WEBVTT - #298 - E. Ness

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<v Speaker 1>Ship boys. Make sure y'all check me out Bootleg CAV Podcasting,

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<v Speaker 1>bom Boutlet CAV podcast. Special guests in here represent Philly. Yes, sir,

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<v Speaker 1>my guys man, welcome bro. You already know King of

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<v Speaker 1>battle Rap, the King of battle rap. What makes you

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<v Speaker 1>free styles? What makes you the king of battle rap er?

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<v Speaker 1>I've been doing it before battle Leagues was battle leagues.

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<v Speaker 1>That's why I'm the King of battle rap. Before they

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<v Speaker 1>start up made it a corporate thing and bring it

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<v Speaker 1>into the building and kind of monetized it. I was

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<v Speaker 1>I was battle rapping. That's how I mean. What is

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<v Speaker 1>about Philly man that the battle rap shit is just

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<v Speaker 1>so like, you know, I feel like you guys are

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<v Speaker 1>just like a walking Smack DVD out there. Yeah, man,

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<v Speaker 1>it's real. The coach is real heavy. Out there is

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<v Speaker 1>a Commonwealth's city, so it's like state and it's just

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<v Speaker 1>like real competitive, and we all bunched in together. It's

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<v Speaker 1>like row houses and so it's people on top of people.

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<v Speaker 1>So the competitiveness is real heavy. So when it comes

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<v Speaker 1>to battle rap is real aggressive and sometimes they can

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<v Speaker 1>spill out into streets. I technically technically was in Philly once. Okay,

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<v Speaker 1>but it was only because I rode the train through

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<v Speaker 1>from DC to New York. But they did stop. There

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<v Speaker 1>was like a stop in Chester and I looked out

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<v Speaker 1>the window. Chester, Pennsylvania looks like it might be the

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<v Speaker 1>worst place on the planet. No, it is. It's real bad.

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<v Speaker 1>I remember just looking out the window on my train

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<v Speaker 1>and there was like two like naked kids just in

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<v Speaker 1>the streets running around, and I remember being like, where

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<v Speaker 1>the fuck am like a third world country? Put my

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<v Speaker 1>maps on said Chester and then I googled it and

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<v Speaker 1>I was like always lit out here, shout out to Chester, man,

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<v Speaker 1>I need to get out to Philly. Hey, what is

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<v Speaker 1>the because I always hear if you go to Philadelphia

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<v Speaker 1>that there is like the tourist cheesesteak spot, but then

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<v Speaker 1>there's like the real spot, right Well, max Max is

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<v Speaker 1>like the spot where you want to go to get

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<v Speaker 1>a real, authentic cheese steak. Gino's is the tourist spots,

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<v Speaker 1>So don't go to Gino's. I'm not going belittle any

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<v Speaker 1>landmark in Philly, right It's not what I'm into. What

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<v Speaker 1>I'm just saying overrated. If you want to go get

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<v Speaker 1>authentic cheese steak, go to maxis broadinary. It's almost like

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<v Speaker 1>when people come to LA and they expect Rosco's to

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<v Speaker 1>be like the best food they were eating, and it's like, guys,

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<v Speaker 1>it's just do I come here? That's what they say, Like, Bro,

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<v Speaker 1>you want to go to rad school? Like it's okay,

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<v Speaker 1>But I've been coming out here since the early two thousands,

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<v Speaker 1>so I'm like over the like yeah, like the first

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<v Speaker 1>time being out here type shit. So everybody want to

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<v Speaker 1>come that come out La. They want to go to

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<v Speaker 1>rad schools. But it's all right, yeah, I'm saying, but

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<v Speaker 1>if you've been into Atlanta and Glad, it's just the

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<v Speaker 1>same thing. Or if you go to Arizona go to

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<v Speaker 1>Lolos Chicken and Waffles. I would argue to say it's

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<v Speaker 1>the best chicken and waffle spot I've ever had shots

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<v Speaker 1>to Lolos for sure. When did you feel like the

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<v Speaker 1>battle rap shit? Because like you're I feel like you're

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<v Speaker 1>really in your bag right now when it comes to

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<v Speaker 1>like being looked at as like one of the elite

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<v Speaker 1>guys in that world, Like when do you feel like

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<v Speaker 1>you kind of had hit your stride in terms of

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<v Speaker 1>getting your respect in that world? Because it's like a

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<v Speaker 1>very it's like almost like a I feel like you

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<v Speaker 1>could be a diehard hip hop head and not know

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<v Speaker 1>what the fuck's going on in the battle rap world

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<v Speaker 1>because they are so different, and it is like such

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<v Speaker 1>a subgenre of It's almost like we have to be

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<v Speaker 1>baptizing the battle rap coature. Now you have to go

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<v Speaker 1>through something. You have to have a near death experience

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<v Speaker 1>or com close to dying from them to even sanctify

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<v Speaker 1>you as being anybody that has any validity of saying

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<v Speaker 1>anything or speaking about battle rap coach. It's that intense, right,

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<v Speaker 1>so I don't speak it. So with that being said,

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<v Speaker 1>it's a high regard for battle rappers and their accountability.

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<v Speaker 1>So over the weekend it was a battle rap. It

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<v Speaker 1>was a battle big battle League. You were here, that

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<v Speaker 1>was here for that. So it was the Ownership battle League,

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<v Speaker 1>which in the main event being a King Bob versus Daylight.

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<v Speaker 1>They like being a residence in West Coast, So yeah,

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<v Speaker 1>like a beast, so shot them they like. And we

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<v Speaker 1>are from the same battle rap click which is Dot

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<v Speaker 1>Me t Rex, Murder, Moot, Daylight, Big Cannon, real deal.

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<v Speaker 1>So is that's a serious crew. You guys are like

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<v Speaker 1>the nWo battle Rap and a lot of flat from

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<v Speaker 1>that from being from Philly and being that as a

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<v Speaker 1>New York based click, but Daylights from l A right,

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<v Speaker 1>so it's all over there. Yeah, is there other clicks

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<v Speaker 1>like that? Yeah? You got gun Titles. You got the Goonies,

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<v Speaker 1>which is aheaded by Twerk. You got gun Titles, which

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<v Speaker 1>was kind of like Coke Coke Coke founded by h

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<v Speaker 1>Tay Rock and sus Surf was so yeah, you got

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<v Speaker 1>little like clicks dark Side, you got a bris Rowstein

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<v Speaker 1>and t Top So it's like little sub clicks and

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<v Speaker 1>what's the name of our nitties from Phoenix? Right from

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<v Speaker 1>me from Phoenix? He's down with a fuck my bad

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<v Speaker 1>gech Gotti and him are called every fucking bar e

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<v Speaker 1>f B. I like that. See all this ship Like

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<v Speaker 1>I know the names, but bro, I'm not in tune

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<v Speaker 1>with the battleship like that. I just feel like I

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<v Speaker 1>don't have the bandwidth to like learn this. Like when

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<v Speaker 1>I was a kid, I used to download the battles

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<v Speaker 1>on Napster, like when it was like Supernatural and Juice. Yeah,

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<v Speaker 1>those those guys is like almost like ancient artifacts compared

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<v Speaker 1>to where it's at now. And then I would no

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<v Speaker 1>disrespect for those guys. Guys are the fucking goats. They

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<v Speaker 1>are the fucking gods of the ship with the freestyling

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<v Speaker 1>off the top of the dunk ship in the room

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<v Speaker 1>and all that. In the crowd, it's different. It's not

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<v Speaker 1>brand motherfucker's got wavy hair, dreadlocks, bald these these crip

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<v Speaker 1>members is blood members, Latin King Well no, and then

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<v Speaker 1>like there was like the Smack DVD era and like

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<v Speaker 1>I got my name because I used to sell a

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<v Speaker 1>bunch of bootleg mixtapes and and DVDs and ship at

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<v Speaker 1>the Swami, So I was like the Smack DVD eras

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<v Speaker 1>are probably the highest peak of me being like super

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<v Speaker 1>engaged in that ship. And then obviously I know who's

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<v Speaker 1>killing it, Like I know yourself. I know murder Mook

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<v Speaker 1>sues my boy rum Nitti is incredible. Uh. Yeah, there's

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<v Speaker 1>there's guys that, especially Loaded Lux, you know all these guys.

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<v Speaker 1>Of course, there are legends that if you're a part

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<v Speaker 1>of the culture, you have to know who they are.

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<v Speaker 1>I'm just not I haven't bro I've watched a few,

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<v Speaker 1>like in the last year, but like when there's these

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<v Speaker 1>big events, I feel like I'll just catch the highlights

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<v Speaker 1>on Twitter, right, So batter rap it's like a it's

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<v Speaker 1>like a revolving door. So you're only good as your

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<v Speaker 1>last battle and if you don't do very well, they

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<v Speaker 1>put you in a box. So I mean, if you

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<v Speaker 1>don't do other things to h to like to pose that.

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<v Speaker 1>So I went and built the whole leverage on the

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<v Speaker 1>other side of the spectrum with my music, reintroducing myself

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<v Speaker 1>as an artist or red and creating myself always into

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<v Speaker 1>the point and putting out a new project where I

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<v Speaker 1>got the battle rap culture and there I got tay

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<v Speaker 1>rock on there, I got method Man, I got Benny

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<v Speaker 1>the Butcher, I got a vital Corey Guns, Beanie Siegel Freeway,

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<v Speaker 1>I got all of like the top spinners on my Jones.

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<v Speaker 1>So I used that the leverage and the buzz that

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<v Speaker 1>I built with my freestyles on social media and the

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<v Speaker 1>content and uh and and and the projects and the

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<v Speaker 1>materity I was putting out outside of batter rap to

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<v Speaker 1>leverage batter rap to get the bigger bags in the

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<v Speaker 1>bigger looks. Because once you lose in the eyes of

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<v Speaker 1>the culture, they put you in a certain box and

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<v Speaker 1>it's like boxing. You got to climb back up the

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<v Speaker 1>ranks until you get to the top brass and compete

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<v Speaker 1>with like the top tier guys. And if you got

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<v Speaker 1>the catalog, you got the music outside of it. It's

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<v Speaker 1>almost like it it would behoove them to not include

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<v Speaker 1>you and shit, because you got a fan base, you

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<v Speaker 1>running it up on your own, you know what I'm

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<v Speaker 1>saying for sure, and shout out. I mean a lot

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<v Speaker 1>of there is there is a stereotype, and I don't

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<v Speaker 1>know how true it is or not, but back in

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<v Speaker 1>the day, there used to be a lot of the

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<v Speaker 1>guys who did battle rap weren't great at making records.

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<v Speaker 1>I mean, that's the number one stigment. And I was

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<v Speaker 1>the guy who bridged that gap gap. I was one

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<v Speaker 1>of the first guys who started out battle rapping on

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<v Speaker 1>the corners of Philadelphia and in front of the Chinese

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<v Speaker 1>stalls and stuff like that, and actually took it corporate

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<v Speaker 1>and made an album and came out with a full

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<v Speaker 1>fledged album and you, I mean was able to you know,

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<v Speaker 1>go like walk on, take a walk on both sides

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<v Speaker 1>right and still having a seat planet and battle rap

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<v Speaker 1>coach as well as like mainstream I mean releases and

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<v Speaker 1>stuff like that. Because at two thousand and eight, when

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<v Speaker 1>I battled Mike signed the World Series of Hip Hop,

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<v Speaker 1>I was still currently sign a boy and was like

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<v Speaker 1>currently like back then, recording for my solo release. My

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<v Speaker 1>son shot Tolf, So yeah, so like that's how far

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<v Speaker 1>I go back, And that was before Smack was created.

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<v Speaker 1>At that event, Smack was the actual cameraman. He was

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<v Speaker 1>hired to do a service. So now look at them

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<v Speaker 1>now to where they're a full fledged company and got

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<v Speaker 1>the caffeine dail and all the things they got going on.

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<v Speaker 1>So I was a part of that. I'm a part

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<v Speaker 1>of those building blocks. I just don't get my credit,

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<v Speaker 1>but I embraced that fact. So that's why I'm here

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<v Speaker 1>still twenty years later, beating these young opponents up, beating

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<v Speaker 1>a new competition, up, getting there with the youngins. Let

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<v Speaker 1>get in there and destroy these guys, these young cats. Hey,

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<v Speaker 1>Why not have some better sex? Okay, seriously, there's so

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<v Speaker 1>many other ways you can get down to Because they

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<v Speaker 1>just dropped the blue Choo Mint flavor, which is the

0:10:45.600 --> 0:10:49.880
<v Speaker 1>same active ingredient as the Vitra. Just so many things

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<v Speaker 1>we can do here. And look, when you go to

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<v Speaker 1>bluetoo dot com and you sign up with that promo

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<v Speaker 1>code Bootleg, they're gonna literally send it straight to your

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<v Speaker 1>crib for free, five dollars in shipping, and you get

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<v Speaker 1>a month's supply for free. Now, how does it work? One,

0:11:03.480 --> 0:11:05.560
<v Speaker 1>you don't need to go to any doctor's appointments. It's

0:11:05.559 --> 0:11:09.199
<v Speaker 1>all handled online with an online pharmacist. You don't have

0:11:09.240 --> 0:11:11.319
<v Speaker 1>to worry about going and sitting in a waiting room

0:11:11.440 --> 0:11:16.400
<v Speaker 1>to go discuss your deck with some strange dude or chick. Hmm,

0:11:16.800 --> 0:11:18.920
<v Speaker 1>maybe you're into that. I don't know. With that being said,

0:11:19.120 --> 0:11:21.160
<v Speaker 1>it's an awkward situation. All right. If you're dealing with

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<v Speaker 1>to blue choo dot com right now, use the promo

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<v Speaker 1>Maybe you've been a little embarrassed. You're tired of piping

0:11:38.240 --> 0:11:40.200
<v Speaker 1>down that same old broad that you've been sleeping with

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<v Speaker 1>for the last thirty five years. Put a little pep

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<v Speaker 1>in your step, man, take a blue Choo, use that

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0:11:46.600 --> 0:11:49.280
<v Speaker 1>it for free. You linked up with Kanye last year?

0:11:50.160 --> 0:11:52.960
<v Speaker 1>How did that? First of all, that's a big, big connect.

0:11:53.000 --> 0:11:54.320
<v Speaker 1>I remember you were supposed to come on the show

0:11:54.320 --> 0:11:56.719
<v Speaker 1>and he was like, bro, I'm with Kanye right now.

0:11:56.760 --> 0:11:59.040
<v Speaker 1>I was like, don't even worry about it. You even

0:11:59.040 --> 0:12:02.559
<v Speaker 1>sent me a pick like believe you don't worry about that. Yeah, no,

0:12:02.640 --> 0:12:05.760
<v Speaker 1>because everybody you know, I just want to sorry by

0:12:05.760 --> 0:12:08.400
<v Speaker 1>saying I knew Kanye for over twenty five years, way

0:12:08.440 --> 0:12:11.200
<v Speaker 1>before he was saying I always knew what he was

0:12:11.240 --> 0:12:13.280
<v Speaker 1>going to do. Yeah, I know, always knew he was different.

0:12:13.320 --> 0:12:17.120
<v Speaker 1>And just just short story. We had a mutual friend

0:12:17.559 --> 0:12:21.319
<v Speaker 1>playing Pat and Phillris Buler. They there was executives over

0:12:21.400 --> 0:12:27.400
<v Speaker 1>def Jam had dropped, so uh, you know we have

0:12:27.520 --> 0:12:30.400
<v Speaker 1>mutual friends and dur like during the recording process, I

0:12:30.600 --> 0:12:32.760
<v Speaker 1>up making the band album. I invited him to the

0:12:32.840 --> 0:12:36.640
<v Speaker 1>to the crib recording and soho at the Double Brownstone.

0:12:37.280 --> 0:12:40.040
<v Speaker 1>By chance, mister Bentley said we couldn't have no company.

0:12:40.120 --> 0:12:42.960
<v Speaker 1>So I had to tell Kanye he couldn't come in

0:12:43.000 --> 0:12:45.680
<v Speaker 1>and submit beats. And then two years later, mister Bentley

0:12:45.720 --> 0:12:49.040
<v Speaker 1>signed to Good Music. That's so hilarious. I forgot that

0:12:49.400 --> 0:12:52.880
<v Speaker 1>he got signed. I forgot Diddy's assistant had a record

0:12:52.880 --> 0:12:55.440
<v Speaker 1>deal and put out some records. Yep. So that was crazy.

0:12:55.480 --> 0:12:58.720
<v Speaker 1>I always me and finds the worth. Always laugh about this.

0:12:58.960 --> 0:13:00.800
<v Speaker 1>You don't even remember when you let Kanye in and

0:13:00.840 --> 0:13:03.560
<v Speaker 1>now you're signing him. That shit's hilarious. So me and

0:13:03.600 --> 0:13:07.880
<v Speaker 1>Kanye had a relationship and by my Instagram a presence

0:13:07.880 --> 0:13:10.720
<v Speaker 1>and just dropping freestyles of being consistent. He's seen one

0:13:10.720 --> 0:13:13.199
<v Speaker 1>of notice styles. He said, Yo, been my bro for

0:13:13.240 --> 0:13:15.640
<v Speaker 1>a minute, come out and gave me an open invitation

0:13:15.720 --> 0:13:18.520
<v Speaker 1>to come you know, some writing sessions with him. Yeah,

0:13:18.559 --> 0:13:22.079
<v Speaker 1>so I saw that. You know, there was the I

0:13:22.080 --> 0:13:23.959
<v Speaker 1>don't know if that documentary is ever going to come out,

0:13:23.960 --> 0:13:26.440
<v Speaker 1>but he was previewing a record and you were saying

0:13:26.440 --> 0:13:29.600
<v Speaker 1>that you were on that record with him and Soldier Boy. Yeah.

0:13:29.679 --> 0:13:32.600
<v Speaker 1>Well I did some references, so he was actually hearing

0:13:32.640 --> 0:13:34.920
<v Speaker 1>me playing a reference off my phone for him. In

0:13:35.000 --> 0:13:38.160
<v Speaker 1>the footage, he was both in the car and you know,

0:13:38.160 --> 0:13:40.000
<v Speaker 1>I mean I forgot he was being taped because he's

0:13:40.080 --> 0:13:44.400
<v Speaker 1>being taped filmed all day long. If you're like helping ya, right,

0:13:44.480 --> 0:13:46.560
<v Speaker 1>what is the what mind state you have to be in?

0:13:46.600 --> 0:13:48.920
<v Speaker 1>If you're like I have to help the like one

0:13:48.920 --> 0:13:53.440
<v Speaker 1>of the greatest artists of all time. It was just

0:13:54.760 --> 0:13:57.520
<v Speaker 1>it's not like working for Diddy. Working for Ditty is

0:13:57.559 --> 0:14:00.840
<v Speaker 1>like real. So okay, So everybody asked me why I

0:14:00.880 --> 0:14:03.440
<v Speaker 1>put out so much material on why I'm so it

0:14:03.480 --> 0:14:06.400
<v Speaker 1>seems like me, it's an easy transposition for me to

0:14:06.480 --> 0:14:08.920
<v Speaker 1>keep putting out these constant freestyles. Well, when I came

0:14:09.000 --> 0:14:10.920
<v Speaker 1>up in a bad boy system, they used to make

0:14:11.000 --> 0:14:13.280
<v Speaker 1>us write five verses for every verse. So if we

0:14:13.280 --> 0:14:15.040
<v Speaker 1>was doing a three verse song, I would have to

0:14:15.040 --> 0:14:19.200
<v Speaker 1>write five verse fifteen verses per song. Wow, So and

0:14:19.240 --> 0:14:21.560
<v Speaker 1>then you pick the best one, which usually is the

0:14:21.600 --> 0:14:24.560
<v Speaker 1>first fucking verse you wrote, right, So from there you're like,

0:14:25.200 --> 0:14:29.040
<v Speaker 1>so I got thirteen extra I got fourteen extra verses

0:14:29.400 --> 0:14:35.000
<v Speaker 1>just just just unused, unused. Do you still do that? Yeah?

0:14:35.080 --> 0:14:37.120
<v Speaker 1>Every now and then. Well, back in the mixtape games,

0:14:37.160 --> 0:14:40.280
<v Speaker 1>with mixtapes for Heavy, I would take the the the

0:14:40.360 --> 0:14:44.320
<v Speaker 1>DJ Sycamores and all those type of guys. So, no

0:14:44.360 --> 0:14:46.120
<v Speaker 1>matter whether I like the beat or not, And this

0:14:46.160 --> 0:14:47.480
<v Speaker 1>is what I got from Diddy. This is one of

0:14:47.560 --> 0:14:49.920
<v Speaker 1>the lessons I got from Diddy. He was like, that's

0:14:50.000 --> 0:14:52.120
<v Speaker 1>just not writing about the writ into the beasts that

0:14:52.160 --> 0:14:54.240
<v Speaker 1>you don't like. He's it's not about writing to the

0:14:54.280 --> 0:14:56.480
<v Speaker 1>beasts that you do like. Try writing to the beats

0:14:56.480 --> 0:14:58.640
<v Speaker 1>that you don't like. So then when you hear a

0:14:58.640 --> 0:15:02.080
<v Speaker 1>beat that you do like, it's like fucking it's like water. Yeah,

0:15:02.320 --> 0:15:04.960
<v Speaker 1>so I take I take every beat off the beat

0:15:05.000 --> 0:15:07.400
<v Speaker 1>CD and write it's sixteen to it, no matter whether

0:15:07.400 --> 0:15:09.840
<v Speaker 1>I like it or not. Hey, that's how you sharpen

0:15:09.880 --> 0:15:11.720
<v Speaker 1>your your paying for real, because if you can write

0:15:11.720 --> 0:15:13.720
<v Speaker 1>to some ship you don't fuck with, then if you

0:15:13.760 --> 0:15:16.680
<v Speaker 1>start writing for somebody else and they might not be

0:15:16.760 --> 0:15:19.080
<v Speaker 1>in your bag. Now I got an endless supply material.

0:15:19.360 --> 0:15:21.640
<v Speaker 1>So when I do go do these writing sessions, it's

0:15:21.680 --> 0:15:24.200
<v Speaker 1>not me physically half of the right now you can

0:15:24.280 --> 0:15:27.000
<v Speaker 1>just I'm just pulling it out. I'm just pulling ideas

0:15:27.000 --> 0:15:31.200
<v Speaker 1>out from everywhere. Wow, that's that's crazy. Uh, you got

0:15:31.240 --> 0:15:34.080
<v Speaker 1>the new project out? Sure? Is this a mixing? This

0:15:34.160 --> 0:15:37.440
<v Speaker 1>is a mixtape? Shut up, everybody. I know everything is digitized.

0:15:37.920 --> 0:15:39.840
<v Speaker 1>I'm kind of one of those guys that's like coming

0:15:39.840 --> 0:15:43.120
<v Speaker 1>into the new fruition of the where whereas on Spotify

0:15:43.240 --> 0:15:45.480
<v Speaker 1>is we were trying to get that up and running down.

0:15:45.480 --> 0:15:47.920
<v Speaker 1>But this is what I was everywhere here boy says,

0:15:47.520 --> 0:15:51.880
<v Speaker 1>it's everywhere. But as as an artist that's been around,

0:15:51.920 --> 0:15:54.200
<v Speaker 1>has been seasoned, I didn't come and like, come into

0:15:54.280 --> 0:15:58.280
<v Speaker 1>the game around you know this era, right. So me

0:15:58.360 --> 0:16:01.360
<v Speaker 1>and my team, we're still in under construction, figured out

0:16:01.360 --> 0:16:03.240
<v Speaker 1>I got to get a distroc kid account. That easy? No,

0:16:03.280 --> 0:16:05.480
<v Speaker 1>it is that easy? Is that easy? He's like, Bro,

0:16:05.840 --> 0:16:11.800
<v Speaker 1>we got But everybody that said, why you got thatsaur nostalgia?

0:16:11.880 --> 0:16:13.960
<v Speaker 1>You're not a I'm not a Dinostaur. But I want

0:16:13.960 --> 0:16:15.800
<v Speaker 1>to tell you this is for the nostalgia. Ye let

0:16:15.800 --> 0:16:17.360
<v Speaker 1>me tell you. This is literally how I made my

0:16:17.400 --> 0:16:20.280
<v Speaker 1>whole entire for the nostalgia. This is That's what I'm saying.

0:16:20.440 --> 0:16:22.520
<v Speaker 1>I used to for all the hip hop heads. This

0:16:22.640 --> 0:16:25.200
<v Speaker 1>is not that I outdated. This is for the nostalgic

0:16:26.000 --> 0:16:29.560
<v Speaker 1>feeling of mixtapes. I used to go to the actual

0:16:29.680 --> 0:16:31.960
<v Speaker 1>hard copy and I used to buy these jewel cases

0:16:32.000 --> 0:16:36.960
<v Speaker 1>and burn these CDs and print these covers in my parents' bedroom. Yep.

0:16:37.680 --> 0:16:41.560
<v Speaker 1>So this is not saying I'm outdated. This is paying

0:16:41.600 --> 0:16:44.360
<v Speaker 1>homage to where I came from. Physical products. Yeah, physical

0:16:44.360 --> 0:16:46.760
<v Speaker 1>real fans can support. So that's the friends in that

0:16:46.920 --> 0:16:48.560
<v Speaker 1>and friends, I got Bitty the Butcher, which is the

0:16:48.560 --> 0:16:51.960
<v Speaker 1>first single trifecta. I got the single feature in Zoos

0:16:52.000 --> 0:16:55.560
<v Speaker 1>and DJ Crazy This that was then and this is now.

0:16:55.640 --> 0:16:59.440
<v Speaker 1>Got the blicky out Corey Guns, Beanie Seagull, Vodo and

0:16:59.440 --> 0:17:03.720
<v Speaker 1>Who's who Like it's just like all speeders, who's you?

0:17:04.600 --> 0:17:08.240
<v Speaker 1>If we're talking about the Mount Rushmore of Philly rappers,

0:17:08.359 --> 0:17:11.800
<v Speaker 1>who's on it? Man excluding yourself? Beanie Segua has to

0:17:11.840 --> 0:17:15.000
<v Speaker 1>go there, Meek Milly has to go there. Those are

0:17:15.000 --> 0:17:16.920
<v Speaker 1>the Black Thought. Yeah, those are the three, right, and

0:17:17.000 --> 0:17:18.919
<v Speaker 1>then the fourth one is kind of it could be

0:17:18.960 --> 0:17:23.800
<v Speaker 1>free way it could be. Yeah. So I got those

0:17:23.840 --> 0:17:26.640
<v Speaker 1>three at the top, but you need one more. It's

0:17:26.680 --> 0:17:30.919
<v Speaker 1>Mount Rushmore. There's four people schooly D schooly D the

0:17:31.000 --> 0:17:35.080
<v Speaker 1>og I like it. That's like the og era. Yeah.

0:17:35.240 --> 0:17:38.119
<v Speaker 1>Black Thought is like one of the most prolific shot

0:17:38.160 --> 0:17:42.480
<v Speaker 1>the Thought lyricists ever man shot Crazy Yeah crazy. Hey,

0:17:42.480 --> 0:17:43.959
<v Speaker 1>we got to stop the interview real quick to tell

0:17:43.960 --> 0:17:46.360
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0:17:46.600 --> 0:17:49.480
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<v Speaker 1>Who so much that you'd wear you Who on your feet?

0:18:20.200 --> 0:18:23.320
<v Speaker 1>There's people running around out here with goddamn hot cheeto

0:18:23.440 --> 0:18:25.560
<v Speaker 1>jumpsuits right now, so of course you would shout out

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<v Speaker 1>street Fighter, Coca cola, pepsi, Yes, they got they got

0:18:32.960 --> 0:18:35.639
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0:18:35.680 --> 0:18:39.000
<v Speaker 1>also got scarface breaking bad WWE so many dope licenses

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0:18:41.400 --> 0:18:44.159
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0:18:44.280 --> 0:18:47.600
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0:18:47.720 --> 0:18:51.240
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0:19:19.200 --> 0:19:21.360
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0:19:21.720 --> 0:19:23.760
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<v Speaker 1>Las Vegas dot com. Let's get back to the interview,

0:19:44.000 --> 0:19:45.399
<v Speaker 1>all right. So that's how people can go get it.

0:19:45.480 --> 0:19:47.320
<v Speaker 1>And I got the cheesecake too, So I turn limits

0:19:47.320 --> 0:19:49.040
<v Speaker 1>and elimonade and he speak about that too, because I

0:19:49.359 --> 0:19:51.920
<v Speaker 1>always but I gotta throw it in there. I was

0:19:51.960 --> 0:19:56.320
<v Speaker 1>trying to go the whole interview without Yeah, I am

0:19:56.359 --> 0:19:57.879
<v Speaker 1>tired of it, but I'm not never tiring to make

0:19:58.080 --> 0:19:59.920
<v Speaker 1>money from you. Yes, so listen, you have your own cheese?

0:20:00.280 --> 0:20:03.360
<v Speaker 1>And what year was Making the Band? Two thousand and two?

0:20:03.760 --> 0:20:07.399
<v Speaker 1>Jesus so two thousand and two. Making the Band was

0:20:08.200 --> 0:20:11.960
<v Speaker 1>one of the best reality shows ever. The most iconic

0:20:12.000 --> 0:20:16.320
<v Speaker 1>episode is when you guys had to walk to juniors. Yes, cheesecake, revery,

0:20:16.400 --> 0:20:20.159
<v Speaker 1>humbling experience, Yeah, lesson being learned and everything. It's not

0:20:20.240 --> 0:20:22.160
<v Speaker 1>about what you want to do. It's about what needs

0:20:22.160 --> 0:20:23.880
<v Speaker 1>to be done and get the job done. And you

0:20:23.880 --> 0:20:27.760
<v Speaker 1>have your own cheesecake. Have my own cheesecake? Is it good? Yes?

0:20:27.800 --> 0:20:32.159
<v Speaker 1>It is? How can they get it? Follow me on Instagram?

0:20:32.560 --> 0:20:36.040
<v Speaker 1>That's cheesecake at any s S C h E E

0:20:36.400 --> 0:20:39.680
<v Speaker 1>S E c A k E. Is that something people

0:20:39.920 --> 0:20:42.840
<v Speaker 1>have to be in Philly to purchase? You could purchase

0:20:42.880 --> 0:20:46.560
<v Speaker 1>an offline. We're trying to get the deal with the Oh,

0:20:46.800 --> 0:20:48.719
<v Speaker 1>you got to get the ghost kitchen and we got

0:20:48.720 --> 0:20:50.520
<v Speaker 1>the we got the boxes with the with the with

0:20:50.640 --> 0:20:53.280
<v Speaker 1>the like the frigeration built in with Oh listen, all

0:20:53.320 --> 0:20:55.480
<v Speaker 1>you got to do is get a ghost kitchen. Situation.

0:20:55.600 --> 0:20:57.920
<v Speaker 1>Ghost kitchen got to put me up. Okay, if you

0:20:57.960 --> 0:21:00.840
<v Speaker 1>ever opened up Postmates and seen that, like DJ Khalid

0:21:00.920 --> 0:21:04.359
<v Speaker 1>has a restaurant, or like Tiger or whis Khalifa have

0:21:04.520 --> 0:21:08.000
<v Speaker 1>like their own restaurants, like in every city you go to. Okay,

0:21:08.080 --> 0:21:12.080
<v Speaker 1>what it is is you you'll you'll hire a ghost kitchen.

0:21:12.320 --> 0:21:14.239
<v Speaker 1>So let's say you're in La or you are in

0:21:14.240 --> 0:21:16.680
<v Speaker 1>New York or wherever you think you got a big following, right,

0:21:17.520 --> 0:21:22.160
<v Speaker 1>you find a commercial kitchen that does Postmates or grub

0:21:22.200 --> 0:21:25.560
<v Speaker 1>hub shit, and then you have you have a restaurant

0:21:25.640 --> 0:21:30.360
<v Speaker 1>virtually online and all those cities, and this kitchen handles

0:21:30.359 --> 0:21:33.600
<v Speaker 1>the fulfillment. They're pretty much licensing your likeliness to sell

0:21:33.640 --> 0:21:37.320
<v Speaker 1>your cheesecake, but they cook it. They have the realest.

0:21:38.280 --> 0:21:41.680
<v Speaker 1>They just essentially give you a cut to use your likeliness.

0:21:41.720 --> 0:21:44.119
<v Speaker 1>Oh wow, put me on. So now you like, like

0:21:44.280 --> 0:21:46.119
<v Speaker 1>if you open like Postmates right now, you'll see like

0:21:46.200 --> 0:21:48.840
<v Speaker 1>DJ Khaled has a restaurant Postmates, I got you, got you.

0:21:48.960 --> 0:21:50.760
<v Speaker 1>So he doesn't have a restaurant, but he just they

0:21:50.840 --> 0:21:53.399
<v Speaker 1>just selling his product they give. They using his likeness

0:21:53.400 --> 0:21:57.840
<v Speaker 1>to sell. Yeah, it's kind of like a lot of

0:21:57.840 --> 0:21:59.720
<v Speaker 1>people are doing the ghost kitchen waves and just to

0:21:59.720 --> 0:22:03.320
<v Speaker 1>clean it up. The album is everywhere digitally everywhere. It's

0:22:03.320 --> 0:22:07.119
<v Speaker 1>on Spotify, It's on Apple Music, Spotify, Apple Music, and

0:22:07.200 --> 0:22:12.959
<v Speaker 1>it might be an odega there. It is all right, man,

0:22:12.960 --> 0:22:16.919
<v Speaker 1>we'll look yo new YouTube video with the freestyle, so

0:22:17.000 --> 0:22:19.240
<v Speaker 1>check it out. Appreciate you pulling up, brother. What's the

0:22:19.280 --> 0:22:23.480
<v Speaker 1>next battle? Award? R b a ar pi that's versus

0:22:23.560 --> 0:22:26.000
<v Speaker 1>a ward? Stay tuned? What is it? I don't know.

0:22:26.000 --> 0:22:28.040
<v Speaker 1>I was supposed to be on the May tenth card ARP.

0:22:28.200 --> 0:22:32.400
<v Speaker 1>Holler at me. Do you battle people who are your friends? Ever? Always?

0:22:32.680 --> 0:22:36.240
<v Speaker 1>I battle my fucking grandmother. If the check is right,

0:22:36.359 --> 0:22:38.680
<v Speaker 1>I like it. There it is so I want no smoke, man.

0:22:39.720 --> 0:22:40.640
<v Speaker 1>Est Appreciate your brother,