1 00:00:01,800 --> 00:00:04,559 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,519 --> 00:00:07,160 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,320 --> 00:00:13,200 Speaker 1: Welcome to and That's What Your Really miss Podcast. This 4 00:00:13,280 --> 00:00:19,200 Speaker 1: is Season three, Episode seven, I Kissed a Girl controversial. 5 00:00:20,440 --> 00:00:26,160 Speaker 1: A controversial episode, Kevin, the fans have spoken. 6 00:00:26,560 --> 00:00:28,320 Speaker 2: Because you don't want to get on the bad side 7 00:00:28,360 --> 00:00:29,760 Speaker 2: of Britanna fans. 8 00:00:30,120 --> 00:00:34,440 Speaker 1: Never, no, no, no, the fans have spoken. Okay, we're 9 00:00:34,440 --> 00:00:36,320 Speaker 1: gonna get into this. This is a kiss the Girl 10 00:00:36,360 --> 00:00:43,840 Speaker 1: and this aired on November twenty nine, two thousand and eleven. Crazy, Yes, 11 00:00:44,040 --> 00:00:47,120 Speaker 1: we are. We're almost as sectionals. Can you believe it? 12 00:00:47,200 --> 00:00:50,920 Speaker 2: I'm so what's crazy is we're going from this episode, 13 00:00:50,960 --> 00:00:57,960 Speaker 2: which is not the most favorite of Glee fans online, 14 00:00:58,600 --> 00:01:03,440 Speaker 2: and then next episode is so good and loved and 15 00:01:03,800 --> 00:01:06,240 Speaker 2: we have lots of core memories from that. 16 00:01:06,400 --> 00:01:06,840 Speaker 1: So many. 17 00:01:07,840 --> 00:01:14,400 Speaker 2: So let's carefully wade into the waters. I kissed a Girl. 18 00:01:14,959 --> 00:01:18,160 Speaker 2: Less is more. The number one song was We Found 19 00:01:18,240 --> 00:01:19,959 Speaker 2: Love Again? 20 00:01:21,000 --> 00:01:23,680 Speaker 1: Okay, this is this is Twilight. Number one movie was 21 00:01:23,720 --> 00:01:27,080 Speaker 1: Twilight Saga Breaking one. I have seen this. I think 22 00:01:27,080 --> 00:01:29,880 Speaker 1: I've seen two number one movies in this entirety for 23 00:01:29,959 --> 00:01:32,640 Speaker 1: the entirety of I know, right, I. 24 00:01:32,600 --> 00:01:33,840 Speaker 2: Don't think we had a lot of time to be 25 00:01:33,880 --> 00:01:35,920 Speaker 2: going to the movies. To be honest, we had I 26 00:01:36,000 --> 00:01:41,199 Speaker 2: don't basically one and three quarters of a day off, 27 00:01:41,959 --> 00:01:44,320 Speaker 2: you know, because you like go into Saturday morning Friturday 28 00:01:45,360 --> 00:01:47,280 Speaker 2: and then you'd have Sunday was like your day, but 29 00:01:47,280 --> 00:01:48,720 Speaker 2: then you had to get up early on Monday. 30 00:01:49,800 --> 00:01:51,640 Speaker 1: I'm not going to the movie theater in that time, 31 00:01:51,720 --> 00:01:53,280 Speaker 1: That's right. The only time I'm going to a movie 32 00:01:53,280 --> 00:01:56,360 Speaker 1: theater is like a ten am Sunday matinee. It's my favorite. 33 00:01:56,400 --> 00:01:57,320 Speaker 2: That's all. We could do. 34 00:01:59,480 --> 00:02:01,360 Speaker 1: So quiet in the theater and nobody's there. 35 00:02:01,800 --> 00:02:03,720 Speaker 2: You're on row, you get out and it's still light. 36 00:02:05,200 --> 00:02:05,800 Speaker 2: It's so nice. 37 00:02:05,960 --> 00:02:06,680 Speaker 1: My favorite. 38 00:02:06,840 --> 00:02:09,040 Speaker 2: So some glean news of this week. On November twenty second, 39 00:02:09,040 --> 00:02:14,079 Speaker 2: twenty eleven, the Karaoke Revolution Glee Volume three was released 40 00:02:14,080 --> 00:02:17,079 Speaker 2: on the sinto we in Xbox three sixty. It had 41 00:02:17,120 --> 00:02:20,360 Speaker 2: thirty four songs from the show second season and included 42 00:02:20,400 --> 00:02:22,839 Speaker 2: a microphone for the players to say, who had this? 43 00:02:23,919 --> 00:02:26,519 Speaker 1: Do you remember that they sent us whees with our 44 00:02:26,560 --> 00:02:28,040 Speaker 1: pictures like plaster? 45 00:02:28,800 --> 00:02:31,240 Speaker 2: Yeah, but we didn't. They stopped after the first volume. 46 00:02:31,240 --> 00:02:33,880 Speaker 2: We didn't get volume two and three. No, no, no, 47 00:02:34,040 --> 00:02:35,480 Speaker 2: we only had this one. 48 00:02:36,240 --> 00:02:36,919 Speaker 1: Who had this? 49 00:02:37,200 --> 00:02:37,640 Speaker 2: I don't know. 50 00:02:38,800 --> 00:02:42,800 Speaker 1: Okay, well it's it sounds fun. 51 00:02:45,120 --> 00:02:48,360 Speaker 2: If you played it, I hope you enjoyed yourselves, because 52 00:02:48,440 --> 00:02:49,639 Speaker 2: we didn't play it. 53 00:02:50,280 --> 00:02:52,600 Speaker 1: No, we did not. But this we were doing the 54 00:02:52,639 --> 00:02:57,639 Speaker 1: real thing. The This was directed by Tate Donovan. 55 00:02:58,160 --> 00:02:59,880 Speaker 2: It was and I really liked the directing. 56 00:03:00,000 --> 00:03:04,520 Speaker 1: I noticed that, Yes, he did a very nice job 57 00:03:04,560 --> 00:03:07,079 Speaker 1: with a lot of brands going on. This is written 58 00:03:07,080 --> 00:03:13,679 Speaker 1: by our dear friend Matt Hodgson. And Matt was has 59 00:03:13,720 --> 00:03:16,360 Speaker 1: made his way up in the world. He started as 60 00:03:16,919 --> 00:03:22,119 Speaker 1: an assistant to Ryan Murphy and he's he was now 61 00:03:22,240 --> 00:03:25,880 Speaker 1: he's now a writer on many writing Murphy shows and 62 00:03:25,960 --> 00:03:27,880 Speaker 1: a dear friend of ours. So I had to have 63 00:03:28,000 --> 00:03:28,359 Speaker 1: him here. 64 00:03:28,720 --> 00:03:33,360 Speaker 2: Is this why he's gotten so much flack on Twitter? 65 00:03:33,919 --> 00:03:34,680 Speaker 2: Is this episode? 66 00:03:34,680 --> 00:03:40,200 Speaker 1: Why this episode? Perhaps, again we've said this before, he 67 00:03:40,240 --> 00:03:42,520 Speaker 1: did not write this whole entire episode by himself. It 68 00:03:42,560 --> 00:03:46,400 Speaker 1: is a collective and then contractually everybody gets an episode 69 00:03:46,560 --> 00:03:49,280 Speaker 1: so they can get paid for their script. That's really 70 00:03:49,360 --> 00:03:55,360 Speaker 1: all it is. In particular, it rotates, don't come for Hodson. 71 00:03:55,400 --> 00:03:58,240 Speaker 1: He's a he's a sweet, sweet man. Oh the sweetest 72 00:03:59,280 --> 00:04:06,320 Speaker 1: love Hodson. But he really got so much shit that 73 00:04:06,440 --> 00:04:09,280 Speaker 1: you know, Yeah, it was like he was solely responsible 74 00:04:09,320 --> 00:04:15,480 Speaker 1: for anything bad that happened to Santana. Oh no, absolutely not. 75 00:04:16,240 --> 00:04:18,320 Speaker 1: That's not how it worked. We'll have to ask him 76 00:04:18,360 --> 00:04:22,159 Speaker 1: when we see him. We're saying those soon. So okay. 77 00:04:22,279 --> 00:04:25,880 Speaker 1: The songs in this episode, wow, wowow. Okay, it's eclectic, 78 00:04:26,920 --> 00:04:29,640 Speaker 1: it is, but they're all but it's not yeah yeah, yes, 79 00:04:29,880 --> 00:04:30,479 Speaker 1: ladies and music. 80 00:04:30,520 --> 00:04:33,799 Speaker 2: So they're either part of the LGBT community or they're 81 00:04:34,240 --> 00:04:37,200 Speaker 2: very vocal and art and supporters of the LGBT community. 82 00:04:37,240 --> 00:04:40,320 Speaker 2: You have Perfect by Pink, I'm the Only One by 83 00:04:40,360 --> 00:04:43,080 Speaker 2: Melissa Etheridge, Girls Just want to have Fun by Cindy Lapper, 84 00:04:43,520 --> 00:04:47,680 Speaker 2: but it's the great Glasswell version. Jolene by Dolly Parton, 85 00:04:47,920 --> 00:04:50,840 Speaker 2: I Kissed a Girl by Katie Perry, and Constant Craving 86 00:04:50,880 --> 00:04:51,919 Speaker 2: by Katie Lange. 87 00:04:52,560 --> 00:04:56,800 Speaker 1: I will say all the songs, Gamey, goose Bumps. The 88 00:04:56,839 --> 00:05:00,840 Speaker 1: performances of the songs also looked real, really good, like 89 00:05:01,080 --> 00:05:04,200 Speaker 1: in particular Joelene with the lighting in the election in 90 00:05:04,279 --> 00:05:10,000 Speaker 1: the gymnasium. It was not your typical glee number looking number. 91 00:05:09,800 --> 00:05:11,760 Speaker 2: But he was doing I think because there was not 92 00:05:12,360 --> 00:05:15,280 Speaker 2: dancing happening. There wasn't a lot going on in some 93 00:05:15,360 --> 00:05:16,960 Speaker 2: of these but even when there was even when the 94 00:05:16,960 --> 00:05:21,599 Speaker 2: Troubletones did some dancing, I liked the way the handheld 95 00:05:21,600 --> 00:05:23,760 Speaker 2: camera looked and how it was pushing into different characters 96 00:05:23,800 --> 00:05:27,320 Speaker 2: and catching reactions or even the vocals, and I thought 97 00:05:27,960 --> 00:05:30,240 Speaker 2: it was nice to see something as like simple as that, 98 00:05:30,279 --> 00:05:32,360 Speaker 2: but it was still refreshing, something that felt like we 99 00:05:32,440 --> 00:05:33,960 Speaker 2: haven't done or done a lot of. 100 00:05:34,160 --> 00:05:37,320 Speaker 1: A lot of storytelling. And Tate is an actor, right, 101 00:05:37,600 --> 00:05:40,880 Speaker 1: so I mean everybody's storytellers in the industry, but like 102 00:05:41,400 --> 00:05:44,960 Speaker 1: Tate as an actor was very actor friendly. Obviously with 103 00:05:45,080 --> 00:05:53,560 Speaker 1: Naya's whole performance, even despite the the lack of time 104 00:05:53,600 --> 00:05:58,320 Speaker 1: that they had to really dive into the storyline, the 105 00:05:58,400 --> 00:06:01,680 Speaker 1: moments he caught were you like Eric Stultz esk he 106 00:06:01,760 --> 00:06:05,440 Speaker 1: always caught moments like you know, like in the Adel Mashup. 107 00:06:05,680 --> 00:06:07,680 Speaker 2: I think every director comes in with their own perspective, 108 00:06:07,680 --> 00:06:09,920 Speaker 2: whether they're an actor or not, right, But I think 109 00:06:10,200 --> 00:06:13,720 Speaker 2: knowing that how important those reactions can be as an 110 00:06:13,720 --> 00:06:17,719 Speaker 2: actor hoping that the camera's catching it, then I think, 111 00:06:18,279 --> 00:06:20,320 Speaker 2: you know they're on the lookout for that because they 112 00:06:20,360 --> 00:06:22,960 Speaker 2: know how that can really add to a story, even 113 00:06:22,960 --> 00:06:23,920 Speaker 2: if it's not in the script. 114 00:06:24,040 --> 00:06:27,200 Speaker 1: There's a lot that happens in this episode. There's arguably 115 00:06:27,240 --> 00:06:29,880 Speaker 1: too much that happens in this episode. 116 00:06:29,880 --> 00:06:30,840 Speaker 2: And also not enough. 117 00:06:31,880 --> 00:06:36,000 Speaker 1: Agreed. It's funny though, because you think about you have 118 00:06:36,080 --> 00:06:38,800 Speaker 1: twenty two episodes. There are some episodes that are truly 119 00:06:38,920 --> 00:06:42,919 Speaker 1: just filler, right. They are transitional episodes to get to 120 00:06:42,960 --> 00:06:46,279 Speaker 1: the next you know, climax or store, you know, huge peak, 121 00:06:46,800 --> 00:06:50,520 Speaker 1: and for this one, it feels like there are sixteen 122 00:06:50,560 --> 00:06:53,200 Speaker 1: peaks that have happened. 123 00:06:53,640 --> 00:06:58,800 Speaker 2: Yeah, and you know, the balance of this episode is 124 00:07:00,080 --> 00:07:04,400 Speaker 2: range or there's a lack of balance, I would say, 125 00:07:04,400 --> 00:07:06,360 Speaker 2: And I would also say, this is the culmination of 126 00:07:07,200 --> 00:07:12,560 Speaker 2: a very important storyline, and then it the things that 127 00:07:13,120 --> 00:07:14,960 Speaker 2: you might want to see as an audience, you don't 128 00:07:15,000 --> 00:07:17,720 Speaker 2: necessarily see. You only get a little taste of other things. 129 00:07:17,760 --> 00:07:19,800 Speaker 2: It's a well, that's what sounds like. 130 00:07:19,880 --> 00:07:24,920 Speaker 1: The biggest uh problem that people had this episode was 131 00:07:25,440 --> 00:07:28,440 Speaker 1: the lack let's let's let's dive in. 132 00:07:28,840 --> 00:07:31,000 Speaker 2: So there's some fun facts about this episode. 133 00:07:31,080 --> 00:07:31,640 Speaker 1: Oh let's go. 134 00:07:32,880 --> 00:07:35,400 Speaker 2: This is the sixth episode to feature a song with 135 00:07:35,480 --> 00:07:38,440 Speaker 2: the same title as the episode. Other ones were Home 136 00:07:38,520 --> 00:07:40,880 Speaker 2: dreamond Silly Love Songs, Blame It on the Alcohol, and 137 00:07:41,120 --> 00:07:45,440 Speaker 2: Born this Way. All great episodes so you know, six 138 00:07:45,480 --> 00:07:48,080 Speaker 2: out of fairy seven or just five about a six 139 00:07:48,120 --> 00:07:52,360 Speaker 2: ain't beat. It's the only episode of season three to 140 00:07:52,440 --> 00:07:54,280 Speaker 2: not feature a performance in the auditorium. 141 00:07:54,600 --> 00:07:56,920 Speaker 1: Wow, I didn't even think about that. 142 00:07:57,200 --> 00:08:00,680 Speaker 2: Yeah, I think that also it goes with I don't 143 00:08:00,680 --> 00:08:02,280 Speaker 2: know if it was scripted that way or not, but 144 00:08:04,000 --> 00:08:06,440 Speaker 2: having to get inventive, but you don't have that the 145 00:08:06,560 --> 00:08:09,880 Speaker 2: lighting and that room of the auditorium to play with sure, 146 00:08:09,920 --> 00:08:13,840 Speaker 2: and to make the gymnasium or the choir room interesting 147 00:08:14,000 --> 00:08:16,600 Speaker 2: each time when there's someone just standing there and singing, 148 00:08:17,280 --> 00:08:20,360 Speaker 2: it's hard. And I think it was really successful this episode. 149 00:08:21,400 --> 00:08:21,679 Speaker 1: Okay. 150 00:08:22,320 --> 00:08:27,560 Speaker 2: In twenty twelve, Ryan Murphy uploaded a deleted scene where 151 00:08:27,560 --> 00:08:30,040 Speaker 2: Santana actually comes out to the cheerios. 152 00:08:30,400 --> 00:08:32,840 Speaker 1: We don't have a ton of deleted scenes, and we 153 00:08:32,920 --> 00:08:35,200 Speaker 1: haven't seen most of those deleted scenes. I think this 154 00:08:35,280 --> 00:08:37,520 Speaker 1: is maybe one of the only deleted scenes. He's actual 155 00:08:37,640 --> 00:08:41,320 Speaker 1: scene that he's done this with. Yeah, it's a great scene, 156 00:08:42,280 --> 00:08:42,839 Speaker 1: it is, but. 157 00:08:42,800 --> 00:08:46,720 Speaker 2: It's also and moves as such a clip and maybe 158 00:08:46,760 --> 00:08:49,440 Speaker 2: that's the maybe that was just the edit for to 159 00:08:49,640 --> 00:08:52,280 Speaker 2: be able to upload it. But I was like, oh, 160 00:08:52,280 --> 00:08:54,920 Speaker 2: this is happening very fast. It's like here's here it 161 00:08:55,000 --> 00:08:57,000 Speaker 2: is and we're moving on. 162 00:08:57,440 --> 00:09:01,680 Speaker 1: Well, maybe that's why they removed it. Yeah, Eric Stilt 163 00:09:01,800 --> 00:09:04,439 Speaker 1: is one of the names present in Sue's Black Book 164 00:09:04,520 --> 00:09:07,920 Speaker 1: of Booty Calls. So we had Todd Bridges, Vladimir Putin, 165 00:09:09,400 --> 00:09:15,199 Speaker 1: Dan Quayle, Stephen Baldwin, Oliver North, Matt Lauer, Johnny Cochrane, 166 00:09:15,400 --> 00:09:18,200 Speaker 1: David Boriana's I had a huge crush on you. An 167 00:09:18,240 --> 00:09:21,560 Speaker 1: eclectic mix of people, and of course you're very own, Eric, 168 00:09:21,600 --> 00:09:27,880 Speaker 1: still are very own, Eric Celts moving on the Santana 169 00:09:27,920 --> 00:09:30,120 Speaker 1: coming out to her a Boila scene was written by 170 00:09:30,480 --> 00:09:33,880 Speaker 1: Alie Adler, our friend and writer Unklee, and that was 171 00:09:33,920 --> 00:09:37,480 Speaker 1: inspired by her own experience. However, Adler was not credited 172 00:09:37,520 --> 00:09:39,720 Speaker 1: as a writer in this episode. But once again we 173 00:09:40,960 --> 00:09:46,520 Speaker 1: I repeat myself that everybody contributed to every episode. 174 00:09:46,960 --> 00:09:50,280 Speaker 2: Yes it was just a contract thing. Yes, just not 175 00:09:50,320 --> 00:09:50,960 Speaker 2: always the case. 176 00:09:51,000 --> 00:09:56,600 Speaker 1: But I find that most rooms big twenty two episode shows, 177 00:09:56,960 --> 00:09:58,080 Speaker 1: there's a collective effort. 178 00:09:59,240 --> 00:10:02,840 Speaker 2: That's so much time. That is forty four minutes times 179 00:10:02,840 --> 00:10:07,680 Speaker 2: twenty two and nine to ten months like that is crazy. 180 00:10:07,720 --> 00:10:09,920 Speaker 2: That is a lot of story and. 181 00:10:09,880 --> 00:10:11,720 Speaker 1: Dial People need to go home and write a scene 182 00:10:11,760 --> 00:10:13,920 Speaker 1: and come back and you put it all together. It 183 00:10:14,000 --> 00:10:15,520 Speaker 1: is this team effort here. 184 00:10:16,520 --> 00:10:18,840 Speaker 2: Also, I love this. The kitchen where Santana and Herbuela 185 00:10:18,880 --> 00:10:21,199 Speaker 2: had their scene was also featured in the first season 186 00:10:21,200 --> 00:10:24,880 Speaker 2: of American Horror Story as the kitchen of Constance Langdon. 187 00:10:24,760 --> 00:10:26,120 Speaker 1: When she ate the brains. 188 00:10:26,240 --> 00:10:31,719 Speaker 2: Yeah, it's quite a different scene than this one. 189 00:10:30,920 --> 00:10:33,000 Speaker 1: But we love it. We love them both. 190 00:10:33,320 --> 00:10:35,840 Speaker 2: Very iconic recycle that set. 191 00:10:37,280 --> 00:10:43,400 Speaker 1: Well, gotta this is the episode. In a short few 192 00:10:43,440 --> 00:10:49,080 Speaker 1: sentences for the amount that is jam packed into this episode. Okay, 193 00:10:49,120 --> 00:10:51,720 Speaker 1: So the race for McKenley High President comes to an end, 194 00:10:51,880 --> 00:10:55,520 Speaker 1: Oh my god, and someone is a cot trying to 195 00:10:55,720 --> 00:10:59,000 Speaker 1: fix the results. Who will it be? Meanwhile, Coach Beast 196 00:10:59,000 --> 00:11:03,000 Speaker 1: gets up the nerve to challenge Sue Sylvester and things 197 00:11:03,000 --> 00:11:07,960 Speaker 1: get a little complicated for Pucking Quinn and Shelby, and 198 00:11:08,200 --> 00:11:15,880 Speaker 1: Santana dives deep into her sexuality. All happens in forty 199 00:11:15,880 --> 00:11:19,240 Speaker 1: four minutes. A cute forty four minutes. Which one do 200 00:11:19,280 --> 00:11:20,040 Speaker 1: we start with, Kevin? 201 00:11:21,440 --> 00:11:24,760 Speaker 2: I think let's start with class president. Let's get some 202 00:11:24,800 --> 00:11:27,080 Speaker 2: of these out of the way, because we have a 203 00:11:27,080 --> 00:11:29,719 Speaker 2: lot to talk about with Santana, and so I'd like 204 00:11:29,800 --> 00:11:31,440 Speaker 2: to just I like it. 205 00:11:31,440 --> 00:11:34,240 Speaker 1: Okay, So of all all of the storylines within this. 206 00:11:35,520 --> 00:11:40,800 Speaker 1: I was like, oh, wow, there's been a streamline thought 207 00:11:40,840 --> 00:11:44,440 Speaker 1: that's been going on through I mean, the entirety of 208 00:11:44,520 --> 00:11:47,520 Speaker 1: this season. So this is starting from episode one right 209 00:11:47,559 --> 00:11:50,240 Speaker 1: of season three. Yeah, and that we've been talking about 210 00:11:50,240 --> 00:11:53,320 Speaker 1: a class president and we are we've made it to 211 00:11:53,840 --> 00:11:57,080 Speaker 1: episode seven. I am grateful for that. I am grateful 212 00:11:57,120 --> 00:12:00,920 Speaker 1: that there is continuity. I am grateful is a streamline 213 00:12:02,480 --> 00:12:05,840 Speaker 1: sometimes thought and character arc, something that's not brought up 214 00:12:05,880 --> 00:12:08,760 Speaker 1: and then over in one episode exactly, thank you. So 215 00:12:09,840 --> 00:12:12,480 Speaker 1: I appreciate this, and I also appreciate that it moves 216 00:12:12,480 --> 00:12:15,200 Speaker 1: the pot along for sectionals as well. 217 00:12:15,280 --> 00:12:17,800 Speaker 2: Right, and so for Niata it's also moving along, you know, 218 00:12:18,320 --> 00:12:21,360 Speaker 2: next season. It's sort of getting them set. 219 00:12:21,200 --> 00:12:27,760 Speaker 1: Up for that. So Kurt reveals to Rachel it's time 220 00:12:27,760 --> 00:12:30,400 Speaker 1: to vote for senior class president, right, And Kurt reveals 221 00:12:30,400 --> 00:12:33,160 Speaker 1: to Rachel that he doesn't think he's gonna win, so 222 00:12:33,240 --> 00:12:38,319 Speaker 1: he is considering stuffing the ballot boxes. Rachel's looks concerned, 223 00:12:38,640 --> 00:12:42,360 Speaker 1: very concerned for him. She knows that he really needs 224 00:12:42,400 --> 00:12:45,480 Speaker 1: this in order to get into Nyada for his extracurriculars. 225 00:12:48,080 --> 00:12:53,120 Speaker 1: But there's a turn of events, how cute was everybody voting. 226 00:12:53,720 --> 00:12:57,360 Speaker 2: I love that, and I also was just reminded of 227 00:12:57,360 --> 00:13:00,640 Speaker 2: when I was in high school and voting for these things. 228 00:13:00,800 --> 00:13:04,120 Speaker 2: I love voting. I love a mock election, I love 229 00:13:04,920 --> 00:13:08,079 Speaker 2: school election. And having everybody go into it also reminded 230 00:13:08,080 --> 00:13:11,280 Speaker 2: me of drag Race. But everybody going to the little 231 00:13:11,280 --> 00:13:15,120 Speaker 2: booths and shutting the curtain and voting was great. And 232 00:13:15,160 --> 00:13:17,000 Speaker 2: I was also jealous. I wasn't really in it. 233 00:13:17,600 --> 00:13:20,160 Speaker 1: That's kind of what my voting looks like for like 234 00:13:20,240 --> 00:13:26,440 Speaker 1: real president too, totally. So I am very cute. 235 00:13:26,760 --> 00:13:30,000 Speaker 2: I mean Jbi is back and is really I was like, oh, 236 00:13:30,440 --> 00:13:33,600 Speaker 2: here he is getting in the business of everyone. And 237 00:13:33,640 --> 00:13:36,440 Speaker 2: he shows up to Kurt and they shove him out 238 00:13:36,480 --> 00:13:37,880 Speaker 2: of the way. Finn shows him out of the way 239 00:13:37,960 --> 00:13:42,560 Speaker 2: so hard, and Kurt is full on just having a 240 00:13:42,640 --> 00:13:47,400 Speaker 2: meltdown this entire time because it was also like a 241 00:13:47,480 --> 00:13:50,880 Speaker 2: nice representation of like the state of the world. He's like, 242 00:13:50,920 --> 00:13:52,880 Speaker 2: it's crazy that you work really hard for something and 243 00:13:52,920 --> 00:13:56,240 Speaker 2: it comes down to the will basically of other people 244 00:13:56,240 --> 00:13:58,480 Speaker 2: writing your name down or checking a box. 245 00:13:59,440 --> 00:14:00,880 Speaker 1: And lack of control. 246 00:14:01,320 --> 00:14:05,120 Speaker 2: Yeah, and it changes his entire well, he thinks, you know, 247 00:14:05,200 --> 00:14:07,280 Speaker 2: in high school, everything's a big deal. He thinks this 248 00:14:07,360 --> 00:14:12,000 Speaker 2: is going to, you know, deter change his trajectory for 249 00:14:12,040 --> 00:14:13,119 Speaker 2: the rest of his life. 250 00:14:13,320 --> 00:14:17,480 Speaker 1: Which in theory I guess it is. So the stakes 251 00:14:17,480 --> 00:14:20,120 Speaker 1: are so high for kids in high school and the 252 00:14:20,160 --> 00:14:23,320 Speaker 1: college prep if you're lucky enough to be going to college, 253 00:14:24,440 --> 00:14:27,200 Speaker 1: and it's just a lot of it is one of 254 00:14:27,200 --> 00:14:30,720 Speaker 1: those things like the stakes are very high for this 255 00:14:31,080 --> 00:14:34,640 Speaker 1: for high school students. So I appreciated the truth within it. 256 00:14:36,160 --> 00:14:44,240 Speaker 1: But we're going to vote. Ironically, his dad is also 257 00:14:44,280 --> 00:14:49,320 Speaker 1: being voted on for in Congress, but we'll get to that. Yeah, 258 00:14:49,920 --> 00:14:57,000 Speaker 1: and Kirk gets called to the principal's office because Kurt 259 00:14:57,000 --> 00:14:59,960 Speaker 1: won by how many one hundred and ninety votes, yes. 260 00:15:00,000 --> 00:15:02,680 Speaker 2: Something that was disproportionate to how things were seeming on 261 00:15:02,720 --> 00:15:03,120 Speaker 2: the ground. 262 00:15:03,600 --> 00:15:07,640 Speaker 1: Well, how many seniors were also in the school itself, right, 263 00:15:08,840 --> 00:15:16,480 Speaker 1: So they believe he stuffed the ballot boxes, and so 264 00:15:16,560 --> 00:15:17,960 Speaker 1: they say, if they can prove it, he's going to 265 00:15:18,000 --> 00:15:18,640 Speaker 1: get suspended. 266 00:15:18,720 --> 00:15:22,360 Speaker 2: I had second hit. I was so anxious, that feeling 267 00:15:22,560 --> 00:15:24,680 Speaker 2: of you know, you didn't do something wrong, and then 268 00:15:24,680 --> 00:15:26,920 Speaker 2: he's being honest and truthful by saying, well, I did 269 00:15:26,960 --> 00:15:29,200 Speaker 2: think about it, right, And then when Bert. 270 00:15:29,200 --> 00:15:30,760 Speaker 1: I don't say that what are you talking to? 271 00:15:30,800 --> 00:15:32,480 Speaker 2: Thought about it and they're like, oh, how are you 272 00:15:32,480 --> 00:15:35,000 Speaker 2: gonna kick yourself out of this? And one of my 273 00:15:35,040 --> 00:15:38,880 Speaker 2: favorite parts of the entire episode was when Kurt tells 274 00:15:39,120 --> 00:15:44,560 Speaker 2: Rachel and Finn and he leaves and then Rachel turns around. 275 00:15:44,600 --> 00:15:48,760 Speaker 2: He's like, I did it, loved. 276 00:15:48,520 --> 00:15:54,680 Speaker 1: It, loved it. And then she ends up telling the 277 00:15:54,720 --> 00:16:00,440 Speaker 1: truth to Figgins because it's going to expel her from 278 00:16:00,680 --> 00:16:03,200 Speaker 1: performing in at Sectionals. 279 00:16:03,760 --> 00:16:06,120 Speaker 2: So, Jenna, when you told me a couple episodes ago, 280 00:16:06,200 --> 00:16:07,720 Speaker 2: and I said, are you going to get your moment 281 00:16:07,800 --> 00:16:10,880 Speaker 2: to shine? Because you said you're hopeful now that some 282 00:16:10,880 --> 00:16:12,760 Speaker 2: of the heavy hitters were in Trouble Tones, you might 283 00:16:12,800 --> 00:16:13,400 Speaker 2: get your moment. 284 00:16:14,320 --> 00:16:20,840 Speaker 1: This is what you actually forgotten. They're all gone, there's 285 00:16:20,920 --> 00:16:26,520 Speaker 1: only there's only Tina left and Quinn. But Tina, Tina 286 00:16:26,640 --> 00:16:30,000 Speaker 1: is left. She had to knock them all down. 287 00:16:30,520 --> 00:16:34,160 Speaker 2: It's going to be the Tina and Quinn show. 288 00:16:34,800 --> 00:16:39,040 Speaker 1: Oh so funny. I forgot about this. I didn't realize 289 00:16:39,040 --> 00:16:40,600 Speaker 1: that this was the Sectionals. 290 00:16:41,120 --> 00:16:43,520 Speaker 2: You knew it because. 291 00:16:44,880 --> 00:16:48,960 Speaker 1: It's like, well, well, well, they're like, well, who's going 292 00:16:49,040 --> 00:16:54,960 Speaker 1: to do it? Youa oh? And then if I went 293 00:16:54,960 --> 00:16:56,920 Speaker 1: to Trouble Tones, which I really wanted. I would just 294 00:16:56,960 --> 00:16:59,160 Speaker 1: be waving a rose back in the cord again because 295 00:16:59,200 --> 00:17:02,840 Speaker 1: you've got Amber and Naya and Heather, so here I am. 296 00:17:03,160 --> 00:17:04,840 Speaker 2: You know. The Troubletones also just seem like a lot 297 00:17:04,840 --> 00:17:08,320 Speaker 2: of work because they have like real choreography as opposed 298 00:17:08,359 --> 00:17:10,240 Speaker 2: to the new directions just sort of like. 299 00:17:11,040 --> 00:17:14,760 Speaker 1: Walking in the line. Yeah, basically we couldn't even do that. 300 00:17:14,760 --> 00:17:15,360 Speaker 2: That's the truth. 301 00:17:15,400 --> 00:17:16,800 Speaker 1: We couldn't even stay in the street line. 302 00:17:16,880 --> 00:17:18,720 Speaker 2: I think Zach and Brooke gave up on I sitting 303 00:17:18,720 --> 00:17:21,600 Speaker 2: at diagonal like halfway through season one, did you. 304 00:17:21,680 --> 00:17:23,520 Speaker 1: Like, just make a squiggly line, just stand in. 305 00:17:24,200 --> 00:17:25,800 Speaker 2: Just get to where you want to go, make sure 306 00:17:25,800 --> 00:17:26,960 Speaker 2: you can be seen by the camera. 307 00:17:28,920 --> 00:17:40,240 Speaker 1: That's really funny. Okay, so Rachel's not gonna be able 308 00:17:40,240 --> 00:17:42,240 Speaker 1: to perform, it's gonna be Teena's time to shine. We'll 309 00:17:42,280 --> 00:17:47,560 Speaker 1: get there and and Brittany becomes class president. 310 00:17:48,560 --> 00:17:50,800 Speaker 2: I like the little pins they were wearing for Brittany. 311 00:17:50,840 --> 00:17:51,880 Speaker 1: It was really very cute. 312 00:17:52,080 --> 00:17:56,760 Speaker 2: I did like that everyone's going into vote when Amber 313 00:17:56,800 --> 00:17:59,479 Speaker 2: walks in there, and I feel like it was Amber 314 00:17:59,520 --> 00:18:01,880 Speaker 2: and not sad. It's like I like that these are 315 00:18:01,920 --> 00:18:05,240 Speaker 2: a secret out because yes, I don't want Santana knowing 316 00:18:05,280 --> 00:18:08,640 Speaker 2: I didn't vote for her girlfriend. Basically, it's like, yeah, 317 00:18:08,680 --> 00:18:11,360 Speaker 2: you don't want the wrath of the snakes. Oh my gosh, 318 00:18:11,400 --> 00:18:14,960 Speaker 2: by the ways, we'll get there. Let's just mark that. 319 00:18:16,840 --> 00:18:22,680 Speaker 2: The other election that's happening is for Congress between Sue 320 00:18:23,119 --> 00:18:28,760 Speaker 2: and Bert, who's a writing candidate still, and Sue does 321 00:18:28,880 --> 00:18:31,960 Speaker 2: some of very Sue like tactics, which are very well 322 00:18:32,560 --> 00:18:37,240 Speaker 2: suited for politics, more so than her position as a 323 00:18:37,320 --> 00:18:41,879 Speaker 2: cheer coach in high school. Her you know, little tricks 324 00:18:41,920 --> 00:18:46,760 Speaker 2: and connivingness because that's the word definitely fit with this 325 00:18:46,880 --> 00:18:48,760 Speaker 2: storyline and I really like it. But it sort of 326 00:18:48,800 --> 00:18:52,160 Speaker 2: comes to just reaching halt here because for the time being, 327 00:18:54,000 --> 00:19:04,040 Speaker 2: she basically recruits Shannon Beasts coach Beasts boy toy boyfriend 328 00:19:04,240 --> 00:19:11,080 Speaker 2: want to be boyfriend as her lover. Her fake pulled 329 00:19:11,080 --> 00:19:14,280 Speaker 2: a Tim Scott with his girlfriend, but you know, the opposite, 330 00:19:14,880 --> 00:19:20,440 Speaker 2: and Beast catches them at bread Steaks together Sue and Cooter. 331 00:19:21,840 --> 00:19:23,480 Speaker 2: I feel so crazy saying Cooter. 332 00:19:25,520 --> 00:19:26,600 Speaker 1: I was thinking about the whole. 333 00:19:26,640 --> 00:19:30,919 Speaker 2: And it's so sad because like, Beast was so nice, 334 00:19:31,200 --> 00:19:35,000 Speaker 2: it was open and talk. Hearing Dots talk about this, 335 00:19:36,240 --> 00:19:38,600 Speaker 2: I was just like, break my heart break my heart 336 00:19:39,160 --> 00:19:39,640 Speaker 2: every time. 337 00:19:39,680 --> 00:19:42,600 Speaker 1: Although let's pause for a second because we have to 338 00:19:42,680 --> 00:19:50,480 Speaker 1: acknowledge the tur ducan I loved so hard. I forgot 339 00:19:50,520 --> 00:19:54,280 Speaker 1: about this the tur ducan. I actually thought about this 340 00:19:54,280 --> 00:19:56,520 Speaker 1: before I went to bed last Oh my god. 341 00:19:57,480 --> 00:20:04,000 Speaker 2: The way that you coach beast some like the wackiest 342 00:20:04,000 --> 00:20:08,919 Speaker 2: things to say and do and sprinkled in amongst like 343 00:20:09,040 --> 00:20:11,840 Speaker 2: really just well, I guess she's sincere all the time. 344 00:20:12,600 --> 00:20:14,480 Speaker 1: Yes, that's what I love about best. 345 00:20:14,680 --> 00:20:21,720 Speaker 2: Yeah, and so you have tra duckan mm hmm, yeah, 346 00:20:22,160 --> 00:20:22,720 Speaker 2: there's anyway. 347 00:20:22,800 --> 00:20:24,240 Speaker 1: I just don't need to notable. 348 00:20:24,640 --> 00:20:27,320 Speaker 2: There was so much protein and meat mentioned in this 349 00:20:27,440 --> 00:20:30,320 Speaker 2: episode that I had to stop eating. I was eating 350 00:20:30,440 --> 00:20:33,159 Speaker 2: while I was watching this, like, I can't really, it 351 00:20:33,200 --> 00:20:36,880 Speaker 2: was grossing loved it. I loved it, I think because 352 00:20:36,920 --> 00:20:39,080 Speaker 2: I was full. And then you have about more food 353 00:20:39,119 --> 00:20:39,919 Speaker 2: like I can't. 354 00:20:40,080 --> 00:20:42,560 Speaker 1: Well, especially a turkey stucked and it duck since duck 355 00:20:42,960 --> 00:20:44,959 Speaker 1: stuck whoop stuffed in a chicken? 356 00:20:45,560 --> 00:20:47,200 Speaker 2: Okay, have you ever had a turduckan? 357 00:20:47,920 --> 00:20:52,639 Speaker 1: No? Is that real? Yeah? What? Oh yeah, oh I 358 00:20:52,640 --> 00:20:53,720 Speaker 1: thought eating made that up. 359 00:20:54,080 --> 00:20:54,760 Speaker 2: No, that's a thing. 360 00:20:55,440 --> 00:21:00,320 Speaker 1: Oh no, I've never had that would make me sick. No, 361 00:21:01,640 --> 00:21:05,840 Speaker 1: I love poultry I also love poultry living, but I'm 362 00:21:05,880 --> 00:21:08,840 Speaker 1: grateful for poultry when I eat it, and I am 363 00:21:09,080 --> 00:21:12,359 Speaker 1: also grossed out by her Duckean, I know it sounds 364 00:21:13,480 --> 00:21:15,439 Speaker 1: we have to keep going because this is crazy. I 365 00:21:15,440 --> 00:21:21,320 Speaker 1: feel this episode is wild. Her her ploy to get 366 00:21:21,560 --> 00:21:25,919 Speaker 1: to steal Cooder to then you know, kind of like 367 00:21:26,000 --> 00:21:29,359 Speaker 1: soften her image. I guess doesn't work because Bert Hommel 368 00:21:29,480 --> 00:21:33,800 Speaker 1: does win the election, Jojo, because she's got to go 369 00:21:33,840 --> 00:21:36,120 Speaker 1: back to doing her her you know, other evil ways. 370 00:21:36,119 --> 00:21:38,640 Speaker 1: She can't be, you know, wrapped up in politics, so 371 00:21:38,680 --> 00:21:41,159 Speaker 1: we had to have her lose. And honestly, who wouldn't 372 00:21:41,200 --> 00:21:43,720 Speaker 1: want Bert Hommell as her local representative? Oh Mike, Yeah, 373 00:21:43,880 --> 00:21:50,760 Speaker 1: I mean, thank goodness, I want Michael mative totally, totally. 374 00:21:53,119 --> 00:21:57,879 Speaker 1: But let's talk about Juline because that is the the song. 375 00:21:59,119 --> 00:22:03,760 Speaker 1: Dot gets to say, what an iconic song to cover 376 00:22:04,640 --> 00:22:07,800 Speaker 1: and what a beautiful job Tait and Dot did with this. 377 00:22:08,640 --> 00:22:11,359 Speaker 2: And I got to say, as a performer, when you 378 00:22:11,400 --> 00:22:16,680 Speaker 2: have these numbers where you're sort of walking with intention 379 00:22:17,680 --> 00:22:20,440 Speaker 2: and you're not on a stage performing, I think it's 380 00:22:20,520 --> 00:22:23,359 Speaker 2: really difficult to do that. It feels awkward. It feels 381 00:22:23,359 --> 00:22:24,680 Speaker 2: like Will Ferrell and Taday and night. It's like, I 382 00:22:24,760 --> 00:22:25,760 Speaker 2: don't know what to do with my hands? 383 00:22:26,359 --> 00:22:27,359 Speaker 1: How do you go in space? 384 00:22:27,960 --> 00:22:34,320 Speaker 2: Yes? And she sounds great. She performs it so beautifully. 385 00:22:34,240 --> 00:22:37,240 Speaker 1: Mm hmm, really superb. 386 00:22:37,800 --> 00:22:40,040 Speaker 2: And I think it is so hard to take on 387 00:22:40,080 --> 00:22:40,760 Speaker 2: a Dolly song. 388 00:22:41,680 --> 00:22:43,720 Speaker 1: I mean, I remember her talking about this when she 389 00:22:43,760 --> 00:22:45,800 Speaker 1: did it, and she was so stressed about it because 390 00:22:45,800 --> 00:22:48,440 Speaker 1: it's such an iconic song and she loved it so much. 391 00:22:48,520 --> 00:22:53,359 Speaker 1: And she did she did it wonderful justice and she 392 00:22:53,560 --> 00:22:56,280 Speaker 1: was just telling the truth the whole time. 393 00:22:56,760 --> 00:22:58,359 Speaker 2: Dot's got one speed and it's truth. 394 00:22:58,800 --> 00:23:04,360 Speaker 1: That's right, it's right, that's so right. Well, that goes 395 00:23:04,400 --> 00:23:07,400 Speaker 1: down as one of my favorite numbers of the season. 396 00:23:08,240 --> 00:23:12,600 Speaker 2: Yeah, it's so sweet. What you get? You know? 397 00:23:12,720 --> 00:23:16,240 Speaker 1: Yes? Yes, Well, well, I'm glad that. Here's the thing, 398 00:23:16,480 --> 00:23:19,600 Speaker 1: this episode is very controversial. I'm glad we are tying 399 00:23:19,680 --> 00:23:22,639 Speaker 1: up some of these storylines though at least like class 400 00:23:22,640 --> 00:23:27,240 Speaker 1: presidents tied up, elections tied up, we're about to tie 401 00:23:27,320 --> 00:23:30,840 Speaker 1: up this. Well, I guess we're not quite there yet, 402 00:23:30,880 --> 00:23:34,840 Speaker 1: but we better tie up this Shelby, Puck and Quinn 403 00:23:34,960 --> 00:23:36,600 Speaker 1: storyline real soon. 404 00:23:36,760 --> 00:23:37,280 Speaker 2: Wrap it up. 405 00:23:37,840 --> 00:23:40,159 Speaker 1: Well, I'm just gonna stop talking about it like it 406 00:23:40,200 --> 00:23:41,320 Speaker 1: doesn't even exist. 407 00:23:42,160 --> 00:23:42,920 Speaker 2: It's just. 408 00:23:44,400 --> 00:23:45,760 Speaker 1: Something I don't know. 409 00:23:45,840 --> 00:23:48,320 Speaker 2: Puck gets called out a class by Shelby. He goes 410 00:23:48,359 --> 00:23:51,159 Speaker 2: to check on the baby because the baby fell, and 411 00:23:51,200 --> 00:23:51,680 Speaker 2: he's like. 412 00:23:52,280 --> 00:23:55,200 Speaker 1: It made me uncomfortable. That scene really made me uncomfortable. 413 00:23:55,240 --> 00:23:58,120 Speaker 1: And I could imagine that Adina probably felt uncomfortable doing 414 00:23:58,160 --> 00:24:00,199 Speaker 1: it because you just have to, like, you have to 415 00:24:00,200 --> 00:24:02,000 Speaker 1: find comfort in an eighteen year old boy. 416 00:24:02,680 --> 00:24:07,000 Speaker 2: Yeah, and i'se eighteen year old boys. I don't I 417 00:24:07,000 --> 00:24:08,400 Speaker 2: don't think there's a lot of eighte year old boys 418 00:24:08,400 --> 00:24:11,359 Speaker 2: listening to this podcast. I think, all right, well you 419 00:24:11,480 --> 00:24:11,800 Speaker 2: never know. 420 00:24:12,400 --> 00:24:17,800 Speaker 1: But I will say again, I'm the only one. I 421 00:24:17,840 --> 00:24:21,040 Speaker 1: love Puck doing this number. I don't have a strong 422 00:24:21,080 --> 00:24:24,760 Speaker 1: memory of this number being shot, but when I watched it, 423 00:24:24,800 --> 00:24:27,439 Speaker 1: I was like, wow, this is really good. It sounds 424 00:24:27,520 --> 00:24:29,000 Speaker 1: really good. 425 00:24:29,480 --> 00:24:32,720 Speaker 2: Jenna. What I realized is you and I are fully 426 00:24:33,240 --> 00:24:36,760 Speaker 2: not fixing our faces when we're watching people do these numbers. 427 00:24:37,320 --> 00:24:38,680 Speaker 1: Well that's season three for you. 428 00:24:39,040 --> 00:24:43,040 Speaker 2: We talked four, we're being us anytime they cut to 429 00:24:43,119 --> 00:24:46,920 Speaker 2: either of us during these performances where it's a real reaction. 430 00:24:48,080 --> 00:24:50,399 Speaker 1: I mean, there's nothing else for Tina and Aardy to do, 431 00:24:50,560 --> 00:24:53,560 Speaker 1: so we may as well just give gift and Kevin. 432 00:24:53,720 --> 00:24:56,159 Speaker 2: We're like, well, we're here and like, oh, I'm enjoying 433 00:24:56,160 --> 00:24:56,440 Speaker 2: this one. 434 00:24:56,480 --> 00:25:00,360 Speaker 1: We're like, oh, I'm shooting right now, we're working right 435 00:25:01,640 --> 00:25:08,199 Speaker 1: clogging in Hmmm. I did like that number, though, I 436 00:25:08,240 --> 00:25:11,360 Speaker 1: will say, as uncomfortable as this whole storyline is, I'm 437 00:25:11,400 --> 00:25:12,919 Speaker 1: not I'm not for it. 438 00:25:13,000 --> 00:25:15,760 Speaker 2: But I did also sort of enjoy Puck's read of 439 00:25:15,840 --> 00:25:19,080 Speaker 2: Quinn when she tries to seduce him. Yes, and he's 440 00:25:19,119 --> 00:25:20,240 Speaker 2: like no, no, no. 441 00:25:20,280 --> 00:25:26,080 Speaker 1: This is touch you. So okay. Puck still is being very, 442 00:25:27,760 --> 00:25:31,200 Speaker 1: very not inconspicuous about his feelings for Shelby. 443 00:25:31,320 --> 00:25:33,600 Speaker 2: No, it's only a matter of time before somebody caught on. 444 00:25:34,720 --> 00:25:41,639 Speaker 1: I mean yeah. And then Quinn is seducing Puck to 445 00:25:41,760 --> 00:25:47,440 Speaker 1: make another perfect baby. It's weird. She's gone. It's off 446 00:25:47,480 --> 00:25:50,000 Speaker 1: the rails for Quinn, I mean, and Quinn kind of 447 00:25:50,119 --> 00:25:52,680 Speaker 1: is off the rails right now, but this is extra. 448 00:25:53,080 --> 00:25:54,160 Speaker 1: She's being extra right. 449 00:25:54,119 --> 00:25:57,320 Speaker 2: You know, say what you want about Glee not sticking 450 00:25:57,320 --> 00:25:59,960 Speaker 2: to a story for that long. Quinn has been off 451 00:26:00,040 --> 00:26:02,600 Speaker 2: the rails. Not for seven episodes and that's week. 452 00:26:02,880 --> 00:26:05,080 Speaker 1: And even Puck calls it out. He said, you've been 453 00:26:05,119 --> 00:26:08,200 Speaker 1: all for since you gave birth the rest since I 454 00:26:08,280 --> 00:26:08,919 Speaker 1: knocked you up. 455 00:26:09,040 --> 00:26:10,600 Speaker 2: Those new writers came in and they were like. 456 00:26:11,320 --> 00:26:15,200 Speaker 1: Well, let's just call Spades bade, you know. Quinn, Oh, 457 00:26:15,240 --> 00:26:18,439 Speaker 1: sweet Quinn, trying to make it work, Diana, Sweet Diana, 458 00:26:18,560 --> 00:26:21,760 Speaker 1: just trying to make this storyline work, but I doesn't 459 00:26:21,800 --> 00:26:24,840 Speaker 1: makes me really uncomfortable. Still I'm over it. Still don't 460 00:26:24,880 --> 00:26:26,440 Speaker 1: love the storyline very much. 461 00:26:26,320 --> 00:26:30,800 Speaker 2: But I will say however, it does make next episode's 462 00:26:30,880 --> 00:26:33,720 Speaker 2: performance makes a lot more sense to me because she 463 00:26:33,840 --> 00:26:41,080 Speaker 2: sings control partly, and finally I'm like, okay, mm hmm, 464 00:26:41,720 --> 00:26:44,600 Speaker 2: now we're getting somewhere. There's a loss of control, a 465 00:26:44,680 --> 00:26:46,879 Speaker 2: sense of control that she does not have in her 466 00:26:46,920 --> 00:26:52,760 Speaker 2: own life. Let's go right, But like, it's just I 467 00:26:52,800 --> 00:26:55,400 Speaker 2: feel like it's been so repetitive. 468 00:26:55,640 --> 00:27:00,520 Speaker 1: Right, No, it has well, and finally Puck tells Quinn 469 00:27:00,720 --> 00:27:03,160 Speaker 1: about them, so it's going to come to a head. 470 00:27:03,520 --> 00:27:07,439 Speaker 1: Finally he couldn't keep it in any longer, you know. 471 00:27:08,680 --> 00:27:12,160 Speaker 2: All right, let's begin, Let's go in chronological order. 472 00:27:12,680 --> 00:27:14,639 Speaker 1: Start from the very big ka. 473 00:27:14,720 --> 00:27:18,760 Speaker 2: Me Santana slaps Finn at the end of last episode. 474 00:27:19,200 --> 00:27:22,560 Speaker 2: This episode opens up on Figgins trying to suspend Santana 475 00:27:23,000 --> 00:27:26,440 Speaker 2: because there was violence and she says it was snakes. 476 00:27:26,480 --> 00:27:27,080 Speaker 2: It wasn't me. 477 00:27:29,040 --> 00:27:30,040 Speaker 1: There it is. 478 00:27:30,240 --> 00:27:33,480 Speaker 2: She also has the slightest smirk when she says it 479 00:27:33,520 --> 00:27:35,680 Speaker 2: because I think she also can't believe that this was 480 00:27:35,720 --> 00:27:41,879 Speaker 2: written into the script. And Naia became the Snicks like 481 00:27:41,960 --> 00:27:45,400 Speaker 2: in real life. That's why we have Snicks, Miss. I mean, 482 00:27:45,480 --> 00:27:49,640 Speaker 2: she started Snicks, miss, and she was just the Snicks. 483 00:27:49,640 --> 00:27:53,520 Speaker 2: So when she got a little crazy, the snicksme comes out. 484 00:27:54,359 --> 00:27:55,600 Speaker 1: Everybody had an alter ego. 485 00:27:55,880 --> 00:27:58,000 Speaker 2: Yes, and Snick's juice was real. 486 00:27:58,600 --> 00:28:03,080 Speaker 1: Oh my god, they wrote it into the episode. Unbelievable, 487 00:28:03,280 --> 00:28:05,919 Speaker 1: truly un that's when you're like, oh, they are writing 488 00:28:06,000 --> 00:28:06,920 Speaker 1: real life, you know. 489 00:28:07,040 --> 00:28:10,679 Speaker 2: Yes, because it's also like really good. It's hilarious and 490 00:28:10,760 --> 00:28:13,399 Speaker 2: random and it's with the style of the show. 491 00:28:13,800 --> 00:28:19,720 Speaker 1: But finns Figgins is gonna is saying she's going to 492 00:28:19,800 --> 00:28:23,359 Speaker 1: be suspended and therefore we're not going to have section. 493 00:28:23,480 --> 00:28:25,520 Speaker 1: She's not going to be able to perform the sexuals. 494 00:28:25,400 --> 00:28:29,639 Speaker 2: Right, and Finn is like, light bulb, she didn't hit me. 495 00:28:30,240 --> 00:28:30,800 Speaker 1: It was. 496 00:28:32,359 --> 00:28:37,679 Speaker 2: A stage slab mm hmm. And Shelby and Will like 497 00:28:38,040 --> 00:28:43,360 Speaker 2: or what are you talking about? And here in lies 498 00:28:43,640 --> 00:28:47,400 Speaker 2: sort of the biggest beginning, the beginning of the issue 499 00:28:47,400 --> 00:28:50,760 Speaker 2: with this episode is that for the rest of the 500 00:28:50,800 --> 00:28:52,959 Speaker 2: episode and they address it right and the scene following, 501 00:28:53,000 --> 00:28:55,520 Speaker 2: Sama's like, I'm not beholden to you now because you 502 00:28:55,600 --> 00:28:59,760 Speaker 2: did this seemingly nice thing to me because the only 503 00:28:59,800 --> 00:29:01,520 Speaker 2: reason and she has to deal with this because he 504 00:29:02,240 --> 00:29:06,960 Speaker 2: was calling her out in a public setting and outed her. 505 00:29:07,480 --> 00:29:09,320 Speaker 2: And now let's turn into a thing that she now 506 00:29:09,400 --> 00:29:12,680 Speaker 2: has to address and not in her own time, in 507 00:29:12,680 --> 00:29:15,920 Speaker 2: her own way, but because she's forced to, right, And 508 00:29:16,000 --> 00:29:19,560 Speaker 2: so now it's like, okay, well, fins behind the steering 509 00:29:19,560 --> 00:29:23,680 Speaker 2: wheel of this thing where he doesn't face any sort 510 00:29:23,680 --> 00:29:29,320 Speaker 2: of repercussions for outing her. M m like there's nothing 511 00:29:29,920 --> 00:29:32,160 Speaker 2: and he's sort of the good guy because he saves 512 00:29:32,160 --> 00:29:37,840 Speaker 2: her from getting suspended and then makes this whole lesson 513 00:29:37,880 --> 00:29:45,680 Speaker 2: about ladies and music and everybody's sort of singing to Santana. 514 00:29:45,280 --> 00:29:51,640 Speaker 1: And then she says thank you, yeah, and that feels. 515 00:29:52,880 --> 00:29:55,080 Speaker 2: And it feels weird because. 516 00:29:56,440 --> 00:30:01,360 Speaker 1: Out of time, Yeah, the man comes to save the woman, right. 517 00:30:01,280 --> 00:30:04,840 Speaker 2: It's like the straight white man comes to save the woman. 518 00:30:04,680 --> 00:30:09,240 Speaker 1: The poor gay Latino woman from her yeah yeah yeah 519 00:30:09,920 --> 00:30:16,040 Speaker 1: and making her say star or say thank you, versus 520 00:30:16,080 --> 00:30:18,800 Speaker 1: still being angry at him for what he did. I mean, 521 00:30:19,320 --> 00:30:22,480 Speaker 1: it happened so fast, right, like the pra the whole thing. 522 00:30:23,360 --> 00:30:25,240 Speaker 1: I think the other part of it is like her 523 00:30:25,280 --> 00:30:28,880 Speaker 1: whole journey of coming out. They didn't We didn't see 524 00:30:28,920 --> 00:30:32,840 Speaker 1: anything with Santana and Kurt, which Kurt has had experience 525 00:30:32,920 --> 00:30:36,680 Speaker 1: with this. He's the one that we should be talking to, 526 00:30:36,800 --> 00:30:38,080 Speaker 1: not Finn right. 527 00:30:38,360 --> 00:30:40,800 Speaker 2: When he's sort of just like he has like a sentence, 528 00:30:40,960 --> 00:30:44,760 Speaker 2: and then they go into the perfect duet, which seemed 529 00:30:44,880 --> 00:30:46,200 Speaker 2: so well. 530 00:30:46,240 --> 00:30:48,800 Speaker 1: We were all laughing because I remember Chris kind of 531 00:30:48,800 --> 00:30:51,640 Speaker 1: giving us these crazy looks when the camera wasn't on 532 00:30:51,720 --> 00:30:53,680 Speaker 1: his face, because we were all like, what are we 533 00:30:53,680 --> 00:30:54,200 Speaker 1: doing here? 534 00:30:54,520 --> 00:30:56,680 Speaker 2: Yeah, Like it didn't feel and if it didn't feel 535 00:30:56,720 --> 00:30:59,000 Speaker 2: right to you watching it probably didn't feel right right 536 00:30:59,200 --> 00:31:03,120 Speaker 2: us filming it. And it was like, why what is happening? 537 00:31:03,120 --> 00:31:04,880 Speaker 2: And then she like comes in and a scene you 538 00:31:04,880 --> 00:31:06,120 Speaker 2: know a little later, and it's like, so I came 539 00:31:06,160 --> 00:31:08,520 Speaker 2: up to my parents. Everything's cool, Like wait to wait 540 00:31:08,560 --> 00:31:11,280 Speaker 2: a second, well, where was that? Can we see that? 541 00:31:11,680 --> 00:31:12,200 Speaker 1: Rewind? 542 00:31:12,840 --> 00:31:14,200 Speaker 2: I want to meet her parents. 543 00:31:14,480 --> 00:31:17,520 Speaker 1: We only in twenty two forty four minutes, but we 544 00:31:17,560 --> 00:31:19,880 Speaker 1: could have spread this out over time, right, but we 545 00:31:19,960 --> 00:31:22,640 Speaker 1: had to get there. I don't know why, but we 546 00:31:22,720 --> 00:31:24,560 Speaker 1: had to get there sooner. I'm sure they had a 547 00:31:24,600 --> 00:31:25,400 Speaker 1: reason for it, but. 548 00:31:25,760 --> 00:31:30,600 Speaker 2: Especially because like you had like the really touching Allie 549 00:31:30,680 --> 00:31:34,960 Speaker 2: scene that she wrote coming after Abuela, which was like complex, 550 00:31:35,200 --> 00:31:41,600 Speaker 2: complicated and her Baila, you know, disowns her and like 551 00:31:41,640 --> 00:31:45,680 Speaker 2: this really serious thing, and then the next the. 552 00:31:45,600 --> 00:31:47,600 Speaker 1: Next scene, we're like okay about it. 553 00:31:48,120 --> 00:31:51,120 Speaker 2: Yeah, like everything's fine, Like we're going to be okay, 554 00:31:52,120 --> 00:31:54,720 Speaker 2: let's just pretend it didn't really happen, right. 555 00:31:55,600 --> 00:31:58,560 Speaker 1: I think I think the issue with this episode, with 556 00:31:58,600 --> 00:32:02,840 Speaker 1: this storyline in particular, is it's like things are just 557 00:32:03,080 --> 00:32:07,640 Speaker 1: very washed over for very heavy subject matters that really 558 00:32:07,680 --> 00:32:12,120 Speaker 1: resonate with the Santana and Britney fans and the LGBTQ 559 00:32:12,440 --> 00:32:15,040 Speaker 1: and everybody, you know, like the audience that we have. 560 00:32:16,320 --> 00:32:21,440 Speaker 1: It's I think in a way could potentially and I'm 561 00:32:21,480 --> 00:32:26,400 Speaker 1: not speaking for anybody, but it could potentially feel like 562 00:32:26,480 --> 00:32:31,560 Speaker 1: that it's that simple or it's that lightweight, right, It's 563 00:32:31,920 --> 00:32:37,960 Speaker 1: it's not as heavy or as I don't know, maybe 564 00:32:38,000 --> 00:32:38,400 Speaker 1: I'm wrong. 565 00:32:38,760 --> 00:32:41,280 Speaker 2: No. I think also like the amount of time and 566 00:32:41,320 --> 00:32:44,400 Speaker 2: Carrot took to get to this point for this character, 567 00:32:44,920 --> 00:32:47,680 Speaker 2: and the amount of time and Carrot took during Kurt's 568 00:32:47,680 --> 00:32:51,440 Speaker 2: storyline with this totally. There was no rushing of that, 569 00:32:52,160 --> 00:32:54,840 Speaker 2: and there was a lot of thoughtful conversation on screen 570 00:32:54,880 --> 00:32:59,800 Speaker 2: about it from different perspectives and different angles. And that's 571 00:32:59,800 --> 00:33:01,760 Speaker 2: all so how I feel like it's been with Santana 572 00:33:01,800 --> 00:33:06,920 Speaker 2: and Brittany, and then we get here and it's just like, well, Okay, 573 00:33:07,000 --> 00:33:09,880 Speaker 2: it's done. We did it, and we're gonna sing some 574 00:33:09,920 --> 00:33:11,720 Speaker 2: songs to her and that's going to like fix everything. 575 00:33:12,960 --> 00:33:15,240 Speaker 1: But it's interesting because the behind the scenes, and maybe 576 00:33:15,240 --> 00:33:17,680 Speaker 1: they were just sugarcoating it behind the scenes, both Corey 577 00:33:17,760 --> 00:33:20,800 Speaker 1: and Maya spoke on this episode and they really liked 578 00:33:20,840 --> 00:33:24,400 Speaker 1: working with each other and with the relationship that Fenn 579 00:33:24,440 --> 00:33:28,960 Speaker 1: in Santana have had. So it's so interesting to hear 580 00:33:29,040 --> 00:33:31,720 Speaker 1: their perspective on it and then see the way this 581 00:33:31,840 --> 00:33:36,840 Speaker 1: has unraveled. Not that two truths can't exist at the 582 00:33:36,840 --> 00:33:39,760 Speaker 1: same time. Yeah, I think that's exactly how it is. 583 00:33:39,800 --> 00:33:43,040 Speaker 1: Because I think them as friends and as like actors 584 00:33:43,840 --> 00:33:48,080 Speaker 1: and as characters, all that was really great. They're so good, 585 00:33:48,160 --> 00:33:51,800 Speaker 1: they're so good together, and I think the idea of 586 00:33:51,920 --> 00:33:57,160 Speaker 1: somebody if you took away the fact that he outed 587 00:33:57,200 --> 00:33:59,959 Speaker 1: her and didn't really face any consequence from it. Right, 588 00:34:00,080 --> 00:34:02,880 Speaker 1: if that didn't happen, and this was just like a 589 00:34:02,920 --> 00:34:06,040 Speaker 1: friend trying to do a nice thing for somebody, that 590 00:34:06,040 --> 00:34:09,239 Speaker 1: would be great, that'd be really good. Also if he 591 00:34:09,400 --> 00:34:11,480 Speaker 1: was like, yeah, I did out you. The least I 592 00:34:11,520 --> 00:34:14,480 Speaker 1: could do is get you to make sure you don't 593 00:34:14,480 --> 00:34:18,920 Speaker 1: get suspended, and then like just sort of we're not even, 594 00:34:19,000 --> 00:34:24,600 Speaker 1: but at least there's that for you. I think it's 595 00:34:24,680 --> 00:34:27,319 Speaker 1: just like the I think because when we're filming it too, 596 00:34:27,320 --> 00:34:28,319 Speaker 1: I don't think we realized that. 597 00:34:28,400 --> 00:34:30,719 Speaker 2: Really. It was just like, oh, and it's coming from 598 00:34:30,719 --> 00:34:34,080 Speaker 2: like the goodness of his heart, and that's what we 599 00:34:34,080 --> 00:34:39,160 Speaker 2: were focusing on. But also we're not the audience, And 600 00:34:39,200 --> 00:34:41,600 Speaker 2: so I think when you have the people that have 601 00:34:41,640 --> 00:34:43,719 Speaker 2: gone through this or are going through this see it, 602 00:34:44,160 --> 00:34:48,160 Speaker 2: and then that's the reaction, it's like, oh, okay, maybe 603 00:34:48,160 --> 00:34:53,000 Speaker 2: we should listen to that. We can we can do better. Yeah, definitely, 604 00:34:53,920 --> 00:34:56,759 Speaker 2: I think because like this show did you know, not 605 00:34:56,800 --> 00:34:58,480 Speaker 2: to put too fin a point on it, but the 606 00:34:58,520 --> 00:35:00,960 Speaker 2: show was so careful I think about out those storylines 607 00:35:00,960 --> 00:35:04,200 Speaker 2: in general that when more than like, I think if 608 00:35:04,200 --> 00:35:06,319 Speaker 2: this was another TV show and this this episode would 609 00:35:06,320 --> 00:35:08,520 Speaker 2: have been monumental for another TV show, but. 610 00:35:08,480 --> 00:35:12,360 Speaker 3: For Glee, we we had so many were well versed 611 00:35:12,400 --> 00:35:16,640 Speaker 3: in doing LGBT storylines, right, and so you expect the 612 00:35:16,719 --> 00:35:21,399 Speaker 3: consideration and care one the more in depth look at 613 00:35:21,440 --> 00:35:22,280 Speaker 3: it that we. 614 00:35:22,120 --> 00:35:22,799 Speaker 2: Were used to. 615 00:35:23,480 --> 00:35:24,600 Speaker 1: Yeah, no, no, for sure. 616 00:35:25,000 --> 00:35:26,680 Speaker 2: I mean I've felt like it was jarring when she 617 00:35:26,719 --> 00:35:28,600 Speaker 2: came in. Was just like I came up to my 618 00:35:28,640 --> 00:35:31,000 Speaker 2: parents and it was they were okay with it, Like what. 619 00:35:31,400 --> 00:35:36,520 Speaker 1: Yeah, they could be, but yeah, I'd like to see it. No, sure, 620 00:35:38,120 --> 00:35:41,480 Speaker 1: let's see it all. Yeah, I will say though, the 621 00:35:41,480 --> 00:35:43,440 Speaker 1: girls want to just want to have fun. Aside from 622 00:35:43,440 --> 00:35:47,560 Speaker 1: the storylines, the performance is very cool and I and 623 00:35:47,640 --> 00:35:51,160 Speaker 1: it sounds really wonderful. You guys don't, and I thought 624 00:35:51,200 --> 00:35:54,000 Speaker 1: Corey did a great job and his performance of it. 625 00:35:55,040 --> 00:35:55,400 Speaker 2: Agreed. 626 00:35:56,200 --> 00:35:57,800 Speaker 1: Yeah, it's a very cool number. 627 00:35:58,960 --> 00:36:02,440 Speaker 2: But are you just staring at Santana's. 628 00:36:01,760 --> 00:36:04,080 Speaker 1: It's so funny to be faced that way. I was like, 629 00:36:04,280 --> 00:36:06,200 Speaker 1: why is he facing towards Santana. I was like, oh, 630 00:36:06,200 --> 00:36:07,719 Speaker 1: he's about to perform, that's why. 631 00:36:07,800 --> 00:36:11,839 Speaker 2: Yeah, but I only just turned two harmonies towards the end. Yeah, 632 00:36:11,840 --> 00:36:12,760 Speaker 2: I think Tane. 633 00:36:12,520 --> 00:36:14,400 Speaker 1: Wanted to get the shot. He wanted to get the 634 00:36:14,400 --> 00:36:17,000 Speaker 1: shot of the side profile of Naya and the front 635 00:36:17,080 --> 00:36:19,560 Speaker 1: of you and the side of Finn. It was a 636 00:36:19,600 --> 00:36:20,959 Speaker 1: moment I. 637 00:36:20,880 --> 00:36:23,000 Speaker 2: Do And now that you said that, I do remember 638 00:36:23,080 --> 00:36:27,759 Speaker 2: sitting there being like, we wouldn't normally do this, but 639 00:36:27,880 --> 00:36:29,880 Speaker 2: you just sort of go with the director like, well, 640 00:36:30,000 --> 00:36:33,600 Speaker 2: it's not my call, yeah, because it felt so unnatural. 641 00:36:33,760 --> 00:36:35,440 Speaker 1: But then when you got that shot, I was like, oh, 642 00:36:35,520 --> 00:36:35,920 Speaker 1: I like this. 643 00:36:36,239 --> 00:36:38,560 Speaker 2: Yeah, exactly, Like, Okay, I see your vision. That's why 644 00:36:38,600 --> 00:36:41,839 Speaker 2: I worn't a stupid actor. Yeh, yeah, yeah, I thought 645 00:36:41,880 --> 00:36:43,200 Speaker 2: I Kissed a Girl was great as well. 646 00:36:44,360 --> 00:36:45,719 Speaker 1: That was a fun number to shoot. We had so 647 00:36:45,840 --> 00:36:47,640 Speaker 1: much fun. We don't normally get to do a number 648 00:36:47,680 --> 00:36:49,960 Speaker 1: that with all the girls like that, so that was 649 00:36:50,000 --> 00:36:53,520 Speaker 1: actually a really fun number to do. I enjoy I 650 00:36:53,560 --> 00:36:54,000 Speaker 1: loved it. 651 00:36:54,239 --> 00:36:55,880 Speaker 2: I thought it was really really good. 652 00:36:57,040 --> 00:37:00,759 Speaker 1: I remember you you loving it. We were, yes, of 653 00:37:00,760 --> 00:37:02,839 Speaker 1: course you were always the girls never fan. 654 00:37:03,280 --> 00:37:09,160 Speaker 2: Absolutely. That choreography was just it's like, oh, they gave 655 00:37:09,640 --> 00:37:12,279 Speaker 2: Zach and Brooke needed a break because they're choreographing for 656 00:37:13,000 --> 00:37:16,040 Speaker 2: Sectionals next episode, and so this is like the one 657 00:37:16,120 --> 00:37:20,319 Speaker 2: number for this episode and really gave it to us. Yeah, 658 00:37:20,760 --> 00:37:23,680 Speaker 2: really loved it. It's fun, really fun. I want to 659 00:37:23,719 --> 00:37:25,840 Speaker 2: talk about constant craving Oh. 660 00:37:26,160 --> 00:37:27,400 Speaker 1: Yes, let's talk about it. 661 00:37:27,480 --> 00:37:33,960 Speaker 2: Oh my god, because good Lord, so underrated, so underrated. 662 00:37:34,080 --> 00:37:36,759 Speaker 2: I forgot it existed because she got up to sing, 663 00:37:36,800 --> 00:37:38,320 Speaker 2: I'm like, what is she about to sing? 664 00:37:38,480 --> 00:37:41,200 Speaker 1: Yeah, yep, yep, yep. And then I was like, oh right. 665 00:37:41,200 --> 00:37:42,640 Speaker 2: But and then it comes in. 666 00:37:43,520 --> 00:37:46,799 Speaker 1: It's so like what I want to listen to that. 667 00:37:46,840 --> 00:37:48,960 Speaker 1: I want to listen to that edit, that whole the 668 00:37:49,000 --> 00:37:49,720 Speaker 1: big edit. 669 00:37:50,360 --> 00:37:54,359 Speaker 2: For the crazy ship, that having this episode constant craving man, 670 00:37:54,920 --> 00:37:55,279 Speaker 2: and then to. 671 00:37:55,280 --> 00:37:57,799 Speaker 1: Have Rachel come in crying after and to drop that bomb, I. 672 00:37:57,880 --> 00:38:01,479 Speaker 2: Was like, this is great, yes, and it's strong here. 673 00:38:03,040 --> 00:38:07,600 Speaker 1: For the lack thereof like the end of the episode 674 00:38:07,760 --> 00:38:09,000 Speaker 1: was like, let's get. 675 00:38:08,840 --> 00:38:12,960 Speaker 2: Into section and talking speaking of positives. I do think 676 00:38:13,000 --> 00:38:18,239 Speaker 2: her coming out scene is great, beautiful, and they were 677 00:38:18,280 --> 00:38:22,640 Speaker 2: both very I think Ali wrote an incredible scene. 678 00:38:23,320 --> 00:38:25,719 Speaker 1: Very hard scene too, actually hard too. 679 00:38:26,320 --> 00:38:29,960 Speaker 2: And it's also a different take on approach mm hmm. 680 00:38:31,000 --> 00:38:34,240 Speaker 2: Santana is different from Kurt, obviously, Santanna's different from Brittany, 681 00:38:35,520 --> 00:38:39,160 Speaker 2: comes to a different family and seeing how this sort 682 00:38:39,200 --> 00:38:45,320 Speaker 2: of like hard figure plays that just looks so different 683 00:38:45,360 --> 00:38:47,440 Speaker 2: than how any other character on the show might do that, 684 00:38:47,719 --> 00:38:53,560 Speaker 2: and it was really just like a masterclass to watch. 685 00:38:53,600 --> 00:38:57,400 Speaker 1: I think. Yeah, I mean the quote when when she says, 686 00:38:58,280 --> 00:38:59,960 Speaker 1: I've tried so hard to push this feeling away and 687 00:39:00,080 --> 00:39:02,040 Speaker 1: keep it locked inside, but every day just feels like 688 00:39:02,160 --> 00:39:04,799 Speaker 1: a war. I walk around so mad at the world, 689 00:39:05,200 --> 00:39:07,759 Speaker 1: but I'm really just fighting with myself. I don't want 690 00:39:07,800 --> 00:39:11,919 Speaker 1: to fight anymore. I'm just too tired. Like WHOA so good, 691 00:39:12,040 --> 00:39:17,040 Speaker 1: really beautiful, really really beautiful. Okay, So I think that's 692 00:39:17,080 --> 00:39:22,879 Speaker 1: where we have to cap this episode because some lose 693 00:39:22,960 --> 00:39:28,400 Speaker 1: some Yeah, yeah, I will say though over again, we 694 00:39:28,560 --> 00:39:32,320 Speaker 1: are we are aware of the you know, the the 695 00:39:32,520 --> 00:39:41,480 Speaker 1: lack of care, tender TSC. But Nia's performance woe. 696 00:39:42,400 --> 00:39:45,239 Speaker 2: I mean everybody, I think it is really in like 697 00:39:45,360 --> 00:39:47,359 Speaker 2: some type of beautiful stride right now. 698 00:39:47,760 --> 00:39:59,960 Speaker 1: Very locked in, very locked in. Should we do something? 699 00:40:00,000 --> 00:40:05,279 Speaker 1: Hearty takes yes, cringe moments, ouchies, Paris is Ouchi's I 700 00:40:05,400 --> 00:40:09,759 Speaker 1: think I think my auchi is still well. Obviously we 701 00:40:09,840 --> 00:40:13,719 Speaker 1: still have the the Puck and Shelby auchie, and then 702 00:40:14,040 --> 00:40:20,000 Speaker 1: obviously also the ouchie of how Santana's storyline was handled. 703 00:40:21,040 --> 00:40:25,680 Speaker 2: Mm hmm. Yeah, there's also the Rocky player calling the 704 00:40:25,760 --> 00:40:30,640 Speaker 2: girls lesbos oh my God, which in terms of things 705 00:40:30,680 --> 00:40:33,000 Speaker 2: that people haven't called on the show, it seems. 706 00:40:33,360 --> 00:40:40,719 Speaker 1: Pretty yeah right, I was like, no, Yeah, best dance move, 707 00:40:41,160 --> 00:40:48,760 Speaker 1: I mean I kissed a girl, right, obviously, everybody so good, funny, 708 00:40:50,040 --> 00:40:56,360 Speaker 1: the best song Constant Craven Joline, girls just want to have. 709 00:40:56,960 --> 00:40:59,480 Speaker 2: Yeah, those three in any sort of not in any 710 00:40:59,520 --> 00:41:00,279 Speaker 2: particular order. 711 00:41:01,600 --> 00:41:07,839 Speaker 1: Yeah, I love the music episode. Uh performance by Prop Kevin. 712 00:41:09,480 --> 00:41:14,319 Speaker 2: Oh, I mean, Jenna, that's Ada. I mean, it kind 713 00:41:14,320 --> 00:41:15,440 Speaker 2: of has to be the Traducan. 714 00:41:15,760 --> 00:41:17,160 Speaker 1: It has to be the Traducan. 715 00:41:17,560 --> 00:41:21,200 Speaker 2: I did like the fistfuls of ballots Rachel was stuffing 716 00:41:21,239 --> 00:41:25,279 Speaker 2: into this funny ballot box. But I think the tra 717 00:41:25,360 --> 00:41:26,320 Speaker 2: Ducan might take it. 718 00:41:26,920 --> 00:41:30,280 Speaker 1: The tru Dacan takes it. That's mine. 719 00:41:30,640 --> 00:41:35,640 Speaker 2: I'm I mean, we mentioned it, but Santana says, when 720 00:41:35,640 --> 00:41:38,239 Speaker 2: I get really pissed off, Santana gets taken over by 721 00:41:38,280 --> 00:41:42,359 Speaker 2: my other evil personality. I call her Snacks. Her wrath 722 00:41:42,440 --> 00:41:44,680 Speaker 2: of words is called Snake's juice. I'm kind of like 723 00:41:44,719 --> 00:41:47,160 Speaker 2: the Incredible Hulk. You can't blame you or anything where 724 00:41:47,160 --> 00:41:47,879 Speaker 2: the Snakes does. 725 00:41:50,680 --> 00:41:54,720 Speaker 1: It's true, It's it's true. Oh, and the performance MVP 726 00:41:56,800 --> 00:42:03,520 Speaker 1: I'm going to give Naya the MVP with an honorable 727 00:42:03,600 --> 00:42:04,359 Speaker 1: mention for dot. 728 00:42:05,480 --> 00:42:09,759 Speaker 2: I completely agree. I think while this Santana's storyline is 729 00:42:09,920 --> 00:42:13,040 Speaker 2: sort of the main focus, it's going to be hard 730 00:42:13,160 --> 00:42:15,600 Speaker 2: to beat Naya always. 731 00:42:16,320 --> 00:42:16,560 Speaker 1: You know. 732 00:42:18,200 --> 00:42:21,600 Speaker 2: What happens next week with Rachel out of sectionals. 733 00:42:22,680 --> 00:42:27,839 Speaker 1: She's hanging, she's chilling in the audience. Okay, she's killing 734 00:42:27,840 --> 00:42:32,520 Speaker 1: in the audience. It does feel really weird, and we 735 00:42:32,600 --> 00:42:36,520 Speaker 1: got trouble tones, we got direction, we got Tina's time 736 00:42:36,600 --> 00:42:37,000 Speaker 1: to shine. 737 00:42:38,960 --> 00:42:45,120 Speaker 2: So shit we found on TikTok because the new Hunger 738 00:42:45,160 --> 00:42:49,160 Speaker 2: Games movie came out recently. It is a Hunger Games 739 00:42:49,200 --> 00:42:57,160 Speaker 2: reference and oh my god, it is a young Snow 740 00:42:57,760 --> 00:43:00,360 Speaker 2: And they said, do you know who this MF looks like? 741 00:43:00,520 --> 00:43:01,239 Speaker 2: Loki looks like. 742 00:43:03,160 --> 00:43:09,919 Speaker 1: And sisters and they're very similar. No, they're not wrong. 743 00:43:10,080 --> 00:43:12,960 Speaker 1: This is great and they're both in red. Yes, hair, 744 00:43:13,120 --> 00:43:15,520 Speaker 1: I wonder if this was a vision board the. 745 00:43:15,560 --> 00:43:20,360 Speaker 2: Scow on their face. I mean, hey, Emma Jeen posted 746 00:43:20,440 --> 00:43:23,600 Speaker 2: this on TikTok. It is and it's big. It has 747 00:43:23,760 --> 00:43:26,960 Speaker 2: one point two million likes because you know, when it's true, 748 00:43:27,000 --> 00:43:29,000 Speaker 2: it's true, and it resonates with people. 749 00:43:30,000 --> 00:43:32,440 Speaker 1: Very funny, very very funny. 750 00:43:33,800 --> 00:43:36,960 Speaker 2: Oh my god, somebody said he is definitely a descendant 751 00:43:36,960 --> 00:43:40,279 Speaker 2: of Sylvester. Jane Lynch was actually the first choice to 752 00:43:40,280 --> 00:43:41,120 Speaker 2: play Cornelius. 753 00:43:45,000 --> 00:43:48,040 Speaker 1: So good, it's so good. I love it. 754 00:43:48,560 --> 00:43:54,280 Speaker 2: Okay, next week, Jenna, mm hmmm. We have hold on sixteen, 755 00:43:54,320 --> 00:43:55,719 Speaker 2: which is sectionals. 756 00:43:56,800 --> 00:43:57,480 Speaker 1: This is important. 757 00:43:58,000 --> 00:43:59,960 Speaker 2: It is because quart Overstreets back. 758 00:44:00,880 --> 00:44:01,840 Speaker 1: Oh my gosh. 759 00:44:03,400 --> 00:44:07,279 Speaker 2: Oh finally it's a monumental episode. There was so much 760 00:44:07,400 --> 00:44:14,399 Speaker 2: good music, so much good music. I don't even want 761 00:44:14,440 --> 00:44:16,120 Speaker 2: to think about it. I just want to watch it, 762 00:44:16,640 --> 00:44:19,080 Speaker 2: do you know what I mean. I don't want to 763 00:44:19,160 --> 00:44:19,920 Speaker 2: know anything about it. 764 00:44:20,000 --> 00:44:21,200 Speaker 1: I just want to watch it. I want to go 765 00:44:21,280 --> 00:44:22,959 Speaker 1: on not knowing what this show is about. 766 00:44:23,480 --> 00:44:25,680 Speaker 2: I'm excited for all of you. If you're watching along 767 00:44:25,760 --> 00:44:30,080 Speaker 2: with us, if you're just listening, tell us your thoughts 768 00:44:30,120 --> 00:44:35,879 Speaker 2: about it, because I cannot wait. And it was also 769 00:44:35,880 --> 00:44:39,759 Speaker 2: a last to do. It was I think you can 770 00:44:39,800 --> 00:44:41,719 Speaker 2: see the joy on all of us when we do it. 771 00:44:41,800 --> 00:44:43,239 Speaker 2: But okay, I won't start talking about now. 772 00:44:43,280 --> 00:44:47,520 Speaker 1: That's next week and a very Mary Snicks miss to 773 00:44:47,640 --> 00:44:52,600 Speaker 1: you all. We have just launched the fourth annual Snicks 774 00:44:52,640 --> 00:44:56,879 Speaker 1: Miss Charity Drive event in honor of our dear friend 775 00:44:56,920 --> 00:45:01,160 Speaker 1: Ia Rivera of course and benefiting alex Andrea House, a 776 00:45:01,520 --> 00:45:05,360 Speaker 1: charity that Nya loved and worked very closely with. This 777 00:45:05,520 --> 00:45:07,280 Speaker 1: year was very special. What did we do, Kevin? 778 00:45:07,560 --> 00:45:10,000 Speaker 2: We tracked down the writers and producers and got permission 779 00:45:10,200 --> 00:45:14,160 Speaker 2: and we put out a unreleased Naya song that she 780 00:45:14,239 --> 00:45:17,480 Speaker 2: recorded in twenty twelve as part of her personal solo 781 00:45:17,560 --> 00:45:20,120 Speaker 2: project and it never came out, called Prayer for the Broken. 782 00:45:20,560 --> 00:45:23,160 Speaker 2: So there are two ways to actually contribute this year 783 00:45:23,200 --> 00:45:25,960 Speaker 2: to Alexandria House. You can go stream, download, or preferably 784 00:45:26,320 --> 00:45:29,239 Speaker 2: buy the song and all the proceeds go to Alexandria House. 785 00:45:30,320 --> 00:45:34,960 Speaker 2: Do that, and or go to Alexandria House dot org, 786 00:45:35,280 --> 00:45:38,160 Speaker 2: slash snicks MISS twenty twenty three that sticks MISS with 787 00:45:38,239 --> 00:45:42,080 Speaker 2: two x's, and you can donate whatever you feel comfortable donating, 788 00:45:42,640 --> 00:45:44,839 Speaker 2: and just want to let you know that one dollar, 789 00:45:45,040 --> 00:45:48,120 Speaker 2: two dollars, twenty dollars, two hundred dollars. It adds up 790 00:45:48,239 --> 00:45:50,759 Speaker 2: and it makes a huge difference. Our first year doing this, 791 00:45:51,239 --> 00:45:53,920 Speaker 2: the average donation was between five to ten dollars, and 792 00:45:54,120 --> 00:45:56,319 Speaker 2: we ended up raising almost one hundred and twenty thousand dollars. 793 00:45:57,040 --> 00:46:01,600 Speaker 2: So do what you can. Be greatly appreciated. Go listen 794 00:46:01,640 --> 00:46:03,320 Speaker 2: to the song, tell your friends, tell your family and 795 00:46:03,440 --> 00:46:07,080 Speaker 2: have a happy Mary Snakes miss Thanks for listening, and 796 00:46:07,280 --> 00:46:09,879 Speaker 2: follow us on Instagram at and that's what you really 797 00:46:09,920 --> 00:46:12,000 Speaker 2: miss pod. Make sure to write us a review and 798 00:46:12,200 --> 00:46:14,080 Speaker 2: leave us five stars. See you next time.