WEBVTT - Episode 451 | What If?

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<v Speaker 1>No, showed the marriage, good ambiance and a nice lighting.

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<v Speaker 2>What that means.

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<v Speaker 1>That means all nigg got to do is take you

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<v Speaker 1>out to a nice spot and you're just going what

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<v Speaker 1>everything you said you ain't gonna do.

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<v Speaker 2>That's a lie.

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<v Speaker 3>That's a lot and a lot of niggas. That took

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<v Speaker 3>me to a lot of nice spots. And he can't

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<v Speaker 3>ain't couldn't sniff my draws at it to night. I

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<v Speaker 3>mean you got the wrong Oh what you mean, Oh

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<v Speaker 3>for me to drink? Oh, you don't take much. But

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<v Speaker 3>she went right to because I thought she was. I

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<v Speaker 3>thought she was talking about something else. So what the

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<v Speaker 3>fuck is you talking about? Oh yeah, you're talking about

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<v Speaker 3>to get me to drink.

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<v Speaker 2>Oh it was take much, thank you baby. Right amount

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<v Speaker 2>of light that's all I was talking about. It's all

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<v Speaker 2>I was talking about, the right amount of lightning. Baby.

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<v Speaker 2>Do you prefer to be like mute, like dark lighting,

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<v Speaker 2>or like you like a light lighting on a date? Yeah?

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<v Speaker 2>I like I like really low kill the flicker, like

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<v Speaker 2>the flicker.

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<v Speaker 3>Flicker of the light, like them off to a flame,

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<v Speaker 3>burned by the fire.

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<v Speaker 1>We're back Sponsored by Boost Mobile Unlimited Texting and Janet

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<v Speaker 1>Jack Janet Jackson fairly.

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<v Speaker 2>Just because I'm not I'm not doing this for baby Jane.

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<v Speaker 4>Kind of a with that poetry, though, yeo, I'll never

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<v Speaker 4>forget that video. So as long as I live gives

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<v Speaker 4>you two, you don't need to forget. And Janet had

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<v Speaker 4>her stomach out.

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<v Speaker 2>My love is blind. I don't even know, y'all was

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<v Speaker 2>too young, ya, don't, y'all don't know how that? Really?

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<v Speaker 2>I wasn't born. Yeah, you wasn't born when that video

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<v Speaker 2>came out. Damn. I feel you wasn't born. You weren't

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<v Speaker 2>even on this earth yet. Damn swinging in a sack.

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<v Speaker 2>That is baby, That is wild.

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<v Speaker 3>It came out the year I was born, so I

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<v Speaker 3>don't think I was born yet.

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<v Speaker 2>He was on your way though. It spawned me, It

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<v Speaker 2>literally spawned me.

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<v Speaker 1>Hey, I could believe that everybody was humping to that.

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<v Speaker 1>Oh doom, doom, doom, doom.

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<v Speaker 2>Oh my god, y'all, don't Janet.

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<v Speaker 3>That Janet y'all released actually was released April nineteen ninety three,

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<v Speaker 3>the year before I was born, A year before I

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<v Speaker 3>was born.

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<v Speaker 4>My damn, have they ever done a Janet tribute?

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<v Speaker 2>Of course they have? Who called me from Ghana? From Ghana.

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<v Speaker 1>Oh they got your scam, got your daughter. That's why

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<v Speaker 1>you gotta get Booze. That would never happen. That would

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<v Speaker 1>never happen. If you have a Boo's baby, they can

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<v Speaker 1>never get your data.

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<v Speaker 4>See all right, since you're like the biggest Janet sting,

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<v Speaker 4>I know who'd you want in the Janet tribute? Who

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<v Speaker 4>are worthy? Because that one's tough too. They've had Janet

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<v Speaker 4>tributes though, yeah, I think they. If I remember.

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<v Speaker 1>One's child doing one, I think it was was of

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<v Speaker 1>course worthy. Was it the Hall of Rock and Roll

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<v Speaker 1>Hall of Fame or forget? I think it was one

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<v Speaker 1>of those which which record.

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<v Speaker 3>Usher pink in Maya. I remember that one. I like

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<v Speaker 3>that list that was the Icon two thousand and one

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<v Speaker 3>Usher pink in Maya.

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<v Speaker 2>Which one was Destiny's child?

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<v Speaker 1>Let me say, because they definitely they definitely did a

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<v Speaker 1>tribute to uh Beyonce one year, I mean to Janet

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<v Speaker 1>one year.

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<v Speaker 2>You know how well they.

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<v Speaker 3>It was the two thousand and one, It was the Icon,

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<v Speaker 3>it was Icon one. They sung less wait a while, Okay, yep,

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<v Speaker 3>that was a thousand and one that was m TV yep, okay,

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<v Speaker 3>I my perfect Janet Jackson tribute would be Sierra, Victoria, Monet,

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<v Speaker 3>Tianna Taylor.

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<v Speaker 2>You're talking about like all the Janet's daughters, Yeah.

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<v Speaker 3>Her kids basically, Yeah, but I'm trying to taking.

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<v Speaker 4>Her attribute to Janet would be fire.

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<v Speaker 2>She would go crazy. That would be amazing.

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<v Speaker 4>She would go crazy. Oh yeah, Tiana would That makes

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<v Speaker 4>so much sense? Yeah, I like Victoria there which which

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<v Speaker 4>which other girlies are really good at dancing?

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<v Speaker 2>Like the way Victoria money. I don't give her props.

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<v Speaker 3>Nash, Yeah, I don't give thee about about They said

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<v Speaker 3>Tash the only I retweeted the tweet I said, Tanashi is.

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<v Speaker 2>The only be your Chris Brown is crazy, Like she's

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<v Speaker 2>the only.

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<v Speaker 3>Light skinned girl to not to not benefit from like

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<v Speaker 3>light skin privilege, like what icon like what a truance setter?

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<v Speaker 1>Like she's not that ain't true, it's way it's a

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<v Speaker 1>whole bunch of license girls that ain't.

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<v Speaker 2>But she's like actually talented. It's just it never stuck.

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<v Speaker 2>I don't know why. I don't know. I can't. I

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<v Speaker 2>can't figure that one out because.

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<v Speaker 4>They tried to make her so many different pop girls,

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<v Speaker 4>like when one song didn't work, she never had a

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<v Speaker 4>real identity, like no one could really. I feel like, uh,

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<v Speaker 4>connect to who she was, like the way you can

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<v Speaker 4>with Rihanna, et cetera. Like they just tried a bunch

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<v Speaker 4>of different sounds and like fill in blank here pop star.

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<v Speaker 4>I just don't think it ever because they gave her

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<v Speaker 4>every shot you could have, and no.

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<v Speaker 2>Everyone was just like, nah, we're cool. Doom Doom ship.

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<v Speaker 2>Have you guys seen the Michael trailer? Yes? Yeah, didn't

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<v Speaker 2>we talk about that.

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<v Speaker 4>I'm pretty sure the first might not have been here

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<v Speaker 4>ye at work. No, I am excited for that. But anyways,

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<v Speaker 4>we are back, and I do want to give you

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<v Speaker 4>guys a health update if I drop dead. I've had

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<v Speaker 4>vertigo since Saturday morning and it has not gone away.

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<v Speaker 4>I'm going to go to the doctor on Friday. Oh

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<v Speaker 4>you got to sleep with your left leg hanging off

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<v Speaker 4>the bed. It's your left leg, I think.

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<v Speaker 1>Right, Oh, you're being for real. Yeah, look it up,

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<v Speaker 1>well for real, because it's just your balances, like you know,

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<v Speaker 1>I mean, that's all it is. I think I've never

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<v Speaker 1>had hanging off the bed or something like that.

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<v Speaker 4>I've never had vertigo before in my life, and it's

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<v Speaker 4>it's it's been constant for the last few days.

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<v Speaker 1>Vertigo can be managed by resting in a dark choir

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<v Speaker 1>that Rory can't do that dark quiet room and avoiding

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<v Speaker 1>sudden head movements or bending over keyringies include apptly maneuver,

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<v Speaker 1>repositioning crystals in the ear, staying hydrated, reducing stress, and

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<v Speaker 1>limiting alcohol.

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<v Speaker 2>Oh there you go, stressing alcohol tc and get rid

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<v Speaker 2>of those two things.

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<v Speaker 1>Lie down, Lie down immediately when dizzy preforeally in dark

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<v Speaker 1>choir room, produces avoid wrapping head movements positions. Sleep with

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<v Speaker 1>your head slightly raised on two more pillows. Okay, yeah,

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<v Speaker 1>it's you can definitely like, you can definitely get rid

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<v Speaker 1>of that.

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<v Speaker 4>But I'm proud of myself for admitting it out loud

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<v Speaker 4>because I wanted to tell people. But I don't know

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<v Speaker 4>why my insecurities make me feel goofd like vertigo, Like, yeah,

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<v Speaker 4>I got vertigo.

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<v Speaker 2>That's mad gay, Like why you ain't not balance loose

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<v Speaker 2>walking as oh, wobbly neck ass, like you can't even

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<v Speaker 2>keep your head ro man.

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<v Speaker 4>Complaining his balance he dizzy over his son, dish like

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<v Speaker 4>I feel like that, that's that's a valid for a

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<v Speaker 4>girl to have, Like if your man told you he

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<v Speaker 4>had vertigo.

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<v Speaker 2>Like get away. You can't. How do you gonna leave me?

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<v Speaker 2>You don't even know what direction you walking in?

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<v Speaker 1>Like you can't even you're not even balanced in your life,

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<v Speaker 1>Like how you know I'm saying, how you're gonna be

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<v Speaker 1>balancing this relationship?

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<v Speaker 2>Like, but how long you had it? Two days?

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<v Speaker 4>Saturday morning and Saturday that's going away?

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<v Speaker 2>They have you guys should get like ear drops too.

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<v Speaker 4>So I took I haven't taken melotone in like years, years, years.

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<v Speaker 4>So I took Melotona on Friday night, and I thought

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<v Speaker 4>when I woke up, it was just like I was

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<v Speaker 4>like just kind of like all fucked up stilts, Like

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<v Speaker 4>you know, if you drink niquil and you don't get

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<v Speaker 4>seven hours of sleep, like you just feel fucking weird.

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<v Speaker 4>So I thought it was that, and it just hasn't

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<v Speaker 4>gone away. And I haven't taken any melitonin since. Okay,

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<v Speaker 4>but yes, it's been fucking me up. Yeah, this is

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<v Speaker 4>a bunch of like home remedies that you can do.

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<v Speaker 3>Thought rid of that, that's going to dinner on Thursday

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<v Speaker 3>to help or well Monday when we went.

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<v Speaker 2>Yeah, at that point, I didn't have vertigo. I was

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<v Speaker 2>just drunk. And couldn't.

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<v Speaker 4>Oh, I couldn't walk correctly.

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<v Speaker 2>Maybe it's not vertigo.

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<v Speaker 4>Maybe you used to the vertigo came before that.

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<v Speaker 3>Okay, then Rory got drunk on accident.

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<v Speaker 1>But listen, baby, this is why. Well, technically you did

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<v Speaker 1>drive January, so January I did. But February what was

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<v Speaker 1>that second? You went right back to the bottle. Are

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<v Speaker 1>you okay?

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<v Speaker 4>I'm fine, but you're supposed to wait for Coal. I

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<v Speaker 4>was supposed to be honest. She betrayed Coal if anything.

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<v Speaker 2>Oh, okay, I'm sorry, Jamaine. That's what he's focused on

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<v Speaker 2>right now with release, like he.

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<v Speaker 3>Liking out of everything that happened to me. Yo, Demeriz

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<v Speaker 3>betrayed me, Like this is my thirteenth reason. No, I

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<v Speaker 3>did go back, right, I went I needed a martini.

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<v Speaker 2>That sounds like an addict. I went back.

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<v Speaker 3>I went back to the bottle. I needed a martini.

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<v Speaker 3>The crazy shiit was, I think I was just really

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<v Speaker 3>craving olive juice. I didn't need the vodka that came

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<v Speaker 3>with it, Like, I just really wanted some olive juice.

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<v Speaker 2>Whatever drink she had was delicious, though.

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<v Speaker 3>Oh the one I had with Rory was called a

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<v Speaker 3>side chic not side chick side cheek.

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<v Speaker 4>Yes, and it was made chicks fifteenth called themselves cheek

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<v Speaker 4>side cheek? Is that like a play on sheet loots

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<v Speaker 4>let from She's like like, ic okay, got it? I

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<v Speaker 4>thought that was like chic side you know, it wasn't

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<v Speaker 4>a locks themed bar.

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<v Speaker 2>Okay. No.

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<v Speaker 4>I thought that was a cool phrase. Now that side

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<v Speaker 4>chicks like could be more empowered. I'm not a side chicken.

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<v Speaker 2>Yeah, so it was.

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<v Speaker 3>That was a good cocktail that we had. And then

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<v Speaker 3>I had a couple of glasses of sanceter because me

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<v Speaker 3>and Rory were running our mouths. And what I've realized

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<v Speaker 3>is through drinking, the majority of my heavy drinking comes

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<v Speaker 3>from not paying attention to the fact that I'm drinking.

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<v Speaker 2>Does that make sense?

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<v Speaker 3>Like I'm just over here yapping and they're like, you

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<v Speaker 3>want another on a I think you're about.

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<v Speaker 1>To say to it because she was not paying, well,

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<v Speaker 1>she didn't pay it there, yeah, oh no, women that

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<v Speaker 1>when people when they don't pay. Do you think people

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<v Speaker 1>think we split the bill if you went out, if

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<v Speaker 1>you and Rory went out to eat, I can guarantee

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<v Speaker 1>you nobody thinks you picked up that bill.

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<v Speaker 3>But it would be whatever okay, my point, whatever, my point,

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<v Speaker 3>I would even when I was broken, we would go out.

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<v Speaker 3>Did you ever pay it? I've bought in you something before.

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<v Speaker 3>It was probably my thirty name. I bought him a

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<v Speaker 3>drink before. Roy used to come to my bar and

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<v Speaker 3>drink for free.

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<v Speaker 2>He would just hip me. That's a fact.

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<v Speaker 4>But that's how it's supposed to go. Yeah, if I

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<v Speaker 4>know the ball tender, she ain't charged me for the drink. Yeah,

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<v Speaker 4>those are the good days too. And that location was perfect.

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<v Speaker 2>Around the quarter from here over at l e s.

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<v Speaker 4>Shout out the Essex, shout out thesex. It was in

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<v Speaker 4>close proximity to everywhere I was going. I could pregame

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<v Speaker 4>there for free, annoy her, get loaded, and then go

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<v Speaker 4>lett a woman take loaded the Let a woman take

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<v Speaker 4>advantage of you.

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<v Speaker 2>I like it.

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<v Speaker 3>Yeah, but no, My point is when I'm talking tomorrow,

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<v Speaker 3>I was telling them all that I'm I think I'm

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<v Speaker 3>going to take a break from drinking again. It's what

0:10:06.360 --> 0:10:09.560
<v Speaker 3>I realize is when I drink, there's all these feelings that.

0:10:09.640 --> 0:10:14.960
<v Speaker 4>I have and you think that you think that's olive

0:10:15.000 --> 0:10:18.840
<v Speaker 4>and vodka's for right, Yeah, like I don't. I'm soges

0:10:19.080 --> 0:10:22.480
<v Speaker 4>No I'm for real, Okay, okay, so boom right. I'm

0:10:22.520 --> 0:10:24.800
<v Speaker 4>a feeling person. I have big feelings. I feel things

0:10:24.920 --> 0:10:29.640
<v Speaker 4>very heavily. But when I drink, the actions start listening

0:10:29.720 --> 0:10:32.480
<v Speaker 4>to the feelings. Like when I'm sober, the actions listen

0:10:32.520 --> 0:10:35.840
<v Speaker 4>to like my common sense, my ego. But when I'm drinking,

0:10:36.280 --> 0:10:39.160
<v Speaker 4>the actions be listening to the feelings. And then I

0:10:39.320 --> 0:10:43.560
<v Speaker 4>start tripping, and then I have a reputation for like tripping,

0:10:43.600 --> 0:10:45.439
<v Speaker 4>and it's like, yo, why is she tripping? And it's like,

0:10:45.559 --> 0:10:48.320
<v Speaker 4>I'm not like this when I'm sober. So I decided

0:10:48.320 --> 0:10:49.640
<v Speaker 4>I don't like that. I don't like that feeling. I

0:10:49.640 --> 0:10:51.360
<v Speaker 4>don't like waking up in the morning, like why the

0:10:51.400 --> 0:10:53.240
<v Speaker 4>fuck did I call that person? I don't even like

0:10:53.360 --> 0:10:56.000
<v Speaker 4>that person. I don't like that feeling. So I'm cool.

0:10:56.679 --> 0:10:57.800
<v Speaker 2>So it's not that alcohol.

0:10:58.480 --> 0:11:00.720
<v Speaker 1>It's the fact that you started to actually no calling

0:11:00.800 --> 0:11:03.440
<v Speaker 1>somebody that you shouldn't have called the time I'm.

0:11:03.320 --> 0:11:05.439
<v Speaker 3>Talking about in the grand scheme of things, not the

0:11:05.520 --> 0:11:07.040
<v Speaker 3>last time I went drinking with Rory.

0:11:07.200 --> 0:11:09.120
<v Speaker 2>Okay, all right, so you should stay off the bottle.

0:11:09.720 --> 0:11:12.240
<v Speaker 3>Yeah, I just I want to have better control over

0:11:12.400 --> 0:11:14.280
<v Speaker 3>like because I do like I do, And that's This

0:11:14.440 --> 0:11:17.199
<v Speaker 3>is not even a romantic thing. This is like my friends,

0:11:17.320 --> 0:11:20.280
<v Speaker 3>my family, like everybody, like I just I don't know.

0:11:20.360 --> 0:11:22.400
<v Speaker 3>I guess I hold shit in and then the liquor

0:11:22.440 --> 0:11:24.160
<v Speaker 3>had and I'll be like, yo, remember Wednesday when you

0:11:24.200 --> 0:11:25.240
<v Speaker 3>says some smart shouldn't I.

0:11:25.240 --> 0:11:25.640
<v Speaker 2>Let that rock?

0:11:25.679 --> 0:11:26.319
<v Speaker 4>What was that? Like?

0:11:26.400 --> 0:11:29.200
<v Speaker 2>I don't start doing that sober math. Yeah, you start

0:11:29.240 --> 0:11:29.800
<v Speaker 2>thinking about shit.

0:11:29.840 --> 0:11:32.160
<v Speaker 3>You be sitting in the corner rocking, Like I'll text

0:11:32.200 --> 0:11:35.160
<v Speaker 3>my sister like, yeah that Thanksgiving like you said that

0:11:35.280 --> 0:11:36.680
<v Speaker 3>one shit, like in front of g like you.

0:11:36.679 --> 0:11:38.880
<v Speaker 2>Know what I'm saying, Why you do that? Like stay

0:11:38.880 --> 0:11:40.160
<v Speaker 2>off the bottle bit, which is crazy.

0:11:40.200 --> 0:11:43.000
<v Speaker 4>I think that happens more like in your thirties because

0:11:43.040 --> 0:11:47.240
<v Speaker 4>life has traumatized you. In your twenties, usually the drunk

0:11:47.520 --> 0:11:49.800
<v Speaker 4>you do the I love you drunk shit like you

0:11:49.920 --> 0:11:52.520
<v Speaker 4>love everybody. It's all positivity, like yo, you know you're

0:11:52.559 --> 0:11:55.199
<v Speaker 4>my man, like you know all that that drunk shit.

0:11:55.240 --> 0:11:57.480
<v Speaker 4>When you get to thirties and life has abused you

0:11:57.559 --> 0:12:00.360
<v Speaker 4>a bit, the alcohol turns on you and you take

0:12:00.440 --> 0:12:03.520
<v Speaker 4>all resentment out be a text to somebody that may

0:12:03.600 --> 0:12:04.079
<v Speaker 4>not deserve it.

0:12:04.320 --> 0:12:07.040
<v Speaker 1>So you're back on no drinking for February. I'm just

0:12:07.160 --> 0:12:08.920
<v Speaker 1>going to do because you know, y'all got the women,

0:12:08.960 --> 0:12:09.720
<v Speaker 1>y'all this year a month.

0:12:09.840 --> 0:12:13.440
<v Speaker 2>Right here it is glass of wine. I'm with my day.

0:12:13.520 --> 0:12:15.160
<v Speaker 2>I'm with Valentine's Day weekend.

0:12:15.320 --> 0:12:16.719
<v Speaker 4>But like I was going to try to get a

0:12:16.840 --> 0:12:20.640
<v Speaker 4>babysitter for for Thursday night for coal, Like, we're not

0:12:20.720 --> 0:12:21.839
<v Speaker 4>We're not having a drink for coal.

0:12:22.240 --> 0:12:23.400
<v Speaker 2>Oh, I'll have a drink for Cole.

0:12:23.920 --> 0:12:26.520
<v Speaker 4>We're not staying up till midnight. I'll have a drink

0:12:26.559 --> 0:12:28.839
<v Speaker 4>for coal. I have a couple drinks for coal. I

0:12:28.920 --> 0:12:30.720
<v Speaker 4>bought a whole new soundbar just for the fall off.

0:12:32.200 --> 0:12:34.320
<v Speaker 2>Oh, like here, I mean we can yeah, we can

0:12:34.400 --> 0:12:34.559
<v Speaker 2>do that.

0:12:34.880 --> 0:12:37.000
<v Speaker 4>We can do a coole party. I mean the track

0:12:37.080 --> 0:12:40.080
<v Speaker 4>list just drop. And I want to start by saying

0:12:40.080 --> 0:12:41.640
<v Speaker 4>I can tell just by the track list it's already

0:12:41.640 --> 0:12:45.280
<v Speaker 4>a classic, just by the way he named the songs.

0:12:45.320 --> 0:12:47.560
<v Speaker 2>I can tell this this is a classic. All right, Well,

0:12:47.600 --> 0:12:48.439
<v Speaker 2>let's let's run through it.

0:12:48.520 --> 0:12:48.640
<v Speaker 3>Man.

0:12:48.840 --> 0:12:50.839
<v Speaker 1>I'm because this is a big this is an album

0:12:50.880 --> 0:12:54.120
<v Speaker 1>that we've all been waiting for, and now we got

0:12:54.160 --> 0:12:56.679
<v Speaker 1>the track list, so let's let's go through it. Let's

0:12:56.760 --> 0:12:58.600
<v Speaker 1>let's read the track let's try it. He didn't give

0:12:58.640 --> 0:13:00.400
<v Speaker 1>us no features though correct. We don't know that he

0:13:00.800 --> 0:13:02.599
<v Speaker 1>could just not list the features in the in the

0:13:02.640 --> 0:13:04.800
<v Speaker 1>track lists. God people have done done before.

0:13:04.840 --> 0:13:05.839
<v Speaker 2>We don't know there.

0:13:05.880 --> 0:13:08.920
<v Speaker 4>But he did explain the concept and everything. I will

0:13:09.000 --> 0:13:12.720
<v Speaker 4>say though, like anyone that names the record safety Classic,

0:13:12.760 --> 0:13:14.240
<v Speaker 4>I can tell m.

0:13:14.880 --> 0:13:19.200
<v Speaker 3>Okay, my prediction is that one disc will have features

0:13:19.240 --> 0:13:19.880
<v Speaker 3>and one won't.

0:13:20.679 --> 0:13:25.319
<v Speaker 2>That's just gonna steal my my predictions for and one

0:13:25.400 --> 0:13:28.640
<v Speaker 2>won and one won't. I don't know if I like that,

0:13:28.760 --> 0:13:32.480
<v Speaker 2>but okay, literally made that prediction on this Run a

0:13:32.559 --> 0:13:36.959
<v Speaker 2>Train is an interesting title. Run a Train. Nobody wants

0:13:37.000 --> 0:13:40.040
<v Speaker 2>to stop and talk about that one? All right? Why

0:13:40.120 --> 0:13:42.440
<v Speaker 2>that is hilarious? More all right?

0:13:42.520 --> 0:13:45.120
<v Speaker 4>So he put out like and then right after that,

0:13:45.240 --> 0:13:51.040
<v Speaker 4>poor thing, we look right there and after you run

0:13:51.080 --> 0:13:52.800
<v Speaker 4>a train on a girl, her legacy is ruined.

0:13:53.000 --> 0:13:56.040
<v Speaker 1>Oh absolutely, But let's start with the one before running

0:13:56.040 --> 0:13:59.000
<v Speaker 1>train safety. So he's wearing the comments. So we got

0:13:59.040 --> 0:14:01.280
<v Speaker 1>that keep it safe, run a train, but safety first,

0:14:01.320 --> 0:14:04.480
<v Speaker 1>I got it. Okay, Before that, it was either two

0:14:04.559 --> 0:14:05.200
<v Speaker 1>to six guys.

0:14:06.360 --> 0:14:06.719
<v Speaker 2>There you go.

0:14:07.360 --> 0:14:10.000
<v Speaker 4>All right, Well, no's what's kind of funny about the

0:14:10.040 --> 0:14:13.120
<v Speaker 4>run of train. Shit is the concept Disc twenty nine

0:14:13.160 --> 0:14:17.160
<v Speaker 4>and just thirty nine The first one is mainly about

0:14:17.960 --> 0:14:21.480
<v Speaker 4>those college days driving back to North Carolina, which he

0:14:21.520 --> 0:14:24.320
<v Speaker 4>explained similar to the Come Up, his first project. So

0:14:24.440 --> 0:14:26.840
<v Speaker 4>when you are talking about college days, it is kind

0:14:26.880 --> 0:14:28.520
<v Speaker 4>of nuts to have a song called run a Train.

0:14:29.080 --> 0:14:31.280
<v Speaker 1>You're not wrong by pointing out, Yeah, I might go

0:14:31.360 --> 0:14:32.520
<v Speaker 1>straight to that one. I just want to hear what

0:14:32.640 --> 0:14:33.440
<v Speaker 1>run the Train is about.

0:14:33.560 --> 0:14:35.520
<v Speaker 2>Like, I think I'm gonna go straight to who the

0:14:35.560 --> 0:14:39.320
<v Speaker 2>fuck is you? Who the fuck is you? Okay?

0:14:39.320 --> 0:14:40.920
<v Speaker 3>Because if he get on my get off my dick,

0:14:41.040 --> 0:14:42.960
<v Speaker 3>like hear him, I get up, get off my dick bag.

0:14:43.360 --> 0:14:44.280
<v Speaker 2>I mean, I'm gonna go crazy.

0:14:44.320 --> 0:14:45.960
<v Speaker 4>I think that might be the one that was playing

0:14:46.400 --> 0:14:48.480
<v Speaker 4>during the credits in that one snippet is the last

0:14:48.520 --> 0:14:48.840
<v Speaker 4>one on them.

0:14:48.880 --> 0:14:50.600
<v Speaker 2>This twenty nine is that's called Lonely at the Top.

0:14:50.560 --> 0:14:52.080
<v Speaker 4>Lonely at the Top of Yes, that's that's a six

0:14:52.160 --> 0:14:52.840
<v Speaker 4>minute Drake disk.

0:14:53.120 --> 0:14:55.520
<v Speaker 2>He's a bonus. You couldn't help yourself, could you. It's

0:14:55.520 --> 0:14:57.880
<v Speaker 2>a bonus. I think it says at the bottom bonus.

0:14:58.160 --> 0:14:58.840
<v Speaker 2>Is that what it says?

0:14:59.080 --> 0:15:02.920
<v Speaker 4>But I don't understand what makes it a bonus. I

0:15:02.960 --> 0:15:06.080
<v Speaker 4>don't understand that now bonus records back in the day,

0:15:06.600 --> 0:15:09.720
<v Speaker 4>like certain CDs you bought like and would get one

0:15:09.840 --> 0:15:11.480
<v Speaker 4>bonus record that the States wouldn't like.

0:15:12.920 --> 0:15:14.720
<v Speaker 1>Why is it a bonus because it maybe doesn't fit

0:15:14.760 --> 0:15:18.120
<v Speaker 1>the track list? Yeah, I don't get wise labeled as

0:15:18.160 --> 0:15:19.160
<v Speaker 1>a bonus, but okay.

0:15:19.080 --> 0:15:22.280
<v Speaker 4>Yeah, well either way, it's it's twelve records on about this,

0:15:22.520 --> 0:15:25.920
<v Speaker 4>So looking at twenty four, it's a lot of coal music.

0:15:26.120 --> 0:15:29.280
<v Speaker 4>I am excited. I hope he doesn't get another lawsuit

0:15:29.320 --> 0:15:31.040
<v Speaker 4>for this back cover though, because that is a lot

0:15:31.720 --> 0:15:34.640
<v Speaker 4>of photos that are licensed and copywritten, and the album

0:15:34.720 --> 0:15:36.160
<v Speaker 4>covers like they're kind of blurry.

0:15:36.240 --> 0:15:41.120
<v Speaker 2>Though now I could sell that's Badcgul love that album.

0:15:41.640 --> 0:15:43.400
<v Speaker 4>It's one of my favorites, fifty right next to me.

0:15:44.280 --> 0:15:47.160
<v Speaker 4>What's funny is all of the ex Rockefeller members are

0:15:47.200 --> 0:15:49.680
<v Speaker 4>going to start suing J Cole in unity.

0:15:53.160 --> 0:15:55.240
<v Speaker 2>Is this the official? Do feel like this is the official?

0:15:55.320 --> 0:15:57.400
<v Speaker 2>Arg It was just just for social No, he said.

0:15:59.360 --> 0:16:01.280
<v Speaker 4>Back cover, This was photo of his bedroom when he

0:16:01.360 --> 0:16:03.520
<v Speaker 4>was fifteen, and then he shot all this his concept.

0:16:04.040 --> 0:16:06.000
<v Speaker 4>I do actually really like the backup. I think like it,

0:16:07.240 --> 0:16:09.480
<v Speaker 4>and I am joking with the you know font making

0:16:09.520 --> 0:16:12.640
<v Speaker 4>it a classic, but that stuff is important. Very rarely

0:16:12.680 --> 0:16:14.960
<v Speaker 4>do you have a classic album that has very shitty artwork.

0:16:15.800 --> 0:16:19.160
<v Speaker 4>It's happened, but now I love her again. I think

0:16:19.200 --> 0:16:23.360
<v Speaker 4>that might be the wane. What if, oh god, I

0:16:23.480 --> 0:16:24.640
<v Speaker 4>love her again into what If?

0:16:25.160 --> 0:16:25.360
<v Speaker 3>I know?

0:16:25.520 --> 0:16:29.360
<v Speaker 2>I know what what if is already? What if? Come on, Jermaine,

0:16:29.440 --> 0:16:31.520
<v Speaker 2>don't do this, man, don't just just give us the music,

0:16:31.560 --> 0:16:32.680
<v Speaker 2>bron help yourself.

0:16:32.720 --> 0:16:34.360
<v Speaker 1>All I said was don't do this. I didn't say

0:16:34.440 --> 0:16:37.640
<v Speaker 1>nothing else. All I said was don't do this. I'm

0:16:37.720 --> 0:16:38.560
<v Speaker 1>not saying anything.

0:16:38.680 --> 0:16:40.480
<v Speaker 2>I don't. I'm not just saying what if?

0:16:41.400 --> 0:16:42.840
<v Speaker 3>Do we know? What do we do? We kind of

0:16:42.840 --> 0:16:45.880
<v Speaker 3>feel what that's about. I feel like, what if I

0:16:46.000 --> 0:16:47.600
<v Speaker 3>love her again? Into what if? I feel like it

0:16:47.680 --> 0:16:50.040
<v Speaker 3>might be related to something else. I don't think it's

0:16:50.080 --> 0:16:53.120
<v Speaker 3>related to I don't. I don't think there's a concept

0:16:53.160 --> 0:16:55.280
<v Speaker 3>of what if I participated in the beef. I don't

0:16:55.320 --> 0:16:58.000
<v Speaker 3>think giving I don't know what would have happened, because

0:16:58.040 --> 0:17:00.360
<v Speaker 3>that that would actually even piss me off.

0:17:02.080 --> 0:17:03.640
<v Speaker 2>I turned in the mall if that was the case.

0:17:04.000 --> 0:17:05.600
<v Speaker 2>I'm just saying I don't think he.

0:17:05.680 --> 0:17:09.320
<v Speaker 3>Wrote like the ojay version, like yo, like I didn't

0:17:09.359 --> 0:17:10.760
<v Speaker 3>kill her, But if I did it, like I didn't,

0:17:10.760 --> 0:17:11.920
<v Speaker 3>you know what I'm saying like, I don't think he

0:17:12.080 --> 0:17:13.000
<v Speaker 3>does that on this album.

0:17:14.440 --> 0:17:17.199
<v Speaker 4>I mean he did sort of take Mall's advice here,

0:17:17.200 --> 0:17:20.480
<v Speaker 4>even though Demarus let him down the villist instead of

0:17:20.480 --> 0:17:22.160
<v Speaker 4>the illist. Like he's not saying he's the list, he's

0:17:22.200 --> 0:17:26.719
<v Speaker 4>just the villaist. He found a loophole in your argument.

0:17:28.200 --> 0:17:28.920
<v Speaker 4>I'm just trying to bait you.

0:17:28.960 --> 0:17:32.520
<v Speaker 3>I'm sorry, okay, not baiting him. I'm let me, let me,

0:17:32.640 --> 0:17:36.320
<v Speaker 3>let me, let me lay that down. Come Monday. Don't

0:17:36.400 --> 0:17:38.280
<v Speaker 3>bait him and don't come in here on no bullshit.

0:17:38.800 --> 0:17:42.800
<v Speaker 2>What you mean? Yeah, wait, once the album drops, don't.

0:17:42.600 --> 0:17:44.560
<v Speaker 3>Bait him into coming here and here on bullshit and

0:17:44.640 --> 0:17:46.479
<v Speaker 3>don't come in here on bullshit. We're gonna come in here.

0:17:46.480 --> 0:17:47.760
<v Speaker 3>We're gonna be on positivity.

0:17:49.040 --> 0:17:50.560
<v Speaker 1>No, I'm gonna be on whatever I want to be

0:17:50.600 --> 0:17:52.240
<v Speaker 1>on after this. I listen to this album. If this

0:17:52.280 --> 0:17:54.000
<v Speaker 1>ship is trash, I'm gonna say it's trash. I don't

0:17:54.000 --> 0:17:55.480
<v Speaker 1>think there's a world where this is trash.

0:17:55.800 --> 0:17:58.639
<v Speaker 4>But I mean, yeah, I'm coming here for positivity.

0:17:58.800 --> 0:18:01.360
<v Speaker 1>Yeah, I'm not coming here looking be negative like I'm

0:18:01.400 --> 0:18:03.720
<v Speaker 1>not that person. But I'm gonna be honest it. I'm

0:18:03.720 --> 0:18:06.280
<v Speaker 1>gonna just be honest, like I'm looking forward to this album. Like,

0:18:06.359 --> 0:18:08.200
<v Speaker 1>but I know people try to say, paint this native,

0:18:08.200 --> 0:18:08.720
<v Speaker 1>I don't like cold.

0:18:08.800 --> 0:18:09.280
<v Speaker 2>It's not true.

0:18:09.560 --> 0:18:11.639
<v Speaker 1>I've been looking forward to this album. We finally getting it.

0:18:12.040 --> 0:18:14.280
<v Speaker 1>I'm just saying, I'm just, you know, want to listen

0:18:14.320 --> 0:18:16.119
<v Speaker 1>to it here, and I hope the music is amazing.

0:18:16.440 --> 0:18:18.360
<v Speaker 1>We know the rapping is Ja Cole, he can rap.

0:18:18.680 --> 0:18:21.000
<v Speaker 1>I'm more so concerned about what does the music sound like?

0:18:21.359 --> 0:18:24.480
<v Speaker 2>That's my whole thing with stuff, the production, you know,

0:18:24.680 --> 0:18:27.240
<v Speaker 2>the hooks, the content, Like what is what does it

0:18:27.359 --> 0:18:29.040
<v Speaker 2>sound like? You know what I'm saying, What did he do? Like?

0:18:29.119 --> 0:18:32.120
<v Speaker 1>I'm not the bars, I'm never I'm never ever questioning

0:18:32.240 --> 0:18:32.960
<v Speaker 1>Jake Cole's.

0:18:32.680 --> 0:18:33.360
<v Speaker 2>Ability to rap.

0:18:33.640 --> 0:18:37.480
<v Speaker 1>He can rap, but the music because I know he

0:18:37.760 --> 0:18:39.680
<v Speaker 1>made changes, you know what I'm saying. We obviously know

0:18:39.760 --> 0:18:41.480
<v Speaker 1>he made changes in the last couple years. The album

0:18:41.560 --> 0:18:44.280
<v Speaker 1>probably sounded totally different two years ago. So I'm just

0:18:44.359 --> 0:18:45.240
<v Speaker 1>interested to hear what he did.

0:18:45.320 --> 0:18:47.200
<v Speaker 4>What kind of I mean, the concepts kind of changed

0:18:47.240 --> 0:18:51.040
<v Speaker 4>completely because it was not even rumored. They more than

0:18:51.040 --> 0:18:53.760
<v Speaker 4>alluded to it of the fall off of certain rappers

0:18:53.800 --> 0:18:55.520
<v Speaker 4>when they get to a part of their career that

0:18:55.600 --> 0:18:58.760
<v Speaker 4>they start to fall off. He completely changed the concept

0:18:58.800 --> 0:19:01.919
<v Speaker 4>with this twenty nine and This nine, his perspectives around

0:19:02.720 --> 0:19:04.480
<v Speaker 4>when he was twenty nine years old, and then his

0:19:04.640 --> 0:19:09.600
<v Speaker 4>perspectives at thirty nine now, So the album must have

0:19:09.760 --> 0:19:13.080
<v Speaker 4>completely changed. Yeah, because the concept of the fallof is

0:19:13.160 --> 0:19:16.800
<v Speaker 4>not that anymore. It's it's more so the decades of

0:19:17.119 --> 0:19:17.520
<v Speaker 4>his life.

0:19:17.720 --> 0:19:19.879
<v Speaker 2>So I'm with you.

0:19:19.960 --> 0:19:20.080
<v Speaker 3>Though.

0:19:20.119 --> 0:19:23.440
<v Speaker 2>On the sonically, I'm very curious where where this is show.

0:19:24.280 --> 0:19:24.920
<v Speaker 2>I see that it was.

0:19:25.040 --> 0:19:28.080
<v Speaker 4>It was EP by Cole Ebe and T minus, So

0:19:29.520 --> 0:19:31.840
<v Speaker 4>that makes me feel great because I think T minus

0:19:32.000 --> 0:19:35.680
<v Speaker 4>is criminally underrated and an incredible, incredible producer, So I

0:19:35.800 --> 0:19:37.840
<v Speaker 4>love to see T minus name in the EP.

0:19:38.560 --> 0:19:40.640
<v Speaker 2>Never mat a Team Minus introducing.

0:19:40.560 --> 0:19:42.440
<v Speaker 4>T minus T minus did the whole thing, I'd be happy.

0:19:43.520 --> 0:19:46.160
<v Speaker 4>So I'm excited on that front that that Team minus

0:19:46.240 --> 0:19:47.280
<v Speaker 4>is this heavily involved.

0:19:47.560 --> 0:19:51.399
<v Speaker 2>Okay, who we got? You know how crazy that we

0:19:51.560 --> 0:19:52.879
<v Speaker 2>need to go to.

0:19:52.880 --> 0:19:55.320
<v Speaker 4>That high school in Toronto and figure out what was

0:19:55.560 --> 0:20:00.800
<v Speaker 4>How does like boy wonder T minus D Like there's

0:20:00.920 --> 0:20:03.400
<v Speaker 4>like six amazing producers that all went to that high

0:20:03.400 --> 0:20:07.560
<v Speaker 4>school together, Like that should be brought up at some point, Like.

0:20:07.640 --> 0:20:09.919
<v Speaker 2>Y'all just always at that high school in the same year.

0:20:10.040 --> 0:20:12.040
<v Speaker 2>What's the school in Jersey that Lauren went to?

0:20:13.040 --> 0:20:17.240
<v Speaker 4>Yeah, Columbia High School and in South Orange, Sisson went there,

0:20:17.800 --> 0:20:22.399
<v Speaker 4>Timmy went there, my guy from from Scrubs, Zach Braff.

0:20:23.359 --> 0:20:25.919
<v Speaker 4>I think Angeliaue went there as well, and then obviously

0:20:26.400 --> 0:20:27.719
<v Speaker 4>Pros and Lauren went there.

0:20:28.760 --> 0:20:30.720
<v Speaker 2>Why Cleff was I think why Cleff was going to

0:20:30.840 --> 0:20:34.520
<v Speaker 2>the high school? Now he was going to school high school? Hi,

0:20:35.200 --> 0:20:42.040
<v Speaker 2>great sheet climbs. That's a call back to she Yeah,

0:20:42.080 --> 0:20:43.639
<v Speaker 2>like high schools like that. I don't know. I just

0:20:43.720 --> 0:20:46.080
<v Speaker 2>think that's not talked about.

0:20:46.080 --> 0:20:49.280
<v Speaker 4>Even in the music nerd community of boy wondering everyone

0:20:49.320 --> 0:20:50.800
<v Speaker 4>that went to that high school at the same time

0:20:50.840 --> 0:20:53.119
<v Speaker 4>that y'all just like, why don't y'all bring that up more?

0:20:54.320 --> 0:20:56.159
<v Speaker 3>Are there any other schools that are like that? Or

0:20:56.240 --> 0:20:57.560
<v Speaker 3>even colleges.

0:20:59.040 --> 0:21:01.639
<v Speaker 4>I'm trying to think of the sport world there. My

0:21:01.760 --> 0:21:05.320
<v Speaker 4>school was just me and Max B. Wait, hold on,

0:21:05.440 --> 0:21:06.199
<v Speaker 4>Max b went here?

0:21:06.960 --> 0:21:09.159
<v Speaker 2>Yeah, you know Max ms when the boys square all.

0:21:09.400 --> 0:21:12.200
<v Speaker 2>I have no clue there nothing you get the melodies

0:21:12.240 --> 0:21:14.680
<v Speaker 2>from Max he studied music.

0:21:14.760 --> 0:21:15.880
<v Speaker 4>Everything makes so much sense.

0:21:15.960 --> 0:21:16.920
<v Speaker 2>Now, what do you mean?

0:21:18.280 --> 0:21:18.320
<v Speaker 4>No?

0:21:18.440 --> 0:21:19.040
<v Speaker 2>I never knew that?

0:21:20.040 --> 0:21:21.800
<v Speaker 4>Is there footage the way there's like footage of you,

0:21:21.960 --> 0:21:23.280
<v Speaker 4>and like Vanessa Williams.

0:21:22.960 --> 0:21:26.359
<v Speaker 2>The shit, I don't think so. I think because I

0:21:26.400 --> 0:21:27.399
<v Speaker 2>think Max left.

0:21:28.960 --> 0:21:30.920
<v Speaker 4>Yeah, someone tells me Max didn't stay very long.

0:21:31.320 --> 0:21:33.000
<v Speaker 2>Yeah, but he was in Aquito. Max was in the

0:21:33.000 --> 0:21:35.680
<v Speaker 2>boy Squaw at the same time as you were. No,

0:21:36.119 --> 0:21:39.600
<v Speaker 2>he was there the year, the year the year I

0:21:39.640 --> 0:21:40.960
<v Speaker 2>got there. I think it was the year he left.

0:21:43.080 --> 0:21:44.359
<v Speaker 4>Then there was a I don't know if it was

0:21:44.400 --> 0:21:47.280
<v Speaker 4>George Washington. Maybe it's it's a school in Brooklyn that's

0:21:47.320 --> 0:21:50.560
<v Speaker 4>closed now. But at the same time, Big Buster Rhymes

0:21:50.600 --> 0:21:53.359
<v Speaker 4>and jay Z all just wearing a lunch from at

0:21:53.400 --> 0:21:55.679
<v Speaker 4>one point, mm hmm. And I mean, granted all three

0:21:55.680 --> 0:21:57.439
<v Speaker 4>of them didn't really show up to high school very much,

0:21:57.480 --> 0:21:58.919
<v Speaker 4>but that's kind of crazy that.

0:21:58.960 --> 0:22:02.640
<v Speaker 2>All of y'all are like just in is it Western House?

0:22:02.760 --> 0:22:08.040
<v Speaker 4>I think it's something that's closed now, Yeah, Westinghouse, I

0:22:08.200 --> 0:22:11.680
<v Speaker 4>said George Washington. Yeah, no, that sometimes I just that

0:22:11.800 --> 0:22:14.800
<v Speaker 4>that type of shit, like that's fate, like not to

0:22:14.840 --> 0:22:17.120
<v Speaker 4>be corny, like how do you like those talented people

0:22:17.200 --> 0:22:18.720
<v Speaker 4>all end up in the same exact place at the

0:22:18.760 --> 0:22:21.240
<v Speaker 4>same time, And that to me is crazy.

0:22:21.000 --> 0:22:23.960
<v Speaker 1>But it's also were all from the same neighborhood. It's

0:22:23.960 --> 0:22:24.960
<v Speaker 1>a lot of that too, Like we go to the

0:22:25.000 --> 0:22:26.399
<v Speaker 1>same school because we all live in we all from

0:22:26.480 --> 0:22:28.560
<v Speaker 1>this neighborhoods, the zone school thing.

0:22:28.600 --> 0:22:29.680
<v Speaker 2>We all live in the same zone.

0:22:29.920 --> 0:22:32.000
<v Speaker 4>So it's like, but New York is a little different

0:22:32.040 --> 0:22:34.240
<v Speaker 4>in that, like you have your zone school, but you

0:22:34.400 --> 0:22:36.320
<v Speaker 4>can go to other high schools.

0:22:36.600 --> 0:22:37.080
<v Speaker 2>Not everyone.

0:22:37.280 --> 0:22:39.800
<v Speaker 4>I'm sure in other cities, everyone in the neighborhood probably

0:22:39.840 --> 0:22:42.360
<v Speaker 4>goes to the same high school. New York is much

0:22:42.440 --> 0:22:45.720
<v Speaker 4>different in the capacity and with Catholic schools, like you

0:22:45.840 --> 0:22:49.040
<v Speaker 4>could go to school a different borough your whole life,

0:22:49.080 --> 0:22:51.000
<v Speaker 4>if you want to. Like, that's why I think it's

0:22:51.080 --> 0:22:53.360
<v Speaker 4>kind of nuts. But and then me and Stove God

0:22:53.440 --> 0:22:54.960
<v Speaker 4>both being from Syracuse is crazy.

0:22:55.600 --> 0:22:59.000
<v Speaker 1>Did y'all go to the same school? Who went to

0:22:59.040 --> 0:23:03.480
<v Speaker 1>your school? No one you would know, ain't no famous

0:23:03.560 --> 0:23:04.600
<v Speaker 1>will come out of your high school.

0:23:05.520 --> 0:23:10.440
<v Speaker 2>Me. I mean, I'm enough, Okay, I'm enough. I'm not

0:23:10.520 --> 0:23:14.320
<v Speaker 2>even I'm not doing this for baby. You got niggas

0:23:14.320 --> 0:23:21.760
<v Speaker 2>get a trackless and start talking crazy, start talking very crazy.

0:23:22.160 --> 0:23:24.280
<v Speaker 4>And I mean, listening through stove guys music, I don't

0:23:24.280 --> 0:23:26.800
<v Speaker 4>know if he was really just like focused on high school.

0:23:26.880 --> 0:23:30.680
<v Speaker 1>Yeah, I mean, what chemistry seems to be a strong point, math,

0:23:31.840 --> 0:23:34.200
<v Speaker 1>math and chemistry major right, yeah for sure.

0:23:35.920 --> 0:23:40.159
<v Speaker 4>Anyways, do we have any predictions because come Thursday our

0:23:40.200 --> 0:23:41.879
<v Speaker 4>next episode. I don't really want to talk about the

0:23:41.920 --> 0:23:44.640
<v Speaker 4>Cold Ship because when that episode comes out, the album

0:23:44.640 --> 0:23:48.199
<v Speaker 4>will be out. Yeah, so any last predictions, uh, as

0:23:48.320 --> 0:23:50.000
<v Speaker 4>well as what just with the album?

0:23:50.080 --> 0:23:50.119
<v Speaker 2>What?

0:23:50.200 --> 0:23:50.440
<v Speaker 3>What? What?

0:23:50.600 --> 0:23:52.560
<v Speaker 2>Really to expect? I think we want to guess on

0:23:52.640 --> 0:23:53.160
<v Speaker 2>some features.

0:23:54.040 --> 0:23:57.040
<v Speaker 3>I think we did that, but I'm still I'm still

0:23:57.160 --> 0:23:59.520
<v Speaker 3>sticking to my I want my tweet one savage feature.

0:23:59.520 --> 0:24:02.760
<v Speaker 2>I'm sticking. I think we're gonna get a j I D. Feature.

0:24:02.760 --> 0:24:05.840
<v Speaker 2>I can promise you twenty one savages, not on hisself whatever. Okay,

0:24:06.080 --> 0:24:07.639
<v Speaker 2>but I get I think we're going to get a

0:24:07.680 --> 0:24:09.280
<v Speaker 2>j I D. Feature. I can see that.

0:24:12.560 --> 0:24:14.159
<v Speaker 3>I think possibly an Eminem feature.

0:24:15.600 --> 0:24:19.280
<v Speaker 2>That's interesting. It's about that's interesting.

0:24:19.920 --> 0:24:23.720
<v Speaker 4>Lord, please, he said, Lord, please, No, you don't want

0:24:23.720 --> 0:24:26.760
<v Speaker 4>to hear Marshall. I don't want to sound like that, man, don't.

0:24:26.760 --> 0:24:28.560
<v Speaker 4>I don't want to hear Ja Cole and Eminem.

0:24:29.000 --> 0:24:34.160
<v Speaker 2>Okay, all Eminem is a goat and it's great. Yes,

0:24:35.000 --> 0:24:36.600
<v Speaker 2>I'm I'm with you. I don't come home with that either,

0:24:36.680 --> 0:24:38.760
<v Speaker 2>I'm cool. I don't think I want that either, I

0:24:38.920 --> 0:24:39.960
<v Speaker 2>be honest, I don't think I want to hear that.

0:24:39.960 --> 0:24:41.400
<v Speaker 2>I don't think I want to hit him and J Cole.

0:24:41.440 --> 0:24:42.920
<v Speaker 2>That might be too much rap, But I don't know.

0:24:43.000 --> 0:24:46.879
<v Speaker 4>Maybe Cole would put him on a better type of

0:24:46.960 --> 0:24:50.200
<v Speaker 4>beat that would bring out maybe the older Eminem where

0:24:50.240 --> 0:24:53.840
<v Speaker 4>it's not like maybe just just wrapping a regular cadence

0:24:55.240 --> 0:24:57.800
<v Speaker 4>and give us substance, which Eminem has done a million times.

0:24:57.920 --> 0:24:59.360
<v Speaker 2>I feel like you could just do that again.

0:25:00.119 --> 0:25:01.480
<v Speaker 1>Now, because you know, if MM was doing a cold

0:25:01.680 --> 0:25:03.640
<v Speaker 1>track with J Cole, he going he approaching that shit

0:25:03.760 --> 0:25:06.920
<v Speaker 1>like rappidy raps I got.

0:25:08.160 --> 0:25:10.680
<v Speaker 4>And I guess that's kind of like my problem with

0:25:10.920 --> 0:25:14.760
<v Speaker 4>him at this point of anytime he does features, that's

0:25:14.800 --> 0:25:17.359
<v Speaker 4>the concept like, oh, I have a beat that so

0:25:17.480 --> 0:25:19.919
<v Speaker 4>much space, I'm gonna call m who's gonna rappid rap?

0:25:20.000 --> 0:25:20.360
<v Speaker 2>Rap rap?

0:25:20.440 --> 0:25:23.680
<v Speaker 4>Like Eminem is given so much substance throughout the years,

0:25:23.680 --> 0:25:25.760
<v Speaker 4>why can't he go back to that like him and

0:25:25.840 --> 0:25:28.400
<v Speaker 4>Cole on a where our focus on this is making

0:25:28.440 --> 0:25:30.159
<v Speaker 4>a good song, not trying to see who could rap

0:25:30.200 --> 0:25:30.760
<v Speaker 4>better than each other.

0:25:32.440 --> 0:25:37.280
<v Speaker 2>Let me see, uh both got white moms? Yeah, give

0:25:37.320 --> 0:25:38.480
<v Speaker 2>a good give a good prediction.

0:25:39.440 --> 0:25:42.200
<v Speaker 3>As far as feature this period, for the album A

0:25:42.240 --> 0:25:44.440
<v Speaker 3>good A good prediction, so we can put this out

0:25:44.520 --> 0:25:46.399
<v Speaker 3>and then we'll see if we're right on Friday.

0:25:46.560 --> 0:25:48.520
<v Speaker 4>I mean, I've given I've given a lot of predictions

0:25:49.119 --> 0:25:50.919
<v Speaker 4>already that I'm sure we'll all be wrong, but.

0:25:52.800 --> 0:25:53.520
<v Speaker 2>My predictions.

0:25:54.359 --> 0:25:57.399
<v Speaker 1>Again, it's clear on how I feel about Cole now

0:25:57.440 --> 0:26:00.360
<v Speaker 1>as an MC, but obviously he still is a very

0:26:00.560 --> 0:26:01.320
<v Speaker 1>a great rapper.

0:26:02.480 --> 0:26:04.080
<v Speaker 2>I just don't know if.

0:26:06.600 --> 0:26:12.480
<v Speaker 1>Hmm, I don't know if his verses are going to

0:26:12.560 --> 0:26:15.360
<v Speaker 1>stick with me. I think the music would be good,

0:26:15.800 --> 0:26:18.159
<v Speaker 1>but I don't know if. I don't know if his

0:26:18.280 --> 0:26:20.520
<v Speaker 1>verses are going to stick with me, because he's still

0:26:20.520 --> 0:26:25.400
<v Speaker 1>an incredible MC. But you know, listening to the mixtape

0:26:25.600 --> 0:26:28.960
<v Speaker 1>he just put out, it's like, it's no surprise Coke

0:26:28.960 --> 0:26:29.320
<v Speaker 1>can rap.

0:26:29.920 --> 0:26:30.600
<v Speaker 2>That was the point of that.

0:26:30.880 --> 0:26:33.560
<v Speaker 4>That mixtape was just to show I could rap. But no,

0:26:33.680 --> 0:26:35.600
<v Speaker 4>we know he can because I never know. I even

0:26:35.680 --> 0:26:39.840
<v Speaker 4>understand Charlemagne's response to that of like, oh, I want

0:26:39.920 --> 0:26:41.879
<v Speaker 4>Cole to give us his forty four his substance like

0:26:42.160 --> 0:26:44.480
<v Speaker 4>that goes without saying that Cole has always done that.

0:26:45.040 --> 0:26:47.840
<v Speaker 4>I don't understand why people took that mixtape with a rollout.

0:26:48.080 --> 0:26:51.600
<v Speaker 4>That's just rapping over other people's beats on some mixtape

0:26:51.640 --> 0:26:54.160
<v Speaker 4>clue shit, like it was supposed to have all this substance.

0:26:54.240 --> 0:26:55.400
<v Speaker 2>The point of that was just the rap.

0:26:55.760 --> 0:26:57.560
<v Speaker 1>No, I'm not even talking about substance. I'm just saying, like,

0:26:58.560 --> 0:27:00.359
<v Speaker 1>that's why i want the music to be good. I think,

0:27:01.040 --> 0:27:02.800
<v Speaker 1>minus what he's saying, I feel like, if the music

0:27:02.920 --> 0:27:04.320
<v Speaker 1>is good, I'm going to at least want to keep

0:27:04.400 --> 0:27:05.560
<v Speaker 1>listening to it and keep playing it.

0:27:06.119 --> 0:27:06.840
<v Speaker 2>If the music is.

0:27:06.840 --> 0:27:08.960
<v Speaker 3>Good, you're saying you personally, you don't think no matter

0:27:09.040 --> 0:27:10.440
<v Speaker 3>what he says, you don't think it's going to stick

0:27:10.440 --> 0:27:10.600
<v Speaker 3>with you.

0:27:10.840 --> 0:27:13.080
<v Speaker 2>So you'd rather just have good music. Just just if

0:27:13.200 --> 0:27:14.640
<v Speaker 2>the music is good, I'm going to want to listen

0:27:14.640 --> 0:27:14.760
<v Speaker 2>to it.

0:27:15.720 --> 0:27:18.000
<v Speaker 4>Where I disagree with you, Mal is based off the

0:27:18.080 --> 0:27:21.399
<v Speaker 4>concept that he wrote out with being twenty nine in

0:27:21.440 --> 0:27:23.760
<v Speaker 4>that decade, being thirty nine in that decade, and how

0:27:23.800 --> 0:27:25.320
<v Speaker 4>he feels to me, this is going to have so

0:27:25.440 --> 0:27:27.640
<v Speaker 4>much substance that's going to stick with adults.

0:27:28.240 --> 0:27:30.240
<v Speaker 3>No, but what I'm I think you're missing with Mala saying,

0:27:30.320 --> 0:27:32.560
<v Speaker 3>Maul doesn't care how much substance it has, it's not

0:27:32.640 --> 0:27:34.520
<v Speaker 3>going to stick with him. That's what Maul is trying

0:27:34.520 --> 0:27:36.440
<v Speaker 3>to tell you. So that's why he's hoping that the

0:27:36.520 --> 0:27:38.439
<v Speaker 3>music is good so that it'll happen, because if the music.

0:27:38.400 --> 0:27:39.440
<v Speaker 2>Is good, it don't even matter.

0:27:39.840 --> 0:27:41.560
<v Speaker 4>And I just think there's going to be so much

0:27:41.560 --> 0:27:43.879
<v Speaker 4>stuff that Maul could relate to that it will end

0:27:43.960 --> 0:27:44.359
<v Speaker 4>up sticking.

0:27:44.800 --> 0:27:46.560
<v Speaker 2>I hope. So that's that's what I'm saying. I hope,

0:27:46.600 --> 0:27:48.040
<v Speaker 2>so like I want to.

0:27:48.040 --> 0:27:50.880
<v Speaker 4>Really likely it's gonna be some adult, grown man rap.

0:27:51.400 --> 0:27:52.960
<v Speaker 1>I hope, So you know what I mean. I just

0:27:53.720 --> 0:27:55.440
<v Speaker 1>that's the only thing that's that I'm kind of like

0:27:55.480 --> 0:27:57.440
<v Speaker 1>going to the side. I'm like, I just hope the

0:27:57.520 --> 0:27:59.800
<v Speaker 1>music is to a certain level because if the music

0:27:59.880 --> 0:28:02.560
<v Speaker 1>is its incredible, I'm gonna listen.

0:28:03.520 --> 0:28:05.400
<v Speaker 3>I think there's a bias there that no matter Coke

0:28:05.400 --> 0:28:08.240
<v Speaker 3>could come out and say the wildest, craziest, most relatable shit,

0:28:08.280 --> 0:28:09.920
<v Speaker 3>and I just I don't think it's gonna stick tomorrow.

0:28:09.960 --> 0:28:12.399
<v Speaker 3>That's personally, that's just the wildest crazy shit as far

0:28:12.440 --> 0:28:14.040
<v Speaker 3>as what like, as far as like he could it

0:28:14.080 --> 0:28:16.639
<v Speaker 3>could be so fire that but I just don't think it.

0:28:16.760 --> 0:28:17.560
<v Speaker 3>I don't think it'll.

0:28:17.400 --> 0:28:17.760
<v Speaker 2>Matter to you.

0:28:17.920 --> 0:28:21.440
<v Speaker 1>No, listen, again, he's gonna have that on the album

0:28:21.520 --> 0:28:24.240
<v Speaker 1>that he's never not like he can. He's one of those.

0:28:24.320 --> 0:28:26.800
<v Speaker 1>He can rap his ass off. But I'm just saying, now,

0:28:27.800 --> 0:28:29.920
<v Speaker 1>just let the music be fire like that for me,

0:28:30.040 --> 0:28:32.440
<v Speaker 1>that's what it turns into. That's like, just let the

0:28:32.480 --> 0:28:34.680
<v Speaker 1>music be incredible, because then at least I can listen

0:28:34.720 --> 0:28:38.160
<v Speaker 1>to it, you know, play it. It can have replay value,

0:28:38.760 --> 0:28:42.240
<v Speaker 1>like don't give me too much, you know, like showcasing

0:28:42.280 --> 0:28:44.400
<v Speaker 1>your rapping ability, because I know you could rap like

0:28:44.400 --> 0:28:48.120
<v Speaker 1>I'm not questioning that. Does the music have replay value?

0:28:48.960 --> 0:28:52.080
<v Speaker 1>That's where my concern is at how much replay value

0:28:52.200 --> 0:28:54.800
<v Speaker 1>are these songs going to have? And that's that's what

0:28:54.840 --> 0:28:57.600
<v Speaker 1>I'm hoping for. I'm hoping the production is incredible, the

0:28:57.720 --> 0:29:00.960
<v Speaker 1>hooks are you know, strong.

0:29:01.200 --> 0:29:02.560
<v Speaker 2>And that shit, that's what I need. I'm not worried

0:29:02.560 --> 0:29:04.200
<v Speaker 2>about bars. He can rap, I'm not worried.

0:29:04.280 --> 0:29:06.840
<v Speaker 3>You don't have any predictions, no predictions.

0:29:06.920 --> 0:29:09.440
<v Speaker 4>He's just not quality. I'll just stick to your rib

0:29:10.680 --> 0:29:13.760
<v Speaker 4>Thank you for that, Rory. I'm trying to think of

0:29:13.840 --> 0:29:17.240
<v Speaker 4>I'm trying to think of features. But okay, so just

0:29:17.360 --> 0:29:20.640
<v Speaker 4>quickly though, with Cole on the rapping ship, he's really

0:29:20.720 --> 0:29:24.440
<v Speaker 4>never done that on his actual albums. He focuses on

0:29:24.600 --> 0:29:27.080
<v Speaker 4>making music on his album. He's not just like trying

0:29:27.320 --> 0:29:29.480
<v Speaker 4>back to the eminem shit, just trying to showcase that

0:29:29.520 --> 0:29:32.200
<v Speaker 4>you can rap better than everybody. I don't know a

0:29:32.320 --> 0:29:35.200
<v Speaker 4>Cole album where that's the focus. He's an elite rapper,

0:29:35.280 --> 0:29:37.160
<v Speaker 4>so the raps are good, but he's focusing on making

0:29:37.240 --> 0:29:37.840
<v Speaker 4>good songs.

0:29:38.000 --> 0:29:40.920
<v Speaker 2>But it's different now, you see what I'm saying, Like,

0:29:41.000 --> 0:29:43.600
<v Speaker 2>that's why I feel like the concept thirty nine.

0:29:43.640 --> 0:29:45.840
<v Speaker 4>I don't think he's focused on trying to prove to anybody.

0:29:45.920 --> 0:29:48.600
<v Speaker 1>All that is great, that's cool. If that's just you know,

0:29:48.840 --> 0:29:51.040
<v Speaker 1>what do you want to do conceptually? I'm just saying

0:29:51.080 --> 0:29:55.000
<v Speaker 1>that I'm afraid that he may feel like he has

0:29:55.080 --> 0:29:57.760
<v Speaker 1>to rap his way back into people's hearts.

0:29:57.920 --> 0:29:58.200
<v Speaker 2>I think.

0:29:58.320 --> 0:30:00.920
<v Speaker 4>I think that's part of the reason he did the

0:30:01.360 --> 0:30:03.280
<v Speaker 4>mixtape shit, to get that part out of the way

0:30:04.160 --> 0:30:06.960
<v Speaker 4>so he could focus on making good songs and a

0:30:07.080 --> 0:30:09.000
<v Speaker 4>classic album. Let me get this rapping shit out the

0:30:09.040 --> 0:30:11.280
<v Speaker 4>fucking way. Well, that's that's what.

0:30:11.560 --> 0:30:15.680
<v Speaker 2>I do think, Maul.

0:30:15.760 --> 0:30:19.920
<v Speaker 4>That appears to be the iPhone sixteen it is. That's nasty, man,

0:30:20.080 --> 0:30:22.440
<v Speaker 4>it is. Come on, do you love yourself? I do.

0:30:23.080 --> 0:30:24.760
<v Speaker 4>If you loved yourself, you would get the all new

0:30:24.840 --> 0:30:28.520
<v Speaker 4>iPhone seventeen Pro with boost Mobile, the most powerful iPhone

0:30:28.600 --> 0:30:31.160
<v Speaker 4>of all time. And even if you're about to say,

0:30:31.400 --> 0:30:33.760
<v Speaker 4>what about traffic or trying to go to the store

0:30:33.840 --> 0:30:36.560
<v Speaker 4>and transfer the data, that's probably what that's why you got.

0:30:36.480 --> 0:30:37.440
<v Speaker 2>This this saxteen.

0:30:37.480 --> 0:30:41.040
<v Speaker 4>That's nasty, exactly, get your sweet sixteen out of here, traffic.

0:30:42.880 --> 0:30:43.840
<v Speaker 2>But I have good news.

0:30:44.160 --> 0:30:46.840
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0:30:52.720 --> 0:30:55.360
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0:30:55.680 --> 0:30:58.400
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0:30:58.440 --> 0:31:01.680
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0:31:07.880 --> 0:31:10.560
<v Speaker 4>And on the future side, I have a question for

0:31:10.680 --> 0:31:12.960
<v Speaker 4>Mal Damarus. Can you pull up can you google image

0:31:13.040 --> 0:31:16.440
<v Speaker 4>jay Z? Larrussell Maul knows jay Z better than anyone

0:31:16.480 --> 0:31:18.280
<v Speaker 4>in this room. I want you to tell me based

0:31:18.320 --> 0:31:20.600
<v Speaker 4>off his fit, his smile, does it look like he's

0:31:20.640 --> 0:31:21.200
<v Speaker 4>in rap mode?

0:31:22.880 --> 0:31:23.680
<v Speaker 2>Jay is not rapping?

0:31:24.600 --> 0:31:26.080
<v Speaker 4>Just pull that up, like, can you tell by looking

0:31:26.080 --> 0:31:28.440
<v Speaker 4>at him? Does that look like somebody that maybe is

0:31:28.520 --> 0:31:31.280
<v Speaker 4>mumbling some verses off some beats cole sentem No.

0:31:31.440 --> 0:31:34.400
<v Speaker 1>That's this is a This looks like somebody who just

0:31:34.680 --> 0:31:38.960
<v Speaker 1>you know, hired Larrussell to perform at the Super Bowl

0:31:39.040 --> 0:31:39.640
<v Speaker 1>tail gate.

0:31:39.960 --> 0:31:41.680
<v Speaker 4>And now he did deal with Rock as well, and

0:31:41.720 --> 0:31:42.600
<v Speaker 4>congrattle Larussell.

0:31:43.280 --> 0:31:45.080
<v Speaker 2>He got it done because he had do some shots

0:31:45.400 --> 0:31:47.600
<v Speaker 2>at Rock a few years ago. You know, they got

0:31:47.640 --> 0:31:48.520
<v Speaker 2>it done. They got done.

0:31:50.040 --> 0:31:52.320
<v Speaker 4>And also he was talking about his you know, because

0:31:52.320 --> 0:31:55.360
<v Speaker 4>he was signed with Russ first, which I think when

0:31:55.400 --> 0:31:57.080
<v Speaker 4>we had Russ on our podcast, that was the first

0:31:57.080 --> 0:31:59.040
<v Speaker 4>time I think he announced that he signed l Russell

0:31:59.040 --> 0:32:01.640
<v Speaker 4>at that time. I do want to give credit to

0:32:01.720 --> 0:32:04.520
<v Speaker 4>Russ in that regard of just letting Larrussell go, like, Yo,

0:32:04.600 --> 0:32:06.000
<v Speaker 4>my focus is on my music right now.

0:32:06.360 --> 0:32:08.120
<v Speaker 2>I don't want to hold you here, shout out to Russ.

0:32:08.280 --> 0:32:11.080
<v Speaker 2>Real I thought that's what real ones do. Like this.

0:32:11.280 --> 0:32:13.000
<v Speaker 4>I thought I had a vision for this label. But

0:32:13.160 --> 0:32:15.600
<v Speaker 4>I'm ship, I don't want to hold you back. So

0:32:15.680 --> 0:32:18.520
<v Speaker 4>I think that's incredible. But I had a prediction a

0:32:18.600 --> 0:32:21.480
<v Speaker 4>while ago that we would finally get the proper.

0:32:21.320 --> 0:32:23.840
<v Speaker 2>Jay Z and j Cole song on the fall off.

0:32:24.200 --> 0:32:24.640
<v Speaker 2>Not happening.

0:32:24.720 --> 0:32:28.000
<v Speaker 4>I hope I'm right, But not happening is not rapping

0:32:28.040 --> 0:32:28.760
<v Speaker 4>bro I was.

0:32:28.920 --> 0:32:31.520
<v Speaker 3>I was, I was pay my last toil for it,

0:32:31.640 --> 0:32:32.800
<v Speaker 3>but I don't think it's happened.

0:32:32.840 --> 0:32:37.320
<v Speaker 4>The legacy can't stop it, mister nice watch. But Cole

0:32:37.440 --> 0:32:40.200
<v Speaker 4>is not done rapping. Oh you said you're subscribing to

0:32:40.240 --> 0:32:41.240
<v Speaker 4>this is J Cole's last album?

0:32:41.280 --> 0:32:41.600
<v Speaker 2>Of course?

0:32:41.680 --> 0:32:44.440
<v Speaker 4>Okay, because this is not even again, this is not

0:32:44.640 --> 0:32:51.000
<v Speaker 4>j album. I believe rappers do not retire, say podcast.

0:32:52.440 --> 0:32:54.400
<v Speaker 3>This might not be his last song, This might not

0:32:54.480 --> 0:32:57.040
<v Speaker 3>be his last feature, but I think it's his last album.

0:32:58.200 --> 0:33:00.200
<v Speaker 2>Okay. All I'm saying is he's not done rapping. Yeah,

0:33:00.200 --> 0:33:02.680
<v Speaker 2>that's fine. I can't get with that. I'm with you.

0:33:02.840 --> 0:33:04.640
<v Speaker 2>It may it may be his last album. Cool.

0:33:05.360 --> 0:33:07.480
<v Speaker 1>But if you think that Jay Cole is never stepping

0:33:07.520 --> 0:33:10.120
<v Speaker 1>in a booth after this album drops again in his life,

0:33:10.360 --> 0:33:11.000
<v Speaker 1>you're crazy.

0:33:11.400 --> 0:33:13.640
<v Speaker 2>But how do you not close the chapter?

0:33:13.680 --> 0:33:16.360
<v Speaker 4>Because he him even talking about the concept of this

0:33:16.600 --> 0:33:18.480
<v Speaker 4>starting with the come up, his first project and the

0:33:18.560 --> 0:33:20.760
<v Speaker 4>fall office man can get full circle from his first project,

0:33:21.320 --> 0:33:24.000
<v Speaker 4>Your first feature to the World and the Masses was

0:33:24.080 --> 0:33:27.280
<v Speaker 4>a Star is Born. Jay Z rapped about all the

0:33:27.360 --> 0:33:31.040
<v Speaker 4>stars in the last thirty years of hip hop at

0:33:31.080 --> 0:33:33.960
<v Speaker 4>that time, and then the last verse was here's the

0:33:34.000 --> 0:33:37.200
<v Speaker 4>new Prodigy and he went fucking nuts.

0:33:37.280 --> 0:33:40.960
<v Speaker 2>Cole went nuts on that verse. How do you not close?

0:33:41.200 --> 0:33:43.040
<v Speaker 4>If you're saying full circle on everything in the beginning

0:33:43.080 --> 0:33:44.840
<v Speaker 4>of your career, how do you not close?

0:33:45.240 --> 0:33:46.680
<v Speaker 2>The Star is Born? Part two?

0:33:48.400 --> 0:33:49.880
<v Speaker 4>And again, if jay don't want to wrap, JA don't

0:33:49.880 --> 0:33:52.400
<v Speaker 4>want to rap, but to me, that's the perfect way.

0:33:52.680 --> 0:33:54.480
<v Speaker 4>And that's also because I hate mister nice watch. But

0:33:55.160 --> 0:33:58.400
<v Speaker 4>come on, we need to close the stars. He was born,

0:33:58.520 --> 0:34:00.840
<v Speaker 4>He's a star. Jay Z was right, this kid is

0:34:00.880 --> 0:34:02.640
<v Speaker 4>going to be the next one, and he was you

0:34:02.800 --> 0:34:03.600
<v Speaker 4>gotta close that.

0:34:03.800 --> 0:34:05.560
<v Speaker 2>I don't want jay Z to wrap no more. Let

0:34:05.600 --> 0:34:09.439
<v Speaker 2>me be honest. I think get out of office stuff.

0:34:09.480 --> 0:34:10.799
<v Speaker 2>I know I didn't want this energy in him.

0:34:10.840 --> 0:34:12.640
<v Speaker 1>You know why I don't want this energy because all

0:34:12.960 --> 0:34:14.440
<v Speaker 1>that's gonna happen is a song gonna be out for

0:34:14.520 --> 0:34:15.719
<v Speaker 1>three minutes and niggas.

0:34:15.440 --> 0:34:16.520
<v Speaker 2>Gonna be trashing. I don't give up.

0:34:16.560 --> 0:34:19.960
<v Speaker 1>I don't give an I'm just saying I understand that,

0:34:20.040 --> 0:34:22.399
<v Speaker 1>but I'm just saying, like, it's just like to see

0:34:22.640 --> 0:34:25.440
<v Speaker 1>like the greatest disrespected. Like it's just like I for

0:34:25.600 --> 0:34:27.480
<v Speaker 1>what I hear you, you know what I'm saying, It

0:34:27.600 --> 0:34:29.440
<v Speaker 1>just like for what Like That's why I'm just like

0:34:29.520 --> 0:34:31.000
<v Speaker 1>I don't really care to hear j no more, like,

0:34:31.080 --> 0:34:32.680
<v Speaker 1>what what else can jay Z say?

0:34:32.920 --> 0:34:33.680
<v Speaker 2>What else can he do?

0:34:34.080 --> 0:34:35.720
<v Speaker 1>He's done it all, he said it all, he showed

0:34:35.800 --> 0:34:39.160
<v Speaker 1>us everything, Like what else? What else do we want?

0:34:39.640 --> 0:34:42.680
<v Speaker 1>What else do we want to hear Jay say, that's.

0:34:42.600 --> 0:34:46.000
<v Speaker 2>Why you're gonna stay at home Dad. I think I think, well, okay,

0:34:46.040 --> 0:34:47.640
<v Speaker 2>he never gave a stab, but I'm saying I don't.

0:34:47.800 --> 0:34:48.400
<v Speaker 2>I don't think that.

0:34:48.920 --> 0:34:51.399
<v Speaker 4>I mean, for the Cowboy Carter tour, he did look

0:34:51.440 --> 0:34:54.120
<v Speaker 4>like the nanny like he looks.

0:34:55.920 --> 0:34:57.520
<v Speaker 2>Yeah, which I love to let him do that, but

0:34:57.560 --> 0:35:01.279
<v Speaker 2>I'm just I just don't, just because I hold Jade

0:35:01.320 --> 0:35:03.640
<v Speaker 2>is such a high regard and it's just like just

0:35:03.719 --> 0:35:06.640
<v Speaker 2>like I don't I don't subscribe with people like yo,

0:35:06.680 --> 0:35:08.000
<v Speaker 2>Jay's rapping it. I know he's not.

0:35:08.640 --> 0:35:10.800
<v Speaker 4>If he is not, you, You of all people know

0:35:11.080 --> 0:35:14.080
<v Speaker 4>that Jay has so much more to talk about. He

0:35:14.320 --> 0:35:16.680
<v Speaker 4>does and one of the greatest minds we have has

0:35:16.760 --> 0:35:17.400
<v Speaker 4>more out a.

0:35:17.440 --> 0:35:21.760
<v Speaker 1>Doubt, But I just don't know if what would inspire

0:35:21.880 --> 0:35:25.080
<v Speaker 1>Jaya rap because he's now everything is not about obviously,

0:35:25.120 --> 0:35:27.360
<v Speaker 1>it's not about money, it's not about adding to his legacy.

0:35:27.400 --> 0:35:29.319
<v Speaker 2>At this point, all of that is solidified.

0:35:29.640 --> 0:35:31.839
<v Speaker 1>It would be something would have to motive someone, Something

0:35:31.840 --> 0:35:35.280
<v Speaker 1>would have to inspire him, something would have to motivate casino.

0:35:35.640 --> 0:35:37.840
<v Speaker 2>Yeah, shut up, and we'll talk about not getting it.

0:35:38.880 --> 0:35:39.680
<v Speaker 2>We don't want to hear that.

0:35:39.880 --> 0:35:41.320
<v Speaker 3>It would have to be something he would have to

0:35:41.440 --> 0:35:43.880
<v Speaker 3>hear somebody whose pen is so crazy and flow is

0:35:43.920 --> 0:35:44.440
<v Speaker 3>so crazy.

0:35:45.200 --> 0:35:48.120
<v Speaker 4>I think, to me, what wouldn't this is such a

0:35:48.160 --> 0:35:50.400
<v Speaker 4>crazy senter to me, what would inspire jay Z? Let

0:35:50.480 --> 0:35:53.040
<v Speaker 4>me tell you what I what inspires jay Z. You

0:35:53.120 --> 0:35:56.080
<v Speaker 4>don't think though that concept of I signed it was

0:35:56.840 --> 0:35:58.960
<v Speaker 4>while A and Cole was the first artist on as

0:35:59.040 --> 0:36:04.640
<v Speaker 4>Carter Enterprises after Rockefeller, like this is his last album,

0:36:04.880 --> 0:36:07.400
<v Speaker 4>and I presented him to the world. That's that wouldn't

0:36:07.400 --> 0:36:10.439
<v Speaker 4>be an inspirational fold moment where I think Jay would

0:36:10.440 --> 0:36:12.600
<v Speaker 4>be like get it nah man, I was. I was right,

0:36:13.360 --> 0:36:16.080
<v Speaker 4>Literally I saw it like that would look at my legacy.

0:36:16.200 --> 0:36:19.400
<v Speaker 4>I also signed one of the big three. Look at

0:36:19.440 --> 0:36:21.480
<v Speaker 4>my look at my legacy. That would be the closest.

0:36:21.760 --> 0:36:26.640
<v Speaker 4>I just don't know if that's gonna get it done.

0:36:27.280 --> 0:36:28.600
<v Speaker 2>Yeah. I don't think that's gonna get it done. You

0:36:28.680 --> 0:36:29.399
<v Speaker 2>know why? You know why?

0:36:29.520 --> 0:36:35.799
<v Speaker 1>Only because I feel like I feel like that would

0:36:35.880 --> 0:36:37.960
<v Speaker 1>over that would overshadow the entire project.

0:36:39.120 --> 0:36:42.319
<v Speaker 4>No, it's twenty four songs, but.

0:36:42.960 --> 0:36:45.279
<v Speaker 2>All anybody will be talking about jab I mean, but no.

0:36:45.360 --> 0:36:47.719
<v Speaker 4>At the same time, like maybe with the overshadow thing,

0:36:47.760 --> 0:36:49.840
<v Speaker 4>I don't even care because even with that mixtape what

0:36:50.000 --> 0:36:52.680
<v Speaker 4>overshadowed it was like one small bar that people thought

0:36:52.719 --> 0:36:55.600
<v Speaker 4>he was talking about Ken Drick. Like everything's going to

0:36:55.640 --> 0:36:59.440
<v Speaker 4>overshadow anything music related. At this point when Iceman drops,

0:36:59.560 --> 0:37:01.200
<v Speaker 4>everyone is not going to be focused on is this

0:37:01.360 --> 0:37:03.360
<v Speaker 4>music good. They're going to be focused on is this

0:37:03.400 --> 0:37:05.400
<v Speaker 4>a Kendrick shot? Was this Like that's gonna happen no

0:37:05.480 --> 0:37:08.120
<v Speaker 4>matter what. So I don't think artists even be focused

0:37:08.160 --> 0:37:10.759
<v Speaker 4>on what's going to overshadow a moment anymore, because that's

0:37:10.920 --> 0:37:12.200
<v Speaker 4>just it's part of course.

0:37:12.239 --> 0:37:13.880
<v Speaker 1>Now do y'all think Kendrick is on it? And do

0:37:14.000 --> 0:37:17.359
<v Speaker 1>y'all want Kendrick? You don't want Kendrick? I take back

0:37:17.440 --> 0:37:19.040
<v Speaker 1>my prediction of you don't want Kendreck.

0:37:19.760 --> 0:37:21.560
<v Speaker 3>He's not. He's it's not even about what I want.

0:37:21.600 --> 0:37:22.520
<v Speaker 3>He's not going to be on there.

0:37:23.800 --> 0:37:25.640
<v Speaker 2>Cool would you want him to be on there?

0:37:25.680 --> 0:37:27.840
<v Speaker 3>Of course if the song will be good, sure, But

0:37:28.000 --> 0:37:29.760
<v Speaker 3>actually no, because I don't want to hear the discourse

0:37:29.840 --> 0:37:30.160
<v Speaker 3>on Twitter.

0:37:30.280 --> 0:37:32.560
<v Speaker 2>Actually I don't want to discourse, so no, I just

0:37:32.600 --> 0:37:34.040
<v Speaker 2>said the same thing about it Javer. He's like, I

0:37:34.040 --> 0:37:35.400
<v Speaker 2>don't give a fuck with nobody.

0:37:36.560 --> 0:37:36.640
<v Speaker 4>But.

0:37:39.760 --> 0:37:42.160
<v Speaker 3>If you don't understand the difference between I don't need

0:37:42.320 --> 0:37:45.160
<v Speaker 3>to hear Kendrick and Cole together because I don't want

0:37:45.160 --> 0:37:46.560
<v Speaker 3>to hear what the internet has to say about it.

0:37:46.640 --> 0:37:48.239
<v Speaker 3>When we've been here on a bunch of Kendrick in

0:37:48.280 --> 0:37:50.879
<v Speaker 3>comparison to we haven't heard from Jay in fucking years.

0:37:51.040 --> 0:37:53.480
<v Speaker 2>I don't give a fuck what it takes. Two years

0:37:53.480 --> 0:37:59.040
<v Speaker 2>ago on Calvi's album, more than two years ago definitely

0:37:59.160 --> 0:38:01.359
<v Speaker 2>was tis. I don't think Amar was born yet.

0:38:02.320 --> 0:38:05.560
<v Speaker 4>Is he's three? What God did was a long time ago?

0:38:08.320 --> 0:38:11.880
<v Speaker 2>Yeah, I'm trying to drop an album more than two

0:38:11.960 --> 0:38:14.800
<v Speaker 2>years so this was three years ago. God did was

0:38:15.520 --> 0:38:18.719
<v Speaker 2>twenty twenty two, Yeah, wasn't even born? Be four years

0:38:20.520 --> 0:38:23.360
<v Speaker 2>time flying baby, Yeah.

0:38:23.239 --> 0:38:25.279
<v Speaker 4>And I mean Jay had a lot to say on that.

0:38:27.920 --> 0:38:30.200
<v Speaker 2>I just don't think. I don't it's been. It's been

0:38:30.200 --> 0:38:31.640
<v Speaker 2>I don't see him three plus years. I'm sure.

0:38:31.719 --> 0:38:33.680
<v Speaker 4>I'm sure Jay's experienced some things he can talk about

0:38:33.680 --> 0:38:34.399
<v Speaker 4>in the last three years.

0:38:34.680 --> 0:38:37.080
<v Speaker 2>I just don't think that it's gonna happen on this album.

0:38:37.160 --> 0:38:38.160
<v Speaker 2>Oh No, I don't think so either.

0:38:38.239 --> 0:38:40.799
<v Speaker 1>But I mean I think we'll I think we'll get

0:38:41.080 --> 0:38:44.920
<v Speaker 1>we'll get We'll get a Jay Verse somewhere.

0:38:46.160 --> 0:38:48.239
<v Speaker 2>I don't think it's going to be on the.

0:38:48.320 --> 0:38:50.400
<v Speaker 3>Fall off though, who do you think it would be

0:38:50.640 --> 0:38:51.640
<v Speaker 3>with or under or what?

0:38:58.320 --> 0:38:58.560
<v Speaker 2>I think?

0:38:58.600 --> 0:39:00.279
<v Speaker 1>Be honest, it gets a jay Verse before anybody at

0:39:00.280 --> 0:39:04.280
<v Speaker 1>this point. I could see him and Beyonce doing the record.

0:39:04.560 --> 0:39:09.319
<v Speaker 3>Yeah, but b hasn't really been I don't think Act

0:39:09.360 --> 0:39:11.600
<v Speaker 3>three would be it. Like when I look at the

0:39:11.719 --> 0:39:15.320
<v Speaker 3>way features were at one in Act two, I don't.

0:39:15.160 --> 0:39:18.080
<v Speaker 2>Think Jay is I'm just saying I think she gets

0:39:18.120 --> 0:39:20.520
<v Speaker 2>a j Verse before anybody. I'm sure she could, but.

0:39:21.120 --> 0:39:22.520
<v Speaker 1>Like I think that's the next time we hear Jay

0:39:22.560 --> 0:39:26.160
<v Speaker 1>Z it'll be with his wife, because the only time

0:39:26.200 --> 0:39:28.960
<v Speaker 1>you see Jay on stage now is at hersh on tour.

0:39:29.760 --> 0:39:32.000
<v Speaker 1>Like they travel the world as a family now, Like

0:39:32.040 --> 0:39:33.640
<v Speaker 1>you know what I'm saying, they moving like it's it's

0:39:33.760 --> 0:39:35.040
<v Speaker 1>that now they're in that eerror.

0:39:35.239 --> 0:39:37.880
<v Speaker 4>If Rihanna felt like making some music, I think she

0:39:37.920 --> 0:39:39.319
<v Speaker 4>would get Jay to do something.

0:39:40.600 --> 0:39:41.160
<v Speaker 2>Not mad at that.

0:39:41.640 --> 0:39:43.279
<v Speaker 1>That's something I just don't think it's gonna be the

0:39:43.320 --> 0:39:45.560
<v Speaker 1>way we like anticipate it. It's not gonna be with

0:39:45.640 --> 0:39:46.279
<v Speaker 1>another rapper.

0:39:46.360 --> 0:39:46.759
<v Speaker 2>I don't think.

0:39:46.840 --> 0:39:48.200
<v Speaker 1>I don't think it's gonna I don't think next Ja

0:39:48.320 --> 0:39:49.680
<v Speaker 1>verse we get is gonna be with another rap And

0:39:49.719 --> 0:39:50.400
<v Speaker 1>we could be totally wrong.

0:39:50.440 --> 0:39:52.040
<v Speaker 2>He might be on this j Co album, but I

0:39:52.080 --> 0:39:52.480
<v Speaker 2>don't think.

0:39:52.680 --> 0:39:54.080
<v Speaker 1>I don't think so. I think we would have heard

0:39:54.160 --> 0:39:57.719
<v Speaker 1>rumblins of that already. But I think the next time

0:39:57.719 --> 0:40:01.120
<v Speaker 1>we hear Jay it'll be with Beyonce or Rihanna, somebody

0:40:01.239 --> 0:40:01.400
<v Speaker 1>like that.

0:40:03.800 --> 0:40:07.440
<v Speaker 2>Sabooze's not getting jay z verse. It's not happening. I

0:40:07.560 --> 0:40:10.800
<v Speaker 2>like Shoboozi while.

0:40:12.640 --> 0:40:14.480
<v Speaker 1>Shaboozy is lip, but I'm just saying Jay's not giving

0:40:14.520 --> 0:40:17.920
<v Speaker 1>Shaboozie a verse. Frank could get Jay Frank Ocean.

0:40:19.000 --> 0:40:21.000
<v Speaker 4>There's very few people that if they started, if they

0:40:21.040 --> 0:40:22.520
<v Speaker 4>want to make music again, JA would showupright.

0:40:22.600 --> 0:40:24.600
<v Speaker 2>Frank Osh is not giving Jay. Jay Z's not giving

0:40:24.600 --> 0:40:27.200
<v Speaker 2>Frank Ocean the verse. He's not happening. He has before.

0:40:28.040 --> 0:40:29.400
<v Speaker 2>I know what he did. He gave a lot of

0:40:29.440 --> 0:40:32.960
<v Speaker 2>niggas verses before that will never get another verse I should.

0:40:33.320 --> 0:40:35.759
<v Speaker 4>Frank may be on the most hooks with jay Z

0:40:35.880 --> 0:40:40.360
<v Speaker 4>outside of fucking Farrell. Frank Frank be on every.

0:40:40.280 --> 0:40:42.200
<v Speaker 2>J album at one point, Yeah, he was. He was

0:40:42.239 --> 0:40:44.480
<v Speaker 2>the hook guy for sure. But I don't I think that's.

0:40:44.400 --> 0:40:47.600
<v Speaker 4>Over Frank, not even the hook guy. Has Frank given

0:40:47.640 --> 0:40:51.080
<v Speaker 4>a hook to anyone but Budges something about with j J. Yeah, Okay,

0:40:51.200 --> 0:40:53.200
<v Speaker 4>I'm not saying not everybody. He was even on four,

0:40:53.280 --> 0:40:58.120
<v Speaker 4>forty four and twenty sixteen. Nah, Frank can get Jay

0:40:58.120 --> 0:40:58.520
<v Speaker 4>out the house.

0:40:58.840 --> 0:41:01.320
<v Speaker 3>I had a question for y'all actually, speaking of like

0:41:01.440 --> 0:41:05.040
<v Speaker 3>features and ship like that. Who do y'all think out

0:41:05.040 --> 0:41:06.960
<v Speaker 3>of like the newer all the people we watched at

0:41:07.000 --> 0:41:10.160
<v Speaker 3>the Grammy's, like the new artists and you know, Olivia

0:41:10.239 --> 0:41:12.200
<v Speaker 3>Dean's big all of these people, who do y'all think

0:41:12.280 --> 0:41:13.880
<v Speaker 3>is like going to have like a long career? Like,

0:41:13.920 --> 0:41:16.400
<v Speaker 3>do y'all think any of anybody new is going to

0:41:16.440 --> 0:41:20.400
<v Speaker 3>have a long career? Leon le okay, anybody knew? I

0:41:20.440 --> 0:41:23.759
<v Speaker 3>think I think out within the last four started to

0:41:23.840 --> 0:41:25.600
<v Speaker 3>their stars started to rise within the last three or

0:41:25.600 --> 0:41:26.000
<v Speaker 3>four years.

0:41:26.000 --> 0:41:26.920
<v Speaker 2>That's what I mean by new.

0:41:27.360 --> 0:41:30.920
<v Speaker 4>Yeah, to me, Leon Thomas is the one that's here

0:41:30.960 --> 0:41:35.520
<v Speaker 4>to stay because now now he has the the energy

0:41:35.760 --> 0:41:38.560
<v Speaker 4>and all the eyes on him and he's actually talented,

0:41:39.400 --> 0:41:41.239
<v Speaker 4>Whereas there's a lot of times people get all the eyes,

0:41:41.360 --> 0:41:44.440
<v Speaker 4>all the looks of everything, that industry gets behind them

0:41:44.680 --> 0:41:48.360
<v Speaker 4>and they're just not talented, so they fall off. Like

0:41:49.520 --> 0:41:53.319
<v Speaker 4>Leon checks every box and yeah, he'll be fine even

0:41:53.320 --> 0:41:55.960
<v Speaker 4>if the industry stops being behind him.

0:41:56.000 --> 0:41:58.880
<v Speaker 1>Yeah, Leon, he has he has longevity. He's gonna be

0:41:58.880 --> 0:42:02.800
<v Speaker 1>He's gonna be rand because he has true artistry. I

0:42:02.880 --> 0:42:06.239
<v Speaker 1>think that's what gives you longevity. You have to be

0:42:06.280 --> 0:42:09.480
<v Speaker 1>a true artist. You look at all the pop stars

0:42:09.560 --> 0:42:13.880
<v Speaker 1>and the people that are icons true artistry, they're real artists.

0:42:14.360 --> 0:42:16.920
<v Speaker 1>A lot of people catch a record they have talent,

0:42:17.800 --> 0:42:21.120
<v Speaker 1>but true artistry you can leave that person in the

0:42:21.200 --> 0:42:24.560
<v Speaker 1>studio and they can create a song from start to

0:42:24.600 --> 0:42:25.560
<v Speaker 1>finish by themselves.

0:42:26.080 --> 0:42:27.919
<v Speaker 2>And Leon Thomas has that. He can create.

0:42:28.000 --> 0:42:30.520
<v Speaker 1>He can build a song, write a song, produce a

0:42:30.600 --> 0:42:35.000
<v Speaker 1>song by hisself start to finish. So I think Leon,

0:42:35.120 --> 0:42:38.120
<v Speaker 1>he records himself, records himself. I think he's definitely his

0:42:38.560 --> 0:42:47.120
<v Speaker 1>talent says longevity to me. On the rap side, MM, yeah, yeah,

0:42:47.120 --> 0:42:49.120
<v Speaker 1>I don't know if I see any new rappers that

0:42:50.280 --> 0:42:52.319
<v Speaker 1>you say new rappers within the last four years.

0:42:52.560 --> 0:42:56.440
<v Speaker 3>Rap is unpredictable, rap is so shaky, unpredictable.

0:42:57.200 --> 0:43:03.200
<v Speaker 4>Well, okay, rad became such a hustle, like there's not

0:43:03.360 --> 0:43:07.760
<v Speaker 4>any superstars in rapper because it already that aren't already superstars.

0:43:07.800 --> 0:43:09.640
<v Speaker 3>I'm not even looking for superstars. I just meant, like

0:43:09.920 --> 0:43:12.160
<v Speaker 3>a long, a long career. You can have a long career.

0:43:12.200 --> 0:43:13.040
<v Speaker 3>What I'll be in a superstar.

0:43:13.120 --> 0:43:16.320
<v Speaker 4>No, I said that that's fair, but again, yet it's

0:43:16.360 --> 0:43:18.359
<v Speaker 4>kind of I don't know at this point.

0:43:18.520 --> 0:43:19.799
<v Speaker 2>Yeah, what works.

0:43:20.000 --> 0:43:22.880
<v Speaker 4>I was talking to part of Drop a Name. I

0:43:22.920 --> 0:43:27.000
<v Speaker 4>was talking to Quentin Milly yesterday, thank you for catching

0:43:27.040 --> 0:43:30.720
<v Speaker 4>a Name. He brought up a point that I agree.

0:43:30.840 --> 0:43:33.360
<v Speaker 4>You guys know, I've I've I've been pretty vocal of

0:43:33.800 --> 0:43:38.680
<v Speaker 4>me personally thinking Playboy Carti's music stinks. The Grammys is

0:43:38.719 --> 0:43:41.520
<v Speaker 4>fucked up for not The fact that Playboy Cardi was

0:43:41.600 --> 0:43:45.520
<v Speaker 4>not even nominated is a slap in the face to

0:43:46.719 --> 0:43:48.880
<v Speaker 4>to hip hop when you're trying to be that pretentious.

0:43:49.360 --> 0:43:50.359
<v Speaker 2>Do I fuck with his music?

0:43:50.520 --> 0:43:55.480
<v Speaker 4>God, No, I'm pretentious in disliking it, But the fact

0:43:55.520 --> 0:43:59.799
<v Speaker 4>that you have those numbers that impact in hip hop

0:44:00.160 --> 0:44:03.279
<v Speaker 4>and you're not even nominated, it is kind of a

0:44:03.400 --> 0:44:06.120
<v Speaker 4>miscarriage of justice to not have Playboy Cardi up there,

0:44:06.360 --> 0:44:09.480
<v Speaker 4>like you're taking a whole part of hip hop that

0:44:10.400 --> 0:44:12.640
<v Speaker 4>is important and keeping this shit moving. Look at the

0:44:12.719 --> 0:44:15.160
<v Speaker 4>numbers he does and not having it represented in that

0:44:15.239 --> 0:44:18.319
<v Speaker 4>category is kind of nuts. I don't even fuck with him,

0:44:18.360 --> 0:44:20.360
<v Speaker 4>But like, if I'm Playboy Cardi, I'm look at this

0:44:20.360 --> 0:44:22.640
<v Speaker 4>shit like, yo, what else would I have to do

0:44:22.800 --> 0:44:23.480
<v Speaker 4>to be nominated?

0:44:23.880 --> 0:44:25.279
<v Speaker 2>But this was a big year on hip hop.

0:44:25.320 --> 0:44:28.359
<v Speaker 3>Who does the Grammys take out without causing a riot?

0:44:28.560 --> 0:44:31.560
<v Speaker 4>I don't really have the answer to that because anything

0:44:31.640 --> 0:44:34.160
<v Speaker 4>I say would sound wrong because I think everyone that

0:44:34.239 --> 0:44:37.600
<v Speaker 4>was nominated here deserved their nomination. But that's where the

0:44:37.600 --> 0:44:39.400
<v Speaker 4>Grammys needs to make a decision. Someone needs to get

0:44:39.400 --> 0:44:42.880
<v Speaker 4>clpped from that to represent what Playboy Cardi did in

0:44:43.000 --> 0:44:44.479
<v Speaker 4>hip hop in this Grammy cycle.

0:44:44.800 --> 0:44:46.920
<v Speaker 2>So you're saying he should have been nominated for Best

0:44:47.000 --> 0:44:49.279
<v Speaker 2>Rap Album, Yeah, even though I personally don't even think

0:44:49.280 --> 0:44:50.200
<v Speaker 2>it's rap. That's not rap.

0:44:50.920 --> 0:44:53.160
<v Speaker 4>But but see, all right, this is also what me

0:44:53.440 --> 0:44:55.400
<v Speaker 4>and Quentin we're talking about, which we've talked about in

0:44:55.400 --> 0:44:58.480
<v Speaker 4>this podcast. Rap has such a wide spectrum now that

0:44:58.560 --> 0:45:00.520
<v Speaker 4>there needs to be subcategories the way there is with

0:45:00.680 --> 0:45:03.959
<v Speaker 4>R and B, and that's melodic rap performance, not even

0:45:04.120 --> 0:45:07.200
<v Speaker 4>it's not. There needs to be subcategories of medic.

0:45:07.800 --> 0:45:10.919
<v Speaker 3>Wasn't black, no one would ever say that that was rap.

0:45:12.040 --> 0:45:13.960
<v Speaker 3>If he wasn't black, no one would ever sing.

0:45:13.880 --> 0:45:17.480
<v Speaker 4>Out that's That's a good point because when Egor got Igor,

0:45:17.520 --> 0:45:19.560
<v Speaker 4>which I think is a classic album, got nominated for

0:45:19.640 --> 0:45:20.840
<v Speaker 4>Rap Album the Year, I said, first of all, that

0:45:20.880 --> 0:45:23.520
<v Speaker 4>should be that should be nominated for Album of the Year.

0:45:23.960 --> 0:45:25.760
<v Speaker 2>And it's also not a rap album.

0:45:26.080 --> 0:45:29.320
<v Speaker 4>But I think we're kind of doing a discredit to

0:45:29.680 --> 0:45:33.040
<v Speaker 4>rap by not putting subgenres where something like an Egor

0:45:33.160 --> 0:45:36.040
<v Speaker 4>or Playboy Cardi should be represented in that because Tyler

0:45:36.160 --> 0:45:38.839
<v Speaker 4>is hip hop that that all derives even though he's

0:45:38.880 --> 0:45:41.719
<v Speaker 4>singing on that entire thing, and there isn't really any

0:45:41.800 --> 0:45:45.040
<v Speaker 4>rap versus that still derives from it. That's still hip hop,

0:45:45.680 --> 0:45:46.680
<v Speaker 4>like Cutty as hip hop.

0:45:46.960 --> 0:45:48.840
<v Speaker 2>So we belowest hip hop even though it's.

0:45:48.760 --> 0:45:50.480
<v Speaker 3>Aggressive hip hop or alternative.

0:45:50.600 --> 0:45:53.040
<v Speaker 4>Yeah, I think there needs to be so because we

0:45:53.160 --> 0:45:57.839
<v Speaker 4>can't just think of rap in the boombap lyric way.

0:45:58.640 --> 0:46:00.960
<v Speaker 4>It is in its purest form, that's what rap is

0:46:01.040 --> 0:46:04.000
<v Speaker 4>now because because it's changed.

0:46:03.960 --> 0:46:06.760
<v Speaker 1>Nah, some other ship has some other rap has birthed

0:46:06.840 --> 0:46:09.839
<v Speaker 1>some other things. Rap hasn't changed. Some niggas that because

0:46:09.840 --> 0:46:12.000
<v Speaker 1>its a nigga you're ready to drop Thursday Night that raps.

0:46:12.239 --> 0:46:14.520
<v Speaker 2>But to me, to me, rap ain't change. No, some

0:46:14.680 --> 0:46:15.840
<v Speaker 2>niggas are still rapping for.

0:46:15.880 --> 0:46:19.360
<v Speaker 4>Sure, And I'm saying that the best rap album should

0:46:19.480 --> 0:46:21.720
<v Speaker 4>stay the way that it is. Actually, thinks since Royce

0:46:22.360 --> 0:46:25.960
<v Speaker 4>got nominated for his project, the Grammys has gotten it right.

0:46:26.080 --> 0:46:28.000
<v Speaker 4>These are all real rap albums because before they was

0:46:28.040 --> 0:46:30.200
<v Speaker 4>nominating rap albums that wasn't fucking rap albums.

0:46:30.520 --> 0:46:31.320
<v Speaker 2>We need to keep that.

0:46:31.560 --> 0:46:34.080
<v Speaker 4>But I think we're doing a disservice to hip hop

0:46:34.480 --> 0:46:39.240
<v Speaker 4>by not proving that all of this other sub genre

0:46:39.320 --> 0:46:40.759
<v Speaker 4>shit does derive from hip hop.

0:46:40.840 --> 0:46:42.960
<v Speaker 2>Oh it does? This is hip hop? Sure, yeah, I'm

0:46:43.000 --> 0:46:44.319
<v Speaker 2>not mad at that. I'm not mad at all.

0:46:44.239 --> 0:46:47.719
<v Speaker 4>Because I'm about you Playboy Cardi. Shit, No, I say,

0:46:48.080 --> 0:46:50.400
<v Speaker 4>come on us, it's not hip hop. But that's fucked

0:46:50.480 --> 0:46:53.719
<v Speaker 4>up because it all, he wasn't inspired by anything but

0:46:53.840 --> 0:46:56.359
<v Speaker 4>hip hop to make that album. So hip hop still

0:46:56.400 --> 0:46:59.919
<v Speaker 4>needs the credit on what Playboy Cardi does and where

0:47:00.040 --> 0:47:02.640
<v Speaker 4>it's spreading. All the pop stars steal from hip hop. Now,

0:47:02.719 --> 0:47:04.759
<v Speaker 4>now all this shit needs to be labeled under what

0:47:04.960 --> 0:47:07.480
<v Speaker 4>it is inspired by and that is rap and hip hop.

0:47:08.160 --> 0:47:10.320
<v Speaker 4>So we need to we need to have sub genres

0:47:10.360 --> 0:47:13.320
<v Speaker 4>in that because come on, CARDI, look at the numbers

0:47:13.360 --> 0:47:16.480
<v Speaker 4>he's doing the impact. That's not just fake bot stream ship.

0:47:16.520 --> 0:47:19.080
<v Speaker 4>Look what Look the tickets he's selling. Pop has not

0:47:19.200 --> 0:47:23.880
<v Speaker 4>acknowledge that ship is insane to me. Travis Scott. I

0:47:23.920 --> 0:47:26.399
<v Speaker 4>don't think Travis Scott is a rapper, or to say

0:47:26.480 --> 0:47:30.120
<v Speaker 4>Travis Scott is not, but he raps more than for sure,

0:47:30.280 --> 0:47:31.880
<v Speaker 4>for sure. But I'm just saying party.

0:47:31.719 --> 0:47:33.600
<v Speaker 1>Is more music, it's more vibe, it's more for a

0:47:33.680 --> 0:47:36.200
<v Speaker 1>live show. It's more of a DJ type of thing.

0:47:36.320 --> 0:47:38.560
<v Speaker 1>Like it's like that, like he'll give us some lyrics

0:47:38.600 --> 0:47:41.960
<v Speaker 1>and some you know, I guess bars and melodies hading there.

0:47:42.000 --> 0:47:44.160
<v Speaker 2>But a lot of his shit is just energy and music.

0:47:44.400 --> 0:47:46.320
<v Speaker 3>Well, let's look at the Let's look at the country

0:47:47.239 --> 0:47:49.399
<v Speaker 3>side of the Grammys and the awards that they give

0:47:49.440 --> 0:47:51.200
<v Speaker 3>out right, because he has a point. So for country,

0:47:51.239 --> 0:47:56.040
<v Speaker 3>they have Best Traditional Country Album, Best Contemporary Country Album,

0:47:56.200 --> 0:47:59.759
<v Speaker 3>Best American Roots Album, like Best Blue gri Like there's

0:47:59.760 --> 0:48:00.920
<v Speaker 3>a whole bunch.

0:48:00.719 --> 0:48:01.680
<v Speaker 2>Of stuff in blue.

0:48:04.000 --> 0:48:08.600
<v Speaker 4>Like it's there's subgenres of hip hop now, So ironically,

0:48:09.160 --> 0:48:12.160
<v Speaker 4>with the Cuddy and Jim Jones debate and all that.

0:48:12.320 --> 0:48:15.839
<v Speaker 4>I do remember when that song came out, that kind

0:48:15.880 --> 0:48:19.800
<v Speaker 4>of being a debate amongst my friends of like Cuddy

0:48:19.880 --> 0:48:23.279
<v Speaker 4>is hip hop though, and we would have arguments like

0:48:23.680 --> 0:48:25.960
<v Speaker 4>this is not hip hop, throwing in some R and B.

0:48:26.040 --> 0:48:27.839
<v Speaker 4>She like, no, this is at the end of the day,

0:48:27.880 --> 0:48:30.520
<v Speaker 4>these are hip hop drum. This is Cuddy is not

0:48:30.640 --> 0:48:33.279
<v Speaker 4>being inspired by anything but hip hop here, this is

0:48:33.440 --> 0:48:35.319
<v Speaker 4>this is from the tree of hip hop. This isn't

0:48:35.400 --> 0:48:38.080
<v Speaker 4>from anything else. And I think that type of stuff

0:48:38.160 --> 0:48:42.040
<v Speaker 4>needs to be represented at the Grammys.

0:48:42.120 --> 0:48:42.520
<v Speaker 2>I don't like.

0:48:42.520 --> 0:48:45.040
<v Speaker 4>Playboy Cardi, but who who the fuck am I? There's

0:48:45.280 --> 0:48:47.759
<v Speaker 4>millions and millions and millions and millions of people that

0:48:47.920 --> 0:48:52.279
<v Speaker 4>absolutely love that gentleman. Yeah, I don't never play, but

0:48:52.360 --> 0:48:54.239
<v Speaker 4>I recognize the talent though. Yeah, I get it, I

0:48:54.360 --> 0:48:56.440
<v Speaker 4>understand it. It's not from me. I think it's an

0:48:56.440 --> 0:48:59.640
<v Speaker 4>instrumental album. Yeah, I can't even tell when he's on it.

0:48:59.800 --> 0:49:03.759
<v Speaker 3>But yeah, I agree with you when you put it

0:49:03.840 --> 0:49:06.640
<v Speaker 3>like that with a different I don't say he needs

0:49:06.680 --> 0:49:08.160
<v Speaker 3>to be taking somebody needs to be taken out of

0:49:08.160 --> 0:49:09.640
<v Speaker 3>Best Rap Album and he needs to be put in there.

0:49:09.680 --> 0:49:11.359
<v Speaker 3>I disagree with that, but I do agree that there

0:49:11.360 --> 0:49:12.480
<v Speaker 3>does need to be a category.

0:49:12.880 --> 0:49:15.920
<v Speaker 2>Has people like that? Has Vince Staples ever been nominated

0:49:16.000 --> 0:49:17.160
<v Speaker 2>for Grammy? Let's see.

0:49:18.600 --> 0:49:23.719
<v Speaker 4>I mean he's personal favorite. Last four album Run is

0:49:24.080 --> 0:49:25.560
<v Speaker 4>probably my favorite from a solo artist.

0:49:25.840 --> 0:49:28.279
<v Speaker 2>That's why. That's why I just I was thinking about

0:49:28.280 --> 0:49:31.080
<v Speaker 2>that Van Stables cannot miss when he's never been nominated

0:49:31.120 --> 0:49:31.680
<v Speaker 2>for a Grammy.

0:49:31.800 --> 0:49:37.719
<v Speaker 4>Wow, Okay, which is nuts because the Vince Staples self

0:49:37.760 --> 0:49:40.560
<v Speaker 4>titled album it was one of the best of that year.

0:49:40.840 --> 0:49:44.120
<v Speaker 4>Ramona Park broke my heart, Like Ramona Park is, that's

0:49:44.120 --> 0:49:46.759
<v Speaker 4>a classic rap album. Yeah, I don't know how that

0:49:46.800 --> 0:49:51.319
<v Speaker 4>stuff doesn't make it into the Grammys. But it's tough too.

0:49:51.400 --> 0:49:53.560
<v Speaker 4>I actually do give some grace to the Grammy committee.

0:49:53.880 --> 0:49:56.960
<v Speaker 4>You only have so many slots, and we're at the

0:49:57.000 --> 0:50:00.560
<v Speaker 4>highest peak of artists that we've ever had. It's new

0:50:00.640 --> 0:50:03.680
<v Speaker 4>artist every goddamn days. It's tough to narrow it down.

0:50:03.760 --> 0:50:06.239
<v Speaker 4>But I think we're doing hip hop or disservice by

0:50:06.320 --> 0:50:07.760
<v Speaker 4>not having sub categories.

0:50:07.880 --> 0:50:08.320
<v Speaker 2>I agree.

0:50:09.640 --> 0:50:11.359
<v Speaker 4>I don't even know how we got onto that entire

0:50:12.000 --> 0:50:13.840
<v Speaker 4>I think you said something about Biaber and we just

0:50:13.880 --> 0:50:16.440
<v Speaker 4>went are you I'm sorry? I put my glass are

0:50:16.440 --> 0:50:17.440
<v Speaker 4>you guys, ready to get my flowers?

0:50:17.680 --> 0:50:20.640
<v Speaker 2>Oh, here we go. What happened? Why did you even

0:50:20.640 --> 0:50:23.640
<v Speaker 2>bring that up? What happened? He's it wasn't even on

0:50:23.719 --> 0:50:24.600
<v Speaker 2>my list comments.

0:50:25.000 --> 0:50:28.520
<v Speaker 4>When you're sometimes you just gotta sometimes got so many

0:50:29.239 --> 0:50:30.279
<v Speaker 4>and let the comments speak for them.

0:50:30.440 --> 0:50:32.239
<v Speaker 3>A lot of the comments agree with him, So now

0:50:32.280 --> 0:50:35.839
<v Speaker 3>he's on his high fucking horse that he was right

0:50:36.040 --> 0:50:39.440
<v Speaker 3>about Biaber being underrated because some of the comments agree

0:50:39.440 --> 0:50:39.719
<v Speaker 3>with him.

0:50:41.360 --> 0:50:43.360
<v Speaker 4>I just think it's even even the higher up to me.

0:50:44.200 --> 0:50:45.920
<v Speaker 1>I just think I just think it's interesting to like

0:50:46.160 --> 0:50:49.480
<v Speaker 1>champion for Biaber during Black History Month when his first

0:50:49.520 --> 0:50:50.080
<v Speaker 1>single was.

0:50:50.719 --> 0:50:54.000
<v Speaker 2>One less Loaner, one less longer, I'll take my classes.

0:50:54.440 --> 0:50:57.640
<v Speaker 4>Yeah, we forgot. You like to throw his first single

0:50:57.640 --> 0:50:59.800
<v Speaker 4>on it, like you like to brush that to this.

0:51:00.200 --> 0:51:05.480
<v Speaker 4>We heard the first It was baby Remember him and

0:51:05.560 --> 0:51:06.560
<v Speaker 4>Ludacris and the Bowling Alley?

0:51:06.719 --> 0:51:08.759
<v Speaker 2>Yeah no, I remember that. I remember that one too,

0:51:08.840 --> 0:51:10.960
<v Speaker 2>But I remember one less loan him and that guitar.

0:51:15.120 --> 0:51:17.640
<v Speaker 3>Oh Man still having a long, thriving career.

0:51:18.000 --> 0:51:20.319
<v Speaker 4>Man, I don't excuse anything Justin Bieber did in that video,

0:51:20.360 --> 0:51:20.719
<v Speaker 4>even though he.

0:51:20.760 --> 0:51:21.080
<v Speaker 2>Was a kid.

0:51:21.840 --> 0:51:24.880
<v Speaker 4>How come no one has found out who was holding

0:51:24.920 --> 0:51:29.279
<v Speaker 4>that camera and laughing. It was stop, don't put that,

0:51:29.680 --> 0:51:32.040
<v Speaker 4>don't put that out. Usher was laughing because he knew

0:51:32.080 --> 0:51:33.840
<v Speaker 4>he was on the way to the bank. It's like

0:51:34.200 --> 0:51:35.680
<v Speaker 4>this little nigga about to be a star.

0:51:36.320 --> 0:51:42.319
<v Speaker 2>Yeah, don't put me on camera laughing. Oh my god, Yeah,

0:51:43.760 --> 0:51:46.640
<v Speaker 2>that camera is crazy.

0:51:46.840 --> 0:51:47.120
<v Speaker 1>Was that his?

0:51:47.480 --> 0:51:50.040
<v Speaker 4>Like that was always kind of my thing, Like this

0:51:50.239 --> 0:51:53.600
<v Speaker 4>is a child that only knows what he's taught. Who's

0:51:53.680 --> 0:51:57.120
<v Speaker 4>holding that camera and laughing? I just told you it

0:51:57.200 --> 0:52:00.759
<v Speaker 4>sounds like a white lady is Yeah, gotta you can

0:52:00.840 --> 0:52:01.439
<v Speaker 4>change his total.

0:52:01.880 --> 0:52:03.760
<v Speaker 2>It's just that talented. Yeah, you can do everything.

0:52:03.960 --> 0:52:08.080
<v Speaker 3>Ma I had a question for you. You love my questions,

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<v Speaker 3>some of them, mall.

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<v Speaker 2>I had a question.

0:54:11.600 --> 0:54:14.200
<v Speaker 3>I was having a conversation on my life and one

0:54:14.239 --> 0:54:16.360
<v Speaker 3>of the fans or one of the listeners or fewers

0:54:16.400 --> 0:54:18.160
<v Speaker 3>of my life said that they're tired of knowing so

0:54:18.320 --> 0:54:21.920
<v Speaker 3>much about celebrities. Right it was post Grammys. They were

0:54:21.960 --> 0:54:24.040
<v Speaker 3>talking about me too, you are.

0:54:24.400 --> 0:54:27.200
<v Speaker 2>Yes, I don't care to know about these artists like that.

0:54:27.360 --> 0:54:28.160
<v Speaker 2>Just give me good music.

0:54:28.960 --> 0:54:31.440
<v Speaker 3>Even like the I thought like the accessibility made them

0:54:31.440 --> 0:54:34.239
<v Speaker 3>a little bit more relatable. Do you think that relatability

0:54:34.280 --> 0:54:35.839
<v Speaker 3>is whooping is like biting off their ass?

0:54:35.920 --> 0:54:38.359
<v Speaker 1>Now, well, it makes them more relatable, But I think

0:54:38.600 --> 0:54:42.799
<v Speaker 1>people became too invested in artists personal lives and things

0:54:42.880 --> 0:54:44.960
<v Speaker 1>like that. And then now if they don't give them

0:54:45.280 --> 0:54:49.040
<v Speaker 1>personal information and share certain things, people start calling the

0:54:49.120 --> 0:54:52.800
<v Speaker 1>artists weird because they're not sharing personal, you know things,

0:54:52.960 --> 0:54:55.799
<v Speaker 1>just like, bro, I'm here to entertain and make music

0:54:56.080 --> 0:54:58.440
<v Speaker 1>or whatever it is that I do. You'm not here

0:54:58.520 --> 0:55:01.040
<v Speaker 1>to tell you my personal business with my family has

0:55:01.080 --> 0:55:03.319
<v Speaker 1>going on. Things like that, and a lot of times

0:55:03.360 --> 0:55:07.000
<v Speaker 1>people care about that more than nactual music. So I

0:55:07.040 --> 0:55:08.920
<v Speaker 1>think that's when it became a problem, when people just

0:55:08.920 --> 0:55:11.720
<v Speaker 1>started to care too much. Like, you know, I always

0:55:11.760 --> 0:55:14.719
<v Speaker 1>told I didn't know a lot about big when I

0:55:14.800 --> 0:55:16.400
<v Speaker 1>was in high school, POC. I didn't know a lot

0:55:16.440 --> 0:55:20.120
<v Speaker 1>about my favorite artists, but we still love them the same,

0:55:20.320 --> 0:55:23.279
<v Speaker 1>We still supported them to listen to their music, you know.

0:55:23.520 --> 0:55:25.719
<v Speaker 1>And now it's a thing where people want to see,

0:55:26.080 --> 0:55:28.520
<v Speaker 1>you know, they want to know about everything that goes

0:55:28.560 --> 0:55:30.839
<v Speaker 1>on in your home, everything that goes on when you're

0:55:30.880 --> 0:55:32.759
<v Speaker 1>not in the studio away from the camera. And I

0:55:32.880 --> 0:55:34.400
<v Speaker 1>just think that that's a little weird, Like why do

0:55:34.480 --> 0:55:37.200
<v Speaker 1>you why do why are you so invested in just

0:55:37.239 --> 0:55:40.479
<v Speaker 1>because you purchased an album or you purchased a concert ticket,

0:55:40.480 --> 0:55:43.080
<v Speaker 1>you feel like you should know everything about this human.

0:55:43.200 --> 0:55:44.359
<v Speaker 1>This is a human at the end of the day,

0:55:44.480 --> 0:55:48.800
<v Speaker 1>like nobody wants everybody to know everything about them or

0:55:48.880 --> 0:55:50.719
<v Speaker 1>like personal business, like who who wants that?

0:55:50.880 --> 0:55:53.200
<v Speaker 2>Like some things to stay personal private.

0:55:53.920 --> 0:55:56.200
<v Speaker 1>It's just it's just it got it just got weird

0:55:56.239 --> 0:55:59.239
<v Speaker 1>because people started caring too much about everything other than

0:55:59.760 --> 0:56:01.359
<v Speaker 1>you know, the person's talent level.

0:56:01.520 --> 0:56:03.400
<v Speaker 2>But at the same time, I hear you.

0:56:03.560 --> 0:56:05.359
<v Speaker 3>But at the same time, that also keeps you from

0:56:05.440 --> 0:56:08.400
<v Speaker 3>supporting somebody who might not have the same values and

0:56:08.480 --> 0:56:09.080
<v Speaker 3>morals as you.

0:56:09.400 --> 0:56:10.480
<v Speaker 2>The more you know about somebody.

0:56:11.080 --> 0:56:12.560
<v Speaker 1>But if we're gonna have that conversation, is a lot

0:56:12.600 --> 0:56:14.319
<v Speaker 1>of this ketchup you niggas got in your fridge, stop

0:56:14.360 --> 0:56:16.400
<v Speaker 1>eat buying it. A lot of food that you know,

0:56:16.440 --> 0:56:18.320
<v Speaker 1>a lot of these supermarkets you shop at where you

0:56:18.400 --> 0:56:20.279
<v Speaker 1>go get your coffee. If we're gonna get into that,

0:56:20.680 --> 0:56:23.319
<v Speaker 1>you niggas ain't gonna be able to purchase anything. If

0:56:23.360 --> 0:56:25.040
<v Speaker 1>that's the if you're trying to figure out what niggas

0:56:25.040 --> 0:56:27.280
<v Speaker 1>morals and all of this is that I can promise

0:56:27.320 --> 0:56:29.160
<v Speaker 1>you now you don't want to get into your favorite

0:56:29.160 --> 0:56:31.200
<v Speaker 1>cup of coffee and who owns that and where they

0:56:31.280 --> 0:56:31.799
<v Speaker 1>morals are.

0:56:33.120 --> 0:56:35.200
<v Speaker 2>So that's what I'm saying. You don't some things you

0:56:35.360 --> 0:56:36.719
<v Speaker 2>just don't want to know. You know what I'm saying, Like,

0:56:36.760 --> 0:56:38.480
<v Speaker 2>it's just like, Okay, I get it. I'm with you.

0:56:38.560 --> 0:56:40.480
<v Speaker 1>I don't want to support anybody that's a piece of shit.

0:56:40.760 --> 0:56:42.400
<v Speaker 1>I don't want to support somebody that does you know,

0:56:42.560 --> 0:56:44.960
<v Speaker 1>people wrong and things like that. But at the end

0:56:44.960 --> 0:56:47.600
<v Speaker 1>of the day, we all do so I get it,

0:56:47.680 --> 0:56:49.560
<v Speaker 1>though I understand the thought of that, Yes, you don't

0:56:49.560 --> 0:56:51.920
<v Speaker 1>want to support fucked up in pieces of shit, but

0:56:53.360 --> 0:56:55.239
<v Speaker 1>if you start going down that list, it's gonna be

0:56:55.280 --> 0:56:55.600
<v Speaker 1>a lot of shit.

0:56:55.600 --> 0:56:56.960
<v Speaker 2>You're gonna have to stop supporting your life.

0:56:57.000 --> 0:57:00.279
<v Speaker 1>And I don't know if we are even able to

0:57:00.360 --> 0:57:01.839
<v Speaker 1>do that, you know what I'm saying, Because some things

0:57:01.880 --> 0:57:04.400
<v Speaker 1>we just need, no matter how you slice it, we

0:57:04.560 --> 0:57:07.960
<v Speaker 1>need certain things to function. But I understand that you

0:57:07.960 --> 0:57:11.080
<v Speaker 1>don't want to support somebody that's, you know, a bad person,

0:57:11.239 --> 0:57:13.920
<v Speaker 1>and especially when it comes to entertainment and things that

0:57:14.000 --> 0:57:16.160
<v Speaker 1>you pay for. Go to a concert and this person's

0:57:16.160 --> 0:57:19.760
<v Speaker 1>a piece of shit. But we got to cut ot

0:57:20.120 --> 0:57:22.440
<v Speaker 1>cut our wins and losses Like it's it's a lot

0:57:22.440 --> 0:57:24.800
<v Speaker 1>of people that's pieces of shit. But I do understand

0:57:24.840 --> 0:57:28.280
<v Speaker 1>how some artists like to share personal things because again,

0:57:28.320 --> 0:57:30.760
<v Speaker 1>it brings their audience in a little closer. But when

0:57:30.760 --> 0:57:34.400
<v Speaker 1>the audience starts caring about that too much and starts

0:57:34.440 --> 0:57:37.400
<v Speaker 1>being too invested in that, I think that that's a problem.

0:57:38.400 --> 0:57:38.560
<v Speaker 2>I do.

0:57:39.000 --> 0:57:41.000
<v Speaker 3>Do you think that there's some artists that are skating

0:57:41.080 --> 0:57:46.320
<v Speaker 3>by purely off of their personal lives being entertaining, Like

0:57:46.400 --> 0:57:48.600
<v Speaker 3>people wouldn't care about them if their personal life wasn't

0:57:48.640 --> 0:57:50.920
<v Speaker 3>so entertaining, Like the music isn't enough to hold them up.

0:57:51.240 --> 0:57:54.120
<v Speaker 4>Oh, of course, I mean that's that's yeah, that's that.

0:57:54.120 --> 0:57:56.560
<v Speaker 4>I mean that's kind of the marketing plan period now,

0:57:56.600 --> 0:57:58.480
<v Speaker 4>is lifestyle over the music.

0:57:59.680 --> 0:58:01.800
<v Speaker 1>But you know, it's funny because you look at some

0:58:01.880 --> 0:58:05.520
<v Speaker 1>of the biggest artists. I don't think you know much

0:58:05.520 --> 0:58:08.560
<v Speaker 1>about the biggest artists. People really know that much about Beyonce.

0:58:09.240 --> 0:58:10.720
<v Speaker 3>You're talking about the biggest artist now.

0:58:11.080 --> 0:58:11.959
<v Speaker 2>Yeah, I don't know if people.

0:58:12.040 --> 0:58:14.240
<v Speaker 3>Beyonce used to share a lot of herself with us.

0:58:14.320 --> 0:58:17.120
<v Speaker 3>She since stopped. She don't say anything. But there was

0:58:17.200 --> 0:58:20.040
<v Speaker 3>at one point we knew damn near everything about Beyonce

0:58:20.280 --> 0:58:23.120
<v Speaker 3>because she had been famous for so long and so

0:58:23.280 --> 0:58:26.160
<v Speaker 3>much of her growth had been document well, I mean

0:58:26.200 --> 0:58:29.640
<v Speaker 3>to find no everything, Yeah, Like I mean we knew

0:58:30.880 --> 0:58:33.160
<v Speaker 3>we find so we don't. We never knew stuff about

0:58:33.200 --> 0:58:36.200
<v Speaker 3>Beyonce in the moment. We always found out later, right,

0:58:36.280 --> 0:58:38.760
<v Speaker 3>there was a couple of years would go by and

0:58:38.800 --> 0:58:40.600
<v Speaker 3>we would find out certain shit because she would make

0:58:40.640 --> 0:58:43.880
<v Speaker 3>her her little vlogs. She would hear a ship concert footage,

0:58:43.960 --> 0:58:46.560
<v Speaker 3>or we had the book from Destiny's Child, and like,

0:58:47.000 --> 0:58:49.080
<v Speaker 3>you know, she's when you're in the spotlight for that

0:58:49.320 --> 0:58:51.400
<v Speaker 3>long since a kid, we know a lot about you.

0:58:51.640 --> 0:58:53.680
<v Speaker 4>But she's had a great balance of somebody that's been

0:58:53.720 --> 0:58:57.040
<v Speaker 4>a star since they were a child, of keeping your

0:58:57.080 --> 0:58:59.120
<v Speaker 4>private life pretty much private, and.

0:58:59.200 --> 0:59:01.240
<v Speaker 2>Even of that that is very difficulty.

0:59:01.320 --> 0:59:03.040
<v Speaker 3>And also she doesn't have I don't want to say

0:59:03.080 --> 0:59:04.920
<v Speaker 3>she doesn't have much of a private life. She doesn't

0:59:04.920 --> 0:59:06.760
<v Speaker 3>really have much to hide, if that makes sense.

0:59:07.080 --> 0:59:08.480
<v Speaker 4>I hear what you guys are saying. I think it's

0:59:08.600 --> 0:59:10.320
<v Speaker 4>not really an artist thing we're talking about. I just

0:59:10.360 --> 0:59:12.760
<v Speaker 4>think it's kind of a reflection of how society changed,

0:59:12.760 --> 0:59:17.439
<v Speaker 4>because fans have always been very much into artist's personal lives,

0:59:17.480 --> 0:59:20.080
<v Speaker 4>whether it was Britney Spears, like even before social the

0:59:20.160 --> 0:59:23.560
<v Speaker 4>social media boom, that was still a thing. But to

0:59:23.680 --> 0:59:26.840
<v Speaker 4>the rest of the world that wasn't our obsession. We

0:59:27.000 --> 0:59:30.960
<v Speaker 4>know too much about the people we know like that.

0:59:31.400 --> 0:59:33.000
<v Speaker 4>I don't think I don't I understand what you guys.

0:59:33.080 --> 0:59:35.120
<v Speaker 4>I just don't think it's an artist thing. Because all

0:59:35.120 --> 0:59:39.200
<v Speaker 4>of a sudden, like when Facebook hit, I'm seeing photos

0:59:39.200 --> 0:59:41.200
<v Speaker 4>of people's kids that I only see once a year.

0:59:41.240 --> 0:59:43.120
<v Speaker 4>We started learning more and more about people that we

0:59:43.240 --> 0:59:46.360
<v Speaker 4>already know. Artists are just a reflection of that. They

0:59:46.480 --> 0:59:49.520
<v Speaker 4>just are in the same society that we're in. I

0:59:49.640 --> 0:59:53.440
<v Speaker 4>know everyone's thought when Twitter started, I like, I know

0:59:53.600 --> 0:59:56.240
<v Speaker 4>everyone's family members when I was follow them on.

0:59:56.240 --> 0:59:57.760
<v Speaker 2>Facebook, Like, very true.

0:59:57.920 --> 1:00:01.280
<v Speaker 4>You just learn that society because aim such an oversharing

1:00:01.440 --> 1:00:04.360
<v Speaker 4>on the lowest of lowest of level. Even if you

1:00:04.440 --> 1:00:06.840
<v Speaker 4>got ten followers, you're sharing all your thoughts to them.

1:00:07.280 --> 1:00:08.080
<v Speaker 2>Yeah, a front man.

1:00:08.160 --> 1:00:10.400
<v Speaker 4>I think artists are just a reflection of that. We

1:00:11.480 --> 1:00:15.040
<v Speaker 4>have you ever just like caught a random viral tweet

1:00:15.080 --> 1:00:17.760
<v Speaker 4>that's a story that's nuts, And then you go into

1:00:17.800 --> 1:00:19.760
<v Speaker 4>the comments and you see people from that town that

1:00:19.920 --> 1:00:22.760
<v Speaker 4>know all these people, and now we're watching that. No

1:00:22.800 --> 1:00:26.080
<v Speaker 4>one's a celebrity here. We're just interesting. We're just nosy now,

1:00:26.880 --> 1:00:29.880
<v Speaker 4>Like it just took what was already in the human

1:00:29.960 --> 1:00:32.600
<v Speaker 4>DNA of being nosy and wanting the quote unquote tea.

1:00:33.320 --> 1:00:35.560
<v Speaker 4>Of course it's going to skyrocket with a celebrity, but

1:00:35.600 --> 1:00:37.800
<v Speaker 4>we're doing that on the lowest of level. You don't

1:00:37.840 --> 1:00:40.160
<v Speaker 4>think somebody sees something a cousin post something you ain't

1:00:40.200 --> 1:00:41.960
<v Speaker 4>tout your other cousin, Like, yo, you saw what your posts.

1:00:43.760 --> 1:00:46.200
<v Speaker 2>You can just share the post right right to the inbox.

1:00:46.280 --> 1:00:46.720
<v Speaker 2>You see that.

1:00:47.560 --> 1:00:49.520
<v Speaker 1>But I'm the opposite to like, I don't really subscribe

1:00:49.520 --> 1:00:51.240
<v Speaker 1>to none of that ship Like y'all, y'all put me

1:00:51.280 --> 1:00:52.480
<v Speaker 1>on to a lot of shit that be going on,

1:00:52.560 --> 1:00:55.600
<v Speaker 1>and I'm like, We're like, I don't really care about that. Like,

1:00:56.320 --> 1:01:00.440
<v Speaker 1>like I saw this girl on on Instagram. She had

1:01:00.520 --> 1:01:05.560
<v Speaker 1>like her birth like on her timeline, Like she posted

1:01:05.680 --> 1:01:06.800
<v Speaker 1>like her actual birth.

1:01:07.600 --> 1:01:10.720
<v Speaker 4>Didn't Jay and Erica do that. A couple of people

1:01:11.360 --> 1:01:13.040
<v Speaker 4>live they were live tweeting during it, which I thought

1:01:13.080 --> 1:01:13.720
<v Speaker 4>was hilarious, you.

1:01:13.760 --> 1:01:15.280
<v Speaker 2>Know, like I'm talking about like she was recalled like

1:01:15.280 --> 1:01:16.840
<v Speaker 2>you saw the baby coming out of it. People do.

1:01:16.920 --> 1:01:18.760
<v Speaker 4>That's a part of the internet that's like for that.

1:01:19.200 --> 1:01:20.760
<v Speaker 2>I think that that's fucking crazy.

1:01:22.360 --> 1:01:24.400
<v Speaker 1>I think that that's I think that is absolutely crazy

1:01:24.440 --> 1:01:25.520
<v Speaker 1>to share that on stage media.

1:01:25.600 --> 1:01:28.800
<v Speaker 4>I do too, But I mean I like watching it. Well,

1:01:28.880 --> 1:01:33.120
<v Speaker 4>I'm not gonna watch I would hope not. But I

1:01:33.200 --> 1:01:40.640
<v Speaker 4>mean in comparison to like the Israeli fucking army live

1:01:40.680 --> 1:01:44.160
<v Speaker 4>streaming killing people, Like I'm kind of fine if this

1:01:44.200 --> 1:01:45.960
<v Speaker 4>is where we're at with social media. I'm fine if

1:01:46.000 --> 1:01:48.800
<v Speaker 4>somebody wants to share their birth, Like I just think I.

1:01:48.880 --> 1:01:51.840
<v Speaker 2>Just think that's there's no anymore. That is way too

1:01:51.920 --> 1:01:53.480
<v Speaker 2>personal of a moment and way.

1:01:53.360 --> 1:01:55.600
<v Speaker 3>Too You would be the same person over there sitting

1:01:55.600 --> 1:01:56.760
<v Speaker 3>in that chair watching people get.

1:01:56.800 --> 1:01:59.640
<v Speaker 2>Murked on your phone. Who don't watchet murder?

1:01:59.680 --> 1:02:01.240
<v Speaker 3>You don't watch a lot of people get they asked

1:02:01.280 --> 1:02:02.280
<v Speaker 3>will smoked?

1:02:02.920 --> 1:02:04.760
<v Speaker 1>Yeah, watch the World Star. Yeah, nigga get knock out.

1:02:04.760 --> 1:02:07.840
<v Speaker 1>I'm gonna watch that. Niggas fighting outside.

1:02:07.880 --> 1:02:10.520
<v Speaker 3>But I think multiple people get killed on the internet,

1:02:10.680 --> 1:02:12.960
<v Speaker 3>like in perfect view, Like, well.

1:02:12.920 --> 1:02:13.800
<v Speaker 2>That's what they're saying.

1:02:13.840 --> 1:02:16.040
<v Speaker 1>If you're showing pictures of war babies getting killed, and

1:02:16.360 --> 1:02:18.160
<v Speaker 1>that's just to get the mess out to the world,

1:02:18.200 --> 1:02:19.680
<v Speaker 1>Like this is what's happening in our country.

1:02:20.120 --> 1:02:23.640
<v Speaker 4>We understand that you waited thirty seconds while a Walgreens

1:02:23.720 --> 1:02:26.040
<v Speaker 4>ad started and then you watch somebody get killed.

1:02:26.240 --> 1:02:28.720
<v Speaker 2>Yeah, yeah, I'm probably guilty of that.

1:02:28.840 --> 1:02:31.280
<v Speaker 1>Yeah, our society, But I mean that's like, again, that's

1:02:31.760 --> 1:02:35.000
<v Speaker 1>shit that's happening outside violence. I'm talking about a personal,

1:02:35.040 --> 1:02:37.640
<v Speaker 1>intimate moment like you giving birth. I don't think you

1:02:37.800 --> 1:02:40.080
<v Speaker 1>should be sharing that with your timeline. I'm sorry, I

1:02:40.160 --> 1:02:40.480
<v Speaker 1>just don't.

1:02:40.560 --> 1:02:42.520
<v Speaker 2>I mean, if you're comfortable with it, then't do it.

1:02:42.600 --> 1:02:44.360
<v Speaker 3>I wouldn't do it. I wouldn't be comfortable. But if

1:02:44.360 --> 1:02:46.280
<v Speaker 3>you're comfortable with that, then do it. Like I said,

1:02:46.280 --> 1:02:47.840
<v Speaker 3>I like watching it because I think that birth is

1:02:48.000 --> 1:02:49.200
<v Speaker 3>very very beautiful.

1:02:49.640 --> 1:02:51.880
<v Speaker 1>No, it is, but I think it's very intimate. I

1:02:51.920 --> 1:02:54.320
<v Speaker 1>think that's for you and your family. I don't think

1:02:54.360 --> 1:02:56.680
<v Speaker 1>that people that follow you who don't like you should

1:02:56.680 --> 1:02:58.280
<v Speaker 1>be privy to that. I don't think that they should

1:02:58.280 --> 1:03:01.280
<v Speaker 1>see that. I know me personally because all people following

1:03:01.280 --> 1:03:03.160
<v Speaker 1>you that don't like you, don't wish the best for you,

1:03:03.520 --> 1:03:04.440
<v Speaker 1>don't give a fuck.

1:03:04.240 --> 1:03:07.840
<v Speaker 2>About you, Like they should not be allowed to share

1:03:07.880 --> 1:03:09.400
<v Speaker 2>in that moment. I'm sorry.

1:03:09.520 --> 1:03:12.880
<v Speaker 1>Like, that's keep that bete, your husband or your boyfriend, baby,

1:03:12.920 --> 1:03:15.680
<v Speaker 1>for whoever, your family, your mom, the keep that for

1:03:15.880 --> 1:03:18.160
<v Speaker 1>them putting that on social media, and then I could

1:03:18.160 --> 1:03:20.440
<v Speaker 1>sit that to somebody that don't even follow you, and

1:03:20.520 --> 1:03:22.480
<v Speaker 1>then I just think that that's too much.

1:03:23.080 --> 1:03:27.920
<v Speaker 4>I completely agree because Key and I we filmed. I

1:03:27.960 --> 1:03:30.880
<v Speaker 4>should say our birth, which is politically correct, but her birth,

1:03:30.960 --> 1:03:32.080
<v Speaker 4>I didn't do shit.

1:03:34.040 --> 1:03:34.560
<v Speaker 2>That video.

1:03:35.120 --> 1:03:37.520
<v Speaker 4>I wouldn't even show that to her mom my mom, Like,

1:03:37.600 --> 1:03:40.440
<v Speaker 4>that's just that's for her and I not even an

1:03:40.480 --> 1:03:43.200
<v Speaker 4>immediate family member or whatever. That's just for Key and I.

1:03:43.480 --> 1:03:45.480
<v Speaker 4>I'm with you on that side. But I do also

1:03:45.560 --> 1:03:48.280
<v Speaker 4>see the side and not on the influencer type time.

1:03:48.320 --> 1:03:53.000
<v Speaker 4>But if I had a human growing in my body,

1:03:54.080 --> 1:03:57.160
<v Speaker 4>I'd be terrified, like just nervous and anxious about what

1:03:57.360 --> 1:04:00.800
<v Speaker 4>that process was. Like maybe it would bring some piece

1:04:01.000 --> 1:04:04.160
<v Speaker 4>watching other births, because you have to be anxious about

1:04:04.160 --> 1:04:07.800
<v Speaker 4>giving birth. No, yeah, for sure, being able to watch

1:04:07.840 --> 1:04:11.919
<v Speaker 4>somebody have that happen, talk about it, it may bring

1:04:12.040 --> 1:04:15.120
<v Speaker 4>some peace to me. If I could watch someone else

1:04:15.240 --> 1:04:18.680
<v Speaker 4>go through that process how I am, Like, I'd be like, nah,

1:04:18.680 --> 1:04:20.800
<v Speaker 4>I gotta see what's the store for me?

1:04:22.560 --> 1:04:24.200
<v Speaker 2>Yeah, so I do get it.

1:04:27.160 --> 1:04:29.480
<v Speaker 3>Also places, there's also places you can go for that,

1:04:29.640 --> 1:04:34.160
<v Speaker 3>Like I was at one point I was obsessed with like, uh,

1:04:34.760 --> 1:04:37.480
<v Speaker 3>maternal mortality were like because there were so many black

1:04:37.480 --> 1:04:39.440
<v Speaker 3>women there are still so many black women who die

1:04:39.520 --> 1:04:42.120
<v Speaker 3>during childbirth, Like it's the numbers are absolutely saying that's

1:04:42.200 --> 1:04:43.439
<v Speaker 3>studies on it in school and shit.

1:04:43.600 --> 1:04:46.040
<v Speaker 2>So I was a great dock about it too. Yeah,

1:04:46.040 --> 1:04:47.400
<v Speaker 2>I was obsessed with stuff like that.

1:04:47.640 --> 1:04:50.200
<v Speaker 3>So I was in a lot of Facebook groups about

1:04:50.720 --> 1:04:54.440
<v Speaker 3>black women where they would share their home birthing like experience.

1:04:54.480 --> 1:04:57.680
<v Speaker 3>So if you're posting in communities like that, I think

1:04:57.760 --> 1:05:00.439
<v Speaker 3>that that's more okay, because that's more those are people

1:05:00.520 --> 1:05:03.280
<v Speaker 3>are there looking for that exactly. But if I'm just

1:05:03.360 --> 1:05:05.560
<v Speaker 3>like scrolling on Instagram, well somebody else is scrolling on

1:05:05.640 --> 1:05:07.080
<v Speaker 3>Instagram looking for ass and then like.

1:05:07.160 --> 1:05:11.880
<v Speaker 2>Boom baby, Yes that's nuts. But I also think you

1:05:11.960 --> 1:05:13.400
<v Speaker 2>can share it. I don't. I mean I don't know.

1:05:14.120 --> 1:05:16.760
<v Speaker 2>Like I said, whatever people are comfortable with for sure,

1:05:16.920 --> 1:05:19.480
<v Speaker 2>but we need to keep certain things private. I think

1:05:19.640 --> 1:05:20.320
<v Speaker 2>let's get back to that.

1:05:21.240 --> 1:05:24.800
<v Speaker 1>Like I like the the mystique and the mystery of

1:05:24.960 --> 1:05:27.120
<v Speaker 1>certain celebrities, Like I don't know what this person does

1:05:27.920 --> 1:05:31.320
<v Speaker 1>on their you know, personal time, which will incentivize me.

1:05:32.840 --> 1:05:34.480
<v Speaker 2>Going on tour. I gotta go see them, because I don't.

1:05:34.480 --> 1:05:36.760
<v Speaker 1>You don't get nothing from this person other than when

1:05:36.800 --> 1:05:38.440
<v Speaker 1>they want to be seen and they popping out on

1:05:38.560 --> 1:05:41.200
<v Speaker 1>tour album dropping like those are the artists that I

1:05:41.320 --> 1:05:43.640
<v Speaker 1>like because it's like, Okay, they're gonna give me through

1:05:43.680 --> 1:05:45.760
<v Speaker 1>the music, through the art, they're gonna give me their life,

1:05:45.800 --> 1:05:47.280
<v Speaker 1>and this, that and the third I don't want to

1:05:47.320 --> 1:05:48.480
<v Speaker 1>see because then I might.

1:05:48.480 --> 1:05:51.400
<v Speaker 2>Not like you. Oh yeah, you're my favorite artists. And

1:05:51.400 --> 1:05:54.680
<v Speaker 2>then you you post something on your Instagram and I'm like,

1:05:56.000 --> 1:05:58.720
<v Speaker 2>she's a clown. Well, this nigga's corny, you know what

1:05:58.720 --> 1:05:59.080
<v Speaker 2>I'm saying.

1:05:59.080 --> 1:06:01.360
<v Speaker 1>Like, it's just some times it has that effect to

1:06:01.480 --> 1:06:03.040
<v Speaker 1>it's like, all right, man, like I don't even like

1:06:03.080 --> 1:06:03.720
<v Speaker 1>this artist no more.

1:06:04.040 --> 1:06:04.960
<v Speaker 2>Keep a certain mistique.

1:06:04.960 --> 1:06:08.440
<v Speaker 1>I think it's a great balance to be accessible to

1:06:08.880 --> 1:06:11.160
<v Speaker 1>an extent. You know, you want to interact with your

1:06:11.200 --> 1:06:14.080
<v Speaker 1>audience and the people who support you, but you also

1:06:14.080 --> 1:06:16.040
<v Speaker 1>want to keep a certain mystery about yourself. You want

1:06:16.080 --> 1:06:18.960
<v Speaker 1>to keep a certain aura and a certain like yeah,

1:06:19.000 --> 1:06:21.040
<v Speaker 1>but there's still so many things y'all don't know about me.

1:06:21.640 --> 1:06:22.800
<v Speaker 2>I like that from an artist.

1:06:22.880 --> 1:06:25.720
<v Speaker 3>I think movie stars still do that, Like movie stars.

1:06:25.480 --> 1:06:27.040
<v Speaker 2>Do that very nicky lazer. She said that.

1:06:27.440 --> 1:06:30.320
<v Speaker 1>She said, Leo, we don't know anything about you other

1:06:30.400 --> 1:06:33.680
<v Speaker 1>than yeah, like and we've grown up, we've grown up

1:06:33.760 --> 1:06:37.760
<v Speaker 1>watching you favorite movies, and we don't know anything about

1:06:37.800 --> 1:06:38.000
<v Speaker 1>you and.

1:06:38.040 --> 1:06:42.040
<v Speaker 4>Leo when they're like he likes spaghetti, that's always and.

1:06:42.160 --> 1:06:44.560
<v Speaker 1>Leo said there like yeah, like I don't. I don't

1:06:44.640 --> 1:06:47.360
<v Speaker 1>share that shit like come see my movie though, and

1:06:47.400 --> 1:06:48.880
<v Speaker 1>then I'll do a press run and this that and

1:06:48.960 --> 1:06:51.760
<v Speaker 1>the third. Maybe I'll give certain little things about me

1:06:51.840 --> 1:06:53.400
<v Speaker 1>on a press run and they ask questions.

1:06:53.480 --> 1:06:56.080
<v Speaker 2>But that's it. You got to keep a certain mystique

1:06:56.080 --> 1:06:58.320
<v Speaker 2>about just so. I think that help. You think podcasters

1:06:58.360 --> 1:06:59.240
<v Speaker 2>need to subscribe to that.

1:07:00.440 --> 1:07:03.360
<v Speaker 4>You know this gig, this gig is over sharing.

1:07:04.520 --> 1:07:07.600
<v Speaker 2>But I feel like I don't know. I was gonna say,

1:07:07.760 --> 1:07:10.439
<v Speaker 2>not exactly. I feel like you're challenged enough. You don't

1:07:10.480 --> 1:07:11.160
<v Speaker 2>have no, no, no no.

1:07:12.320 --> 1:07:16.920
<v Speaker 4>By uh, by society standards, mall, you do overshare, you

1:07:17.000 --> 1:07:19.600
<v Speaker 4>think so. By podcast standards you don't at all. But

1:07:20.080 --> 1:07:24.320
<v Speaker 4>by society standards, yes, people know more about your personal

1:07:24.360 --> 1:07:27.480
<v Speaker 4>life than they would the average person that they didn't know. Okay,

1:07:27.680 --> 1:07:31.880
<v Speaker 4>because the job is over share. Yeah, okay, just by

1:07:31.920 --> 1:07:36.000
<v Speaker 4>shared data of how much you talk. Eventually you're over

1:07:36.120 --> 1:07:37.720
<v Speaker 4>sharing by world standards.

1:07:37.800 --> 1:07:41.600
<v Speaker 2>Yeah that makes sense. No, I feel like I know.

1:07:41.760 --> 1:07:44.200
<v Speaker 3>More about people through social media than I know about

1:07:45.080 --> 1:07:47.640
<v Speaker 3>mall through if you just listening to him podcasts.

1:07:48.160 --> 1:07:48.880
<v Speaker 2>Does that make sense?

1:07:48.960 --> 1:07:50.600
<v Speaker 3>Like what do you if somebody was to say, yo,

1:07:50.640 --> 1:07:52.760
<v Speaker 3>what do you know about Mall from podcasting? Like what

1:07:52.960 --> 1:07:56.360
<v Speaker 3>could they really tell you? People say all the time

1:07:56.400 --> 1:07:57.520
<v Speaker 3>he's never been in a relationship.

1:07:57.560 --> 1:07:58.040
<v Speaker 2>That's not true.

1:07:58.080 --> 1:07:59.960
<v Speaker 3>But people don't know anything about his fucking love life.

1:08:01.320 --> 1:08:04.960
<v Speaker 3>They know about his past two jobs, but.

1:08:05.000 --> 1:08:07.000
<v Speaker 4>You're talking about that check Like we've there's been real

1:08:07.080 --> 1:08:10.600
<v Speaker 4>intimate moments Mal sharing about his brother, about his family,

1:08:10.760 --> 1:08:13.960
<v Speaker 4>Like there's been real intimate Just because you don't know

1:08:14.040 --> 1:08:18.120
<v Speaker 4>about Mal's dating life doesn't mean he hasn't overshaded. I

1:08:18.200 --> 1:08:20.360
<v Speaker 4>mean oversharing a bad way, but shared about his his

1:08:20.560 --> 1:08:23.600
<v Speaker 4>actual family and how he felt about certain tragedies, Like

1:08:23.680 --> 1:08:27.719
<v Speaker 4>that's that's that's over sharing by world standards. In my opinion,

1:08:28.240 --> 1:08:31.880
<v Speaker 4>not everything is a gossipy relationship, like you knew I

1:08:32.080 --> 1:08:34.080
<v Speaker 4>was fucking this person, or I was in a relationship

1:08:34.120 --> 1:08:37.120
<v Speaker 4>for this long, Like this intimate fucking moment. We've all

1:08:37.400 --> 1:08:40.439
<v Speaker 4>talked about our mothers, our fathers, Like that's that's real

1:08:40.560 --> 1:08:44.040
<v Speaker 4>intimate ship. He He's said a lot of stuff about

1:08:44.040 --> 1:08:48.160
<v Speaker 4>his pops that a regular person wouldn't share with with

1:08:48.320 --> 1:08:51.280
<v Speaker 4>the world like that that to me his relationship with

1:08:51.320 --> 1:08:51.920
<v Speaker 4>his sister, like.

1:08:52.040 --> 1:08:55.479
<v Speaker 2>That stuff is is intimate to me. True, that makes sense.

1:08:56.160 --> 1:08:58.000
<v Speaker 4>He'll never tell us who he's fucking. I ask off

1:08:58.080 --> 1:08:58.880
<v Speaker 4>Mike every day.

1:08:59.520 --> 1:09:04.559
<v Speaker 2>Mike every I want to know where, but I mean,

1:09:05.560 --> 1:09:08.400
<v Speaker 2>I guess to close it, to close it.

1:09:08.439 --> 1:09:10.200
<v Speaker 4>Where do you draw the line though, because I hear

1:09:10.280 --> 1:09:14.360
<v Speaker 4>you guys, but we've had funerals are live stream, like

1:09:14.439 --> 1:09:18.120
<v Speaker 4>we watched Nipsey hustle in the Staples Center funeral, Like

1:09:18.240 --> 1:09:21.519
<v Speaker 4>eventually Live Nation is going to start selling tickets to funerals, like,

1:09:21.960 --> 1:09:23.280
<v Speaker 4>but well, I.

1:09:24.400 --> 1:09:28.760
<v Speaker 3>Don't think that because funerals have always been if live

1:09:28.840 --> 1:09:31.120
<v Speaker 3>stream just means that it was on a computer. Funerals

1:09:31.160 --> 1:09:33.880
<v Speaker 3>of famous people have always been available through TV.

1:09:34.560 --> 1:09:35.000
<v Speaker 2>That's been.

1:09:37.560 --> 1:09:42.920
<v Speaker 4>His funeral, Yeah, Fife with everything like, no, I'm witch.

1:09:42.920 --> 1:09:46.439
<v Speaker 4>I'm just saying that if funerals have always been even

1:09:46.479 --> 1:09:48.799
<v Speaker 4>fair game, which should be one of the more intimate

1:09:48.880 --> 1:09:51.519
<v Speaker 4>things periods, Like why are we drawing the line on

1:09:51.600 --> 1:09:54.320
<v Speaker 4>anything else We're gonna sell We're going to sell tickets

1:09:54.360 --> 1:09:55.040
<v Speaker 4>to funerals soon.

1:09:55.160 --> 1:09:56.680
<v Speaker 1>But it's a little different, like as far as a

1:09:56.720 --> 1:09:58.920
<v Speaker 1>lot because you know, example.

1:09:58.600 --> 1:10:00.519
<v Speaker 4>When they stole t shirts out side of the stable

1:10:00.560 --> 1:10:02.599
<v Speaker 4>Center when Nipsey died, Like what do they sell.

1:10:02.880 --> 1:10:04.880
<v Speaker 3>T shirts outside of the Stable center? Win anything?

1:10:04.920 --> 1:10:06.760
<v Speaker 2>But that was like that wasn't official though, Those were

1:10:06.800 --> 1:10:08.320
<v Speaker 2>just hustle. No no, no, no, no no no.

1:10:08.439 --> 1:10:11.000
<v Speaker 4>I'm not saying from from Nipsey's stable. I'm just saying

1:10:11.040 --> 1:10:14.160
<v Speaker 4>how how much people take intimate moments and make it

1:10:14.320 --> 1:10:17.160
<v Speaker 4>so much of monotactical and monetize everything that.

1:10:17.680 --> 1:10:18.120
<v Speaker 2>Yeah, but I.

1:10:18.200 --> 1:10:20.439
<v Speaker 1>Understand them live streaming like Whitney Houston's funeral. We all

1:10:20.439 --> 1:10:22.920
<v Speaker 1>supported Whitney, loved her. It was all hurt by that.

1:10:23.479 --> 1:10:25.920
<v Speaker 1>We all kind of we couldn't be there physically, but

1:10:26.000 --> 1:10:27.960
<v Speaker 1>we all kind of wanted to, you know, just share

1:10:28.000 --> 1:10:29.799
<v Speaker 1>in that moment with the family and pay our respects.

1:10:29.840 --> 1:10:30.560
<v Speaker 2>So I don't get that.

1:10:30.800 --> 1:10:32.240
<v Speaker 4>I want to make clear. I'm not saying there's anything

1:10:32.240 --> 1:10:35.559
<v Speaker 4>wrong with that. I was extremely happy that they gave

1:10:35.680 --> 1:10:39.600
<v Speaker 4>Nipsey the platform after he passed that he deserved in

1:10:39.680 --> 1:10:42.200
<v Speaker 4>the Staples Center so everyone could mourn and love him

1:10:42.240 --> 1:10:45.200
<v Speaker 4>that has been affected by this whole thing. I'm just saying,

1:10:45.360 --> 1:10:48.160
<v Speaker 4>if funerals are fair game for that type of stuff,

1:10:49.200 --> 1:10:49.960
<v Speaker 4>every anything is.

1:10:50.120 --> 1:10:52.400
<v Speaker 1>In my opinion, speaking of over sharing, do you think

1:10:52.400 --> 1:10:55.760
<v Speaker 1>that it was wrong for Tracy Morgan to kind of like,

1:10:55.920 --> 1:10:57.320
<v Speaker 1>I don't know if y'all saw the yosea. The clip

1:10:57.479 --> 1:10:59.439
<v Speaker 1>said he bumped into a but a lot of people

1:10:59.439 --> 1:11:02.240
<v Speaker 1>don't know he knew that guy. The other guy was

1:11:02.280 --> 1:11:05.240
<v Speaker 1>a He was a comedian. They were both comedians coming

1:11:05.280 --> 1:11:10.600
<v Speaker 1>up in the city, and they obviously had some interaction

1:11:10.800 --> 1:11:12.759
<v Speaker 1>when they were both younger coming up on the comedy

1:11:12.800 --> 1:11:17.040
<v Speaker 1>scene that Tracy Morgan didn't forget about. And in that moment,

1:11:17.400 --> 1:11:19.200
<v Speaker 1>Tracey Morgan is coming out of the garden leaving a

1:11:19.280 --> 1:11:22.120
<v Speaker 1>nick game and he sees the guy and Tracy says, oh,

1:11:22.160 --> 1:11:27.120
<v Speaker 1>I remember you whatever whatever, and he said, don't act

1:11:27.200 --> 1:11:29.760
<v Speaker 1>like I owe you something. This Tracey mog something like that,

1:11:29.840 --> 1:11:31.479
<v Speaker 1>don't act like, don't talk to me like I owe

1:11:31.520 --> 1:11:34.759
<v Speaker 1>you something. And the dude was like, where y'all, I'm homeless,

1:11:34.960 --> 1:11:37.960
<v Speaker 1>Like you know what I'm saying, Like Tracy said, I

1:11:38.040 --> 1:11:41.880
<v Speaker 1>didn't do that. A lot of people thought that that

1:11:42.080 --> 1:11:45.880
<v Speaker 1>was a little insensitive. It was a little much Tracy

1:11:45.960 --> 1:11:49.559
<v Speaker 1>not to go that far. Y'all know, I subscribe to.

1:11:49.760 --> 1:11:50.439
<v Speaker 2>He better than me.

1:11:51.680 --> 1:11:53.920
<v Speaker 3>I'd have been like he would have say, ooh I'm homeless.

1:11:53.920 --> 1:11:56.000
<v Speaker 3>I'll say, yeah, God, don't play about me and walked away.

1:11:57.280 --> 1:11:57.560
<v Speaker 2>I'm not.

1:11:57.640 --> 1:11:59.880
<v Speaker 3>I don't give a fuck you. Once you crossed me,

1:12:00.400 --> 1:12:02.680
<v Speaker 3>maybe whatever, God, however, God punished you for that. I

1:12:02.680 --> 1:12:04.719
<v Speaker 3>don't have nothing for you. I'm walking past your cast.

1:12:05.200 --> 1:12:06.400
<v Speaker 3>Your cast get sarcastic.

1:12:06.600 --> 1:12:08.960
<v Speaker 2>I don't care. Look at I'm still sleeping. I don't.

1:12:09.000 --> 1:12:15.320
<v Speaker 2>I don't care to subscribe to that too. Yeah, me too.

1:12:18.960 --> 1:12:20.800
<v Speaker 2>I'm trying to be I'm trying to be better about

1:12:20.840 --> 1:12:23.800
<v Speaker 2>that now. I'm not working on that part of my life.

1:12:23.840 --> 1:12:26.240
<v Speaker 3>I don't know why, because I'm like, I don't know.

1:12:26.280 --> 1:12:27.840
<v Speaker 3>Most people can't say this, but I know I can't.

1:12:27.840 --> 1:12:29.639
<v Speaker 3>I'm a thorough nigga. I'm a real nigga. It depends

1:12:29.680 --> 1:12:31.679
<v Speaker 3>on what they did. I'm a good person. It depends

1:12:31.680 --> 1:12:34.320
<v Speaker 3>on what they crossed me. If you crossed me, you

1:12:34.479 --> 1:12:36.360
<v Speaker 3>were wrong. There's very few people.

1:12:36.560 --> 1:12:38.960
<v Speaker 2>But I'm also like, I know they are joking around,

1:12:39.000 --> 1:12:39.640
<v Speaker 2>but like, I'm not.

1:12:39.880 --> 1:12:42.280
<v Speaker 4>I'm not that vain or that arrogant that I think

1:12:42.360 --> 1:12:45.400
<v Speaker 4>God has punished this person to not have a home

1:12:45.479 --> 1:12:45.920
<v Speaker 4>because they.

1:12:45.920 --> 1:12:46.840
<v Speaker 2>Bullied me at one point.

1:12:46.880 --> 1:12:48.600
<v Speaker 4>I think that person probably just made some decisions that

1:12:48.680 --> 1:12:51.280
<v Speaker 4>were wrong as well as bullying me. But yeah, I

1:12:51.320 --> 1:12:54.120
<v Speaker 4>don't look at it that way. But I don't owe

1:12:54.120 --> 1:12:58.600
<v Speaker 4>you any fucking help. Yeah, I'm gonna laugh a little bit. Yeah, No,

1:12:58.680 --> 1:12:59.559
<v Speaker 4>I'm definitely gonna laugh.

1:12:59.600 --> 1:13:00.519
<v Speaker 2>I'm a a little bit.

1:13:00.520 --> 1:13:01.920
<v Speaker 1>If you did some fucked up shit to me and

1:13:02.680 --> 1:13:05.000
<v Speaker 1>we bump into each other twenty thirty years down the line,

1:13:05.040 --> 1:13:07.559
<v Speaker 1>and I'm just coming out of the garden, leaving courtside

1:13:07.640 --> 1:13:10.000
<v Speaker 1>seats at a nick game, and you outside the garden

1:13:10.040 --> 1:13:12.960
<v Speaker 1>begging for peanut butter and jelly sandwich. Sorry, yeah, i'mnna

1:13:13.000 --> 1:13:14.960
<v Speaker 1>laugh at you. I'mo get your dusty ass out of

1:13:15.080 --> 1:13:15.599
<v Speaker 1>you stink.

1:13:16.320 --> 1:13:19.000
<v Speaker 2>I'm that. Yeah, I'm him. I'm sorry now. Actually I'm not.

1:13:20.160 --> 1:13:23.880
<v Speaker 1>If somebody if something, only again, only if somebody did

1:13:24.000 --> 1:13:26.160
<v Speaker 1>some really foul shit to disappointed life.

1:13:26.320 --> 1:13:28.840
<v Speaker 4>I mean, I think like Michael B. Jordan handled a

1:13:28.880 --> 1:13:31.439
<v Speaker 4>situation like that and shout out to Lauria. I fuck

1:13:31.479 --> 1:13:33.559
<v Speaker 4>with Lauria heavy friend.

1:13:33.360 --> 1:13:33.720
<v Speaker 2>Of the show.

1:13:34.200 --> 1:13:36.880
<v Speaker 4>But they went to high school together, and I don't

1:13:36.920 --> 1:13:38.800
<v Speaker 4>know the real story. We didn't go to high school together,

1:13:39.280 --> 1:13:40.599
<v Speaker 4>but she was on the red carpet.

1:13:40.680 --> 1:13:40.960
<v Speaker 2>Michael B.

1:13:41.080 --> 1:13:42.000
<v Speaker 4>Jordans came up.

1:13:42.960 --> 1:13:44.760
<v Speaker 1>It was like he was a gentleman about it, though,

1:13:44.760 --> 1:13:46.080
<v Speaker 1>because he could have. He could have walked away and

1:13:46.160 --> 1:13:48.439
<v Speaker 1>not did the interview. He just let her know, like, yeah,

1:13:48.439 --> 1:13:50.240
<v Speaker 1>I remember you. You know what I'm saying.

1:13:50.240 --> 1:13:52.479
<v Speaker 2>It's still like, yo, I didn't forget that, but now

1:13:52.560 --> 1:13:54.840
<v Speaker 2>look at now you want to talk to me now.

1:13:54.800 --> 1:13:56.639
<v Speaker 1>Coming up the red car. We want this interview because

1:13:56.640 --> 1:13:58.160
<v Speaker 1>you're gonna be lit. You know what I'm saying. It

1:13:58.240 --> 1:14:00.439
<v Speaker 1>just sometimes life has just show you like, Okay, he

1:14:00.640 --> 1:14:02.479
<v Speaker 1>was just letting Lareo know, I remembered you.

1:14:02.840 --> 1:14:04.160
<v Speaker 2>I didn't forget I heard what you said.

1:14:05.040 --> 1:14:07.880
<v Speaker 4>But also, like where the healing process where I say,

1:14:07.880 --> 1:14:10.240
<v Speaker 4>I'm trying to change on some of that with the

1:14:10.280 --> 1:14:12.080
<v Speaker 4>Tracy Morgan situation or with Michael B.

1:14:12.160 --> 1:14:12.439
<v Speaker 2>Jordan.

1:14:13.000 --> 1:14:15.240
<v Speaker 4>You also have to be self aware enough that you

1:14:15.360 --> 1:14:17.559
<v Speaker 4>went to high school named Michael Jordan. You didn't think

1:14:17.560 --> 1:14:19.840
<v Speaker 4>people were gonna like kids, weren't going to make jokes.

1:14:20.800 --> 1:14:22.000
<v Speaker 2>You wanted to be an actor.

1:14:23.400 --> 1:14:28.679
<v Speaker 4>Again. But it was things like that school student ship though. Yeah,

1:14:28.880 --> 1:14:32.800
<v Speaker 4>of course, but I'm not saying he owes her sit down.

1:14:32.840 --> 1:14:34.880
<v Speaker 4>He can walk right back. Everything he did was fine.

1:14:35.320 --> 1:14:37.040
<v Speaker 4>But I also am on the side of like we

1:14:37.160 --> 1:14:39.679
<v Speaker 4>do need to give kids. I did a lot of ship.

1:14:39.760 --> 1:14:42.240
<v Speaker 4>I'm not proud of as a kid, or I was

1:14:43.200 --> 1:14:46.160
<v Speaker 4>on some follow the leader type ship. Sometimes bullying people

1:14:46.320 --> 1:14:49.720
<v Speaker 4>like kids, sometimes we just don't know what we're doing

1:14:50.080 --> 1:14:53.439
<v Speaker 4>kids is different. Yeah, I'm not even pure pressure per se.

1:14:53.520 --> 1:14:56.600
<v Speaker 4>But yeah, there's things I did as a kid that

1:14:56.640 --> 1:14:58.439
<v Speaker 4>I'm not proud of. And if I saw that person,

1:14:59.840 --> 1:15:03.439
<v Speaker 4>I probably you don't give some great if we were kids, man, Yeah,

1:15:04.120 --> 1:15:05.320
<v Speaker 4>but but.

1:15:05.360 --> 1:15:07.360
<v Speaker 2>I was a kid too, and I wasn't doing that. Yep,

1:15:08.000 --> 1:15:09.320
<v Speaker 2>I wasn't. I wasn't you know what I mean. I

1:15:09.439 --> 1:15:10.000
<v Speaker 2>wasn't the bully.

1:15:10.080 --> 1:15:12.439
<v Speaker 4>I wasn't like, you know, like lowing that kids that

1:15:12.560 --> 1:15:15.960
<v Speaker 4>everybody didn't have your family structure.

1:15:16.040 --> 1:15:17.000
<v Speaker 2>Mom understand that.

1:15:17.280 --> 1:15:19.000
<v Speaker 1>So which is why it's cool, Like I still do

1:15:19.080 --> 1:15:20.559
<v Speaker 1>the interview, but I'm gonna let you know, like, oh, yeah,

1:15:20.560 --> 1:15:22.120
<v Speaker 1>I remember you in high school.

1:15:22.200 --> 1:15:23.840
<v Speaker 2>Yeah, he was calling me corny and all the year

1:15:23.840 --> 1:15:24.320
<v Speaker 2>I remember.

1:15:24.880 --> 1:15:26.320
<v Speaker 1>I'm not gonna walk away and not give you the

1:15:26.400 --> 1:15:28.160
<v Speaker 1>interview because it's not I'm not you know, I'm not

1:15:28.200 --> 1:15:30.960
<v Speaker 1>petty about it. I'm not upset about it. I'm gonna

1:15:31.040 --> 1:15:33.160
<v Speaker 1>let you know that I didn't forget though, you know

1:15:33.200 --> 1:15:34.800
<v Speaker 1>what I'm saying, that's when we talked I could be

1:15:34.840 --> 1:15:39.439
<v Speaker 1>handled it per Tracy Morgan situation was a little different

1:15:39.840 --> 1:15:43.120
<v Speaker 1>whatever happened between him and homie. Tracy Morgan is never

1:15:43.200 --> 1:15:46.799
<v Speaker 1>letting that go. Like whatever that dude did, Tracy Mrgan

1:15:46.880 --> 1:15:48.640
<v Speaker 1>is making it clear like, yo, I didn't do that

1:15:48.720 --> 1:15:50.200
<v Speaker 1>to you. You know what I'm saying, And now I

1:15:50.200 --> 1:15:53.679
<v Speaker 1>don't got no change to you. I can't help you out. Nah,

1:15:54.120 --> 1:15:58.960
<v Speaker 1>I'm cool. I understand that. And people shouldn't expect Tracy

1:15:59.040 --> 1:16:00.720
<v Speaker 1>Morgan hands that are not you could have because I

1:16:00.760 --> 1:16:02.800
<v Speaker 1>see people. Nah, Tracey could have gave him something though,

1:16:03.680 --> 1:16:07.360
<v Speaker 1>but he or he didn't have to. It's that part

1:16:07.400 --> 1:16:09.280
<v Speaker 1>of it too, like and he didn't have to like

1:16:09.600 --> 1:16:11.679
<v Speaker 1>he's he's he's on the right. He can do whatever

1:16:11.720 --> 1:16:13.200
<v Speaker 1>he wants to do. I can either help this dude

1:16:13.200 --> 1:16:15.040
<v Speaker 1>out even though he did some waxtion to me when

1:16:15.080 --> 1:16:17.639
<v Speaker 1>we were both coming up with both young comics coming

1:16:17.680 --> 1:16:20.400
<v Speaker 1>up in New York City, or now that my life

1:16:20.479 --> 1:16:22.719
<v Speaker 1>is I'm mad where I'm at and he's, you know, down.

1:16:22.600 --> 1:16:24.439
<v Speaker 2>On his luck. I don't have to be there to

1:16:24.520 --> 1:16:24.880
<v Speaker 2>help him.

1:16:25.000 --> 1:16:28.280
<v Speaker 3>I'm not obligated to give money to bums who didn't

1:16:28.320 --> 1:16:29.240
<v Speaker 3>do fucked up shit to me.

1:16:29.320 --> 1:16:31.680
<v Speaker 2>I'm not obligated to give money to people in my

1:16:31.800 --> 1:16:33.559
<v Speaker 2>life that I love who didn't do fucked up shit.

1:16:33.600 --> 1:16:36.200
<v Speaker 3>I'm not obligated to give shit to know fuckingbody. So

1:16:36.360 --> 1:16:38.320
<v Speaker 3>for you to have the audacity or you could have

1:16:38.360 --> 1:16:40.280
<v Speaker 3>gave him something. Why do other people always try to

1:16:40.320 --> 1:16:41.280
<v Speaker 3>hand out other people money?

1:16:41.479 --> 1:16:45.479
<v Speaker 1>You give him some money, they love doing that, They

1:16:45.720 --> 1:16:48.600
<v Speaker 1>love spending your money. Nah, you could have get And

1:16:48.680 --> 1:16:51.639
<v Speaker 1>then here's here's the craziest part about that whole thing.

1:16:51.960 --> 1:16:54.479
<v Speaker 1>Tracy Morgan could have gave him one hundred dollars bill

1:16:54.479 --> 1:16:55.799
<v Speaker 1>out of his pocket somebody.

1:16:56.120 --> 1:16:59.240
<v Speaker 2>That's all he gave him. That's why you can't even

1:16:59.320 --> 1:17:03.080
<v Speaker 2>fall into that, because what's enough Tracey supposed to buy

1:17:03.120 --> 1:17:05.840
<v Speaker 2>this nigga house? You know what I'm saying, Like, Yo,

1:17:05.920 --> 1:17:08.479
<v Speaker 2>he could have he could have moved him in. What

1:17:09.600 --> 1:17:10.599
<v Speaker 2>move that your crib?

1:17:10.760 --> 1:17:10.960
<v Speaker 4>Yeah?

1:17:11.080 --> 1:17:13.479
<v Speaker 2>Like you got you got every Adams was asking us

1:17:13.520 --> 1:17:17.320
<v Speaker 2>to do during COVID. If you have room migrants, you're

1:17:17.320 --> 1:17:19.639
<v Speaker 2>gonna move a migrant in with pay you that Walmart

1:17:19.680 --> 1:17:20.880
<v Speaker 2>truck hit me, not you?

1:17:21.120 --> 1:17:23.439
<v Speaker 1>Yeah, what are you talking about? Like, Nah, I'm not

1:17:23.520 --> 1:17:24.880
<v Speaker 1>doing it. But that's what I'm saying. You have to

1:17:24.920 --> 1:17:28.080
<v Speaker 1>be careful because in Tracy Morgan's position. Even if he

1:17:28.360 --> 1:17:31.360
<v Speaker 1>pulled money out of his pocket and gave him HOMEI something,

1:17:31.400 --> 1:17:33.760
<v Speaker 1>it would have been people still saying that's all he

1:17:33.880 --> 1:17:34.280
<v Speaker 1>gave him.

1:17:36.280 --> 1:17:37.360
<v Speaker 2>Yeah, you can't, you can't, man.

1:17:37.439 --> 1:17:39.000
<v Speaker 1>So I mean, I understand that you you do me

1:17:39.080 --> 1:17:42.000
<v Speaker 1>dirty on the come up, and you know I've become

1:17:42.080 --> 1:17:44.760
<v Speaker 1>successful and I'm lit, and I see years later you

1:17:44.880 --> 1:17:47.000
<v Speaker 1>down on your luck, Bri, I ain't got enough for you.

1:17:47.240 --> 1:17:48.920
<v Speaker 3>And whether even if you don't know that, I know

1:17:49.000 --> 1:17:50.320
<v Speaker 3>that you just a fucked up shit like it's some

1:17:50.360 --> 1:17:53.439
<v Speaker 3>people back in my hometown. Then I have some hashit

1:17:53.520 --> 1:17:55.400
<v Speaker 3>to say the Marris thinks she all that, Themeris thinks

1:17:55.400 --> 1:17:58.120
<v Speaker 3>she is that, I hear about shit like that. And

1:17:58.200 --> 1:17:59.960
<v Speaker 3>then when I go to town, I don't speak. It's like,

1:18:00.120 --> 1:18:03.880
<v Speaker 3>see I was right. It's like nahr, I don't got

1:18:04.000 --> 1:18:05.160
<v Speaker 3>to let you know that I know.

1:18:05.200 --> 1:18:07.560
<v Speaker 2>What you said. You just blow dick. It's not my

1:18:07.640 --> 1:18:08.479
<v Speaker 2>way that can blow my minds.

1:18:08.760 --> 1:18:15.920
<v Speaker 4>So but I say all that healthy ship to say

1:18:15.960 --> 1:18:17.720
<v Speaker 4>that no I'm down telling you to suck dick.

1:18:18.280 --> 1:18:20.280
<v Speaker 2>I'm not. It's help, I'm not healed. It's healthy.

1:18:20.960 --> 1:18:22.920
<v Speaker 1>Every day I think somebody, we should all be able

1:18:22.960 --> 1:18:26.479
<v Speaker 1>to yell outside suck my dick at some point every day.

1:18:26.479 --> 1:18:28.160
<v Speaker 2>I think that will leave a lot of stress.

1:18:28.320 --> 1:18:31.120
<v Speaker 4>And the arrogance bothers me even more. That's what really

1:18:31.160 --> 1:18:32.800
<v Speaker 4>boils my blood. And somebody coming back like.

1:18:32.800 --> 1:18:34.200
<v Speaker 2>Do you not remember what the funk you did to me?

1:18:35.000 --> 1:18:36.920
<v Speaker 2>I can't wait? Wat your fucking mind? Oh?

1:18:36.960 --> 1:18:38.280
<v Speaker 1>I can't wait to see some of the niggas. I

1:18:38.320 --> 1:18:40.679
<v Speaker 1>went to high school with niggas. Ain't got no teeth,

1:18:41.439 --> 1:18:44.280
<v Speaker 1>I can't. I'm waiting for the next reunion. I'm cutting ass.

1:18:45.680 --> 1:18:46.719
<v Speaker 1>You look, you look crazy.

1:18:46.800 --> 1:18:50.639
<v Speaker 4>I'm you're not going what would be your next reunion?

1:18:50.800 --> 1:18:51.600
<v Speaker 2>Not to try to aid you?

1:18:52.000 --> 1:18:56.160
<v Speaker 4>Uh, that's gonna be there. No, No, I'm actually because

1:18:56.160 --> 1:19:00.280
<v Speaker 4>I'm coming ship. It would be plus one and three years,

1:19:01.040 --> 1:19:02.519
<v Speaker 4>which would be how many years?

1:19:02.800 --> 1:19:04.400
<v Speaker 2>Twenty tweeny nine, thirty years?

1:19:05.880 --> 1:19:08.760
<v Speaker 4>I'm two thousand and eight in high school thirty years ago,

1:19:08.880 --> 1:19:12.559
<v Speaker 4>got day twenty twenty twenty six minus two thousand and eight.

1:19:12.920 --> 1:19:14.840
<v Speaker 2>Oh my, I got all my hair on my teeth though, baby,

1:19:14.880 --> 1:19:18.439
<v Speaker 2>do you stay? Said it's still? Get up? Oh my?

1:19:18.760 --> 1:19:20.720
<v Speaker 2>Who said that? Baby? Do Who's day? You want me

1:19:20.760 --> 1:19:23.040
<v Speaker 2>to business? No? No? No, but who whose day? Who

1:19:23.080 --> 1:19:23.360
<v Speaker 2>said it?

1:19:23.439 --> 1:19:23.599
<v Speaker 3>Still?

1:19:24.000 --> 1:19:25.840
<v Speaker 2>That's to overshare like a celebrity. They said that.

1:19:29.160 --> 1:19:32.680
<v Speaker 4>I'm two years away from my twentieth eighteen this year

1:19:34.400 --> 1:19:36.679
<v Speaker 4>when yours baby d my tenth just passed.

1:19:36.760 --> 1:19:39.640
<v Speaker 1>Y'all old, Okay, so ten we ain't, but twenty you

1:19:39.680 --> 1:19:43.479
<v Speaker 1>can three years away for thirty. How tenth just passing

1:19:43.520 --> 1:19:44.439
<v Speaker 1>your twentyeth it's coming up.

1:19:44.520 --> 1:19:45.000
<v Speaker 2>She's lying.

1:19:48.000 --> 1:19:51.720
<v Speaker 3>I'ment out of high school for It'll be fifteen years

1:19:51.800 --> 1:19:52.160
<v Speaker 3>this year.

1:19:52.840 --> 1:19:56.120
<v Speaker 2>Okay. Yeah, that's a good number. Fifteen anniversary.

1:19:56.120 --> 1:19:57.760
<v Speaker 3>And that's because I graduated a year early, so it

1:19:57.760 --> 1:19:59.479
<v Speaker 3>would have been fourteen years this year.

1:19:59.600 --> 1:20:03.479
<v Speaker 2>So damn. I drove past my high school the other day. Yeah.

1:20:04.000 --> 1:20:07.040
<v Speaker 1>Yeah, it's close to my barbershop, and I was just laughing, like, damn,

1:20:07.640 --> 1:20:11.880
<v Speaker 1>neighborhood changed, boy when I was in school, so that

1:20:11.960 --> 1:20:15.040
<v Speaker 1>neighborhood I used to yo, y'all don't understand. I literally

1:20:15.080 --> 1:20:19.360
<v Speaker 1>had to step over like sleeping heroin addicts, Like, y'all's

1:20:19.560 --> 1:20:20.120
<v Speaker 1>not awake.

1:20:21.040 --> 1:20:23.760
<v Speaker 2>It's crazy. No, it's like brown store. It's beautiful. Now.

1:20:24.080 --> 1:20:26.280
<v Speaker 2>Look the cosmes live on this show. I'm like, this

1:20:26.400 --> 1:20:32.519
<v Speaker 2>is beautiful gentrification. I love it. Bring them in. They

1:20:32.680 --> 1:20:34.479
<v Speaker 2>jogging in the morning down the blog. I'm like, they

1:20:34.600 --> 1:20:36.960
<v Speaker 2>was never doing this in ninety eight. Are you crazy?

1:20:37.080 --> 1:20:41.040
<v Speaker 3>I got invited to speak out of high school career day.

1:20:41.680 --> 1:20:42.880
<v Speaker 2>To speak out of high school.

1:20:43.560 --> 1:20:45.840
<v Speaker 3>Now, I'm going, Well, they wanted you guys to go,

1:20:45.920 --> 1:20:48.280
<v Speaker 3>but y'all are a hard ticket to get. Where is

1:20:48.360 --> 1:20:52.479
<v Speaker 3>it high school? Like it's expensive? I just mean, like

1:20:52.560 --> 1:20:57.000
<v Speaker 3>time wise, it's in Brooklyn and Brooklyn I'm going, I'm

1:20:57.080 --> 1:20:59.439
<v Speaker 3>going if y'all are really down, I'll put y'all in touch.

1:20:59.479 --> 1:21:01.920
<v Speaker 3>But I don't want y'all to say y'all going in y'all.

1:21:01.880 --> 1:21:03.120
<v Speaker 4>I've done that with college stuff.

1:21:03.120 --> 1:21:05.360
<v Speaker 2>I just don't like like promoted or hold on, hold on,

1:21:05.439 --> 1:21:07.400
<v Speaker 2>because this is a very important question. What kind of

1:21:07.479 --> 1:21:10.040
<v Speaker 2>high school is this? Is this a public high school?

1:21:10.120 --> 1:21:12.720
<v Speaker 2>I think so I ain't going them niggas is disrespectful

1:21:13.360 --> 1:21:15.160
<v Speaker 2>them little public school niggas, y'all nigga.

1:21:17.880 --> 1:21:21.320
<v Speaker 4>I will say I did a high school thing with Uh,

1:21:22.520 --> 1:21:24.759
<v Speaker 4>me and and Cam did something back when the Poluza

1:21:24.840 --> 1:21:26.840
<v Speaker 4>days at the high school Vince Staples went to in

1:21:26.920 --> 1:21:31.000
<v Speaker 4>Long Beach, Cam's and now wife uh was a teacher there,

1:21:31.439 --> 1:21:33.240
<v Speaker 4>and we did we did a whole presentation of how

1:21:33.280 --> 1:21:36.479
<v Speaker 4>you can start events and everything. I was petrified being

1:21:36.520 --> 1:21:39.080
<v Speaker 4>in North Long Beach. I was like, these kids not

1:21:39.160 --> 1:21:42.800
<v Speaker 4>going like that. They gonna kill us up there, like

1:21:42.840 --> 1:21:44.320
<v Speaker 4>we're talking about something that I don't even think they

1:21:44.400 --> 1:21:49.280
<v Speaker 4>interested in. They were the coolest fucking kids ever, super inquisitive,

1:21:49.400 --> 1:21:51.800
<v Speaker 4>like we we kicked it way longer than we should

1:21:51.800 --> 1:21:54.680
<v Speaker 4>have been there. Like listen, man, the youth isn't as

1:21:54.720 --> 1:21:57.479
<v Speaker 4>bad as we think they are. I promise here in Brooklyn, Oh.

1:21:57.439 --> 1:22:01.160
<v Speaker 3>It's not high school, it's long Beach, it's kindergarten.

1:22:00.760 --> 1:22:03.520
<v Speaker 2>Through fourth grade. I'm there. I funk with the kindergarteners.

1:22:04.160 --> 1:22:05.960
<v Speaker 2>Don't sit me in front of no niggas in eleventh

1:22:05.960 --> 1:22:07.519
<v Speaker 2>and twelfth grade, told them niggas where they know? What

1:22:07.640 --> 1:22:11.719
<v Speaker 2>are they want to about career? That h fourth graders?

1:22:12.160 --> 1:22:14.599
<v Speaker 4>Yeah that's when early, but they.

1:22:14.880 --> 1:22:17.559
<v Speaker 3>They focused on I don't think that's Yeah, you start

1:22:17.600 --> 1:22:19.320
<v Speaker 3>figuring out what you want to do with your life,

1:22:19.479 --> 1:22:20.000
<v Speaker 3>like and like.

1:22:20.200 --> 1:22:22.840
<v Speaker 2>Get the fuck out. Are y'all y'all are not? Are

1:22:22.880 --> 1:22:26.599
<v Speaker 2>y'all not gonna listen to y' y'all don't remember being kids?

1:22:26.640 --> 1:22:30.280
<v Speaker 2>When you were a kid, and okay, I don't remember

1:22:30.320 --> 1:22:31.200
<v Speaker 2>nothing in kindergarten.

1:22:31.360 --> 1:22:33.800
<v Speaker 3>When you were a kid, people asked you all the time,

1:22:33.880 --> 1:22:35.960
<v Speaker 3>what you wanted to be. I remember what I wanted

1:22:36.040 --> 1:22:38.880
<v Speaker 3>to be when and what I wanted to say. Boy

1:22:39.160 --> 1:22:40.559
<v Speaker 3>Ninja said, I want to be a Ninja.

1:22:41.200 --> 1:22:43.719
<v Speaker 1>I was like seven years old. I don't know about

1:22:43.720 --> 1:22:46.240
<v Speaker 1>anything else, Ninja. That's what I gave him the kinnergarden,

1:22:46.240 --> 1:22:46.920
<v Speaker 1>I want to be a ninja?

1:22:48.280 --> 1:22:52.760
<v Speaker 2>Really? Yes, Okay, what do you asks in kindergarten? What

1:22:52.840 --> 1:22:54.439
<v Speaker 2>do the dames? I say, well, I would love to

1:22:54.479 --> 1:22:57.960
<v Speaker 2>study law at Harvard and no, but they said some

1:22:58.080 --> 1:23:01.120
<v Speaker 2>of them to say doctor, some say yeah, they don't.

1:23:00.960 --> 1:23:04.440
<v Speaker 1>Give you that veterinarian firefighters.

1:23:04.520 --> 1:23:06.519
<v Speaker 3>I wanted to be a place Christian when I was

1:23:06.600 --> 1:23:09.600
<v Speaker 3>and then it switched to psychology and that followed me

1:23:09.680 --> 1:23:10.400
<v Speaker 3>up until college.

1:23:10.479 --> 1:23:13.680
<v Speaker 2>Like these things do stick with kids. But I do

1:23:13.800 --> 1:23:15.400
<v Speaker 2>they ask you what you want to be in kindergarten?

1:23:15.400 --> 1:23:15.679
<v Speaker 2>For sure?

1:23:15.760 --> 1:23:17.280
<v Speaker 3>Yeah, I do think at an early age they said

1:23:17.320 --> 1:23:19.400
<v Speaker 3>kindergarten through fourth grade. I do think at an early

1:23:19.520 --> 1:23:23.720
<v Speaker 3>age kids should be introduced to other avenues. Like you

1:23:23.800 --> 1:23:25.880
<v Speaker 3>think these kids don't know what content creators are and

1:23:25.960 --> 1:23:28.840
<v Speaker 3>podcasters fourth grade, they definitely.

1:23:28.520 --> 1:23:29.280
<v Speaker 2>They definitely do now.

1:23:29.560 --> 1:23:31.280
<v Speaker 1>So I don't know if they know if it was

1:23:31.320 --> 1:23:34.200
<v Speaker 1>a constant grade, is not that how old is fourth grade?

1:23:34.240 --> 1:23:36.040
<v Speaker 1>Is fourth grade is eight?

1:23:36.200 --> 1:23:40.559
<v Speaker 3>I think yeah, nine nine nine. A nine year old

1:23:40.640 --> 1:23:43.800
<v Speaker 3>is not that young. No, that's why I was age nine.

1:23:43.840 --> 1:23:48.280
<v Speaker 4>And he's definitely watching the Content creators like he wants

1:23:48.360 --> 1:23:49.439
<v Speaker 4>his PC.

1:23:49.400 --> 1:23:52.800
<v Speaker 3>Now, he wants starting youtubes at at fucking six seven

1:23:52.840 --> 1:23:54.840
<v Speaker 3>years old. Their parents are starting youtubes like this is

1:23:55.120 --> 1:23:56.800
<v Speaker 3>it's not too early, not even close.

1:23:56.960 --> 1:23:59.519
<v Speaker 4>And even before my barber, my whole life moved down

1:23:59.520 --> 1:24:01.240
<v Speaker 4>North Carolin. He's come to my house and I had

1:24:01.280 --> 1:24:04.320
<v Speaker 4>our our YouTube, the Plaque ship up and he brought

1:24:04.320 --> 1:24:07.280
<v Speaker 4>his son that was probably in fifth, fifth or sixth grade,

1:24:07.800 --> 1:24:11.200
<v Speaker 4>and he was like looking at that ship like it

1:24:11.320 --> 1:24:14.479
<v Speaker 4>was God. He was like, yo, dad, he's a YouTuber.

1:24:15.160 --> 1:24:17.120
<v Speaker 4>And my barber look at me like the fuck what

1:24:17.280 --> 1:24:21.360
<v Speaker 4>that means? Like why is my son acting like this?

1:24:21.479 --> 1:24:23.240
<v Speaker 2>I'll do that though, I'm down to do that. I'm

1:24:23.280 --> 1:24:23.800
<v Speaker 2>down and told you.

1:24:23.880 --> 1:24:25.960
<v Speaker 3>Some kids, Well let me know that I have the date.

1:24:26.000 --> 1:24:27.639
<v Speaker 3>I'll tell you what the date is. But yeah, I'm

1:24:27.680 --> 1:24:30.639
<v Speaker 3>gonna go. I'm excited. Yeah, I do want to start

1:24:30.680 --> 1:24:32.000
<v Speaker 3>mentoring young girls.

1:24:32.160 --> 1:24:35.920
<v Speaker 4>What we also could do with their parents' permission, not

1:24:36.000 --> 1:24:37.880
<v Speaker 4>anything that we would put out, but we could do

1:24:38.120 --> 1:24:40.200
<v Speaker 4>like we could bring mics and like do an episode

1:24:40.280 --> 1:24:42.400
<v Speaker 4>with them that they could keep. Yeah, that could be

1:24:42.479 --> 1:24:44.880
<v Speaker 4>kind of cool, Like put two kids just bring the

1:24:44.960 --> 1:24:47.720
<v Speaker 4>mics in one camera. That would be cute and they

1:24:47.760 --> 1:24:50.200
<v Speaker 4>could do their own that that I think would be got.

1:24:50.439 --> 1:24:51.920
<v Speaker 2>But we got to ask the hard hidden questions.

1:24:53.280 --> 1:24:57.240
<v Speaker 4>We got to ask kinder juice, orange juice, Palestine, Israel,

1:25:01.400 --> 1:25:02.640
<v Speaker 4>depends which Brooklyn.

1:25:02.400 --> 1:25:06.080
<v Speaker 2>School it is. Now with Tothy, y'all soon be saved,

1:25:06.160 --> 1:25:08.360
<v Speaker 2>be blessed. I'm that nigga, he's just ginger peace.

1:25:08.880 --> 1:25:08.920
<v Speaker 4>No,