WEBVTT - Catching Up with Friends: Jacob Pitts

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<v Speaker 1>Warning. This recording contains discussions of eating disorders, body image,

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<v Speaker 1>and potentially triggering topics related to food and mental health.

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<v Speaker 1>These subjects may be sensitive for some listeners.

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<v Speaker 2>Hi, I'm Kristin Davis, and I want to know are

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<v Speaker 2>you a Charlotte?

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<v Speaker 3>Hi?

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<v Speaker 2>Everyone, welcome to Are You a Charlotte? Today. We have

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<v Speaker 2>a very fascinating guest in Catching Up with Friends. His

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<v Speaker 2>name is Jacob Pitts and he plays the other Sam

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<v Speaker 2>Jones in episode seventeen of season three, What Goes Around

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<v Speaker 2>Comes Around. He is the young NYU student that Samantha

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<v Speaker 2>Jones ends up having sex with. I'm sure you all

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<v Speaker 2>remember him because he was incredible, which is partly why

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<v Speaker 2>we wanted to track him down and talk to him.

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<v Speaker 2>And he does not disappoint you, guys. He's super fascinating.

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<v Speaker 2>He's gone on to have a really great career. He

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<v Speaker 2>was in the Pacific on HBO. He was Unjustified with

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<v Speaker 2>Timothy olliphent While Goggins, which I totally forgot to talk

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<v Speaker 2>to him about because he was so incredibly interesting. All right,

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<v Speaker 2>please enjoy my conversation with Jacob Pitts. Hello, Hi, thank

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<v Speaker 2>you for joining us. Jacob Pitts very exciting. We really

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<v Speaker 2>really wanted you on. You did, yes, yes, because you

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<v Speaker 2>play a very unusual and interesting character, your young self.

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<v Speaker 2>So take me back. So, first of all, I'm pretty

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<v Speaker 2>sure this is We just watched this episode, so you

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<v Speaker 2>we were like, who is that kid? He's amazing playing

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<v Speaker 2>the other Sam Jones, And you look like you might

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<v Speaker 2>be seventeen or something. You look so young. So tell us,

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<v Speaker 2>tell us.

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<v Speaker 1>Well, I was interesting, you say, a very unusual character.

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<v Speaker 1>I think I was very unusual at that point in

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<v Speaker 1>my life.

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<v Speaker 2>In a good way, not always. Okay, okay, tell us more,

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<v Speaker 2>tell us more, Well, I.

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<v Speaker 1>Think I was about twenty going on twelve, and yeah,

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<v Speaker 1>I think I was not to start out really dark,

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<v Speaker 1>but I believe I was in the throes of some

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<v Speaker 1>kind of anorexia.

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<v Speaker 2>Oh no, yeah, yeah, oh no.

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<v Speaker 1>I'd done a Broadway play and I saw some photo

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<v Speaker 1>of myself that I saw recently again in the last

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<v Speaker 1>couple of years, and I thought I looked chunky I

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<v Speaker 1>saw the last couple of years. Of course, I saw

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<v Speaker 1>him like, I don't want Chunky at all, And I

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<v Speaker 1>got obsessed with doing unendurable things like running seven miles

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<v Speaker 1>a day and only buying products that had zero fat

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<v Speaker 1>in it. Oh yeah, I could go on. There's some

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<v Speaker 1>stuff that I've once described to a friend of mine.

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<v Speaker 1>He said that sounds like psychosis. So oh no, it

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<v Speaker 1>was perfect for the part at the time.

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<v Speaker 2>I mean, fully perfect for the part. But separate from that,

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<v Speaker 2>I think it's so interesting to hear from an actor

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<v Speaker 2>talking about it because we're all human, right, and we're

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<v Speaker 2>in this really weird situation where our visual selves are

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<v Speaker 2>a huge part of what we're doing, like what our

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<v Speaker 2>job is, what we love, what we're committed to. I mean,

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<v Speaker 2>did you feel like that was part of it? That

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<v Speaker 2>you took that picture?

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<v Speaker 1>The odd thing is that's not the sort of thing

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<v Speaker 1>I worried about at all, Like it wasn't like it

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<v Speaker 1>was that I can remember, uh huh. It just I

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<v Speaker 1>saw that in the picture, and then I became obsessed

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<v Speaker 1>with that. I go from obsession to obsession throughout my life.

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<v Speaker 2>Fair enough, fair enough, I feel similar to that. Yes, yes,

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<v Speaker 2>And it's all about moderating the obsession, right.

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<v Speaker 1>We're finding a less terrifying one.

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<v Speaker 2>So absolutely absolutely. I mean I'm sober. I'm a long

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<v Speaker 2>time sober, and I started at eleven. Thank you so much.

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<v Speaker 2>I started drinking out eleven correct, Yes, I know, insane,

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<v Speaker 2>right insane. But what it was a screwdriver, you know,

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<v Speaker 2>orange juice and vodka. And I was in some ways

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<v Speaker 2>able to do that because I was in the theater

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<v Speaker 2>and in a very not professional way in South Carolina,

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<v Speaker 2>and so I was always around adults. You know, I'm

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<v Speaker 2>very old. So it was the seventies and there was

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<v Speaker 2>not a lot of like supervision in a weird way,

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<v Speaker 2>you know what I mean. So if you had that

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<v Speaker 2>like you know, genetic leaning or whatever it might be. Yeah,

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<v Speaker 2>then and I had read recently with anorexia that they're

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<v Speaker 2>looking at there's a set of genes that they're looking

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<v Speaker 2>at as being part of what might make you prone

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<v Speaker 2>to that, which I think is super interesting.

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<v Speaker 1>Well, I've never had ever since I forget what it

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<v Speaker 1>was that. I think it was the run, the long

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<v Speaker 1>distance running, and I justified to myself I could eat

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<v Speaker 1>anything I wanted at that point. But I I've never

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<v Speaker 1>had about or worry about other than being just a

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<v Speaker 1>vain actor type. But I've never had a you know,

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<v Speaker 1>worry about that otherwise.

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<v Speaker 2>Interesting. So it just you saw this picture and then

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<v Speaker 2>you became obsessed.

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<v Speaker 1>I was obsessed for a better part of a year.

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<v Speaker 2>I would say, wow, and our show came in the

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<v Speaker 2>middle of that.

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<v Speaker 1>Yeah, and yeah, I was I was only allowing myself

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<v Speaker 1>to eat once my stomach was ravenous. Just some terrible

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<v Speaker 1>yo play and peaches or something like that. Wow.

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<v Speaker 2>So that manic energy that you have and the part

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<v Speaker 2>that was that was real wow. So okay, before we

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<v Speaker 2>discussed the part so more, how did you get out

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<v Speaker 2>of this phase? Like what happened to get you out

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<v Speaker 2>of there?

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<v Speaker 1>I think it was that I think, well it was

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<v Speaker 1>the wrong long distance running right then decided I could

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<v Speaker 1>eat anything I want, And then I think I just

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<v Speaker 1>found my way to marijuana.

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<v Speaker 2>Okay, that's less, that's probably less dangerous, right.

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<v Speaker 1>Well no, because then delusions of its own.

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<v Speaker 2>Oh oh my god. Well, can I say, first of all,

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<v Speaker 2>you seem super young, like like even I mean, your

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<v Speaker 2>your energetics are so perfect for the part, because you

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<v Speaker 2>look really young and you're thin, which I think kind

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<v Speaker 2>of makes you look younger in a way, you know

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<v Speaker 2>what I'm saying, Like like boyish, very very yish.

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<v Speaker 1>The boy undeveloped body kind.

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<v Speaker 2>Of thing, definitely, definitely. And then where like.

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<v Speaker 1>A regular old twin.

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<v Speaker 2>Why how did you come to audition for our part

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<v Speaker 2>for our show?

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<v Speaker 1>I don't know. They just sent me there.

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<v Speaker 2>So you're acting at this point like full aid this

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<v Speaker 2>you're living in New York.

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<v Speaker 1>Yeah, I was living in New York. Oh man, I

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<v Speaker 1>don't know how much of this I want to reveal.

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<v Speaker 2>You don't have to reveal anything you don't want to.

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<v Speaker 2>You're already fascinating.

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<v Speaker 1>Okay, Well, you know it was interesting watching the episode

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<v Speaker 1>was that I've seen it three times now, okay, And

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<v Speaker 1>the second time I watched it, I was too connected

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<v Speaker 1>to that that kid, so I kind of watched it, sure,

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<v Speaker 1>And the third this time, though, it was just it

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<v Speaker 1>was that first feeling I've ever had of that's that's

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<v Speaker 1>just a totally different person. It's not even wow, you

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<v Speaker 1>know you've had that feeling, sure, yes, and so it

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<v Speaker 1>was kind of a relief in that sense. But I thought, oh,

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<v Speaker 1>this poor kid, because I remember all the dellusions he

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<v Speaker 1>had and the crazy you know, uh yeah, friendless.

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<v Speaker 2>Oh no, oh yeah, oh no, that's so sad.

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<v Speaker 1>Few years before I got a real friends really good

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<v Speaker 1>for that part, I was a real weirdo.

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<v Speaker 2>I mean, you were perfect, perfect casting I'm sorry that

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<v Speaker 2>I didn't see you, and I hope that somebody in

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<v Speaker 2>our world was kind to you.

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<v Speaker 1>You're not sorry you didn't see I know they were great.

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<v Speaker 1>I was actually thinking about everyone was fine. Who I met?

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<v Speaker 1>I God, I watched that and I thought that is

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<v Speaker 1>I was running on pure instinct at that point. I

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<v Speaker 1>had moved to New York about a year and a

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<v Speaker 1>half earlier, and I started with just the most terrible

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<v Speaker 1>acting school you could possibly, like, the most discouraging. I

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<v Speaker 1>don't want to do any more acting classes after this school.

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<v Speaker 1>It was just, you know, they broke it up into

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<v Speaker 1>things like we actually had a course called the history

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<v Speaker 1>of sitcoms. Oh yeah, really kind of sketchy stuff that

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<v Speaker 1>I'm like, do we need to be studying this?

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<v Speaker 2>Odd?

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<v Speaker 1>I remember we had a scene study class with there

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<v Speaker 1>were a sister and brother in the class. Okay, it

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<v Speaker 1>pretty much cycled through all the partner ups you could,

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<v Speaker 1>and at the end this sister and brother were partnered

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<v Speaker 1>in a scene as lovers. No, yeah, that's how bad

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<v Speaker 1>it was.

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<v Speaker 2>That's not good.

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<v Speaker 1>And so I didn't have and I don't know what

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<v Speaker 1>it was. I couldn't No one could talk to me.

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<v Speaker 1>I don't think I had that. I've since found out

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<v Speaker 1>a bunch of my friends of the same age and

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<v Speaker 1>kind of experience had the same experience where we would somehow.

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<v Speaker 1>I think it was that I was looking to get

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<v Speaker 1>into the business post Titanic, and they saw me as

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<v Speaker 1>any kind of DiCaprio esque wow kid who could yell

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<v Speaker 1>a sentence or two with eviction. It just picked him

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<v Speaker 1>up and said, let's see which was.

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<v Speaker 2>You know, that's amazing. I love that because I also

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<v Speaker 2>I do feel like that's a big thing, right, Like

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<v Speaker 2>someone hits so big like Leo did when he was

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<v Speaker 2>really like his breakout whatever, and everyone's like, where's someone

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<v Speaker 2>like him? But you know, good for you that you

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<v Speaker 2>were in there, and I mean sad that you were

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<v Speaker 2>in a scary acting class, but obviously you persevered. You've

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<v Speaker 2>worked tons since then, and we got you like, like,

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<v Speaker 2>what first acting job, second acting job, third, Okay, yeah,

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<v Speaker 2>so you were really doing pretty well. I mean that's

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<v Speaker 2>pretty good for that age, don't you think, Oh yeah,

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<v Speaker 2>I was fantastic.

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<v Speaker 1>I have no I had no appreciation of work.

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<v Speaker 2>I mean, I don't think you do when you're young.

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<v Speaker 2>But also you had a lot going on, so maybe

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<v Speaker 2>you weren't really like, you know, grounded thinking about it right, Definitely.

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<v Speaker 1>Not interesting thing about it is I, you know, James

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<v Speaker 1>Dean was an idol of mine, and I only knew

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<v Speaker 1>what I'd retained from some weird biographies. There was actually

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<v Speaker 1>a Robert Altman documentary about him and Black and was

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<v Speaker 1>one of the earliest things Robert Altman ever did.

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<v Speaker 2>Wow.

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<v Speaker 1>But I just remembered stories about him pulling a switchblade

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<v Speaker 1>on directors and being unpredictable and real. Oh no, cass

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<v Speaker 1>And I didn't. This acting class didn't give me any

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<v Speaker 1>thing I didn't have. I didn't. I didn't grasp a

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<v Speaker 1>single thing. Wow. If they had anything to teach me,

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<v Speaker 1>and maybe if you could teach me anything, I couldn't

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<v Speaker 1>hear it because I was such a sheltered, delusional kid.

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<v Speaker 1>I needed to be this great James Dean genius. Wow.

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<v Speaker 1>No one could hand, no one could direct, no one

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<v Speaker 1>could handle. Wow. Yeah, it's crazy delusion.

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<v Speaker 2>I mean it's fascinating.

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<v Speaker 1>And there was a scene in the in the the

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<v Speaker 1>party scene in this episode when uh, Samantha and Carrey

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<v Speaker 1>first come up to me and I put a solo

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<v Speaker 1>cup almost on a plastic inflatable cactus. Yeah, And at

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<v Speaker 1>the time, I wanted to do the idea of just

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<v Speaker 1>letting it go onto the cactus and spill out everywhere

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<v Speaker 1>and do everything. And but I didn't know. I didn't

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<v Speaker 1>have the experience where I could go go to the director,

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<v Speaker 1>go to the cast, see if they want to do that, right,

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<v Speaker 1>it's just in my head be like, no, it's got

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<v Speaker 1>to be surprised. They can't know. Wow.

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<v Speaker 2>Wow.

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<v Speaker 1>And I didn't have the balls to go through with

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<v Speaker 1>it because I didn't want to ruin this.

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<v Speaker 2>That's probably good, that's probably good.

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<v Speaker 1>Yeah, But it was that kind of mentality interesting.

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<v Speaker 2>So but I love the I love the kind of

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<v Speaker 2>naive ambition of it all, you know, because sometimes I

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<v Speaker 2>feel like young actors are just trying to play it safe,

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<v Speaker 2>you know what I'm saying, Like, especially maybe nowadays, where

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<v Speaker 2>like I'm always pushing people who are younger to try

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<v Speaker 2>to like step out, like try something, you know.

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<v Speaker 1>I really think they're playing it safe these days.

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<v Speaker 2>Are some that I know, some that I know I

0:12:40.720 --> 0:12:42.480
<v Speaker 2>don't want to I don't want to call anyone out

0:12:42.520 --> 0:12:45.439
<v Speaker 2>here on the podcast, but I feel like it might

0:12:45.480 --> 0:12:47.880
<v Speaker 2>be somehow related to social media. I don't know if

0:12:47.880 --> 0:12:48.800
<v Speaker 2>that's true or not, but.

0:12:48.760 --> 0:12:50.600
<v Speaker 1>Like I'm sure it's true.

0:12:50.360 --> 0:12:54.559
<v Speaker 2>Right, like some kind of perception that they have about

0:12:54.640 --> 0:12:56.720
<v Speaker 2>how they should just be like kind of flat and

0:12:56.800 --> 0:12:57.840
<v Speaker 2>natural all the time.

0:12:58.040 --> 0:13:02.199
<v Speaker 1>No, I don't know, you're you're you're jet No, yeah.

0:13:02.040 --> 0:13:04.480
<v Speaker 2>I mean I'm ancient. Is really so you have?

0:13:04.640 --> 0:13:06.520
<v Speaker 1>But you had the thing where I don't know, I

0:13:06.559 --> 0:13:09.200
<v Speaker 1>grew up. This is the thing I've observed that I

0:13:09.240 --> 0:13:13.040
<v Speaker 1>grew up on various cartoons and sitcoms where they always

0:13:13.040 --> 0:13:15.560
<v Speaker 1>had a moral or a lesson at the end of

0:13:15.559 --> 0:13:19.199
<v Speaker 1>the episode. Yeah, and they all had the one where

0:13:20.080 --> 0:13:23.320
<v Speaker 1>you know what was the one Carlton got in trouble

0:13:23.360 --> 0:13:25.679
<v Speaker 1>this week because he wanted to be cool for Will's

0:13:25.720 --> 0:13:29.760
<v Speaker 1>friends from Philadelphia. Yes, yes, what he learned was that

0:13:29.800 --> 0:13:32.000
<v Speaker 1>you shouldn't care what other people think and that you

0:13:32.040 --> 0:13:33.199
<v Speaker 1>should just be yourself.

0:13:33.280 --> 0:13:35.200
<v Speaker 2>But that's great. I think that's great.

0:13:35.280 --> 0:13:38.280
<v Speaker 1>But did these kids grow up with any of that.

0:13:38.520 --> 0:13:39.560
<v Speaker 2>I don't think they did.

0:13:39.640 --> 0:13:41.160
<v Speaker 1>You ever got that special episode?

0:13:41.320 --> 0:13:44.040
<v Speaker 2>It doesn't seem like it. It doesn't seem like it.

0:13:44.120 --> 0:13:47.040
<v Speaker 2>I mean. The interesting thing is I think also it's

0:13:47.280 --> 0:13:50.560
<v Speaker 2>weird to be a young person acting right, so like

0:13:51.240 --> 0:13:55.720
<v Speaker 2>you might have maybe a lot of supervision because people

0:13:55.720 --> 0:13:58.120
<v Speaker 2>don't want to, you know, the safety. People are worried

0:13:58.120 --> 0:13:59.760
<v Speaker 2>about safety. I don't know. I don't know what it is,

0:13:59.800 --> 0:14:01.520
<v Speaker 2>but I do know that that there's a bunch of

0:14:01.640 --> 0:14:05.440
<v Speaker 2>young people that I was like, you know, act you

0:14:05.480 --> 0:14:08.160
<v Speaker 2>know what I'm saying, like go, whereas like for us,

0:14:08.240 --> 0:14:10.680
<v Speaker 2>we were all looking at the Nero and Meryl Streep

0:14:10.679 --> 0:14:14.120
<v Speaker 2>and you know, like actors, like real actors, where we

0:14:14.240 --> 0:14:18.240
<v Speaker 2>wanted to be super like serious and risky and you know,

0:14:18.400 --> 0:14:21.120
<v Speaker 2>emotional and all of those things. And I don't know

0:14:21.120 --> 0:14:24.600
<v Speaker 2>if that's what they are looking at now as being

0:14:24.640 --> 0:14:27.000
<v Speaker 2>there kind of their idols, you know what I'm saying.

0:14:27.640 --> 0:14:30.640
<v Speaker 2>And like for me, everything that you're saying separate from

0:14:30.720 --> 0:14:32.480
<v Speaker 2>the fact that you were in a very dark place,

0:14:32.920 --> 0:14:34.120
<v Speaker 2>which I feel really bad.

0:14:34.160 --> 0:14:34.680
<v Speaker 1>I know it.

0:14:34.960 --> 0:14:36.920
<v Speaker 2>I didn't know, like god, like I got it.

0:14:36.960 --> 0:14:38.440
<v Speaker 1>I wouldn't have known it if you told.

0:14:38.280 --> 0:14:41.760
<v Speaker 2>Me, wow, wow, amazing. But like for me, I think

0:14:41.760 --> 0:14:43.520
<v Speaker 2>that's partly why I really wanted to talk to you,

0:14:43.680 --> 0:14:46.680
<v Speaker 2>is that here you are so young and our show,

0:14:46.720 --> 0:14:49.840
<v Speaker 2>and our show at this point third season is pretty big,

0:14:50.040 --> 0:14:51.960
<v Speaker 2>like it's pretty successful. I don't know if you were

0:14:52.000 --> 0:14:57.880
<v Speaker 2>aware of that. No, amazing because you're just so bold

0:14:58.080 --> 0:15:00.560
<v Speaker 2>in the part. I mean it's written as bold obviously,

0:15:00.640 --> 0:15:03.920
<v Speaker 2>like you play Sam Jones. You know, Samantha Jones gets

0:15:03.960 --> 0:15:06.400
<v Speaker 2>these phone calls just in case anyone has it watched

0:15:06.400 --> 0:15:09.920
<v Speaker 2>it this week or whatever. And your friends start calling

0:15:10.080 --> 0:15:12.320
<v Speaker 2>our Samantha saying, you know, we're coming to your party,

0:15:12.360 --> 0:15:14.760
<v Speaker 2>and she's like, what party is this? And who's this

0:15:14.840 --> 0:15:16.840
<v Speaker 2>other Sam Jones? And how come I haven't met him?

0:15:16.880 --> 0:15:20.520
<v Speaker 2>And oh, he has an address that's near Washington Square Park.

0:15:20.560 --> 0:15:23.360
<v Speaker 2>He must be rich. But of course you're in a

0:15:23.440 --> 0:15:27.560
<v Speaker 2>dorm at NYU. It's also hysterical. So she and Carrie

0:15:27.680 --> 0:15:30.600
<v Speaker 2>end up at your party with a bunch of young people,

0:15:30.840 --> 0:15:35.600
<v Speaker 2>college age kids, and then she eventually you basically say

0:15:35.880 --> 0:15:38.720
<v Speaker 2>something to the effect of you know, I must be

0:15:38.880 --> 0:15:41.040
<v Speaker 2>the wrong Sam Jones because I'm still a virgin, like

0:15:41.040 --> 0:15:43.320
<v Speaker 2>you just blurred out to her at the party, which

0:15:43.360 --> 0:15:46.400
<v Speaker 2>is adorable, and she's like, oh, and then she did

0:15:46.480 --> 0:15:49.400
<v Speaker 2>she leaves, thank god, because I was nervous. I was like, no, Sam,

0:15:49.440 --> 0:15:51.360
<v Speaker 2>don't do it, because I don't remember a lot of

0:15:51.360 --> 0:15:54.040
<v Speaker 2>things when I look back, right like certainly other people's storylines,

0:15:54.040 --> 0:15:56.680
<v Speaker 2>I don't remember what's going to happen. But then she

0:15:57.280 --> 0:15:59.800
<v Speaker 2>does relent and I can't remember right now why she

0:16:00.120 --> 0:16:02.480
<v Speaker 2>lens even though I just watched it, but she goes.

0:16:03.320 --> 0:16:06.000
<v Speaker 1>I'm pretty forcable. I kind of forced myself.

0:16:06.200 --> 0:16:10.960
<v Speaker 2>You do. You're like you have a lot, You're very persuasive,

0:16:12.080 --> 0:16:15.080
<v Speaker 2>definitely a lot of energy, and also like you seem

0:16:15.640 --> 0:16:19.160
<v Speaker 2>just very sure of yourself. You know, like, even just

0:16:19.240 --> 0:16:21.560
<v Speaker 2>watching you as an actor, I thought that young actor

0:16:21.640 --> 0:16:25.400
<v Speaker 2>is very sure of himself. Like, wow, I'm so impressed.

0:16:25.600 --> 0:16:27.680
<v Speaker 2>And then you guys have very athletic sex, and you're

0:16:27.880 --> 0:16:30.600
<v Speaker 2>very very funny, and the sex very very funny. Your

0:16:30.600 --> 0:16:35.240
<v Speaker 2>faces and everything is very entertaining. And then you tell.

0:16:35.040 --> 0:16:37.840
<v Speaker 4>Her you love her like a little puppy dog like

0:16:37.880 --> 0:16:40.240
<v Speaker 4>it's so sweet at the end, and then she's like

0:16:40.320 --> 0:16:44.160
<v Speaker 4>bye bye, and then you go like down in a dark,

0:16:44.320 --> 0:16:48.040
<v Speaker 4>dark freak out, which is also so adorable because normally

0:16:48.120 --> 0:16:51.000
<v Speaker 4>that's what you see women doing, right, and.

0:16:50.920 --> 0:16:55.280
<v Speaker 2>You're like Samantha at the door of Sam Jones. Sam Jones, So,

0:16:55.520 --> 0:16:57.960
<v Speaker 2>I have so many questions. Number one, do you remember

0:16:58.000 --> 0:17:01.280
<v Speaker 2>anything filming it in particular, other than that you had

0:17:01.280 --> 0:17:03.400
<v Speaker 2>a theory that you were going to put the drink

0:17:03.440 --> 0:17:04.960
<v Speaker 2>all over everyone.

0:17:05.280 --> 0:17:09.000
<v Speaker 1>I remember very little. What I do remember is well,

0:17:09.040 --> 0:17:10.119
<v Speaker 1>there were only two days.

0:17:10.359 --> 0:17:12.480
<v Speaker 2>I think, yeah, but you packed a lot in.

0:17:13.080 --> 0:17:15.840
<v Speaker 1>I remember Alan Colter giving direction.

0:17:16.320 --> 0:17:16.560
<v Speaker 2>Yeah.

0:17:16.760 --> 0:17:19.080
<v Speaker 1>I don't know if this is your experience, but anytime

0:17:19.320 --> 0:17:20.280
<v Speaker 1>he had something for.

0:17:20.280 --> 0:17:27.840
<v Speaker 2>Me, he was like, definitely, definitely that thing.

0:17:28.280 --> 0:17:31.679
<v Speaker 1>And then I remember it was my first experience with

0:17:32.840 --> 0:17:38.520
<v Speaker 1>the modesty pouch. Yes, And they gave me two options,

0:17:38.640 --> 0:17:45.520
<v Speaker 1>the skin colored thong and the tarzan g string. Yes,

0:17:46.359 --> 0:17:48.639
<v Speaker 1>and they say which do you want. I remember going,

0:17:48.800 --> 0:17:54.920
<v Speaker 1>whoaoa whoa. I thought this was HBO, want to see

0:17:54.920 --> 0:17:55.560
<v Speaker 1>what happens?

0:17:55.760 --> 0:17:57.880
<v Speaker 2>Oh Jesus, yeah.

0:17:57.680 --> 0:18:02.720
<v Speaker 1>Exact delusional and I thought I was and Kim and

0:18:03.119 --> 0:18:05.360
<v Speaker 1>Kim Cattrall is like, no, but this is Kim Cotrell

0:18:09.960 --> 0:18:12.399
<v Speaker 1>and I was like, okay, So I took the Tarzan.

0:18:12.000 --> 0:18:23.800
<v Speaker 3>Thing, Okay, okay.

0:18:24.800 --> 0:18:27.840
<v Speaker 2>Do you remember why you have the accent that you

0:18:27.920 --> 0:18:29.840
<v Speaker 2>have because you're from Connecticut? Correct?

0:18:30.880 --> 0:18:31.680
<v Speaker 1>Correct? Yes?

0:18:31.840 --> 0:18:32.000
<v Speaker 3>Oh?

0:18:32.040 --> 0:18:33.000
<v Speaker 2>So what happened?

0:18:33.760 --> 0:18:36.960
<v Speaker 1>Well, I think I could be wrong. I think there

0:18:37.040 --> 0:18:39.320
<v Speaker 1>was something, and I think it was in the audition

0:18:40.400 --> 0:18:43.359
<v Speaker 1>scene as well. I thought there was some reference in

0:18:43.400 --> 0:18:44.600
<v Speaker 1>the script to Texan.

0:18:45.119 --> 0:18:48.480
<v Speaker 2>Oh, if there was, I missed it, but.

0:18:48.600 --> 0:18:51.199
<v Speaker 1>Cool, I don't know. I didn't think they. I think

0:18:51.680 --> 0:18:56.439
<v Speaker 1>I didn't because when we start, okay, they played like

0:18:56.520 --> 0:18:58.879
<v Speaker 1>a jingly, jangly banjo kind.

0:18:58.760 --> 0:19:01.320
<v Speaker 2>Of they did. That's true.

0:19:02.119 --> 0:19:04.120
<v Speaker 1>I feel like that was always baked in.

0:19:04.119 --> 0:19:07.680
<v Speaker 2>Somehow got it. I thought maybe it was Culter, who

0:19:07.760 --> 0:19:12.080
<v Speaker 2>has an accent kind of like not exactly the same,

0:19:12.359 --> 0:19:15.720
<v Speaker 2>but like a little Southern isms kind of to him.

0:19:16.240 --> 0:19:17.840
<v Speaker 2>I didn't know where that came from, but I love

0:19:17.880 --> 0:19:18.840
<v Speaker 2>it as a choice.

0:19:19.040 --> 0:19:21.080
<v Speaker 1>I don't think it came from me. I don't think I.

0:19:21.800 --> 0:19:24.040
<v Speaker 2>Well, you committed to it. You committed to it in

0:19:24.080 --> 0:19:26.560
<v Speaker 2>a very adorable way, very adorable.

0:19:27.040 --> 0:19:27.880
<v Speaker 1>Joe buck there.

0:19:28.080 --> 0:19:29.959
<v Speaker 2>Yeah, it was good. It was really good. It was

0:19:30.000 --> 0:19:32.600
<v Speaker 2>just as I said, it was so different from the

0:19:33.160 --> 0:19:37.440
<v Speaker 2>normal guy parts on our show, which are like often

0:19:37.480 --> 0:19:41.080
<v Speaker 2>a little bland ish. I don't want to criticize them all,

0:19:41.080 --> 0:19:43.880
<v Speaker 2>but and then until we find out whatever makes the

0:19:44.080 --> 0:19:46.880
<v Speaker 2>relationship go wrong, right, But like, you were just full

0:19:46.960 --> 0:19:49.199
<v Speaker 2>on out there the whole time, Like I thought it

0:19:49.320 --> 0:19:53.280
<v Speaker 2>was so so, so fantastic and perfect, and that you

0:19:53.320 --> 0:19:56.040
<v Speaker 2>were so young doing that I thought was just super interesting.

0:19:56.359 --> 0:19:58.760
<v Speaker 2>And I'm curious what your experience was like if you

0:19:58.800 --> 0:20:01.119
<v Speaker 2>can remember when that aired, well.

0:20:00.960 --> 0:20:03.040
<v Speaker 1>I went to a couple of my friends from that

0:20:03.200 --> 0:20:07.480
<v Speaker 1>terrible acting school had HBO and they were in Union,

0:20:07.560 --> 0:20:11.240
<v Speaker 1>New Jersey. So I went over to Union to watch it, okay,

0:20:12.000 --> 0:20:13.520
<v Speaker 1>and so that was that was that.

0:20:13.640 --> 0:20:14.520
<v Speaker 2>Did they like it?

0:20:14.600 --> 0:20:14.719
<v Speaker 4>Like?

0:20:14.800 --> 0:20:16.360
<v Speaker 2>Were you were they impressed?

0:20:16.640 --> 0:20:16.760
<v Speaker 1>Like?

0:20:17.160 --> 0:20:19.919
<v Speaker 2>Okay, okay? Did people shout at you on the street

0:20:20.000 --> 0:20:23.840
<v Speaker 2>and say, like Sam Jones, No, actually have not.

0:20:24.240 --> 0:20:28.080
<v Speaker 1>I it's It's the funny funny thing is like I

0:20:28.119 --> 0:20:30.840
<v Speaker 1>feel like I'm seldom recognized.

0:20:30.160 --> 0:20:34.160
<v Speaker 2>For that, understandably because you're like a grown up now,

0:20:34.480 --> 0:20:36.320
<v Speaker 2>but I mean it's.

0:20:36.040 --> 0:20:40.399
<v Speaker 1>Like every seven years somebody recognizes me from editors. I

0:20:40.640 --> 0:20:43.280
<v Speaker 1>find myself in a conversation where they're like, but you're

0:20:43.320 --> 0:20:47.000
<v Speaker 1>Sam Jones. You know. You're like, it's a really famous thing, right,

0:20:47.840 --> 0:20:50.639
<v Speaker 1>Well yeah, I'm like, okay, well it is.

0:20:50.760 --> 0:20:52.760
<v Speaker 2>It stands out, it really does.

0:20:53.359 --> 0:20:56.800
<v Speaker 1>But then six years of silence from the world passes,

0:20:56.840 --> 0:21:00.640
<v Speaker 1>and then another somebody comes up and it's like you're right,

0:21:00.680 --> 0:21:01.800
<v Speaker 1>and I'm like, is it.

0:21:03.080 --> 0:21:06.360
<v Speaker 2>I think it's because you don't seem like you're insane.

0:21:08.720 --> 0:21:12.640
<v Speaker 2>You know, like that's probably a good thing that you're

0:21:12.640 --> 0:21:16.760
<v Speaker 2>not walking around like shouting manic things, right.

0:21:17.760 --> 0:21:20.399
<v Speaker 1>If that's going to get me the people the recognition.

0:21:20.440 --> 0:21:21.800
<v Speaker 1>I deserve them.

0:21:22.480 --> 0:21:25.320
<v Speaker 2>Okay, if you feel one day like you need a

0:21:25.359 --> 0:21:29.879
<v Speaker 2>little recognition, just just start shouting names, either Sam Jones

0:21:30.000 --> 0:21:34.600
<v Speaker 2>or anyone's name. I bet you you could get some attention. Well,

0:21:34.680 --> 0:21:37.840
<v Speaker 2>I think it's really amazing. And I'm sorry that you

0:21:37.920 --> 0:21:40.239
<v Speaker 2>were like running seven miles a day and I'm not

0:21:40.280 --> 0:21:42.520
<v Speaker 2>really eating when you were with us, But I'm so

0:21:42.600 --> 0:21:44.119
<v Speaker 2>glad that you found your way out of it.

0:21:44.560 --> 0:21:47.080
<v Speaker 1>You know, you can achieve certain states of plis when

0:21:47.119 --> 0:21:48.240
<v Speaker 1>you're starving yourself.

0:21:48.600 --> 0:21:51.879
<v Speaker 2>That is so so true. Not that we recommend that

0:21:52.080 --> 0:21:54.680
<v Speaker 2>to want to endorsement, right, definitely.

0:21:54.520 --> 0:21:57.720
<v Speaker 1>Amazing the endurance of the human metabolism.

0:21:57.160 --> 0:22:00.480
<v Speaker 2>That's so true, but also like just so fascinating. And

0:22:00.520 --> 0:22:04.960
<v Speaker 2>I know as I mean, I think I've probably gone

0:22:04.960 --> 0:22:07.320
<v Speaker 2>on record many a time talking about the crazy dieting

0:22:07.359 --> 0:22:13.439
<v Speaker 2>that I've done through my career. So bad, Probably not,

0:22:14.920 --> 0:22:18.719
<v Speaker 2>I don't think to the extent that you're describing, because

0:22:18.760 --> 0:22:21.480
<v Speaker 2>I probably would never remembered my lines at a certain point,

0:22:21.520 --> 0:22:23.280
<v Speaker 2>you know what I'm saying, Like at a certain point

0:22:23.400 --> 0:22:27.000
<v Speaker 2>you can't really function, you know, Yeah, and I would

0:22:27.080 --> 0:22:29.000
<v Speaker 2>just break down and eat French fries or something. But

0:22:29.040 --> 0:22:31.720
<v Speaker 2>I mean, I've gone on really long times where I'm

0:22:31.720 --> 0:22:33.840
<v Speaker 2>like eating M and M's like I would just have

0:22:33.960 --> 0:22:37.480
<v Speaker 2>some thing where I'd be like, I'm just gonna eat

0:22:36.920 --> 0:22:42.680
<v Speaker 2>it so bad, so bad, and you can really kind

0:22:42.680 --> 0:22:45.040
<v Speaker 2>of go for a while like that. You know. It's interesting.

0:22:45.760 --> 0:22:48.040
<v Speaker 2>It's not great, not great, not great for your health.

0:22:48.080 --> 0:22:50.439
<v Speaker 2>But yeah, when you're you know, like if you have

0:22:50.560 --> 0:22:54.320
<v Speaker 2>some scene and in your young mind you've built it up,

0:22:54.440 --> 0:22:56.119
<v Speaker 2>you know, and you're nervous and you're not going to

0:22:56.200 --> 0:22:58.280
<v Speaker 2>wear a lot of clothes or you've got really tight

0:22:58.320 --> 0:23:01.119
<v Speaker 2>clothes or whatever it is, and you're like, I just

0:23:01.160 --> 0:23:02.800
<v Speaker 2>have to make it to that scene, so I'm just

0:23:02.960 --> 0:23:05.880
<v Speaker 2>not going to eat till then, you know, like craziness.

0:23:05.880 --> 0:23:09.560
<v Speaker 2>Craziness actors do, I mean everyone, I guess everyone does this, right,

0:23:09.640 --> 0:23:11.560
<v Speaker 2>I mean I don't know if everyone, but people are

0:23:11.600 --> 0:23:12.960
<v Speaker 2>prone to be doing things like this.

0:23:13.760 --> 0:23:18.560
<v Speaker 1>Yeah. Yeah, it's maybe with actors it's more transient because

0:23:18.560 --> 0:23:22.639
<v Speaker 1>it is attached to a job, as opposed to something

0:23:22.640 --> 0:23:25.600
<v Speaker 1>that's so baked in. Neuroses.

0:23:26.160 --> 0:23:28.000
<v Speaker 2>It's true. It's true, though. I do think I think

0:23:28.040 --> 0:23:31.200
<v Speaker 2>our neuroses are you know, baked in and then kind

0:23:31.200 --> 0:23:34.520
<v Speaker 2>of like stirred by the job, you know, what I'm saying, Like,

0:23:34.640 --> 0:23:36.600
<v Speaker 2>I certainly had a lot of people telling me that

0:23:36.680 --> 0:23:38.960
<v Speaker 2>I wasn't thin enough, right, Like it wasn't just me,

0:23:39.600 --> 0:23:39.800
<v Speaker 2>you know.

0:23:40.080 --> 0:23:44.480
<v Speaker 1>I mean, yeah, so you know the stuff they tell

0:23:44.520 --> 0:23:47.960
<v Speaker 1>you in this business that's accepted as normal is.

0:23:50.040 --> 0:23:51.520
<v Speaker 2>Yeah, pretty bonkers.

0:23:51.840 --> 0:23:54.920
<v Speaker 1>Yeah, you wonder what kind of person you'd be if

0:23:54.960 --> 0:23:56.480
<v Speaker 1>you never had done this?

0:23:57.119 --> 0:23:59.800
<v Speaker 2>I mean absolutely, But I also feel and I mean

0:23:59.840 --> 0:24:02.320
<v Speaker 2>this is just me, but I also feel like if

0:24:02.359 --> 0:24:05.320
<v Speaker 2>I hadn't had a job where I was able to

0:24:05.440 --> 0:24:08.639
<v Speaker 2>express myself, I don't know what would have happened to

0:24:08.680 --> 0:24:13.480
<v Speaker 2>me either, right, That's true, you know, like as positives negatives, you.

0:24:13.440 --> 0:24:15.800
<v Speaker 1>Know, it's like the thing when in I don't know,

0:24:15.880 --> 0:24:18.280
<v Speaker 1>hanging out in la or trying to make worm my

0:24:18.359 --> 0:24:21.960
<v Speaker 1>way into the improv scene for a while, and these

0:24:22.119 --> 0:24:26.680
<v Speaker 1>be finding myself in these constant contests of one upmanship

0:24:26.720 --> 0:24:32.280
<v Speaker 1>and strange high school kind of mentality and being insecure

0:24:32.400 --> 0:24:34.800
<v Speaker 1>and always trying to be the wittiest in the room,

0:24:34.880 --> 0:24:38.119
<v Speaker 1>and then finding myself hanging out with my cousins or

0:24:38.160 --> 0:24:40.480
<v Speaker 1>people who are not in the business at all, and

0:24:40.560 --> 0:24:43.760
<v Speaker 1>all of a sudden feeling, oh, I'm like Robin Williams

0:24:43.760 --> 0:24:48.119
<v Speaker 1>and normal people yes, but to entertainers, I'm like not,

0:24:48.320 --> 0:24:49.720
<v Speaker 1>definitely not. Robin Williams.

0:24:49.840 --> 0:24:52.120
<v Speaker 2>Yes, it's a good point. It's a really good point.

0:24:52.119 --> 0:24:53.720
<v Speaker 2>And I do think you kind of get into like

0:24:53.760 --> 0:24:56.280
<v Speaker 2>an insular thing of like when you're in New York

0:24:56.359 --> 0:24:58.760
<v Speaker 2>or LA trying to do the you know, the job

0:24:58.800 --> 0:25:02.040
<v Speaker 2>and hanging with all the people, Well, you can feel like, gosh,

0:25:02.080 --> 0:25:04.399
<v Speaker 2>I'm like this wallpaper, you know what I mean, Like

0:25:04.520 --> 0:25:06.720
<v Speaker 2>I'm nothing. When you go out in the real world,

0:25:06.800 --> 0:25:09.680
<v Speaker 2>you're like, oh yeah, no, nope, nope, nope, don't fit

0:25:09.720 --> 0:25:12.600
<v Speaker 2>in here either, you know what I mean. Like it's interesting,

0:25:12.680 --> 0:25:15.480
<v Speaker 2>it's really interesting. So I'm also curious because you've gone

0:25:15.480 --> 0:25:17.760
<v Speaker 2>on to do many many TV shows and things, all

0:25:17.840 --> 0:25:23.000
<v Speaker 2>kind of stuff. Do you like it? Like, what was

0:25:23.000 --> 0:25:23.800
<v Speaker 2>your favorite job?

0:25:24.960 --> 0:25:28.240
<v Speaker 1>I think pound for pound My favorite job, which was

0:25:28.280 --> 0:25:32.440
<v Speaker 1>another starving one, was the Pacific for HBO.

0:25:33.119 --> 0:25:35.040
<v Speaker 2>Yeah, that was really good.

0:25:35.760 --> 0:25:41.280
<v Speaker 1>It was very intense and we were all starving ourselves,

0:25:41.480 --> 0:25:47.800
<v Speaker 1>supposed to be starving. Yeah, yeah, and it was it

0:25:47.840 --> 0:25:56.720
<v Speaker 1>felt like it's a very serious subject. We were being

0:25:56.800 --> 0:26:00.440
<v Speaker 1>watched by actual marines, some of whom were cycled back

0:26:00.480 --> 0:26:04.439
<v Speaker 1>to Iraq at the time, and that for them, the

0:26:04.480 --> 0:26:09.520
<v Speaker 1>Pacific theater was like there their lord of the rings.

0:26:09.560 --> 0:26:14.320
<v Speaker 1>I suppose. Wow, And so you felt a great responsibility

0:26:14.400 --> 0:26:18.159
<v Speaker 1>to not ham your way through it.

0:26:18.560 --> 0:26:21.320
<v Speaker 2>Absolutely absolutely, And so it.

0:26:21.280 --> 0:26:24.240
<v Speaker 1>Felt and we didn't have you know, you didn't the

0:26:24.320 --> 0:26:28.600
<v Speaker 1>mentality about it was anyone who used a set chair

0:26:29.280 --> 0:26:33.960
<v Speaker 1>or who who who you indulged in any of the

0:26:34.000 --> 0:26:37.520
<v Speaker 1>creature comforts, who didn't who didn't participate in the push

0:26:37.560 --> 0:26:42.520
<v Speaker 1>up contests or the stupid you do. It just felt

0:26:42.560 --> 0:26:44.840
<v Speaker 1>like it felt like a real not a real job.

0:26:44.880 --> 0:26:50.000
<v Speaker 1>But it felt like it didn't feel like you were

0:26:50.040 --> 0:26:53.879
<v Speaker 1>the spoiled actor on set and everybody else was you know, lifted,

0:26:53.960 --> 0:26:59.240
<v Speaker 1>you lifted your weapon, you lifted your your machine gun emplacement.

0:27:00.520 --> 0:27:03.600
<v Speaker 2>Wow, incredible. I mean, what an amazing job to be

0:27:03.640 --> 0:27:04.120
<v Speaker 2>a part of.

0:27:05.200 --> 0:27:06.159
<v Speaker 1>Yeah, it was amazing.

0:27:06.240 --> 0:27:09.320
<v Speaker 2>Yeah, that's fantastic. I mean that's what we all want, right,

0:27:09.440 --> 0:27:13.080
<v Speaker 2>something that's like bigger than us, that you're just lucky

0:27:13.119 --> 0:27:13.800
<v Speaker 2>to be a part of.

0:27:14.800 --> 0:27:17.520
<v Speaker 1>Yeah. I wish they did, you know, boot camp for

0:27:17.640 --> 0:27:18.960
<v Speaker 1>romantic comedies.

0:27:18.560 --> 0:27:22.120
<v Speaker 2>And stuff that would be interesting and funny. I mean,

0:27:22.160 --> 0:27:23.840
<v Speaker 2>first of all, we'd have to get someone to make

0:27:23.880 --> 0:27:27.400
<v Speaker 2>some romantic comedies, which right now really no one's doing. Sadly,

0:27:27.800 --> 0:27:30.119
<v Speaker 2>I think sadly though I don't know. I mean, I

0:27:30.160 --> 0:27:31.399
<v Speaker 2>don't know if you've seen I don't know if you

0:27:31.400 --> 0:27:34.959
<v Speaker 2>watch TV, but have you seen Heated Rivalry?

0:27:36.280 --> 0:27:37.680
<v Speaker 1>No, but I've certainly heard about it.

0:27:38.320 --> 0:27:40.000
<v Speaker 2>The thing that I love about it, I love many

0:27:40.000 --> 0:27:42.520
<v Speaker 2>things about it, but one thing that I love about it,

0:27:42.600 --> 0:27:45.119
<v Speaker 2>and this I think is for me as an actor,

0:27:45.280 --> 0:27:47.679
<v Speaker 2>as someone who's been part of a romantic comedy for

0:27:47.720 --> 0:27:50.520
<v Speaker 2>a long time, and you know, you watch romantic comedies

0:27:50.520 --> 0:27:53.600
<v Speaker 2>and then kind of go through phases about how they're

0:27:53.640 --> 0:27:56.480
<v Speaker 2>done and how people respond to them, and it seemed

0:27:56.520 --> 0:27:59.480
<v Speaker 2>like for a while, irony seem to be very important

0:27:59.600 --> 0:28:02.760
<v Speaker 2>to comedies, like people couldn't really buy in without it,

0:28:03.119 --> 0:28:05.280
<v Speaker 2>and then like at a certain point there's just kind

0:28:05.280 --> 0:28:07.000
<v Speaker 2>of like people aren't going to buy in at all, right,

0:28:07.000 --> 0:28:08.440
<v Speaker 2>Like so no one's going to make them, which is

0:28:08.480 --> 0:28:12.760
<v Speaker 2>really sad. Of course he did. Rivalry about two closeted

0:28:12.920 --> 0:28:18.720
<v Speaker 2>hockey players, has the most powerful romantic comedy payoff at

0:28:18.760 --> 0:28:21.760
<v Speaker 2>the final episode or right, it's not even the final episode,

0:28:21.840 --> 0:28:24.439
<v Speaker 2>it's the fifth episode. It's a sixth episode thing. The

0:28:24.520 --> 0:28:27.760
<v Speaker 2>fifth episode, I think there's a payoff, Like it's such

0:28:27.880 --> 0:28:32.080
<v Speaker 2>a kind of almost textbook romantic comedy type of a

0:28:32.160 --> 0:28:36.400
<v Speaker 2>scene that if it weren't closeted hockey players, I don't

0:28:36.440 --> 0:28:40.560
<v Speaker 2>know if audiences could really like buy in and have

0:28:41.120 --> 0:28:43.160
<v Speaker 2>the full experience of what it is. Like is so

0:28:43.400 --> 0:28:46.200
<v Speaker 2>beautifully done the way they lead up to it, they

0:28:46.400 --> 0:28:50.040
<v Speaker 2>editing the writing, all the different parts, you know, the

0:28:50.040 --> 0:28:54.959
<v Speaker 2>different characters are interconnected in this scene. It's so beautifully

0:28:55.000 --> 0:28:57.840
<v Speaker 2>crafted that it makes me want to watch the whole

0:28:57.840 --> 0:29:00.280
<v Speaker 2>thing all over again, just for the craft.

0:29:00.040 --> 0:29:03.720
<v Speaker 1>Aft of that place.

0:29:03.880 --> 0:29:07.840
<v Speaker 2>Yes, and having it actually work like it's kind of

0:29:08.000 --> 0:29:10.160
<v Speaker 2>blows my mind still just thinking about it, but it

0:29:10.160 --> 0:29:13.400
<v Speaker 2>makes me think about you know, like Jacob Tierney, the showrunner,

0:29:13.440 --> 0:29:16.280
<v Speaker 2>he should be teaching a romantic comedy boot camp, you

0:29:16.320 --> 0:29:18.360
<v Speaker 2>know what I mean, because he knows what he's doing,

0:29:18.360 --> 0:29:20.760
<v Speaker 2>and I'm not saying that other people don't obviously, you know,

0:29:20.880 --> 0:29:24.760
<v Speaker 2>we I think we did a fantastic job of a

0:29:24.880 --> 0:29:28.840
<v Speaker 2>very long term, you know, romantic comedy TV show, which

0:29:28.840 --> 0:29:31.280
<v Speaker 2>is kind of unheard of, right because it's it's not

0:29:31.320 --> 0:29:32.760
<v Speaker 2>a sitcom. It's not you know, like you had a

0:29:32.760 --> 0:29:36.400
<v Speaker 2>sitcom class, which is also like a very specific art form, right,

0:29:36.800 --> 0:29:39.200
<v Speaker 2>but like also weird to have a class of it.

0:29:39.280 --> 0:29:40.600
<v Speaker 2>I don't know. It's all very weird.

0:29:40.720 --> 0:29:42.800
<v Speaker 1>But they didn't teach us. The thing is, they didn't

0:29:42.800 --> 0:29:45.959
<v Speaker 1>teach us. It's not like they taught a sitcom style acting.

0:29:46.160 --> 0:29:49.680
<v Speaker 1>Oh no, just like it began with the Honeymooners and

0:29:49.720 --> 0:29:54.520
<v Speaker 1>then it moved on to Wow, the Swiss Family, Robinson

0:29:54.600 --> 0:29:58.080
<v Speaker 1>or whatever. It was bizarre.

0:29:58.360 --> 0:30:01.600
<v Speaker 2>That is bizarre, I mean because sitcom acting is hard

0:30:01.760 --> 0:30:04.120
<v Speaker 2>in its own way, right, because you've got an audience,

0:30:04.200 --> 0:30:06.360
<v Speaker 2>you've got like a set behind you. You have to

0:30:06.440 --> 0:30:09.600
<v Speaker 2>kind of like it's like your theater because you can't

0:30:10.040 --> 0:30:12.040
<v Speaker 2>you know, you don't want to upstage yourself. But yet

0:30:12.080 --> 0:30:13.960
<v Speaker 2>you also have to make it seem natural and tell

0:30:14.000 --> 0:30:18.760
<v Speaker 2>the jokes. I mean obviously very we're having like hardcore

0:30:19.200 --> 0:30:22.719
<v Speaker 2>actor talk now, But like if someone really taught that,

0:30:22.920 --> 0:30:25.520
<v Speaker 2>I think that would be interesting. You know, though I

0:30:25.520 --> 0:30:30.240
<v Speaker 2>don't know how many sitcom.

0:30:28.440 --> 0:30:30.520
<v Speaker 1>Four camera stuff is very bizarre.

0:30:30.560 --> 0:30:33.240
<v Speaker 2>It is very bizarre, I agree, and hard. I find

0:30:33.280 --> 0:30:35.040
<v Speaker 2>it really hard to do. There was a certain point

0:30:35.640 --> 0:30:37.840
<v Speaker 2>of the show where I thought, you know, I want

0:30:37.840 --> 0:30:40.080
<v Speaker 2>to go on some sitcoms because people would talk to

0:30:40.120 --> 0:30:42.280
<v Speaker 2>me about like, oh, you know, we should develop a

0:30:42.320 --> 0:30:44.920
<v Speaker 2>sitcom for you when the show was over, when Sex

0:30:44.920 --> 0:30:47.000
<v Speaker 2>and City's over. But I was like, oh, I'm scared.

0:30:47.040 --> 0:30:49.520
<v Speaker 2>I'm scared. I don't know about that. So at one

0:30:49.600 --> 0:30:52.120
<v Speaker 2>point I went on Friends as a guest star. I

0:30:52.160 --> 0:30:54.200
<v Speaker 2>went on Will and Grace as a guest star. It

0:30:54.280 --> 0:30:57.440
<v Speaker 2>was really really fun, but still very terrifying, Like you'd

0:30:57.480 --> 0:31:01.040
<v Speaker 2>walk out and they'd all clap, like like a Broadway

0:31:01.080 --> 0:31:03.920
<v Speaker 2>where you just have to like somehow hold Oh.

0:31:03.800 --> 0:31:05.400
<v Speaker 1>Yeah, I hate that on Broadway.

0:31:05.520 --> 0:31:06.400
<v Speaker 3>It's so hard.

0:31:07.200 --> 0:31:10.000
<v Speaker 1>I hate that on broad right. I mean, it's really

0:31:10.440 --> 0:31:13.600
<v Speaker 1>who it is. It's just you're totally destroying the realities.

0:31:13.680 --> 0:31:17.040
<v Speaker 2>I agree, and I think the audience means it as

0:31:17.080 --> 0:31:20.520
<v Speaker 2>a positive thing, right, But as an actor, like, it's

0:31:20.640 --> 0:31:22.440
<v Speaker 2>very strange.

0:31:21.760 --> 0:31:24.560
<v Speaker 1>Nine hundred dollars to see Denzel Washington. You want to

0:31:24.600 --> 0:31:26.960
<v Speaker 1>make sure that like yep, and get my money.

0:31:28.960 --> 0:31:31.560
<v Speaker 2>And I think people genuinely love Denzel Washington, right or

0:31:31.600 --> 0:31:33.760
<v Speaker 2>whoever it is, right, so they want to they have

0:31:33.840 --> 0:31:37.320
<v Speaker 2>a moment where they're like live with them basically, right,

0:31:37.360 --> 0:31:39.480
<v Speaker 2>which is the joy of theater, of course, So they're like,

0:31:39.560 --> 0:31:41.280
<v Speaker 2>I'm going to show him right in this moment, I'm

0:31:41.280 --> 0:31:43.360
<v Speaker 2>going to clap really hard. But then as an actor.

0:31:43.400 --> 0:31:47.640
<v Speaker 2>You're just trying to breathe and like stay still or whatever.

0:31:47.800 --> 0:31:51.360
<v Speaker 2>Like it's really strange. It's really really strange.

0:31:50.840 --> 0:31:53.320
<v Speaker 1>And you came on. They clapped when you came on,

0:31:53.480 --> 0:31:56.080
<v Speaker 1>they did you must also feel like I haven't earned

0:31:56.160 --> 0:31:57.480
<v Speaker 1>you don't know, yes.

0:31:57.760 --> 0:32:02.640
<v Speaker 2>Yes, yes, yes. It's very weird, right because it's not

0:32:02.960 --> 0:32:05.640
<v Speaker 2>for the part that you're doing. It's just for your

0:32:05.960 --> 0:32:09.240
<v Speaker 2>general you know, being or whatever, like Sex and the City.

0:32:09.480 --> 0:32:11.520
<v Speaker 2>But yet you're on Friends or you're on Will and Grace.

0:32:11.560 --> 0:32:14.960
<v Speaker 2>It was very strange and mortifying, like like I felt

0:32:15.080 --> 0:32:17.360
<v Speaker 2>so like egg was just running down my face, you

0:32:17.360 --> 0:32:19.600
<v Speaker 2>know what I mean, Like I felt so embarrassed. But

0:32:19.720 --> 0:32:23.000
<v Speaker 2>everyone's always super, you know, like James Burrows was directing

0:32:23.000 --> 0:32:25.200
<v Speaker 2>Will and Grace, who's like a great you know great

0:32:25.240 --> 0:32:26.440
<v Speaker 2>Like if you ever want to be on a sitcom

0:32:26.440 --> 0:32:28.680
<v Speaker 2>down and say, come with James Borrow's directing, he will

0:32:28.720 --> 0:32:30.920
<v Speaker 2>take care of you. And he was like, just breathe,

0:32:31.080 --> 0:32:34.080
<v Speaker 2>just breathe, just breathe and hold, don't don't ruin the

0:32:34.080 --> 0:32:37.640
<v Speaker 2>next laugh, don't keep going because my inner anxiety would

0:32:37.680 --> 0:32:39.600
<v Speaker 2>be like I'm just gonna push through. I'm just gonna

0:32:39.680 --> 0:32:42.200
<v Speaker 2>keep going, which you kind of can't. You gotta wait,

0:32:42.280 --> 0:32:45.800
<v Speaker 2>you gotta wait. Yeah, it's super interesting. Acting is weird.

0:32:48.520 --> 0:32:49.400
<v Speaker 2>Don't you think.

0:32:50.920 --> 0:32:51.840
<v Speaker 1>I think it's weird?

0:32:55.760 --> 0:32:59.720
<v Speaker 2>No, really interesting. Okay, you know what.

0:32:59.680 --> 0:33:02.280
<v Speaker 1>I think is weird. This is what I think is weird.

0:33:02.600 --> 0:33:05.040
<v Speaker 1>I think it's I'm very I've been very nervous about

0:33:05.040 --> 0:33:05.920
<v Speaker 1>this whole thing.

0:33:06.000 --> 0:33:09.080
<v Speaker 2>I have to tell you what being on my podcast.

0:33:09.320 --> 0:33:13.600
<v Speaker 1>Yeah, being any in any anytime I've done a red

0:33:13.680 --> 0:33:20.640
<v Speaker 1>carpet interview or any interview anywhere, I'm incredibly self conscious

0:33:20.680 --> 0:33:25.440
<v Speaker 1>about it. I find I find it interesting that we

0:33:25.480 --> 0:33:30.120
<v Speaker 1>live in this world where the people who have found

0:33:30.120 --> 0:33:36.520
<v Speaker 1>a purpose in pretending to be anybody other than themselves

0:33:37.120 --> 0:33:43.160
<v Speaker 1>are expected somehow to be happy and most joyous when

0:33:43.200 --> 0:33:47.120
<v Speaker 1>everyone's paying attention to them as they are so true.

0:33:47.720 --> 0:33:51.320
<v Speaker 1>I'm not. I've never been. I think there's species of actors,

0:33:51.400 --> 0:33:54.880
<v Speaker 1>or there's species of you know, and I'm not. I've

0:33:55.080 --> 0:33:57.440
<v Speaker 1>really gotten a lot of respect for Robert de Niro

0:33:58.040 --> 0:34:01.840
<v Speaker 1>just as a as a public person, because people criticize

0:34:01.920 --> 0:34:05.520
<v Speaker 1>him for being a terrible interview But I I'm like,

0:34:06.040 --> 0:34:09.959
<v Speaker 1>he's not a personality, right, He's a guy like he's

0:34:10.040 --> 0:34:15.759
<v Speaker 1>and that's you're not, that's not what's interesting to I'm

0:34:15.760 --> 0:34:17.200
<v Speaker 1>sure he's a fascinating person.

0:34:17.239 --> 0:34:20.759
<v Speaker 2>When he's definitely fascinating, I.

0:34:20.640 --> 0:34:23.560
<v Speaker 1>Don't want, I don't care about like it's even saying

0:34:23.600 --> 0:34:25.680
<v Speaker 1>this right now, it's terrifying to me. I'm going to

0:34:25.760 --> 0:34:26.880
<v Speaker 1>regret it immediately.

0:34:27.040 --> 0:34:31.120
<v Speaker 2>No, No, you're great. Oh my god, Please don't regret it.

0:34:31.160 --> 0:34:32.480
<v Speaker 2>Please don't regret it. So this is what I want

0:34:32.480 --> 0:34:32.680
<v Speaker 2>to say.

0:34:32.680 --> 0:34:34.879
<v Speaker 1>I look going to regret the whole thing. Oh, thank god,

0:34:35.520 --> 0:34:37.440
<v Speaker 1>I'm going to regret. I'm going to know.

0:34:37.560 --> 0:34:41.320
<v Speaker 2>I'm gonna No, don't regret it, because I completely understand

0:34:41.360 --> 0:34:41.960
<v Speaker 2>what you're saying.

0:34:42.120 --> 0:34:44.560
<v Speaker 1>I'm looking at an empty glass. There's nothing here.

0:34:44.560 --> 0:34:47.440
<v Speaker 2>I love it. Just pretend to drink it. Okay, you're acting.

0:34:47.520 --> 0:34:50.080
<v Speaker 2>Go ahead. So this is what I think is so great.

0:34:50.280 --> 0:34:53.880
<v Speaker 2>I think that there is a general misconception that somehow

0:34:53.920 --> 0:34:56.840
<v Speaker 2>actors all want to do stuff like this, right We

0:34:56.880 --> 0:34:59.279
<v Speaker 2>all want to do red carpet interviews. We all want

0:34:59.280 --> 0:35:01.640
<v Speaker 2>to be on talk shows, we all want to be

0:35:01.840 --> 0:35:02.680
<v Speaker 2>talking and the center.

0:35:03.960 --> 0:35:06.080
<v Speaker 1>I thought that's what I wanted when I started to

0:35:06.760 --> 0:35:09.520
<v Speaker 1>you know, I think, I don't know. I think a

0:35:09.560 --> 0:35:11.160
<v Speaker 1>lot of my friends, you know, a lot of people,

0:35:12.520 --> 0:35:16.000
<v Speaker 1>there's something that makes you want to put yourself in

0:35:16.040 --> 0:35:18.239
<v Speaker 1>a position where the world adores you. There's some kind

0:35:18.280 --> 0:35:25.239
<v Speaker 1>of basic lack there, whole need. And I think what

0:35:25.440 --> 0:35:28.080
<v Speaker 1>happened to me very early on in the business from

0:35:28.080 --> 0:35:33.520
<v Speaker 1>what I witnessed, is that being famous does not absolve

0:35:33.560 --> 0:35:37.120
<v Speaker 1>you of being an asshole and it does not actually

0:35:37.160 --> 0:35:46.600
<v Speaker 1>make you immortal. So what why you know? And it's yeah,

0:35:46.640 --> 0:35:49.839
<v Speaker 1>so that's one of and those those those delusions kind

0:35:49.880 --> 0:35:51.120
<v Speaker 1>of crumble.

0:35:51.320 --> 0:35:52.640
<v Speaker 2>Right, I think that's really correat.

0:35:52.760 --> 0:35:55.160
<v Speaker 1>Then you start coveting fame just because you realize, oh,

0:35:55.160 --> 0:35:58.720
<v Speaker 1>this is currency, and that's works more if I have more.

0:35:58.520 --> 0:36:02.040
<v Speaker 2>Of this absolutely, which is very real. That's very real.

0:36:02.200 --> 0:36:05.080
<v Speaker 2>It's unfortunate, but it's very real. Like it's not talent,

0:36:05.320 --> 0:36:09.480
<v Speaker 2>it's the currency of being well known or being your

0:36:09.560 --> 0:36:10.880
<v Speaker 2>last project or whatever it is.

0:36:11.440 --> 0:36:15.319
<v Speaker 1>And I think just more just being you know, we

0:36:15.360 --> 0:36:21.520
<v Speaker 1>live in this time now and social media and whatever

0:36:21.880 --> 0:36:25.160
<v Speaker 1>the kids are into these days. Those yes, they are

0:36:25.200 --> 0:36:29.200
<v Speaker 1>getting TV shows, they are getting represented by huge agencies.

0:36:29.239 --> 0:36:34.680
<v Speaker 1>People who watch video games online and comment on them,

0:36:34.800 --> 0:36:40.120
<v Speaker 1>and that's how they make their millions. That's what. Yeah,

0:36:40.239 --> 0:36:44.040
<v Speaker 1>isn't that That guy pewdie Pine, that's what he did.

0:36:44.400 --> 0:36:46.600
<v Speaker 2>I don't know who you're talking about, but I believe you.

0:36:47.400 --> 0:36:50.600
<v Speaker 1>I barely. I saw some daily on him or something.

0:36:50.760 --> 0:36:54.000
<v Speaker 1>Oh my god, he's made like hundreds of millions of

0:36:54.200 --> 0:36:57.320
<v Speaker 1>like millions, and he started he's just a guy from

0:36:58.360 --> 0:37:01.200
<v Speaker 1>Norway or something commenting on.

0:37:03.360 --> 0:37:06.440
<v Speaker 2>I mean, it's fully bonkers out there, okay.

0:37:06.239 --> 0:37:08.040
<v Speaker 1>Momenting on video games, and that's how he.

0:37:08.840 --> 0:37:11.440
<v Speaker 2>Well, this is what I think about that. I think that, yes,

0:37:11.760 --> 0:37:15.400
<v Speaker 2>the world is nuts, and we're living through this humongous

0:37:15.480 --> 0:37:18.879
<v Speaker 2>change with AI and all the things, and I think

0:37:18.920 --> 0:37:24.480
<v Speaker 2>that we as actors just have to remain calm, like,

0:37:24.680 --> 0:37:27.719
<v Speaker 2>remain grounded, try to protect ourselves and keep doing what

0:37:27.760 --> 0:37:30.480
<v Speaker 2>we do because I have to believe that in the end,

0:37:31.120 --> 0:37:36.239
<v Speaker 2>people are going to be attracted to actual real storytelling,

0:37:36.680 --> 0:37:38.919
<v Speaker 2>you know, which is what that's actually what we do,

0:37:39.000 --> 0:37:40.160
<v Speaker 2>that's what we want to do.

0:37:41.040 --> 0:37:43.719
<v Speaker 1>I agree with you, right, I agree with you. I

0:37:43.800 --> 0:37:46.440
<v Speaker 1>think the question might be will they be able to

0:37:46.480 --> 0:37:47.280
<v Speaker 1>tell the difference?

0:37:47.560 --> 0:37:50.440
<v Speaker 2>I think so. See, I personally think so, because I

0:37:50.600 --> 0:37:54.400
<v Speaker 2>do not think. I mean, I just feel like I

0:37:54.440 --> 0:37:56.840
<v Speaker 2>also just have to be hopeful, because what's the point

0:37:56.920 --> 0:37:59.319
<v Speaker 2>of not you know, I can't get my mind around

0:37:59.360 --> 0:38:02.080
<v Speaker 2>the fact that this be true. But like I don't

0:38:02.160 --> 0:38:05.680
<v Speaker 2>see how like you know how for instance, Okay, let's

0:38:05.680 --> 0:38:08.800
<v Speaker 2>think about you in this part, right, You're like a kid.

0:38:09.120 --> 0:38:13.359
<v Speaker 2>You're a kid, and you are bold and out there

0:38:13.400 --> 0:38:16.359
<v Speaker 2>and surprising, and I don't even know what you're going

0:38:16.440 --> 0:38:18.120
<v Speaker 2>to do next when I'm watching it, which is partly

0:38:18.120 --> 0:38:19.640
<v Speaker 2>why I wanted to talk to you today. And you

0:38:19.680 --> 0:38:23.960
<v Speaker 2>are not disappointing. I want to add as yourself. So

0:38:24.680 --> 0:38:29.600
<v Speaker 2>how could AI replicate a human and then surprise us?

0:38:29.719 --> 0:38:31.759
<v Speaker 2>I don't think it could happen, do you know what

0:38:31.800 --> 0:38:33.839
<v Speaker 2>I'm saying. I haven't seen it happen yet. I don't

0:38:33.840 --> 0:38:34.600
<v Speaker 2>think it could happen.

0:38:35.080 --> 0:38:39.040
<v Speaker 1>I get I suppose, but then don't There are actors.

0:38:39.360 --> 0:38:42.600
<v Speaker 1>I'm sure you have. I have them who I who

0:38:42.640 --> 0:38:46.959
<v Speaker 1>are and this is petty, yes, but I who star

0:38:47.160 --> 0:38:49.360
<v Speaker 1>in movies and I'm not going to name them, but

0:38:49.440 --> 0:38:53.759
<v Speaker 1>I see them and I know every single movement they're

0:38:53.800 --> 0:38:56.440
<v Speaker 1>gonna make before you do it. I know you're saying

0:38:57.200 --> 0:38:58.400
<v Speaker 1>everything they're gonna do.

0:38:59.080 --> 0:39:01.960
<v Speaker 2>That's true, that's true. That's a valid point. That's a

0:39:02.040 --> 0:39:06.560
<v Speaker 2>valid point. But I also feel like, you know, until

0:39:06.640 --> 0:39:11.760
<v Speaker 2>we see a successful, you know, show written by AI

0:39:11.880 --> 0:39:14.080
<v Speaker 2>which hasn't happened, right, Like, we're about to see a

0:39:14.120 --> 0:39:18.000
<v Speaker 2>bunch of shows about AI writing, right, Like the Comeback

0:39:18.080 --> 0:39:20.720
<v Speaker 2>is going to be coming back. The Comeback is coming

0:39:20.719 --> 0:39:23.600
<v Speaker 2>back on HBO, and it's going to be about the

0:39:23.600 --> 0:39:25.920
<v Speaker 2>first sitcom written by AI, which I think is going

0:39:25.960 --> 0:39:29.440
<v Speaker 2>to be prettyunny because it's Michael Patrick and Lisa Kujo.

0:39:29.640 --> 0:39:33.319
<v Speaker 2>But I still am not convinced everything that I have

0:39:33.480 --> 0:39:36.720
<v Speaker 2>seen and or read, Like, my daughter's fourteen, she's in school,

0:39:36.760 --> 0:39:38.960
<v Speaker 2>and there's a whole thing about you know, whether they've

0:39:39.040 --> 0:39:41.920
<v Speaker 2>used AI for their homework, right, it's like a whole situation.

0:39:42.160 --> 0:39:43.520
<v Speaker 1>You read the anxious generation.

0:39:44.239 --> 0:39:48.000
<v Speaker 2>Yeah, no joke, they are the anti anxious generation. It's

0:39:48.000 --> 0:39:50.320
<v Speaker 2>for real. Oh it's scary. Yeah, it's scary.

0:39:51.120 --> 0:39:54.160
<v Speaker 1>Is your daughter's stat I'm not going to pry into

0:39:54.200 --> 0:39:55.239
<v Speaker 1>your daughter's life?

0:39:55.440 --> 0:39:57.480
<v Speaker 2>Yeah? Probably not. I shouldn't even bring her up, but

0:39:57.520 --> 0:40:00.000
<v Speaker 2>it's hard not to because of everything that we're talking about.

0:40:00.200 --> 0:40:03.680
<v Speaker 2>For the young people, we we remember life before, right,

0:40:03.840 --> 0:40:06.280
<v Speaker 2>thank god, you know, they don't really have a life

0:40:06.320 --> 0:40:09.120
<v Speaker 2>before all this stuff, Like it's it's kind of kind

0:40:09.120 --> 0:40:09.520
<v Speaker 2>of kouka.

0:40:10.560 --> 0:40:12.920
<v Speaker 1>Yeah. Yeah, there's people in.

0:40:12.920 --> 0:40:15.480
<v Speaker 2>My personal life, yes, younger people.

0:40:16.080 --> 0:40:17.000
<v Speaker 1>Younger people.

0:40:18.480 --> 0:40:22.720
<v Speaker 2>Who who are they there? Are they in the room?

0:40:23.320 --> 0:40:23.919
<v Speaker 1>Always there?

0:40:24.000 --> 0:40:26.680
<v Speaker 2>Okay?

0:40:26.560 --> 0:40:32.239
<v Speaker 1>They they The concept of when I first met these

0:40:32.280 --> 0:40:41.600
<v Speaker 1>younger people, the concept of not contacting somebody, well, like

0:40:41.719 --> 0:40:48.279
<v Speaker 1>letting contact go for eight hours with no contact in

0:40:48.360 --> 0:40:50.000
<v Speaker 1>terms of like, well, I didn't know what you were doing.

0:40:50.040 --> 0:40:53.600
<v Speaker 1>I didn't know where you were. I didn't know from

0:40:53.640 --> 0:40:55.240
<v Speaker 1>the from the nineties.

0:40:55.280 --> 0:40:57.880
<v Speaker 2>That's why we were from the analog world. It is true.

0:40:57.920 --> 0:41:00.799
<v Speaker 1>You don't have to give a report every It's true.

0:41:00.840 --> 0:41:03.080
<v Speaker 2>But that person just loves you and wants to know

0:41:03.120 --> 0:41:05.640
<v Speaker 2>where you are and wants to feel that connection. I

0:41:05.680 --> 0:41:10.040
<v Speaker 2>can I could tell what that person's thinking. It's sweet.

0:41:10.640 --> 0:41:11.640
<v Speaker 1>You'd be the first one.

0:41:13.400 --> 0:41:26.880
<v Speaker 2>I love it. Okay, wait, I had more questions, but

0:41:26.920 --> 0:41:29.280
<v Speaker 2>you're just too interesting and we're so off on AI.

0:41:29.680 --> 0:41:31.880
<v Speaker 2>But like, I mean, wow, I'm so happy that you

0:41:31.960 --> 0:41:34.080
<v Speaker 2>talk to us, because first of all, you're like one

0:41:34.120 --> 0:41:36.080
<v Speaker 2>of those mystery people who are just on our show

0:41:36.080 --> 0:41:39.040
<v Speaker 2>once and then they go away. And that's who my podcast.

0:41:39.080 --> 0:41:41.319
<v Speaker 2>People love it when I can find you guys like

0:41:41.680 --> 0:41:45.080
<v Speaker 2>and all of you are looking fascinating. Okay. I have

0:41:45.120 --> 0:41:47.920
<v Speaker 2>to give a lot of credit to Jennifer McNamara, our

0:41:48.000 --> 0:41:51.200
<v Speaker 2>casting agent. I mean, man did she find some great

0:41:51.239 --> 0:41:53.920
<v Speaker 2>people like yourself. Incredible.

0:41:54.760 --> 0:41:56.240
<v Speaker 1>Good for her, yeah.

0:41:56.120 --> 0:41:58.880
<v Speaker 2>And God for you for being like like having these crazy,

0:41:58.920 --> 0:42:02.440
<v Speaker 2>wild ambitions to be James Dean, I fucking love it.

0:42:02.920 --> 0:42:04.800
<v Speaker 1>Who is your guy or go Meryll?

0:42:05.120 --> 0:42:08.520
<v Speaker 2>Meryll? I mean, there's nobody but Meryl for us, you know, really,

0:42:08.880 --> 0:42:13.000
<v Speaker 2>you know what I mean? Like, who could ever? I

0:42:13.000 --> 0:42:14.960
<v Speaker 2>don't know. Yeah, I mean there are other people like

0:42:15.160 --> 0:42:18.919
<v Speaker 2>I always loved Holly Hunter, Oh sure, yeah, because she's

0:42:18.960 --> 0:42:22.600
<v Speaker 2>Southern and I'm Southern, so I like that. I mean,

0:42:22.600 --> 0:42:24.759
<v Speaker 2>there's so many great ones. But when I was really young,

0:42:24.880 --> 0:42:28.400
<v Speaker 2>it was Meryll, like the French lieutenant's wife, you know,

0:42:28.760 --> 0:42:31.720
<v Speaker 2>like that kind of like mysterious Meryll.

0:42:31.920 --> 0:42:36.120
<v Speaker 1>I think all Ironweed is is that scene where she

0:42:36.360 --> 0:42:37.880
<v Speaker 1>sings He's my power.

0:42:38.480 --> 0:42:43.880
<v Speaker 2>Oh my god. Whenever she sings incredible, it's incredible. You know,

0:42:43.960 --> 0:42:46.520
<v Speaker 2>she's on murder Murders in the buildings, only murders in

0:42:46.560 --> 0:42:47.120
<v Speaker 2>the buildings.

0:42:47.600 --> 0:42:47.920
<v Speaker 3>I don't know.

0:42:48.000 --> 0:42:51.400
<v Speaker 2>If you watch this show, and there's an episode in

0:42:51.440 --> 0:42:54.960
<v Speaker 2>it early on she plays an actress, a kind of

0:42:55.080 --> 0:42:57.759
<v Speaker 2>unemployed actress when we first meet her, who's just lived

0:42:57.760 --> 0:43:01.000
<v Speaker 2>her whole life in this kind of tiny apartment and

0:43:01.160 --> 0:43:03.040
<v Speaker 2>you know, has so much talent, but it hasn't worked

0:43:03.040 --> 0:43:04.879
<v Speaker 2>out for her. And then she gets apart, which is great,

0:43:05.120 --> 0:43:08.879
<v Speaker 2>but she has an episode where she sings I mean

0:43:09.440 --> 0:43:11.880
<v Speaker 2>only murders in the building, making me cry, you know,

0:43:12.040 --> 0:43:15.240
<v Speaker 2>like just bam because she's Meryl. You know it's magic,

0:43:15.520 --> 0:43:20.560
<v Speaker 2>it's magic. But yeah, I mean, you know, we can

0:43:20.800 --> 0:43:22.880
<v Speaker 2>the fun thing. It's fun to remember the life that

0:43:22.920 --> 0:43:27.279
<v Speaker 2>we used to live, right like the purity that we

0:43:27.440 --> 0:43:31.520
<v Speaker 2>experienced in the analog world. But you know what I love.

0:43:31.600 --> 0:43:34.760
<v Speaker 2>I love also that we're still here. We're still cranking along.

0:43:35.360 --> 0:43:38.360
<v Speaker 2>We were bringing our memories with us right into the

0:43:38.600 --> 0:43:41.560
<v Speaker 2>into the future. And it's really really nice to talk

0:43:41.560 --> 0:43:45.160
<v Speaker 2>to you. And I appreciate you overcoming your your your

0:43:45.200 --> 0:43:51.360
<v Speaker 2>your fears or whatever to come on because wow, fantastic episode.

0:43:52.440 --> 0:43:54.960
<v Speaker 1>Okay, well ok, yeah.

0:43:54.920 --> 0:43:58.000
<v Speaker 2>Oh my god, you're super interesting. I could continue to

0:43:58.000 --> 0:43:59.440
<v Speaker 2>talk to you, but I know we promised you that

0:43:59.440 --> 0:44:01.839
<v Speaker 2>I wouldn't keep very long because you didn't want me to.

0:44:02.040 --> 0:44:07.360
<v Speaker 2>But wow, you know, I wish you had more memories

0:44:07.400 --> 0:44:11.560
<v Speaker 2>about how your acting class friends responded. But maybe you're

0:44:11.600 --> 0:44:14.919
<v Speaker 2>just maybe maybe they've gone with time, or maybe maybe

0:44:14.960 --> 0:44:15.400
<v Speaker 2>they didn't.

0:44:15.800 --> 0:44:19.600
<v Speaker 1>Oh it's a while in the rear view. Yeah, if

0:44:19.640 --> 0:44:22.960
<v Speaker 1>Stacy and Scott san Clemente are listening out there.

0:44:22.960 --> 0:44:26.319
<v Speaker 2>Hi, I love it, I love it, I love it.

0:44:26.320 --> 0:44:30.120
<v Speaker 2>It's fun. Thank you, Thank you so much, Jacob. You're

0:44:30.280 --> 0:44:33.280
<v Speaker 2>very very interesting. I'm gonna have to follow and watch

0:44:33.320 --> 0:44:34.080
<v Speaker 2>everything you do.

0:44:34.200 --> 0:44:36.200
<v Speaker 1>Now I barely do anything.

0:44:36.400 --> 0:44:40.640
<v Speaker 2>Well, I don't think that'll last long. I'll hire you,

0:44:41.239 --> 0:44:45.440
<v Speaker 2>all right, Okay, great, have a great day. Okay.

0:44:45.440 --> 0:44:48.160
<v Speaker 3>Bye,