WEBVTT - Part One: John Wayne: A Dude Who Sucked

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<v Speaker 1>Uh, it is, once again, behind the Bastards, the only podcast,

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<v Speaker 1>which is why you're listening. You have no other choice. Um.

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<v Speaker 1>All other podcasts have been banned by the new regime,

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<v Speaker 1>which is why I'm here to talk with my guest today,

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<v Speaker 1>Francesca Fiorentini. Francesco, how are we doing? Um, I'm good,

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<v Speaker 1>I'm very very good. There is another podcast, Robert. Oh,

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<v Speaker 1>it's the only other one that is allowed by the

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<v Speaker 1>new regime, and that is mine. That's right, that's right.

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<v Speaker 1>I remember that coming in the bulletin from the State

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<v Speaker 1>Security Service. Yeah, yeah, you want you want to plug

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<v Speaker 1>your podcast even though there's only two. Yeah, but they're yeah.

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<v Speaker 1>I mean, you know, once you get tired of b

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<v Speaker 1>t B you go over to t b R the

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<v Speaker 1>Bituation Room podcast and uh yeah, Situation Room. What what

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<v Speaker 1>blessings that the regime has showered upon us that we

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<v Speaker 1>get a podcast like the Bituation Room to choose to

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<v Speaker 1>watch or listen to, because you can watch it too.

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<v Speaker 1>It's not just an audio podcast, No, it is a

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<v Speaker 1>great blessing upon YouTube and twitch. Now, Francesco, how are

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<v Speaker 1>you doing today? I don't know. I'm scared, already scared

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<v Speaker 1>because we got a three partner and you said, oh

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<v Speaker 1>my god, is this going to be about like Hitler

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<v Speaker 1>or someone And no, Francesco, we're talking about someone much

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<v Speaker 1>worse than Hitler. Much today are bastard is John Wayne.

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<v Speaker 1>I was like going to go with Attila the Han.

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<v Speaker 1>But hell yeah, Wayne, I think that's fair to say

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<v Speaker 1>John Wayne was responsible for more Vietnamese deaths than Attila

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<v Speaker 1>the Hun or Hitler. That that's probably fair to say

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<v Speaker 1>less deaths elsewhere. Like, but you know, so what do

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<v Speaker 1>you know? What do you know about Mr J Dubs,

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<v Speaker 1>John Lane, Francesca Um Spaghetti Westerns or whatever those are, right,

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<v Speaker 1>he was definitely a lot of why I'm not an

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<v Speaker 1>expert enough on western because those were the ones that

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<v Speaker 1>were like filled in filmed in Italy, right, we keep

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<v Speaker 1>coming back to Italy. I think that's why they're spaghetti, yes,

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<v Speaker 1>which is racist, by the way, super racist. I mean

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<v Speaker 1>now that, yeah, we have other foods exactly, why can't

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<v Speaker 1>it be a ravioli Western Western? Why not a one

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<v Speaker 1>of those with the fish dishes that they cook on

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<v Speaker 1>the coast. You know, we got stuff. To be totally

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<v Speaker 1>honest with you, I've never seen a single John Wayne

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<v Speaker 1>film However, the thing that I know about him, and

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<v Speaker 1>the thing that I repeat on some sort of snoopes

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<v Speaker 1>whatever bs that I'm on or like, is is that

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<v Speaker 1>he when he died, had something like fifty pounds of

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<v Speaker 1>meat removed from his gut. That there was like an

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<v Speaker 1>undigested amount of beef in his bottles, probably because the

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<v Speaker 1>man ate a tremendous quantity of meat. But but I

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<v Speaker 1>think that's that's more of a uh an apocryphal tale.

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<v Speaker 1>But like, the thing about John Wayne that's interesting is

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<v Speaker 1>that he's whether or not you've seen any of his movies,

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<v Speaker 1>and I think today a lot of most people probably

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<v Speaker 1>haven't or at least haven't seen many. Maybe you've caught, like, um,

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<v Speaker 1>True Grit, the Original True Grit, or something like The Shootiest,

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<v Speaker 1>So there's a couple of movies that are still in circulation.

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<v Speaker 1>For the most part, He's just like a meme that

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<v Speaker 1>has implanted itself in the background of our cultural consciousness.

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<v Speaker 1>He is this kind of like ideal of hyper masculinity,

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<v Speaker 1>of like white Christian masculinity that's still very pervasive in

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<v Speaker 1>US culture. Um, And that's kind of who John Wayne is,

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<v Speaker 1>and that matters more at this point than what he

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<v Speaker 1>actually did in any of his films because and it's

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<v Speaker 1>interesting because we have a lot of there's a lot

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<v Speaker 1>of other stars in that era, like Gary Cooper or

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<v Speaker 1>whatever that we're huge in their day, and now a

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<v Speaker 1>lot of most people on the street aren't. Couldn't really

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<v Speaker 1>think of anything about them. You know, maybe you've heard

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<v Speaker 1>the name Gary Cooper, but could you pick him out

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<v Speaker 1>of a lineup? Not unless you're really into old films.

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<v Speaker 1>But if you see John Wayne's face somewhere, most people

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<v Speaker 1>are gonna be like, oh, yeah, that's that's sucking John

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<v Speaker 1>Wayne right, Like he's just he's just an icon of

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<v Speaker 1>American manhood. You know. He also has like sort of

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<v Speaker 1>a he's got a classic asshole face, like just very

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<v Speaker 1>punchable and or you're gonna get punched when you see

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<v Speaker 1>that face. Yeah, he's got this. He was this. He

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<v Speaker 1>was this kind of stereoty, not even stereotypically, because the

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<v Speaker 1>stereotype exists because of him. But he will talk about

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<v Speaker 1>this later. He didn't really get famous until he was

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<v Speaker 1>like a middle aged, surly looking motherfucker um and a

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<v Speaker 1>lot of his fame came from that. You know that

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<v Speaker 1>that's part of why he remains so popular with like

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<v Speaker 1>dads and grandpa's for forever is he was this this

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<v Speaker 1>kind of ARCon of the old guy who will beat

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<v Speaker 1>your ass, which they all want to believe they are. Um,

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<v Speaker 1>you know, he's just like us. Yeah, it's like you know,

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<v Speaker 1>nowadays we get our movies like you know, the Equalizer

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<v Speaker 1>from a few years back with Denzel You always want

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<v Speaker 1>every couple of years have a movie with like a

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<v Speaker 1>sixty year old man who beats the ship out of

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<v Speaker 1>a bunch of twenty year olds. Um. Clinton Eastwood used

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<v Speaker 1>to do these. John Wayne was like the motherfucking the

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<v Speaker 1>Jesus Christ of that and and all later middle aged

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<v Speaker 1>actors who beat up twenty year olds or his apostles.

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<v Speaker 1>But you know, we're getting ahead of ourselves here. Um.

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<v Speaker 1>The thing that he had a very long career, and

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<v Speaker 1>it was primarily, as you said, cowboy movies that made

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<v Speaker 1>him famous and in fact, as Charles Silver of the

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<v Speaker 1>Museum of Modern Art observed, Wayne made westerns for twice

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<v Speaker 1>as long as it took to fight the Indian Wars.

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<v Speaker 1>He made westerns for about as long as it actually

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<v Speaker 1>took to settle the continent west of the Missouri so

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<v Speaker 1>for an idea like this period, He's part of why

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<v Speaker 1>this Western period is still so like central to the

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<v Speaker 1>American ideals or I like idea, particularly the right wing

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<v Speaker 1>idea of how this country was quote unquote founded. And

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<v Speaker 1>it's because he was in movies romanticizing that period for

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<v Speaker 1>longer than it was ever real, which is neat yes, um,

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<v Speaker 1>but always showed like the Native American perspective, right, Oh

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<v Speaker 1>for sure. No, that was one of the things they

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<v Speaker 1>were famous of. That's why one of his chief co

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<v Speaker 1>stars ironized Cody was absolutely a real Indigenous person and

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<v Speaker 1>not an Italian pretending to be Native American. Hey, I'll

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<v Speaker 1>have none of that in this three part no anti

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<v Speaker 1>Italian slander. M hmm. Whatever roles we want, that's right,

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<v Speaker 1>I mean we sure did, We absolutely did. I will

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<v Speaker 1>I will say that there's there's gonna be a couple

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<v Speaker 1>of cases of white dudes playing whatever the fuck roles

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<v Speaker 1>they want in these episodes. So this is the thing

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<v Speaker 1>that sort of indoctrinated our parents into the idea that

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<v Speaker 1>like you know, manifest destiny and that bullshit idea was

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<v Speaker 1>always right, always justified. Because like for us, I feel

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<v Speaker 1>like when I grew up it was more just like

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<v Speaker 1>you watched Schoolhouse Rocks and there was a song called

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<v Speaker 1>elbow Room, which was basically this explanation of like the

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<v Speaker 1>like the settling of the West and the colonization of

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<v Speaker 1>the West. That was just like we just needed more

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<v Speaker 1>room albow room, And I was like, what the fuck?

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<v Speaker 1>Still again, very very very rose colored glasses. Yeah, that's

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<v Speaker 1>like the sanitized version of the story that John Wayne

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<v Speaker 1>told UM. And and that like was kind of being

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<v Speaker 1>told through his body, Um, which is a big part

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<v Speaker 1>of the role he has here. So this is gonna

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<v Speaker 1>be an interesting bastard. Now. That said, when we're talking

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<v Speaker 1>about the things that are terrible that resulted from John Wayne,

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<v Speaker 1>we are talking big picture stuff like how what his

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<v Speaker 1>image has done. But as a person, don't worry. He

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<v Speaker 1>was really unpleasant. So we'll get plenty of stories of

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<v Speaker 1>a dude being shitty and old timey hall e would

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<v Speaker 1>and I you know, no one was ever quite as

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<v Speaker 1>good at being shitty as dudes in old timey Hollywood.

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<v Speaker 1>It was really like it was like the renaissance for

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<v Speaker 1>being an asshole in America. Like you you, you just

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<v Speaker 1>can't hit those heights anymore. Um, as much as Harvey tried. Ye.

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<v Speaker 1>As much as Harvey tried, he was never but a

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<v Speaker 1>pale imitation of his of his ancestors. Um. So Yeah,

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<v Speaker 1>one of the things that's interesting about John Wayne is that,

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<v Speaker 1>you know, he's he's the image of manhood that he

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<v Speaker 1>crafted in his films has proved to be so durable that, like,

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<v Speaker 1>if you go to gun shows and kind of like

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<v Speaker 1>big right wing events today, you'll see his face all

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<v Speaker 1>over ships still, um, because that ideal hasn't really changed

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<v Speaker 1>in any way since his death. Now, the story of

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<v Speaker 1>John Wayne is more than anything, the story of American

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<v Speaker 1>Christian masculinity, which he embodied. So for the first I'm

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<v Speaker 1>gonna talk a little bit about that history. For the

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<v Speaker 1>first hundred and thirty or so years of the United

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<v Speaker 1>States as a nation, Uh, most men in the country

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<v Speaker 1>made their living one way or the other through hard

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<v Speaker 1>physical labor. We're talking, of course, about men who were free,

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<v Speaker 1>although men who were enslaved also made their existed through

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<v Speaker 1>hard physical labor. Pretty Much everybody was like working physically,

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<v Speaker 1>like doing something that was difficult. Either they're farming, or

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<v Speaker 1>they're in a factory, or they're shooting people who were

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<v Speaker 1>standing where they wanted to build a farm or a factory, um,

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<v Speaker 1>and so masculinity, like you didn't have to be super

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<v Speaker 1>performative about your masculinity. Then it was pretty simple. You

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<v Speaker 1>worked hard. Ideally you made enough money to start a

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<v Speaker 1>small business. That was kind of like the goal for

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<v Speaker 1>every man wanting to take care of his family. Broadly speaking,

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<v Speaker 1>if you were white, if you were a white dude,

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<v Speaker 1>if you were not a white dude, then you you

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<v Speaker 1>just worked without pay for that guy, and you were

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<v Speaker 1>like in masculine Like the other side of my relatives

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<v Speaker 1>were Chinese, so you know, building the railroads, like what

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<v Speaker 1>a feminine activity. Well, yeah, that's exactly that's exactly right.

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<v Speaker 1>And again we are talking because John Wayne is the

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<v Speaker 1>the avatar of white Christian manhood, right, we're not we're

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<v Speaker 1>talking about masculinity in a narrow context, but in the

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<v Speaker 1>one that is sort of societally dominant in the United

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<v Speaker 1>States because you know, I've heard of this white Christian masculinity. Yeah, yeah,

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<v Speaker 1>he helped invent it. So by the turn of the

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<v Speaker 1>twentieth century, things had started to change rapidly. For one thing,

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<v Speaker 1>the frontier didn't exist anymore. You know, white people had

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<v Speaker 1>made it all the way across. There was no longer

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<v Speaker 1>these kind of open spaces on the map, so to speak.

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<v Speaker 1>The economy was increasingly dominated by consumer goods, and now

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<v Speaker 1>most people were working jobs that didn't require them to

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<v Speaker 1>go out and farm in the middle of nowhere or

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<v Speaker 1>cut down trees or you know, get into gunfights. They

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<v Speaker 1>were living in cities, they were working in offices. Uh,

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<v Speaker 1>toughness didn't really matter as much as like being able

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<v Speaker 1>to sit in an office for the right amount of

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<v Speaker 1>hours while you slowly went mad from syphilis. So this

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<v Speaker 1>creates kind of like a a psychological uh, what's the word,

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<v Speaker 1>I'm looking for emergency for American white men, right, like

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<v Speaker 1>the fact that all this change is suddenly they're like, well,

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<v Speaker 1>what am I? How? What am I supposed to be doing?

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<v Speaker 1>This doesn't feel right? And I'm man still yeah, And

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<v Speaker 1>and rather than being like, maybe we are in the

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<v Speaker 1>process of building a system that is like an anti

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<v Speaker 1>human nightmare that forces people to labor in little boxes

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<v Speaker 1>for like pitdling, and like everything everything that we have

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<v Speaker 1>been working towards is horribly wrong, and we need to

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<v Speaker 1>go back to a much earlier period in our development

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<v Speaker 1>of what a society should be in your lifestyle an

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<v Speaker 1>easier lifestyle, Robert, it is. It's a lot lazier for

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<v Speaker 1>for at least, well, I mean in some ways. But

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<v Speaker 1>like also rather than you know, as many people kind

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<v Speaker 1>of living a rural life and working on farms, a

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<v Speaker 1>lot of them are like in coal mines choking to death,

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<v Speaker 1>which is worse than farming. True. True, A lot of

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<v Speaker 1>these guys are trying to figure out, like what does

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<v Speaker 1>it mean to be a man anymore? Now that you know,

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<v Speaker 1>we're in the modern era. Um. And while white men

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<v Speaker 1>are kind of feeling increasingly domesticated by this office workship,

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<v Speaker 1>immigration from Eastern Europe is starting to search. And so

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<v Speaker 1>also there's all this racism against like you know, Italians

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<v Speaker 1>and Slabs and and folks who were like not yet

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<v Speaker 1>quite white, um in the eyes of the people who

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<v Speaker 1>are at the time definitely quite white. So all of

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<v Speaker 1>this stuff is making men feel like edged in. You know,

0:12:31.040 --> 0:12:33.600
<v Speaker 1>we've got these immigrants coming in to take our jobs.

0:12:33.600 --> 0:12:36.600
<v Speaker 1>Our jobs aren't that great anyway. Uh. And then suddenly

0:12:36.640 --> 0:12:39.000
<v Speaker 1>women start asking for a lot of wild things, like

0:12:39.040 --> 0:12:44.959
<v Speaker 1>the right to vote in bicycles. Bicycles, it's gonna only

0:12:45.000 --> 0:12:48.960
<v Speaker 1>if you ride them. Side saddle. The moral panic over

0:12:49.000 --> 0:12:52.200
<v Speaker 1>bicycles is still one of my favorite little history Jim's

0:12:52.559 --> 0:12:56.920
<v Speaker 1>they were so scared of bicycles, we should bring that back, well,

0:12:57.000 --> 0:12:59.760
<v Speaker 1>you know, because it breaks the hymen. Yeah, I mean

0:12:59.800 --> 0:13:02.240
<v Speaker 1>we kind of half that America has never gotten over

0:13:02.280 --> 0:13:04.840
<v Speaker 1>its hatred of bicycles. Now we just build trucks big

0:13:04.960 --> 0:13:07.240
<v Speaker 1>enough to crush them. You know, when you I was like,

0:13:07.240 --> 0:13:09.680
<v Speaker 1>you know, when you're like twelve, you do you are like, yeah,

0:13:09.720 --> 0:13:11.560
<v Speaker 1>but like riding a bike could like break your time.

0:13:11.640 --> 0:13:13.920
<v Speaker 1>And there's a lot of weird Like I read it

0:13:13.960 --> 0:13:17.000
<v Speaker 1>in Cosmo or like Why I Am, which was an

0:13:17.000 --> 0:13:23.600
<v Speaker 1>old girl's magazine. Um about like the sanctity of anyway.

0:13:23.679 --> 0:13:25.840
<v Speaker 1>We don't have to get into it. I mean I

0:13:25.880 --> 0:13:28.360
<v Speaker 1>don't know because that was not a part of my education.

0:13:28.400 --> 0:13:32.200
<v Speaker 1>On the bicycle, well, suffice to say, I still don't

0:13:32.200 --> 0:13:34.320
<v Speaker 1>know how to ride a bicycle, so oh it's I

0:13:34.320 --> 0:13:37.360
<v Speaker 1>don't trust Well, Um, I think people were meant to

0:13:37.400 --> 0:13:40.200
<v Speaker 1>travel on two feet or four wheels and nothing in between,

0:13:40.240 --> 0:13:45.520
<v Speaker 1>so you're not missing anything. Devil machines. Yeah, I'm I'm

0:13:45.800 --> 0:13:48.920
<v Speaker 1>on board with white people in the early nineteen hundreds,

0:13:48.920 --> 0:13:51.280
<v Speaker 1>with the hatred of bicycles. Mine's just not a hatred

0:13:51.280 --> 0:13:57.720
<v Speaker 1>of bicycles for sexist reasons. I just don't think they're natural. Okay,

0:13:57.760 --> 0:14:01.520
<v Speaker 1>So basically the walls are when of the walls not

0:14:01.720 --> 0:14:07.160
<v Speaker 1>been closing in on the perception of white Christian masculinity

0:14:07.320 --> 0:14:12.360
<v Speaker 1>like basically forever and let me just a quick check

0:14:12.400 --> 0:14:15.160
<v Speaker 1>in with a with a white man um, although not

0:14:15.240 --> 0:14:18.680
<v Speaker 1>in that time. But Robert, are you okay? Are you

0:14:18.679 --> 0:14:22.520
<v Speaker 1>guys honestly? Well, actually no, because everything is bad, but

0:14:22.560 --> 0:14:26.800
<v Speaker 1>not for that reason. Everything's bad because of these people

0:14:27.040 --> 0:14:31.320
<v Speaker 1>and their continual needs to preserve their power relations relative

0:14:31.360 --> 0:14:36.240
<v Speaker 1>to everyone else. Like this idea of like white whiteness, uh,

0:14:36.280 --> 0:14:40.880
<v Speaker 1>and this this patriarchal kind of white Christian society. People

0:14:41.280 --> 0:14:43.160
<v Speaker 1>come up with it over the course of a century

0:14:43.240 --> 0:14:46.680
<v Speaker 1>or two and then have this kind of brief golden

0:14:46.720 --> 0:14:49.320
<v Speaker 1>era where they feel like it's not at threat for

0:14:49.360 --> 0:14:52.600
<v Speaker 1>like five years, and then up until the present day

0:14:53.560 --> 0:14:57.000
<v Speaker 1>are actively trying to kill the entire planet in order

0:14:57.040 --> 0:15:00.200
<v Speaker 1>to maintain it, even though they've been winning for so

0:15:00.400 --> 0:15:05.360
<v Speaker 1>for forever. Um. Basically, it's safe to say that this

0:15:05.440 --> 0:15:08.880
<v Speaker 1>is a moment like if you were to actually pinpoint

0:15:09.040 --> 0:15:12.760
<v Speaker 1>when America was quote unquote great in the minds of

0:15:12.760 --> 0:15:17.120
<v Speaker 1>a lot of these Trumpers. Is that the John Wayne era. Yeah,

0:15:17.120 --> 0:15:18.600
<v Speaker 1>that's I mean, that's a little later than where we

0:15:18.640 --> 0:15:21.600
<v Speaker 1>are right now. But yeah, it's like the nineteen thirties

0:15:21.640 --> 0:15:25.640
<v Speaker 1>through the nineteen like sixties, early sixties before like the

0:15:25.720 --> 0:15:28.000
<v Speaker 1>Vietnam protest ship really got out of hand, and then

0:15:28.240 --> 0:15:31.040
<v Speaker 1>we're in a hippie spitt and rambos face. That's right,

0:15:31.120 --> 0:15:34.880
<v Speaker 1>that's right. Um so, yeah, and again like that that's

0:15:34.960 --> 0:15:38.720
<v Speaker 1>the golden era that are white Christian nationalists look back to.

0:15:38.800 --> 0:15:43.120
<v Speaker 1>The white Christian nationalists in like nineteen hundred, the eighteen nineties,

0:15:43.200 --> 0:15:46.600
<v Speaker 1>nineteen hundred, they're looking back at like thirty years earlier too,

0:15:46.720 --> 0:15:49.320
<v Speaker 1>or fifty years earlier too, for a period that barely

0:15:49.320 --> 0:15:54.200
<v Speaker 1>ever existed. Um So, white Christian men are feeling emasculated

0:15:54.280 --> 0:15:57.520
<v Speaker 1>by modernity and they start grappling for a new totem

0:15:57.520 --> 0:16:00.600
<v Speaker 1>of manhood, like someone to kind of hang their images

0:16:00.640 --> 0:16:06.920
<v Speaker 1>of masculinity on. And they find Teddy Roosevelt. Now not

0:16:07.040 --> 0:16:10.040
<v Speaker 1>a bad pick, although kind of a surprising one given

0:16:10.080 --> 0:16:13.360
<v Speaker 1>his background. In the book Jesus and John Wayne, Kristen

0:16:13.440 --> 0:16:16.560
<v Speaker 1>Cobbs Dumez writes, as a young man Roosevelt had been

0:16:16.640 --> 0:16:19.920
<v Speaker 1>ridiculed for his high voice, tight pants, and fancy clothing,

0:16:20.200 --> 0:16:22.640
<v Speaker 1>and to write it as a weakling and a punkin lily.

0:16:22.960 --> 0:16:26.520
<v Speaker 1>But Roosevelt wanted power. Determined to reinvent himself, he went West,

0:16:26.600 --> 0:16:29.800
<v Speaker 1>rechristening himself the Cowboy of the Dakotas it was on

0:16:29.840 --> 0:16:32.360
<v Speaker 1>the frontier that a new masculinity would be forged, a

0:16:32.360 --> 0:16:35.120
<v Speaker 1>place where white men brought order to savagery, where men

0:16:35.240 --> 0:16:38.520
<v Speaker 1>served as armed protectors and providers, where violence achieved a

0:16:38.520 --> 0:16:41.600
<v Speaker 1>greater good. If the Wild West could mold the exquisite Mr.

0:16:41.680 --> 0:16:45.080
<v Speaker 1>Roosevelt into a rugged masculine specimen, perhaps it could do

0:16:45.120 --> 0:16:47.760
<v Speaker 1>the same for American manhood generally. So the think he

0:16:47.880 --> 0:16:51.240
<v Speaker 1>went or just shave your mustache, bro, No, they're never

0:16:51.320 --> 0:16:54.040
<v Speaker 1>gonna do that. That's that mustache is how they keep

0:16:54.200 --> 0:16:58.440
<v Speaker 1>you know, the Mexicans away or whatever. Can we just

0:16:58.480 --> 0:17:03.720
<v Speaker 1>go back to punk in lily? Right, there's a pumpkin lily.

0:17:04.119 --> 0:17:07.080
<v Speaker 1>It's not just a pup old West insult, Like what

0:17:07.200 --> 0:17:10.160
<v Speaker 1>happens a lily grows on top of a pumpkin? As

0:17:10.200 --> 0:17:12.760
<v Speaker 1>when you gotta cut that pumpkin down before it grows

0:17:12.760 --> 0:17:14.440
<v Speaker 1>a lily? Yeah, you don't want to grow. That's why

0:17:14.440 --> 0:17:18.720
<v Speaker 1>we don't have pumpkins, because then we have lilies, which

0:17:18.720 --> 0:17:20.960
<v Speaker 1>came first a pumpkin of the lily. Think it's just

0:17:21.000 --> 0:17:23.320
<v Speaker 1>because it's fragile and pretty, and he was a fragile,

0:17:23.400 --> 0:17:27.160
<v Speaker 1>pretty boy by the standards of the time. So even

0:17:27.200 --> 0:17:29.679
<v Speaker 1>as Roosevelt is kind of like out in the Dakota's

0:17:29.800 --> 0:17:33.560
<v Speaker 1>doing outdoor ship and getting getting big and strong, uh,

0:17:34.160 --> 0:17:36.680
<v Speaker 1>the fact that they're like the idea of a West

0:17:36.720 --> 0:17:40.159
<v Speaker 1>at all is like starting to end um And so again,

0:17:40.240 --> 0:17:43.639
<v Speaker 1>like this is he Roosevelt who kind of comes into

0:17:43.720 --> 0:17:47.200
<v Speaker 1>prominence as this modern era is beginning, is a product

0:17:47.280 --> 0:17:50.520
<v Speaker 1>of the era before, and everything that's kind of held

0:17:50.600 --> 0:17:52.879
<v Speaker 1>up as an ideal about him as masculine is the

0:17:52.960 --> 0:17:54.960
<v Speaker 1>thing that's no longer possible for a lot of men

0:17:55.040 --> 0:17:57.919
<v Speaker 1>to do. So one of the things Roosevelt's trying to

0:17:57.920 --> 0:18:01.080
<v Speaker 1>figure out as he starts to become a prominent figure,

0:18:01.440 --> 0:18:02.880
<v Speaker 1>and one of the things a lot of white dudes

0:18:02.880 --> 0:18:04.800
<v Speaker 1>are trying to figure out is where are we going

0:18:04.840 --> 0:18:10.640
<v Speaker 1>to make more hard white men you know? Next? Yeah, well, yeah, exactly,

0:18:10.680 --> 0:18:13.560
<v Speaker 1>that's exactly what they're talking about. And Teddy decides, you know,

0:18:13.600 --> 0:18:17.360
<v Speaker 1>who would be good to have a war with Spain. Um.

0:18:17.920 --> 0:18:20.000
<v Speaker 1>And in fairness, it's a pretty good time to have

0:18:20.040 --> 0:18:22.360
<v Speaker 1>a war with Spain. They don't do good in this war, Uh,

0:18:22.520 --> 0:18:25.160
<v Speaker 1>it doesn't. It does not go well for Spain as

0:18:25.200 --> 0:18:27.320
<v Speaker 1>wars go. That the U. S has gotten involved in

0:18:27.800 --> 0:18:30.919
<v Speaker 1>pretty pretty easy fight, not for like a lot of

0:18:30.920 --> 0:18:33.560
<v Speaker 1>people in the Philippines, but for the US as a nation.

0:18:33.600 --> 0:18:37.600
<v Speaker 1>It goes a lot better than for example, Vietnam. Um.

0:18:37.640 --> 0:18:40.359
<v Speaker 1>So Teddy when the war happens, and he's like a

0:18:40.440 --> 0:18:43.439
<v Speaker 1>huge backer. We're we'll talk about the Spanish American more

0:18:43.440 --> 0:18:45.240
<v Speaker 1>and more and more detail one of these days. But

0:18:45.680 --> 0:18:47.760
<v Speaker 1>he's a part of why we get into it. And

0:18:47.800 --> 0:18:50.439
<v Speaker 1>he volunteers to lead a cavalry union when it starts,

0:18:50.440 --> 0:18:52.520
<v Speaker 1>and he actually fights in Cuba. He does a bunch

0:18:52.560 --> 0:18:54.639
<v Speaker 1>of he has his charge up San Juan Hill. He

0:18:54.680 --> 0:18:57.880
<v Speaker 1>gets in all of the newspapers. He's this big national hero,

0:18:58.040 --> 0:19:01.760
<v Speaker 1>Teddy Roosevelt, the brave Imperial war leader, and all of

0:19:01.800 --> 0:19:06.040
<v Speaker 1>these kind of soldiers who fight with him and become

0:19:06.400 --> 0:19:11.800
<v Speaker 1>construct their own masculinity on the battlefields of Cuba, you know. Um,

0:19:11.840 --> 0:19:14.800
<v Speaker 1>and under the guise of like, hey, we want to

0:19:14.880 --> 0:19:18.280
<v Speaker 1>pillage that island over there. Well, and they blew up

0:19:18.280 --> 0:19:20.439
<v Speaker 1>our boat. They blew up our boat. We got a

0:19:20.480 --> 0:19:24.199
<v Speaker 1>pillage that island and also several others got it. Yeah,

0:19:24.680 --> 0:19:27.440
<v Speaker 1>I forgot about that boat. Yeah, there's that boat that

0:19:27.480 --> 0:19:30.480
<v Speaker 1>blows up. Um. Sometimes it's you know, with the nine

0:19:30.520 --> 0:19:35.080
<v Speaker 1>eleven of the late eighteen hundreds, that one boat exploded.

0:19:36.480 --> 0:19:39.280
<v Speaker 1>I've I have forgotten as we will nine eleven one day.

0:19:39.600 --> 0:19:44.879
<v Speaker 1>So Teddy Roosevelt, Uh, you know we this goes good

0:19:44.960 --> 0:19:48.200
<v Speaker 1>for everybody. And uh, it's so popular going to war

0:19:48.240 --> 0:19:51.200
<v Speaker 1>with Spain. Teddy Roosevelt's partner that in nineteen o one

0:19:51.280 --> 0:19:56.520
<v Speaker 1>he gets selected president. Um, and he's he's an interesting

0:19:56.560 --> 0:19:59.680
<v Speaker 1>guy as president. Obviously a big part of him there's

0:19:59.680 --> 0:20:02.280
<v Speaker 1>an element that's very Trumpian because he has to show

0:20:02.359 --> 0:20:06.320
<v Speaker 1>himself as this ultra potent and tough man and and

0:20:06.359 --> 0:20:09.119
<v Speaker 1>he's gotta like kind of he's he's constantly sort of

0:20:09.119 --> 0:20:13.520
<v Speaker 1>showing himself as this like outdoorsy, rough writing son of

0:20:13.520 --> 0:20:16.000
<v Speaker 1>a bitch. But also a lot of that's true about

0:20:16.000 --> 0:20:20.280
<v Speaker 1>Teddy Roosevelt, to his like credit, Unlike Trump, the potency

0:20:20.280 --> 0:20:23.840
<v Speaker 1>stuff isn't entirely constructed. He is a dude who spends

0:20:23.840 --> 0:20:26.720
<v Speaker 1>a lot of time outdoors. He famously gets shot once

0:20:26.760 --> 0:20:29.040
<v Speaker 1>while giving a speech and just like keeps right on

0:20:29.240 --> 0:20:34.359
<v Speaker 1>doing the thing. Um, So he's not you can see

0:20:34.359 --> 0:20:36.919
<v Speaker 1>why people latch onto this dude, um. And some of

0:20:36.920 --> 0:20:38.879
<v Speaker 1>the ship he does as president is pretty dope. He

0:20:39.000 --> 0:20:43.200
<v Speaker 1>establishes the National park system, um, although that's also tied

0:20:43.280 --> 0:20:45.639
<v Speaker 1>into white supremacy, because a big part of the idea

0:20:45.720 --> 0:20:47.760
<v Speaker 1>of national parks, in this idea of the wilderness that

0:20:47.840 --> 0:20:52.400
<v Speaker 1>Roosevelt establishes, is these very white attitudes towards wildlife recreation,

0:20:52.640 --> 0:20:55.399
<v Speaker 1>which are rooted in somewhat mythic ideas of wild and

0:20:55.520 --> 0:20:58.400
<v Speaker 1>untamed lance, which, of course we're not wild or untamed

0:20:58.440 --> 0:21:02.240
<v Speaker 1>and had been in most case is heavily heavily influenced

0:21:02.280 --> 0:21:05.040
<v Speaker 1>and basically gardened by indigenous people who have to be

0:21:05.119 --> 0:21:08.760
<v Speaker 1>excised from the topic because these lands can't have indigenous

0:21:08.800 --> 0:21:10.400
<v Speaker 1>people on them, they have to stay empty so white

0:21:10.400 --> 0:21:14.080
<v Speaker 1>folks can hike in them, right, right, So there's problematic aspects,

0:21:14.119 --> 0:21:17.399
<v Speaker 1>even though there's also positive aspects of the National Park System,

0:21:17.440 --> 0:21:20.000
<v Speaker 1>which is that we didn't turn all of those parks

0:21:20.440 --> 0:21:24.040
<v Speaker 1>and the factors. Yeah, I mean, I I just love

0:21:24.080 --> 0:21:26.720
<v Speaker 1>the images from Yellowstone from like the fifties when it's

0:21:26.760 --> 0:21:31.320
<v Speaker 1>just like families feeding entire picnic baskets, like actual picnic

0:21:31.400 --> 0:21:36.879
<v Speaker 1>baskets too. They're feeding picnic baskets to bears and they're like,

0:21:36.920 --> 0:21:39.320
<v Speaker 1>I wonder why the bears are getting so up etty

0:21:39.600 --> 0:21:42.760
<v Speaker 1>and crazy. Yeah, because you're feeding them twinkies straight up.

0:21:42.800 --> 0:21:45.119
<v Speaker 1>I think that's something we I think one of the

0:21:45.160 --> 0:21:48.639
<v Speaker 1>big places we went wrong in this country, Francesca is

0:21:48.720 --> 0:21:51.120
<v Speaker 1>we got rid of all the apex predators. I think

0:21:51.160 --> 0:21:54.160
<v Speaker 1>we should never have made it legal to hunt them um,

0:21:54.320 --> 0:21:57.040
<v Speaker 1>and we should always have fed them random food so

0:21:57.040 --> 0:21:59.600
<v Speaker 1>they associated humans with food, and then we'd be getting

0:21:59.640 --> 0:22:03.760
<v Speaker 1>cold regularly by wolves and bears in the like. It

0:22:03.800 --> 0:22:08.879
<v Speaker 1>would be a better like if every week killed cold

0:22:09.000 --> 0:22:11.240
<v Speaker 1>yeah yeah, yeah, if like every week in Santa Monica

0:22:11.400 --> 0:22:14.440
<v Speaker 1>family got eaten by a bobcat, you know. Yeah yeah.

0:22:14.480 --> 0:22:16.800
<v Speaker 1>I think about how much lower rent would be. It

0:22:16.800 --> 0:22:19.000
<v Speaker 1>would be like I got a great deal on an

0:22:19.000 --> 0:22:21.639
<v Speaker 1>apartment because this big cat broke in a native family.

0:22:22.960 --> 0:22:25.480
<v Speaker 1>I mean, remember Hank the Tank and exactly I think

0:22:25.480 --> 0:22:28.440
<v Speaker 1>it was. It was just a couple of weeks ago, Yeah,

0:22:28.520 --> 0:22:32.199
<v Speaker 1>Hank the Tank, you know, rummaging through people's trash, and

0:22:32.240 --> 0:22:35.240
<v Speaker 1>like terrorizing people was like hell, yeah, stay stay in line.

0:22:35.359 --> 0:22:38.080
<v Speaker 1>Then a fox was in the Capitol building or around

0:22:38.119 --> 0:22:42.720
<v Speaker 1>it was nipping the heels of concords. Were they euthanized

0:22:42.720 --> 0:22:46.879
<v Speaker 1>it anyway? M hmm, it's a tragedy. What we should

0:22:46.880 --> 0:22:49.000
<v Speaker 1>have done is released more foxes into the halls of

0:22:49.040 --> 0:22:53.080
<v Speaker 1>Congress with more rabies, a lot more rabies, I mean

0:22:53.240 --> 0:22:56.960
<v Speaker 1>the filibuster people immediately. It would a lot of things

0:22:56.960 --> 0:22:59.160
<v Speaker 1>would end, A lot of things would end that needed

0:22:59.200 --> 0:23:01.440
<v Speaker 1>to end, and maybe would get to see Mitch McConnell

0:23:01.480 --> 0:23:04.440
<v Speaker 1>tried to tear out the throat of Ted Cruz as

0:23:04.480 --> 0:23:07.560
<v Speaker 1>he's mad with rabies, which would have been pretty funny.

0:23:07.960 --> 0:23:12.080
<v Speaker 1>Vince that senators, Republican senators don't already have rabies. Yeah,

0:23:12.280 --> 0:23:15.560
<v Speaker 1>that's probably fair, although kind of unfair to rabies. What

0:23:15.640 --> 0:23:21.119
<v Speaker 1>did it ever due to you, Francesca and save democracy?

0:23:21.160 --> 0:23:25.720
<v Speaker 1>That's right. Rabies came to save us and we we

0:23:25.800 --> 0:23:30.639
<v Speaker 1>spurned it. Um. So, by the early nineteen hundreds, Christian dudes,

0:23:30.760 --> 0:23:33.520
<v Speaker 1>white Christian dudes in the United States had become enamored

0:23:33.520 --> 0:23:36.480
<v Speaker 1>with a sort of performative masculinity um, which is the

0:23:36.560 --> 0:23:39.160
<v Speaker 1>kind of like as as as many of the things

0:23:39.200 --> 0:23:42.320
<v Speaker 1>that Roosevelt did as he did, he was also very

0:23:42.400 --> 0:23:45.720
<v Speaker 1>much like a performer, right, Um, he's a he's a

0:23:45.800 --> 0:23:48.200
<v Speaker 1>dude who was very like media trained. He's a dude

0:23:48.200 --> 0:23:51.879
<v Speaker 1>who's consciously manipulating his image. And so that becomes that

0:23:51.960 --> 0:23:55.600
<v Speaker 1>kind of performative masculinity becomes dominant in the United States,

0:23:55.600 --> 0:23:57.439
<v Speaker 1>and it probably would have looked pretty weird to the

0:23:57.520 --> 0:24:01.800
<v Speaker 1>actual guys they were imitating, the dudes on the frontier, who,

0:24:02.040 --> 0:24:04.359
<v Speaker 1>more than anything, probably would have been like, boy, it

0:24:04.359 --> 0:24:06.240
<v Speaker 1>would be nice to have a desk job rather than

0:24:06.280 --> 0:24:11.920
<v Speaker 1>freezing to death in the middle of Iowa alone, Like, yeah,

0:24:12.000 --> 0:24:16.600
<v Speaker 1>just get back there for everyone's dick sake. Yeah. Um.

0:24:16.680 --> 0:24:20.880
<v Speaker 1>So yeah, this is these earlier kind of Victorian attitudes

0:24:20.920 --> 0:24:24.320
<v Speaker 1>towards Christianity that had been dominant in that period start

0:24:24.400 --> 0:24:27.560
<v Speaker 1>to feel a feminate um to a lot of men

0:24:27.600 --> 0:24:30.080
<v Speaker 1>in this period. There's derision at the womanly virtues they

0:24:30.119 --> 0:24:33.040
<v Speaker 1>felt had dominated their religion. There's this idea that the

0:24:33.080 --> 0:24:36.560
<v Speaker 1>dominant image of Christ was like feminine because he wanted

0:24:36.600 --> 0:24:39.720
<v Speaker 1>to feed people and like help them and heal them,

0:24:39.760 --> 0:24:42.320
<v Speaker 1>and that's like girl shit, rather than like going out

0:24:42.359 --> 0:24:45.480
<v Speaker 1>and kicking in heads and and punching people like, that's

0:24:45.520 --> 0:24:48.399
<v Speaker 1>the Jesus that people want, that white dudes want't this period,

0:24:48.400 --> 0:24:53.119
<v Speaker 1>it's like a lepers some pumpkin lily bullshit. That is

0:24:53.119 --> 0:24:55.280
<v Speaker 1>some pumpkin lily bullshit. You need to get yourself a

0:24:55.320 --> 0:25:01.520
<v Speaker 1>six gun Jesus Christ. So Kristen Dumaz argues that to

0:25:01.640 --> 0:25:04.879
<v Speaker 1>do this, in order to like remake Christianity in a

0:25:04.960 --> 0:25:08.840
<v Speaker 1>militant warlike image, they had to revive old pre war

0:25:09.040 --> 0:25:13.199
<v Speaker 1>Southern ideals about what white Christian masculinity represented. And so

0:25:13.240 --> 0:25:15.280
<v Speaker 1>they kind of go back to the South pre Civil

0:25:15.280 --> 0:25:17.600
<v Speaker 1>War to this idea that the man's jobs that have

0:25:17.720 --> 0:25:21.800
<v Speaker 1>sanctified aggression in order to maintain order. So men in

0:25:21.880 --> 0:25:25.520
<v Speaker 1>the pre war South existed to protect white men, existed

0:25:25.520 --> 0:25:27.560
<v Speaker 1>to protect white women and children from the danger of

0:25:27.600 --> 0:25:31.879
<v Speaker 1>slave uprisings, which they did with guns. Right. That's the

0:25:32.040 --> 0:25:35.840
<v Speaker 1>idea that gets kind of reincorporated into the American mainstream

0:25:35.840 --> 0:25:38.520
<v Speaker 1>in the early nineteen hundreds, and this new kind of

0:25:38.600 --> 0:25:41.960
<v Speaker 1>much more aggressive strain of Christian masculinity becomes known as

0:25:42.080 --> 0:25:47.280
<v Speaker 1>muscular Christianity. It's Jesus on H G H. Basically, you know, yeah,

0:25:48.440 --> 0:25:50.600
<v Speaker 1>Joe Rogan up that christ a little bit you know,

0:25:51.400 --> 0:25:55.240
<v Speaker 1>which is like not the hot Jesus that we all

0:25:55.280 --> 0:25:58.240
<v Speaker 1>know and love. You know, Jesus is hot because he's

0:25:58.280 --> 0:26:01.600
<v Speaker 1>just like hipster you know, who took off his skinny

0:26:01.680 --> 0:26:03.400
<v Speaker 1>jeans and you're like, oh my god, you should eat more.

0:26:03.520 --> 0:26:06.280
<v Speaker 1>But he only can afford Roman because he's you know,

0:26:06.480 --> 0:26:10.720
<v Speaker 1>just as a podcast or whatever. Oh Jesus would absolutely

0:26:10.720 --> 0:26:14.880
<v Speaker 1>have a podcast today and it would be this one.

0:26:15.000 --> 0:26:20.280
<v Speaker 1>Oh no, okay a little bit. So as this is

0:26:20.320 --> 0:26:23.159
<v Speaker 1>where I announced to the listeners that I am the

0:26:23.200 --> 0:26:26.600
<v Speaker 1>son of God. It's a three parter about how Robert

0:26:26.680 --> 0:26:31.439
<v Speaker 1>is Jesus. Yeah, that's that's that's Sophie's just not even listening.

0:26:31.480 --> 0:26:33.000
<v Speaker 1>So we're going to get away with a lot here,

0:26:33.080 --> 0:26:36.919
<v Speaker 1>Francesco um So as this is all happening, there's all

0:26:36.960 --> 0:26:39.840
<v Speaker 1>been a lot of scenes setting um in winter set, Iowa.

0:26:39.920 --> 0:26:44.639
<v Speaker 1>On nineteen o seven, Mary and Clyde Morrison had a baby.

0:26:44.840 --> 0:26:48.240
<v Speaker 1>They named this baby Marian Robert Morrison. And this is

0:26:48.280 --> 0:26:49.920
<v Speaker 1>the kid that's going to grow up to be John

0:26:49.960 --> 0:26:55.440
<v Speaker 1>Wayne Maran Mary And oh yeah, wow, you think that's

0:26:55.440 --> 0:26:57.919
<v Speaker 1>going to go good for him? In in in elementary school.

0:27:01.200 --> 0:27:04.960
<v Speaker 1>I'm not a very masculine name, not a very masculine name. Look,

0:27:05.280 --> 0:27:07.760
<v Speaker 1>you go into first grade as a boy with the

0:27:07.800 --> 0:27:10.800
<v Speaker 1>first name Mary in today, you're gonna take some ship.

0:27:10.920 --> 0:27:14.680
<v Speaker 1>Right in nineteen oh seven, you're gonna take a lot more.

0:27:14.760 --> 0:27:18.439
<v Speaker 1>It's gonna be a lot rougher. Um this is that

0:27:18.600 --> 0:27:22.399
<v Speaker 1>is part of the story that we're building to. Um. So,

0:27:22.560 --> 0:27:25.960
<v Speaker 1>Marian Morrison is born in a house in Winterset, Iowa.

0:27:26.240 --> 0:27:29.960
<v Speaker 1>The house is a museum today, although we don't know

0:27:30.080 --> 0:27:31.919
<v Speaker 1>that it was the house he was actually born in.

0:27:32.280 --> 0:27:34.280
<v Speaker 1>Our entire source that it was is like an old

0:27:34.359 --> 0:27:36.840
<v Speaker 1>dude who told a biography or he remembered hearing about

0:27:36.840 --> 0:27:41.440
<v Speaker 1>a baby being born there. Um so maybe not around

0:27:41.480 --> 0:27:44.560
<v Speaker 1>here anyway, that'll be fifty Yeah. That that's like a

0:27:44.560 --> 0:27:46.600
<v Speaker 1>lot of John Wayne's legacy where they're like, look, it

0:27:46.680 --> 0:27:48.200
<v Speaker 1>might have been this house. So we're gonna put a

0:27:48.280 --> 0:27:50.040
<v Speaker 1>museum up here with pictures of Trump and it too.

0:27:50.160 --> 0:27:53.800
<v Speaker 1>Fuck you, it's winter Set, Iowa. We have done nothing else,

0:27:54.000 --> 0:27:59.040
<v Speaker 1>you know. Huh. Um. Now we do know he was

0:27:59.119 --> 0:28:01.639
<v Speaker 1>born in winter Set, so at least there's that. We

0:28:01.680 --> 0:28:04.120
<v Speaker 1>have a birth announcement from the local paper which read

0:28:04.359 --> 0:28:09.280
<v Speaker 1>a thirteen pound son arrived at the Homely Morrison Monday. Yeah,

0:28:10.040 --> 0:28:13.199
<v Speaker 1>that's a that's two babies. That is two babies and

0:28:13.320 --> 0:28:18.480
<v Speaker 1>one baby. You must have ripped. I'm sorry, that's my

0:28:18.560 --> 0:28:27.440
<v Speaker 1>mind like perennium. Yeah, me too, girl, that's that's that's yeah,

0:28:27.520 --> 0:28:29.760
<v Speaker 1>that's that couldn't have been easy. That's way too big

0:28:29.800 --> 0:28:34.639
<v Speaker 1>for a baby. That's a massive baby, massive by seven

0:28:34.880 --> 0:28:37.760
<v Speaker 1>eat two other babies as much. She might have eaten

0:28:37.800 --> 0:28:41.040
<v Speaker 1>a couple of babies in there. They were triplets. And

0:28:41.120 --> 0:28:47.400
<v Speaker 1>he ate that's such a big baby. And he will

0:28:47.600 --> 0:28:50.440
<v Speaker 1>he will grow up. He's a huge guy. Like he

0:28:50.800 --> 0:28:53.480
<v Speaker 1>as an adult, he's about he's six three, so he's

0:28:53.560 --> 0:28:55.920
<v Speaker 1>like six three and half an inch or something like that,

0:28:56.200 --> 0:28:58.959
<v Speaker 1>So he's about my height. But he's also like really

0:28:59.080 --> 0:29:01.840
<v Speaker 1>really broad. I think he weighs probably like two fifties

0:29:01.880 --> 0:29:03.800
<v Speaker 1>something like that. As a girl, like, he's just a

0:29:03.920 --> 0:29:07.880
<v Speaker 1>huge motherfucker's Yeah, he's a door and he he comes

0:29:07.920 --> 0:29:11.840
<v Speaker 1>out as a certified chowed you know, um, just just

0:29:12.160 --> 0:29:18.360
<v Speaker 1>hardcore Brandon, Yeah, right on that shoulder. So winter Set

0:29:18.400 --> 0:29:20.560
<v Speaker 1>was a small city of less than three thousand people.

0:29:20.600 --> 0:29:22.760
<v Speaker 1>In many ways, it would have resembled at the time

0:29:22.920 --> 0:29:25.800
<v Speaker 1>Marian was born, the current right wing vision of like

0:29:25.880 --> 0:29:30.720
<v Speaker 1>Paradise soda pop cost fifteen cents. The only religions represented

0:29:30.760 --> 0:29:34.960
<v Speaker 1>in town where Methodist, Catholic, and Baptist. Basically everybody was white.

0:29:35.280 --> 0:29:37.960
<v Speaker 1>There were two black citizens who had names and we're

0:29:38.000 --> 0:29:40.960
<v Speaker 1>on the city country or the city rolls. There was

0:29:41.000 --> 0:29:43.400
<v Speaker 1>a third black man who lived in the city, but

0:29:43.480 --> 0:29:46.719
<v Speaker 1>everyone just called him Inward John, only they did not

0:29:46.920 --> 0:29:51.120
<v Speaker 1>use Inward, they used the you know, uh, he lived

0:29:51.120 --> 0:29:53.560
<v Speaker 1>in a shack and was not included in the town census.

0:29:53.600 --> 0:29:55.520
<v Speaker 1>So that is that is the kind of town that

0:29:55.600 --> 0:30:01.720
<v Speaker 1>John Wayne is born into. Christ Uh existence of that man,

0:30:03.160 --> 0:30:05.520
<v Speaker 1>oh boy, Yeah, I don't know what was going on

0:30:05.600 --> 0:30:08.200
<v Speaker 1>with that dude, but it can't have been easy, Like

0:30:08.280 --> 0:30:11.320
<v Speaker 1>how do you not avoid dying every single day as

0:30:11.360 --> 0:30:14.320
<v Speaker 1>the only black man in that town? Yeah, I mean

0:30:14.360 --> 0:30:17.440
<v Speaker 1>I have you have to assume living kind of on

0:30:17.480 --> 0:30:19.920
<v Speaker 1>the outskirts of town, but not being represented in the census,

0:30:19.960 --> 0:30:22.840
<v Speaker 1>he had some role he played that was like picking

0:30:22.920 --> 0:30:25.280
<v Speaker 1>up scrap or something, where as long as he's stuck

0:30:25.280 --> 0:30:28.120
<v Speaker 1>to his area, it was you know that that would

0:30:28.160 --> 0:30:30.880
<v Speaker 1>be my assumption. But I don't probably found him from

0:30:30.920 --> 0:30:33.840
<v Speaker 1>another town, brought him there to just make them feel superior,

0:30:34.360 --> 0:30:36.920
<v Speaker 1>to have somebody to do a slurezze. Someone who looked

0:30:36.920 --> 0:30:40.120
<v Speaker 1>down there knows that, yeah, it's it's it can't be

0:30:40.160 --> 0:30:43.840
<v Speaker 1>a good story, right, whatever the truth is, it cannot

0:30:43.880 --> 0:30:47.000
<v Speaker 1>possibly be good. We need that John's story later on.

0:30:47.040 --> 0:30:50.880
<v Speaker 1>But anyway, this is about Marian. So yeah, that dude

0:30:50.920 --> 0:30:52.680
<v Speaker 1>earned the name John. At least that has to have

0:30:52.720 --> 0:30:56.760
<v Speaker 1>been his name. Um. So, one pretty good BuzzFeed article

0:30:56.840 --> 0:30:59.680
<v Speaker 1>that I found on John Wayne describes Marian's parents as

0:30:59.760 --> 0:31:03.240
<v Speaker 1>quote an implacable woman married to a sweet ne'er do well.

0:31:03.840 --> 0:31:07.120
<v Speaker 1>Now that's a little bit too friendly, and that that's

0:31:07.120 --> 0:31:10.680
<v Speaker 1>broadly in line. So biographer Scott i'man kind of describes her. Similarly,

0:31:11.040 --> 0:31:16.400
<v Speaker 1>Biographer Richard Douglas Jensen describes Marian's mother is straight up abusive. Um,

0:31:16.440 --> 0:31:21.480
<v Speaker 1>probably physically abusive and definitely mentally abusive. That does seem

0:31:21.520 --> 0:31:25.080
<v Speaker 1>to be pretty accurate. Both Morrison's were part of what

0:31:25.160 --> 0:31:28.600
<v Speaker 1>biographer Scott i'man describes as a nervous middle class of

0:31:28.640 --> 0:31:31.800
<v Speaker 1>early early twentieth century America. These are the people we

0:31:31.800 --> 0:31:33.680
<v Speaker 1>were talking about earlier on in the episode. These like

0:31:33.720 --> 0:31:37.320
<v Speaker 1>folks who they're now doing these kind of more emasculating jobs.

0:31:37.480 --> 0:31:41.520
<v Speaker 1>They're they're potentially having more like kind of wealth than

0:31:41.560 --> 0:31:44.960
<v Speaker 1>Americans had before. But also there's this endless series of

0:31:45.160 --> 0:31:48.160
<v Speaker 1>recessions and great depressions and ship that occurs in the

0:31:48.240 --> 0:31:52.600
<v Speaker 1>late eighteen hundreds and early nineteen hundreds. So this sort

0:31:52.640 --> 0:31:55.520
<v Speaker 1>of prosperity and this kind of easier life is married

0:31:55.560 --> 0:31:58.120
<v Speaker 1>to the fact that, like everything can fall out from

0:31:58.160 --> 0:32:00.120
<v Speaker 1>under you at any time because there's a run on

0:32:00.160 --> 0:32:02.880
<v Speaker 1>the bank or whatever. So they're they're nervous right there

0:32:02.920 --> 0:32:05.720
<v Speaker 1>there on paper, doing better than their ancestors, but they

0:32:05.760 --> 0:32:09.000
<v Speaker 1>feel no sense of actual security. So she's they're just

0:32:09.120 --> 0:32:11.720
<v Speaker 1>kind of like whittling her husband down to a little

0:32:11.840 --> 0:32:15.040
<v Speaker 1>nub about like, how come you ain't got no more

0:32:15.120 --> 0:32:19.360
<v Speaker 1>callouses on your hands? Huh, Yes, that's exactly what's happening, Pumpkin,

0:32:19.440 --> 0:32:23.280
<v Speaker 1>Lily pussy like that. Yeah, yeah, I think you've got

0:32:23.280 --> 0:32:25.520
<v Speaker 1>her voice exactly. I mean, I liked I just like

0:32:25.520 --> 0:32:27.520
<v Speaker 1>blaming the woman in this case. No, but it's look,

0:32:27.640 --> 0:32:32.520
<v Speaker 1>we need some female villains, and for every male villain,

0:32:32.920 --> 0:32:34.800
<v Speaker 1>you know, there's some of them have a lot of

0:32:34.800 --> 0:32:38.240
<v Speaker 1>mom issues, and I think those moms deserve credit. What's

0:32:38.360 --> 0:32:41.320
<v Speaker 1>very progressive about this story, Francesca is that normally when

0:32:41.360 --> 0:32:43.760
<v Speaker 1>we have a bastard and you go into their upbringing,

0:32:43.760 --> 0:32:46.720
<v Speaker 1>it's like mom was super sweet and supportive, but then

0:32:46.720 --> 0:32:48.960
<v Speaker 1>she like dies suddenly, and like their dad's beating the

0:32:48.960 --> 0:32:51.160
<v Speaker 1>shit out of him, or like Hitler's dad, where he

0:32:51.160 --> 0:32:52.760
<v Speaker 1>beats the ship out of him, but then he dies

0:32:52.840 --> 0:32:55.960
<v Speaker 1>and it throws the family in the chaos. Here Clyde,

0:32:56.320 --> 0:32:58.840
<v Speaker 1>he's kind of an alcoholic, but he's a sweet dude.

0:32:58.960 --> 0:33:03.000
<v Speaker 1>Nobody ever says anything bad about Clyde. He's a nice guy.

0:33:03.200 --> 0:33:06.840
<v Speaker 1>Mama is a terrible person. It sounds like we're building

0:33:06.880 --> 0:33:12.240
<v Speaker 1>to what a bad mom she is. Yes, maybe she

0:33:12.400 --> 0:33:16.640
<v Speaker 1>was just angry at how big he was. Um, she

0:33:16.680 --> 0:33:21.960
<v Speaker 1>can't poop right, I mean absolutely not, never the same,

0:33:22.240 --> 0:33:25.240
<v Speaker 1>never the same, never the same. It's time for the

0:33:25.360 --> 0:33:28.280
<v Speaker 1>first You know who else can't poop? Right, Francesco, I

0:33:28.360 --> 0:33:31.160
<v Speaker 1>was hoping you would do that one. The products and

0:33:31.200 --> 0:33:34.360
<v Speaker 1>services that support this podcast, not not a single one

0:33:34.360 --> 0:33:41.240
<v Speaker 1>of them, all horrible, horrible stomach problems, potentially fatal. That's everyone.

0:33:41.280 --> 0:33:45.640
<v Speaker 1>We let's sponsor our podcasts. Are you actively dying? If not,

0:33:45.800 --> 0:33:50.640
<v Speaker 1>you can't sponsor this show. That's that's the rule. That way,

0:33:50.680 --> 0:33:53.280
<v Speaker 1>If you don't like an advertiser on the show. You'll

0:33:53.280 --> 0:33:55.600
<v Speaker 1>know they're not long for this world. And that's the behind.

0:33:55.600 --> 0:34:00.520
<v Speaker 1>The bastards guarantee got us the boredom out. That's what

0:34:00.680 --> 0:34:02.720
<v Speaker 1>you got. You gotta buy now, you gotta buy now,

0:34:02.760 --> 0:34:13.319
<v Speaker 1>you gotta give all Right, here's ads. We're back. So

0:34:13.640 --> 0:34:18.040
<v Speaker 1>we're talking about Clyde Morrison, John Wayne's dad, although John

0:34:18.040 --> 0:34:22.600
<v Speaker 1>Wayne is just merrying at this point. So Clyde fucking Clyde. Uh,

0:34:22.640 --> 0:34:25.759
<v Speaker 1>you know, born too late to conquer the frontier. He's

0:34:25.800 --> 0:34:29.560
<v Speaker 1>got a series of shitty desk jobs. He'd attended college

0:34:29.560 --> 0:34:31.920
<v Speaker 1>on a football scholarship, but he didn't do great and

0:34:31.960 --> 0:34:34.839
<v Speaker 1>he wound up getting a job as a pharmacist. Um.

0:34:34.880 --> 0:34:38.120
<v Speaker 1>He's a really nice guy. He's known as like people

0:34:38.120 --> 0:34:39.920
<v Speaker 1>will say, if he had four bits in his pocket,

0:34:40.239 --> 0:34:42.359
<v Speaker 1>he'd buy a beer with one and give the rest

0:34:42.440 --> 0:34:44.320
<v Speaker 1>to you so that you could like sit and talk.

0:34:44.920 --> 0:34:48.479
<v Speaker 1>Um this guy, he's a nice guy. Um. He's also

0:34:48.560 --> 0:34:51.160
<v Speaker 1>kind of a pushover and his wife is very ambitious

0:34:51.160 --> 0:34:55.040
<v Speaker 1>and hard charging. She was if not straight out abusive

0:34:55.040 --> 0:34:59.320
<v Speaker 1>as Jensen claims, then everyone seems to agree pretty casually.

0:34:59.400 --> 0:35:03.800
<v Speaker 1>Kind of crue when his when Marion's younger brother was born,

0:35:03.880 --> 0:35:07.080
<v Speaker 1>she decided, and his younger brother's named Robert. He's born

0:35:07.120 --> 0:35:10.120
<v Speaker 1>when Marrion's about three. She decides she likes his younger

0:35:10.160 --> 0:35:13.840
<v Speaker 1>brother better, and she gives him Marion's name. Because Marion's

0:35:13.840 --> 0:35:17.280
<v Speaker 1>middle name had initially been Robert, so she takes his

0:35:17.280 --> 0:35:19.640
<v Speaker 1>his name, and she gives it to his younger brother,

0:35:19.680 --> 0:35:22.600
<v Speaker 1>and she gives him a new middle name, Mitchell Um.

0:35:22.640 --> 0:35:25.320
<v Speaker 1>In the book John Wayne The Life and Legend, Scott

0:35:25.320 --> 0:35:29.080
<v Speaker 1>i'man explains all of this sloppy switching happened in earl Ham,

0:35:29.080 --> 0:35:31.480
<v Speaker 1>where the family moved to nineteen ten, and where Marion's

0:35:31.520 --> 0:35:34.680
<v Speaker 1>younger brother, Robert, was born in December nineteen eleven. Using

0:35:34.719 --> 0:35:36.600
<v Speaker 1>a child's name is the p and and now you

0:35:36.640 --> 0:35:38.560
<v Speaker 1>see it, now you don't. Shell game was only the

0:35:38.560 --> 0:35:41.920
<v Speaker 1>beginning of Marion's ragged childhood. What probably happened is that

0:35:42.000 --> 0:35:46.040
<v Speaker 1>his mother, a formidably strong willed, read borderline unpleasant woman

0:35:46.120 --> 0:35:48.759
<v Speaker 1>born Mary Brown in eighteen eighty five and Lincoln, Nebraska,

0:35:49.120 --> 0:35:51.920
<v Speaker 1>simply appropriated the older boys middle name for the preferred

0:35:51.960 --> 0:35:54.600
<v Speaker 1>new arrival. So she takes his name because she likes

0:35:54.640 --> 0:35:58.200
<v Speaker 1>his little brother better, like which is Rother the most

0:35:58.280 --> 0:36:03.160
<v Speaker 1>redeeming part of his name. Robert, thank you for saying that. Yeah,

0:36:03.239 --> 0:36:07.040
<v Speaker 1>gives it. Mitchell, what a ship name. You're never gonna

0:36:07.080 --> 0:36:13.400
<v Speaker 1>be nothing but an eminem's Mary and Mitchell, Mary and Mitchell.

0:36:13.440 --> 0:36:18.239
<v Speaker 1>Get down here, Mary and Mitchell Morrison. That's what it

0:36:18.280 --> 0:36:22.120
<v Speaker 1>stands for. Now, Robert, you can come over here. You

0:36:22.160 --> 0:36:25.560
<v Speaker 1>don't got to do chores today. Yeah, that's more or

0:36:25.640 --> 0:36:28.680
<v Speaker 1>less what goes on. So Molly Morrison was famed for

0:36:28.719 --> 0:36:32.439
<v Speaker 1>her frequent rages, where again Clyde's pretty retiring. So as

0:36:32.440 --> 0:36:35.480
<v Speaker 1>he grows up, Marian comes to vastly prefer hanging out

0:36:35.520 --> 0:36:38.719
<v Speaker 1>with his dad while his brother Robert becomes a mama's boy,

0:36:38.760 --> 0:36:41.359
<v Speaker 1>which suited Mama just fine because she only likes her

0:36:41.440 --> 0:36:44.879
<v Speaker 1>little boy. So winter Set, Iowa, to this day has

0:36:44.880 --> 0:36:47.399
<v Speaker 1>not really gotten over John Wayne, but he gets over

0:36:47.480 --> 0:36:50.720
<v Speaker 1>his hometown basically immediately right the family moves to Nebraska

0:36:50.800 --> 0:36:52.759
<v Speaker 1>when he's like three or four, and he later tells

0:36:52.800 --> 0:36:55.720
<v Speaker 1>an interviewer, just about all I remember about winter Set

0:36:55.760 --> 0:36:58.319
<v Speaker 1>is riding horses, playing football, and the time I thought

0:36:58.400 --> 0:37:00.920
<v Speaker 1>I discovered electricity. And there's more to that quote, but

0:37:00.960 --> 0:37:02.799
<v Speaker 1>I'm not going to read it because it's funnier if

0:37:02.800 --> 0:37:07.120
<v Speaker 1>I don't. So Marian's really need to know more about

0:37:07.160 --> 0:37:10.080
<v Speaker 1>when he thought he discovered it's it's not as funny.

0:37:10.080 --> 0:37:14.840
<v Speaker 1>He's just letting your imagination go. He's like, when I

0:37:14.920 --> 0:37:18.200
<v Speaker 1>actively tried to kill myself because my mom was driving

0:37:18.239 --> 0:37:22.000
<v Speaker 1>me nuts. Yeah, I mean essentially, yes, And I stood

0:37:22.000 --> 0:37:25.600
<v Speaker 1>out in a storm. Yeah, I mean you you have

0:37:25.760 --> 0:37:28.880
<v Speaker 1>literally grasped it. Yes, Okay, Okay, I like it. I

0:37:29.000 --> 0:37:34.560
<v Speaker 1>like the interview something out. Yeah, it's cute kids stuff. Right,

0:37:34.560 --> 0:37:37.080
<v Speaker 1>He's just a kid at this point. So his early

0:37:37.080 --> 0:37:40.399
<v Speaker 1>life is very unstable. The family moves constantly. They've moved

0:37:40.400 --> 0:37:42.360
<v Speaker 1>like a bunch of times by the time he's seven

0:37:42.440 --> 0:37:45.120
<v Speaker 1>or eight, which is not super common for this period. Right.

0:37:45.640 --> 0:37:48.040
<v Speaker 1>You know my early life, we moved a bunch, but

0:37:48.120 --> 0:37:53.360
<v Speaker 1>like you had cars, you know, it wasn't hard. Right. Um,

0:37:53.400 --> 0:37:55.279
<v Speaker 1>So he's moving in a period of time where that's

0:37:55.280 --> 0:37:59.200
<v Speaker 1>a real trauma. Uh. Clyde is bad with money. He

0:37:59.280 --> 0:38:03.399
<v Speaker 1>declares bankruptcy, he loses his pharmacy. Um, he's like moving

0:38:03.440 --> 0:38:06.759
<v Speaker 1>around taking up ship jobs. Uh. This pattern repeats itself

0:38:06.800 --> 0:38:09.600
<v Speaker 1>a couple of times until in nineteen thirteen, when Marian

0:38:09.719 --> 0:38:12.680
<v Speaker 1>is six, the family moves to des Moines with Molly's

0:38:12.680 --> 0:38:15.360
<v Speaker 1>fit to live with Molly's family while Clyde tries to

0:38:15.360 --> 0:38:18.640
<v Speaker 1>get back on his feet. So they're living in des Moines.

0:38:18.760 --> 0:38:21.960
<v Speaker 1>Nineteen fourteen comes around, World War One kicks off, you

0:38:22.000 --> 0:38:26.359
<v Speaker 1>know over in Europa stand yes, make more men, Make

0:38:26.440 --> 0:38:28.840
<v Speaker 1>more men. Oh yeah, well that's gonna have an impact

0:38:28.880 --> 0:38:31.600
<v Speaker 1>on the story. But if initially the US hasn't involved

0:38:31.600 --> 0:38:34.480
<v Speaker 1>in World War One, although guys like Teddy Roosevelt Shure

0:38:34.480 --> 0:38:36.319
<v Speaker 1>want us to be. And while this is all kind

0:38:36.360 --> 0:38:40.240
<v Speaker 1>of building up, Clyde's father, uh, you know, Marian's grandpa

0:38:40.719 --> 0:38:43.600
<v Speaker 1>buys a parcel of land in California and asks if

0:38:43.680 --> 0:38:47.319
<v Speaker 1>his son wouldn't mind like working it. Um like, hey,

0:38:47.400 --> 0:38:49.440
<v Speaker 1>you guys, wanna nothing else has worked? Want to try

0:38:49.520 --> 0:38:53.719
<v Speaker 1>farming in California? Uh? So Clyde has no experience doing this,

0:38:54.080 --> 0:38:57.040
<v Speaker 1>he's not particularly apt for farm life, but he's like, sure,

0:38:57.080 --> 0:38:59.400
<v Speaker 1>we'll give it a shot. So the family moves across

0:38:59.440 --> 0:39:01.600
<v Speaker 1>the country to live with their grandparents and try to

0:39:01.760 --> 0:39:05.680
<v Speaker 1>make it go with a farm. So here's the problem, Francesca.

0:39:06.040 --> 0:39:10.919
<v Speaker 1>The place where Clyde Sr. Purchases eighty acres is Palmdale, California.

0:39:10.960 --> 0:39:13.440
<v Speaker 1>You ever been to Palmdale, I don't think so. No.

0:39:14.320 --> 0:39:16.839
<v Speaker 1>So it is right next to the Mojave. It gets

0:39:16.880 --> 0:39:19.359
<v Speaker 1>about four inches of rain in a good year, which

0:39:19.440 --> 0:39:21.719
<v Speaker 1>is slightly more than Portland's got the day before I

0:39:21.800 --> 0:39:29.120
<v Speaker 1>wrote this episode. So most things do not grow well

0:39:29.280 --> 0:39:32.360
<v Speaker 1>in palm Dale. If you are able to divert tremendous

0:39:32.400 --> 0:39:34.680
<v Speaker 1>water resources from elsewhere in the state, you can make

0:39:34.719 --> 0:39:37.600
<v Speaker 1>a pretty good go of avocado farming there right now.

0:39:38.120 --> 0:39:40.680
<v Speaker 1>That was not really happening at this point, and it's not.

0:39:41.000 --> 0:39:43.600
<v Speaker 1>It's not a good place for agriculture. And the specific

0:39:43.680 --> 0:39:47.080
<v Speaker 1>thing they try to grow there initially is corn, which

0:39:47.160 --> 0:39:50.279
<v Speaker 1>does not do well in a climate like this. No. Yeah,

0:39:50.680 --> 0:39:54.240
<v Speaker 1>Palmdale's where I'm I'm looking at it. All the poppies

0:39:54.320 --> 0:39:58.040
<v Speaker 1>are people, you know, there's definitely unsers go and take

0:39:58.200 --> 0:40:01.080
<v Speaker 1>photos of themselves on the poppies. It's beautiful. It's a

0:40:01.200 --> 0:40:05.319
<v Speaker 1>lovely part of the part of the state. Grow there. Yeah,

0:40:05.360 --> 0:40:07.200
<v Speaker 1>I think you could grow opium there if you wanted to,

0:40:09.040 --> 0:40:11.360
<v Speaker 1>but um, you know, it's not a great place to

0:40:11.440 --> 0:40:13.799
<v Speaker 1>be a farmer unless you're being a very specific kind

0:40:13.840 --> 0:40:15.879
<v Speaker 1>of farmer. And they decided to grow corn, and again,

0:40:16.000 --> 0:40:18.319
<v Speaker 1>like Ukraine, is one of the countries in the world

0:40:18.400 --> 0:40:20.800
<v Speaker 1>that grows the most corn. Think of the climate of

0:40:21.000 --> 0:40:24.800
<v Speaker 1>Ukraine versus a town right on the edge of the Mojave.

0:40:25.000 --> 0:40:28.680
<v Speaker 1>You know. Um, So the Morrisons start trying to grow

0:40:28.719 --> 0:40:31.040
<v Speaker 1>ship and their whole plot is kind of a land scam.

0:40:31.160 --> 0:40:33.080
<v Speaker 1>There was some rules with the government where if they

0:40:33.080 --> 0:40:35.560
<v Speaker 1>could develop all eighty acres, the government would give them

0:40:35.560 --> 0:40:38.880
<v Speaker 1>another five hundred something acres. So it's they're they're trying

0:40:38.920 --> 0:40:42.239
<v Speaker 1>to like game the government to to to make it rich.

0:40:42.400 --> 0:40:44.920
<v Speaker 1>But they are going to have to be better at

0:40:44.960 --> 0:40:47.719
<v Speaker 1>farming than they wind up being to do that. So

0:40:48.320 --> 0:40:50.799
<v Speaker 1>the only house on the property is what John Wayne

0:40:50.880 --> 0:40:54.960
<v Speaker 1>later later called a glorified shack. It was unpowered, unheeded,

0:40:55.040 --> 0:40:59.879
<v Speaker 1>and it had no running water. Uh yeah. Marian later

0:41:00.080 --> 0:41:03.600
<v Speaker 1>called the terrain as barren deserted country. Um. But he

0:41:03.680 --> 0:41:05.200
<v Speaker 1>and his dad set to work trying to make the

0:41:05.280 --> 0:41:10.080
<v Speaker 1>desert bloom. So while they're struggling to farm, Muscular Christianity

0:41:10.120 --> 0:41:13.000
<v Speaker 1>in the United States is reaching its apex. When World

0:41:13.040 --> 0:41:16.400
<v Speaker 1>War One kicks off, Teddy Roosevelt himself repeatedly urged the

0:41:16.520 --> 0:41:18.600
<v Speaker 1>US to get involved, right like, we're just being a

0:41:18.640 --> 0:41:20.960
<v Speaker 1>bunch of a bunch of girls. If we don't get

0:41:21.000 --> 0:41:23.600
<v Speaker 1>involved in this war and feed our sons to machine guns.

0:41:24.320 --> 0:41:27.520
<v Speaker 1>Um and Woodrow Wilson, who gets to be the president,

0:41:27.760 --> 0:41:31.000
<v Speaker 1>campaigns on not doing that. He's like, it seems like

0:41:31.040 --> 0:41:33.480
<v Speaker 1>a bad idea World War One. Maybe we should stay

0:41:33.520 --> 0:41:35.520
<v Speaker 1>out of that. Obviously, he's not going to stick to

0:41:35.600 --> 0:41:38.799
<v Speaker 1>his guns. Um So, Teddy Roosevelt and him are kind

0:41:38.800 --> 0:41:41.000
<v Speaker 1>of having this big public spat over whether or not

0:41:41.120 --> 0:41:44.640
<v Speaker 1>the US should get involved. Um and and and Teddy

0:41:44.719 --> 0:41:47.160
<v Speaker 1>is not the only one really pushing the United States

0:41:47.239 --> 0:41:49.560
<v Speaker 1>for involvement. There's a whole culture that grows up on

0:41:49.640 --> 0:41:53.520
<v Speaker 1>the right wing urging intervention in World War One. And

0:41:53.560 --> 0:41:56.319
<v Speaker 1>I'm gonna read another quote from Jesus and John Wayne here.

0:41:57.160 --> 0:42:00.920
<v Speaker 1>Former professional baseball player Billy Sunday preached this new muscular

0:42:01.040 --> 0:42:03.960
<v Speaker 1>Christianity with unrivaled zeal Wanting nothing to do with the

0:42:04.040 --> 0:42:07.479
<v Speaker 1>sissy lily livered piety, Sunday preferred to pack his old

0:42:07.600 --> 0:42:11.560
<v Speaker 1>muscle loading gospel gun with ipocac, buttermilk, rough on, rats, rock, salt,

0:42:11.640 --> 0:42:13.520
<v Speaker 1>and whatever else came in handy and let it fly.

0:42:14.040 --> 0:42:16.440
<v Speaker 1>In the spring of nineteen seventeen, with America's injury into

0:42:16.440 --> 0:42:19.640
<v Speaker 1>the First World War, Sunday's militancy went beyond metaphor. He

0:42:19.680 --> 0:42:23.480
<v Speaker 1>had no time for pacifists or draft dodgers, God forsaken months,

0:42:23.800 --> 0:42:26.560
<v Speaker 1>or apparently for nuance of any kind. And these days

0:42:26.640 --> 0:42:28.920
<v Speaker 1>all our patriots or traitors to your country and the

0:42:29.000 --> 0:42:32.440
<v Speaker 1>cause of Jesus Christ. An evangelist for war, Sunday was

0:42:32.520 --> 0:42:35.120
<v Speaker 1>known to leap atop his pulpit waiving the American flag.

0:42:35.960 --> 0:42:38.440
<v Speaker 1>Now I read that quote because this is a guy

0:42:38.480 --> 0:42:40.919
<v Speaker 1>who's prominence in the US right way. When John Wayne

0:42:40.960 --> 0:42:43.520
<v Speaker 1>is a kid. Later on, our boy Marion is going

0:42:43.600 --> 0:42:46.120
<v Speaker 1>to grow up to become this man. You know, essentially,

0:42:46.200 --> 0:42:50.279
<v Speaker 1>this is what he does during Vietnam. Um causes the

0:42:50.440 --> 0:42:56.760
<v Speaker 1>problem when you conflate nation building with like Jesus and religion.

0:42:56.880 --> 0:42:59.360
<v Speaker 1>This is the problem when you when you have like

0:42:59.719 --> 0:43:04.120
<v Speaker 1>ch shin settler colonialism is when you've stopped settling, when

0:43:04.200 --> 0:43:07.880
<v Speaker 1>you've stopped killing one set of people, you are existentially

0:43:08.480 --> 0:43:11.839
<v Speaker 1>like in a crossroads, your bankrupt. You're like, who I am?

0:43:12.239 --> 0:43:15.879
<v Speaker 1>You know anything to do? If we're not killing people? Yeah? Right?

0:43:16.040 --> 0:43:18.160
<v Speaker 1>And then you think and then you think that Jesus

0:43:18.239 --> 0:43:20.160
<v Speaker 1>and your God just wants you to kill more people

0:43:20.280 --> 0:43:24.600
<v Speaker 1>and that will then prove yourself. Yeah. It's like it's

0:43:24.640 --> 0:43:27.200
<v Speaker 1>like you know, you you, you know, you have these

0:43:27.280 --> 0:43:29.960
<v Speaker 1>guys who like work their whole life at some sort

0:43:30.000 --> 0:43:33.040
<v Speaker 1>of horrible financial industry job and they're able to retire,

0:43:33.200 --> 0:43:34.880
<v Speaker 1>which a lot of people don't get to do anymore.

0:43:35.200 --> 0:43:37.240
<v Speaker 1>But then once they retire, one of two things happens.

0:43:37.280 --> 0:43:39.560
<v Speaker 1>They either die immediately because they don't have anything to do,

0:43:40.160 --> 0:43:43.920
<v Speaker 1>or they get real into cryptocurrency. Um, and we're in

0:43:44.000 --> 0:43:47.759
<v Speaker 1>America's like cryptocurrency phase, our first one right here, right

0:43:47.840 --> 0:43:50.320
<v Speaker 1>that that's what World War one is is like board

0:43:50.360 --> 0:43:53.520
<v Speaker 1>apes for for the United States. It's the other way

0:43:54.200 --> 0:43:57.080
<v Speaker 1>for us to chase those highs. Yeah, it's like our

0:43:57.160 --> 0:44:04.319
<v Speaker 1>midlife crisis. Yeah. So um yeah, our boy marian Um

0:44:04.760 --> 0:44:06.480
<v Speaker 1>at this point, he's a little kid with a girl's

0:44:06.560 --> 0:44:08.920
<v Speaker 1>first name, which causes him a lot of problems. So

0:44:09.000 --> 0:44:11.440
<v Speaker 1>he goes to a public school. Uh, there are no

0:44:11.600 --> 0:44:13.560
<v Speaker 1>busses back then, so he has to ride a horse

0:44:13.800 --> 0:44:16.960
<v Speaker 1>miles every day to and from class. And today this

0:44:17.040 --> 0:44:18.759
<v Speaker 1>would make you the toughest son of a bit in

0:44:18.840 --> 0:44:22.400
<v Speaker 1>second grade. But this is rural California in nineteen fourteen,

0:44:22.440 --> 0:44:25.640
<v Speaker 1>so it's not an uncommon thing to be doing. Um,

0:44:26.320 --> 0:44:28.879
<v Speaker 1>but he does get mocked constantly because again his name

0:44:28.960 --> 0:44:31.799
<v Speaker 1>is Marian. Other kids asked him why his mom didn't

0:44:31.800 --> 0:44:35.680
<v Speaker 1>send him to school in skirts biographer Scott i'man rights.

0:44:35.840 --> 0:44:38.759
<v Speaker 1>Not surprisingly, in later years he didn't particularly like to

0:44:38.840 --> 0:44:41.320
<v Speaker 1>talk about his childhood. His last wife said that the

0:44:41.400 --> 0:44:44.280
<v Speaker 1>stories came out only in fragments during their twenty years together.

0:44:44.680 --> 0:44:47.120
<v Speaker 1>Mainly he felt unloved by his mother and was quietly

0:44:47.200 --> 0:44:52.200
<v Speaker 1>distressed by his father's ineffectuality. So kind of a sympathetic

0:44:52.280 --> 0:44:54.680
<v Speaker 1>kid at this point. A little bit yeah, a little

0:44:54.680 --> 0:44:58.160
<v Speaker 1>bit of um, you know, making of a mass shooter. Yeah, yeah,

0:44:58.480 --> 0:45:00.799
<v Speaker 1>you can see a few places this to go right.

0:45:01.800 --> 0:45:04.200
<v Speaker 1>So a lot of negative left wing coverage of John

0:45:04.239 --> 0:45:07.200
<v Speaker 1>Wayne will note his upbringing in suburban Glendale, which is

0:45:07.239 --> 0:45:09.200
<v Speaker 1>where he winds up after this, and that he's like

0:45:09.280 --> 0:45:11.320
<v Speaker 1>a surf bomb as a young man, to kind of

0:45:11.400 --> 0:45:13.680
<v Speaker 1>make the case that his cowboy mystique was all a lie.

0:45:14.120 --> 0:45:16.120
<v Speaker 1>I don't really think that's fair, because again, he does

0:45:16.200 --> 0:45:19.080
<v Speaker 1>spend years on a farm in the middle of nowhere

0:45:19.160 --> 0:45:22.360
<v Speaker 1>in a pretty rugged terrain, like riding a horse to

0:45:22.520 --> 0:45:24.800
<v Speaker 1>and from school every day. One of his jobs on

0:45:24.880 --> 0:45:26.600
<v Speaker 1>the farm is to stand in the field with a

0:45:26.719 --> 0:45:29.319
<v Speaker 1>rifle looking for snakes while his dad works the field,

0:45:29.360 --> 0:45:31.840
<v Speaker 1>because like, if his dad gets bitten by a snake

0:45:31.920 --> 0:45:33.960
<v Speaker 1>out in the middle of the desert, he's going to die.

0:45:34.480 --> 0:45:36.839
<v Speaker 1>So this is actually like the source of a lot

0:45:36.880 --> 0:45:39.560
<v Speaker 1>of trauma for John Wayne because he's he's standing out

0:45:39.600 --> 0:45:42.160
<v Speaker 1>there with a gun trying to shoot spot and shoot

0:45:42.200 --> 0:45:44.400
<v Speaker 1>snakes in time to stop his dad from getting bitten.

0:45:44.640 --> 0:45:47.520
<v Speaker 1>And he just constantly has these fucking nightmares when he

0:45:47.560 --> 0:45:49.600
<v Speaker 1>goes to sleep at night of like being too late

0:45:49.680 --> 0:45:52.719
<v Speaker 1>and his dad getting bitten by a snake. Um, that's

0:45:52.719 --> 0:45:54.560
<v Speaker 1>a lot to put on like a seven year old kid.

0:45:55.280 --> 0:45:57.600
<v Speaker 1>His mom would never let him live that one down.

0:45:57.840 --> 0:46:00.120
<v Speaker 1>But like I'm also imagining a kid who's all so

0:46:00.320 --> 0:46:04.719
<v Speaker 1>bored to tears standing there absolutely and then just imagining

0:46:04.920 --> 0:46:08.720
<v Speaker 1>like you know, you know, hordes of Indians on the plane,

0:46:08.840 --> 0:46:11.080
<v Speaker 1>you know, just coming over the mountain, and like just

0:46:11.400 --> 0:46:14.640
<v Speaker 1>very in his imagination. He definitely is, And he spends

0:46:14.760 --> 0:46:16.800
<v Speaker 1>when he's like riding his horse to and from school

0:46:16.840 --> 0:46:19.040
<v Speaker 1>and ship, he spends a lot of time imagining cowboy

0:46:19.160 --> 0:46:21.360
<v Speaker 1>fights and being attacked by bandits and ship which you

0:46:21.360 --> 0:46:23.400
<v Speaker 1>get very normal ship for a seven year old or

0:46:23.440 --> 0:46:27.000
<v Speaker 1>whatever in this situation. Um, And he notes that like

0:46:27.280 --> 0:46:29.399
<v Speaker 1>even though he has all these nightmares, he he never

0:46:29.520 --> 0:46:32.400
<v Speaker 1>talks about it, Like he's he's constantly dreaming about like

0:46:32.840 --> 0:46:36.120
<v Speaker 1>thousands of snakes coming to attack him and his dad. Um.

0:46:36.400 --> 0:46:38.640
<v Speaker 1>But he he doesn't feel like he can say anything,

0:46:38.719 --> 0:46:40.560
<v Speaker 1>like you're not allowed to talk about being afraid of

0:46:40.640 --> 0:46:42.239
<v Speaker 1>things as a young man in this period, so he

0:46:42.280 --> 0:46:45.279
<v Speaker 1>just kind of keeps it bottled up inside. Now being

0:46:45.360 --> 0:46:48.160
<v Speaker 1>a kid. Um. Yeah, like I said, he's he's got

0:46:48.760 --> 0:46:50.920
<v Speaker 1>all these different fantasies and stuff, and it seems like

0:46:51.000 --> 0:46:53.160
<v Speaker 1>some of the happier moments in his childhood at this

0:46:53.280 --> 0:46:55.680
<v Speaker 1>period are the time he spends on a horse kind

0:46:55.719 --> 0:46:58.759
<v Speaker 1>of lost in fantasies, riding to and from school. And

0:46:59.120 --> 0:47:02.319
<v Speaker 1>at least according to Scott, i'man he loves this horse. Uh.

0:47:03.280 --> 0:47:07.360
<v Speaker 1>Jinny is her name, um, and she's his, she's his, his, his,

0:47:07.600 --> 0:47:10.439
<v Speaker 1>his buddy out there. But she's also got some sort

0:47:10.440 --> 0:47:13.120
<v Speaker 1>of chronic stomach illness that makes it impossible for her

0:47:13.200 --> 0:47:15.279
<v Speaker 1>to put on weight. So no matter how well the

0:47:15.360 --> 0:47:18.560
<v Speaker 1>Morrison's feed her, she looks like she's starving. Now, if

0:47:18.600 --> 0:47:21.359
<v Speaker 1>you know California Francesca, you know, it's full of people

0:47:21.360 --> 0:47:23.960
<v Speaker 1>who are bad at minding their own damn business. And

0:47:24.320 --> 0:47:27.320
<v Speaker 1>a neighbor calls the Humane Society to claim that Marian

0:47:27.400 --> 0:47:30.640
<v Speaker 1>is abusing this horse. Wow, that's like the next door

0:47:30.760 --> 0:47:36.320
<v Speaker 1>of the early ninety it's just like a skinny horse.

0:47:36.760 --> 0:47:39.279
<v Speaker 1>This little kid in this little horse. I feel like

0:47:39.440 --> 0:47:43.640
<v Speaker 1>he's not feeding it enough. Yeah, so Scott, i'man rights

0:47:43.880 --> 0:47:46.600
<v Speaker 1>Marian stoutly insisted he was always feeding his horse, that

0:47:46.680 --> 0:47:48.560
<v Speaker 1>he carried oats for the horse, even on their daily

0:47:48.600 --> 0:47:50.959
<v Speaker 1>commute to and from school. His teacher and his parents

0:47:51.000 --> 0:47:53.399
<v Speaker 1>stood up for him. The county vet examined the horse

0:47:53.480 --> 0:47:56.120
<v Speaker 1>and diagnosed the wasting disease, but a sense of outrage

0:47:56.160 --> 0:47:58.960
<v Speaker 1>over being falsely accused never left him. I learned you

0:47:59.000 --> 0:48:01.279
<v Speaker 1>can't always judge up her Sonora situation by the way

0:48:01.320 --> 0:48:03.480
<v Speaker 1>it appears on the surface. He remembered, you have to

0:48:03.520 --> 0:48:05.480
<v Speaker 1>look deeply into things before you're in a position to

0:48:05.520 --> 0:48:09.120
<v Speaker 1>make a proper decision. So they tried to cancel him.

0:48:09.400 --> 0:48:11.800
<v Speaker 1>Try to cancel him. Cancel culture came for John Wayne

0:48:14.080 --> 0:48:17.479
<v Speaker 1>because of his ragged ass horse of some nosy lib

0:48:17.800 --> 0:48:21.160
<v Speaker 1>was like, that horse needs more food. Shut the funk. Up,

0:48:22.520 --> 0:48:24.640
<v Speaker 1>and he does have his he has his old yellow

0:48:24.719 --> 0:48:27.200
<v Speaker 1>moment because this horse never gets better and they have

0:48:27.320 --> 0:48:30.600
<v Speaker 1>to shoot it. Yeah, you know, it's what happened to

0:48:31.440 --> 0:48:34.839
<v Speaker 1>horse that I do not know. Possibly, although I kind

0:48:34.880 --> 0:48:37.040
<v Speaker 1>of I would. I think maybe his dad would be

0:48:37.080 --> 0:48:39.600
<v Speaker 1>the kind of dude to not put that on his kids.

0:48:39.640 --> 0:48:46.919
<v Speaker 1>I don't really know. Um, horse, Maryan, you're shooting your horse.

0:48:47.000 --> 0:48:49.919
<v Speaker 1>You're shooting your best friend, Jenny. Shoot your best friend Jenny.

0:48:49.920 --> 0:48:54.280
<v Speaker 1>Then we're eating her because we're poorous shit. So, despite

0:48:54.320 --> 0:48:57.480
<v Speaker 1>trying very hard, Clyde and Marian are terrible at farming

0:48:57.760 --> 0:49:01.040
<v Speaker 1>um and the hundred and eighteen degree summers very quickly

0:49:01.120 --> 0:49:04.200
<v Speaker 1>forced Clyde's ailing parents to flee for the cooler climates

0:49:04.239 --> 0:49:07.480
<v Speaker 1>of Los Angeles. When they leave, they tell their son like, hey,

0:49:07.800 --> 0:49:09.439
<v Speaker 1>we made a bad call with this farm. You guys

0:49:09.440 --> 0:49:11.440
<v Speaker 1>should probably get the funk out of here too, write like,

0:49:11.600 --> 0:49:14.759
<v Speaker 1>doesn't seem like Palm Dale going anywhere good? Maybe move

0:49:14.840 --> 0:49:17.040
<v Speaker 1>to l A. It's it seems like it'll always be

0:49:17.120 --> 0:49:20.880
<v Speaker 1>affordable and a good place to live. Citrus trees at

0:49:20.920 --> 0:49:22.839
<v Speaker 1>this point, but citrus trees at this point. Yeah, there's

0:49:22.840 --> 0:49:27.080
<v Speaker 1>like forty people there, So Clyde tries for a little

0:49:27.080 --> 0:49:30.080
<v Speaker 1>while more to farm this this plot of land. But

0:49:30.200 --> 0:49:32.560
<v Speaker 1>when the horse dies, Marian has to walk or hitch

0:49:32.640 --> 0:49:35.640
<v Speaker 1>my hike like an eight mile round trip to school

0:49:35.680 --> 0:49:38.400
<v Speaker 1>every day. Um. It's just a brutal way for a

0:49:38.520 --> 0:49:41.040
<v Speaker 1>kid to live, Like, he's got to get up hours

0:49:41.160 --> 0:49:45.040
<v Speaker 1>before he starts this hike to do his chores because

0:49:45.200 --> 0:49:47.759
<v Speaker 1>you know it's a farm. Um. But he's also he

0:49:47.800 --> 0:49:49.800
<v Speaker 1>does really well in school. Still, he's a good student,

0:49:49.880 --> 0:49:52.200
<v Speaker 1>and he distracts himself self from the realities of his

0:49:52.280 --> 0:49:57.320
<v Speaker 1>life by obsessively reading and rereading catalogs, particularly Sears catalogs,

0:49:57.680 --> 0:49:59.719
<v Speaker 1>and just like underlining all the things he's going to

0:49:59.800 --> 0:50:04.000
<v Speaker 1>buy one day when he somehow gets money. Um. Classic

0:50:04.040 --> 0:50:08.480
<v Speaker 1>poor kids shit. Uh, pretty pretty normal behavior. So after

0:50:08.520 --> 0:50:11.279
<v Speaker 1>about two years, his parents can barely stand to be

0:50:11.360 --> 0:50:13.520
<v Speaker 1>in the same room as each other. Farming kind of

0:50:13.600 --> 0:50:16.200
<v Speaker 1>destroys the marriage and they have no money. All of

0:50:16.239 --> 0:50:19.279
<v Speaker 1>their crops keep getting eaten by jack rabbits, so like

0:50:19.480 --> 0:50:22.320
<v Speaker 1>a lot of Meanwhile, what's Robert doing, Rombers just like

0:50:22.440 --> 0:50:27.719
<v Speaker 1>sitting there and like fucking useless pieces of ship. Robert Morrison, motherfucker. Yeah,

0:50:28.480 --> 0:50:33.680
<v Speaker 1>maybe we should call him John Lame. Um. So they

0:50:33.800 --> 0:50:36.080
<v Speaker 1>decide farming is not gonna work, and like a whole

0:50:36.120 --> 0:50:38.399
<v Speaker 1>bunch of Armenians are going to do a few years

0:50:38.480 --> 0:50:40.920
<v Speaker 1>from this point, the Morrison's leave home and they move

0:50:41.040 --> 0:50:48.279
<v Speaker 1>to Glendale, California. Um, now, well, yeah, I like we

0:50:48.360 --> 0:50:53.400
<v Speaker 1>got the brand mall over there. You've got you. You

0:50:53.520 --> 0:50:56.560
<v Speaker 1>have the pets coffee that sells one in every other

0:50:56.680 --> 0:50:59.920
<v Speaker 1>city is the tantalizing Turkish coffee blend. But in Glenda

0:51:00.040 --> 0:51:03.399
<v Speaker 1>Dale they call it, uh something else without the word.

0:51:03.520 --> 0:51:05.680
<v Speaker 1>I think that's just the tantalizing blend because you you

0:51:05.719 --> 0:51:07.279
<v Speaker 1>don't want to have Turkish in the name of a

0:51:07.360 --> 0:51:10.200
<v Speaker 1>coffee that you're selling in little Armenia. Not really a

0:51:10.239 --> 0:51:15.640
<v Speaker 1>good call Armenia. It's it is, it is. It is

0:51:15.800 --> 0:51:18.480
<v Speaker 1>verging on the size of regular Armenia. Now it's a big,

0:51:18.680 --> 0:51:21.560
<v Speaker 1>big place. I love Lyndale. Actually it's very pretty, very

0:51:21.640 --> 0:51:25.440
<v Speaker 1>nice town. Um, and today it is like a sizeable

0:51:25.560 --> 0:51:27.840
<v Speaker 1>Like it's not a small city. I mean, obviously, like

0:51:28.000 --> 0:51:30.280
<v Speaker 1>all of Los Angeles is a bunch of separate cities,

0:51:30.320 --> 0:51:33.120
<v Speaker 1>but also kind of one big gas city. Um, that's

0:51:33.160 --> 0:51:36.080
<v Speaker 1>not really the case. When the Morrison's moved to Glendale,

0:51:36.160 --> 0:51:38.440
<v Speaker 1>it is kind of like it's separate little town on

0:51:38.640 --> 0:51:41.480
<v Speaker 1>the outskirts of Los Angeles. I think it's like eight

0:51:41.560 --> 0:51:45.080
<v Speaker 1>thousand people, um, which is way it's kind of like

0:51:46.200 --> 0:51:49.319
<v Speaker 1>like Octopole in population. In a couple of years after

0:51:49.400 --> 0:51:52.680
<v Speaker 1>they moved there, like it, it blows up big time, right, Um.

0:51:53.000 --> 0:51:55.759
<v Speaker 1>But at this point it's kind of a sleepy suburb. Um.

0:51:56.800 --> 0:51:59.480
<v Speaker 1>So Marian is nine when they moved to the Los

0:51:59.560 --> 0:52:02.759
<v Speaker 1>Angeles burbs. Uh. And you know, at this point he

0:52:02.880 --> 0:52:04.919
<v Speaker 1>has finally made it more or less to the city

0:52:05.000 --> 0:52:07.920
<v Speaker 1>that's going to make him famous. Uh. So they move in,

0:52:08.040 --> 0:52:10.399
<v Speaker 1>they get used to l a life. They get a dog,

0:52:10.840 --> 0:52:14.840
<v Speaker 1>an Airdale they named Big Duke. Um. The name of

0:52:14.920 --> 0:52:17.520
<v Speaker 1>this dog is borrowed from the movie Dog of a

0:52:17.600 --> 0:52:20.160
<v Speaker 1>fake cowboy named Tom Mix, who is like one of

0:52:20.200 --> 0:52:23.200
<v Speaker 1>the most popular cowboys of the day we'll be talking

0:52:23.200 --> 0:52:25.880
<v Speaker 1>about in a bit. And maryan he's like Marian's idol. So,

0:52:26.040 --> 0:52:28.760
<v Speaker 1>like you know, obviously, as a little kid in this period,

0:52:28.840 --> 0:52:31.279
<v Speaker 1>he's watching cowboy movies every chance he gets. And Tom

0:52:31.400 --> 0:52:35.680
<v Speaker 1>mixes the big cowboy. Um. And so his Tom Mix

0:52:35.800 --> 0:52:38.319
<v Speaker 1>and then Duke was the name of the big dog

0:52:38.640 --> 0:52:41.040
<v Speaker 1>of the dog in the Cowboy movie. And then Duke

0:52:41.120 --> 0:52:44.800
<v Speaker 1>becomes John Wayne's nickname. That's right, that's how this is

0:52:44.840 --> 0:52:47.920
<v Speaker 1>how this happens. So his dog, Big Duke, has a

0:52:48.000 --> 0:52:52.120
<v Speaker 1>habit of chasing fire engines. Incredibly stereotypical upbringing this kid has,

0:52:52.560 --> 0:52:55.080
<v Speaker 1>so Marian winds up chasing after his dog a lot,

0:52:55.239 --> 0:52:58.920
<v Speaker 1>and often to the fire station. And so local firefighters

0:52:58.960 --> 0:53:00.960
<v Speaker 1>start to know this kid and his dog and they

0:53:01.080 --> 0:53:04.359
<v Speaker 1>kind of adopt them. They realize like his family super poor,

0:53:04.560 --> 0:53:06.560
<v Speaker 1>so they'll give him milk and they'll say like, oh, hey,

0:53:06.880 --> 0:53:08.759
<v Speaker 1>this is for like your cat at home, but really

0:53:08.800 --> 0:53:11.440
<v Speaker 1>it's for the family because they're too poor to buy milk. Um.

0:53:11.880 --> 0:53:14.920
<v Speaker 1>Very nice firefighters, and they'll they'll hang out with Marian

0:53:15.000 --> 0:53:17.759
<v Speaker 1>and because his dogs Big Duke, and is apparently quite

0:53:17.760 --> 0:53:20.680
<v Speaker 1>a personality as a dog, they just start calling both

0:53:20.719 --> 0:53:23.680
<v Speaker 1>of them Duke and eventually start calling Mary and little

0:53:23.760 --> 0:53:26.080
<v Speaker 1>Duke um. And that's how he gets his nickname. That's

0:53:26.080 --> 0:53:29.399
<v Speaker 1>how he became becomes the Duke is These firefighters start

0:53:29.560 --> 0:53:34.359
<v Speaker 1>nicknaming him based on his dog manly Men. Yeah, renamed

0:53:35.040 --> 0:53:38.880
<v Speaker 1>the Manliest Man. They did from Maryan and he he

0:53:39.280 --> 0:53:41.600
<v Speaker 1>as soon as these firefighters give him a nickname, he

0:53:41.719 --> 0:53:44.120
<v Speaker 1>stops going by Marian and starts going by Duke and

0:53:44.200 --> 0:53:46.239
<v Speaker 1>he will all his life. That's what his friends call

0:53:46.360 --> 0:53:49.879
<v Speaker 1>him is thank God. Yeah, I mean absolutely you would

0:53:49.960 --> 0:53:52.680
<v Speaker 1>pick Duke over Mary It. Yeah, it's like, oh, you

0:53:52.800 --> 0:53:55.080
<v Speaker 1>can just pick a name. You could just have a name,

0:53:55.160 --> 0:53:57.759
<v Speaker 1>like you can make it anything you want. Huh. Yeah,

0:53:58.040 --> 0:54:01.680
<v Speaker 1>welcome to Hollywood, kid. I was kind of surprised because,

0:54:02.040 --> 0:54:03.840
<v Speaker 1>you know, you hear his nickname is the Duke, and

0:54:03.920 --> 0:54:07.120
<v Speaker 1>you figure it's generally when someone has a nickname that's

0:54:07.160 --> 0:54:10.359
<v Speaker 1>hyper masculine, you assume there's a very sad story about

0:54:10.400 --> 0:54:12.400
<v Speaker 1>how they picked it for themselves. And no, this is

0:54:12.400 --> 0:54:15.520
<v Speaker 1>actually kind of a sweet story. He got adopted by firefighters.

0:54:15.600 --> 0:54:18.080
<v Speaker 1>That's nice. Yeah, no, and it's actually cute. I mean,

0:54:18.239 --> 0:54:20.759
<v Speaker 1>the real Duke was the dog. But the real Duke

0:54:20.840 --> 0:54:22.960
<v Speaker 1>was the dog. He is nickname. He is like Indiana

0:54:23.120 --> 0:54:29.840
<v Speaker 1>Jones named for the dog, little Duke, Little Duke. So

0:54:30.480 --> 0:54:32.919
<v Speaker 1>you know, the Morrison's bounced around a handful of small

0:54:33.000 --> 0:54:35.239
<v Speaker 1>homes in their early years in l A. Clyde is

0:54:35.280 --> 0:54:37.480
<v Speaker 1>never able to keep a job well enough to build up,

0:54:37.640 --> 0:54:39.800
<v Speaker 1>you know, the kind of savings necessary to stay in

0:54:39.880 --> 0:54:44.600
<v Speaker 1>a place for long. He keeps on giving people with

0:54:44.719 --> 0:54:47.279
<v Speaker 1>him and drinking. I don't want to go home to

0:54:47.360 --> 0:54:50.040
<v Speaker 1>my wife. Yeah, that is a big part of it.

0:54:50.719 --> 0:54:54.839
<v Speaker 1>Um so. And yeah, he's from a pretty young age,

0:54:54.880 --> 0:54:56.920
<v Speaker 1>Like the time he's nine, his dad can't afford to

0:54:56.960 --> 0:54:59.080
<v Speaker 1>buy him clothes, so he has to get jobs in

0:54:59.200 --> 0:55:03.000
<v Speaker 1>order to like keep himself in clothing. Um. Again, not

0:55:03.120 --> 0:55:05.880
<v Speaker 1>an easy childhood, although not out of step with a

0:55:06.000 --> 0:55:07.920
<v Speaker 1>lot of kids in this period. Again, these are not

0:55:08.080 --> 0:55:10.600
<v Speaker 1>like he's not like the only kid with this upbringing

0:55:10.640 --> 0:55:13.239
<v Speaker 1>in the neighborhood. Right, everybody's trying to fucking poor, you know.

0:55:14.120 --> 0:55:16.799
<v Speaker 1>Um So, he's tinned. By the time the United States

0:55:16.880 --> 0:55:19.799
<v Speaker 1>makes the decision to get into w W one. Um.

0:55:19.920 --> 0:55:23.600
<v Speaker 1>Obviously Roosevelt big advocate of World War One being a

0:55:23.680 --> 0:55:26.400
<v Speaker 1>thing for the US to get involved in. Um, everyone's

0:55:26.520 --> 0:55:30.600
<v Speaker 1>very excited. The muscular Christianity side crowd is super into

0:55:30.680 --> 0:55:32.960
<v Speaker 1>the war when it starts, But it does not go

0:55:33.200 --> 0:55:36.520
<v Speaker 1>the way Americans had hoped, as europe had already learned.

0:55:36.800 --> 0:55:40.240
<v Speaker 1>Modern warfare is a pretty nasty thing. Old West style

0:55:40.360 --> 0:55:43.359
<v Speaker 1>heroism gets you mowed down in rows by machine gun fire.

0:55:43.719 --> 0:55:46.400
<v Speaker 1>A hundred and sixteen thousand Americans will die in the

0:55:46.480 --> 0:55:49.520
<v Speaker 1>war in just like a year's time. Uh. And one

0:55:49.600 --> 0:55:53.120
<v Speaker 1>of these Americans is Quentin Roosevelt, the President's son, which

0:55:53.239 --> 0:55:56.840
<v Speaker 1>really fucks him up forever. Um might have been a

0:55:56.840 --> 0:55:59.960
<v Speaker 1>bad call, Teddy, damn back then when presidents actually say

0:56:00.160 --> 0:56:02.759
<v Speaker 1>their kids to war. Three of his sons, I think

0:56:02.800 --> 0:56:05.200
<v Speaker 1>will fight in World War One. He was. He was not.

0:56:05.560 --> 0:56:07.360
<v Speaker 1>He was a lot of things, but he was not

0:56:07.560 --> 0:56:10.080
<v Speaker 1>about this at least he was not a hypocrite like

0:56:11.000 --> 0:56:14.960
<v Speaker 1>and he actually tries desperately to to fight himself. He

0:56:15.040 --> 0:56:18.600
<v Speaker 1>attempts to like raise a volunteer regiment and go fight

0:56:18.640 --> 0:56:21.160
<v Speaker 1>in World War One. But the president at the President

0:56:21.200 --> 0:56:24.000
<v Speaker 1>Wilson is like, Teddy, you are a former US president.

0:56:24.040 --> 0:56:25.920
<v Speaker 1>You're not going to go fight in World War One. Like,

0:56:26.040 --> 0:56:28.719
<v Speaker 1>absolutely not. I'm not going to let you do that.

0:56:28.840 --> 0:56:32.520
<v Speaker 1>That's that's nuts. We'll send your kids, Yeah, we'll send

0:56:32.520 --> 0:56:34.839
<v Speaker 1>you kids. Um. And the fact that World War One

0:56:35.040 --> 0:56:37.120
<v Speaker 1>is this it just kind of ends as this horrible

0:56:37.239 --> 0:56:40.320
<v Speaker 1>meat grinder um as it began, does a lot of

0:56:40.400 --> 0:56:44.080
<v Speaker 1>damage to the concepts of muscular Christianity, just kind of like,

0:56:44.480 --> 0:56:46.400
<v Speaker 1>you know, there's versions of this going on in Europe

0:56:46.480 --> 0:56:49.640
<v Speaker 1>that get torn apart in the fields of Flanders and whatnot.

0:56:50.600 --> 0:56:53.840
<v Speaker 1>Christin Cobbs Dumez rites. When the war came to a close,

0:56:53.920 --> 0:56:56.200
<v Speaker 1>no amount of patriotism could obscure the fact that it

0:56:56.280 --> 0:56:59.080
<v Speaker 1>had been fought at great cost and with little apparent gain.

0:56:59.480 --> 0:57:02.759
<v Speaker 1>Roosevelt model of masculinity had been found Wanting the war,

0:57:02.920 --> 0:57:05.319
<v Speaker 1>it seemed, had presented Americans with the horror of having

0:57:05.400 --> 0:57:08.719
<v Speaker 1>myths about blood and fire and mutilation and blindness come true.

0:57:09.160 --> 0:57:14.200
<v Speaker 1>For liberal Protestant internationalists, the disillusionment was especially Keen. Sherwood Eddie,

0:57:14.280 --> 0:57:18.000
<v Speaker 1>a leading Liberal Protestant proponent of the war, expressed dismay

0:57:18.080 --> 0:57:20.480
<v Speaker 1>at his pro war activism. I believed it was a

0:57:20.520 --> 0:57:23.520
<v Speaker 1>war to end war, to protect womanhood, to destroy militarism

0:57:23.560 --> 0:57:25.640
<v Speaker 1>and autocracy, and to make a new world fit for

0:57:25.760 --> 0:57:28.840
<v Speaker 1>heroes to live in. He confessed, the carnage and horrors

0:57:28.880 --> 0:57:31.080
<v Speaker 1>of warfare put an end to all that. So one

0:57:31.080 --> 0:57:33.920
<v Speaker 1>of the things that happens here, this muscular Christian movement

0:57:34.360 --> 0:57:37.120
<v Speaker 1>that gets us into World War one splinters because a

0:57:37.240 --> 0:57:39.240
<v Speaker 1>chunk of the US folks who want to get into

0:57:39.280 --> 0:57:42.320
<v Speaker 1>World War one are liberals who are like, maybe if

0:57:42.360 --> 0:57:44.120
<v Speaker 1>we do this war, it will put an end to

0:57:44.280 --> 0:57:47.920
<v Speaker 1>like these autocratic dictatorships that have been doing all this

0:57:48.040 --> 0:57:50.560
<v Speaker 1>horrible ship around the world for years and engaging in

0:57:50.680 --> 0:57:53.320
<v Speaker 1>constant brinksmanship with each other, and the other chunk of

0:57:53.360 --> 0:57:55.720
<v Speaker 1>it is just dudes who are like masculinity is all

0:57:55.760 --> 0:57:58.560
<v Speaker 1>about fighting, and they kind of split at this point,

0:57:58.720 --> 0:58:00.560
<v Speaker 1>and one of those chunks is going to become the

0:58:00.600 --> 0:58:05.400
<v Speaker 1>conservatives we know and are actively preparing to fight today.

0:58:06.080 --> 0:58:10.520
<v Speaker 1>You know. Um good times. No, I was just gonna say,

0:58:10.600 --> 0:58:13.040
<v Speaker 1>I mean, it's like, yeah, that's the part of going

0:58:13.160 --> 0:58:16.600
<v Speaker 1>to war is the death part. Like that's the part

0:58:16.640 --> 0:58:20.000
<v Speaker 1>of the muscular We must always be fighting. God is

0:58:20.080 --> 0:58:23.640
<v Speaker 1>on our side, Like oh maybe maybe God's not ours,

0:58:23.720 --> 0:58:26.840
<v Speaker 1>So maybe maybe he's not on any side. It's not real.

0:58:27.240 --> 0:58:29.200
<v Speaker 1>Um yeah, I know. But it's just like what did

0:58:29.240 --> 0:58:32.480
<v Speaker 1>you think was going to happen? Um, I mean, it's

0:58:32.560 --> 0:58:35.240
<v Speaker 1>it's a hard lesson. We never really learned the lesson.

0:58:35.240 --> 0:58:36.720
<v Speaker 1>I guess it was learned for a while and then

0:58:36.720 --> 0:58:39.200
<v Speaker 1>there was like deep isolationism in the in the country,

0:58:39.280 --> 0:58:44.920
<v Speaker 1>and um, World War two obviously it installed our intervention there. Um,

0:58:45.800 --> 0:58:48.600
<v Speaker 1>we never learned any of the right lessons, which is like,

0:58:49.520 --> 0:58:54.880
<v Speaker 1>don't don't trust anyone who tells you any of the

0:58:55.000 --> 0:58:57.720
<v Speaker 1>who don't trust anyone who makes violence seem like a

0:58:57.800 --> 0:59:01.800
<v Speaker 1>way to learn anything. Um, it's it's it's a it's

0:59:01.840 --> 0:59:04.880
<v Speaker 1>an occasionally necessary thing, but it doesn't make you into

0:59:04.920 --> 0:59:07.920
<v Speaker 1>anything other than a traumatized person. Yeah, You're dick will

0:59:08.000 --> 0:59:11.000
<v Speaker 1>not grow. Your dick does not grow. Um, but it

0:59:11.160 --> 0:59:15.400
<v Speaker 1>might get blown off by shrapnel. Um, like in the

0:59:15.480 --> 0:59:18.360
<v Speaker 1>classic anti war song the Wang pre Bang, which is

0:59:18.600 --> 0:59:22.560
<v Speaker 1>about us involvement in LAO. Pretty good song anyway. Uh

0:59:23.040 --> 0:59:26.040
<v Speaker 1>so you know what else? Will blow your testicles off?

0:59:27.320 --> 0:59:30.080
<v Speaker 1>Oh wait, Sophie, are we is that good? Should we do? That?

0:59:30.320 --> 0:59:33.520
<v Speaker 1>Is that how we leave into an ad break? Sumping

0:59:33.720 --> 0:59:38.000
<v Speaker 1>was one thing, but blowing testicles off if you want

0:59:38.000 --> 0:59:41.400
<v Speaker 1>to get gelded by white hot shrapnel. Um, listen to

0:59:41.480 --> 0:59:46.080
<v Speaker 1>these ads. God, I hope it's a fucking Washington stap,

0:59:47.960 --> 0:59:58.120
<v Speaker 1>So do I, Sophie, God hear it? Uh we're back.

0:59:58.760 --> 1:00:02.440
<v Speaker 1>So you know all this this this kind of collapse

1:00:02.640 --> 1:00:04.439
<v Speaker 1>of one of the things that happens. We've talked about

1:00:04.440 --> 1:00:08.240
<v Speaker 1>how kind of the Christian muscular Christianity splinters after World

1:00:08.280 --> 1:00:11.840
<v Speaker 1>War One, the one chunk of it kind of turns

1:00:11.880 --> 1:00:15.720
<v Speaker 1>into super capitalist and business oriented, right being ra rai

1:00:15.800 --> 1:00:18.560
<v Speaker 1>imperialism in war didn't really work out for us. What

1:00:18.640 --> 1:00:21.520
<v Speaker 1>if we make Jesus into a businessman, you know, like

1:00:21.640 --> 1:00:24.000
<v Speaker 1>a like a two fisted businessman. And we've talked about

1:00:24.000 --> 1:00:26.040
<v Speaker 1>this in a couple of episodes, including Our two Partner

1:00:26.080 --> 1:00:29.000
<v Speaker 1>and how they're all the rich eight Christianity. Um. And

1:00:29.080 --> 1:00:31.400
<v Speaker 1>while this is worth noting because of what comes next,

1:00:31.920 --> 1:00:33.760
<v Speaker 1>I don't know that any of this really this is

1:00:33.800 --> 1:00:36.200
<v Speaker 1>all happening in the background when Marian as a kid.

1:00:36.600 --> 1:00:38.919
<v Speaker 1>I don't know that he. I think he certainly must

1:00:38.960 --> 1:00:42.280
<v Speaker 1>be taking some of this in through osmosis, especially a

1:00:42.360 --> 1:00:45.280
<v Speaker 1>lot of these more militant attitudes towards Christianity, which are

1:00:45.280 --> 1:00:48.360
<v Speaker 1>reflected in the movies he's watching. Um, because he he

1:00:49.240 --> 1:00:52.360
<v Speaker 1>loves himself some cowboy movies. UM. And he does grow

1:00:52.480 --> 1:00:54.920
<v Speaker 1>up kind of obsessed with the nascent film industry in

1:00:55.000 --> 1:00:58.080
<v Speaker 1>Los Angeles. There's only a couple of studios in Glendale,

1:00:58.160 --> 1:01:00.360
<v Speaker 1>but they're shooting a bunch of cowboy movie is where

1:01:00.400 --> 1:01:02.720
<v Speaker 1>he lives, because it's kind of the outskirts of town

1:01:02.760 --> 1:01:04.960
<v Speaker 1>at this point. So he spent a lot of watching

1:01:05.040 --> 1:01:08.480
<v Speaker 1>that ship. Yeah, exactly. He's way into this stuff. Um.

1:01:08.720 --> 1:01:12.080
<v Speaker 1>He's also super into sports, pretty normal stuff. His parents

1:01:12.160 --> 1:01:15.560
<v Speaker 1>marriage gets worse and worse. His mother increasingly attacks and

1:01:15.680 --> 1:01:19.000
<v Speaker 1>at least mentally abuses both him and his dad. Biographer

1:01:19.120 --> 1:01:22.080
<v Speaker 1>Richard Jensen writes in When the Legend Became Fact The

1:01:22.120 --> 1:01:25.920
<v Speaker 1>True Life of John Wayne Quote, Marion's dysfunctional parents filled

1:01:25.920 --> 1:01:28.760
<v Speaker 1>the Morrison home with strife. Marian became a neurotic kid,

1:01:28.880 --> 1:01:32.280
<v Speaker 1>unable to sleep normally without nightmares. Like all children growing

1:01:32.360 --> 1:01:34.960
<v Speaker 1>up in a household filled with abuse, he internalized the

1:01:35.040 --> 1:01:37.760
<v Speaker 1>strain of the abuse and blamed himself for their unhappiness.

1:01:38.040 --> 1:01:41.040
<v Speaker 1>The movies where his respite from reality. Marian dreamed of

1:01:41.080 --> 1:01:43.640
<v Speaker 1>being a cowboy, of being a sword wielding pirate, of

1:01:43.720 --> 1:01:49.360
<v Speaker 1>being a movie star. So it all feels fairly I mean,

1:01:49.480 --> 1:01:53.600
<v Speaker 1>is is hard, but fairly normal, fairly normal, not an

1:01:53.640 --> 1:01:58.160
<v Speaker 1>uncommon tale, right, Um No, it's not like he's he's

1:01:58.240 --> 1:02:00.800
<v Speaker 1>very much much embodies. I think there's some degrees to

1:02:00.840 --> 1:02:03.040
<v Speaker 1>which it's abnormal. I think like the kind of scale.

1:02:03.080 --> 1:02:05.200
<v Speaker 1>Like one of the things that's weird is shortly after this,

1:02:05.720 --> 1:02:09.080
<v Speaker 1>his parents divorce, which is abnormal, and his his mom

1:02:09.200 --> 1:02:12.680
<v Speaker 1>takes Robert and he stays with his dad. Um, and

1:02:12.760 --> 1:02:16.520
<v Speaker 1>that is god. Robert was not kid out of here

1:02:19.200 --> 1:02:24.640
<v Speaker 1>Molly is coming back around in the third installation, Mark

1:02:24.840 --> 1:02:29.439
<v Speaker 1>my words, people, Robert knows, but I don't Molly's gonna

1:02:29.440 --> 1:02:33.160
<v Speaker 1>come crawling back asking for money. You just wait, I

1:02:33.240 --> 1:02:37.200
<v Speaker 1>mean probably right, Um, definitely when when John Wayne gets rich. Right,

1:02:39.320 --> 1:02:41.640
<v Speaker 1>remember how good I was to you. I only dropped

1:02:41.680 --> 1:02:44.600
<v Speaker 1>you a few times on purpose. I gave you that

1:02:44.680 --> 1:02:49.440
<v Speaker 1>whole new name. So Mitchell Marian spends as much time

1:02:49.480 --> 1:02:51.800
<v Speaker 1>away from his house as he possibly can, because it

1:02:51.880 --> 1:02:56.040
<v Speaker 1>sucks there, Jensen continues. Duke was a rambunctious kid, athletic

1:02:56.080 --> 1:02:58.880
<v Speaker 1>and imaginative. He was also restless. He stayed away from

1:02:58.920 --> 1:03:00.800
<v Speaker 1>home as much as possible. He learned to be rough

1:03:00.880 --> 1:03:03.720
<v Speaker 1>and tumbled. He learned to smoke cigarettes and taste alcohol.

1:03:04.080 --> 1:03:06.400
<v Speaker 1>Years later, when Duke was diagnosed with lung cancer, he

1:03:06.440 --> 1:03:08.800
<v Speaker 1>admitted to his family he'd smoked since I was just

1:03:08.960 --> 1:03:11.720
<v Speaker 1>a kid. So it's like a chain smoking ten year

1:03:11.760 --> 1:03:15.920
<v Speaker 1>old in Glendale, California. You know, story as old as time. Um,

1:03:16.520 --> 1:03:20.400
<v Speaker 1>watching the movie sets, just just just pulling on a

1:03:20.480 --> 1:03:24.280
<v Speaker 1>Marlborough watching people shoot at Cowboy Flick downtown. I'm just

1:03:24.440 --> 1:03:28.760
<v Speaker 1>the Duke, my trusty dog. So once it's probably his

1:03:28.840 --> 1:03:32.160
<v Speaker 1>dog's got a cigarette too, you have to assume. Um. Now.

1:03:32.280 --> 1:03:34.640
<v Speaker 1>Once he hits high school, Marion develops an interest in

1:03:34.760 --> 1:03:37.440
<v Speaker 1>theater and drama, but his chief obsession is sports of

1:03:37.480 --> 1:03:40.160
<v Speaker 1>all kinds. The broad gist of his next few years

1:03:40.240 --> 1:03:42.160
<v Speaker 1>is that he gets a football scholarship to play for

1:03:42.200 --> 1:03:46.280
<v Speaker 1>the University of Southern California. Most Wayne bios will claim

1:03:46.320 --> 1:03:48.800
<v Speaker 1>that he was a star player who enjoyed body surfing

1:03:48.840 --> 1:03:52.280
<v Speaker 1>in his spare time. Um, he gets into surfing, but

1:03:52.400 --> 1:03:54.440
<v Speaker 1>like poor people surfing where you're just kind of like

1:03:55.080 --> 1:03:57.680
<v Speaker 1>throwing yourself into a wave and getting pushed to shore.

1:03:58.080 --> 1:04:01.840
<v Speaker 1>Good old body surfing. Yeah, bodies serving, which sounds fun. Uh,

1:04:01.960 --> 1:04:05.160
<v Speaker 1>he's real into the ladies. Uh. Since he was very tall,

1:04:05.240 --> 1:04:07.680
<v Speaker 1>he grows up again to be huge, and he's muscular

1:04:07.760 --> 1:04:11.320
<v Speaker 1>and athletic. As a young man, he's considered very handsome. Um.

1:04:11.520 --> 1:04:13.800
<v Speaker 1>This is also the period, you know, the time when

1:04:13.880 --> 1:04:16.240
<v Speaker 1>he is a teenager and a young man is when

1:04:16.360 --> 1:04:19.120
<v Speaker 1>like you got your flapper era, women are starting to

1:04:19.160 --> 1:04:21.680
<v Speaker 1>get liberated. There's a lot more girls are willing to

1:04:21.760 --> 1:04:25.000
<v Speaker 1>like go out on dates, and casual sex starts to

1:04:25.080 --> 1:04:27.880
<v Speaker 1>become a thing in mainstream American culture in a way

1:04:27.920 --> 1:04:30.720
<v Speaker 1>it really hadn't been for a while. Um, and he

1:04:31.360 --> 1:04:34.280
<v Speaker 1>comes of age during that period of time. He also

1:04:34.360 --> 1:04:37.480
<v Speaker 1>becomes an alcoholic pretty early on. He's famous for drinking

1:04:37.600 --> 1:04:40.760
<v Speaker 1>until he passes out at parties. Uh. He develops a

1:04:40.800 --> 1:04:43.000
<v Speaker 1>passion for drag racing, and for the rest of his

1:04:43.120 --> 1:04:45.960
<v Speaker 1>life he would drive so fast it frightened everyone in

1:04:46.040 --> 1:04:50.640
<v Speaker 1>the car with him. Um. And was usually drunk while driving. Um. Yeah,

1:04:50.720 --> 1:04:53.160
<v Speaker 1>that's forever He's getting up to be like just an

1:04:53.240 --> 1:04:57.840
<v Speaker 1>average college douche bag, just a normal dude in the twenties. Yeah,

1:04:58.040 --> 1:05:01.320
<v Speaker 1>just drunk, driving, puke and at parties hitting on girls

1:05:02.120 --> 1:05:06.240
<v Speaker 1>body surfing um. Which. Tragically, he has a body serving

1:05:06.280 --> 1:05:08.880
<v Speaker 1>accident that injures his shoulder and that cuts his football

1:05:08.920 --> 1:05:13.600
<v Speaker 1>career short. That's at least the traditional narrative of why

1:05:13.680 --> 1:05:17.320
<v Speaker 1>his football career fails. It may not be entirely true. Um.

1:05:17.520 --> 1:05:20.080
<v Speaker 1>There are some prominent people who doubt that he failed

1:05:20.080 --> 1:05:22.120
<v Speaker 1>at football because he heard himself, and one of them

1:05:22.200 --> 1:05:25.439
<v Speaker 1>was would He Strode Wood. He was the first black

1:05:25.560 --> 1:05:28.720
<v Speaker 1>action movie star in US film history. He was also

1:05:28.800 --> 1:05:32.200
<v Speaker 1>a former professional football player with the Rams, which are

1:05:32.200 --> 1:05:34.440
<v Speaker 1>a Los Angeles team at this point. Uh. And it

1:05:34.560 --> 1:05:37.200
<v Speaker 1>was his opinion that Duke was always bad at football.

1:05:37.240 --> 1:05:39.240
<v Speaker 1>He was not a good runner, and he probably wouldn't

1:05:39.240 --> 1:05:42.840
<v Speaker 1>have succeeded at football. Now there's some debate about whether

1:05:42.960 --> 1:05:46.200
<v Speaker 1>or not Strode is accurate in this assessment, because wood

1:05:46.240 --> 1:05:49.120
<v Speaker 1>he Strode fucking hated John Wayne, and he had a

1:05:49.160 --> 1:05:51.880
<v Speaker 1>good reason to hate John Wayne. The two starred in

1:05:51.960 --> 1:05:55.240
<v Speaker 1>The Man Who Shot Liberty Valets together in nineteen sixty one.

1:05:55.880 --> 1:05:58.640
<v Speaker 1>Uh and Strode was apparently shocked by how much of

1:05:58.720 --> 1:06:01.000
<v Speaker 1>a bully John Wayne was to the cast and crew.

1:06:01.480 --> 1:06:04.080
<v Speaker 1>He claims that Wayne Wayne like made a particular show

1:06:04.160 --> 1:06:06.680
<v Speaker 1>of mocking Woody in front of everyone else for not

1:06:06.840 --> 1:06:10.840
<v Speaker 1>being athletic. And again, Woody is a professional athlete. Um

1:06:10.880 --> 1:06:12.959
<v Speaker 1>like John Way, it's very funny that he would choose

1:06:13.000 --> 1:06:14.920
<v Speaker 1>to do this blade for the ramps. So yeah, so

1:06:14.960 --> 1:06:19.640
<v Speaker 1>it's clearly his own insecurity. Insecurity, yeah, or like maybe

1:06:19.760 --> 1:06:22.400
<v Speaker 1>he just ran funny, Maybe he did run. He did

1:06:22.520 --> 1:06:26.439
<v Speaker 1>run Funny. Jensen, his biographer, analyzes his running a bunch

1:06:26.560 --> 1:06:29.760
<v Speaker 1>and it's like he did kind of run funny. I mean, yeah,

1:06:29.880 --> 1:06:32.520
<v Speaker 1>you're you were meant for a horse kid. Yeah. And

1:06:32.600 --> 1:06:34.120
<v Speaker 1>part of it is like one of the things that

1:06:34.240 --> 1:06:36.480
<v Speaker 1>this shoulder injury he has, he kind of winds up,

1:06:36.520 --> 1:06:39.560
<v Speaker 1>always stooped a little bit forward to one side, which

1:06:40.040 --> 1:06:43.040
<v Speaker 1>gives him this kind of this awkward uneven gate. But

1:06:43.160 --> 1:06:46.320
<v Speaker 1>that's part of what makes him so iconic. Yeah, yeah,

1:06:46.360 --> 1:06:48.520
<v Speaker 1>this like gangster sort of lean and he kind of

1:06:48.600 --> 1:06:52.160
<v Speaker 1>strides into these gunfights. It's it's a very distinctive walk.

1:06:52.720 --> 1:06:57.960
<v Speaker 1>Um somebody surfing accident, Yeah, it's It's worth noting probably

1:06:58.040 --> 1:07:00.440
<v Speaker 1>a lot of racism is also involved, because think John

1:07:00.520 --> 1:07:03.720
<v Speaker 1>Wayne is insecure about the fact that Woody Strode is

1:07:03.760 --> 1:07:06.840
<v Speaker 1>a real athlete and also is just a white supremacist

1:07:07.320 --> 1:07:10.880
<v Speaker 1>um and apparently on the man who shot Liberty Valance. Um.

1:07:11.280 --> 1:07:14.200
<v Speaker 1>Wayne's taunting of Strode is bad enough that Jimmy Stewart

1:07:14.280 --> 1:07:16.360
<v Speaker 1>has to take him aside and be like, dude, you

1:07:16.440 --> 1:07:18.560
<v Speaker 1>gotta fucking cool off here, or Strode is going to

1:07:18.720 --> 1:07:22.280
<v Speaker 1>beat your ass. Like this isn't okay. My money is

1:07:22.400 --> 1:07:29.280
<v Speaker 1>on Strode on the big fellaw cut that out. He's

1:07:29.320 --> 1:07:31.560
<v Speaker 1>a real football player. You know, we're not in Palm

1:07:31.720 --> 1:07:37.360
<v Speaker 1>Dale anymore, oh, Jimmy. But like and and also he

1:07:37.440 --> 1:07:39.120
<v Speaker 1>must have been older, because this is I don't know

1:07:39.200 --> 1:07:43.280
<v Speaker 1>when it was like, yeah, he's like shot something. Yeah,

1:07:43.280 --> 1:07:44.840
<v Speaker 1>that is kind of like the height of his career.

1:07:44.960 --> 1:07:48.680
<v Speaker 1>But yeah, um exactly, come on, John Wayne anyway, So

1:07:48.840 --> 1:07:50.880
<v Speaker 1>whatever the truth is about why he gives up on

1:07:50.960 --> 1:07:54.560
<v Speaker 1>his hoop dreams, that's what you call wanting to play football, right,

1:07:54.600 --> 1:07:57.920
<v Speaker 1>So she's saying yes. So Marian decides to look for

1:07:58.000 --> 1:08:01.000
<v Speaker 1>work in the film industry, which is splouting in the

1:08:01.080 --> 1:08:04.240
<v Speaker 1>nineteen twenties. He gets a job with Fox Film working

1:08:04.320 --> 1:08:06.880
<v Speaker 1>as a prop man, and this was the site of

1:08:07.160 --> 1:08:11.080
<v Speaker 1>his first clearly documented example of being a huge dick. Right,

1:08:11.160 --> 1:08:13.520
<v Speaker 1>this is where we have our heel turn for John Wayne.

1:08:13.560 --> 1:08:16.160
<v Speaker 1>And he's firmly a band in the on the props team,

1:08:16.560 --> 1:08:20.280
<v Speaker 1>on the prop team. So he gets his first gig

1:08:20.720 --> 1:08:23.639
<v Speaker 1>in the film industry because of that famous cowboy actor

1:08:23.720 --> 1:08:27.479
<v Speaker 1>Tom Mix. Uh. Now Tom is at this point in

1:08:27.520 --> 1:08:29.400
<v Speaker 1>time in the late twenties, Tom is like the biggest

1:08:29.479 --> 1:08:33.400
<v Speaker 1>star in the country. He is making as a cowboy

1:08:33.479 --> 1:08:36.559
<v Speaker 1>movie star. He is making seventeen thousand dollars a week.

1:08:37.439 --> 1:08:40.160
<v Speaker 1>So that's like pretty damn good money today. You know,

1:08:40.400 --> 1:08:42.720
<v Speaker 1>like you're pretty rich if you're making that today. This

1:08:42.920 --> 1:08:46.679
<v Speaker 1>is like nineteen fucking twenties something like he is crazy.

1:08:46.760 --> 1:08:48.759
<v Speaker 1>That is all of the money in the United States.

1:08:48.880 --> 1:08:52.280
<v Speaker 1>Tom Mix is getting for baby very handsome time. He

1:08:52.360 --> 1:08:55.360
<v Speaker 1>was a good looking guy. He was a real ass cowboy.

1:08:55.479 --> 1:08:57.760
<v Speaker 1>Tom Mix had been not just like that. He had

1:08:57.800 --> 1:09:00.200
<v Speaker 1>farmed and ship. He had been as a younger man,

1:09:00.360 --> 1:09:03.720
<v Speaker 1>was a marshal in the Old West who got into gunfights. Um,

1:09:03.880 --> 1:09:06.320
<v Speaker 1>so he was not like it was not acting for

1:09:06.439 --> 1:09:10.640
<v Speaker 1>Tom Mix. He had done some stuff. Um. Yeah, and

1:09:10.760 --> 1:09:14.280
<v Speaker 1>he's Maryan's like obviously Marian idolizes this dude. Um. So

1:09:14.520 --> 1:09:16.880
<v Speaker 1>the two meet, like they contrive a meeting and they

1:09:17.120 --> 1:09:20.880
<v Speaker 1>hang out briefly while Duke is in college. Um, and

1:09:21.320 --> 1:09:24.799
<v Speaker 1>Mix is impressed by marrying enough that he calls George Marshall,

1:09:24.840 --> 1:09:27.439
<v Speaker 1>a film director, and he gets Mary in that first

1:09:27.520 --> 1:09:31.160
<v Speaker 1>prop job on his first movie. How doubt did he

1:09:31.240 --> 1:09:33.960
<v Speaker 1>manufacture that meeting? That's so hard. It's not like it

1:09:34.120 --> 1:09:36.479
<v Speaker 1>is like today celebrities there's this wall between them and

1:09:36.520 --> 1:09:37.800
<v Speaker 1>the rest of the world. For a bunch of back

1:09:37.800 --> 1:09:39.960
<v Speaker 1>in those days, it was not uncommon like they just

1:09:40.040 --> 1:09:45.280
<v Speaker 1>be walking around town filming like celebrity. M Yeah, I

1:09:45.479 --> 1:09:48.160
<v Speaker 1>just walked up to him and ship, you know, Um,

1:09:48.680 --> 1:09:50.439
<v Speaker 1>it wasn't his heart. He might have seen him on

1:09:50.560 --> 1:09:53.360
<v Speaker 1>set at this point. Yeah, And he's, he's, he's. They're

1:09:53.439 --> 1:09:55.519
<v Speaker 1>kind of in and around the same areas, and yeah,

1:09:55.560 --> 1:09:58.840
<v Speaker 1>they wind up talking and mix does him a real So, like,

1:09:58.960 --> 1:10:01.519
<v Speaker 1>that's a pretty cool thing to do for a kid,

1:10:01.720 --> 1:10:03.880
<v Speaker 1>is just to be like, you got some potential kid,

1:10:03.960 --> 1:10:05.880
<v Speaker 1>Why I'll get you a prop job. Maybe that'll help

1:10:05.880 --> 1:10:09.840
<v Speaker 1>you move into the industry. Um. Now, most sources you

1:10:09.880 --> 1:10:12.000
<v Speaker 1>will find, like casual sources will say, like, this is

1:10:12.040 --> 1:10:14.320
<v Speaker 1>a job that didn't pay well, it was menial, shitty work.

1:10:14.760 --> 1:10:17.760
<v Speaker 1>That is not true. Biographer Scott i'man will point out

1:10:17.800 --> 1:10:20.160
<v Speaker 1>that this was crucial and why he was successful later

1:10:20.200 --> 1:10:23.519
<v Speaker 1>because he's a very diligent and skilled prop man. Working

1:10:23.600 --> 1:10:26.720
<v Speaker 1>in props teaches him how things look on screen. He

1:10:26.920 --> 1:10:29.840
<v Speaker 1>learns how to like like because he thinks a lot

1:10:29.880 --> 1:10:32.599
<v Speaker 1>about how does this not just like does this look right?

1:10:32.720 --> 1:10:35.240
<v Speaker 1>But will this look right on camera? Um, which is

1:10:35.280 --> 1:10:37.080
<v Speaker 1>an important thing for an actor to be thinking about.

1:10:37.120 --> 1:10:38.920
<v Speaker 1>If you're going to be a successful actor, you always

1:10:38.960 --> 1:10:40.479
<v Speaker 1>need to be thinking about how does shi it look

1:10:40.560 --> 1:10:43.280
<v Speaker 1>when it's filmed as opposed to you know, how does

1:10:43.360 --> 1:10:46.000
<v Speaker 1>it just like look in the real world. Um. And

1:10:46.120 --> 1:10:48.680
<v Speaker 1>because of the skills he builds as a prop man,

1:10:48.760 --> 1:10:50.599
<v Speaker 1>he's going to be a lot more successful as an

1:10:50.640 --> 1:10:53.879
<v Speaker 1>actor and eventually a director in the future. And Jensen,

1:10:53.960 --> 1:10:56.599
<v Speaker 1>his other biographer, points out that he was really well paid.

1:10:56.720 --> 1:10:59.000
<v Speaker 1>He's getting thirty five dollars a week at a time

1:10:59.040 --> 1:11:00.519
<v Speaker 1>when a lot of people didn't make that in a

1:11:00.640 --> 1:11:03.080
<v Speaker 1>month um as a college gig. So this is a

1:11:03.200 --> 1:11:05.600
<v Speaker 1>really good job that Tom Mix had set him up with.

1:11:06.000 --> 1:11:08.479
<v Speaker 1>Most people would consider this a huge solid but for

1:11:08.560 --> 1:11:11.519
<v Speaker 1>the rest of his life, Duke would claim that Tom

1:11:11.640 --> 1:11:14.439
<v Speaker 1>Mixed promised him an on screen job as a cowboy

1:11:14.720 --> 1:11:17.519
<v Speaker 1>and then screwed him with the prop job. This is

1:11:17.560 --> 1:11:20.320
<v Speaker 1>an obvious lie. For one thing, Tom Mix had a

1:11:20.400 --> 1:11:23.720
<v Speaker 1>group of actual cowboys that he had with him on

1:11:23.880 --> 1:11:25.960
<v Speaker 1>the set at any given time to do stunts and

1:11:26.000 --> 1:11:28.679
<v Speaker 1>ship people that like, knew how to ride and knew

1:11:28.680 --> 1:11:30.280
<v Speaker 1>how to rope, and we're real good at all the

1:11:30.360 --> 1:11:33.519
<v Speaker 1>cowboys stuff. He was not known for just hiring random

1:11:33.600 --> 1:11:36.040
<v Speaker 1>people to his crew, because he had folks he was.

1:11:36.280 --> 1:11:37.920
<v Speaker 1>He was the top of the game. He didn't just

1:11:37.960 --> 1:11:42.360
<v Speaker 1>pick up college kids. You know, Marion watched snakes, Robert, Okay,

1:11:42.560 --> 1:11:46.040
<v Speaker 1>that's real world experience. He didn't know how to lasso,

1:11:46.320 --> 1:11:50.640
<v Speaker 1>you know, ship at it um that is that is

1:11:50.720 --> 1:11:52.920
<v Speaker 1>something people will point out he sucked at lasso It

1:11:53.160 --> 1:11:55.880
<v Speaker 1>so um, he sucked at one of the main things,

1:11:55.960 --> 1:11:58.320
<v Speaker 1>that one of the big right, And that's part of

1:11:58.400 --> 1:12:01.040
<v Speaker 1>why Jensen will be like, there's no way Tom Mix

1:12:01.120 --> 1:12:03.160
<v Speaker 1>wanted to give this kid a job as a major

1:12:03.280 --> 1:12:05.679
<v Speaker 1>on screen cowboy. He didn't know how to do any

1:12:05.720 --> 1:12:07.560
<v Speaker 1>of that ship and Tom Mix had a crew of

1:12:07.640 --> 1:12:10.360
<v Speaker 1>people he'd been working with for years. It seems like

1:12:10.880 --> 1:12:14.400
<v Speaker 1>entitlement and like also sort of like ego of a

1:12:14.479 --> 1:12:18.479
<v Speaker 1>movie star in development. Yes, it seems like what has

1:12:18.520 --> 1:12:21.040
<v Speaker 1>happened is that Tom Mix did this kid an incredible

1:12:21.120 --> 1:12:24.000
<v Speaker 1>solid and got him a good paying industry job, and

1:12:24.120 --> 1:12:26.280
<v Speaker 1>then Duke spent the rest of his life hating his

1:12:26.360 --> 1:12:31.760
<v Speaker 1>hero for it. Why Here's what Jen Synthora rises. The

1:12:31.840 --> 1:12:34.080
<v Speaker 1>story is interesting because it is the first glimpse into

1:12:34.160 --> 1:12:37.719
<v Speaker 1>Duke's little known narcissistic streak and propensity for viewing himself

1:12:37.760 --> 1:12:39.800
<v Speaker 1>as the victim. It is the first time we see

1:12:39.840 --> 1:12:42.519
<v Speaker 1>Duke's propensity for viewing his glasses half empty rather than

1:12:42.600 --> 1:12:46.519
<v Speaker 1>half full, his penchant for thinking himself as lucky, perhaps

1:12:46.640 --> 1:12:50.040
<v Speaker 1>as unlucky. Perhaps Duke believed after spending an entire year

1:12:50.080 --> 1:12:52.400
<v Speaker 1>among the sons of privilege in college that he was

1:12:52.560 --> 1:12:55.200
<v Speaker 1>entitled to special treatment. Perhaps it is a tale born

1:12:55.240 --> 1:12:57.639
<v Speaker 1>of public relations. When Duke was cast in his first

1:12:57.680 --> 1:13:00.400
<v Speaker 1>starring role in The Big Trail, he told every reporter

1:13:00.439 --> 1:13:02.560
<v Speaker 1>who would listen that he'd beaten out Tom Mix for

1:13:02.640 --> 1:13:06.640
<v Speaker 1>the role. Now this was again a lie, right, Uh.

1:13:07.120 --> 1:13:09.720
<v Speaker 1>Mix wasn't even working with the same studio. And it

1:13:09.840 --> 1:13:13.479
<v Speaker 1>said that when John, like when Maryan got his first

1:13:13.680 --> 1:13:16.280
<v Speaker 1>like on camera gigs, he winds up on set with

1:13:16.400 --> 1:13:19.200
<v Speaker 1>Tom Mix and he like confronts him about the fact

1:13:19.240 --> 1:13:21.599
<v Speaker 1>that Mix screwed him out of a job, and Mix,

1:13:21.680 --> 1:13:24.760
<v Speaker 1>being an actual cowboy quote, stared at the ungrateful young

1:13:24.840 --> 1:13:27.639
<v Speaker 1>duke with a glare so cold that the chill was palpable.

1:13:27.960 --> 1:13:31.120
<v Speaker 1>It's just like the funk are you saying? Like yeah,

1:13:31.439 --> 1:13:36.600
<v Speaker 1>best response the two never talk against. That's what you

1:13:36.760 --> 1:13:39.599
<v Speaker 1>did to your hero, This dude who does like that's

1:13:39.640 --> 1:13:43.080
<v Speaker 1>like imagine that happening to anyone today. I still getting

1:13:43.080 --> 1:13:44.720
<v Speaker 1>you a gig in the industry just because of a

1:13:44.800 --> 1:13:49.240
<v Speaker 1>casual conversation like but also like a little bit of respect,

1:13:49.400 --> 1:13:52.559
<v Speaker 1>like like I would I am such a like sort

1:13:52.600 --> 1:13:55.639
<v Speaker 1>of like grateful, sick of fan I'd be like, oh, yes,

1:13:55.920 --> 1:13:58.639
<v Speaker 1>give me and I'll take anything. I would never stop

1:13:58.800 --> 1:14:04.040
<v Speaker 1>saying nice shit about mix, you know, but not John Wayne. Um.

1:14:04.720 --> 1:14:06.519
<v Speaker 1>So he starts working as a prop boy and he

1:14:06.640 --> 1:14:09.519
<v Speaker 1>serves as an extra like for side, Cash and Ship,

1:14:09.680 --> 1:14:11.760
<v Speaker 1>just because the film needs it and because he wants

1:14:11.800 --> 1:14:14.519
<v Speaker 1>to get on screen. His first role on screen is

1:14:14.600 --> 1:14:18.640
<v Speaker 1>probably an anonymous Yale football player. There's some debate about this. Uh,

1:14:18.760 --> 1:14:21.479
<v Speaker 1>He's uncredited and at least thirteen more roles over the

1:14:21.560 --> 1:14:24.360
<v Speaker 1>next few years. Uh. During this period of time, while

1:14:24.400 --> 1:14:26.800
<v Speaker 1>he's propping it up, um, he gets married to a

1:14:26.880 --> 1:14:30.200
<v Speaker 1>young woman named Josephine Sands s A E. N Z.

1:14:30.760 --> 1:14:33.200
<v Speaker 1>She's the daughter of a Spanish diplomat. All of his

1:14:33.320 --> 1:14:37.000
<v Speaker 1>wives are going to be Hispanic or Latin American. Um

1:14:38.040 --> 1:14:40.800
<v Speaker 1>Marian describes this as love at first sight, but he

1:14:40.880 --> 1:14:45.160
<v Speaker 1>also slept around on her from the beginning. His justification

1:14:46.200 --> 1:14:51.040
<v Speaker 1>before Christianity kind of well, it's even it's shadier than that,

1:14:51.320 --> 1:14:54.880
<v Speaker 1>is that like, she's Catholic, right, and she can't fuck

1:14:54.920 --> 1:14:58.439
<v Speaker 1>until marriage. So he he decides it's okay for me

1:14:58.520 --> 1:15:00.280
<v Speaker 1>to sleep around prior to marriage because she can't have

1:15:00.360 --> 1:15:03.280
<v Speaker 1>sex with me prior to marriage. Obviously, I need to

1:15:03.320 --> 1:15:06.960
<v Speaker 1>have sex, so this is fine. That's why he dated

1:15:07.080 --> 1:15:14.000
<v Speaker 1>like Catholic like Latina's Well I don't know about that. Um. Yeah,

1:15:14.280 --> 1:15:18.120
<v Speaker 1>so he uh, he does this, Uh, he cheats around

1:15:18.160 --> 1:15:20.799
<v Speaker 1>on her constantly. Um. And then when they get married,

1:15:20.920 --> 1:15:22.760
<v Speaker 1>it turns out she doesn't have much of a sex

1:15:22.920 --> 1:15:26.280
<v Speaker 1>drive his words, right, we don't know anything about her

1:15:26.479 --> 1:15:28.920
<v Speaker 1>attitude towards this, but he decides that because she doesn't

1:15:28.960 --> 1:15:31.080
<v Speaker 1>have much of a sex drive, it's again okay for

1:15:31.280 --> 1:15:33.679
<v Speaker 1>him to cheat on her constantly, even while he makes

1:15:33.800 --> 1:15:37.600
<v Speaker 1>four children with her. Um. So John Wayne, you know,

1:15:37.880 --> 1:15:40.040
<v Speaker 1>just John wayning it up. Although he's not John Wayne yet.

1:15:40.360 --> 1:15:43.559
<v Speaker 1>He's about to become that though, because in nine Duke

1:15:43.680 --> 1:15:46.960
<v Speaker 1>Morrison meets John Ford, the man who is going to

1:15:47.120 --> 1:15:50.439
<v Speaker 1>make his career now. Ford was and still is a

1:15:50.600 --> 1:15:53.439
<v Speaker 1>legendary director. A lot of most film nerds will agree

1:15:53.520 --> 1:15:55.400
<v Speaker 1>he was a genius, like just one of these guys

1:15:55.439 --> 1:15:58.000
<v Speaker 1>who helps invent the language of cinema in a lot

1:15:58.040 --> 1:16:01.400
<v Speaker 1>of ways. Um. And Ford is also a hard son

1:16:01.479 --> 1:16:03.799
<v Speaker 1>of a bitch. His dad had been a rum runner

1:16:03.840 --> 1:16:06.839
<v Speaker 1>and a saloon owner. He was a proud Irish Catholic

1:16:06.920 --> 1:16:11.120
<v Speaker 1>and a violent profoundly abusive man. John Wayne worked as

1:16:11.240 --> 1:16:13.200
<v Speaker 1>his first worked as his prop man on a movie

1:16:13.280 --> 1:16:16.080
<v Speaker 1>called Mother McCree, and his primary job to was to

1:16:16.120 --> 1:16:20.000
<v Speaker 1>wrangle geese. During one particularly difficult scene, Ford decided to

1:16:20.040 --> 1:16:23.640
<v Speaker 1>break the tension by mocking his newest employee, Duke. He

1:16:23.800 --> 1:16:25.800
<v Speaker 1>asked this new kid if it was true he'd played

1:16:25.800 --> 1:16:29.759
<v Speaker 1>football at USC. Marian says yes, and then Ford asks

1:16:29.800 --> 1:16:32.759
<v Speaker 1>him to show the crew his technique. So Marian crouches

1:16:32.800 --> 1:16:35.120
<v Speaker 1>down into position and for kicks his hands out from

1:16:35.160 --> 1:16:38.400
<v Speaker 1>under him, so he falls forward on his face. Wow,

1:16:38.800 --> 1:16:40.600
<v Speaker 1>that's just like the ship that goes down on a

1:16:40.720 --> 1:16:45.480
<v Speaker 1>John Ford set. And Marian just you know, toxic Hollywood

1:16:46.040 --> 1:16:50.400
<v Speaker 1>very much so. And so you know, Marian, this is

1:16:50.479 --> 1:16:53.799
<v Speaker 1>actually a very John Wayne moment, gets back in position

1:16:53.880 --> 1:16:57.200
<v Speaker 1>and tells the director, why don't you try that again? Uh?

1:16:57.360 --> 1:16:59.720
<v Speaker 1>And then when Ford tries it again, John Wayne kicks

1:16:59.760 --> 1:17:02.519
<v Speaker 1>his austin the chest and knocks him down. Um. And

1:17:02.640 --> 1:17:06.760
<v Speaker 1>this is apparently what starts their friendship. Now, oh, this

1:17:06.960 --> 1:17:10.240
<v Speaker 1>may not be true, um. Jensen, his biographer, doubts this

1:17:10.360 --> 1:17:13.320
<v Speaker 1>story is at least entirely true. For one thing, Ford

1:17:13.360 --> 1:17:15.840
<v Speaker 1>and Wayne are the only people who ever told this

1:17:15.960 --> 1:17:19.160
<v Speaker 1>story despite there being other folks on the set. Um,

1:17:19.520 --> 1:17:22.880
<v Speaker 1>it's more likely that like Ford hit Wayne uh and

1:17:23.040 --> 1:17:25.880
<v Speaker 1>maybe like you know, something happened there. But but this

1:17:26.080 --> 1:17:29.120
<v Speaker 1>is just a little bit too perfectly masculine of a

1:17:29.160 --> 1:17:32.720
<v Speaker 1>Hollywood story to be real. Um. I imagine him just

1:17:32.760 --> 1:17:36.439
<v Speaker 1>like covered with like geese ship to trying to not

1:17:36.640 --> 1:17:40.719
<v Speaker 1>fun wrangling. But they had to create it. If Ford

1:17:40.800 --> 1:17:44.000
<v Speaker 1>is any good at creating stars, Yeah, you have to

1:17:44.040 --> 1:17:46.719
<v Speaker 1>build this kind of myth of these of these guys

1:17:46.840 --> 1:17:50.000
<v Speaker 1>and their relationship, whatever the truth is. Shortly after this point,

1:17:50.120 --> 1:17:52.679
<v Speaker 1>John Ford, who's a pretty powerful director at this point,

1:17:52.960 --> 1:17:56.320
<v Speaker 1>brings unknown prop boy Duke Morrison into his inner circle.

1:17:56.400 --> 1:17:58.479
<v Speaker 1>Now he doesn't put him in pictures, we'll talk about

1:17:58.479 --> 1:18:00.839
<v Speaker 1>that in a second, but he brings him in socially.

1:18:01.000 --> 1:18:04.280
<v Speaker 1>And if the picture Jensen paints is accurate, this group

1:18:04.360 --> 1:18:06.560
<v Speaker 1>that Duke starts hanging out with are quite quite a

1:18:06.600 --> 1:18:09.880
<v Speaker 1>bunch of fellows. Quote. Duke insisted that he reveled in

1:18:09.920 --> 1:18:13.160
<v Speaker 1>the masculine company affords drinking buddies. They formed a group

1:18:13.240 --> 1:18:17.120
<v Speaker 1>called the Young Men's Purity, Total Abstinence and Yachting Association,

1:18:17.439 --> 1:18:20.400
<v Speaker 1>whose goal was, in their words, the promuligation of the

1:18:20.479 --> 1:18:24.040
<v Speaker 1>cause of alcoholism. They succeeded in their stated goal. Every

1:18:24.080 --> 1:18:28.160
<v Speaker 1>member became a confirmed alcoholic of monumental proportions. The men

1:18:28.240 --> 1:18:31.519
<v Speaker 1>often sailed on men's only cruises on Ford's yacht, the

1:18:31.760 --> 1:18:34.559
<v Speaker 1>Rainer to mazat Land and stayed in the Belmar Hotel,

1:18:34.680 --> 1:18:37.360
<v Speaker 1>a brothel. The owner had a pet python, and whenever

1:18:37.439 --> 1:18:39.880
<v Speaker 1>someone passed out from drink, the python was placed on

1:18:39.960 --> 1:18:43.200
<v Speaker 1>the supine drunkard's chest. Henry Fonda once passed out on

1:18:43.240 --> 1:18:45.719
<v Speaker 1>the floor and awoke screaming in terror as he realized

1:18:45.760 --> 1:18:48.880
<v Speaker 1>the snake at him in his clutches. So they're like

1:18:49.040 --> 1:18:55.040
<v Speaker 1>sail into Mexico getting snake drunk, Like I like, I

1:18:55.160 --> 1:18:59.640
<v Speaker 1>love this for them, Like everyone around them handed the

1:18:59.720 --> 1:19:01.320
<v Speaker 1>ship it out of them. This is just must have

1:19:01.360 --> 1:19:05.840
<v Speaker 1>been insufferable all the me too stories like these guys

1:19:05.840 --> 1:19:09.720
<v Speaker 1>show up at the brothel and everyone's like shit, like yesh, shit,

1:19:10.080 --> 1:19:12.559
<v Speaker 1>oh they're already drunk. They might not make it to sure.

1:19:12.720 --> 1:19:15.679
<v Speaker 1>Fuck well, I mean that's I guess that's an easy

1:19:15.840 --> 1:19:18.360
<v Speaker 1>job though, if they're already drunk and they're just kind

1:19:18.400 --> 1:19:21.439
<v Speaker 1>of like you know, I mean, you know, what are

1:19:21.439 --> 1:19:24.839
<v Speaker 1>you gonna do? Arrive? Limptic with a python. You're like, Okay,

1:19:25.200 --> 1:19:27.920
<v Speaker 1>they'll pay me anyway. Their Hollywood stars. Yeah, you just

1:19:28.040 --> 1:19:29.760
<v Speaker 1>tell them you did it when they wake back up

1:19:29.840 --> 1:19:32.400
<v Speaker 1>and they'll feel yeah it was great. Wow you were incredible.

1:19:32.720 --> 1:19:39.080
<v Speaker 1>Yeah you lasted forever. Oh my god. This is so

1:19:39.280 --> 1:19:41.800
<v Speaker 1>Also it's like very and this is this is later

1:19:42.439 --> 1:19:45.679
<v Speaker 1>but like it's very Kavanaugh. It's very like little Bretty

1:19:45.760 --> 1:19:49.160
<v Speaker 1>Kavanaugh in his day. Yeah, this is like, this is

1:19:49.240 --> 1:19:52.000
<v Speaker 1>what all of these guys want to be because you know,

1:19:52.400 --> 1:19:55.640
<v Speaker 1>we're talking about the first era here. You know, with

1:19:55.800 --> 1:20:00.640
<v Speaker 1>these we're rotting Alcoholics Club, they're on yachts, they're out acoholics,

1:20:00.720 --> 1:20:03.439
<v Speaker 1>all of them become famous. You know, this is like

1:20:03.680 --> 1:20:08.920
<v Speaker 1>the toxic masculine dream. And I hate all of these people, like, yeah,

1:20:08.920 --> 1:20:12.960
<v Speaker 1>they're all they're all not not nice people. Marino movie

1:20:13.080 --> 1:20:15.280
<v Speaker 1>that I feel like Quentin Tarantino should have made in

1:20:15.439 --> 1:20:20.920
<v Speaker 1>terms of needs to still be a movie. Um Marino. Harra,

1:20:21.040 --> 1:20:23.920
<v Speaker 1>who was Ford's number one leading lady at this point.

1:20:24.120 --> 1:20:28.720
<v Speaker 1>Very Famous Star, claims that John Ford probably adopted Duke

1:20:29.000 --> 1:20:32.840
<v Speaker 1>because he was hot and Ford was super bisexual. Um.

1:20:33.520 --> 1:20:36.120
<v Speaker 1>It is unclear if this was true. Also, the term

1:20:36.200 --> 1:20:38.959
<v Speaker 1>bisexual gets used a lot by Jensen because his biography

1:20:39.000 --> 1:20:41.479
<v Speaker 1>is pretty old and he's not up on his terms.

1:20:41.840 --> 1:20:43.920
<v Speaker 1>Some people would just say that Ford was gay. It's

1:20:44.000 --> 1:20:46.920
<v Speaker 1>really unclear what the truth is. Ford was married and

1:20:47.000 --> 1:20:49.320
<v Speaker 1>he beat the ship out of his wife constantly and

1:20:49.400 --> 1:20:53.080
<v Speaker 1>in public. Um, that doesn't necessarily mean one thing or

1:20:53.080 --> 1:20:55.840
<v Speaker 1>the other about his sexuality. You can abuse your wife

1:20:55.880 --> 1:20:58.880
<v Speaker 1>and be bisexual. But it's worth noting that he pretty

1:20:58.960 --> 1:21:03.240
<v Speaker 1>much exclusively hung out with hot dudes. Um, who knows

1:21:03.320 --> 1:21:06.040
<v Speaker 1>what's going on there. Probably a few things are going

1:21:06.120 --> 1:21:08.880
<v Speaker 1>on there, you know. Now, this definitely has to be

1:21:09.000 --> 1:21:12.519
<v Speaker 1>a movie, and like you know, of course anyone can

1:21:12.600 --> 1:21:15.599
<v Speaker 1>beat there. No, obviously that doesn't say anything about sexuality,

1:21:15.640 --> 1:21:20.479
<v Speaker 1>but the performativeness of hitting a woman in public, there's

1:21:20.520 --> 1:21:23.479
<v Speaker 1>just a level of misogyny, which like, who is this

1:21:23.640 --> 1:21:26.439
<v Speaker 1>for for? For the idea of how abusive Ford is.

1:21:26.840 --> 1:21:28.880
<v Speaker 1>Men in the twenties are like that dude hits women

1:21:28.880 --> 1:21:32.600
<v Speaker 1>a lot. That dude hits women a lot, and like

1:21:33.720 --> 1:21:37.760
<v Speaker 1>it is the twenties, you know, Um, it would not

1:21:38.000 --> 1:21:40.600
<v Speaker 1>be accurate to call John Ford a good friend to

1:21:40.920 --> 1:21:44.479
<v Speaker 1>to marry in the duke in this period. Jensen argues

1:21:44.560 --> 1:21:47.599
<v Speaker 1>that he quote continuously held duke back for years. Rather

1:21:47.680 --> 1:21:49.920
<v Speaker 1>than casting him in any of his many films, He

1:21:50.080 --> 1:21:52.679
<v Speaker 1>let Wayne struggle on as an extra and prop boy

1:21:52.760 --> 1:21:55.479
<v Speaker 1>for almost a decade, and it's alleged that he also

1:21:55.600 --> 1:21:59.200
<v Speaker 1>slandered marry into other directors when they considered casting him.

1:21:59.400 --> 1:22:04.240
<v Speaker 1>Interest so super controlling, very controlling, very much like I

1:22:04.360 --> 1:22:06.080
<v Speaker 1>want you around me, but I don't want to let

1:22:06.080 --> 1:22:09.240
<v Speaker 1>you get successful enough that you can leave me, you know, right,

1:22:10.000 --> 1:22:14.680
<v Speaker 1>good stuff, cool dude. So, after years of struggle, uh,

1:22:15.000 --> 1:22:19.240
<v Speaker 1>Marian Duke Morrison gets cast as a major character in

1:22:19.320 --> 1:22:21.280
<v Speaker 1>his first movie for the first time. Now. This is

1:22:21.360 --> 1:22:24.800
<v Speaker 1>called Words in Music in nineteen thirty nine. It's a

1:22:24.920 --> 1:22:28.360
<v Speaker 1>campus musical. It is not a good movie. Fox buries

1:22:28.400 --> 1:22:30.960
<v Speaker 1>it with a one day opening run in New York alone.

1:22:31.800 --> 1:22:34.960
<v Speaker 1>Very wisely, Uh. He goes by Marian, goes by his

1:22:35.080 --> 1:22:38.200
<v Speaker 1>nickname Duke in Hollywood, like his his screen name is

1:22:38.280 --> 1:22:42.000
<v Speaker 1>Duke Morrison rather than Marian Um. Certainly a good call.

1:22:42.800 --> 1:22:45.439
<v Speaker 1>The film makes no impact, but afterwards he gets another

1:22:45.520 --> 1:22:49.360
<v Speaker 1>prop job on another forward film, Born Reckless, and this

1:22:49.479 --> 1:22:51.559
<v Speaker 1>is where he comes under the eye of Rool Walsh,

1:22:51.680 --> 1:22:53.759
<v Speaker 1>who was in the process of casting for a western.

1:22:54.160 --> 1:22:56.160
<v Speaker 1>He had a clear idea of the kind of cowboy

1:22:56.240 --> 1:22:59.759
<v Speaker 1>actor he wanted. Quote a true replica of the pioneer type,

1:23:00.080 --> 1:23:02.720
<v Speaker 1>somewhat diffident with women, being unused to them, but a

1:23:02.800 --> 1:23:05.680
<v Speaker 1>bear cat among the men of the planes. So this

1:23:05.840 --> 1:23:08.519
<v Speaker 1>is like it's important for him to be big and tough,

1:23:08.680 --> 1:23:11.400
<v Speaker 1>but also awkward around women. Like that's what you want

1:23:11.520 --> 1:23:15.559
<v Speaker 1>in a male, Yeah, you don't want The masculine ideal

1:23:15.720 --> 1:23:17.920
<v Speaker 1>at this point is not a guy who's a player.

1:23:18.040 --> 1:23:20.439
<v Speaker 1>It's a guy who's like attractive to women but kind

1:23:20.479 --> 1:23:22.760
<v Speaker 1>of uncomfortable around them because he spend so much time

1:23:22.800 --> 1:23:27.519
<v Speaker 1>in the woods, you know, doing manly stuff right, impenetrable, yes, um,

1:23:28.720 --> 1:23:31.840
<v Speaker 1>and a little bit you know that, a little bit unavailable,

1:23:31.920 --> 1:23:35.360
<v Speaker 1>you know, because that's hot. Uh. So, oddly enough, this

1:23:35.560 --> 1:23:38.559
<v Speaker 1>fits Mary into a t He's a big guy, he's

1:23:38.600 --> 1:23:41.559
<v Speaker 1>clearly physically competent. He can at least portray the image

1:23:41.560 --> 1:23:45.559
<v Speaker 1>of hard one life experience, but he is awkward around women. Uh.

1:23:45.960 --> 1:23:48.479
<v Speaker 1>John Wayne would claim later that he never chased women.

1:23:48.600 --> 1:23:50.960
<v Speaker 1>This is a lie, but biographer Scott I am A

1:23:51.040 --> 1:23:55.000
<v Speaker 1>notes that his friends agree. Quote pushy Dame's really scared him, um,

1:23:55.200 --> 1:23:59.800
<v Speaker 1>which I think means like women who knew what they wanted. Yes,

1:24:00.040 --> 1:24:03.840
<v Speaker 1>he tends to go for inexperienced women. This is gonna

1:24:04.080 --> 1:24:07.240
<v Speaker 1>eventually lead to him marrying a teenager, so heads up

1:24:07.280 --> 1:24:11.599
<v Speaker 1>to where things are headed. But you know who won't

1:24:11.720 --> 1:24:15.840
<v Speaker 1>well pity women slash women my age? Yeah, yeah, you

1:24:15.880 --> 1:24:19.880
<v Speaker 1>don't wanna. You don't wanna marry people who can stand

1:24:20.080 --> 1:24:22.920
<v Speaker 1>up for themselves because they're as old as you and

1:24:23.320 --> 1:24:26.519
<v Speaker 1>have an understanding of what it means to an adult. Um.

1:24:27.880 --> 1:24:31.240
<v Speaker 1>I wouldn't want to get in on this. So all right,

1:24:32.120 --> 1:24:33.760
<v Speaker 1>you know that's probably a good point to end in

1:24:33.840 --> 1:24:36.120
<v Speaker 1>part one. We got a couple more to go. Francesco,

1:24:36.560 --> 1:24:39.080
<v Speaker 1>what do you what do you? What do you? What

1:24:39.120 --> 1:24:43.599
<v Speaker 1>do you got to plug here? Ah? Um? Yeah, everybody

1:24:43.680 --> 1:24:46.640
<v Speaker 1>check out the Bituation Room podcast um on where we

1:24:46.680 --> 1:24:48.880
<v Speaker 1>get your podcasts and we stream on YouTube and Twitch

1:24:48.960 --> 1:24:53.439
<v Speaker 1>and it's you know, news, comedy, all the things. Um,

1:24:53.800 --> 1:24:57.120
<v Speaker 1>not a lot of John Wayne. So if you need

1:24:57.200 --> 1:25:00.400
<v Speaker 1>a break from one of the two podcasts A Loud

1:25:02.080 --> 1:25:09.200
<v Speaker 1>under the biden Um Administration one of the two currently

1:25:09.320 --> 1:25:16.799
<v Speaker 1>legal podcasts, um so yeah, enjoy our new glorious Bidenist regime.

1:25:17.600 --> 1:25:20.760
<v Speaker 1>Uh and remember, folks, if you hear about a podcast

1:25:20.880 --> 1:25:23.760
<v Speaker 1>other than this one, or the bituation Room, call the

1:25:23.920 --> 1:25:28.840
<v Speaker 1>FBI immediately, immediately. And if people don't want to listen

1:25:28.840 --> 1:25:32.280
<v Speaker 1>to a podcast that can always read your book, Robert, Oh, no,

1:25:32.439 --> 1:25:37.760
<v Speaker 1>not under the new junta. That's very very They can't

1:25:38.080 --> 1:25:40.479
<v Speaker 1>pre order it from a k Press, none of that. No,

1:25:40.600 --> 1:25:44.880
<v Speaker 1>they cannot. They can listen to these two podcasts, or

1:25:45.000 --> 1:25:47.920
<v Speaker 1>they can watch reruns of Frasier. Everything else is illegal.

1:25:50.439 --> 1:25:55.679
<v Speaker 1>Cheers is not legal, absolutely not No, No, Frasier still legal.

1:25:55.840 --> 1:26:01.439
<v Speaker 1>Cheers very much banned. All right, God, I don't want

1:26:01.479 --> 1:26:14.280
<v Speaker 1>to live in this world. Biden hates Woody Harrelson. Behind

1:26:14.320 --> 1:26:17.120
<v Speaker 1>the Bastards is a production of cool Zone Media. For

1:26:17.240 --> 1:26:19.960
<v Speaker 1>more from cool Zone Media, visit our website cool zone

1:26:20.040 --> 1:26:22.840
<v Speaker 1>media dot com, or check us out on the I

1:26:22.960 --> 1:26:26.160
<v Speaker 1>Heart Radio app, Apple Podcasts, or wherever you get your podcasts.