1
00:00:00,240 --> 00:00:03,480
Speaker 1: Hey, it's Danielle Fischl right or Strong and will Fredell.

2
00:00:03,680 --> 00:00:06,680
Speaker 1: But you know us best as Tapanga, Sean and Eric

3
00:00:06,760 --> 00:00:09,600
Speaker 1: from Boy Meets World and now Pod Meets World, the

4
00:00:09,640 --> 00:00:12,480
Speaker 1: podcast where we've been sitting down weekly to rewatch the

5
00:00:12,520 --> 00:00:15,360
Speaker 1: show we starred in as kids, and we've been unpacking

6
00:00:15,760 --> 00:00:16,920
Speaker 1: well a lot.

7
00:00:16,920 --> 00:00:19,119
Speaker 2: And we've been taking the show on the road with

8
00:00:19,160 --> 00:00:21,400
Speaker 2: the Kids Want to Jump Tour where Every stop in

9
00:00:21,480 --> 00:00:25,040
Speaker 2: cities across the US has been totally different and pretty hilarious,

10
00:00:25,040 --> 00:00:26,119
Speaker 2: if I do say so myself.

11
00:00:26,200 --> 00:00:27,960
Speaker 3: But we know not everyone could join us. So we're

12
00:00:27,960 --> 00:00:30,840
Speaker 3: happy to announce that our recent thirtieth anniversary of the show,

13
00:00:31,000 --> 00:00:34,240
Speaker 3: Live from the met in Philadelphia, will now be available

14
00:00:34,240 --> 00:00:36,080
Speaker 3: to stream no matter where you live.

15
00:00:36,400 --> 00:00:39,680
Speaker 1: Our biggest show yet in the hometown of the Matthews,

16
00:00:39,880 --> 00:00:44,920
Speaker 1: featuring appearances by Trina, Angela McGee, Matthew Lawrence aka Jack Hunter,

17
00:00:45,240 --> 00:00:49,320
Speaker 1: Tony Mister Turner Quinn, and Danny Harley McNulty, who makes

18
00:00:49,360 --> 00:00:51,120
Speaker 1: a very special surprise visit.

19
00:00:51,400 --> 00:00:53,880
Speaker 2: It was so much fun and now you can experience

20
00:00:53,920 --> 00:00:55,240
Speaker 2: it from the comfort of your own home.

21
00:00:55,600 --> 00:00:58,760
Speaker 3: It will be available on December eleventh at five pm Pacific.

22
00:00:59,000 --> 00:01:00,680
Speaker 3: You can learn more about how you can watch at

23
00:01:00,760 --> 00:01:03,240
Speaker 3: VEEPS dot Events slash Pod meets World.

24
00:01:03,040 --> 00:01:08,039
Speaker 1: December eleventh, your birthday. That's try and this stream will

25
00:01:08,040 --> 00:01:11,160
Speaker 1: be the only way to see or hear the Philadelphia show.

26
00:01:11,319 --> 00:01:13,560
Speaker 1: We won't ever be airing it again, and we won't

27
00:01:13,600 --> 00:01:16,280
Speaker 1: be releasing it as a podcast. Get all the info

28
00:01:16,319 --> 00:01:18,520
Speaker 1: on streaming the live Pod meets World show so you

29
00:01:18,560 --> 00:01:21,240
Speaker 1: don't miss out. Go to veeps, v e p S

30
00:01:21,360 --> 00:01:23,800
Speaker 1: dot Events slash Pod meets World Now.

31
00:01:43,360 --> 00:01:48,480
Speaker 3: So my wife just got back from Poland she got back. Yeah,

32
00:01:48,840 --> 00:01:51,760
Speaker 3: they won the Audience Award, this third audience award in

33
00:01:51,760 --> 00:01:54,400
Speaker 3: a row, which is amazing. Yeah, it's like the only

34
00:01:54,440 --> 00:01:57,360
Speaker 3: award that this festival gives out and they want it,

35
00:01:57,440 --> 00:01:59,720
Speaker 3: which is huge. And she just had such an amazing time.

36
00:02:00,440 --> 00:02:01,360
Speaker 3: But one of the things that.

37
00:02:01,360 --> 00:02:05,600
Speaker 4: She talked about was how cheap the meals were really

38
00:02:05,800 --> 00:02:08,960
Speaker 4: really Yes, like they had amazing food with like huge

39
00:02:08,960 --> 00:02:11,600
Speaker 4: groups of people, and and I was like, because we

40
00:02:11,639 --> 00:02:13,079
Speaker 4: just came back from New York, I was like, not

41
00:02:13,240 --> 00:02:14,560
Speaker 4: our experience.

42
00:02:16,320 --> 00:02:19,680
Speaker 3: Was like not in America in general, but certainly not

43
00:02:19,880 --> 00:02:22,840
Speaker 3: in New York City during our time. But anyway, it

44
00:02:22,880 --> 00:02:24,800
Speaker 3: just made me think of times where I have definitely

45
00:02:24,960 --> 00:02:27,680
Speaker 3: overpaid for meals and like been and I was wondering

46
00:02:27,680 --> 00:02:29,200
Speaker 3: if you guys have ever had you heard that one

47
00:02:29,200 --> 00:02:31,760
Speaker 3: story and my friend Chris told about he got stuck

48
00:02:31,760 --> 00:02:34,360
Speaker 3: with sushi one time he went to a sushi place

49
00:02:34,960 --> 00:02:36,840
Speaker 3: ordered got recommended by the chef. He was had like

50
00:02:36,840 --> 00:02:39,240
Speaker 3: a special sushi place for his birthday with his girlfriend

51
00:02:39,480 --> 00:02:41,880
Speaker 3: and he got the chef said, oh you should try this,

52
00:02:41,960 --> 00:02:45,040
Speaker 3: you know, special sashimi, and ended up being six hundred

53
00:02:45,040 --> 00:02:47,440
Speaker 3: dollars for like five pieces of money.

54
00:02:47,600 --> 00:02:51,160
Speaker 5: It was like eight Well by the time they realized

55
00:02:51,240 --> 00:02:53,040
Speaker 5: like maybe we should check on the price of this,

56
00:02:53,120 --> 00:02:55,760
Speaker 5: they had only had like five pieces total and it

57
00:02:55,760 --> 00:02:57,519
Speaker 5: was eight hundred bucks in Yeah, but like those two

58
00:02:57,520 --> 00:02:59,280
Speaker 5: pieces of sushi were three hundred each or.

59
00:02:59,480 --> 00:03:01,840
Speaker 2: Super It's so funny that you mentioned that because I

60
00:03:01,880 --> 00:03:04,320
Speaker 2: literally yesterday or the day before, we have a bucket

61
00:03:04,320 --> 00:03:06,960
Speaker 2: list restaurant we want to go to and plan your

62
00:03:07,000 --> 00:03:10,680
Speaker 2: trip around booking this restaurant. So we're going to or

63
00:03:10,720 --> 00:03:14,440
Speaker 2: trying to get into French laundry and so it's it's

64
00:03:14,480 --> 00:03:16,320
Speaker 2: going to be and it's one of those things where

65
00:03:16,680 --> 00:03:19,440
Speaker 2: you look at the reservations and for months they're booked up.

66
00:03:19,480 --> 00:03:21,560
Speaker 2: So it's not like, hey, we're going to be there

67
00:03:21,639 --> 00:03:23,880
Speaker 2: in April, can we get a table. It's like, oh,

68
00:03:23,919 --> 00:03:26,200
Speaker 2: there's a table in April. I guess that's when we're going.

69
00:03:26,080 --> 00:03:28,720
Speaker 1: Right, we'll go. So yeah, it's like a month's rent.

70
00:03:29,360 --> 00:03:30,240
Speaker 1: It is, well, the.

71
00:03:30,240 --> 00:03:32,400
Speaker 2: One they they the one they were doing, which I

72
00:03:32,400 --> 00:03:33,720
Speaker 2: didn't want to do anyway, but it was like a

73
00:03:33,760 --> 00:03:37,080
Speaker 2: caviar pairing with everything both. It was a set menu

74
00:03:37,160 --> 00:03:41,360
Speaker 2: of one thousand dollars a person. So it's that's what

75
00:03:41,480 --> 00:03:41,880
Speaker 2: I looked at.

76
00:03:41,920 --> 00:03:43,600
Speaker 1: It was Sue. It was like, we're not doing that one.

77
00:03:43,680 --> 00:03:44,920
Speaker 2: She's like, no, I don't want to do a cat

78
00:03:45,680 --> 00:03:48,480
Speaker 2: the people when you're yeah, yeah, so that's a bucket

79
00:03:48,480 --> 00:03:50,520
Speaker 2: list thing for me. I'd like to give that shah.

80
00:03:50,560 --> 00:03:52,280
Speaker 2: There's two things I wanted I want to do because

81
00:03:52,320 --> 00:03:54,880
Speaker 2: I very rarely plan stuff like that. I want to

82
00:03:54,880 --> 00:03:56,280
Speaker 2: go to French laundry and I want to.

83
00:03:56,240 --> 00:03:57,760
Speaker 1: See a del in concerts.

84
00:03:57,800 --> 00:03:59,840
Speaker 2: Oh wow, those are the two things I really like

85
00:04:00,080 --> 00:04:03,240
Speaker 2: that will also cost a thousand dollars. Yeah, I think

86
00:04:03,280 --> 00:04:05,960
Speaker 2: I think that'll be I think that's doable. The tickets

87
00:04:05,960 --> 00:04:09,080
Speaker 2: to a del I think so that we're going to plant,

88
00:04:09,120 --> 00:04:12,760
Speaker 2: we'll plan a Vegas trip around seeing Adele. But I

89
00:04:12,800 --> 00:04:14,640
Speaker 2: really like Adele and i'd like to see her in concert.

90
00:04:14,640 --> 00:04:16,960
Speaker 2: I think she'd be phenomenal, So that is something I

91
00:04:17,000 --> 00:04:17,520
Speaker 2: definitely wanted.

92
00:04:17,560 --> 00:04:21,080
Speaker 1: That would be fun. We we when we went to

93
00:04:21,120 --> 00:04:24,680
Speaker 1: Thailand on our that actually that walk where I told

94
00:04:24,720 --> 00:04:27,720
Speaker 1: you guys, when I was like, can we go? Can

95
00:04:27,720 --> 00:04:31,080
Speaker 1: we walk to this thing? Yes, the freeway walk. On

96
00:04:31,240 --> 00:04:33,960
Speaker 1: that walk, we stopped at a fruit cart. It was

97
00:04:34,000 --> 00:04:36,360
Speaker 1: our very first day there, so I didn't have time

98
00:04:36,480 --> 00:04:39,360
Speaker 1: to like figure out exactly what the conversion rate is

99
00:04:39,400 --> 00:04:41,960
Speaker 1: for everything. But we stopped at a fruit cart where

100
00:04:42,040 --> 00:04:44,159
Speaker 1: you know, they put some spicy stuff on the fruit,

101
00:04:44,400 --> 00:04:49,440
Speaker 1: and we shared one large container of fruit, and they

102
00:04:49,480 --> 00:04:51,480
Speaker 1: told us how much how much it was, and I

103
00:04:51,880 --> 00:04:54,039
Speaker 1: just handed them the money and then walked away. And

104
00:04:54,080 --> 00:04:56,479
Speaker 1: I was like, I don't I don't think that that

105
00:04:57,000 --> 00:04:59,560
Speaker 1: actually made sense. I don't think that made sense. And

106
00:04:59,640 --> 00:05:00,920
Speaker 1: I was and he was like why, and I said,

107
00:05:00,960 --> 00:05:03,160
Speaker 1: I think we made I think I just said like

108
00:05:03,240 --> 00:05:07,520
Speaker 1: fifteen American dollars or I think it was supposed to

109
00:05:07,520 --> 00:05:11,800
Speaker 1: be like a dollar, like a US American dollar, and

110
00:05:11,839 --> 00:05:14,000
Speaker 1: they literally just took one look at us and were like,

111
00:05:14,320 --> 00:05:16,880
Speaker 1: it's it's thirty fifteen, and I was like, well, you're good.

112
00:05:17,000 --> 00:05:20,280
Speaker 3: Good for them, you lost fifteen dollars. They ate for

113
00:05:20,320 --> 00:05:21,760
Speaker 3: a month, Danielle.

114
00:05:21,440 --> 00:05:25,000
Speaker 1: I am not complaining. The fifteen dollars is probably what

115
00:05:25,000 --> 00:05:27,760
Speaker 1: we would have spent out here for the So what

116
00:05:27,800 --> 00:05:31,200
Speaker 1: I'm saying is I definitely was like they that was

117
00:05:31,240 --> 00:05:33,279
Speaker 1: not what they would have charged anyone else. That was

118
00:05:33,400 --> 00:05:35,200
Speaker 1: definitely not what it's supposed to be.

119
00:05:35,600 --> 00:05:37,520
Speaker 3: Yeah, did you guys ever eat at the Pacific Dining

120
00:05:37,520 --> 00:05:38,920
Speaker 3: Car downtown? Do you remember that place?

121
00:05:39,080 --> 00:05:41,200
Speaker 1: I remember that that place was crazy.

122
00:05:41,560 --> 00:05:44,599
Speaker 3: It was too cool. So I I lived downtown, you remember.

123
00:05:44,640 --> 00:05:46,640
Speaker 3: I moved downtown and then I found out of the

124
00:05:46,640 --> 00:05:49,720
Speaker 3: Pacific Dining Cars. It's it was in a train car.

125
00:05:49,800 --> 00:05:52,400
Speaker 3: It was like a famous It was a big police thing, right,

126
00:05:52,440 --> 00:05:53,760
Speaker 3: like a lot of cops went there whatever.

127
00:05:54,040 --> 00:05:57,560
Speaker 1: But it was like super expensive and I had heard like, oh.

128
00:05:57,480 --> 00:06:01,240
Speaker 3: It's this fancy restaurant, and so I took I decided

129
00:06:01,279 --> 00:06:03,600
Speaker 3: to take my dad and his mother, so my grandmother

130
00:06:03,640 --> 00:06:05,279
Speaker 3: and my dad because they were I don't know why

131
00:06:05,279 --> 00:06:06,880
Speaker 3: it was just the two of them. They must have

132
00:06:06,920 --> 00:06:08,640
Speaker 3: been visiting me in La or my grandmother must have

133
00:06:08,640 --> 00:06:10,520
Speaker 3: been coming down for a special trip with my dad

134
00:06:10,600 --> 00:06:12,520
Speaker 3: or whatever, and so I was like, I'm gonna take

135
00:06:12,560 --> 00:06:14,640
Speaker 3: them out to a nice restaurant. I've heard about the

136
00:06:14,680 --> 00:06:17,080
Speaker 3: Pacific Dining Car, and I think we went for brunch.

137
00:06:17,120 --> 00:06:22,200
Speaker 3: It wasn't even dinner, it was brunch, and I was like,

138
00:06:22,279 --> 00:06:26,559
Speaker 3: I'm buying, I'm getting this, and my dad couldn't eat.

139
00:06:27,240 --> 00:06:31,800
Speaker 3: He ordered food and was so stressed out about how

140
00:06:31,880 --> 00:06:35,760
Speaker 3: much money, like he could not eat, Like he started

141
00:06:35,760 --> 00:06:37,760
Speaker 3: eating and then just had to go to the bathroom

142
00:06:37,760 --> 00:06:41,080
Speaker 3: and throw up. And I remember I was like, it's okay,

143
00:06:41,200 --> 00:06:44,039
Speaker 3: like I'm making this is you know, but it was

144
00:06:44,120 --> 00:06:47,080
Speaker 3: like but just like it was just so for the

145
00:06:47,160 --> 00:06:50,200
Speaker 3: price or the food from the price, like he could

146
00:06:50,200 --> 00:06:53,679
Speaker 3: not swallow food. Well, you know, like hundreds of dollars

147
00:06:53,720 --> 00:06:56,080
Speaker 3: for whatever it was like Pacific Dining. I don't know, like,

148
00:06:56,560 --> 00:06:58,640
Speaker 3: but I was trying to be like here I thought,

149
00:06:58,680 --> 00:07:01,800
Speaker 3: at the age of sixteen seventeen that I was like

150
00:07:02,760 --> 00:07:05,039
Speaker 3: taking my dad out, taking my grandma out, and it

151
00:07:05,200 --> 00:07:08,280
Speaker 3: totally stressed my dad out to a degree that like

152
00:07:08,320 --> 00:07:11,040
Speaker 3: he couldn't eat, and like I'll never forget that.

153
00:07:11,120 --> 00:07:13,400
Speaker 1: I was just like, oh god, you know, it's okay

154
00:07:13,480 --> 00:07:15,720
Speaker 1: that I have this, but you know, he just couldn't

155
00:07:15,720 --> 00:07:16,080
Speaker 1: handle it.

156
00:07:16,320 --> 00:07:18,320
Speaker 3: And I remember my grandmother like ordered, of course, like

157
00:07:18,360 --> 00:07:21,080
Speaker 3: the cheapest thing, but it was.

158
00:07:21,120 --> 00:07:25,880
Speaker 1: Just like you know, yeah exactly, and I'm like, it's okay, guys,

159
00:07:25,920 --> 00:07:27,160
Speaker 1: please let me do this.

160
00:07:27,480 --> 00:07:29,880
Speaker 2: I don't mind paying a ton for food if it's

161
00:07:29,960 --> 00:07:33,520
Speaker 2: worth it. I mind, you know, getting a crappy.

162
00:07:33,160 --> 00:07:37,200
Speaker 1: Meal hundreds of dollars for me and it happens. You

163
00:07:37,240 --> 00:07:39,000
Speaker 1: don't know until you already order it and.

164
00:07:39,080 --> 00:07:40,600
Speaker 2: It happens, and then you're like, you've got to be

165
00:07:40,680 --> 00:07:43,240
Speaker 2: kidding me. This isn't very good. We just ate, but

166
00:07:43,520 --> 00:07:45,680
Speaker 2: we were just in New York. That Vietnamese place was

167
00:07:45,720 --> 00:07:46,240
Speaker 2: pretty dark.

168
00:07:46,520 --> 00:07:49,320
Speaker 3: Oh yeah, was amazing that place. But you know a

169
00:07:49,320 --> 00:07:51,680
Speaker 3: lot of times it's you can tell when you walk

170
00:07:51,680 --> 00:07:54,400
Speaker 3: in and like the decor is where they spent all

171
00:07:54,440 --> 00:07:57,160
Speaker 3: their money. I'm always like, not a good signe Like

172
00:07:57,400 --> 00:07:59,640
Speaker 3: you know, if it's if it's like so hip and

173
00:07:59,720 --> 00:08:02,320
Speaker 3: so much money went into like the setting, which can

174
00:08:02,360 --> 00:08:02,640
Speaker 3: be nice.

175
00:08:02,720 --> 00:08:03,760
Speaker 1: Atmosphere is important.

176
00:08:03,800 --> 00:08:06,760
Speaker 3: I like a good atmosphere, but when that's like really

177
00:08:06,880 --> 00:08:09,240
Speaker 3: like over the top, I'm always like, that's what I'm

178
00:08:09,240 --> 00:08:10,920
Speaker 3: paying for more than the food.

179
00:08:12,160 --> 00:08:15,280
Speaker 1: My mother in law used to love. For Christmas, we'd

180
00:08:15,320 --> 00:08:19,000
Speaker 1: go to Lowries every year and celebrate. We'd get the

181
00:08:19,120 --> 00:08:22,640
Speaker 1: minute they open up their Christmas reservations, like they do

182
00:08:22,680 --> 00:08:25,880
Speaker 1: it like right around it's probably time to time to

183
00:08:25,880 --> 00:08:27,440
Speaker 1: figure it out. I need to put it in my calendar.

184
00:08:27,480 --> 00:08:29,880
Speaker 1: But it's like hard to get a reservation. They decorate

185
00:08:29,920 --> 00:08:33,760
Speaker 1: for Christmas and it's a gorgeous steakhouse Prime Rib. And

186
00:08:34,520 --> 00:08:37,240
Speaker 1: we carry on the tradition. Now that she's passed, we

187
00:08:37,320 --> 00:08:40,760
Speaker 1: carry on the tradition. We write down when the reservations

188
00:08:40,760 --> 00:08:42,840
Speaker 1: are open, we make a reservation and we take the

189
00:08:42,920 --> 00:08:47,120
Speaker 1: kids in honor of her for our Lowry's Prime Rib dinner.

190
00:08:47,160 --> 00:08:49,600
Speaker 1: And it's super expensive. And she used to say every time,

191
00:08:49,640 --> 00:08:51,800
Speaker 1: she'd be like, this is the one time of year

192
00:08:51,880 --> 00:08:54,360
Speaker 1: we do it. Enjoy it. We don't do it often,

193
00:08:55,000 --> 00:08:57,840
Speaker 1: enjoy it. And so it's a really fun little tradition

194
00:08:57,880 --> 00:09:00,520
Speaker 1: that we carry on for her. So when you find

195
00:09:00,520 --> 00:09:03,360
Speaker 1: a good place that you love, it can absolutely be

196
00:09:03,440 --> 00:09:03,679
Speaker 1: worth it.

197
00:09:03,800 --> 00:09:07,239
Speaker 2: We just booked a New Year's place in Mystic, Connecticut

198
00:09:07,240 --> 00:09:08,600
Speaker 2: because that's where we're going to be for New Year's

199
00:09:08,600 --> 00:09:11,160
Speaker 2: back where we got married. And I was checking like

200
00:09:11,760 --> 00:09:13,840
Speaker 2: every week, calling the place and they're like, no, sorry,

201
00:09:13,880 --> 00:09:16,520
Speaker 2: we're not we're not open for reservations yet now, and.

202
00:09:16,440 --> 00:09:17,319
Speaker 1: I called on the day.

203
00:09:17,320 --> 00:09:19,120
Speaker 2: The guy was like, I actually just opened them up,

204
00:09:19,160 --> 00:09:20,760
Speaker 2: like you'll be the first one on the list. I

205
00:09:20,800 --> 00:09:23,600
Speaker 2: was like, oh, yes, we got our favorite restaurant in

206
00:09:23,640 --> 00:09:25,479
Speaker 2: Mystic for New Year's.

207
00:09:25,440 --> 00:09:26,480
Speaker 1: Which is not Mistic Pizza.

208
00:09:26,520 --> 00:09:28,600
Speaker 2: I too, No, it is not Missed Pizza though. That's

209
00:09:28,640 --> 00:09:33,040
Speaker 2: where our wedding rehearsal dinner was, which was great.

210
00:09:33,120 --> 00:09:35,640
Speaker 1: Yeah you were there. It was a ton of well,

211
00:09:35,679 --> 00:09:36,680
Speaker 1: welcome to Pod Meets World.

212
00:09:36,679 --> 00:09:39,120
Speaker 2: I'm Daniel Fishal, I'm rather or strong, and I am

213
00:09:39,160 --> 00:09:41,920
Speaker 2: officially hungry, and I'm well.

214
00:09:53,160 --> 00:09:56,679
Speaker 1: So today we are recapping season three, episode twenty I

215
00:09:56,760 --> 00:10:00,040
Speaker 1: Never Sang for My Legal Guardian. It originally aired a

216
00:10:00,240 --> 00:10:04,640
Speaker 1: third nineteen ninety six. The synopsis Sean becomes frustrated over

217
00:10:04,679 --> 00:10:07,400
Speaker 1: the disappearance of his birth father, just as mister Turner

218
00:10:07,480 --> 00:10:12,040
Speaker 1: contemplates taking on a bigger role. Also, Eric becomes a tutor.

219
00:10:12,760 --> 00:10:15,040
Speaker 1: It was directed by David Traynor. It was written by

220
00:10:15,120 --> 00:10:19,840
Speaker 1: Kevin Kelton. What did you guys think? Overall impressions before

221
00:10:19,880 --> 00:10:21,439
Speaker 1: I get into who our guest cast was.

222
00:10:23,480 --> 00:10:23,960
Speaker 2: That was good?

223
00:10:24,280 --> 00:10:26,679
Speaker 3: Great, Yeah, solid episode.

224
00:10:26,760 --> 00:10:27,439
Speaker 6: I thought it was.

225
00:10:27,360 --> 00:10:30,760
Speaker 1: Boring, really, I did. I thought it was boring.

226
00:10:30,960 --> 00:10:34,240
Speaker 2: I thought it was the quintessential episode of not knowing

227
00:10:34,280 --> 00:10:36,080
Speaker 2: what to do with a bunch of different characters.

228
00:10:36,240 --> 00:10:37,600
Speaker 1: I thought the BT story was.

229
00:10:37,559 --> 00:10:39,959
Speaker 2: Weird and not that great.

230
00:10:40,280 --> 00:10:42,439
Speaker 1: I'm yeah, it wasn't.

231
00:10:42,480 --> 00:10:44,680
Speaker 2: It wasn't awful, but it certainly wasn't one of my

232
00:10:44,720 --> 00:10:45,520
Speaker 2: favorite episodes.

233
00:10:45,880 --> 00:10:46,800
Speaker 1: Wow, I feel like.

234
00:10:46,800 --> 00:10:50,000
Speaker 3: This was an episode that they probably had been holding

235
00:10:50,080 --> 00:10:52,360
Speaker 3: on to until the end of the season. Yeah, you know,

236
00:10:52,400 --> 00:10:54,720
Speaker 3: so for me, it tied up the Sean storyline in

237
00:10:54,800 --> 00:10:57,400
Speaker 3: such a nice way. I was like, oh right, it

238
00:10:57,440 --> 00:11:00,600
Speaker 3: feels like this could have happened right after you know,

239
00:11:00,920 --> 00:11:03,720
Speaker 3: the double Lie, or like one earlier episodes from the season.

240
00:11:04,000 --> 00:11:04,640
Speaker 1: So I feel like this.

241
00:11:05,480 --> 00:11:07,480
Speaker 3: I guess it was just satisfying to tie up, like,

242
00:11:07,520 --> 00:11:10,240
Speaker 3: oh right, we're back into like the storyline since ever

243
00:11:10,280 --> 00:11:12,720
Speaker 3: since Chet entered the show, E've been kind of waiting

244
00:11:12,720 --> 00:11:14,360
Speaker 3: for this. So that was the end of second season.

245
00:11:14,440 --> 00:11:16,840
Speaker 3: So for me, I feel like this is it's starting

246
00:11:16,840 --> 00:11:19,280
Speaker 3: to feel like that, you know, the serialization of Boy

247
00:11:19,320 --> 00:11:22,240
Speaker 3: Meets World is really coming together, and of course just

248
00:11:22,320 --> 00:11:23,839
Speaker 3: the Sean storyline.

249
00:11:23,400 --> 00:11:26,520
Speaker 1: Just it's great. I was like, wow, this is I care. Yeah,

250
00:11:27,080 --> 00:11:32,160
Speaker 1: I loved the episode. I loved the storylines. I will say,

251
00:11:32,240 --> 00:11:36,240
Speaker 1: you know, there is no other There's a lot of

252
00:11:36,280 --> 00:11:38,160
Speaker 1: different ways I want to come at this. One is

253
00:11:38,200 --> 00:11:42,040
Speaker 1: that sometimes we get criticism for holding Boy Meets World

254
00:11:42,240 --> 00:11:46,680
Speaker 1: to maybe a higher standard than we would most other

255
00:11:47,080 --> 00:11:51,400
Speaker 1: nineties sitcoms, especially kids sitcoms, and to a certain extent,

256
00:11:51,480 --> 00:11:55,079
Speaker 1: people are right. It's a Friday night kids slash family show,

257
00:11:55,559 --> 00:11:57,960
Speaker 1: and you're going to have some episodes that are just

258
00:11:58,000 --> 00:12:00,680
Speaker 1: going to be played for Joki joke laughs, and there's

259
00:12:00,679 --> 00:12:04,640
Speaker 1: not going to be like this deeper Boy Meets World stuff.

260
00:12:05,720 --> 00:12:09,560
Speaker 1: But then you get an episode like this where at

261
00:12:09,559 --> 00:12:14,240
Speaker 1: the end of the episode it's all rosy and happy,

262
00:12:14,559 --> 00:12:19,560
Speaker 1: and yet every single person watching knows it absolutely is

263
00:12:19,679 --> 00:12:23,680
Speaker 1: not that something bad is going to happen. This is

264
00:12:23,800 --> 00:12:28,120
Speaker 1: not going to work out this. Everyone feels somehow a

265
00:12:28,200 --> 00:12:32,600
Speaker 1: little bad about the positive ending of a show. You

266
00:12:32,679 --> 00:12:36,280
Speaker 1: can't tell me that's a regular old nineties sitcom. That's

267
00:12:36,280 --> 00:12:41,320
Speaker 1: actually that's kind of a drama. It's also very high level.

268
00:12:42,400 --> 00:12:43,360
Speaker 1: Now here's my question.

269
00:12:43,400 --> 00:12:45,080
Speaker 2: Do you think back in the day we can say

270
00:12:45,080 --> 00:12:46,680
Speaker 2: that now because we know where it's going. Do you

271
00:12:46,679 --> 00:12:48,040
Speaker 2: think back in the day when you saw it your

272
00:12:48,040 --> 00:12:50,360
Speaker 2: first time, when it ended that way. People really thought

273
00:12:50,600 --> 00:12:53,880
Speaker 2: this isn't going to go well. Yes see, I don't know.

274
00:12:53,920 --> 00:12:55,880
Speaker 1: And I'll tell you why when we get into the

275
00:12:55,920 --> 00:13:02,280
Speaker 1: actual scene. I'll tell you why. Okay, there are some beautiful, subtle,

276
00:13:03,480 --> 00:13:06,760
Speaker 1: absolute nods to the fact that what's going on on

277
00:13:06,880 --> 00:13:11,679
Speaker 1: Chet's end is a little making sure sure, and so

278
00:13:12,000 --> 00:13:16,040
Speaker 1: I think it is very obvious for anyone who's who's

279
00:13:16,080 --> 00:13:20,880
Speaker 1: paid attention that this is not the ending of Turner

280
00:13:21,080 --> 00:13:25,240
Speaker 1: having done everything he's done for Sean and the relationship

281
00:13:25,320 --> 00:13:29,160
Speaker 1: they've formed, and no one I think is thinking, wow,

282
00:13:29,240 --> 00:13:31,160
Speaker 1: look at that. All it took was for Sean to

283
00:13:31,200 --> 00:13:33,840
Speaker 1: say something like I need you and I think you

284
00:13:34,000 --> 00:13:35,800
Speaker 1: need me, and then for well, for Corey to go

285
00:13:35,840 --> 00:13:37,560
Speaker 1: after him, and then that all of a sudden changes

286
00:13:37,600 --> 00:13:39,160
Speaker 1: his mind. I think everyone, I think.

287
00:13:39,240 --> 00:13:43,120
Speaker 3: I think the bottom line is the audience, because even

288
00:13:43,160 --> 00:13:45,160
Speaker 3: even if you're not going to be forward thinking enough

289
00:13:45,200 --> 00:13:47,360
Speaker 3: to like worry or to know that Chet's going to

290
00:13:47,440 --> 00:13:49,960
Speaker 3: let him down again, I think that there's just the

291
00:13:50,000 --> 00:13:52,480
Speaker 3: tension that is left when you kind of want Turner

292
00:13:52,520 --> 00:13:54,640
Speaker 3: and Sean to be together again, like you kind of

293
00:13:54,679 --> 00:13:57,600
Speaker 3: think that you know that Turner's better for Sean.

294
00:13:57,679 --> 00:13:58,280
Speaker 1: In some ways.

295
00:13:58,320 --> 00:14:00,880
Speaker 3: Yes, And so even though it's a happy ending that

296
00:14:00,880 --> 00:14:04,040
Speaker 3: Sean gets his dad back, there's still the sense of, like, oh,

297
00:14:04,120 --> 00:14:07,000
Speaker 3: but I wanted Sean Turner to like work their stuff out,

298
00:14:07,040 --> 00:14:08,040
Speaker 3: and they don't work it out.

299
00:14:08,120 --> 00:14:09,160
Speaker 1: You know, are they are? They work it out?

300
00:14:09,160 --> 00:14:11,120
Speaker 3: They but you know the fact that he doesn't become

301
00:14:11,120 --> 00:14:12,960
Speaker 3: the legal guardian and you kind of think that.

302
00:14:13,000 --> 00:14:14,120
Speaker 1: Would be good for Turner too.

303
00:14:14,240 --> 00:14:16,840
Speaker 3: Yeah, like that's just that's just bittersweet, right, It's a

304
00:14:16,840 --> 00:14:19,280
Speaker 3: bittersweet ending, and that's I love that that, you know

305
00:14:19,320 --> 00:14:21,880
Speaker 3: that bittersweetness is is what makes a great set.

306
00:14:22,400 --> 00:14:25,160
Speaker 2: I'm getting I was getting a little tired of angsty

307
00:14:25,160 --> 00:14:28,760
Speaker 2: Sean for the nineteenth episode in a row where it's.

308
00:14:28,600 --> 00:14:31,840
Speaker 1: Oh dude, buckle up. I know, I know, but it

309
00:14:31,880 --> 00:14:32,640
Speaker 1: was all it is.

310
00:14:32,920 --> 00:14:34,960
Speaker 2: It was also this is to me, I always say

311
00:14:34,960 --> 00:14:39,400
Speaker 2: it's the quintessential one. But there was no reason to

312
00:14:39,600 --> 00:14:42,480
Speaker 2: waste Alex's time on this show.

313
00:14:42,600 --> 00:14:43,160
Speaker 1: No, agree.

314
00:14:43,240 --> 00:14:45,000
Speaker 2: He did not need to be on Boy Mets World

315
00:14:45,160 --> 00:14:47,800
Speaker 2: at all, and he could have gone off and started

316
00:14:48,000 --> 00:14:50,000
Speaker 2: a much better career on a different show.

317
00:14:50,080 --> 00:14:52,320
Speaker 1: Because they never used it. But you know what I mean,

318
00:14:52,400 --> 00:14:53,400
Speaker 1: did they never use it?

319
00:14:53,440 --> 00:14:55,280
Speaker 2: They had no idea what they're doing with this guy.

320
00:14:55,400 --> 00:14:57,240
Speaker 2: He did not need to be there. I feel like

321
00:14:57,280 --> 00:14:59,880
Speaker 2: we were wasting his time. And so this was the

322
00:15:00,080 --> 00:15:01,880
Speaker 2: where I was like, what the hell is this guy

323
00:15:01,920 --> 00:15:02,680
Speaker 2: even doing here?

324
00:15:03,000 --> 00:15:07,000
Speaker 1: Yeah, well, I'm sure, yes, in hindsight, you're absolutely right.

325
00:15:07,040 --> 00:15:09,240
Speaker 1: And at the time I think Alex was thrilled to

326
00:15:09,240 --> 00:15:11,760
Speaker 1: have the paycheck. Of course, of course, you know, and

327
00:15:11,800 --> 00:15:13,880
Speaker 1: we love him to death, but god, what a waste

328
00:15:13,960 --> 00:15:14,760
Speaker 1: of this man. I know.

329
00:15:14,840 --> 00:15:17,200
Speaker 3: It's like, I feel like they had given up by

330
00:15:17,200 --> 00:15:19,120
Speaker 3: this point. Yeah, the writers had given up.

331
00:15:20,320 --> 00:15:24,000
Speaker 2: Episode that was just about his character the way everyone's.

332
00:15:24,040 --> 00:15:27,960
Speaker 1: Unfortunately janitor one. Oh, right, but the gender budd was

333
00:15:27,960 --> 00:15:29,720
Speaker 1: he was the teacher. That was great.

334
00:15:29,960 --> 00:15:31,520
Speaker 3: But then the other one I was thinking is that

335
00:15:31,680 --> 00:15:34,480
Speaker 3: the Subway episode had you know, it was just him

336
00:15:34,520 --> 00:15:35,480
Speaker 3: and Turner had their own.

337
00:15:35,320 --> 00:15:36,280
Speaker 1: Beast, the.

338
00:15:38,080 --> 00:15:40,120
Speaker 3: Crazy ladies, right, and that was just a bummer of

339
00:15:40,120 --> 00:15:43,080
Speaker 3: a storyline for them because probably would have been better

340
00:15:43,080 --> 00:15:46,520
Speaker 3: if he had been more established. But yeah, other than that, no,

341
00:15:46,840 --> 00:15:48,760
Speaker 3: and I think I think what happened is they did

342
00:15:48,800 --> 00:15:51,880
Speaker 3: the fifties episode, they wrote him an entire scene, rewrote

343
00:15:51,920 --> 00:15:54,680
Speaker 3: it without where he now he just only has like

344
00:15:54,720 --> 00:15:56,840
Speaker 3: two lines or whatever to get Pat Marita in there,

345
00:15:57,160 --> 00:15:58,200
Speaker 3: and I think they just gave up.

346
00:15:58,400 --> 00:16:01,040
Speaker 1: Yeah, it seems like checked out. Is he in fourth season?

347
00:16:01,440 --> 00:16:03,240
Speaker 1: I don't know. I don't think so. I don't think so.

348
00:16:03,280 --> 00:16:03,680
Speaker 1: This is it?

349
00:16:04,080 --> 00:16:07,000
Speaker 2: Yeah, And I think Tony only has a couple episodes left, right,

350
00:16:07,040 --> 00:16:09,200
Speaker 2: I mean Tony comes back for fourth season, but not

351
00:16:09,200 --> 00:16:09,840
Speaker 2: as a regular.

352
00:16:10,520 --> 00:16:12,040
Speaker 1: No. No, I think he.

353
00:16:12,040 --> 00:16:15,960
Speaker 2: Did two seasons of the show. Yeah, pretty sure he

354
00:16:16,000 --> 00:16:18,040
Speaker 2: did in a little full seasons and then a little.

355
00:16:18,040 --> 00:16:18,400
Speaker 1: This is it.

356
00:16:18,640 --> 00:16:21,560
Speaker 2: We're like five episodes away from never seeing Tony again.

357
00:16:22,000 --> 00:16:26,120
Speaker 1: So crazy, Okay, So guest starring the return of Blake

358
00:16:26,160 --> 00:16:31,840
Speaker 1: Clark as chat Hunter waiting and here Yes he's all

359
00:16:31,840 --> 00:16:35,920
Speaker 1: Marine cut Yeah, and Bobby Phillips as Leu Anne, Bobby

360
00:16:36,000 --> 00:16:39,880
Speaker 1: Jacobi as Jeff Lacy. We had Melvin in the nineteen

361
00:16:39,960 --> 00:16:43,400
Speaker 1: ninety classic Tremors, as well as Homeboy Number two in

362
00:16:43,520 --> 00:16:48,440
Speaker 1: Can't Hardly Wait? What's Yeah? Frank Novak as Desk Sergeant,

363
00:16:48,480 --> 00:16:51,400
Speaker 1: a well established character actor with appearances on Perfect Stranger,

364
00:16:51,480 --> 00:16:55,640
Speaker 1: Seinfeld Friends, Madmen, and Scrubs, but he also played Henry

365
00:16:55,720 --> 00:17:00,440
Speaker 1: Kissinger in the Watchmen movie. Oh oh interesting Okay, And

366
00:17:00,480 --> 00:17:04,000
Speaker 1: then we had Cindy A. Laura as Anita Worth noting

367
00:17:04,080 --> 00:17:07,600
Speaker 1: her only other role was as party Girl Number one

368
00:17:08,000 --> 00:17:11,760
Speaker 1: in Bikini Hotel, a film I had not heard of.

369
00:17:12,680 --> 00:17:16,200
Speaker 1: What you have never heard a Bikini Hotel shocking, and

370
00:17:16,400 --> 00:17:19,200
Speaker 1: she was party girl number one. Bikini Hotel two was better.

371
00:17:19,280 --> 00:17:22,200
Speaker 1: It really caught the stride. Also worth noting, I was

372
00:17:22,240 --> 00:17:26,880
Speaker 1: personal this episode I Never Sang for my Legal Guardian

373
00:17:27,320 --> 00:17:30,880
Speaker 1: is a reference to the nineteen seventy drama slash musical

374
00:17:30,920 --> 00:17:35,280
Speaker 1: starring Gene Hackman called I Never Sang for my Father. Interesting.

375
00:17:35,480 --> 00:17:38,760
Speaker 2: I normally, if I don't remember an episode at all,

376
00:17:38,880 --> 00:17:41,639
Speaker 2: which this one I did not remember at all, I

377
00:17:41,720 --> 00:17:44,439
Speaker 2: will have some sort of inkling of remembering the title.

378
00:17:45,200 --> 00:17:48,480
Speaker 1: Right. I don't remember ever even hearing this title. It's

379
00:17:48,480 --> 00:17:49,000
Speaker 1: a weird title.

380
00:17:49,040 --> 00:17:50,359
Speaker 2: It's a weird title, and when I saw it, I

381
00:17:50,400 --> 00:17:52,080
Speaker 2: was like, is that really the name of this episode?

382
00:17:52,080 --> 00:17:52,959
Speaker 2: I don't remember this at all.

383
00:17:53,440 --> 00:17:58,960
Speaker 1: Well, it ties in with our Daniels red Jelapi geloppiness

384
00:17:59,000 --> 00:18:01,639
Speaker 1: of Boy Meets World, which is I Never Sang for

385
00:18:01,760 --> 00:18:05,119
Speaker 1: my Father from nineteen seventy must have been impactful or

386
00:18:05,200 --> 00:18:08,480
Speaker 1: important to someone, whether that's Kevin Kelton or whether that's

387
00:18:08,480 --> 00:18:11,160
Speaker 1: Michael Jacobs or somebody else in the room. But somebody

388
00:18:11,280 --> 00:18:14,520
Speaker 1: decided those two things probably went together and they decided

389
00:18:14,520 --> 00:18:18,119
Speaker 1: to name it that, But it means absolutely nothing to us, Yes, exactly.

390
00:18:18,600 --> 00:18:20,800
Speaker 1: So let's jump into our recap. We start in the

391
00:18:20,800 --> 00:18:23,520
Speaker 1: school hallway. Corey runs at Sean, who looks like he's

392
00:18:23,560 --> 00:18:25,639
Speaker 1: wearing a floral kimono in this.

393
00:18:25,600 --> 00:18:29,160
Speaker 2: Like, everybody's got the longest shirts or sweaters that I've

394
00:18:29,160 --> 00:18:33,560
Speaker 2: ever We've gone from layers to length exactly. It's amazing

395
00:18:33,840 --> 00:18:34,479
Speaker 2: what's going on.

396
00:18:35,760 --> 00:18:37,400
Speaker 1: So Corey is warning him they're going to be late

397
00:18:37,400 --> 00:18:39,640
Speaker 1: for class. Sean is on the payphone trying to check

398
00:18:39,680 --> 00:18:42,600
Speaker 1: his messages. I do not remember that being a thing.

399
00:18:42,680 --> 00:18:43,439
Speaker 1: Do you guys remember that?

400
00:18:43,520 --> 00:18:43,760
Speaker 6: Really?

401
00:18:43,840 --> 00:18:46,919
Speaker 2: Absolutely really sure? You'd have to have your code to

402
00:18:46,960 --> 00:18:47,920
Speaker 2: type in what is like.

403
00:18:47,840 --> 00:18:49,399
Speaker 3: You know, you have to call home to your answer

404
00:18:49,520 --> 00:18:51,800
Speaker 3: machine and then type in, you wait for the bead,

405
00:18:51,880 --> 00:18:53,800
Speaker 3: You have to hit weight, you have to hip star

406
00:18:54,280 --> 00:18:57,560
Speaker 3: while the answer spit some announcement's going out, and then

407
00:18:58,160 --> 00:19:02,560
Speaker 3: your code and you could like erase messages, replay, save

408
00:19:02,640 --> 00:19:03,200
Speaker 3: them or whatever.

409
00:19:03,200 --> 00:19:05,200
Speaker 2: It was. The thing if like an X New Year code,

410
00:19:05,240 --> 00:19:07,480
Speaker 2: they could get in and change your message, they could.

411
00:19:07,359 --> 00:19:08,399
Speaker 1: Do any of that kind of stuff.

412
00:19:08,480 --> 00:19:10,720
Speaker 3: Yeah, and then and then people got voicemail, which we

413
00:19:10,760 --> 00:19:12,959
Speaker 3: would obviously be able to do that right from wherever.

414
00:19:13,119 --> 00:19:14,920
Speaker 3: But yeah, you uti to have to call your old self,

415
00:19:15,480 --> 00:19:17,359
Speaker 3: your your own answer machine.

416
00:19:17,520 --> 00:19:17,840
Speaker 6: Wow.

417
00:19:17,880 --> 00:19:19,800
Speaker 1: I forgot all about that until we just walked through

418
00:19:19,800 --> 00:19:22,399
Speaker 1: all those steps, and then I vaguely remember, yeah, he

419
00:19:22,440 --> 00:19:23,600
Speaker 1: did used to be able to do that.

420
00:19:23,760 --> 00:19:24,040
Speaker 6: Yep.

421
00:19:24,400 --> 00:19:27,399
Speaker 1: So crazy. So mister Turner appears from his classroom or

422
00:19:27,400 --> 00:19:30,119
Speaker 1: maybe it's the boy's bathroom, or maybe it's Phoene Weenie's office,

423
00:19:30,160 --> 00:19:32,920
Speaker 1: depending on what floor of the tower we are on, yep,

424
00:19:33,160 --> 00:19:35,920
Speaker 1: and Sean asks him for his secret code. Corey quickly

425
00:19:35,920 --> 00:19:38,439
Speaker 1: answers it's one four three for mister Turner asks how

426
00:19:38,480 --> 00:19:41,440
Speaker 1: do you know my secret code? Without hesitation, Corey says, easy,

427
00:19:41,440 --> 00:19:43,080
Speaker 1: it's the same as your bank card. Oh, I owe

428
00:19:43,080 --> 00:19:46,400
Speaker 1: you forty bucks. So did he go into his wallet

429
00:19:46,480 --> 00:19:50,640
Speaker 1: and steal his bank card? Yes, and then actually took

430
00:19:50,800 --> 00:19:54,080
Speaker 1: cash out. And this bumps me a lot because why

431
00:19:54,200 --> 00:19:58,359
Speaker 1: is Corey so comfortable with Turner? Like, if this were Sean,

432
00:19:59,359 --> 00:20:01,880
Speaker 1: I could see it being like, oh wow, talk about

433
00:20:01,920 --> 00:20:04,280
Speaker 1: the boundary crossing. But because they live together and he's

434
00:20:04,320 --> 00:20:07,560
Speaker 1: kind of like a father figure, but Corey, Corey feels

435
00:20:07,600 --> 00:20:11,080
Speaker 1: comfortable enough what Turner to do this? Yeah, apparently I

436
00:20:11,160 --> 00:20:11,679
Speaker 1: kind of liked it.

437
00:20:11,720 --> 00:20:14,440
Speaker 3: I don't know, sort of, Like I.

438
00:20:14,359 --> 00:20:16,520
Speaker 1: Mean, in general, I thought this was a good.

439
00:20:16,880 --> 00:20:21,359
Speaker 3: Integration of Corey in this episode, because you know, normally,

440
00:20:21,400 --> 00:20:24,160
Speaker 3: if you're gonna have Sean take over the storyline this much,

441
00:20:24,320 --> 00:20:27,160
Speaker 3: Corey has completely disappeared, right And in this one, Ben

442
00:20:27,200 --> 00:20:30,240
Speaker 3: has some fun stuff. He's funny. This is my favorite

443
00:20:30,240 --> 00:20:31,639
Speaker 3: court drive the story forward.

444
00:20:31,760 --> 00:20:32,880
Speaker 1: Yes, this is my favorite Cord.

445
00:20:32,960 --> 00:20:35,520
Speaker 2: This is what we were saying in the episode Fuzzy

446
00:20:35,680 --> 00:20:38,240
Speaker 2: where he comes in and somebody else is taking the

447
00:20:38,320 --> 00:20:39,760
Speaker 2: lead of the show and he comes in and has

448
00:20:39,800 --> 00:20:42,000
Speaker 2: some of the greatest one liners and all that, and they.

449
00:20:41,840 --> 00:20:43,680
Speaker 1: Took it slightly to the next level.

450
00:20:43,680 --> 00:20:46,080
Speaker 2: And this one where at the point now he's driving

451
00:20:46,080 --> 00:20:48,879
Speaker 2: parts of the story. But that's my favorite kind of Corey,

452
00:20:48,880 --> 00:20:51,399
Speaker 2: And I think I think this will go away. My

453
00:20:51,560 --> 00:20:54,119
Speaker 2: guess is in the next episode or two, it's going

454
00:20:54,200 --> 00:20:57,160
Speaker 2: to be all about Topanga again, and that's going to set.

455
00:20:57,040 --> 00:20:57,520
Speaker 6: Up the story.

456
00:20:57,800 --> 00:20:59,600
Speaker 1: Well yeah, I mean we can tell just because the

457
00:20:59,600 --> 00:21:03,040
Speaker 1: next episode we can tell that it's our our Florida episode,

458
00:21:03,080 --> 00:21:05,040
Speaker 1: which is oh is this that the next one?

459
00:21:05,119 --> 00:21:05,320
Speaker 3: Yeah?

460
00:21:05,359 --> 00:21:09,560
Speaker 1: Wow, I am boling if I don't look forward either.

461
00:21:09,600 --> 00:21:11,800
Speaker 1: The name when you if you watch on Disney Plus,

462
00:21:11,880 --> 00:21:13,880
Speaker 1: it comes right up like the minute the episode ends,

463
00:21:13,920 --> 00:21:16,359
Speaker 1: it says the name of the next episode, and I

464
00:21:16,480 --> 00:21:19,560
Speaker 1: was like, it's something like it has Disney in it. Oh, no,

465
00:21:19,560 --> 00:21:21,920
Speaker 1: the happiest place on Earth. Oh okay, so it is.

466
00:21:22,040 --> 00:21:24,360
Speaker 1: And so I was like, we already go to Florida.

467
00:21:24,480 --> 00:21:26,720
Speaker 1: I cannot believe that. We I can't. Let's not we

468
00:21:26,760 --> 00:21:30,480
Speaker 1: cannot even dive into that. I haven't seen the episode yet,

469
00:21:30,520 --> 00:21:34,600
Speaker 1: but I'm already flabbergasted. Amazing. So Sean says his dad

470
00:21:34,600 --> 00:21:36,639
Speaker 1: hasn't called in two weeks, and mister Turner tells him

471
00:21:36,680 --> 00:21:38,720
Speaker 1: not to worry too much. There could be a million reasons.

472
00:21:38,800 --> 00:21:40,760
Speaker 1: Corey grees, yeah, didn't he say he was on his

473
00:21:40,760 --> 00:21:42,320
Speaker 1: way to the Vaticand of is it his old friend

474
00:21:42,359 --> 00:21:44,800
Speaker 1: the Pope. Well, there's only one phone, and it's in

475
00:21:44,800 --> 00:21:46,439
Speaker 1: the Pope's bedroom and you do not want to go

476
00:21:46,520 --> 00:21:49,160
Speaker 1: in there. So Sean was hoping he'd get to see

477
00:21:49,160 --> 00:21:51,359
Speaker 1: his dad and he takes off. Corey tells Turner, we

478
00:21:51,440 --> 00:21:53,440
Speaker 1: got a big problem with Sean. I mean, this one

479
00:21:53,480 --> 00:21:57,280
Speaker 1: goes way beyond puberty, which I say, all the time

480
00:21:58,560 --> 00:21:58,760
Speaker 1: I do.

481
00:21:59,200 --> 00:22:00,960
Speaker 2: I had no idea where that was from, but I

482
00:22:01,000 --> 00:22:03,199
Speaker 2: always say it's the beginning of a great tradition.

483
00:22:03,240 --> 00:22:05,280
Speaker 3: The other one I remember that's coming up probably next

484
00:22:05,280 --> 00:22:06,800
Speaker 3: season is anchovy Anchovy.

485
00:22:07,200 --> 00:22:09,480
Speaker 1: Remember anchivy, I'm a little He's.

486
00:22:09,240 --> 00:22:11,359
Speaker 3: Like a circling shock and I'm a little anchovy, And

487
00:22:11,400 --> 00:22:12,480
Speaker 3: I go, you mean anchovy?

488
00:22:12,600 --> 00:22:12,800
Speaker 2: Yeah.

489
00:22:12,840 --> 00:22:16,000
Speaker 1: Any It's like such a basic.

490
00:22:16,119 --> 00:22:24,200
Speaker 3: Dumb joke, but it works so well executlyb Yeah, puberty doesn't.

491
00:22:24,280 --> 00:22:26,359
Speaker 1: I don't why is it so funny? It doesn't.

492
00:22:26,760 --> 00:22:28,960
Speaker 3: It is the joke that just Corey has never said

493
00:22:28,960 --> 00:22:30,800
Speaker 3: this word aloud and he's only read it, so he

494
00:22:30,920 --> 00:22:31,840
Speaker 3: just mispronounces it.

495
00:22:31,880 --> 00:22:33,959
Speaker 1: I don't know what the joke is. It works, it

496
00:22:34,000 --> 00:22:37,240
Speaker 1: works just I love that. It's just a little idiosyncratic

497
00:22:37,280 --> 00:22:39,639
Speaker 1: thing to have about a character where they just say

498
00:22:39,720 --> 00:22:43,200
Speaker 1: certain words a little wrong or different with one hundred

499
00:22:43,240 --> 00:22:45,760
Speaker 1: percent confidence. Like I just love it. I do that

500
00:22:45,800 --> 00:22:48,119
Speaker 1: in my real life all the time, do you know

501
00:22:48,600 --> 00:22:49,200
Speaker 1: all the time.

502
00:22:49,400 --> 00:22:51,439
Speaker 3: Well, this one reminds me of I mean, because some

503
00:22:51,440 --> 00:22:55,439
Speaker 3: people do say mature as opposed to mature, and like

504
00:22:55,480 --> 00:22:57,520
Speaker 3: that is a debate, right, Like you can say it

505
00:22:57,560 --> 00:23:02,159
Speaker 3: both ways. So it kind of works with pooberty, I

506
00:23:02,160 --> 00:23:07,359
Speaker 3: mean puberty.

507
00:23:05,000 --> 00:23:08,200
Speaker 1: So mister Turner corrects him, you mean puberty. Corey nods

508
00:23:08,280 --> 00:23:11,320
Speaker 1: and says, yeah, puberty. So Corey says he has to

509
00:23:11,320 --> 00:23:13,240
Speaker 1: get Chet out here. Sean hasn't seen him since he

510
00:23:13,280 --> 00:23:15,639
Speaker 1: took off after his mom, which was a year ago.

511
00:23:15,880 --> 00:23:19,080
Speaker 1: So timeline of boy meets world hands we're at about

512
00:23:19,119 --> 00:23:21,320
Speaker 1: a year mark. Mister Turner admits, I don't think he's

513
00:23:21,359 --> 00:23:23,760
Speaker 1: coming back real soon, Matthews. He reveals it a few

514
00:23:23,760 --> 00:23:27,520
Speaker 1: months back. Chet sent the paperwork to make him Shawn's

515
00:23:27,600 --> 00:23:30,600
Speaker 1: legal guardian. Corey is shocked and understands why Shawn's been

516
00:23:30,600 --> 00:23:33,320
Speaker 1: so bummed out lately. Mister Turner agrees it's a big

517
00:23:33,359 --> 00:23:35,919
Speaker 1: step for him and for me. It's difficult enough just

518
00:23:35,960 --> 00:23:38,520
Speaker 1: living together in that mousehole of an apartment, and Corey

519
00:23:38,560 --> 00:23:41,440
Speaker 1: tells him he has to do something. Turner agrees, Yeah,

520
00:23:41,520 --> 00:23:43,960
Speaker 1: I do. Corey says, you know what, You're a good guy.

521
00:23:44,080 --> 00:23:47,000
Speaker 1: Here's the thirty bucks I owe. Yeah, he corrects him forty.

522
00:23:47,200 --> 00:23:50,920
Speaker 1: Corey nods that's a good memory and walks away. See

523
00:23:50,920 --> 00:23:51,480
Speaker 1: I love this.

524
00:23:51,760 --> 00:23:54,960
Speaker 3: I look at this, inserting Corey into Shawn's drama that

525
00:23:55,200 --> 00:23:57,440
Speaker 3: Corey is taking on Shawn's drama.

526
00:23:57,520 --> 00:23:58,120
Speaker 1: Is so great.

527
00:23:58,200 --> 00:24:01,159
Speaker 3: It's such a great story device, like because you know,

528
00:24:01,320 --> 00:24:03,680
Speaker 3: I can be the engine, you know, and I can

529
00:24:03,720 --> 00:24:06,439
Speaker 3: bring the steaks, but then Corey has to feels I

530
00:24:06,480 --> 00:24:08,040
Speaker 3: need to do something about it, and bringing him in

531
00:24:08,119 --> 00:24:10,440
Speaker 3: Turner together for that, like we're in on this together.

532
00:24:10,480 --> 00:24:11,600
Speaker 3: We care about this person.

533
00:24:11,880 --> 00:24:14,639
Speaker 1: I love all that. My only thing I bumped against,

534
00:24:14,680 --> 00:24:16,960
Speaker 1: and by the way, it's not a major thing. My

535
00:24:17,040 --> 00:24:19,680
Speaker 1: only thing is I could never imagine Corey doing this

536
00:24:19,960 --> 00:24:23,080
Speaker 1: to Feeni and I would actually as as a character.

537
00:24:23,200 --> 00:24:25,800
Speaker 1: I would think Corey would be like, I can't do that.

538
00:24:25,920 --> 00:24:29,800
Speaker 1: It's mister Turner, like even even him. So for me,

539
00:24:29,960 --> 00:24:32,480
Speaker 1: my only bump up against it was that that requires

540
00:24:32,520 --> 00:24:35,800
Speaker 1: a level of boundary crossing that I feel like Corey

541
00:24:35,920 --> 00:24:39,280
Speaker 1: wouldn't do. Corey wouldn't do. I could totally see Sean

542
00:24:39,359 --> 00:24:42,480
Speaker 1: doing it, especially with mister Turner, because hey, John, we

543
00:24:42,520 --> 00:24:44,600
Speaker 1: share a house. It's I was gonna pay you back,

544
00:24:44,640 --> 00:24:46,840
Speaker 1: Like I could see that. So, but I love everything

545
00:24:46,840 --> 00:24:48,920
Speaker 1: else you're saying. I just kind of bumped against. WHOA

546
00:24:48,920 --> 00:24:51,560
Speaker 1: what is this new Corey who feels so comfortable with

547
00:24:51,560 --> 00:24:54,040
Speaker 1: mister Turner. He's he's taking on a little bit more

548
00:24:54,080 --> 00:24:56,399
Speaker 1: of confidence we haven't seen him have before, but I

549
00:24:56,440 --> 00:24:59,720
Speaker 1: love the way he's that's also integrated into the story.

550
00:24:59,240 --> 00:25:02,240
Speaker 2: Exactly what Feeneye warned against, though, was that if he's

551
00:25:02,280 --> 00:25:04,320
Speaker 2: going to live with you, with you and you know

552
00:25:04,480 --> 00:25:07,600
Speaker 2: you're crossing a line, there's that blur of teacher friend

553
00:25:07,640 --> 00:25:09,439
Speaker 2: whatever it is. And now we see it starting to

554
00:25:09,480 --> 00:25:11,760
Speaker 2: leak into Corey as well, where it's yep, you know,

555
00:25:11,880 --> 00:25:13,920
Speaker 2: it's like that's oh yeah, it's just you know, my

556
00:25:14,280 --> 00:25:16,200
Speaker 2: best friend is living with this guy. It's like, well, no,

557
00:25:16,320 --> 00:25:19,680
Speaker 2: that's still your teacher, still, mister John.

558
00:25:19,920 --> 00:25:31,080
Speaker 6: Yeah.

559
00:25:31,119 --> 00:25:33,320
Speaker 1: Well, then we're in Turner's apartment. Sewn and Turner enter

560
00:25:33,400 --> 00:25:35,680
Speaker 1: with Seawn in mid complaint. I'm just saying I didn't

561
00:25:35,720 --> 00:25:37,880
Speaker 1: like any of the apartments we saw. Turner tells him

562
00:25:37,880 --> 00:25:41,000
Speaker 1: to be specific, and Sean clarifies the first one absolutely

563
00:25:41,080 --> 00:25:45,800
Speaker 1: no furniture. Turner clarifies it was an unfurnished apartment. Mister

564
00:25:45,840 --> 00:25:48,280
Speaker 1: Turner questions why he's being so difficult, and Sean begs

565
00:25:48,320 --> 00:25:50,240
Speaker 1: to differ. He didn't mind the nice duplex in a

566
00:25:50,280 --> 00:25:53,440
Speaker 1: condo community, but you said it was too expensive. Corey

567
00:25:53,520 --> 00:25:55,800
Speaker 1: runs into the apartment excitedly. Good news. The duplex in

568
00:25:55,840 --> 00:25:57,840
Speaker 1: the condo community. I talk them down, and look what

569
00:25:57,880 --> 00:26:00,960
Speaker 1: they're throwing in. He opens a binderful of sample carpets.

570
00:26:01,119 --> 00:26:03,080
Speaker 1: Corey advises they go with the shag because it feels

571
00:26:03,119 --> 00:26:05,960
Speaker 1: good in between your toes, and like this. I love

572
00:26:06,000 --> 00:26:09,720
Speaker 1: this peak, Corey. I love it the best. Where Corey

573
00:26:09,800 --> 00:26:12,640
Speaker 1: is now suddenly a realtor because he realizes that there

574
00:26:12,680 --> 00:26:14,439
Speaker 1: are perks and he gets super into it and he

575
00:26:14,480 --> 00:26:18,280
Speaker 1: throws himself full bore. I love that, yep, really good.

576
00:26:18,840 --> 00:26:20,960
Speaker 1: So Sean asks what's wrong with right here? We have

577
00:26:21,000 --> 00:26:23,879
Speaker 1: furniture everywhere, and the neighbor's the best, wonderful people who

578
00:26:23,960 --> 00:26:26,760
Speaker 1: mind their business. On que Eli walks in telling a

579
00:26:26,800 --> 00:26:29,399
Speaker 1: neighbor to quit looking at him like that. Turner asks

580
00:26:29,440 --> 00:26:32,240
Speaker 1: what's going on and Eli responds, remember when missus Dupachak's

581
00:26:32,280 --> 00:26:33,919
Speaker 1: husband died and she said she would never look at

582
00:26:33,920 --> 00:26:37,240
Speaker 1: another man. She's over him and I'm scared. Turner says,

583
00:26:37,280 --> 00:26:39,760
Speaker 1: you know you could do worse than missus Dupchack. In fact,

584
00:26:39,800 --> 00:26:41,880
Speaker 1: I've seen you do worse than missus Dupchack. How many

585
00:26:41,920 --> 00:26:45,200
Speaker 1: times could I say missus jeep check in this recap,

586
00:26:45,400 --> 00:26:47,760
Speaker 1: not even being sure how to say it. Let's let's

587
00:26:47,760 --> 00:26:50,639
Speaker 1: see so far three, let's see how many men. Eli

588
00:26:50,680 --> 00:26:52,879
Speaker 1: sarcastically tells him, this building's going to miss that wit

589
00:26:52,960 --> 00:26:55,520
Speaker 1: when you're gone. And when is that happy day? Mister

590
00:26:55,560 --> 00:26:58,040
Speaker 1: Turner says, as soon as Sean finds a place that

591
00:26:58,080 --> 00:27:00,520
Speaker 1: he likes. Sewn butts in. Since every but he's talking

592
00:27:00,520 --> 00:27:02,320
Speaker 1: about me like I'm not here, I might as well

593
00:27:02,359 --> 00:27:04,720
Speaker 1: not be here. He storms out, but Corey tells mister

594
00:27:04,760 --> 00:27:07,120
Speaker 1: Turner he thinks moving into a new apartment is brilliant.

595
00:27:07,520 --> 00:27:09,720
Speaker 1: Then Corey runs out of the apartment, shouting after Sean,

596
00:27:09,800 --> 00:27:12,000
Speaker 1: wait up, I've got some linoleums that will knock your

597
00:27:12,080 --> 00:27:12,720
Speaker 1: socks off.

598
00:27:13,520 --> 00:27:16,240
Speaker 2: And this is so, this is where angsty Seawan started

599
00:27:16,240 --> 00:27:19,320
Speaker 2: to get. Nobody was talking about you, like talking about

600
00:27:19,320 --> 00:27:21,639
Speaker 2: Sean like he wasn't there. He was part of the conversation.

601
00:27:21,920 --> 00:27:24,600
Speaker 2: Then the conversation went between the It wasn't like they're

602
00:27:24,640 --> 00:27:27,640
Speaker 2: deciding his life. Well he's not there at all. It

603
00:27:27,680 --> 00:27:29,600
Speaker 2: wasn't that well, if they're going to talk about him.

604
00:27:29,480 --> 00:27:31,280
Speaker 1: It's like they weren't doing that even a little bit,

605
00:27:31,640 --> 00:27:34,880
Speaker 1: not even slightly. He's acting out, yes, yeah, and it

606
00:27:34,920 --> 00:27:39,800
Speaker 1: was feeling hurt. It was feeling hurt. Was Yes, it

607
00:27:39,840 --> 00:27:40,480
Speaker 1: was a little.

608
00:27:40,280 --> 00:27:42,400
Speaker 3: Much for me about it. It was a little mope

609
00:27:42,440 --> 00:27:45,840
Speaker 3: about it. Well, get ready, Bill, you got four seasons

610
00:27:45,880 --> 00:27:51,960
Speaker 3: of mopey angsty in your face with his emotion Sean. Okay, okay, sorry,

611
00:27:52,000 --> 00:27:55,240
Speaker 3: we he's emotion too much for you.

612
00:27:56,160 --> 00:27:58,240
Speaker 1: Oh? Yes, you do you need me on this podcast.

613
00:27:58,400 --> 00:28:01,119
Speaker 1: I'm just gonna go. If you guys are all just

614
00:28:01,119 --> 00:28:03,119
Speaker 1: gonna sheese about me when I'm right here, yeah, if

615
00:28:03,119 --> 00:28:04,280
Speaker 1: you're just gonna like, what was it?

616
00:28:04,359 --> 00:28:04,800
Speaker 3: My acting?

617
00:28:05,280 --> 00:28:08,600
Speaker 1: Is my acting? No, it's fine. I'll just go. You

618
00:28:08,680 --> 00:28:12,920
Speaker 1: gotta get I'm just gonna sign off by acting? What

619
00:28:13,080 --> 00:28:21,920
Speaker 1: by acting? God? I will say I loved this episode.

620
00:28:22,040 --> 00:28:24,600
Speaker 1: I wish they did find a different exit for Sean

621
00:28:24,760 --> 00:28:27,040
Speaker 1: because I also thought the same thing. Well, he just

622
00:28:27,080 --> 00:28:29,359
Speaker 1: said one thing, which is when Sean finds a place

623
00:28:29,400 --> 00:28:31,200
Speaker 1: that he lives, And I wish there could have been

624
00:28:31,200 --> 00:28:33,679
Speaker 1: maybe a little bit more of like a joke of like,

625
00:28:33,760 --> 00:28:35,800
Speaker 1: all right, you know, you guys make your jokes. I'm

626
00:28:35,800 --> 00:28:37,639
Speaker 1: gonna go meet up with so anything, just because I

627
00:28:37,680 --> 00:28:39,520
Speaker 1: understand why they needed to get you, why they needed

628
00:28:39,520 --> 00:28:41,360
Speaker 1: to get Sean out of the apartment, but I did

629
00:28:41,400 --> 00:28:44,600
Speaker 1: think he could have found there could have been a

630
00:28:44,600 --> 00:28:51,320
Speaker 1: different exit for it, from zero to real fast. This

631
00:28:51,440 --> 00:28:55,880
Speaker 1: is also peak Ben, like he's this everything we're saying,

632
00:28:56,000 --> 00:28:58,280
Speaker 1: all of that. It is so funny him running out.

633
00:28:58,320 --> 00:29:01,800
Speaker 1: I've got some linoleums that I'll knock you off in

634
00:29:01,840 --> 00:29:02,600
Speaker 1: a lot of ways.

635
00:29:02,640 --> 00:29:05,520
Speaker 3: This this ending of the season seems to like we've.

636
00:29:05,520 --> 00:29:08,800
Speaker 1: Locked in our characters, you know, like yeah, and you know, for.

637
00:29:08,800 --> 00:29:11,360
Speaker 3: Better or worse. Like I think it's good now. I

638
00:29:11,360 --> 00:29:13,200
Speaker 3: think I'm gonna get real sick of it as it

639
00:29:13,240 --> 00:29:15,239
Speaker 3: goes on. You know, Will's already sick of it. But

640
00:29:15,280 --> 00:29:17,520
Speaker 3: I do think that this becomes the pattern, right, is

641
00:29:17,560 --> 00:29:24,320
Speaker 3: that that Sean is overly emotional and sensitive and bitchy

642
00:29:24,320 --> 00:29:26,480
Speaker 3: about it. I guess you could say Will, and then

643
00:29:26,640 --> 00:29:29,920
Speaker 3: Corey is this sort of nerdy like trying to make

644
00:29:29,920 --> 00:29:33,000
Speaker 3: everything you know and and and neurotic and overthinking things,

645
00:29:33,040 --> 00:29:36,200
Speaker 3: and like that's going to be the dynamic. Which you

646
00:29:36,240 --> 00:29:39,520
Speaker 3: can see why, right, because it works, like you're going

647
00:29:39,520 --> 00:29:41,040
Speaker 3: to see inside of it is so funny.

648
00:29:41,120 --> 00:29:42,840
Speaker 2: I think we're going to see it switch a bit.

649
00:29:42,920 --> 00:29:47,600
Speaker 2: But you were once again, and clearly season three was

650
00:29:47,680 --> 00:29:49,680
Speaker 2: Sean was the star of the show. I mean, clearly

651
00:29:49,960 --> 00:29:52,520
Speaker 2: the entire season well, no, they I.

652
00:29:52,440 --> 00:29:55,280
Speaker 3: Feel like there's the two storylines. There's the Tapanga storyline,

653
00:29:55,320 --> 00:29:57,120
Speaker 3: and these are the Seann storyline, and those are the

654
00:29:57,120 --> 00:30:00,400
Speaker 3: two things driving this entire season, right, And they clearly

655
00:30:00,440 --> 00:30:04,479
Speaker 3: had like kind of three parts of each one, right, Like,

656
00:30:04,520 --> 00:30:07,240
Speaker 3: there's gonna be we're gonna break Shawn up from his dad,

657
00:30:07,320 --> 00:30:10,720
Speaker 3: We're gonna we're gonna put Corey to Banga together, break

658
00:30:10,760 --> 00:30:12,800
Speaker 3: them up, and then probably get them back together by

659
00:30:12,800 --> 00:30:14,640
Speaker 3: the end of the season, which I'm assuming Disney it's

660
00:30:14,680 --> 00:30:17,080
Speaker 3: gotta be yes, right, yeah, And so yeah, do you

661
00:30:17,120 --> 00:30:18,640
Speaker 3: guys get back together at Disney, right?

662
00:30:18,640 --> 00:30:21,000
Speaker 1: That's yeah, I think so. I don't. I don't, I don't.

663
00:30:21,000 --> 00:30:23,000
Speaker 1: I think it may be a two parter maybe not,

664
00:30:23,040 --> 00:30:24,760
Speaker 1: though we kiss in front of the fountain at Epcot,

665
00:30:24,800 --> 00:30:26,440
Speaker 1: so that's at the end of that episode unless it's

666
00:30:26,480 --> 00:30:27,560
Speaker 1: a two parter episode.

667
00:30:27,760 --> 00:30:30,680
Speaker 3: Yeah, we only have two episodes left, so that's amazing.

668
00:30:30,920 --> 00:30:33,040
Speaker 3: So they're just clearly wrapping up the season by like

669
00:30:33,520 --> 00:30:35,680
Speaker 3: establishing the Sean thing, you know, finishing out the Shawn's

670
00:30:35,640 --> 00:30:37,600
Speaker 3: story here, and then they're gonna finish out the Corey

671
00:30:37,600 --> 00:30:38,040
Speaker 3: to pay right.

672
00:30:38,040 --> 00:30:39,400
Speaker 1: They want to put a bow on the end of

673
00:30:39,400 --> 00:30:41,880
Speaker 1: season three only to break the bow in season four,

674
00:30:41,920 --> 00:30:44,720
Speaker 1: probably you might know. Yeah, okay, So then we're in

675
00:30:44,720 --> 00:30:47,040
Speaker 1: the school hallway. Eric runs down the school hallways. Mister

676
00:30:47,040 --> 00:30:49,320
Speaker 1: Phoeney stops him, saying, I love the energy of a

677
00:30:49,360 --> 00:30:52,640
Speaker 1: rededicated and enthusiastic scener off the class. That's a senior

678
00:30:52,880 --> 00:30:57,680
Speaker 1: you did ye? Senior year is my favorite anyway in

679
00:30:57,800 --> 00:31:04,600
Speaker 1: my giant sweat year, I was, Eric corrects him lunch.

680
00:31:04,840 --> 00:31:06,520
Speaker 1: Phoene says it wouldn't be a bad idea if you

681
00:31:06,560 --> 00:31:08,680
Speaker 1: took this pep to the classroom, and Eric responds, well,

682
00:31:08,720 --> 00:31:12,520
Speaker 1: if you start serving mash taters, maybe I will. Mister

683
00:31:12,520 --> 00:31:14,640
Speaker 1: phoene says he'll take it under consideration and adds I

684
00:31:14,680 --> 00:31:17,480
Speaker 1: have your paper on European monarchies. Eric sees it and

685
00:31:17,520 --> 00:31:20,640
Speaker 1: shockingly asks a d. He works really hard. He asks

686
00:31:20,640 --> 00:31:23,800
Speaker 1: what went wrong? Without hesitation. Feene responds, I'd have to

687
00:31:23,800 --> 00:31:25,920
Speaker 1: say the fifth grade when you took that ride in

688
00:31:25,960 --> 00:31:29,280
Speaker 1: the dryer, A new possibility, new theory.

689
00:31:29,440 --> 00:31:32,880
Speaker 3: Yes, there's been left on a roller coaster over and over.

690
00:31:33,120 --> 00:31:37,440
Speaker 1: What's happened to you? This happened to me in dryer. Yeah,

691
00:31:38,320 --> 00:31:40,600
Speaker 1: wait a minute, it didn't happen to you unless somebody

692
00:31:40,640 --> 00:31:43,160
Speaker 1: puts you in it. Did you put yourself into the dryer?

693
00:31:43,520 --> 00:31:43,920
Speaker 3: No?

694
00:31:44,680 --> 00:31:49,320
Speaker 2: I was playing hide and seek with my brother Greg, Greg,

695
00:31:49,600 --> 00:31:51,640
Speaker 2: and we had one of those dryers that when you

696
00:31:51,680 --> 00:31:55,560
Speaker 2: shut the door, it automatically turns on. So he put

697
00:31:55,600 --> 00:31:57,080
Speaker 2: me in the dryer and shut the door, and I

698
00:31:57,120 --> 00:32:01,280
Speaker 2: went the boomp bomptil. My mom heard it and opened

699
00:32:01,320 --> 00:32:05,280
Speaker 2: the tryer and got me out. It actually happened to me.

700
00:32:05,560 --> 00:32:08,040
Speaker 1: How you must have been tiny twenty years old? I was,

701
00:32:08,200 --> 00:32:11,520
Speaker 1: I was, I was twenty two. This was last month. No,

702
00:32:11,560 --> 00:32:14,760
Speaker 1: I was probably four, Oh my four or five?

703
00:32:15,080 --> 00:32:18,800
Speaker 2: Yeah, Magret crushed, He claims he didn't know.

704
00:32:19,240 --> 00:32:23,360
Speaker 1: Did what happened? Did your cigarettes get crushed? Cigarettes crushed?

705
00:32:23,400 --> 00:32:25,400
Speaker 1: My cal? He did?

706
00:32:25,680 --> 00:32:28,480
Speaker 2: My brother crushed my smoke. I will say this, I

707
00:32:28,520 --> 00:32:34,040
Speaker 2: came out static free. That's quite a dryer, which is great.

708
00:32:34,480 --> 00:32:37,040
Speaker 2: But yes, this actually and I forgot about this line.

709
00:32:37,080 --> 00:32:38,680
Speaker 2: I think I told Bill about that when I was

710
00:32:38,720 --> 00:32:40,280
Speaker 2: like that actually happened to me.

711
00:32:40,320 --> 00:32:42,440
Speaker 1: And Greg claims to this day it was in an accident.

712
00:32:42,600 --> 00:32:45,920
Speaker 2: I don't believe. Yeah, I was in the dryer. Was

713
00:32:45,960 --> 00:32:48,320
Speaker 2: a little kid famous for del family story.

714
00:32:48,480 --> 00:32:50,800
Speaker 1: No wonder, you're so funny, that's what it is and

715
00:32:51,200 --> 00:32:53,760
Speaker 1: looks like this exactly Andrew hair. That's what I feel like.

716
00:32:53,880 --> 00:32:57,160
Speaker 1: I love it. Oh my goodness. Okay, well another theory.

717
00:32:57,320 --> 00:32:57,720
Speaker 1: There we go.

718
00:32:58,080 --> 00:33:00,800
Speaker 3: Yeah, I love that it immediately becomes a hair reference, though,

719
00:33:00,840 --> 00:33:02,560
Speaker 3: I mean it is most like Boy.

720
00:33:02,320 --> 00:33:05,200
Speaker 1: Meets World Michael Jacob's hair obsession thing. Otherwise I'd have

721
00:33:05,280 --> 00:33:11,520
Speaker 1: hair like Cory's right, exactly, because the worst Eric, how

722
00:33:11,640 --> 00:33:14,840
Speaker 1: dare you with curly hair? So Eric pleads to Feenie,

723
00:33:14,840 --> 00:33:16,680
Speaker 1: This grade's going to kill my average. Can I do

724
00:33:16,720 --> 00:33:19,960
Speaker 1: another paper? Mister Phoene says he has a better idea tutoring.

725
00:33:20,440 --> 00:33:22,520
Speaker 1: Eric questions, I thought all the tutors got together and

726
00:33:22,520 --> 00:33:24,760
Speaker 1: agreed to never work with me again. Phoene says his

727
00:33:24,840 --> 00:33:31,080
Speaker 1: thought was to make Eric a tutor what what he knows.

728
00:33:30,760 --> 00:33:34,680
Speaker 1: I see how being a tutor is good for Eric, Like,

729
00:33:34,840 --> 00:33:37,280
Speaker 1: of course, if you're going to tutor or something, you

730
00:33:37,400 --> 00:33:39,480
Speaker 1: have to know it inside and out, and it helps

731
00:33:39,520 --> 00:33:42,080
Speaker 1: you learn the material yourself. So I get that. But

732
00:33:42,560 --> 00:33:44,360
Speaker 1: I mean, at one point on the show, Eric had

733
00:33:44,400 --> 00:33:47,520
Speaker 1: less brain activity than a mouse. So I'm not sure

734
00:33:47,560 --> 00:33:50,040
Speaker 1: this is the best idea for the other children in

735
00:33:50,080 --> 00:33:52,560
Speaker 1: the school. Maybe don't give him students.

736
00:33:52,720 --> 00:33:55,880
Speaker 3: I think it's not the best storyline in general. It's

737
00:33:55,920 --> 00:33:58,960
Speaker 3: not horrible, but it feels like it needed one more turn.

738
00:33:59,040 --> 00:34:00,480
Speaker 3: I agree, you know, like the the fact that it

739
00:34:00,560 --> 00:34:03,160
Speaker 3: just works out kind of exactly how you think, like right,

740
00:34:03,200 --> 00:34:05,680
Speaker 3: And even Eric even calls him out. He's like, oh,

741
00:34:05,720 --> 00:34:07,400
Speaker 3: I see what you did there, mister Foene, and he

742
00:34:07,440 --> 00:34:09,880
Speaker 3: explains exactly the beats of the story, and then Phoene

743
00:34:09,880 --> 00:34:11,680
Speaker 3: goes like, yeah.

744
00:34:11,040 --> 00:34:11,560
Speaker 1: And that's it.

745
00:34:12,000 --> 00:34:14,239
Speaker 3: I was like, oh, where's the extra, Like, where's the

746
00:34:14,280 --> 00:34:15,440
Speaker 3: twist where I don't know?

747
00:34:15,719 --> 00:34:18,880
Speaker 1: Yes, I don't know what. I don't know.

748
00:34:18,960 --> 00:34:21,759
Speaker 3: I just wanted one more like turn instead. It was like, oh,

749
00:34:21,760 --> 00:34:23,840
Speaker 3: that that really is because you see it coming, just

750
00:34:23,960 --> 00:34:26,040
Speaker 3: see and I was like, Oh, he's gonna get his

751
00:34:26,120 --> 00:34:28,959
Speaker 3: grade better by tutoring somebody who's dumber than him.

752
00:34:29,440 --> 00:34:29,719
Speaker 6: That's it.

753
00:34:30,000 --> 00:34:30,239
Speaker 1: That's it.

754
00:34:30,520 --> 00:34:30,759
Speaker 6: That's it.

755
00:34:30,880 --> 00:34:34,360
Speaker 1: Yeah, that's it. Pretty much feels very first drafty to me. Yeah. Yeah,

756
00:34:34,440 --> 00:34:36,560
Speaker 1: but I still like it. I gotta be honest. Yeah,

757
00:34:37,120 --> 00:34:38,479
Speaker 1: it wasn't bad. It was fine. Fine.

758
00:34:38,480 --> 00:34:40,560
Speaker 2: I think that's a perfect word for it. It was fine fine, Yeah,

759
00:34:40,640 --> 00:34:41,080
Speaker 2: it was fine.

760
00:34:41,239 --> 00:34:43,319
Speaker 1: Eric laughs and asks him when he took his ride

761
00:34:43,320 --> 00:34:45,440
Speaker 1: in the dryer, but phoene serious, and he asks if

762
00:34:45,520 --> 00:34:48,359
Speaker 1: Eric knows Jeff Lacey. Eric nods, yeah, he's a guard

763
00:34:48,400 --> 00:34:51,480
Speaker 1: on the basketball team. Phoene says, Lacey has athletic scholarship

764
00:34:51,480 --> 00:34:53,799
Speaker 1: offers to twenty different colleges, but he needs at least

765
00:34:53,800 --> 00:34:56,080
Speaker 1: to see average to get in, and Eric says, so

766
00:34:56,320 --> 00:34:58,880
Speaker 1: if I tutor this kid, he turns pro makes millions.

767
00:34:58,960 --> 00:35:01,240
Speaker 1: What do I get out of this? And phoene responds

768
00:35:01,360 --> 00:35:04,840
Speaker 1: the joy of helping someone learn. Eric clarifies been no money,

769
00:35:04,920 --> 00:35:07,440
Speaker 1: and Phoeney shrugs and admits, you get used to it.

770
00:35:07,520 --> 00:35:11,560
Speaker 1: You get used me too. So good. Nearby, Corey walks

771
00:35:11,600 --> 00:35:13,319
Speaker 1: up to Sean and asks if he's decided on the

772
00:35:13,360 --> 00:35:15,480
Speaker 1: condo yet. Corey found out from the landlord that there's

773
00:35:15,520 --> 00:35:18,479
Speaker 1: another offer, but he did a little dancing and bought

774
00:35:18,520 --> 00:35:23,000
Speaker 1: us another half day sewn question he did so good.

775
00:35:23,320 --> 00:35:26,080
Speaker 1: Sean questions us Corey, what's in it for you? And

776
00:35:26,120 --> 00:35:28,400
Speaker 1: Corey excitedly tells him if he runts ten places, he

777
00:35:28,440 --> 00:35:32,719
Speaker 1: gets a cruise. Sean says there isn't going to be

778
00:35:32,760 --> 00:35:34,759
Speaker 1: any move. He's been moving around since he was a

779
00:35:34,840 --> 00:35:37,040
Speaker 1: kid and he's sick of it. Sean wants the next

780
00:35:37,040 --> 00:35:39,759
Speaker 1: move to be his last. Corey reminds him Turner's doing

781
00:35:39,800 --> 00:35:42,719
Speaker 1: this for him. He's a great friend. Sean agrees, yeah,

782
00:35:43,080 --> 00:35:46,920
Speaker 1: a friend, emphasizing that he's not his dad. And then

783
00:35:46,920 --> 00:35:49,880
Speaker 1: we're in Turner's apartment and Eli is sampling Turner's cooking.

784
00:35:50,239 --> 00:35:53,680
Speaker 1: John this does not taste like chicken alrange. Turner snaps back,

785
00:35:53,760 --> 00:35:55,480
Speaker 1: I told you to taste it, not suck the meat

786
00:35:55,520 --> 00:35:58,440
Speaker 1: off the bone, and Eli replies, someone's got their apron

787
00:35:58,440 --> 00:36:00,640
Speaker 1: on a little too tight. Turner reveal in forty eight

788
00:36:00,640 --> 00:36:03,440
Speaker 1: hours he's going to become Shawn's legal guardian. It's what

789
00:36:03,520 --> 00:36:05,920
Speaker 1: he needs. Besides, I've come this far, might as well

790
00:36:05,960 --> 00:36:08,680
Speaker 1: go the distance perfectly time. Sean walks in just as

791
00:36:08,719 --> 00:36:11,440
Speaker 1: Eli stands up to leave, and Eli says something like

792
00:36:11,480 --> 00:36:15,120
Speaker 1: that will change your life forever. Sean's confused about Eli's brother.

793
00:36:15,120 --> 00:36:17,080
Speaker 3: And you didn't bother either of you guys that, Like,

794
00:36:18,160 --> 00:36:22,400
Speaker 3: I didn't get clarity on what legal guardian means, Like

795
00:36:22,440 --> 00:36:24,120
Speaker 3: it seems like this term, do you guys know what

796
00:36:24,160 --> 00:36:25,680
Speaker 3: it means? Like, do you have any senses?

797
00:36:25,800 --> 00:36:29,600
Speaker 2: Because Spencer was my legal guardian? Okay, yeah, so it's

798
00:36:29,640 --> 00:36:32,319
Speaker 2: just kind of like a temporary, Yeah, it's shouldn't John

799
00:36:32,360 --> 00:36:34,799
Speaker 2: have already been the legal guardian? If he's like, yes,

800
00:36:34,920 --> 00:36:39,080
Speaker 2: I think he's becoming his right.

801
00:36:39,239 --> 00:36:41,960
Speaker 1: You know, it's not an official adoption, because the difference

802
00:36:42,040 --> 00:36:44,920
Speaker 1: is an adoption. You would then be Turner's son, like

803
00:36:45,000 --> 00:36:48,959
Speaker 1: you become essentially the same as blood, you're his son.

804
00:36:49,480 --> 00:36:55,520
Speaker 1: A legal guardian is I take legal responsibility for everything

805
00:36:55,640 --> 00:36:59,239
Speaker 1: this person does as if they were my child. But

806
00:36:59,320 --> 00:37:02,520
Speaker 1: it's not adopted, right, And what you have been doing

807
00:37:02,719 --> 00:37:05,920
Speaker 1: is just I have been I have been a guard

808
00:37:06,000 --> 00:37:09,279
Speaker 1: I've been basically doing my best with this kid. But

809
00:37:09,440 --> 00:37:12,520
Speaker 1: if he were to go, say, blow up another mailbox

810
00:37:12,640 --> 00:37:16,600
Speaker 1: or something, no one could hold me legally responsible for him.

811
00:37:17,040 --> 00:37:20,080
Speaker 3: Yes, it, but you also can't legally do anything for him.

812
00:37:20,120 --> 00:37:22,600
Speaker 3: So like at this point, right, if Sean has gotten

813
00:37:22,600 --> 00:37:25,719
Speaker 3: into trouble, which he has this entire season, this entire year,

814
00:37:26,360 --> 00:37:28,279
Speaker 3: like if he ends up in a hospital, Turner can't

815
00:37:28,280 --> 00:37:28,760
Speaker 3: do anything.

816
00:37:29,680 --> 00:37:31,800
Speaker 1: And that's why it's important to have a legal guardian.

817
00:37:32,239 --> 00:37:35,239
Speaker 3: So it seems ridiculous that he hasn't.

818
00:37:36,600 --> 00:37:37,120
Speaker 6: Entire year.

819
00:37:37,200 --> 00:37:40,080
Speaker 1: What I'll say later is that later on, when we're

820
00:37:40,120 --> 00:37:42,880
Speaker 1: talking with Alan and Amy in the kitchen and they're like, well,

821
00:37:42,880 --> 00:37:45,640
Speaker 1: what you know, that's just another temporary situation. I kind

822
00:37:45,640 --> 00:37:48,239
Speaker 1: of had the like a little light bulb went off

823
00:37:48,239 --> 00:37:50,120
Speaker 1: and be like, wait a minute. To be honest, this

824
00:37:50,160 --> 00:37:53,160
Speaker 1: whole season, I haven't felt like you living with Turner

825
00:37:53,719 --> 00:37:56,960
Speaker 1: was a temporary situation, right. That was never like brought

826
00:37:57,040 --> 00:38:00,560
Speaker 1: up along the way of like, well, it's still not

827
00:38:00,600 --> 00:38:03,120
Speaker 1: sure we're going to stick with this, like I had

828
00:38:03,160 --> 00:38:05,280
Speaker 1: felt like it was more like that had already happened,

829
00:38:05,320 --> 00:38:07,160
Speaker 1: that he was your legal guardian and that you lived

830
00:38:07,160 --> 00:38:08,200
Speaker 1: with him.

831
00:38:08,520 --> 00:38:10,880
Speaker 2: It would have been too much for them to have

832
00:38:11,040 --> 00:38:13,839
Speaker 2: said he was already the legal guardian and there are

833
00:38:14,440 --> 00:38:17,040
Speaker 2: possible adoption papers, and that would have been.

834
00:38:16,920 --> 00:38:19,000
Speaker 3: Too much, too far. So what would be too far?

835
00:38:19,040 --> 00:38:20,839
Speaker 3: Step have been Yeah, no, I don't know. I guess

836
00:38:20,880 --> 00:38:23,239
Speaker 3: you're you're right, Like it just felt like a band

837
00:38:23,280 --> 00:38:24,839
Speaker 3: aid to me. It felt like a story band aid.

838
00:38:24,960 --> 00:38:27,200
Speaker 3: It felt like a term that I was kind of like, wait,

839
00:38:27,480 --> 00:38:30,480
Speaker 3: because obviously it's about adoption, right, Like that's what the story.

840
00:38:30,800 --> 00:38:33,440
Speaker 3: It's an adoption storyline. It's like do you adopt this

841
00:38:33,520 --> 00:38:35,520
Speaker 3: kid or not? And to put that pressure on Turner

842
00:38:35,520 --> 00:38:37,799
Speaker 3: and to put that pressure on Sean is great. It's

843
00:38:37,960 --> 00:38:40,480
Speaker 3: just this legal guardian thing. Just felt a little right

844
00:38:40,640 --> 00:38:41,200
Speaker 3: fiffy to me.

845
00:38:41,239 --> 00:38:44,080
Speaker 1: I was like, well, if they had just implanted in

846
00:38:44,160 --> 00:38:47,560
Speaker 1: a previous storyline for Sean to point out to Corey

847
00:38:47,680 --> 00:38:50,319
Speaker 1: or to somebody else, hey, this is still temporary. It's

848
00:38:50,360 --> 00:38:51,839
Speaker 1: not like we've you know, it's not like we've signed

849
00:38:51,880 --> 00:38:54,120
Speaker 1: any papers or anything. This is like if Sean had

850
00:38:54,160 --> 00:38:57,600
Speaker 1: reminded everybody this was only temporary a couple more times,

851
00:38:57,920 --> 00:39:01,320
Speaker 1: maybe this would have felt more like here's the moment,

852
00:39:01,400 --> 00:39:01,960
Speaker 1: but you know.

853
00:39:02,520 --> 00:39:04,359
Speaker 2: It almost I don't you know what scene I would

854
00:39:04,360 --> 00:39:06,360
Speaker 2: love to have seen back in the back and maybe

855
00:39:06,360 --> 00:39:08,399
Speaker 2: we kind of saw it a little bit, but maybe

856
00:39:08,520 --> 00:39:11,760
Speaker 2: more in depth would have been like an Allan mister

857
00:39:11,800 --> 00:39:14,160
Speaker 2: Turner scene about what taking.

858
00:39:13,880 --> 00:39:15,759
Speaker 1: That's what I want, Yeah, that's what I want.

859
00:39:15,880 --> 00:39:19,120
Speaker 3: I want more of the the amy and Allan of

860
00:39:19,160 --> 00:39:20,960
Speaker 3: it all is the weirder part to me, because I

861
00:39:21,000 --> 00:39:24,319
Speaker 3: feel like they would have stepped in and signed on

862
00:39:24,360 --> 00:39:27,880
Speaker 3: as legal guardians just in paper, like they would have

863
00:39:27,920 --> 00:39:31,960
Speaker 3: just done it to so somebody's there for Sean, because yeah,

864
00:39:32,320 --> 00:39:35,040
Speaker 3: it seems like it's it's it's not as big of

865
00:39:35,040 --> 00:39:36,719
Speaker 3: a deal for them because they already have kids to

866
00:39:36,800 --> 00:39:39,480
Speaker 3: like be legally responsible for Sean. And it seems like

867
00:39:39,480 --> 00:39:41,440
Speaker 3: they would do that right, like, and somebody.

868
00:39:41,160 --> 00:39:42,120
Speaker 1: Has to be That's the thing.

869
00:39:42,160 --> 00:39:45,040
Speaker 2: You seem like, you can't just crash in your couch.

870
00:39:45,080 --> 00:39:48,440
Speaker 2: You give something happens, something respons you can't.

871
00:39:48,239 --> 00:39:49,920
Speaker 3: Sign for filter, you know what I mean? Like you

872
00:39:49,960 --> 00:39:52,640
Speaker 3: can't do anything unless you have a legal guardian.

873
00:39:52,719 --> 00:39:52,799
Speaker 2: Ye.

874
00:40:04,040 --> 00:40:06,760
Speaker 1: So Seawan is confused about Eli's parting words, and Turner

875
00:40:06,800 --> 00:40:09,000
Speaker 1: says he thought Sean was eating dinner at the Matthews tonight.

876
00:40:09,080 --> 00:40:11,240
Speaker 1: Sean says, Nah, he's tired. He wants to turn in early.

877
00:40:11,320 --> 00:40:14,640
Speaker 1: Then Sean notices the chicken a la tang. What's the

878
00:40:14,680 --> 00:40:17,120
Speaker 1: special occasion? Turner's got a date, but he tells Sean

879
00:40:17,160 --> 00:40:19,719
Speaker 1: he can easily stretch the meal three ways. Sean goes

880
00:40:19,760 --> 00:40:21,800
Speaker 1: through the mail. He finally got a letter from his dad.

881
00:40:22,000 --> 00:40:24,359
Speaker 1: Apparently he's at a truck stop. In reading. Sean then

882
00:40:24,400 --> 00:40:26,920
Speaker 1: tosses the envelope in the trash. Turner asks why he

883
00:40:26,960 --> 00:40:28,759
Speaker 1: did that, and Sean says, that's fifty miles away.

884
00:40:28,840 --> 00:40:29,040
Speaker 2: John.

885
00:40:29,080 --> 00:40:31,240
Speaker 1: The least he could do is come visit me. Turner

886
00:40:31,280 --> 00:40:33,239
Speaker 1: tells Shawn he spoke to an attorney today, just a

887
00:40:33,239 --> 00:40:37,239
Speaker 1: couple of signatures and he's Sean's legal guardian. Sean asks,

888
00:40:37,280 --> 00:40:39,120
Speaker 1: I thought you did that months ago. Turner admits he

889
00:40:39,160 --> 00:40:40,680
Speaker 1: got the forms, he just never got around a filling

890
00:40:40,719 --> 00:40:43,120
Speaker 1: him out. Sean scoffs, oh, I'm so sorry my life

891
00:40:43,160 --> 00:40:46,359
Speaker 1: didn't fit into your busy schedule. Turner tries to calm

892
00:40:46,400 --> 00:40:48,080
Speaker 1: him down, cut me some slack. I'm just trying to

893
00:40:48,120 --> 00:40:52,359
Speaker 1: do the right thing, and Sean says Turner, and Sean says, yeah,

894
00:40:52,360 --> 00:40:54,680
Speaker 1: I know you are. He leaves and looks at John, Hey,

895
00:40:54,880 --> 00:40:58,919
Speaker 1: enjoy your date, and my heart just absolutely breaks because

896
00:40:58,960 --> 00:41:03,719
Speaker 1: you wanted some of the chicken. Oh for a different reason. No,

897
00:41:03,920 --> 00:41:06,160
Speaker 1: I just this is where my heart absolutely breaks for Sean.

898
00:41:06,239 --> 00:41:09,480
Speaker 1: And I'm fully hooked into Sean meets World. Like I

899
00:41:09,480 --> 00:41:10,120
Speaker 1: I love it.

900
00:41:10,120 --> 00:41:11,360
Speaker 3: It was a little much for me, but you know,

901
00:41:11,400 --> 00:41:13,000
Speaker 3: I have to remember it's a kid's show, because like

902
00:41:13,040 --> 00:41:14,759
Speaker 3: I feel like you could just say, hey, enjoy your

903
00:41:14,840 --> 00:41:17,960
Speaker 3: date and walk out right but two lines earlier. But

904
00:41:18,000 --> 00:41:19,680
Speaker 3: instead it's going to be you know that, it's it's

905
00:41:19,719 --> 00:41:21,480
Speaker 3: always got to be like a little pushed a little

906
00:41:21,480 --> 00:41:23,399
Speaker 3: more explained. Sean's got to look him in the eyes

907
00:41:23,400 --> 00:41:24,000
Speaker 3: and say.

908
00:41:23,920 --> 00:41:26,439
Speaker 1: Oh, you don't care about me, puppy.

909
00:41:26,120 --> 00:41:30,280
Speaker 3: Dog and I was like, that's where the like over,

910
00:41:31,200 --> 00:41:33,200
Speaker 3: I agree acting over.

911
00:41:34,440 --> 00:41:36,279
Speaker 2: It was the writing to me where you need It's like,

912
00:41:36,400 --> 00:41:39,200
Speaker 2: how many scenes can he can somebody say something that's

913
00:41:39,239 --> 00:41:40,879
Speaker 2: not that big a deal where it's like, hey, I'm,

914
00:41:40,920 --> 00:41:42,800
Speaker 2: you know, doing my best here, where Sean then.

915
00:41:42,680 --> 00:41:44,600
Speaker 1: Takes it the wrong way and walks out angry. It's

916
00:41:44,640 --> 00:41:45,399
Speaker 1: like that how many times?

917
00:41:45,400 --> 00:41:47,120
Speaker 3: I mean if he just if he just threw if

918
00:41:47,120 --> 00:41:49,080
Speaker 3: Sean just threw the letter away and it's like, well,

919
00:41:49,120 --> 00:41:50,880
Speaker 3: you know he's there, he's fifty miles away. Could have

920
00:41:51,360 --> 00:41:53,000
Speaker 3: and then he starts to go out there and John's wait, wait, wait,

921
00:41:53,040 --> 00:41:54,600
Speaker 3: I'm gonna get the legal paperwork. Oh you should have

922
00:41:54,640 --> 00:41:56,479
Speaker 3: done that months ago and close the door the AO

923
00:41:56,640 --> 00:41:58,480
Speaker 3: like you're right done. It would have had this and

924
00:41:58,520 --> 00:42:01,200
Speaker 3: it would have felt like oh god, but instead I

925
00:42:01,320 --> 00:42:02,799
Speaker 3: got to stop up and stare.

926
00:42:03,640 --> 00:42:05,759
Speaker 2: Or even make it like I felt like I felt

927
00:42:05,760 --> 00:42:09,960
Speaker 2: like Sean was was, I don't know, taking everything.

928
00:42:09,640 --> 00:42:11,840
Speaker 1: Out on Turner more than he probably should have.

929
00:42:11,840 --> 00:42:13,440
Speaker 2: And I would like to they tried to throw in

930
00:42:13,480 --> 00:42:15,120
Speaker 2: a line here or there like I know you are, John,

931
00:42:15,160 --> 00:42:18,600
Speaker 2: but I I can see a softer side of Sean occasion,

932
00:42:18,640 --> 00:42:21,040
Speaker 2: like it's there's an anger about his dad, and he

933
00:42:21,080 --> 00:42:23,000
Speaker 2: doesn't want to take it out on Jonathan. So it's

934
00:42:23,040 --> 00:42:25,120
Speaker 2: like I could have played that. I would play that

935
00:42:25,160 --> 00:42:26,919
Speaker 2: a little more up where it's like look like turning

936
00:42:26,960 --> 00:42:28,879
Speaker 2: at the door and going, I know this isn't you.

937
00:42:28,960 --> 00:42:30,919
Speaker 1: I just need to figure some stuff out, like something.

938
00:42:31,040 --> 00:42:33,040
Speaker 3: Look, I mean even just that we're having this conversation

939
00:42:33,080 --> 00:42:35,600
Speaker 3: as a tribute to the complexity of point of.

940
00:42:35,880 --> 00:42:40,440
Speaker 1: Course, I mean, no sitcom has this these this many layers.

941
00:42:40,560 --> 00:42:43,720
Speaker 3: I mean, like my, my, my issue, like my complaint

942
00:42:43,760 --> 00:42:46,440
Speaker 3: right now is that because of the age group of

943
00:42:46,480 --> 00:42:49,600
Speaker 3: the audience, and and and and wanting them, we have

944
00:42:49,680 --> 00:42:51,719
Speaker 3: to make the subtext text right, like you have to

945
00:42:51,800 --> 00:42:53,440
Speaker 3: have to bracket it the sort of yeah, we have

946
00:42:53,480 --> 00:42:55,200
Speaker 3: to explain why Sean is upset.

947
00:42:55,239 --> 00:42:56,080
Speaker 1: We have to put it up.

948
00:42:56,280 --> 00:42:59,560
Speaker 3: But but yeah, like and and and I think my

949
00:42:59,680 --> 00:43:01,640
Speaker 3: design or to be more subtle or to make it

950
00:43:01,680 --> 00:43:03,759
Speaker 3: more clever is of course, to make it more of

951
00:43:03,800 --> 00:43:05,480
Speaker 3: a drama, or to make it more of a like

952
00:43:05,920 --> 00:43:09,759
Speaker 3: a realistic show. Then a sitcom really has any right

953
00:43:09,880 --> 00:43:12,040
Speaker 3: being right, Like I kind of been wanting it to

954
00:43:12,080 --> 00:43:15,480
Speaker 3: be like a drama play. But that's mostly because I

955
00:43:15,560 --> 00:43:19,680
Speaker 3: do feel for Sean, I do feel for the setup

956
00:43:19,840 --> 00:43:23,359
Speaker 3: is very good, the storyline is great and like we've

957
00:43:23,360 --> 00:43:25,160
Speaker 3: earned it. Like I feel like this show has gotten

958
00:43:25,200 --> 00:43:27,040
Speaker 3: to a place where so I just kind of wish

959
00:43:27,080 --> 00:43:28,279
Speaker 3: we could have gone there.

960
00:43:28,320 --> 00:43:30,600
Speaker 2: I don't know, how do you do either of you know,

961
00:43:30,719 --> 00:43:34,960
Speaker 2: did anybody, any producers, writers, anybody that was involved the show,

962
00:43:35,640 --> 00:43:38,239
Speaker 2: did any of them adopt somebody? Because this isn't the

963
00:43:38,280 --> 00:43:40,320
Speaker 2: first time this comes up, We do it later with Tommy.

964
00:43:40,400 --> 00:43:42,919
Speaker 2: There's like adoption is kind of a theme on our show.

965
00:43:42,960 --> 00:43:44,640
Speaker 2: Does anybody know if anything?

966
00:43:44,760 --> 00:43:46,239
Speaker 1: I think it just goes along with the theme of

967
00:43:46,280 --> 00:43:47,680
Speaker 1: that you don't have to be blood to be family.

968
00:43:47,719 --> 00:43:51,120
Speaker 1: So adoption, I just want to think it's the idea

969
00:43:51,200 --> 00:43:53,880
Speaker 1: of community and taking care of each other. It is

970
00:43:54,239 --> 00:43:57,520
Speaker 1: a big theme for you know. So then we are

971
00:43:57,560 --> 00:44:00,839
Speaker 1: in Chubby's. Eric is tutoring Jeff new caretor alert. He's

972
00:44:00,840 --> 00:44:03,359
Speaker 1: at Chubby's and while Eric's asking him questions, Jeff has

973
00:44:03,360 --> 00:44:05,960
Speaker 1: a fry basket pressed up against his face. He's wearing

974
00:44:05,960 --> 00:44:09,879
Speaker 1: that very cool John Adams letterman jacket. Eric asks, all right, Jeff,

975
00:44:09,880 --> 00:44:11,600
Speaker 1: here's an easy one. Who was the king of France

976
00:44:11,600 --> 00:44:15,160
Speaker 1: before Louis the fourteenth Jeff's confused. Eric encourages him, come on,

977
00:44:15,200 --> 00:44:16,880
Speaker 1: this is going to be on the test. It's Louie

978
00:44:16,960 --> 00:44:21,560
Speaker 1: the Jeff answers king. Eric turns it into a game.

979
00:44:21,920 --> 00:44:24,200
Speaker 1: All right, last minute of play. You answer one question,

980
00:44:24,280 --> 00:44:26,759
Speaker 1: we win the big game. Just then, two girls walk

981
00:44:26,840 --> 00:44:29,200
Speaker 1: up to the booth and one asks Jeff, is that

982
00:44:29,280 --> 00:44:31,960
Speaker 1: your Porsche outside. Jeff looks at Eric and shouts, yes,

983
00:44:32,040 --> 00:44:37,640
Speaker 1: we win. Jeff asks sorcal totals yeah. Jeff asks if

984
00:44:37,680 --> 00:44:40,200
Speaker 1: the ladies would care for a little ride. Eric void's

985
00:44:40,200 --> 00:44:44,400
Speaker 1: looking at the girls, because we know Eric likes girls, girls, girls, girls, girls.

986
00:44:44,800 --> 00:44:47,760
Speaker 1: He tells Jeff look away because they're studying, and Jeff asks,

987
00:44:47,840 --> 00:44:50,399
Speaker 1: is that all you straight see students care about? Which

988
00:44:50,440 --> 00:44:54,120
Speaker 1: I love that line, It's so funny. Eric assures him no,

989
00:44:54,160 --> 00:44:56,800
Speaker 1: but he promised Phoeni. Besides, you can't fit four people

990
00:44:56,840 --> 00:44:59,080
Speaker 1: in a Porsche. Jeff turns to Eric and says we

991
00:44:59,160 --> 00:45:01,319
Speaker 1: can if they sit on your lap. Eric jumps up

992
00:45:01,320 --> 00:45:04,000
Speaker 1: and says break down. Eric asks Jeff who painted the

993
00:45:04,000 --> 00:45:07,680
Speaker 1: Sistine Chapel, and Jeff answers correctly Michaelangelo. Then he tells

994
00:45:07,760 --> 00:45:09,480
Speaker 1: Eric I'm just kidding, and he asks who the real

995
00:45:09,480 --> 00:45:11,960
Speaker 1: painter was as they walk up the stairs. That was

996
00:45:12,040 --> 00:45:15,000
Speaker 1: that was his only scene. No, he says, another scene?

997
00:45:15,040 --> 00:45:16,880
Speaker 1: Does he come? He comes back on the hallway? Do

998
00:45:17,040 --> 00:45:19,839
Speaker 1: come back? Yeah? He comes back? Does he there's another? Yeah,

999
00:45:19,920 --> 00:45:25,000
Speaker 1: there's a there's I think he does. I think that's it. Well,

1000
00:45:25,000 --> 00:45:26,520
Speaker 1: we'll find out. Yeah, they almost three.

1001
00:45:26,680 --> 00:45:29,240
Speaker 2: Pretty sure that's it, I think, because because Feenie hands

1002
00:45:29,320 --> 00:45:30,000
Speaker 2: Eric the test.

1003
00:45:30,719 --> 00:45:32,600
Speaker 1: Yeah, but I thought there's another studying scene where I

1004
00:45:32,600 --> 00:45:34,200
Speaker 1: thought you have another scene with him.

1005
00:45:34,239 --> 00:45:36,279
Speaker 3: Now I thought I thought we saw him in the

1006
00:45:36,280 --> 00:45:39,080
Speaker 3: hallway walking around, but maybe not thought that was it.

1007
00:45:39,360 --> 00:45:41,520
Speaker 1: Well, we're in the Matthew's kitchen. Eric burges into the kitchen,

1008
00:45:41,560 --> 00:45:43,640
Speaker 1: announcing to Alan, Amy and Corey that he had a

1009
00:45:43,680 --> 00:45:45,719
Speaker 1: waste of a night. I just spent three hours in

1010
00:45:45,760 --> 00:45:47,600
Speaker 1: a Porsche speeding around with a pretty girl in my

1011
00:45:47,680 --> 00:45:50,960
Speaker 1: lap Alan sarcastically responds, I hate it when that happens.

1012
00:45:51,840 --> 00:45:54,279
Speaker 1: Amy asks who has a Porsche, and Corey butts in.

1013
00:45:54,360 --> 00:45:56,759
Speaker 1: The school's all American point guard is being tutored by

1014
00:45:56,760 --> 00:45:59,759
Speaker 1: the school's all American cheesehead. Eric tells Corey to go

1015
00:45:59,800 --> 00:46:01,520
Speaker 1: get the phone, and he smacks him on the head.

1016
00:46:01,560 --> 00:46:04,200
Speaker 1: When Corey says, I don't like Corey being mean to Eric.

1017
00:46:04,360 --> 00:46:06,520
Speaker 1: I don't either. I don't like it. I don't think

1018
00:46:06,560 --> 00:46:08,440
Speaker 1: this is funny. I don't like it. I don't think

1019
00:46:08,480 --> 00:46:09,080
Speaker 1: it's worth it.

1020
00:46:09,480 --> 00:46:11,960
Speaker 3: I don't like making fun of Eric being I don't know,

1021
00:46:12,080 --> 00:46:14,120
Speaker 3: I don't, you know, like I like when Corey is

1022
00:46:14,440 --> 00:46:16,440
Speaker 3: like I like when all the characters are baffled by

1023
00:46:16,640 --> 00:46:19,520
Speaker 3: Eric's lack of intelligence and sort of like what you

1024
00:46:19,520 --> 00:46:22,680
Speaker 3: don't you don't, But when Corey like is pointedly making

1025
00:46:22,719 --> 00:46:24,400
Speaker 3: fun of him, I was like, no, dude.

1026
00:46:24,200 --> 00:46:26,759
Speaker 1: Stop that. I know. I don't know. It really rubbed

1027
00:46:26,760 --> 00:46:28,560
Speaker 1: me the wrong way. It was weird. It sounded like

1028
00:46:28,600 --> 00:46:34,720
Speaker 1: a Morgan line. It sounded like a yeah, totally definitely.

1029
00:46:34,800 --> 00:46:36,800
Speaker 1: The second Ben said it, I was like, whoa.

1030
00:46:36,920 --> 00:46:39,359
Speaker 3: And then when you like hit him, I was like, yeah,

1031
00:46:38,880 --> 00:46:40,080
Speaker 3: it spars.

1032
00:46:39,800 --> 00:46:42,120
Speaker 1: To be brother beating up on the little brother. Yeah

1033
00:46:42,400 --> 00:46:42,799
Speaker 1: that's how.

1034
00:46:42,960 --> 00:46:44,959
Speaker 3: She's But I also didn't I always didn't. I didn't

1035
00:46:44,960 --> 00:46:46,879
Speaker 3: love it when Eric was too mean to Corey either.

1036
00:46:46,960 --> 00:46:47,319
Speaker 6: I don't know.

1037
00:46:47,880 --> 00:46:50,040
Speaker 3: I guess I just don't like insult humor all that much.

1038
00:46:50,320 --> 00:46:52,399
Speaker 3: I know, but our show, it really doesn't fit.

1039
00:46:52,800 --> 00:46:56,239
Speaker 1: I agree. I agree. Amy says she's proud yet confused,

1040
00:46:56,360 --> 00:46:58,520
Speaker 1: Alan asks if they could be sued, which I also

1041
00:46:58,560 --> 00:47:02,040
Speaker 1: thought was an interesting line, Can we be sued? Just then,

1042
00:47:02,040 --> 00:47:03,959
Speaker 1: Sean burst through the door and says hello to Amy

1043
00:47:03,960 --> 00:47:05,839
Speaker 1: and Allen, then quickly asks if they can leave. They

1044
00:47:05,840 --> 00:47:07,640
Speaker 1: both tell him no, and he says, dang, I need

1045
00:47:07,680 --> 00:47:10,360
Speaker 1: another plan. Corey suggests they just go outside.

1046
00:47:10,400 --> 00:47:13,279
Speaker 3: Your angsty Sean meets dumb Sean, which I kind of

1047
00:47:13,400 --> 00:47:15,759
Speaker 3: like a plan.

1048
00:47:16,280 --> 00:47:19,759
Speaker 2: I don't know about you, guys, but I was staring

1049
00:47:20,600 --> 00:47:24,040
Speaker 2: at this leather jacket, just hoping a flap was going

1050
00:47:24,080 --> 00:47:26,400
Speaker 2: to go open and we could see like the inside

1051
00:47:26,560 --> 00:47:27,319
Speaker 2: something like that.

1052
00:47:27,400 --> 00:47:31,040
Speaker 1: Now I am just staring at study it every single episode,

1053
00:47:31,440 --> 00:47:38,640
Speaker 1: trying it. It's not a bomber jacket. You're not even

1054
00:47:38,640 --> 00:47:43,359
Speaker 1: allowed to sing the song anymore. You're not allowed. Yeah,

1055
00:47:43,400 --> 00:47:45,040
Speaker 1: hold on to the memories because that's all we have.

1056
00:47:45,360 --> 00:47:48,040
Speaker 1: Because you cannot keep your hands.

1057
00:47:48,160 --> 00:47:54,040
Speaker 5: On the jet, hold on to the jacket exactly.

1058
00:47:56,000 --> 00:47:58,040
Speaker 1: So they go outside and Shown says, now that your

1059
00:47:58,080 --> 00:47:59,680
Speaker 1: parents have left the room, what are you doing tonight?

1060
00:47:59,760 --> 00:48:02,200
Speaker 1: Corey responds, well, I'm showing a three bedroom at seven thirty.

1061
00:48:04,760 --> 00:48:11,839
Speaker 1: That's the best man, so funny, that is the best joke.

1062
00:48:12,320 --> 00:48:14,439
Speaker 1: Sean says they're going to see his dad. He's in Redding,

1063
00:48:14,480 --> 00:48:17,160
Speaker 1: which is less than an hour away by motorcycle. Cory's excited,

1064
00:48:17,160 --> 00:48:19,200
Speaker 1: he's in. He questions if Turner will be able to

1065
00:48:19,239 --> 00:48:21,040
Speaker 1: fit them both on his bike though, and Sean says

1066
00:48:21,120 --> 00:48:23,560
Speaker 1: Turner isn't coming. It's just you and me, and we

1067
00:48:23,640 --> 00:48:28,120
Speaker 1: hear a loud ooh yeah from the audience. They can

1068
00:48:28,160 --> 00:48:31,120
Speaker 1: sense trouble when they see it and are somewhat instructed

1069
00:48:31,120 --> 00:48:33,280
Speaker 1: by the audience warm up guy to react loudly.

1070
00:48:34,040 --> 00:48:36,000
Speaker 3: Yeah, because I was thinking, like, how different is this

1071
00:48:36,080 --> 00:48:37,880
Speaker 3: than what they did to go to Peoene's cabin?

1072
00:48:38,000 --> 00:48:38,080
Speaker 2: Right?

1073
00:48:38,120 --> 00:48:41,440
Speaker 3: Yeah, And yet you could it's a fine line. And

1074
00:48:41,480 --> 00:48:43,440
Speaker 3: it's interesting that the show is walking it because like

1075
00:48:44,320 --> 00:48:47,440
Speaker 3: you could tell that Sean's thinking this is normal, Shenanigan,

1076
00:48:47,480 --> 00:48:49,879
Speaker 3: it's with Corey, and then that you have to make

1077
00:48:49,880 --> 00:48:53,680
Speaker 3: a distinction because Corey would probably just go I mean

1078
00:48:53,719 --> 00:48:56,359
Speaker 3: Corey does right, he does his mission with Tobango right,

1079
00:48:56,480 --> 00:49:01,000
Speaker 3: Like a scene later, what is us on the motorcite

1080
00:49:01,000 --> 00:49:04,759
Speaker 3: You're in a full size Hardy It doesn't it seem

1081
00:49:04,800 --> 00:49:07,240
Speaker 3: like the very obvious thing right now is the chorus

1082
00:49:07,239 --> 00:49:10,080
Speaker 3: says no, but let's take the bus and let's go right, yeah,

1083
00:49:10,120 --> 00:49:12,360
Speaker 3: I mean yeah, and they'd go yeah right, so like

1084
00:49:12,520 --> 00:49:15,560
Speaker 3: what yeah, but then you got to make sure.

1085
00:49:15,400 --> 00:49:19,839
Speaker 1: That Sean crosses a line jail, So Corey nervously tells

1086
00:49:19,840 --> 00:49:21,960
Speaker 1: Sean to count him out. Seawn ensures him it's just

1087
00:49:21,960 --> 00:49:24,280
Speaker 1: a little field trip. What's the worst that could possibly happen?

1088
00:49:24,760 --> 00:49:29,280
Speaker 1: Optical police station. We cut right to a police officer

1089
00:49:29,360 --> 00:49:31,640
Speaker 1: telling Shawn he has one phone call, and Sean jokes,

1090
00:49:31,760 --> 00:49:35,040
Speaker 1: you guys really say that? Huh, that's cute, and then

1091
00:49:35,080 --> 00:49:36,040
Speaker 1: we take a commercial break.

1092
00:49:36,040 --> 00:49:38,160
Speaker 3: It kind of bumps me out that we don't ever

1093
00:49:38,360 --> 00:49:42,080
Speaker 3: see the motorcycle, Like, doesn't it feel like it doesn't

1094
00:49:42,080 --> 00:49:44,040
Speaker 3: it feel like such a cheat that I never like

1095
00:49:44,360 --> 00:49:46,360
Speaker 3: even if and obviously we're not going to see me

1096
00:49:46,480 --> 00:49:49,160
Speaker 3: ride in a motorcycle down the freeway or whatever, but

1097
00:49:49,200 --> 00:49:51,880
Speaker 3: like just seeing the bike somewhere, like, I don't know,

1098
00:49:51,920 --> 00:49:52,480
Speaker 3: it's kind of.

1099
00:49:52,400 --> 00:49:55,040
Speaker 1: A I think the bike has made enough of a cameo.

1100
00:49:55,600 --> 00:49:58,120
Speaker 1: I think we can picture the bike. The bike doesn't

1101
00:49:58,120 --> 00:50:00,399
Speaker 1: need its own shot. You just want at an.

1102
00:50:00,280 --> 00:50:03,399
Speaker 3: Excuse you ride riding a motorcycle with.

1103
00:50:03,320 --> 00:50:05,240
Speaker 1: Your leather jacket. Yeah, you're a fast guy.

1104
00:50:05,719 --> 00:50:08,480
Speaker 2: Not not a full size Hardy at fifteen Do I take?

1105
00:50:08,520 --> 00:50:10,360
Speaker 3: I take? I mean, obviously the helmet is in the

1106
00:50:10,400 --> 00:50:11,560
Speaker 3: apartment the next scene, but.

1107
00:50:11,719 --> 00:50:14,239
Speaker 1: You actually just hold the helmet like this, but think

1108
00:50:14,280 --> 00:50:16,880
Speaker 1: of the same thing you think it's supposed to be,

1109
00:50:17,040 --> 00:50:19,000
Speaker 1: just because that's how Turner is the only way you've

1110
00:50:19,000 --> 00:50:20,520
Speaker 1: seen it with the was an X man on the

1111
00:50:20,520 --> 00:50:23,080
Speaker 1: front on the handle. You have a sidecar, and the

1112
00:50:23,200 --> 00:50:25,840
Speaker 1: X men is in the sidecar exactly Tony's accident.

1113
00:50:25,920 --> 00:50:29,279
Speaker 2: By the way, completely gone the sisod he is once

1114
00:50:29,320 --> 00:50:30,680
Speaker 2: again from Westport, Connecticut.

1115
00:50:30,680 --> 00:50:33,120
Speaker 1: What do you mean Matchew's Do you mean it's like

1116
00:50:33,239 --> 00:50:36,239
Speaker 1: you don't know you should not be riding a motorcycle?

1117
00:50:36,239 --> 00:50:36,479
Speaker 2: Sean?

1118
00:50:37,200 --> 00:50:42,799
Speaker 1: Do you have some disdain for him? My disdain for you? Disdain.

1119
00:50:45,320 --> 00:50:48,080
Speaker 1: So then we come back into Turner's apartment, Sean and

1120
00:50:48,080 --> 00:50:50,640
Speaker 1: Turner walk in. Turner is frustrated. Nice way to spend

1121
00:50:50,640 --> 00:50:52,400
Speaker 1: a date, A little dinner, a little wine, and a

1122
00:50:52,400 --> 00:50:55,800
Speaker 1: little prison. Sean jokes, at least you got dinner. Turner

1123
00:50:55,840 --> 00:50:57,960
Speaker 1: isn't playing. He says it was stupid and dangerous, and

1124
00:50:58,000 --> 00:51:00,040
Speaker 1: he was a dangerous stunt. He polt what if he

1125
00:51:00,080 --> 00:51:02,080
Speaker 1: lost control of the bike, and Sean yells, I didn't.

1126
00:51:02,360 --> 00:51:04,239
Speaker 1: Turner reminds him he could have hurt someone and Turner

1127
00:51:04,280 --> 00:51:07,919
Speaker 1: would be legally responsible. Sean says, Oh, that's why you're

1128
00:51:07,920 --> 00:51:10,480
Speaker 1: so upset. You don't want to be legally responsible for me.

1129
00:51:10,719 --> 00:51:12,560
Speaker 1: Turner says, that's a cheap shot, and you know it.

1130
00:51:13,280 --> 00:51:15,360
Speaker 1: Sean fights back and asks why he took his sweet

1131
00:51:15,360 --> 00:51:18,040
Speaker 1: time to file for guardianship. Turner wonders if this is

1132
00:51:18,040 --> 00:51:21,640
Speaker 1: what everything's about, and Sewn argues, this is what everything's about.

1133
00:51:21,680 --> 00:51:24,200
Speaker 1: It's my life. Chet and Turner both have their lives,

1134
00:51:24,200 --> 00:51:26,799
Speaker 1: and Sean feels like he has nothing. Turner says he

1135
00:51:26,800 --> 00:51:28,600
Speaker 1: would have taken him to see his dad, and Sean

1136
00:51:28,640 --> 00:51:30,920
Speaker 1: says he's tired of feeling like a guest wherever he goes.

1137
00:51:31,040 --> 00:51:34,480
Speaker 1: Turner understands going from a single guy to raising a

1138
00:51:34,520 --> 00:51:36,520
Speaker 1: fifteen year old was not on my to do list.

1139
00:51:36,640 --> 00:51:38,200
Speaker 1: I offered to get us a bigger place. You don't

1140
00:51:38,200 --> 00:51:41,920
Speaker 1: want any part of it. And in this moment, I

1141
00:51:41,960 --> 00:51:44,520
Speaker 1: really loved turn I love Turner, but I feel like

1142
00:51:44,560 --> 00:51:47,480
Speaker 1: in this episode he talked a little too much to

1143
00:51:47,640 --> 00:51:51,239
Speaker 1: Sean about all of the changes it's meant for him.

1144
00:51:51,560 --> 00:51:54,360
Speaker 1: I felt like, I love that this is a major

1145
00:51:54,640 --> 00:51:57,799
Speaker 1: life change for Turner, and Turner should talk about it

1146
00:51:57,840 --> 00:51:59,680
Speaker 1: with Eli. I can even see him talking about it

1147
00:51:59,680 --> 00:52:03,879
Speaker 1: with Sorry, but I did feel like this is would

1148
00:52:03,880 --> 00:52:05,960
Speaker 1: withhold some of this, you would make Sean feel bad.

1149
00:52:07,200 --> 00:52:10,200
Speaker 3: That's that's the same thing about, you know, subtext becoming

1150
00:52:10,239 --> 00:52:15,000
Speaker 3: texts Like I think if Turner held back in these scenes,

1151
00:52:15,120 --> 00:52:17,640
Speaker 3: it would be it would be. It would would require

1152
00:52:17,760 --> 00:52:20,560
Speaker 3: more work on the audience's part to lean in and

1153
00:52:20,640 --> 00:52:23,440
Speaker 3: understand his motivations. But you're right, it could have very

1154
00:52:23,480 --> 00:52:24,760
Speaker 3: easily been in a side with Eli.

1155
00:52:24,880 --> 00:52:27,520
Speaker 1: Someone else a great to do it.

1156
00:52:27,680 --> 00:52:30,000
Speaker 3: Yeah, a scene with Eli would have been nice. I

1157
00:52:30,000 --> 00:52:32,920
Speaker 3: think they just ran out of time, you know. Plus

1158
00:52:32,920 --> 00:52:35,920
Speaker 3: we get the the war of the leather jacket sensitive

1159
00:52:36,000 --> 00:52:37,240
Speaker 3: leather jacket wearing guys.

1160
00:52:37,920 --> 00:52:38,960
Speaker 1: He's got his brown.

1161
00:52:38,719 --> 00:52:41,560
Speaker 3: Leather, I got my black leather jacket, and we are

1162
00:52:41,880 --> 00:52:43,320
Speaker 3: we are sensitively coming.

1163
00:52:43,120 --> 00:52:46,160
Speaker 1: At each other sensitive fast. Yeah. Well I'm hurt. Yeah,

1164
00:52:46,200 --> 00:52:54,000
Speaker 1: but I'm more hurt. But I'm a kid guy. Guys

1165
00:52:54,040 --> 00:52:58,239
Speaker 1: are both from New York. So Sean snaps back, Well,

1166
00:52:58,239 --> 00:53:00,319
Speaker 1: you've had the guardianship papers for months and you still

1167
00:53:00,320 --> 00:53:02,960
Speaker 1: haven't filled them out yet. Turner's eye, Well, maybe we're

1168
00:53:02,960 --> 00:53:06,200
Speaker 1: both afraid to make this living arrangement permanent. Sean agrees,

1169
00:53:06,360 --> 00:53:08,760
Speaker 1: maybe they are, and we get a nice little emotional

1170
00:53:08,840 --> 00:53:12,799
Speaker 1: music swell to end the motion of music's well, well,

1171
00:53:12,840 --> 00:53:26,960
Speaker 1: you guys are both in leather jackets. And then we're

1172
00:53:26,960 --> 00:53:28,920
Speaker 1: in the Matthews living room. Corey answers the door and

1173
00:53:28,960 --> 00:53:30,879
Speaker 1: it's Sean with a box in a Duffel bag, saying

1174
00:53:30,920 --> 00:53:33,600
Speaker 1: he's got good news. Cory Corey reminds him there's no

1175
00:53:33,680 --> 00:53:36,360
Speaker 1: such thing as good news. Before I've had my grape nets.

1176
00:53:36,360 --> 00:53:38,200
Speaker 1: I love old man Corey.

1177
00:53:38,320 --> 00:53:42,160
Speaker 2: It's one of my favorite, pretty wonderful ye.

1178
00:53:42,360 --> 00:53:44,440
Speaker 1: Sean says he's going to store some stuff at the

1179
00:53:44,480 --> 00:53:46,640
Speaker 1: house before he settles in. He's moving back to the

1180
00:53:46,640 --> 00:53:48,480
Speaker 1: trailer park, not with his mom or dad, but with

1181
00:53:48,560 --> 00:53:51,040
Speaker 1: uncle Mike. Corey reminds Sean, you said you would only

1182
00:53:51,040 --> 00:53:52,480
Speaker 1: make one more move, and it had to be the

1183
00:53:52,560 --> 00:53:55,160
Speaker 1: right one. There's a lot of laughing here between you

1184
00:53:55,239 --> 00:53:57,240
Speaker 1: and Ben. Did you see that writer where I wasn't

1185
00:53:57,280 --> 00:54:00,879
Speaker 1: sure I couldn't part of the scene or not it's

1186
00:54:00,920 --> 00:54:03,680
Speaker 1: what I wrote, Yeah, it wasn't. It didn't feel like

1187
00:54:03,719 --> 00:54:07,120
Speaker 1: you guys were breaking. It was a choice. There were

1188
00:54:07,320 --> 00:54:11,440
Speaker 1: choices to be laughing through some of this, and I

1189
00:54:11,560 --> 00:54:16,279
Speaker 1: was like, was it a break that felt less controlled?

1190
00:54:16,680 --> 00:54:19,759
Speaker 1: The same thing? Was it a way to really a

1191
00:54:19,880 --> 00:54:20,680
Speaker 1: recovery take?

1192
00:54:21,680 --> 00:54:25,080
Speaker 3: We had already broken this multiple takes, and this is

1193
00:54:25,120 --> 00:54:28,319
Speaker 3: the one that we held it. Probably they were like, fine,

1194
00:54:28,360 --> 00:54:30,759
Speaker 3: let's move on, just keep it. Yeah, we'll just laugh

1195
00:54:30,840 --> 00:54:34,120
Speaker 3: through it. And we made it part of heart and

1196
00:54:34,480 --> 00:54:35,440
Speaker 3: I usually noticed, but.

1197
00:54:35,880 --> 00:54:39,880
Speaker 1: Notice I literally wrote, was this a break or a choice?

1198
00:54:39,960 --> 00:54:43,000
Speaker 1: Because it's a recovery. It's a recovery take. So funny

1199
00:54:45,400 --> 00:54:47,279
Speaker 1: Sean tells him he can't keep waiting for his dad

1200
00:54:47,280 --> 00:54:49,080
Speaker 1: to come home. He has to get on with his life.

1201
00:54:49,160 --> 00:54:51,560
Speaker 1: At the trailer park, he'll be surrounded by family and

1202
00:54:51,600 --> 00:54:53,960
Speaker 1: the FBI agents who surround them. And then there's a

1203
00:54:53,960 --> 00:54:56,319
Speaker 1: little bit more of an upbeat music swell here. So

1204
00:54:56,440 --> 00:54:59,759
Speaker 1: now we're telling us how to feel. And then we're

1205
00:54:59,760 --> 00:55:01,759
Speaker 1: in the Matthew's kitchen. Eric runs down the stairs to

1206
00:55:01,760 --> 00:55:04,520
Speaker 1: see his parents eating breakfast. Amy asks how studying went

1207
00:55:04,520 --> 00:55:07,880
Speaker 1: with Jeff and Eric responds, nagnagnag, what are you my mom?

1208
00:55:10,280 --> 00:55:14,120
Speaker 1: And Amy sarcastically says, yes, what a joy it is.

1209
00:55:15,400 --> 00:55:18,359
Speaker 1: Eric apologizes and says he shouldn't take his anger out

1210
00:55:18,400 --> 00:55:21,480
Speaker 1: on her. That's what Corey's for. Eric jokingly yells for Cory.

1211
00:55:21,719 --> 00:55:24,400
Speaker 1: Eric explains, I recite the entire history of Europe to

1212
00:55:24,440 --> 00:55:26,200
Speaker 1: this kid, and he tells me I can burp through

1213
00:55:26,200 --> 00:55:28,640
Speaker 1: my ears, and then he does it. And Jeff has

1214
00:55:28,680 --> 00:55:31,200
Speaker 1: twenty colleges begging him to come there, and Eric can't

1215
00:55:31,200 --> 00:55:33,719
Speaker 1: even get into one. Alan assures him he will get

1216
00:55:33,760 --> 00:55:35,600
Speaker 1: into college and he will have earned it.

1217
00:55:35,920 --> 00:55:40,520
Speaker 2: I just want to say very quickly, I love Amy

1218
00:55:40,560 --> 00:55:43,600
Speaker 2: and Allen so so much, and I'm getting a little

1219
00:55:43,640 --> 00:55:45,040
Speaker 2: tired of only seeing them.

1220
00:55:44,880 --> 00:55:45,440
Speaker 1: In the kitchen.

1221
00:55:46,440 --> 00:55:48,400
Speaker 2: It says, the only time you see him is in

1222
00:55:48,440 --> 00:55:50,000
Speaker 2: the kitchen somebody's running in.

1223
00:55:50,800 --> 00:55:52,640
Speaker 3: I think it's that way for the rest of the show,

1224
00:55:52,840 --> 00:55:55,160
Speaker 3: until they'll never see their bedroom again. I know it

1225
00:55:55,280 --> 00:55:57,000
Speaker 3: never will be in the living room, even like it's

1226
00:55:57,040 --> 00:55:58,359
Speaker 3: so funny that they've just.

1227
00:55:58,280 --> 00:56:03,960
Speaker 1: Been we saw them making out so much in season.

1228
00:56:04,600 --> 00:56:06,400
Speaker 1: Now they just eat a lot of baked goods.

1229
00:56:06,520 --> 00:56:11,000
Speaker 3: Yeah, well maybe so you you know.

1230
00:56:11,600 --> 00:56:13,520
Speaker 1: But you get gotten heavy.

1231
00:56:13,560 --> 00:56:18,120
Speaker 3: And then they used to make an effort to date

1232
00:56:18,239 --> 00:56:21,919
Speaker 3: nights or there was a real sense of this like ongoing. Yeah,

1233
00:56:21,960 --> 00:56:25,719
Speaker 3: and even just them how to parent, like that's gone away.

1234
00:56:25,840 --> 00:56:28,520
Speaker 2: It is, it's just you run in there in the kitchen.

1235
00:56:28,800 --> 00:56:30,239
Speaker 2: You have a couple of lines they take, and I

1236
00:56:30,320 --> 00:56:31,080
Speaker 2: just think about.

1237
00:56:30,880 --> 00:56:32,839
Speaker 3: How boring that must have been for them.

1238
00:56:32,719 --> 00:56:34,719
Speaker 1: As as I couldn't imagine, you know.

1239
00:56:35,080 --> 00:56:38,120
Speaker 3: Just a sounding board for these teenage actors to do

1240
00:56:38,200 --> 00:56:38,840
Speaker 3: their storylines.

1241
00:56:38,880 --> 00:56:41,000
Speaker 1: And you're like, yeah, I know. And the scene could

1242
00:56:41,040 --> 00:56:43,239
Speaker 1: have taken place at night after the studying, you know,

1243
00:56:43,320 --> 00:56:45,800
Speaker 1: they couldn't. We could have walked in on them, Megan out.

1244
00:56:45,760 --> 00:56:48,399
Speaker 2: Sure, or in the living room or in the back

1245
00:56:48,520 --> 00:56:51,000
Speaker 2: or sideyard or something, I mean, just different.

1246
00:56:52,239 --> 00:56:54,520
Speaker 1: So Eric thinks maybe he has an untapped talent. He

1247
00:56:54,560 --> 00:56:56,520
Speaker 1: picks up an apple and pretends it's a basketball. He

1248
00:56:56,560 --> 00:56:58,760
Speaker 1: shoots for the sink and sends it right through the window,

1249
00:56:58,840 --> 00:57:03,279
Speaker 1: saying he shoots, he sucks. Do you remember this, Will, No,

1250
00:57:04,480 --> 00:57:05,320
Speaker 1: It's so crazy.

1251
00:57:05,560 --> 00:57:05,920
Speaker 2: I do not.

1252
00:57:05,960 --> 00:57:08,359
Speaker 1: I can't believe. When the minute I saw the glass break,

1253
00:57:08,400 --> 00:57:11,160
Speaker 1: I thought, oh, Will's gonna definitely remember something about that.

1254
00:57:11,400 --> 00:57:15,399
Speaker 3: I didn't remember the glass actually breaking when the doll was.

1255
00:57:16,760 --> 00:57:19,160
Speaker 2: Yeah, No, I don't remember. I didn't remember anything about

1256
00:57:19,160 --> 00:57:21,440
Speaker 2: this storyline. I didn't remember anything about this episode. I

1257
00:57:21,480 --> 00:57:23,760
Speaker 2: didn't remember the title, none of it, None of it,

1258
00:57:24,160 --> 00:57:24,919
Speaker 2: all right, I.

1259
00:57:24,800 --> 00:57:27,200
Speaker 3: Have a feeling because I didn't really remember this episode either.

1260
00:57:27,880 --> 00:57:29,640
Speaker 3: Now that I know that we were going to Florida,

1261
00:57:29,720 --> 00:57:32,120
Speaker 3: I have a feeling we rushed through this episode knowing

1262
00:57:32,160 --> 00:57:34,880
Speaker 3: that we were going to Florida, So we were all preparing,

1263
00:57:35,120 --> 00:57:37,200
Speaker 3: like you think about it, as a crew, as a

1264
00:57:37,200 --> 00:57:39,840
Speaker 3: as a cast. We would have known at this point

1265
00:57:39,920 --> 00:57:42,320
Speaker 3: for sure about all the Florida stuff where we were

1266
00:57:42,320 --> 00:57:45,440
Speaker 3: still and Will would have been so pissed.

1267
00:57:45,160 --> 00:57:47,160
Speaker 1: That he's not going see that he's making right.

1268
00:57:47,160 --> 00:57:50,120
Speaker 3: And that's why trains directing this too, because McCracken was

1269
00:57:50,120 --> 00:57:53,000
Speaker 3: prepping to direct all Florida right for two parts.

1270
00:57:53,320 --> 00:57:56,680
Speaker 1: Will checked out. Will checked out. He was like, this sucks,

1271
00:57:56,720 --> 00:57:58,880
Speaker 1: It's probably great. It was really awesome. Imagine it was

1272
00:57:58,880 --> 00:58:01,240
Speaker 1: a fun trip. So and sticks out his hand saying

1273
00:58:01,280 --> 00:58:03,960
Speaker 1: he pays Eric, slaps money in his hand and announces

1274
00:58:04,000 --> 00:58:06,919
Speaker 1: earburbs it is then and he walks off. How much

1275
00:58:06,920 --> 00:58:09,920
Speaker 1: are windows that Eric just has the amount of money

1276
00:58:09,960 --> 00:58:13,680
Speaker 1: necessary in his packet. Windows are expensive as hell too.

1277
00:58:13,760 --> 00:58:16,959
Speaker 1: It's like I got little tiny squares, probably one hundred

1278
00:58:16,960 --> 00:58:19,040
Speaker 1: and forty bucks. And yeah, he's not working at the

1279
00:58:19,040 --> 00:58:21,440
Speaker 1: grocery store anymore, is he. I don't know, I'm not

1280
00:58:21,480 --> 00:58:24,280
Speaker 1: getting paid to tutor, probably not. Corey enters, and he

1281
00:58:24,280 --> 00:58:26,080
Speaker 1: tells his parents when Eric goes off to college, that

1282
00:58:26,120 --> 00:58:28,120
Speaker 1: big room of ours is going to seem mighty lonely.

1283
00:58:28,360 --> 00:58:31,360
Speaker 1: Alan wonders, what's your ankle? Corey comes clean. Sean needs

1284
00:58:31,360 --> 00:58:33,760
Speaker 1: a new place to live. Amy asks about mister Turner's,

1285
00:58:33,800 --> 00:58:36,360
Speaker 1: but Corey says it's not really his home. Alan explains

1286
00:58:36,440 --> 00:58:38,560
Speaker 1: there's always room for Sean here, but it would just

1287
00:58:38,600 --> 00:58:41,880
Speaker 1: be another temporary solution. Amy thinks he needs something permanent.

1288
00:58:42,120 --> 00:58:43,800
Speaker 1: And this is where I was like, wait, I think

1289
00:58:43,840 --> 00:58:46,920
Speaker 1: I may be the only one who didn't already think

1290
00:58:47,280 --> 00:58:50,720
Speaker 1: we had decided this was a permanent situation with Sean

1291
00:58:50,800 --> 00:58:53,480
Speaker 1: and Turner. I was just like, but you know, I

1292
00:58:53,480 --> 00:58:56,720
Speaker 1: can see how the whole idea for Sean would still be,

1293
00:58:56,760 --> 00:58:58,600
Speaker 1: But when does my dad come back? But if his

1294
00:58:58,680 --> 00:59:01,280
Speaker 1: dad doesn't come back, I thought we were all in agreement.

1295
00:59:01,360 --> 00:59:04,280
Speaker 1: You were living with Turner. It's also been an here.

1296
00:59:04,680 --> 00:59:07,560
Speaker 1: I mean, it's like, I know, a whole year. So

1297
00:59:07,600 --> 00:59:10,560
Speaker 1: Alan asks what what Sewan's dad has to say about this,

1298
00:59:10,640 --> 00:59:13,000
Speaker 1: and Corey says, who knows? No one talks in that family.

1299
00:59:13,320 --> 00:59:15,600
Speaker 1: Alan says, if Sean were his son, he'd like to

1300
00:59:15,640 --> 00:59:18,400
Speaker 1: be consulted about his future, and the table is now

1301
00:59:18,520 --> 00:59:22,560
Speaker 1: set for Blake Clark's glorious return to Boy Meets World.

1302
00:59:22,960 --> 00:59:26,680
Speaker 1: And then we get a new exterior of the roadside diner.

1303
00:59:27,120 --> 00:59:31,480
Speaker 1: Corey and tapenga who new character, A learn new character

1304
00:59:34,240 --> 00:59:36,280
Speaker 1: this girl and she shows him or anything about that

1305
00:59:36,400 --> 00:59:41,360
Speaker 1: like page twenty two, Age twenty two, unnecessarily here we are.

1306
00:59:41,720 --> 00:59:43,960
Speaker 1: She walks into the bar, looking very out of place

1307
00:59:44,000 --> 00:59:46,720
Speaker 1: because this place has a lot of shady characters who

1308
00:59:46,760 --> 00:59:51,560
Speaker 1: wear plaid and they have sleeveless jean shirts tooool. Corey

1309
00:59:51,600 --> 00:59:53,680
Speaker 1: tells her to act natural, and she says, okay, but

1310
00:59:53,760 --> 00:59:58,520
Speaker 1: I'm not going to spit's funny. I like it. Cory

1311
00:59:58,600 --> 01:00:00,640
Speaker 1: scans the bar and doesn't see Sean's at anywhere. To

1312
01:00:00,680 --> 01:00:03,640
Speaker 1: Pang is ready to go back on the bus. That's

1313
01:00:03,680 --> 01:00:06,520
Speaker 1: how you know they didn't take a motorcycle get there there,

1314
01:00:07,040 --> 01:00:09,520
Speaker 1: he uses, because they are on a mission. Corey walks

1315
01:00:09,520 --> 01:00:11,360
Speaker 1: away into Pega Praise. I really hope I don't have

1316
01:00:11,400 --> 01:00:14,440
Speaker 1: to use the bathroom. Corey approaches the pool table and

1317
01:00:14,440 --> 01:00:16,960
Speaker 1: taps a gentleman on the shoulder. Everyone nearby stares at

1318
01:00:17,040 --> 01:00:20,000
Speaker 1: him silently, and he continues, now that I've broken the ice,

1319
01:00:20,040 --> 01:00:23,480
Speaker 1: anyone here Noah guy named chet hunter. The man responds

1320
01:00:23,480 --> 01:00:26,120
Speaker 1: by rubbing the blue chalk on Corey's nose. Corey thanks

1321
01:00:26,160 --> 01:00:28,480
Speaker 1: the man he did forget to chalk his nose today.

1322
01:00:28,840 --> 01:00:30,760
Speaker 1: A couple starts arguing at the pool table, and the

1323
01:00:30,760 --> 01:00:33,120
Speaker 1: woman walks right up to Corey and says, you look

1324
01:00:33,200 --> 01:00:35,560
Speaker 1: like you know how to treat a woman, right. Corey's

1325
01:00:35,560 --> 01:00:38,200
Speaker 1: only able to muster out, oh tingle.

1326
01:00:39,560 --> 01:00:42,480
Speaker 3: It's a bumber that the guy can't have any lines right.

1327
01:00:42,560 --> 01:00:44,800
Speaker 3: There is the classic like you don't have to pay

1328
01:00:44,840 --> 01:00:47,200
Speaker 3: for a guest star. She just has to like finish

1329
01:00:47,200 --> 01:00:49,440
Speaker 3: a fight. We just hear her like last line, and

1330
01:00:49,480 --> 01:00:52,360
Speaker 3: the other guy just like or even the chalk guy

1331
01:00:52,360 --> 01:00:53,120
Speaker 3: doesn't get saved.

1332
01:00:54,840 --> 01:00:56,840
Speaker 1: She asks if he knows how to dance, and he says,

1333
01:00:56,880 --> 01:00:58,800
Speaker 1: teach me please. She pulls him in and they start

1334
01:00:58,840 --> 01:01:01,080
Speaker 1: to slow dance. Then to Haannga walks over and asks

1335
01:01:01,120 --> 01:01:03,400
Speaker 1: Cory if he really thinks this is a productive use

1336
01:01:03,440 --> 01:01:06,040
Speaker 1: of their time. The woman turns to tell Tapanga she

1337
01:01:06,120 --> 01:01:09,360
Speaker 1: found Corey first, and to Penga scoffs, don't make me laugh.

1338
01:01:10,440 --> 01:01:12,440
Speaker 1: The woman asks if she'd like to take this outside

1339
01:01:12,480 --> 01:01:15,360
Speaker 1: and to Pega yells, yeah, I would, and Corey giggles

1340
01:01:15,360 --> 01:01:18,080
Speaker 1: to himself and says, oh, this is great. And then

1341
01:01:18,120 --> 01:01:20,560
Speaker 1: we see Chet busting a table when he notices Corey,

1342
01:01:20,560 --> 01:01:22,600
Speaker 1: and he says, Lord, love a duck. Is that who

1343
01:01:22,640 --> 01:01:25,680
Speaker 1: I think it is? Corey says it's me, Corey Matthews.

1344
01:01:26,000 --> 01:01:30,120
Speaker 1: Chet is disappointed. Never mind, never mind, never mind. Corey

1345
01:01:30,160 --> 01:01:32,960
Speaker 1: reminds him he's Sean's friend. Chet's happy to see him

1346
01:01:32,960 --> 01:01:34,800
Speaker 1: and says, step into my office, which is just an

1347
01:01:34,840 --> 01:01:37,280
Speaker 1: empty table. He asks Cory if he thinks what he

1348
01:01:37,320 --> 01:01:39,200
Speaker 1: has in his hand his pie, because he got it

1349
01:01:39,200 --> 01:01:41,920
Speaker 1: out of the dirties. It's either that or dim sum.

1350
01:01:43,520 --> 01:01:45,640
Speaker 1: Corey asks if Chet is working there. He says he

1351
01:01:45,680 --> 01:01:47,680
Speaker 1: is until he pays off some parking tickets. Then he's

1352
01:01:47,720 --> 01:01:49,880
Speaker 1: back on the road looking for his lovely wife Verna.

1353
01:01:50,280 --> 01:01:52,440
Speaker 1: He asks Corey if he's ever been married, and Corey

1354
01:01:52,480 --> 01:01:55,439
Speaker 1: tells him he's fifteen. Chet assures him, don't you give

1355
01:01:55,520 --> 01:01:58,520
Speaker 1: up hope. Verna and I were sixteen before we got hitched.

1356
01:01:58,760 --> 01:02:01,360
Speaker 1: She wanted to wait until she got out of the navy. Man.

1357
01:02:01,640 --> 01:02:05,120
Speaker 1: Blake Clark is funny with every single line. Every line

1358
01:02:05,200 --> 01:02:08,720
Speaker 1: just every line, he's let's do the math, because doesn't

1359
01:02:09,040 --> 01:02:12,560
Speaker 1: Jack is older than me and my half brother. Really,

1360
01:02:13,040 --> 01:02:15,320
Speaker 1: this is where you're going with it? I don't we

1361
01:02:15,360 --> 01:02:16,000
Speaker 1: don't even remember.

1362
01:02:16,160 --> 01:02:19,720
Speaker 3: Really, so Verna is not his mom? Vern is Verna's

1363
01:02:19,800 --> 01:02:20,800
Speaker 3: not Jack's mom.

1364
01:02:20,760 --> 01:02:22,760
Speaker 1: Right, but she has your mom? No, she's not.

1365
01:02:24,120 --> 01:02:27,360
Speaker 3: If he got married at sixteen? What Verna's not Shawn's

1366
01:02:27,360 --> 01:02:28,000
Speaker 3: mom either? No?

1367
01:02:28,080 --> 01:02:30,000
Speaker 2: I think isn't that what we find out later that

1368
01:02:30,080 --> 01:02:32,520
Speaker 2: she's I don't think she's shun Let's.

1369
01:02:32,320 --> 01:02:35,640
Speaker 1: Keep track, write it down. Let's do what our writers

1370
01:02:35,680 --> 01:02:38,760
Speaker 1: could not do. I'm doing it, actually, keep track, keep

1371
01:02:39,240 --> 01:02:41,920
Speaker 1: put it in a notebook. Put in journal, your notebook,

1372
01:02:41,920 --> 01:02:46,960
Speaker 1: mister German. I'm on hot, professor, add it to your journal, professor.

1373
01:02:48,520 --> 01:02:52,000
Speaker 1: Jack continues, So Cortes, what brings you up here? Corey says,

1374
01:02:52,000 --> 01:02:55,960
Speaker 1: Sean's confused and he really misses his dad. So is Tepega?

1375
01:02:56,040 --> 01:03:00,800
Speaker 1: Still fighting? The local outside is taking he's going on

1376
01:03:00,960 --> 01:03:04,080
Speaker 1: there right, Andrey doesn't care. He thinks it's great and

1377
01:03:04,160 --> 01:03:06,160
Speaker 1: he's fine with it. He brings her out here.

1378
01:03:06,680 --> 01:03:10,160
Speaker 2: Fifteen year old is fighting a local twenty to thirty

1379
01:03:10,200 --> 01:03:12,360
Speaker 2: something year old outside the truck stop.

1380
01:03:12,800 --> 01:03:15,600
Speaker 1: But he's having a nice conversation. He's of it, Yeah, exactly.

1381
01:03:15,840 --> 01:03:18,600
Speaker 1: We see who his real friend is. Jet says, I

1382
01:03:18,680 --> 01:03:20,800
Speaker 1: miss him too. He is a good boy. Corey tries

1383
01:03:20,800 --> 01:03:22,680
Speaker 1: convincing him to come back for Sean, but Chet thinks

1384
01:03:22,680 --> 01:03:25,400
Speaker 1: he's better off where he is. Turner sends him Sean's

1385
01:03:25,400 --> 01:03:27,840
Speaker 1: report cards, tests, and a picture of Sean with his

1386
01:03:27,920 --> 01:03:31,240
Speaker 1: new girlfriend. We think this is still Larissa. Yeah, that's right.

1387
01:03:31,240 --> 01:03:33,280
Speaker 1: That's why I said, no girlfriend. Who's that? It's got

1388
01:03:33,280 --> 01:03:35,240
Speaker 1: to be right through it. It's the only one that's

1389
01:03:35,240 --> 01:03:37,600
Speaker 1: ever been set up as a girlfriend, So that's what

1390
01:03:37,680 --> 01:03:39,800
Speaker 1: I was figuring. I figure it has to be Larissa.

1391
01:03:40,800 --> 01:03:42,760
Speaker 1: Corey makes it a point that mister Turner is great

1392
01:03:42,800 --> 01:03:45,240
Speaker 1: for Sean, but he is his friend, not his father.

1393
01:03:45,560 --> 01:03:48,120
Speaker 1: He continues as the camera shakes and zooms out of it.

1394
01:03:48,160 --> 01:03:50,560
Speaker 1: Did you guys notice the camera move? Yeah, h yeah,

1395
01:03:50,560 --> 01:03:52,000
Speaker 1: there's a little bit of like an awkward It was

1396
01:03:52,040 --> 01:03:54,360
Speaker 1: a bobble, Yeah, shake, it was a bobble. There was shake,

1397
01:03:54,440 --> 01:03:57,360
Speaker 1: a bibble and a yeah, if you love him, you

1398
01:03:57,400 --> 01:03:59,760
Speaker 1: would come back for him. Chet pauses and says, I

1399
01:03:59,760 --> 01:04:02,160
Speaker 1: love him. I love him so much, I can't go back.

1400
01:04:02,520 --> 01:04:05,840
Speaker 1: He gets up and says, tell Sean. His daddy says hey,

1401
01:04:06,720 --> 01:04:08,680
Speaker 1: and then Pega and the other woman walk in together

1402
01:04:08,720 --> 01:04:11,640
Speaker 1: seemingly happy, and she tells Topanga, you tease that hair,

1403
01:04:11,680 --> 01:04:14,440
Speaker 1: you'd be six feet tall to Pega gives in and

1404
01:04:14,480 --> 01:04:16,960
Speaker 1: tells Luanne she'll do it. Luanne turns to Corey and

1405
01:04:16,960 --> 01:04:19,040
Speaker 1: tells her in her Southern accent, lamb chop, you have

1406
01:04:19,080 --> 01:04:21,960
Speaker 1: another cup of coffee. This may take a while, and

1407
01:04:22,000 --> 01:04:23,760
Speaker 1: we walk up, so hold on.

1408
01:04:24,520 --> 01:04:30,560
Speaker 3: So he just ends up in jail with Sean, right, yeah,

1409
01:04:30,600 --> 01:04:34,360
Speaker 3: he gets he So think of this like what I

1410
01:04:34,360 --> 01:04:37,520
Speaker 3: don't understand then, Like, why couldn't the story be that

1411
01:04:37,600 --> 01:04:39,880
Speaker 3: Corey convinces him to go back for.

1412
01:04:40,120 --> 01:04:42,040
Speaker 1: Because it's one of the things I mentioned at the

1413
01:04:42,080 --> 01:04:47,760
Speaker 1: beginning of the episode. Chet I think uses that as

1414
01:04:47,800 --> 01:04:52,600
Speaker 1: an excuse to have Turner pay off his bail. He

1415
01:04:52,760 --> 01:04:55,640
Speaker 1: was never on his way to Sean because he says

1416
01:04:55,680 --> 01:04:58,000
Speaker 1: he was on his way to Turner's place, but he

1417
01:04:58,040 --> 01:05:00,800
Speaker 1: got pulled over sitting on a bunch of park tickets.

1418
01:05:01,360 --> 01:05:03,800
Speaker 1: I think that's a lie, and he was just leaving

1419
01:05:03,840 --> 01:05:04,400
Speaker 1: town again.

1420
01:05:05,200 --> 01:05:09,240
Speaker 3: So Corey just completely fails in his mission to convince him.

1421
01:05:09,400 --> 01:05:12,280
Speaker 1: Yes, I don't think anything would have convinced chest Chet.

1422
01:05:12,480 --> 01:05:14,560
Speaker 1: I think Chet thinks it's what he's saying is true,

1423
01:05:14,920 --> 01:05:18,000
Speaker 1: that he might love me, but I'm no good for him,

1424
01:05:18,680 --> 01:05:20,120
Speaker 1: and so it is. We'll talk about it when we

1425
01:05:20,160 --> 01:05:21,920
Speaker 1: get into the police station stuff, because I think there

1426
01:05:21,920 --> 01:05:25,320
Speaker 1: are a lot of subtle but if you're really paying attention,

1427
01:05:25,560 --> 01:05:28,800
Speaker 1: signs that Chet is using this as an opportunity to.

1428
01:05:28,920 --> 01:05:30,880
Speaker 3: Yeah, so that's so interesting. So it has this like

1429
01:05:30,960 --> 01:05:33,560
Speaker 3: wrap up sitcom structure, but it's all built on the

1430
01:05:33,560 --> 01:05:36,640
Speaker 3: coincidence that he gets arrested the same nights that Shawn does.

1431
01:05:36,560 --> 01:05:40,600
Speaker 1: And he's confused as like whoa huh, and then gets

1432
01:05:40,640 --> 01:05:46,640
Speaker 1: talked into staying by Sean, and he only really says

1433
01:05:46,640 --> 01:05:49,200
Speaker 1: for sure he's doing it when he realizes he has

1434
01:05:49,240 --> 01:05:50,640
Speaker 1: somebody who will bail him out.

1435
01:05:50,800 --> 01:05:53,520
Speaker 3: But it's weird then to have the Corey moment because

1436
01:05:53,560 --> 01:05:57,479
Speaker 3: it doesn't pay often anyway, except that Corey thinks it does,

1437
01:05:57,600 --> 01:05:58,200
Speaker 3: and Sewan.

1438
01:05:58,040 --> 01:06:00,400
Speaker 1: Correct thinks it does, and that Sean thinks it and

1439
01:06:00,440 --> 01:06:04,800
Speaker 1: maybe later in another episode we'll find out that it didn't,

1440
01:06:04,920 --> 01:06:06,520
Speaker 1: that that was never his plan and that he had

1441
01:06:06,520 --> 01:06:08,360
Speaker 1: a different plan. I don't know, I don't know.

1442
01:06:08,800 --> 01:06:11,720
Speaker 2: He's still trying to get Verna back or do you

1443
01:06:11,720 --> 01:06:13,400
Speaker 2: think he's really just running from Sean.

1444
01:06:13,640 --> 01:06:16,520
Speaker 1: No, he said he just yeah, he just he wants

1445
01:06:16,560 --> 01:06:21,080
Speaker 1: his own life. He wants to be a childless jingle man. Yeah,

1446
01:06:21,160 --> 01:06:24,240
Speaker 1: I mean children are difficult.

1447
01:06:24,440 --> 01:06:27,480
Speaker 2: Well, not to mention that he has three that we

1448
01:06:27,600 --> 01:06:30,640
Speaker 2: know of, right, yeah, so he doesn't see any of.

1449
01:06:30,600 --> 01:06:33,880
Speaker 1: Them, right, Yeah, he doesn't seem to love Eddie anymore.

1450
01:06:35,480 --> 01:06:38,479
Speaker 1: So then we're in the school hallway. Eric stops mister

1451
01:06:38,480 --> 01:06:40,800
Speaker 1: Feoenie in the hall and says, before you grade the midterms.

1452
01:06:40,800 --> 01:06:43,640
Speaker 1: Phoeni inter repts him, saying he already has and will

1453
01:06:43,760 --> 01:06:47,040
Speaker 1: The little gasp you do in the middle of the

1454
01:06:47,120 --> 01:06:51,720
Speaker 1: line is so funny. Yeah, Phoene says, I already, haven't

1455
01:06:51,760 --> 01:06:56,680
Speaker 1: you go? It's so good. Eric tells Phoene he worked

1456
01:06:56,760 --> 01:06:58,760
Speaker 1: really hard with Jeff, but you can't teach somebody if

1457
01:06:58,800 --> 01:07:00,600
Speaker 1: they don't want to learn, mister, and he pulls out

1458
01:07:00,640 --> 01:07:03,439
Speaker 1: Jeff's test and Eric notices the grade you gave Jeff

1459
01:07:03,440 --> 01:07:07,080
Speaker 1: a C plus. Phoenie corrects him, No, you did. Eric

1460
01:07:07,120 --> 01:07:09,560
Speaker 1: thought Jeff was a lost cause. Phoene says he doesn't

1461
01:07:09,560 --> 01:07:12,200
Speaker 1: believe in lost causes, and he hands Eric his graded

1462
01:07:12,240 --> 01:07:14,840
Speaker 1: school test. Eric tells Pheenie. He didn't finish his sentence,

1463
01:07:14,880 --> 01:07:18,720
Speaker 1: he just put a uh what so so good? That

1464
01:07:18,760 --> 01:07:23,000
Speaker 1: was funny? Yeah, yeah, Pheenie reveals that's his grade. Eric

1465
01:07:23,040 --> 01:07:25,360
Speaker 1: begins to give a long winded speech thanking everybody, when

1466
01:07:25,400 --> 01:07:27,520
Speaker 1: mister Feoene cuts him off. Oh give it up, man,

1467
01:07:28,200 --> 01:07:33,560
Speaker 1: it's just one test. However, congratulations. Eric puts two and

1468
01:07:33,600 --> 01:07:35,840
Speaker 1: two together and figures out mister Feenie's master plan to

1469
01:07:35,880 --> 01:07:39,000
Speaker 1: help him and Jeff both achieve better test scores. Eric

1470
01:07:39,000 --> 01:07:41,880
Speaker 1: calls Phoene a sly slide dog. Eric walks away, and

1471
01:07:41,920 --> 01:07:46,360
Speaker 1: Phoene shakes his head. Got lucky on that one. Yeah, yeah,

1472
01:07:46,360 --> 01:07:47,560
Speaker 1: that's just a story. That's the story.

1473
01:07:47,600 --> 01:07:49,680
Speaker 3: It's the story you kind of thought was going to happen.

1474
01:07:49,720 --> 01:07:51,440
Speaker 1: Did you notice the watch you're wearing in this? Was

1475
01:07:51,480 --> 01:07:53,720
Speaker 1: this your own watch? I did notice the watch I

1476
01:07:53,800 --> 01:07:54,120
Speaker 1: was wearing.

1477
01:07:54,160 --> 01:07:56,200
Speaker 2: No, I think it's the wardrobe watch that I wore

1478
01:07:56,280 --> 01:07:59,720
Speaker 2: for three seasons, which Eric gets in like the second episode,

1479
01:08:00,080 --> 01:08:03,240
Speaker 2: trying to set it. Yeah, I think it's that same one,

1480
01:08:03,240 --> 01:08:05,840
Speaker 2: and it never worked. It was just like there were

1481
01:08:05,880 --> 01:08:08,120
Speaker 2: no works inside, so it was just this dead digital

1482
01:08:08,160 --> 01:08:09,720
Speaker 2: watch that I was wearing on. But yes, I did

1483
01:08:09,800 --> 01:08:15,840
Speaker 2: actually notice that that along with my gigantic shirt it is.

1484
01:08:16,000 --> 01:08:18,479
Speaker 2: It's like everybody, it's like I went to the Talking

1485
01:08:18,520 --> 01:08:22,360
Speaker 2: Heads concert, took all his wardrobe and just was wearing

1486
01:08:22,400 --> 01:08:22,920
Speaker 2: that everywhere.

1487
01:08:22,960 --> 01:08:26,479
Speaker 1: So yeah, giant clothes all of a sudden, giants. So funny. Well,

1488
01:08:26,840 --> 01:08:30,200
Speaker 1: then we surprisingly find ourselves back in the police station.

1489
01:08:30,640 --> 01:08:33,240
Speaker 1: Chet walks in and we see Sean. He's shocked and

1490
01:08:33,280 --> 01:08:37,280
Speaker 1: he asks dad. Chet's just as surprised Sean. Sean asks,

1491
01:08:37,280 --> 01:08:38,920
Speaker 1: what are you doing here? Chet tells him, I guess

1492
01:08:38,920 --> 01:08:40,920
Speaker 1: I could ask you the same thing. He gives Sean

1493
01:08:40,960 --> 01:08:44,160
Speaker 1: some advice smile whenever he finds himself in custody. Nobody

1494
01:08:44,160 --> 01:08:46,680
Speaker 1: ever Billy Club a happy man, Every Billy Club to

1495
01:08:46,760 --> 01:08:50,240
Speaker 1: happy man. So funny. Sean asks how Chet even managed

1496
01:08:50,240 --> 01:08:54,240
Speaker 1: to find him here, and Chet changes the subject better

1497
01:08:54,320 --> 01:08:57,719
Speaker 1: question how'd you find yourself here? Sean admits he moved

1498
01:08:57,720 --> 01:08:59,400
Speaker 1: out of Turner, so his plan was to move in

1499
01:08:59,439 --> 01:09:01,920
Speaker 1: with Uncle Mike, but his trailer's gone. A cop found

1500
01:09:01,920 --> 01:09:03,920
Speaker 1: Sean sleeping in the park and brought him into the station.

1501
01:09:04,560 --> 01:09:06,800
Speaker 1: Chet asks if they turned on the swirly lights when

1502
01:09:06,840 --> 01:09:09,040
Speaker 1: they brought him in. Those are fun Sewan asks his

1503
01:09:09,120 --> 01:09:11,200
Speaker 1: dad if he's had any luck finding his mom, and

1504
01:09:11,320 --> 01:09:13,080
Speaker 1: Chet says he saw her a couple of months ago

1505
01:09:13,120 --> 01:09:15,040
Speaker 1: and he had her cornered in Mississippi, but she dove

1506
01:09:15,080 --> 01:09:17,800
Speaker 1: off the riverboat. The woman swims like a seal, he says.

1507
01:09:18,720 --> 01:09:20,840
Speaker 1: Sewn asks how long he's going to keep chasing her,

1508
01:09:20,840 --> 01:09:22,840
Speaker 1: and Chet responds, I just want to give her enough

1509
01:09:22,840 --> 01:09:25,280
Speaker 1: time to clear her head. Sean reminds him it's been

1510
01:09:25,320 --> 01:09:27,800
Speaker 1: a whole year, and Chet jokes, woman's got a big head,

1511
01:09:28,040 --> 01:09:30,360
Speaker 1: but then he admits it's true. If your mama wanted

1512
01:09:30,400 --> 01:09:33,040
Speaker 1: me to catch her, she would be caught. So Sean

1513
01:09:33,080 --> 01:09:35,760
Speaker 1: asks what's next. Chet says, we get you out of

1514
01:09:35,760 --> 01:09:38,320
Speaker 1: here and back to Turner's where you belong, and Sean

1515
01:09:38,360 --> 01:09:40,800
Speaker 1: suggests maybe he can stick around here for a while,

1516
01:09:41,160 --> 01:09:43,080
Speaker 1: and Chet says, there ain't nothing in this town for me,

1517
01:09:43,400 --> 01:09:45,640
Speaker 1: and Sean responds, yeah, there's me.

1518
01:09:46,520 --> 01:09:50,000
Speaker 2: Oh great moment, hmm, great moment my heart.

1519
01:09:51,040 --> 01:09:53,640
Speaker 1: Chet explains, I left you at Turners because in my

1520
01:09:53,760 --> 01:09:56,240
Speaker 1: mind it was a better place, and Sean replies it

1521
01:09:56,320 --> 01:09:58,120
Speaker 1: was a good place, but I wouldn't call it better.

1522
01:09:58,400 --> 01:10:01,920
Speaker 1: It wasn't you. It wasn't home. Besides, I need you,

1523
01:10:02,280 --> 01:10:05,160
Speaker 1: and I'm thinking you need me. Chet reminds him, I

1524
01:10:05,200 --> 01:10:07,160
Speaker 1: ain't that good of a cook, and Sean smiles, you

1525
01:10:07,200 --> 01:10:09,559
Speaker 1: can't be any worse than mom. Chet and Sean they

1526
01:10:09,680 --> 01:10:12,639
Speaker 1: laugh about that, and Chet says, I'm gonna do something

1527
01:10:12,640 --> 01:10:14,439
Speaker 1: I haven't done since you were a very little boy.

1528
01:10:14,720 --> 01:10:17,680
Speaker 1: Sean excitedly asks in a job, and Chet tells him

1529
01:10:17,720 --> 01:10:20,320
Speaker 1: heck no, and then he gives him a big hug.

1530
01:10:21,080 --> 01:10:23,200
Speaker 1: Boy meets world does that better than anybody, breaking up

1531
01:10:23,200 --> 01:10:26,200
Speaker 1: the super sentimental moment with a nice laugh, and then

1532
01:10:26,520 --> 01:10:30,160
Speaker 1: the police officer announces, Hunter, you've been bailed So notice,

1533
01:10:30,320 --> 01:10:33,240
Speaker 1: up until this point, other than Chet saying I'm not

1534
01:10:33,360 --> 01:10:36,559
Speaker 1: much of a cook, he has not in any way

1535
01:10:36,680 --> 01:10:40,800
Speaker 1: implied he's going to stick around and that anything Sean

1536
01:10:40,840 --> 01:10:44,120
Speaker 1: has said has changed his mind. And then he says.

1537
01:10:44,320 --> 01:10:46,840
Speaker 1: The cop says, Hunter, you've been bailed out. Chet asks

1538
01:10:46,880 --> 01:10:49,519
Speaker 1: which one and he says the little one. Then Turner

1539
01:10:49,560 --> 01:10:52,120
Speaker 1: storms in and sees the pair of Hunters. Chet says,

1540
01:10:52,120 --> 01:10:54,320
Speaker 1: look at me, Teach, I'm a bad seed. I was

1541
01:10:54,360 --> 01:10:55,720
Speaker 1: on the way to your place when I ran into

1542
01:10:55,760 --> 01:10:58,320
Speaker 1: a speed trap and a pile of unpaid parking tickets.

1543
01:10:59,120 --> 01:11:01,759
Speaker 1: And I don't believe that story. I do not believe

1544
01:11:01,880 --> 01:11:05,040
Speaker 1: in any way he was going. We know he wasn't.

1545
01:11:05,080 --> 01:11:07,600
Speaker 1: He already says, let's get you back to Turner's. So

1546
01:11:07,840 --> 01:11:09,840
Speaker 1: unless he was going to go to Turner's just because

1547
01:11:09,920 --> 01:11:12,559
Speaker 1: Corey had convinced him, he should at least say, hi,

1548
01:11:13,520 --> 01:11:16,280
Speaker 1: I don't buy this story at all that that's where

1549
01:11:16,280 --> 01:11:20,080
Speaker 1: he was going. So Turner asks who's bailing Chet out?

1550
01:11:20,120 --> 01:11:22,320
Speaker 1: And Chet says, well, he'd be much obliged for the

1551
01:11:22,320 --> 01:11:24,840
Speaker 1: help so he can get out of there and take

1552
01:11:24,880 --> 01:11:27,519
Speaker 1: care of his boy. Turner asks what he mean. Chet

1553
01:11:27,560 --> 01:11:30,479
Speaker 1: excitedly announces, I'm staying. Wouldn't be much of a father

1554
01:11:30,560 --> 01:11:33,320
Speaker 1: if I didn't. Then he tells Turner his job is done.

1555
01:11:33,640 --> 01:11:35,599
Speaker 1: Seawan asks to talk to John alone for a minute.

1556
01:11:35,680 --> 01:11:37,439
Speaker 1: Chet walks away, but says I'd step outside, but they

1557
01:11:37,439 --> 01:11:40,760
Speaker 1: would shoot me. Turner assures Sean, I don't even need

1558
01:11:40,760 --> 01:11:42,479
Speaker 1: to ask. I can tell this is what she wanted.

1559
01:11:42,720 --> 01:11:45,080
Speaker 1: Sean smiles in relief. It's just like we said, we

1560
01:11:45,160 --> 01:11:48,320
Speaker 1: knew this wasn't forever. Turner shrugs. A roof and a bed,

1561
01:11:48,520 --> 01:11:51,519
Speaker 1: Shawn adds and a good friend. Turner smiles a nod,

1562
01:11:51,600 --> 01:11:54,400
Speaker 1: saying the best. Sean thanks him, adding you put up

1563
01:11:54,439 --> 01:11:56,640
Speaker 1: with a lot. They do a little bro handshake and

1564
01:11:56,680 --> 01:11:59,400
Speaker 1: Turner tells him I'd do it again, and we get

1565
01:11:59,439 --> 01:12:02,959
Speaker 1: a nice little freeze frame with Chet perfectly placed behind

1566
01:12:03,160 --> 01:12:08,920
Speaker 1: Turner and Sean. And that's when I was like, I

1567
01:12:08,960 --> 01:12:12,360
Speaker 1: don't feel good about this. I'm supposed to feel good.

1568
01:12:12,439 --> 01:12:15,160
Speaker 3: It's resolution, but it's not really.

1569
01:12:15,400 --> 01:12:18,800
Speaker 1: It's just and we know it is just beginning. And

1570
01:12:18,880 --> 01:12:20,559
Speaker 1: how it's all going to fall apart, I don't know,

1571
01:12:20,640 --> 01:12:22,479
Speaker 1: but I know it's going to and I love it.

1572
01:12:23,040 --> 01:12:25,400
Speaker 1: So then we're in Turner's apartment. Sean comes down the

1573
01:12:25,400 --> 01:12:26,960
Speaker 1: stairs carrying a box of his stuff.

1574
01:12:27,040 --> 01:12:29,479
Speaker 3: Corey helps me, so that is the bedroom. That's where

1575
01:12:29,479 --> 01:12:32,360
Speaker 3: Sean was sleeping. Apparently SE's now we know.

1576
01:12:33,640 --> 01:12:35,920
Speaker 1: So Chet tells Sean, I'll meet you downstairs. One more

1577
01:12:35,960 --> 01:12:38,519
Speaker 1: parking ticket in our home gets the Denver Bootell you,

1578
01:12:38,760 --> 01:12:40,840
Speaker 1: Chet yells out the window. Hey you kids, get off

1579
01:12:40,840 --> 01:12:43,639
Speaker 1: my front porch. Corey wishes Sean good luck. Sean thanks

1580
01:12:43,680 --> 01:12:46,759
Speaker 1: him for tracking down his dad, and Corey responds, we're friends.

1581
01:12:46,840 --> 01:12:49,080
Speaker 1: We help each other out. That's what we do. Sean

1582
01:12:49,080 --> 01:12:51,400
Speaker 1: admits there's something he's wanted to do for a long time,

1583
01:12:51,600 --> 01:12:54,800
Speaker 1: invite Corey to his house for dinner. Corey asks who's cooking,

1584
01:12:55,000 --> 01:12:57,320
Speaker 1: and Sean tells him you are. Corey thinks about it

1585
01:12:57,360 --> 01:12:58,599
Speaker 1: in answers huh.

1586
01:12:58,640 --> 01:13:05,120
Speaker 4: He does the huh yeah second, the second personal life.

1587
01:13:05,160 --> 01:13:07,000
Speaker 1: He was doing it all the time, all the time,

1588
01:13:07,240 --> 01:13:08,280
Speaker 1: And that's definitely this.

1589
01:13:10,040 --> 01:13:11,120
Speaker 3: I love it so much.

1590
01:13:11,400 --> 01:13:14,400
Speaker 1: I'm there. And then Chet returns, this is just about it.

1591
01:13:14,439 --> 01:13:17,400
Speaker 1: As he unplugs a TV. Sean interrupts, Dad, that's Turner's TV.

1592
01:13:17,680 --> 01:13:20,200
Speaker 1: Chet tells him, you've been here a year. Besides, teacher

1593
01:13:20,240 --> 01:13:23,040
Speaker 1: shouldn't be watching television anyways, and he walks right out

1594
01:13:23,040 --> 01:13:27,280
Speaker 1: the door with it, and Sean follows. I did like it.

1595
01:13:27,600 --> 01:13:29,920
Speaker 1: I like the episode. Can't wait to see where it goes.

1596
01:13:30,280 --> 01:13:32,680
Speaker 1: And he steals the TV just like he steals the

1597
01:13:32,760 --> 01:13:35,599
Speaker 1: episode exactly, and he steals your heart.

1598
01:13:35,920 --> 01:13:40,919
Speaker 3: He steals my heart away. Yeah, he's still a criminal.

1599
01:13:41,520 --> 01:13:43,040
Speaker 3: It's actually it all kind of works.

1600
01:13:43,200 --> 01:13:45,479
Speaker 1: I know, I like it. I like it, and I

1601
01:13:45,560 --> 01:13:48,240
Speaker 1: liked the b storyline too. I think, you know, yeah,

1602
01:13:48,439 --> 01:13:51,559
Speaker 1: I sure had there been a little little twisty twys twist,

1603
01:13:52,240 --> 01:13:54,200
Speaker 1: something that we didn't see coming, as opposed to like,

1604
01:13:54,240 --> 01:13:56,240
Speaker 1: well we see this coming, yep, you saw it, and

1605
01:13:56,280 --> 01:13:58,760
Speaker 1: it was and it's good. But yeah, I could see that.

1606
01:13:58,800 --> 01:14:01,240
Speaker 1: But I still I really like this episode. I really do.

1607
01:14:01,360 --> 01:14:06,800
Speaker 1: And it is the most drama you could fit into

1608
01:14:07,040 --> 01:14:09,160
Speaker 1: something that's truly still a sitcom.

1609
01:14:09,520 --> 01:14:09,720
Speaker 2: Yep.

1610
01:14:09,760 --> 01:14:12,600
Speaker 3: Yeah, And I think the comedy is say, you know,

1611
01:14:12,800 --> 01:14:15,240
Speaker 3: the fact that it's a comedy is Ben and and

1612
01:14:15,280 --> 01:14:16,639
Speaker 3: Blake bringing it.

1613
01:14:16,600 --> 01:14:18,200
Speaker 1: Like Ben and Blake bringing it. Yep.

1614
01:14:19,080 --> 01:14:21,080
Speaker 3: They get a laugh like every other line, and that's

1615
01:14:21,160 --> 01:14:21,960
Speaker 3: so necessary.

1616
01:14:22,000 --> 01:14:24,519
Speaker 1: Didn't hate it, but it wasn't my favorite. That's what

1617
01:14:24,520 --> 01:14:26,960
Speaker 1: I would say. You hate Sean, just admit it. Sean

1618
01:14:27,080 --> 01:14:27,880
Speaker 1: is awful Sean.

1619
01:14:27,920 --> 01:14:29,479
Speaker 2: I can't stand him, and I hope he ends up

1620
01:14:29,520 --> 01:14:31,160
Speaker 2: on the streets. That's why I'm watching is because I

1621
01:14:31,160 --> 01:14:32,160
Speaker 2: hope everybody did it.

1622
01:14:32,160 --> 01:14:33,880
Speaker 3: Up in the streets. He just got barely save. You

1623
01:14:33,920 --> 01:14:36,200
Speaker 3: had to beg for his father to watch, sleeping in

1624
01:14:36,200 --> 01:14:38,479
Speaker 3: a park and then sleeping in the park. His uncle

1625
01:14:38,560 --> 01:14:41,479
Speaker 3: took off, his mom took off. Turner wasn't ready to

1626
01:14:41,479 --> 01:14:43,880
Speaker 3: be his legal guardian, not enough for me, and now

1627
01:14:43,920 --> 01:14:45,960
Speaker 3: his dad has taking him under false pretenses.

1628
01:14:46,400 --> 01:14:49,080
Speaker 1: We don't know that yet, We don't know that, don't

1629
01:14:49,439 --> 01:14:51,000
Speaker 1: feel it, we can feel it. I think it's going

1630
01:14:51,040 --> 01:14:53,360
Speaker 1: to work out great. I think people will dig it.

1631
01:14:53,400 --> 01:14:57,439
Speaker 1: I think people will dig it. Join us for our

1632
01:14:57,479 --> 01:15:01,120
Speaker 1: next episode recap Season three, episode twenty one, The Happiest

1633
01:15:01,120 --> 01:15:06,160
Speaker 1: Show on Earth feels like We're going to Florida Disney World.

1634
01:15:07,160 --> 01:15:10,479
Speaker 1: You're gonna sing every live line as always. You can

1635
01:15:10,520 --> 01:15:12,640
Speaker 1: follow us on Instagram Pod Meets World Show. You can

1636
01:15:12,720 --> 01:15:15,040
Speaker 1: send us your emails Pod Meets World Show at gmail

1637
01:15:15,080 --> 01:15:15,679
Speaker 1: dot com.

1638
01:15:15,720 --> 01:15:24,600
Speaker 2: And we have March Drunken March, the Drug Steve.

1639
01:15:23,200 --> 01:15:29,320
Speaker 1: El Merch, see some Boston Merchant and Boston March. They

1640
01:15:29,400 --> 01:15:35,960
Speaker 1: want tone pod Meets Worldshow dot com writer send us out.

1641
01:15:36,479 --> 01:15:38,360
Speaker 1: We love you all, pod dismissed.

1642
01:15:40,320 --> 01:15:43,000
Speaker 3: Pod Meets World is an iHeart podcast producer hosted by

1643
01:15:43,080 --> 01:15:47,080
Speaker 3: Danielle Fischel, Wilfredell and Ryder Strong Executive producers Jensen Carp

1644
01:15:47,080 --> 01:15:50,280
Speaker 3: and Amy Sugarman, Executive in charge of production, Danielle Romo,

1645
01:15:50,479 --> 01:15:54,120
Speaker 3: producer and editor, TaRaSu Bosch, producer, Maddie Moore engineer and

1646
01:15:54,160 --> 01:15:57,160
Speaker 3: boy Meets World Superman Easton All. Our theme song is

1647
01:15:57,200 --> 01:16:00,200
Speaker 3: by Kyle Morton of Typhoon. Follow us on Instagram, I'm

1648
01:16:00,240 --> 01:16:04,280
Speaker 3: at Podmets World Show or email us at podmetsworldshowat gmail

1649
01:16:04,400 --> 01:16:07,720
Speaker 3: dot com.

1650
01:16:07,800 --> 01:16:08,080
Speaker 2: MHM