WEBVTT - Could you outrun a fireball?

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb, and I'm Julie Douglas. Julie,

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<v Speaker 1>have you ever outrun an explosion every single morning? Yeah? Yeah?

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<v Speaker 1>Ever been chased by a fireball? Yeah? Every afternoon? It

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<v Speaker 1>kind of seems like that way at times, right, I mean,

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<v Speaker 1>because we were just constantly hit over the head with

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<v Speaker 1>this image of people out running explosions, out running fires

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<v Speaker 1>and fireballs. It's I mean, as long as you are

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<v Speaker 1>consuming action films and action oriented TV shows, it's everywhere. Well,

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<v Speaker 1>even dramas have a bit of you know, fire spewing

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<v Speaker 1>forth from time to time, and well like, yeah, I

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<v Speaker 1>think you were mentioning even even Breaking Bad, right, which

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<v Speaker 1>is considered has been considered the pinnacle of television in

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<v Speaker 1>recent years. Yeah, Breaking Bad will dip into a couple

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<v Speaker 1>of the tropes that you see when it comes to fireballs. Um,

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<v Speaker 1>specifically I'm thinking about Walt and I hope this isn't

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<v Speaker 1>a spoiler. This is early on in the series. This

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<v Speaker 1>is when he kind of takes a turn down the road. Um,

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<v Speaker 1>this is right after he shaved his head and he

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<v Speaker 1>is dealing with a drug dealer named Tuco, and he

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<v Speaker 1>has brought to the drug dealer something called mercury fulminate

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<v Speaker 1>which is inexclusive. Now the drug dealer doesn't know this,

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<v Speaker 1>thinks is the back of meth. What does Walt do

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<v Speaker 1>when he feels threatened, He throws a little piece of

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<v Speaker 1>this ampleca boom like the you know, the windows are

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<v Speaker 1>blown out, there's a big fireball um and it's done

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<v Speaker 1>to great effect, right, because at that very moment you

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<v Speaker 1>love Walt even more because of his science smarts and

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<v Speaker 1>his ability to create this um, this sort of chemical

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<v Speaker 1>combustion that gets him out of a jam. In reality, though,

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<v Speaker 1>with this work, yeah yeah, I mean, you'd have to

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<v Speaker 1>have like a stick of dynamite along with the mercury

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<v Speaker 1>fulm in it, and it just wouldn't be nearly as interesting.

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<v Speaker 1>You have to sit there and wait for him to

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<v Speaker 1>like stick a dynamite, and yeah, it's not not very

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<v Speaker 1>cinematic um for me. One of the earliest examples comes

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<v Speaker 1>to mind. Uh. It's probably from Predator, where not only

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<v Speaker 1>does uh does Schwarzenegger out run the explosive device that

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<v Speaker 1>the defeated predator sets off on its risk. Uh, it's

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<v Speaker 1>like apparently a tactical nuke that goes off. Essentially, they're

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<v Speaker 1>in the jungle. In the jungle, which is also key

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<v Speaker 1>as well discussed, you know, roots and trees and everywhere,

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<v Speaker 1>he's able to outrun this this tremendous detonation. Uh. And

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<v Speaker 1>you know he's not in the sequel, but he's supposedly survived.

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<v Speaker 1>Now I'm taking this from TV trips dot Org. They

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<v Speaker 1>say a time bomb, super weapon, crash car, etcetera is

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<v Speaker 1>about to explode. The heroes run as fast as they

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<v Speaker 1>can and try to leap behind shelter just as it explodes.

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<v Speaker 1>Often features a cool shot of the heroes diving towards

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<v Speaker 1>the camera. And when I read that initially, I kind

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<v Speaker 1>of felt that sort of mirrorner on motion, Like, yes,

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<v Speaker 1>I know that I've seen that trope so many times

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<v Speaker 1>that I feel the motion of that sentence. Indeed, I

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<v Speaker 1>mean another one too, is, of course, the the badass

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<v Speaker 1>walking away from the explosion. Explosion sets off. Generally, you

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<v Speaker 1>know it's the the guy or gal in your action

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<v Speaker 1>film is so in control of the situation. Uh, they

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<v Speaker 1>know there's about to be a tremendous explosion. They know

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<v Speaker 1>that they're safe, or they just don't care. They're that

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<v Speaker 1>they're that awesome, uh that they just walk They're just

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<v Speaker 1>walking and it's exploding behind them and they don't even care.

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<v Speaker 1>Maybe they're even lighting a cigarette. Breaking bad has another

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<v Speaker 1>example of that. Yes, in fact, it's the Salamanca Terror twins.

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<v Speaker 1>Oh yes, those guys definitely badasses. And I believe that

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<v Speaker 1>they one of them is smoking a cigarette and then

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<v Speaker 1>they ignite a truck and they walk away. And in fact,

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<v Speaker 1>there's a YouTube video that features this clip of them,

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<v Speaker 1>and it's the title of it is cool guys look

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<v Speaker 1>at explosions. Indeed they were. They were pretty cool and collected.

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<v Speaker 1>And you know that you mentioned them mere neurons. And

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<v Speaker 1>I think that's you know, when we watch somebody that's

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<v Speaker 1>so bad and in control of this situation that they

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<v Speaker 1>can just walk away from the explosion. I mean, that's

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<v Speaker 1>who doesn't want that in their life, to have that

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<v Speaker 1>kind of control, that kind of detachment from from the

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<v Speaker 1>stresses and explosions, uh, literal and metaphorical in their life,

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<v Speaker 1>which is why you may want to break out a

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<v Speaker 1>little board game called Fireball Island. Ah. Yes, I fondly

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<v Speaker 1>remember this uh board game published by Milton Bradley, which

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<v Speaker 1>I had. I received it for Christmas, I think one

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<v Speaker 1>year and uh, you'll you'll have to check out the

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<v Speaker 1>commercial for this on include a link on the landing

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<v Speaker 1>page in this episode because it was this brilliant like

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<v Speaker 1>three D board. It's it's essentially an island, like a

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<v Speaker 1>volcanic island, and impossibly, even as a kid, I knew

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<v Speaker 1>this was just made no sense. Uh, but some ancient

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<v Speaker 1>civilization has built this like demon shaped temple thing on

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<v Speaker 1>top of the volcano, like you do. And then this

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<v Speaker 1>thing would turn and it would spit fireballs red marbles,

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<v Speaker 1>uh down these different pathways, and of course the people

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<v Speaker 1>playing the game are trying to move their little dudes

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<v Speaker 1>along the pathway and I think they were collecting treasure

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<v Speaker 1>and if the marble came down and hit you, it

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<v Speaker 1>would knock you all the way back down towards the beginning.

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<v Speaker 1>But but yeah, even then, I had a lot of questions,

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<v Speaker 1>like what is this fireball? We're out running? Is this

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<v Speaker 1>just is this lava? Is this is this flame? Is

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<v Speaker 1>it is it an explosion? What's going on here? What

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<v Speaker 1>am I trying to out run? Why in the commercial

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<v Speaker 1>is their actual flame coming from the ball and mine

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<v Speaker 1>is just a big marble no flames. Um. I was

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<v Speaker 1>looking at this on eBay. They are fetching up to

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<v Speaker 1>three hundred bucks ones that are intact with all the pieces. Wow,

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<v Speaker 1>that's that's pretty impressive. I wish I knew where mine was,

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<v Speaker 1>right all right, So we're going to discuss this and

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<v Speaker 1>today's episode. Now, we're not going to get into the

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<v Speaker 1>fancy magical fireball idea, but we're going to get into

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<v Speaker 1>sort of are equally magical and fanciful almost subconscious ideas

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<v Speaker 1>about explosions and fire. Most of us do not encounter

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<v Speaker 1>wildfires or explosions in our daily life. We encounter on TV.

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<v Speaker 1>We kind of get this idea about how they work,

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<v Speaker 1>and we take for granted the uh, the the reactions

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<v Speaker 1>that are taking place. So first we're gonna talk about wildfires,

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<v Speaker 1>then we're going to talk about explosions, and we're going

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<v Speaker 1>to talk about our ability or inability rather to outrun

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<v Speaker 1>either of these forces. Before we launch in, I want

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<v Speaker 1>to ask you, Robert, because this is a kid sort

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<v Speaker 1>of dinner party question. Uh, what is your relationship to fire?

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<v Speaker 1>My relationship to fire? Uh? Currently? Um, the lighting of

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<v Speaker 1>stoves with a little click click thing, um, the lighting

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<v Speaker 1>of candles when necessary. Uh, And that's pretty much pretty

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<v Speaker 1>much it, because I have these memories as a kid

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<v Speaker 1>and my my babysitter, who is um giant hippie, loved her,

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<v Speaker 1>but she would have us um put our hands through

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<v Speaker 1>the candle to see if we could exert some sort

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<v Speaker 1>of magic force on it and not burn ourselves. So

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<v Speaker 1>that's sort of my first memories of that and trying

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<v Speaker 1>to capture and harness fire. And I think it's one

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<v Speaker 1>of the reasons why when we see these tropes we

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<v Speaker 1>get sort of excited, not just because of the mirror neurons,

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<v Speaker 1>but because it calls back to something primal, like, yes,

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<v Speaker 1>here's this this element and could we in fact walk

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<v Speaker 1>away from it if it were to try to consume us. Yeah, yeah,

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<v Speaker 1>I mean I definitely. I remember being into like matches

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<v Speaker 1>and fireworks at some point when I was a kid,

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<v Speaker 1>and I mean like the fire. The flamethrower is another

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<v Speaker 1>example of something that like from a kid level, like

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<v Speaker 1>sci fi action movie level, like flamethrowers are awesome, but

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<v Speaker 1>then if you look at the reality of flamethrowers that

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<v Speaker 1>they are hillacious, awful devices, awful weapons. Um, So there's

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<v Speaker 1>always a divide between that. But we can't help. But

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<v Speaker 1>but but find something magical in the flickering flame. So

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<v Speaker 1>let's kick up with wildfire. Um and let's we're just

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<v Speaker 1>gonna throw it out there. Humans versus fire speed? How

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<v Speaker 1>does it? How does it pan out? Well? First, let's

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<v Speaker 1>look at a human. According to the National Council on

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<v Speaker 1>Strength and Fitness, the average human can run at a

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<v Speaker 1>speed of fifteen miles per hour kilometers per hour for

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<v Speaker 1>a short period of time. Okay, and as far as

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<v Speaker 1>records go, the world's fastest runner, Hussain Bolt, has clocked

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<v Speaker 1>nearly twenty eight miles per hour or forty kilometers per

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<v Speaker 1>hour in the hundred meters sprint. Okay. Meanwhile, our friend,

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<v Speaker 1>the wildfire travels its speeds up to fourteen miles an

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<v Speaker 1>hour or twenty three kilometers an hour, and it does

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<v Speaker 1>so by consuming everything in its path, for naturally occurring vegetation,

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<v Speaker 1>to homes or even human beings. So in a short

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<v Speaker 1>term race without any complicating factors, the average human probably

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<v Speaker 1>has a slight leg up, and more gifted runners can

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<v Speaker 1>probably smoke the fire completely. But it's those complications, uh

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<v Speaker 1>that are that are definitely worth taking into account when

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<v Speaker 1>trying to outrun a wildfire, right because these don't occur

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<v Speaker 1>in a vacuum as we know. So complicating factors would

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<v Speaker 1>include the fact that you're probably running through unfamiliar terrain,

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<v Speaker 1>right if you're out in the forest, you probably don't

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<v Speaker 1>know it like the back of your hand. Um, So

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<v Speaker 1>that can add to the confusion when you're trying to navigate.

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<v Speaker 1>In addition, a thick fog of smoke could be rolling

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<v Speaker 1>through the area, making it hard to determine the best

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<v Speaker 1>path forward, particularly when the wind shifts direction right and

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<v Speaker 1>there's the heat from the fire because it turns out

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<v Speaker 1>that many more people die from smoke inhalation and dehydration

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<v Speaker 1>than from actual burns. So all of these things are

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<v Speaker 1>making this this uh, this mays through a natural disaster

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<v Speaker 1>that much more difficult. Yeah, and there's just so many variables.

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<v Speaker 1>Like I can't help but think if you were if

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<v Speaker 1>you were trying to to map and program the movement

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<v Speaker 1>of a wildfire, and say a board game or computer game,

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<v Speaker 1>there there would just be so many barreals, so many

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<v Speaker 1>dice rolls would have to take place because because just

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<v Speaker 1>the slightest change in the wind, for instance, can alter

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<v Speaker 1>the course of the fire. Suddenly it's it's moving. Uh,

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<v Speaker 1>it's moving to your left, etter to your right, etcetera.

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<v Speaker 1>And then you have to take into account the fuel

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<v Speaker 1>that it's consuming. You have grasses that are that are

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<v Speaker 1>burning easily on dry, hot windy days, branches, twigs and

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<v Speaker 1>leaves that are serving as as as as a tremendous fuel,

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<v Speaker 1>creating more heat. And then you have dry tree bark

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<v Speaker 1>that can carry the flames up to the tree tops,

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<v Speaker 1>burning more material and causing the fire to break and spread.

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<v Speaker 1>So it's, uh, there's there's so much chaos in the system.

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<v Speaker 1>It's it's difficult to map, certainly difficult to map on

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<v Speaker 1>the ground dealing with all of these complications. And yeah,

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<v Speaker 1>you can try to be strategic about it. So if

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<v Speaker 1>you could figure out which way the fire is moving,

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<v Speaker 1>and you situated yourself parallel to it, this is called

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<v Speaker 1>the flank of the fire, then that puts you in

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<v Speaker 1>a much better position as opposed to say, in front

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<v Speaker 1>of the fire, which is kind of like a dot um.

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<v Speaker 1>Another thing you could do is you could look for

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<v Speaker 1>a path with little or no vegetation. So a rock,

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<v Speaker 1>gravel or dirt path would ensure that you're not surrounding

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<v Speaker 1>yourself with tinder. All of those dry branches and twigs leaves,

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<v Speaker 1>that would create a little bit more forced um tinder

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<v Speaker 1>there for you, and then you would want to move

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<v Speaker 1>downhill if you could. That's because the fire will burn

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<v Speaker 1>faster uphill, you know. That's because the flames can easily

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<v Speaker 1>reach more unburnt fuel in front of the fire, and

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<v Speaker 1>then radiant heat preheats the fuel in front of the fire,

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<v Speaker 1>making the fuel even more flammable. And that's not to

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<v Speaker 1>say that any of these strategies are a guarantee of safety.

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<v Speaker 1>In the house Stuff Works article Can You out Run

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<v Speaker 1>a Fire? By Alston Cooper, she points out that the

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<v Speaker 1>Yarnell Hill airs on a wildfire in June two thousand

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<v Speaker 1>killed nineteen members of the Granite Mountain hot Shots. And

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<v Speaker 1>the hot Shots, of course, are they have advanced strategies

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<v Speaker 1>and they are experts in maintaining um the fires and

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<v Speaker 1>extinguishing them. So what happened during this particular wildfire is

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<v Speaker 1>that the wildfire was aided by fifty mile per hour

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<v Speaker 1>or eighty kilometers per hour down drafting winds of an

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<v Speaker 1>approaching thunderstorm. We're talking about covering one d yards in

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<v Speaker 1>nineteen seconds. And the firefighters who were in a box

0:12:33.080 --> 0:12:35.840
<v Speaker 1>hand and were trapped when the fire essentially rushed into it.

0:12:36.280 --> 0:12:40.360
<v Speaker 1>They we're talking about a dangerous and at times unpredictable

0:12:40.520 --> 0:12:43.680
<v Speaker 1>force here. It's not not the fire in your heart,

0:12:43.760 --> 0:12:46.400
<v Speaker 1>it's not the fire on your barbecue. This is a

0:12:46.840 --> 0:12:51.520
<v Speaker 1>This is fire that is quite literally wild, consuming materials,

0:12:51.520 --> 0:12:53.839
<v Speaker 1>shifting around, and it's easy to get caught in the

0:12:53.920 --> 0:12:56.400
<v Speaker 1>wrong place at the wrong time. Indeed, all right, we're

0:12:56.400 --> 0:12:58.320
<v Speaker 1>going to take a quick break. When we get back,

0:12:58.360 --> 0:13:00.080
<v Speaker 1>we're going to look at what it would take to

0:13:00.160 --> 0:13:14.559
<v Speaker 1>outrun an explosion. All right, we're back out running an explosion. Possible, impossible.

0:13:15.360 --> 0:13:17.360
<v Speaker 1>I think you will find it is the latter of

0:13:17.400 --> 0:13:20.480
<v Speaker 1>those two options, despite again how often we see it

0:13:20.520 --> 0:13:24.560
<v Speaker 1>done in our TVs and movies. Let's start with just, uh,

0:13:24.800 --> 0:13:27.800
<v Speaker 1>just getting down to brass tacks here. What is an explosion?

0:13:27.800 --> 0:13:31.520
<v Speaker 1>What is an explosive? Even um, All explosives are little

0:13:31.520 --> 0:13:35.480
<v Speaker 1>more than elements that burn or decompose at an incredible speed.

0:13:36.000 --> 0:13:38.880
<v Speaker 1>Um and explosions occur when a large amount of energy

0:13:38.960 --> 0:13:42.520
<v Speaker 1>is released into a small volume of area in a

0:13:42.640 --> 0:13:46.040
<v Speaker 1>very short time. So it might be hydrothermal, uh, you know,

0:13:46.200 --> 0:13:49.000
<v Speaker 1>naturally occurring in the earth. It might be chemical arising

0:13:49.040 --> 0:13:52.160
<v Speaker 1>from say a man made explosion, or it might even

0:13:52.200 --> 0:13:55.880
<v Speaker 1>be nuclear. Now, the reaction produces a massive amount of

0:13:55.920 --> 0:13:58.280
<v Speaker 1>heat and gas in a very short period of time.

0:13:58.840 --> 0:14:02.760
<v Speaker 1>An explosive chemical action breaks down compounds into highly compressed

0:14:02.800 --> 0:14:07.440
<v Speaker 1>gases as well as heat resulting from compound molecules being

0:14:07.520 --> 0:14:11.400
<v Speaker 1>blasted apart. Then the gas expands rapidly and the heat

0:14:11.440 --> 0:14:15.720
<v Speaker 1>speeds up individual gas particles to increase expansion speed even more.

0:14:16.200 --> 0:14:19.720
<v Speaker 1>And this rapidly expanding gas is called a pressure wave,

0:14:19.800 --> 0:14:23.120
<v Speaker 1>and it's key to any explosives destructive power as the

0:14:23.160 --> 0:14:25.480
<v Speaker 1>pressure If the pressure wave is fast enough to break

0:14:25.480 --> 0:14:28.360
<v Speaker 1>the sound barrier, it also generates a powerful shock wave.

0:14:28.800 --> 0:14:32.280
<v Speaker 1>So anytime you have a land explosion, a real life

0:14:32.360 --> 0:14:36.520
<v Speaker 1>land explosion from hand garnades took a dynamite exploding car,

0:14:36.680 --> 0:14:39.960
<v Speaker 1>you name it, Uh, you're gonna have a situation where

0:14:39.960 --> 0:14:44.280
<v Speaker 1>the blast can just almost instantaneously burned skin, tear apart, limbs,

0:14:44.600 --> 0:14:49.080
<v Speaker 1>propel objects and shrapnel through the air. Um, it's a

0:14:49.280 --> 0:14:52.960
<v Speaker 1>it's it's a dangerous situation and and uh again, we

0:14:53.000 --> 0:14:55.320
<v Speaker 1>often sort of fall into a magical way of thinking

0:14:55.360 --> 0:14:58.440
<v Speaker 1>about the explosion as just this sort of blast, this

0:14:58.680 --> 0:15:02.000
<v Speaker 1>this big fiery thing that happens, and not this this

0:15:02.000 --> 0:15:05.600
<v Speaker 1>this really fast chemical reaction that just sends out this

0:15:05.640 --> 0:15:08.440
<v Speaker 1>pressure wave. Yeah. To illustrate that, let's look at a

0:15:08.560 --> 0:15:11.400
<v Speaker 1>C four explosive. Now, this is typical typically used by

0:15:11.400 --> 0:15:15.960
<v Speaker 1>the United States Armed Forces, and when it is detonated,

0:15:16.040 --> 0:15:19.160
<v Speaker 1>gases are released from the explosive at the rate of

0:15:19.280 --> 0:15:23.720
<v Speaker 1>twenty six thousand, four hundred ft per second or eight

0:15:23.760 --> 0:15:27.360
<v Speaker 1>thousand fifty per second. Yeah, which means that if you

0:15:27.520 --> 0:15:30.600
<v Speaker 1>are within twenty four thousand feet of it, your toast

0:15:30.680 --> 0:15:33.600
<v Speaker 1>within just one second. So that really I think that

0:15:33.600 --> 0:15:36.760
<v Speaker 1>shatters the illusion pretty quickly, unless you're watching the Flash

0:15:36.840 --> 0:15:39.520
<v Speaker 1>or Superman or something. It's it's putting it outside the

0:15:40.120 --> 0:15:43.840
<v Speaker 1>normal range. Now, some other explosives like a pipe bomb, well,

0:15:43.920 --> 0:15:47.200
<v Speaker 1>the U. S Department of Homeland Security says the minimal

0:15:47.400 --> 0:15:50.200
<v Speaker 1>safe distance from a five pound or two point two

0:15:50.280 --> 0:15:53.960
<v Speaker 1>kilogram bomb pipe bomb is twelve hundred feet or three

0:15:54.040 --> 0:15:57.600
<v Speaker 1>hundred sixty And then you'll see as the size of

0:15:57.640 --> 0:16:00.400
<v Speaker 1>the bomb goes up, so to just the since that

0:16:00.440 --> 0:16:02.680
<v Speaker 1>you should be away from it. So a fifty pound

0:16:04.040 --> 0:16:07.520
<v Speaker 1>briefcase bomb you should be about eighteen hundred and fifty

0:16:07.520 --> 0:16:11.600
<v Speaker 1>feet away or five hundred sixty four a tractor trailer

0:16:11.640 --> 0:16:16.880
<v Speaker 1>bomb that would be about nine thousand, three hundred feet

0:16:17.040 --> 0:16:19.760
<v Speaker 1>or two thousand, eight hundred that you would want to

0:16:19.760 --> 0:16:23.840
<v Speaker 1>be away from it. So again the question arises, could

0:16:23.920 --> 0:16:26.440
<v Speaker 1>you get from point A to point B this safe

0:16:26.560 --> 0:16:30.400
<v Speaker 1>zone in any of those scenarios, And it's just not likely.

0:16:30.520 --> 0:16:34.560
<v Speaker 1>Even if you are Usain Bolt, who could cover two

0:16:34.640 --> 0:16:40.040
<v Speaker 1>hundred meters in nineteen seconds um, which is about thirty

0:16:40.120 --> 0:16:43.880
<v Speaker 1>four ft per second, that's still not gonna get you

0:16:43.960 --> 0:16:46.280
<v Speaker 1>to where you need to be. Indeed, I mean pretty

0:16:46.320 --> 0:16:50.520
<v Speaker 1>much the only scenario that even works from any kind

0:16:50.520 --> 0:16:53.720
<v Speaker 1>of film or actions situation would be if there's a

0:16:53.760 --> 0:16:56.960
<v Speaker 1>timer and you're you're not out running the explosion itself,

0:16:57.000 --> 0:17:00.600
<v Speaker 1>but your your character is attempting to it to that

0:17:00.920 --> 0:17:05.239
<v Speaker 1>uh that that manium that minimum evacuation distance before it

0:17:05.280 --> 0:17:09.199
<v Speaker 1>goes off. But even then, the minimum evacuation distance is

0:17:09.240 --> 0:17:11.840
<v Speaker 1>just the range at which life threatening injury from the

0:17:11.840 --> 0:17:17.200
<v Speaker 1>blast or fragmentation hazards are unlikely. Uh So, a person

0:17:17.400 --> 0:17:21.479
<v Speaker 1>within the safe zone of uh surrounding this explosion. They

0:17:21.480 --> 0:17:24.959
<v Speaker 1>can still suffer injuries, they're not life threatening. You can

0:17:25.000 --> 0:17:27.240
<v Speaker 1>still get hit by shrapnel, you can still be knocked

0:17:27.240 --> 0:17:29.720
<v Speaker 1>down by the shock wave. Um, all of that is

0:17:29.760 --> 0:17:35.879
<v Speaker 1>still in play, which could significantly uh impact your badass

0:17:35.960 --> 0:17:39.160
<v Speaker 1>walk away from the explosion, right because the badass walk away.

0:17:39.240 --> 0:17:42.000
<v Speaker 1>You don't tend to see the hero or the anti

0:17:42.080 --> 0:17:46.360
<v Speaker 1>hero with pock marks of you know, damage done by

0:17:46.400 --> 0:17:50.400
<v Speaker 1>the shrack knowledge, hearing loss or anything. No, they're completely intact. Um.

0:17:51.000 --> 0:17:55.160
<v Speaker 1>So yeah, again, abbous, but this is not very realistic.

0:17:55.840 --> 0:17:59.160
<v Speaker 1>Even the countdowns and we see them depicted in TV

0:17:59.280 --> 0:18:03.119
<v Speaker 1>and film aren't being true to the actual time that's passing. Yeah.

0:18:03.240 --> 0:18:05.360
<v Speaker 1>And and it goes without saying a lot of times

0:18:05.400 --> 0:18:07.639
<v Speaker 1>when you have a really cool explosion in a film,

0:18:07.800 --> 0:18:09.719
<v Speaker 1>you end up kind of seeing it in slow motion anyway,

0:18:09.720 --> 0:18:12.000
<v Speaker 1>so you get this kind of false idea about what's happening.

0:18:12.040 --> 0:18:15.439
<v Speaker 1>You do see like this fireball expanding, and uh and

0:18:15.480 --> 0:18:17.600
<v Speaker 1>you know, we just we just don't. Most of us

0:18:17.640 --> 0:18:21.080
<v Speaker 1>do not have explosions occurring in our daily life and

0:18:21.119 --> 0:18:24.760
<v Speaker 1>have any kind of real, uh you know, real down

0:18:24.840 --> 0:18:27.480
<v Speaker 1>to earth understanding about what's happenings as far as the

0:18:27.560 --> 0:18:29.919
<v Speaker 1>chemical reaction goes well, and if you did, you probably

0:18:29.920 --> 0:18:34.320
<v Speaker 1>would have a pretty strong case of PTSD. Right. Um,

0:18:34.359 --> 0:18:37.440
<v Speaker 1>So this, this unfortunately is the reality for some people.

0:18:37.560 --> 0:18:40.840
<v Speaker 1>And we were talking about this earlier. Probably one of

0:18:40.880 --> 0:18:44.960
<v Speaker 1>the more realistic depictions of explosions is something like the

0:18:45.040 --> 0:18:48.119
<v Speaker 1>hurt Locker, where they do quite a bit of really

0:18:48.119 --> 0:18:50.760
<v Speaker 1>good camera work to try to bring some sort of

0:18:50.920 --> 0:18:55.080
<v Speaker 1>very similitude to what is happening on screen. Yeah, they

0:18:55.119 --> 0:18:58.119
<v Speaker 1>did a great job at also making you feel that

0:18:58.280 --> 0:19:02.080
<v Speaker 1>bombs and particular really the explosive devices that they were diffusing,

0:19:02.320 --> 0:19:06.400
<v Speaker 1>our nasty weapons, these are not these are not fun explosions.

0:19:06.600 --> 0:19:09.359
<v Speaker 1>And it gets into that flamethrower are discussing earlier. You know,

0:19:09.400 --> 0:19:13.000
<v Speaker 1>there's just there's this huge disconnect between the cool explosions,

0:19:13.040 --> 0:19:15.640
<v Speaker 1>the cool weapons that we encounter in our our our

0:19:15.680 --> 0:19:20.040
<v Speaker 1>fictional media, versus the generally hillacious reality of their use.

0:19:20.920 --> 0:19:23.480
<v Speaker 1>All Right, we are going to take a break. When

0:19:23.520 --> 0:19:26.600
<v Speaker 1>we get back, We're going to attend to some listener mail.

0:19:35.520 --> 0:19:38.199
<v Speaker 1>All right, we're back. Indeed, let us call over the

0:19:38.440 --> 0:19:41.200
<v Speaker 1>robot here and uh and catch up on a little

0:19:41.200 --> 0:19:43.800
<v Speaker 1>bit of listener mail we received so many great comments

0:19:44.119 --> 0:19:46.560
<v Speaker 1>from you guys and gals, and you know, sadly we

0:19:46.560 --> 0:19:48.920
<v Speaker 1>we don't always have time to h to read them

0:19:48.960 --> 0:19:52.720
<v Speaker 1>here on the podcast, but today we have changes. Indeed,

0:19:55.359 --> 0:19:57.160
<v Speaker 1>all right, we have an email and I'm not gonna

0:19:57.160 --> 0:19:58.720
<v Speaker 1>share her name because she did not say whether or

0:19:58.720 --> 0:20:01.360
<v Speaker 1>not we could share it, but she's said, hey, guys,

0:20:01.400 --> 0:20:04.480
<v Speaker 1>have you ever researched how second hand embarrassment works? Because

0:20:04.520 --> 0:20:06.760
<v Speaker 1>I suffer from it pretty bad and I can't find

0:20:07.080 --> 0:20:10.359
<v Speaker 1>a lot about it scientifically. And I thought that was

0:20:10.480 --> 0:20:14.520
<v Speaker 1>that's really interesting. We have an upcoming episode on our

0:20:14.560 --> 0:20:17.159
<v Speaker 1>to do list about shame. And it it also made me

0:20:17.200 --> 0:20:20.240
<v Speaker 1>think about empathy. And I know I've mentioned this before,

0:20:20.400 --> 0:20:24.320
<v Speaker 1>but there's a book called The Empathy Exams. It's really great.

0:20:24.320 --> 0:20:27.240
<v Speaker 1>It's a bunch of essays that deal with empathy and

0:20:27.680 --> 0:20:32.320
<v Speaker 1>how it frames our world and even how it affects

0:20:32.359 --> 0:20:35.760
<v Speaker 1>our bodies, our health. So guys check it out if

0:20:35.800 --> 0:20:38.119
<v Speaker 1>you'd like. All Right, I have another bit of listener

0:20:38.160 --> 0:20:41.119
<v Speaker 1>mail here. This one comes from an anonymous listener or

0:20:41.200 --> 0:20:43.520
<v Speaker 1>listener that wishes to remain anonymous. Says, Hi, Robert and

0:20:43.600 --> 0:20:45.880
<v Speaker 1>Julie stumbled upon your podcast by accident, and I'm glad

0:20:45.880 --> 0:20:48.719
<v Speaker 1>that I did. It's quite interesting, to say the least. Recently,

0:20:48.720 --> 0:20:50.399
<v Speaker 1>I've been catching up on some episodes and I just

0:20:50.440 --> 0:20:52.720
<v Speaker 1>finished listening to the one you did about the zen

0:20:52.840 --> 0:20:55.720
<v Speaker 1>of pain, and one thing came to mind. I have chronic,

0:20:55.880 --> 0:20:59.000
<v Speaker 1>almost constant pain right next to my right shoulder blade

0:20:59.000 --> 0:21:00.639
<v Speaker 1>as well as in my right at hand. It's not

0:21:00.720 --> 0:21:03.440
<v Speaker 1>something I enjoy by any means, far from it. However,

0:21:03.720 --> 0:21:05.960
<v Speaker 1>the things that seemed to help me with it are

0:21:06.000 --> 0:21:09.560
<v Speaker 1>certain exercises uh there. They were prescribed by a professional,

0:21:10.080 --> 0:21:12.960
<v Speaker 1>which also caused pain, quite a bit of pain, putting

0:21:13.000 --> 0:21:15.280
<v Speaker 1>a lot of pressure on my shoulder blade to the

0:21:15.280 --> 0:21:18.440
<v Speaker 1>point of almost crying out with pain. But this helps too.

0:21:18.560 --> 0:21:20.960
<v Speaker 1>For some strange reason, I also know a few other

0:21:20.960 --> 0:21:23.159
<v Speaker 1>people who feel the same way about some of the

0:21:23.160 --> 0:21:26.680
<v Speaker 1>pains they are having. From extremely unscientific observations, it would

0:21:26.680 --> 0:21:29.440
<v Speaker 1>seem as if physical pain not only helps us reach

0:21:29.480 --> 0:21:33.000
<v Speaker 1>a liberation for from our guilt and other bad feelings,

0:21:33.119 --> 0:21:35.639
<v Speaker 1>but also from physical pain. I just thought it was

0:21:35.680 --> 0:21:37.919
<v Speaker 1>interesting observation and wanted to share. Maybe you could do

0:21:37.920 --> 0:21:40.400
<v Speaker 1>an episode on that too in the future. Keepon podcasting

0:21:40.440 --> 0:21:43.280
<v Speaker 1>and have a wonderful day. An anonymous listener from Canada.

0:21:44.400 --> 0:21:47.399
<v Speaker 1>I don't know that we had talked about pain in

0:21:47.520 --> 0:21:51.639
<v Speaker 1>terms of transformation in a more positive way before, but

0:21:51.800 --> 0:21:56.000
<v Speaker 1>that's an interesting angle. Yeah. I mean I have noticed,

0:21:56.040 --> 0:21:58.679
<v Speaker 1>like in just doing stretches and stuff, and if I have,

0:21:59.000 --> 0:22:02.320
<v Speaker 1>you know, ultimately you know, minor sores going on with

0:22:02.359 --> 0:22:04.400
<v Speaker 1>my with my muscles. Like sometimes you end up going

0:22:04.400 --> 0:22:07.280
<v Speaker 1>into a position or a stretch that you're you are

0:22:07.320 --> 0:22:10.919
<v Speaker 1>causing a bit of tension there, but your the tension

0:22:11.000 --> 0:22:14.640
<v Speaker 1>is kind of combating another lingering pain. It's indeed, there's

0:22:14.680 --> 0:22:16.840
<v Speaker 1>a there's there's a there's a lot of complexity in

0:22:17.119 --> 0:22:21.160
<v Speaker 1>uh in in the the the pain pleasure system. That's

0:22:21.160 --> 0:22:23.719
<v Speaker 1>what I think is interesting about yoga. Um not so

0:22:23.800 --> 0:22:25.639
<v Speaker 1>much that sometimes you feel pain, and in fact, if

0:22:25.680 --> 0:22:27.440
<v Speaker 1>you feel too much pain, you should definitely back off.

0:22:27.440 --> 0:22:30.720
<v Speaker 1>But when you're in a pose and you're pushing yourself,

0:22:30.800 --> 0:22:34.720
<v Speaker 1>there's a level of discomfort that they yoga teacher will

0:22:34.760 --> 0:22:39.600
<v Speaker 1>often say, is your opportunity to dwell with that discomfort

0:22:40.280 --> 0:22:43.479
<v Speaker 1>and not keep pushing it away, but sort of meeting it.

0:22:43.640 --> 0:22:46.720
<v Speaker 1>And a lot of the discomfort in your in your

0:22:46.760 --> 0:22:49.520
<v Speaker 1>body can translate to the discomfort that you feel in

0:22:49.560 --> 0:22:53.119
<v Speaker 1>your mind and We've talked about how emotional pain and

0:22:53.119 --> 0:22:55.840
<v Speaker 1>physical pain overlap each other quite a bit, so it's

0:22:55.880 --> 0:22:59.840
<v Speaker 1>an interesting exercise in and of itself. A one and

0:23:00.080 --> 0:23:04.040
<v Speaker 1>to read this next email. This is from Emmily and

0:23:04.080 --> 0:23:06.680
<v Speaker 1>she says, Hello, Julian Robert. I wanted to say good

0:23:06.760 --> 0:23:09.400
<v Speaker 1>job on the Blue podcast. I listened to it while

0:23:09.440 --> 0:23:12.000
<v Speaker 1>I was coloring pages for a comic book. Part of

0:23:12.040 --> 0:23:14.520
<v Speaker 1>being a colorist means a lot of color theories, so

0:23:14.560 --> 0:23:16.600
<v Speaker 1>I thought you guys touched on the subject very well.

0:23:17.359 --> 0:23:19.280
<v Speaker 1>I thought I might add a couple of ideas if

0:23:19.320 --> 0:23:21.960
<v Speaker 1>you do a few other color related podcasts. There have

0:23:22.040 --> 0:23:25.760
<v Speaker 1>been studies I've seen saying how certain stores or fast

0:23:25.760 --> 0:23:28.520
<v Speaker 1>food restaurants will use color to make people hungry but

0:23:28.640 --> 0:23:30.920
<v Speaker 1>not wish to stay too long in the restaurant. Also,

0:23:31.359 --> 0:23:33.600
<v Speaker 1>don't remember if there's been a podcast on the Man

0:23:33.680 --> 0:23:36.880
<v Speaker 1>to Shrimp, But these guys are extraordinary little creatures of color.

0:23:37.000 --> 0:23:39.120
<v Speaker 1>Here's a comic I love, and she's talking about oat.

0:23:39.160 --> 0:23:42.320
<v Speaker 1>Mail says, and uh, I'd love to point people to

0:23:42.800 --> 0:23:44.840
<v Speaker 1>for a little bit of information on them. Also, it's

0:23:44.840 --> 0:23:50.240
<v Speaker 1>a fun read. And this is so great. A couple

0:23:50.240 --> 0:23:52.960
<v Speaker 1>of things about this one is we are planning a

0:23:53.000 --> 0:23:57.119
<v Speaker 1>podcast episode that has to do with sensory manipulation, and

0:23:57.200 --> 0:24:01.720
<v Speaker 1>restaurants certainly are within that. It's a really big, uh

0:24:02.080 --> 0:24:05.199
<v Speaker 1>tangled topic, so when we unravel a little bit, we

0:24:05.240 --> 0:24:07.720
<v Speaker 1>will definitely cart it out for you guys. I want

0:24:07.720 --> 0:24:09.600
<v Speaker 1>to let Emily know that we're working on that. The

0:24:09.680 --> 0:24:12.960
<v Speaker 1>second thing is the Manda shrimp is great. That the

0:24:13.000 --> 0:24:15.480
<v Speaker 1>Oatmeal comic takes this on and talks about how the

0:24:15.520 --> 0:24:22.240
<v Speaker 1>manta shrip has sixteen color sensitive receptor cones, which is amazing.

0:24:22.359 --> 0:24:26.960
<v Speaker 1>They're they're an entirely different sensory world into themselves. Yeah.

0:24:27.000 --> 0:24:29.359
<v Speaker 1>That that oat Mill comic in particular is great. And

0:24:29.400 --> 0:24:32.159
<v Speaker 1>if I remember correctly, I think that one followed on

0:24:32.200 --> 0:24:35.560
<v Speaker 1>the heels of a really really solid Radio Lab episode

0:24:35.560 --> 0:24:37.159
<v Speaker 1>where they talk about the Man of Shrimp. So that

0:24:37.200 --> 0:24:40.119
<v Speaker 1>was kind of like the those two elements came together

0:24:40.200 --> 0:24:44.400
<v Speaker 1>to really propel the Mantis shrip into its current Internet

0:24:44.440 --> 0:24:47.920
<v Speaker 1>celebrity status. Yeah, the Matthew and Mean, the creator of Oatmeal.

0:24:48.040 --> 0:24:50.240
<v Speaker 1>He also has this great bit about how the manta

0:24:50.240 --> 0:24:53.119
<v Speaker 1>shrimp is one of the most creatively violent creatures on

0:24:53.200 --> 0:24:54.760
<v Speaker 1>Earth and I won't give it away. Need to go

0:24:54.840 --> 0:24:57.280
<v Speaker 1>check out the comic to see that. All right, here's

0:24:57.320 --> 0:25:00.280
<v Speaker 1>a little bit of listener mail from listener Sophia. Sophia says,

0:25:00.480 --> 0:25:03.040
<v Speaker 1>I recently found your excellent podcast and was immediately hooked,

0:25:03.040 --> 0:25:05.399
<v Speaker 1>starting with the episode about rats. I am in fact

0:25:05.480 --> 0:25:08.200
<v Speaker 1>listening to your podcast right now. I was catching up

0:25:08.240 --> 0:25:12.280
<v Speaker 1>and I came across the Mad Gasser and mass Hysteria episode, which,

0:25:12.320 --> 0:25:14.760
<v Speaker 1>in passing, talked about a phenomenon among school girls at

0:25:14.800 --> 0:25:17.960
<v Speaker 1>a boarding school. This phenomenon appeared after Christmas break and

0:25:18.000 --> 0:25:22.520
<v Speaker 1>manifested itself in cold like symptoms, fever, trouble walking, etcetera.

0:25:22.640 --> 0:25:24.720
<v Speaker 1>You explained how this was caused by the stress of

0:25:24.800 --> 0:25:27.160
<v Speaker 1>leaving their families after seeing them for only a short

0:25:27.200 --> 0:25:30.080
<v Speaker 1>period of time. I have in fact experienced this myself

0:25:30.240 --> 0:25:32.639
<v Speaker 1>last January, right after I had moved back to school

0:25:32.640 --> 0:25:34.960
<v Speaker 1>after spending time with my family at Christmas break, I

0:25:35.040 --> 0:25:38.040
<v Speaker 1>began experiencing a myriad of unsettling symptoms. I had a

0:25:38.080 --> 0:25:41.560
<v Speaker 1>loss of balance, a sensitivity to even weak sunlight to

0:25:41.600 --> 0:25:43.919
<v Speaker 1>the point that my pupils would virtually disappear when I

0:25:43.960 --> 0:25:47.560
<v Speaker 1>was outside, migrains, chills, and even feigning spells. This lasted

0:25:47.600 --> 0:25:50.040
<v Speaker 1>for about a month and a half and in interestingly

0:25:50.359 --> 0:25:52.439
<v Speaker 1>only abated when I found out that my mom was

0:25:52.480 --> 0:25:55.600
<v Speaker 1>going to visit for my graduation in May. Thank you

0:25:55.640 --> 0:25:58.680
<v Speaker 1>for clearing up any a paranoia about my symptoms, as

0:25:58.720 --> 0:26:01.439
<v Speaker 1>I was very con concerned about them for a while

0:26:01.520 --> 0:26:04.320
<v Speaker 1>and thought it might be some fearful or netherious disease

0:26:04.680 --> 0:26:07.760
<v Speaker 1>manifesting itself. Your show is amazing and very informative, and

0:26:07.800 --> 0:26:09.560
<v Speaker 1>I will be a listener for a very long time

0:26:09.600 --> 0:26:13.520
<v Speaker 1>to come listening faithfully, Sophia. Thanks Sophia, Um, we really

0:26:13.560 --> 0:26:17.439
<v Speaker 1>appreciate you sharing with us your own experience, which I

0:26:17.440 --> 0:26:22.480
<v Speaker 1>think really underscores that whole um body mind connection here

0:26:22.520 --> 0:26:27.240
<v Speaker 1>when it comes to empathy and to emotional contagion. Indeed,

0:26:27.240 --> 0:26:29.679
<v Speaker 1>I mean this is definitely one of those subjects that

0:26:29.800 --> 0:26:32.879
<v Speaker 1>we we are ultimately approaching as outsider. So anytime we

0:26:32.920 --> 0:26:35.680
<v Speaker 1>can get that insider perspective on a topic, we love

0:26:35.760 --> 0:26:38.600
<v Speaker 1>it all right. The next one is from Katie. She says,

0:26:38.680 --> 0:26:40.639
<v Speaker 1>I don't have a specific request. I just want to

0:26:40.680 --> 0:26:42.520
<v Speaker 1>say thanks for the great show. I love how often

0:26:42.560 --> 0:26:44.919
<v Speaker 1>gender and sex comes up. I could listen to you

0:26:44.960 --> 0:26:48.240
<v Speaker 1>to talk for hours about the amazing biodiversity of sex,

0:26:48.359 --> 0:26:52.320
<v Speaker 1>organ sexual reproduction, and sexual behavior and you always connected

0:26:52.400 --> 0:26:54.920
<v Speaker 1>so well with the human bias and baggage that comes

0:26:54.920 --> 0:26:58.040
<v Speaker 1>along with sex, sexuality and gender. On second thought, maybe

0:26:58.040 --> 0:27:00.640
<v Speaker 1>I do have a topic suggestion. Have you've done an

0:27:00.640 --> 0:27:04.240
<v Speaker 1>episode on sex changes, not specifically in humans, but in

0:27:04.320 --> 0:27:07.080
<v Speaker 1>animals in general. I feel like the subject comes up

0:27:07.119 --> 0:27:10.600
<v Speaker 1>but only tangentially in other subjects. It seems like you'd

0:27:10.600 --> 0:27:13.359
<v Speaker 1>have fun with the subject. Um. I agree, Yeah, that

0:27:13.400 --> 0:27:17.760
<v Speaker 1>sounds like a like an excellent topic to to jump into. Yeah, thanks, Hattie.

0:27:17.800 --> 0:27:21.240
<v Speaker 1>We actually have on the house stuff works dot com website,

0:27:22.040 --> 0:27:25.040
<v Speaker 1>we have an article called how gender reassignment works. And

0:27:25.160 --> 0:27:29.760
<v Speaker 1>we have an article called why some species change sex? So, um,

0:27:29.800 --> 0:27:31.760
<v Speaker 1>I certainly think we should put the latter on our

0:27:31.800 --> 0:27:36.199
<v Speaker 1>to do list. Indeed, indeed, all right, So there you

0:27:36.240 --> 0:27:39.600
<v Speaker 1>have it. If you listener mails to uh satisfy the

0:27:39.720 --> 0:27:43.760
<v Speaker 1>robot and uh and hopefully listeners as well, and uh Hey,

0:27:43.800 --> 0:27:45.880
<v Speaker 1>if you want to check out more of our podcast

0:27:45.880 --> 0:27:48.840
<v Speaker 1>episodes past and hey maybe even future. You want to

0:27:48.880 --> 0:27:50.920
<v Speaker 1>check out our videos or blog post links out to

0:27:50.960 --> 0:27:53.080
<v Speaker 1>our social media accounts, head on over to stuff to

0:27:53.119 --> 0:27:56.040
<v Speaker 1>Blow your Mind dot com. That is our central homepage

0:27:56.080 --> 0:27:57.800
<v Speaker 1>and that is where you will find all of our

0:27:57.880 --> 0:28:01.320
<v Speaker 1>things in the meantime, unders your thoughts, and you can

0:28:01.359 --> 0:28:04.040
<v Speaker 1>do that by emailing us at stuff to blow your mind.

0:28:04.119 --> 0:28:09.560
<v Speaker 1>At how stuff works dot com for more on this

0:28:09.760 --> 0:28:12.280
<v Speaker 1>and thousands of other topics. Is it how stuff works

0:28:12.280 --> 0:28:18.640
<v Speaker 1>dot com.