WEBVTT - Fisher Stevens

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<v Speaker 1>You're listening to Ruthie's Table four in partnership with Montclair Fisher.

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<v Speaker 1>Stevens and I were recently brought close together by one

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<v Speaker 1>of the greatest artists of the twentieth century, Philip Gustin,

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<v Speaker 1>and one of the greatest footballers, David Beckham. A few

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<v Speaker 1>weeks ago, he was in the River Cafe with the

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<v Speaker 1>producers of Beckham, the series he directed for Netflix. We

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<v Speaker 1>agreed to have breakfast at my house. A half hour

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<v Speaker 1>turned into more than an hour as we talked about Gustam,

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<v Speaker 1>architecture we lived in, and food we cooked. We agreed

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<v Speaker 1>we would continue the conversation on Ruthie's Table four when

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<v Speaker 1>I came to New York. So here we are at

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<v Speaker 1>this time in Fisher's house, connected through a love of Beckham, food, film,

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<v Speaker 1>and Gustam and each other. Life is good. So here

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<v Speaker 1>we are. Do you know that we asked you to

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<v Speaker 1>choose a recipe, yes, which is for pumpkin soup. I

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<v Speaker 1>have to say that this soup is amazing because it's

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<v Speaker 1>so thick carneada with a fork. It's just and it

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<v Speaker 1>really is. You'll see it's just pumpkin and you can

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<v Speaker 1>have it with chicken stock or vegetable stock.

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<v Speaker 2>So the pumpkin soup. This one serves six, and we

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<v Speaker 2>start with three tablespoons of extra virgin olive oil River

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<v Speaker 2>Cafe olive oil. I prefer plus extra for the crostini

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<v Speaker 2>and for serving fifty grams of unsalted butter. Make it

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<v Speaker 2>organic butter. If you can't, then we use two cloves

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<v Speaker 2>of garlic, peeled and finely chopped. Wash your hands afterwards,

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<v Speaker 2>a small bunch of fresh marsh room leaves. And then

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<v Speaker 2>because it's a British restaurant, we'll say kilograms and grams,

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<v Speaker 2>but one point five kilograms. Yeah, no, it's good. But

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<v Speaker 2>what is one point five kilograms?

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<v Speaker 1>It's about two and a half pounds. Well, two polf

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<v Speaker 1>pounds is a kilo, so be about three pounds.

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<v Speaker 2>Three pounds, so one point five kilograms roughly three pounds

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<v Speaker 2>of pumpkin peeled, seeded, and dice. Two hundred grams of

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<v Speaker 2>new potatoes peeled and cubed, could be we should keep

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<v Speaker 2>them white potatoes, right, new potatoes. Two hundred grams of

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<v Speaker 2>new potatoes, peeled and cubed. Two dried red chilies crumbled.

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<v Speaker 2>I love making a little spice. Love chilies one liter

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<v Speaker 2>of chicken stock or vegetable stock, six slices of chibata bread,

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<v Speaker 2>one garlic clove peeled in half, so not the finely

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<v Speaker 2>chopped but the bread with freshly grated parmesan. Yeah, this

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<v Speaker 2>sounds so good. So you're gonna heat the extra virgin

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<v Speaker 2>olive oil and butter in a sauce pan and gently

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<v Speaker 2>fry the chopped garlic with the Marjorum leaves until soft.

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<v Speaker 2>Add the pumpkin and potatoes and continue to cook for

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<v Speaker 2>a minute. Add the chilies in the season well with

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<v Speaker 2>sea salt and black pepper, not too much salt. Pouring

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<v Speaker 2>enough stock just to cover the pumpkin. Bring to the boil,

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<v Speaker 2>and then turn down the heat and simmer for twenty

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<v Speaker 2>to twenty five minutes, or until the pumpkin is tender,

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<v Speaker 2>adding more stock if necessary to keep the pumpkin covered.

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<v Speaker 2>So you'll have to keep checking.

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<v Speaker 1>On it because you don't want it watery. So you

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<v Speaker 1>want just enough to the pumpkin.

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<v Speaker 2>M Yeah, okay, that's important. Strain about a third of

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<v Speaker 2>the stock from the pumpkin and set it aside. Pour

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<v Speaker 2>the contents of the pan into a food processor and pulse. Yeah,

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<v Speaker 2>you know what that is like a magic mix, right,

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<v Speaker 2>and pulse it though, yeah.

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<v Speaker 1>Because you want it thick, really thick. You don't want

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<v Speaker 1>to thin purre.

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<v Speaker 2>No, it's like a great meal. Return to the saucepan

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<v Speaker 2>and add the strained off stock plus any remaining stock.

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<v Speaker 2>Check for seasoning, so if you need a little more salt,

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<v Speaker 2>a little more pepper, you check it out there. The

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<v Speaker 2>soup will be very thick. Then reheat gently for serving.

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<v Speaker 2>By the way, for the crostini. Toast the slices of chibata.

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<v Speaker 2>Then rub with the garlic calves and drizzle over extra

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<v Speaker 2>virgin River Cafe olive oil. You serve the soup with

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<v Speaker 2>Parmesan extra virgin olive oil and the crostini, and the

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<v Speaker 2>addition of two hundred grams of cannellini beans is a

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<v Speaker 2>variation of the soup which I personally recommend if you

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<v Speaker 2>make this omit the chibata crostini. I prefer the cannellini

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<v Speaker 2>beans to the crostini, but that's up to you.

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<v Speaker 1>Beans. And when you read that recipe, it is just

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<v Speaker 1>pure potatoes, pumpkins and some you know.

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<v Speaker 2>Healthy, healthy, and you'll be full and you don't need

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<v Speaker 2>much money.

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<v Speaker 1>It's not expensive if you're thinking, especially after Halloween, except

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<v Speaker 1>for the olive oil. River Cafe this year is insane.

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<v Speaker 2>Why because because.

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<v Speaker 1>It was so hot this summer. I mean, there's hardly

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<v Speaker 1>going to be any.

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<v Speaker 2>Production of where do you get?

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<v Speaker 1>So we have five estates in Tuscany that we buy

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<v Speaker 1>our wine from, and we buy it for more. But

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<v Speaker 1>they a lot of the wine producers make olive oil

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<v Speaker 1>as well, and so every year we go, we take

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<v Speaker 1>twenty people from if you've worked in the River Cafe

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<v Speaker 1>for like a year, we take you to Tuscany. We

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<v Speaker 1>take it actually all. Then we take another twenty to

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<v Speaker 1>Piermonte and then we go and teach them how they

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<v Speaker 1>make the olive oil.

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<v Speaker 2>Are your wine producers you like the Italian the Tuscan wines?

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<v Speaker 1>Yeah, we do well now we used to. You know,

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<v Speaker 1>our whole roots in the River Cafe were Tuscan and

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<v Speaker 1>when we started because Richard's family, my husband's family came

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<v Speaker 1>from Florence and Rose my partner, lived in Lucca. But

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<v Speaker 1>then you know, it was wine that really took us

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<v Speaker 1>to other regions. So we went to Piermonte, and we

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<v Speaker 1>went to the Venito, we went to Pulia. All of

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<v Speaker 1>who make wine, and so it's not just I love

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<v Speaker 1>a tuscan you know I love them? Do you drink wine?

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<v Speaker 2>Yes, quite a bit.

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<v Speaker 3>Maybe's become a big Yeah.

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<v Speaker 2>I'm very into Etna. I'm very into Sicilian wines. I've

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<v Speaker 2>been there. I've toured a few vineyards in Sicily. I

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<v Speaker 2>love and I love the natural wines of Sicily. Particularly

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<v Speaker 2>once I started making money, I would just go big

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<v Speaker 2>with food. Wine. I've blown a great portion of my respect.

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<v Speaker 1>Well, you know, I think it's really interesting that people

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<v Speaker 1>sort of measure their success in what they were able

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<v Speaker 1>to eat. So Beckham, you know, I remember we did

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<v Speaker 1>a podcast with him and he was saying that he

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<v Speaker 1>remembers being able to go to a restaurant and not

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<v Speaker 1>look at the right side of the the page, you know,

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<v Speaker 1>Or that McCartney said that he thought wine was terrible

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<v Speaker 1>because he'd only had cheap wine, never had a good

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<v Speaker 1>bottle of wine until Brian Epstein took him to to eat.

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<v Speaker 1>Was that yeah the case? Yeah?

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<v Speaker 2>Well yeah, And I remember the first one of the

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<v Speaker 2>first proper meals I ever had was my girlfriend took

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<v Speaker 2>me to twenty one for my twenty first birthday, and

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<v Speaker 2>that was fancy. That's that was the begin of like

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<v Speaker 2>wow people, you know. And then my first bottle of

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<v Speaker 2>proper wine because I hated wine too. Was and I

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<v Speaker 2>was doing a play at Williamstown. Arthur Miller's play I

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<v Speaker 2>was playing Arthur Young Arthur Miller is called American Clock.

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<v Speaker 1>It was about Arthur Miller.

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<v Speaker 2>Yeah, by Arthur Miller, about Arthur Miller. Arthur Miller was there.

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<v Speaker 2>He was rewriting the play while we were. I mean,

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<v Speaker 2>it was incredible, and he said to me, like, you'll

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<v Speaker 2>get it when the closest kid, you know, didn't give

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<v Speaker 2>me much confidence. But the guy who played my father

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<v Speaker 2>was a guy nam is, a guy named Ron Rifkin

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<v Speaker 2>who's one of my great friends. And he took me

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<v Speaker 2>out and he said, have you ever had read wine?

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<v Speaker 2>I said, yeah, I don't like it. He goes, oh no, oh, no, no, no,

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<v Speaker 2>have you ever tasted it? Do you know what bordeuis?

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<v Speaker 2>Do you know what Burgundy is? Do you know? I'm like, no,

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<v Speaker 2>barol no. He goes, okay, and he and to this

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<v Speaker 2>day he's eighty four. He comes over, I go to

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<v Speaker 2>we drink incredible wine together. Still, so that was when

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<v Speaker 2>I was like twenty two, and then he got me hooked,

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<v Speaker 2>and then I just I'm obsessed now with mostly red

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<v Speaker 2>French Italian the good stuff or yeah, but anyway.

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<v Speaker 1>Do you think back so you were you started acting?

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<v Speaker 1>Did you go to college or acting school? Or did

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<v Speaker 1>you were you ever on your own in a place

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<v Speaker 1>where you had to not eat out but cook for yourself? Oh? Sorry,

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<v Speaker 1>The first question is what was your college? Did you

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<v Speaker 1>go to?

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<v Speaker 2>No?

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<v Speaker 1>I after high school?

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<v Speaker 2>Yeah, I dropped out of high school. I started auditioning

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<v Speaker 2>at like fifteen for shows and plays. I got off

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<v Speaker 2>off Broadway, my first stuff when I could still use

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<v Speaker 2>my name before I had to join a union. And

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<v Speaker 2>then I started working as a busboy in two restaurants

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<v Speaker 2>in New York and as a bike messenger and making money,

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<v Speaker 2>like good money, like more money than my mom. And

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<v Speaker 2>then I got my first job at sixteen, had to

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<v Speaker 2>change my name. It was a movie over the summer.

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<v Speaker 2>Didn't pay that much, but I thought I'm gonna make it.

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<v Speaker 2>But no, of course I didn't work again for like

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<v Speaker 2>a year and a half, two years, but I was

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<v Speaker 2>eating out. Yeah, and and and I. While in high school,

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<v Speaker 2>I worked two nights a week. Do you remember a restaurant.

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<v Speaker 2>Mario Batally ended up opening a place called Esca in

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<v Speaker 2>the same spot, but it was called Curtain Up forty

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<v Speaker 2>third and Night. It was all right. It was a

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<v Speaker 2>busboy there, and I was a busblay at a very

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<v Speaker 2>groovy kind of hipster upper east Side Singles place called

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<v Speaker 2>Yellow Fingers on sixtieth and third Avenue.

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<v Speaker 1>Do you think about food and one did they?

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<v Speaker 2>Well, no, no, no, no, because I just was. Now

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<v Speaker 2>those places were not those were Hamburger. Those weren't, you know,

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<v Speaker 2>like great places.

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<v Speaker 1>No did a teacher in a restaurant I was at peep.

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<v Speaker 1>One of the reasons I love Americans coming to the

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<v Speaker 1>River Cafe is that most Americans have at one time

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<v Speaker 1>in their life worked in a restaurant. And I think

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<v Speaker 1>that teaches you.

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<v Speaker 2>It gave me such respect for waiters and bus boys.

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<v Speaker 2>Some of the things that I saw in those kitchens,

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<v Speaker 2>you would never ever have that at River Cafe.

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<v Speaker 1>I mean anger and bullying.

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<v Speaker 2>And anger bullying, but also not even that, just the

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<v Speaker 2>way they handled the food. Okay, yeah, but so I think,

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<v Speaker 2>and also that culture of eating out, you know. And

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<v Speaker 2>then I go to school and then you know what

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<v Speaker 2>I said, My senior year in high school, I did

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<v Speaker 2>like two months and I was like, forget it. I'm

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<v Speaker 2>just going to work. My Mom's like, okay, you might

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<v Speaker 2>as well. You're making more money than me. And I

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<v Speaker 2>was auditioning and studying acting very seriously. And then I

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<v Speaker 2>couldn't really get a job. And then there was a

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<v Speaker 2>kid that I knew and through auditioning and in high

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<v Speaker 2>school he went to another high school. Two kids, actually

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<v Speaker 2>one of them is named Matthew Broaderick, and Matthew Broderick

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<v Speaker 2>I bumped into him and he's like, hey, man, I'm

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<v Speaker 2>in this play. It's maybe moving to Broadway and I

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<v Speaker 2>just got a bigger play and I'm leaving. I'll get

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<v Speaker 2>you an audition to replace me. And he got me

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<v Speaker 2>the audition to replace him, and the play was called

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<v Speaker 2>Torch Song Trilogy, and I got the job nineteen eighty two.

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<v Speaker 2>It was in a little theater and Sheridan Square. It

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<v Speaker 2>was kind of a revolutionary gay play by Harvey Firestein.

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<v Speaker 2>And Matthew got me the audition and I got the

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<v Speaker 2>job and that was it. I started working from and

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<v Speaker 2>basically almost since then, I've been working. And then Matthew

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<v Speaker 2>was in a play called Brighton Beach Memoirs that and

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<v Speaker 2>he was going to leave that, and then he got

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<v Speaker 2>me an audition to replace him in that, and then

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<v Speaker 2>I replaced him in that.

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<v Speaker 1>He did, Yeah, he was in the restaurant the other well,

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<v Speaker 1>you know, they're coming.

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<v Speaker 2>To do Plaza this week, and they were there.

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<v Speaker 1>I wasn't there that night, but he they like to eat.

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<v Speaker 2>Oh yeah, oh, I've had some great meals with Matthew.

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<v Speaker 2>Well yeah, as a matter of fact, okay, so this

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<v Speaker 2>is food story. So when I was replacing Matthew and

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<v Speaker 2>Brighton Beach Memrs, Matthew was making money. He was going

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<v Speaker 2>to do Ferris Bueller, right, he was going to go

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<v Speaker 2>do the movie or something, I believe, And he would

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<v Speaker 2>take me out to dinner at this amazing place. I

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<v Speaker 2>don't think it's still there. Maybe it is fifty second

0:12:30.640 --> 0:12:36.960
<v Speaker 2>Street called Gallagher's Steakhouse. Gallagher's Steakhouse was the place the

0:12:37.040 --> 0:12:40.360
<v Speaker 2>sports guys, everybody went in, and he bought me dinner

0:12:40.400 --> 0:12:42.760
<v Speaker 2>a few times. They're big dinner is serious because he

0:12:42.840 --> 0:12:46.480
<v Speaker 2>was making bank, man, you know, and we yeah, we

0:12:46.559 --> 0:12:48.600
<v Speaker 2>used to go and we would drink Martiniz. I think

0:12:48.640 --> 0:12:54.360
<v Speaker 2>I was eighteen. It was illegal, len but who cares now? Food?

0:12:54.480 --> 0:12:57.280
<v Speaker 2>It was so key. And then when you're on Broadway, right,

0:12:57.320 --> 0:13:00.120
<v Speaker 2>you're acting at night, you're done with the show, you

0:13:00.160 --> 0:13:00.880
<v Speaker 2>go to restaurants.

0:13:00.880 --> 0:13:02.760
<v Speaker 1>So that's what I asked. You know, your friend Ray,

0:13:03.480 --> 0:13:07.320
<v Speaker 1>you know other actors you eat before the play? Do

0:13:07.360 --> 0:13:09.720
<v Speaker 1>you eat after the play? Well, we had a couple

0:13:09.760 --> 0:13:13.000
<v Speaker 1>who ate before the play. Yeah. Really, it's a few,

0:13:13.160 --> 0:13:16.400
<v Speaker 1>but most I always meet them. You know, if you

0:13:16.400 --> 0:13:18.439
<v Speaker 1>have a friend in the theater, you meet afterwards and

0:13:18.480 --> 0:13:19.200
<v Speaker 1>then you go out.

0:13:19.280 --> 0:13:22.200
<v Speaker 2>Yeah, well you don't want to be too, but you

0:13:22.200 --> 0:13:23.760
<v Speaker 2>don't want to be you don't want to go on

0:13:23.840 --> 0:13:25.400
<v Speaker 2>stage with the full stomach.

0:13:25.600 --> 0:13:27.040
<v Speaker 1>You ever had to eat on stage?

0:13:27.280 --> 0:13:27.520
<v Speaker 2>Yeah?

0:13:27.679 --> 0:13:28.040
<v Speaker 1>Something?

0:13:28.240 --> 0:13:28.440
<v Speaker 2>Yeah?

0:13:28.600 --> 0:13:29.280
<v Speaker 1>Is that a fake?

0:13:29.880 --> 0:13:31.720
<v Speaker 2>No? No? No, yeah, a little bit, you know, like

0:13:31.760 --> 0:13:34.080
<v Speaker 2>Brighton Beach. Every night we had to pretend to have

0:13:34.120 --> 0:13:36.560
<v Speaker 2>dinner and you know, apple sauce. But you just take

0:13:36.600 --> 0:13:39.440
<v Speaker 2>a couple of bit no, and and and the worst

0:13:39.480 --> 0:13:42.400
<v Speaker 2>is in movies because you have to recreate. You know.

0:13:43.200 --> 0:13:44.440
<v Speaker 2>The thing about Succession?

0:13:45.120 --> 0:13:47.280
<v Speaker 1>Uh yeah, we can talk about it.

0:13:47.360 --> 0:13:50.080
<v Speaker 2>Yeah. The thing about Succession is that there was a

0:13:50.160 --> 0:13:52.520
<v Speaker 2>lot of scenes where you're supposed to be eating, but

0:13:52.600 --> 0:13:57.400
<v Speaker 2>nobody's ever eating because you can't recreate the position and

0:13:57.559 --> 0:13:59.559
<v Speaker 2>how much is there. Because of the way we shoot

0:13:59.600 --> 0:14:00.200
<v Speaker 2>the show.

0:14:00.640 --> 0:14:03.120
<v Speaker 1>You'd have to have the same thing and the same

0:14:03.240 --> 0:14:03.720
<v Speaker 1>take the.

0:14:04.040 --> 0:14:05.960
<v Speaker 2>Yeah, and because of the way we shot in big

0:14:06.040 --> 0:14:09.800
<v Speaker 2>giant chunks, it was impossible. And people noticed. There's like

0:14:09.840 --> 0:14:13.760
<v Speaker 2>a whole website about why do nobody Why does nobody eat?

0:14:14.120 --> 0:14:17.280
<v Speaker 2>On Succession? Like literally that people notice that.

0:14:17.400 --> 0:14:20.600
<v Speaker 1>But because a lot of the drama takes place in

0:14:20.680 --> 0:14:23.880
<v Speaker 1>tables or in you know, in cocktail parties.

0:14:24.040 --> 0:14:27.160
<v Speaker 4>Or I like that because there's always a sense of

0:14:27.200 --> 0:14:30.120
<v Speaker 4>the tension about being sitting down to eat but not

0:14:30.320 --> 0:14:33.080
<v Speaker 4>eating because there was so much drama happening. I think

0:14:33.080 --> 0:14:34.800
<v Speaker 4>that's also quite you know, lots of people talk about

0:14:34.840 --> 0:14:37.120
<v Speaker 4>actually sitting down to the table is a very kind

0:14:37.120 --> 0:14:40.160
<v Speaker 4>of positive experience but can also be a very challenging experience,

0:14:40.160 --> 0:14:43.080
<v Speaker 4>and that's what Succession really challenging.

0:14:43.720 --> 0:14:46.360
<v Speaker 2>Yeah, I mean I never because my character never sits

0:14:46.360 --> 0:14:49.040
<v Speaker 2>still so and I'm never invited to the table to eat.

0:14:49.120 --> 0:14:52.320
<v Speaker 2>I'm always just told what to do. But sadly, but

0:14:52.440 --> 0:14:54.160
<v Speaker 2>that was good for my I didn't have to worry

0:14:54.200 --> 0:14:55.560
<v Speaker 2>about the food on the plate.

0:14:55.640 --> 0:14:59.240
<v Speaker 1>But did they feed you all the actors? Because that's

0:14:59.240 --> 0:15:02.120
<v Speaker 1>another thing isn't it what you feed? Yeah, I talked

0:15:02.120 --> 0:15:04.480
<v Speaker 1>to Wes. You know, Wes's dream would be not to

0:15:04.520 --> 0:15:05.280
<v Speaker 1>stop for lunch.

0:15:05.560 --> 0:15:06.560
<v Speaker 2>You know, he told, what do you mean?

0:15:06.640 --> 0:15:06.840
<v Speaker 1>That's it?

0:15:06.960 --> 0:15:10.200
<v Speaker 2>That's what you don't stop for lunch. Wes and Succession

0:15:10.760 --> 0:15:13.840
<v Speaker 2>and now you know, I'm working on Guy Ritchie movie.

0:15:14.720 --> 0:15:18.840
<v Speaker 2>All these productions we do French hours, so there's no

0:15:18.960 --> 0:15:22.640
<v Speaker 2>real break for lunch. You work through lunch French hours.

0:15:22.680 --> 0:15:24.920
<v Speaker 2>You only work ten hour days, right like in the

0:15:25.040 --> 0:15:28.280
<v Speaker 2>old you know, in many days, my early days of

0:15:28.320 --> 0:15:31.560
<v Speaker 2>making movies, you shoot fourteen hour days, but that would

0:15:31.560 --> 0:15:34.240
<v Speaker 2>include like an hour where you all sit and eat.

0:15:34.680 --> 0:15:41.080
<v Speaker 2>Succession post COVID found it much more manageable and you

0:15:41.120 --> 0:15:44.120
<v Speaker 2>get much more done if you don't break. But they'll

0:15:44.160 --> 0:15:46.520
<v Speaker 2>hand you like a box, and in the box is

0:15:47.120 --> 0:15:52.520
<v Speaker 2>just crap. Wes is different because like on Asteroid City,

0:15:52.960 --> 0:15:56.120
<v Speaker 2>if we were working, you know, all the good news

0:15:56.120 --> 0:15:59.160
<v Speaker 2>about being on a Wes movie is that you're usually

0:15:59.240 --> 0:16:02.200
<v Speaker 2>a smaller part, so you only work like four hour days,

0:16:02.280 --> 0:16:04.000
<v Speaker 2>so then you can go and have a big lunch.

0:16:04.200 --> 0:16:06.240
<v Speaker 2>But if you're working a ten hour day with West

0:16:06.320 --> 0:16:09.040
<v Speaker 2>or an eight hour day with Wes, they have like

0:16:09.320 --> 0:16:13.600
<v Speaker 2>on Asteroid city we were in Spain, and yeah, it

0:16:13.600 --> 0:16:15.560
<v Speaker 2>would be a carton, but the food was it was

0:16:15.720 --> 0:16:20.280
<v Speaker 2>much not to knock successions catering, but much better on

0:16:20.320 --> 0:16:22.200
<v Speaker 2>a west On West's movies than.

0:16:22.520 --> 0:16:24.520
<v Speaker 1>Do you think that's a European versus that.

0:16:24.640 --> 0:16:27.120
<v Speaker 2>Yeah, I think it's European. I think Jeremy Dawson and

0:16:27.160 --> 0:16:30.560
<v Speaker 2>Wes they like food. Jeremy is the producer, but yeah,

0:16:30.640 --> 0:16:33.280
<v Speaker 2>they are. It is better. It's just it's fun. I

0:16:33.320 --> 0:16:37.880
<v Speaker 2>love hanging out with but that the social experience experience

0:16:38.080 --> 0:16:41.400
<v Speaker 2>after work, sitting at a table with everybody talking and

0:16:41.480 --> 0:16:44.480
<v Speaker 2>eating and it's really nice. Nice, it's like a family.

0:16:45.040 --> 0:16:47.520
<v Speaker 2>Well especially the last one. We were quarantined together and

0:16:47.520 --> 0:16:49.480
<v Speaker 2>we weren't even allowed to go into Madrid, which is

0:16:49.880 --> 0:16:52.000
<v Speaker 2>you know, we had to stay in Chin Chong and

0:16:52.040 --> 0:16:54.520
<v Speaker 2>there's not much to do in Chin Chung. So but

0:16:54.680 --> 0:16:57.520
<v Speaker 2>but but the food is good and yeah, and I've

0:16:57.520 --> 0:16:59.040
<v Speaker 2>had great meals with Wes.

0:16:59.240 --> 0:17:02.840
<v Speaker 1>But what about when you were directing your decision? Isn't

0:17:02.880 --> 0:17:04.280
<v Speaker 1>it to say what I'm going to do about?

0:17:04.520 --> 0:17:08.359
<v Speaker 2>Yeah? So my my feature that I last did in

0:17:08.440 --> 0:17:12.440
<v Speaker 2>New Orleans, which is right before COVID, we actually tried

0:17:12.480 --> 0:17:16.439
<v Speaker 2>an experiment with a healthy catering company, but it didn't

0:17:16.440 --> 0:17:20.840
<v Speaker 2>work out. No, I loved it, but the crew, you know,

0:17:20.880 --> 0:17:25.520
<v Speaker 2>we we were shooting in Louisiana and they, yeah, they

0:17:25.680 --> 0:17:26.960
<v Speaker 2>liked their meat, their pigs.

0:17:27.000 --> 0:17:30.440
<v Speaker 1>It's very male about men who want It's a lot

0:17:30.440 --> 0:17:30.800
<v Speaker 1>of men.

0:17:30.960 --> 0:17:34.320
<v Speaker 2>But yeah, it's not only men, but but even the

0:17:34.400 --> 0:17:40.119
<v Speaker 2>women they wanted they wanted substances. But so that didn't

0:17:40.280 --> 0:17:44.440
<v Speaker 2>go great. But I also my last thing I directed

0:17:44.560 --> 0:17:47.960
<v Speaker 2>for APP this pilot, Dear Edward. I did the West

0:17:48.320 --> 0:17:51.840
<v Speaker 2>French hours and uh, the food wasn't great either, but

0:17:52.160 --> 0:17:55.440
<v Speaker 2>we you know, the days are shorter and the crew

0:17:55.480 --> 0:17:58.000
<v Speaker 2>gets to go home earlier, but we don't break fully

0:17:58.040 --> 0:18:00.879
<v Speaker 2>for lunch, but you get your box of lunch and

0:18:00.920 --> 0:18:02.919
<v Speaker 2>then you break for twenty minutes and then we go.

0:18:03.000 --> 0:18:05.439
<v Speaker 2>But it makes the day a lot faster.

0:18:06.000 --> 0:18:08.199
<v Speaker 4>Can I ask a question, Yeah, I just not that

0:18:08.240 --> 0:18:11.880
<v Speaker 4>many successful actors end up being successful directors. Well motivated

0:18:12.560 --> 0:18:13.520
<v Speaker 4>that word enable that.

0:18:15.080 --> 0:18:19.159
<v Speaker 2>Well. I to be honest, I would do these movies

0:18:19.200 --> 0:18:22.040
<v Speaker 2>as an actor and then I would see them and

0:18:22.080 --> 0:18:24.639
<v Speaker 2>I would be like, God, this is not very good,

0:18:24.840 --> 0:18:28.639
<v Speaker 2>not all of them. But I can do this. I

0:18:28.680 --> 0:18:30.520
<v Speaker 2>want to do this because the script was great or

0:18:31.240 --> 0:18:33.439
<v Speaker 2>I mean I mean, there were other directors that I

0:18:33.480 --> 0:18:35.200
<v Speaker 2>worked with where I would be like, oh my god,

0:18:35.200 --> 0:18:37.439
<v Speaker 2>they're so good. I want to learn. So it was

0:18:37.440 --> 0:18:42.080
<v Speaker 2>a combination. I kind of liked watching certain directors direct Yeah,

0:18:42.119 --> 0:18:45.119
<v Speaker 2>I don't know. And to be honest, like waiting for

0:18:45.160 --> 0:18:47.399
<v Speaker 2>the job as an actor and just being an actor,

0:18:47.480 --> 0:18:51.000
<v Speaker 2>it becomes all about you and how you look and

0:18:51.040 --> 0:18:54.520
<v Speaker 2>you you you you as opposed to make you know,

0:18:54.640 --> 0:18:57.160
<v Speaker 2>being a character in a painting. I wanted to paint

0:18:57.160 --> 0:19:00.960
<v Speaker 2>the painting and uh, but I love acting and I

0:19:01.080 --> 0:19:04.760
<v Speaker 2>like bouncing back and forth as much as I possibly can.

0:19:13.840 --> 0:19:16.360
<v Speaker 1>Did you know The River Cafe has a shop. It's

0:19:16.359 --> 0:19:19.720
<v Speaker 1>full of our favorite foods and designs. We have cookbooks,

0:19:19.840 --> 0:19:24.120
<v Speaker 1>Linden Napkins, kitchen ware, tote bags with our signatures, glasses

0:19:24.119 --> 0:19:27.520
<v Speaker 1>from Venice, chocolates from Turin. You can find us right

0:19:27.560 --> 0:19:30.720
<v Speaker 1>next door to the River Cafe in London or online

0:19:30.800 --> 0:19:42.040
<v Speaker 1>at shop Therivercafe dot co dot uk. So Fisher, here

0:19:42.040 --> 0:19:46.280
<v Speaker 1>we are in your beautiful house with your beautiful photographs.

0:19:46.320 --> 0:19:48.560
<v Speaker 2>Thank you, Brooklyn, Fort Green, Brooklyn.

0:19:48.720 --> 0:19:51.200
<v Speaker 1>Yeah, to tell me about Fort Green, Brooklyn? Where are we?

0:19:51.200 --> 0:19:56.320
<v Speaker 2>Well, it's an interesting neighborhood. I played on my high

0:19:56.359 --> 0:20:02.760
<v Speaker 2>school softball team in the late seven and we played

0:20:03.280 --> 0:20:05.840
<v Speaker 2>like four blocks away at a park called Fort Green Park,

0:20:06.520 --> 0:20:11.240
<v Speaker 2>and on two occasions, after once winning and once losing,

0:20:11.680 --> 0:20:16.879
<v Speaker 2>I was mugged after the game by local neighborhood kids.

0:20:17.800 --> 0:20:21.960
<v Speaker 2>When we saw this house, many many many moons later,

0:20:22.119 --> 0:20:24.399
<v Speaker 2>that was for sale, we were about to have our

0:20:24.400 --> 0:20:27.840
<v Speaker 2>first child, Lexi Bloom and Eye. I first was a

0:20:27.880 --> 0:20:30.760
<v Speaker 2>bit hesitant, but the neighborhood had changed quite a bit.

0:20:30.880 --> 0:20:33.520
<v Speaker 2>And as we were looking at the house, we opened

0:20:33.520 --> 0:20:35.399
<v Speaker 2>the door in the back porch and I'm looking at

0:20:35.440 --> 0:20:37.800
<v Speaker 2>it and there's a woman on the on the porch

0:20:37.840 --> 0:20:40.600
<v Speaker 2>next door chairs fish eye is that yell? And I'm

0:20:40.640 --> 0:20:43.720
<v Speaker 2>like Rosie, and she goes, are you are you going

0:20:43.800 --> 0:20:47.560
<v Speaker 2>to buy the house? That's a terrible impersonation of Rosie Perez,

0:20:47.600 --> 0:20:50.520
<v Speaker 2>But Rosie Perez is my next door neighbor, and he's like,

0:20:50.520 --> 0:20:53.240
<v Speaker 2>the neighborhood's changed. You love it. I've been here forever.

0:20:54.480 --> 0:20:57.600
<v Speaker 2>That's the worst, Rosie Press. I'm just my accent's back.

0:20:57.800 --> 0:21:01.520
<v Speaker 2>But anyway, so here we are, and uh, the neighborhood.

0:21:01.600 --> 0:21:04.119
<v Speaker 1>Yeah, And did you live in Manhattan before?

0:21:04.400 --> 0:21:07.639
<v Speaker 2>I actually had moved to Brooklyn in two thousand and

0:21:07.640 --> 0:21:10.800
<v Speaker 2>five after thirty plus years in Manhattan. But I will

0:21:10.840 --> 0:21:14.000
<v Speaker 2>say my my neighborhood. And it's too bad. You know,

0:21:14.080 --> 0:21:16.159
<v Speaker 2>we can't go to dinner tonight because there are like

0:21:16.400 --> 0:21:20.720
<v Speaker 2>seven great restaurants now on decalb Avenue, which is near

0:21:21.000 --> 0:21:26.680
<v Speaker 2>you know, around the corner, and it has become restaurant road. Well,

0:21:26.720 --> 0:21:29.560
<v Speaker 2>the most the kind of landmark place. The first one

0:21:30.040 --> 0:21:33.640
<v Speaker 2>that's or the oldest one is called Romans and it's

0:21:33.720 --> 0:21:37.359
<v Speaker 2>an it's a they changed the menu every night. It's great.

0:21:37.400 --> 0:21:41.119
<v Speaker 2>And now there's Evelina's, there's miss Ada's, there's Sailors that

0:21:41.280 --> 0:21:44.879
<v Speaker 2>just opened. Woman who was the chef for The Pig

0:21:45.480 --> 0:21:48.640
<v Speaker 2>with Me, well, April for years, so April.

0:21:48.480 --> 0:21:50.520
<v Speaker 1>H and I just got a message from her saying, hey,

0:21:50.560 --> 0:21:52.360
<v Speaker 1>with you, I'm opening a restaurant in Brooklyn.

0:21:52.480 --> 0:21:53.560
<v Speaker 2>Okay, so it's around the corner.

0:21:53.640 --> 0:21:54.680
<v Speaker 1>Yeah, oh we have to go.

0:21:54.920 --> 0:21:58.280
<v Speaker 2>So it's become right, and it's become really a spotted Pig,

0:21:58.680 --> 0:22:02.120
<v Speaker 2>that's the place. So anyway, yeah, it's it's becoming this

0:22:02.119 --> 0:22:02.840
<v Speaker 2>this neighborhood.

0:22:03.119 --> 0:22:06.960
<v Speaker 4>It's tiny neighborhood, was it, No, it's just hipster.

0:22:07.520 --> 0:22:09.080
<v Speaker 2>I think it's more of a hipster thing. But no,

0:22:09.280 --> 0:22:13.440
<v Speaker 2>this neighborhood is very it's everything. It's a combination of everything.

0:22:13.520 --> 0:22:15.080
<v Speaker 1>I don't know if I'm cool enough to live.

0:22:15.119 --> 0:22:19.359
<v Speaker 2>Yes you are. No, No, it's not cool anymore. We've

0:22:19.480 --> 0:22:20.600
<v Speaker 2>we've probably.

0:22:20.320 --> 0:22:24.240
<v Speaker 1>Screwed the what's cool like another part of Brooklyn because.

0:22:24.280 --> 0:22:27.480
<v Speaker 2>Well, Williamsburg is and Bushwick. I guess Bushwick is where

0:22:27.520 --> 0:22:30.119
<v Speaker 2>all the hipsters are now. You know, it's just keeps moving.

0:22:30.200 --> 0:22:34.000
<v Speaker 2>But I like to spend many days like today, I

0:22:34.000 --> 0:22:36.600
<v Speaker 2>won't go into Manhattan. Many days I don't go into Manhattan.

0:22:36.800 --> 0:22:38.919
<v Speaker 1>You know when did you drive to.

0:22:39.359 --> 0:22:45.240
<v Speaker 2>I Well, I bicycle a lot electric bily. Yeah, yeah,

0:22:45.240 --> 0:22:49.600
<v Speaker 2>it's nice. I had a vespa for years now, yeah, using,

0:22:50.400 --> 0:22:51.639
<v Speaker 2>I know, that's why I got rid of it.

0:22:51.680 --> 0:22:55.040
<v Speaker 1>I like, so you grew up near here.

0:22:55.280 --> 0:22:59.120
<v Speaker 2>My mother was. We moved here with her to make

0:22:59.160 --> 0:23:02.360
<v Speaker 2>it as a painter from Chicago. You're born in Chicago,

0:23:02.640 --> 0:23:06.280
<v Speaker 2>born in Chicago, and she was a painter in thee Well,

0:23:06.520 --> 0:23:10.639
<v Speaker 2>she started in the seventies, the seventies. She had a

0:23:10.720 --> 0:23:14.439
<v Speaker 2>first loft in seventy one seventy two. Do you know

0:23:14.440 --> 0:23:18.120
<v Speaker 2>a painter named Marylyn Minter. She's made it pretty big.

0:23:18.200 --> 0:23:21.200
<v Speaker 2>So Maryland and my mother shared a space we lived

0:23:21.240 --> 0:23:23.600
<v Speaker 2>in a loft and my mom was dating an actor,

0:23:24.160 --> 0:23:28.199
<v Speaker 2>well a matre d but he was trying to be

0:23:28.240 --> 0:23:32.160
<v Speaker 2>an actor and she ended up, Yeah, she ended up

0:23:32.280 --> 0:23:35.640
<v Speaker 2>working as the co check at his restaurant. The restaurant, Yeah,

0:23:35.640 --> 0:23:38.040
<v Speaker 2>it was called Charlie's. It was a very famous theater restaurant.

0:23:38.160 --> 0:23:40.840
<v Speaker 2>Forty now it was called Sam's, or it's called Sam

0:23:40.960 --> 0:23:45.520
<v Speaker 2>still there. And we had trouble paying the payments. So

0:23:46.240 --> 0:23:50.760
<v Speaker 2>the acting school that he studied in rented the loft

0:23:50.800 --> 0:23:53.080
<v Speaker 2>and built a stage in our living room in the

0:23:53.119 --> 0:23:56.199
<v Speaker 2>meatpacking So I'd come home and there'd be acting class

0:23:56.400 --> 0:24:00.560
<v Speaker 2>in my house, which is how I got into business,

0:24:00.640 --> 0:24:03.840
<v Speaker 2>because I had a stage in our living room.

0:24:04.000 --> 0:24:08.000
<v Speaker 1>And uh yeah, so she was painting or working, she

0:24:08.080 --> 0:24:11.000
<v Speaker 1>was painting. What did you eat do you remember as.

0:24:10.880 --> 0:24:12.960
<v Speaker 2>A kid, Well, so I have crazy stories.

0:24:13.520 --> 0:24:14.600
<v Speaker 1>Do you remember the food you ate?

0:24:15.200 --> 0:24:18.560
<v Speaker 2>Yeah? The food wasn't much. It wasn't much exciting. I

0:24:18.640 --> 0:24:21.119
<v Speaker 2>remember when we moved to New York. What was so

0:24:21.200 --> 0:24:25.399
<v Speaker 2>exciting was the food because my mom's boyfriend took us

0:24:25.400 --> 0:24:28.600
<v Speaker 2>to Chinatown and then she'd show up with a bushel

0:24:28.640 --> 0:24:32.560
<v Speaker 2>of blue crabs and we'd boil the crabs and eating

0:24:32.600 --> 0:24:36.840
<v Speaker 2>all these exotic foods, Vietnamese foe. I remember discovering that

0:24:36.880 --> 0:24:41.480
<v Speaker 2>at thirteen years old, and I remember, you know, spicy

0:24:41.600 --> 0:24:46.840
<v Speaker 2>chicken wings and just all kinds of eating out, eating out, no, no,

0:24:46.840 --> 0:24:49.439
<v Speaker 2>no cooking, very few, very little cooking at home in

0:24:49.480 --> 0:24:52.200
<v Speaker 2>my house and a lot of it. Because the other

0:24:52.240 --> 0:24:53.800
<v Speaker 2>thing about New York, even though we lived in the

0:24:53.840 --> 0:24:57.520
<v Speaker 2>meatpacking there weren't many restaurants there. There were opportunities to

0:24:57.640 --> 0:25:01.240
<v Speaker 2>grab food pizza right, the pizza slices and all that.

0:25:01.600 --> 0:25:04.199
<v Speaker 2>And then my mother working at night. And when I

0:25:04.240 --> 0:25:08.520
<v Speaker 2>was fifteen and sixteen, we moved to child No. My

0:25:08.560 --> 0:25:11.800
<v Speaker 2>sisters ended up moving back to Chicago with my dad

0:25:11.880 --> 0:25:14.760
<v Speaker 2>because the life was too crazy. I stayed with my

0:25:14.760 --> 0:25:17.560
<v Speaker 2>mom in New York and her boyfriend. And then so

0:25:17.600 --> 0:25:19.960
<v Speaker 2>you ate out, Yeah, I ate out a lot my

0:25:20.080 --> 0:25:22.200
<v Speaker 2>whole high school years.

0:25:22.200 --> 0:25:23.400
<v Speaker 1>You get to choose the restaurant.

0:25:24.320 --> 0:25:27.159
<v Speaker 2>It was about a financial decision too sometimes, like you

0:25:27.160 --> 0:25:31.199
<v Speaker 2>know what was cheap right, a lot of Chinese. I

0:25:31.240 --> 0:25:35.199
<v Speaker 2>got to be so friendly with a Chinese restaurant on

0:25:35.320 --> 0:25:40.640
<v Speaker 2>sixth Avenue in sixteenth Street, that Gin's Kitchen that I

0:25:40.680 --> 0:25:44.199
<v Speaker 2>actually ate with the family two nights a week with

0:25:44.280 --> 0:25:48.440
<v Speaker 2>the lazy Susan and yeah, it was.

0:25:48.359 --> 0:25:51.120
<v Speaker 1>It different when you ate with them much yourself.

0:25:51.160 --> 0:25:53.200
<v Speaker 2>Yeah, it was much of the food, well, the food

0:25:53.280 --> 0:25:56.119
<v Speaker 2>was the quantity of food and the selection of food

0:25:56.200 --> 0:26:00.080
<v Speaker 2>was I couldn't handle someone what they were eating. There

0:26:00.080 --> 0:26:03.800
<v Speaker 2>were things that I couldn't recognize, But then there was

0:26:03.840 --> 0:26:04.960
<v Speaker 2>some great stuff. Yeah.

0:26:05.040 --> 0:26:06.720
<v Speaker 4>Did you go back to visit your father in Chicago?

0:26:06.920 --> 0:26:09.480
<v Speaker 4>And was that for different that freezy experience difference?

0:26:09.720 --> 0:26:12.560
<v Speaker 2>Yeah? Then I became a snob, to be honest, I

0:26:12.600 --> 0:26:17.680
<v Speaker 2>became a snop because I had experienced these incredible delicacies

0:26:17.800 --> 0:26:20.800
<v Speaker 2>or and and by the way, you can eat brilliantly,

0:26:20.960 --> 0:26:24.159
<v Speaker 2>especially in New York in the seventies and eighties, for nothing.

0:26:24.440 --> 0:26:25.160
<v Speaker 2>Is that my daughter?

0:26:26.560 --> 0:26:28.280
<v Speaker 1>Who is that?

0:26:29.680 --> 0:26:32.480
<v Speaker 2>Come in? Tell me what what are you having for

0:26:32.520 --> 0:26:33.119
<v Speaker 2>dinner tonight?

0:26:33.320 --> 0:26:39.479
<v Speaker 3>Pasta meat boys and some zoutinly very good?

0:26:39.560 --> 0:26:41.200
<v Speaker 1>Have you eaten it already? Or if you just.

0:26:43.080 --> 0:26:47.440
<v Speaker 2>What do I cook? What's my specialty pasta Sundays? What?

0:26:47.960 --> 0:26:49.720
<v Speaker 2>What is the only thing I really make? Well?

0:26:50.320 --> 0:26:50.800
<v Speaker 1>Pancake?

0:26:51.200 --> 0:26:53.879
<v Speaker 2>So how good are my pancakes? Very?

0:26:53.960 --> 0:26:58.760
<v Speaker 1>Very what's good about are they? Are they thick pancakes?

0:27:00.240 --> 0:27:02.320
<v Speaker 2>I have to say I am in the worst cook

0:27:02.480 --> 0:27:06.840
<v Speaker 2>except for pancakes and pasta dishes, right.

0:27:07.280 --> 0:27:10.120
<v Speaker 1>Thanks to you. Yeah. Do you know why your mom

0:27:10.280 --> 0:27:11.040
<v Speaker 1>named you Fisher?

0:27:11.800 --> 0:27:15.520
<v Speaker 2>Yeah? Because that wasn't my real name. Okay, my real name.

0:27:16.000 --> 0:27:20.960
<v Speaker 2>What was my real name, Stephen Fisher? Yes, when you joined,

0:27:21.040 --> 0:27:23.639
<v Speaker 2>when you joined the Actors' Union, that.

0:27:23.920 --> 0:27:29.040
<v Speaker 1>Was already somewhere named Stephen. Do you know that happened

0:27:29.040 --> 0:27:32.359
<v Speaker 1>to Michael Caine? He said that he was called Michael

0:27:32.560 --> 0:27:36.800
<v Speaker 1>something else and he called possession. He said, there's already

0:27:36.840 --> 0:27:40.399
<v Speaker 1>somebody named Michael something else. He's offered apart and they

0:27:40.400 --> 0:27:41.520
<v Speaker 1>said we need a last name.

0:27:41.560 --> 0:27:41.920
<v Speaker 5>We did.

0:27:42.240 --> 0:27:44.560
<v Speaker 1>The last name is sitting. He says he was sitting

0:27:44.600 --> 0:27:48.040
<v Speaker 1>in Leicester Square, or standing in Leicester Square the phone booth,

0:27:48.080 --> 0:27:51.600
<v Speaker 1>and he looked up and the Caine Mutiny was playing

0:27:51.760 --> 0:27:53.480
<v Speaker 1>in the cinema.

0:27:52.880 --> 0:27:54.080
<v Speaker 2>And that's how he spells it.

0:27:54.680 --> 0:27:58.159
<v Speaker 1>And that's why I became Michael Caine. You're thinking of,

0:27:58.400 --> 0:28:02.480
<v Speaker 1>you know Lawrence of Arabia called bikel Arabia or something.

0:28:04.080 --> 0:28:07.600
<v Speaker 2>Well, I was actually there used to be a sign

0:28:07.840 --> 0:28:13.000
<v Speaker 2>for years in Brooklyn and it said Fisher Dash Stevens Paints.

0:28:13.560 --> 0:28:15.879
<v Speaker 2>It was a store and that's when I got the

0:28:15.920 --> 0:28:18.160
<v Speaker 2>idea I'll just reverse it. But my Dad always called

0:28:18.160 --> 0:28:20.920
<v Speaker 2>me fish. Everybody called me fish, so I was always fish.

0:28:21.359 --> 0:28:22.240
<v Speaker 1>Not your sister though.

0:28:22.720 --> 0:28:22.880
<v Speaker 2>No.

0:28:27.200 --> 0:28:30.439
<v Speaker 1>If you like listening to Ruthie's Table four, would you

0:28:30.560 --> 0:28:34.560
<v Speaker 1>please make sure to rate and review the podcast on

0:28:34.640 --> 0:28:39.600
<v Speaker 1>the iHeartRadio app, Apple Podcasts, Spotify, o, wherever you get

0:28:39.640 --> 0:28:49.600
<v Speaker 1>your podcasts. Thank you.

0:28:49.600 --> 0:28:51.800
<v Speaker 4>You just directed Beckham, which is just about the biggest

0:28:51.800 --> 0:28:55.320
<v Speaker 4>thing ever happened to Netflix. And Beckham's also a great

0:28:55.360 --> 0:28:58.080
<v Speaker 4>fan of The River Cafe and the friend of Ruthie's.

0:28:58.320 --> 0:28:59.120
<v Speaker 4>How did that come out?

0:29:00.320 --> 0:29:03.960
<v Speaker 2>So? I was on my way to work on Succession

0:29:04.000 --> 0:29:06.200
<v Speaker 2>one day and the phone rang from and it was

0:29:06.320 --> 0:29:12.120
<v Speaker 2>Leonardo DiCaprio's office saying, listen, Leo and David had dinner

0:29:12.200 --> 0:29:16.880
<v Speaker 2>last night and he suggested you to direct his life story.

0:29:17.120 --> 0:29:21.520
<v Speaker 2>Are you interested? And I wasn't, to be honest that interested.

0:29:21.600 --> 0:29:23.040
<v Speaker 1>Did you know about David Beckham?

0:29:23.200 --> 0:29:23.840
<v Speaker 2>No, I knew.

0:29:23.920 --> 0:29:25.480
<v Speaker 1>I don't think very many Americans.

0:29:25.920 --> 0:29:28.160
<v Speaker 2>I know. Yeah, I didn't know about him, you know,

0:29:28.240 --> 0:29:30.680
<v Speaker 2>I think that's I mean. I knew who he was.

0:29:30.760 --> 0:29:32.640
<v Speaker 2>He was famous, I knew he was beautiful. I knew

0:29:32.640 --> 0:29:34.640
<v Speaker 2>he had a beautiful wife. I knew he was a brand.

0:29:35.320 --> 0:29:37.880
<v Speaker 2>And what really scared me was he's a brand and

0:29:37.880 --> 0:29:40.720
<v Speaker 2>he's going to try to brand me, make me do

0:29:40.840 --> 0:29:44.040
<v Speaker 2>a branded content film for him, which I wasn't interested in,

0:29:44.480 --> 0:29:47.400
<v Speaker 2>but I took the meeting on Zoom was during COVID

0:29:47.600 --> 0:29:51.840
<v Speaker 2>and also Succession is written by Jesse Armstrong and Tony

0:29:51.920 --> 0:29:56.000
<v Speaker 2>Roach to Brits and Jesse and Tony I told them

0:29:56.000 --> 0:29:59.480
<v Speaker 2>about this opportunity and they're like, you have to do it.

0:29:59.560 --> 0:30:03.120
<v Speaker 2>David he's a genius. He's a great footballer. And I'm like, really,

0:30:03.160 --> 0:30:06.640
<v Speaker 2>he's that good. They're like, are you you like football?

0:30:06.680 --> 0:30:06.840
<v Speaker 1>You know?

0:30:06.960 --> 0:30:09.320
<v Speaker 2>I'm like no, I didn't. I got into it a

0:30:09.360 --> 0:30:12.680
<v Speaker 2>little like when David left and they immediately like they

0:30:12.760 --> 0:30:14.720
<v Speaker 2>went on YouTube and showed me like clips of him

0:30:14.720 --> 0:30:16.239
<v Speaker 2>and they're like, you got to you gotta do your

0:30:16.280 --> 0:30:22.360
<v Speaker 2>research man. So that it evolved and it was actually

0:30:22.400 --> 0:30:25.440
<v Speaker 2>over a dinner because I didn't want to say yes

0:30:25.520 --> 0:30:30.680
<v Speaker 2>until I met him. So I was shooting Succession in Italy,

0:30:30.760 --> 0:30:33.240
<v Speaker 2>so I said, Okay, well I'll come and have meet

0:30:33.280 --> 0:30:37.000
<v Speaker 2>you in London and he's like, okay, meet me, meet

0:30:37.080 --> 0:30:39.840
<v Speaker 2>us at Harry's Bar for dinner, and he said, and

0:30:39.840 --> 0:30:42.720
<v Speaker 2>wear a jacket and I'm like, I don't have a jacket.

0:30:43.440 --> 0:30:47.320
<v Speaker 2>He's like, well, get a jacket. So I was in Florence,

0:30:47.360 --> 0:30:51.000
<v Speaker 2>so I got. I bought a shirt. He might even

0:30:51.000 --> 0:30:54.320
<v Speaker 2>been this shirt, I mean the jacket. And I got

0:30:54.360 --> 0:30:57.360
<v Speaker 2>to Harry's Bar and I remember this, I haven't told

0:30:57.440 --> 0:31:00.880
<v Speaker 2>this story, but I walked I walked in to the restaurant.

0:31:00.920 --> 0:31:04.560
<v Speaker 2>It was empty, it was like six o'clock and they go, oh, yes,

0:31:05.040 --> 0:31:07.040
<v Speaker 2>I'm here to see the Beckhams. He's like, oh, yes,

0:31:07.160 --> 0:31:09.240
<v Speaker 2>only David's here so far, So come in. And I

0:31:09.320 --> 0:31:12.760
<v Speaker 2>walk in and there's this ass just like sticking out

0:31:12.800 --> 0:31:20.920
<v Speaker 2>of a table and I'm like, oh, it's David's Oh

0:31:21.280 --> 0:31:22.880
<v Speaker 2>and he like almost it was like a comic moment,

0:31:22.920 --> 0:31:24.760
<v Speaker 2>almost like bumps his head on the table. It was

0:31:24.760 --> 0:31:27.040
<v Speaker 2>so sorry. Victoria just dropped her earrings. I'm just looking

0:31:27.080 --> 0:31:31.680
<v Speaker 2>at them under the table. And then and that's how

0:31:31.720 --> 0:31:33.520
<v Speaker 2>I met him. And then we had this dinner at

0:31:33.560 --> 0:31:36.560
<v Speaker 2>Harry's Bar, which is very fancy, and I was a bit,

0:31:36.720 --> 0:31:40.040
<v Speaker 2>you know, nervous, dressed in this ill fitted you know,

0:31:40.320 --> 0:31:44.360
<v Speaker 2>jacket forty dollars forty year row piece of you know whatever,

0:31:44.520 --> 0:31:50.760
<v Speaker 2>jacket from some store in Florence. Anyway, so we we

0:31:50.360 --> 0:31:54.560
<v Speaker 2>we sit down and immediately. You know, he loves red

0:31:54.600 --> 0:31:56.800
<v Speaker 2>wine and he's like, do you like red one? I'm like, yeah,

0:31:57.080 --> 0:32:00.040
<v Speaker 2>because you like Bordeaux and I love Bordoze. And he

0:32:00.040 --> 0:32:02.360
<v Speaker 2>he to like a two thousand and four Latur or

0:32:02.360 --> 0:32:04.320
<v Speaker 2>something like that, and I was like, oh my god,

0:32:04.320 --> 0:32:06.000
<v Speaker 2>this is going to be fun movie to work on. No,

0:32:06.000 --> 0:32:11.160
<v Speaker 2>I'm kidding, but anyway, so we instantly got to know

0:32:11.240 --> 0:32:14.160
<v Speaker 2>each other and had dinner, and that was what convinced me.

0:32:15.120 --> 0:32:16.920
<v Speaker 2>I can't remember the food isn't that interesting?

0:32:16.960 --> 0:32:19.040
<v Speaker 1>Do you know how important food is to him? I

0:32:19.040 --> 0:32:21.280
<v Speaker 1>mean one of the when we talked when he comes

0:32:21.320 --> 0:32:23.680
<v Speaker 1>to River Cafe, you know when they come, very often

0:32:23.680 --> 0:32:26.560
<v Speaker 1>they come as a family. But he said that his

0:32:26.720 --> 0:32:30.000
<v Speaker 1>idea of a great night was to get rid of

0:32:30.000 --> 0:32:32.360
<v Speaker 1>his family and his kids. And you know, his kids

0:32:32.400 --> 0:32:34.600
<v Speaker 1>and Victoria not get rid of it. They're out and

0:32:34.640 --> 0:32:37.000
<v Speaker 1>he cooks for himself. And when he was in Milan

0:32:37.080 --> 0:32:39.800
<v Speaker 1>he took cooking classes. Right, Yeah, did you get into

0:32:39.840 --> 0:32:40.520
<v Speaker 1>food with him?

0:32:40.600 --> 0:32:44.760
<v Speaker 2>Well, I've seen yeah, so we filmed him cooking. Yeah,

0:32:44.760 --> 0:32:48.320
<v Speaker 2>we film him cooking chicken. But what's your.

0:32:48.240 --> 0:32:51.600
<v Speaker 1>Best Beckham food story? We got a great Beckham food Well.

0:32:52.040 --> 0:32:56.000
<v Speaker 2>The other day he came to New York and he said,

0:32:56.080 --> 0:32:59.440
<v Speaker 2>let's have lunch. And he said, meet me at Luke

0:32:59.440 --> 0:33:03.200
<v Speaker 2>Colly's in Carol Gardens. Probably one of the best, the

0:33:03.240 --> 0:33:07.760
<v Speaker 2>best calzone, best pizza. And I thought, that's weird. Why

0:33:07.760 --> 0:33:11.400
<v Speaker 2>they're not open for lunch. So, you know, it's fifteen

0:33:11.440 --> 0:33:16.040
<v Speaker 2>minute bike ride. I bike over there and it's just

0:33:16.240 --> 0:33:20.160
<v Speaker 2>David Nicola who works with him, and Dave Gardner and

0:33:20.200 --> 0:33:26.560
<v Speaker 2>me and and Mark Lucalli. Just us at a table

0:33:26.800 --> 0:33:31.800
<v Speaker 2>and he made Mark cooked just for us and he

0:33:31.920 --> 0:33:36.120
<v Speaker 2>had We had some serious Yeah. He made this pork

0:33:36.200 --> 0:33:42.040
<v Speaker 2>chops with peppers and onions. It was unbelievable, the pork chops.

0:33:42.160 --> 0:33:48.360
<v Speaker 2>He made pasta fussili with barrata, fresh tomato sauce. He

0:33:48.440 --> 0:33:54.480
<v Speaker 2>made well, he makes these. His pizzas are legendary. What's

0:33:54.520 --> 0:33:57.000
<v Speaker 2>it called, Lullie. You've never been in there? Oh, you

0:33:57.040 --> 0:34:00.120
<v Speaker 2>guys have really on New York restaurants. No, No, you

0:34:00.200 --> 0:34:04.160
<v Speaker 2>have to go. Okay college, Yeah, we have to go.

0:34:04.200 --> 0:34:05.640
<v Speaker 2>And there's only like eight tables.

0:34:06.080 --> 0:34:07.680
<v Speaker 4>Will they close to the restaurant for us.

0:34:07.920 --> 0:34:09.839
<v Speaker 2>They won't close the restaurant for us, but they'll give

0:34:09.960 --> 0:34:12.920
<v Speaker 2>us a table. He'll love you to go into this restaurant.

0:34:12.960 --> 0:34:17.200
<v Speaker 2>Oh my god. So this was Friday and we and

0:34:17.239 --> 0:34:20.560
<v Speaker 2>we had two bottles of barolo, did you Yeah?

0:34:22.200 --> 0:34:25.040
<v Speaker 1>Yeah, Well that's interesting as well, isn't it about an

0:34:25.080 --> 0:34:28.880
<v Speaker 1>athlete eating? You know, if he was he's now not

0:34:28.880 --> 0:34:29.960
<v Speaker 1>playing football anymore.

0:34:29.960 --> 0:34:32.640
<v Speaker 2>No, but he works out. He works out six to

0:34:32.680 --> 0:34:36.879
<v Speaker 2>seven days a week, like incessantly. So he works out

0:34:36.920 --> 0:34:39.160
<v Speaker 2>so he can eat because he loves to eat, as

0:34:39.200 --> 0:34:41.080
<v Speaker 2>you know, and I love to eat.

0:34:41.200 --> 0:34:42.160
<v Speaker 1>Do you keep wine here?

0:34:42.480 --> 0:34:44.160
<v Speaker 2>Yeah, I've just just.

0:34:44.239 --> 0:34:46.440
<v Speaker 1>Got downstairs, and you're lucky to have a bottle of.

0:34:46.680 --> 0:34:48.799
<v Speaker 2>I'm going to show you because this Okay, So in

0:34:48.880 --> 0:34:51.319
<v Speaker 2>this house when we moved in, and i'll show you

0:34:51.360 --> 0:34:53.640
<v Speaker 2>the room, there were barrels because they used to make

0:34:53.680 --> 0:34:56.280
<v Speaker 2>wine here. So we have grapevines in the back. It's

0:34:56.640 --> 0:35:00.799
<v Speaker 2>I can't make the wine. Yeah, Brooklyn wine, Brooklyn wine.

0:35:00.840 --> 0:35:02.640
<v Speaker 2>I know, but they're not they're not. I don't know

0:35:02.680 --> 0:35:05.759
<v Speaker 2>how good it is. But yeah, so I don't have

0:35:05.800 --> 0:35:07.920
<v Speaker 2>that many bottles, but I love it.

0:35:08.000 --> 0:35:11.319
<v Speaker 1>So it starting about an hour ago, you said to me,

0:35:11.320 --> 0:35:12.919
<v Speaker 1>I don't know if I have much to say about food.

0:35:12.920 --> 0:35:14.280
<v Speaker 1>Oh my gosh.

0:35:14.360 --> 0:35:16.120
<v Speaker 2>Oh, but the last thing I'm gonna say, I'm gonna

0:35:16.120 --> 0:35:18.080
<v Speaker 2>shut up about food because now I want to talk

0:35:18.120 --> 0:35:23.080
<v Speaker 2>about food. Now, I know because tief Spain, Spain. I

0:35:23.160 --> 0:35:26.040
<v Speaker 2>just got back for it. Now I hit all the

0:35:26.040 --> 0:35:31.640
<v Speaker 2>great restaurants, restaurants, oh my god, the greatest restaurants. I mean,

0:35:31.719 --> 0:35:36.640
<v Speaker 2>like funky little hole in the wall Taverna's like anyway,

0:35:36.920 --> 0:35:39.480
<v Speaker 2>if you go to Tenner Reef, I'm gonna give you.

0:35:39.719 --> 0:35:44.480
<v Speaker 3>I'm gonna give you the harmone. I mean, I ave out.

0:35:44.480 --> 0:35:47.799
<v Speaker 3>My younger brother is obsessed with you.

0:35:47.880 --> 0:35:49.800
<v Speaker 1>Always think is like a tourist.

0:35:49.880 --> 0:35:52.400
<v Speaker 2>No, because the Brits all go to the South, but

0:35:52.480 --> 0:35:55.520
<v Speaker 2>forget the South, you go to the North. The fish,

0:35:55.719 --> 0:36:00.000
<v Speaker 2>the fish, the mussels, it's oh man.

0:36:00.160 --> 0:36:00.759
<v Speaker 1>That's so good.

0:36:00.880 --> 0:36:04.239
<v Speaker 2>And the wine, the local Canary island wine, and that

0:36:04.680 --> 0:36:09.160
<v Speaker 2>I love Ribrieta. I don't like Ribera. I love red Ribia.

0:36:09.160 --> 0:36:12.480
<v Speaker 2>Oh I love the wine. But I'm not a Rioha drinker.

0:36:12.520 --> 0:36:15.759
<v Speaker 2>I'm a Ribeta drinker anyway. So I just want to

0:36:15.800 --> 0:36:18.800
<v Speaker 2>make that clear. If anyone wants to send me Spanish.

0:36:18.440 --> 0:36:21.439
<v Speaker 1>We got the right one. Okay. Well, so if you're

0:36:22.320 --> 0:36:23.960
<v Speaker 1>you've got to go have the pasta with the.

0:36:23.960 --> 0:36:28.520
<v Speaker 2>Pasta with my son, don't get him on food because

0:36:28.520 --> 0:36:31.000
<v Speaker 2>he eats everything. He's ten years old, He's got the most.

0:36:31.880 --> 0:36:34.360
<v Speaker 2>He tries everything. Yeah.

0:36:34.440 --> 0:36:37.279
<v Speaker 1>So if we talk about eating for your kids, and

0:36:37.320 --> 0:36:40.080
<v Speaker 1>we talk about making pancakes, and we talk about eating

0:36:40.640 --> 0:36:43.240
<v Speaker 1>you know, great food with great wine and ten reef

0:36:43.360 --> 0:36:46.160
<v Speaker 1>and wherever you are, you are. We are defined as

0:36:46.200 --> 0:36:48.279
<v Speaker 1>a food person. You may try and run away, but

0:36:48.320 --> 0:36:51.319
<v Speaker 1>you can't hide. So you are. But if you need

0:36:51.400 --> 0:36:54.319
<v Speaker 1>food for comfort, is there something you would go to?

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<v Speaker 2>The thing that comes into my mind is is pasta

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<v Speaker 2>with pesto. Pesto, the basil, the cheese that I'll oil,

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<v Speaker 2>the pine nuts also, I make it. That's the other

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<v Speaker 2>thing I try to make a little bit. But that

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<v Speaker 2>gives me comfort.

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<v Speaker 1>Okay. I hope you don't need comfort because you're a

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<v Speaker 1>great personal Okay.

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<v Speaker 2>I'm going to see you in London, Yes, London.

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<v Speaker 1>Thank you for listening to Ruthie's Table for in partnership

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<v Speaker 1>with Montclair.

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<v Speaker 5>Ruthie's Table four is produced by Atamei Studios for iHeartRadio.

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<v Speaker 5>It's hosted by Ruthie Rogers and it's produced by William Lensky.

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<v Speaker 5>This episode was edited by Julia Johnson and mixed by

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<v Speaker 5>Nigel Appleton, our executive producers are Fay Stewart and Zad Rogers.

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<v Speaker 5>Our production manager is Caitlin Paramore and our production coordinator

0:37:55.520 --> 0:37:58.520
<v Speaker 5>is Bella Selini. Thank you to everyone at The River

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<v Speaker 5>Cafe for your help in me in this episode.

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<v Speaker 2>H