1 00:00:05,120 --> 00:00:20,520 Speaker 1: Single, the Lamasca Princess's Previously on the Princess of South Beach, 2 00:00:21,320 --> 00:00:24,439 Speaker 1: we found out that my late wife Anna was working 3 00:00:24,480 --> 00:00:28,440 Speaker 1: for a Hello, excuse me, what are you doing? Normally 4 00:00:28,520 --> 00:00:30,720 Speaker 1: I'm the one who does the intro. Since I'm the 5 00:00:30,800 --> 00:00:35,000 Speaker 1: narrator for this whole thing, Gloria Pica, I think it 6 00:00:35,080 --> 00:00:37,760 Speaker 1: would make more sense for me to narrate this specific 7 00:00:37,800 --> 00:00:40,720 Speaker 1: part of the story because it's my letter. Fine, I 8 00:00:40,760 --> 00:00:46,720 Speaker 1: didn't even really want you anyway, sore throat um. Now 9 00:00:46,920 --> 00:00:51,800 Speaker 1: where was I at when we found out that my 10 00:00:51,880 --> 00:00:56,080 Speaker 1: late wife Anna was working for the evil Louisa? And 11 00:00:56,080 --> 00:00:59,120 Speaker 1: when Louisa's father demanded she had a baby or else 12 00:00:59,120 --> 00:01:02,720 Speaker 1: she'd be left out of her inheritance, Louisa kidnapped my 13 00:01:02,760 --> 00:01:05,199 Speaker 1: wife's baby and left her to die on the side 14 00:01:05,200 --> 00:01:10,040 Speaker 1: of the roath shortly after giving birth to Gloria. Are 15 00:01:10,240 --> 00:01:13,520 Speaker 1: we ever going to address how Anna had the other baby? 16 00:01:13,880 --> 00:01:17,400 Speaker 1: You know, my twin sister, Maria del Carmen, the protagonist 17 00:01:17,560 --> 00:01:23,480 Speaker 1: of this story Eventuallymamora. Anyway. What Luisa didn't know was 18 00:01:23,520 --> 00:01:27,039 Speaker 1: that I Antonio would be searching high and low for 19 00:01:27,120 --> 00:01:31,160 Speaker 1: my family. The day after that horrible hurricane, I went 20 00:01:31,240 --> 00:01:35,000 Speaker 1: to search for Anna at La Casa Rosa, Luisa Calderon's home. 21 00:01:51,680 --> 00:01:54,440 Speaker 1: We're not looking for gardners at the moment. Or no, 22 00:01:54,560 --> 00:01:57,240 Speaker 1: I'm not looking for working My name is Antonio and 23 00:01:57,280 --> 00:02:02,240 Speaker 1: I'm looking for my wife Anna. She works here. Na. No, no, 24 00:02:02,360 --> 00:02:05,920 Speaker 1: I don't know anybody by that name. Nope, nope, No, 25 00:02:05,960 --> 00:02:11,000 Speaker 1: there's nobody here called Hanna. You must be mistaken. I'm 26 00:02:11,000 --> 00:02:14,120 Speaker 1: a nice day No no, no, just with a second senior. 27 00:02:14,639 --> 00:02:18,280 Speaker 1: This is like, no, this is where louis. There is 28 00:02:18,400 --> 00:02:25,840 Speaker 1: no one named Louise. No one asked for me. No, absolutely, 29 00:02:25,840 --> 00:02:30,240 Speaker 1: no one asked for Musa. It's me Antonio, Anna's husband. 30 00:02:30,280 --> 00:02:32,919 Speaker 1: Have you seen you recently? She didn't come home last night. 31 00:02:32,960 --> 00:02:36,440 Speaker 1: And Anna. There's no Anna here, of course, there is 32 00:02:36,919 --> 00:02:41,680 Speaker 1: no very small, very pretty and very pregnant. No. Oh, 33 00:02:42,000 --> 00:02:44,880 Speaker 1: is that your baby? She told me you were pregnant 34 00:02:44,919 --> 00:02:48,480 Speaker 1: to congratulations. And there is nobody here about that name. 35 00:02:48,520 --> 00:02:51,600 Speaker 1: And there is Nona. I should remind you that this 36 00:02:52,080 --> 00:02:55,600 Speaker 1: is private property. Signor don't slam the door in my face. 37 00:02:56,440 --> 00:02:59,360 Speaker 1: I need to find my wife. What are we going 38 00:02:59,400 --> 00:03:00,880 Speaker 1: to do? I know this is the first time I've 39 00:03:00,919 --> 00:03:03,240 Speaker 1: ever kidnapped a baby and murdered a pregnant woman. What 40 00:03:03,280 --> 00:03:05,280 Speaker 1: did you expect it was going to happen? Nobody was 41 00:03:05,320 --> 00:03:07,440 Speaker 1: going to come looking for her. I don't know. I 42 00:03:07,440 --> 00:03:10,480 Speaker 1: didn't plan it this way. It just happened. I saw 43 00:03:10,560 --> 00:03:13,840 Speaker 1: a problem and I fixed it. Now, help me think 44 00:03:13,840 --> 00:03:21,880 Speaker 1: of a solution. I know this isn't ideal, but we're 45 00:03:21,919 --> 00:03:25,359 Speaker 1: in this together now, whether you like it or not. 46 00:03:25,760 --> 00:03:27,760 Speaker 1: And if we play our cards right, there's a chance 47 00:03:27,800 --> 00:03:34,760 Speaker 1: that we can get everything singing. Wait wait, wait there 48 00:03:35,560 --> 00:03:50,760 Speaker 1: undocumented right m hmm, okay, I have an idea. Thank you, 49 00:03:51,240 --> 00:03:55,800 Speaker 1: thank you, and welcome back to team with Tatiana. I'm 50 00:03:55,840 --> 00:04:02,440 Speaker 1: your host, Tatiana obviously. Now, as you know, the Calderone 51 00:04:02,440 --> 00:04:06,720 Speaker 1: family has been on lockdown since Gloria's tragic speedboat accident. 52 00:04:07,240 --> 00:04:09,960 Speaker 1: They say loose lip sync ships. But looks like it's 53 00:04:10,000 --> 00:04:18,680 Speaker 1: too late, Am I right? Because she crashed her boat anyway. 54 00:04:19,080 --> 00:04:23,240 Speaker 1: The only person outside the family who has seen Gloria 55 00:04:23,360 --> 00:04:28,200 Speaker 1: since the accident is close friend and family plastic surgeon 56 00:04:28,800 --> 00:04:33,720 Speaker 1: doctor Constantino, and lucky for us, he's agreed to give 57 00:04:33,800 --> 00:04:37,480 Speaker 1: us an exclusive on what's going on behind the closed 58 00:04:37,480 --> 00:04:44,240 Speaker 1: doors at La Casarosa. Welcome to the stage, doctor Constantina. 59 00:04:48,400 --> 00:04:52,360 Speaker 1: Oh thank you, thank you, you're too kind. All right, doctor, 60 00:04:52,800 --> 00:04:56,400 Speaker 1: what can you tell us about Gloria's condition? How is 61 00:04:56,440 --> 00:05:01,000 Speaker 1: she doing well? Tatianna. You know I ate to gossip, 62 00:05:01,120 --> 00:05:07,360 Speaker 1: but to be honest, she is a wreck. Tell me more. Oh, 63 00:05:07,440 --> 00:05:10,400 Speaker 1: I've never seen her in such a state. Yeah, her 64 00:05:10,440 --> 00:05:14,080 Speaker 1: pores were humongous, her nails were a travesty. And don't 65 00:05:14,120 --> 00:05:17,920 Speaker 1: get me started on those eyebrows. Oh, it was sad. Really, 66 00:05:18,000 --> 00:05:19,920 Speaker 1: I had to send her to the SPA right away. 67 00:05:21,040 --> 00:05:24,839 Speaker 1: Not the spa. H this was an especially bad case. 68 00:05:25,120 --> 00:05:28,280 Speaker 1: She wasn't acting like herself at all. What do you mean? 69 00:05:28,600 --> 00:05:31,760 Speaker 1: What do I mean? Well, Tatiana, not only did she 70 00:05:31,839 --> 00:05:35,280 Speaker 1: look a mess, but she kept rambling on about some 71 00:05:35,680 --> 00:05:39,320 Speaker 1: crazy story, something about I don't know, identical twins and 72 00:05:39,560 --> 00:05:42,960 Speaker 1: being a lifeguard a convent. Well, I don't remember the rest. 73 00:05:42,960 --> 00:05:47,360 Speaker 1: I wasn't really listening. I couldn't stop looking at her cuticles. 74 00:05:49,000 --> 00:05:51,919 Speaker 1: And I need you to know, Tatiana, that Gloria and 75 00:05:52,040 --> 00:05:55,719 Speaker 1: I have a very special connection. Yeah. The last time 76 00:05:55,720 --> 00:05:57,479 Speaker 1: we saw each other, we were on our way to 77 00:05:57,520 --> 00:06:00,840 Speaker 1: her toe pilates session. She was driving her Lincoln Aviator 78 00:06:00,880 --> 00:06:04,640 Speaker 1: GT with that whisper quiet interior that allows for truths 79 00:06:04,680 --> 00:06:09,039 Speaker 1: and moments. You know, we're both so comfortable that when 80 00:06:09,080 --> 00:06:13,320 Speaker 1: we started talking very honestly about ourselves, I learned a 81 00:06:13,360 --> 00:06:16,720 Speaker 1: lot about her that day, and I can genuinely say 82 00:06:16,800 --> 00:06:20,720 Speaker 1: that that day I started to care about her deeply, 83 00:06:21,680 --> 00:06:25,600 Speaker 1: and that's why her current state is so I'm sorry. 84 00:06:25,760 --> 00:06:31,640 Speaker 1: It's heartbreaking. Doctor. Thank you for your honesty. But we 85 00:06:31,680 --> 00:06:34,760 Speaker 1: will have to continue this on some other occasion because 86 00:06:35,040 --> 00:06:39,000 Speaker 1: we're all out of time today. Remember everyone, if a 87 00:06:39,080 --> 00:06:42,280 Speaker 1: tree falls in the forest, but you post about it, 88 00:06:42,279 --> 00:06:47,320 Speaker 1: it still makes it sound. I'll see you next time 89 00:06:47,440 --> 00:07:10,720 Speaker 1: on tea with Tatiana Senora Luisa. Please, I need to 90 00:07:10,760 --> 00:07:21,160 Speaker 1: find Anna. I must find my wife. I hope he's poor. 91 00:07:22,080 --> 00:07:24,560 Speaker 1: I'm looking for my wife and she's pregnant and she 92 00:07:24,600 --> 00:07:29,400 Speaker 1: works here as amazing. Ah officer is good to see you, Carla. 93 00:07:29,680 --> 00:07:31,360 Speaker 1: I hope you will enjoy that bottle of she as 94 00:07:31,440 --> 00:07:33,720 Speaker 1: we sent you for Christmas. What you know we did, 95 00:07:33,880 --> 00:07:38,040 Speaker 1: and again, thank you so much. She loved it. You're 96 00:07:38,160 --> 00:07:42,320 Speaker 1: very well going to see how Unfortunately he's not doing 97 00:07:42,360 --> 00:07:44,520 Speaker 1: so great, but I'll tell you all about it over 98 00:07:44,520 --> 00:07:47,840 Speaker 1: a bottle of whiskey next Friday. Sounds like a play 99 00:07:48,120 --> 00:07:50,880 Speaker 1: all right, So what's the problem here? This poor man 100 00:07:50,880 --> 00:07:53,200 Speaker 1: here seems to be mentally troubled. He keeps banging on 101 00:07:53,200 --> 00:07:55,880 Speaker 1: her door, asking for someone who doesn't exist, and he's 102 00:07:55,920 --> 00:07:58,200 Speaker 1: scaring my wife. Wait a second, I'm just carrying anyone. 103 00:07:58,280 --> 00:08:01,160 Speaker 1: Shut up, you loan. You were saying this man is 104 00:08:01,160 --> 00:08:05,520 Speaker 1: stress passing on my property. I'm making threats. No, hope, Sair. 105 00:08:05,600 --> 00:08:08,560 Speaker 1: Please my wife, and she's pregnant and I can find her. 106 00:08:08,760 --> 00:08:10,960 Speaker 1: The last time I heard from her was yesterday before 107 00:08:10,960 --> 00:08:13,800 Speaker 1: the storm, and I know she she was here working. Sir. 108 00:08:14,040 --> 00:08:16,360 Speaker 1: Can I see somebodyday? Well? Well, I actually don't have 109 00:08:16,360 --> 00:08:19,680 Speaker 1: any because I'm still waiting in some documents, Sir, is 110 00:08:19,720 --> 00:08:22,480 Speaker 1: the one I apologize for the inconvenience. Okay, I'll handle this. 111 00:08:22,720 --> 00:08:26,440 Speaker 1: You come with me. No, but to my wife, No, 112 00:08:26,520 --> 00:08:29,480 Speaker 1: you can't do this to me. Please. Somebody helped me. 113 00:08:36,000 --> 00:08:41,560 Speaker 1: I yelled, I cried, I begged, but there was nothing 114 00:08:41,600 --> 00:08:47,360 Speaker 1: I could do. They arrested me, and in my first 115 00:08:47,440 --> 00:08:51,200 Speaker 1: night in jail, I heard the news a shocking story 116 00:08:51,320 --> 00:08:55,040 Speaker 1: following Hurricane Farmer, an unidentified woman found dead on the 117 00:08:55,040 --> 00:08:57,600 Speaker 1: side of the road holding a new born baby, whom 118 00:08:57,600 --> 00:09:01,160 Speaker 1: a reculously survived. The night storities are looking for any 119 00:09:01,160 --> 00:09:04,800 Speaker 1: information that can help identify the disease. The only information 120 00:09:04,840 --> 00:09:07,360 Speaker 1: they had at the moment is that she had a large, 121 00:09:07,600 --> 00:09:19,199 Speaker 1: triangle shaped scar on her knee. It was the worst 122 00:09:19,280 --> 00:09:22,800 Speaker 1: night of my life. Your mother was dead, your sister 123 00:09:22,960 --> 00:09:27,520 Speaker 1: was alone, and I had no idea where you were. 124 00:09:30,360 --> 00:09:34,480 Speaker 1: When they found out that I was undocumented, they departed me. 125 00:09:35,480 --> 00:09:38,160 Speaker 1: Since then, I've been looking for a way to get 126 00:09:38,200 --> 00:09:41,040 Speaker 1: back to you and to find your sister. I've never 127 00:09:41,160 --> 00:09:44,400 Speaker 1: given up on my search. When I saw your photo 128 00:09:44,400 --> 00:09:48,560 Speaker 1: in an American magazine, I felt my heart drop. Gloria, 129 00:09:49,000 --> 00:09:53,000 Speaker 1: you're the spitting image of your mother of Mayenna. It 130 00:09:53,080 --> 00:09:56,920 Speaker 1: was then that I finally understood what had happened. That 131 00:09:57,080 --> 00:10:00,040 Speaker 1: the baby I had heard as Rosa twenty one and 132 00:10:00,200 --> 00:10:05,920 Speaker 1: years ago was you my own daughter. They rubbed us 133 00:10:05,920 --> 00:10:09,839 Speaker 1: of our future. They've rubbed us of the family we 134 00:10:10,120 --> 00:10:17,360 Speaker 1: could have had. You are my daughter. If you don't 135 00:10:17,360 --> 00:10:20,400 Speaker 1: believe me, just take a DNA test. You're the only 136 00:10:20,400 --> 00:10:22,600 Speaker 1: hope we have of exposing the truth about what happened 137 00:10:22,600 --> 00:10:25,600 Speaker 1: to your mother and of finding your sister. I love 138 00:10:25,600 --> 00:10:31,760 Speaker 1: you with all my heart. Your father, Antonio, God, can 139 00:10:31,840 --> 00:10:37,040 Speaker 1: this get any more complicated? Gloria. Yeah, I hate to interrupt, 140 00:10:36,840 --> 00:10:39,040 Speaker 1: but we have to get you to the doctor. I 141 00:10:39,080 --> 00:10:42,400 Speaker 1: already saw the doctor. I'm fine. No can I just no, no, no, 142 00:10:42,520 --> 00:10:45,240 Speaker 1: I mean the other doctor. What you have to check 143 00:10:45,280 --> 00:10:52,040 Speaker 1: on the baby? What baby, Gloria, you're pregnant with a baby. Oh, 144 00:10:52,080 --> 00:10:59,800 Speaker 1: you gotta be kidding me. Looks like things can get 145 00:10:59,840 --> 00:11:07,360 Speaker 1: more are complicated. If you're enjoying Princess of South Beach, 146 00:11:07,600 --> 00:11:11,319 Speaker 1: please subscribe, rate, and review our show wherever you're listening. 147 00:11:12,720 --> 00:11:15,080 Speaker 1: The Princess of South Beach is a production of Ihearts, 148 00:11:15,120 --> 00:11:18,880 Speaker 1: Michael Tura Podcast Network and Sonoro, created and directed by 149 00:11:18,960 --> 00:11:22,800 Speaker 1: Jasmine Romero, written by Jasmine Romero and Joanna Houseman, with 150 00:11:22,840 --> 00:11:27,280 Speaker 1: help from Daniela Serkis, Monisa Hendrix and Christian Jadar. Produced 151 00:11:27,280 --> 00:11:31,080 Speaker 1: by Luis or Castillo. Executive produced by Conal Byrne and 152 00:11:31,120 --> 00:11:34,720 Speaker 1: Giselle Bances for iHeart by Joanna Houseman, and by Jasmine 153 00:11:34,760 --> 00:11:39,440 Speaker 1: Romero and Joshua Weinstein for Sonaro. Performances in this episode 154 00:11:39,480 --> 00:11:45,480 Speaker 1: by Rachel Zegler, Gina Torres, Raulas Barza, Andy Bustillos, David Bueno, 155 00:11:45,840 --> 00:11:51,480 Speaker 1: and Alexis Guerreros. Our production manager is Geinsachitis. Recording and 156 00:11:51,520 --> 00:11:57,040 Speaker 1: engineering by Emiliano Quintanar, with sound designed by Edwin Irigoyen Cassandratinajiro, 157 00:11:57,280 --> 00:12:01,960 Speaker 1: Andres Bayena, Diego Medina and Andre Scronaldo. Assistant sound designed 158 00:12:01,960 --> 00:12:06,320 Speaker 1: by Eric Sintheno, casting in coordination by Andres Chais, Folly 159 00:12:06,400 --> 00:12:10,199 Speaker 1: by Samantha Gonzalez Fong our theme song and original music 160 00:12:10,280 --> 00:12:13,040 Speaker 1: by Rodrigo Garcia Roles and Charlie Hernandez.