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Speaker 1: No, showed the marriage, good ambiance and a nice lighting.

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Speaker 2: What that means.

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Speaker 1: That means all nigg got to do is take you

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Speaker 1: out to a nice spot and you're just going what

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Speaker 1: everything you said you ain't gonna do.

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Speaker 2: That's a lie.

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Speaker 3: That's a lot and a lot of niggas. That took

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Speaker 3: me to a lot of nice spots. And he can't

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Speaker 3: ain't couldn't sniff my draws at it to night. I

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Speaker 3: mean you got the wrong Oh what you mean, Oh

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Speaker 3: for me to drink? Oh, you don't take much. But

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Speaker 3: she went right to because I thought she was. I

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Speaker 3: thought she was talking about something else. So what the

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Speaker 3: fuck is you talking about? Oh yeah, you're talking about

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Speaker 3: to get me to drink.

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Speaker 2: Oh it was take much, thank you baby. Right amount

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Speaker 2: of light that's all I was talking about. It's all

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Speaker 2: I was talking about, the right amount of lightning. Baby.

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Speaker 2: Do you prefer to be like mute, like dark lighting,

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Speaker 2: or like you like a light lighting on a date? Yeah?

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Speaker 2: I like I like really low kill the flicker, like

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Speaker 2: the flicker.

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Speaker 3: Flicker of the light, like them off to a flame,

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Speaker 3: burned by the fire.

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Speaker 1: We're back Sponsored by Boost Mobile Unlimited Texting and Janet

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Speaker 1: Jack Janet Jackson fairly.

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Speaker 2: Just because I'm not I'm not doing this for baby Jane.

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Speaker 4: Kind of a with that poetry, though, yeo, I'll never

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Speaker 4: forget that video. So as long as I live gives

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Speaker 4: you two, you don't need to forget. And Janet had

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Speaker 4: her stomach out.

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Speaker 2: My love is blind. I don't even know, y'all was

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Speaker 2: too young, ya, don't, y'all don't know how that? Really?

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Speaker 2: I wasn't born. Yeah, you wasn't born when that video

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Speaker 2: came out. Damn. I feel you wasn't born. You weren't

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Speaker 2: even on this earth yet. Damn swinging in a sack.

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Speaker 2: That is baby, That is wild.

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Speaker 3: It came out the year I was born, so I

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Speaker 3: don't think I was born yet.

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Speaker 2: He was on your way though. It spawned me, It

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Speaker 2: literally spawned me.

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Speaker 1: Hey, I could believe that everybody was humping to that.

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Speaker 1: Oh doom, doom, doom, doom.

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Speaker 2: Oh my god, y'all, don't Janet.

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Speaker 3: That Janet y'all released actually was released April nineteen ninety three,

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Speaker 3: the year before I was born, A year before I

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Speaker 3: was born.

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Speaker 4: My damn, have they ever done a Janet tribute?

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Speaker 2: Of course they have? Who called me from Ghana? From Ghana.

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Speaker 1: Oh they got your scam, got your daughter. That's why

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Speaker 1: you gotta get Booze. That would never happen. That would

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Speaker 1: never happen. If you have a Boo's baby, they can

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Speaker 1: never get your data.

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Speaker 4: See all right, since you're like the biggest Janet sting,

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Speaker 4: I know who'd you want in the Janet tribute? Who

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Speaker 4: are worthy? Because that one's tough too. They've had Janet

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Speaker 4: tributes though, yeah, I think they. If I remember.

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Speaker 1: One's child doing one, I think it was was of

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Speaker 1: course worthy. Was it the Hall of Rock and Roll

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Speaker 1: Hall of Fame or forget? I think it was one

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Speaker 1: of those which which record.

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Speaker 3: Usher pink in Maya. I remember that one. I like

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Speaker 3: that list that was the Icon two thousand and one

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Speaker 3: Usher pink in Maya.

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Speaker 2: Which one was Destiny's child?

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Speaker 1: Let me say, because they definitely they definitely did a

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Speaker 1: tribute to uh Beyonce one year, I mean to Janet

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Speaker 1: one year.

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Speaker 2: You know how well they.

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Speaker 3: It was the two thousand and one, It was the Icon,

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Speaker 3: it was Icon one. They sung less wait a while, Okay, yep,

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Speaker 3: that was a thousand and one that was m TV yep, okay,

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Speaker 3: I my perfect Janet Jackson tribute would be Sierra, Victoria, Monet,

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Speaker 3: Tianna Taylor.

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Speaker 2: You're talking about like all the Janet's daughters, Yeah.

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Speaker 3: Her kids basically, Yeah, but I'm trying to taking.

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Speaker 4: Her attribute to Janet would be fire.

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Speaker 2: She would go crazy. That would be amazing.

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Speaker 4: She would go crazy. Oh yeah, Tiana would That makes

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Speaker 4: so much sense? Yeah, I like Victoria there which which

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Speaker 4: which other girlies are really good at dancing?

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Speaker 2: Like the way Victoria money. I don't give her props.

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Speaker 3: Nash, Yeah, I don't give thee about about They said

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Speaker 3: Tash the only I retweeted the tweet I said, Tanashi is.

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Speaker 2: The only be your Chris Brown is crazy, Like she's

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Speaker 2: the only.

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Speaker 3: Light skinned girl to not to not benefit from like

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Speaker 3: light skin privilege, like what icon like what a truance setter?

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Speaker 1: Like she's not that ain't true, it's way it's a

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Speaker 1: whole bunch of license girls that ain't.

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Speaker 2: But she's like actually talented. It's just it never stuck.

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Speaker 2: I don't know why. I don't know. I can't. I

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Speaker 2: can't figure that one out because.

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Speaker 4: They tried to make her so many different pop girls,

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Speaker 4: like when one song didn't work, she never had a

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Speaker 4: real identity, like no one could really. I feel like, uh,

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Speaker 4: connect to who she was, like the way you can

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Speaker 4: with Rihanna, et cetera. Like they just tried a bunch

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Speaker 4: of different sounds and like fill in blank here pop star.

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Speaker 4: I just don't think it ever because they gave her

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Speaker 4: every shot you could have, and no.

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Speaker 2: Everyone was just like, nah, we're cool. Doom Doom ship.

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Speaker 2: Have you guys seen the Michael trailer? Yes? Yeah, didn't

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Speaker 2: we talk about that.

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Speaker 4: I'm pretty sure the first might not have been here

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Speaker 4: ye at work. No, I am excited for that. But anyways,

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Speaker 4: we are back, and I do want to give you

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Speaker 4: guys a health update if I drop dead. I've had

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Speaker 4: vertigo since Saturday morning and it has not gone away.

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Speaker 4: I'm going to go to the doctor on Friday. Oh

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Speaker 4: you got to sleep with your left leg hanging off

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Speaker 4: the bed. It's your left leg, I think.

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Speaker 1: Right, Oh, you're being for real. Yeah, look it up,

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Speaker 1: well for real, because it's just your balances, like you know,

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Speaker 1: I mean, that's all it is. I think I've never

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Speaker 1: had hanging off the bed or something like that.

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Speaker 4: I've never had vertigo before in my life, and it's

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Speaker 4: it's it's been constant for the last few days.

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Speaker 1: Vertigo can be managed by resting in a dark choir

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Speaker 1: that Rory can't do that dark quiet room and avoiding

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Speaker 1: sudden head movements or bending over keyringies include apptly maneuver,

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Speaker 1: repositioning crystals in the ear, staying hydrated, reducing stress, and

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Speaker 1: limiting alcohol.

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Speaker 2: Oh there you go, stressing alcohol tc and get rid

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Speaker 2: of those two things.

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Speaker 1: Lie down, Lie down immediately when dizzy preforeally in dark

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Speaker 1: choir room, produces avoid wrapping head movements positions. Sleep with

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Speaker 1: your head slightly raised on two more pillows. Okay, yeah,

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Speaker 1: it's you can definitely like, you can definitely get rid

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Speaker 1: of that.

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Speaker 4: But I'm proud of myself for admitting it out loud

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Speaker 4: because I wanted to tell people. But I don't know

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Speaker 4: why my insecurities make me feel goofd like vertigo, Like, yeah,

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Speaker 4: I got vertigo.

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Speaker 2: That's mad gay, Like why you ain't not balance loose

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Speaker 2: walking as oh, wobbly neck ass, like you can't even

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Speaker 2: keep your head ro man.

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Speaker 4: Complaining his balance he dizzy over his son, dish like

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Speaker 4: I feel like that, that's that's a valid for a

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Speaker 4: girl to have, Like if your man told you he

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Speaker 4: had vertigo.

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Speaker 2: Like get away. You can't. How do you gonna leave me?

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Speaker 2: You don't even know what direction you walking in?

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Speaker 1: Like you can't even you're not even balanced in your life,

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Speaker 1: Like how you know I'm saying, how you're gonna be

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Speaker 1: balancing this relationship?

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Speaker 2: Like, but how long you had it? Two days?

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Speaker 4: Saturday morning and Saturday that's going away?

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Speaker 2: They have you guys should get like ear drops too.

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Speaker 4: So I took I haven't taken melotone in like years, years, years.

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Speaker 4: So I took Melotona on Friday night, and I thought

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Speaker 4: when I woke up, it was just like I was

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Speaker 4: like just kind of like all fucked up stilts, Like

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Speaker 4: you know, if you drink niquil and you don't get

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Speaker 4: seven hours of sleep, like you just feel fucking weird.

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Speaker 4: So I thought it was that, and it just hasn't

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Speaker 4: gone away. And I haven't taken any melitonin since. Okay,

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Speaker 4: but yes, it's been fucking me up. Yeah, this is

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Speaker 4: a bunch of like home remedies that you can do.

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Speaker 3: Thought rid of that, that's going to dinner on Thursday

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Speaker 3: to help or well Monday when we went.

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Speaker 2: Yeah, at that point, I didn't have vertigo. I was

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Speaker 2: just drunk. And couldn't.

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Speaker 4: Oh, I couldn't walk correctly.

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Speaker 2: Maybe it's not vertigo.

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Speaker 4: Maybe you used to the vertigo came before that.

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Speaker 3: Okay, then Rory got drunk on accident.

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Speaker 1: But listen, baby, this is why. Well, technically you did

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Speaker 1: drive January, so January I did. But February what was

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Speaker 1: that second? You went right back to the bottle. Are

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Speaker 1: you okay?

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Speaker 4: I'm fine, but you're supposed to wait for Coal. I

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Speaker 4: was supposed to be honest. She betrayed Coal if anything.

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Speaker 2: Oh, okay, I'm sorry, Jamaine. That's what he's focused on

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Speaker 2: right now with release, like he.

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Speaker 3: Liking out of everything that happened to me. Yo, Demeriz

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Speaker 3: betrayed me, Like this is my thirteenth reason. No, I

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Speaker 3: did go back, right, I went I needed a martini.

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Speaker 2: That sounds like an addict. I went back.

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Speaker 3: I went back to the bottle. I needed a martini.

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Speaker 3: The crazy shiit was, I think I was just really

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Speaker 3: craving olive juice. I didn't need the vodka that came

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Speaker 3: with it, Like, I just really wanted some olive juice.

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Speaker 2: Whatever drink she had was delicious, though.

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Speaker 3: Oh the one I had with Rory was called a

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Speaker 3: side chic not side chick side cheek.

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Speaker 4: Yes, and it was made chicks fifteenth called themselves cheek

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Speaker 4: side cheek? Is that like a play on sheet loots

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Speaker 4: let from She's like like, ic okay, got it? I

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Speaker 4: thought that was like chic side you know, it wasn't

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Speaker 4: a locks themed bar.

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Speaker 2: Okay. No.

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Speaker 4: I thought that was a cool phrase. Now that side

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Speaker 4: chicks like could be more empowered. I'm not a side chicken.

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Speaker 2: Yeah, so it was.

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Speaker 3: That was a good cocktail that we had. And then

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Speaker 3: I had a couple of glasses of sanceter because me

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Speaker 3: and Rory were running our mouths. And what I've realized

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Speaker 3: is through drinking, the majority of my heavy drinking comes

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Speaker 3: from not paying attention to the fact that I'm drinking.

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Speaker 2: Does that make sense?

202
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Speaker 3: Like I'm just over here yapping and they're like, you

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Speaker 3: want another on a I think you're about.

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Speaker 1: To say to it because she was not paying, well,

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Speaker 1: she didn't pay it there, yeah, oh no, women that

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Speaker 1: when people when they don't pay. Do you think people

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Speaker 1: think we split the bill if you went out, if

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Speaker 1: you and Rory went out to eat, I can guarantee

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Speaker 1: you nobody thinks you picked up that bill.

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Speaker 3: But it would be whatever okay, my point, whatever, my point,

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Speaker 3: I would even when I was broken, we would go out.

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Speaker 3: Did you ever pay it? I've bought in you something before.

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Speaker 3: It was probably my thirty name. I bought him a

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Speaker 3: drink before. Roy used to come to my bar and

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Speaker 3: drink for free.

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Speaker 2: He would just hip me. That's a fact.

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Speaker 4: But that's how it's supposed to go. Yeah, if I

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Speaker 4: know the ball tender, she ain't charged me for the drink. Yeah,

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Speaker 4: those are the good days too. And that location was perfect.

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Speaker 2: Around the quarter from here over at l e s.

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Speaker 4: Shout out the Essex, shout out thesex. It was in

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Speaker 4: close proximity to everywhere I was going. I could pregame

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Speaker 4: there for free, annoy her, get loaded, and then go

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Speaker 4: lett a woman take loaded the Let a woman take

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Speaker 4: advantage of you.

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Speaker 2: I like it.

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Speaker 3: Yeah, but no, My point is when I'm talking tomorrow,

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Speaker 3: I was telling them all that I'm I think I'm

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Speaker 3: going to take a break from drinking again. It's what

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Speaker 3: I realize is when I drink, there's all these feelings that.

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Speaker 4: I have and you think that you think that's olive

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Speaker 4: and vodka's for right, Yeah, like I don't. I'm soges

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Speaker 4: No I'm for real, Okay, okay, so boom right. I'm

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Speaker 4: a feeling person. I have big feelings. I feel things

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Speaker 4: very heavily. But when I drink, the actions start listening

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Speaker 4: to the feelings. Like when I'm sober, the actions listen

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Speaker 4: to like my common sense, my ego. But when I'm drinking,

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Speaker 4: the actions be listening to the feelings. And then I

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Speaker 4: start tripping, and then I have a reputation for like tripping,

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Speaker 4: and it's like, yo, why is she tripping? And it's like,

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Speaker 4: I'm not like this when I'm sober. So I decided

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Speaker 4: I don't like that. I don't like that feeling. I

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Speaker 4: don't like waking up in the morning, like why the

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Speaker 4: fuck did I call that person? I don't even like

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Speaker 4: that person. I don't like that feeling. So I'm cool.

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Speaker 2: So it's not that alcohol.

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Speaker 1: It's the fact that you started to actually no calling

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Speaker 1: somebody that you shouldn't have called the time I'm.

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Speaker 3: Talking about in the grand scheme of things, not the

250
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Speaker 3: last time I went drinking with Rory.

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Speaker 2: Okay, all right, so you should stay off the bottle.

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Speaker 3: Yeah, I just I want to have better control over

253
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Speaker 3: like because I do like I do, And that's This

254
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Speaker 3: is not even a romantic thing. This is like my friends,

255
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Speaker 3: my family, like everybody, like I just I don't know.

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Speaker 3: I guess I hold shit in and then the liquor

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Speaker 3: had and I'll be like, yo, remember Wednesday when you

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Speaker 3: says some smart shouldn't I.

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Speaker 2: Let that rock?

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Speaker 4: What was that? Like?

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Speaker 2: I don't start doing that sober math. Yeah, you start

262
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Speaker 2: thinking about shit.

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Speaker 3: You be sitting in the corner rocking, Like I'll text

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Speaker 3: my sister like, yeah that Thanksgiving like you said that

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Speaker 3: one shit, like in front of g like you.

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Speaker 2: Know what I'm saying, Why you do that? Like stay

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Speaker 2: off the bottle bit, which is crazy.

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Speaker 4: I think that happens more like in your thirties because

269
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Speaker 4: life has traumatized you. In your twenties, usually the drunk

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Speaker 4: you do the I love you drunk shit like you

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Speaker 4: love everybody. It's all positivity, like yo, you know you're

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Speaker 4: my man, like you know all that that drunk shit.

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Speaker 4: When you get to thirties and life has abused you

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Speaker 4: a bit, the alcohol turns on you and you take

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Speaker 4: all resentment out be a text to somebody that may

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Speaker 4: not deserve it.

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Speaker 1: So you're back on no drinking for February. I'm just

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Speaker 1: going to do because you know, y'all got the women,

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Speaker 1: y'all this year a month.

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Speaker 2: Right here it is glass of wine. I'm with my day.

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Speaker 2: I'm with Valentine's Day weekend.

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Speaker 4: But like I was going to try to get a

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Speaker 4: babysitter for for Thursday night for coal, Like, we're not

284
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Speaker 4: We're not having a drink for coal.

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Speaker 2: Oh, I'll have a drink for Cole.

286
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Speaker 4: We're not staying up till midnight. I'll have a drink

287
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Speaker 4: for coal. I have a couple drinks for coal. I

288
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Speaker 4: bought a whole new soundbar just for the fall off.

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Speaker 2: Oh, like here, I mean we can yeah, we can

290
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Speaker 2: do that.

291
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Speaker 4: We can do a coole party. I mean the track

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Speaker 4: list just drop. And I want to start by saying

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Speaker 4: I can tell just by the track list it's already

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Speaker 4: a classic, just by the way he named the songs.

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Speaker 2: I can tell this this is a classic. All right, Well,

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Speaker 2: let's let's run through it.

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Speaker 3: Man.

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Speaker 1: I'm because this is a big this is an album

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Speaker 1: that we've all been waiting for, and now we got

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Speaker 1: the track list, so let's let's go through it. Let's

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Speaker 1: let's read the track let's try it. He didn't give

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Speaker 1: us no features though correct. We don't know that he

303
00:13:00,800 --> 00:13:02,599
Speaker 1: could just not list the features in the in the

304
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Speaker 1: track lists. God people have done done before.

305
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Speaker 2: We don't know there.

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Speaker 4: But he did explain the concept and everything. I will

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Speaker 4: say though, like anyone that names the record safety Classic,

308
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Speaker 4: I can tell m.

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Speaker 3: Okay, my prediction is that one disc will have features

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Speaker 3: and one won't.

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Speaker 2: That's just gonna steal my my predictions for and one

312
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Speaker 2: won and one won't. I don't know if I like that,

313
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Speaker 2: but okay, literally made that prediction on this Run a

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Speaker 2: Train is an interesting title. Run a Train. Nobody wants

315
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Speaker 2: to stop and talk about that one? All right? Why

316
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Speaker 2: that is hilarious? More all right?

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Speaker 4: So he put out like and then right after that,

318
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Speaker 4: poor thing, we look right there and after you run

319
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Speaker 4: a train on a girl, her legacy is ruined.

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Speaker 1: Oh absolutely, But let's start with the one before running

321
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Speaker 1: train safety. So he's wearing the comments. So we got

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Speaker 1: that keep it safe, run a train, but safety first,

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Speaker 1: I got it. Okay, Before that, it was either two

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Speaker 1: to six guys.

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00:14:06,360 --> 00:14:06,719
Speaker 2: There you go.

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Speaker 4: All right, Well, no's what's kind of funny about the

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Speaker 4: run of train. Shit is the concept Disc twenty nine

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00:14:13,160 --> 00:14:17,160
Speaker 4: and just thirty nine The first one is mainly about

329
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Speaker 4: those college days driving back to North Carolina, which he

330
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Speaker 4: explained similar to the Come Up, his first project. So

331
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Speaker 4: when you are talking about college days, it is kind

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Speaker 4: of nuts to have a song called run a Train.

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Speaker 1: You're not wrong by pointing out, Yeah, I might go

334
00:14:31,360 --> 00:14:32,520
Speaker 1: straight to that one. I just want to hear what

335
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Speaker 1: run the Train is about.

336
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Speaker 2: Like, I think I'm gonna go straight to who the

337
00:14:35,560 --> 00:14:39,320
Speaker 2: fuck is you? Who the fuck is you? Okay?

338
00:14:39,320 --> 00:14:40,920
Speaker 3: Because if he get on my get off my dick,

339
00:14:41,040 --> 00:14:42,960
Speaker 3: like hear him, I get up, get off my dick bag.

340
00:14:43,360 --> 00:14:44,280
Speaker 2: I mean, I'm gonna go crazy.

341
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Speaker 4: I think that might be the one that was playing

342
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Speaker 4: during the credits in that one snippet is the last

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Speaker 4: one on them.

344
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Speaker 2: This twenty nine is that's called Lonely at the Top.

345
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Speaker 4: Lonely at the Top of Yes, that's that's a six

346
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Speaker 4: minute Drake disk.

347
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Speaker 2: He's a bonus. You couldn't help yourself, could you. It's

348
00:14:55,520 --> 00:14:57,880
Speaker 2: a bonus. I think it says at the bottom bonus.

349
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Speaker 2: Is that what it says?

350
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Speaker 4: But I don't understand what makes it a bonus. I

351
00:15:02,960 --> 00:15:06,080
Speaker 4: don't understand that now bonus records back in the day,

352
00:15:06,600 --> 00:15:09,720
Speaker 4: like certain CDs you bought like and would get one

353
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Speaker 4: bonus record that the States wouldn't like.

354
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Speaker 1: Why is it a bonus because it maybe doesn't fit

355
00:15:14,760 --> 00:15:18,120
Speaker 1: the track list? Yeah, I don't get wise labeled as

356
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Speaker 1: a bonus, but okay.

357
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Speaker 4: Yeah, well either way, it's it's twelve records on about this,

358
00:15:22,520 --> 00:15:25,920
Speaker 4: So looking at twenty four, it's a lot of coal music.

359
00:15:26,120 --> 00:15:29,280
Speaker 4: I am excited. I hope he doesn't get another lawsuit

360
00:15:29,320 --> 00:15:31,040
Speaker 4: for this back cover though, because that is a lot

361
00:15:31,720 --> 00:15:34,640
Speaker 4: of photos that are licensed and copywritten, and the album

362
00:15:34,720 --> 00:15:36,160
Speaker 4: covers like they're kind of blurry.

363
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Speaker 2: Though now I could sell that's Badcgul love that album.

364
00:15:41,640 --> 00:15:43,400
Speaker 4: It's one of my favorites, fifty right next to me.

365
00:15:44,280 --> 00:15:47,160
Speaker 4: What's funny is all of the ex Rockefeller members are

366
00:15:47,200 --> 00:15:49,680
Speaker 4: going to start suing J Cole in unity.

367
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Speaker 2: Is this the official? Do feel like this is the official?

368
00:15:55,320 --> 00:15:57,400
Speaker 2: Arg It was just just for social No, he said.

369
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Speaker 4: Back cover, This was photo of his bedroom when he

370
00:16:01,360 --> 00:16:03,520
Speaker 4: was fifteen, and then he shot all this his concept.

371
00:16:04,040 --> 00:16:06,000
Speaker 4: I do actually really like the backup. I think like it,

372
00:16:07,240 --> 00:16:09,480
Speaker 4: and I am joking with the you know font making

373
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Speaker 4: it a classic, but that stuff is important. Very rarely

374
00:16:12,680 --> 00:16:14,960
Speaker 4: do you have a classic album that has very shitty artwork.

375
00:16:15,800 --> 00:16:19,160
Speaker 4: It's happened, but now I love her again. I think

376
00:16:19,200 --> 00:16:23,360
Speaker 4: that might be the wane. What if, oh god, I

377
00:16:23,480 --> 00:16:24,640
Speaker 4: love her again into what If?

378
00:16:25,160 --> 00:16:25,360
Speaker 3: I know?

379
00:16:25,520 --> 00:16:29,360
Speaker 2: I know what what if is already? What if? Come on, Jermaine,

380
00:16:29,440 --> 00:16:31,520
Speaker 2: don't do this, man, don't just just give us the music,

381
00:16:31,560 --> 00:16:32,680
Speaker 2: bron help yourself.

382
00:16:32,720 --> 00:16:34,360
Speaker 1: All I said was don't do this. I didn't say

383
00:16:34,440 --> 00:16:37,640
Speaker 1: nothing else. All I said was don't do this. I'm

384
00:16:37,720 --> 00:16:38,560
Speaker 1: not saying anything.

385
00:16:38,680 --> 00:16:40,480
Speaker 2: I don't. I'm not just saying what if?

386
00:16:41,400 --> 00:16:42,840
Speaker 3: Do we know? What do we do? We kind of

387
00:16:42,840 --> 00:16:45,880
Speaker 3: feel what that's about. I feel like, what if I

388
00:16:46,000 --> 00:16:47,600
Speaker 3: love her again? Into what if? I feel like it

389
00:16:47,680 --> 00:16:50,040
Speaker 3: might be related to something else. I don't think it's

390
00:16:50,080 --> 00:16:53,120
Speaker 3: related to I don't. I don't think there's a concept

391
00:16:53,160 --> 00:16:55,280
Speaker 3: of what if I participated in the beef. I don't

392
00:16:55,320 --> 00:16:58,000
Speaker 3: think giving I don't know what would have happened, because

393
00:16:58,040 --> 00:17:00,360
Speaker 3: that that would actually even piss me off.

394
00:17:02,080 --> 00:17:03,640
Speaker 2: I turned in the mall if that was the case.

395
00:17:04,000 --> 00:17:05,600
Speaker 2: I'm just saying I don't think he.

396
00:17:05,680 --> 00:17:09,320
Speaker 3: Wrote like the ojay version, like yo, like I didn't

397
00:17:09,359 --> 00:17:10,760
Speaker 3: kill her, But if I did it, like I didn't,

398
00:17:10,760 --> 00:17:11,920
Speaker 3: you know what I'm saying like, I don't think he

399
00:17:12,080 --> 00:17:13,000
Speaker 3: does that on this album.

400
00:17:14,440 --> 00:17:17,199
Speaker 4: I mean he did sort of take Mall's advice here,

401
00:17:17,200 --> 00:17:20,480
Speaker 4: even though Demarus let him down the villist instead of

402
00:17:20,480 --> 00:17:22,160
Speaker 4: the illist. Like he's not saying he's the list, he's

403
00:17:22,200 --> 00:17:26,719
Speaker 4: just the villaist. He found a loophole in your argument.

404
00:17:28,200 --> 00:17:28,920
Speaker 4: I'm just trying to bait you.

405
00:17:28,960 --> 00:17:32,520
Speaker 3: I'm sorry, okay, not baiting him. I'm let me, let me,

406
00:17:32,640 --> 00:17:36,320
Speaker 3: let me, let me lay that down. Come Monday. Don't

407
00:17:36,400 --> 00:17:38,280
Speaker 3: bait him and don't come in here on no bullshit.

408
00:17:38,800 --> 00:17:42,800
Speaker 2: What you mean? Yeah, wait, once the album drops, don't.

409
00:17:42,600 --> 00:17:44,560
Speaker 3: Bait him into coming here and here on bullshit and

410
00:17:44,640 --> 00:17:46,479
Speaker 3: don't come in here on bullshit. We're gonna come in here.

411
00:17:46,480 --> 00:17:47,760
Speaker 3: We're gonna be on positivity.

412
00:17:49,040 --> 00:17:50,560
Speaker 1: No, I'm gonna be on whatever I want to be

413
00:17:50,600 --> 00:17:52,240
Speaker 1: on after this. I listen to this album. If this

414
00:17:52,280 --> 00:17:54,000
Speaker 1: ship is trash, I'm gonna say it's trash. I don't

415
00:17:54,000 --> 00:17:55,480
Speaker 1: think there's a world where this is trash.

416
00:17:55,800 --> 00:17:58,639
Speaker 4: But I mean, yeah, I'm coming here for positivity.

417
00:17:58,800 --> 00:18:01,360
Speaker 1: Yeah, I'm not coming here looking be negative like I'm

418
00:18:01,400 --> 00:18:03,720
Speaker 1: not that person. But I'm gonna be honest it. I'm

419
00:18:03,720 --> 00:18:06,280
Speaker 1: gonna just be honest, like I'm looking forward to this album. Like,

420
00:18:06,359 --> 00:18:08,200
Speaker 1: but I know people try to say, paint this native,

421
00:18:08,200 --> 00:18:08,720
Speaker 1: I don't like cold.

422
00:18:08,800 --> 00:18:09,280
Speaker 2: It's not true.

423
00:18:09,560 --> 00:18:11,639
Speaker 1: I've been looking forward to this album. We finally getting it.

424
00:18:12,040 --> 00:18:14,280
Speaker 1: I'm just saying, I'm just, you know, want to listen

425
00:18:14,320 --> 00:18:16,119
Speaker 1: to it here, and I hope the music is amazing.

426
00:18:16,440 --> 00:18:18,360
Speaker 1: We know the rapping is Ja Cole, he can rap.

427
00:18:18,680 --> 00:18:21,000
Speaker 1: I'm more so concerned about what does the music sound like?

428
00:18:21,359 --> 00:18:24,480
Speaker 2: That's my whole thing with stuff, the production, you know,

429
00:18:24,680 --> 00:18:27,240
Speaker 2: the hooks, the content, Like what is what does it

430
00:18:27,359 --> 00:18:29,040
Speaker 2: sound like? You know what I'm saying, What did he do? Like?

431
00:18:29,119 --> 00:18:32,120
Speaker 1: I'm not the bars, I'm never I'm never ever questioning

432
00:18:32,240 --> 00:18:32,960
Speaker 1: Jake Cole's.

433
00:18:32,680 --> 00:18:33,360
Speaker 2: Ability to rap.

434
00:18:33,640 --> 00:18:37,480
Speaker 1: He can rap, but the music because I know he

435
00:18:37,760 --> 00:18:39,680
Speaker 1: made changes, you know what I'm saying. We obviously know

436
00:18:39,760 --> 00:18:41,480
Speaker 1: he made changes in the last couple years. The album

437
00:18:41,560 --> 00:18:44,280
Speaker 1: probably sounded totally different two years ago. So I'm just

438
00:18:44,359 --> 00:18:45,240
Speaker 1: interested to hear what he did.

439
00:18:45,320 --> 00:18:47,200
Speaker 4: What kind of I mean, the concepts kind of changed

440
00:18:47,240 --> 00:18:51,040
Speaker 4: completely because it was not even rumored. They more than

441
00:18:51,040 --> 00:18:53,760
Speaker 4: alluded to it of the fall off of certain rappers

442
00:18:53,800 --> 00:18:55,520
Speaker 4: when they get to a part of their career that

443
00:18:55,600 --> 00:18:58,760
Speaker 4: they start to fall off. He completely changed the concept

444
00:18:58,800 --> 00:19:01,919
Speaker 4: with this twenty nine and This nine, his perspectives around

445
00:19:02,720 --> 00:19:04,480
Speaker 4: when he was twenty nine years old, and then his

446
00:19:04,640 --> 00:19:09,600
Speaker 4: perspectives at thirty nine now, So the album must have

447
00:19:09,760 --> 00:19:13,080
Speaker 4: completely changed. Yeah, because the concept of the fallof is

448
00:19:13,160 --> 00:19:16,800
Speaker 4: not that anymore. It's it's more so the decades of

449
00:19:17,119 --> 00:19:17,520
Speaker 4: his life.

450
00:19:17,720 --> 00:19:19,879
Speaker 2: So I'm with you.

451
00:19:19,960 --> 00:19:20,080
Speaker 3: Though.

452
00:19:20,119 --> 00:19:23,440
Speaker 2: On the sonically, I'm very curious where where this is show.

453
00:19:24,280 --> 00:19:24,920
Speaker 2: I see that it was.

454
00:19:25,040 --> 00:19:28,080
Speaker 4: It was EP by Cole Ebe and T minus, So

455
00:19:29,520 --> 00:19:31,840
Speaker 4: that makes me feel great because I think T minus

456
00:19:32,000 --> 00:19:35,680
Speaker 4: is criminally underrated and an incredible, incredible producer, So I

457
00:19:35,800 --> 00:19:37,840
Speaker 4: love to see T minus name in the EP.

458
00:19:38,560 --> 00:19:40,640
Speaker 2: Never mat a Team Minus introducing.

459
00:19:40,560 --> 00:19:42,440
Speaker 4: T minus T minus did the whole thing, I'd be happy.

460
00:19:43,520 --> 00:19:46,160
Speaker 4: So I'm excited on that front that that Team minus

461
00:19:46,240 --> 00:19:47,280
Speaker 4: is this heavily involved.

462
00:19:47,560 --> 00:19:51,399
Speaker 2: Okay, who we got? You know how crazy that we

463
00:19:51,560 --> 00:19:52,879
Speaker 2: need to go to.

464
00:19:52,880 --> 00:19:55,320
Speaker 4: That high school in Toronto and figure out what was

465
00:19:55,560 --> 00:20:00,800
Speaker 4: How does like boy wonder T minus D Like there's

466
00:20:00,920 --> 00:20:03,400
Speaker 4: like six amazing producers that all went to that high

467
00:20:03,400 --> 00:20:07,560
Speaker 4: school together, Like that should be brought up at some point, Like.

468
00:20:07,640 --> 00:20:09,919
Speaker 2: Y'all just always at that high school in the same year.

469
00:20:10,040 --> 00:20:12,040
Speaker 2: What's the school in Jersey that Lauren went to?

470
00:20:13,040 --> 00:20:17,240
Speaker 4: Yeah, Columbia High School and in South Orange, Sisson went there,

471
00:20:17,800 --> 00:20:22,399
Speaker 4: Timmy went there, my guy from from Scrubs, Zach Braff.

472
00:20:23,359 --> 00:20:25,919
Speaker 4: I think Angeliaue went there as well, and then obviously

473
00:20:26,400 --> 00:20:27,719
Speaker 4: Pros and Lauren went there.

474
00:20:28,760 --> 00:20:30,720
Speaker 2: Why Cleff was I think why Cleff was going to

475
00:20:30,840 --> 00:20:34,520
Speaker 2: the high school? Now he was going to school high school? Hi,

476
00:20:35,200 --> 00:20:42,040
Speaker 2: great sheet climbs. That's a call back to she Yeah,

477
00:20:42,080 --> 00:20:43,639
Speaker 2: like high schools like that. I don't know. I just

478
00:20:43,720 --> 00:20:46,080
Speaker 2: think that's not talked about.

479
00:20:46,080 --> 00:20:49,280
Speaker 4: Even in the music nerd community of boy wondering everyone

480
00:20:49,320 --> 00:20:50,800
Speaker 4: that went to that high school at the same time

481
00:20:50,840 --> 00:20:53,119
Speaker 4: that y'all just like, why don't y'all bring that up more?

482
00:20:54,320 --> 00:20:56,159
Speaker 3: Are there any other schools that are like that? Or

483
00:20:56,240 --> 00:20:57,560
Speaker 3: even colleges.

484
00:20:59,040 --> 00:21:01,639
Speaker 4: I'm trying to think of the sport world there. My

485
00:21:01,760 --> 00:21:05,320
Speaker 4: school was just me and Max B. Wait, hold on,

486
00:21:05,440 --> 00:21:06,199
Speaker 4: Max b went here?

487
00:21:06,960 --> 00:21:09,159
Speaker 2: Yeah, you know Max ms when the boys square all.

488
00:21:09,400 --> 00:21:12,200
Speaker 2: I have no clue there nothing you get the melodies

489
00:21:12,240 --> 00:21:14,680
Speaker 2: from Max he studied music.

490
00:21:14,760 --> 00:21:15,880
Speaker 4: Everything makes so much sense.

491
00:21:15,960 --> 00:21:16,920
Speaker 2: Now, what do you mean?

492
00:21:18,280 --> 00:21:18,320
Speaker 4: No?

493
00:21:18,440 --> 00:21:19,040
Speaker 2: I never knew that?

494
00:21:20,040 --> 00:21:21,800
Speaker 4: Is there footage the way there's like footage of you,

495
00:21:21,960 --> 00:21:23,280
Speaker 4: and like Vanessa Williams.

496
00:21:22,960 --> 00:21:26,359
Speaker 2: The shit, I don't think so. I think because I

497
00:21:26,400 --> 00:21:27,399
Speaker 2: think Max left.

498
00:21:28,960 --> 00:21:30,920
Speaker 4: Yeah, someone tells me Max didn't stay very long.

499
00:21:31,320 --> 00:21:33,000
Speaker 2: Yeah, but he was in Aquito. Max was in the

500
00:21:33,000 --> 00:21:35,680
Speaker 2: boy Squaw at the same time as you were. No,

501
00:21:36,119 --> 00:21:39,600
Speaker 2: he was there the year, the year the year I

502
00:21:39,640 --> 00:21:40,960
Speaker 2: got there. I think it was the year he left.

503
00:21:43,080 --> 00:21:44,359
Speaker 4: Then there was a I don't know if it was

504
00:21:44,400 --> 00:21:47,280
Speaker 4: George Washington. Maybe it's it's a school in Brooklyn that's

505
00:21:47,320 --> 00:21:50,560
Speaker 4: closed now. But at the same time, Big Buster Rhymes

506
00:21:50,600 --> 00:21:53,359
Speaker 4: and jay Z all just wearing a lunch from at

507
00:21:53,400 --> 00:21:55,679
Speaker 4: one point, mm hmm. And I mean, granted all three

508
00:21:55,680 --> 00:21:57,439
Speaker 4: of them didn't really show up to high school very much,

509
00:21:57,480 --> 00:21:58,919
Speaker 4: but that's kind of crazy that.

510
00:21:58,960 --> 00:22:02,640
Speaker 2: All of y'all are like just in is it Western House?

511
00:22:02,760 --> 00:22:08,040
Speaker 4: I think it's something that's closed now, Yeah, Westinghouse, I

512
00:22:08,200 --> 00:22:11,680
Speaker 4: said George Washington. Yeah, no, that sometimes I just that

513
00:22:11,800 --> 00:22:14,800
Speaker 4: that type of shit, like that's fate, like not to

514
00:22:14,840 --> 00:22:17,120
Speaker 4: be corny, like how do you like those talented people

515
00:22:17,200 --> 00:22:18,720
Speaker 4: all end up in the same exact place at the

516
00:22:18,760 --> 00:22:21,240
Speaker 4: same time, And that to me is crazy.

517
00:22:21,000 --> 00:22:23,960
Speaker 1: But it's also were all from the same neighborhood. It's

518
00:22:23,960 --> 00:22:24,960
Speaker 1: a lot of that too, Like we go to the

519
00:22:25,000 --> 00:22:26,399
Speaker 1: same school because we all live in we all from

520
00:22:26,480 --> 00:22:28,560
Speaker 1: this neighborhoods, the zone school thing.

521
00:22:28,600 --> 00:22:29,680
Speaker 2: We all live in the same zone.

522
00:22:29,920 --> 00:22:32,000
Speaker 4: So it's like, but New York is a little different

523
00:22:32,040 --> 00:22:34,240
Speaker 4: in that, like you have your zone school, but you

524
00:22:34,400 --> 00:22:36,320
Speaker 4: can go to other high schools.

525
00:22:36,600 --> 00:22:37,080
Speaker 2: Not everyone.

526
00:22:37,280 --> 00:22:39,800
Speaker 4: I'm sure in other cities, everyone in the neighborhood probably

527
00:22:39,840 --> 00:22:42,360
Speaker 4: goes to the same high school. New York is much

528
00:22:42,440 --> 00:22:45,720
Speaker 4: different in the capacity and with Catholic schools, like you

529
00:22:45,840 --> 00:22:49,040
Speaker 4: could go to school a different borough your whole life,

530
00:22:49,080 --> 00:22:51,000
Speaker 4: if you want to. Like, that's why I think it's

531
00:22:51,080 --> 00:22:53,360
Speaker 4: kind of nuts. But and then me and Stove God

532
00:22:53,440 --> 00:22:54,960
Speaker 4: both being from Syracuse is crazy.

533
00:22:55,600 --> 00:22:59,000
Speaker 1: Did y'all go to the same school? Who went to

534
00:22:59,040 --> 00:23:03,480
Speaker 1: your school? No one you would know, ain't no famous

535
00:23:03,560 --> 00:23:04,600
Speaker 1: will come out of your high school.

536
00:23:05,520 --> 00:23:10,440
Speaker 2: Me. I mean, I'm enough, Okay, I'm enough. I'm not

537
00:23:10,520 --> 00:23:14,320
Speaker 2: even I'm not doing this for baby. You got niggas

538
00:23:14,320 --> 00:23:21,760
Speaker 2: get a trackless and start talking crazy, start talking very crazy.

539
00:23:22,160 --> 00:23:24,280
Speaker 4: And I mean, listening through stove guys music, I don't

540
00:23:24,280 --> 00:23:26,800
Speaker 4: know if he was really just like focused on high school.

541
00:23:26,880 --> 00:23:30,680
Speaker 1: Yeah, I mean, what chemistry seems to be a strong point, math,

542
00:23:31,840 --> 00:23:34,200
Speaker 1: math and chemistry major right, yeah for sure.

543
00:23:35,920 --> 00:23:40,159
Speaker 4: Anyways, do we have any predictions because come Thursday our

544
00:23:40,200 --> 00:23:41,879
Speaker 4: next episode. I don't really want to talk about the

545
00:23:41,920 --> 00:23:44,640
Speaker 4: Cold Ship because when that episode comes out, the album

546
00:23:44,640 --> 00:23:48,199
Speaker 4: will be out. Yeah, so any last predictions, uh, as

547
00:23:48,320 --> 00:23:50,000
Speaker 4: well as what just with the album?

548
00:23:50,080 --> 00:23:50,119
Speaker 2: What?

549
00:23:50,200 --> 00:23:50,440
Speaker 3: What? What?

550
00:23:50,600 --> 00:23:52,560
Speaker 2: Really to expect? I think we want to guess on

551
00:23:52,640 --> 00:23:53,160
Speaker 2: some features.

552
00:23:54,040 --> 00:23:57,040
Speaker 3: I think we did that, but I'm still I'm still

553
00:23:57,160 --> 00:23:59,520
Speaker 3: sticking to my I want my tweet one savage feature.

554
00:23:59,520 --> 00:24:02,760
Speaker 2: I'm sticking. I think we're gonna get a j I D. Feature.

555
00:24:02,760 --> 00:24:05,840
Speaker 2: I can promise you twenty one savages, not on hisself whatever. Okay,

556
00:24:06,080 --> 00:24:07,639
Speaker 2: but I get I think we're going to get a

557
00:24:07,680 --> 00:24:09,280
Speaker 2: j I D. Feature. I can see that.

558
00:24:12,560 --> 00:24:14,159
Speaker 3: I think possibly an Eminem feature.

559
00:24:15,600 --> 00:24:19,280
Speaker 2: That's interesting. It's about that's interesting.

560
00:24:19,920 --> 00:24:23,720
Speaker 4: Lord, please, he said, Lord, please, No, you don't want

561
00:24:23,720 --> 00:24:26,760
Speaker 4: to hear Marshall. I don't want to sound like that, man, don't.

562
00:24:26,760 --> 00:24:28,560
Speaker 4: I don't want to hear Ja Cole and Eminem.

563
00:24:29,000 --> 00:24:34,160
Speaker 2: Okay, all Eminem is a goat and it's great. Yes,

564
00:24:35,000 --> 00:24:36,600
Speaker 2: I'm I'm with you. I don't come home with that either,

565
00:24:36,680 --> 00:24:38,760
Speaker 2: I'm cool. I don't think I want that either, I

566
00:24:38,920 --> 00:24:39,960
Speaker 2: be honest, I don't think I want to hear that.

567
00:24:39,960 --> 00:24:41,400
Speaker 2: I don't think I want to hit him and J Cole.

568
00:24:41,440 --> 00:24:42,920
Speaker 2: That might be too much rap, But I don't know.

569
00:24:43,000 --> 00:24:46,879
Speaker 4: Maybe Cole would put him on a better type of

570
00:24:46,960 --> 00:24:50,200
Speaker 4: beat that would bring out maybe the older Eminem where

571
00:24:50,240 --> 00:24:53,840
Speaker 4: it's not like maybe just just wrapping a regular cadence

572
00:24:55,240 --> 00:24:57,800
Speaker 4: and give us substance, which Eminem has done a million times.

573
00:24:57,920 --> 00:24:59,360
Speaker 2: I feel like you could just do that again.

574
00:25:00,119 --> 00:25:01,480
Speaker 1: Now, because you know, if MM was doing a cold

575
00:25:01,680 --> 00:25:03,640
Speaker 1: track with J Cole, he going he approaching that shit

576
00:25:03,760 --> 00:25:06,920
Speaker 1: like rappidy raps I got.

577
00:25:08,160 --> 00:25:10,680
Speaker 4: And I guess that's kind of like my problem with

578
00:25:10,920 --> 00:25:14,760
Speaker 4: him at this point of anytime he does features, that's

579
00:25:14,800 --> 00:25:17,359
Speaker 4: the concept like, oh, I have a beat that so

580
00:25:17,480 --> 00:25:19,919
Speaker 4: much space, I'm gonna call m who's gonna rappid rap?

581
00:25:20,000 --> 00:25:20,360
Speaker 2: Rap rap?

582
00:25:20,440 --> 00:25:23,680
Speaker 4: Like Eminem is given so much substance throughout the years,

583
00:25:23,680 --> 00:25:25,760
Speaker 4: why can't he go back to that like him and

584
00:25:25,840 --> 00:25:28,400
Speaker 4: Cole on a where our focus on this is making

585
00:25:28,440 --> 00:25:30,159
Speaker 4: a good song, not trying to see who could rap

586
00:25:30,200 --> 00:25:30,760
Speaker 4: better than each other.

587
00:25:32,440 --> 00:25:37,280
Speaker 2: Let me see, uh both got white moms? Yeah, give

588
00:25:37,320 --> 00:25:38,480
Speaker 2: a good give a good prediction.

589
00:25:39,440 --> 00:25:42,200
Speaker 3: As far as feature this period, for the album A

590
00:25:42,240 --> 00:25:44,440
Speaker 3: good A good prediction, so we can put this out

591
00:25:44,520 --> 00:25:46,399
Speaker 3: and then we'll see if we're right on Friday.

592
00:25:46,560 --> 00:25:48,520
Speaker 4: I mean, I've given I've given a lot of predictions

593
00:25:49,119 --> 00:25:50,919
Speaker 4: already that I'm sure we'll all be wrong, but.

594
00:25:52,800 --> 00:25:53,520
Speaker 2: My predictions.

595
00:25:54,359 --> 00:25:57,399
Speaker 1: Again, it's clear on how I feel about Cole now

596
00:25:57,440 --> 00:26:00,360
Speaker 1: as an MC, but obviously he still is a very

597
00:26:00,560 --> 00:26:01,320
Speaker 1: a great rapper.

598
00:26:02,480 --> 00:26:04,080
Speaker 2: I just don't know if.

599
00:26:06,600 --> 00:26:12,480
Speaker 1: Hmm, I don't know if his verses are going to

600
00:26:12,560 --> 00:26:15,360
Speaker 1: stick with me. I think the music would be good,

601
00:26:15,800 --> 00:26:18,159
Speaker 1: but I don't know if. I don't know if his

602
00:26:18,280 --> 00:26:20,520
Speaker 1: verses are going to stick with me, because he's still

603
00:26:20,520 --> 00:26:25,400
Speaker 1: an incredible MC. But you know, listening to the mixtape

604
00:26:25,600 --> 00:26:28,960
Speaker 1: he just put out, it's like, it's no surprise Coke

605
00:26:28,960 --> 00:26:29,320
Speaker 1: can rap.

606
00:26:29,920 --> 00:26:30,600
Speaker 2: That was the point of that.

607
00:26:30,880 --> 00:26:33,560
Speaker 4: That mixtape was just to show I could rap. But no,

608
00:26:33,680 --> 00:26:35,600
Speaker 4: we know he can because I never know. I even

609
00:26:35,680 --> 00:26:39,840
Speaker 4: understand Charlemagne's response to that of like, oh, I want

610
00:26:39,920 --> 00:26:41,879
Speaker 4: Cole to give us his forty four his substance like

611
00:26:42,160 --> 00:26:44,480
Speaker 4: that goes without saying that Cole has always done that.

612
00:26:45,040 --> 00:26:47,840
Speaker 4: I don't understand why people took that mixtape with a rollout.

613
00:26:48,080 --> 00:26:51,600
Speaker 4: That's just rapping over other people's beats on some mixtape

614
00:26:51,640 --> 00:26:54,160
Speaker 4: clue shit, like it was supposed to have all this substance.

615
00:26:54,240 --> 00:26:55,400
Speaker 2: The point of that was just the rap.

616
00:26:55,760 --> 00:26:57,560
Speaker 1: No, I'm not even talking about substance. I'm just saying, like,

617
00:26:58,560 --> 00:27:00,359
Speaker 1: that's why i want the music to be good. I think,

618
00:27:01,040 --> 00:27:02,800
Speaker 1: minus what he's saying, I feel like, if the music

619
00:27:02,920 --> 00:27:04,320
Speaker 1: is good, I'm going to at least want to keep

620
00:27:04,400 --> 00:27:05,560
Speaker 1: listening to it and keep playing it.

621
00:27:06,119 --> 00:27:06,840
Speaker 2: If the music is.

622
00:27:06,840 --> 00:27:08,960
Speaker 3: Good, you're saying you personally, you don't think no matter

623
00:27:09,040 --> 00:27:10,440
Speaker 3: what he says, you don't think it's going to stick

624
00:27:10,440 --> 00:27:10,600
Speaker 3: with you.

625
00:27:10,840 --> 00:27:13,080
Speaker 2: So you'd rather just have good music. Just just if

626
00:27:13,200 --> 00:27:14,640
Speaker 2: the music is good, I'm going to want to listen

627
00:27:14,640 --> 00:27:14,760
Speaker 2: to it.

628
00:27:15,720 --> 00:27:18,000
Speaker 4: Where I disagree with you, Mal is based off the

629
00:27:18,080 --> 00:27:21,399
Speaker 4: concept that he wrote out with being twenty nine in

630
00:27:21,440 --> 00:27:23,760
Speaker 4: that decade, being thirty nine in that decade, and how

631
00:27:23,800 --> 00:27:25,320
Speaker 4: he feels to me, this is going to have so

632
00:27:25,440 --> 00:27:27,640
Speaker 4: much substance that's going to stick with adults.

633
00:27:28,240 --> 00:27:30,240
Speaker 3: No, but what I'm I think you're missing with Mala saying,

634
00:27:30,320 --> 00:27:32,560
Speaker 3: Maul doesn't care how much substance it has, it's not

635
00:27:32,640 --> 00:27:34,520
Speaker 3: going to stick with him. That's what Maul is trying

636
00:27:34,520 --> 00:27:36,440
Speaker 3: to tell you. So that's why he's hoping that the

637
00:27:36,520 --> 00:27:38,439
Speaker 3: music is good so that it'll happen, because if the music.

638
00:27:38,400 --> 00:27:39,440
Speaker 2: Is good, it don't even matter.

639
00:27:39,840 --> 00:27:41,560
Speaker 4: And I just think there's going to be so much

640
00:27:41,560 --> 00:27:43,879
Speaker 4: stuff that Maul could relate to that it will end

641
00:27:43,960 --> 00:27:44,359
Speaker 4: up sticking.

642
00:27:44,800 --> 00:27:46,560
Speaker 2: I hope. So that's that's what I'm saying. I hope,

643
00:27:46,600 --> 00:27:48,040
Speaker 2: so like I want to.

644
00:27:48,040 --> 00:27:50,880
Speaker 4: Really likely it's gonna be some adult, grown man rap.

645
00:27:51,400 --> 00:27:52,960
Speaker 1: I hope, So you know what I mean. I just

646
00:27:53,720 --> 00:27:55,440
Speaker 1: that's the only thing that's that I'm kind of like

647
00:27:55,480 --> 00:27:57,440
Speaker 1: going to the side. I'm like, I just hope the

648
00:27:57,520 --> 00:27:59,800
Speaker 1: music is to a certain level because if the music

649
00:27:59,880 --> 00:28:02,560
Speaker 1: is its incredible, I'm gonna listen.

650
00:28:03,520 --> 00:28:05,400
Speaker 3: I think there's a bias there that no matter Coke

651
00:28:05,400 --> 00:28:08,240
Speaker 3: could come out and say the wildest, craziest, most relatable shit,

652
00:28:08,280 --> 00:28:09,920
Speaker 3: and I just I don't think it's gonna stick tomorrow.

653
00:28:09,960 --> 00:28:12,399
Speaker 3: That's personally, that's just the wildest crazy shit as far

654
00:28:12,440 --> 00:28:14,040
Speaker 3: as what like, as far as like he could it

655
00:28:14,080 --> 00:28:16,639
Speaker 3: could be so fire that but I just don't think it.

656
00:28:16,760 --> 00:28:17,560
Speaker 3: I don't think it'll.

657
00:28:17,400 --> 00:28:17,760
Speaker 2: Matter to you.

658
00:28:17,920 --> 00:28:21,440
Speaker 1: No, listen, again, he's gonna have that on the album

659
00:28:21,520 --> 00:28:24,240
Speaker 1: that he's never not like he can. He's one of those.

660
00:28:24,320 --> 00:28:26,800
Speaker 1: He can rap his ass off. But I'm just saying, now,

661
00:28:27,800 --> 00:28:29,920
Speaker 1: just let the music be fire like that for me,

662
00:28:30,040 --> 00:28:32,440
Speaker 1: that's what it turns into. That's like, just let the

663
00:28:32,480 --> 00:28:34,680
Speaker 1: music be incredible, because then at least I can listen

664
00:28:34,720 --> 00:28:38,160
Speaker 1: to it, you know, play it. It can have replay value,

665
00:28:38,760 --> 00:28:42,240
Speaker 1: like don't give me too much, you know, like showcasing

666
00:28:42,280 --> 00:28:44,400
Speaker 1: your rapping ability, because I know you could rap like

667
00:28:44,400 --> 00:28:48,120
Speaker 1: I'm not questioning that. Does the music have replay value?

668
00:28:48,960 --> 00:28:52,080
Speaker 1: That's where my concern is at how much replay value

669
00:28:52,200 --> 00:28:54,800
Speaker 1: are these songs going to have? And that's that's what

670
00:28:54,840 --> 00:28:57,600
Speaker 1: I'm hoping for. I'm hoping the production is incredible, the

671
00:28:57,720 --> 00:29:00,960
Speaker 1: hooks are you know, strong.

672
00:29:01,200 --> 00:29:02,560
Speaker 2: And that shit, that's what I need. I'm not worried

673
00:29:02,560 --> 00:29:04,200
Speaker 2: about bars. He can rap, I'm not worried.

674
00:29:04,280 --> 00:29:06,840
Speaker 3: You don't have any predictions, no predictions.

675
00:29:06,920 --> 00:29:09,440
Speaker 4: He's just not quality. I'll just stick to your rib

676
00:29:10,680 --> 00:29:13,760
Speaker 4: Thank you for that, Rory. I'm trying to think of

677
00:29:13,840 --> 00:29:17,240
Speaker 4: I'm trying to think of features. But okay, so just

678
00:29:17,360 --> 00:29:20,640
Speaker 4: quickly though, with Cole on the rapping ship, he's really

679
00:29:20,720 --> 00:29:24,440
Speaker 4: never done that on his actual albums. He focuses on

680
00:29:24,600 --> 00:29:27,080
Speaker 4: making music on his album. He's not just like trying

681
00:29:27,320 --> 00:29:29,480
Speaker 4: back to the eminem shit, just trying to showcase that

682
00:29:29,520 --> 00:29:32,200
Speaker 4: you can rap better than everybody. I don't know a

683
00:29:32,320 --> 00:29:35,200
Speaker 4: Cole album where that's the focus. He's an elite rapper,

684
00:29:35,280 --> 00:29:37,160
Speaker 4: so the raps are good, but he's focusing on making

685
00:29:37,240 --> 00:29:37,840
Speaker 4: good songs.

686
00:29:38,000 --> 00:29:40,920
Speaker 2: But it's different now, you see what I'm saying, Like,

687
00:29:41,000 --> 00:29:43,600
Speaker 2: that's why I feel like the concept thirty nine.

688
00:29:43,640 --> 00:29:45,840
Speaker 4: I don't think he's focused on trying to prove to anybody.

689
00:29:45,920 --> 00:29:48,600
Speaker 1: All that is great, that's cool. If that's just you know,

690
00:29:48,840 --> 00:29:51,040
Speaker 1: what do you want to do conceptually? I'm just saying

691
00:29:51,080 --> 00:29:55,000
Speaker 1: that I'm afraid that he may feel like he has

692
00:29:55,080 --> 00:29:57,760
Speaker 1: to rap his way back into people's hearts.

693
00:29:57,920 --> 00:29:58,200
Speaker 2: I think.

694
00:29:58,320 --> 00:30:00,920
Speaker 4: I think that's part of the reason he did the

695
00:30:01,360 --> 00:30:03,280
Speaker 4: mixtape shit, to get that part out of the way

696
00:30:04,160 --> 00:30:06,960
Speaker 4: so he could focus on making good songs and a

697
00:30:07,080 --> 00:30:09,000
Speaker 4: classic album. Let me get this rapping shit out the

698
00:30:09,040 --> 00:30:11,280
Speaker 4: fucking way. Well, that's that's what.

699
00:30:11,560 --> 00:30:15,680
Speaker 2: I do think, Maul.

700
00:30:15,760 --> 00:30:19,920
Speaker 4: That appears to be the iPhone sixteen it is. That's nasty, man,

701
00:30:20,080 --> 00:30:22,440
Speaker 4: it is. Come on, do you love yourself? I do.

702
00:30:23,080 --> 00:30:24,760
Speaker 4: If you loved yourself, you would get the all new

703
00:30:24,840 --> 00:30:28,520
Speaker 4: iPhone seventeen Pro with boost Mobile, the most powerful iPhone

704
00:30:28,600 --> 00:30:31,160
Speaker 4: of all time. And even if you're about to say,

705
00:30:31,400 --> 00:30:33,760
Speaker 4: what about traffic or trying to go to the store

706
00:30:33,840 --> 00:30:36,560
Speaker 4: and transfer the data, that's probably what that's why you got.

707
00:30:36,480 --> 00:30:37,440
Speaker 2: This this saxteen.

708
00:30:37,480 --> 00:30:41,040
Speaker 4: That's nasty, exactly, get your sweet sixteen out of here, traffic.

709
00:30:42,880 --> 00:30:43,840
Speaker 2: But I have good news.

710
00:30:44,160 --> 00:30:46,840
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711
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712
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713
00:30:52,720 --> 00:30:55,360
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714
00:30:55,680 --> 00:30:58,400
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715
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716
00:31:07,880 --> 00:31:10,560
Speaker 4: And on the future side, I have a question for

717
00:31:10,680 --> 00:31:12,960
Speaker 4: Mal Damarus. Can you pull up can you google image

718
00:31:13,040 --> 00:31:16,440
Speaker 4: jay Z? Larrussell Maul knows jay Z better than anyone

719
00:31:16,480 --> 00:31:18,280
Speaker 4: in this room. I want you to tell me based

720
00:31:18,320 --> 00:31:20,600
Speaker 4: off his fit, his smile, does it look like he's

721
00:31:20,640 --> 00:31:21,200
Speaker 4: in rap mode?

722
00:31:22,880 --> 00:31:23,680
Speaker 2: Jay is not rapping?

723
00:31:24,600 --> 00:31:26,080
Speaker 4: Just pull that up, like, can you tell by looking

724
00:31:26,080 --> 00:31:28,440
Speaker 4: at him? Does that look like somebody that maybe is

725
00:31:28,520 --> 00:31:31,280
Speaker 4: mumbling some verses off some beats cole sentem No.

726
00:31:31,440 --> 00:31:34,400
Speaker 1: That's this is a This looks like somebody who just

727
00:31:34,680 --> 00:31:38,960
Speaker 1: you know, hired Larrussell to perform at the Super Bowl

728
00:31:39,040 --> 00:31:39,640
Speaker 1: tail gate.

729
00:31:39,960 --> 00:31:41,680
Speaker 4: And now he did deal with Rock as well, and

730
00:31:41,720 --> 00:31:42,600
Speaker 4: congrattle Larussell.

731
00:31:43,280 --> 00:31:45,080
Speaker 2: He got it done because he had do some shots

732
00:31:45,400 --> 00:31:47,600
Speaker 2: at Rock a few years ago. You know, they got

733
00:31:47,640 --> 00:31:48,520
Speaker 2: it done. They got done.

734
00:31:50,040 --> 00:31:52,320
Speaker 4: And also he was talking about his you know, because

735
00:31:52,320 --> 00:31:55,360
Speaker 4: he was signed with Russ first, which I think when

736
00:31:55,400 --> 00:31:57,080
Speaker 4: we had Russ on our podcast, that was the first

737
00:31:57,080 --> 00:31:59,040
Speaker 4: time I think he announced that he signed l Russell

738
00:31:59,040 --> 00:32:01,640
Speaker 4: at that time. I do want to give credit to

739
00:32:01,720 --> 00:32:04,520
Speaker 4: Russ in that regard of just letting Larrussell go, like, Yo,

740
00:32:04,600 --> 00:32:06,000
Speaker 4: my focus is on my music right now.

741
00:32:06,360 --> 00:32:08,120
Speaker 2: I don't want to hold you here, shout out to Russ.

742
00:32:08,280 --> 00:32:11,080
Speaker 2: Real I thought that's what real ones do. Like this.

743
00:32:11,280 --> 00:32:13,000
Speaker 4: I thought I had a vision for this label. But

744
00:32:13,160 --> 00:32:15,600
Speaker 4: I'm ship, I don't want to hold you back. So

745
00:32:15,680 --> 00:32:18,520
Speaker 4: I think that's incredible. But I had a prediction a

746
00:32:18,600 --> 00:32:21,480
Speaker 4: while ago that we would finally get the proper.

747
00:32:21,320 --> 00:32:23,840
Speaker 2: Jay Z and j Cole song on the fall off.

748
00:32:24,200 --> 00:32:24,640
Speaker 2: Not happening.

749
00:32:24,720 --> 00:32:28,000
Speaker 4: I hope I'm right, But not happening is not rapping

750
00:32:28,040 --> 00:32:28,760
Speaker 4: bro I was.

751
00:32:28,920 --> 00:32:31,520
Speaker 3: I was, I was pay my last toil for it,

752
00:32:31,640 --> 00:32:32,800
Speaker 3: but I don't think it's happened.

753
00:32:32,840 --> 00:32:37,320
Speaker 4: The legacy can't stop it, mister nice watch. But Cole

754
00:32:37,440 --> 00:32:40,200
Speaker 4: is not done rapping. Oh you said you're subscribing to

755
00:32:40,240 --> 00:32:41,240
Speaker 4: this is J Cole's last album?

756
00:32:41,280 --> 00:32:41,600
Speaker 2: Of course?

757
00:32:41,680 --> 00:32:44,440
Speaker 4: Okay, because this is not even again, this is not

758
00:32:44,640 --> 00:32:51,000
Speaker 4: j album. I believe rappers do not retire, say podcast.

759
00:32:52,440 --> 00:32:54,400
Speaker 3: This might not be his last song, This might not

760
00:32:54,480 --> 00:32:57,040
Speaker 3: be his last feature, but I think it's his last album.

761
00:32:58,200 --> 00:33:00,200
Speaker 2: Okay. All I'm saying is he's not done rapping. Yeah,

762
00:33:00,200 --> 00:33:02,680
Speaker 2: that's fine. I can't get with that. I'm with you.

763
00:33:02,840 --> 00:33:04,640
Speaker 2: It may it may be his last album. Cool.

764
00:33:05,360 --> 00:33:07,480
Speaker 1: But if you think that Jay Cole is never stepping

765
00:33:07,520 --> 00:33:10,120
Speaker 1: in a booth after this album drops again in his life,

766
00:33:10,360 --> 00:33:11,000
Speaker 1: you're crazy.

767
00:33:11,400 --> 00:33:13,640
Speaker 2: But how do you not close the chapter?

768
00:33:13,680 --> 00:33:16,360
Speaker 4: Because he him even talking about the concept of this

769
00:33:16,600 --> 00:33:18,480
Speaker 4: starting with the come up, his first project and the

770
00:33:18,560 --> 00:33:20,760
Speaker 4: fall office man can get full circle from his first project,

771
00:33:21,320 --> 00:33:24,000
Speaker 4: Your first feature to the World and the Masses was

772
00:33:24,080 --> 00:33:27,280
Speaker 4: a Star is Born. Jay Z rapped about all the

773
00:33:27,360 --> 00:33:31,040
Speaker 4: stars in the last thirty years of hip hop at

774
00:33:31,080 --> 00:33:33,960
Speaker 4: that time, and then the last verse was here's the

775
00:33:34,000 --> 00:33:37,200
Speaker 4: new Prodigy and he went fucking nuts.

776
00:33:37,280 --> 00:33:40,960
Speaker 2: Cole went nuts on that verse. How do you not close?

777
00:33:41,200 --> 00:33:43,040
Speaker 4: If you're saying full circle on everything in the beginning

778
00:33:43,080 --> 00:33:44,840
Speaker 4: of your career, how do you not close?

779
00:33:45,240 --> 00:33:46,680
Speaker 2: The Star is Born? Part two?

780
00:33:48,400 --> 00:33:49,880
Speaker 4: And again, if jay don't want to wrap, JA don't

781
00:33:49,880 --> 00:33:52,400
Speaker 4: want to rap, but to me, that's the perfect way.

782
00:33:52,680 --> 00:33:54,480
Speaker 4: And that's also because I hate mister nice watch. But

783
00:33:55,160 --> 00:33:58,400
Speaker 4: come on, we need to close the stars. He was born,

784
00:33:58,520 --> 00:34:00,840
Speaker 4: He's a star. Jay Z was right, this kid is

785
00:34:00,880 --> 00:34:02,640
Speaker 4: going to be the next one, and he was you

786
00:34:02,800 --> 00:34:03,600
Speaker 4: gotta close that.

787
00:34:03,800 --> 00:34:05,560
Speaker 2: I don't want jay Z to wrap no more. Let

788
00:34:05,600 --> 00:34:09,439
Speaker 2: me be honest. I think get out of office stuff.

789
00:34:09,480 --> 00:34:10,799
Speaker 2: I know I didn't want this energy in him.

790
00:34:10,840 --> 00:34:12,640
Speaker 1: You know why I don't want this energy because all

791
00:34:12,960 --> 00:34:14,440
Speaker 1: that's gonna happen is a song gonna be out for

792
00:34:14,520 --> 00:34:15,719
Speaker 1: three minutes and niggas.

793
00:34:15,440 --> 00:34:16,520
Speaker 2: Gonna be trashing. I don't give up.

794
00:34:16,560 --> 00:34:19,960
Speaker 1: I don't give an I'm just saying I understand that,

795
00:34:20,040 --> 00:34:22,399
Speaker 1: but I'm just saying, like, it's just like to see

796
00:34:22,640 --> 00:34:25,440
Speaker 1: like the greatest disrespected. Like it's just like I for

797
00:34:25,600 --> 00:34:27,480
Speaker 1: what I hear you, you know what I'm saying, It

798
00:34:27,600 --> 00:34:29,440
Speaker 1: just like for what Like That's why I'm just like

799
00:34:29,520 --> 00:34:31,000
Speaker 1: I don't really care to hear j no more, like,

800
00:34:31,080 --> 00:34:32,680
Speaker 1: what what else can jay Z say?

801
00:34:32,920 --> 00:34:33,680
Speaker 2: What else can he do?

802
00:34:34,080 --> 00:34:35,720
Speaker 1: He's done it all, he said it all, he showed

803
00:34:35,800 --> 00:34:39,160
Speaker 1: us everything, Like what else? What else do we want?

804
00:34:39,640 --> 00:34:42,680
Speaker 1: What else do we want to hear Jay say, that's.

805
00:34:42,600 --> 00:34:46,000
Speaker 2: Why you're gonna stay at home Dad. I think I think, well, okay,

806
00:34:46,040 --> 00:34:47,640
Speaker 2: he never gave a stab, but I'm saying I don't.

807
00:34:47,800 --> 00:34:48,400
Speaker 2: I don't think that.

808
00:34:48,920 --> 00:34:51,399
Speaker 4: I mean, for the Cowboy Carter tour, he did look

809
00:34:51,440 --> 00:34:54,120
Speaker 4: like the nanny like he looks.

810
00:34:55,920 --> 00:34:57,520
Speaker 2: Yeah, which I love to let him do that, but

811
00:34:57,560 --> 00:35:01,279
Speaker 2: I'm just I just don't, just because I hold Jade

812
00:35:01,320 --> 00:35:03,640
Speaker 2: is such a high regard and it's just like just

813
00:35:03,719 --> 00:35:06,640
Speaker 2: like I don't I don't subscribe with people like yo,

814
00:35:06,680 --> 00:35:08,000
Speaker 2: Jay's rapping it. I know he's not.

815
00:35:08,640 --> 00:35:10,800
Speaker 4: If he is not, you, You of all people know

816
00:35:11,080 --> 00:35:14,080
Speaker 4: that Jay has so much more to talk about. He

817
00:35:14,320 --> 00:35:16,680
Speaker 4: does and one of the greatest minds we have has

818
00:35:16,760 --> 00:35:17,400
Speaker 4: more out a.

819
00:35:17,440 --> 00:35:21,760
Speaker 1: Doubt, But I just don't know if what would inspire

820
00:35:21,880 --> 00:35:25,080
Speaker 1: Jaya rap because he's now everything is not about obviously,

821
00:35:25,120 --> 00:35:27,360
Speaker 1: it's not about money, it's not about adding to his legacy.

822
00:35:27,400 --> 00:35:29,319
Speaker 2: At this point, all of that is solidified.

823
00:35:29,640 --> 00:35:31,839
Speaker 1: It would be something would have to motive someone, Something

824
00:35:31,840 --> 00:35:35,280
Speaker 1: would have to inspire him, something would have to motivate casino.

825
00:35:35,640 --> 00:35:37,840
Speaker 2: Yeah, shut up, and we'll talk about not getting it.

826
00:35:38,880 --> 00:35:39,680
Speaker 2: We don't want to hear that.

827
00:35:39,880 --> 00:35:41,320
Speaker 3: It would have to be something he would have to

828
00:35:41,440 --> 00:35:43,880
Speaker 3: hear somebody whose pen is so crazy and flow is

829
00:35:43,920 --> 00:35:44,440
Speaker 3: so crazy.

830
00:35:45,200 --> 00:35:48,120
Speaker 4: I think, to me, what wouldn't this is such a

831
00:35:48,160 --> 00:35:50,400
Speaker 4: crazy senter to me, what would inspire jay Z? Let

832
00:35:50,480 --> 00:35:53,040
Speaker 4: me tell you what I what inspires jay Z. You

833
00:35:53,120 --> 00:35:56,080
Speaker 4: don't think though that concept of I signed it was

834
00:35:56,840 --> 00:35:58,960
Speaker 4: while A and Cole was the first artist on as

835
00:35:59,040 --> 00:36:04,640
Speaker 4: Carter Enterprises after Rockefeller, like this is his last album,

836
00:36:04,880 --> 00:36:07,400
Speaker 4: and I presented him to the world. That's that wouldn't

837
00:36:07,400 --> 00:36:10,439
Speaker 4: be an inspirational fold moment where I think Jay would

838
00:36:10,440 --> 00:36:12,600
Speaker 4: be like get it nah man, I was. I was right,

839
00:36:13,360 --> 00:36:16,080
Speaker 4: Literally I saw it like that would look at my legacy.

840
00:36:16,200 --> 00:36:19,400
Speaker 4: I also signed one of the big three. Look at

841
00:36:19,440 --> 00:36:21,480
Speaker 4: my look at my legacy. That would be the closest.

842
00:36:21,760 --> 00:36:26,640
Speaker 4: I just don't know if that's gonna get it done.

843
00:36:27,280 --> 00:36:28,600
Speaker 2: Yeah. I don't think that's gonna get it done. You

844
00:36:28,680 --> 00:36:29,399
Speaker 2: know why? You know why?

845
00:36:29,520 --> 00:36:35,799
Speaker 1: Only because I feel like I feel like that would

846
00:36:35,880 --> 00:36:37,960
Speaker 1: over that would overshadow the entire project.

847
00:36:39,120 --> 00:36:42,319
Speaker 4: No, it's twenty four songs, but.

848
00:36:42,960 --> 00:36:45,279
Speaker 2: All anybody will be talking about jab I mean, but no.

849
00:36:45,360 --> 00:36:47,719
Speaker 4: At the same time, like maybe with the overshadow thing,

850
00:36:47,760 --> 00:36:49,840
Speaker 4: I don't even care because even with that mixtape what

851
00:36:50,000 --> 00:36:52,680
Speaker 4: overshadowed it was like one small bar that people thought

852
00:36:52,719 --> 00:36:55,600
Speaker 4: he was talking about Ken Drick. Like everything's going to

853
00:36:55,640 --> 00:36:59,440
Speaker 4: overshadow anything music related. At this point when Iceman drops,

854
00:36:59,560 --> 00:37:01,200
Speaker 4: everyone is not going to be focused on is this

855
00:37:01,360 --> 00:37:03,360
Speaker 4: music good. They're going to be focused on is this

856
00:37:03,400 --> 00:37:05,400
Speaker 4: a Kendrick shot? Was this Like that's gonna happen no

857
00:37:05,480 --> 00:37:08,120
Speaker 4: matter what. So I don't think artists even be focused

858
00:37:08,160 --> 00:37:10,759
Speaker 4: on what's going to overshadow a moment anymore, because that's

859
00:37:10,920 --> 00:37:12,200
Speaker 4: just it's part of course.

860
00:37:12,239 --> 00:37:13,880
Speaker 1: Now do y'all think Kendrick is on it? And do

861
00:37:14,000 --> 00:37:17,359
Speaker 1: y'all want Kendrick? You don't want Kendrick? I take back

862
00:37:17,440 --> 00:37:19,040
Speaker 1: my prediction of you don't want Kendreck.

863
00:37:19,760 --> 00:37:21,560
Speaker 3: He's not. He's it's not even about what I want.

864
00:37:21,600 --> 00:37:22,520
Speaker 3: He's not going to be on there.

865
00:37:23,800 --> 00:37:25,640
Speaker 2: Cool would you want him to be on there?

866
00:37:25,680 --> 00:37:27,840
Speaker 3: Of course if the song will be good, sure, But

867
00:37:28,000 --> 00:37:29,760
Speaker 3: actually no, because I don't want to hear the discourse

868
00:37:29,840 --> 00:37:30,160
Speaker 3: on Twitter.

869
00:37:30,280 --> 00:37:32,560
Speaker 2: Actually I don't want to discourse, so no, I just

870
00:37:32,600 --> 00:37:34,040
Speaker 2: said the same thing about it Javer. He's like, I

871
00:37:34,040 --> 00:37:35,400
Speaker 2: don't give a fuck with nobody.

872
00:37:36,560 --> 00:37:36,640
Speaker 4: But.

873
00:37:39,760 --> 00:37:42,160
Speaker 3: If you don't understand the difference between I don't need

874
00:37:42,320 --> 00:37:45,160
Speaker 3: to hear Kendrick and Cole together because I don't want

875
00:37:45,160 --> 00:37:46,560
Speaker 3: to hear what the internet has to say about it.

876
00:37:46,640 --> 00:37:48,239
Speaker 3: When we've been here on a bunch of Kendrick in

877
00:37:48,280 --> 00:37:50,879
Speaker 3: comparison to we haven't heard from Jay in fucking years.

878
00:37:51,040 --> 00:37:53,480
Speaker 2: I don't give a fuck what it takes. Two years

879
00:37:53,480 --> 00:37:59,040
Speaker 2: ago on Calvi's album, more than two years ago definitely

880
00:37:59,160 --> 00:38:01,359
Speaker 2: was tis. I don't think Amar was born yet.

881
00:38:02,320 --> 00:38:05,560
Speaker 4: Is he's three? What God did was a long time ago?

882
00:38:08,320 --> 00:38:11,880
Speaker 2: Yeah, I'm trying to drop an album more than two

883
00:38:11,960 --> 00:38:14,800
Speaker 2: years so this was three years ago. God did was

884
00:38:15,520 --> 00:38:18,719
Speaker 2: twenty twenty two, Yeah, wasn't even born? Be four years

885
00:38:20,520 --> 00:38:23,360
Speaker 2: time flying baby, Yeah.

886
00:38:23,239 --> 00:38:25,279
Speaker 4: And I mean Jay had a lot to say on that.

887
00:38:27,920 --> 00:38:30,200
Speaker 2: I just don't think. I don't it's been. It's been

888
00:38:30,200 --> 00:38:31,640
Speaker 2: I don't see him three plus years. I'm sure.

889
00:38:31,719 --> 00:38:33,680
Speaker 4: I'm sure Jay's experienced some things he can talk about

890
00:38:33,680 --> 00:38:34,399
Speaker 4: in the last three years.

891
00:38:34,680 --> 00:38:37,080
Speaker 2: I just don't think that it's gonna happen on this album.

892
00:38:37,160 --> 00:38:38,160
Speaker 2: Oh No, I don't think so either.

893
00:38:38,239 --> 00:38:40,799
Speaker 1: But I mean I think we'll I think we'll get

894
00:38:41,080 --> 00:38:44,920
Speaker 1: we'll get We'll get a Jay Verse somewhere.

895
00:38:46,160 --> 00:38:48,239
Speaker 2: I don't think it's going to be on the.

896
00:38:48,320 --> 00:38:50,400
Speaker 3: Fall off though, who do you think it would be

897
00:38:50,640 --> 00:38:51,640
Speaker 3: with or under or what?

898
00:38:58,320 --> 00:38:58,560
Speaker 2: I think?

899
00:38:58,600 --> 00:39:00,279
Speaker 1: Be honest, it gets a jay Verse before anybody at

900
00:39:00,280 --> 00:39:04,280
Speaker 1: this point. I could see him and Beyonce doing the record.

901
00:39:04,560 --> 00:39:09,319
Speaker 3: Yeah, but b hasn't really been I don't think Act

902
00:39:09,360 --> 00:39:11,600
Speaker 3: three would be it. Like when I look at the

903
00:39:11,719 --> 00:39:15,320
Speaker 3: way features were at one in Act two, I don't.

904
00:39:15,160 --> 00:39:18,080
Speaker 2: Think Jay is I'm just saying I think she gets

905
00:39:18,120 --> 00:39:20,520
Speaker 2: a j Verse before anybody. I'm sure she could, but.

906
00:39:21,120 --> 00:39:22,520
Speaker 1: Like I think that's the next time we hear Jay

907
00:39:22,560 --> 00:39:26,160
Speaker 1: Z it'll be with his wife, because the only time

908
00:39:26,200 --> 00:39:28,960
Speaker 1: you see Jay on stage now is at hersh on tour.

909
00:39:29,760 --> 00:39:32,000
Speaker 1: Like they travel the world as a family now, Like

910
00:39:32,040 --> 00:39:33,640
Speaker 1: you know what I'm saying, they moving like it's it's

911
00:39:33,760 --> 00:39:35,040
Speaker 1: that now they're in that eerror.

912
00:39:35,239 --> 00:39:37,880
Speaker 4: If Rihanna felt like making some music, I think she

913
00:39:37,920 --> 00:39:39,319
Speaker 4: would get Jay to do something.

914
00:39:40,600 --> 00:39:41,160
Speaker 2: Not mad at that.

915
00:39:41,640 --> 00:39:43,279
Speaker 1: That's something I just don't think it's gonna be the

916
00:39:43,320 --> 00:39:45,560
Speaker 1: way we like anticipate it. It's not gonna be with

917
00:39:45,640 --> 00:39:46,279
Speaker 1: another rapper.

918
00:39:46,360 --> 00:39:46,759
Speaker 2: I don't think.

919
00:39:46,840 --> 00:39:48,200
Speaker 1: I don't think it's gonna I don't think next Ja

920
00:39:48,320 --> 00:39:49,680
Speaker 1: verse we get is gonna be with another rap And

921
00:39:49,719 --> 00:39:50,400
Speaker 1: we could be totally wrong.

922
00:39:50,440 --> 00:39:52,040
Speaker 2: He might be on this j Co album, but I

923
00:39:52,080 --> 00:39:52,480
Speaker 2: don't think.

924
00:39:52,680 --> 00:39:54,080
Speaker 1: I don't think so. I think we would have heard

925
00:39:54,160 --> 00:39:57,719
Speaker 1: rumblins of that already. But I think the next time

926
00:39:57,719 --> 00:40:01,120
Speaker 1: we hear Jay it'll be with Beyonce or Rihanna, somebody

927
00:40:01,239 --> 00:40:01,400
Speaker 1: like that.

928
00:40:03,800 --> 00:40:07,440
Speaker 2: Sabooze's not getting jay z verse. It's not happening. I

929
00:40:07,560 --> 00:40:10,800
Speaker 2: like Shoboozi while.

930
00:40:12,640 --> 00:40:14,480
Speaker 1: Shaboozy is lip, but I'm just saying Jay's not giving

931
00:40:14,520 --> 00:40:17,920
Speaker 1: Shaboozie a verse. Frank could get Jay Frank Ocean.

932
00:40:19,000 --> 00:40:21,000
Speaker 4: There's very few people that if they started, if they

933
00:40:21,040 --> 00:40:22,520
Speaker 4: want to make music again, JA would showupright.

934
00:40:22,600 --> 00:40:24,600
Speaker 2: Frank Osh is not giving Jay. Jay Z's not giving

935
00:40:24,600 --> 00:40:27,200
Speaker 2: Frank Ocean the verse. He's not happening. He has before.

936
00:40:28,040 --> 00:40:29,400
Speaker 2: I know what he did. He gave a lot of

937
00:40:29,440 --> 00:40:32,960
Speaker 2: niggas verses before that will never get another verse I should.

938
00:40:33,320 --> 00:40:35,759
Speaker 4: Frank may be on the most hooks with jay Z

939
00:40:35,880 --> 00:40:40,360
Speaker 4: outside of fucking Farrell. Frank Frank be on every.

940
00:40:40,280 --> 00:40:42,200
Speaker 2: J album at one point, Yeah, he was. He was

941
00:40:42,239 --> 00:40:44,480
Speaker 2: the hook guy for sure. But I don't I think that's.

942
00:40:44,400 --> 00:40:47,600
Speaker 4: Over Frank, not even the hook guy. Has Frank given

943
00:40:47,640 --> 00:40:51,080
Speaker 4: a hook to anyone but Budges something about with j J. Yeah, Okay,

944
00:40:51,200 --> 00:40:53,200
Speaker 4: I'm not saying not everybody. He was even on four,

945
00:40:53,280 --> 00:40:58,120
Speaker 4: forty four and twenty sixteen. Nah, Frank can get Jay

946
00:40:58,120 --> 00:40:58,520
Speaker 4: out the house.

947
00:40:58,840 --> 00:41:01,320
Speaker 3: I had a question for y'all actually, speaking of like

948
00:41:01,440 --> 00:41:05,040
Speaker 3: features and ship like that. Who do y'all think out

949
00:41:05,040 --> 00:41:06,960
Speaker 3: of like the newer all the people we watched at

950
00:41:07,000 --> 00:41:10,160
Speaker 3: the Grammy's, like the new artists and you know, Olivia

951
00:41:10,239 --> 00:41:12,200
Speaker 3: Dean's big all of these people, who do y'all think

952
00:41:12,280 --> 00:41:13,880
Speaker 3: is like going to have like a long career? Like,

953
00:41:13,920 --> 00:41:16,400
Speaker 3: do y'all think any of anybody new is going to

954
00:41:16,440 --> 00:41:20,400
Speaker 3: have a long career? Leon le okay, anybody knew? I

955
00:41:20,440 --> 00:41:23,759
Speaker 3: think I think out within the last four started to

956
00:41:23,840 --> 00:41:25,600
Speaker 3: their stars started to rise within the last three or

957
00:41:25,600 --> 00:41:26,000
Speaker 3: four years.

958
00:41:26,000 --> 00:41:26,920
Speaker 2: That's what I mean by new.

959
00:41:27,360 --> 00:41:30,920
Speaker 4: Yeah, to me, Leon Thomas is the one that's here

960
00:41:30,960 --> 00:41:35,520
Speaker 4: to stay because now now he has the the energy

961
00:41:35,760 --> 00:41:38,560
Speaker 4: and all the eyes on him and he's actually talented,

962
00:41:39,400 --> 00:41:41,239
Speaker 4: Whereas there's a lot of times people get all the eyes,

963
00:41:41,360 --> 00:41:44,440
Speaker 4: all the looks of everything, that industry gets behind them

964
00:41:44,680 --> 00:41:48,360
Speaker 4: and they're just not talented, so they fall off. Like

965
00:41:49,520 --> 00:41:53,319
Speaker 4: Leon checks every box and yeah, he'll be fine even

966
00:41:53,320 --> 00:41:55,960
Speaker 4: if the industry stops being behind him.

967
00:41:56,000 --> 00:41:58,880
Speaker 1: Yeah, Leon, he has he has longevity. He's gonna be

968
00:41:58,880 --> 00:42:02,800
Speaker 1: He's gonna be rand because he has true artistry. I

969
00:42:02,880 --> 00:42:06,239
Speaker 1: think that's what gives you longevity. You have to be

970
00:42:06,280 --> 00:42:09,480
Speaker 1: a true artist. You look at all the pop stars

971
00:42:09,560 --> 00:42:13,880
Speaker 1: and the people that are icons true artistry, they're real artists.

972
00:42:14,360 --> 00:42:16,920
Speaker 1: A lot of people catch a record they have talent,

973
00:42:17,800 --> 00:42:21,120
Speaker 1: but true artistry you can leave that person in the

974
00:42:21,200 --> 00:42:24,560
Speaker 1: studio and they can create a song from start to

975
00:42:24,600 --> 00:42:25,560
Speaker 1: finish by themselves.

976
00:42:26,080 --> 00:42:27,919
Speaker 2: And Leon Thomas has that. He can create.

977
00:42:28,000 --> 00:42:30,520
Speaker 1: He can build a song, write a song, produce a

978
00:42:30,600 --> 00:42:35,000
Speaker 1: song by hisself start to finish. So I think Leon,

979
00:42:35,120 --> 00:42:38,120
Speaker 1: he records himself, records himself. I think he's definitely his

980
00:42:38,560 --> 00:42:47,120
Speaker 1: talent says longevity to me. On the rap side, MM, yeah, yeah,

981
00:42:47,120 --> 00:42:49,120
Speaker 1: I don't know if I see any new rappers that

982
00:42:50,280 --> 00:42:52,319
Speaker 1: you say new rappers within the last four years.

983
00:42:52,560 --> 00:42:56,440
Speaker 3: Rap is unpredictable, rap is so shaky, unpredictable.

984
00:42:57,200 --> 00:43:03,200
Speaker 4: Well, okay, rad became such a hustle, like there's not

985
00:43:03,360 --> 00:43:07,760
Speaker 4: any superstars in rapper because it already that aren't already superstars.

986
00:43:07,800 --> 00:43:09,640
Speaker 3: I'm not even looking for superstars. I just meant, like

987
00:43:09,920 --> 00:43:12,160
Speaker 3: a long, a long career. You can have a long career.

988
00:43:12,200 --> 00:43:13,040
Speaker 3: What I'll be in a superstar.

989
00:43:13,120 --> 00:43:16,320
Speaker 4: No, I said that that's fair, but again, yet it's

990
00:43:16,360 --> 00:43:18,359
Speaker 4: kind of I don't know at this point.

991
00:43:18,520 --> 00:43:19,799
Speaker 2: Yeah, what works.

992
00:43:20,000 --> 00:43:22,880
Speaker 4: I was talking to part of Drop a Name. I

993
00:43:22,920 --> 00:43:27,000
Speaker 4: was talking to Quentin Milly yesterday, thank you for catching

994
00:43:27,040 --> 00:43:30,720
Speaker 4: a Name. He brought up a point that I agree.

995
00:43:30,840 --> 00:43:33,360
Speaker 4: You guys know, I've I've I've been pretty vocal of

996
00:43:33,800 --> 00:43:38,680
Speaker 4: me personally thinking Playboy Carti's music stinks. The Grammys is

997
00:43:38,719 --> 00:43:41,520
Speaker 4: fucked up for not The fact that Playboy Cardi was

998
00:43:41,600 --> 00:43:45,520
Speaker 4: not even nominated is a slap in the face to

999
00:43:46,719 --> 00:43:48,880
Speaker 4: to hip hop when you're trying to be that pretentious.

1000
00:43:49,360 --> 00:43:50,359
Speaker 2: Do I fuck with his music?

1001
00:43:50,520 --> 00:43:55,480
Speaker 4: God, No, I'm pretentious in disliking it, But the fact

1002
00:43:55,520 --> 00:43:59,799
Speaker 4: that you have those numbers that impact in hip hop

1003
00:44:00,160 --> 00:44:03,279
Speaker 4: and you're not even nominated, it is kind of a

1004
00:44:03,400 --> 00:44:06,120
Speaker 4: miscarriage of justice to not have Playboy Cardi up there,

1005
00:44:06,360 --> 00:44:09,480
Speaker 4: like you're taking a whole part of hip hop that

1006
00:44:10,400 --> 00:44:12,640
Speaker 4: is important and keeping this shit moving. Look at the

1007
00:44:12,719 --> 00:44:15,160
Speaker 4: numbers he does and not having it represented in that

1008
00:44:15,239 --> 00:44:18,319
Speaker 4: category is kind of nuts. I don't even fuck with him,

1009
00:44:18,360 --> 00:44:20,360
Speaker 4: But like, if I'm Playboy Cardi, I'm look at this

1010
00:44:20,360 --> 00:44:22,640
Speaker 4: shit like, yo, what else would I have to do

1011
00:44:22,800 --> 00:44:23,480
Speaker 4: to be nominated?

1012
00:44:23,880 --> 00:44:25,279
Speaker 2: But this was a big year on hip hop.

1013
00:44:25,320 --> 00:44:28,359
Speaker 3: Who does the Grammys take out without causing a riot?

1014
00:44:28,560 --> 00:44:31,560
Speaker 4: I don't really have the answer to that because anything

1015
00:44:31,640 --> 00:44:34,160
Speaker 4: I say would sound wrong because I think everyone that

1016
00:44:34,239 --> 00:44:37,600
Speaker 4: was nominated here deserved their nomination. But that's where the

1017
00:44:37,600 --> 00:44:39,400
Speaker 4: Grammys needs to make a decision. Someone needs to get

1018
00:44:39,400 --> 00:44:42,880
Speaker 4: clpped from that to represent what Playboy Cardi did in

1019
00:44:43,000 --> 00:44:44,479
Speaker 4: hip hop in this Grammy cycle.

1020
00:44:44,800 --> 00:44:46,920
Speaker 2: So you're saying he should have been nominated for Best

1021
00:44:47,000 --> 00:44:49,279
Speaker 2: Rap Album, Yeah, even though I personally don't even think

1022
00:44:49,280 --> 00:44:50,200
Speaker 2: it's rap. That's not rap.

1023
00:44:50,920 --> 00:44:53,160
Speaker 4: But but see, all right, this is also what me

1024
00:44:53,440 --> 00:44:55,400
Speaker 4: and Quentin we're talking about, which we've talked about in

1025
00:44:55,400 --> 00:44:58,480
Speaker 4: this podcast. Rap has such a wide spectrum now that

1026
00:44:58,560 --> 00:45:00,520
Speaker 4: there needs to be subcategories the way there is with

1027
00:45:00,680 --> 00:45:03,959
Speaker 4: R and B, and that's melodic rap performance, not even

1028
00:45:04,120 --> 00:45:07,200
Speaker 4: it's not. There needs to be subcategories of medic.

1029
00:45:07,800 --> 00:45:10,919
Speaker 3: Wasn't black, no one would ever say that that was rap.

1030
00:45:12,040 --> 00:45:13,960
Speaker 3: If he wasn't black, no one would ever sing.

1031
00:45:13,880 --> 00:45:17,480
Speaker 4: Out that's That's a good point because when Egor got Igor,

1032
00:45:17,520 --> 00:45:19,560
Speaker 4: which I think is a classic album, got nominated for

1033
00:45:19,640 --> 00:45:20,840
Speaker 4: Rap Album the Year, I said, first of all, that

1034
00:45:20,880 --> 00:45:23,520
Speaker 4: should be that should be nominated for Album of the Year.

1035
00:45:23,960 --> 00:45:25,760
Speaker 2: And it's also not a rap album.

1036
00:45:26,080 --> 00:45:29,320
Speaker 4: But I think we're kind of doing a discredit to

1037
00:45:29,680 --> 00:45:33,040
Speaker 4: rap by not putting subgenres where something like an Egor

1038
00:45:33,160 --> 00:45:36,040
Speaker 4: or Playboy Cardi should be represented in that because Tyler

1039
00:45:36,160 --> 00:45:38,839
Speaker 4: is hip hop that that all derives even though he's

1040
00:45:38,880 --> 00:45:41,719
Speaker 4: singing on that entire thing, and there isn't really any

1041
00:45:41,800 --> 00:45:45,040
Speaker 4: rap versus that still derives from it. That's still hip hop,

1042
00:45:45,680 --> 00:45:46,680
Speaker 4: like Cutty as hip hop.

1043
00:45:46,960 --> 00:45:48,840
Speaker 2: So we belowest hip hop even though it's.

1044
00:45:48,760 --> 00:45:50,480
Speaker 3: Aggressive hip hop or alternative.

1045
00:45:50,600 --> 00:45:53,040
Speaker 4: Yeah, I think there needs to be so because we

1046
00:45:53,160 --> 00:45:57,839
Speaker 4: can't just think of rap in the boombap lyric way.

1047
00:45:58,640 --> 00:46:00,960
Speaker 4: It is in its purest form, that's what rap is

1048
00:46:01,040 --> 00:46:04,000
Speaker 4: now because because it's changed.

1049
00:46:03,960 --> 00:46:06,760
Speaker 1: Nah, some other ship has some other rap has birthed

1050
00:46:06,840 --> 00:46:09,839
Speaker 1: some other things. Rap hasn't changed. Some niggas that because

1051
00:46:09,840 --> 00:46:12,000
Speaker 1: its a nigga you're ready to drop Thursday Night that raps.

1052
00:46:12,239 --> 00:46:14,520
Speaker 2: But to me, to me, rap ain't change. No, some

1053
00:46:14,680 --> 00:46:15,840
Speaker 2: niggas are still rapping for.

1054
00:46:15,880 --> 00:46:19,360
Speaker 4: Sure, And I'm saying that the best rap album should

1055
00:46:19,480 --> 00:46:21,720
Speaker 4: stay the way that it is. Actually, thinks since Royce

1056
00:46:22,360 --> 00:46:25,960
Speaker 4: got nominated for his project, the Grammys has gotten it right.

1057
00:46:26,080 --> 00:46:28,000
Speaker 4: These are all real rap albums because before they was

1058
00:46:28,040 --> 00:46:30,200
Speaker 4: nominating rap albums that wasn't fucking rap albums.

1059
00:46:30,520 --> 00:46:31,320
Speaker 2: We need to keep that.

1060
00:46:31,560 --> 00:46:34,080
Speaker 4: But I think we're doing a disservice to hip hop

1061
00:46:34,480 --> 00:46:39,240
Speaker 4: by not proving that all of this other sub genre

1062
00:46:39,320 --> 00:46:40,759
Speaker 4: shit does derive from hip hop.

1063
00:46:40,840 --> 00:46:42,960
Speaker 2: Oh it does? This is hip hop? Sure, yeah, I'm

1064
00:46:43,000 --> 00:46:44,319
Speaker 2: not mad at that. I'm not mad at all.

1065
00:46:44,239 --> 00:46:47,719
Speaker 4: Because I'm about you Playboy Cardi. Shit, No, I say,

1066
00:46:48,080 --> 00:46:50,400
Speaker 4: come on us, it's not hip hop. But that's fucked

1067
00:46:50,480 --> 00:46:53,719
Speaker 4: up because it all, he wasn't inspired by anything but

1068
00:46:53,840 --> 00:46:56,359
Speaker 4: hip hop to make that album. So hip hop still

1069
00:46:56,400 --> 00:46:59,919
Speaker 4: needs the credit on what Playboy Cardi does and where

1070
00:47:00,040 --> 00:47:02,640
Speaker 4: it's spreading. All the pop stars steal from hip hop. Now,

1071
00:47:02,719 --> 00:47:04,759
Speaker 4: now all this shit needs to be labeled under what

1072
00:47:04,960 --> 00:47:07,480
Speaker 4: it is inspired by and that is rap and hip hop.

1073
00:47:08,160 --> 00:47:10,320
Speaker 4: So we need to we need to have sub genres

1074
00:47:10,360 --> 00:47:13,320
Speaker 4: in that because come on, CARDI, look at the numbers

1075
00:47:13,360 --> 00:47:16,480
Speaker 4: he's doing the impact. That's not just fake bot stream ship.

1076
00:47:16,520 --> 00:47:19,080
Speaker 4: Look what Look the tickets he's selling. Pop has not

1077
00:47:19,200 --> 00:47:23,880
Speaker 4: acknowledge that ship is insane to me. Travis Scott. I

1078
00:47:23,920 --> 00:47:26,399
Speaker 4: don't think Travis Scott is a rapper, or to say

1079
00:47:26,480 --> 00:47:30,120
Speaker 4: Travis Scott is not, but he raps more than for sure,

1080
00:47:30,280 --> 00:47:31,880
Speaker 4: for sure. But I'm just saying party.

1081
00:47:31,719 --> 00:47:33,600
Speaker 1: Is more music, it's more vibe, it's more for a

1082
00:47:33,680 --> 00:47:36,200
Speaker 1: live show. It's more of a DJ type of thing.

1083
00:47:36,320 --> 00:47:38,560
Speaker 1: Like it's like that, like he'll give us some lyrics

1084
00:47:38,600 --> 00:47:41,960
Speaker 1: and some you know, I guess bars and melodies hading there.

1085
00:47:42,000 --> 00:47:44,160
Speaker 2: But a lot of his shit is just energy and music.

1086
00:47:44,400 --> 00:47:46,320
Speaker 3: Well, let's look at the Let's look at the country

1087
00:47:47,239 --> 00:47:49,399
Speaker 3: side of the Grammys and the awards that they give

1088
00:47:49,440 --> 00:47:51,200
Speaker 3: out right, because he has a point. So for country,

1089
00:47:51,239 --> 00:47:56,040
Speaker 3: they have Best Traditional Country Album, Best Contemporary Country Album,

1090
00:47:56,200 --> 00:47:59,759
Speaker 3: Best American Roots Album, like Best Blue gri Like there's

1091
00:47:59,760 --> 00:48:00,920
Speaker 3: a whole bunch.

1092
00:48:00,719 --> 00:48:01,680
Speaker 2: Of stuff in blue.

1093
00:48:04,000 --> 00:48:08,600
Speaker 4: Like it's there's subgenres of hip hop now, So ironically,

1094
00:48:09,160 --> 00:48:12,160
Speaker 4: with the Cuddy and Jim Jones debate and all that.

1095
00:48:12,320 --> 00:48:15,839
Speaker 4: I do remember when that song came out, that kind

1096
00:48:15,880 --> 00:48:19,800
Speaker 4: of being a debate amongst my friends of like Cuddy

1097
00:48:19,880 --> 00:48:23,279
Speaker 4: is hip hop though, and we would have arguments like

1098
00:48:23,680 --> 00:48:25,960
Speaker 4: this is not hip hop, throwing in some R and B.

1099
00:48:26,040 --> 00:48:27,839
Speaker 4: She like, no, this is at the end of the day,

1100
00:48:27,880 --> 00:48:30,520
Speaker 4: these are hip hop drum. This is Cuddy is not

1101
00:48:30,640 --> 00:48:33,279
Speaker 4: being inspired by anything but hip hop here, this is

1102
00:48:33,440 --> 00:48:35,319
Speaker 4: this is from the tree of hip hop. This isn't

1103
00:48:35,400 --> 00:48:38,080
Speaker 4: from anything else. And I think that type of stuff

1104
00:48:38,160 --> 00:48:42,040
Speaker 4: needs to be represented at the Grammys.

1105
00:48:42,120 --> 00:48:42,520
Speaker 2: I don't like.

1106
00:48:42,520 --> 00:48:45,040
Speaker 4: Playboy Cardi, but who who the fuck am I? There's

1107
00:48:45,280 --> 00:48:47,759
Speaker 4: millions and millions and millions and millions of people that

1108
00:48:47,920 --> 00:48:52,279
Speaker 4: absolutely love that gentleman. Yeah, I don't never play, but

1109
00:48:52,360 --> 00:48:54,239
Speaker 4: I recognize the talent though. Yeah, I get it, I

1110
00:48:54,360 --> 00:48:56,440
Speaker 4: understand it. It's not from me. I think it's an

1111
00:48:56,440 --> 00:48:59,640
Speaker 4: instrumental album. Yeah, I can't even tell when he's on it.

1112
00:48:59,800 --> 00:49:03,759
Speaker 3: But yeah, I agree with you when you put it

1113
00:49:03,840 --> 00:49:06,640
Speaker 3: like that with a different I don't say he needs

1114
00:49:06,680 --> 00:49:08,160
Speaker 3: to be taking somebody needs to be taken out of

1115
00:49:08,160 --> 00:49:09,640
Speaker 3: Best Rap Album and he needs to be put in there.

1116
00:49:09,680 --> 00:49:11,359
Speaker 3: I disagree with that, but I do agree that there

1117
00:49:11,360 --> 00:49:12,480
Speaker 3: does need to be a category.

1118
00:49:12,880 --> 00:49:15,920
Speaker 2: Has people like that? Has Vince Staples ever been nominated

1119
00:49:16,000 --> 00:49:17,160
Speaker 2: for Grammy? Let's see.

1120
00:49:18,600 --> 00:49:23,719
Speaker 4: I mean he's personal favorite. Last four album Run is

1121
00:49:24,080 --> 00:49:25,560
Speaker 4: probably my favorite from a solo artist.

1122
00:49:25,840 --> 00:49:28,279
Speaker 2: That's why. That's why I just I was thinking about

1123
00:49:28,280 --> 00:49:31,080
Speaker 2: that Van Stables cannot miss when he's never been nominated

1124
00:49:31,120 --> 00:49:31,680
Speaker 2: for a Grammy.

1125
00:49:31,800 --> 00:49:37,719
Speaker 4: Wow, Okay, which is nuts because the Vince Staples self

1126
00:49:37,760 --> 00:49:40,560
Speaker 4: titled album it was one of the best of that year.

1127
00:49:40,840 --> 00:49:44,120
Speaker 4: Ramona Park broke my heart, Like Ramona Park is, that's

1128
00:49:44,120 --> 00:49:46,759
Speaker 4: a classic rap album. Yeah, I don't know how that

1129
00:49:46,800 --> 00:49:51,319
Speaker 4: stuff doesn't make it into the Grammys. But it's tough too.

1130
00:49:51,400 --> 00:49:53,560
Speaker 4: I actually do give some grace to the Grammy committee.

1131
00:49:53,880 --> 00:49:56,960
Speaker 4: You only have so many slots, and we're at the

1132
00:49:57,000 --> 00:50:00,560
Speaker 4: highest peak of artists that we've ever had. It's new

1133
00:50:00,640 --> 00:50:03,680
Speaker 4: artist every goddamn days. It's tough to narrow it down.

1134
00:50:03,760 --> 00:50:06,239
Speaker 4: But I think we're doing hip hop or disservice by

1135
00:50:06,320 --> 00:50:07,760
Speaker 4: not having sub categories.

1136
00:50:07,880 --> 00:50:08,320
Speaker 2: I agree.

1137
00:50:09,640 --> 00:50:11,359
Speaker 4: I don't even know how we got onto that entire

1138
00:50:12,000 --> 00:50:13,840
Speaker 4: I think you said something about Biaber and we just

1139
00:50:13,880 --> 00:50:16,440
Speaker 4: went are you I'm sorry? I put my glass are

1140
00:50:16,440 --> 00:50:17,440
Speaker 4: you guys, ready to get my flowers?

1141
00:50:17,680 --> 00:50:20,640
Speaker 2: Oh, here we go. What happened? Why did you even

1142
00:50:20,640 --> 00:50:23,640
Speaker 2: bring that up? What happened? He's it wasn't even on

1143
00:50:23,719 --> 00:50:24,600
Speaker 2: my list comments.

1144
00:50:25,000 --> 00:50:28,520
Speaker 4: When you're sometimes you just gotta sometimes got so many

1145
00:50:29,239 --> 00:50:30,279
Speaker 4: and let the comments speak for them.

1146
00:50:30,440 --> 00:50:32,239
Speaker 3: A lot of the comments agree with him, So now

1147
00:50:32,280 --> 00:50:35,839
Speaker 3: he's on his high fucking horse that he was right

1148
00:50:36,040 --> 00:50:39,440
Speaker 3: about Biaber being underrated because some of the comments agree

1149
00:50:39,440 --> 00:50:39,719
Speaker 3: with him.

1150
00:50:41,360 --> 00:50:43,360
Speaker 4: I just think it's even even the higher up to me.

1151
00:50:44,200 --> 00:50:45,920
Speaker 1: I just think I just think it's interesting to like

1152
00:50:46,160 --> 00:50:49,480
Speaker 1: champion for Biaber during Black History Month when his first

1153
00:50:49,520 --> 00:50:50,080
Speaker 1: single was.

1154
00:50:50,719 --> 00:50:54,000
Speaker 2: One less Loaner, one less longer, I'll take my classes.

1155
00:50:54,440 --> 00:50:57,640
Speaker 4: Yeah, we forgot. You like to throw his first single

1156
00:50:57,640 --> 00:50:59,800
Speaker 4: on it, like you like to brush that to this.

1157
00:51:00,200 --> 00:51:05,480
Speaker 4: We heard the first It was baby Remember him and

1158
00:51:05,560 --> 00:51:06,560
Speaker 4: Ludacris and the Bowling Alley?

1159
00:51:06,719 --> 00:51:08,759
Speaker 2: Yeah no, I remember that. I remember that one too,

1160
00:51:08,840 --> 00:51:10,960
Speaker 2: But I remember one less loan him and that guitar.

1161
00:51:15,120 --> 00:51:17,640
Speaker 3: Oh Man still having a long, thriving career.

1162
00:51:18,000 --> 00:51:20,319
Speaker 4: Man, I don't excuse anything Justin Bieber did in that video,

1163
00:51:20,360 --> 00:51:20,719
Speaker 4: even though he.

1164
00:51:20,760 --> 00:51:21,080
Speaker 2: Was a kid.

1165
00:51:21,840 --> 00:51:24,880
Speaker 4: How come no one has found out who was holding

1166
00:51:24,920 --> 00:51:29,279
Speaker 4: that camera and laughing. It was stop, don't put that,

1167
00:51:29,680 --> 00:51:32,040
Speaker 4: don't put that out. Usher was laughing because he knew

1168
00:51:32,080 --> 00:51:33,840
Speaker 4: he was on the way to the bank. It's like

1169
00:51:34,200 --> 00:51:35,680
Speaker 4: this little nigga about to be a star.

1170
00:51:36,320 --> 00:51:42,319
Speaker 2: Yeah, don't put me on camera laughing. Oh my god, Yeah,

1171
00:51:43,760 --> 00:51:46,640
Speaker 2: that camera is crazy.

1172
00:51:46,840 --> 00:51:47,120
Speaker 1: Was that his?

1173
00:51:47,480 --> 00:51:50,040
Speaker 4: Like that was always kind of my thing, Like this

1174
00:51:50,239 --> 00:51:53,600
Speaker 4: is a child that only knows what he's taught. Who's

1175
00:51:53,680 --> 00:51:57,120
Speaker 4: holding that camera and laughing? I just told you it

1176
00:51:57,200 --> 00:52:00,759
Speaker 4: sounds like a white lady is Yeah, gotta you can

1177
00:52:00,840 --> 00:52:01,439
Speaker 4: change his total.

1178
00:52:01,880 --> 00:52:03,760
Speaker 2: It's just that talented. Yeah, you can do everything.

1179
00:52:03,960 --> 00:52:08,080
Speaker 3: Ma I had a question for you. You love my questions,

1180
00:52:08,760 --> 00:52:13,439
Speaker 3: some of them, mall.

1181
00:52:13,520 --> 00:52:16,640
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Speaker 2: I had a question.

1221
00:54:11,600 --> 00:54:14,200
Speaker 3: I was having a conversation on my life and one

1222
00:54:14,239 --> 00:54:16,360
Speaker 3: of the fans or one of the listeners or fewers

1223
00:54:16,400 --> 00:54:18,160
Speaker 3: of my life said that they're tired of knowing so

1224
00:54:18,320 --> 00:54:21,920
Speaker 3: much about celebrities. Right it was post Grammys. They were

1225
00:54:21,960 --> 00:54:24,040
Speaker 3: talking about me too, you are.

1226
00:54:24,400 --> 00:54:27,200
Speaker 2: Yes, I don't care to know about these artists like that.

1227
00:54:27,360 --> 00:54:28,160
Speaker 2: Just give me good music.

1228
00:54:28,960 --> 00:54:31,440
Speaker 3: Even like the I thought like the accessibility made them

1229
00:54:31,440 --> 00:54:34,239
Speaker 3: a little bit more relatable. Do you think that relatability

1230
00:54:34,280 --> 00:54:35,839
Speaker 3: is whooping is like biting off their ass?

1231
00:54:35,920 --> 00:54:38,359
Speaker 1: Now, well, it makes them more relatable, But I think

1232
00:54:38,600 --> 00:54:42,799
Speaker 1: people became too invested in artists personal lives and things

1233
00:54:42,880 --> 00:54:44,960
Speaker 1: like that. And then now if they don't give them

1234
00:54:45,280 --> 00:54:49,040
Speaker 1: personal information and share certain things, people start calling the

1235
00:54:49,120 --> 00:54:52,800
Speaker 1: artists weird because they're not sharing personal, you know things,

1236
00:54:52,960 --> 00:54:55,799
Speaker 1: just like, bro, I'm here to entertain and make music

1237
00:54:56,080 --> 00:54:58,440
Speaker 1: or whatever it is that I do. You'm not here

1238
00:54:58,520 --> 00:55:01,040
Speaker 1: to tell you my personal business with my family has

1239
00:55:01,080 --> 00:55:03,319
Speaker 1: going on. Things like that, and a lot of times

1240
00:55:03,360 --> 00:55:07,000
Speaker 1: people care about that more than nactual music. So I

1241
00:55:07,040 --> 00:55:08,920
Speaker 1: think that's when it became a problem, when people just

1242
00:55:08,920 --> 00:55:11,720
Speaker 1: started to care too much. Like, you know, I always

1243
00:55:11,760 --> 00:55:14,719
Speaker 1: told I didn't know a lot about big when I

1244
00:55:14,800 --> 00:55:16,400
Speaker 1: was in high school, POC. I didn't know a lot

1245
00:55:16,440 --> 00:55:20,120
Speaker 1: about my favorite artists, but we still love them the same,

1246
00:55:20,320 --> 00:55:23,279
Speaker 1: We still supported them to listen to their music, you know.

1247
00:55:23,520 --> 00:55:25,719
Speaker 1: And now it's a thing where people want to see,

1248
00:55:26,080 --> 00:55:28,520
Speaker 1: you know, they want to know about everything that goes

1249
00:55:28,560 --> 00:55:30,839
Speaker 1: on in your home, everything that goes on when you're

1250
00:55:30,880 --> 00:55:32,759
Speaker 1: not in the studio away from the camera. And I

1251
00:55:32,880 --> 00:55:34,400
Speaker 1: just think that that's a little weird, Like why do

1252
00:55:34,480 --> 00:55:37,200
Speaker 1: you why do why are you so invested in just

1253
00:55:37,239 --> 00:55:40,479
Speaker 1: because you purchased an album or you purchased a concert ticket,

1254
00:55:40,480 --> 00:55:43,080
Speaker 1: you feel like you should know everything about this human.

1255
00:55:43,200 --> 00:55:44,359
Speaker 1: This is a human at the end of the day,

1256
00:55:44,480 --> 00:55:48,800
Speaker 1: like nobody wants everybody to know everything about them or

1257
00:55:48,880 --> 00:55:50,719
Speaker 1: like personal business, like who who wants that?

1258
00:55:50,880 --> 00:55:53,200
Speaker 2: Like some things to stay personal private.

1259
00:55:53,920 --> 00:55:56,200
Speaker 1: It's just it's just it got it just got weird

1260
00:55:56,239 --> 00:55:59,239
Speaker 1: because people started caring too much about everything other than

1261
00:55:59,760 --> 00:56:01,359
Speaker 1: you know, the person's talent level.

1262
00:56:01,520 --> 00:56:03,400
Speaker 2: But at the same time, I hear you.

1263
00:56:03,560 --> 00:56:05,359
Speaker 3: But at the same time, that also keeps you from

1264
00:56:05,440 --> 00:56:08,400
Speaker 3: supporting somebody who might not have the same values and

1265
00:56:08,480 --> 00:56:09,080
Speaker 3: morals as you.

1266
00:56:09,400 --> 00:56:10,480
Speaker 2: The more you know about somebody.

1267
00:56:11,080 --> 00:56:12,560
Speaker 1: But if we're gonna have that conversation, is a lot

1268
00:56:12,600 --> 00:56:14,319
Speaker 1: of this ketchup you niggas got in your fridge, stop

1269
00:56:14,360 --> 00:56:16,400
Speaker 1: eat buying it. A lot of food that you know,

1270
00:56:16,440 --> 00:56:18,320
Speaker 1: a lot of these supermarkets you shop at where you

1271
00:56:18,400 --> 00:56:20,279
Speaker 1: go get your coffee. If we're gonna get into that,

1272
00:56:20,680 --> 00:56:23,319
Speaker 1: you niggas ain't gonna be able to purchase anything. If

1273
00:56:23,360 --> 00:56:25,040
Speaker 1: that's the if you're trying to figure out what niggas

1274
00:56:25,040 --> 00:56:27,280
Speaker 1: morals and all of this is that I can promise

1275
00:56:27,320 --> 00:56:29,160
Speaker 1: you now you don't want to get into your favorite

1276
00:56:29,160 --> 00:56:31,200
Speaker 1: cup of coffee and who owns that and where they

1277
00:56:31,280 --> 00:56:31,799
Speaker 1: morals are.

1278
00:56:33,120 --> 00:56:35,200
Speaker 2: So that's what I'm saying. You don't some things you

1279
00:56:35,360 --> 00:56:36,719
Speaker 2: just don't want to know. You know what I'm saying, Like,

1280
00:56:36,760 --> 00:56:38,480
Speaker 2: it's just like, Okay, I get it. I'm with you.

1281
00:56:38,560 --> 00:56:40,480
Speaker 1: I don't want to support anybody that's a piece of shit.

1282
00:56:40,760 --> 00:56:42,400
Speaker 1: I don't want to support somebody that does you know,

1283
00:56:42,560 --> 00:56:44,960
Speaker 1: people wrong and things like that. But at the end

1284
00:56:44,960 --> 00:56:47,600
Speaker 1: of the day, we all do so I get it,

1285
00:56:47,680 --> 00:56:49,560
Speaker 1: though I understand the thought of that, Yes, you don't

1286
00:56:49,560 --> 00:56:51,920
Speaker 1: want to support fucked up in pieces of shit, but

1287
00:56:53,360 --> 00:56:55,239
Speaker 1: if you start going down that list, it's gonna be

1288
00:56:55,280 --> 00:56:55,600
Speaker 1: a lot of shit.

1289
00:56:55,600 --> 00:56:56,960
Speaker 2: You're gonna have to stop supporting your life.

1290
00:56:57,000 --> 00:57:00,279
Speaker 1: And I don't know if we are even able to

1291
00:57:00,360 --> 00:57:01,839
Speaker 1: do that, you know what I'm saying, Because some things

1292
00:57:01,880 --> 00:57:04,400
Speaker 1: we just need, no matter how you slice it, we

1293
00:57:04,560 --> 00:57:07,960
Speaker 1: need certain things to function. But I understand that you

1294
00:57:07,960 --> 00:57:11,080
Speaker 1: don't want to support somebody that's, you know, a bad person,

1295
00:57:11,239 --> 00:57:13,920
Speaker 1: and especially when it comes to entertainment and things that

1296
00:57:14,000 --> 00:57:16,160
Speaker 1: you pay for. Go to a concert and this person's

1297
00:57:16,160 --> 00:57:19,760
Speaker 1: a piece of shit. But we got to cut ot

1298
00:57:20,120 --> 00:57:22,440
Speaker 1: cut our wins and losses Like it's it's a lot

1299
00:57:22,440 --> 00:57:24,800
Speaker 1: of people that's pieces of shit. But I do understand

1300
00:57:24,840 --> 00:57:28,280
Speaker 1: how some artists like to share personal things because again,

1301
00:57:28,320 --> 00:57:30,760
Speaker 1: it brings their audience in a little closer. But when

1302
00:57:30,760 --> 00:57:34,400
Speaker 1: the audience starts caring about that too much and starts

1303
00:57:34,440 --> 00:57:37,400
Speaker 1: being too invested in that, I think that that's a problem.

1304
00:57:38,400 --> 00:57:38,560
Speaker 2: I do.

1305
00:57:39,000 --> 00:57:41,000
Speaker 3: Do you think that there's some artists that are skating

1306
00:57:41,080 --> 00:57:46,320
Speaker 3: by purely off of their personal lives being entertaining, Like

1307
00:57:46,400 --> 00:57:48,600
Speaker 3: people wouldn't care about them if their personal life wasn't

1308
00:57:48,640 --> 00:57:50,920
Speaker 3: so entertaining, Like the music isn't enough to hold them up.

1309
00:57:51,240 --> 00:57:54,120
Speaker 4: Oh, of course, I mean that's that's yeah, that's that.

1310
00:57:54,120 --> 00:57:56,560
Speaker 4: I mean that's kind of the marketing plan period now,

1311
00:57:56,600 --> 00:57:58,480
Speaker 4: is lifestyle over the music.

1312
00:57:59,680 --> 00:58:01,800
Speaker 1: But you know, it's funny because you look at some

1313
00:58:01,880 --> 00:58:05,520
Speaker 1: of the biggest artists. I don't think you know much

1314
00:58:05,520 --> 00:58:08,560
Speaker 1: about the biggest artists. People really know that much about Beyonce.

1315
00:58:09,240 --> 00:58:10,720
Speaker 3: You're talking about the biggest artist now.

1316
00:58:11,080 --> 00:58:11,959
Speaker 2: Yeah, I don't know if people.

1317
00:58:12,040 --> 00:58:14,240
Speaker 3: Beyonce used to share a lot of herself with us.

1318
00:58:14,320 --> 00:58:17,120
Speaker 3: She since stopped. She don't say anything. But there was

1319
00:58:17,200 --> 00:58:20,040
Speaker 3: at one point we knew damn near everything about Beyonce

1320
00:58:20,280 --> 00:58:23,120
Speaker 3: because she had been famous for so long and so

1321
00:58:23,280 --> 00:58:26,160
Speaker 3: much of her growth had been document well, I mean

1322
00:58:26,200 --> 00:58:29,640
Speaker 3: to find no everything, Yeah, Like I mean we knew

1323
00:58:30,880 --> 00:58:33,160
Speaker 3: we find so we don't. We never knew stuff about

1324
00:58:33,200 --> 00:58:36,200
Speaker 3: Beyonce in the moment. We always found out later, right,

1325
00:58:36,280 --> 00:58:38,760
Speaker 3: there was a couple of years would go by and

1326
00:58:38,800 --> 00:58:40,600
Speaker 3: we would find out certain shit because she would make

1327
00:58:40,640 --> 00:58:43,880
Speaker 3: her her little vlogs. She would hear a ship concert footage,

1328
00:58:43,960 --> 00:58:46,560
Speaker 3: or we had the book from Destiny's Child, and like,

1329
00:58:47,000 --> 00:58:49,080
Speaker 3: you know, she's when you're in the spotlight for that

1330
00:58:49,320 --> 00:58:51,400
Speaker 3: long since a kid, we know a lot about you.

1331
00:58:51,640 --> 00:58:53,680
Speaker 4: But she's had a great balance of somebody that's been

1332
00:58:53,720 --> 00:58:57,040
Speaker 4: a star since they were a child, of keeping your

1333
00:58:57,080 --> 00:58:59,120
Speaker 4: private life pretty much private, and.

1334
00:58:59,200 --> 00:59:01,240
Speaker 2: Even of that that is very difficulty.

1335
00:59:01,320 --> 00:59:03,040
Speaker 3: And also she doesn't have I don't want to say

1336
00:59:03,080 --> 00:59:04,920
Speaker 3: she doesn't have much of a private life. She doesn't

1337
00:59:04,920 --> 00:59:06,760
Speaker 3: really have much to hide, if that makes sense.

1338
00:59:07,080 --> 00:59:08,480
Speaker 4: I hear what you guys are saying. I think it's

1339
00:59:08,600 --> 00:59:10,320
Speaker 4: not really an artist thing we're talking about. I just

1340
00:59:10,360 --> 00:59:12,760
Speaker 4: think it's kind of a reflection of how society changed,

1341
00:59:12,760 --> 00:59:17,439
Speaker 4: because fans have always been very much into artist's personal lives,

1342
00:59:17,480 --> 00:59:20,080
Speaker 4: whether it was Britney Spears, like even before social the

1343
00:59:20,160 --> 00:59:23,560
Speaker 4: social media boom, that was still a thing. But to

1344
00:59:23,680 --> 00:59:26,840
Speaker 4: the rest of the world that wasn't our obsession. We

1345
00:59:27,000 --> 00:59:30,960
Speaker 4: know too much about the people we know like that.

1346
00:59:31,400 --> 00:59:33,000
Speaker 4: I don't think I don't I understand what you guys.

1347
00:59:33,080 --> 00:59:35,120
Speaker 4: I just don't think it's an artist thing. Because all

1348
00:59:35,120 --> 00:59:39,200
Speaker 4: of a sudden, like when Facebook hit, I'm seeing photos

1349
00:59:39,200 --> 00:59:41,200
Speaker 4: of people's kids that I only see once a year.

1350
00:59:41,240 --> 00:59:43,120
Speaker 4: We started learning more and more about people that we

1351
00:59:43,240 --> 00:59:46,360
Speaker 4: already know. Artists are just a reflection of that. They

1352
00:59:46,480 --> 00:59:49,520
Speaker 4: just are in the same society that we're in. I

1353
00:59:49,640 --> 00:59:53,440
Speaker 4: know everyone's thought when Twitter started, I like, I know

1354
00:59:53,600 --> 00:59:56,240
Speaker 4: everyone's family members when I was follow them on.

1355
00:59:56,240 --> 00:59:57,760
Speaker 2: Facebook, Like, very true.

1356
00:59:57,920 --> 01:00:01,280
Speaker 4: You just learn that society because aim such an oversharing

1357
01:00:01,440 --> 01:00:04,360
Speaker 4: on the lowest of lowest of level. Even if you

1358
01:00:04,440 --> 01:00:06,840
Speaker 4: got ten followers, you're sharing all your thoughts to them.

1359
01:00:07,280 --> 01:00:08,080
Speaker 2: Yeah, a front man.

1360
01:00:08,160 --> 01:00:10,400
Speaker 4: I think artists are just a reflection of that. We

1361
01:00:11,480 --> 01:00:15,040
Speaker 4: have you ever just like caught a random viral tweet

1362
01:00:15,080 --> 01:00:17,760
Speaker 4: that's a story that's nuts, And then you go into

1363
01:00:17,800 --> 01:00:19,760
Speaker 4: the comments and you see people from that town that

1364
01:00:19,920 --> 01:00:22,760
Speaker 4: know all these people, and now we're watching that. No

1365
01:00:22,800 --> 01:00:26,080
Speaker 4: one's a celebrity here. We're just interesting. We're just nosy now,

1366
01:00:26,880 --> 01:00:29,880
Speaker 4: Like it just took what was already in the human

1367
01:00:29,960 --> 01:00:32,600
Speaker 4: DNA of being nosy and wanting the quote unquote tea.

1368
01:00:33,320 --> 01:00:35,560
Speaker 4: Of course it's going to skyrocket with a celebrity, but

1369
01:00:35,600 --> 01:00:37,800
Speaker 4: we're doing that on the lowest of level. You don't

1370
01:00:37,840 --> 01:00:40,160
Speaker 4: think somebody sees something a cousin post something you ain't

1371
01:00:40,200 --> 01:00:41,960
Speaker 4: tout your other cousin, Like, yo, you saw what your posts.

1372
01:00:43,760 --> 01:00:46,200
Speaker 2: You can just share the post right right to the inbox.

1373
01:00:46,280 --> 01:00:46,720
Speaker 2: You see that.

1374
01:00:47,560 --> 01:00:49,520
Speaker 1: But I'm the opposite to like, I don't really subscribe

1375
01:00:49,520 --> 01:00:51,240
Speaker 1: to none of that ship Like y'all, y'all put me

1376
01:00:51,280 --> 01:00:52,480
Speaker 1: on to a lot of shit that be going on,

1377
01:00:52,560 --> 01:00:55,600
Speaker 1: and I'm like, We're like, I don't really care about that. Like,

1378
01:00:56,320 --> 01:01:00,440
Speaker 1: like I saw this girl on on Instagram. She had

1379
01:01:00,520 --> 01:01:05,560
Speaker 1: like her birth like on her timeline, Like she posted

1380
01:01:05,680 --> 01:01:06,800
Speaker 1: like her actual birth.

1381
01:01:07,600 --> 01:01:10,720
Speaker 4: Didn't Jay and Erica do that. A couple of people

1382
01:01:11,360 --> 01:01:13,040
Speaker 4: live they were live tweeting during it, which I thought

1383
01:01:13,080 --> 01:01:13,720
Speaker 4: was hilarious, you.

1384
01:01:13,760 --> 01:01:15,280
Speaker 2: Know, like I'm talking about like she was recalled like

1385
01:01:15,280 --> 01:01:16,840
Speaker 2: you saw the baby coming out of it. People do.

1386
01:01:16,920 --> 01:01:18,760
Speaker 4: That's a part of the internet that's like for that.

1387
01:01:19,200 --> 01:01:20,760
Speaker 2: I think that that's fucking crazy.

1388
01:01:22,360 --> 01:01:24,400
Speaker 1: I think that that's I think that is absolutely crazy

1389
01:01:24,440 --> 01:01:25,520
Speaker 1: to share that on stage media.

1390
01:01:25,600 --> 01:01:28,800
Speaker 4: I do too, But I mean I like watching it. Well,

1391
01:01:28,880 --> 01:01:33,120
Speaker 4: I'm not gonna watch I would hope not. But I

1392
01:01:33,200 --> 01:01:40,640
Speaker 4: mean in comparison to like the Israeli fucking army live

1393
01:01:40,680 --> 01:01:44,160
Speaker 4: streaming killing people, Like I'm kind of fine if this

1394
01:01:44,200 --> 01:01:45,960
Speaker 4: is where we're at with social media. I'm fine if

1395
01:01:46,000 --> 01:01:48,800
Speaker 4: somebody wants to share their birth, Like I just think I.

1396
01:01:48,880 --> 01:01:51,840
Speaker 2: Just think that's there's no anymore. That is way too

1397
01:01:51,920 --> 01:01:53,480
Speaker 2: personal of a moment and way.

1398
01:01:53,360 --> 01:01:55,600
Speaker 3: Too You would be the same person over there sitting

1399
01:01:55,600 --> 01:01:56,760
Speaker 3: in that chair watching people get.

1400
01:01:56,800 --> 01:01:59,640
Speaker 2: Murked on your phone. Who don't watchet murder?

1401
01:01:59,680 --> 01:02:01,240
Speaker 3: You don't watch a lot of people get they asked

1402
01:02:01,280 --> 01:02:02,280
Speaker 3: will smoked?

1403
01:02:02,920 --> 01:02:04,760
Speaker 1: Yeah, watch the World Star. Yeah, nigga get knock out.

1404
01:02:04,760 --> 01:02:07,840
Speaker 1: I'm gonna watch that. Niggas fighting outside.

1405
01:02:07,880 --> 01:02:10,520
Speaker 3: But I think multiple people get killed on the internet,

1406
01:02:10,680 --> 01:02:12,960
Speaker 3: like in perfect view, Like, well.

1407
01:02:12,920 --> 01:02:13,800
Speaker 2: That's what they're saying.

1408
01:02:13,840 --> 01:02:16,040
Speaker 1: If you're showing pictures of war babies getting killed, and

1409
01:02:16,360 --> 01:02:18,160
Speaker 1: that's just to get the mess out to the world,

1410
01:02:18,200 --> 01:02:19,680
Speaker 1: Like this is what's happening in our country.

1411
01:02:20,120 --> 01:02:23,640
Speaker 4: We understand that you waited thirty seconds while a Walgreens

1412
01:02:23,720 --> 01:02:26,040
Speaker 4: ad started and then you watch somebody get killed.

1413
01:02:26,240 --> 01:02:28,720
Speaker 2: Yeah, yeah, I'm probably guilty of that.

1414
01:02:28,840 --> 01:02:31,280
Speaker 1: Yeah, our society, But I mean that's like, again, that's

1415
01:02:31,760 --> 01:02:35,000
Speaker 1: shit that's happening outside violence. I'm talking about a personal,

1416
01:02:35,040 --> 01:02:37,640
Speaker 1: intimate moment like you giving birth. I don't think you

1417
01:02:37,800 --> 01:02:40,080
Speaker 1: should be sharing that with your timeline. I'm sorry, I

1418
01:02:40,160 --> 01:02:40,480
Speaker 1: just don't.

1419
01:02:40,560 --> 01:02:42,520
Speaker 2: I mean, if you're comfortable with it, then't do it.

1420
01:02:42,600 --> 01:02:44,360
Speaker 3: I wouldn't do it. I wouldn't be comfortable. But if

1421
01:02:44,360 --> 01:02:46,280
Speaker 3: you're comfortable with that, then do it. Like I said,

1422
01:02:46,280 --> 01:02:47,840
Speaker 3: I like watching it because I think that birth is

1423
01:02:48,000 --> 01:02:49,200
Speaker 3: very very beautiful.

1424
01:02:49,640 --> 01:02:51,880
Speaker 1: No, it is, but I think it's very intimate. I

1425
01:02:51,920 --> 01:02:54,320
Speaker 1: think that's for you and your family. I don't think

1426
01:02:54,360 --> 01:02:56,680
Speaker 1: that people that follow you who don't like you should

1427
01:02:56,680 --> 01:02:58,280
Speaker 1: be privy to that. I don't think that they should

1428
01:02:58,280 --> 01:03:01,280
Speaker 1: see that. I know me personally because all people following

1429
01:03:01,280 --> 01:03:03,160
Speaker 1: you that don't like you, don't wish the best for you,

1430
01:03:03,520 --> 01:03:04,440
Speaker 1: don't give a fuck.

1431
01:03:04,240 --> 01:03:07,840
Speaker 2: About you, Like they should not be allowed to share

1432
01:03:07,880 --> 01:03:09,400
Speaker 2: in that moment. I'm sorry.

1433
01:03:09,520 --> 01:03:12,880
Speaker 1: Like, that's keep that bete, your husband or your boyfriend, baby,

1434
01:03:12,920 --> 01:03:15,680
Speaker 1: for whoever, your family, your mom, the keep that for

1435
01:03:15,880 --> 01:03:18,160
Speaker 1: them putting that on social media, and then I could

1436
01:03:18,160 --> 01:03:20,440
Speaker 1: sit that to somebody that don't even follow you, and

1437
01:03:20,520 --> 01:03:22,480
Speaker 1: then I just think that that's too much.

1438
01:03:23,080 --> 01:03:27,920
Speaker 4: I completely agree because Key and I we filmed. I

1439
01:03:27,960 --> 01:03:30,880
Speaker 4: should say our birth, which is politically correct, but her birth,

1440
01:03:30,960 --> 01:03:32,080
Speaker 4: I didn't do shit.

1441
01:03:34,040 --> 01:03:34,560
Speaker 2: That video.

1442
01:03:35,120 --> 01:03:37,520
Speaker 4: I wouldn't even show that to her mom my mom, Like,

1443
01:03:37,600 --> 01:03:40,440
Speaker 4: that's just that's for her and I not even an

1444
01:03:40,480 --> 01:03:43,200
Speaker 4: immediate family member or whatever. That's just for Key and I.

1445
01:03:43,480 --> 01:03:45,480
Speaker 4: I'm with you on that side. But I do also

1446
01:03:45,560 --> 01:03:48,280
Speaker 4: see the side and not on the influencer type time.

1447
01:03:48,320 --> 01:03:53,000
Speaker 4: But if I had a human growing in my body,

1448
01:03:54,080 --> 01:03:57,160
Speaker 4: I'd be terrified, like just nervous and anxious about what

1449
01:03:57,360 --> 01:04:00,800
Speaker 4: that process was. Like maybe it would bring some piece

1450
01:04:01,000 --> 01:04:04,160
Speaker 4: watching other births, because you have to be anxious about

1451
01:04:04,160 --> 01:04:07,800
Speaker 4: giving birth. No, yeah, for sure, being able to watch

1452
01:04:07,840 --> 01:04:11,919
Speaker 4: somebody have that happen, talk about it, it may bring

1453
01:04:12,040 --> 01:04:15,120
Speaker 4: some peace to me. If I could watch someone else

1454
01:04:15,240 --> 01:04:18,680
Speaker 4: go through that process how I am, Like, I'd be like, nah,

1455
01:04:18,680 --> 01:04:20,800
Speaker 4: I gotta see what's the store for me?

1456
01:04:22,560 --> 01:04:24,200
Speaker 2: Yeah, so I do get it.

1457
01:04:27,160 --> 01:04:29,480
Speaker 3: Also places, there's also places you can go for that,

1458
01:04:29,640 --> 01:04:34,160
Speaker 3: Like I was at one point I was obsessed with like, uh,

1459
01:04:34,760 --> 01:04:37,480
Speaker 3: maternal mortality were like because there were so many black

1460
01:04:37,480 --> 01:04:39,440
Speaker 3: women there are still so many black women who die

1461
01:04:39,520 --> 01:04:42,120
Speaker 3: during childbirth, Like it's the numbers are absolutely saying that's

1462
01:04:42,200 --> 01:04:43,439
Speaker 3: studies on it in school and shit.

1463
01:04:43,600 --> 01:04:46,040
Speaker 2: So I was a great dock about it too. Yeah,

1464
01:04:46,040 --> 01:04:47,400
Speaker 2: I was obsessed with stuff like that.

1465
01:04:47,640 --> 01:04:50,200
Speaker 3: So I was in a lot of Facebook groups about

1466
01:04:50,720 --> 01:04:54,440
Speaker 3: black women where they would share their home birthing like experience.

1467
01:04:54,480 --> 01:04:57,680
Speaker 3: So if you're posting in communities like that, I think

1468
01:04:57,760 --> 01:05:00,439
Speaker 3: that that's more okay, because that's more those are people

1469
01:05:00,520 --> 01:05:03,280
Speaker 3: are there looking for that exactly. But if I'm just

1470
01:05:03,360 --> 01:05:05,560
Speaker 3: like scrolling on Instagram, well somebody else is scrolling on

1471
01:05:05,640 --> 01:05:07,080
Speaker 3: Instagram looking for ass and then like.

1472
01:05:07,160 --> 01:05:11,880
Speaker 2: Boom baby, Yes that's nuts. But I also think you

1473
01:05:11,960 --> 01:05:13,400
Speaker 2: can share it. I don't. I mean I don't know.

1474
01:05:14,120 --> 01:05:16,760
Speaker 2: Like I said, whatever people are comfortable with for sure,

1475
01:05:16,920 --> 01:05:19,480
Speaker 2: but we need to keep certain things private. I think

1476
01:05:19,640 --> 01:05:20,320
Speaker 2: let's get back to that.

1477
01:05:21,240 --> 01:05:24,800
Speaker 1: Like I like the the mystique and the mystery of

1478
01:05:24,960 --> 01:05:27,120
Speaker 1: certain celebrities, Like I don't know what this person does

1479
01:05:27,920 --> 01:05:31,320
Speaker 1: on their you know, personal time, which will incentivize me.

1480
01:05:32,840 --> 01:05:34,480
Speaker 2: Going on tour. I gotta go see them, because I don't.

1481
01:05:34,480 --> 01:05:36,760
Speaker 1: You don't get nothing from this person other than when

1482
01:05:36,800 --> 01:05:38,440
Speaker 1: they want to be seen and they popping out on

1483
01:05:38,560 --> 01:05:41,200
Speaker 1: tour album dropping like those are the artists that I

1484
01:05:41,320 --> 01:05:43,640
Speaker 1: like because it's like, Okay, they're gonna give me through

1485
01:05:43,680 --> 01:05:45,760
Speaker 1: the music, through the art, they're gonna give me their life,

1486
01:05:45,800 --> 01:05:47,280
Speaker 1: and this, that and the third I don't want to

1487
01:05:47,320 --> 01:05:48,480
Speaker 1: see because then I might.

1488
01:05:48,480 --> 01:05:51,400
Speaker 2: Not like you. Oh yeah, you're my favorite artists. And

1489
01:05:51,400 --> 01:05:54,680
Speaker 2: then you you post something on your Instagram and I'm like,

1490
01:05:56,000 --> 01:05:58,720
Speaker 2: she's a clown. Well, this nigga's corny, you know what

1491
01:05:58,720 --> 01:05:59,080
Speaker 2: I'm saying.

1492
01:05:59,080 --> 01:06:01,360
Speaker 1: Like, it's just some times it has that effect to

1493
01:06:01,480 --> 01:06:03,040
Speaker 1: it's like, all right, man, like I don't even like

1494
01:06:03,080 --> 01:06:03,720
Speaker 1: this artist no more.

1495
01:06:04,040 --> 01:06:04,960
Speaker 2: Keep a certain mistique.

1496
01:06:04,960 --> 01:06:08,440
Speaker 1: I think it's a great balance to be accessible to

1497
01:06:08,880 --> 01:06:11,160
Speaker 1: an extent. You know, you want to interact with your

1498
01:06:11,200 --> 01:06:14,080
Speaker 1: audience and the people who support you, but you also

1499
01:06:14,080 --> 01:06:16,040
Speaker 1: want to keep a certain mystery about yourself. You want

1500
01:06:16,080 --> 01:06:18,960
Speaker 1: to keep a certain aura and a certain like yeah,

1501
01:06:19,000 --> 01:06:21,040
Speaker 1: but there's still so many things y'all don't know about me.

1502
01:06:21,640 --> 01:06:22,800
Speaker 2: I like that from an artist.

1503
01:06:22,880 --> 01:06:25,720
Speaker 3: I think movie stars still do that, Like movie stars.

1504
01:06:25,480 --> 01:06:27,040
Speaker 2: Do that very nicky lazer. She said that.

1505
01:06:27,440 --> 01:06:30,320
Speaker 1: She said, Leo, we don't know anything about you other

1506
01:06:30,400 --> 01:06:33,680
Speaker 1: than yeah, like and we've grown up, we've grown up

1507
01:06:33,760 --> 01:06:37,760
Speaker 1: watching you favorite movies, and we don't know anything about

1508
01:06:37,800 --> 01:06:38,000
Speaker 1: you and.

1509
01:06:38,040 --> 01:06:42,040
Speaker 4: Leo when they're like he likes spaghetti, that's always and.

1510
01:06:42,160 --> 01:06:44,560
Speaker 1: Leo said there like yeah, like I don't. I don't

1511
01:06:44,640 --> 01:06:47,360
Speaker 1: share that shit like come see my movie though, and

1512
01:06:47,400 --> 01:06:48,880
Speaker 1: then I'll do a press run and this that and

1513
01:06:48,960 --> 01:06:51,760
Speaker 1: the third. Maybe I'll give certain little things about me

1514
01:06:51,840 --> 01:06:53,400
Speaker 1: on a press run and they ask questions.

1515
01:06:53,480 --> 01:06:56,080
Speaker 2: But that's it. You got to keep a certain mystique

1516
01:06:56,080 --> 01:06:58,320
Speaker 2: about just so. I think that help. You think podcasters

1517
01:06:58,360 --> 01:06:59,240
Speaker 2: need to subscribe to that.

1518
01:07:00,440 --> 01:07:03,360
Speaker 4: You know this gig, this gig is over sharing.

1519
01:07:04,520 --> 01:07:07,600
Speaker 2: But I feel like I don't know. I was gonna say,

1520
01:07:07,760 --> 01:07:10,439
Speaker 2: not exactly. I feel like you're challenged enough. You don't

1521
01:07:10,480 --> 01:07:11,160
Speaker 2: have no, no, no no.

1522
01:07:12,320 --> 01:07:16,920
Speaker 4: By uh, by society standards, mall, you do overshare, you

1523
01:07:17,000 --> 01:07:19,600
Speaker 4: think so. By podcast standards you don't at all. But

1524
01:07:20,080 --> 01:07:24,320
Speaker 4: by society standards, yes, people know more about your personal

1525
01:07:24,360 --> 01:07:27,480
Speaker 4: life than they would the average person that they didn't know. Okay,

1526
01:07:27,680 --> 01:07:31,880
Speaker 4: because the job is over share. Yeah, okay, just by

1527
01:07:31,920 --> 01:07:36,000
Speaker 4: shared data of how much you talk. Eventually you're over

1528
01:07:36,120 --> 01:07:37,720
Speaker 4: sharing by world standards.

1529
01:07:37,800 --> 01:07:41,600
Speaker 2: Yeah that makes sense. No, I feel like I know.

1530
01:07:41,760 --> 01:07:44,200
Speaker 3: More about people through social media than I know about

1531
01:07:45,080 --> 01:07:47,640
Speaker 3: mall through if you just listening to him podcasts.

1532
01:07:48,160 --> 01:07:48,880
Speaker 2: Does that make sense?

1533
01:07:48,960 --> 01:07:50,600
Speaker 3: Like what do you if somebody was to say, yo,

1534
01:07:50,640 --> 01:07:52,760
Speaker 3: what do you know about Mall from podcasting? Like what

1535
01:07:52,960 --> 01:07:56,360
Speaker 3: could they really tell you? People say all the time

1536
01:07:56,400 --> 01:07:57,520
Speaker 3: he's never been in a relationship.

1537
01:07:57,560 --> 01:07:58,040
Speaker 2: That's not true.

1538
01:07:58,080 --> 01:07:59,960
Speaker 3: But people don't know anything about his fucking love life.

1539
01:08:01,320 --> 01:08:04,960
Speaker 3: They know about his past two jobs, but.

1540
01:08:05,000 --> 01:08:07,000
Speaker 4: You're talking about that check Like we've there's been real

1541
01:08:07,080 --> 01:08:10,600
Speaker 4: intimate moments Mal sharing about his brother, about his family,

1542
01:08:10,760 --> 01:08:13,960
Speaker 4: Like there's been real intimate Just because you don't know

1543
01:08:14,040 --> 01:08:18,120
Speaker 4: about Mal's dating life doesn't mean he hasn't overshaded. I

1544
01:08:18,200 --> 01:08:20,360
Speaker 4: mean oversharing a bad way, but shared about his his

1545
01:08:20,560 --> 01:08:23,600
Speaker 4: actual family and how he felt about certain tragedies, Like

1546
01:08:23,680 --> 01:08:27,719
Speaker 4: that's that's that's over sharing by world standards. In my opinion,

1547
01:08:28,240 --> 01:08:31,880
Speaker 4: not everything is a gossipy relationship, like you knew I

1548
01:08:32,080 --> 01:08:34,080
Speaker 4: was fucking this person, or I was in a relationship

1549
01:08:34,120 --> 01:08:37,120
Speaker 4: for this long, Like this intimate fucking moment. We've all

1550
01:08:37,400 --> 01:08:40,439
Speaker 4: talked about our mothers, our fathers, Like that's that's real

1551
01:08:40,560 --> 01:08:44,040
Speaker 4: intimate ship. He He's said a lot of stuff about

1552
01:08:44,040 --> 01:08:48,160
Speaker 4: his pops that a regular person wouldn't share with with

1553
01:08:48,320 --> 01:08:51,280
Speaker 4: the world like that that to me his relationship with

1554
01:08:51,320 --> 01:08:51,920
Speaker 4: his sister, like.

1555
01:08:52,040 --> 01:08:55,479
Speaker 2: That stuff is is intimate to me. True, that makes sense.

1556
01:08:56,160 --> 01:08:58,000
Speaker 4: He'll never tell us who he's fucking. I ask off

1557
01:08:58,080 --> 01:08:58,880
Speaker 4: Mike every day.

1558
01:08:59,520 --> 01:09:04,559
Speaker 2: Mike every I want to know where, but I mean,

1559
01:09:05,560 --> 01:09:08,400
Speaker 2: I guess to close it, to close it.

1560
01:09:08,439 --> 01:09:10,200
Speaker 4: Where do you draw the line though, because I hear

1561
01:09:10,280 --> 01:09:14,360
Speaker 4: you guys, but we've had funerals are live stream, like

1562
01:09:14,439 --> 01:09:18,120
Speaker 4: we watched Nipsey hustle in the Staples Center funeral, Like

1563
01:09:18,240 --> 01:09:21,519
Speaker 4: eventually Live Nation is going to start selling tickets to funerals, like,

1564
01:09:21,960 --> 01:09:23,280
Speaker 4: but well, I.

1565
01:09:24,400 --> 01:09:28,760
Speaker 3: Don't think that because funerals have always been if live

1566
01:09:28,840 --> 01:09:31,120
Speaker 3: stream just means that it was on a computer. Funerals

1567
01:09:31,160 --> 01:09:33,880
Speaker 3: of famous people have always been available through TV.

1568
01:09:34,560 --> 01:09:35,000
Speaker 2: That's been.

1569
01:09:37,560 --> 01:09:42,920
Speaker 4: His funeral, Yeah, Fife with everything like, no, I'm witch.

1570
01:09:42,920 --> 01:09:46,439
Speaker 4: I'm just saying that if funerals have always been even

1571
01:09:46,479 --> 01:09:48,799
Speaker 4: fair game, which should be one of the more intimate

1572
01:09:48,880 --> 01:09:51,519
Speaker 4: things periods, Like why are we drawing the line on

1573
01:09:51,600 --> 01:09:54,320
Speaker 4: anything else We're gonna sell We're going to sell tickets

1574
01:09:54,360 --> 01:09:55,040
Speaker 4: to funerals soon.

1575
01:09:55,160 --> 01:09:56,680
Speaker 1: But it's a little different, like as far as a

1576
01:09:56,720 --> 01:09:58,920
Speaker 1: lot because you know, example.

1577
01:09:58,600 --> 01:10:00,519
Speaker 4: When they stole t shirts out side of the stable

1578
01:10:00,560 --> 01:10:02,599
Speaker 4: Center when Nipsey died, Like what do they sell.

1579
01:10:02,880 --> 01:10:04,880
Speaker 3: T shirts outside of the Stable center? Win anything?

1580
01:10:04,920 --> 01:10:06,760
Speaker 2: But that was like that wasn't official though, Those were

1581
01:10:06,800 --> 01:10:08,320
Speaker 2: just hustle. No no, no, no, no no no.

1582
01:10:08,439 --> 01:10:11,000
Speaker 4: I'm not saying from from Nipsey's stable. I'm just saying

1583
01:10:11,040 --> 01:10:14,160
Speaker 4: how how much people take intimate moments and make it

1584
01:10:14,320 --> 01:10:17,160
Speaker 4: so much of monotactical and monetize everything that.

1585
01:10:17,680 --> 01:10:18,120
Speaker 2: Yeah, but I.

1586
01:10:18,200 --> 01:10:20,439
Speaker 1: Understand them live streaming like Whitney Houston's funeral. We all

1587
01:10:20,439 --> 01:10:22,920
Speaker 1: supported Whitney, loved her. It was all hurt by that.

1588
01:10:23,479 --> 01:10:25,920
Speaker 1: We all kind of we couldn't be there physically, but

1589
01:10:26,000 --> 01:10:27,960
Speaker 1: we all kind of wanted to, you know, just share

1590
01:10:28,000 --> 01:10:29,799
Speaker 1: in that moment with the family and pay our respects.

1591
01:10:29,840 --> 01:10:30,560
Speaker 2: So I don't get that.

1592
01:10:30,800 --> 01:10:32,240
Speaker 4: I want to make clear. I'm not saying there's anything

1593
01:10:32,240 --> 01:10:35,559
Speaker 4: wrong with that. I was extremely happy that they gave

1594
01:10:35,680 --> 01:10:39,600
Speaker 4: Nipsey the platform after he passed that he deserved in

1595
01:10:39,680 --> 01:10:42,200
Speaker 4: the Staples Center so everyone could mourn and love him

1596
01:10:42,240 --> 01:10:45,200
Speaker 4: that has been affected by this whole thing. I'm just saying,

1597
01:10:45,360 --> 01:10:48,160
Speaker 4: if funerals are fair game for that type of stuff,

1598
01:10:49,200 --> 01:10:49,960
Speaker 4: every anything is.

1599
01:10:50,120 --> 01:10:52,400
Speaker 1: In my opinion, speaking of over sharing, do you think

1600
01:10:52,400 --> 01:10:55,760
Speaker 1: that it was wrong for Tracy Morgan to kind of like,

1601
01:10:55,920 --> 01:10:57,320
Speaker 1: I don't know if y'all saw the yosea. The clip

1602
01:10:57,479 --> 01:10:59,439
Speaker 1: said he bumped into a but a lot of people

1603
01:10:59,439 --> 01:11:02,240
Speaker 1: don't know he knew that guy. The other guy was

1604
01:11:02,280 --> 01:11:05,240
Speaker 1: a He was a comedian. They were both comedians coming

1605
01:11:05,280 --> 01:11:10,600
Speaker 1: up in the city, and they obviously had some interaction

1606
01:11:10,800 --> 01:11:12,759
Speaker 1: when they were both younger coming up on the comedy

1607
01:11:12,800 --> 01:11:17,040
Speaker 1: scene that Tracy Morgan didn't forget about. And in that moment,

1608
01:11:17,400 --> 01:11:19,200
Speaker 1: Tracey Morgan is coming out of the garden leaving a

1609
01:11:19,280 --> 01:11:22,120
Speaker 1: nick game and he sees the guy and Tracy says, oh,

1610
01:11:22,160 --> 01:11:27,120
Speaker 1: I remember you whatever whatever, and he said, don't act

1611
01:11:27,200 --> 01:11:29,760
Speaker 1: like I owe you something. This Tracey mog something like that,

1612
01:11:29,840 --> 01:11:31,479
Speaker 1: don't act like, don't talk to me like I owe

1613
01:11:31,520 --> 01:11:34,759
Speaker 1: you something. And the dude was like, where y'all, I'm homeless,

1614
01:11:34,960 --> 01:11:37,960
Speaker 1: Like you know what I'm saying, Like Tracy said, I

1615
01:11:38,040 --> 01:11:41,880
Speaker 1: didn't do that. A lot of people thought that that

1616
01:11:42,080 --> 01:11:45,880
Speaker 1: was a little insensitive. It was a little much Tracy

1617
01:11:45,960 --> 01:11:49,559
Speaker 1: not to go that far. Y'all know, I subscribe to.

1618
01:11:49,760 --> 01:11:50,439
Speaker 2: He better than me.

1619
01:11:51,680 --> 01:11:53,920
Speaker 3: I'd have been like he would have say, ooh I'm homeless.

1620
01:11:53,920 --> 01:11:56,000
Speaker 3: I'll say, yeah, God, don't play about me and walked away.

1621
01:11:57,280 --> 01:11:57,560
Speaker 2: I'm not.

1622
01:11:57,640 --> 01:11:59,880
Speaker 3: I don't give a fuck you. Once you crossed me,

1623
01:12:00,400 --> 01:12:02,680
Speaker 3: maybe whatever, God, however, God punished you for that. I

1624
01:12:02,680 --> 01:12:04,719
Speaker 3: don't have nothing for you. I'm walking past your cast.

1625
01:12:05,200 --> 01:12:06,400
Speaker 3: Your cast get sarcastic.

1626
01:12:06,600 --> 01:12:08,960
Speaker 2: I don't care. Look at I'm still sleeping. I don't.

1627
01:12:09,000 --> 01:12:15,320
Speaker 2: I don't care to subscribe to that too. Yeah, me too.

1628
01:12:18,960 --> 01:12:20,800
Speaker 2: I'm trying to be I'm trying to be better about

1629
01:12:20,840 --> 01:12:23,800
Speaker 2: that now. I'm not working on that part of my life.

1630
01:12:23,840 --> 01:12:26,240
Speaker 3: I don't know why, because I'm like, I don't know.

1631
01:12:26,280 --> 01:12:27,840
Speaker 3: Most people can't say this, but I know I can't.

1632
01:12:27,840 --> 01:12:29,639
Speaker 3: I'm a thorough nigga. I'm a real nigga. It depends

1633
01:12:29,680 --> 01:12:31,679
Speaker 3: on what they did. I'm a good person. It depends

1634
01:12:31,680 --> 01:12:34,320
Speaker 3: on what they crossed me. If you crossed me, you

1635
01:12:34,479 --> 01:12:36,360
Speaker 3: were wrong. There's very few people.

1636
01:12:36,560 --> 01:12:38,960
Speaker 2: But I'm also like, I know they are joking around,

1637
01:12:39,000 --> 01:12:39,640
Speaker 2: but like, I'm not.

1638
01:12:39,880 --> 01:12:42,280
Speaker 4: I'm not that vain or that arrogant that I think

1639
01:12:42,360 --> 01:12:45,400
Speaker 4: God has punished this person to not have a home

1640
01:12:45,479 --> 01:12:45,920
Speaker 4: because they.

1641
01:12:45,920 --> 01:12:46,840
Speaker 2: Bullied me at one point.

1642
01:12:46,880 --> 01:12:48,600
Speaker 4: I think that person probably just made some decisions that

1643
01:12:48,680 --> 01:12:51,280
Speaker 4: were wrong as well as bullying me. But yeah, I

1644
01:12:51,320 --> 01:12:54,120
Speaker 4: don't look at it that way. But I don't owe

1645
01:12:54,120 --> 01:12:58,600
Speaker 4: you any fucking help. Yeah, I'm gonna laugh a little bit. Yeah, No,

1646
01:12:58,680 --> 01:12:59,559
Speaker 4: I'm definitely gonna laugh.

1647
01:12:59,600 --> 01:13:00,519
Speaker 2: I'm a a little bit.

1648
01:13:00,520 --> 01:13:01,920
Speaker 1: If you did some fucked up shit to me and

1649
01:13:02,680 --> 01:13:05,000
Speaker 1: we bump into each other twenty thirty years down the line,

1650
01:13:05,040 --> 01:13:07,559
Speaker 1: and I'm just coming out of the garden, leaving courtside

1651
01:13:07,640 --> 01:13:10,000
Speaker 1: seats at a nick game, and you outside the garden

1652
01:13:10,040 --> 01:13:12,960
Speaker 1: begging for peanut butter and jelly sandwich. Sorry, yeah, i'mnna

1653
01:13:13,000 --> 01:13:14,960
Speaker 1: laugh at you. I'mo get your dusty ass out of

1654
01:13:15,080 --> 01:13:15,599
Speaker 1: you stink.

1655
01:13:16,320 --> 01:13:19,000
Speaker 2: I'm that. Yeah, I'm him. I'm sorry now. Actually I'm not.

1656
01:13:20,160 --> 01:13:23,880
Speaker 1: If somebody if something, only again, only if somebody did

1657
01:13:24,000 --> 01:13:26,160
Speaker 1: some really foul shit to disappointed life.

1658
01:13:26,320 --> 01:13:28,840
Speaker 4: I mean, I think like Michael B. Jordan handled a

1659
01:13:28,880 --> 01:13:31,439
Speaker 4: situation like that and shout out to Lauria. I fuck

1660
01:13:31,479 --> 01:13:33,559
Speaker 4: with Lauria heavy friend.

1661
01:13:33,360 --> 01:13:33,720
Speaker 2: Of the show.

1662
01:13:34,200 --> 01:13:36,880
Speaker 4: But they went to high school together, and I don't

1663
01:13:36,920 --> 01:13:38,800
Speaker 4: know the real story. We didn't go to high school together,

1664
01:13:39,280 --> 01:13:40,599
Speaker 4: but she was on the red carpet.

1665
01:13:40,680 --> 01:13:40,960
Speaker 2: Michael B.

1666
01:13:41,080 --> 01:13:42,000
Speaker 4: Jordans came up.

1667
01:13:42,960 --> 01:13:44,760
Speaker 1: It was like he was a gentleman about it, though,

1668
01:13:44,760 --> 01:13:46,080
Speaker 1: because he could have. He could have walked away and

1669
01:13:46,160 --> 01:13:48,439
Speaker 1: not did the interview. He just let her know, like, yeah,

1670
01:13:48,439 --> 01:13:50,240
Speaker 1: I remember you. You know what I'm saying.

1671
01:13:50,240 --> 01:13:52,479
Speaker 2: It's still like, yo, I didn't forget that, but now

1672
01:13:52,560 --> 01:13:54,840
Speaker 2: look at now you want to talk to me now.

1673
01:13:54,800 --> 01:13:56,639
Speaker 1: Coming up the red car. We want this interview because

1674
01:13:56,640 --> 01:13:58,160
Speaker 1: you're gonna be lit. You know what I'm saying. It

1675
01:13:58,240 --> 01:14:00,439
Speaker 1: just sometimes life has just show you like, Okay, he

1676
01:14:00,640 --> 01:14:02,479
Speaker 1: was just letting Lareo know, I remembered you.

1677
01:14:02,840 --> 01:14:04,160
Speaker 2: I didn't forget I heard what you said.

1678
01:14:05,040 --> 01:14:07,880
Speaker 4: But also, like where the healing process where I say,

1679
01:14:07,880 --> 01:14:10,240
Speaker 4: I'm trying to change on some of that with the

1680
01:14:10,280 --> 01:14:12,080
Speaker 4: Tracy Morgan situation or with Michael B.

1681
01:14:12,160 --> 01:14:12,439
Speaker 2: Jordan.

1682
01:14:13,000 --> 01:14:15,240
Speaker 4: You also have to be self aware enough that you

1683
01:14:15,360 --> 01:14:17,559
Speaker 4: went to high school named Michael Jordan. You didn't think

1684
01:14:17,560 --> 01:14:19,840
Speaker 4: people were gonna like kids, weren't going to make jokes.

1685
01:14:20,800 --> 01:14:22,000
Speaker 2: You wanted to be an actor.

1686
01:14:23,400 --> 01:14:28,679
Speaker 4: Again. But it was things like that school student ship though. Yeah,

1687
01:14:28,880 --> 01:14:32,800
Speaker 4: of course, but I'm not saying he owes her sit down.

1688
01:14:32,840 --> 01:14:34,880
Speaker 4: He can walk right back. Everything he did was fine.

1689
01:14:35,320 --> 01:14:37,040
Speaker 4: But I also am on the side of like we

1690
01:14:37,160 --> 01:14:39,679
Speaker 4: do need to give kids. I did a lot of ship.

1691
01:14:39,760 --> 01:14:42,240
Speaker 4: I'm not proud of as a kid, or I was

1692
01:14:43,200 --> 01:14:46,160
Speaker 4: on some follow the leader type ship. Sometimes bullying people

1693
01:14:46,320 --> 01:14:49,720
Speaker 4: like kids, sometimes we just don't know what we're doing

1694
01:14:50,080 --> 01:14:53,439
Speaker 4: kids is different. Yeah, I'm not even pure pressure per se.

1695
01:14:53,520 --> 01:14:56,600
Speaker 4: But yeah, there's things I did as a kid that

1696
01:14:56,640 --> 01:14:58,439
Speaker 4: I'm not proud of. And if I saw that person,

1697
01:14:59,840 --> 01:15:03,439
Speaker 4: I probably you don't give some great if we were kids, man, Yeah,

1698
01:15:04,120 --> 01:15:05,320
Speaker 4: but but.

1699
01:15:05,360 --> 01:15:07,360
Speaker 2: I was a kid too, and I wasn't doing that. Yep,

1700
01:15:08,000 --> 01:15:09,320
Speaker 2: I wasn't. I wasn't you know what I mean. I

1701
01:15:09,439 --> 01:15:10,000
Speaker 2: wasn't the bully.

1702
01:15:10,080 --> 01:15:12,439
Speaker 4: I wasn't like, you know, like lowing that kids that

1703
01:15:12,560 --> 01:15:15,960
Speaker 4: everybody didn't have your family structure.

1704
01:15:16,040 --> 01:15:17,000
Speaker 2: Mom understand that.

1705
01:15:17,280 --> 01:15:19,000
Speaker 1: So which is why it's cool, Like I still do

1706
01:15:19,080 --> 01:15:20,559
Speaker 1: the interview, but I'm gonna let you know, like, oh, yeah,

1707
01:15:20,560 --> 01:15:22,120
Speaker 1: I remember you in high school.

1708
01:15:22,200 --> 01:15:23,840
Speaker 2: Yeah, he was calling me corny and all the year

1709
01:15:23,840 --> 01:15:24,320
Speaker 2: I remember.

1710
01:15:24,880 --> 01:15:26,320
Speaker 1: I'm not gonna walk away and not give you the

1711
01:15:26,400 --> 01:15:28,160
Speaker 1: interview because it's not I'm not you know, I'm not

1712
01:15:28,200 --> 01:15:30,960
Speaker 1: petty about it. I'm not upset about it. I'm gonna

1713
01:15:31,040 --> 01:15:33,160
Speaker 1: let you know that I didn't forget though, you know

1714
01:15:33,200 --> 01:15:34,800
Speaker 1: what I'm saying, that's when we talked I could be

1715
01:15:34,840 --> 01:15:39,439
Speaker 1: handled it per Tracy Morgan situation was a little different

1716
01:15:39,840 --> 01:15:43,120
Speaker 1: whatever happened between him and homie. Tracy Morgan is never

1717
01:15:43,200 --> 01:15:46,799
Speaker 1: letting that go. Like whatever that dude did, Tracy Mrgan

1718
01:15:46,880 --> 01:15:48,640
Speaker 1: is making it clear like, yo, I didn't do that

1719
01:15:48,720 --> 01:15:50,200
Speaker 1: to you. You know what I'm saying, And now I

1720
01:15:50,200 --> 01:15:53,679
Speaker 1: don't got no change to you. I can't help you out. Nah,

1721
01:15:54,120 --> 01:15:58,960
Speaker 1: I'm cool. I understand that. And people shouldn't expect Tracy

1722
01:15:59,040 --> 01:16:00,720
Speaker 1: Morgan hands that are not you could have because I

1723
01:16:00,760 --> 01:16:02,800
Speaker 1: see people. Nah, Tracey could have gave him something though,

1724
01:16:03,680 --> 01:16:07,360
Speaker 1: but he or he didn't have to. It's that part

1725
01:16:07,400 --> 01:16:09,280
Speaker 1: of it too, like and he didn't have to like

1726
01:16:09,600 --> 01:16:11,679
Speaker 1: he's he's he's on the right. He can do whatever

1727
01:16:11,720 --> 01:16:13,200
Speaker 1: he wants to do. I can either help this dude

1728
01:16:13,200 --> 01:16:15,040
Speaker 1: out even though he did some waxtion to me when

1729
01:16:15,080 --> 01:16:17,639
Speaker 1: we were both coming up with both young comics coming

1730
01:16:17,680 --> 01:16:20,400
Speaker 1: up in New York City, or now that my life

1731
01:16:20,479 --> 01:16:22,719
Speaker 1: is I'm mad where I'm at and he's, you know, down.

1732
01:16:22,600 --> 01:16:24,439
Speaker 2: On his luck. I don't have to be there to

1733
01:16:24,520 --> 01:16:24,880
Speaker 2: help him.

1734
01:16:25,000 --> 01:16:28,280
Speaker 3: I'm not obligated to give money to bums who didn't

1735
01:16:28,320 --> 01:16:29,240
Speaker 3: do fucked up shit to me.

1736
01:16:29,320 --> 01:16:31,680
Speaker 2: I'm not obligated to give money to people in my

1737
01:16:31,800 --> 01:16:33,559
Speaker 2: life that I love who didn't do fucked up shit.

1738
01:16:33,600 --> 01:16:36,200
Speaker 3: I'm not obligated to give shit to know fuckingbody. So

1739
01:16:36,360 --> 01:16:38,320
Speaker 3: for you to have the audacity or you could have

1740
01:16:38,360 --> 01:16:40,280
Speaker 3: gave him something. Why do other people always try to

1741
01:16:40,320 --> 01:16:41,280
Speaker 3: hand out other people money?

1742
01:16:41,479 --> 01:16:45,479
Speaker 1: You give him some money, they love doing that, They

1743
01:16:45,720 --> 01:16:48,600
Speaker 1: love spending your money. Nah, you could have get And

1744
01:16:48,680 --> 01:16:51,639
Speaker 1: then here's here's the craziest part about that whole thing.

1745
01:16:51,960 --> 01:16:54,479
Speaker 1: Tracy Morgan could have gave him one hundred dollars bill

1746
01:16:54,479 --> 01:16:55,799
Speaker 1: out of his pocket somebody.

1747
01:16:56,120 --> 01:16:59,240
Speaker 2: That's all he gave him. That's why you can't even

1748
01:16:59,320 --> 01:17:03,080
Speaker 2: fall into that, because what's enough Tracey supposed to buy

1749
01:17:03,120 --> 01:17:05,840
Speaker 2: this nigga house? You know what I'm saying, Like, Yo,

1750
01:17:05,920 --> 01:17:08,479
Speaker 2: he could have he could have moved him in. What

1751
01:17:09,600 --> 01:17:10,599
Speaker 2: move that your crib?

1752
01:17:10,760 --> 01:17:10,960
Speaker 4: Yeah?

1753
01:17:11,080 --> 01:17:13,479
Speaker 2: Like you got you got every Adams was asking us

1754
01:17:13,520 --> 01:17:17,320
Speaker 2: to do during COVID. If you have room migrants, you're

1755
01:17:17,320 --> 01:17:19,639
Speaker 2: gonna move a migrant in with pay you that Walmart

1756
01:17:19,680 --> 01:17:20,880
Speaker 2: truck hit me, not you?

1757
01:17:21,120 --> 01:17:23,439
Speaker 1: Yeah, what are you talking about? Like, Nah, I'm not

1758
01:17:23,520 --> 01:17:24,880
Speaker 1: doing it. But that's what I'm saying. You have to

1759
01:17:24,920 --> 01:17:28,080
Speaker 1: be careful because in Tracy Morgan's position. Even if he

1760
01:17:28,360 --> 01:17:31,360
Speaker 1: pulled money out of his pocket and gave him HOMEI something,

1761
01:17:31,400 --> 01:17:33,760
Speaker 1: it would have been people still saying that's all he

1762
01:17:33,880 --> 01:17:34,280
Speaker 1: gave him.

1763
01:17:36,280 --> 01:17:37,360
Speaker 2: Yeah, you can't, you can't, man.

1764
01:17:37,439 --> 01:17:39,000
Speaker 1: So I mean, I understand that you you do me

1765
01:17:39,080 --> 01:17:42,000
Speaker 1: dirty on the come up, and you know I've become

1766
01:17:42,080 --> 01:17:44,760
Speaker 1: successful and I'm lit, and I see years later you

1767
01:17:44,880 --> 01:17:47,000
Speaker 1: down on your luck, Bri, I ain't got enough for you.

1768
01:17:47,240 --> 01:17:48,920
Speaker 3: And whether even if you don't know that, I know

1769
01:17:49,000 --> 01:17:50,320
Speaker 3: that you just a fucked up shit like it's some

1770
01:17:50,360 --> 01:17:53,439
Speaker 3: people back in my hometown. Then I have some hashit

1771
01:17:53,520 --> 01:17:55,400
Speaker 3: to say the Marris thinks she all that, Themeris thinks

1772
01:17:55,400 --> 01:17:58,120
Speaker 3: she is that, I hear about shit like that. And

1773
01:17:58,200 --> 01:17:59,960
Speaker 3: then when I go to town, I don't speak. It's like,

1774
01:18:00,120 --> 01:18:03,880
Speaker 3: see I was right. It's like nahr, I don't got

1775
01:18:04,000 --> 01:18:05,160
Speaker 3: to let you know that I know.

1776
01:18:05,200 --> 01:18:07,560
Speaker 2: What you said. You just blow dick. It's not my

1777
01:18:07,640 --> 01:18:08,479
Speaker 2: way that can blow my minds.

1778
01:18:08,760 --> 01:18:15,920
Speaker 4: So but I say all that healthy ship to say

1779
01:18:15,960 --> 01:18:17,720
Speaker 4: that no I'm down telling you to suck dick.

1780
01:18:18,280 --> 01:18:20,280
Speaker 2: I'm not. It's help, I'm not healed. It's healthy.

1781
01:18:20,960 --> 01:18:22,920
Speaker 1: Every day I think somebody, we should all be able

1782
01:18:22,960 --> 01:18:26,479
Speaker 1: to yell outside suck my dick at some point every day.

1783
01:18:26,479 --> 01:18:28,160
Speaker 2: I think that will leave a lot of stress.

1784
01:18:28,320 --> 01:18:31,120
Speaker 4: And the arrogance bothers me even more. That's what really

1785
01:18:31,160 --> 01:18:32,800
Speaker 4: boils my blood. And somebody coming back like.

1786
01:18:32,800 --> 01:18:34,200
Speaker 2: Do you not remember what the funk you did to me?

1787
01:18:35,000 --> 01:18:36,920
Speaker 2: I can't wait? Wat your fucking mind? Oh?

1788
01:18:36,960 --> 01:18:38,280
Speaker 1: I can't wait to see some of the niggas. I

1789
01:18:38,320 --> 01:18:40,679
Speaker 1: went to high school with niggas. Ain't got no teeth,

1790
01:18:41,439 --> 01:18:44,280
Speaker 1: I can't. I'm waiting for the next reunion. I'm cutting ass.

1791
01:18:45,680 --> 01:18:46,719
Speaker 1: You look, you look crazy.

1792
01:18:46,800 --> 01:18:50,639
Speaker 4: I'm you're not going what would be your next reunion?

1793
01:18:50,800 --> 01:18:51,600
Speaker 2: Not to try to aid you?

1794
01:18:52,000 --> 01:18:56,160
Speaker 4: Uh, that's gonna be there. No, No, I'm actually because

1795
01:18:56,160 --> 01:19:00,280
Speaker 4: I'm coming ship. It would be plus one and three years,

1796
01:19:01,040 --> 01:19:02,519
Speaker 4: which would be how many years?

1797
01:19:02,800 --> 01:19:04,400
Speaker 2: Twenty tweeny nine, thirty years?

1798
01:19:05,880 --> 01:19:08,760
Speaker 4: I'm two thousand and eight in high school thirty years ago,

1799
01:19:08,880 --> 01:19:12,559
Speaker 4: got day twenty twenty twenty six minus two thousand and eight.

1800
01:19:12,920 --> 01:19:14,840
Speaker 2: Oh my, I got all my hair on my teeth though, baby,

1801
01:19:14,880 --> 01:19:18,439
Speaker 2: do you stay? Said it's still? Get up? Oh my?

1802
01:19:18,760 --> 01:19:20,720
Speaker 2: Who said that? Baby? Do Who's day? You want me

1803
01:19:20,760 --> 01:19:23,040
Speaker 2: to business? No? No? No, but who whose day? Who

1804
01:19:23,080 --> 01:19:23,360
Speaker 2: said it?

1805
01:19:23,439 --> 01:19:23,599
Speaker 3: Still?

1806
01:19:24,000 --> 01:19:25,840
Speaker 2: That's to overshare like a celebrity. They said that.

1807
01:19:29,160 --> 01:19:32,680
Speaker 4: I'm two years away from my twentieth eighteen this year

1808
01:19:34,400 --> 01:19:36,679
Speaker 4: when yours baby d my tenth just passed.

1809
01:19:36,760 --> 01:19:39,640
Speaker 1: Y'all old, Okay, so ten we ain't, but twenty you

1810
01:19:39,680 --> 01:19:43,479
Speaker 1: can three years away for thirty. How tenth just passing

1811
01:19:43,520 --> 01:19:44,439
Speaker 1: your twentyeth it's coming up.

1812
01:19:44,520 --> 01:19:45,000
Speaker 2: She's lying.

1813
01:19:48,000 --> 01:19:51,720
Speaker 3: I'ment out of high school for It'll be fifteen years

1814
01:19:51,800 --> 01:19:52,160
Speaker 3: this year.

1815
01:19:52,840 --> 01:19:56,120
Speaker 2: Okay. Yeah, that's a good number. Fifteen anniversary.

1816
01:19:56,120 --> 01:19:57,760
Speaker 3: And that's because I graduated a year early, so it

1817
01:19:57,760 --> 01:19:59,479
Speaker 3: would have been fourteen years this year.

1818
01:19:59,600 --> 01:20:03,479
Speaker 2: So damn. I drove past my high school the other day. Yeah.

1819
01:20:04,000 --> 01:20:07,040
Speaker 1: Yeah, it's close to my barbershop, and I was just laughing, like, damn,

1820
01:20:07,640 --> 01:20:11,880
Speaker 1: neighborhood changed, boy when I was in school, so that

1821
01:20:11,960 --> 01:20:15,040
Speaker 1: neighborhood I used to yo, y'all don't understand. I literally

1822
01:20:15,080 --> 01:20:19,360
Speaker 1: had to step over like sleeping heroin addicts, Like, y'all's

1823
01:20:19,560 --> 01:20:20,120
Speaker 1: not awake.

1824
01:20:21,040 --> 01:20:23,760
Speaker 2: It's crazy. No, it's like brown store. It's beautiful. Now.

1825
01:20:24,080 --> 01:20:26,280
Speaker 2: Look the cosmes live on this show. I'm like, this

1826
01:20:26,400 --> 01:20:32,519
Speaker 2: is beautiful gentrification. I love it. Bring them in. They

1827
01:20:32,680 --> 01:20:34,479
Speaker 2: jogging in the morning down the blog. I'm like, they

1828
01:20:34,600 --> 01:20:36,960
Speaker 2: was never doing this in ninety eight. Are you crazy?

1829
01:20:37,080 --> 01:20:41,040
Speaker 3: I got invited to speak out of high school career day.

1830
01:20:41,680 --> 01:20:42,880
Speaker 2: To speak out of high school.

1831
01:20:43,560 --> 01:20:45,840
Speaker 3: Now, I'm going, Well, they wanted you guys to go,

1832
01:20:45,920 --> 01:20:48,280
Speaker 3: but y'all are a hard ticket to get. Where is

1833
01:20:48,360 --> 01:20:52,479
Speaker 3: it high school? Like it's expensive? I just mean, like

1834
01:20:52,560 --> 01:20:57,000
Speaker 3: time wise, it's in Brooklyn and Brooklyn I'm going, I'm

1835
01:20:57,080 --> 01:20:59,439
Speaker 3: going if y'all are really down, I'll put y'all in touch.

1836
01:20:59,479 --> 01:21:01,920
Speaker 3: But I don't want y'all to say y'all going in y'all.

1837
01:21:01,880 --> 01:21:03,120
Speaker 4: I've done that with college stuff.

1838
01:21:03,120 --> 01:21:05,360
Speaker 2: I just don't like like promoted or hold on, hold on,

1839
01:21:05,439 --> 01:21:07,400
Speaker 2: because this is a very important question. What kind of

1840
01:21:07,479 --> 01:21:10,040
Speaker 2: high school is this? Is this a public high school?

1841
01:21:10,120 --> 01:21:12,720
Speaker 2: I think so I ain't going them niggas is disrespectful

1842
01:21:13,360 --> 01:21:15,160
Speaker 2: them little public school niggas, y'all nigga.

1843
01:21:17,880 --> 01:21:21,320
Speaker 4: I will say I did a high school thing with Uh,

1844
01:21:22,520 --> 01:21:24,759
Speaker 4: me and and Cam did something back when the Poluza

1845
01:21:24,840 --> 01:21:26,840
Speaker 4: days at the high school Vince Staples went to in

1846
01:21:26,920 --> 01:21:31,000
Speaker 4: Long Beach, Cam's and now wife uh was a teacher there,

1847
01:21:31,439 --> 01:21:33,240
Speaker 4: and we did we did a whole presentation of how

1848
01:21:33,280 --> 01:21:36,479
Speaker 4: you can start events and everything. I was petrified being

1849
01:21:36,520 --> 01:21:39,080
Speaker 4: in North Long Beach. I was like, these kids not

1850
01:21:39,160 --> 01:21:42,800
Speaker 4: going like that. They gonna kill us up there, like

1851
01:21:42,840 --> 01:21:44,320
Speaker 4: we're talking about something that I don't even think they

1852
01:21:44,400 --> 01:21:49,280
Speaker 4: interested in. They were the coolest fucking kids ever, super inquisitive,

1853
01:21:49,400 --> 01:21:51,800
Speaker 4: like we we kicked it way longer than we should

1854
01:21:51,800 --> 01:21:54,680
Speaker 4: have been there. Like listen, man, the youth isn't as

1855
01:21:54,720 --> 01:21:57,479
Speaker 4: bad as we think they are. I promise here in Brooklyn, Oh.

1856
01:21:57,439 --> 01:22:01,160
Speaker 3: It's not high school, it's long Beach, it's kindergarten.

1857
01:22:00,760 --> 01:22:03,520
Speaker 2: Through fourth grade. I'm there. I funk with the kindergarteners.

1858
01:22:04,160 --> 01:22:05,960
Speaker 2: Don't sit me in front of no niggas in eleventh

1859
01:22:05,960 --> 01:22:07,519
Speaker 2: and twelfth grade, told them niggas where they know? What

1860
01:22:07,640 --> 01:22:11,719
Speaker 2: are they want to about career? That h fourth graders?

1861
01:22:12,160 --> 01:22:14,599
Speaker 4: Yeah that's when early, but they.

1862
01:22:14,880 --> 01:22:17,559
Speaker 3: They focused on I don't think that's Yeah, you start

1863
01:22:17,600 --> 01:22:19,320
Speaker 3: figuring out what you want to do with your life,

1864
01:22:19,479 --> 01:22:20,000
Speaker 3: like and like.

1865
01:22:20,200 --> 01:22:22,840
Speaker 2: Get the fuck out. Are y'all y'all are not? Are

1866
01:22:22,880 --> 01:22:26,599
Speaker 2: y'all not gonna listen to y' y'all don't remember being kids?

1867
01:22:26,640 --> 01:22:30,280
Speaker 2: When you were a kid, and okay, I don't remember

1868
01:22:30,320 --> 01:22:31,200
Speaker 2: nothing in kindergarten.

1869
01:22:31,360 --> 01:22:33,800
Speaker 3: When you were a kid, people asked you all the time,

1870
01:22:33,880 --> 01:22:35,960
Speaker 3: what you wanted to be. I remember what I wanted

1871
01:22:36,040 --> 01:22:38,880
Speaker 3: to be when and what I wanted to say. Boy

1872
01:22:39,160 --> 01:22:40,559
Speaker 3: Ninja said, I want to be a Ninja.

1873
01:22:41,200 --> 01:22:43,719
Speaker 1: I was like seven years old. I don't know about

1874
01:22:43,720 --> 01:22:46,240
Speaker 1: anything else, Ninja. That's what I gave him the kinnergarden,

1875
01:22:46,240 --> 01:22:46,920
Speaker 1: I want to be a ninja?

1876
01:22:48,280 --> 01:22:52,760
Speaker 2: Really? Yes, Okay, what do you asks in kindergarten? What

1877
01:22:52,840 --> 01:22:54,439
Speaker 2: do the dames? I say, well, I would love to

1878
01:22:54,479 --> 01:22:57,960
Speaker 2: study law at Harvard and no, but they said some

1879
01:22:58,080 --> 01:23:01,120
Speaker 2: of them to say doctor, some say yeah, they don't.

1880
01:23:00,960 --> 01:23:04,440
Speaker 1: Give you that veterinarian firefighters.

1881
01:23:04,520 --> 01:23:06,519
Speaker 3: I wanted to be a place Christian when I was

1882
01:23:06,600 --> 01:23:09,600
Speaker 3: and then it switched to psychology and that followed me

1883
01:23:09,680 --> 01:23:10,400
Speaker 3: up until college.

1884
01:23:10,479 --> 01:23:13,680
Speaker 2: Like these things do stick with kids. But I do

1885
01:23:13,800 --> 01:23:15,400
Speaker 2: they ask you what you want to be in kindergarten?

1886
01:23:15,400 --> 01:23:15,679
Speaker 2: For sure?

1887
01:23:15,760 --> 01:23:17,280
Speaker 3: Yeah, I do think at an early age they said

1888
01:23:17,320 --> 01:23:19,400
Speaker 3: kindergarten through fourth grade. I do think at an early

1889
01:23:19,520 --> 01:23:23,720
Speaker 3: age kids should be introduced to other avenues. Like you

1890
01:23:23,800 --> 01:23:25,880
Speaker 3: think these kids don't know what content creators are and

1891
01:23:25,960 --> 01:23:28,840
Speaker 3: podcasters fourth grade, they definitely.

1892
01:23:28,520 --> 01:23:29,280
Speaker 2: They definitely do now.

1893
01:23:29,560 --> 01:23:31,280
Speaker 1: So I don't know if they know if it was

1894
01:23:31,320 --> 01:23:34,200
Speaker 1: a constant grade, is not that how old is fourth grade?

1895
01:23:34,240 --> 01:23:36,040
Speaker 1: Is fourth grade is eight?

1896
01:23:36,200 --> 01:23:40,559
Speaker 3: I think yeah, nine nine nine. A nine year old

1897
01:23:40,640 --> 01:23:43,800
Speaker 3: is not that young. No, that's why I was age nine.

1898
01:23:43,840 --> 01:23:48,280
Speaker 4: And he's definitely watching the Content creators like he wants

1899
01:23:48,360 --> 01:23:49,439
Speaker 4: his PC.

1900
01:23:49,400 --> 01:23:52,800
Speaker 3: Now, he wants starting youtubes at at fucking six seven

1901
01:23:52,840 --> 01:23:54,840
Speaker 3: years old. Their parents are starting youtubes like this is

1902
01:23:55,120 --> 01:23:56,800
Speaker 3: it's not too early, not even close.

1903
01:23:56,960 --> 01:23:59,519
Speaker 4: And even before my barber, my whole life moved down

1904
01:23:59,520 --> 01:24:01,240
Speaker 4: North Carolin. He's come to my house and I had

1905
01:24:01,280 --> 01:24:04,320
Speaker 4: our our YouTube, the Plaque ship up and he brought

1906
01:24:04,320 --> 01:24:07,280
Speaker 4: his son that was probably in fifth, fifth or sixth grade,

1907
01:24:07,800 --> 01:24:11,200
Speaker 4: and he was like looking at that ship like it

1908
01:24:11,320 --> 01:24:14,479
Speaker 4: was God. He was like, yo, dad, he's a YouTuber.

1909
01:24:15,160 --> 01:24:17,120
Speaker 4: And my barber look at me like the fuck what

1910
01:24:17,280 --> 01:24:21,360
Speaker 4: that means? Like why is my son acting like this?

1911
01:24:21,479 --> 01:24:23,240
Speaker 2: I'll do that though, I'm down to do that. I'm

1912
01:24:23,280 --> 01:24:23,800
Speaker 2: down and told you.

1913
01:24:23,880 --> 01:24:25,960
Speaker 3: Some kids, Well let me know that I have the date.

1914
01:24:26,000 --> 01:24:27,639
Speaker 3: I'll tell you what the date is. But yeah, I'm

1915
01:24:27,680 --> 01:24:30,639
Speaker 3: gonna go. I'm excited. Yeah, I do want to start

1916
01:24:30,680 --> 01:24:32,000
Speaker 3: mentoring young girls.

1917
01:24:32,160 --> 01:24:35,920
Speaker 4: What we also could do with their parents' permission, not

1918
01:24:36,000 --> 01:24:37,880
Speaker 4: anything that we would put out, but we could do

1919
01:24:38,120 --> 01:24:40,200
Speaker 4: like we could bring mics and like do an episode

1920
01:24:40,280 --> 01:24:42,400
Speaker 4: with them that they could keep. Yeah, that could be

1921
01:24:42,479 --> 01:24:44,880
Speaker 4: kind of cool, Like put two kids just bring the

1922
01:24:44,960 --> 01:24:47,720
Speaker 4: mics in one camera. That would be cute and they

1923
01:24:47,760 --> 01:24:50,200
Speaker 4: could do their own that that I think would be got.

1924
01:24:50,439 --> 01:24:51,920
Speaker 2: But we got to ask the hard hidden questions.

1925
01:24:53,280 --> 01:24:57,240
Speaker 4: We got to ask kinder juice, orange juice, Palestine, Israel,

1926
01:25:01,400 --> 01:25:02,640
Speaker 4: depends which Brooklyn.

1927
01:25:02,400 --> 01:25:06,080
Speaker 2: School it is. Now with Tothy, y'all soon be saved,

1928
01:25:06,160 --> 01:25:08,360
Speaker 2: be blessed. I'm that nigga, he's just ginger peace.

1929
01:25:08,880 --> 01:25:08,920
Speaker 4: No,