Legend Award of the Culture Awards, but

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Speaker 1: today she is or was it the Icon Award that

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Speaker 1: we give. There's there's there's the Legend Award, there is

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Speaker 1: the Queen dhom Award, of course, the Queen Him Award.

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Speaker 1: She I think she's up for all those categories. You're right,

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Speaker 1: I think that we already have a nominations leader, but

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Speaker 1: we can't announce yet, we can't adjust. Around the corner

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Speaker 1: is going to be the last countries those Culture Awards nominations.

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Speaker 1: Just around the corner. It's gonna be a nominate, It's

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Speaker 1: gonna be a category reveal first, and then at a

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Speaker 1: later date we will reveal the nominees. Because there will

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Speaker 1: be new categories and some a remnants of categories from

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Speaker 1: last year. Some remnants just like what Bowen was leaving

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Speaker 1: all around the set. Remnant. Okay, hold on and then

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Speaker 1: very quickly just to tap up the story. I did

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Speaker 1: also tell Sarah's Reman and Celeste because I'm so embarrassed

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Speaker 1: to know, like I was already text freed with them,

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Speaker 1: already liked to tell people I think I did. I can't.

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Speaker 1: You have to own it. And I texted them I

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Speaker 1: was like, you guys, the worst thing, one of the

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Speaker 1: worst thing that's ever happened in my life, just happened

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Speaker 1: to me. And they go, what what happened? And then

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Speaker 1: I told them and then Sarah God bless her, said,

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Speaker 1: you know, I was just with a costume designer on

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Speaker 1: on a job and she was like, and she has

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Speaker 1: worked with every single actor you can think of. And

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Speaker 1: she goes to Sarah, every actor period has shot their

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Speaker 1: pants while on the job, and that is I need

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Speaker 1: to believe that in order to survive this. And here's

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Speaker 1: some just if you, if this helps you, here's some actors.

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Speaker 1: And so when we say that every actor has shopped

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Speaker 1: themselves well on the job, I just wanted to name

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Speaker 1: some actors and they've all shipped themselves. Gina Davis, she

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Speaker 1: shipped herself. Jessica the Great Jessica Chastain has pooped. Um

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Speaker 1: Tom Hanks, Tom Hanks poops, Yes, Angela Landsbury pooped, and

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Speaker 1: she she sometimes would poop in her costume because she's

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Speaker 1: an actor and every actor has done it, Melanie Lynskey,

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Speaker 1: So you're sharonin has been pooping for several years now

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Speaker 1: in big films, And here's a transition for you. Harry Styles,

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Speaker 1: Chris Pine, Jemma Chan, Florence Pew. They all shot themselves

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Speaker 1: on the set of Don't Worry Darling. Yeah, and Olivia

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Speaker 1: Wild should herself in her acting costume and her regular

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Speaker 1: clothes as a director on the set. Incredible, don't direct

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Speaker 1: So it's not just exclusive to the actors, it's also directors.

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Speaker 1: M wow, yeah, oh yeah, let's talk about We talked

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Speaker 1: about what's been happening at Venice. Did you see their

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Speaker 1: fucking looks? Because Florence absolutely, she said, I'm showing up

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Speaker 1: for one thing and but you get a moment though

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Speaker 1: that that leg and that shoe she was giving movie

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Speaker 1: star arriving period. Once a year at Venice. Once a

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Speaker 1: year at Venice, there is one person who cements themselves

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Speaker 1: as a legend if they have not already with a

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Speaker 1: with a Valentino ocuture look that it features Ostrich feathers.

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Speaker 1: What we're seeing that was Lady Gaga and that pink

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Speaker 1: thing that was Valentino. Like that iconic photo of gagat

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Speaker 1: Venice when it was raining just a little and there

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Speaker 1: was just those droplets like reflecting the flash. Oh my god,

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Speaker 1: that's one of the most beautiful photos ever taken. And

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Speaker 1: we also have to say Becca producer Becca has just

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Speaker 1: like chimed in and says also the purple because she

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Speaker 1: showed up looking like, honestly, I would have accepted that

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Speaker 1: as the as the look. I was like, like, she

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Speaker 1: she literally showed up in that purple just to arrive

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Speaker 1: in Venice pre costume change, and I was like that

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Speaker 1: was the look. I was good with it. Then this

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Speaker 1: I was like, okay, history is made. It inspired me,

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Speaker 1: honest there's like this is the aesthetic. I was like,

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Speaker 1: I am a short legged person and so is Florence

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Speaker 1: and she's making it work. Let's let's just say, let's

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Speaker 1: just pause for one second to say, Hugiota, it's piggioto huge,

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Speaker 1: it's down. And here's something about piggioto. Piggiota is a

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Speaker 1: is a star, is an actress? Is a talent and

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Speaker 1: is in her prime. And this is what I was

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Speaker 1: thinking when I was driving from Palm Springs today. It

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Speaker 1: required much of my thought. I think we have a

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Speaker 1: generation of these young girls, these movie stars who are

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Speaker 1: turning fashion. Zenda gives it. Florence just gave it. Fucking

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Speaker 1: Timmy Shallamy gives it. Like my my girl showed up.

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Speaker 1: The young girl showed up backless, completely backless. You gotta

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Speaker 1: give it up. I it was lot of Flynn Boyle. Yeah,

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Speaker 1: Countess Luian obviously, I have to say. But you know

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Speaker 1: how we've been saying for so long, like there are

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Speaker 1: no movie stars anymore, there were no real movie stars anymore.

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Speaker 1: I kind of am starting to disagree with that. Yeah,

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Speaker 1: I mean I just named three, and then you think

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Speaker 1: about Tom Holland, like all these people are good, they're hot,

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Speaker 1: they're really talented, they're you know, they're different than what

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Speaker 1: usually gets shoved down your throat. Zenda in particular, like

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Speaker 1: she to me, I think I was thinking about how

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Speaker 1: she has like a one name, like she has a mononym,

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Speaker 1: and I'm like, yeah, because when you can give legend,

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Speaker 1: give legend legend, and that's a royal culture. Number One hundred.

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Speaker 1: If you can give legend, give legend, legend, legend. Venice

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Speaker 1: is interesting. I'm decided to see the Whale. That got

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Speaker 1: a great reception. It was very, very fun to see

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00:25:10,640 --> 00:25:13,800
Speaker 1: Brendan Fraser get emotional. It was a huge Brendan Frasier

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Speaker 1: week for me. Actually, really, did you watch a lot

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Speaker 1: of people are watching the People? Are people watch The

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Speaker 1: Mummy this week? A lot? Girl? The Mummy Too was

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Speaker 1: on television when we were getting ready one night in

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Speaker 1: Palm Springs and I realized I haven't sat and watched

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Speaker 1: this movie and sometime Rachel Weiss that was a moment

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Speaker 1: in screen history when she rocked that buld eye and

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Speaker 1: she was snatched. Rachel Vice is such a star. And

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Speaker 1: Mummy Too was the moment. And that film is incredibly

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Speaker 1: scary and dark. There was a moment where a Mummy

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Speaker 1: sucks the life out of another guy. I was really

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Speaker 1: upset and distressed by it. That's really scary. It was

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Speaker 1: so scary. Bough And I think the Mummy is due

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Speaker 1: for some sort of grand return in the culture. Here's something.

422
00:26:03,800 --> 00:26:08,280
Speaker 1: They just refurbished the attraction in Orlando. Okay, so the

423
00:26:08,359 --> 00:26:11,119
Speaker 1: Mummy ride in Orlando right now? And things are absolutely

424
00:26:11,200 --> 00:26:18,040
Speaker 1: popping off in Orlando. Do you hear about this epic universe?

425
00:26:18,119 --> 00:26:20,240
Speaker 1: Have I told you about the epic universe? You've told

426
00:26:20,280 --> 00:26:22,720
Speaker 1: me every time I take the readers that there's a

427
00:26:22,800 --> 00:26:28,159
Speaker 1: classic monsters land with Frankenstein Dracula. Yes, all that, And

428
00:26:28,320 --> 00:26:30,280
Speaker 1: then there's been more leaked about it. And this is

429
00:26:30,320 --> 00:26:33,480
Speaker 1: the rumor that the like diagetic of it like is

430
00:26:33,600 --> 00:26:36,720
Speaker 1: that it's now the year two and it's like a

431
00:26:36,840 --> 00:26:41,040
Speaker 1: museum land and the Frankenstein Castle is now run by

432
00:26:41,119 --> 00:26:46,480
Speaker 1: his great great great granddaughter Victoria Frankenstein, who apparently is

433
00:26:46,520 --> 00:26:49,920
Speaker 1: a legend and invites you into the Frankenstein manner for

434
00:26:50,040 --> 00:26:54,119
Speaker 1: an experience with classic monsters, like in a zoo setting

435
00:26:54,600 --> 00:26:59,040
Speaker 1: and of course in great universal rides and attractions fashion.

436
00:26:59,480 --> 00:27:05,280
Speaker 1: Something period goes period wrong period and monsters are unleashed.

437
00:27:06,160 --> 00:27:07,760
Speaker 1: Let me tell you something right now, as I point

438
00:27:07,800 --> 00:27:11,560
Speaker 1: in your face, get into it. Do you don't have

439
00:27:11,720 --> 00:27:16,040
Speaker 1: to tell me. I'm already there. I'm into it already there.

440
00:27:16,160 --> 00:27:19,800
Speaker 1: Remember that Lone Star song that was iconic? Wow, I

441
00:27:19,960 --> 00:27:23,760
Speaker 1: love this premise. Victoria Victoria Frankenstein, who I want to

442
00:27:23,840 --> 00:27:27,040
Speaker 1: be every who more? Who who should play her? This

443
00:27:27,200 --> 00:27:29,679
Speaker 1: is what I said, okay, who should play? Everyone, readers

444
00:27:29,800 --> 00:27:33,240
Speaker 1: get together with us. We need to start dream fancasting.

445
00:27:33,359 --> 00:27:37,160
Speaker 1: Victoria Frankens. Victoria Frankenstein. She runs a manner and she says,

446
00:27:37,320 --> 00:27:39,480
Speaker 1: come here, I have something to show you. Who is

447
00:27:39,600 --> 00:27:45,280
Speaker 1: it who plays her? Icon Florence. You might have missed

448
00:27:45,320 --> 00:27:47,800
Speaker 1: this earlier when you were talking about Piggioto saying she's

449
00:27:47,840 --> 00:27:53,960
Speaker 1: a star, she's an actress. Digiotagia. Sorry did goodaidiodaidioda? That

450
00:27:54,000 --> 00:27:59,760
Speaker 1: sounds like that. That's literally a hook Piggioda, my fucking

451
00:28:00,040 --> 00:28:08,320
Speaker 1: as period short Piggioto as a bop Piggiotaga. That is

452
00:28:08,359 --> 00:28:11,720
Speaker 1: actually really, really, really something we should think about. We

453
00:28:11,760 --> 00:28:15,280
Speaker 1: should think about that. Piggioto is a short haired queen,

454
00:28:15,760 --> 00:28:22,119
Speaker 1: much like Missflow Florence showing up in these looks amazing.

455
00:28:22,520 --> 00:28:30,400
Speaker 1: It's Florence. Pugioto down Florence. That's it. She's taking flight.

456
00:28:31,000 --> 00:28:35,440
Speaker 1: I choose you, as they have always iconically said, I

457
00:28:35,760 --> 00:28:38,920
Speaker 1: choose you. Talk about that as a moment to talk

458
00:28:38,920 --> 00:28:40,320
Speaker 1: about what it feels like as a POKEM wont to

459
00:28:40,320 --> 00:28:43,760
Speaker 1: be chosen by the master. I choose you. Oh my god,

460
00:28:44,200 --> 00:28:49,640
Speaker 1: it's an iconic emotion. Three words monosyllabic words in the

461
00:28:49,760 --> 00:28:52,880
Speaker 1: culture forever so seated with this, I p you can

462
00:28:52,960 --> 00:28:57,320
Speaker 1: never say I choose you in a setting without evoking

463
00:28:57,600 --> 00:29:01,440
Speaker 1: ash catch him Sorry, Sarah Barrella is sorry. Sarah. By

464
00:29:01,480 --> 00:29:03,560
Speaker 1: the way, we love that profile for The New Yorker.

465
00:29:03,760 --> 00:29:07,440
Speaker 1: Oh my god. And so I've now seen her in it,

466
00:29:08,800 --> 00:29:12,200
Speaker 1: and I have to tell you, congratulations to the entire

467
00:29:12,680 --> 00:29:16,360
Speaker 1: cast who just left, because this is a perfect show.

468
00:29:17,000 --> 00:29:20,960
Speaker 1: Sarah Brellis, where is the tony on her mantle? We

469
00:29:21,000 --> 00:29:25,280
Speaker 1: should consider putting it there. I listened to after sleeping

470
00:29:25,320 --> 00:29:28,760
Speaker 1: on it for so long, finally listened to the now

471
00:29:28,960 --> 00:29:32,200
Speaker 1: like seven year old album of What's Inside, like her

472
00:29:32,920 --> 00:29:36,480
Speaker 1: singing all the waitress songs. When he sees Me, when

473
00:29:36,560 --> 00:29:38,800
Speaker 1: he sees when he sees Me is truly when she

474
00:29:38,960 --> 00:29:40,880
Speaker 1: takes it down me octave again at the end, when

475
00:29:40,920 --> 00:29:43,880
Speaker 1: she goes won't st again, when she when she's like

476
00:29:44,240 --> 00:29:47,320
Speaker 1: wailed the whole thing. I loved it. When he sees

477
00:29:47,400 --> 00:29:51,560
Speaker 1: me in the cast recording, it's a great It stands

478
00:29:51,600 --> 00:29:55,479
Speaker 1: out as a character, you know, sort of like number right,

479
00:29:55,520 --> 00:29:57,520
Speaker 1: like it's Canna a Glenn, It's it's like and she's

480
00:29:58,120 --> 00:30:00,480
Speaker 1: in She did a great job. With it did a

481
00:30:00,560 --> 00:30:03,320
Speaker 1: great job. But then to hear Sarah just give it

482
00:30:03,440 --> 00:30:07,080
Speaker 1: like a precision, do you know what I mean? Is

483
00:30:07,320 --> 00:30:09,520
Speaker 1: and and have it still works so well as a song,

484
00:30:09,600 --> 00:30:12,520
Speaker 1: I go wow, like I almost like this better? Dare

485
00:30:12,520 --> 00:30:15,160
Speaker 1: I say? I mean they're her songs, you know what

486
00:30:15,240 --> 00:30:17,160
Speaker 1: I mean? I think that she's always going to be

487
00:30:17,200 --> 00:30:19,400
Speaker 1: connected to them in a way. I do think, like

488
00:30:19,520 --> 00:30:21,760
Speaker 1: in terms of she used to be mine, I think

489
00:30:21,840 --> 00:30:24,840
Speaker 1: like Jesse Mueller really sang the ship out of that song.

490
00:30:25,600 --> 00:30:28,560
Speaker 1: But I will also say on the duet, um you

491
00:30:28,720 --> 00:30:32,680
Speaker 1: matter to me, Sarah just is so you know what

492
00:30:32,720 --> 00:30:34,960
Speaker 1: I mean, Like her sound, the way she acts, like

493
00:30:35,040 --> 00:30:38,000
Speaker 1: the way she tells a story is just so simple

494
00:30:38,160 --> 00:30:43,600
Speaker 1: and present that like it's perfect for um Moments in

495
00:30:43,680 --> 00:30:45,719
Speaker 1: the woods, and like it deserves to go down as

496
00:30:45,800 --> 00:30:48,960
Speaker 1: like one of the best interpretations of that because she's

497
00:30:49,040 --> 00:30:53,880
Speaker 1: just so thoughtful with every note and every word. She's thoughtful,

498
00:30:54,200 --> 00:30:57,840
Speaker 1: and literally that's what that song is. It's there's thoughts, thoughts,

499
00:30:58,080 --> 00:31:00,280
Speaker 1: it's thoughts of thoughts of thoughts, thoughts, thought, and so

500
00:31:00,640 --> 00:31:03,960
Speaker 1: Sarah is able to just be pinpoint accurate with like

501
00:31:04,040 --> 00:31:07,840
Speaker 1: the way she places where you're feeling things and it's

502
00:31:07,920 --> 00:31:13,200
Speaker 1: just it was a treat and a treasure, and like, honestly,

503
00:31:13,560 --> 00:31:15,480
Speaker 1: that is the type of thing you want to see

504
00:31:15,520 --> 00:31:18,440
Speaker 1: when you go like to see life theater period and

505
00:31:18,600 --> 00:31:21,800
Speaker 1: Moments in the Woods is a perfect example of especially

506
00:31:21,840 --> 00:31:24,880
Speaker 1: in Sarah's take on it, of the Jennifer Lewis thing

507
00:31:24,960 --> 00:31:28,600
Speaker 1: of like I don't cry, I make them cry, Like

508
00:31:28,760 --> 00:31:30,960
Speaker 1: I'm not crying as the character. I'm I'm just I'm

509
00:31:31,040 --> 00:31:34,560
Speaker 1: doing I'm making choices in order to try and evoke

510
00:31:34,640 --> 00:31:37,880
Speaker 1: something from the audience, and it works. I was being

511
00:31:37,920 --> 00:31:40,800
Speaker 1: facetious earlier when you were like that was an incredible

512
00:31:40,800 --> 00:31:42,680
Speaker 1: interview because you were placing a lot of it on me,

513
00:31:43,240 --> 00:31:48,800
Speaker 1: but but it really was. She was such like, the

514
00:31:48,920 --> 00:31:51,240
Speaker 1: book is great. You finished the book is incredible. I

515
00:31:51,280 --> 00:31:54,840
Speaker 1: finished the book so so so good. She's just like,

516
00:31:55,440 --> 00:31:58,400
Speaker 1: not only is she so incredibly entertaining to speak to,

517
00:31:58,600 --> 00:32:01,640
Speaker 1: it's just like it's just always is are such a ride,

518
00:32:02,160 --> 00:32:05,080
Speaker 1: but also like she really is smart and she's seen

519
00:32:05,320 --> 00:32:08,600
Speaker 1: a lot, like this story about being conned by this

520
00:32:08,720 --> 00:32:11,920
Speaker 1: guy that she fell in love with. I mean, she's

521
00:32:12,040 --> 00:32:14,440
Speaker 1: just done and seen so much and so like every

522
00:32:14,520 --> 00:32:18,840
Speaker 1: single time, I'm like like in the same vicinity as

523
00:32:18,840 --> 00:32:21,400
Speaker 1: her like you walk away like feeling like, well, she's

524
00:32:21,400 --> 00:32:23,400
Speaker 1: just a force of major and reading the book, I

525
00:32:23,840 --> 00:32:29,000
Speaker 1: kept reminding myself for being reminded, that's Patricia, and I

526
00:32:29,080 --> 00:32:33,280
Speaker 1: love that for You is so grounded in something that

527
00:32:33,480 --> 00:32:37,280
Speaker 1: like you don't really get from Jennifer Lewis, the persona

528
00:32:37,400 --> 00:32:42,400
Speaker 1: the person who writes like you know, her life, Patricia

529
00:32:42,560 --> 00:32:46,280
Speaker 1: is something completely different. And I'm sure but and yeah,

530
00:32:46,280 --> 00:32:49,240
Speaker 1: I'm sure that Jennifer still like finds her way in somehow,

531
00:32:50,080 --> 00:32:53,320
Speaker 1: but it's so not like Jennifer Lewis. You know what's

532
00:32:53,360 --> 00:32:55,840
Speaker 1: funny is that when we were doing it on set,

533
00:32:56,120 --> 00:32:59,600
Speaker 1: they definitely had the option to make it Jennifer Lewis,

534
00:32:59,800 --> 00:33:03,600
Speaker 1: Like I will say, she definitely gave you some takes

535
00:33:03,680 --> 00:33:08,280
Speaker 1: that were like really grand and like, you know a

536
00:33:08,360 --> 00:33:11,080
Speaker 1: lot of power in the way that um, j Didnifer

537
00:33:11,160 --> 00:33:14,479
Speaker 1: expresses it, which is an action where so like every

538
00:33:14,760 --> 00:33:17,640
Speaker 1: another take she would really throw one away. And I've

539
00:33:17,720 --> 00:33:22,280
Speaker 1: noticed that's what they used every single time. They really

540
00:33:22,800 --> 00:33:27,680
Speaker 1: like gave like such a like the moments where she

541
00:33:27,800 --> 00:33:31,960
Speaker 1: has so much heft are like that's so powerful, and

542
00:33:32,040 --> 00:33:35,520
Speaker 1: they really they it was just really well found in

543
00:33:35,600 --> 00:33:39,040
Speaker 1: the Yeah, I should just say that. I was very

544
00:33:39,080 --> 00:33:41,000
Speaker 1: sad to miss that interview. But as I told you

545
00:33:42,040 --> 00:33:44,800
Speaker 1: on a textbook with Jolkin Boster, you just got back

546
00:33:44,840 --> 00:33:48,760
Speaker 1: from Burning Man, a transformative experience for him. Um, I

547
00:33:49,040 --> 00:33:52,760
Speaker 1: did not mind. I did not mind listening to the

548
00:33:52,800 --> 00:33:54,880
Speaker 1: two of you talked this one on one. It was

549
00:33:55,120 --> 00:34:00,200
Speaker 1: so lovely to listen to. I was so I was

550
00:34:00,280 --> 00:34:02,040
Speaker 1: just beaming the whole time for both of you. I

551
00:34:02,160 --> 00:34:07,480
Speaker 1: was like, Matt has found a mentor and appear and

552
00:34:07,560 --> 00:34:11,279
Speaker 1: a friend in this amazing person. And she you can

553
00:34:11,360 --> 00:34:14,359
Speaker 1: tell she respects the hell out of you. It's it's

554
00:34:14,520 --> 00:34:20,279
Speaker 1: it's very nice. It's very nice and honestly like I

555
00:34:20,400 --> 00:34:23,680
Speaker 1: had just Um, I don't know, it's like she she

556
00:34:23,880 --> 00:34:26,439
Speaker 1: but she does. She is onto something when she says

557
00:34:26,640 --> 00:34:28,440
Speaker 1: when she said that things some people just have a

558
00:34:28,520 --> 00:34:30,400
Speaker 1: little bit more like. I was thinking about that with

559
00:34:30,440 --> 00:34:32,200
Speaker 1: Sarah when I was watching. I'm like, some people just

560
00:34:32,280 --> 00:34:35,799
Speaker 1: have a little bit more like it's and yeah, it's soho.

561
00:34:35,880 --> 00:34:38,919
Speaker 1: I just like think, you know, we're we're gonna see

562
00:34:38,960 --> 00:34:42,439
Speaker 1: if she gives it on Wednesday, is miss Leah? Wow?

563
00:34:42,520 --> 00:34:46,239
Speaker 1: That is right? That is within forty eight hours away. Yeah,

564
00:34:46,800 --> 00:34:50,680
Speaker 1: I'm very excited. I was saying to someone that it's

565
00:34:50,880 --> 00:34:55,160
Speaker 1: not like a full insurance policy to have Leah be Fanny.

566
00:34:55,600 --> 00:34:58,520
Speaker 1: It could still be bad. I mean, of course it could.

567
00:34:58,560 --> 00:35:01,360
Speaker 1: Anything could be better any time time. That's culture. Anything

568
00:35:01,480 --> 00:35:03,759
Speaker 1: could be bad at any time any time. You know.

569
00:35:03,840 --> 00:35:06,040
Speaker 1: What's funny but all this don't worry abouting stuff is

570
00:35:06,080 --> 00:35:07,799
Speaker 1: it's like the reviews have come out and some people

571
00:35:07,840 --> 00:35:11,160
Speaker 1: are like it's not that great, Like you're like, oh, wow,

572
00:35:11,239 --> 00:35:13,800
Speaker 1: all that went until like something that now is not

573
00:35:13,920 --> 00:35:16,520
Speaker 1: that great. I haven't we haven't seen it. But the

574
00:35:16,560 --> 00:35:18,759
Speaker 1: reviews are sort of like lukewarm on it, and I

575
00:35:18,880 --> 00:35:22,160
Speaker 1: will still go through it, I'm so, But like it

576
00:35:22,320 --> 00:35:24,359
Speaker 1: is funny that like sometimes like all this stuff goes

577
00:35:24,400 --> 00:35:26,160
Speaker 1: into stuff that like could be bad at any time.

578
00:35:27,160 --> 00:35:29,800
Speaker 1: It really could for all of the chatter around it,

579
00:35:29,920 --> 00:35:31,880
Speaker 1: for all of the marketing dollars that go into it.

580
00:35:32,000 --> 00:35:34,759
Speaker 1: Sometimes it's just like most of the time I would

581
00:35:34,760 --> 00:35:37,520
Speaker 1: say even you're just like was it was it worth it?

582
00:35:37,920 --> 00:35:40,399
Speaker 1: And yeah? And then you think like, but would would

583
00:35:40,440 --> 00:35:42,920
Speaker 1: people have been talking about this movie if it didn't like,

584
00:35:43,400 --> 00:35:45,879
Speaker 1: you know, have all these things. Maybe they wouldn't. Maybe

585
00:35:45,960 --> 00:35:47,960
Speaker 1: it's a good thing. And this brings us to an

586
00:35:47,960 --> 00:35:52,919
Speaker 1: interesting question is all press good press? Is it better

587
00:35:53,040 --> 00:35:56,080
Speaker 1: to be talking about this all press is not good press? No,

588
00:35:56,640 --> 00:36:00,279
Speaker 1: I did? I really disagree with that. It depends on

589
00:36:01,120 --> 00:36:04,840
Speaker 1: the value assessment of like good in service to a

590
00:36:05,200 --> 00:36:07,919
Speaker 1: goal or something. If the goal is to like talk

591
00:36:08,000 --> 00:36:10,279
Speaker 1: about it, then yes, I think that's what people mean

592
00:36:10,320 --> 00:36:13,600
Speaker 1: when they say that. But I'm like, it doesn't it's

593
00:36:13,680 --> 00:36:19,240
Speaker 1: very hollow and not that it doesn't leave you feeling

594
00:36:19,280 --> 00:36:25,200
Speaker 1: good after, you know, even to feel yeah, right, yeah,

595
00:36:25,680 --> 00:36:28,359
Speaker 1: at least we don't uncomfortable. Just no, I'm just saying

596
00:36:28,360 --> 00:36:31,279
Speaker 1: that you hate to feel like uncomfortable around something like

597
00:36:31,400 --> 00:36:33,920
Speaker 1: That's probably the thing you want to feel the least

598
00:36:34,239 --> 00:36:37,040
Speaker 1: when you go see something like especially like when you

599
00:36:37,120 --> 00:36:39,279
Speaker 1: go see some someone perform live and it seems like

600
00:36:39,400 --> 00:36:43,160
Speaker 1: they're really nervous or like that there's an ickor on

601
00:36:43,239 --> 00:36:48,239
Speaker 1: the project, like it is distracting totally totally, and with

602
00:36:48,360 --> 00:36:52,520
Speaker 1: Funny Girl, I'm just excited period to see it, and uh,

603
00:36:53,440 --> 00:36:55,600
Speaker 1: that's it. But it's but but but what I'm saying

604
00:36:55,680 --> 00:36:58,640
Speaker 1: is like, it's not a guarantee that Leah Michelle will

605
00:36:58,680 --> 00:37:01,600
Speaker 1: like save Broadway just by nature of being in the show.

606
00:37:01,800 --> 00:37:04,200
Speaker 1: And then I I had heard too that like back

607
00:37:04,239 --> 00:37:05,919
Speaker 1: in the Glee days when they would go on tour,

608
00:37:06,160 --> 00:37:08,600
Speaker 1: she would sing I think the first season, the first

609
00:37:08,680 --> 00:37:10,680
Speaker 1: year they did this, she would say don't wait on

610
00:37:10,719 --> 00:37:13,880
Speaker 1: My parade. And she only did it like twice because

611
00:37:13,920 --> 00:37:16,440
Speaker 1: after both times it was like, this is too much

612
00:37:16,440 --> 00:37:19,640
Speaker 1: on her voice. So I wonder, what's going to happen

613
00:37:20,840 --> 00:37:26,480
Speaker 1: with this with this iteration of like her singing this song. Interesting,

614
00:37:27,120 --> 00:37:29,799
Speaker 1: it's so funny that like you bring that song up

615
00:37:29,840 --> 00:37:33,439
Speaker 1: in particular, and also Jennifer mentioned that song like last

616
00:37:33,480 --> 00:37:35,640
Speaker 1: week she mentioned out being in such a moment because

617
00:37:35,719 --> 00:37:38,960
Speaker 1: last night, like Barbara Streisan's Don't Ran on My Parade

618
00:37:39,200 --> 00:37:43,920
Speaker 1: actually came on at Quads, which is great Palm Springs

619
00:37:43,960 --> 00:37:46,760
Speaker 1: bar where they show all of these like iconic videos

620
00:37:46,800 --> 00:37:49,120
Speaker 1: and everyone just sort of like points at the screen

621
00:37:49,200 --> 00:37:54,600
Speaker 1: and screams um. But they did play don't run out

622
00:37:54,600 --> 00:37:58,400
Speaker 1: My Parade by Barbara, and it really is such a

623
00:37:58,800 --> 00:38:04,560
Speaker 1: shred from so many different perspectives, like she's so present

624
00:38:04,640 --> 00:38:07,600
Speaker 1: on screen and such a star, and she sounds unbelievable

625
00:38:07,640 --> 00:38:10,040
Speaker 1: and the shots are great and the narratives moving, and

626
00:38:10,120 --> 00:38:13,280
Speaker 1: it's just a really great movie moment. And then you remember,

627
00:38:13,440 --> 00:38:16,640
Speaker 1: like yeah, like someone else is gonna have to do

628
00:38:16,719 --> 00:38:19,360
Speaker 1: it now, and that Barbara think still does creep on in.

629
00:38:19,600 --> 00:38:23,680
Speaker 1: I mean, but at least you know she's going to

630
00:38:23,800 --> 00:38:26,800
Speaker 1: be able to sing it, and at least we're seeing

631
00:38:26,840 --> 00:38:28,719
Speaker 1: her on the second damn day she does it, so

632
00:38:28,800 --> 00:38:30,640
Speaker 1: if she runs out of gas in the tank, it

633
00:38:30,680 --> 00:38:34,680
Speaker 1: won't have been in our performance. Yeah. Well, that's what

634
00:38:34,760 --> 00:38:36,560
Speaker 1: I'm saying, Like I kind of wish we were saying

635
00:38:36,600 --> 00:38:38,840
Speaker 1: and and I don't I don't mean to say that,

636
00:38:38,920 --> 00:38:42,439
Speaker 1: like I don't appreciate you taking me to see the show.

637
00:38:42,960 --> 00:38:47,360
Speaker 1: I'm well, I'm saying that I might see it again

638
00:38:47,560 --> 00:38:50,560
Speaker 1: like a month later when she doesn't have the knee

639
00:38:50,719 --> 00:38:54,759
Speaker 1: jack the Broadway jack Jack. Yeah, before she can see

640
00:38:54,760 --> 00:38:57,480
Speaker 1: any damn reviews. It's gonna be really interesting to see

641
00:38:57,520 --> 00:39:00,120
Speaker 1: what the crowd with the blak theater critics say about her.

642
00:39:00,239 --> 00:39:03,480
Speaker 1: I'll be really interested. We'll be seeing it the day

643
00:39:03,560 --> 00:39:06,520
Speaker 1: after reviews come out. Yeah, because that's and that's also

644
00:39:06,600 --> 00:39:08,279
Speaker 1: like huge for the show to like to have it.

645
00:39:08,719 --> 00:39:11,040
Speaker 1: This is what I'm saying. It's like the Funny Girl

646
00:39:11,120 --> 00:39:13,520
Speaker 1: Press that was not good pressed. But I think that

647
00:39:13,600 --> 00:39:16,719
Speaker 1: show is gonna sell tickets. They have, But again that

648
00:39:16,800 --> 00:39:19,600
Speaker 1: funny girl press, even as it bleeds into the Leah

649
00:39:19,640 --> 00:39:21,960
Speaker 1: of it all. I'm like, we're not going in with

650
00:39:22,040 --> 00:39:24,920
Speaker 1: great energy, even like the Leah can't read stuff, You're

651
00:39:25,000 --> 00:39:29,120
Speaker 1: like can't reading thing. I just don't think it's that funny.

652
00:39:29,239 --> 00:39:31,800
Speaker 1: Like I just think like Millie Bobby Brown, like that

653
00:39:31,960 --> 00:39:33,920
Speaker 1: mime of her being like, hey, y'all have to hit

654
00:39:34,000 --> 00:39:35,840
Speaker 1: some facets with my car, Like that to me was

655
00:39:35,840 --> 00:39:38,560
Speaker 1: at least funny because it was so stupid, like Leah

656
00:39:38,600 --> 00:39:41,279
Speaker 1: Michelle can't read. It's like I get that, like people

657
00:39:41,320 --> 00:39:44,000
Speaker 1: are dragging Jamilla Jamil because like she like this is

658
00:39:44,080 --> 00:39:47,279
Speaker 1: a blest and it's like Jamila stop, but also like

659
00:39:47,600 --> 00:39:50,480
Speaker 1: it is sort of a blest, and also it's just

660
00:39:50,640 --> 00:39:54,160
Speaker 1: not that funny, like she can read, Like it just

661
00:39:54,239 --> 00:39:58,200
Speaker 1: doesn't make me laugh. Bobby. The difference between the Millie

662
00:39:58,280 --> 00:40:02,040
Speaker 1: thing and the lead thing though that Millie being Millie

663
00:40:02,360 --> 00:40:05,359
Speaker 1: was very very very shaken by that, and it's still

664
00:40:05,640 --> 00:40:10,280
Speaker 1: like you cannot. I think she like was doing interviews

665
00:40:10,360 --> 00:40:12,759
Speaker 1: in tears, being like this is such a cruel thing.

666
00:40:13,840 --> 00:40:16,640
Speaker 1: But whereas with at least it's funny, whereas with Lea

667
00:40:16,719 --> 00:40:18,960
Speaker 1: Michelle can'try and she's just like, no, read. It's sad,

668
00:40:19,160 --> 00:40:20,600
Speaker 1: like why are they doing that? And it's just like, yeah,

669
00:40:20,640 --> 00:40:23,400
Speaker 1: she's obviously gonna read. But the Leah thing. The funny

670
00:40:23,440 --> 00:40:26,200
Speaker 1: thing about the Leah thing to me is that in

671
00:40:26,280 --> 00:40:29,040
Speaker 1: that New Yorker piece, she's like, why are people saying

672
00:40:29,080 --> 00:40:31,120
Speaker 1: that I can't read? I would show She goes, I

673
00:40:31,160 --> 00:40:32,920
Speaker 1: would show up to the gleece that every day. I

674
00:40:32,920 --> 00:40:35,000
Speaker 1: would know my lines. I can read. And you're like

675
00:40:35,840 --> 00:40:39,120
Speaker 1: that that's something that you would say he didn't know

676
00:40:39,239 --> 00:40:47,160
Speaker 1: how to read. That's funny response moment. Yeah, the joke

677
00:40:47,239 --> 00:40:51,120
Speaker 1: itself is like fine, whatever, um, but her response to it,

678
00:40:51,160 --> 00:40:52,920
Speaker 1: because she's Leah Michelle and you kind of are like,

679
00:40:53,040 --> 00:40:56,040
Speaker 1: what a fucking idiot she is? I mean like that

680
00:40:56,400 --> 00:40:59,160
Speaker 1: is the that's the fun part to me. Yeah, It's

681
00:40:59,160 --> 00:41:01,160
Speaker 1: like it's like, just sing yourself and be like, Hi,

682
00:41:01,360 --> 00:41:04,879
Speaker 1: I'm Matt and I'm not lying about that. It's like, yeah,

683
00:41:06,080 --> 00:41:07,839
Speaker 1: She's like, what do they mean I can't read? I've

684
00:41:07,840 --> 00:41:09,959
Speaker 1: read so many books. Here's three books I have read.

685
00:41:10,160 --> 00:41:16,480
Speaker 1: That's okay, Mama, slow it down, reader, readerlow it down reader.

686
00:41:17,280 --> 00:41:21,120
Speaker 1: It's interesting. I don't I don't. I don't feel bad

687
00:41:21,160 --> 00:41:23,200
Speaker 1: about calling her an idiot on this podcast. She's not

688
00:41:23,239 --> 00:41:33,920
Speaker 1: a reader, so she's she won't she won't listen. I

689
00:41:34,280 --> 00:41:38,719
Speaker 1: wanted to talk about very quickly. Do we want to

690
00:41:38,760 --> 00:41:41,680
Speaker 1: talk about this Leo thing real quick? What Leo thing?

691
00:41:42,480 --> 00:41:45,120
Speaker 1: The that he broke up with this girl like days

692
00:41:45,200 --> 00:41:47,080
Speaker 1: after her twenty five birthday, and that this is the

693
00:41:47,160 --> 00:41:50,680
Speaker 1: pattern that he dates women until they turned and then

694
00:41:50,760 --> 00:41:54,520
Speaker 1: he dumps them. Here's my take on that. It's just like, okay, then,

695
00:41:54,600 --> 00:41:57,160
Speaker 1: like girls, if you know this, then you know this.

696
00:41:57,360 --> 00:41:59,839
Speaker 1: He's just this kind of guy. Don't date him. What's

697
00:42:00,120 --> 00:42:04,360
Speaker 1: to me is this? So this latest girl, Camilla maroone,

698
00:42:05,280 --> 00:42:09,040
Speaker 1: she weirdly her mom I've read this today. Her mom

699
00:42:09,200 --> 00:42:14,040
Speaker 1: dated al Pacino, So something's going on there. But the

700
00:42:14,120 --> 00:42:17,719
Speaker 1: family of star Fuckers, that's funny. But I period, there's

701
00:42:18,040 --> 00:42:21,040
Speaker 1: like a show in there or something. But star Fuckers

702
00:42:21,440 --> 00:42:27,200
Speaker 1: started Shorny Weaver and Jennifer love hewittt Yes, gag. It's

703
00:42:27,360 --> 00:42:31,000
Speaker 1: it was like Heartbreakers with the same cast. Amazing. She

704
00:42:32,239 --> 00:42:35,120
Speaker 1: posted something on her Instagram like a year or two ago,

705
00:42:35,840 --> 00:42:40,279
Speaker 1: a picture of Humphrey Bogart and Lauren bicaal who with

706
00:42:40,360 --> 00:42:44,000
Speaker 1: the caption a love like this now mind you. The

707
00:42:44,080 --> 00:42:46,240
Speaker 1: two of them had a twenty five year age difference.

708
00:42:46,560 --> 00:42:49,000
Speaker 1: Camilla and Leo have a twenty three year age difference,

709
00:42:49,040 --> 00:42:51,680
Speaker 1: and it's like, oh, ship, like you've been like pilled

710
00:42:51,760 --> 00:42:55,560
Speaker 1: into thinking that like this kind of May December thing

711
00:42:55,760 --> 00:42:59,759
Speaker 1: is like amazing or asked or like good or that

712
00:43:00,040 --> 00:43:05,200
Speaker 1: like classic which whatever, And this is not to say

713
00:43:05,800 --> 00:43:08,000
Speaker 1: and I think everyone's being very clear in the discourse

714
00:43:08,120 --> 00:43:11,120
Speaker 1: whatever of it all that like age differences in these

715
00:43:11,160 --> 00:43:15,239
Speaker 1: relationships are not inherently bad. But the thing that is

716
00:43:15,280 --> 00:43:19,120
Speaker 1: troublesome is that there's a pattern and Leo and maybe

717
00:43:19,160 --> 00:43:22,239
Speaker 1: that does mean something is maybe morally tricky about like

718
00:43:22,520 --> 00:43:26,520
Speaker 1: a man dating a younger woman. But I think and

719
00:43:26,640 --> 00:43:30,120
Speaker 1: Katie with Ashcraft wrote this in Jezebel Our our good

720
00:43:30,160 --> 00:43:33,320
Speaker 1: friend Katie A. She was saying that this is actually

721
00:43:33,360 --> 00:43:36,640
Speaker 1: a good thing because now we can just make fun

722
00:43:36,719 --> 00:43:40,040
Speaker 1: of that model of older men dating younger women or

723
00:43:40,120 --> 00:43:42,960
Speaker 1: who who exploit or who like fall into a pattern

724
00:43:43,000 --> 00:43:46,719
Speaker 1: of exclusively dating younger women at like a very young age,

725
00:43:46,719 --> 00:43:48,440
Speaker 1: where you're like, wait, this is like now you have

726
00:43:48,640 --> 00:43:50,480
Speaker 1: like a pop cultural reference to them and be like, oh,

727
00:43:50,600 --> 00:43:54,200
Speaker 1: he's just like doing the Leo thing. It's sad, you know. Yeah,

728
00:43:54,239 --> 00:43:58,279
Speaker 1: the Leo thing is often things that I find are

729
00:43:58,800 --> 00:44:01,600
Speaker 1: it's just kind of interesting how he does a movie

730
00:44:01,760 --> 00:44:03,520
Speaker 1: and like, you know, it's the Oscars, you know what

731
00:44:03,560 --> 00:44:05,719
Speaker 1: I mean, Like it's it's the big thing. It's Leo

732
00:44:05,800 --> 00:44:08,600
Speaker 1: the movie Star. And then him when he's not being

733
00:44:08,680 --> 00:44:11,480
Speaker 1: Leo the movie Star is literally in like a bad

734
00:44:11,640 --> 00:44:16,120
Speaker 1: T shirt, a shitty hat, like on a huge yacht,

735
00:44:16,520 --> 00:44:19,760
Speaker 1: like just a two big of a of an expense

736
00:44:19,880 --> 00:44:23,799
Speaker 1: like and and obviously not great for whatever the body

737
00:44:23,880 --> 00:44:27,839
Speaker 1: of water it's in with these young young, young young

738
00:44:28,120 --> 00:44:33,960
Speaker 1: models that are then like completely replaceable. But yet when

739
00:44:34,040 --> 00:44:35,920
Speaker 1: he shows up and he he clocks in and he

740
00:44:36,160 --> 00:44:38,800
Speaker 1: sleeps in a bear or something for like the Oscar,

741
00:44:39,200 --> 00:44:42,759
Speaker 1: everyone's like, god damn, the great movie star. And it

742
00:44:43,000 --> 00:44:45,280
Speaker 1: is sort of like he might be like the last

743
00:44:45,400 --> 00:44:47,400
Speaker 1: one and ben fff, like I think like gets to

744
00:44:47,480 --> 00:44:49,800
Speaker 1: make you know, he he makes a lot of like

745
00:44:50,440 --> 00:44:53,919
Speaker 1: transitions between prestige and trash throughout the years, and people

746
00:44:53,960 --> 00:44:56,719
Speaker 1: seem to accept him back. But it's true, like the

747
00:44:56,880 --> 00:44:59,640
Speaker 1: male movie stars do get treated with a degree of

748
00:44:59,719 --> 00:45:02,839
Speaker 1: like I'll let him do it, which is like, uh,

749
00:45:03,160 --> 00:45:06,000
Speaker 1: we've tossed away so many of these women because they

750
00:45:06,120 --> 00:45:12,719
Speaker 1: like because of whatever, and yeah, their tip popped out,

751
00:45:12,760 --> 00:45:16,440
Speaker 1: they had work done God forbid because of the oppressive patriarchy.

752
00:45:16,440 --> 00:45:19,480
Speaker 1: Blah blah blah. But like, you know, it just feels

753
00:45:19,520 --> 00:45:23,319
Speaker 1: like it never like I think that Bradley Cooper could

754
00:45:23,360 --> 00:45:25,960
Speaker 1: show up at the Oscars with with poopy coming out

755
00:45:26,000 --> 00:45:29,040
Speaker 1: of his pants and people would be like, well, Mama,

756
00:45:29,120 --> 00:45:31,279
Speaker 1: he did a stars Born. He's a classic movie star

757
00:45:31,360 --> 00:45:36,000
Speaker 1: and he does it all. Got couldn't got covered in poop.

758
00:45:36,040 --> 00:45:38,520
Speaker 1: If God can covered in poop, it better be by

759
00:45:38,560 --> 00:45:42,960
Speaker 1: her own curtains. It would be curtains for Gaga. I

760
00:45:43,080 --> 00:45:45,239
Speaker 1: think that even that would be a bridge too far

761
00:45:45,800 --> 00:45:49,800
Speaker 1: for our lady Gaga. Honey, and me even telling the

762
00:45:49,920 --> 00:45:53,840
Speaker 1: story to the public about my own poop journey, that

763
00:45:54,000 --> 00:45:56,920
Speaker 1: might be it for me. Okay, it might be curtains

764
00:45:57,040 --> 00:46:02,319
Speaker 1: for bo It's fine. I had a good run. Really,

765
00:46:02,520 --> 00:46:04,800
Speaker 1: you have had a good run. You've been able to

766
00:46:04,880 --> 00:46:09,680
Speaker 1: do amazing work I have. I have, Um, what do

767
00:46:09,719 --> 00:46:11,000
Speaker 1: you have anything else to talk about? I have one

768
00:46:11,000 --> 00:46:13,440
Speaker 1: more thing to talk about. I mean, what is the

769
00:46:13,520 --> 00:46:15,759
Speaker 1: topic of it you are going to bring up? I

770
00:46:15,920 --> 00:46:18,320
Speaker 1: was just gonna bring up I'm bringing some negative stories

771
00:46:18,440 --> 00:46:22,760
Speaker 1: to the chat, but this one concerns our former guests

772
00:46:22,880 --> 00:46:27,239
Speaker 1: and another legend, Marion Morris. Yes, I think she is

773
00:46:28,640 --> 00:46:33,920
Speaker 1: really doing it right period period. She's really like taking

774
00:46:34,120 --> 00:46:38,200
Speaker 1: these narratives that are being like foisted upon her and

775
00:46:38,280 --> 00:46:41,480
Speaker 1: she's just like, Nope, I'm gonna like actually win out

776
00:46:41,600 --> 00:46:45,239
Speaker 1: in this way. She Maren is funny, she's a and

777
00:46:45,320 --> 00:46:47,960
Speaker 1: we and we knew this, but Marin's she's got jokes.

778
00:46:48,280 --> 00:46:51,560
Speaker 1: She Marin gets it. And for basically anyone that doesn't

779
00:46:51,600 --> 00:46:53,840
Speaker 1: know out there that's listening any of these readers, she

780
00:46:54,000 --> 00:46:57,719
Speaker 1: basically is just getting like really ripped to shreds by

781
00:46:57,800 --> 00:47:02,439
Speaker 1: like the demons like Tucker Carlson and Fox News because

782
00:47:02,520 --> 00:47:05,680
Speaker 1: she basically called transphobia what it is and said that

783
00:47:05,960 --> 00:47:10,880
Speaker 1: anyone has a place listening to country music at her shows, etcetera,

784
00:47:11,320 --> 00:47:17,239
Speaker 1: because she dared call out someone's transphobia. Is Brittany Alden, Yes,

785
00:47:18,400 --> 00:47:21,360
Speaker 1: Jason's flop wife, just to flop in the clown square.

786
00:47:21,440 --> 00:47:25,080
Speaker 1: She might be nominated next year. Um, but this is

787
00:47:25,239 --> 00:47:27,640
Speaker 1: this is this really made me laugh? Was that? Um? She?

788
00:47:28,280 --> 00:47:31,400
Speaker 1: First of all, Brittany tweeted, Uh, she was the one

789
00:47:31,400 --> 00:47:33,279
Speaker 1: who tweeted like that, I want to thank my parents

790
00:47:33,360 --> 00:47:35,680
Speaker 1: for not changing my gender when I was a tomboy.

791
00:47:36,480 --> 00:47:39,640
Speaker 1: And then I love this, I love this girly life.

792
00:47:39,960 --> 00:47:46,000
Speaker 1: Brown heart emoji, brown heart emogi brown Heart. I think

793
00:47:46,120 --> 00:47:48,319
Speaker 1: I think she's she's part of the poopy club. Um.

794
00:47:48,760 --> 00:47:51,080
Speaker 1: And then I think brown Heart is the title of

795
00:47:51,120 --> 00:47:58,120
Speaker 1: autar one word like brave Heart. And then Marc brown

796
00:47:58,200 --> 00:48:01,320
Speaker 1: Heart like brave Heart. That's the title about. Yeah, And

797
00:48:01,440 --> 00:48:05,440
Speaker 1: then mayor and tweeted, um, it's so easy to not

798
00:48:05,560 --> 00:48:08,520
Speaker 1: be scot Bag. And then she says, sell your clippings

799
00:48:08,560 --> 00:48:12,359
Speaker 1: and zip it, Insurrection Barbie. I think that's a really good. Wow,

800
00:48:12,640 --> 00:48:17,800
Speaker 1: Insurrection Barbie, Barbie, sell your clippings and zip it. You

801
00:48:17,840 --> 00:48:21,400
Speaker 1: know what's crazy about insurrection Barbie. People would buy her.

802
00:48:21,640 --> 00:48:24,560
Speaker 1: The insurrectionists would buy her, and they would have Insurrection

803
00:48:24,719 --> 00:48:27,520
Speaker 1: Barby like in their homes. Their kids would be playing

804
00:48:27,560 --> 00:48:30,960
Speaker 1: with Insurrection Barbie. That's where America is at. There's so

805
00:48:31,160 --> 00:48:35,600
Speaker 1: many homes that would buy insurrection Barbirection Barbie, just a

806
00:48:35,760 --> 00:48:40,440
Speaker 1: militant Barbie intent on taking down democracy would fly off

807
00:48:40,520 --> 00:48:44,560
Speaker 1: the shelves. It's gonna be huge this Christmas. An insurrectionist homes.

808
00:48:44,640 --> 00:48:47,120
Speaker 1: You think you think Marry made a mistake. No, I

809
00:48:47,160 --> 00:48:51,319
Speaker 1: think she's bringing Insurrection Barbie is below. I think, um

810
00:48:52,040 --> 00:48:54,480
Speaker 1: it is a funny. I don't know, sketch Lauren. I

811
00:48:54,560 --> 00:48:57,560
Speaker 1: think Insurrection Barbie is kind of kind of hilarious. And

812
00:48:57,880 --> 00:49:00,920
Speaker 1: I would even like if Marion Morris came and cameot

813
00:49:01,000 --> 00:49:03,839
Speaker 1: as Insurrection Barbie. But also that would make her need

814
00:49:03,880 --> 00:49:06,840
Speaker 1: to dress up like an insurrectionist, and who really wants

815
00:49:06,920 --> 00:49:10,160
Speaker 1: to do that? Maybe some of the new cast members

816
00:49:10,239 --> 00:49:14,719
Speaker 1: on of snl UM keep an eye out for um

817
00:49:15,280 --> 00:49:19,560
Speaker 1: that announcement soon. And but anyway, no, I think that

818
00:49:19,719 --> 00:49:23,960
Speaker 1: she's um playing it online and in life and probably

819
00:49:24,080 --> 00:49:27,200
Speaker 1: live on concert because the woman's voice is incredible. She's

820
00:49:27,239 --> 00:49:30,000
Speaker 1: a great performer, and I'm seeing her in October. Oh

821
00:49:30,080 --> 00:49:33,440
Speaker 1: my god, where's she playing the damn Bowl? That'll be

822
00:49:33,560 --> 00:49:38,400
Speaker 1: so good, Maren. I blasted daties Mercedes minutes before we

823
00:49:38,480 --> 00:49:42,279
Speaker 1: started this recording. What a song. I will never stop

824
00:49:42,320 --> 00:49:45,280
Speaker 1: saying it. I just have to say to the bones,

825
00:49:46,280 --> 00:49:50,080
Speaker 1: oh the bones it's about did you see Marin has

826
00:49:50,120 --> 00:49:52,480
Speaker 1: been actually saying she's been posting a little bit about this,

827
00:49:52,960 --> 00:49:55,480
Speaker 1: but she auditioned for Wicked on Broadway. I got a

828
00:49:55,520 --> 00:49:59,839
Speaker 1: call back for Glinda for Alphabet for Alphaba. Yeah, yeah,

829
00:50:00,040 --> 00:50:03,080
Speaker 1: that feels good, and I was like, I would buy

830
00:50:03,120 --> 00:50:07,960
Speaker 1: a ticket to this. Define gravity what a song? But no, no, no,

831
00:50:08,520 --> 00:50:10,839
Speaker 1: of course, but I'm saying to define gravity. I meant

832
00:50:10,880 --> 00:50:14,000
Speaker 1: to finish the sentence define gravity by merritt Ala Maren

833
00:50:14,800 --> 00:50:18,840
Speaker 1: would be so so good, it would be incredible. Anything

834
00:50:18,880 --> 00:50:20,920
Speaker 1: else you want to bring up? Mama? What I think

835
00:50:20,960 --> 00:50:22,960
Speaker 1: it's time for? I don't think so high, Okay, Mama,

836
00:50:23,280 --> 00:50:26,120
Speaker 1: I think it's time. Indeed, do you have something? I

837
00:50:26,200 --> 00:50:29,520
Speaker 1: have something weird. I have something kind of weird too.

838
00:50:30,080 --> 00:50:32,120
Speaker 1: I think this is this is one of the weirder

839
00:50:32,239 --> 00:50:35,800
Speaker 1: whacko episodes, and I think that what It's okay. Sometimes

840
00:50:35,840 --> 00:50:37,640
Speaker 1: get a little weird, a little whack o, get in

841
00:50:37,719 --> 00:50:39,920
Speaker 1: touch with your kind of cookie side, you know what

842
00:50:40,000 --> 00:50:42,359
Speaker 1: I mean, Especially like as we get into fall, it's

843
00:50:42,360 --> 00:50:44,560
Speaker 1: gonna become you know, a little bit darker, a little

844
00:50:44,600 --> 00:50:47,160
Speaker 1: bit colder, Like you can try some things out, like

845
00:50:47,239 --> 00:50:49,839
Speaker 1: in the privacy of your home, like getting a little

846
00:50:49,880 --> 00:50:52,880
Speaker 1: weird and cookie, trying that new hairstyle, putting on that makeup.

847
00:50:53,080 --> 00:50:55,880
Speaker 1: You know what I'm saying, Like maybe, like you know,

848
00:50:56,160 --> 00:51:00,759
Speaker 1: just like just get a little weird. You know, you

849
00:51:00,840 --> 00:51:03,320
Speaker 1: think you're gonna have a little weird moment this, I

850
00:51:03,440 --> 00:51:05,839
Speaker 1: might get a little weird this fall, Like, I think

851
00:51:05,880 --> 00:51:08,719
Speaker 1: I might try something different, you know, maybe do a

852
00:51:08,760 --> 00:51:11,799
Speaker 1: little What about a little ear piercing for me? Oh?

853
00:51:12,520 --> 00:51:14,840
Speaker 1: And I think you're going to pierce the ear that

854
00:51:15,360 --> 00:51:19,560
Speaker 1: not many people expect the left ear? Which one is

855
00:51:19,560 --> 00:51:21,759
Speaker 1: the gay ear? The gay ear? I think is the

856
00:51:21,920 --> 00:51:23,759
Speaker 1: right ear? So you think it's kind of queer for

857
00:51:23,880 --> 00:51:27,560
Speaker 1: me to pierce the not gay ear. I finish either ear?

858
00:51:27,760 --> 00:51:32,240
Speaker 1: Question either ear, it's queer. Okay, that's a rule of culture.

859
00:51:32,520 --> 00:51:39,399
Speaker 1: That's what umbers that. That's really either ear, it's queer.

860
00:51:49,600 --> 00:51:52,720
Speaker 1: I have a good I think. Okay, this is Matt Rodgers.

861
00:51:52,760 --> 00:51:54,520
Speaker 1: I don't think so many as time starts now, I

862
00:51:54,560 --> 00:51:56,960
Speaker 1: don't think so. Honey. There's never been a sunscreen that

863
00:51:57,040 --> 00:51:59,920
Speaker 1: won't sing you in the eyes. Why have we had

864
00:52:00,040 --> 00:52:02,160
Speaker 1: shark tank for so many years and no one has

865
00:52:02,200 --> 00:52:04,440
Speaker 1: gone on with the invention. It's sunscreen, but it can

866
00:52:04,480 --> 00:52:06,759
Speaker 1: get in your eye and doesn't sting. For me, this

867
00:52:06,920 --> 00:52:10,320
Speaker 1: is the most obvious invention anyone could possibly think of,

868
00:52:10,520 --> 00:52:12,600
Speaker 1: and yet here we are, in the year of our Lord,

869
00:52:13,400 --> 00:52:15,920
Speaker 1: no one's even thought of this. Yet every sunscreen you

870
00:52:16,000 --> 00:52:18,040
Speaker 1: put on your damn face. And let me tell you

871
00:52:18,160 --> 00:52:20,960
Speaker 1: people readers out there, I hope you're protecting your son

872
00:52:21,040 --> 00:52:24,200
Speaker 1: in these times of great heat, because if you step outside,

873
00:52:24,719 --> 00:52:28,240
Speaker 1: it's like a demon heat. And please be protecting yourself

874
00:52:28,320 --> 00:52:31,200
Speaker 1: with SPF. It's different for everyone. But get some on

875
00:52:31,320 --> 00:52:33,400
Speaker 1: your skin now. If you don't, I don't think so, honey.

876
00:52:33,719 --> 00:52:38,040
Speaker 1: Back to your eyes singing and sunscreen sliding sweating down

877
00:52:38,080 --> 00:52:41,399
Speaker 1: into your face. Suddenly you're unable to see. I don't

878
00:52:41,440 --> 00:52:44,239
Speaker 1: think so, honey, and then the pain sets in. It

879
00:52:44,360 --> 00:52:46,520
Speaker 1: is pain I'm like you've ever felt. And it is

880
00:52:46,560 --> 00:52:48,920
Speaker 1: because no one has come with the invention, brought it

881
00:52:49,000 --> 00:52:51,840
Speaker 1: to Barbara brought it to the sharks and said, sharks,

882
00:52:52,080 --> 00:52:54,160
Speaker 1: are you willing to a down with me? No? I

883
00:52:54,200 --> 00:52:57,640
Speaker 1: don't think so, honey. What a shame. That's the one

884
00:52:57,800 --> 00:53:00,440
Speaker 1: minute that was beautiful. Now what kind of screen are

885
00:53:00,480 --> 00:53:02,160
Speaker 1: you using that would stick you and your like? Are

886
00:53:02,200 --> 00:53:04,520
Speaker 1: you spraying it on? Are you? I'll tell you right

887
00:53:04,560 --> 00:53:07,600
Speaker 1: now that I put Super Group sunscreen on my face.

888
00:53:07,640 --> 00:53:11,560
Speaker 1: Have you heard of this? No relationship with there's different

889
00:53:11,640 --> 00:53:14,520
Speaker 1: kinds of supergroops on Supergroup sunscreens, which which one? You know?

890
00:53:14,520 --> 00:53:17,680
Speaker 1: Which one you're using? Is the It's heavy white, so

891
00:53:17,840 --> 00:53:20,400
Speaker 1: I think you can probably look into They make a

892
00:53:20,600 --> 00:53:24,520
Speaker 1: Matt sunscreen and which feels very aproposed. Oh I just

893
00:53:24,640 --> 00:53:26,360
Speaker 1: got it. I just got and that one kind of

894
00:53:26,480 --> 00:53:30,200
Speaker 1: goes on. I'm sorry. I I normally I don't do puns.

895
00:53:31,719 --> 00:53:34,120
Speaker 1: But it's but it's a secret power that you'll reveal

896
00:53:34,280 --> 00:53:37,080
Speaker 1: later in your career, you know what I mean, Because

897
00:53:37,160 --> 00:53:39,080
Speaker 1: right now you can still do so much types of comedy.

898
00:53:39,120 --> 00:53:41,319
Speaker 1: But later when when when you go into your pun

899
00:53:41,520 --> 00:53:43,960
Speaker 1: era in like ten years, people are not going to

900
00:53:44,040 --> 00:53:47,200
Speaker 1: see that coming. That would be so cool. Comedians should

901
00:53:47,200 --> 00:53:55,239
Speaker 1: have like eras. More eras are absolutely I'm like, not

902
00:53:55,680 --> 00:53:58,120
Speaker 1: not in like the Chappelle way, like oh he's in

903
00:53:58,200 --> 00:54:01,120
Speaker 1: his like transphobia era. I feel like there should be

904
00:54:01,200 --> 00:54:06,279
Speaker 1: like I'm in my clownary era, I'm in my comedia era,

905
00:54:06,640 --> 00:54:10,880
Speaker 1: I'm in my pun air, you know, like not should

906
00:54:10,880 --> 00:54:14,719
Speaker 1: have more era like like you know what I mean,

907
00:54:14,880 --> 00:54:23,279
Speaker 1: Like we need huge, massive reinventions for comedians, we kind

908
00:54:23,320 --> 00:54:25,960
Speaker 1: of do. I want Amy Schumer to come out next

909
00:54:26,040 --> 00:54:29,840
Speaker 1: comedy album with a short blue bob and the theme

910
00:54:30,120 --> 00:54:36,920
Speaker 1: is like deconstruction in space, like very neo futurist, you

911
00:54:36,960 --> 00:54:38,239
Speaker 1: know what I mean. Like That's why I want from

912
00:54:38,280 --> 00:54:41,480
Speaker 1: Schumer next go around, next press cycle. I want Schumer

913
00:54:41,520 --> 00:54:45,040
Speaker 1: to basically do a Julio and a Julio Torres impression. Yeah,

914
00:54:45,560 --> 00:54:51,480
Speaker 1: I want lesbian Alley Wong with no hair like Seed O'Connor.

915
00:54:52,080 --> 00:54:55,600
Speaker 1: It's all hair based and which is which is what

916
00:54:55,719 --> 00:55:00,239
Speaker 1: are Let's just be real. Errors are Eras are just hair.

917
00:55:00,560 --> 00:55:03,719
Speaker 1: Arrows are just hair. Especially really culture number ninety two.

918
00:55:04,640 --> 00:55:09,080
Speaker 1: Eras are just like pink has never gone through another

919
00:55:09,160 --> 00:55:10,879
Speaker 1: era either, because our hair has always been the damn

920
00:55:11,000 --> 00:55:16,200
Speaker 1: same blonde pink it's been it's been blonde mostly. It's

921
00:55:16,200 --> 00:55:18,640
Speaker 1: been blonde more than it's been painted. You know when

922
00:55:18,680 --> 00:55:21,080
Speaker 1: you said this is a very interesting gay who's on first?

923
00:55:21,200 --> 00:55:23,960
Speaker 1: Because you were like blonde, and I was like pink, pink,

924
00:55:24,680 --> 00:55:29,360
Speaker 1: and so then you were like blonde. Yeah, that's what

925
00:55:29,440 --> 00:55:34,879
Speaker 1: I'm saying. Pink is blond, blond, pink, pink, blonde, it's

926
00:55:34,960 --> 00:55:38,480
Speaker 1: gay who's on first? It would be a hugely successful

927
00:55:38,520 --> 00:55:41,200
Speaker 1: bit in the vaudeville. And this is what I'm saying.

928
00:55:41,239 --> 00:55:45,280
Speaker 1: We like I want I want fucking like bo Burnham

929
00:55:45,320 --> 00:55:48,719
Speaker 1: to have a vaudeville era. Yeah, this is what I want.

930
00:55:48,800 --> 00:55:52,680
Speaker 1: Okay um I have when that's a little weird. As

931
00:55:52,719 --> 00:55:56,600
Speaker 1: I've said, you keep saying it's so weird and bowen,

932
00:55:57,080 --> 00:55:58,600
Speaker 1: I just want to tell you something. I've seen a

933
00:55:58,640 --> 00:56:01,560
Speaker 1: lot of really weird off and so for your I

934
00:56:01,600 --> 00:56:04,120
Speaker 1: don't think still, honey, to be truly weird, it's gonna

935
00:56:04,160 --> 00:56:07,760
Speaker 1: take a lot. Yeah, because I've seen like turtle swim,

936
00:56:08,360 --> 00:56:15,759
Speaker 1: I've seen like whales give birth weird stuff and it's

937
00:56:15,760 --> 00:56:18,600
Speaker 1: time strucks now, I don't think so, honey. The term

938
00:56:18,920 --> 00:56:23,520
Speaker 1: double fisting sometimes just sometimes it's just holding two drinks.

939
00:56:23,920 --> 00:56:27,400
Speaker 1: It's not like someone you know, taking two drinks to

940
00:56:27,480 --> 00:56:29,759
Speaker 1: the head and that's why they need to hold two

941
00:56:29,840 --> 00:56:33,040
Speaker 1: drinks at the same time. It's also co opting the

942
00:56:33,239 --> 00:56:38,880
Speaker 1: kink community. Hello. Also, unless you're Edward forty hands in it,

943
00:56:39,280 --> 00:56:41,880
Speaker 1: it's not really what you think it is when you go, oh,

944
00:56:42,000 --> 00:56:45,439
Speaker 1: you're double fisting. It's always like anytime someone says, oh,

945
00:56:45,680 --> 00:56:49,520
Speaker 1: you're double fisting, it's it's in that tone of like oh,

946
00:56:49,840 --> 00:56:54,000
Speaker 1: someone's like gotten a haircut. It's it's in that like

947
00:56:54,320 --> 00:56:57,680
Speaker 1: delivery that is bothersome to me. I have not double

948
00:56:57,719 --> 00:56:59,400
Speaker 1: fisted in a while. No one said that to me,

949
00:56:59,480 --> 00:57:02,320
Speaker 1: but his watch and Potomac and then Candice says it

950
00:57:02,400 --> 00:57:05,400
Speaker 1: to Gazelle and I was like, don't do that, Just

951
00:57:05,480 --> 00:57:08,480
Speaker 1: say you're holding two drinks. Sometimes you're holding two drinks

952
00:57:08,560 --> 00:57:11,840
Speaker 1: for any other reason than to second double fisting. This

953
00:57:12,000 --> 00:57:15,239
Speaker 1: is a bad term. It's giving two ten, it's giving

954
00:57:15,400 --> 00:57:18,280
Speaker 1: college for me, and we don't need it in the culture.

955
00:57:18,560 --> 00:57:21,480
Speaker 1: And that's one minute. I think that something is going

956
00:57:21,560 --> 00:57:23,920
Speaker 1: on here. And as someone that has newly become obsessed

957
00:57:23,960 --> 00:57:27,240
Speaker 1: with therapy, I'm going to therapize you. You are uncomfortable

958
00:57:27,280 --> 00:57:31,440
Speaker 1: with the word fisting. You are you like that I'm saying,

959
00:57:32,240 --> 00:57:34,600
Speaker 1: I'm saying it shouldn't be used in this context. I

960
00:57:34,760 --> 00:57:40,240
Speaker 1: love that. Examine that because words matter. And that's not

961
00:57:40,440 --> 00:57:42,640
Speaker 1: really an answer to the question why don't you think

962
00:57:42,720 --> 00:57:45,720
Speaker 1: people should be saying double fisting and they should say

963
00:57:45,760 --> 00:57:48,000
Speaker 1: something else, like I'm holding two drinks when it's just

964
00:57:48,160 --> 00:57:52,960
Speaker 1: sort of is it because of fisting the word because

965
00:57:53,360 --> 00:57:57,320
Speaker 1: the term double fisting carries with it this like pizzazz

966
00:57:57,440 --> 00:58:00,600
Speaker 1: and flare. When people use it, they're like bile fisting

967
00:58:00,680 --> 00:58:03,280
Speaker 1: and you're like, don't do that. I'm just holding two drinks.

968
00:58:03,400 --> 00:58:06,760
Speaker 1: It's not don't editorialize me. And how do you how

969
00:58:07,240 --> 00:58:08,920
Speaker 1: when when if someone were to say to you, you're

970
00:58:08,960 --> 00:58:13,560
Speaker 1: double fisting, what's your fear about? How you'd be so fear?

971
00:58:13,680 --> 00:58:16,600
Speaker 1: This is not a fear, I go, it's it's a gripe.

972
00:58:16,760 --> 00:58:20,800
Speaker 1: I go, no, I'm just holding two drinks, sir. So

973
00:58:20,960 --> 00:58:24,320
Speaker 1: you think that double fisting shouldn't exist at all as

974
00:58:24,400 --> 00:58:27,400
Speaker 1: something anyone ever says it? Just I don't know what

975
00:58:27,480 --> 00:58:30,439
Speaker 1: it's supposed to do. Like if someone is if someone

976
00:58:30,680 --> 00:58:32,800
Speaker 1: if someone is Edward forty handsing, which I have not

977
00:58:32,920 --> 00:58:35,600
Speaker 1: seen since college, either I would go, well, that person

978
00:58:35,720 --> 00:58:39,240
Speaker 1: is doing Edward forty hands. You don't what about this?

979
00:58:39,360 --> 00:58:41,240
Speaker 1: Does it? What about this is not clicking? You don't

980
00:58:41,280 --> 00:58:43,960
Speaker 1: think that when someone says to you you're double fisting,

981
00:58:44,200 --> 00:58:46,439
Speaker 1: that you're not taking it as an accusation. Then maybe

982
00:58:46,480 --> 00:58:48,560
Speaker 1: you have an issue to examine on your hands. Hey,

983
00:58:48,640 --> 00:58:52,280
Speaker 1: you're double fisting. I definitely don't have an issue. You're

984
00:58:52,320 --> 00:58:55,680
Speaker 1: being garcel to me right now, to my Erica. By

985
00:58:55,720 --> 00:58:58,000
Speaker 1: the way, can we just talk about how rotten this

986
00:58:58,080 --> 00:59:00,360
Speaker 1: season is? I I'm over the season. This is a

987
00:59:00,440 --> 00:59:03,000
Speaker 1: bad season of h I just have to say, like,

988
00:59:03,600 --> 00:59:07,040
Speaker 1: the first of all, I guess the fact that it's

989
00:59:07,080 --> 00:59:11,400
Speaker 1: all moved online and like off the show. I hate lame,

990
00:59:11,520 --> 00:59:14,680
Speaker 1: and I just think like you obviously need like something

991
00:59:14,760 --> 00:59:16,360
Speaker 1: to change at that point, just because so much of

992
00:59:16,440 --> 00:59:19,280
Speaker 1: the narrative is like not what's actually happening in the show.

993
00:59:19,800 --> 00:59:21,560
Speaker 1: And then every now and then they'll be like an

994
00:59:21,720 --> 00:59:24,040
Speaker 1: iconic moment or one of the one of the women

995
00:59:24,120 --> 00:59:27,680
Speaker 1: does something funny. But like this Diana thing the other

996
00:59:27,800 --> 00:59:29,920
Speaker 1: day with Sutton, Like the way that all those women

997
00:59:30,040 --> 00:59:33,880
Speaker 1: just sat there while Sutton just cried and wept while

998
00:59:33,960 --> 00:59:38,200
Speaker 1: Diana is laughing like a gleefully calling her a cunt. Yeah,

999
00:59:38,280 --> 00:59:40,520
Speaker 1: that was wild, and that none of them really said

1000
00:59:40,520 --> 00:59:43,240
Speaker 1: anything besides Garcela, and I was just like, you can

1001
00:59:43,320 --> 00:59:46,320
Speaker 1: just feel it getting ugly dark in a way. And

1002
00:59:46,440 --> 00:59:49,560
Speaker 1: I will say that it's not necessarily like when it's

1003
00:59:49,680 --> 00:59:51,760
Speaker 1: dark you don't like watching it, but when it becomes

1004
00:59:51,880 --> 00:59:56,640
Speaker 1: like dark and also like inactive and not not fun

1005
00:59:57,120 --> 01:00:02,880
Speaker 1: static yet static darkness and hearing an Erica Jane's laugh,

1006
01:00:03,040 --> 01:00:07,440
Speaker 1: I'm sorry. That little cackle is just nails on a

1007
01:00:07,720 --> 01:00:11,840
Speaker 1: fucking chalkboard. It's the worst sound. Here's what I really need.

1008
01:00:12,520 --> 01:00:18,000
Speaker 1: I need Crystal to say something to Erica Jane about

1009
01:00:18,680 --> 01:00:20,520
Speaker 1: the ear rings, and I need her to not back down,

1010
01:00:20,920 --> 01:00:24,320
Speaker 1: like if she's gonna now bring up the fact. But

1011
01:00:24,600 --> 01:00:28,400
Speaker 1: but but I need Crystal to do that, or maybe

1012
01:00:28,480 --> 01:00:30,320
Speaker 1: it's just not the show for her, but like she

1013
01:00:30,560 --> 01:00:33,520
Speaker 1: needs to come hard. If if she's gonna take on

1014
01:00:33,680 --> 01:00:38,200
Speaker 1: this Erica Jane plotline about the Seven Earrings, she better

1015
01:00:38,280 --> 01:00:39,960
Speaker 1: not back down to get afraid of Erica when Erica

1016
01:00:40,040 --> 01:00:44,120
Speaker 1: lashes out, because you can handle her, you dwarf her

1017
01:00:44,640 --> 01:00:48,200
Speaker 1: like you have actual money, your husband is great, you

1018
01:00:48,280 --> 01:00:51,760
Speaker 1: have a family like like this, don't be scared of Erica.

1019
01:00:52,080 --> 01:00:54,920
Speaker 1: Would be scared of Erica. No one should be scared

1020
01:00:54,920 --> 01:00:58,040
Speaker 1: of Erica. She's one of the most pitiful people in

1021
01:00:58,120 --> 01:01:03,400
Speaker 1: the public. I I mean it, I end, but Crystal too.

1022
01:01:03,440 --> 01:01:05,280
Speaker 1: I'm like, none of these people are giving the give.

1023
01:01:05,640 --> 01:01:08,440
Speaker 1: We need to be given the give, okay, and we

1024
01:01:08,520 --> 01:01:10,880
Speaker 1: love Garcella, but Garcella will often just sit there when

1025
01:01:10,960 --> 01:01:13,919
Speaker 1: something happens to go that's not right, and it's just like, oh,

1026
01:01:14,520 --> 01:01:17,120
Speaker 1: then then I don't know, yeah, of course that's not right.

1027
01:01:17,280 --> 01:01:19,240
Speaker 1: And then get up in there. But get in there,

1028
01:01:20,160 --> 01:01:23,600
Speaker 1: make something happen. Get up in there. And this is

1029
01:01:23,640 --> 01:01:27,440
Speaker 1: why I need Potomac back a sap And unfortunately, like midnights.

1030
01:01:27,480 --> 01:01:31,640
Speaker 1: It's not coming out until mid October. And and you

1031
01:01:31,720 --> 01:01:33,680
Speaker 1: and I tend to seem to have a disagreement about

1032
01:01:33,680 --> 01:01:37,080
Speaker 1: the Salt Lake City season three trailer. I go, uh,

1033
01:01:38,160 --> 01:01:42,240
Speaker 1: I love the season two trailer was a masterpiece in trailers.

1034
01:01:42,400 --> 01:01:44,919
Speaker 1: I love the season three trailer. I mean when Heather

1035
01:01:45,080 --> 01:01:48,600
Speaker 1: revealed her black guy, I was like, absolutely, who did it?

1036
01:01:48,800 --> 01:01:51,200
Speaker 1: That's we already have a who done it on our hands.

1037
01:01:51,360 --> 01:01:54,200
Speaker 1: And that's because Salt Lake is and will always be,

1038
01:01:54,680 --> 01:01:59,080
Speaker 1: first and foremost a crime thriller. It's salt Lake City

1039
01:01:59,320 --> 01:02:03,600
Speaker 1: is a I'm I'm the thriller. I just think the

1040
01:02:03,760 --> 01:02:07,120
Speaker 1: Black Eye might be a big, big nothing, might be

1041
01:02:07,200 --> 01:02:10,880
Speaker 1: a big burger of nothing, as we call it nothing burger.

1042
01:02:11,120 --> 01:02:13,320
Speaker 1: All I know is we did see in the footage

1043
01:02:13,480 --> 01:02:18,800
Speaker 1: Heather absolutely toss Whitney. Heather and Whitney. That is, if

1044
01:02:18,920 --> 01:02:22,640
Speaker 1: that friendship goes, you go, what else is happening? I

1045
01:02:22,800 --> 01:02:31,520
Speaker 1: just I will. These are women of great esteem, great respect,

1046
01:02:32,680 --> 01:02:42,800
Speaker 1: great beauty, great talent, and great fortune and great trauma fortune.

1047
01:02:42,960 --> 01:02:48,600
Speaker 1: They have a great fortune, these women on great fortunes.

1048
01:02:51,040 --> 01:02:54,440
Speaker 1: So to see them in conflict is really troubling. It

1049
01:02:54,520 --> 01:02:58,040
Speaker 1: says end of days to me. It says it's giving,

1050
01:02:58,400 --> 01:03:05,080
Speaker 1: it's giving. End of days to period period. Potomac needs

1051
01:03:05,120 --> 01:03:07,480
Speaker 1: to come back. As I've said, it's the best vibes

1052
01:03:07,560 --> 01:03:16,400
Speaker 1: of any city. The women look absolutely gorgeous in that photo. Love,

1053
01:03:17,560 --> 01:03:22,600
Speaker 1: Oh my goodness, I need these women. I'm actually excited

1054
01:03:22,680 --> 01:03:25,400
Speaker 1: for Mia to come back in you know what, let's see.

1055
01:03:26,680 --> 01:03:29,600
Speaker 1: I'm not upset about Mia and and Big Daddy either.

1056
01:03:29,760 --> 01:03:33,120
Speaker 1: What's it? What's big Daddy whatever? I don't I don't

1057
01:03:33,120 --> 01:03:36,080
Speaker 1: know what his name is. Um, but Mia gave us

1058
01:03:36,120 --> 01:03:39,320
Speaker 1: some iconic moments. And in the last season, like she

1059
01:03:39,440 --> 01:03:46,560
Speaker 1: has a big heart, Like I don't just heart she has.

1060
01:03:47,480 --> 01:03:51,800
Speaker 1: She said she has a beautiful heart. She has and

1061
01:03:52,160 --> 01:03:54,600
Speaker 1: I've I've met your hell and she has a beautiful heart,

1062
01:03:54,600 --> 01:03:58,240
Speaker 1: beautiful heart. And like I was a dancer wearing gowns

1063
01:03:58,440 --> 01:04:02,280
Speaker 1: at a place that served lops suran sticking lobster. It

1064
01:04:02,400 --> 01:04:05,240
Speaker 1: was a five star restaurant. It was a five star restaurant.

1065
01:04:05,280 --> 01:04:07,400
Speaker 1: We serve stake a mobster, and I did wear a gown.

1066
01:04:07,520 --> 01:04:10,240
Speaker 1: I was not a stripper. Cut to two episodes before

1067
01:04:10,320 --> 01:04:16,919
Speaker 1: I was a stripper. Yeah, no, we need to give

1068
01:04:17,080 --> 01:04:25,560
Speaker 1: me a give she is, she's a legends funny, funny. Anyway,

1069
01:04:26,000 --> 01:04:33,000
Speaker 1: Potomac needs to come back. Okay, cant big feet? She says,

1070
01:04:33,480 --> 01:04:35,800
Speaker 1: your big feet, and then they get into a conversation

1071
01:04:35,840 --> 01:04:41,840
Speaker 1: about whether or not that's like. But then sometimes, like

1072
01:04:41,920 --> 01:04:43,840
Speaker 1: at the reunion, they did, I think, cut to a

1073
01:04:43,880 --> 01:04:46,840
Speaker 1: close up on the feet. See, that's what we need.

1074
01:04:46,920 --> 01:04:49,120
Speaker 1: We don't need this darkness. We need the question of

1075
01:04:49,400 --> 01:04:51,840
Speaker 1: is it okay for a woman to say another woman's

1076
01:04:51,920 --> 01:04:55,520
Speaker 1: feet are too big? Discuss this is why Potomac is

1077
01:04:55,600 --> 01:04:58,960
Speaker 1: the best. It's funny. These women are funny. Okay, I mean,

1078
01:04:59,040 --> 01:05:02,200
Speaker 1: let's not also forget Patona Custody. That's probably the darkest

1079
01:05:02,280 --> 01:05:06,440
Speaker 1: days on any other franchises. Yes, and but there is

1080
01:05:06,440 --> 01:05:11,600
Speaker 1: another dawn. Yeah, there is another time period period. UM.

1081
01:05:11,800 --> 01:05:14,240
Speaker 1: I want to tell you before we go about one

1082
01:05:14,360 --> 01:05:18,120
Speaker 1: song that I recently listened to, which actually was snubbed

1083
01:05:18,160 --> 01:05:21,520
Speaker 1: in the Great Global Songbook, and I wanted to shoot

1084
01:05:21,520 --> 01:05:24,360
Speaker 1: it your way just so. This is one of a

1085
01:05:24,480 --> 01:05:27,240
Speaker 1: for your consideration from me to you UM as the

1086
01:05:27,320 --> 01:05:29,840
Speaker 1: nomination's approach, you know what I mean, right around the corner,

1087
01:05:30,320 --> 01:05:36,120
Speaker 1: and we think about UM recognized, recognizing iconography. And here's

1088
01:05:36,160 --> 01:05:39,960
Speaker 1: the song stand out by Tevin Campbell from the Goofy

1089
01:05:40,000 --> 01:05:45,560
Speaker 1: movie soundtrack. Oh my God, can we just give flowers

1090
01:05:45,600 --> 01:05:50,800
Speaker 1: to Tevin Campbell? Yeah? Flowers? Can we talk? Iconic Kevin

1091
01:05:50,880 --> 01:05:58,000
Speaker 1: Campbell song standout momad if I got to shut out up,

1092
01:05:59,000 --> 01:06:05,120
Speaker 1: amazing voice, Matt Rodgers, You've never sounded better. And what Sorry,

1093
01:06:05,120 --> 01:06:07,880
Speaker 1: I'm just crying. I'm sorry. I didn't mean to make

1094
01:06:07,880 --> 01:06:10,720
Speaker 1: you cry. I didn't mean to make you cry. But

1095
01:06:10,840 --> 01:06:17,080
Speaker 1: Tevin Campbell was was out here being sounding like the nineties.

1096
01:06:17,400 --> 01:06:19,960
Speaker 1: Take me back to a time in place, King, Now

1097
01:06:20,440 --> 01:06:23,280
Speaker 1: take me there. And I'm so happy he's come out

1098
01:06:23,280 --> 01:06:26,880
Speaker 1: of the closet recently. I'm so happy he's living in

1099
01:06:27,120 --> 01:06:32,680
Speaker 1: his true self. He's someone who really was giving the gift.

1100
01:06:32,720 --> 01:06:37,120
Speaker 1: I'm sorry my new phrases give the give, which which

1101
01:06:37,200 --> 01:06:39,800
Speaker 1: really can apply to so much. And Sarah Sara Sherman

1102
01:06:40,360 --> 01:06:43,480
Speaker 1: did kind of help bring this into my lexicon. But

1103
01:06:43,680 --> 01:06:47,000
Speaker 1: Tevin was giving the gift since day one, since he

1104
01:06:47,040 --> 01:06:48,960
Speaker 1: burst onto the world stage. When he says in the

1105
01:06:49,120 --> 01:06:51,840
Speaker 1: in the track, it's a piece of cake? Are you

1106
01:06:51,960 --> 01:06:56,880
Speaker 1: kidding me? Also, do you remember a Goofy movie the

1107
01:06:57,040 --> 01:07:00,360
Speaker 1: character of um I believe it was Roxanne, the most

1108
01:07:00,440 --> 01:07:02,880
Speaker 1: beautiful woman in the world. The most beautiful dog, most

1109
01:07:03,160 --> 01:07:09,920
Speaker 1: beautiful dog woman in the world. She said, this is

1110
01:07:10,080 --> 01:07:16,440
Speaker 1: a woman. Let me hold my books to my developing chest,

1111
01:07:18,080 --> 01:07:21,360
Speaker 1: even more beautiful. Notice my bangs. I'm gonna look even

1112
01:07:21,400 --> 01:07:26,360
Speaker 1: more beautiful than Kate Moss noticed my bangs. Just a

1113
01:07:26,720 --> 01:07:33,040
Speaker 1: great beauty, a figure of great esteem, respect, beauty, talent.

1114
01:07:33,880 --> 01:07:36,880
Speaker 1: She loved to read books. One of the best things

1115
01:07:36,960 --> 01:07:40,680
Speaker 1: to know, couldn't be I'm sorry, and now we're fully

1116
01:07:40,720 --> 01:07:43,520
Speaker 1: like in the Lea Michelle can't read, sort of bit,

1117
01:07:43,720 --> 01:07:46,520
Speaker 1: but I have to say I fully believe she can read.

1118
01:07:46,640 --> 01:07:51,120
Speaker 1: I believe that some of the longest books um in print,

1119
01:07:52,200 --> 01:07:54,280
Speaker 1: some of the longest books in print. Lea Michelle has

1120
01:07:54,320 --> 01:07:58,120
Speaker 1: read Rock Sand Though rock standon Max had just one

1121
01:07:58,160 --> 01:08:01,600
Speaker 1: of those romances that you're like, I hope this works out.

1122
01:08:02,120 --> 01:08:07,320
Speaker 1: Chemistry together, chemistry are still together, fucking like dogs. M hm,

1123
01:08:08,320 --> 01:08:13,120
Speaker 1: rock Stand is a gorgeous dog woman, beautiful beautiful. Well

1124
01:08:13,160 --> 01:08:16,679
Speaker 1: that's real culture number seventy seven. Rock Sand, Rock Stand,

1125
01:08:18,280 --> 01:08:25,439
Speaker 1: dog Woman, beautiful beautiful. We end every episode with the

1126
01:08:25,520 --> 01:08:38,320
Speaker 1: song stand up MoMA, only you see you stand singing

1127
01:08:38,920 --> 01:08:42,880
Speaker 1: with me. Gotta listen to it again By