1 00:00:01,400 --> 00:00:05,200 Speaker 1: It's the Best Bits of the Week with Morgan number two. 2 00:00:06,280 --> 00:00:09,520 Speaker 1: Welcome to the Best Bits. This is just the bits. 3 00:00:09,520 --> 00:00:12,440 Speaker 1: I'm Morgan. In case this is your first time joining us. 4 00:00:12,480 --> 00:00:14,520 Speaker 1: What I do is break down the Bobby Bone Show 5 00:00:14,600 --> 00:00:17,680 Speaker 1: from this week. These are the top seven segments based 6 00:00:17,680 --> 00:00:20,159 Speaker 1: on engagement, what you guys called in, about what you 7 00:00:20,200 --> 00:00:22,880 Speaker 1: guys loved on social media, you know, all those good 8 00:00:22,920 --> 00:00:26,480 Speaker 1: metrics and stuff. And we're gonna start off at number seven. 9 00:00:27,000 --> 00:00:30,120 Speaker 1: I reviewed Bill and Ted's Excellent Adventure. This is just 10 00:00:30,200 --> 00:00:32,640 Speaker 1: another review in my line of reviews I've had to 11 00:00:32,640 --> 00:00:35,920 Speaker 1: do lately. The guys think gets hilarious when I have 12 00:00:36,040 --> 00:00:39,120 Speaker 1: to watch shows or movies for the first time and 13 00:00:39,280 --> 00:00:41,879 Speaker 1: review them and we see if there's still relatable or 14 00:00:41,880 --> 00:00:43,959 Speaker 1: hold up today. And I mean, I've had some very 15 00:00:43,960 --> 00:00:47,720 Speaker 1: controversial opinions of these movies, so it's it's a good 16 00:00:47,760 --> 00:00:50,280 Speaker 1: time when you guys blasphemy on the internet for not 17 00:00:50,400 --> 00:00:54,400 Speaker 1: liking these. But I will say I did enjoy this one. 18 00:00:54,560 --> 00:00:56,240 Speaker 1: I mean, it's not my favorite movie ever, but I 19 00:00:56,280 --> 00:00:58,440 Speaker 1: did enjoy it. And you can hear my full review 20 00:00:58,480 --> 00:01:01,320 Speaker 1: that Bobby was proud to hear because this is one 21 00:01:01,360 --> 00:01:04,760 Speaker 1: of his favorite movies. Here is me reviewing Bill and 22 00:01:04,760 --> 00:01:09,840 Speaker 1: Ted's Excellent Adventure. Number seven. We've been giving Morgan shows 23 00:01:09,920 --> 00:01:12,920 Speaker 1: from back an hour day to review. Morgan, you're how 24 00:01:12,920 --> 00:01:15,679 Speaker 1: old I am? Twenty eight and so you'd never seen 25 00:01:15,720 --> 00:01:18,280 Speaker 1: Beavis and butthead. Never seen Bevis And butthead. Nope. It 26 00:01:18,400 --> 00:01:20,280 Speaker 1: got the lowest score of all that we've given her. 27 00:01:20,360 --> 00:01:25,720 Speaker 1: It's terrible as zero point five out of five. The 28 00:01:25,720 --> 00:01:29,240 Speaker 1: Goonies did terrible on her list. It got two out 29 00:01:29,240 --> 00:01:32,160 Speaker 1: of five. Trouble Shopples, which I thought was a bit low. 30 00:01:32,440 --> 00:01:35,280 Speaker 1: Seinfeld also pretty bad, two point five out of five. Jackets, 31 00:01:36,040 --> 00:01:39,800 Speaker 1: Austin Powers one out of five. Groovy Babies. Now some 32 00:01:39,840 --> 00:01:41,520 Speaker 1: of the ones that she liked Back to the Future 33 00:01:41,560 --> 00:01:44,840 Speaker 1: four out of five, Doloreans, the Karate Kid four point 34 00:01:44,840 --> 00:01:47,960 Speaker 1: five out of five, Cobra kais Shaw Shank five out 35 00:01:47,960 --> 00:01:51,720 Speaker 1: of five. So she's not being a hater to all 36 00:01:51,720 --> 00:01:53,800 Speaker 1: the stuff from our Day, but it had her. Watch 37 00:01:53,960 --> 00:01:57,360 Speaker 1: Bill and Ted's Excellent Adventure. It's Keanu Reeves, if you 38 00:01:57,360 --> 00:02:00,640 Speaker 1: ask me, his finest work. Oh yeah, yeah, yeah, it's 39 00:02:00,640 --> 00:02:03,640 Speaker 1: his finest work. So Morgan. This moved from nineteen eighty nine. 40 00:02:03,680 --> 00:02:06,480 Speaker 1: It gets an eighty one percent positive on Rotten tomatoes. 41 00:02:06,680 --> 00:02:09,600 Speaker 1: But what does Morgan the Millennial give it? Well, it 42 00:02:09,720 --> 00:02:14,560 Speaker 1: started out so cheesy and I was like, listen, yeah, 43 00:02:14,560 --> 00:02:17,440 Speaker 1: oh great, Like this felt like it was gonna be 44 00:02:17,440 --> 00:02:20,839 Speaker 1: Beavis and butthead in real life, that's the first. They're 45 00:02:20,880 --> 00:02:24,800 Speaker 1: like bros, like dude, yes, yeah, very stupid. They're playing 46 00:02:24,880 --> 00:02:27,240 Speaker 1: erro Guzar. They don't really care about life. Yeah. Right, 47 00:02:27,320 --> 00:02:30,040 Speaker 1: So the first thirty minutes I'm like, this is gonna 48 00:02:30,040 --> 00:02:33,160 Speaker 1: be the stupidest movie ever. But it started to pick 49 00:02:33,240 --> 00:02:35,720 Speaker 1: up when they started picking up the history characters and 50 00:02:35,760 --> 00:02:38,880 Speaker 1: there were this whole adventure and I actually really enjoyed it. 51 00:02:38,919 --> 00:02:42,320 Speaker 1: When it came to all the history characters like living 52 00:02:42,360 --> 00:02:47,840 Speaker 1: out in real life, that was my favorite part. So great, Yeah, 53 00:02:47,880 --> 00:02:50,360 Speaker 1: I thought that was a really cool concept. I would 54 00:02:50,360 --> 00:02:53,320 Speaker 1: love to see history characters actually in real life now. 55 00:02:53,520 --> 00:02:56,639 Speaker 1: So I ended up really liking it, and I give 56 00:02:56,639 --> 00:03:01,920 Speaker 1: it three point five out of five phone booths. So 57 00:03:02,080 --> 00:03:04,280 Speaker 1: that was my favorite movie from much of my life. 58 00:03:04,400 --> 00:03:06,440 Speaker 1: Loved it still one of my top five ever because 59 00:03:06,440 --> 00:03:08,120 Speaker 1: I enjoyed it and learned so much about it, and 60 00:03:08,120 --> 00:03:10,560 Speaker 1: it even inspired me to learn about Joan of Arc 61 00:03:11,040 --> 00:03:13,400 Speaker 1: A little bit of a Beethoven although I'd never got 62 00:03:13,400 --> 00:03:17,000 Speaker 1: that classical music, but soccerates all of that. So I think, 63 00:03:17,080 --> 00:03:20,079 Speaker 1: even for when I was young, that was not only 64 00:03:20,120 --> 00:03:22,960 Speaker 1: a fun movie, but it kind of secretly made you 65 00:03:23,040 --> 00:03:25,720 Speaker 1: learn stuff. So I think that's why I loved it 66 00:03:25,760 --> 00:03:30,959 Speaker 1: so much, and I loved it sixty nine. That's the room. 67 00:03:31,240 --> 00:03:32,680 Speaker 1: But that's the root of sixty nine for me. I 68 00:03:32,680 --> 00:03:33,919 Speaker 1: know it whatever it says, but that it was always 69 00:03:33,919 --> 00:03:36,640 Speaker 1: funny to me as a kid, not even know it. So, yes, Bright, 70 00:03:36,720 --> 00:03:38,520 Speaker 1: you thought it was cool. Yeah, that's how I felt. 71 00:03:38,520 --> 00:03:40,400 Speaker 1: I was like, I would like to watch this movie 72 00:03:40,440 --> 00:03:43,320 Speaker 1: and enjoy history this way. I would probably have learned 73 00:03:43,360 --> 00:03:45,000 Speaker 1: more in history class if it was like that movie. 74 00:03:45,000 --> 00:03:46,920 Speaker 1: All right, we're gonna sign you three point five out 75 00:03:46,920 --> 00:03:49,400 Speaker 1: of five for Bill and Ted's excellent adventure. And so 76 00:03:49,440 --> 00:03:51,000 Speaker 1: now we assigned her something else. When we give her 77 00:03:51,000 --> 00:03:52,840 Speaker 1: a few weeks to watch it, we go no rush, 78 00:03:53,320 --> 00:03:57,560 Speaker 1: But Morgan, have you ever seen the movie stand by Me? Oh? 79 00:03:57,600 --> 00:04:00,560 Speaker 1: So no, guys, I mean not good? No, no, no, 80 00:04:00,560 --> 00:04:04,040 Speaker 1: no either. Have you ever seen stand by Me? I 81 00:04:04,120 --> 00:04:09,080 Speaker 1: don't think so. Who's in it? You've never seen it? Jerry? Yeah? Yeah, yeah, 82 00:04:09,320 --> 00:04:13,160 Speaker 1: called Jerry O'Connell as a kid, Corey Feldman, Yes, not 83 00:04:13,360 --> 00:04:18,520 Speaker 1: ringing a bell. I don't think so nothing River Phoenix, nothing, No, 84 00:04:18,800 --> 00:04:21,800 Speaker 1: stand by Me nineteen eighty six, you were born? What year? 85 00:04:22,080 --> 00:04:25,200 Speaker 1: Nineteen ninety three? Okay, so I came out wait wait, wait, 86 00:04:25,200 --> 00:04:27,479 Speaker 1: before you were born. It's only an hour and twenty 87 00:04:27,560 --> 00:04:32,960 Speaker 1: nine minutes. I like a short movie tran Is it 88 00:04:33,040 --> 00:04:36,640 Speaker 1: a comedy or sci fi? What's the vibe of that? 89 00:04:36,760 --> 00:04:39,560 Speaker 1: Not sci fi? I'd say it's about life. Yeah, the 90 00:04:39,640 --> 00:04:47,280 Speaker 1: genre life, so like Shaw Shank, Grindyampton. Maybe guys are 91 00:04:47,279 --> 00:04:48,960 Speaker 1: not giving me a genre here, Yeah, we're not. So 92 00:04:49,080 --> 00:04:51,120 Speaker 1: here's what we're gonna do. We're gonna have you watched 93 00:04:51,120 --> 00:04:53,680 Speaker 1: stand By Me. We're not gonnay anything about it. We don't. 94 00:04:53,680 --> 00:04:55,000 Speaker 1: We're not gonna if we think it's good or not, 95 00:04:55,040 --> 00:04:57,719 Speaker 1: are we guys? No, we're not gonna say anything. Nothing done. 96 00:04:58,160 --> 00:05:03,839 Speaker 1: You guys reacted, Oh so good? Sorry dude, you're just 97 00:05:03,880 --> 00:05:07,320 Speaker 1: saying it hints me? Yeah, yeah, yeah, yeah, all right. 98 00:05:07,360 --> 00:05:11,960 Speaker 1: The genres life and I don't think that's a movie genre. 99 00:05:12,000 --> 00:05:13,840 Speaker 1: But we're going with Hey, it will be, It will be, 100 00:05:14,000 --> 00:05:16,560 Speaker 1: you realize, and then we'll check in with you in 101 00:05:16,600 --> 00:05:18,640 Speaker 1: a few weeks or so. All right, you accept the challenge. 102 00:05:18,680 --> 00:05:20,679 Speaker 1: I do accept it. All right. There she is Morgan. 103 00:05:21,040 --> 00:05:23,800 Speaker 1: She will watch stand by Me next after she loved 104 00:05:23,800 --> 00:05:27,440 Speaker 1: Bill and Ted. It's the best bits of the week 105 00:05:28,200 --> 00:05:32,600 Speaker 1: with Morgan. Number two Lunchbox had an assignment. He had 106 00:05:32,640 --> 00:05:35,720 Speaker 1: to learn all about Woodstock sixty nine, watch the new 107 00:05:35,760 --> 00:05:39,120 Speaker 1: documentary and just find out everything he could, and then 108 00:05:39,160 --> 00:05:42,160 Speaker 1: report back to the show. Well, listen, it ends up 109 00:05:42,200 --> 00:05:46,320 Speaker 1: that Lunchbox really loves Woodstock sixty nine. Basically he is 110 00:05:46,320 --> 00:05:50,800 Speaker 1: a now a fanboy for Woodstock sixteen nine. So, without 111 00:05:50,800 --> 00:05:54,760 Speaker 1: further ado, here is his school report on the subject. 112 00:05:55,160 --> 00:05:57,279 Speaker 1: Number six. Be honest with you, guys, I don't remember 113 00:05:57,279 --> 00:05:59,280 Speaker 1: why I told Lunchbox to do this. I don't remember either. 114 00:05:59,360 --> 00:06:01,839 Speaker 1: I'll tell you why. Why Because we did a segment 115 00:06:01,920 --> 00:06:04,840 Speaker 1: about if you could go back and listen to one 116 00:06:04,960 --> 00:06:07,320 Speaker 1: musical artist live, I go to their concert. Who would 117 00:06:07,320 --> 00:06:09,479 Speaker 1: it be? Oh, you knew nothing about woods I knew 118 00:06:09,480 --> 00:06:11,359 Speaker 1: nothing about Woodstock, but I said everybody talked about it, 119 00:06:11,360 --> 00:06:13,080 Speaker 1: so I'd go to Woodstock. I didn't pick an artist. 120 00:06:13,080 --> 00:06:14,839 Speaker 1: I just picked Woodstock. And then when I said what 121 00:06:14,880 --> 00:06:17,800 Speaker 1: about it, and you said, I don't know, no idea. 122 00:06:18,400 --> 00:06:20,120 Speaker 1: Now it makes sense. A lunchbox. I said, he you 123 00:06:20,160 --> 00:06:23,039 Speaker 1: should do a report front air and teach us about Woodstock. 124 00:06:23,400 --> 00:06:24,920 Speaker 1: So we're gonna get them up to three minutes if 125 00:06:24,920 --> 00:06:27,360 Speaker 1: you'll go up ahead of the class, munchbox. He's now 126 00:06:27,400 --> 00:06:30,640 Speaker 1: walking up to the big mic on the stage. Do 127 00:06:30,720 --> 00:06:34,120 Speaker 1: you need any sort of like clips or vision? What 128 00:06:34,120 --> 00:06:36,599 Speaker 1: do you need? I gave Ray some audio clips that 129 00:06:36,600 --> 00:06:38,800 Speaker 1: I'm gonna need and I got a picture of it 130 00:06:38,800 --> 00:06:40,560 Speaker 1: so I know what they're getting. The people's names are. 131 00:06:41,600 --> 00:06:43,600 Speaker 1: So I'm pulling out my phone. You have a picture 132 00:06:43,760 --> 00:06:45,760 Speaker 1: of their names? Yeah? He wrote them down. Yeah, I 133 00:06:45,760 --> 00:06:47,760 Speaker 1: wrote them down like I wrote them down, took a 134 00:06:47,760 --> 00:06:52,080 Speaker 1: picture of it. It's interesting. Hey whatever for I great? 135 00:06:52,120 --> 00:06:53,960 Speaker 1: I didn't understand he had a picture, Like, how else 136 00:06:54,000 --> 00:06:56,200 Speaker 1: would you do? You could, yeah, write them down or 137 00:06:56,200 --> 00:06:58,800 Speaker 1: you could type them on your phone. I'll didn't think 138 00:06:58,839 --> 00:07:02,600 Speaker 1: about that. Yeah, okay, Ray, Yeah, is there anything you 139 00:07:02,680 --> 00:07:04,080 Speaker 1: want to lead him in with for Woodstock? Does you 140 00:07:04,120 --> 00:07:05,719 Speaker 1: have a lead in or any sort of like seventies? 141 00:07:05,800 --> 00:07:09,120 Speaker 1: Yeas one off, I'll hit it up. Okay, and class, 142 00:07:09,200 --> 00:07:13,480 Speaker 1: please welcome lunchboxes us. Beginning of report. This is Woodstock 143 00:07:13,760 --> 00:07:18,080 Speaker 1: nineteen sixty nine. Oh my goodness, my mind is blown. 144 00:07:18,320 --> 00:07:20,440 Speaker 1: So first of all, these four dudes get together and 145 00:07:20,480 --> 00:07:23,920 Speaker 1: they're gonna open a recording studio in Woodstock, New York. 146 00:07:23,960 --> 00:07:27,200 Speaker 1: And then they're like, screw the studio, let's have a concert. 147 00:07:27,440 --> 00:07:30,320 Speaker 1: So they booked this farm and they send out advertisements 148 00:07:30,520 --> 00:07:34,000 Speaker 1: in the newspaper and magazines and they're thinking twenty five 149 00:07:34,080 --> 00:07:37,040 Speaker 1: thousand people will show up a month before it's supposed 150 00:07:37,080 --> 00:07:39,760 Speaker 1: to start. The town says, you know what, you're not 151 00:07:39,840 --> 00:07:42,720 Speaker 1: welcome here. You can't have your concert. So they're like, 152 00:07:42,760 --> 00:07:45,400 Speaker 1: we're not canceling. We're going on. And they find this 153 00:07:45,520 --> 00:07:47,280 Speaker 1: dairy farmer and they're like, hey, can we use your 154 00:07:47,280 --> 00:07:51,720 Speaker 1: farm for twenty five thousand people. It's like sure, come on. Well, 155 00:07:51,840 --> 00:07:54,320 Speaker 1: next thing you know, the dang concert is about to 156 00:07:54,320 --> 00:07:56,960 Speaker 1: start and they don't have the stage built. They don't 157 00:07:56,960 --> 00:07:59,800 Speaker 1: have anything built, and people are starting to show up 158 00:07:59,840 --> 00:08:02,560 Speaker 1: a week early for this concert and they don't even 159 00:08:02,560 --> 00:08:05,120 Speaker 1: have a perimeter set up. People to start camping in 160 00:08:05,160 --> 00:08:08,320 Speaker 1: the field. It is unbelievable. And they had to make 161 00:08:08,360 --> 00:08:11,320 Speaker 1: a decision do we finish the stage or do we 162 00:08:11,400 --> 00:08:13,880 Speaker 1: put up the fence so we can take tickets? And 163 00:08:13,960 --> 00:08:18,400 Speaker 1: they decided build the stage. The concert's gonna be free. 164 00:08:20,320 --> 00:08:23,920 Speaker 1: And what's crazy is this is before Internet, so they 165 00:08:23,960 --> 00:08:26,640 Speaker 1: need twenty five thousand people are gonna show up. The 166 00:08:26,840 --> 00:08:31,400 Speaker 1: first day, there's over two hundred thousand people in this 167 00:08:31,480 --> 00:08:35,480 Speaker 1: guy's farm. Cars are parked along the highway twenty miles 168 00:08:35,559 --> 00:08:39,600 Speaker 1: back and they're supposed to start. There's no musicians. Why 169 00:08:40,080 --> 00:08:43,640 Speaker 1: because there's traffic. There's traffic, they can't get there. There's 170 00:08:43,679 --> 00:08:46,079 Speaker 1: no one there to play music. And there's two hundred 171 00:08:46,120 --> 00:08:49,240 Speaker 1: thousand people in this guy's dairy farm. And so the 172 00:08:49,280 --> 00:08:52,680 Speaker 1: first guy to show up, his name is Richie Havens, 173 00:08:52,720 --> 00:08:55,280 Speaker 1: and they're like, hey, man, you gotta go on. He's like, 174 00:08:55,960 --> 00:08:57,520 Speaker 1: I'm not supposed to go on for a while. He 175 00:08:57,600 --> 00:08:59,600 Speaker 1: got up there first and had to play for two 176 00:08:59,640 --> 00:09:02,920 Speaker 1: and a half hours because there was no other musicians. 177 00:09:03,240 --> 00:09:05,240 Speaker 1: The first day, they're like, wow, that was crazy. Two 178 00:09:05,360 --> 00:09:08,280 Speaker 1: hundred thousand people and it goes pretty much all night 179 00:09:08,320 --> 00:09:11,160 Speaker 1: and they wake up Saturday morning. There are over four 180 00:09:11,559 --> 00:09:16,000 Speaker 1: hundred thousand people and this guy's dairy farm. Four hundred 181 00:09:16,040 --> 00:09:19,559 Speaker 1: thousand people. This is pre Internet. Guys. People came from 182 00:09:19,640 --> 00:09:23,520 Speaker 1: all like this is unbelievable. The drugs were flowing, I 183 00:09:23,559 --> 00:09:26,240 Speaker 1: mean all over the place. I mean lots of drugs. 184 00:09:26,480 --> 00:09:29,120 Speaker 1: They had no way to get there, so everybody's flying in, 185 00:09:29,200 --> 00:09:32,280 Speaker 1: all the artists. They run out of food and they 186 00:09:32,360 --> 00:09:35,319 Speaker 1: run out of everything. They didn't even hire police to 187 00:09:35,520 --> 00:09:40,040 Speaker 1: be security for this. They hired a commune like hippies. 188 00:09:40,280 --> 00:09:42,840 Speaker 1: They just hired them to be their security for four 189 00:09:42,960 --> 00:09:46,000 Speaker 1: hundred thousand people. And the crazy part is this didn't 190 00:09:46,000 --> 00:09:49,120 Speaker 1: even take part in Woodstock. It was in a different town. Guys. 191 00:09:49,520 --> 00:09:53,880 Speaker 1: It was amazing. They ran out of food, so people 192 00:09:53,920 --> 00:09:57,800 Speaker 1: in the town started emptying their pantries and sending food 193 00:09:57,800 --> 00:10:01,120 Speaker 1: down and then they had to declare that disaster and 194 00:10:01,320 --> 00:10:05,880 Speaker 1: helicopter food in, like pounds and pounds and pounds of food. Yes, 195 00:10:06,280 --> 00:10:09,360 Speaker 1: oh um, why was there a natural disaster because the 196 00:10:09,360 --> 00:10:13,960 Speaker 1: people are hungry? Yeah, Like the governor had to declare 197 00:10:14,040 --> 00:10:16,400 Speaker 1: a natural disaster because there was no food for four 198 00:10:16,480 --> 00:10:20,320 Speaker 1: hundred thousand people and it was just bananas. And here's 199 00:10:20,360 --> 00:10:24,440 Speaker 1: the crazy part. There's no police. These kids or all 200 00:10:24,480 --> 00:10:30,480 Speaker 1: there just getting high and there was no violence. There 201 00:10:30,559 --> 00:10:33,679 Speaker 1: was no fighting there. It was just a weekend, a 202 00:10:33,920 --> 00:10:36,720 Speaker 1: pure bliss. They came and then and the dairy farmer 203 00:10:36,760 --> 00:10:39,640 Speaker 1: gets up on the stage and he is like, listen, guys, 204 00:10:40,600 --> 00:10:42,679 Speaker 1: I didn't believe you when you said you just wanted 205 00:10:42,760 --> 00:10:46,480 Speaker 1: music and peace and a great weekend, and that's exactly 206 00:10:46,480 --> 00:10:48,240 Speaker 1: what you did. It was the most beautiful thing I've 207 00:10:48,240 --> 00:10:50,800 Speaker 1: been a part of. And I was like, that is amazing, 208 00:10:51,040 --> 00:10:54,480 Speaker 1: Like it was so crazy. Okay, we're gonna do I 209 00:10:54,559 --> 00:10:57,760 Speaker 1: want to hear the end of this. Yeah. So all 210 00:10:57,760 --> 00:11:00,960 Speaker 1: these artists I've never heard of, these people like Joan Bayaz, 211 00:11:01,679 --> 00:11:06,199 Speaker 1: Janis Joplin, Uh, someone named Joe Cocker. You know, never 212 00:11:06,320 --> 00:11:09,280 Speaker 1: heard what Joe Cocker got on stage? I was like, 213 00:11:09,400 --> 00:11:18,400 Speaker 1: whoa what point? Like, but Janis Joplin didn't know me. 214 00:11:18,440 --> 00:11:21,880 Speaker 1: And Bobby McGee I don't know that. So there's just 215 00:11:21,960 --> 00:11:24,600 Speaker 1: names and then Sly and the family Stone get up there. 216 00:11:24,640 --> 00:11:27,200 Speaker 1: I mean when I was watching him on the Woodstock documentary, 217 00:11:27,240 --> 00:11:29,560 Speaker 1: I was like, this is cool. Yeah, they were cool, 218 00:11:29,679 --> 00:11:39,280 Speaker 1: very cool. Different, you can't real different, going crazy. I'd 219 00:11:39,320 --> 00:11:41,520 Speaker 1: love that. Didn't see this though? What did you watch 220 00:11:41,600 --> 00:11:43,640 Speaker 1: on a documentary? How long was it? It was like 221 00:11:43,640 --> 00:11:46,640 Speaker 1: two hours? And let me tell you the reading about 222 00:11:46,679 --> 00:11:49,160 Speaker 1: it doesn't do it justice. It doesn't do it justice. 223 00:11:49,200 --> 00:11:52,360 Speaker 1: I am so glad I wanted a documentary because this 224 00:11:52,640 --> 00:11:55,880 Speaker 1: goes down that's probably the most incredible thing in the 225 00:11:56,280 --> 00:11:59,920 Speaker 1: history of America. Wow, whoa more so than the Revolution 226 00:12:00,000 --> 00:12:02,600 Speaker 1: and the fact that you can get four hundred thousand 227 00:12:02,600 --> 00:12:05,840 Speaker 1: people to get the sit slavery going away, because yeah, 228 00:12:06,160 --> 00:12:09,640 Speaker 1: this that you can have four hundred thousand people get together. 229 00:12:09,920 --> 00:12:12,600 Speaker 1: There is no violence. Everybody takes care of each other. 230 00:12:12,800 --> 00:12:16,320 Speaker 1: There's like they would get one people would call the festival. 231 00:12:16,320 --> 00:12:19,320 Speaker 1: Here's what's crazy. People would leave, you know, wherever they're 232 00:12:19,360 --> 00:12:22,080 Speaker 1: from California to go to this festival and their mom 233 00:12:22,120 --> 00:12:24,080 Speaker 1: and dad had no way to get in touch with them. 234 00:12:24,080 --> 00:12:27,000 Speaker 1: They would call the festival and say, tell Samantha to 235 00:12:27,040 --> 00:12:29,520 Speaker 1: call home, and the guy would in between acts would 236 00:12:29,559 --> 00:12:32,400 Speaker 1: get up on the stage, Hey Samantha from California, please 237 00:12:32,440 --> 00:12:34,880 Speaker 1: call home. It's like, what in the world how do 238 00:12:34,960 --> 00:12:37,560 Speaker 1: they do that? It's crazy? And they had an information booth, 239 00:12:37,640 --> 00:12:40,559 Speaker 1: like four hundred thousand people no cell phones. If you 240 00:12:40,679 --> 00:12:42,760 Speaker 1: lost your friend, you went and posted a thing on 241 00:12:42,800 --> 00:12:44,559 Speaker 1: the booth says hey, I'm gonna be at the car, 242 00:12:44,720 --> 00:12:46,880 Speaker 1: come find me. And that's how they got it. And 243 00:12:46,880 --> 00:12:50,120 Speaker 1: there's only three deaths and the whole thing, two from overdose. 244 00:12:50,240 --> 00:12:57,120 Speaker 1: One got run over by a tractor bank and if 245 00:12:57,160 --> 00:12:59,120 Speaker 1: I read it right, but yes, it's stilt in the 246 00:12:59,360 --> 00:13:01,560 Speaker 1: like it goes all the way into Monday morning. Because 247 00:13:01,559 --> 00:13:04,640 Speaker 1: they're playing all night, they had crazy storms. There's nowhere 248 00:13:04,640 --> 00:13:06,440 Speaker 1: to go, so they just laid under their tents and 249 00:13:06,520 --> 00:13:08,760 Speaker 1: laid under their sleeping bags right there in the field, 250 00:13:09,000 --> 00:13:11,640 Speaker 1: muddy mess. People start sliding in the MUDs like kids. 251 00:13:11,679 --> 00:13:14,880 Speaker 1: Everyone was a big happy family bathing in the river. 252 00:13:15,440 --> 00:13:18,000 Speaker 1: And just to see the town come together and help 253 00:13:18,120 --> 00:13:20,439 Speaker 1: these people because they were kind of annoyed at first, 254 00:13:20,559 --> 00:13:22,000 Speaker 1: and then they loved it and they were just like 255 00:13:22,040 --> 00:13:24,480 Speaker 1: it was so amazing. And to close it out, there 256 00:13:24,520 --> 00:13:29,120 Speaker 1: was a guy named Jimmy Hendricks. He went on at 257 00:13:29,120 --> 00:13:31,760 Speaker 1: like ten in the morning on Monday morning because he 258 00:13:31,880 --> 00:13:33,440 Speaker 1: was like, I'm the last one to go on, and 259 00:13:33,559 --> 00:13:35,360 Speaker 1: everybody kept playing and they had to lays because the 260 00:13:35,400 --> 00:13:37,199 Speaker 1: weather went all the way into Monday morning. And he 261 00:13:37,280 --> 00:13:52,760 Speaker 1: closed it out with the national anthem. It was incredible, guys, 262 00:13:53,080 --> 00:13:55,640 Speaker 1: This was the most fun I've had watching a documentary 263 00:13:55,640 --> 00:13:59,560 Speaker 1: in a while. And then what's crazy. It's the people 264 00:13:59,559 --> 00:14:01,280 Speaker 1: that were at the festival. Some of them stayed Monday 265 00:14:01,280 --> 00:14:03,480 Speaker 1: and help clean. They have stayed there and help clean. 266 00:14:03,840 --> 00:14:06,640 Speaker 1: That is preach. That's so crazy. What does that teach 267 00:14:06,679 --> 00:14:09,720 Speaker 1: you about I don't know, folks. In general, it tells 268 00:14:09,720 --> 00:14:12,160 Speaker 1: you that the world was different back then because you 269 00:14:12,160 --> 00:14:14,160 Speaker 1: could actually get together and not have violence. You can well, 270 00:14:14,240 --> 00:14:16,600 Speaker 1: but listen, it is this. I would compare that time 271 00:14:16,640 --> 00:14:19,080 Speaker 1: to this to today honestly because of Vietnam War and 272 00:14:19,120 --> 00:14:20,800 Speaker 1: happ people were fighting about that and how people fight 273 00:14:20,880 --> 00:14:23,640 Speaker 1: about that. So I don't think the whole era does. 274 00:14:24,200 --> 00:14:27,920 Speaker 1: That's a that's a small How can you have something 275 00:14:28,200 --> 00:14:31,280 Speaker 1: with four hundred thousand people and not even have police there? 276 00:14:31,840 --> 00:14:37,360 Speaker 1: That is bunanas and I now, I really I stick 277 00:14:37,400 --> 00:14:39,920 Speaker 1: by my thing. I'd want to go to Woodstock sixty 278 00:14:40,000 --> 00:14:42,480 Speaker 1: nine that I After watching it, I was like, I 279 00:14:42,520 --> 00:14:44,760 Speaker 1: would have loved to have been there to see it, 280 00:14:44,880 --> 00:14:47,000 Speaker 1: to experience it, and it would probably would have been miserable. 281 00:14:47,560 --> 00:14:50,520 Speaker 1: But the fact that it went down like that was 282 00:14:50,560 --> 00:14:53,280 Speaker 1: the most amazing thing I've ever It was so crazy. 283 00:14:53,360 --> 00:15:01,480 Speaker 1: That is he done? He's beautiful report sound back machine. 284 00:15:01,520 --> 00:15:03,400 Speaker 1: I'm telling you, guys, if you want to there's other 285 00:15:03,440 --> 00:15:06,400 Speaker 1: documentaries that were like six hours. I was like, I 286 00:15:05,280 --> 00:15:08,280 Speaker 1: got and I was like, you gotta go watch it. 287 00:15:08,400 --> 00:15:10,960 Speaker 1: I was this my jaw was on the floor. When 288 00:15:11,000 --> 00:15:13,920 Speaker 1: people started showing up a week early, I'm like, this 289 00:15:14,000 --> 00:15:16,160 Speaker 1: is awesome. I watched the long one, but they showed 290 00:15:16,160 --> 00:15:17,880 Speaker 1: all the musical performances and I fast forward it through 291 00:15:17,880 --> 00:15:19,800 Speaker 1: a bunch of them, So I probably saw this basically 292 00:15:19,800 --> 00:15:23,880 Speaker 1: the same one. Lunchbox. Wow. Yeah, wow, guys, like, how 293 00:15:23,960 --> 00:15:26,440 Speaker 1: did words spread? But no, Like it was just in 294 00:15:26,520 --> 00:15:28,280 Speaker 1: magazines and stuff, and people are like, I'm gonna go 295 00:15:28,440 --> 00:15:31,240 Speaker 1: through paper and then radio station. And what you would 296 00:15:31,240 --> 00:15:33,080 Speaker 1: do is you would clip it out and say I 297 00:15:33,160 --> 00:15:35,680 Speaker 1: want two tickets, and you would attach your payment or whatever. 298 00:15:35,880 --> 00:15:37,600 Speaker 1: But then other people that just showed up that we're 299 00:15:37,640 --> 00:15:39,520 Speaker 1: gonna buy tickets at the door, they got in free, 300 00:15:39,640 --> 00:15:43,440 Speaker 1: so they lost a ton of money. Ton And now 301 00:15:43,480 --> 00:15:46,160 Speaker 1: have you seen the Woodstock the new Netflix or HBO 302 00:15:46,240 --> 00:15:49,240 Speaker 1: documentary for ninety nine. No, I'm gonna go back and 303 00:15:49,240 --> 00:15:51,440 Speaker 1: watch that because that's a great sequel. Yeah, that's a 304 00:15:51,560 --> 00:15:54,600 Speaker 1: different vibe. Yeah no, No, because my best friend Forrest, 305 00:15:54,720 --> 00:15:57,000 Speaker 1: he went, Yeah, we were in Chicago and he was like, 306 00:15:57,040 --> 00:15:58,240 Speaker 1: I really want to go, and he got on a 307 00:15:58,280 --> 00:16:01,560 Speaker 1: Greyhound bus from Chicago and went to Woodstock by himself. 308 00:16:02,080 --> 00:16:05,160 Speaker 1: Similar situation. Watch that one maybe next week gives a 309 00:16:05,160 --> 00:16:07,240 Speaker 1: report on that one. Oh yeah, good idea of bones. Okay, 310 00:16:07,280 --> 00:16:09,720 Speaker 1: watch the one on Netflix. Netflix. There's one an HBO 311 00:16:09,760 --> 00:16:11,280 Speaker 1: maximum is really good, but then one of Netflix is 312 00:16:11,280 --> 00:16:13,560 Speaker 1: a little more thorough. I think, okay, watch that on Netflix. 313 00:16:13,600 --> 00:16:16,760 Speaker 1: But peace, love and happiness, I'm all that. Yeah, yeah, 314 00:16:16,840 --> 00:16:20,040 Speaker 1: yeah yeah. And the guy that ran the commune that 315 00:16:20,040 --> 00:16:23,360 Speaker 1: that was the head of security. He was hilarious. It 316 00:16:23,400 --> 00:16:25,880 Speaker 1: was all about just being happy. It was. And there 317 00:16:25,920 --> 00:16:29,000 Speaker 1: was kids at Woodstock. Baby, we got a rat sas 318 00:16:29,040 --> 00:16:31,640 Speaker 1: guys like yeah, yeah, yo here, yeah. I can't can't 319 00:16:31,640 --> 00:16:34,960 Speaker 1: believe it though, Like how like we can't even have 320 00:16:35,000 --> 00:16:37,480 Speaker 1: a You couldn't even have a Raging Idiots festival without 321 00:16:37,480 --> 00:16:42,240 Speaker 1: at least one fight ticket. You can't go to a 322 00:16:42,280 --> 00:16:45,360 Speaker 1: baseball game without a fight. Yes, they had four hundred 323 00:16:45,440 --> 00:16:48,960 Speaker 1: thousand people from across America and they were just a big, 324 00:16:49,000 --> 00:16:51,400 Speaker 1: happy family, And I mean, I want to experience a 325 00:16:51,520 --> 00:16:57,760 Speaker 1: plus Lach. It's the best bits of the week With 326 00:16:57,800 --> 00:17:02,240 Speaker 1: Morgan number two, y the actress from Big Bang Theory. 327 00:17:02,360 --> 00:17:04,240 Speaker 1: She came out and said she had an intervention for 328 00:17:04,280 --> 00:17:07,680 Speaker 1: herself after her divorce, and it caused us to think 329 00:17:07,680 --> 00:17:11,760 Speaker 1: about the things we would have interventions for ourselves, and well, 330 00:17:12,000 --> 00:17:14,920 Speaker 1: let's just say ours are across the board, from working 331 00:17:15,080 --> 00:17:18,800 Speaker 1: to foods to you know, thinking about what other people 332 00:17:18,840 --> 00:17:21,679 Speaker 1: think about us. We have some funny ones, and maybe 333 00:17:21,760 --> 00:17:24,399 Speaker 1: this segment will make you think about what would I 334 00:17:24,440 --> 00:17:28,440 Speaker 1: have an intervention for myself about number five? I didn't 335 00:17:28,440 --> 00:17:30,520 Speaker 1: want to bring this up. Kaylee quolko Eddie, what do 336 00:17:30,520 --> 00:17:33,640 Speaker 1: you know her from a Big Bang theory? Yeah? Right, yeah? 337 00:17:33,680 --> 00:17:36,159 Speaker 1: The flight Attendant also, Okay, so we got massive on 338 00:17:36,240 --> 00:17:39,159 Speaker 1: Big Bang and then we didn't finish season two a 339 00:17:39,160 --> 00:17:42,080 Speaker 1: flight Attendant. We watched one really liked it too. We 340 00:17:42,119 --> 00:17:43,679 Speaker 1: just gave up. I don't We didn't mean to give up. 341 00:17:44,119 --> 00:17:47,400 Speaker 1: Here's the problem. No, No, here's the problem. When they 342 00:17:47,400 --> 00:17:50,040 Speaker 1: put out shows week to week. Now, I'll just forget 343 00:17:50,040 --> 00:17:53,840 Speaker 1: about them. If I'm not able to binge them, it 344 00:17:54,040 --> 00:17:56,080 Speaker 1: out of mind. So I'll go like, Okay, I watched 345 00:17:56,080 --> 00:17:57,560 Speaker 1: on Tuesday, and I come back and I'm like, well, 346 00:17:58,400 --> 00:18:01,000 Speaker 1: what can I start now? And then I forget to 347 00:18:01,000 --> 00:18:02,600 Speaker 1: go back to it. And I think that's happened with 348 00:18:02,640 --> 00:18:06,359 Speaker 1: a few different shows. But Kaylee Quoco said, Okay, I'm 349 00:18:06,400 --> 00:18:09,080 Speaker 1: getting a divorce and I'm gonna have my own intervention, 350 00:18:09,160 --> 00:18:12,160 Speaker 1: which I thought was interesting, Like she staged her own intervention. 351 00:18:12,640 --> 00:18:15,840 Speaker 1: So while filming the flight attendant, she said, Okay, what 352 00:18:15,880 --> 00:18:18,080 Speaker 1: can we do here? She had an intervention for herself 353 00:18:18,080 --> 00:18:20,440 Speaker 1: and her trailer, all of her producers, other people. She goes, 354 00:18:20,440 --> 00:18:22,840 Speaker 1: I need help and I need you guys to help me. 355 00:18:22,920 --> 00:18:25,720 Speaker 1: So intervening right now. Thirty six year old actress she 356 00:18:25,800 --> 00:18:27,200 Speaker 1: was in the midst of a divorce, said she was 357 00:18:27,240 --> 00:18:29,440 Speaker 1: feeling very lonely and she just needed a bunch of 358 00:18:29,480 --> 00:18:31,359 Speaker 1: people to jump in and make sure she felt better. 359 00:18:31,680 --> 00:18:34,679 Speaker 1: And so I think that's all right, pretty mature, pretty 360 00:18:34,680 --> 00:18:37,000 Speaker 1: self aware. Good for her. What would you need to 361 00:18:37,560 --> 00:18:40,000 Speaker 1: an intervention for yourself? If you had to stage your 362 00:18:40,000 --> 00:18:43,080 Speaker 1: own what would it be, Eddie? I mean, I don't 363 00:18:43,119 --> 00:18:45,640 Speaker 1: want to steal yours. But dude, I'm playing too much 364 00:18:45,760 --> 00:18:48,760 Speaker 1: NBA two K. And I'm saying this because every time 365 00:18:48,760 --> 00:18:50,960 Speaker 1: I get home, I have to play a game. Every 366 00:18:50,960 --> 00:18:53,320 Speaker 1: time my wife and the family leaves, I watched the 367 00:18:53,359 --> 00:18:55,200 Speaker 1: car to leave the driveway and I run to the 368 00:18:55,240 --> 00:18:58,119 Speaker 1: PlayStation to play another game. I have a problem and 369 00:18:58,200 --> 00:18:59,920 Speaker 1: I need to talk to myself about it. And next 370 00:19:00,080 --> 00:19:02,000 Speaker 1: time they leave, I'm not going to play a game. Well, 371 00:19:02,000 --> 00:19:04,520 Speaker 1: that's okay if you do, as long as it's not 372 00:19:04,560 --> 00:19:06,359 Speaker 1: getting in the way of like your real life. This 373 00:19:06,400 --> 00:19:08,000 Speaker 1: is what happened though. Why. I saw him come back 374 00:19:08,040 --> 00:19:09,720 Speaker 1: and they were coming up the driveway, and I threw 375 00:19:09,760 --> 00:19:11,240 Speaker 1: my remote and I ran into the TV, and like, 376 00:19:11,240 --> 00:19:15,240 Speaker 1: I just watching TV. What's the difference? Because I don't 377 00:19:15,280 --> 00:19:17,160 Speaker 1: want her thinking that all I do is play video games, 378 00:19:17,160 --> 00:19:19,400 Speaker 1: because that's all I do. Amy, what do you need 379 00:19:19,440 --> 00:19:21,920 Speaker 1: an intervention on? If you had a stage at yourself? Oh, 380 00:19:21,960 --> 00:19:24,800 Speaker 1: worrying about what other people think. I spend a lot 381 00:19:24,840 --> 00:19:27,680 Speaker 1: of time worrying about that, So I would like to intervention. 382 00:19:27,720 --> 00:19:30,000 Speaker 1: It's the worst environment ever to be in. If that's 383 00:19:30,040 --> 00:19:32,760 Speaker 1: the case. Yeah, everybody judge you on every every day. 384 00:19:32,880 --> 00:19:34,320 Speaker 1: Everything you say that comes out of your mouth. You 385 00:19:34,400 --> 00:19:40,920 Speaker 1: must pronounce a word. Yeah, okay, lunchbox. Oh napping If 386 00:19:41,080 --> 00:19:43,480 Speaker 1: I if I'm anna intervention anything, it's napping because I 387 00:19:43,560 --> 00:19:45,119 Speaker 1: nap all the time. I mean, my kids will be 388 00:19:45,119 --> 00:19:48,080 Speaker 1: awake downstairs with the wife and I'm still napping because 389 00:19:48,080 --> 00:19:50,400 Speaker 1: I am so tired all the time and I need 390 00:19:50,400 --> 00:19:53,520 Speaker 1: my name. Why are you so tired? I understand why 391 00:19:53,560 --> 00:19:55,520 Speaker 1: you would nap if you didn't get sleep at night 392 00:19:55,600 --> 00:19:57,920 Speaker 1: or if you were overworking. I just don't see where 393 00:19:57,920 --> 00:20:01,800 Speaker 1: the cycle fixes itself. I don't either. It doesn't matter 394 00:20:01,920 --> 00:20:03,760 Speaker 1: like if I get eight hours to sleep or if 395 00:20:03,760 --> 00:20:05,879 Speaker 1: I get four hours. So you're more sleepy than you 396 00:20:05,920 --> 00:20:08,320 Speaker 1: are tired. No, I mean you've done a lot. I'll 397 00:20:08,359 --> 00:20:10,440 Speaker 1: do a lot, man. I mean I hang out with 398 00:20:10,440 --> 00:20:13,760 Speaker 1: my kids. Okay, that could be tiring. It can be. 399 00:20:14,119 --> 00:20:17,280 Speaker 1: It is, okay, let me tell you. And I mean, 400 00:20:17,359 --> 00:20:19,760 Speaker 1: so when they go down, remember napping before your kids 401 00:20:19,760 --> 00:20:24,480 Speaker 1: all the time. I know it was. It's over work 402 00:20:24,560 --> 00:20:27,840 Speaker 1: and then I have kids work. I think you might 403 00:20:27,880 --> 00:20:30,560 Speaker 1: be the least work person on this whole show. Stop it, man, 404 00:20:30,800 --> 00:20:34,600 Speaker 1: Like guys think it's easy. Everybody that listens. Who on 405 00:20:34,640 --> 00:20:37,160 Speaker 1: this show do you think? Literally you put more time 406 00:20:37,200 --> 00:20:40,679 Speaker 1: in then in this room or in the glass room. Oh, Abby, 407 00:20:40,720 --> 00:20:43,879 Speaker 1: for sure, you're just gonna go one. Okay, that's true, 408 00:20:43,960 --> 00:20:47,879 Speaker 1: but go ahead, Ray, No, no, no, he chooses to 409 00:20:47,920 --> 00:20:51,280 Speaker 1: get here. He could get here right, you know you 410 00:20:51,280 --> 00:20:52,600 Speaker 1: know what I'm saying. Like he makes it a lot 411 00:20:52,600 --> 00:20:54,520 Speaker 1: harder on himself than eat. But Ray, I should say, 412 00:20:54,560 --> 00:20:57,879 Speaker 1: focus for six hours. Like you're on Facebook talking your 413 00:20:57,920 --> 00:21:00,480 Speaker 1: high school friends. You're right the whole show. Yeah, go ahead, 414 00:21:00,600 --> 00:21:05,280 Speaker 1: Amy Morgan number two. Oh you just climbing up ahead? 415 00:21:05,320 --> 00:21:08,960 Speaker 1: Go ahead? Um yeah, you can tap out there and 416 00:21:09,200 --> 00:21:12,280 Speaker 1: be I mean Eddie edits some videos, but he does 417 00:21:12,320 --> 00:21:15,760 Speaker 1: a lot of goofing off too. Yeah, like he hangs out. 418 00:21:15,800 --> 00:21:17,280 Speaker 1: So where do you ranked in from the okay, go 419 00:21:17,320 --> 00:21:19,120 Speaker 1: from the top then, well, I mean you and might 420 00:21:19,160 --> 00:21:20,840 Speaker 1: be I mean you say it might be works all 421 00:21:20,840 --> 00:21:22,159 Speaker 1: the time. I don't ever see it might be work. 422 00:21:22,160 --> 00:21:24,200 Speaker 1: I see him leaning against the waller beer and look 423 00:21:24,240 --> 00:21:28,760 Speaker 1: at papers and I'm working. Go ahead, so me might 424 00:21:28,880 --> 00:21:32,600 Speaker 1: do you? Then? Who's neck? Scubaba does a lot of work? 425 00:21:32,640 --> 00:21:35,040 Speaker 1: And then do you come in for Yeah? Okay, okay, 426 00:21:35,200 --> 00:21:39,520 Speaker 1: everybody feel pretty good about that. No more. Again, if 427 00:21:39,560 --> 00:21:41,560 Speaker 1: some intervention on you, what would you set up your 428 00:21:41,560 --> 00:21:43,720 Speaker 1: own intervention for? I would say it's because I eat 429 00:21:43,760 --> 00:21:46,280 Speaker 1: too much sugar. If I can get someone to make 430 00:21:46,320 --> 00:21:49,600 Speaker 1: me stop eating sugar, that would be amazing. I'm trying, 431 00:21:49,760 --> 00:21:51,280 Speaker 1: but it is so hard. It's like I have an 432 00:21:51,280 --> 00:21:53,720 Speaker 1: addiction to it. Mine is probably just to shut my 433 00:21:53,800 --> 00:21:57,680 Speaker 1: laptop and stop always working on stuff like stody. I 434 00:21:57,680 --> 00:21:58,879 Speaker 1: don't you have to write something all the time? I 435 00:21:58,920 --> 00:22:00,560 Speaker 1: have to create something all the time. Well, hey, guys, 436 00:22:00,760 --> 00:22:02,760 Speaker 1: we could stage that right now. I don't have to 437 00:22:02,800 --> 00:22:05,160 Speaker 1: sit at dinner. Give me your laptop, mounce Yeah, well 438 00:22:05,240 --> 00:22:07,359 Speaker 1: hand it over, you know, or my phone because my 439 00:22:07,400 --> 00:22:10,960 Speaker 1: laptop will go away files are connected on the cloud. 440 00:22:11,000 --> 00:22:13,760 Speaker 1: I'll be like, all right, your phone, yeah, yeah, because 441 00:22:13,800 --> 00:22:19,800 Speaker 1: I got to phone there. But yes. And and also 442 00:22:19,960 --> 00:22:21,879 Speaker 1: like if we go to dinner, we would dinner with 443 00:22:21,880 --> 00:22:23,600 Speaker 1: a couple of friends and we're talking about stuff and 444 00:22:23,600 --> 00:22:25,040 Speaker 1: I'm like, oh, we can only make that into something, 445 00:22:25,400 --> 00:22:30,040 Speaker 1: and Wat's like everything doesn't have to be like a project. Yeah, 446 00:22:30,119 --> 00:22:33,040 Speaker 1: probably that, But hey, Ray, last one intervention on yourself. 447 00:22:33,040 --> 00:22:35,720 Speaker 1: What do you do? Yeah, me and my brother, my 448 00:22:35,800 --> 00:22:37,879 Speaker 1: twin brother. If we go another birthday without wishing each 449 00:22:37,920 --> 00:22:39,920 Speaker 1: other a happy birthday, IM gonna punch myself in the face. 450 00:22:40,160 --> 00:22:42,600 Speaker 1: So you want someone to step in and go. You 451 00:22:42,640 --> 00:22:45,119 Speaker 1: and your brother need to have a relationship kumbaya that 452 00:22:45,200 --> 00:22:47,919 Speaker 1: you're gonna grow old and die and you're gonna regret 453 00:22:47,960 --> 00:22:51,760 Speaker 1: your brother and yourself not being closer. Yes, Cats and 454 00:22:51,840 --> 00:22:53,480 Speaker 1: the Silver and the Silver Spoon, Yeah, cats in the 455 00:22:53,520 --> 00:22:57,359 Speaker 1: cradle close brother. All right, Well, good luck, everybody. We 456 00:22:57,400 --> 00:22:59,880 Speaker 1: have nine. We just do one after the other half 457 00:23:00,000 --> 00:23:02,320 Speaker 1: the show, Edie, you don't there's no difference, think watching 458 00:23:02,359 --> 00:23:04,680 Speaker 1: TV and playing PlayStation by who my wife is? I mean, 459 00:23:04,800 --> 00:23:08,360 Speaker 1: I'm telling you when all over here gamers and never Hey, 460 00:23:08,400 --> 00:23:10,480 Speaker 1: we need and escape two guys. Yeah, guys, we need 461 00:23:10,520 --> 00:23:12,600 Speaker 1: our day. We're busy and y'all golf all the time. 462 00:23:12,760 --> 00:23:15,240 Speaker 1: That's true too, all the time. I'm a golf once 463 00:23:15,240 --> 00:23:18,720 Speaker 1: every not. You have good dads, these guys sort of 464 00:23:18,720 --> 00:23:20,640 Speaker 1: they're they're at the golf course every week. That's true. 465 00:23:20,840 --> 00:23:22,400 Speaker 1: We need to make time for all that. Okay, there's 466 00:23:22,400 --> 00:23:25,119 Speaker 1: nothing you need your time, right, but they need nah. 467 00:23:25,200 --> 00:23:29,560 Speaker 1: All right, it's the best bits of the week with 468 00:23:29,600 --> 00:23:35,760 Speaker 1: Morgan number two. This was a super fun one. We 469 00:23:35,800 --> 00:23:38,600 Speaker 1: had on the listeners Cheryl and Brian who won one 470 00:23:38,680 --> 00:23:42,280 Speaker 1: million dollars in the lottery because they listen to our show. 471 00:23:42,280 --> 00:23:45,760 Speaker 1: Well not entirely, they do play the lottery normally, but 472 00:23:46,040 --> 00:23:50,520 Speaker 1: they were inspired by our Mega Millions conversation, particularly Lunchbox 473 00:23:50,560 --> 00:23:52,800 Speaker 1: trying to get the whole show to go in and 474 00:23:52,840 --> 00:23:55,919 Speaker 1: buy tickets. So after hearing that, they decided to go 475 00:23:55,960 --> 00:23:59,240 Speaker 1: buy a Megan Millions ticket and while they won a 476 00:23:59,280 --> 00:24:01,399 Speaker 1: million dollars and so they came on the show and 477 00:24:01,480 --> 00:24:04,040 Speaker 1: talked all about it, what happened, what transpired after they 478 00:24:04,160 --> 00:24:07,280 Speaker 1: realized they won. Just a super fun conversation and really 479 00:24:07,280 --> 00:24:10,440 Speaker 1: cool to hear about these listeners and they're really good luck. 480 00:24:10,920 --> 00:24:14,119 Speaker 1: Number four, Cheryl and Brian from Colorado Springs are on 481 00:24:14,160 --> 00:24:18,359 Speaker 1: the phone. Hello, CHERYLN. Brian, Hello, good to talk to 482 00:24:18,359 --> 00:24:20,359 Speaker 1: you guys. I'd like to quickly remind you of CHERYLN. 483 00:24:20,440 --> 00:24:22,959 Speaker 1: Bryant's story in case you don't remember. They were at 484 00:24:22,960 --> 00:24:25,360 Speaker 1: a NASCAR race in New Hampshire while on their way 485 00:24:25,400 --> 00:24:28,480 Speaker 1: to Maine. They were, as we've been told, listening to 486 00:24:28,520 --> 00:24:31,040 Speaker 1: the show. We were talking about playing the lottery. Cheryl 487 00:24:31,119 --> 00:24:35,199 Speaker 1: felt inspired, went in, bought a ticket, they won one 488 00:24:35,280 --> 00:24:39,280 Speaker 1: million dollars. Coming who they listened to us in Colorado 489 00:24:39,320 --> 00:24:42,240 Speaker 1: Springs on why ninety six point nine Cheryl, is that 490 00:24:42,359 --> 00:24:49,160 Speaker 1: story true? So many questions. Okay, so you always play 491 00:24:49,280 --> 00:24:51,520 Speaker 1: Powerball and you want to play and you're thinking of 492 00:24:51,520 --> 00:24:54,640 Speaker 1: mega millions or the other way around. So we played 493 00:24:54,680 --> 00:24:57,480 Speaker 1: Powerball maybe nine to ten times in the last four years. 494 00:24:58,400 --> 00:25:01,960 Speaker 1: So we heard you guys with lunchbox talking about trying 495 00:25:02,000 --> 00:25:04,000 Speaker 1: to him, trying to get you to put in money 496 00:25:04,160 --> 00:25:07,720 Speaker 1: for him to buy the Mega million tickets. So when 497 00:25:07,760 --> 00:25:11,600 Speaker 1: we pull into the lottery store that Monday morning, I 498 00:25:11,680 --> 00:25:13,520 Speaker 1: told my husband and said, hey, just go ahead and 499 00:25:13,520 --> 00:25:15,919 Speaker 1: buy five or ten dollars for the Mega millions. I 500 00:25:15,920 --> 00:25:18,199 Speaker 1: don't know what it is, but obviously listening to the 501 00:25:18,200 --> 00:25:21,160 Speaker 1: Bobby Bone Show, it must be big if lunchbox he's 502 00:25:21,200 --> 00:25:23,480 Speaker 1: trying to convince all them to put in a pool 503 00:25:23,520 --> 00:25:26,600 Speaker 1: of money. So my husband went in, he bought ten 504 00:25:26,640 --> 00:25:29,800 Speaker 1: dollars on the powerball, ten dollars on the megamillions, and 505 00:25:31,000 --> 00:25:33,240 Speaker 1: three days later we learned that we were the million 506 00:25:33,280 --> 00:25:39,800 Speaker 1: dollar winner. Face right now, So how do you know? 507 00:25:39,920 --> 00:25:42,119 Speaker 1: You wont do you check the next morning or do 508 00:25:42,200 --> 00:25:44,600 Speaker 1: you look right after? Like what happens for you to 509 00:25:44,640 --> 00:25:48,600 Speaker 1: know you want a million bucks? So it was Wednesday. 510 00:25:49,320 --> 00:25:51,560 Speaker 1: We just kind of forgot about it because we were 511 00:25:51,560 --> 00:25:56,080 Speaker 1: coming back to Colorado on that following Friday. So we 512 00:25:56,119 --> 00:25:57,760 Speaker 1: had kind of forgot about it because we were just 513 00:25:57,760 --> 00:25:59,919 Speaker 1: trying to, you know, kind of finish up our vacation. 514 00:26:00,359 --> 00:26:02,919 Speaker 1: And I ran into town and my husband calls me. 515 00:26:02,960 --> 00:26:05,240 Speaker 1: I was actually sitting in the home depailed parking lot 516 00:26:05,920 --> 00:26:08,520 Speaker 1: and he's like, hey, He's like, I just about had 517 00:26:08,520 --> 00:26:10,879 Speaker 1: a heart attack, and I said, well, why, and he's like, well, 518 00:26:11,160 --> 00:26:14,159 Speaker 1: because we got some of the numbers on the megamillions 519 00:26:15,040 --> 00:26:17,520 Speaker 1: and I said whatever, like I don't have time for this, 520 00:26:17,600 --> 00:26:20,040 Speaker 1: and he's like, no, I'm dead serious. He's like, we 521 00:26:20,160 --> 00:26:23,399 Speaker 1: got five numbers, but I can't see that we actually 522 00:26:23,440 --> 00:26:27,000 Speaker 1: would win anything for the five numbers. So I said, 523 00:26:27,040 --> 00:26:28,840 Speaker 1: we'll send me a picture of the ticket. Well, it 524 00:26:28,880 --> 00:26:31,080 Speaker 1: took like ten minutes for the picture of the ticket 525 00:26:31,119 --> 00:26:34,000 Speaker 1: to come over via text, so I went ahead and 526 00:26:34,040 --> 00:26:37,920 Speaker 1: googled Mega millions. Well, the first thing that popped up 527 00:26:38,240 --> 00:26:43,000 Speaker 1: was a press release that the million dollars ticket was 528 00:26:43,080 --> 00:26:50,120 Speaker 1: one at the Portsmith's Liquor and Lottery out. Wow. So 529 00:26:50,200 --> 00:26:53,920 Speaker 1: I started screaming, and I send him that article and 530 00:26:54,000 --> 00:26:56,040 Speaker 1: I'm like, oh my god, it must be us. And 531 00:26:56,080 --> 00:26:58,520 Speaker 1: then finally the ticket came over and sure enough, I 532 00:26:58,560 --> 00:27:00,960 Speaker 1: saw that we had the five number. First, so I 533 00:27:01,080 --> 00:27:06,000 Speaker 1: called the New Hampshire Lottery Commission Office, you know, to 534 00:27:06,240 --> 00:27:09,120 Speaker 1: verify that we actually did win. And what we did 535 00:27:09,160 --> 00:27:12,879 Speaker 1: from there that is wild. You saw the place it 536 00:27:12,920 --> 00:27:15,359 Speaker 1: was bought from and you just knew. So what do 537 00:27:15,440 --> 00:27:17,680 Speaker 1: you do once you realize you'd want a million bucks? 538 00:27:17,680 --> 00:27:19,480 Speaker 1: As far as you got to go into the office. 539 00:27:19,600 --> 00:27:22,840 Speaker 1: Do you put the ticket somewhere safe? What happened? Well, 540 00:27:22,840 --> 00:27:25,840 Speaker 1: And that's the crazy thing is because we were in Maine, 541 00:27:26,320 --> 00:27:29,840 Speaker 1: we had to drive back down to New Hampshire because 542 00:27:29,880 --> 00:27:33,000 Speaker 1: I guess each state is different, so we couldn't validate 543 00:27:33,040 --> 00:27:36,960 Speaker 1: the ticket in Maine. So it was like one o'clock 544 00:27:37,000 --> 00:27:40,080 Speaker 1: in the afternoon, so we hurry up and get ready, 545 00:27:40,160 --> 00:27:42,440 Speaker 1: We pack a back we drive all the way back 546 00:27:42,440 --> 00:27:44,440 Speaker 1: down in New Hampshire and by the time we got 547 00:27:44,480 --> 00:27:47,960 Speaker 1: down there, the lottery office was closed. So we ended 548 00:27:48,040 --> 00:27:51,360 Speaker 1: up spending the night in a hotel down there Wednesday night, 549 00:27:51,760 --> 00:27:54,680 Speaker 1: and then Thursday morning we were at the Lottery Commission, 550 00:27:55,000 --> 00:27:58,040 Speaker 1: the main lottery place in Concord, New Hampshire, at like 551 00:27:58,119 --> 00:28:00,959 Speaker 1: eight thirty that morning to cash in the ticket. When 552 00:28:00,960 --> 00:28:03,080 Speaker 1: you're at the hotel that night before, are you just 553 00:28:03,119 --> 00:28:05,000 Speaker 1: like I cannot believe this. I cannot believe this. This 554 00:28:05,160 --> 00:28:08,240 Speaker 1: can't be real. See, I mean yeah, And we were like, 555 00:28:08,320 --> 00:28:10,919 Speaker 1: you know, we were like you still just don't you 556 00:28:10,920 --> 00:28:13,879 Speaker 1: don't really realize And even now right now it's still 557 00:28:13,920 --> 00:28:16,000 Speaker 1: we look at each other and we just laugh because 558 00:28:16,040 --> 00:28:18,959 Speaker 1: it's like, is this for real? Like this really is 559 00:28:19,000 --> 00:28:22,000 Speaker 1: happening or this really has happened. And so the whole 560 00:28:22,080 --> 00:28:24,200 Speaker 1: night like we couldn't sleep, We were a nervous wreck. 561 00:28:24,280 --> 00:28:26,119 Speaker 1: It was like let's just get up and get there 562 00:28:26,160 --> 00:28:29,440 Speaker 1: because we were scared having the ticket and it just yeah, 563 00:28:29,520 --> 00:28:33,199 Speaker 1: it was nuts. So this is Cheryl and her and 564 00:28:33,200 --> 00:28:36,600 Speaker 1: her husband Brian want a million dollars because they buy 565 00:28:36,640 --> 00:28:38,160 Speaker 1: a lot of tickets. But they were listening to our show. 566 00:28:38,160 --> 00:28:40,000 Speaker 1: We're talking about a different game. They played that different 567 00:28:40,000 --> 00:28:41,640 Speaker 1: game after hearing us talk about it. They want a 568 00:28:41,640 --> 00:28:46,560 Speaker 1: million bucks. So have you got the money yet? Yes? 569 00:28:46,840 --> 00:28:50,360 Speaker 1: So crazy thing is we're in the office Thursday morning 570 00:28:50,720 --> 00:28:52,920 Speaker 1: and they said, hey, you know, we don't have enough 571 00:28:52,920 --> 00:28:54,920 Speaker 1: money and our funds to give you a check, which 572 00:28:54,920 --> 00:28:56,400 Speaker 1: I said, well that's fine because I don't want to 573 00:28:56,440 --> 00:28:59,280 Speaker 1: get on a plane tomorrow morning with a million dollars check. 574 00:29:00,320 --> 00:29:03,000 Speaker 1: So they're like, we'll just deposit, you know, we'll just 575 00:29:03,040 --> 00:29:05,120 Speaker 1: do a wire transfer. And I'm like that's fine, and 576 00:29:05,120 --> 00:29:08,400 Speaker 1: they're like it takes two to three days. Well, as 577 00:29:08,400 --> 00:29:10,920 Speaker 1: soon as we left the office, I get an email. 578 00:29:11,080 --> 00:29:13,880 Speaker 1: We had a wire transfer within an hour of leaving 579 00:29:13,920 --> 00:29:18,440 Speaker 1: their office. Wow, So do they give you all one 580 00:29:18,520 --> 00:29:21,320 Speaker 1: million or do you take a lump or what's that situation? 581 00:29:22,120 --> 00:29:24,520 Speaker 1: So they don't even so, I guess because it's it's 582 00:29:24,560 --> 00:29:27,400 Speaker 1: just a million. They don't give you an option of 583 00:29:27,440 --> 00:29:30,160 Speaker 1: like cash out or whatever. It's just the one million, 584 00:29:30,200 --> 00:29:32,040 Speaker 1: and they take out the taxes and the and they 585 00:29:32,080 --> 00:29:35,040 Speaker 1: deposit what's after the taxes. That's how you know somebody 586 00:29:35,040 --> 00:29:40,120 Speaker 1: want a bunch of money. It's just a million. Hey, 587 00:29:40,440 --> 00:29:43,200 Speaker 1: not me to say it like that, I know it, 588 00:29:43,200 --> 00:29:45,040 Speaker 1: you man, instead of like the billion or so they 589 00:29:45,080 --> 00:29:47,880 Speaker 1: were talking about lunchbox here she is, this is Cheryl 590 00:29:48,640 --> 00:29:50,800 Speaker 1: and Brian. What would you like to say to them? Well, 591 00:29:50,800 --> 00:29:53,560 Speaker 1: I mean just everything you've said is I inspired you 592 00:29:53,600 --> 00:29:55,520 Speaker 1: to play the lottery that you would have never played 593 00:29:55,600 --> 00:29:57,920 Speaker 1: the Mega millions if it wasn't for me. And so 594 00:29:57,960 --> 00:30:00,400 Speaker 1: I mean you got a million dollars in I've been 595 00:30:00,480 --> 00:30:03,160 Speaker 1: checking my mailbox, I've checked a wire transfer and so 596 00:30:03,240 --> 00:30:05,440 Speaker 1: they wouldn't know that stuff. Well, that's what I'm saying. 597 00:30:05,440 --> 00:30:08,560 Speaker 1: So what's my cut? I would say? So my husband, 598 00:30:08,560 --> 00:30:11,560 Speaker 1: aren't we love Nashville, We love coming to Broadway. So 599 00:30:11,680 --> 00:30:14,080 Speaker 1: my husband already said, we'll make a trip to Nashville. 600 00:30:14,080 --> 00:30:15,840 Speaker 1: We'll come and take you out for a day. How 601 00:30:15,840 --> 00:30:19,520 Speaker 1: about that? Take me out for a day, for a day, 602 00:30:20,840 --> 00:30:22,400 Speaker 1: I mean your most fun stuff. Have it a lunchbox 603 00:30:22,400 --> 00:30:25,520 Speaker 1: a day. I'm like, okay, we go to the you 604 00:30:25,560 --> 00:30:27,680 Speaker 1: know what I love to do. No, we can go 605 00:30:27,720 --> 00:30:29,200 Speaker 1: out and I love to go to the park and 606 00:30:29,200 --> 00:30:31,960 Speaker 1: I love to find like twenty thousand dollars under a bench. 607 00:30:32,000 --> 00:30:34,880 Speaker 1: That's what I love to do. That's a lunchbox day. 608 00:30:34,880 --> 00:30:38,880 Speaker 1: So let's do it, all right, We'll put on our calendar. 609 00:30:39,320 --> 00:30:41,160 Speaker 1: I can't, no, no. And then also when you're in 610 00:30:41,200 --> 00:30:42,840 Speaker 1: the hotel, are you like people like, oh, why are 611 00:30:42,840 --> 00:30:44,440 Speaker 1: you in Concord Are You're like, oh, we got a 612 00:30:44,440 --> 00:30:46,520 Speaker 1: winning lottery ticket? Like, what do you tell the waitress 613 00:30:46,520 --> 00:30:49,880 Speaker 1: at the you know restaurants? Oh? No, we we have 614 00:30:50,120 --> 00:30:53,280 Speaker 1: just kept it between us. We did tell our family 615 00:30:53,280 --> 00:30:55,479 Speaker 1: and a few of our friends. So no, we've just 616 00:30:55,520 --> 00:30:58,120 Speaker 1: really kept it on the downlow and chill. Now. Of course, 617 00:30:58,120 --> 00:31:00,360 Speaker 1: I can't believe this. If they don't ever play this, 618 00:31:00,440 --> 00:31:02,760 Speaker 1: they never play the Mega Millions. They listen to me, 619 00:31:02,800 --> 00:31:04,840 Speaker 1: they win a million dollars and I've been playing for years. 620 00:31:04,880 --> 00:31:07,120 Speaker 1: I can't win crap. And they say they'll take me 621 00:31:07,160 --> 00:31:10,600 Speaker 1: to a snow cone. I mean, god, what what are 622 00:31:10,640 --> 00:31:13,080 Speaker 1: your plans? Though, like, are y'all gonna, you know, buy 623 00:31:13,080 --> 00:31:16,760 Speaker 1: yourself something nice, go to the casino. Oh casino? No, no, no, no, 624 00:31:16,760 --> 00:31:19,360 Speaker 1: that my husband actually said that. I said, absolutely not. 625 00:31:19,480 --> 00:31:21,920 Speaker 1: We're not going to the casito. So we're gonna take 626 00:31:21,960 --> 00:31:25,240 Speaker 1: a vacation. And then it's always been my husband's dream 627 00:31:25,320 --> 00:31:28,760 Speaker 1: to have a beach home. So we're gonna look for 628 00:31:28,880 --> 00:31:33,480 Speaker 1: a condo or a beach home. How nice job. Well, yeah, 629 00:31:35,400 --> 00:31:39,720 Speaker 1: I know I talk about this is crazy. The beach 630 00:31:39,720 --> 00:31:42,280 Speaker 1: house lunch Bot. If you give an open invitation, I 631 00:31:42,320 --> 00:31:44,160 Speaker 1: will take the family to the beach house. Sure, it 632 00:31:44,200 --> 00:31:46,920 Speaker 1: will take the family and stay their beach house. It's 633 00:31:46,960 --> 00:31:49,200 Speaker 1: pretty much my beach house too. I mean, we got 634 00:31:49,240 --> 00:31:52,560 Speaker 1: this together. This was a combined group effort, so it'll 635 00:31:52,600 --> 00:31:54,120 Speaker 1: be a family. Like if they're there one week, you 636 00:31:54,160 --> 00:31:56,560 Speaker 1: know they all come the next week. That's great. Yeah, 637 00:31:56,880 --> 00:31:59,440 Speaker 1: y all summer there. Thank you for talking with us, Brian, 638 00:31:59,520 --> 00:32:03,120 Speaker 1: congratulate legs. That's amazing. Million bucks is crazy, and I 639 00:32:03,120 --> 00:32:04,680 Speaker 1: hope you guys buy you a nice beach house and 640 00:32:04,720 --> 00:32:06,600 Speaker 1: live happily ever after. And thank you for listening to 641 00:32:06,600 --> 00:32:09,640 Speaker 1: the shows. Insane. We love all of you and we 642 00:32:09,680 --> 00:32:12,239 Speaker 1: listen every day. So thanks so much and this has 643 00:32:12,280 --> 00:32:17,160 Speaker 1: been great. Thank you. Bye guys, All right bye, it's 644 00:32:17,200 --> 00:32:20,720 Speaker 1: the best Bits of the week with Morgan. Number two. 645 00:32:21,720 --> 00:32:24,640 Speaker 1: You all love this segment blind Karaoke. We did it 646 00:32:24,680 --> 00:32:27,520 Speaker 1: again this week. It was one hit wonders and it 647 00:32:27,600 --> 00:32:30,640 Speaker 1: was quite the competition. Let me tell you. We had 648 00:32:30,800 --> 00:32:33,560 Speaker 1: nineties country last time. You can still catch that video 649 00:32:33,560 --> 00:32:36,760 Speaker 1: at Bobby Bones dot com. But this one one hit wonders. 650 00:32:36,840 --> 00:32:40,200 Speaker 1: Everybody had to go back in the memory bank for 651 00:32:40,240 --> 00:32:43,480 Speaker 1: this one. So here it is number three. It's time 652 00:32:43,520 --> 00:32:48,560 Speaker 1: for blind karaoke, which is it's funny, it's it's scary, 653 00:32:48,840 --> 00:32:52,120 Speaker 1: it's again. There are listeners love Welcome to blind Karrie 654 00:32:52,120 --> 00:32:56,360 Speaker 1: O here. Okay, so you can't see any lyrics. You're 655 00:32:56,400 --> 00:32:59,240 Speaker 1: seeing karaoke with no lyrics, but you don't know what 656 00:32:59,240 --> 00:33:01,280 Speaker 1: song you're gonna sing. I'm gonna spend the wheel here. 657 00:33:01,480 --> 00:33:10,200 Speaker 1: The category is one hit wonders wonders. So nobody even 658 00:33:10,240 --> 00:33:12,000 Speaker 1: knew the category, so you guys couldn't practice. Some of 659 00:33:12,040 --> 00:33:15,240 Speaker 1: them are baby got Back. Oh that's a good one. 660 00:33:15,400 --> 00:33:19,160 Speaker 1: Mambo number five, love it Barbie Girl, Yeah, my favorite? 661 00:33:19,200 --> 00:33:23,680 Speaker 1: What is love? They don't harp teenage dirt bag that 662 00:33:24,040 --> 00:33:30,000 Speaker 1: I'm just sit teenage dirt bag baby ice ice baby. 663 00:33:30,400 --> 00:33:32,720 Speaker 1: All right, so I'll spend the wheel. There are four competitors. 664 00:33:33,080 --> 00:33:36,040 Speaker 1: It is Lunchbox, Amy, Eddie and Abbey and we rolled 665 00:33:36,040 --> 00:33:41,479 Speaker 1: the dice. Lunchboxes number came up first. That saw. Everybody 666 00:33:41,480 --> 00:33:44,640 Speaker 1: comes to see the opener. That's not what happens. They 667 00:33:44,680 --> 00:33:47,320 Speaker 1: really don't know. Most people don't even at being the 668 00:33:47,360 --> 00:33:49,040 Speaker 1: opener before. It's most people don't even show up. When 669 00:33:49,040 --> 00:33:51,200 Speaker 1: I was, oh, you know up there and I was like, hey, hey, 670 00:33:51,280 --> 00:33:52,600 Speaker 1: nobody's here, and he's like, I know, well, I think 671 00:33:52,600 --> 00:33:56,280 Speaker 1: that's what no per tells himself confident up there. All right, Lunchbox, right, 672 00:33:56,320 --> 00:34:03,280 Speaker 1: spend the wheel. I'm ready, let's spend here we go, 673 00:34:03,400 --> 00:34:05,600 Speaker 1: Here we go, Here, we go. Give me that one 674 00:34:05,680 --> 00:34:08,200 Speaker 1: that's the one I want? Yes? Oh is it LFO 675 00:34:08,320 --> 00:34:13,399 Speaker 1: Summer Girls? Oh you know that one? D Ray? Can 676 00:34:13,440 --> 00:34:15,560 Speaker 1: you play some of Summer Girls for an audience? As 677 00:34:15,600 --> 00:34:21,320 Speaker 1: as Lunchbox heads over to the performing microphone, then Chinese 678 00:34:22,440 --> 00:34:24,239 Speaker 1: he's put the pack in his pocket and now he 679 00:34:24,239 --> 00:34:25,839 Speaker 1: can hear you can hear me? Right, I can hear you? 680 00:34:25,920 --> 00:34:28,400 Speaker 1: Can you just play the instrumental for a second so 681 00:34:28,440 --> 00:34:32,480 Speaker 1: he can Yeah, now this hold on. Hey, bro, this 682 00:34:32,520 --> 00:34:35,080 Speaker 1: song is like it's got like white rapping. Yeah, I 683 00:34:35,080 --> 00:34:36,640 Speaker 1: know you know how to do it. Yeah, I know 684 00:34:36,640 --> 00:34:38,480 Speaker 1: how to do the rapper. So when you start, I'll 685 00:34:38,480 --> 00:34:40,799 Speaker 1: give you up until the end of the chorus. Don't 686 00:34:40,800 --> 00:34:42,960 Speaker 1: even know what that means. Okay, Ray, are you ready? 687 00:34:43,000 --> 00:34:45,759 Speaker 1: You can start it over? When does it start? I mean, 688 00:34:46,040 --> 00:34:47,480 Speaker 1: can I n him end? Now? You don't even not 689 00:34:47,520 --> 00:34:48,759 Speaker 1: be an order? But I don't. I don't need he 690 00:34:48,800 --> 00:34:50,440 Speaker 1: doesn't want it. I don't well you know, I don't 691 00:34:50,480 --> 00:34:52,480 Speaker 1: want it because when I win, people be like, oh, 692 00:34:52,520 --> 00:34:54,439 Speaker 1: you know the mean Bobby held him. It doesn't count. 693 00:34:54,480 --> 00:34:56,600 Speaker 1: So I don't want any of that. Like, Ray, are 694 00:34:56,600 --> 00:34:58,959 Speaker 1: you ready this time? When you start it? It starts 695 00:34:59,080 --> 00:35:02,320 Speaker 1: lunchbox LFO summer girl, Yeah, are you ready? I stopped 696 00:35:02,320 --> 00:35:05,840 Speaker 1: by for the summer summer. Here we go, begin. I 697 00:35:05,920 --> 00:35:09,240 Speaker 1: stopped buying begin like he's gonna stop the summer. Oh 698 00:35:09,280 --> 00:35:14,839 Speaker 1: he got it this one, this one? When's he gonna 699 00:35:14,840 --> 00:35:24,800 Speaker 1: start it? Oh? No, I call you read hey lunchbox 700 00:35:25,040 --> 00:35:28,680 Speaker 1: three two one, go oh new kids. But I have 701 00:35:28,880 --> 00:35:31,640 Speaker 1: had a lot of hits. I had a real big itch. 702 00:35:31,960 --> 00:35:35,040 Speaker 1: I stopped by for the summer summer, you know, and 703 00:35:35,080 --> 00:35:39,000 Speaker 1: it was really hot outside them girls on Abercombie and Fitch. 704 00:35:39,200 --> 00:35:41,680 Speaker 1: If you were really rich, that's where you shop and 705 00:35:41,760 --> 00:35:43,680 Speaker 1: its felled really good. And I stole a lot of 706 00:35:43,719 --> 00:35:46,120 Speaker 1: clothes from there when Aaron worked there that one summer 707 00:35:46,480 --> 00:35:50,439 Speaker 1: summer summer. He was the manager manager and he would 708 00:35:50,480 --> 00:35:54,800 Speaker 1: just put clothes in my bag. Abercombie and Fitch. I 709 00:35:54,840 --> 00:35:59,759 Speaker 1: apologized for my little stitch and stealing and itch, oh 710 00:36:00,040 --> 00:36:03,160 Speaker 1: top by for the summer summer. The summer days are 711 00:36:03,280 --> 00:36:07,759 Speaker 1: gold gold Jay's summer. Oh Jake Owen copied that song 712 00:36:07,880 --> 00:36:10,480 Speaker 1: in the summer summer. Oh yeah, you want to go 713 00:36:10,520 --> 00:36:13,440 Speaker 1: to Nantucket. That's a really rich place. I've heard so 714 00:36:13,960 --> 00:36:17,319 Speaker 1: the summer girls, Summer girls, summer girls. O. How do 715 00:36:17,360 --> 00:36:21,720 Speaker 1: you like that? Itch Abercrombie and Fitch. Oh white flow 716 00:36:21,840 --> 00:36:25,200 Speaker 1: like a bar by time. Oh oh, I hope, I 717 00:36:25,200 --> 00:36:33,879 Speaker 1: don't die. I have a girl Fitch. Okay, okay, so yeah, 718 00:36:33,960 --> 00:36:36,160 Speaker 1: shout out Aaron Scoopa, Stave, Mike and myself will be 719 00:36:36,239 --> 00:36:40,200 Speaker 1: Kep worked in a confession. Well, we definitely get to that. 720 00:36:40,920 --> 00:36:43,080 Speaker 1: You have the scores one through ten, guys, you write 721 00:36:43,160 --> 00:36:45,000 Speaker 1: lunchbox now, Ray, if you'll played the real song for 722 00:36:45,000 --> 00:36:46,480 Speaker 1: audience again, so they can hear what it's supposed to 723 00:36:46,480 --> 00:36:48,400 Speaker 1: sound like, because it's in the black Cat a bunch 724 00:36:48,440 --> 00:36:54,640 Speaker 1: of Chinese itch and Nantucket definitely rocks. Scary, Yeah, scared, 725 00:36:54,719 --> 00:36:56,799 Speaker 1: scared a little bit. And then also Lunchbox committed to 726 00:36:56,800 --> 00:36:58,759 Speaker 1: a crime in the middle of the song and then 727 00:36:58,800 --> 00:37:01,800 Speaker 1: apologize for the crime. And I'm not sure if statue 728 00:37:01,800 --> 00:37:03,839 Speaker 1: limentations is over an honor. I think it's twenty five 729 00:37:03,880 --> 00:37:05,600 Speaker 1: years Acribi and fit You're gonna be knocking on the 730 00:37:05,600 --> 00:37:07,719 Speaker 1: door later. And his buddy used to manage it, and 731 00:37:07,719 --> 00:37:09,560 Speaker 1: he did finger quotes on manage it because he knew 732 00:37:09,600 --> 00:37:11,680 Speaker 1: his buddy was stealing. But he also said his name too, 733 00:37:11,680 --> 00:37:13,319 Speaker 1: which is Aaron. He played Aaron in the song. But 734 00:37:13,360 --> 00:37:15,160 Speaker 1: I'm sure this is Aaron's safe too because of the 735 00:37:15,200 --> 00:37:20,920 Speaker 1: time prosecute. All right, Next up our second performer and 736 00:37:21,080 --> 00:37:30,080 Speaker 1: one hit wonder blind Karaoke is am Amy, your last 737 00:37:30,080 --> 00:37:32,120 Speaker 1: showing and this was the game was not good? That 738 00:37:32,200 --> 00:37:35,800 Speaker 1: hasn't been good anytime. Yeah, was there a song you'd prefer? No, Okay, 739 00:37:35,800 --> 00:37:44,120 Speaker 1: here we go, let's Amy, come on now, Amy, you 740 00:37:44,160 --> 00:37:47,520 Speaker 1: get I'm gonna be five hundred miles. I would walk right. 741 00:37:47,560 --> 00:37:50,600 Speaker 1: Would you play that for audience. Please. This is a 742 00:37:50,640 --> 00:37:53,680 Speaker 1: little song by the Proclaimers. I would walk five hundred 743 00:37:53,680 --> 00:38:02,000 Speaker 1: miles miles. Can you hear us? Oh? Yeah, I feel 744 00:38:02,000 --> 00:38:03,680 Speaker 1: like back in the day we did this song. I 745 00:38:03,719 --> 00:38:07,400 Speaker 1: guess a show, remember two thousand and seven. Let's hear you? 746 00:38:08,880 --> 00:38:12,919 Speaker 1: Come on. Here is Amy flying karaoke doing the Proclaimers. Oh, 747 00:38:13,000 --> 00:38:18,560 Speaker 1: five hundred miles. Tell me when to start or no? Oh? 748 00:38:18,600 --> 00:38:22,239 Speaker 1: When I wake up by no, I'm gonna be, I'm 749 00:38:22,280 --> 00:38:26,080 Speaker 1: gonna be the one that's walking towards you. And when 750 00:38:26,120 --> 00:38:29,880 Speaker 1: I wake up, I know I'm gonna be. I'm gonna 751 00:38:29,960 --> 00:38:33,880 Speaker 1: be the one that's marching towards you, because because I 752 00:38:34,080 --> 00:38:38,920 Speaker 1: would walk five hundred miles and I would walk five 753 00:38:39,120 --> 00:38:43,440 Speaker 1: thousand more just to be the man who walk five 754 00:38:43,680 --> 00:38:54,080 Speaker 1: hundred miles to show up at your door. And I 755 00:38:54,080 --> 00:38:58,799 Speaker 1: would walk five thousand miles and I would walk by 756 00:38:59,160 --> 00:39:04,120 Speaker 1: hundred march to be the man that showed up at 757 00:39:04,120 --> 00:39:11,719 Speaker 1: your door when you thought I was no more. Okay, okay, Mike. 758 00:39:12,600 --> 00:39:14,440 Speaker 1: My favorite part of that was Lunchbocks being offended my 759 00:39:14,480 --> 00:39:16,960 Speaker 1: Ammy miss words Amy mystic Cup word teams like can 760 00:39:17,000 --> 00:39:20,360 Speaker 1: you believe it? Hey? I think she would. It was 761 00:39:20,360 --> 00:39:22,359 Speaker 1: amazing Harry word, no, no no, no, can I tell you something? 762 00:39:22,360 --> 00:39:24,840 Speaker 1: She went from I would walk five thousand miles and 763 00:39:24,880 --> 00:39:26,960 Speaker 1: the next line was, I'd walk five hundred miles to 764 00:39:27,080 --> 00:39:29,279 Speaker 1: be the guy that walked five hundred. No, it's five 765 00:39:29,400 --> 00:39:31,160 Speaker 1: hundred five. And tell somebody that missed up wards. You 766 00:39:31,160 --> 00:39:33,040 Speaker 1: didn't get one single word, I said, summer girls, and 767 00:39:33,120 --> 00:39:34,239 Speaker 1: now we're calling me a fit may. I thought you 768 00:39:34,239 --> 00:39:37,480 Speaker 1: did pretty good there, and I marched, Yeah you did? 769 00:39:37,480 --> 00:39:40,640 Speaker 1: Who did march? And right out of the camera, Yeah yeah, 770 00:39:40,760 --> 00:39:42,359 Speaker 1: oh yeah, she marked out. Oh yeah, man, I didn't 771 00:39:42,360 --> 00:39:45,600 Speaker 1: see her for like five seconds. Yeah, but I thought 772 00:39:45,600 --> 00:39:47,560 Speaker 1: it's pretty good. Actually, I thought was pretty good. The 773 00:39:47,560 --> 00:39:49,640 Speaker 1: passion was there. You knew some of the words. You 774 00:39:49,680 --> 00:39:52,640 Speaker 1: did really well, Amy Judges write her score down. Please 775 00:39:52,840 --> 00:39:54,760 Speaker 1: not as well as me, but you did well. Up next, 776 00:39:56,280 --> 00:40:00,600 Speaker 1: our video producer Eddie. There he is there defending champions. Now, 777 00:40:00,600 --> 00:40:02,279 Speaker 1: if you're just turning us on, we call a blind 778 00:40:02,320 --> 00:40:05,920 Speaker 1: karaoke because he's doing karaoke but he can't see any words. 779 00:40:05,960 --> 00:40:08,080 Speaker 1: There are no words, so either you know him by 780 00:40:08,120 --> 00:40:09,880 Speaker 1: heart or you make them up. Now. You don't get 781 00:40:09,880 --> 00:40:12,120 Speaker 1: to pick your song. That'd be too easy. The categories 782 00:40:12,160 --> 00:40:15,920 Speaker 1: one hit Wonders. We spin the Wheel Yeah, Amy performed 783 00:40:15,960 --> 00:40:21,000 Speaker 1: The Proclaimers I Would Walk five hundred. Lunchbox performed LFO 784 00:40:21,080 --> 00:40:24,160 Speaker 1: Summer Girls. I like girls. That where Abercromb being fitch. 785 00:40:24,680 --> 00:40:28,239 Speaker 1: So Eddie you are up. Yeah, there's a there, but yeah, 786 00:40:28,280 --> 00:40:30,120 Speaker 1: I mean there's two. There's two that I don't want. 787 00:40:30,120 --> 00:40:32,239 Speaker 1: I don't want teenage dirtbag. I don't think I know 788 00:40:32,280 --> 00:40:34,120 Speaker 1: that one at all and the hataway one. What's that? 789 00:40:34,239 --> 00:40:36,440 Speaker 1: What is I mean, how does that even? Other than 790 00:40:36,440 --> 00:40:41,080 Speaker 1: that part, I don't know anything. Good point everyone, I'm 791 00:40:41,080 --> 00:40:42,920 Speaker 1: gonna be doing that over and over. Your freestyle and 792 00:40:43,080 --> 00:40:44,520 Speaker 1: part of this, part of this is just passionate. It's 793 00:40:44,520 --> 00:40:47,080 Speaker 1: like when you forgot words singing on Broadway, you just 794 00:40:47,160 --> 00:40:49,000 Speaker 1: had to go just go with it, Just go with it, kay, 795 00:40:49,040 --> 00:40:52,759 Speaker 1: all right, Red spin the wheel? Yeah, Okay, teenage back, 796 00:40:52,920 --> 00:41:00,640 Speaker 1: that's what I need, right, Eddie, Let's spin back keenage 797 00:41:00,719 --> 00:41:05,719 Speaker 1: dirt bag, Dick. We don't want that one, bag, Eddie. 798 00:41:05,719 --> 00:41:08,799 Speaker 1: You have ice ice baby. Let's go, dude. I can 799 00:41:08,880 --> 00:41:14,040 Speaker 1: even do the dance of this one each front avenue. 800 00:41:15,080 --> 00:41:19,960 Speaker 1: Let's go shout out, hey, Ray, this doesn't count boy, 801 00:41:19,960 --> 00:41:24,040 Speaker 1: you play it for his ears? Can hear that. Okay, 802 00:41:24,120 --> 00:41:27,040 Speaker 1: let's start it over. Here is producer Eddie Blink karaoke Yo, 803 00:41:28,760 --> 00:41:33,359 Speaker 1: producer Eddie coming at you from floor rid a one 804 00:41:33,760 --> 00:41:39,920 Speaker 1: each front avenue. Baby, let's kick, not yet, hold on, 805 00:41:40,360 --> 00:41:43,799 Speaker 1: let's kick. That's it and here's some more face on 806 00:41:43,840 --> 00:41:50,160 Speaker 1: that one. I think I start right here. All right, stop, 807 00:41:50,480 --> 00:41:53,760 Speaker 1: collaborate and listen. Ice is back with a brand new invention. 808 00:41:54,040 --> 00:41:58,319 Speaker 1: Nothing has told me. Tightly, no, Deadly and Nutley would 809 00:41:58,400 --> 00:42:01,040 Speaker 1: ever stop yo, I don't know. Turn off the lights 810 00:42:01,280 --> 00:42:03,279 Speaker 1: and I'll gloat. Stop with the bull, but to put 811 00:42:03,280 --> 00:42:07,160 Speaker 1: down like a band, I'm dance, turning my phone like 812 00:42:07,160 --> 00:42:10,640 Speaker 1: a dead blee mushroom deadly. Then we want you. You 813 00:42:10,680 --> 00:42:13,719 Speaker 1: don't want me. I don't want you. And the moone 814 00:42:13,800 --> 00:42:16,600 Speaker 1: won't say nothing because I know what I'm talking about, 815 00:42:16,760 --> 00:42:19,160 Speaker 1: and it's hot. It's hot, so hot that I'm gonna 816 00:42:19,440 --> 00:42:28,839 Speaker 1: size some baby. Baby, come off, I baby, that's all 817 00:42:28,920 --> 00:42:35,880 Speaker 1: I know. I Baby. There is fris or ready everybody, Oh, 818 00:42:36,000 --> 00:42:38,239 Speaker 1: thank god, and cut that off. I'm gonna tell you something, Eddie. 819 00:42:38,360 --> 00:42:40,719 Speaker 1: I really thought you were gonna know more words. Thank you, 820 00:42:40,960 --> 00:42:43,239 Speaker 1: thank you, judge. Hey, you can't say anything. You can 821 00:42:43,320 --> 00:42:45,319 Speaker 1: because you came out here in cocky like, oh, I 822 00:42:45,360 --> 00:42:47,360 Speaker 1: know even the dance and you got like three words 823 00:42:47,360 --> 00:42:50,600 Speaker 1: and you didn't dance. Man, that that my mind was 824 00:42:50,760 --> 00:42:52,880 Speaker 1: focusing on the lyrics. I didn't know. How do you 825 00:42:52,920 --> 00:42:58,160 Speaker 1: feel about that? Terrible? Okay? Terrible? Um up, next dance, Abby. 826 00:42:58,200 --> 00:42:59,600 Speaker 1: This is gonna be a good exercise for you as 827 00:42:59,600 --> 00:43:02,520 Speaker 1: you first to your career and singing. Just because you 828 00:43:02,520 --> 00:43:04,640 Speaker 1: don't know the word, you gotta keep going, right, because 829 00:43:04,640 --> 00:43:06,680 Speaker 1: we had this issue when you were singing on Broadway. 830 00:43:07,120 --> 00:43:09,520 Speaker 1: You just keep going. It's just practiced. It just roll 831 00:43:09,760 --> 00:43:12,640 Speaker 1: and with it. The Wills one hit Wonders, Abbey, how'd 832 00:43:12,640 --> 00:43:15,480 Speaker 1: you feel, Eddie? Did? I thought it a good? Yeah? Yeah, 833 00:43:16,040 --> 00:43:21,400 Speaker 1: stupid so dumb? Oh wows do way better than that? 834 00:43:21,520 --> 00:43:25,120 Speaker 1: Oh okay, yeah we agree. Eddie's defending champion, Abbey. Are 835 00:43:25,120 --> 00:43:28,000 Speaker 1: you ready? I'm ready? I think here she is our 836 00:43:28,120 --> 00:43:32,520 Speaker 1: phone screen or slash segment producer, slash all around, good vibe, 837 00:43:32,640 --> 00:43:38,200 Speaker 1: slash glue guy. Definitely a glue guy, Blue girl. Abby. Hey, okay, 838 00:43:38,680 --> 00:43:46,040 Speaker 1: let's give a one with vocal rain. Please. I can't 839 00:43:46,040 --> 00:43:49,080 Speaker 1: see it. I can't see it. Abby, you have Tubb 840 00:43:51,040 --> 00:43:54,319 Speaker 1: from Chumbawamba. Yes, okay, let's let's play it for audience. Please. 841 00:43:59,200 --> 00:44:02,480 Speaker 1: Isn't that bad words? And I would just say wishing wishing? Okay. 842 00:44:02,600 --> 00:44:10,000 Speaker 1: I think it's what they said in radio. My body, Hi, everybody, Oh, 843 00:44:10,000 --> 00:44:16,640 Speaker 1: I could hear. Dang it, I start over, knockdown again? 844 00:44:17,800 --> 00:44:21,480 Speaker 1: One point? Yeah, let's score her foul. I'm too excited. 845 00:44:21,600 --> 00:44:24,720 Speaker 1: Let's score her normally, but we will deduct one point 846 00:44:24,719 --> 00:44:27,600 Speaker 1: from her from her score after we score her normally. Abby, 847 00:44:27,600 --> 00:44:29,799 Speaker 1: that was that's bad. We're not letting you do it 848 00:44:29,920 --> 00:44:31,799 Speaker 1: twice because you're I don't know, we like it. Let's 849 00:44:31,840 --> 00:44:40,760 Speaker 1: be honest. You're just so dang likable. Okay, are you ready? Abby? Hey, everybody, 850 00:44:41,000 --> 00:44:45,439 Speaker 1: I'm over here singing. Yeah, I dang it. I get 851 00:44:45,520 --> 00:44:48,760 Speaker 1: knocked down, but I get up again. You're never gonna 852 00:44:48,800 --> 00:44:51,640 Speaker 1: bring me down. I get knocked down, but I get 853 00:44:51,680 --> 00:44:54,640 Speaker 1: up again. You're never gonna bring me down. Lunchbox, I 854 00:44:54,680 --> 00:44:57,560 Speaker 1: get knocked down, but I get up again. You're never 855 00:44:57,680 --> 00:45:00,680 Speaker 1: gonna bring me down. I get knocked down, but I 856 00:45:00,719 --> 00:45:05,880 Speaker 1: get up again. You're never gonna bring me down. Wishing 857 00:45:06,040 --> 00:45:13,439 Speaker 1: the night away, right, Wishing the night away. She takes 858 00:45:13,440 --> 00:45:16,919 Speaker 1: a whiskey drink. She takes side of drink. She takes 859 00:45:16,920 --> 00:45:19,040 Speaker 1: a fear of drink to take songs with the member 860 00:45:19,040 --> 00:45:21,480 Speaker 1: of the Best Time and the songs a reminder of 861 00:45:21,520 --> 00:45:29,560 Speaker 1: the worst times. Oh, Danny Boy, Danny Boy, Danny Boy. 862 00:45:31,200 --> 00:45:34,200 Speaker 1: I can knock down, but I get up again. You're 863 00:45:34,239 --> 00:45:37,400 Speaker 1: never gonna bring me down. I can't knock down, but 864 00:45:37,520 --> 00:45:40,239 Speaker 1: I get up again. You're never gonna bring me down. 865 00:45:40,440 --> 00:45:43,439 Speaker 1: I can't knock down, but I get up again. You're 866 00:45:43,480 --> 00:45:46,640 Speaker 1: never gonna bring me down. I can knock down, but 867 00:45:46,760 --> 00:45:49,600 Speaker 1: I get up again. You're never gonna bring me dwn. 868 00:45:51,280 --> 00:46:02,000 Speaker 1: She dominated, dominated, dominated, wow. Wow. So judges to write 869 00:46:02,000 --> 00:46:04,560 Speaker 1: their scores down. Remember whatever you give Abby naturally deduct 870 00:46:04,560 --> 00:46:07,160 Speaker 1: a point from it. Okay, to give her a score, 871 00:46:07,280 --> 00:46:09,719 Speaker 1: it's not gonna matter. It is gonna matter because you 872 00:46:09,800 --> 00:46:14,080 Speaker 1: know she was bad. Okay. I didn't say anything. I'm 873 00:46:14,120 --> 00:46:16,919 Speaker 1: just saying okay. And one the dance competition. First off, 874 00:46:17,280 --> 00:46:21,040 Speaker 1: it's good lunch boys got some pretty high scores people 875 00:46:21,280 --> 00:46:28,120 Speaker 1: Lunchbox total score of sixteen. Whoa, that's how you bring it, guys, 876 00:46:28,400 --> 00:46:30,439 Speaker 1: that's how you bring it means you average over a five. 877 00:46:30,560 --> 00:46:32,840 Speaker 1: That's right. I guess what. I'm a leader of the clubhouse. 878 00:46:34,000 --> 00:46:38,440 Speaker 1: The first one. Here's entertaining Amy with your confession sixteen. 879 00:46:38,719 --> 00:46:43,080 Speaker 1: Who what's up? What's we're gonna have a sing off? 880 00:46:43,640 --> 00:46:46,359 Speaker 1: You're not even through Eddie yet? Well, no, mine's not 881 00:46:46,480 --> 00:46:49,879 Speaker 1: closely sixteen. It's not Eddie. I did have a good 882 00:46:49,880 --> 00:46:51,960 Speaker 1: start though, it just didn't know the rest of the lyrics. 883 00:46:52,239 --> 00:47:02,400 Speaker 1: Eddie thirteen seller, Wow, what does it even mean? That 884 00:47:02,440 --> 00:47:08,360 Speaker 1: means the bottom like Abby got one really high score 885 00:47:09,040 --> 00:47:11,319 Speaker 1: from who she got one mid score and one really 886 00:47:11,360 --> 00:47:16,000 Speaker 1: low score. Oh dang, oh wow, they don't say who score, 887 00:47:16,000 --> 00:47:18,120 Speaker 1: We don't say what. So Amy and Lunchbox are tied 888 00:47:18,160 --> 00:47:20,840 Speaker 1: at a sixteen. Yeah, Eddie, really poor performance with thirteen 889 00:47:21,280 --> 00:47:23,960 Speaker 1: probably the easiest song. Okay, Oh, you guys can do 890 00:47:24,000 --> 00:47:25,520 Speaker 1: all I could do. I could just Summer Girls. I 891 00:47:25,520 --> 00:47:27,200 Speaker 1: could do an el Ice whatever you want. Oh, look 892 00:47:27,200 --> 00:47:30,080 Speaker 1: at you. Yeah, I probably couldn't. I don't know if 893 00:47:30,080 --> 00:47:31,839 Speaker 1: I could Summer Girls. If you want, I can drive 894 00:47:33,080 --> 00:47:34,840 Speaker 1: my mouth on that one. But the Winter is Barbie 895 00:47:34,880 --> 00:47:41,560 Speaker 1: girl score the Winter is yeah, with seventeen points. Abby. 896 00:47:47,600 --> 00:47:48,840 Speaker 1: Since the first time you ever played a game, we 897 00:47:48,880 --> 00:47:51,200 Speaker 1: gave you a little break there. Yeah, next time that 898 00:47:51,239 --> 00:47:53,759 Speaker 1: you'll just have to roll with it. Okay, certain people, 899 00:47:53,760 --> 00:47:55,239 Speaker 1: I don't want to say, who but Scooba gave you 900 00:47:55,239 --> 00:47:58,360 Speaker 1: a terrible score. Okay, I figured, yeah, just terrible. I 901 00:47:58,400 --> 00:48:01,320 Speaker 1: don't want to anybody. Well get we'll get her the 902 00:48:01,360 --> 00:48:08,160 Speaker 1: mid score. Um I did? Okay, Mike were boys. I mean, 903 00:48:09,880 --> 00:48:13,799 Speaker 1: all right, that's it. Let's go, come on, I'll show off. Well. 904 00:48:13,840 --> 00:48:15,880 Speaker 1: I don't know if I remember how all the words go. 905 00:48:16,719 --> 00:48:20,160 Speaker 1: I mean, you think you're so good. I don't think 906 00:48:20,160 --> 00:48:22,000 Speaker 1: I'm so good. I shouldn't have said that. I just 907 00:48:22,040 --> 00:48:23,880 Speaker 1: don't remember how the first if I can think of 908 00:48:23,920 --> 00:48:28,080 Speaker 1: the first world though, don'tkay? Here we go, new kids 909 00:48:28,200 --> 00:48:31,400 Speaker 1: on the blog kind of bunching its Chinese because makes 910 00:48:31,480 --> 00:48:34,279 Speaker 1: me sick. I think it's fly when girls stop by 911 00:48:34,400 --> 00:48:38,480 Speaker 1: for the summer, for the summer. I like girls that way, 912 00:48:38,640 --> 00:48:42,240 Speaker 1: Abercrombie and Fitch. I take her if I had one wish, 913 00:48:42,760 --> 00:48:45,960 Speaker 1: because she's been gone since that summer, since that summer 914 00:48:46,719 --> 00:48:49,400 Speaker 1: hit Pop Mama Lads the Dance Band. I met you 915 00:48:49,520 --> 00:48:52,520 Speaker 1: one summer and all again. You're the best girl that 916 00:48:52,600 --> 00:48:56,000 Speaker 1: I ever did see The Great Larry Bird Jersey thirty three. 917 00:48:56,280 --> 00:48:58,520 Speaker 1: When you take a sip, you buzz like a hornet. 918 00:48:58,640 --> 00:49:01,239 Speaker 1: Willie Shakespeare wrote a whole bunch of song. It call 919 00:49:01,320 --> 00:49:03,920 Speaker 1: me Willie Whistle because I can't speak. Baby. Something in 920 00:49:04,040 --> 00:49:12,880 Speaker 1: your eyes really drove me crazy. Okay, that's all Abby, 921 00:49:12,920 --> 00:49:17,239 Speaker 1: You're the champion who professional singer. You're on the way. 922 00:49:20,080 --> 00:49:23,799 Speaker 1: It's the best bits of the week with Morgan. Number two. 923 00:49:27,200 --> 00:49:30,000 Speaker 1: You guys really love when we share personal things going 924 00:49:30,080 --> 00:49:32,239 Speaker 1: on in our lives, and this one I had no 925 00:49:32,440 --> 00:49:34,920 Speaker 1: intention of sharing, but it just kind of came out. 926 00:49:35,040 --> 00:49:38,200 Speaker 1: I got asked about my dating life and then ended 927 00:49:38,280 --> 00:49:41,799 Speaker 1: up sharing some personal news going on in my dating life, 928 00:49:41,800 --> 00:49:44,200 Speaker 1: which again I do not plan on sharing. But I 929 00:49:44,360 --> 00:49:47,120 Speaker 1: am a terrible liar and I am an open book. 930 00:49:47,239 --> 00:49:50,600 Speaker 1: So those things combined. When I get asked about something, 931 00:49:50,680 --> 00:49:53,000 Speaker 1: it just kind of all comes out like word vomit 932 00:49:53,480 --> 00:49:55,920 Speaker 1: pretty much. And that's what happened in this segment. But 933 00:49:56,040 --> 00:49:58,680 Speaker 1: you guys loved hearing about it and hearing some personal news. 934 00:49:58,800 --> 00:50:02,360 Speaker 1: So here you go. Number two. All right, Morgan, what happened? 935 00:50:02,400 --> 00:50:03,919 Speaker 1: You go out and you see a guy that you'd 936 00:50:03,960 --> 00:50:06,719 Speaker 1: been out with a few times before. Yes, and is 937 00:50:06,760 --> 00:50:09,719 Speaker 1: that weird? Yeah? It's always an awkward interaction because you 938 00:50:09,960 --> 00:50:11,279 Speaker 1: know you never see him again. You go on a 939 00:50:11,320 --> 00:50:13,279 Speaker 1: few dates and then it's like they disappear. Does it 940 00:50:13,400 --> 00:50:18,000 Speaker 1: matter who disappeared on who? I mean, it definitely adds too, 941 00:50:18,120 --> 00:50:20,400 Speaker 1: especially if it wasn't like a cordial ending, if it 942 00:50:20,520 --> 00:50:23,680 Speaker 1: was ghosting or stuff. Is that most isn't most ghosting 943 00:50:24,000 --> 00:50:26,200 Speaker 1: at this point? Yes? I mean just in general with dating, 944 00:50:26,239 --> 00:50:27,600 Speaker 1: like most times, if you got a couple of times 945 00:50:27,600 --> 00:50:30,360 Speaker 1: you don't owe somebody, Hey, look I thought i'd like 946 00:50:30,440 --> 00:50:31,719 Speaker 1: you more than I did, So I'm gonna go aha 947 00:50:31,760 --> 00:50:33,080 Speaker 1: and piece out. Don't you just kind of go away 948 00:50:33,080 --> 00:50:36,120 Speaker 1: because you haven't really invested anything anyway? I mean no, 949 00:50:36,400 --> 00:50:39,279 Speaker 1: because people are people are very emotional, especially these days, 950 00:50:39,360 --> 00:50:41,479 Speaker 1: you kind of gotta cut the cord. Well, I would 951 00:50:41,520 --> 00:50:44,160 Speaker 1: either what you should do is either ghost or get 952 00:50:44,200 --> 00:50:45,840 Speaker 1: a burn email and send him an email as a 953 00:50:45,840 --> 00:50:47,400 Speaker 1: burn on the burner account and be like, hey, they 954 00:50:47,440 --> 00:50:49,239 Speaker 1: don't want to date him your favorite I love a 955 00:50:49,280 --> 00:50:51,480 Speaker 1: burner email account for everything. There's nothing I can't do, 956 00:50:51,560 --> 00:50:54,239 Speaker 1: all right, what happened Morgan? So I ran into him 957 00:50:54,440 --> 00:50:56,640 Speaker 1: and he came up to me and was like, hey, 958 00:50:56,920 --> 00:50:59,080 Speaker 1: you know because he had ghosts to me. We went 959 00:50:59,120 --> 00:51:02,239 Speaker 1: out on two dates and they were ghosted ghosted me. 960 00:51:02,560 --> 00:51:05,239 Speaker 1: Oh and they were great dates, Like, nothing bad about 961 00:51:05,320 --> 00:51:07,399 Speaker 1: him right, he goes to me, and I didn't think 962 00:51:07,440 --> 00:51:09,040 Speaker 1: much about it. It's been like two years since. So 963 00:51:09,120 --> 00:51:10,640 Speaker 1: when I run into him, he came up to me 964 00:51:10,760 --> 00:51:13,160 Speaker 1: and was very apologetic. I was like, I'm so sorry 965 00:51:13,239 --> 00:51:15,440 Speaker 1: that I ghosted you. That's not who I am. You 966 00:51:15,520 --> 00:51:20,000 Speaker 1: were just really intimidating and I'm like, okay, I'm intimidating 967 00:51:20,080 --> 00:51:22,520 Speaker 1: why And he's like, well, you're just you're a woman 968 00:51:22,600 --> 00:51:25,239 Speaker 1: that didn't need me, and I need someone who needs me. 969 00:51:25,960 --> 00:51:28,040 Speaker 1: And I was like, yeah, you're right, I didn't need you, 970 00:51:28,160 --> 00:51:32,640 Speaker 1: but I wanted you. And well I'm saying like in 971 00:51:32,760 --> 00:51:40,960 Speaker 1: that scenario, like I wanted to date you, okay, you know, okay, okay, 972 00:51:42,480 --> 00:51:45,000 Speaker 1: And he was just like really taken back by that 973 00:51:45,480 --> 00:51:48,279 Speaker 1: because he thought that he needed to date a woman 974 00:51:48,400 --> 00:51:50,480 Speaker 1: that needs him in every aspect of his life and 975 00:51:50,560 --> 00:51:52,919 Speaker 1: because I wasn't that way. I was not the girl 976 00:51:52,960 --> 00:51:55,960 Speaker 1: for him. But you don't want a guy that wants 977 00:51:56,040 --> 00:51:58,319 Speaker 1: that out of a woman anyway. Yeah. So in the end, 978 00:51:58,719 --> 00:52:00,480 Speaker 1: he may have ghosted you, but I think you won 979 00:52:00,560 --> 00:52:03,080 Speaker 1: because that wasn't more of your time wasted. Oh yeah, 980 00:52:03,120 --> 00:52:04,719 Speaker 1: I won too, because if he came back up to 981 00:52:04,840 --> 00:52:06,840 Speaker 1: me after two years still thinking about that. Then I 982 00:52:06,920 --> 00:52:08,520 Speaker 1: had forgot about it. I was like, I moved on 983 00:52:08,640 --> 00:52:11,000 Speaker 1: with my life, So did you want to go out again? 984 00:52:12,040 --> 00:52:14,520 Speaker 1: He was hinting at it, but I pretty much was like, 985 00:52:14,880 --> 00:52:17,200 Speaker 1: this is never gonna happen. Like you've shown me who 986 00:52:17,239 --> 00:52:19,080 Speaker 1: you are. How do you say it's never gonna happen. 987 00:52:19,400 --> 00:52:21,319 Speaker 1: I was just like, that's cool. That's not a guy 988 00:52:21,360 --> 00:52:23,440 Speaker 1: I want to be with. And I appreciate that, but 989 00:52:24,120 --> 00:52:26,520 Speaker 1: cut him. He limped away after that one. I felt that, 990 00:52:26,920 --> 00:52:30,400 Speaker 1: So you didn't go out with him? What's been happening recently? 991 00:52:30,800 --> 00:52:32,840 Speaker 1: He've been going any dates at all? No, I have 992 00:52:32,960 --> 00:52:35,600 Speaker 1: not gone any dates at all, and my X and 993 00:52:35,680 --> 00:52:44,520 Speaker 1: I are trying to figure things out. Wait, what wow? Breakings? 994 00:52:44,960 --> 00:52:48,840 Speaker 1: What I did not know this? I did not know this. 995 00:52:49,719 --> 00:53:00,560 Speaker 1: I did not Oh wow? What is What does that mean? What? 996 00:53:01,080 --> 00:53:02,759 Speaker 1: Don't don't say anything you're not comfortable with? What does 997 00:53:02,760 --> 00:53:04,720 Speaker 1: that mean? Yeah? No, I mean we're not back together, 998 00:53:05,200 --> 00:53:08,120 Speaker 1: but we're just seeing if you know, he he went 999 00:53:08,200 --> 00:53:11,359 Speaker 1: through some things and he really realized that he wants 1000 00:53:11,400 --> 00:53:13,000 Speaker 1: me a part of his life, and he's making that 1001 00:53:13,120 --> 00:53:15,719 Speaker 1: effort in a lot of ways that matter. And so 1002 00:53:15,920 --> 00:53:18,399 Speaker 1: I'm just giving a chance for him to see if 1003 00:53:18,440 --> 00:53:20,160 Speaker 1: he can be who I need him to be. I 1004 00:53:20,320 --> 00:53:25,440 Speaker 1: did not like, Wow, like I'm a little shocked by 1005 00:53:25,640 --> 00:53:27,840 Speaker 1: good for you? Yeah, just being honest. You never know 1006 00:53:27,880 --> 00:53:30,239 Speaker 1: what's going to happen. But amen, did that it could 1007 00:53:30,280 --> 00:53:34,839 Speaker 1: not work out? It could I did not know. Can 1008 00:53:34,880 --> 00:53:36,960 Speaker 1: we ask about like what kind of effort is he making? 1009 00:53:37,040 --> 00:53:38,880 Speaker 1: Like is he dropping flowers off? Like what do you 1010 00:53:38,920 --> 00:53:43,279 Speaker 1: mean by making an effort? No, it's just it's more 1011 00:53:43,400 --> 00:53:45,160 Speaker 1: emotional than that. There was a lot of things he 1012 00:53:45,200 --> 00:53:46,839 Speaker 1: had been through in his life that he hadn't quite 1013 00:53:46,880 --> 00:53:49,560 Speaker 1: figured out, and he's doing the effort to to be 1014 00:53:49,680 --> 00:53:52,920 Speaker 1: in therapy figure that all out. And he's showing up 1015 00:53:52,960 --> 00:53:54,920 Speaker 1: for me in ways that he couldn't before because he's 1016 00:53:54,920 --> 00:53:58,880 Speaker 1: figured that out. So so did he go Did he 1017 00:54:00,040 --> 00:54:02,480 Speaker 1: figure out how much he needed you or he thinks 1018 00:54:02,520 --> 00:54:06,040 Speaker 1: he needed you while he was not having you? He yeah, 1019 00:54:06,120 --> 00:54:08,200 Speaker 1: well he realized like he couldn't need me. He just 1020 00:54:08,719 --> 00:54:11,560 Speaker 1: back to the whole conversation of needing verse oneting, you know, 1021 00:54:11,640 --> 00:54:14,239 Speaker 1: all of that. But he realized he wants me as 1022 00:54:14,280 --> 00:54:16,280 Speaker 1: part of his life and he wants to do everything 1023 00:54:16,360 --> 00:54:20,560 Speaker 1: in his power to make sure I'm not leaving him ever. Again, 1024 00:54:21,000 --> 00:54:23,520 Speaker 1: and so that's more of what happened. He kind of 1025 00:54:23,640 --> 00:54:25,480 Speaker 1: had his moment where he was like, oh crap, I 1026 00:54:25,600 --> 00:54:28,160 Speaker 1: really don't want to lose this. Okay, okay, okay, okay. 1027 00:54:30,200 --> 00:54:32,719 Speaker 1: Regardless of what happens, good or bad, we're rooting for you. 1028 00:54:33,040 --> 00:54:37,200 Speaker 1: Thank you. Wow, I did not know this was okay, 1029 00:54:37,280 --> 00:54:38,880 Speaker 1: breaking news. We did not know that. So you're not 1030 00:54:38,960 --> 00:54:41,759 Speaker 1: dating anybody? No? Did you do it? Go on any 1031 00:54:41,840 --> 00:54:43,640 Speaker 1: dates at all? No? I was asked on a few, 1032 00:54:43,680 --> 00:54:46,400 Speaker 1: but it didn't really feel right. And this started to 1033 00:54:46,480 --> 00:54:48,640 Speaker 1: happen about the same time, and that's what I wanted 1034 00:54:48,680 --> 00:54:51,880 Speaker 1: to pursue. Wow. Anything you want to say lunch? Yeah? Like, 1035 00:54:52,000 --> 00:54:56,839 Speaker 1: so are you officially dating him again? Said no, no, no, no, no, no, yes. 1036 00:54:56,920 --> 00:55:00,879 Speaker 1: She did. Let me explain, like if he said, hey, 1037 00:55:01,640 --> 00:55:04,319 Speaker 1: I want to take you to a wedding or would 1038 00:55:04,360 --> 00:55:06,320 Speaker 1: you go like is that something you would do or 1039 00:55:06,400 --> 00:55:09,560 Speaker 1: is it not to that? Like ah, yeah, I mean 1040 00:55:09,640 --> 00:55:12,680 Speaker 1: it's definitely complicate, like a public appearance, like I mean 1041 00:55:12,760 --> 00:55:15,000 Speaker 1: you know what I'm saying, like going somewhere together. I 1042 00:55:15,040 --> 00:55:17,080 Speaker 1: mean we are going like he is taking me out 1043 00:55:17,120 --> 00:55:20,279 Speaker 1: on dates in public, like he's actively pursuing me again. 1044 00:55:20,520 --> 00:55:25,560 Speaker 1: But they're not back together. Yeah, kind of date, That's 1045 00:55:25,600 --> 00:55:27,439 Speaker 1: what I'm saying. Like, so they're dating, but she didn't 1046 00:55:27,440 --> 00:55:29,080 Speaker 1: want to call it dating. Well, there's a difference in 1047 00:55:29,160 --> 00:55:33,120 Speaker 1: going on dates and the term dating, yes, like exclusively dating. 1048 00:55:33,880 --> 00:55:36,640 Speaker 1: Oh okay, yeah, Well I feel like if she's not 1049 00:55:36,680 --> 00:55:38,879 Speaker 1: going to go on dates with other people, they're exclusively dates. 1050 00:55:38,920 --> 00:55:41,040 Speaker 1: She could be in that middle ground where she doesn't 1051 00:55:41,040 --> 00:55:43,200 Speaker 1: want to mess that up by going on dates with 1052 00:55:43,280 --> 00:55:46,200 Speaker 1: other people, but she also doesn't want to say, Yep, 1053 00:55:46,239 --> 00:55:49,000 Speaker 1: we're back together and everything's good and fixed. There's okay, 1054 00:55:49,440 --> 00:55:51,239 Speaker 1: you guys are making it too complicated. They're dating, but 1055 00:55:51,320 --> 00:55:53,680 Speaker 1: it is complicated. That's just kind of what happens with relationship. 1056 00:55:53,760 --> 00:55:55,520 Speaker 1: You know, what they say in life is complicated? Who 1057 00:55:55,560 --> 00:56:04,200 Speaker 1: says that? Avril Levine so complicated? It's the best Bits 1058 00:56:04,239 --> 00:56:08,319 Speaker 1: of the Week with Morgan Number two and of course, 1059 00:56:08,440 --> 00:56:12,040 Speaker 1: in at the number one spot this week, Lunchbox got 1060 00:56:12,120 --> 00:56:14,960 Speaker 1: a callback. Yes, it really happened. He got a call 1061 00:56:15,160 --> 00:56:18,239 Speaker 1: from Jay, the director of the Bad Out of Hell 1062 00:56:18,480 --> 00:56:23,200 Speaker 1: musical in Las Vegas, and yep, Lunchbox is going to Vegas. 1063 00:56:23,400 --> 00:56:25,440 Speaker 1: I'm not even gonna say any more than that, because 1064 00:56:25,880 --> 00:56:29,400 Speaker 1: this was such an epic segment for so many reasons. 1065 00:56:29,840 --> 00:56:33,360 Speaker 1: He totally auditioned for it last week. He got the 1066 00:56:33,400 --> 00:56:37,040 Speaker 1: callback this week, and he couldn't wait to ask all 1067 00:56:37,080 --> 00:56:39,560 Speaker 1: the benefits he would receive out of getting the role. 1068 00:56:39,600 --> 00:56:41,319 Speaker 1: I'm just gonna let you hear it for yourself, because 1069 00:56:41,360 --> 00:56:43,320 Speaker 1: when Jay called in to give him the news, he 1070 00:56:43,480 --> 00:56:46,719 Speaker 1: was so stoked he could barely contain his excitement or 1071 00:56:47,080 --> 00:56:50,560 Speaker 1: his multiple questions about what he would get. So here 1072 00:56:50,640 --> 00:56:54,560 Speaker 1: you go, number one, you nervous lunchbox. Oh man, I'm nervous. 1073 00:56:54,640 --> 00:56:56,560 Speaker 1: I'll tell you what. I talked to my agent over 1074 00:56:56,600 --> 00:57:01,720 Speaker 1: the weekend, and he was my agent, Jackson Hughes, Jackson Husins, 1075 00:57:01,880 --> 00:57:04,120 Speaker 1: and he was like, look, man, I think this is 1076 00:57:04,239 --> 00:57:06,600 Speaker 1: really a good spot for you. So if they offer 1077 00:57:06,640 --> 00:57:08,160 Speaker 1: it to you, I really think you should take it. 1078 00:57:08,760 --> 00:57:12,399 Speaker 1: And so I mean, I'm hoping. I reviewed the table 1079 00:57:12,440 --> 00:57:13,719 Speaker 1: over the weekend. I thought I did pretty good. I 1080 00:57:13,760 --> 00:57:15,279 Speaker 1: thought you did good too. I thought it did really good. 1081 00:57:15,520 --> 00:57:17,920 Speaker 1: Jay Shaib is on with US, director of Bad Out 1082 00:57:17,960 --> 00:57:21,320 Speaker 1: of Hell, the award winning musical in Las Vegas. He 1083 00:57:21,480 --> 00:57:25,200 Speaker 1: has credentials out the wazoo, and you know, I'm all 1084 00:57:25,280 --> 00:57:27,920 Speaker 1: wazoo do out I read, I mean, he's just very decorated, 1085 00:57:28,160 --> 00:57:30,840 Speaker 1: very accomplished, and we're going to talk to him and 1086 00:57:30,920 --> 00:57:33,360 Speaker 1: see if he's gonna cast you in bad At to 1087 00:57:33,400 --> 00:57:36,400 Speaker 1: Hell in Las Vegas. Quick prediction. Does he get the role? Amy? 1088 00:57:37,000 --> 00:57:39,720 Speaker 1: I mean, I hope so, yes, Eddie, I think he does. 1089 00:57:39,960 --> 00:57:42,400 Speaker 1: I think director liked what he saw. That's a HM 1090 00:57:42,440 --> 00:57:43,920 Speaker 1: light up a little bit of yeah, me too. So 1091 00:57:44,000 --> 00:57:45,920 Speaker 1: I'm saying I have that effect, and that's what I 1092 00:57:46,000 --> 00:57:48,960 Speaker 1: do on stage. I will bring the audience in. They 1093 00:57:49,000 --> 00:57:51,800 Speaker 1: will relate to me, they will feel me. That sounds weird. 1094 00:57:52,040 --> 00:57:56,200 Speaker 1: Um Okay. On the phone, Jay, Jay, good to talk 1095 00:57:56,240 --> 00:58:00,520 Speaker 1: to you again. How are you great at the weekend 1096 00:58:00,560 --> 00:58:03,800 Speaker 1: watching his tape and evaluating him for your production? Can 1097 00:58:03,880 --> 00:58:05,680 Speaker 1: you just give me before you let me know what 1098 00:58:05,760 --> 00:58:08,920 Speaker 1: your final thoughts are as you're watching this tape back, Like, 1099 00:58:09,040 --> 00:58:12,320 Speaker 1: what emotions were you feeling? Well? I mean I was 1100 00:58:12,400 --> 00:58:16,000 Speaker 1: just I was laughing like crazy. I thought the comedy 1101 00:58:16,160 --> 00:58:19,280 Speaker 1: was so good. Were you trying to be funny some 1102 00:58:19,480 --> 00:58:21,600 Speaker 1: of it? I was. I don't know which scene he's 1103 00:58:21,640 --> 00:58:24,000 Speaker 1: talking about, Like, well, it's funny, I don't know, But 1104 00:58:24,600 --> 00:58:26,920 Speaker 1: if that's what he's looking for, then spot on. That's 1105 00:58:26,960 --> 00:58:28,400 Speaker 1: what he says, that's what he gets. That's what he gets, 1106 00:58:28,520 --> 00:58:31,240 Speaker 1: you know what I mean? Sometimes dramatic scenes can be 1107 00:58:31,320 --> 00:58:32,960 Speaker 1: funny at the same time. Hey, j I have to 1108 00:58:33,040 --> 00:58:35,520 Speaker 1: imagine that casting is tough for a production because there's 1109 00:58:35,520 --> 00:58:40,280 Speaker 1: so many talented people. Yeah, and everybody's different, yes, you know, 1110 00:58:40,480 --> 00:58:43,000 Speaker 1: so trying to get trying to get a sense of 1111 00:58:43,120 --> 00:58:46,560 Speaker 1: each individual personality and how they all fit into the group. 1112 00:58:47,200 --> 00:58:49,560 Speaker 1: It's a big part of the process. Is it pretty 1113 00:58:49,640 --> 00:58:52,560 Speaker 1: tense before the show goes on because it is such 1114 00:58:52,600 --> 00:58:55,880 Speaker 1: a big production with so many people doing so many things. 1115 00:58:56,160 --> 00:58:58,400 Speaker 1: I mean, is it like everybody tight or is it 1116 00:58:58,480 --> 00:59:00,800 Speaker 1: like free and everybody's like, let's just have a good time. Well, 1117 00:59:00,840 --> 00:59:05,080 Speaker 1: by the time we get to the actual performance, we've 1118 00:59:05,080 --> 00:59:07,800 Speaker 1: already been in the room rehearsing, and so for the 1119 00:59:07,880 --> 00:59:10,240 Speaker 1: most part, everybody's just like ready to like let it 1120 00:59:10,320 --> 00:59:12,720 Speaker 1: go and share it with the audience. Have you ever 1121 00:59:12,760 --> 00:59:17,680 Speaker 1: seen anyone quite like lunch bods? There's audition for you. No? Actually, no, Wow, 1122 00:59:18,560 --> 00:59:23,560 Speaker 1: everybody's different. What about anyone with near the same haircut? Okay, 1123 00:59:23,800 --> 00:59:27,840 Speaker 1: I might have seen similar haircuts maybe, yeah. Okay, hold on, Jay, 1124 00:59:27,960 --> 00:59:30,080 Speaker 1: just so you know, I've been the hair has been 1125 00:59:30,160 --> 00:59:32,560 Speaker 1: growing out because I don't know what the hair needs 1126 00:59:32,600 --> 00:59:34,520 Speaker 1: to look like if when I get this role. Oh, 1127 00:59:34,560 --> 00:59:36,040 Speaker 1: you're going out for the role, and so like, I 1128 00:59:36,200 --> 00:59:37,640 Speaker 1: know that you guys have hair and makeup, so I 1129 00:59:37,720 --> 00:59:39,480 Speaker 1: figured they would want to style it and they would 1130 00:59:39,520 --> 00:59:41,480 Speaker 1: want to cut it whichever way. So that's kind of 1131 00:59:41,520 --> 00:59:43,919 Speaker 1: why I've got it. Like, that's a good line. Yeah, 1132 00:59:44,120 --> 00:59:47,440 Speaker 1: Usually contractually we ask people not to cut their hair 1133 00:59:47,560 --> 00:59:50,880 Speaker 1: without permission from the designer. Boom. See though, that's what 1134 00:59:50,960 --> 00:59:53,520 Speaker 1: I'm talking about. All right, that is what I'm talking about, Lunchbox, 1135 00:59:53,600 --> 00:59:55,840 Speaker 1: real quick, last last chance to talk to Jay to 1136 00:59:56,120 --> 00:59:58,160 Speaker 1: plead your case. I do not know what he's gonna say. 1137 00:59:58,560 --> 01:00:00,560 Speaker 1: Right now. Jay is on to tell Lunchbox if he 1138 01:00:00,600 --> 01:00:02,479 Speaker 1: got the role in Bad Out of Hell, the musical 1139 01:00:02,480 --> 01:00:04,840 Speaker 1: on Las Vegas. Jay, just think about it and eventually, 1140 01:00:05,160 --> 01:00:07,560 Speaker 1: if this is a success, we can write the musical 1141 01:00:07,680 --> 01:00:12,160 Speaker 1: from Murkison to Zoom to Hollywood and it's the story 1142 01:00:12,480 --> 01:00:16,080 Speaker 1: the life and acting career of Lunchbox all started because 1143 01:00:16,080 --> 01:00:18,800 Speaker 1: a Jay game is one shot. Wow, I mean you 1144 01:00:18,840 --> 01:00:21,600 Speaker 1: want to talk about award winning. That's it? Okay, all right, 1145 01:00:22,200 --> 01:00:23,560 Speaker 1: that's what you have to say. And we can invite 1146 01:00:23,640 --> 01:00:26,400 Speaker 1: my old acting coach, miss Dawson or the teacher, and 1147 01:00:26,440 --> 01:00:29,360 Speaker 1: then my current zoom coach. I mean that's two people. 1148 01:00:29,400 --> 01:00:31,760 Speaker 1: You can have an audience, two tickets sold already audience. 1149 01:00:31,800 --> 01:00:35,120 Speaker 1: I canna get audience, gonna get passionate man. All right, 1150 01:00:35,160 --> 01:00:37,120 Speaker 1: let's turn it over to Jay. Jay. We are now, 1151 01:00:38,000 --> 01:00:40,760 Speaker 1: Jay had a good weekend. Now Jay's audience, Jay, do 1152 01:00:40,880 --> 01:00:45,240 Speaker 1: with us as you please to listen lunchbox. I'd like 1153 01:00:45,320 --> 01:00:55,400 Speaker 1: to offer you the role. Whoa Okay, okay, okay, question 1154 01:00:55,680 --> 01:00:59,440 Speaker 1: do I get a nanny? Hold on? Hold on? Jay? 1155 01:00:59,440 --> 01:01:03,280 Speaker 1: I'm sorry you you're offering the role okay? Who Oh? 1156 01:01:03,360 --> 01:01:10,440 Speaker 1: What's that? Or name? Already forgot? I'm a stram. Oh 1157 01:01:14,720 --> 01:01:17,680 Speaker 1: I was actually I was actually thinking it will be more. 1158 01:01:17,880 --> 01:01:23,800 Speaker 1: You'll be much stronger in the role, in the comedic role. Okay, okay, Yes, 1159 01:01:24,400 --> 01:01:29,000 Speaker 1: who am I going to play? Jim Carrey? So you're 1160 01:01:29,040 --> 01:01:31,400 Speaker 1: going to play You're gonna you're gonna play one of 1161 01:01:31,440 --> 01:01:34,720 Speaker 1: the characters in the beginning who's working on the motorcycle 1162 01:01:34,960 --> 01:01:39,240 Speaker 1: and cracking jokes. And then you take part in the 1163 01:01:39,520 --> 01:01:42,720 Speaker 1: you take part in the big demonstrations, like the big 1164 01:01:42,800 --> 01:01:46,600 Speaker 1: sort of fight scenes. Yes, because I could tell you 1165 01:01:46,680 --> 01:01:51,600 Speaker 1: were interested in you know, more sort of really physical stuff. Yes, 1166 01:01:51,720 --> 01:01:53,440 Speaker 1: I mean I am more of a physical actor, and 1167 01:01:53,520 --> 01:01:57,520 Speaker 1: people do like my physique and talk for a little 1168 01:01:57,520 --> 01:02:00,560 Speaker 1: bit and so and so then and then we're going 1169 01:02:00,640 --> 01:02:04,760 Speaker 1: to do that trombone number just like you basically, just 1170 01:02:04,920 --> 01:02:06,440 Speaker 1: like you said it. I think I want to just 1171 01:02:06,560 --> 01:02:10,800 Speaker 1: script it exactly as you did it. Wow, Western Western Union. 1172 01:02:10,880 --> 01:02:16,720 Speaker 1: So Jay, how't congratulations? Yeah? This is your all on 1173 01:02:16,840 --> 01:02:20,760 Speaker 1: my acting skills, my own merit got me the role. Jay? 1174 01:02:21,440 --> 01:02:23,680 Speaker 1: How many lines total do you think lunchboxs will have 1175 01:02:23,720 --> 01:02:28,680 Speaker 1: to memorize? It'll probably be about ten lines. Whoa, whoa, 1176 01:02:29,160 --> 01:02:31,000 Speaker 1: I can do it. I can do it, Jay, I 1177 01:02:31,120 --> 01:02:34,240 Speaker 1: am your man. And then there's some improvised stuff. Oh, 1178 01:02:34,600 --> 01:02:36,280 Speaker 1: I can do that. You've already got the role. You 1179 01:02:36,320 --> 01:02:39,240 Speaker 1: have to convince him you got it. Oh my goodness, Gay. 1180 01:02:39,400 --> 01:02:41,880 Speaker 1: So it's going to be amazing. How long is the residence? Yeah? 1181 01:02:41,880 --> 01:02:45,440 Speaker 1: How long is that? Let's how long has run? Is? Well? Um? 1182 01:02:45,920 --> 01:02:47,800 Speaker 1: I think we're I think we're going to run that 1183 01:02:47,960 --> 01:02:52,040 Speaker 1: out of hell. I think it's an open ended residency. Wow, 1184 01:02:52,360 --> 01:02:54,439 Speaker 1: what is that? I guess the show from Vegas. Guys, 1185 01:02:54,920 --> 01:02:58,240 Speaker 1: he's gone. He's talking about the whole production j You can't. 1186 01:02:58,280 --> 01:03:00,880 Speaker 1: You can't just find a new mechanic anywhere. How long 1187 01:03:01,000 --> 01:03:05,760 Speaker 1: do you think lunchboxes role will we'll run? Jay? Um? 1188 01:03:07,280 --> 01:03:10,760 Speaker 1: I think like I gotta turn that over to our 1189 01:03:10,840 --> 01:03:14,000 Speaker 1: general manager, who will be in touch with with your agents. 1190 01:03:14,400 --> 01:03:19,400 Speaker 1: Lunch Box work out the contract. Jn be the agent. 1191 01:03:20,120 --> 01:03:21,720 Speaker 1: Lunchbox doesn't have an agent. He fakes it like he's 1192 01:03:21,720 --> 01:03:25,000 Speaker 1: an agent. I'll let okay, Um, okay, okay, okay, So 1193 01:03:25,200 --> 01:03:27,040 Speaker 1: we're gonna work this out, Lunchbox. Yes, but you got 1194 01:03:27,080 --> 01:03:32,160 Speaker 1: the role. Big guys. Hey, listen, everybody listening, book your flights, 1195 01:03:32,320 --> 01:03:34,280 Speaker 1: come to bed. It's no wind if Jo, why would 1196 01:03:34,280 --> 01:03:37,280 Speaker 1: you book a flight? Win? That's true, but be prepared 1197 01:03:37,280 --> 01:03:39,200 Speaker 1: to book your flight to beg a ready to come 1198 01:03:41,080 --> 01:03:45,680 Speaker 1: out of hell? Whoa Paris? Let's go? Okay, Oh, Jay, 1199 01:03:45,920 --> 01:03:48,720 Speaker 1: I really appreciate you. Thank you for giving Lunchbox. Do 1200 01:03:48,800 --> 01:03:50,680 Speaker 1: we get a private chef in our suite? Okay? Hold on, 1201 01:03:50,800 --> 01:03:52,160 Speaker 1: just hold that's all you wing out? You have your 1202 01:03:52,160 --> 01:03:55,240 Speaker 1: agent worked that out? Okay? Yeah? Have you worked out? Yeah? Jay, 1203 01:03:55,320 --> 01:03:56,920 Speaker 1: I will let you down. Jay. This is gonna be 1204 01:03:56,960 --> 01:04:00,919 Speaker 1: a moment to remember. I can't wait. It's gonna be awesome, Jay, 1205 01:04:01,000 --> 01:04:02,560 Speaker 1: Thank you for your time. We can't wait to meet 1206 01:04:02,560 --> 01:04:09,760 Speaker 1: you guys. Okay, yelling Jay, I'm sorry, we finished what 1207 01:04:09,800 --> 01:04:17,120 Speaker 1: you're saying there? Everybody all right, congratulations, we'll come right now. 1208 01:04:19,440 --> 01:04:23,160 Speaker 1: It's the Best Bits of the Week with Morgan number two. 1209 01:04:24,400 --> 01:04:26,760 Speaker 1: Thank you all for listening to the best Bits. Remember 1210 01:04:26,840 --> 01:04:28,960 Speaker 1: this is just the bits. Make sure to check out 1211 01:04:29,000 --> 01:04:31,840 Speaker 1: Part one I brought on Miked this past weekend. We 1212 01:04:31,960 --> 01:04:34,000 Speaker 1: talked about things we've won in our lives and I 1213 01:04:34,120 --> 01:04:36,520 Speaker 1: had some movie trivia for him, so super fun on 1214 01:04:36,600 --> 01:04:39,200 Speaker 1: the Part one side. Thank you guys again for hanging 1215 01:04:39,240 --> 01:04:41,280 Speaker 1: out with me. I love y'all. I hope you have 1216 01:04:41,360 --> 01:04:44,200 Speaker 1: a fabulous weekend. Make sure you follow me at web Girl, 1217 01:04:44,280 --> 01:04:46,880 Speaker 1: Morgan on all the Things in the show, at Bobby 1218 01:04:46,920 --> 01:04:49,800 Speaker 1: Bones Show, and of course more content up there at 1219 01:04:49,880 --> 01:04:52,840 Speaker 1: Bobby Bones dot com, The Bobby Bones Show