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Speaker 1: The volume.

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Speaker 2: All right, So before we was we thought we were rolling,

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Speaker 2: but we weren't. So now that we are rolling open,

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Speaker 2: I want to know we were arguing at the No,

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Speaker 2: we weren't arguing, but I made an argument. I know

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Speaker 2: I made a statement. I was saying, you know something

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Speaker 2: about I don't think Lola. I look at that she's

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Speaker 2: not one of the ghetto female sees.

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Speaker 3: You came up with it.

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Speaker 4: Yeah, you're one of the I think she's one of

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Speaker 4: the good ones.

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Speaker 2: Carucci. Carucci said that she channeled you for her role

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Speaker 2: on on on a Lifetime show. So I was saying, okay,

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Speaker 2: I got to see it, because if she's acting ghetto,

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Speaker 2: then what is she trying to say about Lola?

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Speaker 3: And what I said.

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Speaker 2: You said, so you think do I think that you're ghetto?

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Speaker 2: And I said no, I don't. I said, I don't

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Speaker 2: think you're ghetto.

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Speaker 4: She was like, think that that's what she would channel.

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Speaker 2: I didn't think it was. I said, if that's what

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Speaker 2: I said, if he's acting channel so then Lola says,

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Speaker 2: you're not You said you're not ghetto, you're ratchet.

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Speaker 3: No, I said, I'm not ratchet, You're not ratchet.

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Speaker 2: Okay, So what's the difference between ratchet and ghetto.

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Speaker 3: Ratchet is just it's over the top. Is just tasteless.

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Speaker 1: Ratchet is tasteless, okay, Ghetto is I'm from the hood

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Speaker 1: house spoken. Yeah, it's like I'm very much outspoken, and

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Speaker 1: I might say something that translate into being aggressive, but

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Speaker 1: I don't mean no harm. I'm just from the trenches.

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Speaker 1: So my environment may make me come off a little

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Speaker 1: bold when you.

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Speaker 2: Say you're from the trenches, like when Raper City from

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Speaker 2: the bottom. I like to tell to your parents and

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Speaker 2: see what.

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Speaker 1: They from the trenches what you mean because I come

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Speaker 1: from the shelter. I'm from the trenches, live in the shelter. Yeah, okay,

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Speaker 1: so that's the trenches. Yeah, I come from the gym

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Speaker 1: when you gotta share a shower with the whole floor.

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Speaker 2: Yeah, that's what I'm.

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Speaker 4: From the trenches, which I'm sure they turn into like

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Speaker 4: a luxury condominium in Bedstar.

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Speaker 3: To go to the my mom's had us in the show.

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Speaker 1: We have to go to the Bronx too, Like my

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Speaker 1: moms had to take the train from Brooklyn to the

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Speaker 1: Bronx and come back almost every single day.

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Speaker 3: So you were born in Brooklyn, Yeah, and raids. Okay,

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Speaker 3: you but for how to get an apartment.

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Speaker 1: She was in the shelter, and you know most of

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Speaker 1: the shelters, they it's a lot of them in the.

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Speaker 2: Yeah, for sure, I wanted to live as a shelter

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Speaker 2: not too far from Yankee Stadium.

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Speaker 1: That's exactly. Yeah, that's what I think. It was something cool.

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Speaker 1: What she told me was it's some stadium. It's something.

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Speaker 2: Yeah it is.

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Speaker 3: So it's funny because family shelter.

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Speaker 2: So years ago. They used to have like the big

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Speaker 2: baseball on the on the front. So as a kid,

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Speaker 2: I didn't know it was a shelter. So every time

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Speaker 2: I used to drive past that bill nice to my mom.

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Speaker 2: I want to live there.

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Speaker 3: As a kid.

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Speaker 2: You see a big baseball on the building, you like,

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Speaker 2: it looks like they're having fun in there, like you know,

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Speaker 2: you see a baseball, like they're playing baseball in there.

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Speaker 2: But so close to Yankee Stadium.

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Speaker 3: I didn't know.

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Speaker 1: I was a baby when I was in the You

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Speaker 1: know what I'm saying. I guess that's why Jack the

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Speaker 1: Bronx too, So.

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Speaker 2: You're fucking with the Bronx. I like Lolo with the Bronx.

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Speaker 4: I do think it's funny in like the next fifteen years,

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Speaker 4: the kids that are going to be screaming from no

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Speaker 4: Strom though, like it's.

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Speaker 2: A whole new wave.

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Speaker 3: It's gonna be.

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Speaker 2: It's a whole new wave coming in. We are joined

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Speaker 2: today by rapper Brooklyn Night lower up brook. Yes, Lola

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Speaker 2: walked ahead with her leather on, channeling Aliyah with the

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Speaker 2: band Joe.

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Speaker 4: Yeah, right there, But that's what the You know, the

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Speaker 4: Kardashians gonna jack as the ghetto ship probably by next week.

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Speaker 2: The same they look at they.

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Speaker 1: Call that ghetto. Lifetime would call that ghetto. No there

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Speaker 1: they were jack that ghetto and ghetto fabulous, right.

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Speaker 2: You see the bedazzle, Yeah, the bedazzle makes it fabulous.

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Speaker 2: But if that was just like no bedazzle, Yeah, yes.

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Speaker 4: I don't know some of these young kids. I think

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Speaker 4: they made like but dazzle their crip bandanas. At this point,

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Speaker 4: it's a whole new scary generation.

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Speaker 2: Yeah.

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Speaker 4: I don't think that's taken away from anything gang related.

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Speaker 2: You played your new song for us paying album out

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Speaker 2: this Friday. What's the name of the album?

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Speaker 4: I bet, I bet what inspired? Who is the person

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Speaker 4: that says something to you that then you had to

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Speaker 4: reply with I bet, and you said, you know what?

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Speaker 3: Everything I say it so much?

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Speaker 1: Okay, it's to the point where my team is calling

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Speaker 1: me to get things done and.

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Speaker 3: I be irritated.

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Speaker 1: It's a lot, and I'm like, I bet, like I bet,

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Speaker 1: I got it, I got it, I got it. I

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Speaker 1: always be like I got it, so they'd be like,

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Speaker 1: you said that you got it.

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Speaker 3: I bet? I bet? I mean I bet.

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Speaker 2: It's like your last is that the last level of like,

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Speaker 2: don't ask me again? Because if it's like I got

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Speaker 2: it and they keep asking, like I bet, what's after

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Speaker 2: I bet? Is it a fight?

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Speaker 1: But it's not just that I bet could mean a

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Speaker 1: lot of things. It's like it's like I bet, I'm

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Speaker 1: on that.

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Speaker 4: It's the tone because I feel like you good.

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Speaker 3: Yes. The tone can depend on what's.

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Speaker 4: Gonna happen after you good?

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Speaker 3: Yes?

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Speaker 4: Can you give us the five different tones of I bet,

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Speaker 4: and we could guess what happens after that?

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Speaker 3: I bet?

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Speaker 1: See that's now as channeling my New York lingo and

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Speaker 1: off the top of my dome.

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Speaker 3: I don't know.

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Speaker 4: I don't like.

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Speaker 3: You. MA called you ghetto. I bet, I rock with you.

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Speaker 4: I guess that's like you say one more thing and

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Speaker 4: then it's like a bet.

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Speaker 1: Now I'd be like, now if you'd be like, it's

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Speaker 1: gonna site my see why, I bet.

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Speaker 2: That's different, different tone. I'm expecting physical confrontation.

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Speaker 3: Yes.

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Speaker 2: So now if you say you see the guy you're

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Speaker 2: dating and he's he's liking too many pictures of a

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Speaker 2: girl that you kind of know he likes, Like, what

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Speaker 2: level I bet.

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Speaker 1: Is that, I bet don't come back home to what

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Speaker 1: we're doing. I bet, yeah, it's not the I bet

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Speaker 1: that scares me.

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Speaker 4: It's oh, this is what we're doing because to me,

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Speaker 4: her get back is going to be way worse than

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Speaker 4: anything that I just did.

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Speaker 3: We're liking photos somebody else.

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Speaker 2: Yeah, but I don't like that because see that, I

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Speaker 2: bet is like now I'm about to do some bullshit

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Speaker 2: that you thought I was doing before, but now I'm

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Speaker 2: about to do now the bullshit.

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Speaker 4: Every accusation you put on me. I bet we don't

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Speaker 4: do that now, you see. I don't like that.

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Speaker 5: I bet with the herd you it's heard you heard you, yeah,

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Speaker 5: but heard you get you choked though, Yo, I'm just

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Speaker 5: saying I've seen it.

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Speaker 2: I'm not going to.

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Speaker 3: Of course not it's cool, but it is what it is. No,

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Speaker 3: what we do is what we're doing. We can't have y'all.

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Speaker 4: Jacket the problem I bet from the liking pictures of

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Speaker 4: how you get the record pain, it.

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Speaker 3: Might opinion get there. It's like, yeah, I bet, no

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Speaker 3: more pain. Did that?

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Speaker 4: Did that bullet have a name? Or that was just

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Speaker 4: overall experiences from I bet? Or pain pain pain?

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Speaker 1: Yeah?

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Speaker 4: I think you said I bet and then you wrote pain.

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Speaker 3: Pain is. It could mean multiple things.

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Speaker 1: It could be relationships, or it could be you saying

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Speaker 1: no more drama, like you know, moving forward, you know

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Speaker 1: what I'm saying. So everybody got to go through it,

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Speaker 1: get through it to understand it, and that's what pain is.

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Speaker 3: It's like, I'm not I'm not scared to go through

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Speaker 3: a little You could pinch me, I'm gonna pinch you back.

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Speaker 2: Yeah, but your pinch is a little different though I

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Speaker 2: pitched a little different. Yeah, whenever women decided to pinch back,

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Speaker 2: it's it's just different.

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Speaker 1: But see, I'm not a maker. I don't I'm not spiteful,

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Speaker 1: Like I don't do spiteful things. Like my pinch is different.

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Speaker 1: I'm just like I'm not gonna I don't get back

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Speaker 1: my get back is moving on?

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Speaker 4: I feel like people say that I don't know if.

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Speaker 1: I believe it, though, No, I'm living proof that you said,

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Speaker 1: prof I move the fu.

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Speaker 4: There's nobody in your past that could say that they

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Speaker 4: did something foul and then you you double down with

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Speaker 4: that energy.

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Speaker 1: They would be like yo, and if and if I

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Speaker 1: don't like one hundred percent move on, I'm not the

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Speaker 1: same person. Like you know, it's like, all right, cool

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Speaker 1: because I forgive, I forgive.

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Speaker 2: But the relationship will never be the same.

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Speaker 3: It won't be the same.

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Speaker 4: I mean, men, our ego is so weird that like,

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Speaker 4: if I had a girl write a record like pain

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Speaker 4: about me, I would be like, she still like me?

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Speaker 2: Oh yeah, of course.

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Speaker 4: That's why I think things get fucked up with women

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Speaker 4: writers that write amazing records about men, because we take

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Speaker 4: it as, oh, she's still thinking about it.

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Speaker 3: See that's the thing.

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Speaker 1: Y'all feel like women are so emotional that everything is

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Speaker 1: about y'all. Yeah, Like, no, I just know how to

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Speaker 1: go back into tom and relive that emotion to make

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Speaker 1: music because I'm an artist.

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Speaker 3: But I'm not in that moment no more.

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Speaker 2: Like, at what point did you realize that you wanted

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Speaker 2: to like make music and start rapping. Like, how old

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Speaker 2: were you?

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Speaker 3: Seven? Eight?

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Speaker 2: Really? What's your first your earliest memories of hip hop?

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Speaker 3: Fifty music video?

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Speaker 2: Damn, I'm old.

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Speaker 4: I mean I was. I was eleven ten. When did

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Speaker 4: that come out? Oh one, I was eleven. Now my

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Speaker 4: actually was before that. I mean you know, yeah, you're

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Speaker 4: you're gonna a little.

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Speaker 2: When they start saying wangster. That's like I told you

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Speaker 2: one time I was listening to the Radar. There is like, yo,

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Speaker 2: you're about to play a throwback, and then they played Biggie.

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Speaker 2: I was like, well, yeah, this was a thrower.

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Speaker 3: That's year.

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Speaker 2: I mean, yeah, this is thirty years ago.

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Speaker 1: I was like, damn, but what would that be for

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Speaker 1: me though? Because your throwbacks?

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Speaker 3: Yeah oh yeah you was seven years old.

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Speaker 1: No to what I'm saying, what I call a biggie record,

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Speaker 1: it's not a like what would that be for me?

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Speaker 2: Oh? That's like that's that's like when they invented five.

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Speaker 2: It's like, yeah, yeah, that's that's what they invented. The

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Speaker 2: will for you ninety four. Yeah, that's like yeah.

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Speaker 4: I mean, I know, we keep going back to pain,

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Speaker 4: but how did like the Mary influence? Because yeah, if

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Speaker 4: you were seven years old and oh two, like Mary

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Speaker 4: was something you had to go back to, back to.

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Speaker 3: Not true. I was in elementary school.

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Speaker 1: My mom's was playing new Mary, Mary been putting it drama.

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Speaker 4: Was probably when he was in middle school, right, I'm

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Speaker 4: not too sure. I would guess around that time.

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Speaker 3: Yeah, how old are you, Lolo? Thirty one? Okay, so

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Speaker 3: yeah middle school? Probably around fifth grade?

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Speaker 4: Okay, so itxth grade. So with with the Mary sample,

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Speaker 4: was that something you had already set up and then

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Speaker 4: reached out to Mary to get that cleared or.

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Speaker 1: Well, the sample was the sample and a production. The

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Speaker 1: beat was already made. It was brought to me, like

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Speaker 1: do you rock with it? Derek Malano brought it to

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Speaker 1: me and I was like, love, Derek, I could rock

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Speaker 1: with it, and I did it. But it's like Mary

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Speaker 1: is a staple in a black household. So my mom's

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Speaker 1: cooking to it, cleaning the Merry records, taking me school

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Speaker 1: with Mary records, playing in the car. So Mary is

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Speaker 1: part of our life, you know what I'm saying, Like

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Speaker 1: that's how my moms get through her pain, and it rubbed.

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Speaker 3: Off on me.

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Speaker 4: How's everything?

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Speaker 3: Sense?

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Speaker 4: Don't play with it? Just navigating off the success of that,

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Speaker 4: because sometimes there's like a catch twenty two when you

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Speaker 4: when you catch up a big about twenty one came

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Speaker 4: twenty twenty one, and yeah, that's a blessing and the

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Speaker 4: record is timeless, an incredible and a staple in New York.

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Speaker 4: But did that kind of put our identity on you

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Speaker 4: in some way to make it a little difficult to

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Speaker 4: move outside of that record.

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Speaker 2: As far as the sound.

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Speaker 4: Yeah, you compare records are successful than what your brand

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Speaker 4: was at the time, So it makes it tough to

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Speaker 4: not be looked at as just that one song.

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Speaker 3: See what, don't play with it?

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Speaker 1: Don't play with it was me one hundred percent, Like

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Speaker 1: I made that song off my energy, So don't play

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Speaker 1: with it is my brand and to move on from it.

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Speaker 1: I can't move on from don't play with It until

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Speaker 1: I stamp it. Yeah, and now I'm finally stamping that

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Speaker 1: girl today And it's been what the past two years?

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Speaker 2: Yeah?

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Speaker 4: So what happened in that two years that you feel

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Speaker 4: like now you're finally stamping it?

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Speaker 3: Yo.

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Speaker 1: Being in this business, the music business, you will lose yourself.

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Speaker 1: Like real talk, you will. They don't talk about that.

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Speaker 1: You lose yourself. You start overthinking. You don't know what

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Speaker 1: to do when it's right in front of your face.

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Speaker 1: It's you, it's who you are, and that's it. So

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Speaker 1: I didn't channel it. I started overthinking. I started doubting

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Speaker 1: myself because it took me so long to get here

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Speaker 1: that I still was in disbelief that.

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Speaker 4: I made it. What was the moment though that changed that.

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Speaker 4: What was the moment in that two years that you

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Speaker 4: finally realized that though this isn't that long, by the way,

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Speaker 4: it takes some artists ten years to realize.

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Speaker 3: Yeah, I felt like two years was long.

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Speaker 1: I was just thinking God that I'm still here today

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Speaker 1: to catch up where I left off at, you know,

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Speaker 1: but probably like the last eight nine years, I mean

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Speaker 1: I mean eight to nine months. I really start living

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Speaker 1: in my moment because I start to sit back. I

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Speaker 1: put out a body of work. It was called Dennis Daughter,

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Speaker 1: and I just sat back and looked on what was

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Speaker 1: the process. And I started being more grateful, not saying

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Speaker 1: that I wasn't, but I started celebrating myself more. I'm like, dang,

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Speaker 1: like you was here, you was there, you put this out,

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Speaker 1: you work with this person like this, this is a

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Speaker 1: great moment.

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Speaker 3: For you, you should live in it more.

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Speaker 2: What was your biggest outside of like realizing that you

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Speaker 2: can lose yourself in this industry, what was like the

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Speaker 2: one thing that you learned and was like, oh shit, okay,

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Speaker 2: I had no idea that this was part of.

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Speaker 1: It happened to mask it because nobody cared? Mmm, like

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Speaker 1: nobody care?

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Speaker 2: Yeah, when you said, but when you say nobody cares,

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Speaker 2: what do you mean nobody cares about what about you?

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Speaker 1: Or Yeah, like the world in general, like, of course

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Speaker 1: you got people that love you, you know what I'm saying.

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Speaker 1: Of course, of course, But in all reality, no, nobody,

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Speaker 1: nobody really care because everybody got their own responsibilities.

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Speaker 3: Anybody got their own problems.

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Speaker 1: So it's not saying that they don't care because they

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Speaker 1: don't care about you, but they don't have the time

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Speaker 1: to care enough.

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Speaker 4: Nobody's here to save you.

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Speaker 3: Nobody's here to save you.

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Speaker 4: Care when it matters to them, which they don't owe

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Speaker 4: you anything to begin They don't owe it to you.

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Speaker 3: You know what I'm saying.

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Speaker 1: They owe it to themselves as well as you owe

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Speaker 1: it to yourself. So you got to figure it out.

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Speaker 2: Did you have any uh because of me and Roory

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Speaker 2: talk about it a lot personally. Do you have anybody

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Speaker 2: that you couldn't wait to meet in the industry and

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Speaker 2: then you met them and it was just like it

329
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Speaker 2: just changed perception about them. It doesn't have to be

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Speaker 2: so bad.

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Speaker 1: I'm somebody that bring energy. So I've been around people

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Speaker 1: that don't really vib out with a lot of people

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Speaker 1: and I make them laugh, like like, for an example, Bryson.

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Speaker 1: Bryson is very much to himself, but I don't caught

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Speaker 1: good conversations with you know what I'm saying, Like, he

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Speaker 1: don't open up to a lot of people, and he

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Speaker 1: gave me advice on things. So I feel like some

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Speaker 1: people may have a bad experience with a certain artist,

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Speaker 1: but you probably just wasn't they cup of tea?

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Speaker 4: Yeah?

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Speaker 3: Yeah, you know what I'm saying.

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Speaker 2: A lot of people don't look at it like that.

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Speaker 2: Maybe it was me, Like maybe my personality is just.

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Speaker 3: Too much like you know what I'm saying, Maybe you

345
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Speaker 3: ain't doing enough.

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Speaker 4: Yeah, I mean, we had Bryson up here a few

347
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Speaker 4: weeks ago, and you know, he was definitely talking about

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Speaker 4: his experience in the music industry. What was that type

349
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Speaker 4: of advice or conversation you have with him?

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Speaker 3: That was helpful, he said to me. I never figured.

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Speaker 1: He brought me out at Rolling Loud in La and

352
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Speaker 1: he just was like, the moment you stop being yourself

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Speaker 1: is over. And I was like, it just stuck with me.

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Speaker 1: I was like, because right now I'm not feeling like myself.

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Speaker 1: And that's when I was like, oh, it's non one one. Yeah,

356
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Speaker 1: like I gotta, oh, I gotta, I gotta knock.

357
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Speaker 2: Out of it.

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Speaker 4: What about it didn't feel like yourself? Did you feel

359
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Speaker 4: like you were trying to play the role of whatever?

360
00:16:22,120 --> 00:16:22,680
Speaker 3: Yeah, just.

361
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Speaker 1: Like just people pleasing with any and everything, just people pleasing.

362
00:16:29,360 --> 00:16:32,200
Speaker 1: I've never been that artist. Like when people tell me like,

363
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Speaker 1: why are you so aggressive?

364
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Speaker 3: I never kid? Why are kid?

365
00:16:34,880 --> 00:16:38,000
Speaker 4: Now are you saying behind the scenes or creatively as well?

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Speaker 1: In general life in general? Because for me, music is

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Speaker 1: I write music that relates to my lifestyle. So I'm

368
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Speaker 1: sometimes people be like, oh, some days you shinee and

369
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Speaker 1: some days Ula Brook. No, I'm legit both of those people.

370
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Speaker 1: Every single day, I just turn it off and on

371
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Speaker 1: throughout the day.

372
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Speaker 3: You know what I'm saying.

373
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Speaker 2: So how has how has now you know, being such

374
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Speaker 2: a face that people know when they see you. How

375
00:17:07,480 --> 00:17:10,080
Speaker 2: has that affected your your dating life? Whether it was

376
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Speaker 2: good for good or bad?

377
00:17:12,119 --> 00:17:13,840
Speaker 1: I was I was kind of cool with it because

378
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Speaker 1: it didn't. I mean, it's it's a little bit more hacktic.

379
00:17:19,440 --> 00:17:23,400
Speaker 2: But if your dating life is hectic day in life.

380
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Speaker 3: Me, for why would I have Why would it be

381
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Speaker 3: hectic for me?

382
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Speaker 2: You know That's what I'm saying, Like, how has it?

383
00:17:27,520 --> 00:17:30,840
Speaker 2: How is it affected your ghetto? I don't think Lola

384
00:17:30,920 --> 00:17:34,480
Speaker 2: is ghetto. I'm saying, how has you know, being on

385
00:17:34,600 --> 00:17:37,200
Speaker 2: TV and everybody knows Lola Brook when you're out moving around,

386
00:17:37,240 --> 00:17:40,040
Speaker 2: how has that affected your dating life? If it has?

387
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Speaker 3: Oh, you say, my dating life though you're so well

388
00:17:42,280 --> 00:17:44,800
Speaker 3: in general know your dating life, Oh, my dating life

389
00:17:46,440 --> 00:17:47,439
Speaker 3: not don't change for me?

390
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Speaker 1: I mean, of course you get you be paranoid like you.

391
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Speaker 3: Who sent you? Like, yes, you know what I'm.

392
00:17:54,680 --> 00:17:57,920
Speaker 2: Saying, meeting the niggas crazy.

393
00:17:57,600 --> 00:18:00,720
Speaker 1: For real because people have bad intentions here? Oh yeah, no,

394
00:18:00,760 --> 00:18:01,359
Speaker 1: for sure, you know what.

395
00:18:01,359 --> 00:18:03,920
Speaker 3: I'm saying, Like, you got to wait it out.

396
00:18:04,840 --> 00:18:08,520
Speaker 1: But I found some success in in that in that space, So.

397
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Speaker 2: I like that I found some success, And that's what

398
00:18:10,920 --> 00:18:12,560
Speaker 2: I'm gonna start leaves it over and then of the year.

399
00:18:12,840 --> 00:18:14,800
Speaker 2: I found some success in the Dayton space. You know

400
00:18:14,840 --> 00:18:16,960
Speaker 2: what I'm saying when women ask my status, I found

401
00:18:17,000 --> 00:18:17,640
Speaker 2: some success.

402
00:18:17,880 --> 00:18:19,320
Speaker 3: I found suss. I like that.

403
00:18:19,400 --> 00:18:21,240
Speaker 4: I mean, I want to stay on dating too too long.

404
00:18:21,280 --> 00:18:23,879
Speaker 4: But Demarius has always said that guys from Queens is

405
00:18:23,880 --> 00:18:27,400
Speaker 4: the fucking worst, which I resent. But then she has terrible,

406
00:18:27,880 --> 00:18:31,439
Speaker 4: terrible experience in Brooklyn. As far as the boroughs go,

407
00:18:31,480 --> 00:18:33,760
Speaker 4: how would how would we rank ranked men as far

408
00:18:33,760 --> 00:18:36,960
Speaker 4: as the five boroughs go, starting with staten Island at five?

409
00:18:38,160 --> 00:18:42,840
Speaker 3: Okay, stantone, she's never been on the ferry. Yeah, I've

410
00:18:42,840 --> 00:18:46,320
Speaker 3: been on the ferry. You've been the Statue of Liberty?

411
00:18:46,760 --> 00:18:47,679
Speaker 2: How many times have you been?

412
00:18:47,720 --> 00:18:50,760
Speaker 3: Because we don't go. I like that. Now I'm the

413
00:18:50,800 --> 00:18:53,679
Speaker 3: one that does. I have family that moved there.

414
00:18:53,720 --> 00:18:55,520
Speaker 1: But I think he moved there because he was in

415
00:18:55,560 --> 00:18:57,359
Speaker 1: a relationship with a girl, So I think that's how.

416
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Speaker 3: I don't know, I think that's that. I think I

417
00:18:59,880 --> 00:19:01,919
Speaker 3: was confuse, like how did this go down?

418
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Speaker 4: Niggas don't Mariana staten Island, No built the bridge.

419
00:19:06,280 --> 00:19:10,080
Speaker 3: He lives in Brooklyn, that don't. But no, it wasn't.

420
00:19:10,119 --> 00:19:12,440
Speaker 1: I wasn't out there like I've probably been out there

421
00:19:12,480 --> 00:19:14,520
Speaker 1: I could count on one. Hen I've been out to

422
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Speaker 1: Staten Island. I ain't gonn front.

423
00:19:15,640 --> 00:19:17,760
Speaker 2: I've been to Staten Island twice in my life. I've been.

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Speaker 2: I've been to London morning. I've been to Stand Island,

425
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Speaker 2: which yeah.

426
00:19:20,680 --> 00:19:22,359
Speaker 3: Yeah, I've been. I've been a stat In Island.

427
00:19:22,440 --> 00:19:25,520
Speaker 2: Pray like three to yeah, that's the I feel like

428
00:19:25,560 --> 00:19:27,640
Speaker 2: that's right there, that's the max. Like for New Yorkers.

429
00:19:27,960 --> 00:19:30,080
Speaker 2: Two to three is the max if you don't live there.

430
00:19:30,320 --> 00:19:32,880
Speaker 3: But I've been on the ferry probably once or twice.

431
00:19:33,760 --> 00:19:35,760
Speaker 2: But you don't go to Stand Island. We don't know stand.

432
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Speaker 4: No.

433
00:19:36,760 --> 00:19:37,879
Speaker 3: I was a kid, I'm not.

434
00:19:38,640 --> 00:19:41,480
Speaker 2: It was against your will, yeah, as an adult choice,

435
00:19:41,480 --> 00:19:42,040
Speaker 2: I'm no.

436
00:19:42,320 --> 00:19:43,960
Speaker 3: As an adult, I've never I haven't been.

437
00:19:44,480 --> 00:19:47,000
Speaker 4: So we have Staten Island a number five, but no

438
00:19:47,040 --> 00:19:48,200
Speaker 4: disrespect to Staten Island.

439
00:19:48,480 --> 00:19:48,680
Speaker 3: Mares.

440
00:19:48,840 --> 00:19:50,280
Speaker 4: I know you got Staaten Island at five because you've

441
00:19:50,280 --> 00:19:52,800
Speaker 4: never been there once. Number four though, where we landing

442
00:19:53,800 --> 00:19:55,040
Speaker 4: the Marris, I'm looking at you first.

443
00:19:55,119 --> 00:19:56,440
Speaker 3: I'm not goinga front. I don't.

444
00:19:57,080 --> 00:20:01,080
Speaker 1: The Bronx is kind of crazy. Niggas is horrible are

445
00:20:01,080 --> 00:20:04,199
Speaker 1: we doing? It's horrible water, But let me say this,

446
00:20:04,480 --> 00:20:07,600
Speaker 1: I feel like it might be good men in Staten Island,

447
00:20:08,119 --> 00:20:11,040
Speaker 1: but New York be treating them so crat like. I

448
00:20:11,040 --> 00:20:12,320
Speaker 1: don't know why they be treating them like that. It's

449
00:20:12,359 --> 00:20:14,760
Speaker 1: probably good men in there, and the girls don't know.

450
00:20:14,920 --> 00:20:17,399
Speaker 4: No, there's there's there's great people in Staten Island period,

451
00:20:17,440 --> 00:20:19,879
Speaker 4: when you know past the red state part of it,

452
00:20:20,640 --> 00:20:22,600
Speaker 4: once you get past the Italian community, like, it's a

453
00:20:22,600 --> 00:20:23,320
Speaker 4: really great place.

454
00:20:23,960 --> 00:20:24,760
Speaker 3: They probably don't know.

455
00:20:24,840 --> 00:20:29,239
Speaker 2: Man, don't know thing about that. If you took my

456
00:20:29,320 --> 00:20:31,679
Speaker 2: phone and put me in Staten Island, I would not

457
00:20:31,720 --> 00:20:32,840
Speaker 2: know how to get back to Man.

458
00:20:32,960 --> 00:20:36,119
Speaker 4: That's true. All the girls love method man Staten Island,

459
00:20:36,560 --> 00:20:38,680
Speaker 4: they do. But that's there could be a bunch of

460
00:20:38,760 --> 00:20:39,320
Speaker 4: myths out there.

461
00:20:39,320 --> 00:20:45,320
Speaker 2: We don't know, a bunch of h it's a bunch

462
00:20:45,320 --> 00:20:47,040
Speaker 2: of methods that Now, all right, so you got the

463
00:20:47,119 --> 00:20:48,680
Speaker 2: Bronx whatever number four.

464
00:20:48,840 --> 00:20:51,120
Speaker 4: I mean that makes sense because you're from there where

465
00:20:51,160 --> 00:20:53,439
Speaker 4: the Bronx. Yeah, so like for I get that, but

466
00:20:53,880 --> 00:20:58,120
Speaker 4: fuck you.

467
00:20:56,240 --> 00:20:58,679
Speaker 3: Listen, I don't know the order. But what I do

468
00:20:58,840 --> 00:21:04,720
Speaker 3: know is Brooklyn is number one. So I don't know.

469
00:21:06,640 --> 00:21:09,000
Speaker 3: Somebody somebody overstep.

470
00:21:10,320 --> 00:21:12,280
Speaker 1: I just want to clarify that you were saying that

471
00:21:12,320 --> 00:21:15,359
Speaker 1: Brooklyn has the best men. You're saying that, yeah, because

472
00:21:15,359 --> 00:21:20,080
Speaker 1: my daddy is from Brooklyn.

473
00:21:18,440 --> 00:21:21,000
Speaker 6: And we can't argue with that, you know, how do

474
00:21:21,040 --> 00:21:27,280
Speaker 6: we argue.

475
00:21:26,080 --> 00:21:27,399
Speaker 3: My love? But he was.

476
00:21:29,560 --> 00:21:32,200
Speaker 1: But I'm saying I got my uncle. My uncles are

477
00:21:32,240 --> 00:21:34,800
Speaker 1: good men, and they're from Brooklyn. My uncles are real

478
00:21:34,880 --> 00:21:36,920
Speaker 1: good men, for sure. They take they take care of

479
00:21:36,920 --> 00:21:39,080
Speaker 1: their family. Or my uncles I don't have. I don't

480
00:21:39,240 --> 00:21:41,919
Speaker 1: got not one uncle that don't take care of his kids.

481
00:21:42,600 --> 00:21:43,240
Speaker 2: That's honorable.

482
00:21:43,280 --> 00:21:46,040
Speaker 1: How many and my grandfathers and my uncle's got a

483
00:21:46,040 --> 00:21:46,639
Speaker 1: lot of kids.

484
00:21:46,680 --> 00:21:50,960
Speaker 3: I know how many different baby mama's don't come on

485
00:21:53,880 --> 00:21:56,040
Speaker 3: village the whole park.

486
00:21:56,200 --> 00:21:58,359
Speaker 1: It's only one of my uncles that got more than

487
00:21:58,359 --> 00:22:01,640
Speaker 1: one baby mother, but all my other uncles won.

488
00:22:02,280 --> 00:22:05,840
Speaker 2: Where's your family from originally? Like, what's your ethnicity? Are

489
00:22:05,880 --> 00:22:06,520
Speaker 2: y'all Caribbean?

490
00:22:07,040 --> 00:22:09,119
Speaker 3: I'm I'm a Yankee man.

491
00:22:09,160 --> 00:22:11,920
Speaker 2: Okay, but your family, your family is from New York

492
00:22:11,960 --> 00:22:14,000
Speaker 2: as well? You give me.

493
00:22:13,960 --> 00:22:16,160
Speaker 3: Treny like because I'm from Brooklyn.

494
00:22:16,600 --> 00:22:20,640
Speaker 1: Like I was eating salt fish and baked callou and

495
00:22:20,720 --> 00:22:23,639
Speaker 1: porridge and for breakfast on it was that's regular for me.

496
00:22:23,880 --> 00:22:26,840
Speaker 2: Yeah, I think it's the head is the bandana too, though,

497
00:22:27,640 --> 00:22:29,360
Speaker 2: that's that's that's that's definitely called.

498
00:22:29,520 --> 00:22:34,399
Speaker 4: Man stop playing Like how's Brooklyn changed musically? Obviously gentrification

499
00:22:34,440 --> 00:22:38,159
Speaker 4: we speak, but but music wise based off when you

500
00:22:38,240 --> 00:22:41,320
Speaker 4: popped to I don't know, you know two thousand and

501
00:22:41,440 --> 00:22:46,159
Speaker 4: one was was a crazy difference in how the music changed.

502
00:22:49,040 --> 00:22:52,680
Speaker 1: For me, Yeah, I don't feel like it changed. I

503
00:22:52,760 --> 00:22:58,640
Speaker 1: just feel like the.

504
00:22:56,119 --> 00:23:00,239
Speaker 3: The it's been. Make sure I see this right.

505
00:23:00,640 --> 00:23:02,159
Speaker 2: Make sure you say right, because they're gonna kill you

506
00:23:02,160 --> 00:23:02,480
Speaker 2: if you know.

507
00:23:03,440 --> 00:23:06,399
Speaker 1: I don't feel like it changed, but I feel like

508
00:23:08,240 --> 00:23:11,159
Speaker 1: we don't get as knowledge. We don't get as knowledge

509
00:23:11,160 --> 00:23:15,960
Speaker 1: as we I don't get acknowledged Brooklyn once we used to,

510
00:23:16,880 --> 00:23:18,800
Speaker 1: I mean better when it comes to New York as

511
00:23:18,840 --> 00:23:20,880
Speaker 1: opposed to what because I feel like because I don't

512
00:23:20,880 --> 00:23:23,320
Speaker 1: feel like it's in Brooklyn really period right now, I

513
00:23:23,320 --> 00:23:27,520
Speaker 1: don't feel like it changed, like I feel like the

514
00:23:27,640 --> 00:23:31,400
Speaker 1: music is. I feel like music in general is changing.

515
00:23:31,480 --> 00:23:39,120
Speaker 1: So New York's sound is trying to manage what but

516
00:23:39,240 --> 00:23:41,600
Speaker 1: which isn't our sound? Which isn't our sound, but that

517
00:23:41,640 --> 00:23:42,080
Speaker 1: would be the.

518
00:23:42,000 --> 00:23:44,520
Speaker 4: New York sound. That's what brought New York back was

519
00:23:44,560 --> 00:23:46,600
Speaker 4: the drill soundically in Bronx and Brooklyn.

520
00:23:47,080 --> 00:23:49,639
Speaker 3: That's true, damn hold on, and you were part of

521
00:23:49,640 --> 00:23:49,920
Speaker 3: that too.

522
00:23:49,960 --> 00:23:51,520
Speaker 4: I mean not to say all your stuff is drilled

523
00:23:51,520 --> 00:23:53,440
Speaker 4: per se, but but see.

524
00:23:53,240 --> 00:23:58,120
Speaker 3: I don't make drill music, but my energy, real tempo. Yes,

525
00:23:58,200 --> 00:23:58,679
Speaker 3: say some of.

526
00:23:58,680 --> 00:24:01,960
Speaker 4: Your stuff has that that drill knock or some of

527
00:24:01,960 --> 00:24:05,160
Speaker 4: that same Yeah, yeah, it's the pocket.

528
00:24:05,359 --> 00:24:06,119
Speaker 3: Yeah.

529
00:24:06,280 --> 00:24:08,600
Speaker 1: I feel like one of the reasons why I'm meet personally,

530
00:24:08,680 --> 00:24:11,919
Speaker 1: I like Lola's music when it comes to comparing the

531
00:24:11,960 --> 00:24:14,439
Speaker 1: rest of rap is that Lola allows herself to be

532
00:24:14,560 --> 00:24:17,440
Speaker 1: energetic like Lola, Like I can drink Hennessy and hang

533
00:24:17,480 --> 00:24:19,240
Speaker 1: out the window and listen to Lola's music, while the

534
00:24:19,240 --> 00:24:22,439
Speaker 1: rest of this music is like I got high on you. Listen,

535
00:24:22,600 --> 00:24:24,000
Speaker 1: the rest of this music is like I gotta be

536
00:24:24,040 --> 00:24:26,480
Speaker 1: high on drugs. It's mad slow, it's mad like there's

537
00:24:26,520 --> 00:24:30,040
Speaker 1: no energy. Energy hasn't like been the thing, Like everybody

538
00:24:30,119 --> 00:24:32,040
Speaker 1: just wants to sound like they have a sleep when

539
00:24:32,040 --> 00:24:33,560
Speaker 1: it comes to rap, and I think that that's a

540
00:24:33,760 --> 00:24:36,920
Speaker 1: that's the South's influenza thing up here.

541
00:24:37,240 --> 00:24:37,800
Speaker 3: I don't like that.

542
00:24:37,880 --> 00:24:39,880
Speaker 1: I like sound and hype. I want to sound hype.

543
00:24:39,880 --> 00:24:41,560
Speaker 1: I want to listen to Lola, I want to listen

544
00:24:41,600 --> 00:24:43,399
Speaker 1: to me. I want to like yell at niggas, like

545
00:24:43,800 --> 00:24:45,719
Speaker 1: niggas not making yell at nigga anymore.

546
00:24:45,960 --> 00:24:47,240
Speaker 2: You want to yell at me, I do.

547
00:24:47,600 --> 00:24:50,399
Speaker 1: But I like that and I like yeah, like I

548
00:24:50,480 --> 00:24:52,760
Speaker 1: like energy in my rap like and I feel like

549
00:24:52,800 --> 00:24:55,320
Speaker 1: that used to be New York's thing, but because the

550
00:24:55,359 --> 00:25:00,760
Speaker 1: sleepy shit became the thing now everybody's trying to imitate drugs.

551
00:25:00,480 --> 00:25:02,600
Speaker 4: That's the beauty of New York that they could still

552
00:25:02,640 --> 00:25:05,359
Speaker 4: take perks and still yell. I never understood that with

553
00:25:05,520 --> 00:25:06,480
Speaker 4: half the drills.

554
00:25:06,320 --> 00:25:09,240
Speaker 1: New York could get, somebody from New York could wake

555
00:25:09,359 --> 00:25:11,959
Speaker 1: up and be on hots or from a hot shower,

556
00:25:15,240 --> 00:25:20,320
Speaker 1: no coffee, straight hot shower on they on hots. I'm up,

557
00:25:20,520 --> 00:25:23,720
Speaker 1: like I had to wake up today and get busy

558
00:25:23,880 --> 00:25:24,440
Speaker 1: and I'm mad.

559
00:25:24,720 --> 00:25:27,800
Speaker 4: And I'm mad because you was on the train to

560
00:25:27,840 --> 00:25:29,520
Speaker 4: go to work. Because I understand where the shit comes.

561
00:25:29,600 --> 00:25:30,320
Speaker 3: You get what I'm saying.

562
00:25:30,400 --> 00:25:33,639
Speaker 1: So we just the energy is just naturally in us

563
00:25:33,680 --> 00:25:36,399
Speaker 1: because we have to fight with so many different energies

564
00:25:36,440 --> 00:25:37,639
Speaker 1: when we get outside.

565
00:25:38,680 --> 00:25:41,480
Speaker 4: I mean, do you think Brooklyn has been divided musically

566
00:25:41,600 --> 00:25:45,080
Speaker 4: the past five years? Like post COVID, do you feel

567
00:25:45,080 --> 00:25:48,720
Speaker 4: like Brooklyn has not been what it used to because

568
00:25:48,760 --> 00:25:50,840
Speaker 4: I even feel like when New York was the Golden

569
00:25:50,840 --> 00:25:52,520
Speaker 4: Era and all that. Of course it was divided because

570
00:25:52,520 --> 00:25:54,640
Speaker 4: the Burrows, but Brooklyn was kind of the most unified

571
00:25:55,200 --> 00:25:56,480
Speaker 4: if you got down to it.

572
00:25:59,160 --> 00:26:02,960
Speaker 3: With your peers, you feel I feel like my peer

573
00:26:03,000 --> 00:26:03,760
Speaker 3: has been like.

574
00:26:04,520 --> 00:26:07,600
Speaker 4: From COVID through post Yeah, post COVID, i'mauld said twenty

575
00:26:07,600 --> 00:26:08,760
Speaker 4: twenty to twenty twenty five.

576
00:26:09,040 --> 00:26:11,320
Speaker 3: I mean, can you blame it? We have to be six.

577
00:26:11,960 --> 00:26:15,040
Speaker 1: Control us to be we couldn't collab, couldn't collab. We

578
00:26:15,080 --> 00:26:17,080
Speaker 1: have to be six feet from everything.

579
00:26:17,280 --> 00:26:20,840
Speaker 2: Yeah, and your record popped in that in that time,

580
00:26:21,000 --> 00:26:24,640
Speaker 2: like in that moment, yeah, day, so like, so did

581
00:26:24,640 --> 00:26:25,880
Speaker 2: you you feel like that kind of.

582
00:26:25,920 --> 00:26:29,399
Speaker 3: But see, they had me in the house for too long.

583
00:26:30,560 --> 00:26:33,600
Speaker 1: So when twenty twenty one came, he was ready because

584
00:26:33,640 --> 00:26:37,239
Speaker 1: in the video they came at the end saying, yo,

585
00:26:37,320 --> 00:26:40,119
Speaker 1: y'all gotta wrap this up because it was curfew I

586
00:26:40,119 --> 00:26:42,800
Speaker 1: think at the time when I did the video. Yeah,

587
00:26:42,840 --> 00:26:45,320
Speaker 1: so it was just the rush of feeling like I

588
00:26:45,359 --> 00:26:46,800
Speaker 1: gotta get back outside.

589
00:26:47,160 --> 00:26:50,119
Speaker 3: I miss outside. So that's where that energy came from.

590
00:26:50,240 --> 00:26:53,520
Speaker 4: Do you think like Lotto and Young Miami with the

591
00:26:53,640 --> 00:26:57,560
Speaker 4: Right in retrospect, the Right remix to that based off

592
00:26:57,600 --> 00:26:58,879
Speaker 4: it being such a New York record.

593
00:27:00,280 --> 00:27:02,879
Speaker 3: Well, let's just say this. I reached out to New

594
00:27:02,960 --> 00:27:05,359
Speaker 3: York artists for that record. It just didn't happen.

595
00:27:06,760 --> 00:27:08,359
Speaker 1: You don't have to name names, but it was not

596
00:27:08,560 --> 00:27:11,120
Speaker 1: It's not it was and it was not like most

597
00:27:11,119 --> 00:27:13,199
Speaker 1: of the stories is not bad or anything like that.

598
00:27:13,240 --> 00:27:15,880
Speaker 1: But I want people to know that I've reached out

599
00:27:16,119 --> 00:27:18,480
Speaker 1: for a New York artist to be on that record.

600
00:27:18,560 --> 00:27:21,399
Speaker 2: But why didn't it happen? Because the record was the

601
00:27:21,480 --> 00:27:22,120
Speaker 2: record was hot.

602
00:27:22,359 --> 00:27:24,120
Speaker 1: I mean, I feel like those artists when they when

603
00:27:24,119 --> 00:27:26,119
Speaker 1: they feel like they want to tell their story on

604
00:27:26,160 --> 00:27:27,080
Speaker 1: why they tell y'all.

605
00:27:27,080 --> 00:27:28,720
Speaker 3: But I don't feel like that's my place to tell it.

606
00:27:29,560 --> 00:27:32,000
Speaker 2: Yeah, but it's your record. Yeah, but I want to

607
00:27:32,040 --> 00:27:34,000
Speaker 2: know who turned that down, Like who turned down a

608
00:27:34,080 --> 00:27:35,240
Speaker 2: chance to jump on that record and.

609
00:27:35,359 --> 00:27:37,120
Speaker 3: Turned it down. Some people didn't turn it down.

610
00:27:37,240 --> 00:27:40,160
Speaker 1: One of the people they I should put more blast,

611
00:27:40,200 --> 00:27:40,800
Speaker 1: but I ain't gonna do that.

612
00:27:40,800 --> 00:27:41,359
Speaker 3: Ain't messy.

613
00:27:41,640 --> 00:27:44,920
Speaker 1: But one one of the other artists they didn't turn

614
00:27:44,960 --> 00:27:46,960
Speaker 1: it down because they didn't want to. They just it

615
00:27:47,080 --> 00:27:51,800
Speaker 1: just didn't happen. It just didn't happen. Okay, things get taught.

616
00:27:51,800 --> 00:27:53,679
Speaker 1: The people know people got other things they got to

617
00:27:53,680 --> 00:27:55,160
Speaker 1: do to or whatever, and I say that they don't

618
00:27:55,160 --> 00:27:55,879
Speaker 1: want to be a part of it.

619
00:27:55,960 --> 00:27:58,280
Speaker 3: But sometimes it just don't happen.

620
00:27:58,359 --> 00:28:00,919
Speaker 2: Anybody that you wanted to really work with and it

621
00:28:00,920 --> 00:28:02,240
Speaker 2: fell through, like it didn't happen.

622
00:28:04,320 --> 00:28:04,680
Speaker 3: I didn't.

623
00:28:04,720 --> 00:28:08,280
Speaker 1: I wasn't really tripping about the remix anyways.

624
00:28:08,520 --> 00:28:10,600
Speaker 2: In general, I'm saying, is there any artist in general

625
00:28:11,240 --> 00:28:13,280
Speaker 2: that yeah, that you ever wanted to work but was like, damn,

626
00:28:13,280 --> 00:28:15,399
Speaker 2: I gotta get a record with this person. And it

627
00:28:15,440 --> 00:28:17,600
Speaker 2: looked like it was going to happen, and then for

628
00:28:17,680 --> 00:28:19,920
Speaker 2: whatever reason, it just it fell through. It didn't happen.

629
00:28:20,080 --> 00:28:21,280
Speaker 3: No, it went it fell through.

630
00:28:21,320 --> 00:28:23,800
Speaker 4: It was me Oh you wanted that Meek feature. Yeah,

631
00:28:23,880 --> 00:28:25,200
Speaker 4: Meek would have made a lot of sense on that.

632
00:28:25,640 --> 00:28:27,919
Speaker 1: You talking about foot you but you took about you

633
00:28:27,960 --> 00:28:31,200
Speaker 1: took about side of anything, not the record.

634
00:28:31,920 --> 00:28:32,320
Speaker 3: Don't play with.

635
00:28:32,359 --> 00:28:35,640
Speaker 4: I think Meek would have been crazy on that, but crazy. Yeah,

636
00:28:36,560 --> 00:28:38,360
Speaker 4: you don't think that could still happen though with me?

637
00:28:39,560 --> 00:28:40,880
Speaker 4: For in general?

638
00:28:41,160 --> 00:28:43,720
Speaker 3: Yeah, we got like three songs in right now?

639
00:28:43,800 --> 00:28:45,880
Speaker 1: Oh right, bet okay. I mean I feel like we're

640
00:28:45,880 --> 00:28:48,760
Speaker 1: gonna get back in or whatever. But we've worked.

641
00:28:49,160 --> 00:28:54,080
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642
00:28:54,120 --> 00:28:56,840
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643
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644
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645
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646
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647
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690
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Speaker 3: To get off that.

691
00:31:03,760 --> 00:31:05,640
Speaker 4: Don't play with this stuff. What is your relationship now

692
00:31:05,680 --> 00:31:07,640
Speaker 4: with Billy b and everything that happened there? I don't

693
00:31:07,680 --> 00:31:10,080
Speaker 4: even know the full backstory, but I know that was

694
00:31:10,120 --> 00:31:12,960
Speaker 4: a thing when the remix happened and and everything. Where

695
00:31:12,960 --> 00:31:14,160
Speaker 4: Where is that relationship right now?

696
00:31:14,240 --> 00:31:15,320
Speaker 3: There's no relationship?

697
00:31:15,400 --> 00:31:16,640
Speaker 2: Okay, fair enough.

698
00:31:25,040 --> 00:31:26,360
Speaker 3: Relationship, you know what I'm.

699
00:31:26,200 --> 00:31:30,600
Speaker 4: Saying, Like, yeah, okay, speaking of Philly on I bet

700
00:31:30,680 --> 00:31:32,720
Speaker 4: you have New York l A, Gilly's daughter, who I

701
00:31:32,720 --> 00:31:34,840
Speaker 4: think is going to be a fucking superstar.

702
00:31:35,080 --> 00:31:38,680
Speaker 3: She is. The people just don't know yet, but they.

703
00:31:38,840 --> 00:31:42,600
Speaker 4: It's gonna happen. How did that relationship start because she's

704
00:31:42,600 --> 00:31:44,280
Speaker 4: the only feature on there right yep?

705
00:31:45,040 --> 00:31:45,640
Speaker 3: Okay, So.

706
00:31:47,760 --> 00:31:51,360
Speaker 1: I was bumping into uh New York l A in

707
00:31:51,440 --> 00:31:55,719
Speaker 1: the spots like anybody's just outside vibing I don't remember

708
00:31:55,760 --> 00:31:59,320
Speaker 1: exactly what we was doing while he was outside, but

709
00:31:59,400 --> 00:32:04,040
Speaker 1: the energy we just kept. We kept connecting outside of music.

710
00:32:04,920 --> 00:32:08,440
Speaker 1: So once one day she was in New York City

711
00:32:08,520 --> 00:32:10,280
Speaker 1: and they asked, like, Yo, you want to get in

712
00:32:10,280 --> 00:32:14,440
Speaker 1: when New York LA And I'm like facts and we

713
00:32:14,480 --> 00:32:15,800
Speaker 1: made a record from scratch.

714
00:32:17,080 --> 00:32:17,360
Speaker 2: Okay.

715
00:32:17,440 --> 00:32:21,040
Speaker 4: She produced on it as well, what do you mean

716
00:32:21,120 --> 00:32:23,400
Speaker 4: like I want to be Yeah, I mean I.

717
00:32:23,320 --> 00:32:27,040
Speaker 1: Mean well, we did say what we like, what we disliked.

718
00:32:27,040 --> 00:32:29,200
Speaker 1: When the producers was working. It was as started refers,

719
00:32:29,280 --> 00:32:31,959
Speaker 1: So we were saying like we like this vibe, we

720
00:32:32,000 --> 00:32:32,800
Speaker 1: don't like this.

721
00:32:32,960 --> 00:32:34,040
Speaker 3: Or she free styling.

722
00:32:34,160 --> 00:32:36,280
Speaker 1: She trying to get a hook together and then I'm

723
00:32:36,280 --> 00:32:39,080
Speaker 1: free styling, trying to get a verse to see what

724
00:32:39,120 --> 00:32:41,640
Speaker 1: would sound good and what was the subject matter?

725
00:32:41,880 --> 00:32:44,760
Speaker 4: Yeah, how do you how do you feel artists have

726
00:32:44,840 --> 00:32:47,800
Speaker 4: to market these days? Because that used to fall on

727
00:32:47,840 --> 00:32:50,320
Speaker 4: the label and I feel like that doesn't The labels

728
00:32:50,320 --> 00:32:52,960
Speaker 4: has stepped out and they call themselves a just distribution

729
00:32:53,040 --> 00:32:55,640
Speaker 4: at this point, they're a bank. What's the type of

730
00:32:55,680 --> 00:33:00,080
Speaker 4: pressure when you're putting out an album, EP single that

731
00:33:00,080 --> 00:33:01,760
Speaker 4: that's in the back of your mind now where maybe

732
00:33:01,760 --> 00:33:03,480
Speaker 4: that wasn't a thing artists had to think about in

733
00:33:03,520 --> 00:33:04,000
Speaker 4: the beginning.

734
00:33:04,600 --> 00:33:06,640
Speaker 1: I don't know if there's something that an artist didn't

735
00:33:06,680 --> 00:33:08,200
Speaker 1: have to think about in the beginning. But for me,

736
00:33:09,960 --> 00:33:13,640
Speaker 1: I can't make music that I can't sell, Like if

737
00:33:13,680 --> 00:33:16,920
Speaker 1: it don't fit for my brand, I'm not trying to

738
00:33:17,080 --> 00:33:19,360
Speaker 1: fit in. If a song don't fit me is not

739
00:33:19,560 --> 00:33:22,840
Speaker 1: for me, Like, I can't produce it in there, And

740
00:33:22,840 --> 00:33:32,280
Speaker 1: he's saying, oh, I think you should talk about.

741
00:33:29,160 --> 00:33:32,280
Speaker 3: Telling a telling a nigga take you shopping every day?

742
00:33:32,480 --> 00:33:35,560
Speaker 3: I'm like, I don't. That's not my bob. Like I

743
00:33:35,680 --> 00:33:37,440
Speaker 3: like to shop, but I don't, kid, it's just not

744
00:33:37,440 --> 00:33:41,280
Speaker 3: a marketing plan. That's not marketing plan.

745
00:33:41,440 --> 00:33:44,120
Speaker 2: Lolago shopping all over New York City.

746
00:33:44,800 --> 00:33:46,680
Speaker 4: I mean shit, the easiest one, now, I guess would

747
00:33:46,720 --> 00:33:49,320
Speaker 4: just be posed to Kendrick Drake Beef. Just find somebody

748
00:33:49,320 --> 00:33:50,440
Speaker 4: to say something bad about it.

749
00:33:50,480 --> 00:33:53,840
Speaker 1: But see, that's another thing too start a discording.

750
00:33:53,840 --> 00:33:55,640
Speaker 3: This is not my bop, like you know what I'm saying.

751
00:33:55,680 --> 00:33:57,520
Speaker 1: So when you ask me that question about if I

752
00:33:57,560 --> 00:34:01,080
Speaker 1: still had a relationship with this person, It's like, nah,

753
00:34:01,480 --> 00:34:04,480
Speaker 1: I don't feed into stuff like that like that, that

754
00:34:04,560 --> 00:34:05,560
Speaker 1: don't feed me.

755
00:34:06,160 --> 00:34:06,880
Speaker 3: You know what I'm saying.

756
00:34:06,960 --> 00:34:10,640
Speaker 1: And I feel like my energy is very big and

757
00:34:10,760 --> 00:34:13,640
Speaker 1: I have to protect it like that, not come good

758
00:34:13,680 --> 00:34:18,560
Speaker 1: with that. Like, of course, this is a competitive sport,

759
00:34:19,160 --> 00:34:22,680
Speaker 1: you know what I'm saying, But social media makes things

760
00:34:23,000 --> 00:34:25,800
Speaker 1: so small that I don't feel like it's a friendly

761
00:34:25,840 --> 00:34:27,160
Speaker 1: competitive sport no more.

762
00:34:27,520 --> 00:34:31,680
Speaker 3: It gets personal, so I stay away from me.

763
00:34:31,880 --> 00:34:35,000
Speaker 4: Yeah, I mean, but at this point, outside of that situation,

764
00:34:35,320 --> 00:34:39,400
Speaker 4: if somebody did put a record out, not some social

765
00:34:39,440 --> 00:34:42,160
Speaker 4: media back and forth bullshit, but the actual record, do

766
00:34:42,160 --> 00:34:44,200
Speaker 4: you feel like that would make you get in the

767
00:34:44,200 --> 00:34:45,839
Speaker 4: booth or you still want to just chill?

768
00:34:46,480 --> 00:34:49,440
Speaker 1: It depends if it's if I feel like it depends.

769
00:34:49,440 --> 00:34:51,799
Speaker 3: Sometimes I'd be like, why would I respond to that? Yeah?

770
00:34:51,880 --> 00:34:52,359
Speaker 2: I get that.

771
00:34:52,480 --> 00:34:54,839
Speaker 3: Yeah, have they thrown shots at you? I don't.

772
00:34:54,880 --> 00:34:56,359
Speaker 2: I feel like I don't. I feel like I would

773
00:34:56,360 --> 00:34:59,400
Speaker 2: have quative one of them through some shots at Lola.

774
00:34:59,360 --> 00:35:01,920
Speaker 3: That's what I'm saying. And they probably did, but it

775
00:35:01,920 --> 00:35:08,480
Speaker 3: ain't hit. You can shoot as.

776
00:35:08,480 --> 00:35:10,000
Speaker 1: Much as you want if I don't get grades the

777
00:35:10,000 --> 00:35:11,040
Speaker 1: fuck I'm shooting back.

778
00:35:10,920 --> 00:35:13,600
Speaker 3: For right, Like, I probably't even hear them shots.

779
00:35:14,760 --> 00:35:16,720
Speaker 2: I don't think I've heard of any any any girls

780
00:35:16,719 --> 00:35:18,680
Speaker 2: throw shots a lolo though, Noah, like you do a

781
00:35:18,719 --> 00:35:21,640
Speaker 2: good job a staying away from.

782
00:35:21,160 --> 00:35:21,960
Speaker 3: See that's the thing.

783
00:35:22,200 --> 00:35:25,799
Speaker 1: But I'm like, I'm pretty sure it's been thrown. But I,

784
00:35:25,840 --> 00:35:28,440
Speaker 1: like I said all jokes is I'm living proof I

785
00:35:28,600 --> 00:35:33,840
Speaker 1: do not pay attention to bullshit like I respect.

786
00:35:34,080 --> 00:35:36,400
Speaker 4: Do we think they'll ever be the male rapper verse

787
00:35:36,480 --> 00:35:39,239
Speaker 4: female rapper? And I'm not saying like the Guardian Meg

788
00:35:39,360 --> 00:35:41,560
Speaker 4: situation because they dated. I'm talking about just a straight

789
00:35:41,640 --> 00:35:43,480
Speaker 4: up man versus women.

790
00:35:43,600 --> 00:35:46,360
Speaker 1: See, I ain't going front, like I'm not quick to

791
00:35:46,960 --> 00:35:49,719
Speaker 1: go neck to neck with a female artist. Yeah, I

792
00:35:49,760 --> 00:35:53,399
Speaker 1: feel like it's like, come on, we already outnumbered. Bro,

793
00:35:53,600 --> 00:35:56,840
Speaker 1: Like it don't it don't even make sense before a

794
00:35:56,920 --> 00:35:57,600
Speaker 1: male artist.

795
00:35:57,920 --> 00:35:59,080
Speaker 3: Oh, I might clip them.

796
00:36:00,320 --> 00:36:02,680
Speaker 2: So if I hear you listen, I like you. If

797
00:36:02,719 --> 00:36:05,360
Speaker 2: I hear you throwing shots at one of these, I

798
00:36:05,360 --> 00:36:05,880
Speaker 2: ain't gonna.

799
00:36:06,200 --> 00:36:08,319
Speaker 3: I'm just saying if I if a shot thrown at me,

800
00:36:08,400 --> 00:36:11,680
Speaker 3: I might I might. Who wouldnt even do that?

801
00:36:11,760 --> 00:36:11,920
Speaker 2: Though?

802
00:36:11,920 --> 00:36:13,000
Speaker 3: Like what would be on the mic?

803
00:36:14,239 --> 00:36:17,200
Speaker 4: And that's why it's like, that's why I dream door

804
00:36:17,280 --> 00:36:20,000
Speaker 4: smoke toy lanes. But again that came from like back

805
00:36:20,120 --> 00:36:22,560
Speaker 4: dating history. I want to see the one outside of

806
00:36:22,600 --> 00:36:25,879
Speaker 4: like you that was reason outside of that I would

807
00:36:25,960 --> 00:36:29,959
Speaker 4: just like to see the non dating past male versus

808
00:36:29,960 --> 00:36:30,560
Speaker 4: female rapper.

809
00:36:30,600 --> 00:36:32,160
Speaker 2: But like what male MC is going to be like?

810
00:36:32,200 --> 00:36:33,640
Speaker 2: You know what, I don't like.

811
00:36:37,080 --> 00:36:38,000
Speaker 3: You so confident.

812
00:36:38,160 --> 00:36:40,520
Speaker 1: People will want to come at you because you're just

813
00:36:40,680 --> 00:36:42,479
Speaker 1: so confident, and it might happen.

814
00:36:43,000 --> 00:36:44,080
Speaker 3: I pray it don't.

815
00:36:43,920 --> 00:36:47,160
Speaker 1: Because you know, I love the Brooklyn way. I really

816
00:36:47,200 --> 00:36:51,279
Speaker 1: don't want to enjoy that the Brooklyn Way spread or

817
00:36:51,600 --> 00:36:53,840
Speaker 1: any all love. I get tough love too, that's the

818
00:36:53,920 --> 00:36:54,680
Speaker 1: Brooklyn way too.

819
00:36:56,160 --> 00:36:56,439
Speaker 3: I guess.

820
00:36:56,440 --> 00:36:58,040
Speaker 2: I guess when I was younger, maybe those dudes did

821
00:36:58,120 --> 00:37:00,120
Speaker 2: love me to chased me out of Brooklyn, maybe just

822
00:37:00,160 --> 00:37:01,240
Speaker 2: trying to catch me to somebody.

823
00:37:01,239 --> 00:37:02,960
Speaker 4: Had to hide in a hardware story one time to

824
00:37:03,000 --> 00:37:05,759
Speaker 4: not get jumped in Brooklyn. There was nothing lovely about him. Yeah,

825
00:37:05,800 --> 00:37:06,960
Speaker 4: I got they showed no love.

826
00:37:07,480 --> 00:37:08,759
Speaker 1: But the.

827
00:37:10,239 --> 00:37:14,480
Speaker 3: Women. Yeah, I was like, they got rights to you

828
00:37:14,560 --> 00:37:17,320
Speaker 3: know what I'm saying. You got if I'm coming to

829
00:37:17,360 --> 00:37:19,560
Speaker 3: see a girl. I don't know these niggas they got

830
00:37:19,719 --> 00:37:22,560
Speaker 3: rights man, rights to what like her body?

831
00:37:23,239 --> 00:37:26,959
Speaker 2: A girl? I was going to see a girl dude

832
00:37:27,040 --> 00:37:29,600
Speaker 2: just standing outside Now they little.

833
00:37:29,440 --> 00:37:33,400
Speaker 1: Sister man, they probably tripping that a big one, but

834
00:37:33,480 --> 00:37:34,880
Speaker 1: they like not over here it's.

835
00:37:34,800 --> 00:37:38,400
Speaker 4: Loss and don't do that because if one of Lola's

836
00:37:38,400 --> 00:37:41,520
Speaker 4: homeboys came up to Grand Concourse to see your sister,

837
00:37:41,560 --> 00:37:43,319
Speaker 4: I don't think you'd be sitting there like, yeah, come

838
00:37:43,400 --> 00:37:44,000
Speaker 4: on in, sir.

839
00:37:44,080 --> 00:37:44,880
Speaker 3: That's what I'm saying.

840
00:37:45,080 --> 00:37:45,640
Speaker 2: That's the fact.

841
00:37:46,120 --> 00:37:47,160
Speaker 3: Gotta protect the foot.

842
00:37:47,280 --> 00:37:48,839
Speaker 2: No, yeah, we don't look at it like that. We're

843
00:37:48,840 --> 00:37:50,560
Speaker 2: just going to see a girl. But yeah, them niggas

844
00:37:50,560 --> 00:37:53,160
Speaker 2: definitely chased me all way back to the train. Good

845
00:37:53,200 --> 00:37:54,600
Speaker 2: times though, good times.

846
00:37:54,960 --> 00:37:57,880
Speaker 1: I talk to us about the new album, Lola, I

847
00:37:58,080 --> 00:38:01,319
Speaker 1: bet whatever you need I got. It's one of those

848
00:38:01,840 --> 00:38:04,000
Speaker 1: what are you right now? How you want to feel?

849
00:38:04,640 --> 00:38:06,960
Speaker 1: I want to hear I want to hear Lola rap

850
00:38:07,040 --> 00:38:13,480
Speaker 1: about the guy that got away, The guy that got away, Yeah,

851
00:38:13,800 --> 00:38:14,399
Speaker 1: I get away.

852
00:38:15,000 --> 00:38:16,920
Speaker 2: See that's a problem why you're acting like y'all don't

853
00:38:16,960 --> 00:38:20,319
Speaker 2: never date guys that like good guys. He's a great guy.

854
00:38:20,560 --> 00:38:23,479
Speaker 2: You may have been, you was in limbo, you still

855
00:38:23,560 --> 00:38:26,120
Speaker 2: was fucking with this. Ain't shit, nigga, that you was

856
00:38:26,160 --> 00:38:26,480
Speaker 2: in love.

857
00:38:27,200 --> 00:38:29,200
Speaker 1: That's why girls like me need to be in the

858
00:38:29,239 --> 00:38:33,200
Speaker 1: forefront too, because y'all really think women the only women

859
00:38:33,239 --> 00:38:35,560
Speaker 1: out here that exist is ain't ship women.

860
00:38:35,760 --> 00:38:38,640
Speaker 3: No, no, no, no, No, I'm not saying ain't yeh no,

861
00:38:38,880 --> 00:38:40,839
Speaker 3: but that's what I'm saying. But you can you can

862
00:38:40,960 --> 00:38:41,120
Speaker 3: let it.

863
00:38:41,239 --> 00:38:42,239
Speaker 2: You can lose a guy like.

864
00:38:42,440 --> 00:38:46,240
Speaker 3: From from yeah, from me being an ain't ship person,

865
00:38:46,840 --> 00:38:48,520
Speaker 3: but you get away.

866
00:38:48,560 --> 00:38:51,160
Speaker 2: Because say you in a situation right, like you're dating somebody.

867
00:38:52,080 --> 00:38:54,799
Speaker 2: It's not the best situation, but you are in a relationship.

868
00:38:55,320 --> 00:38:57,600
Speaker 2: You just happen to meet a guy. He's great, he's cool,

869
00:38:58,640 --> 00:39:00,520
Speaker 2: but you don't really can't give him the energy that

870
00:39:00,760 --> 00:39:02,480
Speaker 2: you know, because it's like I got a situation, I

871
00:39:02,560 --> 00:39:05,960
Speaker 2: got somebody, but you know this guy is good for you,

872
00:39:06,160 --> 00:39:09,080
Speaker 2: Like he's the type of the dude you with. He

873
00:39:09,239 --> 00:39:10,920
Speaker 2: ain't shit you know what I'm saying. Not saying he

874
00:39:11,000 --> 00:39:12,600
Speaker 2: cheating any nothing like that, but it's just like he

875
00:39:12,719 --> 00:39:14,680
Speaker 2: got a lot of wiz shit going on, not shit

876
00:39:14,760 --> 00:39:18,800
Speaker 2: that's progressive in your life. Could be kind of toxic.

877
00:39:19,200 --> 00:39:22,359
Speaker 2: This guy is you know, he's all of the things.

878
00:39:22,440 --> 00:39:25,160
Speaker 2: He's but it's just that you're not single. That could

879
00:39:25,160 --> 00:39:27,439
Speaker 2: be the guy that got away, like he got away

880
00:39:27,480 --> 00:39:27,680
Speaker 2: from me.

881
00:39:27,960 --> 00:39:31,280
Speaker 1: Listen or would you just straight up lead I'm not happy,

882
00:39:32,719 --> 00:39:37,640
Speaker 1: I am leaving. I've been and hold on, hold on,

883
00:39:38,120 --> 00:39:41,160
Speaker 1: let me finish it again. I've been in relationships where

884
00:39:41,360 --> 00:39:43,640
Speaker 1: I wasn't happy and I was still there because I

885
00:39:43,760 --> 00:39:46,920
Speaker 1: felt that it had some I had some fight in me.

886
00:39:47,200 --> 00:39:49,160
Speaker 3: You know what I'm saying, I give it a chance.

887
00:39:49,760 --> 00:39:52,719
Speaker 1: Things are not perfect, So just because you're not happy

888
00:39:52,760 --> 00:39:54,960
Speaker 1: at that moment, don't mean that you can't be happy

889
00:39:55,040 --> 00:39:57,520
Speaker 1: in the future with this person. It's just y'all might

890
00:39:57,560 --> 00:39:59,120
Speaker 1: not be seeing out of ours. So I give it

891
00:39:59,200 --> 00:40:01,759
Speaker 1: a chance, you know what I'm saying. So, Yes, a

892
00:40:01,840 --> 00:40:03,879
Speaker 1: good God might come around when I'm trying to fight

893
00:40:03,960 --> 00:40:06,839
Speaker 1: for my relationship, but that don't mean that he got away.

894
00:40:06,920 --> 00:40:09,880
Speaker 1: He probably was good, but not good for me. Because

895
00:40:09,920 --> 00:40:13,600
Speaker 1: if something is for me, it's gonna be there for sure.

896
00:40:14,280 --> 00:40:16,640
Speaker 1: So even if I leave this man the next year

897
00:40:16,719 --> 00:40:18,880
Speaker 1: and the other that the last man was trying to

898
00:40:18,920 --> 00:40:20,759
Speaker 1: get me last year or whatever.

899
00:40:20,800 --> 00:40:22,719
Speaker 3: Duran, he gonna be there.

900
00:40:23,960 --> 00:40:24,200
Speaker 2: Ship.

901
00:40:24,800 --> 00:40:25,960
Speaker 4: He's got to wait around, right, and.

902
00:40:27,560 --> 00:40:30,879
Speaker 3: Then it's all right. I'm not folding. I'm good. God

903
00:40:31,000 --> 00:40:35,400
Speaker 3: got me man, God got me like I sure do.

904
00:40:36,000 --> 00:40:39,120
Speaker 3: God got me like what's for me will never miss me.

905
00:40:39,360 --> 00:40:41,520
Speaker 1: Yes, you got to learn as a woman to learn

906
00:40:41,600 --> 00:40:44,279
Speaker 1: how to be alone. That means I need time for

907
00:40:44,400 --> 00:40:47,040
Speaker 1: my with that that I agree with. I think women

908
00:40:47,120 --> 00:40:48,239
Speaker 1: do need to learn how to be alone.

909
00:40:48,280 --> 00:40:50,280
Speaker 3: Your people need to learn people.

910
00:40:50,680 --> 00:40:53,360
Speaker 2: But women too, though y'all can't. I know how to

911
00:40:53,400 --> 00:40:56,799
Speaker 2: be alone women, women, women. You know, women, people, I'm saying,

912
00:40:56,840 --> 00:40:58,920
Speaker 2: but women don't. Women don't know how to be alone.

913
00:40:58,920 --> 00:40:59,959
Speaker 2: Women love being alone.

914
00:41:00,360 --> 00:41:02,440
Speaker 1: It be niggas that don't know how to y'all know

915
00:41:02,520 --> 00:41:04,600
Speaker 1: how to not be in relationships, but y'all do not

916
00:41:04,760 --> 00:41:05,920
Speaker 1: know how to be alone.

917
00:41:06,400 --> 00:41:08,839
Speaker 3: Thank you. It's two different things. It's always a bit

918
00:41:08,960 --> 00:41:10,320
Speaker 3: in that phone at all times.

919
00:41:10,400 --> 00:41:12,640
Speaker 1: Women are those stints where there's like they really just

920
00:41:12,719 --> 00:41:14,840
Speaker 1: like I eat, pray, love like women do like that.

921
00:41:15,040 --> 00:41:21,640
Speaker 3: Women are not practice celibacy, Yes we do. Not, No,

922
00:41:21,840 --> 00:41:22,120
Speaker 3: you're not.

923
00:41:22,800 --> 00:41:25,560
Speaker 4: What's the what's the exact day on celibacy.

924
00:41:27,920 --> 00:41:30,360
Speaker 3: Without sex? You want to know the book I practiced?

925
00:41:30,480 --> 00:41:30,520
Speaker 1: No?

926
00:41:31,239 --> 00:41:32,759
Speaker 3: Not? You understand the number?

927
00:41:32,960 --> 00:41:35,000
Speaker 2: Like what if a god like y'all ain't had sex

928
00:41:35,120 --> 00:41:36,399
Speaker 2: and you sell?

929
00:41:37,239 --> 00:41:40,680
Speaker 3: What's is a choice? It don't matter the number as

930
00:41:40,760 --> 00:41:43,000
Speaker 3: long as you practicing it, it don't matter. But I'm

931
00:41:43,000 --> 00:41:43,759
Speaker 3: gonna I need to know.

932
00:41:43,880 --> 00:41:46,160
Speaker 1: Like good, if you could go thirty days? It's like

933
00:41:46,280 --> 00:41:47,800
Speaker 1: does you you discipline yourself?

934
00:41:49,680 --> 00:41:50,880
Speaker 3: Yeah? But did you choose it.

935
00:41:51,000 --> 00:41:53,640
Speaker 1: Celibacy means you chose that path, not just damn I

936
00:41:53,800 --> 00:41:55,239
Speaker 1: read across no Pussy in thirty eight.

937
00:41:55,400 --> 00:41:58,239
Speaker 3: Yeah, it's like I am choosing to not not get

938
00:41:58,480 --> 00:42:00,319
Speaker 3: sex for thirty days. I think.

939
00:42:00,400 --> 00:42:02,319
Speaker 2: I think it's all a choice because if I wanted

940
00:42:02,360 --> 00:42:03,960
Speaker 2: to have sex, even if I don't have I can

941
00:42:04,000 --> 00:42:04,680
Speaker 2: go buy sex.

942
00:42:07,040 --> 00:42:10,799
Speaker 4: He's not wrong. And even with a phone, it's something

943
00:42:10,800 --> 00:42:12,840
Speaker 4: I practiced. You don't even need to buy sex. You

944
00:42:12,880 --> 00:42:15,400
Speaker 4: could just find sex on your phone. Okay, Well, whatever

945
00:42:15,520 --> 00:42:18,520
Speaker 4: thirty days is. I think in this era, anything days.

946
00:42:18,560 --> 00:42:21,200
Speaker 1: Anything, That's what I'm saying, Like, you know, so thirty

947
00:42:21,280 --> 00:42:23,640
Speaker 1: days is like, okay, I could applaud to it, because

948
00:42:23,719 --> 00:42:26,400
Speaker 1: I don't know how it's not for me.

949
00:42:26,520 --> 00:42:29,160
Speaker 3: It's a thirty day. That's one day for me.

950
00:42:30,360 --> 00:42:31,880
Speaker 2: The longest time, what was it? I think I went

951
00:42:31,920 --> 00:42:33,359
Speaker 2: almost a year one time.

952
00:42:33,440 --> 00:42:35,000
Speaker 3: You keep telling us that and the number just keep

953
00:42:35,040 --> 00:42:38,239
Speaker 3: growing six months a year. It was almost a year.

954
00:42:38,480 --> 00:42:40,759
Speaker 4: I went to you hare two years no sex for sure,

955
00:42:41,520 --> 00:42:42,200
Speaker 4: fourteen for me?

956
00:42:42,480 --> 00:42:44,439
Speaker 2: Ship two years no sex in the free world.

957
00:42:45,440 --> 00:42:47,959
Speaker 3: Get in the free world. You weren't locked up.

958
00:42:48,040 --> 00:42:50,040
Speaker 2: If I didn't even jail two years is woo? That's

959
00:42:50,080 --> 00:42:50,640
Speaker 2: a long time.

960
00:42:51,160 --> 00:42:53,040
Speaker 4: I mean, but you still don't feel like there's ever

961
00:42:53,120 --> 00:42:56,799
Speaker 4: been a fumble, not off your person, just based off

962
00:42:57,160 --> 00:43:00,239
Speaker 4: I don't know, maybe your work schedule, Uh, your world

963
00:43:00,280 --> 00:43:03,520
Speaker 4: going on a one to eighty after everything popped, Like

964
00:43:03,600 --> 00:43:06,359
Speaker 4: I could see that being a difficult thing, no matter

965
00:43:06,400 --> 00:43:09,160
Speaker 4: even if you saw it on somebody before. Yeah, in general,

966
00:43:10,160 --> 00:43:10,800
Speaker 4: I've dealt with it.

967
00:43:10,880 --> 00:43:12,040
Speaker 3: That's how I still got my person.

968
00:43:12,160 --> 00:43:14,120
Speaker 4: Now, Okay, we work through it.

969
00:43:14,800 --> 00:43:16,640
Speaker 3: That's what I'm saying. When it's for you, it's gonna

970
00:43:16,640 --> 00:43:19,440
Speaker 3: beat it like you work through it.

971
00:43:20,120 --> 00:43:24,440
Speaker 2: Do you think it's important to find somebody that kind

972
00:43:24,480 --> 00:43:27,480
Speaker 2: of like understands your lifestyle because they're in the entertainment

973
00:43:27,560 --> 00:43:27,960
Speaker 2: and help.

974
00:43:28,120 --> 00:43:31,560
Speaker 3: It helps. It helps. I'm not gonna lie with my situation.

975
00:43:32,840 --> 00:43:36,120
Speaker 3: It is helping, Like we understand I get it, he

976
00:43:36,280 --> 00:43:37,759
Speaker 3: get it, and we cool.

977
00:43:38,160 --> 00:43:38,359
Speaker 2: Yeah.

978
00:43:39,040 --> 00:43:40,920
Speaker 4: Yeah, I've had both sides of that, and I think

979
00:43:40,960 --> 00:43:44,000
Speaker 4: they they have the same challenges in different ways because

980
00:43:44,040 --> 00:43:46,600
Speaker 4: I appreciate the person that is in the same space

981
00:43:46,680 --> 00:43:49,680
Speaker 4: I'm in and understands that part. But that can get

982
00:43:49,719 --> 00:43:54,239
Speaker 4: a little too fucking messy and weird. And yeah, it's

983
00:43:54,280 --> 00:43:55,959
Speaker 4: a little overlap on certain things.

984
00:43:56,280 --> 00:43:56,520
Speaker 2: People.

985
00:43:56,600 --> 00:43:58,719
Speaker 4: And then I've had the relationship that she had no

986
00:43:58,760 --> 00:44:00,560
Speaker 4: idea who the fuck I was, are what I do?

987
00:44:01,000 --> 00:44:01,600
Speaker 3: I thought that was.

988
00:44:01,600 --> 00:44:03,319
Speaker 4: Great, But then you get to those points where it's

989
00:44:03,360 --> 00:44:05,360
Speaker 4: like I have to record four episodes, we got to

990
00:44:05,400 --> 00:44:07,200
Speaker 4: go do this, this, this, like and they don't understand

991
00:44:07,239 --> 00:44:07,400
Speaker 4: I have.

992
00:44:07,480 --> 00:44:09,560
Speaker 3: No idea what that means. Like, wait, this is work.

993
00:44:09,680 --> 00:44:12,320
Speaker 4: I'm like, yeah, this is actual work. It depends on

994
00:44:12,480 --> 00:44:14,760
Speaker 4: the partis and therapy. When she said he was working,

995
00:44:14,880 --> 00:44:17,600
Speaker 4: I was like, I was working. I was, it was

996
00:44:17,680 --> 00:44:18,239
Speaker 4: really working.

997
00:44:18,880 --> 00:44:21,880
Speaker 1: See when I see your person, they are willing to

998
00:44:23,200 --> 00:44:25,719
Speaker 1: sit there and take the time to figure it out.

999
00:44:26,680 --> 00:44:29,359
Speaker 3: You know what I'm saying. Trust is a big thing too.

1000
00:44:30,480 --> 00:44:31,439
Speaker 3: I Trust is nothing.

1001
00:44:31,560 --> 00:44:33,400
Speaker 4: We don't have to get in the two details of

1002
00:44:33,560 --> 00:44:35,120
Speaker 4: like who they are, but are they from at least

1003
00:44:35,160 --> 00:44:39,759
Speaker 4: the Try State area? Because may so that's that's my thing.

1004
00:44:39,880 --> 00:44:48,880
Speaker 3: So it'd be like that, listen, time, what's going on

1005
00:44:49,080 --> 00:44:54,279
Speaker 3: right now? It sometimes you gotta go out of town.

1006
00:44:54,400 --> 00:44:55,919
Speaker 3: Sometimes you got go every time.

1007
00:44:56,160 --> 00:44:58,399
Speaker 4: Every time I do that, I come right back home. Though,

1008
00:44:58,719 --> 00:45:02,160
Speaker 4: like all my long some relationships is women from the

1009
00:45:02,200 --> 00:45:02,640
Speaker 4: Five Borough.

1010
00:45:02,680 --> 00:45:05,000
Speaker 3: That's because New York women are the best women exactly.

1011
00:45:05,760 --> 00:45:08,040
Speaker 4: That goes what I'm saying I don't know about I've won.

1012
00:45:08,400 --> 00:45:10,640
Speaker 4: I went ot for it, and yeah it's cool for

1013
00:45:10,719 --> 00:45:12,000
Speaker 4: a little while, but they're just not.

1014
00:45:12,160 --> 00:45:15,320
Speaker 3: From But I went somewhere maybe kind of crazy.

1015
00:45:16,080 --> 00:45:20,439
Speaker 4: I mean Cleveland with it, Cleveland ship, damn busy bone shit.

1016
00:45:20,560 --> 00:45:21,720
Speaker 2: Lebron left Cleveland.

1017
00:45:23,200 --> 00:45:23,959
Speaker 3: He took his talent.

1018
00:45:25,000 --> 00:45:31,319
Speaker 1: Lebron left Cleveland to Lil Jacket, of course. But I'm

1019
00:45:31,400 --> 00:45:33,120
Speaker 1: just saying, like I went out out of town with it.

1020
00:45:33,200 --> 00:45:35,440
Speaker 1: But I'm a female where when I was growing up,

1021
00:45:36,000 --> 00:45:37,640
Speaker 1: I had a boyfriend in high school and we did

1022
00:45:37,680 --> 00:45:38,680
Speaker 1: not go to the same school.

1023
00:45:39,680 --> 00:45:41,560
Speaker 4: Okay, but like he went to boys and Girls High

1024
00:45:41,560 --> 00:45:43,080
Speaker 4: and you went to Brooklyn Tech.

1025
00:45:43,080 --> 00:45:44,879
Speaker 3: I was going to boys. I was going to boys

1026
00:45:44,920 --> 00:45:45,320
Speaker 3: and girls.

1027
00:45:45,560 --> 00:45:46,200
Speaker 2: That was a guest.

1028
00:45:46,800 --> 00:45:50,759
Speaker 4: I was nailed that mom, okay, And we got to

1029
00:45:50,760 --> 00:45:53,120
Speaker 4: talk about like, I mean, I loved the high school.

1030
00:45:53,520 --> 00:45:56,560
Speaker 4: But like you're saying, it's not that hard to be so,

1031
00:45:59,280 --> 00:46:03,400
Speaker 4: but like how far was the distance? It was, that

1032
00:46:03,520 --> 00:46:05,239
Speaker 4: difference between New York and Cleveland, Like.

1033
00:46:06,400 --> 00:46:09,960
Speaker 3: What you oh? I mean, I was I'm a kid man.

1034
00:46:10,040 --> 00:46:12,919
Speaker 2: That's fall Like, no, that's a real thing though, because

1035
00:46:12,920 --> 00:46:14,600
Speaker 2: I remember once I had a crush on the girl

1036
00:46:14,640 --> 00:46:17,080
Speaker 2: and then she transferred schools and it broke my heart.

1037
00:46:17,120 --> 00:46:19,160
Speaker 2: And then when I got old, I realized she just

1038
00:46:19,280 --> 00:46:21,040
Speaker 2: moved to Queens. I could have still saw that girl.

1039
00:46:21,239 --> 00:46:23,880
Speaker 2: Bronx the Queen's the longest relationship, But Brooklyn is not.

1040
00:46:24,280 --> 00:46:26,680
Speaker 2: Unless you're in like sheep said, Bay, like you're not.

1041
00:46:26,920 --> 00:46:29,400
Speaker 2: That's not a long distance relationship, depending on where you're

1042
00:46:29,440 --> 00:46:32,360
Speaker 2: on Brooklyn. That side to Fort Green.

1043
00:46:32,280 --> 00:46:32,760
Speaker 3: Is not along.

1044
00:46:33,239 --> 00:46:36,120
Speaker 2: No, that's not a long relationship. But but the Bronx

1045
00:46:36,160 --> 00:46:38,520
Speaker 2: and Queens, that's long distance. Did you I gotta take

1046
00:46:38,560 --> 00:46:41,040
Speaker 2: three trains to see Shorty. I'm on fan what we doing?

1047
00:46:41,760 --> 00:46:44,319
Speaker 2: And them niggas don't like us. So I'm going through

1048
00:46:44,360 --> 00:46:46,360
Speaker 2: Max like a video game. I gotta go through Mad.

1049
00:46:47,320 --> 00:46:49,439
Speaker 2: I gotta pick up food on the way. I got mad.

1050
00:46:50,560 --> 00:46:53,000
Speaker 3: I feel you man, you and you a kid man.

1051
00:46:53,040 --> 00:46:57,200
Speaker 3: You don't got you on feet, You don't got money

1052
00:46:57,239 --> 00:46:59,000
Speaker 3: for the fav for real?

1053
00:46:59,719 --> 00:47:01,960
Speaker 5: You like you?

1054
00:47:02,320 --> 00:47:04,600
Speaker 3: Like you Sometimes you just want to walk across the

1055
00:47:04,640 --> 00:47:07,560
Speaker 3: street or go next door or something. Yeah, I agree

1056
00:47:07,560 --> 00:47:08,840
Speaker 3: with It was definitely easier.

1057
00:47:08,680 --> 00:47:11,279
Speaker 4: Wearing Queens what she was it then to dollar cab

1058
00:47:11,440 --> 00:47:12,040
Speaker 4: or dollar van.

1059
00:47:12,400 --> 00:47:16,360
Speaker 2: No, I just took the the f train the Parsons.

1060
00:47:17,440 --> 00:47:19,840
Speaker 2: I remember that was the stop Parsons reminiscent.

1061
00:47:20,160 --> 00:47:22,000
Speaker 3: Yeah she was. She was in Jamaica state.

1062
00:47:22,040 --> 00:47:23,040
Speaker 4: She had a little little money.

1063
00:47:23,160 --> 00:47:25,560
Speaker 2: No, no, no, she wasn't. She was on the hill. Yeah,

1064
00:47:25,600 --> 00:47:29,680
Speaker 2: she was on the block. It was shit going on

1065
00:47:29,800 --> 00:47:30,960
Speaker 2: outside her building. For sure.

1066
00:47:31,040 --> 00:47:36,160
Speaker 3: Definitely, But yeah, you don't like it's like will you ship?

1067
00:47:36,400 --> 00:47:37,759
Speaker 3: You don't sleep at it? Right?

1068
00:47:39,600 --> 00:47:43,280
Speaker 4: Yeah, I mean yeah that sounds good in theory, but yeah.

1069
00:47:43,560 --> 00:47:47,120
Speaker 3: No, I definitely definitely That's how I look at it.

1070
00:47:47,360 --> 00:47:52,360
Speaker 3: Like listen, when I'm home, I'm focused on trying to

1071
00:47:52,400 --> 00:47:53,680
Speaker 3: get to it. You know what I'm saying.

1072
00:47:53,800 --> 00:47:57,520
Speaker 1: I'm a hustler when I'm home, and then I need

1073
00:47:57,640 --> 00:47:58,760
Speaker 1: when I want to step away.

1074
00:47:59,280 --> 00:48:00,920
Speaker 3: It's a whole new world for me. I want to

1075
00:48:00,920 --> 00:48:01,480
Speaker 3: step away.

1076
00:48:02,160 --> 00:48:04,560
Speaker 2: What's the biggest misconception about you that you've heard, like

1077
00:48:04,719 --> 00:48:07,200
Speaker 2: people say or think about you.

1078
00:48:08,480 --> 00:48:11,600
Speaker 1: Like people be thinking that I purposely want to be

1079
00:48:11,640 --> 00:48:15,640
Speaker 1: aggressive or I want to be gangster something like that,

1080
00:48:15,840 --> 00:48:20,640
Speaker 1: Like like if that lifestyle for me is something that

1081
00:48:20,920 --> 00:48:24,919
Speaker 1: I crave, Like I grew up in Brooklyn, New York.

1082
00:48:25,040 --> 00:48:29,160
Speaker 1: I had yet but to be tough like this, and

1083
00:48:29,320 --> 00:48:31,640
Speaker 1: I'm small with no siblings.

1084
00:48:32,480 --> 00:48:35,680
Speaker 2: What you oh, you're the only child.

1085
00:48:35,960 --> 00:48:38,400
Speaker 3: Yes, oh, you had to fight fight, you know what

1086
00:48:38,440 --> 00:48:38,879
Speaker 3: I'm saying.

1087
00:48:39,000 --> 00:48:40,800
Speaker 1: So I had to go out there and be like,

1088
00:48:40,920 --> 00:48:45,040
Speaker 1: yeah this bro right here right, and they got me good,

1089
00:48:45,680 --> 00:48:48,200
Speaker 1: you know, But me, my I was straight, like I

1090
00:48:48,280 --> 00:48:50,480
Speaker 1: ain't really have no no crazy problems.

1091
00:48:50,560 --> 00:48:52,120
Speaker 3: But I'm out there fight. I lost.

1092
00:48:53,400 --> 00:48:54,880
Speaker 4: I'm glad that you prospered.

1093
00:48:54,920 --> 00:48:56,239
Speaker 3: I didn't, you know what I'm saying.

1094
00:48:57,680 --> 00:48:59,920
Speaker 1: If anything, people wanted to protect me because I was

1095
00:49:00,120 --> 00:49:02,239
Speaker 1: so small. I was down on earth. I ain't take

1096
00:49:02,360 --> 00:49:06,839
Speaker 1: no ship from nobody. But it was like, I ain't

1097
00:49:06,880 --> 00:49:10,719
Speaker 1: have no choice but to be this person, especially when

1098
00:49:10,840 --> 00:49:13,040
Speaker 1: especially when you small, like people play with you more.

1099
00:49:13,120 --> 00:49:13,880
Speaker 3: They play with you.

1100
00:49:14,719 --> 00:49:16,960
Speaker 1: From a young age, you learn that, like you have

1101
00:49:17,160 --> 00:49:20,000
Speaker 1: to project out a little bit. People prob Napoleon.

1102
00:49:19,680 --> 00:49:21,759
Speaker 3: Syndrome or whatever, like no, like I'm gonna be heard,

1103
00:49:21,840 --> 00:49:22,600
Speaker 3: You're not gonna.

1104
00:49:22,400 --> 00:49:22,759
Speaker 2: Play with me.

1105
00:49:22,800 --> 00:49:23,840
Speaker 3: I don't care how small I am.

1106
00:49:23,920 --> 00:49:24,520
Speaker 2: Don't play.

1107
00:49:26,080 --> 00:49:26,560
Speaker 3: Short women.

1108
00:49:27,400 --> 00:49:30,920
Speaker 1: I'm like, don't play with it, Like, don't judge your

1109
00:49:30,920 --> 00:49:33,680
Speaker 1: book by its cover. I'm not saying that I'm trying

1110
00:49:33,680 --> 00:49:35,080
Speaker 1: to be on that, but if I got to be

1111
00:49:35,160 --> 00:49:36,480
Speaker 1: on that, then it is what it is.

1112
00:49:36,680 --> 00:49:37,279
Speaker 3: You know what I'm saying.

1113
00:49:37,520 --> 00:49:39,880
Speaker 2: Have you met because obviously you get the comparisons a lot,

1114
00:49:39,960 --> 00:49:42,440
Speaker 2: and we've obviously talked about it, just the tone of Fox.

1115
00:49:42,680 --> 00:49:43,560
Speaker 2: Have you met Fox yet?

1116
00:49:43,800 --> 00:49:46,120
Speaker 3: Have you had a chance to person? But we we

1117
00:49:46,280 --> 00:49:47,840
Speaker 3: don't text and stuff like that.

1118
00:49:48,200 --> 00:49:52,080
Speaker 2: Yeah, how much of a because obviously being from Brooklyn,

1119
00:49:52,520 --> 00:49:54,239
Speaker 2: how much of an influence was Foxy for you?

1120
00:49:54,360 --> 00:49:54,520
Speaker 1: Though?

1121
00:49:55,400 --> 00:49:59,520
Speaker 3: Fox and Kim It's like, you gotta know those two

1122
00:49:59,600 --> 00:50:02,840
Speaker 3: women in rap, like you have to know. I'm from the.

1123
00:50:02,880 --> 00:50:06,840
Speaker 1: Star as well as THEMB too, So it was like

1124
00:50:07,480 --> 00:50:09,439
Speaker 1: right in your face. And then I feel like those

1125
00:50:09,480 --> 00:50:12,760
Speaker 1: are two women in the game that are very much Brooklyn.

1126
00:50:13,239 --> 00:50:16,040
Speaker 1: They see when people used to be like, oh why

1127
00:50:16,120 --> 00:50:18,160
Speaker 1: you sow this and why you sow that you're aggressive

1128
00:50:18,239 --> 00:50:21,440
Speaker 1: or whatever the case may be. I start looking at them.

1129
00:50:21,600 --> 00:50:25,920
Speaker 1: It's saying, well, I'm a Brooklyn girl just like them,

1130
00:50:26,280 --> 00:50:28,759
Speaker 1: So why I'm getting punched on?

1131
00:50:29,160 --> 00:50:31,160
Speaker 2: Kim had her aggressive moment in her music too, you

1132
00:50:31,200 --> 00:50:32,600
Speaker 2: know what I'm saying a lot of people forget about

1133
00:50:32,600 --> 00:50:35,360
Speaker 2: a little Kim, but she had she had aggressive, aggressive

1134
00:50:35,440 --> 00:50:36,719
Speaker 2: energy and a lot of her music.

1135
00:50:37,000 --> 00:50:39,440
Speaker 1: Yeah, so it's like, why why I'm getting punched on?

1136
00:50:40,200 --> 00:50:44,120
Speaker 1: Like I thought women in Brooklyn was rale That's what

1137
00:50:44,280 --> 00:50:47,960
Speaker 1: I am ra but when you go to so other

1138
00:50:48,000 --> 00:50:50,719
Speaker 1: parts of the country aren't used to New York women.

1139
00:50:50,920 --> 00:50:52,880
Speaker 1: New York niggas are used to New York women, but

1140
00:50:53,480 --> 00:50:55,359
Speaker 1: other people on the other side, like they're not used

1141
00:50:55,440 --> 00:50:57,719
Speaker 1: to that. But like, why you say aggressive, that's like

1142
00:50:57,719 --> 00:50:58,720
Speaker 1: that's where you're not aggressive?

1143
00:50:58,719 --> 00:51:01,960
Speaker 4: That is there a New York female rapper that's not Yes,

1144
00:51:02,160 --> 00:51:05,520
Speaker 4: there's there's a couple of of course, I'm talking about

1145
00:51:05,560 --> 00:51:10,080
Speaker 4: like more on the legendary said, Nikki is aggressive, Remy

1146
00:51:10,160 --> 00:51:10,680
Speaker 4: is aggressive.

1147
00:51:11,000 --> 00:51:14,919
Speaker 2: Well, Nikki Nikki, Nikki, she had she had songs.

1148
00:51:14,680 --> 00:51:15,719
Speaker 3: Nikki has her pop show.

1149
00:51:16,840 --> 00:51:20,200
Speaker 4: The tone tone is Nikki gets like Nikki started out

1150
00:51:20,200 --> 00:51:21,720
Speaker 4: aggressive on the DVDs.

1151
00:51:21,800 --> 00:51:22,600
Speaker 3: Nikki was aggressive.

1152
00:51:22,600 --> 00:51:24,799
Speaker 2: That definitely, that's what she has the moments with. Then

1153
00:51:25,560 --> 00:51:27,720
Speaker 2: Nikki also ushered in the whole doll thing.

1154
00:51:29,320 --> 00:51:29,720
Speaker 3: Feminine.

1155
00:51:31,160 --> 00:51:33,040
Speaker 4: To your point, Kim had her aggressive time, but Kim

1156
00:51:33,120 --> 00:51:35,280
Speaker 4: was feminine, super feminine.

1157
00:51:35,640 --> 00:51:36,520
Speaker 3: Box was feminine.

1158
00:51:36,640 --> 00:51:38,360
Speaker 2: Fox's tone was just so different.

1159
00:51:38,480 --> 00:51:40,160
Speaker 3: The tone was aggressive.

1160
00:51:40,239 --> 00:51:42,040
Speaker 2: What she was saying was very feminine.

1161
00:51:42,440 --> 00:51:43,080
Speaker 3: You know what I'm saying.

1162
00:51:43,280 --> 00:51:46,480
Speaker 1: But see me, I was a tomboy, So when I

1163
00:51:46,719 --> 00:51:51,319
Speaker 1: get aggressive, I'm like one of the bros I ain't

1164
00:51:51,360 --> 00:51:54,560
Speaker 1: gonna from I'm like a lieu of DMX inside of

1165
00:51:54,600 --> 00:51:57,479
Speaker 1: me is some but you know what I'm saying.

1166
00:51:57,600 --> 00:52:01,000
Speaker 3: But it's like as I get old, dude, I will

1167
00:52:01,239 --> 00:52:04,040
Speaker 3: become the woman that I need to be.

1168
00:52:04,560 --> 00:52:06,800
Speaker 1: This is the process, like y'all looking at an artist

1169
00:52:06,880 --> 00:52:11,359
Speaker 1: that's starting from the very beginning. Yeah, I don't think

1170
00:52:11,560 --> 00:52:14,520
Speaker 1: you know, social media like today's world, social media, you

1171
00:52:14,600 --> 00:52:18,040
Speaker 1: get to see everything in detail that I want to

1172
00:52:18,120 --> 00:52:20,520
Speaker 1: look for it, you know what I'm saying. And I

1173
00:52:20,640 --> 00:52:24,040
Speaker 1: feel like people just didn't know that when the Brooklyn

1174
00:52:24,120 --> 00:52:26,400
Speaker 1: Girls start off for this is her first stop.

1175
00:52:27,200 --> 00:52:30,200
Speaker 2: Yeah, you said something earlier about when Don't Play with

1176
00:52:30,280 --> 00:52:32,040
Speaker 2: It came out and then they're taking off the success

1177
00:52:32,120 --> 00:52:34,440
Speaker 2: of it, and that you kind of had to like

1178
00:52:34,560 --> 00:52:39,080
Speaker 2: get in that mode of like, you know, basically being

1179
00:52:39,120 --> 00:52:41,839
Speaker 2: able to handle the success of the record taking off

1180
00:52:41,880 --> 00:52:43,920
Speaker 2: and you wasn't you say you weren't ready for that?

1181
00:52:44,880 --> 00:52:45,279
Speaker 3: What is it?

1182
00:52:45,920 --> 00:52:47,920
Speaker 2: What do you mean by that? Like you weren't expecting

1183
00:52:47,960 --> 00:52:49,400
Speaker 2: it to be as big as it was. And then

1184
00:52:49,480 --> 00:52:52,000
Speaker 2: that obviously you're not home, you're on the road, you're

1185
00:52:52,040 --> 00:52:54,240
Speaker 2: doing shows, you're doing you know, all of these things.

1186
00:52:55,680 --> 00:52:59,279
Speaker 2: Do you think that that was something that helped you

1187
00:52:59,400 --> 00:53:01,319
Speaker 2: now with this I'm with this project coming out now,

1188
00:53:01,560 --> 00:53:03,799
Speaker 2: is that something that you're in the back of my mind? Like, Okay,

1189
00:53:03,800 --> 00:53:06,799
Speaker 2: I gotta be ready for anything, because at any point

1190
00:53:06,840 --> 00:53:09,480
Speaker 2: of time, shuit click and I got I gotta be

1191
00:53:09,560 --> 00:53:12,640
Speaker 2: on the road for however many days out of the year.

1192
00:53:13,200 --> 00:53:16,160
Speaker 3: Yeah. But see, I'm a hard worker. That's that's the thing.

1193
00:53:16,320 --> 00:53:19,160
Speaker 1: Like I come from a hard working mom too, So

1194
00:53:19,440 --> 00:53:21,359
Speaker 1: I'm not staying up the work. Shout out to my moms.

1195
00:53:21,360 --> 00:53:24,120
Speaker 1: I like, my the work is not the part for me.

1196
00:53:24,320 --> 00:53:28,960
Speaker 1: I work hard. It's learning how to work smart. It's

1197
00:53:29,040 --> 00:53:33,239
Speaker 1: learning how to work and still be yourself. And when

1198
00:53:33,239 --> 00:53:35,759
Speaker 1: you got to tell somebody no, you know how to

1199
00:53:35,920 --> 00:53:38,359
Speaker 1: say it without just saying yes all the time because

1200
00:53:38,360 --> 00:53:42,839
Speaker 1: you're gonna lose yourself. So now with the success going

1201
00:53:42,920 --> 00:53:47,400
Speaker 1: as it's going, I couldn't feel it because I was

1202
00:53:47,640 --> 00:53:49,680
Speaker 1: living in a moment for everybody else and not me.

1203
00:53:50,920 --> 00:53:52,759
Speaker 3: But now I look back and I could see it.

1204
00:53:53,480 --> 00:53:54,600
Speaker 3: Like that's like my.

1205
00:53:54,680 --> 00:53:56,879
Speaker 1: Mom's Like if I'm having an interview, my moms could

1206
00:53:56,920 --> 00:54:00,160
Speaker 1: look and say, well, something was bothering you, right, Like

1207
00:54:00,239 --> 00:54:02,680
Speaker 1: I could see it. So now I look back on

1208
00:54:02,920 --> 00:54:05,200
Speaker 1: the work that I put out and I could see

1209
00:54:05,239 --> 00:54:10,239
Speaker 1: it I'm like, oh, I was lost, so I fixed up.

1210
00:54:10,680 --> 00:54:12,600
Speaker 4: Yeah. I mean that's good that you could recognize it though,

1211
00:54:12,800 --> 00:54:16,040
Speaker 4: because most people it again takes some years Steven recognize

1212
00:54:16,040 --> 00:54:16,600
Speaker 4: that type of shit.

1213
00:54:17,440 --> 00:54:20,800
Speaker 1: Yeah, you just go through some hard times, man, like

1214
00:54:20,840 --> 00:54:23,600
Speaker 1: when you buy yourself dealing with problems by yourself.

1215
00:54:23,800 --> 00:54:25,160
Speaker 4: Hey, only child vibes, I'm with you.

1216
00:54:25,160 --> 00:54:26,680
Speaker 2: You wouldn't.

1217
00:54:27,600 --> 00:54:34,319
Speaker 4: Yeah, he is seventeen siblings and they're all famous. Seventeen

1218
00:54:34,440 --> 00:54:35,560
Speaker 4: it's my service eleven.

1219
00:54:37,040 --> 00:54:38,000
Speaker 2: Who's counting after ten?

1220
00:54:40,520 --> 00:54:41,480
Speaker 3: Joshua voicemails.

1221
00:54:41,920 --> 00:54:45,200
Speaker 4: So on our show, we have our fans calling, they

1222
00:54:45,280 --> 00:54:47,880
Speaker 4: tell us stories, they ask for advice. It's just just

1223
00:54:47,920 --> 00:54:50,360
Speaker 4: a voicemail segment which we want to include you in.

1224
00:54:51,200 --> 00:54:52,040
Speaker 2: Yeah, got mail.

1225
00:54:54,880 --> 00:54:55,720
Speaker 3: What's up, guys.

1226
00:54:55,840 --> 00:54:59,920
Speaker 7: I hope that you're all having a blessing when.

1227
00:54:59,840 --> 00:55:02,080
Speaker 2: You you're coold, wet, whatever.

1228
00:55:03,280 --> 00:55:03,400
Speaker 4: Day.

1229
00:55:04,440 --> 00:55:08,839
Speaker 7: But I have I have a predicament that I think

1230
00:55:08,920 --> 00:55:14,080
Speaker 7: you guys would be the best people to help me

1231
00:55:14,160 --> 00:55:19,560
Speaker 7: get through. I had my my soul stolen by a

1232
00:55:19,600 --> 00:55:21,759
Speaker 7: woman from the box. I need y'all to let me

1233
00:55:21,840 --> 00:55:23,080
Speaker 7: know how I'm supposed.

1234
00:55:22,800 --> 00:55:23,239
Speaker 4: To get it back.

1235
00:55:23,880 --> 00:55:28,480
Speaker 7: And now I know when I say I have it,

1236
00:55:28,600 --> 00:55:30,560
Speaker 7: may it may paint paint an image that I'm talking to.

1237
00:55:30,880 --> 00:55:32,800
Speaker 7: You know that God gog whatever not that that's not

1238
00:55:32,880 --> 00:55:35,640
Speaker 7: what I'm talking about. What I mean is I show

1239
00:55:35,880 --> 00:55:40,840
Speaker 7: from the Bronx and she like, like ever since I

1240
00:55:40,960 --> 00:55:43,879
Speaker 7: fucked with her and then you know, if I felt

1241
00:55:43,880 --> 00:55:44,799
Speaker 7: through she curbed me whatever.

1242
00:55:44,880 --> 00:55:49,120
Speaker 3: I just I can't like no bitches no more.

1243
00:55:49,239 --> 00:55:51,279
Speaker 7: Like I don't not apologize I'm mean to call. I

1244
00:55:51,320 --> 00:55:52,160
Speaker 7: ain't mean to say bitches.

1245
00:55:52,239 --> 00:55:52,960
Speaker 2: They're not bitches.

1246
00:55:53,520 --> 00:55:54,080
Speaker 4: I ain't say that.

1247
00:55:54,200 --> 00:55:55,040
Speaker 7: I ain't calling bitches.

1248
00:55:55,480 --> 00:55:58,719
Speaker 2: But I just can't like bitches no more.

1249
00:55:59,160 --> 00:56:02,239
Speaker 7: And I'm like, how do you?

1250
00:56:02,320 --> 00:56:02,600
Speaker 5: How do you?

1251
00:56:02,760 --> 00:56:03,839
Speaker 2: How do you get your soul?

1252
00:56:03,960 --> 00:56:06,320
Speaker 7: Like like I feel, I feel like with her left

1253
00:56:07,120 --> 00:56:09,279
Speaker 7: a piece of myself, you know what I mean?

1254
00:56:09,480 --> 00:56:10,960
Speaker 3: Like I just can't.

1255
00:56:12,280 --> 00:56:14,160
Speaker 7: Like I need I need? I need you guys, assistant,

1256
00:56:14,239 --> 00:56:16,640
Speaker 7: How do I recover from this? How do I get

1257
00:56:16,719 --> 00:56:20,279
Speaker 7: back to the met that existed before I fucked the

1258
00:56:20,320 --> 00:56:21,120
Speaker 7: woman for the box?

1259
00:56:22,480 --> 00:56:23,160
Speaker 3: Just say you gay?

1260
00:56:24,000 --> 00:56:25,840
Speaker 2: Well wait, hold on?

1261
00:56:25,960 --> 00:56:27,080
Speaker 3: Did he did they hook up?

1262
00:56:27,160 --> 00:56:27,200
Speaker 4: Like?

1263
00:56:27,280 --> 00:56:28,960
Speaker 2: Did was they fucking with each other? I think so?

1264
00:56:29,120 --> 00:56:30,799
Speaker 4: It seems like he at least syd she curved him

1265
00:56:30,840 --> 00:56:32,480
Speaker 4: and something like yeah, no, I think I think he

1266
00:56:32,520 --> 00:56:35,520
Speaker 4: got the top and she left, But it was the

1267
00:56:35,560 --> 00:56:38,319
Speaker 4: greatest that he ever had, and now he can't even

1268
00:56:38,360 --> 00:56:42,600
Speaker 4: see fucking colors the same way. Yeah, he had a

1269
00:56:42,680 --> 00:56:45,040
Speaker 4: prime eater and she went crazy on him.

1270
00:56:45,080 --> 00:56:46,160
Speaker 2: She gave him that you know when you go to

1271
00:56:46,239 --> 00:56:47,560
Speaker 2: the car wash and they asked you if you want

1272
00:56:47,600 --> 00:56:48,960
Speaker 2: your undercarriage.

1273
00:56:48,360 --> 00:56:50,200
Speaker 3: And yeah, they paint the tires.

1274
00:56:50,200 --> 00:56:50,399
Speaker 5: Ship.

1275
00:56:51,080 --> 00:56:53,200
Speaker 2: She gave him all of that and then curved him.

1276
00:56:53,600 --> 00:56:56,319
Speaker 2: That'll fuck you up, that'll throw you off because now

1277
00:56:56,520 --> 00:56:58,360
Speaker 2: now you wondering each other like what happened?

1278
00:56:58,360 --> 00:56:59,600
Speaker 3: Like you need some closure?

1279
00:57:00,840 --> 00:57:03,439
Speaker 2: Yeah, he want closure. He well, he wants he wants.

1280
00:57:03,480 --> 00:57:06,320
Speaker 2: You want her, he wants, he want but he but

1281
00:57:06,400 --> 00:57:08,120
Speaker 2: he wanted to know why like she curved him. I

1282
00:57:08,160 --> 00:57:11,600
Speaker 2: don't he didn't say why she curved him, but that's probably.

1283
00:57:11,320 --> 00:57:11,719
Speaker 1: What it was.

1284
00:57:11,960 --> 00:57:13,960
Speaker 4: He doesn't care why it happened. He just wants that

1285
00:57:14,080 --> 00:57:16,760
Speaker 4: neck again. It was never He just needs to move.

1286
00:57:17,520 --> 00:57:19,920
Speaker 3: Nah, he want to. He like her. He don't want

1287
00:57:19,960 --> 00:57:23,480
Speaker 3: nobody else to have about her. He'd be like that.

1288
00:57:23,880 --> 00:57:26,480
Speaker 3: It'd be like that. He don't want nobody else.

1289
00:57:26,360 --> 00:57:28,080
Speaker 4: To have he Yeah, but why do you think that

1290
00:57:28,240 --> 00:57:31,080
Speaker 4: because she was a great listener or he.

1291
00:57:31,080 --> 00:57:32,480
Speaker 3: Could just like her personality.

1292
00:57:32,840 --> 00:57:35,160
Speaker 4: Rory, No, I'm on that type of side. But that's

1293
00:57:35,160 --> 00:57:36,360
Speaker 4: not what I heard in that voice.

1294
00:57:36,360 --> 00:57:36,480
Speaker 3: Man.

1295
00:57:36,560 --> 00:57:37,360
Speaker 2: Yeah, I don't get that from this.

1296
00:57:37,560 --> 00:57:38,280
Speaker 3: That's not the vibe.

1297
00:57:38,320 --> 00:57:39,160
Speaker 6: I don't know.

1298
00:57:39,160 --> 00:57:40,280
Speaker 2: I was so in love with her person.

1299
00:57:40,320 --> 00:57:42,560
Speaker 4: Maybe the windshield whippers fucked you up.

1300
00:57:43,720 --> 00:57:44,640
Speaker 3: It's a rainy day.

1301
00:57:44,680 --> 00:57:48,280
Speaker 4: He gonna it's raining into a podcast when it's raining

1302
00:57:49,600 --> 00:57:50,280
Speaker 4: on double.

1303
00:57:50,160 --> 00:57:52,360
Speaker 2: Answering the phone. Yeah, he going through it.

1304
00:57:52,520 --> 00:57:54,680
Speaker 3: So what is you guys? Advice for him to get

1305
00:57:54,680 --> 00:57:55,040
Speaker 3: over her?

1306
00:57:55,440 --> 00:57:57,120
Speaker 4: Oh you got to block that number, block the high

1307
00:57:57,160 --> 00:57:59,200
Speaker 4: g and she'll find something else. I'm never going to

1308
00:57:59,240 --> 00:57:59,680
Speaker 4: get that back.

1309
00:57:59,760 --> 00:58:02,560
Speaker 3: Yeah, you gotta just to get something better. But he

1310
00:58:02,680 --> 00:58:03,840
Speaker 3: said he don't. He can't.

1311
00:58:03,920 --> 00:58:06,240
Speaker 1: He can't like other women. So that's the problem that's

1312
00:58:06,560 --> 00:58:09,760
Speaker 1: get over is the theme. I feel like she's bad.

1313
00:58:09,880 --> 00:58:10,680
Speaker 1: She the baddies.

1314
00:58:10,960 --> 00:58:13,000
Speaker 3: Yeah, and now he comparing everybody to her, So now

1315
00:58:13,040 --> 00:58:13,640
Speaker 3: he don't like nobody.

1316
00:58:13,800 --> 00:58:15,680
Speaker 4: I feel like he hasn't gone out there to see

1317
00:58:15,680 --> 00:58:17,840
Speaker 4: that though. I think he has been holding back because

1318
00:58:17,880 --> 00:58:21,080
Speaker 4: he thinks she's that he's putting her up on a pedestal,

1319
00:58:21,160 --> 00:58:23,320
Speaker 4: that maybe she doesn't like belong on, and he should

1320
00:58:23,360 --> 00:58:29,040
Speaker 4: go out there and go find another woman. Yeah, he's

1321
00:58:29,480 --> 00:58:29,680
Speaker 4: from the.

1322
00:58:31,520 --> 00:58:33,840
Speaker 1: Because he's sleeping on the woman in the brox he's

1323
00:58:33,880 --> 00:58:36,000
Speaker 1: shying to like he he came through, like.

1324
00:58:36,560 --> 00:58:38,800
Speaker 3: Yeah, I'm him, and then she said, wang.

1325
00:58:42,560 --> 00:58:44,360
Speaker 2: In the back. She threw it back and looked at him.

1326
00:58:44,560 --> 00:58:45,080
Speaker 3: She threw it.

1327
00:58:45,400 --> 00:58:45,760
Speaker 5: They do that.

1328
00:58:46,080 --> 00:58:48,080
Speaker 2: I'm sorry, baby, my bad. I had a flat. I'm sorry.

1329
00:58:48,160 --> 00:58:50,480
Speaker 3: Respect I'm so sorry to be respectful. I'm sorry.

1330
00:58:50,520 --> 00:58:51,240
Speaker 2: I'm just saying I know.

1331
00:58:51,400 --> 00:58:55,440
Speaker 3: I thought he's being really respectful. It's a really respectable I.

1332
00:58:55,600 --> 00:58:57,720
Speaker 2: Know what he's going through. Like she turned him out.

1333
00:58:58,080 --> 00:58:59,760
Speaker 2: She turned him out. That the SEXU was great.

1334
00:59:00,160 --> 00:59:02,920
Speaker 4: Do we think that he was parked outside her apartment

1335
00:59:04,080 --> 00:59:05,640
Speaker 4: when your wife is going like that?

1336
00:59:05,760 --> 00:59:08,959
Speaker 3: Part of me felt like he recorded that voicemail outside.

1337
00:59:08,640 --> 00:59:11,600
Speaker 2: Her cre he outside the building for sure standing him,

1338
00:59:14,960 --> 00:59:16,600
Speaker 2: That's definitely.

1339
00:59:16,080 --> 00:59:16,560
Speaker 3: What he was.

1340
00:59:17,440 --> 00:59:19,760
Speaker 2: He was definitely right up the block, right by the train.

1341
00:59:19,840 --> 00:59:22,000
Speaker 2: You know what trains you take. He was right by

1342
00:59:22,040 --> 00:59:23,320
Speaker 2: the steps. You know, you come down the steps.

1343
00:59:23,400 --> 00:59:28,280
Speaker 4: He's like, oh, I didn't even know this was the

1344
00:59:28,320 --> 00:59:29,800
Speaker 4: time he was walking outside, But I'll drive you.

1345
00:59:30,040 --> 00:59:31,600
Speaker 2: Yeah, you just got to get back out there. Man,

1346
00:59:31,640 --> 00:59:33,600
Speaker 2: you're gonna meet somebody else, and then you know that

1347
00:59:33,680 --> 00:59:34,360
Speaker 2: girl's gonna.

1348
00:59:34,160 --> 00:59:36,480
Speaker 3: Be You always love the next person more than you

1349
00:59:36,600 --> 00:59:37,280
Speaker 3: love the last.

1350
00:59:37,640 --> 00:59:38,040
Speaker 2: That's all.

1351
00:59:39,880 --> 00:59:41,200
Speaker 3: Men don't feel that way women do.

1352
00:59:42,120 --> 00:59:43,240
Speaker 2: Y'all always love the next.

1353
00:59:43,200 --> 00:59:45,200
Speaker 1: We love the next nigga more. We'll be like, that's

1354
00:59:45,200 --> 00:59:47,240
Speaker 1: what's wrong, broken, And then the next one we'll be like,

1355
00:59:47,280 --> 00:59:48,600
Speaker 1: oh my god, I love you, wait more than I

1356
00:59:48,680 --> 00:59:49,200
Speaker 1: loved him.

1357
00:59:49,920 --> 00:59:53,640
Speaker 3: Because you don't know his ship, because y'all don't know

1358
00:59:53,720 --> 00:59:55,040
Speaker 3: anything about that I love.

1359
00:59:55,120 --> 00:59:56,800
Speaker 1: I was like, oh my god, I've never loved I

1360
00:59:56,920 --> 00:59:59,760
Speaker 1: love you way more than the last three nigg But

1361
01:00:00,040 --> 01:00:00,760
Speaker 1: y'all don't feel like that.

1362
01:00:01,600 --> 01:00:03,440
Speaker 3: You leave him and spin the block back.

1363
01:00:03,360 --> 01:00:05,240
Speaker 1: The bitch that broke your heart at twenty eight, y'all

1364
01:00:05,280 --> 01:00:07,240
Speaker 1: be down bad about her for the rest of your lives.

1365
01:00:07,560 --> 01:00:09,800
Speaker 2: Me, I don't even remember what I dated at twenty eight.

1366
01:00:09,960 --> 01:00:12,920
Speaker 1: Well you forty eight, So well, I hope my man

1367
01:00:12,920 --> 01:00:16,280
Speaker 1: ain't talking about some shit exactly.

1368
01:00:16,360 --> 01:00:18,640
Speaker 3: See, so I hope that ain't true. It's definitely not.

1369
01:00:18,840 --> 01:00:21,400
Speaker 3: I'm gonna make a call after this. Oh let me

1370
01:00:21,920 --> 01:00:23,640
Speaker 3: see home happy. I'm sucking it up, I man, this

1371
01:00:23,720 --> 01:00:24,919
Speaker 3: one call.

1372
01:00:25,000 --> 01:00:27,200
Speaker 2: You don't even know what's going, Like, what I'm killing?

1373
01:00:27,240 --> 01:00:29,240
Speaker 3: What you're talking who when he was twenty eight? What?

1374
01:00:29,560 --> 01:00:31,800
Speaker 3: I don't know. I don't know I remember that.

1375
01:00:31,960 --> 01:00:34,520
Speaker 4: I'm never I've never even been twenty eight. Yeah, it

1376
01:00:34,640 --> 01:00:36,200
Speaker 4: was twenty seven and twenty nine and I went to

1377
01:00:36,280 --> 01:00:39,360
Speaker 4: twenty nine like I didn't even exist. Man, all right,

1378
01:00:39,400 --> 01:00:41,920
Speaker 4: little money though, if he was Dan Lola and you

1379
01:00:42,000 --> 01:00:44,240
Speaker 4: pissed her off and she like literally put on, don't

1380
01:00:44,240 --> 01:00:47,040
Speaker 4: play with it in the crib like you to you

1381
01:00:47,120 --> 01:00:49,520
Speaker 4: in the bathroom, you just hear that basis shit.

1382
01:00:50,240 --> 01:00:52,200
Speaker 3: Ye I should knew that ship.

1383
01:00:53,200 --> 01:00:55,400
Speaker 4: Yeah, your day, because I'd be scared of my girl

1384
01:00:55,480 --> 01:00:57,880
Speaker 4: through that record on if I fucked up. Imagine if

1385
01:00:57,920 --> 01:00:59,800
Speaker 4: you had the real artist to wrap that to you.

1386
01:01:00,680 --> 01:01:03,480
Speaker 2: You're dating a raper got to be crazy, like for god,

1387
01:01:04,360 --> 01:01:06,000
Speaker 2: because if you like think about it, if we going

1388
01:01:06,000 --> 01:01:07,640
Speaker 2: with me and my girl going through something, she's she's

1389
01:01:07,640 --> 01:01:09,040
Speaker 2: a rapper. She bar you up?

1390
01:01:09,280 --> 01:01:12,480
Speaker 3: Yeah, like how you even deal with that? I've done

1391
01:01:12,480 --> 01:01:13,040
Speaker 3: it with R and B.

1392
01:01:13,360 --> 01:01:15,360
Speaker 4: I made sure those records didn't make the album.

1393
01:01:15,400 --> 01:01:17,160
Speaker 2: Though R and B is different. I'm talking about a

1394
01:01:17,200 --> 01:01:21,280
Speaker 2: woman that writes robs you. That's your girl, y'all going

1395
01:01:21,400 --> 01:01:21,720
Speaker 2: through it.

1396
01:01:21,960 --> 01:01:23,520
Speaker 6: And you know what's about you because she mentioned your

1397
01:01:23,560 --> 01:01:27,200
Speaker 6: hairline here a balling. She put out a crazy record

1398
01:01:27,800 --> 01:01:30,520
Speaker 6: and you gotta like live in that record. Everywhere you go,

1399
01:01:30,680 --> 01:01:33,280
Speaker 6: they playing that ship you go to the spot, and

1400
01:01:33,360 --> 01:01:33,840
Speaker 6: then when they.

1401
01:01:33,760 --> 01:01:36,440
Speaker 2: Get to the park that everybody love the whole The

1402
01:01:36,600 --> 01:01:37,680
Speaker 2: DJ dropped the bat and.

1403
01:01:40,400 --> 01:01:41,000
Speaker 3: But y'all good.

1404
01:01:41,120 --> 01:01:43,400
Speaker 2: Now though that was like six months ago, y'all was

1405
01:01:43,440 --> 01:01:45,800
Speaker 2: going through that. Now y'all good. But you gotta keep

1406
01:01:45,880 --> 01:01:50,080
Speaker 2: living that moment because it made for great music. Then

1407
01:01:50,120 --> 01:01:52,880
Speaker 2: that's wow. Man, I ain't gonna lie. That's crazy. Shout

1408
01:01:52,880 --> 01:01:53,160
Speaker 2: out to you.

1409
01:01:53,320 --> 01:01:55,080
Speaker 4: Or if that just triggers everything when you guys are

1410
01:01:55,120 --> 01:01:56,840
Speaker 4: good and you're sitting there like, I'm sorry for playing,

1411
01:01:57,240 --> 01:01:58,720
Speaker 4: so we just gonna be bad rapping.

1412
01:01:58,760 --> 01:02:01,800
Speaker 2: I guess, lola, we're not doing that. If you and

1413
01:02:01,840 --> 01:02:02,560
Speaker 2: your nigga.

1414
01:02:02,280 --> 01:02:07,080
Speaker 4: Start battle rapping up, that's not a couple of skill.

1415
01:02:07,800 --> 01:02:08,560
Speaker 3: We want to hear that.

1416
01:02:09,560 --> 01:02:12,120
Speaker 1: It's got to make brupts together now. But see, I'm

1417
01:02:12,120 --> 01:02:15,280
Speaker 1: not with that like we I see when I argue,

1418
01:02:15,320 --> 01:02:17,040
Speaker 1: it sound like I'm rapping. So I already got it out.

1419
01:02:17,880 --> 01:02:19,520
Speaker 1: If we if we're going back and forth, I already

1420
01:02:19,560 --> 01:02:20,880
Speaker 1: got it out. You ain't going here it tonight on

1421
01:02:20,920 --> 01:02:21,160
Speaker 1: the road.

1422
01:02:21,200 --> 01:02:22,440
Speaker 2: See, that would be a problem for me if my

1423
01:02:22,520 --> 01:02:24,320
Speaker 2: girl could rap and we arguing it and she says

1424
01:02:24,360 --> 01:02:27,520
Speaker 2: some shipping. It sounds like a barg Yeah, we got

1425
01:02:27,600 --> 01:02:29,120
Speaker 2: another problem that we all.

1426
01:02:30,960 --> 01:02:33,320
Speaker 4: The artist rain, I pull out the voice no recorder

1427
01:02:33,360 --> 01:02:35,800
Speaker 4: when we're arguing, just so we could use it later.

1428
01:02:36,440 --> 01:02:42,200
Speaker 4: You do that, I've done it before. Wow, taurs.

1429
01:02:43,680 --> 01:02:45,280
Speaker 3: What's your sign? Lolo queries?

1430
01:02:46,080 --> 01:02:47,280
Speaker 2: I don't know what any of that means.

1431
01:02:47,480 --> 01:02:50,720
Speaker 3: What's you a libra? I'm oh, fuck with libras. My

1432
01:02:50,800 --> 01:02:51,400
Speaker 3: mom's a libro.

1433
01:02:52,240 --> 01:02:55,960
Speaker 2: October second, come on with September twenty six.

1434
01:02:56,400 --> 01:02:57,280
Speaker 3: I don't know about y'all.

1435
01:02:57,520 --> 01:03:00,800
Speaker 2: Yeah, I'm a libra. No, I'm not still in the game.

1436
01:03:00,800 --> 01:03:04,160
Speaker 2: I'm not ganging being my mom. Thank gang game. I

1437
01:03:04,200 --> 01:03:05,120
Speaker 2: don't want them September.

1438
01:03:05,160 --> 01:03:08,960
Speaker 3: But yeah, we're cool, all right, Lola. So I bet out.

1439
01:03:09,600 --> 01:03:14,280
Speaker 1: I bet coming out Friday, Yes, Friday, no Fortune dream

1440
01:03:14,400 --> 01:03:15,920
Speaker 1: that support that Yes?

1441
01:03:16,320 --> 01:03:18,200
Speaker 3: Yes, Brooklyn, New York City.

1442
01:03:18,280 --> 01:03:18,360
Speaker 4: Oh.

1443
01:03:18,400 --> 01:03:20,680
Speaker 1: I like how you said Brooklyn Son, this is Brooklyn

1444
01:03:20,920 --> 01:03:22,440
Speaker 1: Now you said you said it better last time.

1445
01:03:22,520 --> 01:03:23,200
Speaker 3: But we're gonna get.

1446
01:03:24,800 --> 01:03:28,560
Speaker 2: Okay. I love I love I love Brooklyn out the Brooklyn.

1447
01:03:28,840 --> 01:03:31,800
Speaker 4: Are we gonna get a hometown show with the release?

1448
01:03:32,640 --> 01:03:33,040
Speaker 3: Mmmm?

1449
01:03:33,080 --> 01:03:36,160
Speaker 1: He about to make me say something? Hold on, hold on,

1450
01:03:36,400 --> 01:03:37,880
Speaker 1: if you cut the cameras and I'll let you know

1451
01:03:37,920 --> 01:03:40,600
Speaker 1: what's going on. But I'm gonna make I'm gonna make

1452
01:03:40,640 --> 01:03:42,680
Speaker 1: it happen. Though, I gotta show love to the town.

1453
01:03:42,800 --> 01:03:43,280
Speaker 3: So crazy.

1454
01:03:43,360 --> 01:03:46,080
Speaker 2: So no, I've never seen you perform live. I gotta go,

1455
01:03:46,400 --> 01:03:48,840
Speaker 2: we gotta go. Yes, you know what, I gotta catch you.

1456
01:03:49,160 --> 01:03:51,480
Speaker 3: I bet we're going to go to see I think no,

1457
01:03:51,760 --> 01:03:52,600
Speaker 3: Actually I think I was.

1458
01:03:52,720 --> 01:03:52,760
Speaker 1: No.

1459
01:03:53,040 --> 01:03:54,840
Speaker 2: I think you came out on somebody.

1460
01:03:55,760 --> 01:03:57,440
Speaker 3: Did you come out? I want to chem sets before?

1461
01:03:58,200 --> 01:03:59,680
Speaker 3: Yeahways right?

1462
01:04:00,280 --> 01:04:00,440
Speaker 7: Oh?

1463
01:04:00,600 --> 01:04:02,400
Speaker 4: No, which time you did Barclays?

1464
01:04:03,080 --> 01:04:05,080
Speaker 3: That was? That was future I was.

1465
01:04:05,160 --> 01:04:07,000
Speaker 1: I was at the Barclays and Boogie brought me out

1466
01:04:07,040 --> 01:04:10,560
Speaker 1: at the bar League and I've been brought out the Barleys.

1467
01:04:10,240 --> 01:04:11,400
Speaker 3: As you should, you as you should?

1468
01:04:11,520 --> 01:04:15,520
Speaker 2: Yeah, exactly, Yeah, I think no.

1469
01:04:15,560 --> 01:04:17,120
Speaker 4: I think it was the a Boogie one. I definitely

1470
01:04:17,120 --> 01:04:17,640
Speaker 4: saw you perform.

1471
01:04:17,720 --> 01:04:20,320
Speaker 2: Yeah, I saw you somewhere. It wasn't Barclays, though, I

1472
01:04:20,400 --> 01:04:21,240
Speaker 2: forgot whose show.

1473
01:04:21,320 --> 01:04:28,280
Speaker 3: I've been Madison Square two yo. One thing about Boogie

1474
01:04:28,280 --> 01:04:29,080
Speaker 3: whe Boogie come out.

1475
01:04:29,120 --> 01:04:31,280
Speaker 1: It's gonna be Boogie in France and if anybody come

1476
01:04:31,360 --> 01:04:33,600
Speaker 1: to New York, they bring Boogie out every time.

1477
01:04:33,720 --> 01:04:39,080
Speaker 3: As they should any stadium too. No, I see fifty.

1478
01:04:40,360 --> 01:04:40,680
Speaker 2: Yeah, I.

1479
01:04:44,080 --> 01:04:44,240
Speaker 3: Saw.

1480
01:04:44,800 --> 01:04:46,280
Speaker 4: That was a great day. That was one of my

1481
01:04:46,360 --> 01:04:48,800
Speaker 4: favorite shows ever period. It was the five fifty shit

1482
01:04:48,800 --> 01:04:50,760
Speaker 4: at Yankee Stadium. That was crazy. Yeah, it was a

1483
01:04:51,200 --> 01:04:51,840
Speaker 4: really fun time.

1484
01:04:52,080 --> 01:04:56,080
Speaker 2: It might have been l A. It might have been

1485
01:04:56,120 --> 01:04:57,560
Speaker 2: in l A. I saw you. I can't remember who

1486
01:04:57,600 --> 01:04:57,800
Speaker 2: it was.

1487
01:04:57,920 --> 01:04:59,560
Speaker 3: Well, we're gonna check you out when the next time

1488
01:04:59,600 --> 01:05:01,120
Speaker 3: you perform here. You don't got to say I'm Mike

1489
01:05:01,200 --> 01:05:02,680
Speaker 3: when it's gonna be. But we'll be there.

1490
01:05:02,920 --> 01:05:04,840
Speaker 2: Okay, yeah, Lo, I'm pulling up. I need to see

1491
01:05:04,840 --> 01:05:08,920
Speaker 2: a full Lola brook Set. I need to see what

1492
01:05:09,120 --> 01:05:10,080
Speaker 2: you do with the stage.

1493
01:05:10,200 --> 01:05:11,640
Speaker 3: Yeah, I got job, man.

1494
01:05:11,880 --> 01:05:14,080
Speaker 4: Even if it's Brooklyn Tabernacle on a Friday night, we

1495
01:05:14,160 --> 01:05:18,640
Speaker 4: out there Brooklyn. He wasn't outside. You don't remember them nights.

1496
01:05:19,400 --> 01:05:19,760
Speaker 2: I don't know.

1497
01:05:19,880 --> 01:05:20,840
Speaker 3: I don't think that. What's that?

1498
01:05:21,680 --> 01:05:24,920
Speaker 4: It's a church? Yeah, oh oh yeah, they turned church

1499
01:05:24,960 --> 01:05:28,560
Speaker 4: into a club on Friday nights. Brooklyn Tabernacle. You Brooker,

1500
01:05:28,880 --> 01:05:31,200
Speaker 4: it's really good. When I was finding myself, I went

1501
01:05:31,240 --> 01:05:31,919
Speaker 4: there a lot on Friday.

1502
01:05:32,000 --> 01:05:32,640
Speaker 3: Yes, where is that?

1503
01:05:32,920 --> 01:05:36,240
Speaker 4: Like it's like a sort of downtown is wow?

1504
01:05:37,120 --> 01:05:41,640
Speaker 3: Did that? Yeah? Brooklyn is wow?

1505
01:05:41,880 --> 01:05:42,680
Speaker 2: Brooklyn b K.

1506
01:05:44,760 --> 01:05:46,360
Speaker 3: I didn't like I didn't like that cause I didn't

1507
01:05:46,400 --> 01:05:47,840
Speaker 3: like that one.

1508
01:05:48,160 --> 01:05:51,720
Speaker 2: Sorry, Lola, we appreciate you for pulling up. I bet

1509
01:05:51,760 --> 01:05:55,600
Speaker 2: available November fourteenth, stream that support that. This is New

1510
01:05:55,680 --> 01:05:58,560
Speaker 2: York City, this is Brooklyn, Lola. We'll see you soon.

1511
01:05:58,840 --> 01:06:01,440
Speaker 3: I see how soon. I'm that nigga. He's just ginger.

1512
01:06:01,520 --> 01:06:05,760
Speaker 3: That's Lola brook Oh he did, oh Dad, Now that

1513
01:06:06,040 --> 01:06:11,040
Speaker 3: was not nice. He said, just I'm that nigga.

1514
01:06:11,080 --> 01:06:11,680
Speaker 2: He's meaning like

1515
01:06:13,720 --> 01:06:17,760
Speaker 3: He's just so with am On, Carmel, you will be yes,

1516
01:06:18,080 --> 01:06:19,320
Speaker 3: okay no,