WEBVTT - The Search

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<v Speaker 1>Single, the Lamasca Princess's Previously on the Princess of South Beach,

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<v Speaker 1>we found out that my late wife Anna was working

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<v Speaker 1>for a Hello, excuse me, what are you doing? Normally

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<v Speaker 1>I'm the one who does the intro. Since I'm the

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<v Speaker 1>narrator for this whole thing, Gloria Pica, I think it

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<v Speaker 1>would make more sense for me to narrate this specific

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<v Speaker 1>part of the story because it's my letter. Fine, I

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<v Speaker 1>didn't even really want you anyway, sore throat um. Now

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<v Speaker 1>where was I at when we found out that my

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<v Speaker 1>late wife Anna was working for the evil Louisa? And

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<v Speaker 1>when Louisa's father demanded she had a baby or else

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<v Speaker 1>she'd be left out of her inheritance, Louisa kidnapped my

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<v Speaker 1>wife's baby and left her to die on the side

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<v Speaker 1>of the roath shortly after giving birth to Gloria. Are

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<v Speaker 1>we ever going to address how Anna had the other baby?

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<v Speaker 1>You know, my twin sister, Maria del Carmen, the protagonist

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<v Speaker 1>of this story Eventuallymamora. Anyway. What Luisa didn't know was

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<v Speaker 1>that I Antonio would be searching high and low for

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<v Speaker 1>my family. The day after that horrible hurricane, I went

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<v Speaker 1>to search for Anna at La Casa Rosa, Luisa Calderon's home.

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<v Speaker 1>We're not looking for gardners at the moment. Or no,

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<v Speaker 1>I'm not looking for working My name is Antonio and

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<v Speaker 1>I'm looking for my wife Anna. She works here. Na. No, no,

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<v Speaker 1>I don't know anybody by that name. Nope, nope, No,

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<v Speaker 1>there's nobody here called Hanna. You must be mistaken. I'm

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<v Speaker 1>a nice day No no, no, just with a second senior.

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<v Speaker 1>This is like, no, this is where louis. There is

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<v Speaker 1>no one named Louise. No one asked for me. No, absolutely,

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<v Speaker 1>no one asked for Musa. It's me Antonio, Anna's husband.

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<v Speaker 1>Have you seen you recently? She didn't come home last night.

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<v Speaker 1>And Anna. There's no Anna here, of course, there is

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<v Speaker 1>no very small, very pretty and very pregnant. No. Oh,

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<v Speaker 1>is that your baby? She told me you were pregnant

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<v Speaker 1>to congratulations. And there is nobody here about that name.

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<v Speaker 1>And there is Nona. I should remind you that this

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<v Speaker 1>is private property. Signor don't slam the door in my face.

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<v Speaker 1>I need to find my wife. What are we going

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<v Speaker 1>to do? I know this is the first time I've

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<v Speaker 1>ever kidnapped a baby and murdered a pregnant woman. What

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<v Speaker 1>did you expect it was going to happen? Nobody was

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<v Speaker 1>going to come looking for her. I don't know. I

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<v Speaker 1>didn't plan it this way. It just happened. I saw

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<v Speaker 1>a problem and I fixed it. Now, help me think

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<v Speaker 1>of a solution. I know this isn't ideal, but we're

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<v Speaker 1>in this together now, whether you like it or not.

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<v Speaker 1>And if we play our cards right, there's a chance

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<v Speaker 1>that we can get everything singing. Wait wait, wait there

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<v Speaker 1>undocumented right m hmm, okay, I have an idea. Thank you,

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<v Speaker 1>thank you, and welcome back to team with Tatiana. I'm

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<v Speaker 1>your host, Tatiana obviously. Now, as you know, the Calderone

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<v Speaker 1>family has been on lockdown since Gloria's tragic speedboat accident.

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<v Speaker 1>They say loose lip sync ships. But looks like it's

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<v Speaker 1>too late, Am I right? Because she crashed her boat anyway.

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<v Speaker 1>The only person outside the family who has seen Gloria

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<v Speaker 1>since the accident is close friend and family plastic surgeon

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<v Speaker 1>doctor Constantino, and lucky for us, he's agreed to give

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<v Speaker 1>us an exclusive on what's going on behind the closed

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<v Speaker 1>doors at La Casarosa. Welcome to the stage, doctor Constantina.

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<v Speaker 1>Oh thank you, thank you, you're too kind. All right, doctor,

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<v Speaker 1>what can you tell us about Gloria's condition? How is

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<v Speaker 1>she doing well? Tatianna. You know I ate to gossip,

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<v Speaker 1>but to be honest, she is a wreck. Tell me more. Oh,

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<v Speaker 1>I've never seen her in such a state. Yeah, her

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<v Speaker 1>pores were humongous, her nails were a travesty. And don't

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<v Speaker 1>get me started on those eyebrows. Oh, it was sad. Really,

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<v Speaker 1>I had to send her to the SPA right away.

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<v Speaker 1>Not the spa. H this was an especially bad case.

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<v Speaker 1>She wasn't acting like herself at all. What do you mean?

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<v Speaker 1>What do I mean? Well, Tatiana, not only did she

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<v Speaker 1>look a mess, but she kept rambling on about some

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<v Speaker 1>crazy story, something about I don't know, identical twins and

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<v Speaker 1>being a lifeguard a convent. Well, I don't remember the rest.

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<v Speaker 1>I wasn't really listening. I couldn't stop looking at her cuticles.

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<v Speaker 1>And I need you to know, Tatiana, that Gloria and

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<v Speaker 1>I have a very special connection. Yeah. The last time

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<v Speaker 1>we saw each other, we were on our way to

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<v Speaker 1>her toe pilates session. She was driving her Lincoln Aviator

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<v Speaker 1>GT with that whisper quiet interior that allows for truths

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<v Speaker 1>and moments. You know, we're both so comfortable that when

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<v Speaker 1>we started talking very honestly about ourselves, I learned a

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<v Speaker 1>lot about her that day, and I can genuinely say

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<v Speaker 1>that that day I started to care about her deeply,

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<v Speaker 1>and that's why her current state is so I'm sorry.

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<v Speaker 1>It's heartbreaking. Doctor. Thank you for your honesty. But we

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<v Speaker 1>will have to continue this on some other occasion because

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<v Speaker 1>we're all out of time today. Remember everyone, if a

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<v Speaker 1>tree falls in the forest, but you post about it,

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<v Speaker 1>it still makes it sound. I'll see you next time

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<v Speaker 1>on tea with Tatiana Senora Luisa. Please, I need to

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<v Speaker 1>find Anna. I must find my wife. I hope he's poor.

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<v Speaker 1>I'm looking for my wife and she's pregnant and she

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<v Speaker 1>works here as amazing. Ah officer is good to see you, Carla.

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<v Speaker 1>I hope you will enjoy that bottle of she as

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<v Speaker 1>we sent you for Christmas. What you know we did,

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<v Speaker 1>and again, thank you so much. She loved it. You're

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<v Speaker 1>very well going to see how Unfortunately he's not doing

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<v Speaker 1>so great, but I'll tell you all about it over

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<v Speaker 1>a bottle of whiskey next Friday. Sounds like a play

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<v Speaker 1>all right, So what's the problem here? This poor man

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<v Speaker 1>here seems to be mentally troubled. He keeps banging on

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<v Speaker 1>her door, asking for someone who doesn't exist, and he's

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<v Speaker 1>scaring my wife. Wait a second, I'm just carrying anyone.

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<v Speaker 1>Shut up, you loan. You were saying this man is

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<v Speaker 1>stress passing on my property. I'm making threats. No, hope, Sair.

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<v Speaker 1>Please my wife, and she's pregnant and I can find her.

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<v Speaker 1>The last time I heard from her was yesterday before

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<v Speaker 1>the storm, and I know she she was here working. Sir.

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<v Speaker 1>Can I see somebodyday? Well? Well, I actually don't have

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<v Speaker 1>any because I'm still waiting in some documents, Sir, is

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<v Speaker 1>the one I apologize for the inconvenience. Okay, I'll handle this.

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<v Speaker 1>You come with me. No, but to my wife, No,

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<v Speaker 1>you can't do this to me. Please. Somebody helped me.

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<v Speaker 1>I yelled, I cried, I begged, but there was nothing

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<v Speaker 1>I could do. They arrested me, and in my first

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<v Speaker 1>night in jail, I heard the news a shocking story

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<v Speaker 1>following Hurricane Farmer, an unidentified woman found dead on the

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<v Speaker 1>side of the road holding a new born baby, whom

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<v Speaker 1>a reculously survived. The night storities are looking for any

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<v Speaker 1>information that can help identify the disease. The only information

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<v Speaker 1>they had at the moment is that she had a large,

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<v Speaker 1>triangle shaped scar on her knee. It was the worst

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<v Speaker 1>night of my life. Your mother was dead, your sister

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<v Speaker 1>was alone, and I had no idea where you were.

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<v Speaker 1>When they found out that I was undocumented, they departed me.

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<v Speaker 1>Since then, I've been looking for a way to get

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<v Speaker 1>back to you and to find your sister. I've never

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<v Speaker 1>given up on my search. When I saw your photo

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<v Speaker 1>in an American magazine, I felt my heart drop. Gloria,

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<v Speaker 1>you're the spitting image of your mother of Mayenna. It

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<v Speaker 1>was then that I finally understood what had happened. That

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<v Speaker 1>the baby I had heard as Rosa twenty one and

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<v Speaker 1>years ago was you my own daughter. They rubbed us

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<v Speaker 1>of our future. They've rubbed us of the family we

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<v Speaker 1>could have had. You are my daughter. If you don't

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<v Speaker 1>believe me, just take a DNA test. You're the only

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<v Speaker 1>hope we have of exposing the truth about what happened

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<v Speaker 1>to your mother and of finding your sister. I love

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<v Speaker 1>you with all my heart. Your father, Antonio, God, can

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<v Speaker 1>this get any more complicated? Gloria. Yeah, I hate to interrupt,

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<v Speaker 1>but we have to get you to the doctor. I

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<v Speaker 1>already saw the doctor. I'm fine. No can I just no, no, no,

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<v Speaker 1>I mean the other doctor. What you have to check

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<v Speaker 1>on the baby? What baby, Gloria, you're pregnant with a baby. Oh,

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<v Speaker 1>you gotta be kidding me. Looks like things can get

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<v Speaker 1>more are complicated. If you're enjoying Princess of South Beach,

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<v Speaker 1>please subscribe, rate, and review our show wherever you're listening.

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<v Speaker 1>The Princess of South Beach is a production of Ihearts,

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<v Speaker 1>Michael Tura Podcast Network and Sonoro, created and directed by

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<v Speaker 1>Jasmine Romero, written by Jasmine Romero and Joanna Houseman, with

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<v Speaker 1>help from Daniela Serkis, Monisa Hendrix and Christian Jadar. Produced

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<v Speaker 1>by Luis or Castillo. Executive produced by Conal Byrne and

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<v Speaker 1>Giselle Bances for iHeart by Joanna Houseman, and by Jasmine

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<v Speaker 1>Romero and Joshua Weinstein for Sonaro. Performances in this episode

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<v Speaker 1>by Rachel Zegler, Gina Torres, Raulas Barza, Andy Bustillos, David Bueno,

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<v Speaker 1>and Alexis Guerreros. Our production manager is Geinsachitis. Recording and

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<v Speaker 1>engineering by Emiliano Quintanar, with sound designed by Edwin Irigoyen Cassandratinajiro,

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<v Speaker 1>Andres Bayena, Diego Medina and Andre Scronaldo. Assistant sound designed

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<v Speaker 1>by Eric Sintheno, casting in coordination by Andres Chais, Folly

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<v Speaker 1>by Samantha Gonzalez Fong our theme song and original music

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<v Speaker 1>by Rodrigo Garcia Roles and Charlie Hernandez.