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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast.

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Speaker 2: Welcome to Disgraceland, the after Party.

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Speaker 1: Welcome to the Disgraceland bonus episode, a little thing we

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Speaker 1: like to call the after Party. This is the show

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Speaker 1: after the show, the party after the party. The bridge

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Speaker 1: to get you from one full episode of Disgraceland to

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Speaker 1: the other. The backyard to dig into the dirt, our

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Speaker 1: mission to uncover the truth, to confront the myth, to

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Speaker 1: reclaim the story. On this bonus episode, the five most

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Speaker 1: surprising true crimes committed by musicians. Your stories for music

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Speaker 1: history that just upset you to no end, The awesomeness

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Speaker 1: of eighty sitcom music and what you can do about it.

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Speaker 1: Plus your voice else, texts, emails, comments, dms, and as always,

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Speaker 1: a whole lot of rosie. This is the podcast for

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Speaker 1: the musically obsessed, the outsiders, the independent thinkers, who knows

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Speaker 1: that the best history is the history that gets buried.

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Speaker 1: Disgraceland is where I tell the stories they didn't want told,

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Speaker 1: the kind you'll end up telling someone else. All right,

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Speaker 1: disc goes, Let's get into it. The New York Times

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Speaker 1: has a new list, okay, new list of the thirty

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Speaker 1: greatest living American songwriters that the paper released last week,

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Speaker 1: a couple days ago, not quite a week ago. Ian

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Speaker 1: Watkins from Lost Profits this week's subject of disgrace Land.

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Speaker 1: He's not on that list, and not just because he's

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Speaker 1: no longer alive, nor was he American, but also because well,

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Speaker 1: he wasn't a great songwriter. But Ian Watkins does, without

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Speaker 1: a doubt, belong on some sort of list, perhaps a

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Speaker 1: list of the most disgraceful musicians to ever live. It's

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Speaker 1: a long list. We're not gonna get into that list.

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Speaker 1: We're gonna use something a little bit different, okay, And

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Speaker 1: I'm gonna use this Times thing to jump off of here. Okay,

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Speaker 1: The Times the list of great songwriters, like I said,

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Speaker 1: is limited to thirty American living songwriters. Now, Zeth and

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Speaker 1: I will be discussing their choices, which I have to

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Speaker 1: say is is kind of bullshit but kind of spot

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Speaker 1: on at the same time. Anyways, we're gonna get into

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Speaker 1: it more fully in the exclusive section of this after Party.

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Speaker 1: The list of American songwriters who are alive and who

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Speaker 1: should be on this list is almost as long as

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Speaker 1: the list itself, the list of songwriters who are on it.

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Speaker 1: I keep saying list, and it's bothering me. It doesn't

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Speaker 1: feel like I'm overusing the word. But then I say it,

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Speaker 1: and it does feel like I'm overusing it. You know,

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Speaker 1: I don't know whatever. Anyways, Stephen Merritt from Magnetic Fields,

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Speaker 1: he's on the list, but Tom Waits isn't. I don't know,

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Speaker 1: make that makes sense. Anyways, Deeth and I are gonna try.

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Speaker 1: We're gonna try in a little bit. Just go to

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Speaker 1: disgracelandpod dot com to sign up if you're not already

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Speaker 1: signed up as an all access member of disgrace sand

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Speaker 1: and you'll be able to unlock this exclusive content, along

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Speaker 1: with some ad free content as well. Now, I suppose

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Speaker 1: the New York Times, I suppose they had to limit

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Speaker 1: this to thirty to make the list exclusive and thus interesting.

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Speaker 1: You gotta make it kind of hard. Can't have everybody

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Speaker 1: on the list, you know what I mean. Lord knows

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Speaker 1: there are far more than thirty great songwriters still alive

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Speaker 1: in America. But as for the greatest, well, if people

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Speaker 1: are going to care about the list, then I guess

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Speaker 1: there's got to be a limit. Same goes for the

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Speaker 1: list that I'm now compiling in my head. Ian Watkins,

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Speaker 1: it's our two hundred and seventy second episode, and obviously

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Speaker 1: there's a lot of musicians doing a lot of bad

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Speaker 1: things in those in those episodes, a lot of criminal activity,

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Speaker 1: a lot of crime. Now, not all of our episodes

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Speaker 1: detail musicians who are horrible people. Some tell the stories

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Speaker 1: of horrible things that happen to good people. Some tell

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Speaker 1: the stories about musicians and songwriters who yeah, did some

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Speaker 1: pretty any things in their lives, but redeemed themselves. And

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Speaker 1: in a lot of these stories, there's the main story,

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Speaker 1: and then there are these sort of ancillary, revelatory, surprising

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Speaker 1: stories that are just kind of, for lack of a

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Speaker 1: better word, shocking, And I don't necessarily mean shocking, like

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Speaker 1: the Ian Walkins story is shocking, like oh my god,

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Speaker 1: I can't believe another human being did that to somebody.

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Speaker 1: I mean shocking, like wait, what Billie Holiday did? What

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Speaker 1: that kind of thing? You know what I mean. There's

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Speaker 1: a lot of that, and I realize that a lot

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Speaker 1: of it gets said in these episodes, and we all

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Speaker 1: get caught up in the bigger, larger story and we

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Speaker 1: don't really talk about, like I said, these like these

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Speaker 1: little ancillary tidbity stories, surprising, super revelatory things, crimes oftentimes

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Speaker 1: lesser crimes, or you know, just weirder shit that musicians

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Speaker 1: get up to that I find to be fascinating. This

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Speaker 1: stuff kind of falls through the cracks of history, and

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Speaker 1: I look at our job in part as being we

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Speaker 1: got to kind of we gotta kind of pull it

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Speaker 1: back up through the cracks and let it take root

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Speaker 1: and flower it into some storytelling. So we're going to

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Speaker 1: use this New York Times list to create our own list,

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Speaker 1: our top five most surprising musician true crimes. Okay, keyword

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Speaker 1: is surprising. Now. The Times qualifies their lists by only

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Speaker 1: listing American and living musicians. We're not going to qualify

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Speaker 1: our list with that criteria. We're gonna All we're doing

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Speaker 1: is making sure that these crimes are truly surprising, truly revelatory.

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Speaker 1: Everybody knows about Shanditti Combs's crimes. Everybody knows by now

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Speaker 1: about the stupidity the Rolling Stones hiring criminals and the

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Speaker 1: Hell's Angels as security at Altamont. Everybody knows about the

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Speaker 1: Beach Boys Dennis Wilson befriending cult leader Charles Manson. What

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Speaker 1: I want to do is create a little list here

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Speaker 1: of rock stars, singing songwriters, hip hop star as musicians

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Speaker 1: who we've covered, who's again acts are truly surprising? All Right,

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Speaker 1: It's a top five list and number five iced Tea

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Speaker 1: now iced Tea. The gangster rap innovator is known the

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Speaker 1: world over nowadays as Officer Finn Tatola on Law and

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Speaker 1: Order SVU. But I few know that back in the day,

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Speaker 1: back before his rap career, after ice T had served

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Speaker 1: his stint as a soldier in the US Army, Do

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Speaker 1: you know that? Did you know that? I didn't know

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Speaker 1: that until I get the research. Okay, so after he's

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Speaker 1: in the army, but before he's a hip hop guy,

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Speaker 1: iced T used the leadership skills that he learned in

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Speaker 1: the service to put together and to lead a high

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Speaker 1: end jewelry heist crew. Okay, think Val Kilmer in heat

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Speaker 1: sort of that kind of thing. Diamonds, big gold, knots, rollxes,

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Speaker 1: you name it. If a jewelry store in southwestern California

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Speaker 1: carried it. Back in the early eighties, chances where the

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Speaker 1: iced T and his crew were trying to steal it.

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Speaker 1: Not only from jewelry stores, iced Ty and his crew

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Speaker 1: also hijacked trucks. Okay, truck hijacking. Ice team was never caught,

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Speaker 1: two members of his crew were and all this happened

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Speaker 1: before iced Ta decided that perhaps rhyming was a better

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Speaker 1: line of work than stealing Number four. Rick James. Now

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Speaker 1: we all know the Rick James mean, right, Cocaine is

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Speaker 1: a hell of a drug, the Dave Chappelle of it all.

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Speaker 1: We all know that Rick James kidnapped and tortured two

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Speaker 1: different women while in the throes of a heavy cocaine addiction.

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Speaker 1: But long before these events in the early nineteen nineties,

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Speaker 1: back in the late nineteen sixties early nineteen seventies, right

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Speaker 1: as Rick James was launching his career in music, Rick

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Speaker 1: needed money to hang out with and keep up with

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Speaker 1: the lifestyles of the rich and the famous that he

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Speaker 1: was trying to live amongst and keep up with and

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Speaker 1: become a part of. And he didn't have hit songs

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Speaker 1: at the time. Okay, So Rick James turned to drug smuggling.

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Speaker 1: And I don't mean just like loading up the well

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Speaker 1: of his car with you know, a couple, couple ounces

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Speaker 1: of dope. I mean real drug smuggling for the Colombian cartel. Yes,

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Speaker 1: Rick James smuggled drugs for the Colombian cartel. Don't believe me.

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Speaker 1: Read his autobiography. It's all in there. Number three Frank

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Speaker 1: Sinatra and No, not the story about how Frank worked

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Speaker 1: as a pimp for Jack Kennedy and how he was

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Speaker 1: the go between between JFK and Frank and his buddies

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Speaker 1: in the mafia. I'm talking about the story that was

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Speaker 1: revealed in the last few years from a new investigation

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Speaker 1: uncovering federal documents that prove, okay, that Frank Sinatra was

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Speaker 1: much more than just a friend of the mafia. Okay,

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Speaker 1: But as the book this is the book's called Frank

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Speaker 1: Sinatra and the Mafia Murders by Mike roth Miller and

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Speaker 1: Douglas Thompson. As that book alleges Frank Sinatra actively worked

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Speaker 1: for the mafia, earning money for them, using his connection

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Speaker 1: to protect them, all the while while working as one

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Speaker 1: of the world's biggest entertainers. In this fact, this is

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Speaker 1: why after Sinatra's son, Frank Sinatra Junior, was kidnapped in

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Speaker 1: nineteen sixty three, the three men believed to be connected

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Speaker 1: to that kidnapping were mysteriously tortured and killed. I know

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Speaker 1: it sounds crazy and no one talks about it, but

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Speaker 1: don't look at me. Look at the government documents detailed

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Speaker 1: in the book that I just mentioned in the fact

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Speaker 1: as well that the book was released on the heels

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Speaker 1: of a global pandemic back in the early twenty twenties,

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Speaker 1: when everybody was a wee bit distracted. Number two Paul McCartney, guys,

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Speaker 1: Paul McCartney did time in one of the world's most dangerous,

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Speaker 1: most notorious prisons. We talk about the Monster Mansion, the

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Speaker 1: prison that Ian Watkins did time in recently officially known

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Speaker 1: as HMP Wakefield, but called the Monster Mansion because of

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Speaker 1: the horrible home for real life monsters that HMP Wakefield is.

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Speaker 1: But Cosay's prison and in Tokyo, where Paul McCartney did time.

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Speaker 1: Isn't that far behind the Monster Mansion, especially back in

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Speaker 1: nineteen eighty when Cosage was ranked as one of the

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Speaker 1: world's worst and most dangerous penal facilities. And that was

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Speaker 1: when Paul McCartney again, back in nineteen eighty, the so

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Speaker 1: called safe Beetle. That was a time when the so

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Speaker 1: called safe Beetle completed his nine day prison stint for

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Speaker 1: drug possession after trying to sneak in about a half

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Speaker 1: pound of grass into Japan. Now nobody talks about this.

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Speaker 1: Paul McCartney, one of the world's most successful, most talented,

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Speaker 1: most famous musicians, doing time in one of the world's

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Speaker 1: most notorious prisons, and not all that long ago. Nineteen

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Speaker 1: eighty Okay, nineteen eighty was a long time ago, but still,

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Speaker 1: I'm not talking about the sixties here or the fifties.

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Speaker 1: This one blows my mind. I'll never get over it.

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Speaker 1: I feel like I tell everybody this at parties we're

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Speaker 1: having drinks whatever. This is one of those ones I

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Speaker 1: don't shut up about. It's just no one. It's because

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Speaker 1: no one cares. Really, if anybody else cared besides me,

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Speaker 1: I wouldn't even find it that interesting. But just the

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Speaker 1: fact that no one talks about this is kind of

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Speaker 1: mind blowing. And I don't mean that people should be

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Speaker 1: talking about it, like judging Paul for it. I just

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Speaker 1: think it's it's kind of badass, actually, you know. I mean,

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Speaker 1: the guy did time with Yakuza like real time nuts,

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Speaker 1: but this is the best one This is my all

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Speaker 1: time fave. This is number one with a bullet. Billy Holiday. Now,

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Speaker 1: this crime kind of innocuous compared to some of the

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Speaker 1: ones we've been discussing here. But Billy Holiday, who spent

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Speaker 1: most of her career as one of the greatest voices

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Speaker 1: in pop music while also being heavily addicted to heroin,

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Speaker 1: Billy Holiday actually taught her dog how to deliver her heroin. Now,

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Speaker 1: rather than me trying to explain the number one artist's

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Speaker 1: crime on our list here, I'm just going to play

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Speaker 1: a clip from our Billie Holiday episode back in twenty

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Speaker 1: twenty two about Billy and her incredible drug dealing to

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Speaker 1: mister Matt played the clip, please, but that meant she

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Speaker 1: needed drugs regularly, and for a woman of her profile,

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Speaker 1: that was no easy task. She knew she was being

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Speaker 1: watched cops, locals, Feds whoever. She knew she was a

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Speaker 1: potential prize scout, a bold face name, capable of putting

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Speaker 1: a shine on the name of the arresting officer in

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Speaker 1: the papers. She couldn't be holding ever, it was too risky.

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Speaker 1: She could be searched at any moment without cause. She

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Speaker 1: at the time, so a plan was hatched. Mister Mister

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Speaker 1: was Billy's dog, a boxer. Mister was smart, smarter than

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Speaker 1: some of the men in Billy's life, and definitely smarter

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Speaker 1: than some of the drummers she'd known. Mister was capable,

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Speaker 1: Mister was trained. Mister loved Billy. Mister was obedient. Mister

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Speaker 1: was crooked as fucked. Mister got recruited by Joe Guy.

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Speaker 1: Joe Guy was recruited by Billy, first to blow a

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Speaker 1: trumpet in her band, then to blow her away in

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Speaker 1: the sack, then to run mister for her. Joe Guy

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Speaker 1: every day, every day, bought an ounce of heroin up

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Speaker 1: Mister would sit. Joe Guy would attach that ounce of

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Speaker 1: heroin to Mister's collar inconspicuously. Next time for mister's daily

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Speaker 1: walk down morning side drive over to the Braddock Hotel.

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Speaker 1: With the Braddock sign in his sights, Mister would know

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Speaker 1: Mister would run around the back of the brattoic Joe

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Speaker 1: guy his work gone would bounce, Mister would scratch the door.

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Speaker 1: The man and the funny hat would appear. Mister would

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Speaker 1: follow him into the hotel and into the elevator. He'd

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Speaker 1: go and have his new treat tossed to him before

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Speaker 1: the doors would close up. Then the doors would open,

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Speaker 1: and that meant another treat, this tree from Billy, who'd

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Speaker 1: be waiting for mister on the other side of the

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Speaker 1: opening elevator doors, on the top of the floor. Out

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Speaker 1: of the elevator and into Billy's arms. Mister would go first,

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Speaker 1: He'd get his treat. Then he'd gets smothered with love

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Speaker 1: from his mistress. Then she'd detached the special package mister

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Speaker 1: had brought her. She'd sit, she'd shoot, She'd say them

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Speaker 1: away wild. She was a star, a very high star.

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Speaker 1: She descended from the rough and tumble streets of Baltimore,

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Speaker 1: then Harlem, through reform school, whorehouses, welfare island, to the

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Speaker 1: top of the music game with a bad habit, but

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Speaker 1: able to satiate that habit from a penthouse suite via

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Speaker 1: a trained canine who ran drugs for her on orders

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Speaker 1: from a man who worked for her. Billie holiday Stone

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Speaker 1: Cold Surreal all right, there you have it. That was

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Speaker 1: Billy Holliday and her dog Mister number one on the

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Speaker 1: list of top five most surprising musicians in their true crimes.

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Speaker 1: Most surprising true crimes by musicians. Excuse me, I got

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Speaker 1: to get the copyright for the New York Times. They're

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Speaker 1: about to call Anyways, all these stories, like the Billie

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Speaker 1: Holiday story, they're all available in our archive. You can

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Speaker 1: check them out Matt's and the episode info for you

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Speaker 1: on all five of these gems in the show notes

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Speaker 1: here to help you easily navigate your way through our

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Speaker 1: archive of over two hundred and seventy episodes. All Right,

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Speaker 1: this week, as I mentioned our new episode on Ian

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Speaker 1: Watkins from Lost Profits, you might know the story about

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Speaker 1: the horrific abuse Walkins committed and is truly horrible crimes,

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Speaker 1: but you might not know the rest of the story

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Speaker 1: about how is crimes the sickening abuse of children, How

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Speaker 1: these crimes could have been prevented were it not for

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Speaker 1: authorities dismissing the warnings and accusations of a woman they

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Speaker 1: wrote off for reasons that are fucking mind bendingly stupid. Okay,

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Speaker 1: we explained it all on our episode, but the point

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Speaker 1: is This is ultimately the story of a hero who

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Speaker 1: would not be denied, and she's a very unlikely hero

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Speaker 1: and you're gonna want to hear it. So check out

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Speaker 1: the Ian Watkins from Lost Profits episode the latest episode

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Speaker 1: of Disgraceland in your feeds right now. So that's the

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Speaker 1: Ian Walkins story. Now, speaking of dirtags, we have two

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Speaker 1: Sean Diddycombs episodes. It's coming up this weekend. After this

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Speaker 1: here bonus episode, we have part one, which details the

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Speaker 1: story of Diddy in the nightclub shooting from back in

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Speaker 1: the nineties with j Lo. Now, this is in a way,

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Speaker 1: Diddy's dirt bag origin story. Okay, did He's dad was

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Speaker 1: a gangster? At least he was gangster affiliated. There's the

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Speaker 1: whole thing with the charity basketball game and Heavy D

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Speaker 1: and the boys and the nine people who died. Now,

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Speaker 1: when you know how did he came up and what

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Speaker 1: his past was like, and how his father lived and

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Speaker 1: died and what he did he was up to before

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Speaker 1: he was famous. His crimes that we were all exposed

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Speaker 1: to in the last couple of years did become a

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Speaker 1: bit easier to understand. And we're going to get into that.

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Speaker 1: And like I said, the nightclub shooting with j Loo

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Speaker 1: and all those nineties headlines in Part one of our

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Speaker 1: Sean Combe's story, Part two is much different. Okay, that's

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Speaker 1: being re released as a rewind this week as well.

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Speaker 1: Part two of our Didty story was and before his

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Speaker 1: recent conviction and sentencing, but after the cassivn Tura accusations,

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Speaker 1: after the indictment. Actually so, In fact, this episode is

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Speaker 1: based almost entirely on the indictments that were released, the

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Speaker 1: federal indictment, the Cassi even Tur indictment, the Little Rod

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Speaker 1: Jones indictment, and the episode is a reenactment of sorts,

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Speaker 1: a dramatization of the horrific events detailed by Cassie and

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Speaker 1: others in the indictments, and we teamed that information up

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Speaker 1: with more research on Ditty's past and his motivations for

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Speaker 1: living the life that he lived. Okay, these episodes, both

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Speaker 1: of them, they will surprise you no matter what you

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Speaker 1: think you know about Sean Ditty Combs. And it's important,

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Speaker 1: I think, to listen to these episodes to truly understand

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Speaker 1: who this guy is because in two years he's going

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Speaker 1: to be out of prison, and I guarantee you this

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Speaker 1: will be different than Oj getting out of jail. This

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Speaker 1: will be different than Bill Cosby getting out of jail.

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Speaker 1: I guess I garantee you. Diddy will worm his way

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Speaker 1: back into polite society, and he'll be right there on

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Speaker 1: our screens, in our feeds, making music, making content, making news,

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Speaker 1: making money, and these these episodes will hopefully help you

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Speaker 1: never forget who he truly is at his core, where

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Speaker 1: he comes from, and why he did what he did.

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Speaker 1: D I d did Diddy there, see I did that.

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Speaker 1: I didn't plan on that, I kind of did. Anyways,

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Speaker 1: check those two Diddy rewind episodes out. They're coming this weekend.

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Speaker 1: Next week our new episode on Stevie Rayvon. Guys, simple question,

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Speaker 1: when you're listening to that Stevie Rayvon's story, be thinking

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Speaker 1: about Okay, Steve Ravon died young, Gone Too Soon? All right?

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Speaker 1: You can have four dead rock stars on your mount

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Speaker 1: Rushmore of Gone Too Soon rock Stars? Who's it going

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Speaker 1: to be? Is Stevie Rayvon on your list? You only

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Speaker 1: get four four choices six one, seven, nine oh six

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Speaker 1: sixty six three, eight voicemails and texts to let me

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Speaker 1: know who's on your Mount Rushmore of Gone to Soon

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Speaker 1: Rock stars again. Limit your answers to four please, okay,

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Speaker 1: don't cheat. If you like The New York Times, limit

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Speaker 1: your list. Okay, all right, right after this your voicemails, calls,

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Speaker 1: text emails, and the greatest argument over sitcom music that

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Speaker 1: you've ever heard, all guys. Last week, during the editing

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Speaker 1: of the exclusive portion of The After Party, we were

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Speaker 1: done recording it, Zeth and I, and you know, you

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Speaker 1: get recording, you get done recording, and then the files

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Speaker 1: go over to Matt. Matt puts it together. While Zeth

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Speaker 1: and I were done and we were off doing whatever

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Speaker 1: else we were doing that day, we got a text

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Speaker 1: from Matt, who was putting the episode together, like I said,

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Speaker 1: and the text just said, oh mom and Dad are fighting.

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Speaker 1: And what Matt was referring to was this argument Zeth

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Speaker 1: and I got into over of all things sitcom music.

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Speaker 1: It wasn't so much of an argument, was it was

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Speaker 1: a disagreement. I don't like argument with people because I'm

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Speaker 1: on this tip lately, my new thing. You can't convince

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Speaker 1: anybody of anything. Nobody's ever been convinced of anything in

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Speaker 1: the history of the world. Seriously, ask yourself if you've

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Speaker 1: ever truly been convinced of something, and then think, did

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Speaker 1: that person convince me to think the exact opposite way

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Speaker 1: that I was thinking before, or did I convince myself

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Speaker 1: through a series of information on covering Maybe that person

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Speaker 1: propelled me on a journey to discovery. But that person

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Speaker 1: didn't actually have an argument with me. And I just

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Speaker 1: sat there and said, yeah, you know what, You're right.

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Speaker 1: I no longer think the way I thought ten. No

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Speaker 1: one can be convinced of anything by anyone else. That's

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Speaker 1: my new shit. So I was in no place to

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Speaker 1: argue with Zeth. I was just kind of disagreeing with him,

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Speaker 1: And I mean he deserved to be disagreed with because

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Speaker 1: he was completely fucking wrong. As you're gonna hear, because Matt,

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Speaker 1: Matt is going to share some of his madness that

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Speaker 1: has been compelled by this disagreement. And I'm not talking

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Speaker 1: about you know, Matt's going a little crazy here, okay,

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Speaker 1: if I'm being honest, And this has driven him to

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Speaker 1: a place that I've never really seen Matt go to before.

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Speaker 1: And I'm not talking about you know, regular overworked production

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Speaker 1: guy crazy. Matt's gone full Colonel Kurtz straight Jack Torrents

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Speaker 1: from the Overlook Hotel, downright psychotic Patrick Bateman style, all

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Speaker 1: over this disagreement we had before I explained the depths

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Speaker 1: of Matt's newfound insanity and what depths of his insanity

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Speaker 1: mean for you guys, Matt, why don't you just detach

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Speaker 1: the electrodes from your temples there for a moment and

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Speaker 1: play a clip of this so called argument. Guy Sesame

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Speaker 1: Street was so good. Oh man, it was the best. Yeah.

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Speaker 3: The music, man, the music alone like that. Think it

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Speaker 3: was the Pointer sisters that did the one, two, three,

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Speaker 3: four five s except yeah, eleven twelve, Yeah, I think so.

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Speaker 1: Wow, no, wonder it was so good.

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Speaker 3: I know, man, this is back when they put some

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Speaker 3: effort into that ship.

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Speaker 4: Yeah.

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Speaker 1: And then remember it was like, oh yeah, you think

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Speaker 1: this is cool? Way to you hear the fucking Electric

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Speaker 1: Company exactly?

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Speaker 3: The elect the muppets blow your mind, and then the

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Speaker 3: electric company.

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Speaker 1: Yea, what the fuck?

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Speaker 5: Man?

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Speaker 1: Who's this tall, fucking, skinny, freckled guy. Later we find

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Speaker 1: out it's Morgan Freeman. You know, we had a good

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Speaker 1: back in the seventies.

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Speaker 3: Man, we did have a good man.

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Speaker 1: What do they got now? Fucking bluey and uh, what

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Speaker 1: do they got? What's the Big Ship. I don't know.

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Speaker 3: My kids have phased out of all that stuff, but

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Speaker 3: we just don't have even like eighties sitcoms. Every they

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Speaker 3: all had theme songs that were like intentionally written, you

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Speaker 3: know what I mean, Like.

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Speaker 1: Well they still do and they really don't really though.

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Speaker 1: You get like a little ding dunk dong.

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Speaker 3: It's just like I actually cut that.

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Speaker 1: That sounds a little too Uh. They're just like, uh,

405
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Speaker 1: no one thought you were doing what you think. It

406
00:22:58,280 --> 00:23:00,720
Speaker 1: sounded like okay until you pour it out and you

407
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Speaker 1: weren't doing it, So it doesn't matter. No, I hard disagree,

408
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Speaker 1: hard disagree. There's some great modern day kids. There's great Yeah,

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Speaker 1: there's a great Uh, there's a great Netflix like new

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00:23:14,640 --> 00:23:18,639
Speaker 1: Netflix animated show that has a really kind of old

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Speaker 1: school I don't know what it is. I'll find out.

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Speaker 1: I'll ask well and when he gets home from school.

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Speaker 1: And then there's there's even like like I like the

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Speaker 1: blue Ey theme. I think I think letters to Cleo,

415
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Speaker 1: like Matt don't know this. I think like I think

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Speaker 1: all the Ship was done at fucking Q Division, by

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Speaker 1: the way, Like there's some like I think Kay Hanley's

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Speaker 1: done a lot of this stuff.

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Speaker 3: I don't doubt you. I'm just saying they last like

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Speaker 3: five seconds these days before they were like I'm all right, fine,

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Speaker 3: maybe all right?

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Speaker 1: Yepler than you are, dude, I have to say, you

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Speaker 1: have you have a lot of patience for me disagreeing

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Speaker 1: with you, all right, So so there you have it. Now,

425
00:23:53,480 --> 00:23:58,119
Speaker 1: because of this disagreement, Matt has gone and tried to

426
00:23:58,160 --> 00:24:00,800
Speaker 1: come up with a way to settle this, you know,

427
00:24:01,359 --> 00:24:03,880
Speaker 1: sort of. You know, I think Matt's contention is that,

428
00:24:04,760 --> 00:24:08,359
Speaker 1: you know, sitcom music, as Deth and I both we

429
00:24:08,359 --> 00:24:10,600
Speaker 1: were getting at We weren't really disagreeing over this, you know,

430
00:24:10,600 --> 00:24:12,560
Speaker 1: we both were at the point where we think sitcom

431
00:24:12,640 --> 00:24:14,639
Speaker 1: music and just TV music in general was better in

432
00:24:14,760 --> 00:24:17,200
Speaker 1: the day, back in the day, the day being the eighties,

433
00:24:17,440 --> 00:24:22,239
Speaker 1: the nineties. Now Matt has cook something up for us

434
00:24:22,280 --> 00:24:24,920
Speaker 1: all to sort of delve into this a little further.

435
00:24:25,000 --> 00:24:26,639
Speaker 1: But I can't explain it as well as he can.

436
00:24:26,680 --> 00:24:29,159
Speaker 1: So Matt, wy, don't you go ahead and chime in

437
00:24:29,200 --> 00:24:30,600
Speaker 1: here and let the people know what you're cooking.

438
00:24:32,480 --> 00:24:36,399
Speaker 6: First of all, Jake, I just want to paraphrase Joni

439
00:24:36,480 --> 00:24:39,400
Speaker 6: Mitchell here and say I told you when you hired

440
00:24:39,440 --> 00:24:41,800
Speaker 6: me that I was crazy but anyway, it's got me

441
00:24:41,840 --> 00:24:44,360
Speaker 6: thinking a lot about all of our gen X listeners,

442
00:24:44,400 --> 00:24:48,720
Speaker 6: our baby boomer listeners, you know, folks who were around

443
00:24:49,160 --> 00:24:52,560
Speaker 6: in the golden age of the seventies and eighties with

444
00:24:52,640 --> 00:24:55,280
Speaker 6: these sitcom themes. And I was also thinking maybe about

445
00:24:55,359 --> 00:24:59,640
Speaker 6: some of our younger listeners who didn't get to experience

446
00:24:59,640 --> 00:25:03,159
Speaker 6: that for hand. And so what I've cooked up is

447
00:25:03,200 --> 00:25:09,919
Speaker 6: a March Madness style, sixty four entrant tournament of the

448
00:25:10,080 --> 00:25:13,200
Speaker 6: greatest sitcom themes of all time.

449
00:25:14,440 --> 00:25:15,040
Speaker 1: Now, there were a.

450
00:25:14,960 --> 00:25:19,600
Speaker 6: Certain criteria that had to be met. Luckily, we have

451
00:25:19,800 --> 00:25:24,560
Speaker 6: the Sitcomtron two thousand, which is an advanced technology that

452
00:25:24,560 --> 00:25:29,320
Speaker 6: we've invested in that can help rank these things for us. Anyway,

453
00:25:29,320 --> 00:25:32,960
Speaker 6: we've got sixty four entrants and we're looking for our

454
00:25:33,000 --> 00:25:36,920
Speaker 6: listeners to come in and vote, and we will be

455
00:25:37,040 --> 00:25:40,399
Speaker 6: running the tournament throughout the month of May, calling it

456
00:25:40,440 --> 00:25:44,600
Speaker 6: May Madness and to vote. To get involved, all you

457
00:25:44,680 --> 00:25:48,240
Speaker 6: got to do is go to Patreon dot com slash disgraceland.

458
00:25:48,280 --> 00:25:50,480
Speaker 6: You do not have to be a Patreon member to

459
00:25:50,520 --> 00:25:53,440
Speaker 6: get involved in this, but come on over to patreon

460
00:25:53,520 --> 00:25:56,600
Speaker 6: dot com slash disgraceland. See what we're doing over there.

461
00:25:57,040 --> 00:25:59,640
Speaker 6: See what the other discos are up to, and even

462
00:25:59,680 --> 00:26:02,479
Speaker 6: if you're not a member, you can come in and vote.

463
00:26:03,320 --> 00:26:08,879
Speaker 6: First round voting ends this Friday, May eighth, at eleven

464
00:26:09,040 --> 00:26:11,800
Speaker 6: fifty nine pm Eastern Standard time.

465
00:26:12,640 --> 00:26:16,879
Speaker 1: Matt, any light that you can shed on how the

466
00:26:16,960 --> 00:26:18,840
Speaker 1: voting is shaping up thus far.

467
00:26:19,480 --> 00:26:22,600
Speaker 6: Yeah, well, you know, it's still early in the tournament.

468
00:26:22,640 --> 00:26:24,960
Speaker 6: We're here in the first round, but already we have

469
00:26:25,000 --> 00:26:29,400
Speaker 6: a lot of exciting action. And here's our halftime report

470
00:26:29,600 --> 00:26:33,119
Speaker 6: on the first round. We've already got a lot of

471
00:26:33,160 --> 00:26:37,240
Speaker 6: excitement brewing. In Group one, we've got a potential huge

472
00:26:37,400 --> 00:26:42,520
Speaker 6: upset with the Jetsons who are currently leading Good Times,

473
00:26:43,080 --> 00:26:46,760
Speaker 6: so that's that would be a shocking upset. Also in

474
00:26:46,840 --> 00:26:51,240
Speaker 6: group one, we have a knockdown, drag out fight between

475
00:26:51,440 --> 00:26:54,840
Speaker 6: It's Gary Schandling Show and Chico and the Man. It's

476
00:26:55,040 --> 00:26:57,119
Speaker 6: it's too close to call at this point. It's going

477
00:26:57,200 --> 00:27:00,399
Speaker 6: to come down to the wire. Same thing with Alice

478
00:27:00,520 --> 00:27:04,520
Speaker 6: and growing Pains. Over in group two, we've got a

479
00:27:04,560 --> 00:27:07,720
Speaker 6: couple matchups that are kind of interesting. Lower in the bracket,

480
00:27:07,760 --> 00:27:11,040
Speaker 6: we've got Malcolm in the middle leading, Charles in Charge

481
00:27:11,400 --> 00:27:15,280
Speaker 6: and married with children taking the lead over the higher

482
00:27:15,320 --> 00:27:18,720
Speaker 6: seeded Bosom Buddies, and now in Group three, we've got

483
00:27:18,800 --> 00:27:23,280
Speaker 6: a huge upset brewing at halftime here with the Flintstones

484
00:27:23,680 --> 00:27:26,280
Speaker 6: leading mods, so you can see these animated shows have

485
00:27:26,400 --> 00:27:29,160
Speaker 6: really shown up to play this year, and Group four

486
00:27:29,320 --> 00:27:31,800
Speaker 6: so far is really you know, playing out as you

487
00:27:31,880 --> 00:27:35,399
Speaker 6: might expect with the higher seeded shows leading. But you

488
00:27:35,400 --> 00:27:38,720
Speaker 6: know it's only halftime. If you want the full details

489
00:27:38,800 --> 00:27:41,879
Speaker 6: on the halftime score, check out the post on Patreon

490
00:27:42,119 --> 00:27:46,240
Speaker 6: right below this one. It'll be called May Madness Halftime Report,

491
00:27:46,560 --> 00:27:49,159
Speaker 6: and you can get all the current scores so you

492
00:27:49,160 --> 00:27:53,160
Speaker 6: can see what we're looking at heading into the last

493
00:27:53,200 --> 00:27:54,880
Speaker 6: couple days of voting in round one.

494
00:27:55,240 --> 00:28:00,040
Speaker 1: All right, truly riveting stuff here at double Evis. I

495
00:28:00,080 --> 00:28:02,320
Speaker 1: don't know why this is important to us, but it is.

496
00:28:02,440 --> 00:28:04,639
Speaker 1: If you're of a certain age as we are, perhaps

497
00:28:04,640 --> 00:28:06,800
Speaker 1: it's important to you as well. We know it is

498
00:28:06,840 --> 00:28:09,439
Speaker 1: for the folks over at Patreon. They're loving it. I

499
00:28:09,440 --> 00:28:11,760
Speaker 1: imagine at some point I will get into this a

500
00:28:11,760 --> 00:28:15,000
Speaker 1: little more fully on Instagram as well. Anyways, we hope

501
00:28:15,040 --> 00:28:16,679
Speaker 1: you vote, We hope you. I mean, this is the

502
00:28:16,680 --> 00:28:19,280
Speaker 1: important stuff. Okay, so get in here and let us know,

503
00:28:19,440 --> 00:28:22,040
Speaker 1: right you're shaping culture Okay, this is stuff is going

504
00:28:22,119 --> 00:28:25,080
Speaker 1: to be memorialized forever, and you know there needs to

505
00:28:25,119 --> 00:28:26,800
Speaker 1: be a record before AI comes and just you know,

506
00:28:26,880 --> 00:28:29,040
Speaker 1: ruins everything, just flattens it, all right, So let your

507
00:28:29,119 --> 00:28:32,000
Speaker 1: voice be heard. Welcome to behind the scenes the madness

508
00:28:32,000 --> 00:28:34,879
Speaker 1: here at Double evis. Now, let's let's crawl out of

509
00:28:34,920 --> 00:28:37,880
Speaker 1: the sitcom madness and hear from you guys on Ian Walkins,

510
00:28:37,920 --> 00:28:40,360
Speaker 1: from the Lost Profits and a little bit I guess

511
00:28:40,440 --> 00:28:44,600
Speaker 1: on Foo Fighters from last week with the Ian Watkins episode.

512
00:28:44,840 --> 00:28:48,080
Speaker 1: The question of the week was which story from music

513
00:28:48,240 --> 00:28:52,640
Speaker 1: history upset you guys the most? On that topic, Let's

514
00:28:52,720 --> 00:28:55,640
Speaker 1: hear from the two to one three Before we get

515
00:28:55,680 --> 00:28:57,160
Speaker 1: into the call here, it's gonna remind you all that

516
00:28:57,200 --> 00:29:01,800
Speaker 1: the views and opinions expressed by call dollars, texters, emailers,

517
00:29:01,880 --> 00:29:05,240
Speaker 1: et cetera are the views of the callers and the

518
00:29:05,280 --> 00:29:08,200
Speaker 1: texters and the emailers and not necessarily of my own.

519
00:29:08,680 --> 00:29:12,360
Speaker 1: With that disclaimer, let's now dip into the two to

520
00:29:12,360 --> 00:29:12,800
Speaker 1: one three.

521
00:29:12,800 --> 00:29:17,760
Speaker 5: Here the music history story that I absolutely cannot shake

522
00:29:17,920 --> 00:29:21,520
Speaker 5: ever since I heard it, and it makes me so pissed.

523
00:29:21,200 --> 00:29:23,920
Speaker 4: Off because it was it's I just.

524
00:29:23,840 --> 00:29:26,040
Speaker 5: Feel like not enough people are talking about it. Are

525
00:29:26,080 --> 00:29:32,000
Speaker 5: the connection between River Phoenix's death and John Frisciante.

526
00:29:32,160 --> 00:29:37,000
Speaker 7: And I don't know if it's just like the fame.

527
00:29:37,120 --> 00:29:40,920
Speaker 5: Of John and his like whole comeback story, but the fact.

528
00:29:40,640 --> 00:29:48,040
Speaker 7: That like it's pretty much easy, very easy to connect

529
00:29:48,600 --> 00:29:51,520
Speaker 7: his drugs to River Phoenix's death.

530
00:29:52,240 --> 00:29:56,600
Speaker 5: Then John leaves, the band goes basically on like the

531
00:29:56,680 --> 00:30:00,560
Speaker 5: Bender to End All Benders, and then nobody he ever

532
00:30:00,640 --> 00:30:02,560
Speaker 5: talks about it ever.

533
00:30:03,520 --> 00:30:04,520
Speaker 4: That pisses me off.

534
00:30:04,560 --> 00:30:05,840
Speaker 7: That pisses me off because.

535
00:30:05,680 --> 00:30:09,000
Speaker 5: It makes River Phoenix look just like another junkie that

536
00:30:09,080 --> 00:30:14,760
Speaker 5: died on the street when by many accounts most you know,

537
00:30:14,920 --> 00:30:18,480
Speaker 5: there was an accident and he didn't know what he

538
00:30:18,600 --> 00:30:23,840
Speaker 5: was taking, and effectively he was dosed. He was dosed

539
00:30:24,160 --> 00:30:30,600
Speaker 5: by John Fruchiante. And it makes me really angry because

540
00:30:31,600 --> 00:30:32,800
Speaker 5: River didn't have to die.

541
00:30:33,600 --> 00:30:36,360
Speaker 1: Ah. Yeah, listen, this story upsets me to no end,

542
00:30:37,040 --> 00:30:42,320
Speaker 1: and thank you for the voicemail because it's compelled me

543
00:30:42,520 --> 00:30:45,400
Speaker 1: to I've long wanted to do a Red Hot Chili

544
00:30:45,400 --> 00:30:50,880
Speaker 1: Peppers episode, but I've never read Anthony Keatis's book, and

545
00:30:51,160 --> 00:30:55,239
Speaker 1: I just don't want to get into more of the

546
00:30:55,280 --> 00:31:00,360
Speaker 1: same rock star debauchery bullshit that's not particularly interesting. Or

547
00:31:00,360 --> 00:31:01,720
Speaker 1: maybe it is. I don't know. I just don't have

548
00:31:01,800 --> 00:31:05,520
Speaker 1: high hopes for it this story. Though I love John Freschianty.

549
00:31:05,560 --> 00:31:08,360
Speaker 1: I just he's one of my favorite guitar players. He's incredible.

550
00:31:08,840 --> 00:31:13,959
Speaker 1: And I've known about this theory and the evidence behind

551
00:31:14,000 --> 00:31:18,360
Speaker 1: it that connects him to the death of River Phoenix allegedly.

552
00:31:19,240 --> 00:31:21,560
Speaker 1: I've actually heard from people who were there that night

553
00:31:22,200 --> 00:31:27,280
Speaker 1: and first hand accounts, and it's super compelling. And I'll

554
00:31:27,280 --> 00:31:31,200
Speaker 1: tell you what. The thing that's always sort of stopped

555
00:31:31,240 --> 00:31:36,240
Speaker 1: me from heading into the story full bore has been

556
00:31:36,480 --> 00:31:41,400
Speaker 1: there's this one really tough fact here, and it's the

557
00:31:41,480 --> 00:31:46,680
Speaker 1: fact that Flee was super tight with River Phoenix and

558
00:31:46,720 --> 00:31:52,240
Speaker 1: he was very affected by River's death, and he's obviously

559
00:31:52,320 --> 00:31:54,600
Speaker 1: tight with John Freschianti as well. And I don't know

560
00:31:54,640 --> 00:31:57,360
Speaker 1: what any of that means, but I know it's complicated,

561
00:31:57,800 --> 00:31:59,400
Speaker 1: and I know I want to tell this story. I

562
00:31:59,400 --> 00:32:01,160
Speaker 1: know I want to look into it. And maybe there's

563
00:32:01,160 --> 00:32:04,960
Speaker 1: not absolute proof there, but even in the absence of proof,

564
00:32:05,000 --> 00:32:08,120
Speaker 1: we can we can present facts as we find them,

565
00:32:08,120 --> 00:32:11,000
Speaker 1: and we can draw our own conclusions. So thank you

566
00:32:11,040 --> 00:32:13,880
Speaker 1: for this, appreciate the message. All right, let's check out

567
00:32:13,880 --> 00:32:15,600
Speaker 1: this voicemail from the two to one seven.

568
00:32:15,960 --> 00:32:18,440
Speaker 4: Hey, Jake, this is Craig from this one to seven area.

569
00:32:18,720 --> 00:32:21,920
Speaker 4: I think one of the most shitty stories.

570
00:32:21,520 --> 00:32:22,760
Speaker 7: I've heard about a.

571
00:32:22,720 --> 00:32:25,440
Speaker 4: Rock musician in the recent history of well. I guess

572
00:32:25,480 --> 00:32:29,560
Speaker 4: this twenty seventeen would have been Tom Petty and how

573
00:32:29,880 --> 00:32:34,760
Speaker 4: his uh he died a mixture of pain medications and

574
00:32:34,840 --> 00:32:37,719
Speaker 4: other medications that were all prescribed to him by his doctor.

575
00:32:38,480 --> 00:32:41,800
Speaker 4: I think that you know, his with his past and

576
00:32:42,200 --> 00:32:45,320
Speaker 4: being a musician and having the past that a lot

577
00:32:45,360 --> 00:32:49,120
Speaker 4: of musicians have, I think his doctor prescribing him with

578
00:32:49,400 --> 00:32:52,960
Speaker 4: all these medications without being extra careful and then him

579
00:32:53,000 --> 00:32:56,000
Speaker 4: passing away at the young age of sixty six was

580
00:32:56,000 --> 00:32:59,560
Speaker 4: was pretty upsetting, pretty shitty to hear when I when

581
00:32:59,560 --> 00:33:01,920
Speaker 4: I got in to work that day. So that was

582
00:33:02,000 --> 00:33:04,600
Speaker 4: one of the things that really came to mind. Also,

583
00:33:04,720 --> 00:33:07,920
Speaker 4: anything that has to do with with Weenen. When ween

584
00:33:08,040 --> 00:33:10,200
Speaker 4: breaks up, it's shitty, man, they know, because most of

585
00:33:10,200 --> 00:33:12,000
Speaker 4: the time when they break up, where they take a break,

586
00:33:12,040 --> 00:33:14,600
Speaker 4: a hiatus or whatever, they're in the middle of a tour,

587
00:33:14,680 --> 00:33:15,680
Speaker 4: they're doing shows.

588
00:33:15,880 --> 00:33:16,480
Speaker 1: They've got to.

589
00:33:16,400 --> 00:33:20,160
Speaker 4: Cancel all these shows. And I understand recently, you know,

590
00:33:20,240 --> 00:33:23,440
Speaker 4: with Dean ween he you know, he had to take

591
00:33:23,480 --> 00:33:26,040
Speaker 4: a break to take care of himself mentally and take

592
00:33:26,080 --> 00:33:28,840
Speaker 4: a mental break from things. Totally get it. It's just

593
00:33:29,480 --> 00:33:31,640
Speaker 4: kind of an upsetting thing to hear, but you know,

594
00:33:32,520 --> 00:33:35,600
Speaker 4: you got to take care of yourself. But anyways, Jake,

595
00:33:35,880 --> 00:33:39,440
Speaker 4: do a story on Wean Man Cold on mean if

596
00:33:39,480 --> 00:33:41,320
Speaker 4: you ever listen to them, they're They're one of the

597
00:33:41,360 --> 00:33:46,080
Speaker 4: most amazing, unique bands of our time. They've been around

598
00:33:46,120 --> 00:33:49,160
Speaker 4: since I think like the mid eighties. Dean and Jean

599
00:33:49,320 --> 00:33:51,440
Speaker 4: Ween hope to hear something from Ween.

600
00:33:51,640 --> 00:33:55,000
Speaker 1: Thanks. Yeah, I tell you that Tom Petty death story

601
00:33:55,240 --> 00:34:00,960
Speaker 1: is incredibly frustrating. Incredibly frustrating in a similar way, so

602
00:34:01,120 --> 00:34:06,120
Speaker 1: is the Glenn Fry death story as well. Hard pivot

603
00:34:06,160 --> 00:34:09,000
Speaker 1: to Ween Man, I didn't see that coming. I love Ween,

604
00:34:09,120 --> 00:34:12,200
Speaker 1: I really truly do. I love them. They're they're divisive

605
00:34:12,239 --> 00:34:15,279
Speaker 1: band here in the Brennan household. I've managed to get

606
00:34:15,320 --> 00:34:18,000
Speaker 1: the whole family on board though, and I was actually

607
00:34:18,080 --> 00:34:21,200
Speaker 1: I saw the funniest meme yesterday It said that the

608
00:34:21,239 --> 00:34:25,120
Speaker 1: best Elliott Smith song is Baby Bitch by Ween. You'll

609
00:34:25,120 --> 00:34:27,560
Speaker 1: appreciate that. Two one seven. I'd love to do a

610
00:34:27,560 --> 00:34:30,440
Speaker 1: Wien episode. I don't know much about him. I have

611
00:34:30,520 --> 00:34:33,560
Speaker 1: a friend who's who's friends with one of the Weien brothers.

612
00:34:33,600 --> 00:34:36,359
Speaker 1: I'm not sure which one. Are the crimes there though?

613
00:34:36,680 --> 00:34:38,839
Speaker 1: You know, is there anything true crime me there? If

614
00:34:38,880 --> 00:34:41,000
Speaker 1: there is? Two one seven, hit me back and let

615
00:34:41,000 --> 00:34:43,120
Speaker 1: me know, let me find help me find a way in.

616
00:34:43,200 --> 00:34:46,200
Speaker 1: Maybe I can do it through some a Ween story,

617
00:34:46,239 --> 00:34:50,000
Speaker 1: through some Philly mob Philly mob stuff. I don't know.

618
00:34:50,160 --> 00:34:53,200
Speaker 1: Maybe maybe I'm just reaching six one seven nine oh

619
00:34:53,239 --> 00:34:55,719
Speaker 1: six six six three eight. You want to get in touch,

620
00:34:55,960 --> 00:34:57,680
Speaker 1: we can talk about Ween. We can talk about whatever

621
00:34:57,680 --> 00:35:00,399
Speaker 1: you want. Six four six text and hey, Jake Balls,

622
00:35:00,400 --> 00:35:01,920
Speaker 1: well with you and your family. I have a good

623
00:35:01,960 --> 00:35:04,239
Speaker 1: one for you, Phil, Him and Phil? Why am I

624
00:35:04,280 --> 00:35:05,840
Speaker 1: reading your text? What?

625
00:35:05,760 --> 00:35:05,800
Speaker 5: What?

626
00:35:06,040 --> 00:35:09,520
Speaker 1: What? Why are you teasing me? Phil? Get back all right?

627
00:35:09,560 --> 00:35:11,520
Speaker 1: I meant to read this one from the five o nine?

628
00:35:11,680 --> 00:35:13,839
Speaker 1: What up? Jake Brandon here in the five o nine.

629
00:35:13,960 --> 00:35:16,160
Speaker 1: Just got around to listening to that Food Fighters episode,

630
00:35:16,200 --> 00:35:19,560
Speaker 1: and Wow, as a lifelong food fan, I've been dying

631
00:35:19,600 --> 00:35:23,200
Speaker 1: to find out what really did Taylor in because, quite honestly,

632
00:35:23,280 --> 00:35:26,160
Speaker 1: I'm getting sick of people summing it up as just

633
00:35:26,440 --> 00:35:29,240
Speaker 1: junkie rock star shit and that angle with the insurance

634
00:35:29,239 --> 00:35:31,520
Speaker 1: companies is incredibly eye opening, and I have to admit

635
00:35:31,600 --> 00:35:33,359
Speaker 1: I never would have even thought that they'd have to

636
00:35:33,440 --> 00:35:36,120
Speaker 1: ensure their shows, but it totally makes sense. I wouldn't

637
00:35:36,160 --> 00:35:38,400
Speaker 1: have in a million years connected those dots, But the

638
00:35:38,440 --> 00:35:39,960
Speaker 1: more I think about it, the more I think that

639
00:35:39,960 --> 00:35:42,040
Speaker 1: that's the case, and he just simply died from rocking

640
00:35:42,120 --> 00:35:45,400
Speaker 1: too fucking hard for far too long. I'm just glad

641
00:35:45,440 --> 00:35:48,439
Speaker 1: I have something somewhat credible to defend my man with now.

642
00:35:48,600 --> 00:35:51,120
Speaker 1: Then I'm aware of the bigger pictures. So thanks for that.

643
00:35:51,239 --> 00:35:53,600
Speaker 1: Keep on rocking, you got it five on nine. Appreciate you.

644
00:35:54,520 --> 00:35:57,240
Speaker 1: Let's head on over to the eight one three wherever

645
00:35:57,280 --> 00:35:59,439
Speaker 1: that is? Where'd you go? Eight one to three? Eight

646
00:35:59,480 --> 00:36:02,840
Speaker 1: one three? Hey Jake? Finally listening to an after party

647
00:36:02,840 --> 00:36:06,439
Speaker 1: episode in real time. Listener James wrote in about Tory

648
00:36:06,520 --> 00:36:09,680
Speaker 1: Amos covering Slayer. Since you haven't heard that song, you

649
00:36:09,719 --> 00:36:12,040
Speaker 1: probably haven't listened to that album. It comes from her

650
00:36:12,040 --> 00:36:15,759
Speaker 1: two thousand and one concept album Strange Little Girls. The

651
00:36:15,800 --> 00:36:19,920
Speaker 1: album is all cover songs originally performed by men Eminem

652
00:36:20,080 --> 00:36:23,440
Speaker 1: The Beatles, Depeche Mode, and Tom Waits are all represented

653
00:36:23,640 --> 00:36:26,719
Speaker 1: and covered. It's worth a listen. My personal favorite are

654
00:36:26,760 --> 00:36:29,640
Speaker 1: her covers of I Don't Like Mondays and Rattlesnake Her

655
00:36:29,680 --> 00:36:32,719
Speaker 1: ninety seven, Bonnie and Clyde still is too creepy to

656
00:36:32,800 --> 00:36:37,600
Speaker 1: listen to again, Bonnie and Clyde ninety seven Bonnie, What

657
00:36:37,719 --> 00:36:41,200
Speaker 1: is that not the surge Gainesburg? Bonnie and Clyde? Is it?

658
00:36:41,840 --> 00:36:45,560
Speaker 1: Eight one three? Thank you for reminding me of Tori

659
00:36:45,680 --> 00:36:49,000
Speaker 1: Amos in the Slayer cover and apparently now a bunch

660
00:36:49,080 --> 00:36:50,960
Speaker 1: of other covers that I had no idea she did.

661
00:36:50,960 --> 00:36:52,840
Speaker 1: But also reminded me that I have to call Ryan

662
00:36:53,160 --> 00:36:57,200
Speaker 1: to work on a sort of Elton John piano sounding

663
00:36:57,280 --> 00:37:00,160
Speaker 1: cue for us, and I got to write that out

664
00:37:00,160 --> 00:37:01,960
Speaker 1: of my books. I'm gonna do that right now. Call

665
00:37:02,560 --> 00:37:05,360
Speaker 1: Ryan now, eight one three. I know you don't know

666
00:37:05,360 --> 00:37:07,480
Speaker 1: who Ryan is. Ryan does a bunch of the music

667
00:37:07,520 --> 00:37:08,879
Speaker 1: for us here, not all of it, but a bunch

668
00:37:08,920 --> 00:37:11,560
Speaker 1: of it. And uh yeah, I got a piano based

669
00:37:11,640 --> 00:37:14,520
Speaker 1: que that I need, and you know Toriemo's piano piano

670
00:37:14,520 --> 00:37:14,960
Speaker 1: based que.

671
00:37:15,000 --> 00:37:15,319
Speaker 4: There we go.

672
00:37:15,360 --> 00:37:17,680
Speaker 1: That's how my brain's working. Appreciate you eight win three

673
00:37:17,760 --> 00:37:19,920
Speaker 1: six one seven nine oh six six six three eight.

674
00:37:19,960 --> 00:37:21,840
Speaker 1: You guys want to get in touch on anything? You

675
00:37:21,880 --> 00:37:24,319
Speaker 1: want to talk more? Ian walkins and lost prophets, more

676
00:37:24,400 --> 00:37:27,640
Speaker 1: stories from music history that upset you. More Foo Fighters.

677
00:37:27,680 --> 00:37:30,040
Speaker 1: You want to get abby with your your mount Rushmore

678
00:37:30,200 --> 00:37:33,680
Speaker 1: of Gone too Soon rock Stars? Six one seven, nine

679
00:37:33,760 --> 00:37:37,200
Speaker 1: oh six, six six three eight voicemail and text. That's

680
00:37:37,200 --> 00:37:39,400
Speaker 1: how we're going to do it. Next week's question of

681
00:37:39,400 --> 00:37:41,400
Speaker 1: the week. I just mentioned it. What's your mount Rushmore

682
00:37:41,520 --> 00:37:44,279
Speaker 1: Gone too Soon? Rock Stars? Let's get into that. You

683
00:37:44,360 --> 00:37:47,200
Speaker 1: only get four Okay, call me up, leave me a voicemail,

684
00:37:47,320 --> 00:37:49,480
Speaker 1: send me a text. I'm gonna take a quick break.

685
00:37:49,520 --> 00:38:03,960
Speaker 8: I'll be back in a flash, all right.

686
00:38:04,000 --> 00:38:05,879
Speaker 1: Six one seven, nine oh six, six sixty three eight

687
00:38:05,960 --> 00:38:08,919
Speaker 1: voicemail and text to get at me at disgracelam pod

688
00:38:09,120 --> 00:38:13,480
Speaker 1: on the socials disgracelampod at gmail dot com on email.

689
00:38:13,920 --> 00:38:16,680
Speaker 1: This film should be played loud. That's our video podcast

690
00:38:16,800 --> 00:38:18,960
Speaker 1: that is available for you to check out right now.

691
00:38:19,000 --> 00:38:23,280
Speaker 1: Our new episode on high fidelity available for our Patreon members.

692
00:38:23,280 --> 00:38:25,520
Speaker 1: You gotta go to disgrace lampod dot com to sign up.

693
00:38:25,760 --> 00:38:27,560
Speaker 1: This film should be played loud. Like I said, is

694
00:38:27,560 --> 00:38:30,920
Speaker 1: a video podcast where Zeth and I discuss the greatest

695
00:38:30,960 --> 00:38:33,640
Speaker 1: movies with the greatest soundtracks. That's basically what it is.

696
00:38:33,680 --> 00:38:36,279
Speaker 1: We go through the songs, all the songs pretty much

697
00:38:36,360 --> 00:38:38,600
Speaker 1: not all. It's tough with high fidelity. Is so much

698
00:38:38,719 --> 00:38:42,000
Speaker 1: music in that movie, great music. But I'm here to

699
00:38:42,080 --> 00:38:44,360
Speaker 1: tell you not only that that episode is available for

700
00:38:44,440 --> 00:38:47,280
Speaker 1: you to watch right now, but that we have settled

701
00:38:47,320 --> 00:38:49,960
Speaker 1: the debate of what our next episode is going to be.

702
00:38:50,040 --> 00:38:51,799
Speaker 1: We put it to the people over on Patreon. We

703
00:38:51,840 --> 00:38:53,160
Speaker 1: did a poll. We knew we were going to do

704
00:38:53,160 --> 00:38:55,239
Speaker 1: a Wes Anderson film. We weren't sure if it was

705
00:38:55,280 --> 00:38:58,840
Speaker 1: going to be Rushmore or Royal Tenen bombs or perhaps

706
00:38:58,920 --> 00:39:00,840
Speaker 1: maybe you know fuck s and Er said, maybe you

707
00:39:00,840 --> 00:39:04,080
Speaker 1: guys wanted to want to hear us talk about something else. Anyways,

708
00:39:04,080 --> 00:39:05,719
Speaker 1: who put it to the people. The people came back

709
00:39:06,280 --> 00:39:09,520
Speaker 1: strongly for the Royal tene bombs. So that's gonna be

710
00:39:09,600 --> 00:39:12,480
Speaker 1: the next this film should be play a loud episode

711
00:39:12,520 --> 00:39:17,160
Speaker 1: that we do that'll be released end of May. Yeah, okay.

712
00:39:17,440 --> 00:39:19,440
Speaker 1: In the meantime, Matt wants you to give the people a

713
00:39:19,440 --> 00:39:21,799
Speaker 1: little taste of the high fidelity episode so they know

714
00:39:21,800 --> 00:39:25,240
Speaker 1: what they're missing if they're not yet subscribe over on Patreon.

715
00:39:25,960 --> 00:39:29,200
Speaker 3: Let's move on to Feel My Heat, which is the

716
00:39:29,239 --> 00:39:31,440
Speaker 3: category where we ask is the actor good at singing?

717
00:39:31,480 --> 00:39:32,799
Speaker 3: And I think we know the answer to this.

718
00:39:32,800 --> 00:39:35,040
Speaker 1: This, the answer to this could have been the answer

719
00:39:35,080 --> 00:39:40,239
Speaker 1: to every single category in here.

720
00:39:44,400 --> 00:39:46,080
Speaker 8: Don't know to this field.

721
00:39:50,200 --> 00:40:14,919
Speaker 9: And if you feel gonna scom it up, it's.

722
00:40:10,960 --> 00:40:13,440
Speaker 1: Scene I actually want to be at more than anything.

723
00:40:13,640 --> 00:40:19,320
Speaker 3: When Barry's band, which was originally called Sonic Death Monkey,

724
00:40:19,440 --> 00:40:22,560
Speaker 3: but they're going to change their name to Kathleen Turner Overdrive,

725
00:40:22,600 --> 00:40:24,840
Speaker 3: which is one of the greatest.

726
00:40:25,120 --> 00:40:28,239
Speaker 1: Song it's so great, it's almost as good as Willie

727
00:40:28,280 --> 00:40:31,520
Speaker 1: Nelson Mandela, but Kathleen Turner Overdrive will do.

728
00:40:33,080 --> 00:40:35,560
Speaker 3: So they're playing that. You know, Rob's putting out this

729
00:40:35,560 --> 00:40:38,319
Speaker 3: this record, this EP by these these skater punks that

730
00:40:38,400 --> 00:40:42,759
Speaker 3: steal from his store, and he's djang. What's that Vincent? Justin,

731
00:40:42,880 --> 00:40:45,719
Speaker 3: Vince and Justin and he's Djang And Barry's band's playing,

732
00:40:45,719 --> 00:40:47,520
Speaker 3: and he tries to pay Barry often not play because

733
00:40:47,520 --> 00:40:49,560
Speaker 3: he thinks that Barry's band is gonna suck. And of

734
00:40:49,560 --> 00:40:53,160
Speaker 3: course Barry's band blows everybody away with this cover of

735
00:40:53,600 --> 00:40:55,400
Speaker 3: Let's Get It On by Marvin Gay.

736
00:40:55,320 --> 00:40:58,920
Speaker 1: But not as but not as Kathleen Turner Overdrive correct

737
00:40:59,239 --> 00:41:03,360
Speaker 1: as Barry in the uptown five. Right, that's right, that's right.

738
00:41:05,280 --> 00:41:10,440
Speaker 10: This scene was arresting when it happened in the theater,

739
00:41:11,200 --> 00:41:16,880
Speaker 10: Like Jack Black is like Nolan Ryan in the Ninth

740
00:41:16,920 --> 00:41:20,360
Speaker 10: Inning and they're like, dude.

741
00:41:20,120 --> 00:41:22,600
Speaker 1: You just threw a no hitter. Go rest. He's like,

742
00:41:22,680 --> 00:41:23,040
Speaker 1: fuck that.

743
00:41:23,360 --> 00:41:25,600
Speaker 11: Yeah, it's extra innings and he comes out and he

744
00:41:25,640 --> 00:41:29,560
Speaker 11: strikes out the side. Yeah, like Jack Black. It's it's

745
00:41:29,640 --> 00:41:33,440
Speaker 11: like he's already given you so much. And then I

746
00:41:33,480 --> 00:41:34,880
Speaker 11: don't know if that's in the script. I have to

747
00:41:34,880 --> 00:41:36,840
Speaker 11: see if that's in the script. It's most certainly not

748
00:41:36,920 --> 00:41:39,120
Speaker 11: in the movie. I don't think the scene where the

749
00:41:39,280 --> 00:41:41,480
Speaker 11: guy it would be too perfect, right, it would be

750
00:41:41,560 --> 00:41:42,279
Speaker 11: too perfect for.

751
00:41:42,280 --> 00:41:44,080
Speaker 1: Them to cast him and for him to kill it

752
00:41:44,120 --> 00:41:46,279
Speaker 1: like this. I see this in my head as like

753
00:41:46,960 --> 00:41:48,600
Speaker 1: he was like, you know I can sing, you know

754
00:41:48,680 --> 00:41:50,759
Speaker 1: what I mean? It just like proved himself on the set,

755
00:41:50,800 --> 00:41:52,319
Speaker 1: like right, give me this.

756
00:41:52,520 --> 00:41:54,239
Speaker 3: You know they were looking at already Lang for this

757
00:41:54,320 --> 00:41:55,520
Speaker 3: role before they got Jack Black.

758
00:41:56,600 --> 00:41:59,680
Speaker 1: They were for fucking stuttering John is Rob Like what

759
00:42:00,120 --> 00:42:00,600
Speaker 1: the fuck?

760
00:42:01,120 --> 00:42:01,440
Speaker 5: Really?

761
00:42:02,480 --> 00:42:05,680
Speaker 1: All right, guys, that's the high fidelity episode of this

762
00:42:05,680 --> 00:42:07,440
Speaker 1: film should be played loud. Make sure you are a

763
00:42:07,440 --> 00:42:10,640
Speaker 1: Patreon subscriber. So you can cop that. Every month I

764
00:42:10,640 --> 00:42:14,200
Speaker 1: get a bone to pick with an Apple user who

765
00:42:14,239 --> 00:42:19,319
Speaker 1: goes by the name pave meant spelled pa capital ve

766
00:42:20,480 --> 00:42:25,440
Speaker 1: me slash and t now. Pavement writes in the reviews

767
00:42:25,480 --> 00:42:29,080
Speaker 1: no less five stars, thank you, Okay, appreciate that, I

768
00:42:29,120 --> 00:42:31,319
Speaker 1: really do, then goes on to say it would like

769
00:42:31,360 --> 00:42:36,200
Speaker 1: to hear a few more obscure artists. But good fair,

770
00:42:36,719 --> 00:42:39,600
Speaker 1: But I just want to point out today's episode. Okay,

771
00:42:40,080 --> 00:42:44,560
Speaker 1: Ian Watkins from Lost Prophets, and I might direct user

772
00:42:44,640 --> 00:42:47,720
Speaker 1: known as Pavement to our archive of over two hundred

773
00:42:47,719 --> 00:42:52,320
Speaker 1: and seventy episodes to check out episodes by obscure artists

774
00:42:52,400 --> 00:42:56,320
Speaker 1: like Johnny Paycheck gg Allen. That's it. Those are the

775
00:42:56,360 --> 00:42:58,800
Speaker 1: only No. I'm just kidding. Ta K forty seven is

776
00:42:58,800 --> 00:43:05,000
Speaker 1: a DJ Michael Alec lots of obscure artists. In fact,

777
00:43:05,120 --> 00:43:07,759
Speaker 1: I kind of think we have more obscure artists, but

778
00:43:07,800 --> 00:43:10,040
Speaker 1: then it's all relative. You know, some people would tell

779
00:43:10,040 --> 00:43:12,440
Speaker 1: you that depeche Mode is an obscure artist, which is

780
00:43:12,520 --> 00:43:15,640
Speaker 1: just ludicrous to think. Listen Pavement. If you need help

781
00:43:15,680 --> 00:43:19,040
Speaker 1: finding these, get in touch. Appreciate the review. You'll be

782
00:43:19,040 --> 00:43:21,239
Speaker 1: happy to know Pavement that we have an episode on

783
00:43:21,280 --> 00:43:24,320
Speaker 1: Wendy O Williams coming up. Okay, it's gonna pair nicely

784
00:43:24,360 --> 00:43:26,440
Speaker 1: with Adele. You know, see what we're doing. There got

785
00:43:26,440 --> 00:43:29,840
Speaker 1: one huge artists, one not so huge artists. Happy mondays

786
00:43:30,680 --> 00:43:32,919
Speaker 1: the bags. These are all common In the next few months,

787
00:43:32,920 --> 00:43:34,640
Speaker 1: It's gonna be a good summer here in Disgracelane. You're

788
00:43:34,640 --> 00:43:37,160
Speaker 1: gonna be happy, I promise you. Morbid Girly over on

789
00:43:37,160 --> 00:43:39,520
Speaker 1: Apple writes, Disgraceland is one of my favorite shows. Always

790
00:43:39,520 --> 00:43:42,360
Speaker 1: comes through a new information, interesting facts that aren't common knowledge.

791
00:43:42,400 --> 00:43:45,359
Speaker 1: Jake tells us each story with passion and really helps

792
00:43:45,360 --> 00:43:50,520
Speaker 1: the listener in vision the lifestyle and experience of each band, artist, legend,

793
00:43:50,600 --> 00:43:52,799
Speaker 1: and does it with class. Thanks for all you do

794
00:43:52,840 --> 00:43:54,800
Speaker 1: to help us remember the stars from past and present.

795
00:43:54,880 --> 00:43:56,759
Speaker 1: You got it, Morbid Girly, I appreciate that. Get in

796
00:43:56,800 --> 00:43:59,040
Speaker 1: touch six p one seven nine oh six six six

797
00:43:59,120 --> 00:44:01,799
Speaker 1: three eight YouTube. You got some merch in the mail

798
00:44:01,880 --> 00:44:05,440
Speaker 1: for those wonderful reviews. I want to read some of

799
00:44:05,480 --> 00:44:09,400
Speaker 1: these dms from you guys over on Instagram at discrisempod,

800
00:44:09,480 --> 00:44:11,600
Speaker 1: we made a little real about what we were talking

801
00:44:11,600 --> 00:44:14,200
Speaker 1: about in the after party last week about how Jim

802
00:44:14,200 --> 00:44:17,640
Speaker 1: Morrison died, and there's this theory we went through it.

803
00:44:17,680 --> 00:44:19,080
Speaker 1: I'm not going to go through the whole thing here again,

804
00:44:19,120 --> 00:44:21,319
Speaker 1: but the theory that you know, Jim didn't die from

805
00:44:21,320 --> 00:44:25,920
Speaker 1: shooting heroin on purpose, that Jim mistakenly took heroin that

806
00:44:26,120 --> 00:44:29,520
Speaker 1: was Pam's his girlfriends that he thought was cocaine. And

807
00:44:29,560 --> 00:44:31,560
Speaker 1: we went into the whole thing how the heroin was

808
00:44:31,600 --> 00:44:35,640
Speaker 1: pink so it could have been mistaken for cocaine, her

809
00:44:35,640 --> 00:44:38,080
Speaker 1: connections to the count all that. So I made a

810
00:44:38,080 --> 00:44:39,640
Speaker 1: little video about it, put it up, and I was

811
00:44:39,719 --> 00:44:44,000
Speaker 1: very very clear about it not being my necessarily my opinion,

812
00:44:44,040 --> 00:44:45,440
Speaker 1: but just this is the thing that people in the

813
00:44:45,520 --> 00:44:48,879
Speaker 1: know are talking about, and myle my, have people lost

814
00:44:48,920 --> 00:44:52,719
Speaker 1: their fucking minds about this? I want to read some

815
00:44:52,760 --> 00:44:55,120
Speaker 1: of the I don't know what it is. It's like

816
00:44:55,160 --> 00:44:59,080
Speaker 1: you just if it's something different with the medium mediums

817
00:44:59,680 --> 00:45:02,480
Speaker 1: in podcast format like this, I can have this conversation

818
00:45:02,560 --> 00:45:05,000
Speaker 1: with you. Guys. You're not there, but I can see you,

819
00:45:05,280 --> 00:45:07,080
Speaker 1: and I trust you. I trust you to know the

820
00:45:07,160 --> 00:45:09,040
Speaker 1: nuance of what I'm talking about. I trust you to

821
00:45:09,120 --> 00:45:12,879
Speaker 1: understand where I'm coming from, what my point of view

822
00:45:12,920 --> 00:45:16,279
Speaker 1: is versus information that I'm just sort of presenting from

823
00:45:16,320 --> 00:45:19,680
Speaker 1: other people. But it's just you put any any anything

824
00:45:20,040 --> 00:45:23,359
Speaker 1: up against your image on social media and people just

825
00:45:23,760 --> 00:45:26,640
Speaker 1: they just they don't even hear it. They don't even

826
00:45:26,680 --> 00:45:28,920
Speaker 1: hear the reality, the truth of what you're saying. They

827
00:45:28,960 --> 00:45:32,200
Speaker 1: actually the actual words. They do not hear. They hear

828
00:45:32,280 --> 00:45:34,239
Speaker 1: what they want to hear, and they are pissed and

829
00:45:34,280 --> 00:45:36,240
Speaker 1: they just want to yell. They just want to scream.

830
00:45:37,840 --> 00:45:40,719
Speaker 1: And I kind of love it. But a lot of

831
00:45:40,719 --> 00:45:42,799
Speaker 1: you dug this story, and a lot of you, like

832
00:45:43,320 --> 00:45:45,880
Speaker 1: cutting Zeo says can't wait, like the Glasses, and another

833
00:45:45,880 --> 00:45:48,480
Speaker 1: one Cannibal Crunch right saying, Hey, looking forward to this episode.

834
00:45:48,520 --> 00:45:51,880
Speaker 1: Love your podcast. Jay McNeely never knew this story or

835
00:45:51,920 --> 00:45:54,480
Speaker 1: all the connections, not like me. I guess I've been

836
00:45:54,520 --> 00:45:56,440
Speaker 1: under a rock, not crack, and a lot of people

837
00:45:56,440 --> 00:46:00,640
Speaker 1: are into this story, this idea of this theory. I

838
00:46:00,800 --> 00:46:02,920
Speaker 1: was fairly convinced last week when we talked about it,

839
00:46:02,920 --> 00:46:04,080
Speaker 1: that I was going to do an episode on this.

840
00:46:04,840 --> 00:46:07,560
Speaker 1: Now I am hyper convinced we will be doing an

841
00:46:07,600 --> 00:46:11,280
Speaker 1: episode on Jim Morrison and the count and the cause

842
00:46:11,280 --> 00:46:13,120
Speaker 1: of Jim Morrison's death. I'm going to dig and dig

843
00:46:13,160 --> 00:46:14,840
Speaker 1: and dig and try and find more of this stuff,

844
00:46:15,160 --> 00:46:20,480
Speaker 1: more beyond Marianne Faithful's commentary at disgracelam pod on the socials.

845
00:46:21,000 --> 00:46:22,640
Speaker 1: You want to get in touch and talk about anything,

846
00:46:23,560 --> 00:46:27,880
Speaker 1: I'm here for it. Disgrace Lampod at gmail dot com.

847
00:46:28,440 --> 00:46:31,080
Speaker 1: If you want to send me an email John McNeely

848
00:46:31,120 --> 00:46:35,080
Speaker 1: Wright saying, hey, is a David episode in the works

849
00:46:35,200 --> 00:46:40,200
Speaker 1: and that's D four VD and there absolutely is. I'm

850
00:46:40,200 --> 00:46:43,279
Speaker 1: waiting for this case to be finalized and then we'll

851
00:46:43,320 --> 00:46:47,960
Speaker 1: be dipping into that for sure. Disgracelampod at gmail dot com.

852
00:46:48,000 --> 00:46:50,240
Speaker 1: You guys want to get in touch, talk about anything

853
00:46:50,280 --> 00:46:54,000
Speaker 1: at all, hit me up now. As I mentioned earlier,

854
00:46:54,200 --> 00:46:56,399
Speaker 1: Zeth and I are going to dive fully into this

855
00:46:56,480 --> 00:47:00,520
Speaker 1: list top thirty greatest living American artist from the point

856
00:47:00,520 --> 00:47:02,440
Speaker 1: of view the New York Times, and we're gonna talk

857
00:47:02,440 --> 00:47:05,000
Speaker 1: about the artists who were not on this list. It's

858
00:47:05,120 --> 00:47:08,760
Speaker 1: enough to send you straight up the poll man. Man,

859
00:47:09,160 --> 00:47:11,520
Speaker 1: this list, it's weird. This is one of those lists

860
00:47:11,520 --> 00:47:13,520
Speaker 1: where I met I said this earlier, and I meant it.

861
00:47:13,880 --> 00:47:16,759
Speaker 1: In a way I completely get the list. In a way,

862
00:47:16,800 --> 00:47:19,400
Speaker 1: I have almost no arguments with it. But then the

863
00:47:19,440 --> 00:47:20,840
Speaker 1: other in another way, I can just sit here and

864
00:47:20,920 --> 00:47:24,319
Speaker 1: argue about I can give you eazillion reasons why ten

865
00:47:24,400 --> 00:47:26,359
Speaker 1: other folks should be on this list who aren't on

866
00:47:26,400 --> 00:47:27,960
Speaker 1: the list. It's going to shock you who's not on

867
00:47:28,000 --> 00:47:31,239
Speaker 1: this list? Actually disgrace sampod dot com. Become an all

868
00:47:31,280 --> 00:47:33,920
Speaker 1: Access member to check this out. Talking in a minute otherwise,

869
00:47:34,040 --> 00:47:48,919
Speaker 1: see you on the other side. A guys, we mentioned

870
00:47:48,920 --> 00:47:50,440
Speaker 1: a ton of artists on this episode, as we do

871
00:47:50,520 --> 00:47:53,480
Speaker 1: every week. We did it with a little more structure

872
00:47:53,560 --> 00:47:57,919
Speaker 1: this week than we do usually. We talked about Ice Tea,

873
00:47:58,080 --> 00:48:03,359
Speaker 1: Rick James, Frank Sinatra, Paul McCartney, and Billie Holiday. Those

874
00:48:03,400 --> 00:48:06,280
Speaker 1: were our top five most surprising true crimes from artists,

875
00:48:06,320 --> 00:48:09,160
Speaker 1: and Matt is going to have the episode information on

876
00:48:09,239 --> 00:48:12,160
Speaker 1: those stories in the show notes this episode so that

877
00:48:12,160 --> 00:48:14,799
Speaker 1: you can easily navigate to them. And no, we didn't

878
00:48:14,800 --> 00:48:17,200
Speaker 1: do an entire episode on ic T being a jewel

879
00:48:17,200 --> 00:48:20,400
Speaker 1: thief or an entire episode on Billie Holiday's dog delivering drugs.

880
00:48:20,640 --> 00:48:24,400
Speaker 1: These are just smaller stories set in the larger story,

881
00:48:24,440 --> 00:48:27,680
Speaker 1: all right, So check that out now, let's recap, shall

882
00:48:27,719 --> 00:48:30,560
Speaker 1: we Number one? This week? Ian Watkins from Lost Profits.

883
00:48:30,600 --> 00:48:32,720
Speaker 1: That's our new episode. You can hear that, right, now

884
00:48:33,120 --> 00:48:36,399
Speaker 1: rewind episode coming this Sunday. We've got two parts one

885
00:48:36,600 --> 00:48:40,080
Speaker 1: and two of our Sean Diddy Comb's story. Okay, number

886
00:48:40,120 --> 00:48:42,640
Speaker 1: three next week, Steve Ray Vaughan, that's our new episode.

887
00:48:42,719 --> 00:48:44,719
Speaker 1: Number four is that is giving you those Hollywood and

888
00:48:44,760 --> 00:48:46,879
Speaker 1: crime vibes and the Hollywood land feeds. So make sure

889
00:48:46,920 --> 00:48:49,920
Speaker 1: you are subscribed so you can tap into that Charlie

890
00:48:49,920 --> 00:48:52,439
Speaker 1: Sheen madness this week and you can hear my music

891
00:48:52,480 --> 00:48:54,680
Speaker 1: Rex in the wrap party. Number five. This film should

892
00:48:54,719 --> 00:48:57,920
Speaker 1: be played loud. Our video podcast episode this month on

893
00:48:58,000 --> 00:49:00,640
Speaker 1: High Fidelity is currently available for you. Number six, six

894
00:49:00,719 --> 00:49:03,040
Speaker 1: one seven nine six six six three eight. Your voice

895
00:49:03,160 --> 00:49:05,319
Speaker 1: keeps us digging into the dark corners of music history,

896
00:49:05,360 --> 00:49:08,000
Speaker 1: so keep calling, texting with your answers to this week's

897
00:49:08,080 --> 00:49:09,640
Speaker 1: question of the week, or with whatever else you want

898
00:49:09,640 --> 00:49:12,000
Speaker 1: to talk about. Number seven. Don't forget this goes. This

899
00:49:12,040 --> 00:49:15,560
Speaker 1: isn't just content. It's a community, a community of the obsessed,

900
00:49:15,880 --> 00:49:19,400
Speaker 1: the musically obsessed. Nobody cares about music, books, records and

901
00:49:19,440 --> 00:49:21,319
Speaker 1: the crime and grime. It ties them all together like

902
00:49:21,360 --> 00:49:23,759
Speaker 1: you do. And well that's a disgrace, all right. Back

903
00:49:23,760 --> 00:49:27,399
Speaker 1: in September twenty twelve, Mega disgrace, Ian Walkins from Lost

904
00:49:27,440 --> 00:49:31,120
Speaker 1: Profits was arrested for unspeakable crimes, and here's what America

905
00:49:31,160 --> 00:49:34,360
Speaker 1: was listening to at that time. According to the Billboard Charts,

906
00:49:35,239 --> 00:49:39,320
Speaker 1: Number one, We Are Never Ever Getting Back Together Taylor

907
00:49:39,360 --> 00:49:44,960
Speaker 1: Swift last week one, peak position, one weeks on Chart three,

908
00:49:45,239 --> 00:49:49,760
Speaker 1: Number two, Whistle Flow Writhe last week two, peak positions,

909
00:49:50,040 --> 00:49:55,560
Speaker 1: one weeks on Chart two fifteen, Number three Lights last

910
00:49:55,600 --> 00:49:58,320
Speaker 1: week three, peak positions, two weeks.

911
00:49:58,040 --> 00:49:58,600
Speaker 9: On Chart.

912
00:50:00,080 --> 00:50:04,960
Speaker 1: Four. One More Night and number five last week peak position,

913
00:50:05,200 --> 00:50:08,320
Speaker 1: last four weeks on Shark, position ten weeks on number

914
00:50:08,320 --> 00:50:13,080
Speaker 1: five Some Nights number last week six, peak positions five

915
00:50:13,320 --> 00:50:17,880
Speaker 1: weeks on Shark twenty seption number six Call Me Carlie

916
00:50:17,920 --> 00:50:31,240
Speaker 1: Ray jameson quit talking and start mixing.

917
00:50:31,600 --> 00:50:32,000
Speaker 5: Cult It