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Speaker 1: Ship boys. Make sure y'all check me out Bootleg CAV Podcasting,

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Speaker 1: bom Boutlet CAV podcast. Special guests in here represent Philly. Yes, sir,

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Speaker 1: my guys man, welcome bro. You already know King of

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Speaker 1: battle Rap, the King of battle rap. What makes you

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Speaker 1: free styles? What makes you the king of battle rap er?

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Speaker 1: I've been doing it before battle Leagues was battle leagues.

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Speaker 1: That's why I'm the King of battle rap. Before they

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Speaker 1: start up made it a corporate thing and bring it

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Speaker 1: into the building and kind of monetized it. I was

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Speaker 1: I was battle rapping. That's how I mean. What is

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Speaker 1: about Philly man that the battle rap shit is just

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Speaker 1: so like, you know, I feel like you guys are

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Speaker 1: just like a walking Smack DVD out there. Yeah, man,

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Speaker 1: it's real. The coach is real heavy. Out there is

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Speaker 1: a Commonwealth's city, so it's like state and it's just

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Speaker 1: like real competitive, and we all bunched in together. It's

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Speaker 1: like row houses and so it's people on top of people.

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Speaker 1: So the competitiveness is real heavy. So when it comes

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Speaker 1: to battle rap is real aggressive and sometimes they can

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Speaker 1: spill out into streets. I technically technically was in Philly once. Okay,

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Speaker 1: but it was only because I rode the train through

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Speaker 1: from DC to New York. But they did stop. There

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Speaker 1: was like a stop in Chester and I looked out

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Speaker 1: the window. Chester, Pennsylvania looks like it might be the

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Speaker 1: worst place on the planet. No, it is. It's real bad.

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Speaker 1: I remember just looking out the window on my train

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Speaker 1: and there was like two like naked kids just in

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Speaker 1: the streets running around, and I remember being like, where

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Speaker 1: the fuck am like a third world country? Put my

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Speaker 1: maps on said Chester and then I googled it and

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Speaker 1: I was like always lit out here, shout out to Chester, man,

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Speaker 1: I need to get out to Philly. Hey, what is

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Speaker 1: the because I always hear if you go to Philadelphia

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Speaker 1: that there is like the tourist cheesesteak spot, but then

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Speaker 1: there's like the real spot, right Well, max Max is

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Speaker 1: like the spot where you want to go to get

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Speaker 1: a real, authentic cheese steak. Gino's is the tourist spots,

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Speaker 1: So don't go to Gino's. I'm not going belittle any

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Speaker 1: landmark in Philly, right It's not what I'm into. What

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Speaker 1: I'm just saying overrated. If you want to go get

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Speaker 1: authentic cheese steak, go to maxis broadinary. It's almost like

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Speaker 1: when people come to LA and they expect Rosco's to

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Speaker 1: be like the best food they were eating, and it's like, guys,

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Speaker 1: it's just do I come here? That's what they say, Like, Bro,

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Speaker 1: you want to go to rad school? Like it's okay,

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Speaker 1: But I've been coming out here since the early two thousands,

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Speaker 1: so I'm like over the like yeah, like the first

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Speaker 1: time being out here type shit. So everybody want to

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Speaker 1: come that come out La. They want to go to

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Speaker 1: rad schools. But it's all right, yeah, I'm saying, but

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Speaker 1: if you've been into Atlanta and Glad, it's just the

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Speaker 1: same thing. Or if you go to Arizona go to

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Speaker 1: Lolos Chicken and Waffles. I would argue to say it's

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Speaker 1: the best chicken and waffle spot I've ever had shots

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Speaker 1: to Lolos for sure. When did you feel like the

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Speaker 1: battle rap shit? Because like you're I feel like you're

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Speaker 1: really in your bag right now when it comes to

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Speaker 1: like being looked at as like one of the elite

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Speaker 1: guys in that world, Like when do you feel like

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Speaker 1: you kind of had hit your stride in terms of

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Speaker 1: getting your respect in that world? Because it's like a

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Speaker 1: very it's like almost like a I feel like you

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Speaker 1: could be a diehard hip hop head and not know

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Speaker 1: what the fuck's going on in the battle rap world

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Speaker 1: because they are so different, and it is like such

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Speaker 1: a subgenre of It's almost like we have to be

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Speaker 1: baptizing the battle rap coature. Now you have to go

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Speaker 1: through something. You have to have a near death experience

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Speaker 1: or com close to dying from them to even sanctify

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Speaker 1: you as being anybody that has any validity of saying

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Speaker 1: anything or speaking about battle rap coach. It's that intense, right,

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Speaker 1: so I don't speak it. So with that being said,

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Speaker 1: it's a high regard for battle rappers and their accountability.

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Speaker 1: So over the weekend it was a battle rap. It

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Speaker 1: was a battle big battle League. You were here, that

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Speaker 1: was here for that. So it was the Ownership battle League,

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Speaker 1: which in the main event being a King Bob versus Daylight.

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Speaker 1: They like being a residence in West Coast, So yeah,

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Speaker 1: like a beast, so shot them they like. And we

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Speaker 1: are from the same battle rap click which is Dot

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Speaker 1: Me t Rex, Murder, Moot, Daylight, Big Cannon, real deal.

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Speaker 1: So is that's a serious crew. You guys are like

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Speaker 1: the nWo battle Rap and a lot of flat from

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Speaker 1: that from being from Philly and being that as a

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Speaker 1: New York based click, but Daylights from l A right,

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Speaker 1: so it's all over there. Yeah, is there other clicks

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Speaker 1: like that? Yeah? You got gun Titles. You got the Goonies,

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Speaker 1: which is aheaded by Twerk. You got gun Titles, which

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Speaker 1: was kind of like Coke Coke Coke founded by h

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Speaker 1: Tay Rock and sus Surf was so yeah, you got

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Speaker 1: little like clicks dark Side, you got a bris Rowstein

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Speaker 1: and t Top So it's like little sub clicks and

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Speaker 1: what's the name of our nitties from Phoenix? Right from

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Speaker 1: me from Phoenix? He's down with a fuck my bad

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Speaker 1: gech Gotti and him are called every fucking bar e

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Speaker 1: f B. I like that. See all this ship Like

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Speaker 1: I know the names, but bro, I'm not in tune

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Speaker 1: with the battleship like that. I just feel like I

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Speaker 1: don't have the bandwidth to like learn this. Like when

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Speaker 1: I was a kid, I used to download the battles

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Speaker 1: on Napster, like when it was like Supernatural and Juice. Yeah,

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Speaker 1: those those guys is like almost like ancient artifacts compared

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Speaker 1: to where it's at now. And then I would no

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Speaker 1: disrespect for those guys. Guys are the fucking goats. They

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Speaker 1: are the fucking gods of the ship with the freestyling

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Speaker 1: off the top of the dunk ship in the room

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Speaker 1: and all that. In the crowd, it's different. It's not

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Speaker 1: brand motherfucker's got wavy hair, dreadlocks, bald these these crip

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Speaker 1: members is blood members, Latin King Well no, and then

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Speaker 1: like there was like the Smack DVD era and like

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Speaker 1: I got my name because I used to sell a

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Speaker 1: bunch of bootleg mixtapes and and DVDs and ship at

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Speaker 1: the Swami, So I was like the Smack DVD eras

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Speaker 1: are probably the highest peak of me being like super

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Speaker 1: engaged in that ship. And then obviously I know who's

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Speaker 1: killing it, Like I know yourself. I know murder Mook

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Speaker 1: sues my boy rum Nitti is incredible. Uh. Yeah, there's

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Speaker 1: there's guys that, especially Loaded Lux, you know all these guys.

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Speaker 1: Of course, there are legends that if you're a part

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Speaker 1: of the culture, you have to know who they are.

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Speaker 1: I'm just not I haven't bro I've watched a few,

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Speaker 1: like in the last year, but like when there's these

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Speaker 1: big events, I feel like I'll just catch the highlights

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Speaker 1: on Twitter, right, So batter rap it's like a it's

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Speaker 1: like a revolving door. So you're only good as your

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Speaker 1: last battle and if you don't do very well, they

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Speaker 1: put you in a box. So I mean, if you

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Speaker 1: don't do other things to h to like to pose that.

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Speaker 1: So I went and built the whole leverage on the

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Speaker 1: other side of the spectrum with my music, reintroducing myself

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Speaker 1: as an artist or red and creating myself always into

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Speaker 1: the point and putting out a new project where I

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Speaker 1: got the battle rap culture and there I got tay

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Speaker 1: rock on there, I got method Man, I got Benny

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Speaker 1: the Butcher, I got a vital Corey Guns, Beanie Siegel Freeway,

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Speaker 1: I got all of like the top spinners on my Jones.

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Speaker 1: So I used that the leverage and the buzz that

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Speaker 1: I built with my freestyles on social media and the

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Speaker 1: content and uh and and and the projects and the

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Speaker 1: materity I was putting out outside of batter rap to

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Speaker 1: leverage batter rap to get the bigger bags in the

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Speaker 1: bigger looks. Because once you lose in the eyes of

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Speaker 1: the culture, they put you in a certain box and

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Speaker 1: it's like boxing. You got to climb back up the

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Speaker 1: ranks until you get to the top brass and compete

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Speaker 1: with like the top tier guys. And if you got

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Speaker 1: the catalog, you got the music outside of it. It's

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Speaker 1: almost like it it would behoove them to not include

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Speaker 1: you and shit, because you got a fan base, you

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Speaker 1: running it up on your own, you know what I'm

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Speaker 1: saying for sure, and shout out. I mean a lot

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Speaker 1: of there is there is a stereotype, and I don't

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Speaker 1: know how true it is or not, but back in

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Speaker 1: the day, there used to be a lot of the

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Speaker 1: guys who did battle rap weren't great at making records.

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Speaker 1: I mean, that's the number one stigment. And I was

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Speaker 1: the guy who bridged that gap gap. I was one

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Speaker 1: of the first guys who started out battle rapping on

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Speaker 1: the corners of Philadelphia and in front of the Chinese

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Speaker 1: stalls and stuff like that, and actually took it corporate

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Speaker 1: and made an album and came out with a full

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Speaker 1: fledged album and you, I mean was able to you know,

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Speaker 1: go like walk on, take a walk on both sides

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Speaker 1: right and still having a seat planet and battle rap

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Speaker 1: coach as well as like mainstream I mean releases and

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Speaker 1: stuff like that. Because at two thousand and eight, when

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Speaker 1: I battled Mike signed the World Series of Hip Hop,

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Speaker 1: I was still currently sign a boy and was like

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Speaker 1: currently like back then, recording for my solo release. My

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Speaker 1: son shot Tolf, So yeah, so like that's how far

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Speaker 1: I go back, And that was before Smack was created.

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Speaker 1: At that event, Smack was the actual cameraman. He was

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Speaker 1: hired to do a service. So now look at them

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Speaker 1: now to where they're a full fledged company and got

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Speaker 1: the caffeine dail and all the things they got going on.

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Speaker 1: So I was a part of that. I'm a part

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Speaker 1: of those building blocks. I just don't get my credit,

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Speaker 1: but I embraced that fact. So that's why I'm here

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Speaker 1: still twenty years later, beating these young opponents up, beating

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Speaker 1: a new competition, up, getting there with the youngins. Let

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Speaker 1: them know that a guy that's considered some would say

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Speaker 1: pass his proms still got enough in the tank to

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Speaker 1: get in there and destroy these guys, these young cats. Hey,

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Speaker 1: it's a little flaccid. You're trying to get it a

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Speaker 1: just dropped the blue Choo Mint flavor, which is the

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Speaker 1: to go discuss your deck with some strange dude or chick. Hmm,

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Speaker 1: maybe you're into that. I don't know. With that being said,

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Speaker 1: zero dollars right to your door. Your wife will evern

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Speaker 1: never know it even happened, you know what I'm saying.

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Speaker 1: Maybe you've been a little embarrassed. You're tired of piping

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Speaker 1: down that same old broad that you've been sleeping with

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Speaker 1: for the last thirty five years. Put a little pep

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Speaker 1: it for free. You linked up with Kanye last year?

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Speaker 1: How did that? First of all, that's a big, big connect.

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Speaker 1: I remember you were supposed to come on the show

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Speaker 1: and he was like, bro, I'm with Kanye right now.

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Speaker 1: I was like, don't even worry about it. You even

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Speaker 1: sent me a pick like believe you don't worry about that. Yeah, no,

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Speaker 1: because everybody you know, I just want to sorry by

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Speaker 1: saying I knew Kanye for over twenty five years, way

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Speaker 1: before he was saying I always knew what he was

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Speaker 1: going to do. Yeah, I know, always knew he was different.

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Speaker 1: And just just short story. We had a mutual friend

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Speaker 1: playing Pat and Phillris Buler. They there was executives over

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Speaker 1: def Jam had dropped, so uh, you know we have

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Speaker 1: mutual friends and dur like during the recording process, I

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Speaker 1: up making the band album. I invited him to the

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Speaker 1: to the crib recording and soho at the Double Brownstone.

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Speaker 1: By chance, mister Bentley said we couldn't have no company.

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Speaker 1: So I had to tell Kanye he couldn't come in

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Speaker 1: and submit beats. And then two years later, mister Bentley

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Speaker 1: signed to Good Music. That's so hilarious. I forgot that

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Speaker 1: he got signed. I forgot Diddy's assistant had a record

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Speaker 1: deal and put out some records. Yep. So that was crazy.

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Speaker 1: I always me and finds the worth. Always laugh about this.

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Speaker 1: You don't even remember when you let Kanye in and

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Speaker 1: now you're signing him. That shit's hilarious. So me and

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Speaker 1: Kanye had a relationship and by my Instagram a presence

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Speaker 1: and just dropping freestyles of being consistent. He's seen one

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Speaker 1: of notice styles. He said, Yo, been my bro for

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Speaker 1: a minute, come out and gave me an open invitation

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Speaker 1: to come you know, some writing sessions with him. Yeah,

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Speaker 1: so I saw that. You know, there was the I

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Speaker 1: don't know if that documentary is ever going to come out,

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Speaker 1: but he was previewing a record and you were saying

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Speaker 1: that you were on that record with him and Soldier Boy. Yeah.

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Speaker 1: Well I did some references, so he was actually hearing

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Speaker 1: me playing a reference off my phone for him. In

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Speaker 1: the footage, he was both in the car and you know,

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Speaker 1: I mean I forgot he was being taped because he's

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Speaker 1: being taped filmed all day long. If you're like helping ya, right,

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Speaker 1: what is the what mind state you have to be in?

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Speaker 1: If you're like I have to help the like one

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Speaker 1: of the greatest artists of all time. It was just

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Speaker 1: it's not like working for Diddy. Working for Ditty is

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Speaker 1: like real. So okay, So everybody asked me why I

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Speaker 1: put out so much material on why I'm so it

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Speaker 1: seems like me, it's an easy transposition for me to

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Speaker 1: keep putting out these constant freestyles. Well, when I came

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Speaker 1: up in a bad boy system, they used to make

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Speaker 1: us write five verses for every verse. So if we

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Speaker 1: was doing a three verse song, I would have to

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Speaker 1: write five verse fifteen verses per song. Wow, So and

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Speaker 1: then you pick the best one, which usually is the

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Speaker 1: first fucking verse you wrote, right, So from there you're like,

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Speaker 1: so I got thirteen extra I got fourteen extra verses

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Speaker 1: just just just unused, unused. Do you still do that? Yeah?

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Speaker 1: Every now and then. Well, back in the mixtape games,

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Speaker 1: with mixtapes for Heavy, I would take the the the

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Speaker 1: DJ Sycamores and all those type of guys. So, no

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Speaker 1: matter whether I like the beat or not, And this

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Speaker 1: is what I got from Diddy. This is one of

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Speaker 1: the lessons I got from Diddy. He was like, that's

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Speaker 1: just not writing about the writ into the beasts that

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Speaker 1: you don't like. He's it's not about writing to the

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Speaker 1: beasts that you do like. Try writing to the beats

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Speaker 1: that you don't like. So then when you hear a

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Speaker 1: beat that you do like, it's like fucking it's like water. Yeah,

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Speaker 1: so I take I take every beat off the beat

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Speaker 1: CD and write it's sixteen to it, no matter whether

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Speaker 1: I like it or not. Hey, that's how you sharpen

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Speaker 1: your your paying for real, because if you can write

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Speaker 1: to some ship you don't fuck with, then if you

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Speaker 1: start writing for somebody else and they might not be

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Speaker 1: in your bag. Now I got an endless supply material.

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Speaker 1: So when I do go do these writing sessions, it's

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Speaker 1: not me physically half of the right now you can

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Speaker 1: just I'm just pulling it out. I'm just pulling ideas

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Speaker 1: out from everywhere. Wow, that's that's crazy. Uh, you got

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Speaker 1: the new project out? Sure? Is this a mixing? This

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Speaker 1: is a mixtape? Shut up, everybody. I know everything is digitized.

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Speaker 1: I'm kind of one of those guys that's like coming

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Speaker 1: into the new fruition of the where whereas on Spotify

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Speaker 1: is we were trying to get that up and running down.

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Speaker 1: But this is what I was everywhere here boy says,

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Speaker 1: it's everywhere. But as as an artist that's been around,

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Speaker 1: has been seasoned, I didn't come and like, come into

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Speaker 1: the game around you know this era, right. So me

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Speaker 1: and my team, we're still in under construction, figured out

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00:16:01,360 --> 00:16:03,240
Speaker 1: I got to get a distroc kid account. That easy? No,

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00:16:03,280 --> 00:16:05,480
Speaker 1: it is that easy? Is that easy? He's like, Bro,

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00:16:05,840 --> 00:16:11,800
Speaker 1: we got But everybody that said, why you got thatsaur nostalgia?

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Speaker 1: You're not a I'm not a Dinostaur. But I want

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00:16:13,960 --> 00:16:15,800
Speaker 1: to tell you this is for the nostalgia. Ye let

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00:16:15,800 --> 00:16:17,360
Speaker 1: me tell you. This is literally how I made my

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Speaker 1: whole entire for the nostalgia. This is That's what I'm saying.

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Speaker 1: I used to for all the hip hop heads. This

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Speaker 1: is not that I outdated. This is for the nostalgic

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Speaker 1: feeling of mixtapes. I used to go to the actual

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Speaker 1: hard copy and I used to buy these jewel cases

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Speaker 1: and burn these CDs and print these covers in my parents' bedroom. Yep.

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Speaker 1: So this is not saying I'm outdated. This is paying

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Speaker 1: homage to where I came from. Physical products. Yeah, physical

349
00:16:44,360 --> 00:16:46,760
Speaker 1: real fans can support. So that's the friends in that

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00:16:46,920 --> 00:16:48,560
Speaker 1: and friends, I got Bitty the Butcher, which is the

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00:16:48,560 --> 00:16:51,960
Speaker 1: first single trifecta. I got the single feature in Zoos

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00:16:52,000 --> 00:16:55,560
Speaker 1: and DJ Crazy This that was then and this is now.

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00:16:55,640 --> 00:16:59,440
Speaker 1: Got the blicky out Corey Guns, Beanie Seagull, Vodo and

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00:16:59,440 --> 00:17:03,720
Speaker 1: Who's who Like it's just like all speeders, who's you?

355
00:17:04,600 --> 00:17:08,240
Speaker 1: If we're talking about the Mount Rushmore of Philly rappers,

356
00:17:08,359 --> 00:17:11,800
Speaker 1: who's on it? Man excluding yourself? Beanie Segua has to

357
00:17:11,840 --> 00:17:15,000
Speaker 1: go there, Meek Milly has to go there. Those are

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00:17:15,000 --> 00:17:16,920
Speaker 1: the Black Thought. Yeah, those are the three, right, and

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00:17:17,000 --> 00:17:18,919
Speaker 1: then the fourth one is kind of it could be

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00:17:18,960 --> 00:17:23,800
Speaker 1: free way it could be. Yeah. So I got those

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00:17:23,840 --> 00:17:26,640
Speaker 1: three at the top, but you need one more. It's

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00:17:26,680 --> 00:17:30,919
Speaker 1: Mount Rushmore. There's four people schooly D schooly D the

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00:17:31,000 --> 00:17:35,080
Speaker 1: og I like it. That's like the og era. Yeah.

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00:17:35,240 --> 00:17:38,119
Speaker 1: Black Thought is like one of the most prolific shot

365
00:17:38,160 --> 00:17:42,480
Speaker 1: the Thought lyricists ever man shot Crazy Yeah crazy. Hey,

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Speaker 1: Las Vegas dot com. Let's get back to the interview,

405
00:19:44,000 --> 00:19:45,399
Speaker 1: all right. So that's how people can go get it.

406
00:19:45,480 --> 00:19:47,320
Speaker 1: And I got the cheesecake too, So I turn limits

407
00:19:47,320 --> 00:19:49,040
Speaker 1: and elimonade and he speak about that too, because I

408
00:19:49,359 --> 00:19:51,920
Speaker 1: always but I gotta throw it in there. I was

409
00:19:51,960 --> 00:19:56,320
Speaker 1: trying to go the whole interview without Yeah, I am

410
00:19:56,359 --> 00:19:57,879
Speaker 1: tired of it, but I'm not never tiring to make

411
00:19:58,080 --> 00:19:59,920
Speaker 1: money from you. Yes, so listen, you have your own cheese?

412
00:20:00,280 --> 00:20:03,360
Speaker 1: And what year was Making the Band? Two thousand and two?

413
00:20:03,760 --> 00:20:07,399
Speaker 1: Jesus so two thousand and two. Making the Band was

414
00:20:08,200 --> 00:20:11,960
Speaker 1: one of the best reality shows ever. The most iconic

415
00:20:12,000 --> 00:20:16,320
Speaker 1: episode is when you guys had to walk to juniors. Yes, cheesecake, revery,

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00:20:16,400 --> 00:20:20,159
Speaker 1: humbling experience, Yeah, lesson being learned and everything. It's not

417
00:20:20,240 --> 00:20:22,160
Speaker 1: about what you want to do. It's about what needs

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00:20:22,160 --> 00:20:23,880
Speaker 1: to be done and get the job done. And you

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00:20:23,880 --> 00:20:27,760
Speaker 1: have your own cheesecake. Have my own cheesecake? Is it good? Yes?

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00:20:27,800 --> 00:20:32,159
Speaker 1: It is? How can they get it? Follow me on Instagram?

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00:20:32,560 --> 00:20:36,040
Speaker 1: That's cheesecake at any s S C h E E

422
00:20:36,400 --> 00:20:39,680
Speaker 1: S E c A k E. Is that something people

423
00:20:39,920 --> 00:20:42,840
Speaker 1: have to be in Philly to purchase? You could purchase

424
00:20:42,880 --> 00:20:46,560
Speaker 1: an offline. We're trying to get the deal with the Oh,

425
00:20:46,800 --> 00:20:48,719
Speaker 1: you got to get the ghost kitchen and we got

426
00:20:48,720 --> 00:20:50,520
Speaker 1: the we got the boxes with the with the with

427
00:20:50,640 --> 00:20:53,280
Speaker 1: the like the frigeration built in with Oh listen, all

428
00:20:53,320 --> 00:20:55,480
Speaker 1: you got to do is get a ghost kitchen. Situation.

429
00:20:55,600 --> 00:20:57,920
Speaker 1: Ghost kitchen got to put me up. Okay, if you

430
00:20:57,960 --> 00:21:00,840
Speaker 1: ever opened up Postmates and seen that, like DJ Khalid

431
00:21:00,920 --> 00:21:04,359
Speaker 1: has a restaurant, or like Tiger or whis Khalifa have

432
00:21:04,520 --> 00:21:08,000
Speaker 1: like their own restaurants, like in every city you go to. Okay,

433
00:21:08,080 --> 00:21:12,080
Speaker 1: what it is is you you'll you'll hire a ghost kitchen.

434
00:21:12,320 --> 00:21:14,239
Speaker 1: So let's say you're in La or you are in

435
00:21:14,240 --> 00:21:16,680
Speaker 1: New York or wherever you think you got a big following, right,

436
00:21:17,520 --> 00:21:22,160
Speaker 1: you find a commercial kitchen that does Postmates or grub

437
00:21:22,200 --> 00:21:25,560
Speaker 1: hub shit, and then you have you have a restaurant

438
00:21:25,640 --> 00:21:30,360
Speaker 1: virtually online and all those cities, and this kitchen handles

439
00:21:30,359 --> 00:21:33,600
Speaker 1: the fulfillment. They're pretty much licensing your likeliness to sell

440
00:21:33,640 --> 00:21:37,320
Speaker 1: your cheesecake, but they cook it. They have the realest.

441
00:21:38,280 --> 00:21:41,680
Speaker 1: They just essentially give you a cut to use your likeliness.

442
00:21:41,720 --> 00:21:44,119
Speaker 1: Oh wow, put me on. So now you like, like

443
00:21:44,280 --> 00:21:46,119
Speaker 1: if you open like Postmates right now, you'll see like

444
00:21:46,200 --> 00:21:48,840
Speaker 1: DJ Khaled has a restaurant Postmates, I got you, got you.

445
00:21:48,960 --> 00:21:50,760
Speaker 1: So he doesn't have a restaurant, but he just they

446
00:21:50,840 --> 00:21:53,399
Speaker 1: just selling his product they give. They using his likeness

447
00:21:53,400 --> 00:21:57,840
Speaker 1: to sell. Yeah, it's kind of like a lot of

448
00:21:57,840 --> 00:21:59,720
Speaker 1: people are doing the ghost kitchen waves and just to

449
00:21:59,720 --> 00:22:03,320
Speaker 1: clean it up. The album is everywhere digitally everywhere. It's

450
00:22:03,320 --> 00:22:07,119
Speaker 1: on Spotify, It's on Apple Music, Spotify, Apple Music, and

451
00:22:07,200 --> 00:22:12,959
Speaker 1: it might be an odega there. It is all right, man,

452
00:22:12,960 --> 00:22:16,919
Speaker 1: we'll look yo new YouTube video with the freestyle, so

453
00:22:17,000 --> 00:22:19,240
Speaker 1: check it out. Appreciate you pulling up, brother. What's the

454
00:22:19,280 --> 00:22:23,480
Speaker 1: next battle? Award? R b a ar pi that's versus

455
00:22:23,560 --> 00:22:26,000
Speaker 1: a ward? Stay tuned? What is it? I don't know.

456
00:22:26,000 --> 00:22:28,040
Speaker 1: I was supposed to be on the May tenth card ARP.

457
00:22:28,200 --> 00:22:32,400
Speaker 1: Holler at me. Do you battle people who are your friends? Ever? Always?

458
00:22:32,680 --> 00:22:36,240
Speaker 1: I battle my fucking grandmother. If the check is right,

459
00:22:36,359 --> 00:22:38,680
Speaker 1: I like it. There it is so I want no smoke, man.

460
00:22:39,720 --> 00:22:40,640
Speaker 1: Est Appreciate your brother,