1 00:00:00,240 --> 00:00:18,520 Speaker 1: Request Left show is a production of iHeart Radio. Okay, 2 00:00:18,560 --> 00:00:25,759 Speaker 1: you guys, as promised, I've shared my thoughts about ten 3 00:00:25,880 --> 00:00:29,360 Speaker 1: love songs that are perfect for any Valentine's mix, But 4 00:00:29,440 --> 00:00:31,640 Speaker 1: I know on the other side of that coin, Valentine's 5 00:00:31,640 --> 00:00:37,360 Speaker 1: could be a reminder of a love gone wrong. Love 6 00:00:37,440 --> 00:00:41,479 Speaker 1: gone wrong is a tragic in any person's life. But 7 00:00:42,520 --> 00:00:47,200 Speaker 1: if anything, I can say that heartbreak and soul music 8 00:00:48,440 --> 00:00:55,200 Speaker 1: absolutely no strangers to each other. And that said, I 9 00:00:55,240 --> 00:01:00,000 Speaker 1: would like to share some songs that I think if 10 00:01:00,080 --> 00:01:05,640 Speaker 1: you want to sulk and kind of you know, I'm 11 00:01:05,760 --> 00:01:11,119 Speaker 1: very familiar with the comfort of sadness. Sometimes feeling sad 12 00:01:11,280 --> 00:01:14,399 Speaker 1: makes us feel good, which I don't recommend because that 13 00:01:14,440 --> 00:01:18,919 Speaker 1: can lead to depression. So however, I'm the master of curations, 14 00:01:19,000 --> 00:01:22,760 Speaker 1: so I will give you ten songs that will kind 15 00:01:22,760 --> 00:01:24,200 Speaker 1: of put you in the mood to cry if you 16 00:01:24,200 --> 00:01:26,560 Speaker 1: feel like you need to do so. I'll say the 17 00:01:26,680 --> 00:01:29,720 Speaker 1: number one song, probably the most mournful song that I 18 00:01:29,800 --> 00:01:36,600 Speaker 1: know in jazz, is Donald Bird's song called Christo Red Dentor, 19 00:01:37,640 --> 00:01:43,959 Speaker 1: And oftentimes this song gets chosen almost as a foreshadowing, 20 00:01:44,480 --> 00:01:49,280 Speaker 1: like some bad's about to happen. I recall Spike Lee 21 00:01:49,440 --> 00:01:53,440 Speaker 1: using this and be Malcolm CH's movie. First of all, 22 00:01:53,560 --> 00:01:58,840 Speaker 1: it's mostly it's a vocal choir really doing the duties 23 00:01:58,880 --> 00:02:02,080 Speaker 1: of the arrangements. There's a you know, it's a jazz 24 00:02:02,120 --> 00:02:07,480 Speaker 1: song with piano upright, bass, very light brush drums and 25 00:02:07,920 --> 00:02:12,400 Speaker 1: of course Donald Bird on a trumpet. But it's very 26 00:02:12,440 --> 00:02:17,280 Speaker 1: mournful sounding, very sad sounding. I can't even lie to you. 27 00:02:17,320 --> 00:02:22,440 Speaker 1: I can't even say that this z apropos for a funeral. 28 00:02:22,960 --> 00:02:28,760 Speaker 1: I put a playlist together for my brother Michael Archer D'Angelo, 29 00:02:29,680 --> 00:02:32,080 Speaker 1: and this was my opening song. But even when I 30 00:02:32,080 --> 00:02:33,960 Speaker 1: put it on like it brought the mood down and 31 00:02:34,080 --> 00:02:36,080 Speaker 1: kind of the funeral directors like, do you have anything 32 00:02:36,120 --> 00:02:39,080 Speaker 1: more celebratory? Like, you know, I know we're sad here, 33 00:02:39,120 --> 00:02:42,400 Speaker 1: but you know here, I was like, yeah, okay, I 34 00:02:42,440 --> 00:02:45,480 Speaker 1: went too far. So but I will say that if 35 00:02:45,639 --> 00:02:51,079 Speaker 1: crying is your goal, loneliness is your goal, you got 36 00:02:51,080 --> 00:02:56,520 Speaker 1: to start with Cristo red Dentor by Donald Bird. It's 37 00:02:56,600 --> 00:03:03,239 Speaker 1: on his album A New Perspective Number two. Longtime QLs 38 00:03:03,360 --> 00:03:08,000 Speaker 1: guests formerly known as Terrence Trindarby, now going by the 39 00:03:08,080 --> 00:03:12,960 Speaker 1: name of Sonata Matrea. He has a song called Seasons 40 00:03:13,520 --> 00:03:18,040 Speaker 1: I'll be honest with you. Chris Rock put me onto this. 41 00:03:18,080 --> 00:03:21,640 Speaker 1: He's like, yo, go to Symphony or Damn, which was 42 00:03:21,680 --> 00:03:28,520 Speaker 1: his third album after Neither Fish nor Flesh, and I 43 00:03:28,600 --> 00:03:32,520 Speaker 1: believe Symphony or Damn might have come out in ninety 44 00:03:32,520 --> 00:03:37,800 Speaker 1: two ninety three. There's a song called Seasons, and you know, 45 00:03:38,960 --> 00:03:41,480 Speaker 1: during that time period, I was going through a breakup. 46 00:03:42,600 --> 00:03:48,560 Speaker 1: And the song actually kind of has a theory about 47 00:03:48,720 --> 00:03:51,600 Speaker 1: the cycle of love, which is basically like, sometimes you 48 00:03:51,760 --> 00:03:54,320 Speaker 1: just love is a seasonal thing. Like I know, we 49 00:03:55,000 --> 00:03:57,760 Speaker 1: are taught to think that, you know, this is the 50 00:03:57,840 --> 00:03:59,840 Speaker 1: last person that you will be with, you are stuck 51 00:03:59,880 --> 00:04:04,200 Speaker 1: with this person for life. But sometimes love is seasonal sometimes, 52 00:04:04,920 --> 00:04:07,440 Speaker 1: you know, depending on if you're a person that believes 53 00:04:07,440 --> 00:04:10,520 Speaker 1: in astrology in the stars, Like sometimes it's it's a 54 00:04:10,520 --> 00:04:13,720 Speaker 1: ten year thing. Sometimes it's a twenty year thing. Look 55 00:04:13,800 --> 00:04:17,880 Speaker 1: bands the Beatles, love was a seven year thing. The 56 00:04:17,960 --> 00:04:23,840 Speaker 1: roots are in our thirty eighth year of whatever it 57 00:04:23,960 --> 00:04:29,839 Speaker 1: is that we call this thing. So but the song 58 00:04:29,960 --> 00:04:36,200 Speaker 1: is actually execute it very well. It's called Seasons, and 59 00:04:36,279 --> 00:04:40,320 Speaker 1: it deals with the realization of a relationship is over 60 00:04:41,080 --> 00:04:44,160 Speaker 1: and hey, we had a good run, but love has seasons, 61 00:04:44,400 --> 00:04:49,760 Speaker 1: all right. My third song in the heartbreak choice is 62 00:04:50,839 --> 00:04:55,560 Speaker 1: by the one and only Don Blackman. Of course, Holding 63 00:04:55,600 --> 00:04:59,840 Speaker 1: You Loving You is a fan favorite, especially if you're 64 00:05:00,360 --> 00:05:05,960 Speaker 1: Dylla slim Village head for samples. However, since You've Been 65 00:05:06,000 --> 00:05:11,680 Speaker 1: Away So Long is another song that's just as classic 66 00:05:11,760 --> 00:05:16,600 Speaker 1: as Holding You Loving You, less problematic if you know 67 00:05:16,680 --> 00:05:20,320 Speaker 1: what I mean. Wink anyway, Yeah, since You've been in 68 00:05:20,360 --> 00:05:25,760 Speaker 1: Way so long just talks about morning of a relationship, 69 00:05:26,240 --> 00:05:30,000 Speaker 1: but it could also apply to just not seeing someone 70 00:05:30,120 --> 00:05:32,800 Speaker 1: for a long time. You don't necessarily have to break up, So, 71 00:05:33,400 --> 00:05:37,640 Speaker 1: like smart songwriters know not to add too much information, 72 00:05:38,240 --> 00:05:41,159 Speaker 1: Earth Wind and Fire was wise and very early to 73 00:05:41,200 --> 00:05:45,800 Speaker 1: the game of tacking pronouns out so that their song 74 00:05:45,839 --> 00:05:51,120 Speaker 1: could apply to anyone. And sometimes as a songwriter, if 75 00:05:51,160 --> 00:05:53,679 Speaker 1: you present your lyrics or your course in a way 76 00:05:54,720 --> 00:05:57,080 Speaker 1: that leaves the door open. You know, since You've been 77 00:05:57,080 --> 00:05:59,159 Speaker 1: in a way so long could be about a breakup 78 00:05:59,240 --> 00:06:02,000 Speaker 1: or could it just be about a long road trip 79 00:06:02,600 --> 00:06:05,880 Speaker 1: and missing someone and I'm coming back? So the song 80 00:06:05,960 --> 00:06:10,320 Speaker 1: applies to both, so I highly recommend it. My fourth 81 00:06:10,400 --> 00:06:17,160 Speaker 1: song is a Stevie Wonder composition done with his first wife, 82 00:06:17,680 --> 00:06:23,080 Speaker 1: Sorita Wright, former receptionist at Motown that he heard singings 83 00:06:23,120 --> 00:06:26,080 Speaker 1: like hey Yould singing, She's like, hey, I song right too. 84 00:06:27,160 --> 00:06:31,000 Speaker 1: Sarita pinned some of his greatest lyrics. I believe that 85 00:06:31,600 --> 00:06:35,000 Speaker 1: in Stevie world, like music is his main thing, like 86 00:06:36,160 --> 00:06:40,200 Speaker 1: lyrics are. I've seen and heard examples of him writing 87 00:06:40,200 --> 00:06:44,960 Speaker 1: his songs, but you know he loves to collaborate with people. 88 00:06:45,040 --> 00:06:49,640 Speaker 1: And Serta I think has written like just a line 89 00:06:49,720 --> 00:06:51,800 Speaker 1: share of some of his greatest songs that we love. 90 00:06:51,920 --> 00:06:54,960 Speaker 1: So her pen game is a match. And she has 91 00:06:55,000 --> 00:06:59,080 Speaker 1: a song that she did on her second album called 92 00:06:59,160 --> 00:07:03,040 Speaker 1: Stevie Wonder per Serrita, and it's called because We Ended 93 00:07:03,279 --> 00:07:07,960 Speaker 1: as Lovers, very sad song. It starts with rain and 94 00:07:08,520 --> 00:07:13,480 Speaker 1: she and Stevie also use the background choir kind of 95 00:07:13,520 --> 00:07:20,000 Speaker 1: as a mournful kind of color that Donald Bird used 96 00:07:20,000 --> 00:07:24,480 Speaker 1: for Crystal Redentor. And because We Ended as Lovers is 97 00:07:25,440 --> 00:07:28,920 Speaker 1: basically a plea to like, hey, even though we broke up, like, 98 00:07:29,080 --> 00:07:32,240 Speaker 1: let's not totally be out of each other's lives. I 99 00:07:32,320 --> 00:07:35,559 Speaker 1: believe in amicable breakups. If you break up with someone, 100 00:07:35,600 --> 00:07:38,440 Speaker 1: I think you need a year off before you contact 101 00:07:38,440 --> 00:07:41,960 Speaker 1: that person, and then you re enter their lives once 102 00:07:43,080 --> 00:07:45,040 Speaker 1: the smoke is cleared. I think after a year you 103 00:07:45,080 --> 00:07:50,240 Speaker 1: can be friends with your person. So also to note 104 00:07:50,280 --> 00:07:53,119 Speaker 1: that Michael Simbello, if you're a fan of flash Dance 105 00:07:53,200 --> 00:07:55,840 Speaker 1: and you love the song Maniac, many don't know that 106 00:07:55,880 --> 00:08:00,280 Speaker 1: Michael Simbello was one of Stevie Wonder's greatest disciples, Like 107 00:08:00,760 --> 00:08:05,120 Speaker 1: he was in Wonder Love his band for the longest 108 00:08:05,840 --> 00:08:07,840 Speaker 1: and co wrote with Stevie A Loott. So this is 109 00:08:07,880 --> 00:08:10,560 Speaker 1: one of those songs as well that he's involved with. 110 00:08:11,640 --> 00:08:17,360 Speaker 1: I'll make it quasi contemporary. In bringing up Mayor Harthorne, 111 00:08:17,760 --> 00:08:23,760 Speaker 1: not enough has been said about Mayor's his production methods, 112 00:08:23,800 --> 00:08:28,280 Speaker 1: his tactics, like he'll like he really nails the happy 113 00:08:28,320 --> 00:08:32,560 Speaker 1: medium between something that's new and something that's classic. And 114 00:08:33,600 --> 00:08:38,200 Speaker 1: I gotta say that kind of Mayor's take on a 115 00:08:38,280 --> 00:08:43,360 Speaker 1: Delphonics kind of slow jam. And this song is called 116 00:08:43,400 --> 00:08:46,960 Speaker 1: a Strange Arrangement, which is the title track. It's just 117 00:08:47,000 --> 00:08:51,960 Speaker 1: a gorgeous, gorgeous, gorgeous melody and arrangement. I love it 118 00:08:52,000 --> 00:08:55,760 Speaker 1: so much that yes, it's about a breakup. It's about 119 00:08:55,760 --> 00:09:00,040 Speaker 1: someone that's realizing, oh this is over. He's like realizing 120 00:09:00,080 --> 00:09:05,360 Speaker 1: it in real time. That Dan, I guess, is the 121 00:09:05,440 --> 00:09:09,080 Speaker 1: end of the road for us, and so a strange 122 00:09:09,160 --> 00:09:14,720 Speaker 1: arrangement by Mayor Harthorne is number five. Number six. Another 123 00:09:14,800 --> 00:09:21,079 Speaker 1: unsung hero Betty Davis. Betty Davis is an artist, singer, songwriter, producer, 124 00:09:21,760 --> 00:09:25,120 Speaker 1: first Black woman to produce her own music to get 125 00:09:25,120 --> 00:09:28,920 Speaker 1: a credit for it, which you know her work that 126 00:09:29,000 --> 00:09:33,480 Speaker 1: she released in the early seventies, women weren't really ever 127 00:09:33,559 --> 00:09:38,240 Speaker 1: given agency to have their own ideas, and especially for 128 00:09:38,320 --> 00:09:42,199 Speaker 1: black women, and Betty's fight for her artistry is probably 129 00:09:42,880 --> 00:09:46,080 Speaker 1: the thing that we know most about her. She also 130 00:09:47,559 --> 00:09:51,800 Speaker 1: kind of did everything ten years before anyone else. So 131 00:09:51,840 --> 00:09:56,960 Speaker 1: she was Prince before Prince, and she was Madonna before Madonna. 132 00:09:57,800 --> 00:10:01,120 Speaker 1: She had entered Miles Davis life when she was just 133 00:10:01,160 --> 00:10:09,119 Speaker 1: turning nineteen twenty, and just her youthfulness and her perspective 134 00:10:09,160 --> 00:10:12,520 Speaker 1: on the world kind of had an effect on Miles 135 00:10:12,559 --> 00:10:14,800 Speaker 1: Davis and this is why he created A Bitches Brute. 136 00:10:15,440 --> 00:10:18,160 Speaker 1: There is a song on a compilation called Is It 137 00:10:18,240 --> 00:10:23,760 Speaker 1: Love or Desire? And this song is just It is 138 00:10:23,800 --> 00:10:30,920 Speaker 1: called when Romance Says Goodbye. It's a very quiet song, 139 00:10:31,240 --> 00:10:36,080 Speaker 1: very haunting, but also kind of ry and full of humor. 140 00:10:36,840 --> 00:10:42,360 Speaker 1: I love the way that she overenunciates the word lovers. 141 00:10:43,120 --> 00:10:47,200 Speaker 1: She calls it live os like it's almost like five 142 00:10:47,280 --> 00:10:53,520 Speaker 1: syllables a live oz love oz Betty Davis when Romance 143 00:10:53,520 --> 00:10:56,600 Speaker 1: says goodbye. Next up on the heartbreak list, of course, 144 00:10:56,720 --> 00:11:00,200 Speaker 1: is a song called I'm Alone and in prom to 145 00:11:00,320 --> 00:11:08,000 Speaker 1: improv song by Bobby McFerrin, now known as father of 146 00:11:08,679 --> 00:11:13,120 Speaker 1: Taylor McFerrin and Javon McFerrin, of course Madison McFerrin. But 147 00:11:13,440 --> 00:11:18,240 Speaker 1: it's just a display of his mastery of handling multiple 148 00:11:18,320 --> 00:11:24,000 Speaker 1: duties at once as lead singer, as bass player, as 149 00:11:25,200 --> 00:11:28,880 Speaker 1: multiple singers, just as a one man show, and showing 150 00:11:28,920 --> 00:11:34,160 Speaker 1: his humor as well. It's a song just talking about 151 00:11:34,760 --> 00:11:40,520 Speaker 1: being alone, which sometimes isn't a bad thing, but he 152 00:11:41,360 --> 00:11:43,640 Speaker 1: can't help but put humor in his music. So this 153 00:11:43,760 --> 00:11:46,640 Speaker 1: is one of those songs in which it is kind 154 00:11:46,640 --> 00:11:48,920 Speaker 1: of fun to hear the audience laughing at his punchlines 155 00:11:48,920 --> 00:11:51,480 Speaker 1: because clearly he's making stuff up at the last minute. 156 00:11:51,480 --> 00:11:57,319 Speaker 1: So I'm Alone by Bobby McFerrin, number eight, very new. 157 00:11:57,600 --> 00:11:59,559 Speaker 1: If you know me and you followed me on the socials, 158 00:11:59,640 --> 00:12:04,280 Speaker 1: you know that my love for the group Salt is strong, 159 00:12:04,720 --> 00:12:09,679 Speaker 1: and the brightest star in that ensemble is, of course 160 00:12:09,720 --> 00:12:13,800 Speaker 1: Cleo Soul and if you go to a Rose in 161 00:12:13,840 --> 00:12:17,040 Speaker 1: the Dark album there it is man, you got to 162 00:12:17,080 --> 00:12:21,680 Speaker 1: hear the song called I Love You, which could be misleading. 163 00:12:21,720 --> 00:12:22,960 Speaker 1: Of course I look at it and be like, oh, 164 00:12:22,960 --> 00:12:25,280 Speaker 1: it's a love song, and she's basically saying that I've 165 00:12:25,320 --> 00:12:27,600 Speaker 1: heard everything coming out of your mouth except for the 166 00:12:27,720 --> 00:12:31,280 Speaker 1: term I love you. So this is a good example 167 00:12:31,360 --> 00:12:36,200 Speaker 1: of how to communicate what needs aren't getting met in 168 00:12:36,240 --> 00:12:42,840 Speaker 1: your relationship. So it's not necessarily a breakup. Oftentimes relationships 169 00:12:42,840 --> 00:12:46,360 Speaker 1: could go to dark emotional territory, and we often panic 170 00:12:46,800 --> 00:12:49,760 Speaker 1: because we don't know how to communicate with our significant other. 171 00:12:50,960 --> 00:12:54,079 Speaker 1: And sometimes you need a song to help nudge you 172 00:12:54,120 --> 00:12:56,600 Speaker 1: to say the words. So I would say that I 173 00:12:56,679 --> 00:13:00,440 Speaker 1: Love You by Cleo soul Is that songs at number 174 00:13:00,480 --> 00:13:04,080 Speaker 1: eight number nine is a long time favorite. If you 175 00:13:04,400 --> 00:13:07,679 Speaker 1: were attendee or if you're on YouTube and you've seen 176 00:13:08,160 --> 00:13:12,920 Speaker 1: a Brothers in Arms performance by me and my brother D'Angelo, 177 00:13:13,600 --> 00:13:17,360 Speaker 1: I will say that we are You know that we're 178 00:13:17,480 --> 00:13:21,000 Speaker 1: very familiar and we know our way around an Ohio 179 00:13:21,040 --> 00:13:26,000 Speaker 1: Players song, and I will say that for this song 180 00:13:26,600 --> 00:13:31,640 Speaker 1: it is basically our Love has Died by the Ohio Players. 181 00:13:31,679 --> 00:13:36,240 Speaker 1: This is on their nineteen seventy two Pleasure album Pleasure, 182 00:13:37,280 --> 00:13:41,920 Speaker 1: and it's kind of it's a rather defensive song because 183 00:13:41,960 --> 00:13:46,320 Speaker 1: if you know the vocal stylings of Leroy sugar Foot Vonnor, 184 00:13:48,920 --> 00:13:55,080 Speaker 1: you know kind of his his baritone growl ah girl 185 00:13:55,240 --> 00:14:00,920 Speaker 1: like he whenever it's time for the breakup song, especially 186 00:14:00,920 --> 00:14:03,920 Speaker 1: if it's slow, it's time for Sugarfoot to come to 187 00:14:03,960 --> 00:14:06,880 Speaker 1: the forefront. Of course I Want to Be Free as 188 00:14:06,920 --> 00:14:09,560 Speaker 1: his most famous song. But if you listen to Our 189 00:14:09,600 --> 00:14:16,280 Speaker 1: Love Has Diet, I mean, the title in itself has 190 00:14:16,920 --> 00:14:19,480 Speaker 1: pretty much tells you everything you need to know about 191 00:14:19,520 --> 00:14:22,200 Speaker 1: the song. Yeah, our Love has Died by the Ohio 192 00:14:22,240 --> 00:14:26,120 Speaker 1: Players and our final song in this sort of my 193 00:14:26,240 --> 00:14:30,440 Speaker 1: top ten go to's for breakup songs and for heartbreak songs. 194 00:14:31,000 --> 00:14:35,520 Speaker 1: Les mc cann's has an album called Layers and the 195 00:14:35,560 --> 00:14:40,200 Speaker 1: title loan says it all and it's called Sometimes I Cry. 196 00:14:41,560 --> 00:14:45,960 Speaker 1: I highly recommend this. One of the one of the 197 00:14:45,960 --> 00:14:50,440 Speaker 1: biggest breakthroughs that I've had in therapy was sort of 198 00:14:50,440 --> 00:14:53,600 Speaker 1: the shock look or my therapist's face when you know, 199 00:14:53,680 --> 00:14:55,760 Speaker 1: I was counting on two hands, like the amount of 200 00:14:55,760 --> 00:14:59,040 Speaker 1: times I've cried in a decade. She's like, wait, you've 201 00:14:59,480 --> 00:15:03,600 Speaker 1: you've only ride maybe twelve times and ten years, And 202 00:15:03,680 --> 00:15:05,960 Speaker 1: I was like, yeah, average maybe one and a half 203 00:15:05,960 --> 00:15:11,840 Speaker 1: times a year. You know, her jaw dropping on the floor. Look, 204 00:15:11,880 --> 00:15:13,560 Speaker 1: it was I was raised. I was taught we weren't 205 00:15:13,600 --> 00:15:16,400 Speaker 1: supposed to cry. Now I cry the drop of the 206 00:15:16,440 --> 00:15:20,760 Speaker 1: hat because we're not going to survive if we don't 207 00:15:21,000 --> 00:15:23,640 Speaker 1: express our emotions. You don't want it to sit down. 208 00:15:23,720 --> 00:15:30,480 Speaker 1: But sometimes I cry. Also has a really gorgeous apar loop. 209 00:15:31,480 --> 00:15:33,840 Speaker 1: And if you're a hip hop head, I will say 210 00:15:33,880 --> 00:15:38,520 Speaker 1: that slick Ricks behind Bars produced by Warren G. It's 211 00:15:38,600 --> 00:15:42,320 Speaker 1: so weird that Warren G produced that song. And I 212 00:15:42,400 --> 00:15:47,960 Speaker 1: will say that that song has like no trace of 213 00:15:48,040 --> 00:15:51,040 Speaker 1: the G funk that I'm accustomed to coming from Warren G. 214 00:15:51,280 --> 00:15:55,520 Speaker 1: So when the behind Bars song first came out, that remix, 215 00:15:56,400 --> 00:15:59,560 Speaker 1: the Warren G remix of it, of course I was 216 00:16:00,240 --> 00:16:03,880 Speaker 1: and like, you know, some gangster and it was far 217 00:16:03,920 --> 00:16:07,280 Speaker 1: from that. It was it almost felt like a tripod 218 00:16:07,360 --> 00:16:10,880 Speaker 1: quest produced it. Like that's how weird it talented to 219 00:16:10,960 --> 00:16:14,760 Speaker 1: hear like I kept checking, like, wait, Warren G did this? 220 00:16:15,520 --> 00:16:19,240 Speaker 1: So but the sample of course comes from uh sometimes 221 00:16:19,240 --> 00:16:23,200 Speaker 1: I cry by Les mccannon and so those are my 222 00:16:23,280 --> 00:16:28,200 Speaker 1: ten heartbreak songs, and don't don't get too comfortable in 223 00:16:28,320 --> 00:16:30,760 Speaker 1: heartbreak like it's it's good to get your emotions out, 224 00:16:30,800 --> 00:16:34,480 Speaker 1: but don't live there. All right, Well, that's my take 225 00:16:35,000 --> 00:16:38,440 Speaker 1: on Valentine's songs you should check out basically,