WEBVTT - TGI – Episode 615 “Road Trip” 0:00:18.320 --> 0:00:21.599 I've been I've had mixtapes in my mind for a 0:00:21.680 --> 0:00:24.320 couple of reasons, but the main one is I sent 0:00:24.520 --> 0:00:28.680 stuff off the Legacy box and I had these tapes 0:00:28.800 --> 0:00:30.960 like audio tapes that I had no idea what was 0:00:31.000 --> 0:00:33.600 on them. Turns out they were mostly just mixtapes. So 0:00:33.640 --> 0:00:36.319 it's just you know, song collections that way I used 0:00:36.320 --> 0:00:38.280 to I used to also make mixtapes where I would 0:00:38.280 --> 0:00:40.960 put movie quotes, Like I would hold the tape recorder 0:00:41.040 --> 0:00:43.600 up to the movie screen, so we would make like 0:00:43.640 --> 0:00:45.320 I would make a tape for a friend, and I 0:00:45.360 --> 0:00:47.839 would include like quotes from movies that we love or 0:00:47.840 --> 0:00:50.720 that we always quoted and stuff, so it's cool to 0:00:50.720 --> 0:00:53.320 listen back. Yeah, And then I'm writing this thing where 0:00:53.440 --> 0:00:57.120 I am using a mixtape in in this in this 0:00:57.440 --> 0:01:00.880 piece that I'm writing from the nineties, like I find 0:01:00.880 --> 0:01:03.600 a mixtape and I but it was so cool. I like, 0:01:03.680 --> 0:01:05.280 this is one of the ways that you can use 0:01:05.360 --> 0:01:08.319 chat Gpt like creatively, because like I don't want, obviously, 0:01:08.360 --> 0:01:10.600 I don't want like chat Gpt to write stuff for me. 0:01:11.000 --> 0:01:14.080 I can use him, use him her it as like 0:01:14.160 --> 0:01:17.160 a writing coach or like a partner in some ways. 0:01:17.240 --> 0:01:18.760 And so what I decided to do. I was like, oh, 0:01:18.880 --> 0:01:22.880 I want you to tell me what songs would be 0:01:22.920 --> 0:01:25.839 on this mixtape if this character is this so like I, 0:01:25.920 --> 0:01:28.160 you know, if a seventeen year old girl in nineteen 0:01:28.240 --> 0:01:30.000 ninety five, and I was like, I gave like a 0:01:30.040 --> 0:01:32.479 couple of songs. I was like, I definitely want these 0:01:32.520 --> 0:01:34.720 three on there. Can you make the rest? Like what 0:01:34.840 --> 0:01:37.720 other songs would be on there? And then I made 0:01:37.720 --> 0:01:40.000 a playlist based on that list, And so then I'm 0:01:40.040 --> 0:01:43.320 listening while I'm writing, I'm listening to a mixtape from 0:01:43.400 --> 0:01:46.560 a fictional character. It was so closing, you know. It's 0:01:46.600 --> 0:01:49.280 like able to like engage in the creativity in a 0:01:49.320 --> 0:01:51.280 way like I don't know, cause it's like I could 0:01:51.280 --> 0:01:52.880 obviously come up with the list, but it would be 0:01:52.920 --> 0:01:54.640 all songs. I knew. This way, I was able to 0:01:54.640 --> 0:01:57.640 like discover songs that a seventeen year old girl in 0:01:57.720 --> 0:02:01.320 nineteen ninety five would anyway, So, what would you guys 0:02:01.360 --> 0:02:02.800 have on your mixtape from the nineties? 0:02:03.840 --> 0:02:09.160 Okay, this is how we do it, like this, we 0:02:09.240 --> 0:02:12.000 do this is how we do it. For sure. It 0:02:12.040 --> 0:02:15.799 would be something from all right, I only have that one? 0:02:16.000 --> 0:02:17.840 Will you go with with one of yours. 0:02:18.080 --> 0:02:19.880 Uh well, yeah, let's go one at a time then, 0:02:19.919 --> 0:02:22.760 because the first one that popped into my head was 0:02:23.919 --> 0:02:25.639 the Sugar song that I played all the time from 0:02:25.639 --> 0:02:30.320 Copper Blue. Remember went down to the river, so that 0:02:30.320 --> 0:02:32.359 that song would have been on there, blanking on the 0:02:32.400 --> 0:02:45.280 name of it. Who could Yeah, you played me the. 0:02:44.200 --> 0:02:49.280 Oh you think Paul from when you weren't into you? 0:02:49.280 --> 0:02:51.279 Weren't that into beastie boys, were you? 0:02:51.280 --> 0:02:53.280 No, it's just that because I had the speaker in 0:02:53.320 --> 0:02:55.320 the back of my car, which is still there. 0:02:55.720 --> 0:02:58.520 Uh that thing that just thumped with the Paul Revere, So. 0:02:58.720 --> 0:02:59.800 You still have the speaker? 0:03:00.200 --> 0:03:00.480 Yeah? 0:03:00.760 --> 0:03:01.440 Does it work? 0:03:02.040 --> 0:03:03.240 I honestly don't even know. 0:03:03.520 --> 0:03:05.320 I have not. I would love to sit in your 0:03:05.360 --> 0:03:07.800 car and re experience that bass. 0:03:08.280 --> 0:03:10.680 It was so funny because last time I was home 0:03:10.680 --> 0:03:12.200 in Connecticut, I went and checked the car out and 0:03:12.200 --> 0:03:14.120 I sat in it, and it smells exactly like it 0:03:14.160 --> 0:03:16.639 did when I was sixteen. Like it was the strangest 0:03:17.280 --> 0:03:20.640 I'm sitting in my car again. It smells exactly the same. 0:03:20.800 --> 0:03:24.720 It's the hint of cigarette, the hint of just the leather. 0:03:25.160 --> 0:03:28.760 It's uh, yeah, it was so weird. 0:03:28.840 --> 0:03:29.560 I love my car. 0:03:29.680 --> 0:03:30.959 Writer, what would be in yours. 0:03:31.240 --> 0:03:34.840 Well, obviously it would just be three live Counting Crows songs. 0:03:35.240 --> 0:03:37.480 No, yeah, would definitely be creative. 0:03:37.800 --> 0:03:40.600 Yeah, no, definitely because I used to collect tapes of concerts, 0:03:40.640 --> 0:03:42.280 like all the bootlegs of Counting Crows, So there would 0:03:42.280 --> 0:03:45.920 definitely be like the live version of Murder of One 0:03:46.080 --> 0:03:51.160 with some eleven minute improvs ad because it was all 0:03:51.200 --> 0:03:53.320 like some crazy story and like, oh this is where 0:03:53.320 --> 0:03:55.240 you're singing a yeah, So I would have definitely been 0:03:55.280 --> 0:03:59.160 one of those. And then Van Morrison song Yeah yeah, 0:03:59.160 --> 0:04:01.320 I would have been you know something off of astral 0:04:01.400 --> 0:04:02.200 Weeks for sure. 0:04:03.560 --> 0:04:04.240 And then. 0:04:06.480 --> 0:04:11.640 My third song you Know I was Annie DiFranco. Oh funny, 0:04:11.640 --> 0:04:16.320 because I don't listen to her at all anymore. I 0:04:16.440 --> 0:04:18.760 just stopped listening to her newer music like basically since 0:04:18.800 --> 0:04:22.200 two thousand, since two thousand, but her nineties stuff I 0:04:22.240 --> 0:04:25.720 really still love. The lyrics are incredible, and so yeah, 0:04:25.760 --> 0:04:27.440 I was a huge honor to Franco fan, so probably 0:04:27.440 --> 0:04:28.479 would have been one of her songs like. 0:04:28.480 --> 0:04:31.039 She's so funny. I knew I loved Donnie DeFranco, and 0:04:31.080 --> 0:04:33.080 I did not remember that the reason I knew of 0:04:33.120 --> 0:04:35.719 her was because you introduced me to her, but you're right. Yeah, 0:04:35.839 --> 0:04:40.680 I love Donnie DeFranco, so I would this is how 0:04:40.720 --> 0:04:43.120 we do it, and then it would be eight No 0:04:43.240 --> 0:04:47.839 Fun from Snoop Dogg's album Doggie Style, Gotcha, and then 0:04:48.279 --> 0:04:49.080 Return of the Mac. 0:04:50.120 --> 0:04:53.880 Oh wow, those would be no either of those others 0:04:54.400 --> 0:04:58.680 written the Mac? Yeah, Mark Morrison, I might put something 0:04:58.720 --> 0:05:01.880 on there from Weezer's Blue album. Oh yeah, if I'm honest, 0:05:01.880 --> 0:05:04.920 that was a great album in the nineties, especially so 0:05:05.040 --> 0:05:06.840 I don't know which song it might have been. 0:05:07.880 --> 0:05:09.240 And really. 0:05:10.800 --> 0:05:13.600 Without parents? No, no, that was a fish show. 0:05:14.839 --> 0:05:14.880 No. 0:05:14.960 --> 0:05:18.040 I went to. My first concert was actually the Hold 0:05:18.040 --> 0:05:21.839 onto the Night guy what's his name, Richard? When I 0:05:21.920 --> 0:05:22.400 was like eight. 0:05:22.600 --> 0:05:23.839 I love it so much. 0:05:24.200 --> 0:05:25.159 It was so loud. 0:05:25.240 --> 0:05:27.560 Oh my god, who would have known that coming up 0:05:27.600 --> 0:05:29.400 in just a few short years that was going to 0:05:29.440 --> 0:05:31.159 be the theme song to your character. 0:05:30.960 --> 0:05:34.080 Jacket for your jacket? Yeah, no, it's so Yeah. When 0:05:34.080 --> 0:05:37.320 I was thirteen or fourteen, I guess my first concert 0:05:37.320 --> 0:05:40.560 were like went without parents, like dropped off in San Francisco. 0:05:40.880 --> 0:05:41.920 Was was Weezer? 0:05:42.480 --> 0:05:44.640 Apparently they're great live. I never saw great there. 0:05:44.839 --> 0:05:51.040 Yeah, okay, so Weezer and you're who does anything? 0:05:54.560 --> 0:05:54.720 Yeah? 0:05:54.760 --> 0:05:56.400 No, it's it's tough. 0:05:56.480 --> 0:05:58.880 Although I will say, what was your first concert, Danielle, 0:05:58.880 --> 0:06:00.479 because mine was the Beach Boys as a kid. 0:06:00.600 --> 0:06:01.599 Mine was Aerosmith. 0:06:02.040 --> 0:06:03.040 That was the first one you went to. 0:06:03.080 --> 0:06:05.240 My first ever concert was with Yeah, it was with 0:06:05.320 --> 0:06:08.480 Angel and VICKI and you guys and yeah. 0:06:08.520 --> 0:06:09.720 See the picture every day. 0:06:09.960 --> 0:06:10.800 What's your third song? 0:06:10.839 --> 0:06:12.359 Will No? 0:06:12.400 --> 0:06:16.080 I said, I think so sugar, and but again, this 0:06:16.200 --> 0:06:18.480 is all if I'm just sticking with the nineties, if 0:06:18.560 --> 0:06:20.840 it's that I had no but I mean, if it's 0:06:20.920 --> 0:06:24.760 nineties music, if it's mixtapes that I have in the nineties, 0:06:24.880 --> 0:06:27.239 and I was in a huge Pink Floyd phase still, 0:06:27.320 --> 0:06:29.880 so there would have been I did have Morrison, which was. 0:06:30.000 --> 0:06:31.400 Yeah, so yeah, there would have been a lot of 0:06:31.400 --> 0:06:31.880 Pink Floyd. 0:06:31.920 --> 0:06:33.760 I still personally think Dark Side of the Moon is 0:06:33.760 --> 0:06:35.680 the greatest album that's ever been made, start to finish. 0:06:35.720 --> 0:06:38.520 So it's funny like I, yeah, I definitely listened to 0:06:38.520 --> 0:06:40.880 some Pink Floyd, but like everybody in my town listened 0:06:40.880 --> 0:06:41.440 to Pink Floyd. 0:06:41.600 --> 0:06:44.920 Yeah, crazy, yeah it was. I loved Pink Floyd. I 0:06:45.320 --> 0:06:45.640 still do. 0:06:45.839 --> 0:06:48.320 I still I have futually ever heard Dark Side of 0:06:48.360 --> 0:06:50.400 the Moon. That's it really yeah, remember. 0:06:50.279 --> 0:06:54.640 The wall never heard you never heard Comfortably Numb or. 0:06:55.040 --> 0:06:57.480 I mean maybe like on the radio, but I've never 0:06:57.720 --> 0:07:00.279 like listened to the album. 0:07:00.640 --> 0:07:04.239 So it's so good and the movie is just crazy. 0:07:04.360 --> 0:07:06.560 What would the pod meets World mixtape be? What are three? 0:07:06.839 --> 0:07:10.480 What would the Boy meets World pod meets World mixtape? 0:07:10.600 --> 0:07:13.800 Hold On, Hold onto the Night? 0:07:14.280 --> 0:07:18.040 Yeah, we've talked. 0:07:17.920 --> 0:07:20.600 About I mean, yeah, well we've already if you already 0:07:20.600 --> 0:07:21.760 took this is how we do. 0:07:21.680 --> 0:07:27.680 It, so has to be on there. And then a 0:07:27.680 --> 0:07:30.720 third Boy meets World Pod meets World. 0:07:31.840 --> 0:07:36.120 I would say, just because maybe uh, just because he's 0:07:36.200 --> 0:07:38.600 family and how much we love him. Maybe a y 0:07:38.840 --> 0:07:41.880 Kylie Oh great, I. 0:07:41.840 --> 0:07:44.480 Think that, But we could also then let's expand and 0:07:44.560 --> 0:07:47.800 let's do a Hepcat song. Yes, so let's do out 0:07:47.800 --> 0:07:51.440 a Kylie add a Hepcat song, Lisa Lobe, stay. 0:07:51.760 --> 0:07:53.560 And hold on to Them, hold on to the Night. 0:07:53.600 --> 0:07:58.320 That's a solid mixtape right there, you are either hipster 0:07:58.480 --> 0:07:59.520 dancing or getting laid. 0:08:00.080 --> 0:08:02.280 Of course in this bomb It's world. 0:08:08.760 --> 0:08:12.440 You just have them the Ray Colecord mix mix tape. 0:08:12.440 --> 0:08:14.280 Then what was the second season was like a jazzy 0:08:14.360 --> 0:08:14.840 sort of like. 0:08:17.560 --> 0:08:20.000 The third third season where we're in the pool hall 0:08:20.520 --> 0:08:22.400 is the one where it's just the guitars, right. 0:08:22.440 --> 0:08:25.160 And that's very sure. Yeah, that's just Yeah, we'll have 0:08:25.280 --> 0:08:27.120 all of those, all of those we may need to 0:08:27.160 --> 0:08:27.920 make this well. 0:08:28.120 --> 0:08:29.800 Yeah, the problem is no one's going to be able 0:08:29.840 --> 0:08:30.560 to play the tape. 0:08:30.680 --> 0:08:33.560 There's an updated version of a mixtape. It's called a playlist, 0:08:34.200 --> 0:08:34.480 and you. 0:08:34.520 --> 0:08:38.080 Can share it with the size. Where the talking shows are, 0:08:38.520 --> 0:08:39.560 We're on a Tomcat show. 0:08:41.480 --> 0:08:42.160 Yes, I love it. 0:08:42.360 --> 0:08:45.240 I love the talkies. I do too. Welcome to podcast. 0:08:45.320 --> 0:08:46.120 Welcome to our guest. 0:08:47.200 --> 0:08:49.839 Welcome to podcast will for now the podcast Will for 0:08:50.960 --> 0:08:53.240 Happy Talkie show here show. 0:08:54.400 --> 0:08:57.600 Welcome to Talkie and your eerie show. This is I'm 0:08:57.640 --> 0:08:58.520 your host to Panga. 0:09:00.559 --> 0:09:07.600 Welcome to a podcast podcast. Welcome to pod meets World. 0:09:07.920 --> 0:09:09.080 I'm Danielle Fischle. 0:09:09.280 --> 0:09:10.160 I'm right or Strong. 0:09:10.720 --> 0:09:15.480 I'm Wilfrid Dell. Welcome to podcast the podcast. 0:09:17.040 --> 0:09:18.760 I'm your host of the podcast host. 0:09:19.440 --> 0:09:21.760 I'm your host of talking show, Danielle Fischle. 0:09:33.960 --> 0:09:36.920 So thank you all for joining us for this episode recap. 0:09:37.000 --> 0:09:41.440 It is season six, episode fifteen, road Trip. It originally 0:09:41.480 --> 0:09:46.079 aired February fifth, nineteen ninety nine. The synopsis to get 0:09:46.160 --> 0:09:49.200 his mind off of his dad's death. Sean takes Corey 0:09:49.320 --> 0:09:52.199 on a soul searching road trip in Chet's trailer and 0:09:52.320 --> 0:09:56.719 they end up at a very musical truck stop. It 0:09:56.920 --> 0:09:59.679 was directed by David Kendall and it was written by 0:09:59.760 --> 0:10:05.720 Ma Nelson. Before I jump into all of our guest stars, uh, 0:10:06.600 --> 0:10:09.120 does anybody want to share their overall thoughts? 0:10:09.200 --> 0:10:09.480 First? 0:10:11.280 --> 0:10:16.800 This was a clunker for me, just flat, low energy. 0:10:17.200 --> 0:10:22.360 It was just inert, like just a weird episode of 0:10:22.679 --> 0:10:25.600 So Weird Happening. I just was like, there's no energy. 0:10:25.840 --> 0:10:28.480 There's no energy in the story. There's no energy. I 0:10:28.640 --> 0:10:31.880 just even with a musical performance, there's a performance and 0:10:32.320 --> 0:10:35.520 like love Triangley stuff on the story. Couldn't say it. 0:10:35.600 --> 0:10:38.559 It was just flat. Everything felt flat, like nothing really 0:10:38.640 --> 0:10:39.280 made sense to me. 0:10:39.440 --> 0:10:41.319 It was just like, I know this episode needed a 0:10:41.360 --> 0:10:42.280 blood transfusion. 0:10:43.400 --> 0:10:47.160 I don't even consider this a boy met told them. 0:10:47.200 --> 0:10:50.760 You don't even want to go yeah outside, I just say. 0:10:50.679 --> 0:10:53.559 Sean goes on the road and meets his ghost dad, 0:10:53.720 --> 0:10:55.600 like we could learn that in another yes later. 0:10:55.840 --> 0:10:56.959 What this and this was to me? 0:10:57.280 --> 0:11:01.719 This was a twenty minute Saturday Morning special that Disney did, 0:11:02.120 --> 0:11:05.599 which was just a one little thing where Corey and 0:11:05.720 --> 0:11:07.840 Sean are on like the road trip should have been 0:11:07.840 --> 0:11:10.600 whole on the episode. And as a little aside, they 0:11:10.679 --> 0:11:13.280 launched this new girl band on a Saturday morning to show, 0:11:13.480 --> 0:11:15.720 but to wedge it into an episode I was literally watching. 0:11:15.760 --> 0:11:17.560 I was like, this is this is not a show. 0:11:17.720 --> 0:11:20.559 This is this is it's bad. It's just poor, like 0:11:20.720 --> 0:11:25.480 it's poor integration. It doesn't feels like it is a 0:11:25.520 --> 0:11:27.040 commercial for this band's commercial. 0:11:27.240 --> 0:11:27.440 Yep. 0:11:27.720 --> 0:11:30.960 And then also like it's you're rehashing the same plotline 0:11:31.040 --> 0:11:34.600 of season two episode one with Eric right or season 0:11:34.640 --> 0:11:36.760 three episode one. I was like, wait a minute, we've 0:11:36.800 --> 0:11:40.559 done this before, seen this basically this set and these 0:11:40.679 --> 0:11:42.679 characters and the whole. 0:11:43.080 --> 0:11:44.880 Asking a question what are you doing? When are you 0:11:45.120 --> 0:11:47.199 and then no, nothing, nothing, I'm not coming home. 0:11:47.320 --> 0:11:47.480 Man. 0:11:47.640 --> 0:11:47.960 It's like. 0:11:49.520 --> 0:11:51.679 Sitting down eating pie. I mean it's like even the 0:11:51.800 --> 0:11:56.160 same complete Yeah, yeah it was. 0:11:56.280 --> 0:11:58.960 And the b story they obviously just well, we were 0:11:59.040 --> 0:12:00.640 paying them this week, so we as we'll give them 0:12:00.679 --> 0:12:03.079 six lines each. You didn't need it. They should have 0:12:03.200 --> 0:12:05.480 just made it again a twenty minute Saturday morning special, 0:12:05.559 --> 0:12:08.440 launch this girl band and then get back into the show. 0:12:08.480 --> 0:12:11.040 This was a this was real it wasn't good or 0:12:11.040 --> 0:12:12.880 bad to me. It was this was not an episode 0:12:12.880 --> 0:12:13.440 of boy Metrol. 0:12:13.520 --> 0:12:15.680 Yeah, take it out, take it out of the cannon. Yep, 0:12:16.600 --> 0:12:17.080 I agree. 0:12:17.200 --> 0:12:17.760 I'm there. 0:12:17.840 --> 0:12:19.480 Like writer said, there's some stuff we have to know. 0:12:19.640 --> 0:12:21.679 We have to know that ghost ghost Chet. 0:12:21.679 --> 0:12:22.880 Exists, is going to be a thing. 0:12:22.960 --> 0:12:24.360 And that was the best scene of the whole thing. 0:12:24.400 --> 0:12:26.760 That's why I'm seeing. I was like, oh, Blake and 0:12:26.840 --> 0:12:29.360 I are having like a moment and it's emotional, and 0:12:29.440 --> 0:12:31.240 I was like, that's all you needed. Just make that 0:12:31.360 --> 0:12:32.760 as one scene of another episode. 0:12:33.080 --> 0:12:35.520 I Also the other thing I like is the idea 0:12:35.600 --> 0:12:37.480 that on the road trip you would stumble a lot 0:12:37.600 --> 0:12:39.959 upon a picture of your dad in a place, and 0:12:40.160 --> 0:12:43.679 that I love that. I love that idea that that 0:12:43.800 --> 0:12:46.920 would trigger something in you that you could discover more 0:12:46.960 --> 0:12:50.120 about your dad's life away from you. Like the only 0:12:50.240 --> 0:12:53.720 memories you have of your dad are your childhood memories 0:12:53.720 --> 0:12:55.400 where you were taking care of him, But he had 0:12:55.440 --> 0:12:57.400 a and you don't know any part about his other 0:12:57.679 --> 0:12:59.719 thriving life when he was away from you. And so 0:13:00.640 --> 0:13:04.640 that's what I'm saying, how it is just like. 0:13:04.679 --> 0:13:07.520 A toast and like a really I don't know what 0:13:08.040 --> 0:13:12.199 I will say one of my new favorite things in 0:13:12.360 --> 0:13:16.600 my entire life now is Rider's face as the girls 0:13:16.640 --> 0:13:17.600 are singing directly. 0:13:17.720 --> 0:13:20.040 I cannot believe you just said that. It was the 0:13:20.360 --> 0:13:24.400 only moment I mentioned to Jens Jensen and I watched 0:13:24.440 --> 0:13:27.559 it separately. I don't even think I want and I said, 0:13:28.559 --> 0:13:36.000 writers faced they are singing. They basically boop him in 0:13:36.160 --> 0:13:42.200 the nose, and writers like this, and I know he's 0:13:42.640 --> 0:13:48.480 dead inside, just completely just literally you're gone on another planet. 0:13:49.240 --> 0:13:51.120 It's my favorite new thing is that I want that 0:13:51.200 --> 0:13:53.559 as my screen saver. Just your face as the girls 0:13:53.600 --> 0:13:56.439 are singing directly to you. It's just like, I'm here 0:13:57.880 --> 0:13:58.599 so uncomfortable. 0:13:58.679 --> 0:14:02.800 Actor like actually have them sing live at least like 0:14:03.000 --> 0:14:05.960 make it. Just did a karaoke episode. These girls could 0:14:05.960 --> 0:14:09.880 obviously singod live. Why do they have suddenly a track? 0:14:09.960 --> 0:14:13.240 It was just yeah, it was so does it need 0:14:13.320 --> 0:14:15.200 to be the whole song? 0:14:15.559 --> 0:14:18.000 It was the whole song? 0:14:19.200 --> 0:14:21.720 So were they on the Hollywood records? 0:14:21.760 --> 0:14:24.920 Were they on the Yeah, they must have to launch them. 0:14:25.040 --> 0:14:27.840 And because again they you know, I think Backstreet Boys 0:14:27.920 --> 0:14:31.800 were on uh, Sabrina, you know that this happens. I 0:14:31.840 --> 0:14:33.400 think and Sink came on a show. I mean, that's 0:14:33.520 --> 0:14:35.200 this is what they do. But this was not a 0:14:35.360 --> 0:14:39.040 good integration of them into the show. It was really 0:14:39.160 --> 0:14:42.880 forced and just oh god, that was God Your Face 0:14:42.960 --> 0:14:45.440 Rider was just so good. That was absolutely magic. 0:14:47.120 --> 0:14:49.440 By the way, those other bands in Sync and Backstreet 0:14:49.440 --> 0:14:52.280 and whatever, they weren't on Hollywood Records. This was this 0:14:52.520 --> 0:14:55.680 band was on the on this is now post the 0:14:55.840 --> 0:15:00.520 Disney buying of ABC, and this is Hollywood exactly. Synergy 0:15:00.640 --> 0:15:04.320 s energy, synergy exactly what this is. So that's that's 0:15:04.680 --> 0:15:05.880 that's it. That's the reason. 0:15:06.360 --> 0:15:08.040 And I remember the girls being lovely by the way, 0:15:08.080 --> 0:15:11.040 the girls perhapsolutely wonderful and actual. 0:15:10.960 --> 0:15:15.080 Positive memories of this episode because the week was fun, yeah, 0:15:15.440 --> 0:15:19.160 and I was like, this is yeah, this is weirdful. 0:15:19.480 --> 0:15:19.680 Yeah. 0:15:20.160 --> 0:15:22.920 So guest starring Blake Clark is back as Chet Hunter. 0:15:23.280 --> 0:15:27.400 You might be wondering how he's dead. Well, I have 0:15:27.640 --> 0:15:29.600 one word for you. He's a ghost. 0:15:29.680 --> 0:15:29.800 Now. 0:15:30.600 --> 0:15:36.320 So then there's Sarah Christine Smith as Sarah, one member 0:15:36.480 --> 0:15:39.800 of Nobody's Angel, the once signed to Hollywood Records girl 0:15:39.880 --> 0:15:43.000 group who plays themselves in the episode. Sarah was a 0:15:43.040 --> 0:15:46.160 professional dancer who appeared in the first and second Austin 0:15:46.240 --> 0:15:49.800 Powers Movies screamed two She's all that like Mike That 0:15:49.960 --> 0:15:53.240 seventy Show, to name a few. She also played Cinnamon, 0:15:53.560 --> 0:15:56.560 which I have to guess is a different type of 0:15:56.800 --> 0:16:01.240 dancer on the OC. She is bill acting today in 0:16:01.360 --> 0:16:05.800 things like the Hallmark movie Love's Second Chance and Lifetime's 0:16:05.960 --> 0:16:10.960 Sins of My Husband. And then we have Altza as Ali, 0:16:11.920 --> 0:16:15.120 another Nobody's Angel member. She started as an actress on 0:16:15.240 --> 0:16:19.520 six episodes of Michael Jacob's My Two Dads, Oh and 0:16:19.840 --> 0:16:23.680 an episode of Blossom, but she is best known now 0:16:24.080 --> 0:16:28.640 as twinkle Time, the Peruvian American pop star for children 0:16:28.880 --> 0:16:32.200 or what the New York Times called Lady Gaga for kids. 0:16:32.840 --> 0:16:35.960 There is an entire twinkle Time empire, both in the 0:16:36.040 --> 0:16:40.440 American and Latin markets. She's almost a real life Bratstall 0:16:40.640 --> 0:16:44.400 and you can learn more at twinkletimeanfriends dot com. And 0:16:44.520 --> 0:16:47.480 then we have Amy, Sue Hardy and Stacy Harper. They 0:16:47.640 --> 0:16:51.400 round out the group playing Amy and Stacy. And we've 0:16:51.440 --> 0:16:55.360 got the return of Mickey Jones now as Milkshake Guy. 0:16:56.240 --> 0:16:58.640 Mickey appeared on Boy Meets World back in season four's 0:16:58.760 --> 0:17:02.440 Janitor Dad as Ezekiel, the mountain man who briefly worked 0:17:02.440 --> 0:17:05.320 at the Wilderness Store. Can we assume this is the 0:17:05.400 --> 0:17:09.879 same character? Do we think he's just still playing Ezekiel now? 0:17:10.680 --> 0:17:13.159 Because he was power somebody was powerful sick. So I 0:17:13.200 --> 0:17:14.680 don't know if I thought that was her mom, but 0:17:14.880 --> 0:17:15.960 it might have been the mom. Yeah. 0:17:16.720 --> 0:17:19.560 So. Jones was an unmistakable character actor who appeared on 0:17:19.600 --> 0:17:22.920 TV shows like Charlie's Angels, Workaholics, Home Improvement, and Married 0:17:22.960 --> 0:17:26.959 with Children and movies like Total Recall, Stir Crazy, National 0:17:27.080 --> 0:17:33.000 Lampoon's Vacation, and Sling Blade. But that was his second career, yep. 0:17:33.320 --> 0:17:36.520 He started off as a drummer, playing for Bob Dylan, 0:17:36.800 --> 0:17:40.240 Trinny Lopez, and Kenny Rogers. He played on a total 0:17:40.280 --> 0:17:43.679 of seventeen Gold Records before he turned his attention to acting, 0:17:44.160 --> 0:17:47.879 and sadly, Mickey passed away from complications of diabetes in 0:17:48.040 --> 0:17:50.920 twenty eighteen at the age of seventy six. 0:17:51.359 --> 0:17:54.200 I probably talked about talking to him when he was 0:17:54.240 --> 0:17:55.920 on before, but this was the week where I really 0:17:56.320 --> 0:17:59.000 spent like a lot of time home getting stories about 0:17:59.000 --> 0:18:00.960 playing with Bob Dylan. He was on like the sixty 0:18:01.000 --> 0:18:04.680 five tour, ye like just but I also remember things 0:18:04.720 --> 0:18:07.760 like he was he's quick to tell me. He's like, 0:18:07.800 --> 0:18:09.680 you know, the one band that none of us understood 0:18:09.760 --> 0:18:11.680 back in the day. I was like, why, He's like 0:18:11.800 --> 0:18:15.320 the Doors they just sucked. They just played basic blues. 0:18:15.359 --> 0:18:17.320 We could never He's like, I guess, I guess he 0:18:17.480 --> 0:18:20.400 was charismatic but like you know, Jim Morrison, but otherwise, 0:18:20.480 --> 0:18:23.720 like the music was so dumb. It was the first, 0:18:24.000 --> 0:18:25.680 like a real musician to tell me that. I remember 0:18:25.720 --> 0:18:27.680 being like, I guess you're kind of right. It was like, yeah, 0:18:27.680 --> 0:18:29.960 there's a basic blues progression. It's like three chords and 0:18:30.119 --> 0:18:33.320 just Dan. I was like, so I can never plicit 0:18:33.359 --> 0:18:35.200 to the Doors without thinking about him saying. 0:18:35.240 --> 0:18:36.800 So funny thinking about that conversation. 0:18:37.240 --> 0:18:41.200 But he was so sober. So he he was always 0:18:41.240 --> 0:18:44.159 like since I never drank, I remember everything from the 0:18:44.200 --> 0:18:46.800 sixties and seventies, so he's like so all the other musicians. 0:18:47.119 --> 0:18:49.280 He would just tell me stories and like, I remember 0:18:49.440 --> 0:18:52.440 I was supposed to bring because at that time, like 0:18:52.560 --> 0:18:55.000 right around that time, they had released a live version 0:18:55.440 --> 0:18:59.879 of Dylan's sixty five tour and I he wanted he 0:19:00.080 --> 0:19:01.359 was going to sign it for me, and I forgot 0:19:01.400 --> 0:19:03.000 to bring it to the last day and he's like, 0:19:03.200 --> 0:19:05.240 did you bring it him like, oh no, I forgot 0:19:05.280 --> 0:19:07.720 it out, so I don't have a signature on my own. 0:19:08.760 --> 0:19:13.600 That stinks. And then Art Lafleur as Bill. This is 0:19:13.760 --> 0:19:17.480 quite a fun surprise. You can add another actor to 0:19:17.600 --> 0:19:23.359 the somewhat unexplainable connection between Boy Meets World and the Sandlot, 0:19:23.800 --> 0:19:28.600 since Lafleur played the Babe Babe Ruth in the movie. Laflour, 0:19:28.800 --> 0:19:34.360 another accomplished character actor, appeared on TV shows Mash, thirty Something, Webster, 0:19:34.640 --> 0:19:38.199 and Soap to name a few, and some classic movies 0:19:38.560 --> 0:19:43.160 like Cobra, Field of Dreams, Wargames, and Air America List 0:19:43.359 --> 0:19:48.280 What I Know. Lafleur passed away in twenty twenty one 0:19:48.440 --> 0:19:51.960 after a ten year battle with Parkinson's disease. He was 0:19:52.119 --> 0:19:53.360 seventy eight years old. 0:19:53.760 --> 0:19:56.880 What a look, right, has a presence? He just has 0:19:57.119 --> 0:20:01.600 like such a great character. Look just all you do 0:20:01.760 --> 0:20:04.040 is walk on on screen and you're like, oh, yeah, 0:20:04.160 --> 0:20:08.800 that's like the earth. Yeah, he just has this like yeah, 0:20:08.920 --> 0:20:11.600 he's really but I don't know the I'm not doing 0:20:11.680 --> 0:20:15.680 him any favors on our show, and I just feel 0:20:15.680 --> 0:20:16.000 like he's. 0:20:16.280 --> 0:20:16.960 We need to know he was. 0:20:16.960 --> 0:20:17.880 What does he do on Mash? 0:20:18.560 --> 0:20:21.280 Well, here's a guest star. But he came as several 0:20:21.320 --> 0:20:23.560 guest stars, and the most notable one I remember is 0:20:23.600 --> 0:20:27.720 when Hawkeye was gifted an entire side of beef that 0:20:27.880 --> 0:20:31.000 has to thought out. It's the episode where Margaret's father 0:20:31.200 --> 0:20:33.359 shows up at the Yeah, okay, this is later in 0:20:33.440 --> 0:20:35.280 the series when they're kind of grasping its draws a 0:20:35.320 --> 0:20:35.600 little bit. 0:20:36.600 --> 0:20:39.520 Yeah, someone brings the side of beef. 0:20:41.680 --> 0:20:44.119 Margaret's dad shows up, and it's like they have one 0:20:44.160 --> 0:20:46.440 where Colonel Potter's son shows up and he's like, you're 0:20:46.480 --> 0:20:48.040 in the middle of a war, guys. 0:20:48.200 --> 0:20:50.640 I think we are spending too much time thinking about 0:20:50.680 --> 0:20:53.840 our own Like, if that's a good pitch, we are 0:20:53.880 --> 0:20:56.040 working too hard trying to come up with our idea. Well, 0:20:56.080 --> 0:20:57.880 if someone just brings a side. 0:20:57.680 --> 0:21:03.240 Of beef, great. It was supposed to be it was 0:21:03.240 --> 0:21:05.399 supposed to go to the general, but it was rerouted. 0:21:05.520 --> 0:21:07.159 So now the General is trying to track down his 0:21:07.240 --> 0:21:09.280 side of beef and Art Befloor comes in to try 0:21:09.560 --> 0:21:10.200 to get. 0:21:10.400 --> 0:21:11.120 The beef back. 0:21:11.280 --> 0:21:14.320 Get the beef back. Okay, yeah, yeah, this is good. 0:21:14.520 --> 0:21:16.680 How was the beef story? Margaret's that being a jerk 0:21:16.800 --> 0:21:17.320 was the a story? 0:21:19.359 --> 0:21:22.160 So jumping into our recap. We are on the road trip, 0:21:22.280 --> 0:21:25.000 a rare continuation from the prior episode where the two 0:21:25.080 --> 0:21:28.080 friends agreed to get out of town. It's the classic 0:21:28.119 --> 0:21:30.159 TV setup where the car is not moving, but you 0:21:30.280 --> 0:21:32.760 have screens out the windows to mimic movement. 0:21:33.000 --> 0:21:37.199 Okay, question, I'm sorry, question right here. 0:21:38.840 --> 0:21:43.639 Just horrible touchy wheel, touchy wheel, touchy turney wheel, turney wheel, 0:21:43.680 --> 0:21:44.680 tar thurty wheel. Talk. 0:21:45.560 --> 0:21:48.280 How big is your trailer? 0:21:48.560 --> 0:21:51.760 I know, dude, don't get me. When we walked into 0:21:51.840 --> 0:21:54.800 the trailer, I was like, wait, we're actually towing. This 0:21:55.560 --> 0:21:59.120 is not a tolerible trailer. It's a trailer park trailer. Yes, 0:21:59.200 --> 0:22:01.960 it's a mobile hole. Like our writers did not understand 0:22:01.960 --> 0:22:02.920 how mobile homes work. 0:22:03.000 --> 0:22:03.480 Now, thank you. 0:22:03.880 --> 0:22:05.840 That's ridiculous. He's later. 0:22:06.000 --> 0:22:07.840 I just see you driving down the freeway with this 0:22:08.119 --> 0:22:11.400 giant mobile home scraping along the ground because it lack ridge, 0:22:11.440 --> 0:22:12.000 and like. 0:22:12.080 --> 0:22:15.160 That is not the kind of mobile home you drive 0:22:15.240 --> 0:22:17.240 around and what But I guess they had already made 0:22:17.280 --> 0:22:20.359 that mistake by making a joke drove her home away. 0:22:20.680 --> 0:22:25.000 Michael Jacobs lived in a thirteen thousand square foot house, and. 0:22:25.440 --> 0:22:31.800 One of his understanding of didn't he thinks if it's mobile, 0:22:32.720 --> 0:22:35.920 get to drive, you can tow it with a pickup truck. 0:22:35.960 --> 0:22:40.680 Apparently that is like, like, I can't believe none of 0:22:40.760 --> 0:22:42.720 us called it out, Like what are you talking about? 0:22:43.040 --> 0:22:45.960 Like at all the furniture and like there's streams, it's 0:22:45.960 --> 0:22:47.920 a house. It's like, wait, how do we tie this 0:22:48.040 --> 0:22:50.399 all down for Sean to leave the next morning? Like 0:22:50.680 --> 0:22:52.520 what the dumb mistake? 0:22:52.800 --> 0:22:57.280 It was great, He's so absurd that it was great, 0:22:58.240 --> 0:22:59.600 But it's play for reality. 0:23:00.480 --> 0:23:02.359 But is this the first time you're thinking about it, 0:23:02.440 --> 0:23:04.800 because that's what we were saying the whole time, is 0:23:04.840 --> 0:23:08.480 that when he was Oh, you mean when like when 0:23:08.640 --> 0:23:11.159 every time Chet would leave, we would that would be 0:23:11.240 --> 0:23:13.360 the thing that that would be the place that was gone. 0:23:13.480 --> 0:23:15.520 He's taken that with him. You didn't have that place 0:23:15.560 --> 0:23:15.720 to go. 0:23:15.840 --> 0:23:19.000 That was just a joke when Verna, no, I think 0:23:19.320 --> 0:23:24.240 the joke, but like I didn't realize that like it 0:23:24.359 --> 0:23:25.760 was being played for real that she. 0:23:26.280 --> 0:23:28.800 You're hitching up your house to a pickup truck. 0:23:29.560 --> 0:23:31.920 This is, by the way, when we mentioned moving to Adler, 0:23:32.000 --> 0:23:33.840 when we talk about like someday where we might move 0:23:33.880 --> 0:23:36.680 from this house, and he goes, can what if we 0:23:37.040 --> 0:23:39.760 can we take our house with us, Like, let's move 0:23:40.160 --> 0:23:42.960 closer to pop up in teen Tina memes, but could 0:23:42.960 --> 0:23:44.440 we bring our house? This is what he wants to do. 0:23:44.720 --> 0:23:48.040 He wants to just think you actually can do that. Really, Yeah, 0:23:48.480 --> 0:23:51.080 that's an actual thing. There's companies that will like move 0:23:51.160 --> 0:23:54.600 your home, right, but it's a big project. Yeah, it's 0:23:54.640 --> 0:23:55.760 not cheap a lot. 0:23:55.960 --> 0:23:56.359 I don't. 0:23:57.800 --> 0:23:58.119 Trucks. 0:23:58.359 --> 0:24:00.360 Yeah, okay, yeah, all right. 0:24:00.480 --> 0:24:03.639 So Corey sits passenger while Sean, in a red bandana 0:24:03.720 --> 0:24:07.320 and his leather jacket, drives the truck. Though being on 0:24:07.520 --> 0:24:10.280 the road seems cool to Corey at first, he worriedly 0:24:10.320 --> 0:24:13.440 asks Sean where they're going. Sean dodges the question. This 0:24:13.600 --> 0:24:15.680 is exactly what he needed to take his mind off 0:24:15.720 --> 0:24:18.720 of everything. Corey tells Sean he is so sorry about 0:24:18.760 --> 0:24:21.600 his dad dying, and Sean laughs it off, Cory, you're 0:24:21.640 --> 0:24:25.200 not helping, So Corey changes the subject. He's sorry about 0:24:25.200 --> 0:24:28.560 Angela too. Sean' scoffs, how about a drive off right 0:24:28.640 --> 0:24:32.320 now instead of a previously on I'll just say it. 0:24:32.359 --> 0:24:35.000 Out last, I'll say it again. 0:24:37.160 --> 0:24:39.280 Just a line of traffic behind you as a home 0:24:39.400 --> 0:24:43.040 is being dragged down the freeway, sparks, sparks everywhere. 0:24:44.480 --> 0:24:47.240 Corey asks why they're really on this trip. After a 0:24:47.280 --> 0:24:49.840 long pause, Sean says he'll tell him later when the 0:24:49.920 --> 0:24:50.520 time is ready. 0:24:50.840 --> 0:24:54.720 Why what, Because Corey would then. 0:24:56.280 --> 0:24:57.760 We're going to drop this like a bomb. 0:24:57.840 --> 0:25:00.160 And as the audience doesn't already. 0:25:00.840 --> 0:25:03.080 That's because we've seen it with Eric and Corey. 0:25:03.320 --> 0:25:04.159 We saw this, but. 0:25:07.520 --> 0:25:10.080 Size, will you at least tell me when we get 0:25:10.119 --> 0:25:13.840 to wherever it is, we don't know we're going. Sean nods, yes, you'll. 0:25:13.720 --> 0:25:17.200 Know by the giant yogurt cup. You'll know when it's 0:25:17.480 --> 0:25:18.160 sprinkle tire. 0:25:18.280 --> 0:25:20.399 Like the conflict, what is the engine of this? 0:25:20.840 --> 0:25:23.840 Like if Sean is leaving, he wants to say a 0:25:23.880 --> 0:25:26.199 good goodie and then he's going to disappear. 0:25:26.359 --> 0:25:28.440 We're not going to actually talk about that, so this 0:25:28.560 --> 0:25:32.480 scene is useless, Like just do it previously on pulling 0:25:32.560 --> 0:25:34.760 over in the side of the road and like don't 0:25:34.800 --> 0:25:38.520 have the bad green screen and crappy exposition and lack 0:25:38.600 --> 0:25:41.320 of like it's like, basically, Corey, we're going to have 0:25:41.359 --> 0:25:44.639 conflict in another scene or two, talk about it a conflict, 0:25:44.920 --> 0:25:49.520 but otherwise there's nothing wrong. Joke about our bandanas. That's 0:25:49.600 --> 0:25:50.720 that's the whole point of the scene. 0:25:50.800 --> 0:25:53.920 Like, so it's not yes, and it's yes later. That's 0:25:54.000 --> 0:25:57.160 the new the new game. 0:26:00.119 --> 0:26:03.240 So Corey decides to embrace the road tripping lifestyle, and 0:26:03.320 --> 0:26:05.480 he grabs a white bandana and ties it on his head, 0:26:05.720 --> 0:26:08.280 just like Sean. Sean gives him an apprehensive look, and 0:26:08.320 --> 0:26:12.200 Corey's concerned. What Sean explains, if one guy's wearing a bandana, 0:26:12.359 --> 0:26:16.080 it's cool. If two guys are, it's Thankfully, Corey catches 0:26:16.119 --> 0:26:18.600 his drift. I get it. The one bandana rule has 0:26:18.640 --> 0:26:21.960 been enforced. He removes the accessory and says he'll save 0:26:22.040 --> 0:26:25.879 it for another time. I did not pick up on 0:26:26.000 --> 0:26:27.040 a gay panic. 0:26:27.280 --> 0:26:30.400 Actually no, I mean I remembered the joke and thought 0:26:30.440 --> 0:26:32.439 that's what it was. So that's clearly what we were 0:26:32.480 --> 0:26:36.000 intent we have that. I was actually like, oh, this 0:26:36.160 --> 0:26:37.959 doesn't play like but I remembered it as a gay 0:26:38.000 --> 0:26:38.520 panic joke. 0:26:38.960 --> 0:26:39.560 That's so funny. 0:26:39.840 --> 0:26:41.240 I didn't think it is just douy. 0:26:41.400 --> 0:26:43.520 It was just like it we're just lame, right, Yeah. 0:26:44.440 --> 0:26:47.320 On set, I think I must have asked the question, 0:26:47.480 --> 0:26:48.280 like what is this about? 0:26:48.720 --> 0:26:50.320 Right, Like if Jenson and I are getting ready to 0:26:50.320 --> 0:26:51.960 go out and then we come downstairs and we're both 0:26:52.000 --> 0:26:55.160 wearing leather jackets. I'm like, okay, but we can't both 0:26:55.200 --> 0:26:56.800 be leather jacket guy, Like one. 0:26:56.680 --> 0:26:59.720 Of us has to be read both ways. But I 0:26:59.840 --> 0:27:01.679 know that we intended it is against Okay, So. 0:27:01.880 --> 0:27:04.359 How often I'm curious, now, how often do you and 0:27:04.440 --> 0:27:06.919 Jensen come down both wearing the same type of jacket? 0:27:07.000 --> 0:27:11.560 And if you do, question B sub question, who's the 0:27:11.600 --> 0:27:13.280 one who changes more? You are Jensen? 0:27:13.480 --> 0:27:16.280 And why is it all come down Jensen? Yeah, absolutely, 0:27:16.280 --> 0:27:18.120 I'm not going to change and kidding. I spent forever. 0:27:19.720 --> 0:27:22.600 I thought about this very long. This is no you're 0:27:22.680 --> 0:27:26.879 changing also because I have the anxiety around getting dressed 0:27:26.880 --> 0:27:29.120 and he doesn't. He can just go upstairs and change 0:27:29.200 --> 0:27:29.639 very quickly. 0:27:30.000 --> 0:27:32.879 Yeah, Alex and I are becoming the same person, but 0:27:33.000 --> 0:27:36.360 we dressed the same thankful. I know it's ridiculous. It's 0:27:36.400 --> 0:27:40.200 like we clearly are just communicating each other's taste. So like, yes, 0:27:40.440 --> 0:27:43.520 often we walk out and I'm like, you're wearing that, Well, 0:27:43.680 --> 0:27:46.040 we were the exact same color. It's awful. 0:27:46.320 --> 0:27:49.119 We I've noticed that Jensen and I will a lot 0:27:49.200 --> 0:27:51.880 of times be coordinated in a good way where I'm 0:27:51.960 --> 0:27:54.240 like Oh good. The dress I'm wearing right now has 0:27:54.280 --> 0:27:55.800 a little bit of that burgundy in it, and you're 0:27:55.840 --> 0:27:58.119 wearing a vintage T shirt that's got a burgundy and 0:27:58.200 --> 0:28:01.240 a burgundy hat. And so we look like we planned this, 0:28:01.400 --> 0:28:04.960 but we didn't really, So that works. Yeah, we don't. 0:28:05.840 --> 0:28:07.760 And then in like our day to day style, like 0:28:07.880 --> 0:28:10.760 my daytime style is obviously very much fourteen year old 0:28:10.800 --> 0:28:14.720 skator boy, and then we sometimes look looks. 0:28:14.560 --> 0:28:15.439 Similar little similar. 0:28:15.440 --> 0:28:17.639 Okay, Sue just will come in and say why are 0:28:17.640 --> 0:28:19.760 you and my lululu and pants and sports bra right, 0:28:19.840 --> 0:28:21.480 And I'm like, oh, were you going to wear this? 0:28:21.840 --> 0:28:24.200 And so I just yeah, I just put on her clothes. 0:28:24.119 --> 0:28:26.440 Just that makes sense, and then she just can put 0:28:26.440 --> 0:28:27.560 on yours, and yeah, you're fine. 0:28:27.640 --> 0:28:28.080 Works fine. 0:28:28.119 --> 0:28:30.000 She's like, hey, it's a sweater from nineteen ninety eight, 0:28:30.119 --> 0:28:30.800 fits me perfect. 0:28:31.359 --> 0:28:34.840 Moth holes. Another thing that bugs me about this episode, Oh, 0:28:34.920 --> 0:28:39.720 let's start. This is completely ripped from my life. Remember 0:28:39.760 --> 0:28:41.480 this is the one that I went on a road 0:28:41.480 --> 0:28:44.160 trip in ninety eight, the summer before this season. So 0:28:44.320 --> 0:28:47.400 they decided to make road tripping and they asked me 0:28:47.520 --> 0:28:51.400 for footage from my actual road shot to put into 0:28:51.520 --> 0:28:52.080 this episode. 0:28:52.200 --> 0:28:53.880 Or the next one you wrote to me about it. 0:28:53.960 --> 0:28:55.280 Hey sexy, Hey sexy. 0:28:55.640 --> 0:28:59.320 Oh god. But I would wear bandanas like. I wore 0:28:59.400 --> 0:29:02.320 bandannas because I was trying to I had. I didn't 0:29:02.320 --> 0:29:03.800 want to get recognized while I was on this road 0:29:03.800 --> 0:29:05.760 trip in ninety eight, So I would wear bandanas, and 0:29:05.880 --> 0:29:09.520 I had glasses. I got fake glasses like I went 0:29:09.600 --> 0:29:12.640 and got you know, like Harry Potter or whatever, like 0:29:12.720 --> 0:29:14.960 a look of even though they were because I didn't 0:29:15.000 --> 0:29:18.320 need glasses kent. I was Clark kenting it and putting 0:29:18.360 --> 0:29:20.440 a bandana on the cover of My Boy Meets World Hair. 0:29:20.480 --> 0:29:22.560 So I wouldn't get recognized on the road trip. And 0:29:22.680 --> 0:29:24.800 so because of that, like was my look when I 0:29:24.880 --> 0:29:27.280 came back, they decided to write a whole bandana thing. 0:29:27.760 --> 0:29:29.960 What girl band did you find on your regular trip? 0:29:30.040 --> 0:29:30.800 Ye? Good question. 0:29:31.880 --> 0:29:34.080 You never know. It could be a whole different girl band. 0:29:35.200 --> 0:29:36.560 How many girl bands were there? 0:29:37.400 --> 0:29:38.760 There's a decent amount in the nineties. 0:29:38.800 --> 0:29:42.960 You got what TLC, TLC Salt and Pepper was PRODWV, 0:29:43.520 --> 0:29:44.560 Destiny's Child. 0:29:44.760 --> 0:29:52.040 Wow, Nobody's Angel, Everybody's Escape Escape. Wow, there's a poll? 0:29:52.600 --> 0:29:54.400 Yeah, yikes where. 0:29:54.240 --> 0:29:57.600 A truck stop news set alert writer do you remember 0:29:57.680 --> 0:29:59.680 the set any any complaints. 0:30:00.080 --> 0:30:02.880 No, it's actually a wonderful set. It's outlined the way 0:30:02.920 --> 0:30:05.240 the depth of it. And likes it better than the 0:30:05.280 --> 0:30:07.680 one we had in season three. Yeah, this is The 0:30:07.800 --> 0:30:10.600 license plates are cool. The license plates are a good background, yeah, 0:30:10.840 --> 0:30:13.280 I think, And like just the way it's utilizing all 0:30:13.320 --> 0:30:15.560 the different angles, like where they perform, Like, it's good. 0:30:15.640 --> 0:30:17.400 It's a really good set. And I remember sitting in 0:30:17.400 --> 0:30:21.520 there talking to mostly talking to Mickey and then hanging 0:30:21.520 --> 0:30:23.480 out with the girls. The girls were so yeah, they're 0:30:23.480 --> 0:30:25.720 really sweet and like I remember this week being really fun, 0:30:26.400 --> 0:30:27.120 very very sweet. 0:30:39.000 --> 0:30:41.440 So Corey and Sean arrive and now Corey is wearing 0:30:41.520 --> 0:30:45.840 the red bandana and Sean is bandana lists. Corey giddily 0:30:45.840 --> 0:30:48.800 announces to Sean, this is a real truck stop. Sean 0:30:48.840 --> 0:30:51.680 giggles back, we have a real truck, Corey adds, and 0:30:51.800 --> 0:30:54.400 we stopped here. Corey thinks he'll get to Panga a 0:30:54.520 --> 0:30:56.720 hat while they're here, and the boys take a seat 0:30:56.720 --> 0:31:00.320 at two nearby stools. Have either of you ever seen 0:31:00.440 --> 0:31:05.400 Topanga wear a hat? I'm just curious. 0:31:06.520 --> 0:31:09.280 Yes, yes I have. When she pulls it off of 0:31:09.360 --> 0:31:11.720 Corey's head in the very first episode, she does put. 0:31:11.760 --> 0:31:15.360 On her own hair right, the Phillies hat, and then 0:31:15.440 --> 0:31:18.040 she wears a beret for the fake. 0:31:17.920 --> 0:31:21.000 Fresh because you're French. That's friends. 0:31:21.240 --> 0:31:26.240 The other was never seen topanga and a hat. Just 0:31:26.720 --> 0:31:31.720 noticing that, Corey happily greets the waitress, Amy Sue. She 0:31:31.840 --> 0:31:34.520 smiles at the boys. She's never seen them here before. 0:31:34.880 --> 0:31:39.400 Cory grins, what do you think? Of course, of course 0:31:40.160 --> 0:31:45.400 she thinks they're cute. Is there a world where we 0:31:45.680 --> 0:31:49.600 believed that a woman would not spot Cory and I 0:31:49.760 --> 0:31:51.920 immediately talk about. 0:31:51.720 --> 0:31:52.360 How cute he is? 0:31:53.440 --> 0:31:58.240 Hey, that's you know, it wasn't even a threat. 0:31:58.600 --> 0:31:59.680 Yep, that's not nothing. 0:32:01.240 --> 0:32:03.000 Then she pulls out a pad and a pencil for 0:32:03.080 --> 0:32:06.040 their order. Corey decides on the world's Best hash Browns, 0:32:06.080 --> 0:32:09.080 while Sean quietly studies the menu. Corey pipes in his 0:32:09.280 --> 0:32:13.440 daddy died. A nearby truck driver gruffly suggests the chicken 0:32:13.480 --> 0:32:17.400 fried steak. Corey cautiously asks, what kind of animal is 0:32:17.480 --> 0:32:22.160 that from? The man repeats himself slowly, this time chicken 0:32:22.840 --> 0:32:27.280 fry steak. Corey nervously says he doesn't want any trouble, 0:32:27.320 --> 0:32:30.320 and Sean caves he'll have the chicken fried steak the trucker. 0:32:30.400 --> 0:32:31.840 Thanks Sean for listening. 0:32:31.960 --> 0:32:34.120 On the conflict here. What has happened? 0:32:34.280 --> 0:32:36.520 None, we've walked in and ordered food, correct, do you 0:32:36.600 --> 0:32:39.440 have there's no conflict at all whatsoever? 0:32:39.960 --> 0:32:41.760 No? No, oh, there's lunch. 0:32:44.520 --> 0:32:49.760 But even this whole setup premise that you two are 0:32:50.040 --> 0:32:55.760 like spot able to be pin pointed out. I've never 0:32:55.880 --> 0:32:59.960 seen you here before. Big city, men, big Philadelphia city. 0:33:00.560 --> 0:33:02.800 We're a couple of hours drive from Philly, and of 0:33:02.880 --> 0:33:05.720 course it's like redneck central, of course, and like it's 0:33:05.880 --> 0:33:08.160 so different, it's a whole different country. They don't they've 0:33:08.240 --> 0:33:09.560 never been to Philadelphia, like. 0:33:10.400 --> 0:33:13.840 Jerry Gordy or something like, what what is happening? It's 0:33:14.080 --> 0:33:15.200 so so weird. 0:33:15.320 --> 0:33:17.280 I think it was just like they didn't lean into 0:33:17.440 --> 0:33:20.200 Like I thought maybe the point was that we didn't 0:33:20.240 --> 0:33:23.840 fit in, but Sean is totally fine, and so like, 0:33:24.000 --> 0:33:28.640 why admit that Sean's his daddy died? Thing doesn't isn't 0:33:28.680 --> 0:33:30.080 motivated by meaning weird? 0:33:30.160 --> 0:33:32.440 I think it's just a joke, And then I think 0:33:32.480 --> 0:33:34.520 the conflict is going to belong to the girls. 0:33:35.840 --> 0:33:39.000 Well, yeah, that's why they said special Saturday Morning Special, 0:33:39.000 --> 0:33:42.240 because it's not about Corey and Sean. It's about the girls, right. 0:33:42.280 --> 0:33:45.840 Which develops and like act too. So there's nothing happening. 0:33:46.080 --> 0:33:48.800 Yah, it's just like there's. 0:33:48.800 --> 0:33:49.960 Lunch talked about. 0:33:50.040 --> 0:33:54.640 Lunch, by the way, when it's delivered, I can tell instantly. 0:33:55.400 --> 0:33:59.000 Those are not the world's best hash browns. Oh was 0:33:59.080 --> 0:34:02.080 not grilled right, There was as top. There was no 0:34:02.280 --> 0:34:05.920 crunch going. Those were average shoe string potatoes that were 0:34:05.960 --> 0:34:06.600 not cooked properly. 0:34:06.720 --> 0:34:09.319 You know what. Couldn't even save those halapeno mustard from 0:34:09.360 --> 0:34:11.080 Deets and Watson. You couldn't even save them. 0:34:11.200 --> 0:34:13.919 Mustard is so good. That mustard is so good. 0:34:14.160 --> 0:34:15.040 I can't even forget. 0:34:15.080 --> 0:34:17.160 On our way to the kitchen, Amy Sue tells Sean 0:34:17.320 --> 0:34:20.759 she's sorry that his daddy died. Sean earnestly responds, thank you. 0:34:21.160 --> 0:34:24.000 I can tell you mean that. The truck driver asks 0:34:24.040 --> 0:34:26.400 Amy Sue for some gravy, and she bites back, you 0:34:26.480 --> 0:34:30.560 don't need it. Merle, Oh, definitely not the same character. Merle. 0:34:31.120 --> 0:34:34.320 Zekiel. Merle is not Ezekiel. They were brothers in a 0:34:34.360 --> 0:34:36.439 different life, right, That's a whole different story. 0:34:36.840 --> 0:34:39.480 Corey whispers to Sean that biker looks like the guy 0:34:39.520 --> 0:34:42.319 from ZZ Top and Merle just stares right at them. 0:34:42.880 --> 0:34:45.839 Then another cute waitress greets the boys and fills their 0:34:45.880 --> 0:34:49.520 coffee cups. Corey can't contain his excitement. I love this place. 0:34:51.480 --> 0:34:53.680 What it is? 0:34:55.400 --> 0:34:56.920 This is not a boy metrilled episode. 0:34:57.000 --> 0:34:57.360 It is not. 0:34:58.360 --> 0:34:59.840 It is a Saturday Morning special that. 0:34:59.840 --> 0:35:02.680 They we're just saying stuff because like one moment, it's like, oh, 0:35:03.040 --> 0:35:05.000 he's going to be intimidated by the biker, but now 0:35:05.040 --> 0:35:07.800 he loves this place because there's is that supposed to 0:35:07.800 --> 0:35:08.279 be a turn? 0:35:08.440 --> 0:35:09.279 Like what is I know? 0:35:09.520 --> 0:35:11.440 Because the girls, it's not that it's it's because all 0:35:11.560 --> 0:35:13.080 every girl is cuter than the next. 0:35:14.320 --> 0:35:16.200 Is the point of the scene that like he's scared 0:35:16.239 --> 0:35:17.719 and wants to get out of there until he sees 0:35:17.760 --> 0:35:20.600 the girl and then it's not it's just the weirdest 0:35:20.880 --> 0:35:21.600 we're just way of. 0:35:21.640 --> 0:35:22.759 The scene, scared and. 0:35:25.560 --> 0:35:26.000 Scorny. 0:35:26.560 --> 0:35:31.600 He's very scorny right now. He is Corny Cory's corney. 0:35:32.320 --> 0:35:32.520 Yeah. 0:35:35.280 --> 0:35:37.600 She asks the boys where they're from, and when Corey 0:35:37.640 --> 0:35:40.640 says Philadelphia, she admits she's always wanted to go there. 0:35:40.920 --> 0:35:44.319 He's three hours away. I mean it can't be more 0:35:44.360 --> 0:35:46.439 than three Pennsylvania. Three hours. 0:35:46.920 --> 0:35:50.840 The hell's going on always wanted to go to the 0:35:50.920 --> 0:35:51.520 big city. 0:35:52.160 --> 0:35:54.920 Like it's a classic. It's gone right back to that 0:35:55.200 --> 0:35:58.160 old boy world troph It's like the trailer park. You know, 0:35:58.239 --> 0:36:03.360 they're just complete. Oh my gosh, like everybody's every You leave. 0:36:03.239 --> 0:36:07.400 Philly and man Country forty minutes outside you're with Country Bumpkins. 0:36:08.760 --> 0:36:11.319 Corey responds, not really, I'm a cop. 0:36:12.680 --> 0:36:16.439 Why why is Cory Ryan? Piece is funny is also 0:36:16.520 --> 0:36:18.960 a reference to like the old Sean joke where Sean 0:36:19.000 --> 0:36:21.239 pretended to be a cop to the teacher. So like, no, 0:36:22.680 --> 0:36:25.160 I was like, where's where's this hat? Where's going? Is 0:36:25.200 --> 0:36:26.759 this going somewhere? Nope, Sean goes. 0:36:28.120 --> 0:36:31.600 He says Corey is in fact the chief of police. 0:36:34.440 --> 0:36:38.680 Corey then immediately following her, another pretty girl walks by 0:36:38.800 --> 0:36:42.160 carrying plates of food. She introduces herself as Stacy, and 0:36:42.320 --> 0:36:46.200 Corey points out this place is crawling with chicks. He 0:36:46.320 --> 0:36:49.359 gives a little wave to Stacy, who smiles back. Then 0:36:49.680 --> 0:36:52.840 another cute girl delivers their plates of food. The boys 0:36:52.880 --> 0:36:57.560 are blown away. She confidently tells Sean, you're searching for something. 0:36:58.480 --> 0:36:59.480 I can tell. 0:37:02.960 --> 0:37:03.160 Why. 0:37:04.680 --> 0:37:08.920 This has never nothing even remotely close to this has 0:37:09.040 --> 0:37:14.400 ever happened in a real life scenario ever, anywhere on 0:37:14.520 --> 0:37:17.239 the face of the earth. I can tell you, Hi, 0:37:17.440 --> 0:37:20.720 I'm Stacy. I can tell you're searching for something coffee? 0:37:21.960 --> 0:37:27.080 What this is? You know, when you look like a 0:37:27.200 --> 0:37:30.840 guy who's soulful and on a road trip because of death. 0:37:32.680 --> 0:37:37.239 It's like, thank you daddy, death. 0:37:37.440 --> 0:37:40.560 Yeah, exactly, thank you so much, Stacy. Can you recook 0:37:40.600 --> 0:37:42.080 these hash browns? Because this ain't right? 0:37:42.480 --> 0:37:45.239 And then Corey talks like, she's not right there, right there, 0:37:45.360 --> 0:37:46.839 she's staring into your soul. 0:37:47.440 --> 0:37:48.640 Well, have you also seen I don't know if it 0:37:48.719 --> 0:37:50.399 was in this scene or a later scene, but there's 0:37:50.400 --> 0:37:53.360 an atmosphere actor in the background who's eating pie and 0:37:53.600 --> 0:37:54.680 just watching the show. 0:37:55.960 --> 0:37:58.279 It's the greatest thing I've ever seen. He's like, probably judging, 0:37:58.960 --> 0:38:02.920 he's just sitting there, stupid. 0:38:06.880 --> 0:38:07.880 I'll wait for the rewrites. 0:38:09.520 --> 0:38:13.960 Sean nods, yeah, I am. Then she just smiles and 0:38:14.040 --> 0:38:17.880 stares at him. Corey whispers, she's peering, Indie, your freaking soul, 0:38:18.560 --> 0:38:21.439 but the girl doesn't budge until Waitress number two walks 0:38:21.520 --> 0:38:24.479 by and whispers to her he's coming. Soul peering girl 0:38:24.800 --> 0:38:28.160 quickly leaves. A tough looking middle aged man with a 0:38:28.239 --> 0:38:31.120 flat top and a flat and flannel Mosy's on up 0:38:31.160 --> 0:38:33.680 to Corey and Sean eyeing them down like prey. 0:38:34.120 --> 0:38:37.960 Now, wouldn't it make sense that Sean would actually flirt 0:38:38.000 --> 0:38:38.680 with these girls? 0:38:39.080 --> 0:38:39.279 Yes? 0:38:39.480 --> 0:38:42.600 And wouldn't that increase the tension? Could create a conflict 0:38:42.680 --> 0:38:45.360 with this direct because as it is, Corey is engaged, 0:38:45.600 --> 0:38:48.239 he's not flirting or kind of jokingly flirts, but he's 0:38:48.280 --> 0:38:51.960 not serious. And Sean does nothing, nothing at all, just 0:38:52.080 --> 0:38:52.520 looks sad. 0:38:52.640 --> 0:38:54.239 Sean has the bner of death. 0:38:54.480 --> 0:38:54.960 That's all. 0:38:55.320 --> 0:38:55.879 That's all. 0:38:56.239 --> 0:39:00.600 That's just Sean. Did you say odor of death? 0:39:00.920 --> 0:39:06.480 Or no? 0:39:06.800 --> 0:39:08.120 He's not flirting? 0:39:08.480 --> 0:39:08.600 Right? 0:39:11.360 --> 0:39:13.440 Couldn't they have rewritten this or with like puts us 0:39:13.520 --> 0:39:16.600 in a compromising position. I say something to her, I 0:39:16.719 --> 0:39:20.640 ask her for her but I do you want to later? 0:39:21.480 --> 0:39:24.640 I do think that the exactly what I'm saying threw 0:39:24.719 --> 0:39:28.080 it all off. That the idea of Sean being in 0:39:28.200 --> 0:39:31.080 a mental place where he's able to be flirty with 0:39:31.200 --> 0:39:34.440 a girl changes the idea that he's on a soul 0:39:34.560 --> 0:39:35.919 search about his dead dad. 0:39:36.920 --> 0:39:41.520 So and then after Boner of Death, I heard nothing 0:39:41.640 --> 0:39:44.920 you said after Boner of Death, because that's all that's 0:39:45.000 --> 0:39:45.960 going through my head now. 0:39:46.080 --> 0:39:49.200 Is the merch that would be around the bone of death. 0:39:50.160 --> 0:39:51.240 Oh god. 0:39:55.160 --> 0:39:57.040 But so they had to put they had to put 0:39:57.080 --> 0:40:01.680 the idea of their being like chick in Corey's mouth 0:40:02.600 --> 0:40:07.160 because and yet none of there, just because they had 0:40:07.200 --> 0:40:07.719 to mention it. 0:40:08.120 --> 0:40:10.719 But then it's like scary, dad, It's like, really, no, 0:40:10.840 --> 0:40:11.600 I'm scared for what. 0:40:11.880 --> 0:40:17.320 We're not doing anything, I know, so, uh, Corey pleasantly 0:40:17.360 --> 0:40:22.040 greets them, Well, hello there, authentic grizzled old roadside diner man. 0:40:22.960 --> 0:40:25.440 The man points to Amy Sue. Do you see her? 0:40:25.800 --> 0:40:28.920 Corey grins, yes, I do, to which the man responds, 0:40:29.080 --> 0:40:32.439 that's Amy Sue, she's my daughter. Corey points out, you're 0:40:32.440 --> 0:40:35.120 a lucky man. The man continues, you see her, and 0:40:35.239 --> 0:40:37.920 he points to another waitress. Corey repeats, yes, I do, 0:40:38.200 --> 0:40:41.040 and the man reveals that's Sarah. She's my daughter too. 0:40:41.560 --> 0:40:44.920 Corey laughs he must have quite the gun collection. The 0:40:45.000 --> 0:40:48.560 man shows no sign of amusement. He points out Stacy next, 0:40:48.880 --> 0:40:53.080 and it's worth noting Stacy is black. Corey's interested. Let's 0:40:53.080 --> 0:41:00.600 see you explain that one no world where you could 0:41:00.640 --> 0:41:05.840 have adopted a child have a daughter. The man motions 0:41:05.880 --> 0:41:09.680 to Stacy and Ali his daughter's best friends. They're just 0:41:10.120 --> 0:41:14.600 like daughters to him. Watch yourself. He points to Sean, 0:41:15.000 --> 0:41:17.680 you look familiar, but Sean tells him he's never been 0:41:17.719 --> 0:41:20.879 there before. The owner counters, I didn't say you've been here. 0:41:21.320 --> 0:41:23.919 I just said you looked familiar, and he walks away, 0:41:24.320 --> 0:41:28.959 leaving both the boys quite stunned. Corey lets out an, oh, Betty. 0:41:29.880 --> 0:41:35.520 Why Betty. We just learned a lot of information. We 0:41:35.640 --> 0:41:36.959 walked in, ordered food. 0:41:37.000 --> 0:41:37.640 There is still no. 0:41:40.280 --> 0:41:46.680 We now know how these people are. Okay, thanks, Just 0:41:46.760 --> 0:41:48.600 in case you didn't get it, he's a grizzled old 0:41:48.920 --> 0:41:51.960 roadside owner. Just let's say it. 0:41:52.320 --> 0:41:55.000 Maybe Betty is the conflict and it's just off camera. 0:41:56.840 --> 0:41:57.080 God. 0:41:57.520 --> 0:41:59.719 I would never speak for him because I would have 0:41:59.800 --> 0:42:02.399 no idea, but I'll guarantee you this was not Matt 0:42:02.440 --> 0:42:03.520 Nelson's favorite script. 0:42:04.680 --> 0:42:06.799 I would be able to put money down. 0:42:06.960 --> 0:42:10.360 That's not that Nelson kind of this was a network 0:42:10.480 --> 0:42:12.239 note essentially, you need to get this band on, you 0:42:12.280 --> 0:42:12.960 need to lost up. 0:42:13.120 --> 0:42:15.160 Yeah, and Matt kind of was like, all right, here 0:42:15.239 --> 0:42:15.400 we go. 0:42:15.760 --> 0:42:18.480 If Matt had the if Matt could have had the 0:42:19.160 --> 0:42:22.000 free rein to do what we talked about. Where he 0:42:22.480 --> 0:42:24.439 is on a search and he stops at a place 0:42:24.480 --> 0:42:26.600 and there's a picture of Chet and it sparks something 0:42:26.680 --> 0:42:29.919 in Sean. Sean could get the idea on this road 0:42:30.000 --> 0:42:32.680 trip that is only supposed to be for a weekend, 0:42:33.160 --> 0:42:36.399 we could see Sean go no, I can't go back. 0:42:37.040 --> 0:42:39.600 I mean, I'm going to retrace my father's steps. Who 0:42:39.920 --> 0:42:44.320 was when I wasn't around? And decided last episode exactly 0:42:44.640 --> 0:42:48.600 so Matt Nelson could have done a bang up job 0:42:49.320 --> 0:42:51.680 with given free rein with him, give. 0:42:51.600 --> 0:42:54.359 You a producer. Note that while I was researching, because 0:42:54.360 --> 0:42:58.080 I thought about that, this is definitely Matt Nelson's worst script. Yeah, 0:42:58.800 --> 0:43:03.480 season six is the most glaring moment that you're sliding 0:43:03.600 --> 0:43:08.600 in the Nielsen ratings because there is a weird I 0:43:08.680 --> 0:43:11.759 guess thought process out there that because you had more 0:43:11.880 --> 0:43:15.359 viewers in season six and seven that the ratings were better. 0:43:15.719 --> 0:43:17.840 But the truth is you were never lower on the 0:43:17.960 --> 0:43:21.160 Nielsen ratings than season six and seven, just more people 0:43:21.239 --> 0:43:24.560 were watching television, so like your numbers were up, but 0:43:24.680 --> 0:43:27.479 your placement was very, very down. So when you're talking 0:43:27.520 --> 0:43:30.920 about being on the bubble, six and seven is your 0:43:31.080 --> 0:43:32.440 most bubbly Well, no. 0:43:32.520 --> 0:43:34.959 That makes sense because season seven we were only picked 0:43:35.040 --> 0:43:37.000 up for thirteen. Originally we didn't can get our full 0:43:37.080 --> 0:43:39.080 twenty two when we didn't hear about our back nine 0:43:39.120 --> 0:43:40.360 until halfway through the season. 0:43:40.640 --> 0:43:41.800 So you are sliding. 0:43:42.160 --> 0:43:46.200 So when ABC and Disney and whoever is thinking about shows, well, 0:43:46.440 --> 0:43:48.839 boy meets World, let's get that band on Boy Me's World. 0:43:49.000 --> 0:43:52.960 It's almost like you're becoming an outlet for more synergy. 0:43:53.480 --> 0:43:54.200 Right, that makes sense? 0:43:54.280 --> 0:43:55.080 Yeah, that makes sense. 0:43:55.560 --> 0:43:55.880 Okay. 0:44:07.840 --> 0:44:09.920 Corey tells Sean to eat up because they have a 0:44:10.000 --> 0:44:12.040 lot of ground to cover in two days. That's when 0:44:12.080 --> 0:44:14.960 Sean finally comes clean, I'm not being fair to you. 0:44:15.280 --> 0:44:18.520 You should go home. Corey is confused, but Amy Sue interrupts, 0:44:18.920 --> 0:44:20.560 do you have to go home? Before we sing? 0:44:25.840 --> 0:44:27.000 Keep mart some information? 0:44:27.800 --> 0:44:32.280 Okay, you're just laughing. As she says there's no response 0:44:32.400 --> 0:44:32.600 to it. 0:44:34.160 --> 0:44:41.720 Cory asks you girls got yourself a little band conting Corey, 0:44:41.880 --> 0:44:51.080 which is funny, Little Johnny Cats, you get a little 0:44:51.160 --> 0:44:59.320 backs your little coffee poorers. Hi Y' also sing yeah, yeah, okay. 0:45:00.400 --> 0:45:03.000 Amy Sue and Sarah give each other a look before 0:45:03.080 --> 0:45:06.680 asking Corey how old are you? And Corey laughs, honey, 0:45:06.800 --> 0:45:12.160 I'm taking and he shows off his engagement ring. Amy 0:45:12.280 --> 0:45:16.960 Sue admits we don't get a lot of city guys around, Dear. 0:45:17.120 --> 0:45:17.360 Why not? 0:45:17.800 --> 0:45:21.000 This is it's a truck stop diner. It's all city 0:45:21.040 --> 0:45:23.200 people driving and stopping to eat. Like, what do you. 0:45:24.680 --> 0:45:27.560 We'd be interested to know what you think? 0:45:28.880 --> 0:45:37.440 What Cory and Shane, two teenagers in community college, stumble 0:45:37.520 --> 0:45:39.839 in here, and this is going. 0:45:39.800 --> 0:45:43.440 To hinge on our decision to approve them or not. 0:45:43.880 --> 0:45:44.759 Are we we have? 0:45:46.080 --> 0:45:47.279 Are we valuable? 0:45:48.000 --> 0:45:48.120 Well? 0:45:48.320 --> 0:45:52.399 I mean, cow can tell you it's good before you've 0:45:52.440 --> 0:45:54.120 got to get outside influence. 0:45:54.360 --> 0:45:56.640 You're wearing a leather jacket. You must be from the city. 0:45:58.080 --> 0:46:01.239 Scary. It's scary there. 0:46:03.320 --> 0:46:06.120 While we have a whole backing track that's professionally produced 0:46:06.640 --> 0:46:12.080 for our original song, dance Moves and right, we never 0:46:12.160 --> 0:46:13.520 say nobody, no. 0:46:13.880 --> 0:46:15.680 No, just they just thought people were going to be like. 0:46:15.719 --> 0:46:20.320 What I hear that again? Whatever the nineties equivalent of googling? 0:46:20.400 --> 0:46:27.879 That is exactly what's shazam? I'm gonna invent shazam. Then 0:46:28.640 --> 0:46:32.359 Corey continues to be condescending. This will be cute. They 0:46:32.520 --> 0:46:34.640 want to hear what we think of their band. I 0:46:34.840 --> 0:46:37.520 hope they do that. Achy Breakie. 0:46:39.239 --> 0:46:42.759 Ben is still he's it's absurd, but it's he still 0:46:42.840 --> 0:46:45.600 makes me laugh because I mean, I know he's trying. 0:46:46.040 --> 0:46:49.840 Yeah, but three seconds ago he was excited about the 0:46:49.880 --> 0:46:53.040 hot chicks who are like populating this place. Then he 0:46:53.120 --> 0:46:55.880 was scared of the dad. Now he's mocking them for 0:46:56.000 --> 0:46:59.920 being in events. Yeah, like who couldn't possibly be talented. 0:47:00.040 --> 0:47:03.520 It's like he's just there's no, there's nothing. And then 0:47:03.560 --> 0:47:05.799 Sewan is just there with his bone dad. 0:47:06.560 --> 0:47:07.160 What is called? 0:47:07.320 --> 0:47:11.640 Like Shawn has done nothing except like, oh, the guy 0:47:11.719 --> 0:47:13.319 recognized me, but I've never been here. 0:47:14.560 --> 0:47:14.680 Oh. 0:47:14.800 --> 0:47:16.759 But then we get to the best face in the 0:47:17.040 --> 0:47:19.640 history of television up right here. 0:47:19.960 --> 0:47:21.279 No, no, it's coming up in the next in the 0:47:21.440 --> 0:47:23.440 in the next scene at the truck stop. Okay, okay, 0:47:24.280 --> 0:47:27.640 So Sean isn't really paying attention. He insists that Corey 0:47:27.760 --> 0:47:30.200 goes home. Corey doesn't get it, But what about you, Sean. 0:47:30.560 --> 0:47:33.560 Sean quickly changes the subject. I wonder if this band's 0:47:33.600 --> 0:47:34.000 any good. 0:47:36.200 --> 0:47:38.800 Avoid don't actually have any conflict? 0:47:41.520 --> 0:47:42.120 Yes later. 0:47:43.960 --> 0:47:45.480 It is later, No. 0:47:47.680 --> 0:47:51.160 Later, the worst improper No later. 0:47:51.680 --> 0:47:53.480 I have lots of deep feelings, but I'm not going 0:47:53.560 --> 0:47:57.960 to share them yet. That's the s Sean Hunter improv 0:47:59.280 --> 0:48:02.600 should That's a great bit. It is so funny. 0:48:03.840 --> 0:48:04.880 Then we're in the apartment. 0:48:05.239 --> 0:48:07.080 No, thank god, b story, this will kick it up. 0:48:07.280 --> 0:48:09.320 I know. That's why I was really hoping. I was like, 0:48:09.480 --> 0:48:11.440 because we last saw them there was a sexy kiss 0:48:11.600 --> 0:48:12.440 in the real conflict. 0:48:12.560 --> 0:48:14.960 Yeah, and a great episode, so he won't go this 0:48:15.120 --> 0:48:17.440 is let's see, this will save it. This is the 0:48:17.480 --> 0:48:20.760 boner of life. There is what's going on in this scene. 0:48:21.400 --> 0:48:24.040 So yes, boner of orange juice. That's what we start with. 0:48:24.560 --> 0:48:29.920 Yeah, Jack's unloading groceries. As Rachel peers into their freezer. 0:48:30.320 --> 0:48:32.239 Jack awkwardly tries to sneak past her. 0:48:32.200 --> 0:48:35.120 And then they started talking and awkwardness. 0:48:36.760 --> 0:48:37.440 Refrigerator. 0:48:37.680 --> 0:48:37.799 Yea. 0:48:38.080 --> 0:48:41.000 But also, only one person needs to unload the groceries. 0:48:41.160 --> 0:48:43.160 We both do, we don't need one person, but it's 0:48:43.160 --> 0:48:43.600 a one. 0:48:43.560 --> 0:48:44.960 One person jobs. 0:48:45.400 --> 0:48:47.720 Just get out of there, put the bags down. 0:48:47.640 --> 0:48:51.239 And one of you to notice the bag. The cloth bag. 0:48:53.680 --> 0:48:56.919 I can't believe because Michael used to. But I guess 0:48:56.960 --> 0:48:58.799 maybe that was on girl that he railed against them 0:48:58.840 --> 0:49:01.280 because them on this it looks. 0:49:01.360 --> 0:49:04.000 And again this episode lobsters everywhere. 0:49:04.920 --> 0:49:06.000 I missed it again. 0:49:07.640 --> 0:49:11.200 Literally just on it because I'm watching the actors. 0:49:12.840 --> 0:49:16.640 To this story all at the same time. Uh, in 0:49:16.760 --> 0:49:20.280 the trailer park. Dede has just hidden it by literally 0:49:20.480 --> 0:49:24.160 just putting it on the stove. It's a white stove, 0:49:24.360 --> 0:49:27.040 and sitting hanging off the white stove is this giant 0:49:27.120 --> 0:49:29.320 red lobster just right there over your shoulder. 0:49:29.400 --> 0:49:33.080 Yep, it's great, Okay, I really I can't believe I 0:49:33.120 --> 0:49:33.919 haven't caught it once. 0:49:34.160 --> 0:49:35.320 That's insane to me. 0:49:36.520 --> 0:49:39.120 Finally, Rachel breaks the silence. They're gonna have to talk 0:49:39.120 --> 0:49:42.040 about this sometime. Jack's relieved. Oh good, I thought you 0:49:42.120 --> 0:49:44.880 were gonna want to talk about it now, She says, 0:49:45.080 --> 0:49:49.000 I do Jack's eyes I know, and Rachel tells him 0:49:49.040 --> 0:49:52.680 to go first. Jack starts when we were kissing, and 0:49:52.800 --> 0:49:55.279 Rachel quickly cuts him off. Just don't say anything stupid, okay, 0:49:55.600 --> 0:49:59.120 Jack continues, I was just keeping everything bottled up. Rachel 0:49:59.160 --> 0:50:02.520 interrupts him again, Just don't say that it didn't mean anything, 0:50:02.560 --> 0:50:05.520 because that would be hurtful. Jack admits, Oh no, it 0:50:05.760 --> 0:50:08.360 felt like it meant something, but then he quickly changes 0:50:08.400 --> 0:50:11.799 his tune. But maybe it didn't. He sits on the couch. 0:50:12.160 --> 0:50:15.000 He giggles, this is where they kissed. He explains, he 0:50:15.120 --> 0:50:17.840 was just in a really vulnerable place. That day. Rachel 0:50:17.880 --> 0:50:22.040 hesitantly agrees, right, maybe it was just a friend comforting 0:50:22.080 --> 0:50:25.120 a friend. Jack agrees, but he doesn't seem too convinced. 0:50:25.600 --> 0:50:29.040 Rachel shrugs that way, no one gets hurt. Jack nods, 0:50:29.680 --> 0:50:33.080 no reason to tell Eric. Rachel's eyes widen, No, that 0:50:33.239 --> 0:50:36.520 would be hurtful. Then on cue, Eric walks in carrying 0:50:36.560 --> 0:50:39.839 his laundry basket. He says hey and walks right past them, 0:50:39.960 --> 0:50:42.800 only to turn and casually break the news. Oh I 0:50:42.960 --> 0:50:46.200 saw you two kissing. Rachel and Jack stare at him 0:50:46.360 --> 0:50:51.520 in shock. Done done, done, And we've recapped what happened 0:50:51.560 --> 0:50:52.200 last episode. 0:50:52.480 --> 0:50:55.920 Yeah, he just recapped it. And he walked in on 0:50:56.040 --> 0:50:58.480 them and told them that he walked in on them, 0:50:58.600 --> 0:50:59.160 and now they know. 0:51:00.080 --> 0:51:01.879 Thing I got mostly from the scene was I knew 0:51:01.920 --> 0:51:05.880 it was bad, but I have horrible posture. I mean 0:51:05.920 --> 0:51:08.800 I have really really rounded, slumpy shoulders. 0:51:09.080 --> 0:51:12.839 It's like carrying a basket, right, You're not even Eric 0:51:13.000 --> 0:51:13.520 is sad. 0:51:14.360 --> 0:51:19.359 Well, No, but all the time I have bad posture. Yeah, yeah, yeah, 0:51:20.280 --> 0:51:22.160 like I should I should be walking like this, but 0:51:22.280 --> 0:51:23.239 that feels uncomfortable. 0:51:23.880 --> 0:51:26.680 I do I have rounded shoulder syndrome. I do do RSS. 0:51:26.840 --> 0:51:29.239 I have technic technic. 0:51:29.360 --> 0:51:32.440 What is technic technic? It's how all of our like 0:51:32.719 --> 0:51:35.120 the the hump in the back of the neck and 0:51:35.200 --> 0:51:37.200 back of the shoulders that we get from looking at 0:51:37.239 --> 0:51:38.080 our phones all the time. 0:51:38.239 --> 0:51:40.880 Oh, technic, that's what I have death boner? 0:51:41.640 --> 0:51:42.719 You do you do. 0:51:44.440 --> 0:51:44.920 Technically? 0:51:45.120 --> 0:51:46.920 If you have death boner after four hours, I can 0:51:47.000 --> 0:51:48.000 tell the doctor. 0:51:51.640 --> 0:51:55.680 There are bills for that, right death. It happens that everybody. 0:51:57.960 --> 0:52:00.400 So then we're back at the truck stop. We're almost 0:52:00.520 --> 0:52:04.120 to our favorite writer face. The four girls have taken 0:52:04.200 --> 0:52:07.960 the stage and Amy Sue announces, we'd like to dedicate 0:52:08.080 --> 0:52:12.120 this song to our two wandering guests. You guys have 0:52:12.200 --> 0:52:13.760 been there for five minutes. 0:52:14.160 --> 0:52:16.520 Five minutes to talk about some stuff. 0:52:16.560 --> 0:52:18.040 But they're city folk. 0:52:20.320 --> 0:52:24.800 And apparently and our people trying to round the country 0:52:24.840 --> 0:52:26.400 trying to find you us so. 0:52:27.280 --> 0:52:31.359 And then the girl group Nobody's Angel lip sync their song. 0:52:32.000 --> 0:52:34.080 I can't help myself give them. 0:52:34.000 --> 0:52:37.239 Some instruments like make this. The point is that there's 0:52:37.280 --> 0:52:40.719 a band and they should be talented in like but 0:52:40.800 --> 0:52:43.400 the fact that they're like a polished dancery. 0:52:43.440 --> 0:52:51.560 What accompanied by synchronized dance moves and a very nineties 0:52:51.719 --> 0:52:55.080 pop track. Corey and Sean seem impressed as the girls 0:52:55.120 --> 0:52:57.680 eventually gave the song once to start. 0:52:57.440 --> 0:52:59.279 It by the way, did you oh yeah, because we 0:52:59.320 --> 0:53:02.560 had to do it a week there listening to it 0:53:02.800 --> 0:53:04.759 and I remembered it, it was like, oh my god, 0:53:04.880 --> 0:53:05.239 remember this. 0:53:06.320 --> 0:53:08.560 Did they come with it already choreographed or was there 0:53:08.560 --> 0:53:09.799 a choreographer on set? 0:53:09.840 --> 0:53:12.080 Okay, now they came with it. They had their own choreographer, 0:53:12.200 --> 0:53:14.399 you know. So they just came and did their their thing. 0:53:14.719 --> 0:53:17.120 They did it every week, like all week and yeah, 0:53:17.400 --> 0:53:18.400 and I did some research. 0:53:18.440 --> 0:53:20.319 They were a band for three years, so they must 0:53:20.360 --> 0:53:22.480 have been relatively successful at the time. 0:53:22.520 --> 0:53:25.239 I would have imagined the girls eventually give them a 0:53:25.280 --> 0:53:29.319 little personalized performance. But then the diner owner walks up 0:53:29.360 --> 0:53:31.680 and they run back to the stage to finish the song. 0:53:32.080 --> 0:53:35.360 It's doing that part right where they get close to you. 0:53:36.640 --> 0:53:40.200 Oh it is it is you, the look on your face. 0:53:40.280 --> 0:53:41.920 I wish we could have to find a still of it. 0:53:42.239 --> 0:53:44.160 We will, We'll have to put it up because it is. 0:53:44.400 --> 0:53:50.480 It is combination dead inside, horribly embarrassed and questioning every 0:53:50.520 --> 0:53:51.960 decision you've ever made in your life. 0:53:52.160 --> 0:53:55.840 It is just accurate. 0:53:56.960 --> 0:53:58.120 Was kind of like sitting there. 0:53:58.080 --> 0:53:59.719 Like, what's happening in my life right now? 0:54:00.560 --> 0:54:02.080 I can't believe I have to do this. All I 0:54:02.120 --> 0:54:04.680 can see is you say. I can't believe it. I 0:54:04.719 --> 0:54:05.279 can't believe I. 0:54:05.239 --> 0:54:05.640 Have to do this. 0:54:06.160 --> 0:54:08.920 It's the best thing I've ever seen. It saved the 0:54:08.960 --> 0:54:11.360 whole episode for me, just that one shot, because. 0:54:11.160 --> 0:54:11.720 It was magic. 0:54:11.960 --> 0:54:12.160 Yeah. 0:54:12.239 --> 0:54:14.160 I was in lay Miss, I was in La Miss. 0:54:14.520 --> 0:54:16.600 I once was in lay Miss. 0:54:16.640 --> 0:54:18.759 Yeah, it was okay, worked to t Tommylee Jones was 0:54:18.800 --> 0:54:19.359 once an actor. 0:54:20.880 --> 0:54:24.600 The performance of what is very close, if not the 0:54:24.960 --> 0:54:29.879 entire song comes to a close, and patrons, including Corey 0:54:29.920 --> 0:54:33.120 and Sewan, give the girl group a rowdy round of applause. 0:54:33.719 --> 0:54:36.000 Nobody's Angel runs up to the boys, do you think 0:54:36.040 --> 0:54:40.480 we're any good? Corey is shocked. You were awesome. You 0:54:40.640 --> 0:54:45.240 shouldn't be here, dishing out hash browns. Stacey asks Sean, 0:54:45.480 --> 0:54:49.840 who she calls mystery boy, what he thinks. He chimes in, 0:54:50.400 --> 0:54:52.960 I agree with Officer Bob. 0:54:55.160 --> 0:55:00.239 Hysterical joke. It's a runner now, it's a runner that 0:55:00.360 --> 0:55:02.000 he's pretending to be a cop to what. 0:55:04.840 --> 0:55:08.600 Ali grins good, because we want you to help us 0:55:08.719 --> 0:55:09.120 leave this. 0:55:09.640 --> 0:55:12.840 Why do we help them leave? How could we possibly. 0:55:14.280 --> 0:55:17.280 The whole house you could obviously, okay, but like, wouldn't 0:55:17.320 --> 0:55:21.600 you find people who have money who might be. 0:55:21.640 --> 0:55:24.520 Able to like be a manager my father? 0:55:24.880 --> 0:55:26.880 How much money would it take? How many hashbreads to 0:55:27.080 --> 0:55:29.000 kill brothers? 0:55:30.840 --> 0:55:33.960 It's awful, this is I mean, that's why I said 0:55:33.960 --> 0:55:36.080 I'm not It's not even bad. It's just not a 0:55:36.120 --> 0:55:37.120 boy metroled episode. 0:55:37.200 --> 0:55:38.160 It's not why. 0:55:39.000 --> 0:55:41.280 And then it falls on Corey to make the decision 0:55:41.840 --> 0:55:45.000 to like what send them to college or to the 0:55:45.040 --> 0:55:47.120 big city. It doesn't make any why us? 0:55:48.640 --> 0:55:49.120 That's why? 0:55:49.960 --> 0:55:52.560 Okay? What if? What if instead of lying about being 0:55:52.560 --> 0:55:57.640 a cop, Corey lied about being a musician and writer, 0:55:58.040 --> 0:56:00.600 then then we would have a we have to keep 0:56:00.600 --> 0:56:03.000 a lie going because he would get caught by the. 0:56:03.040 --> 0:56:05.520 Dad, Barry Gordy exactly what if? 0:56:05.560 --> 0:56:08.800 I mean, that's so easy? Is Corey just thought it. 0:56:08.960 --> 0:56:10.680 He's like, we're on the road, we should When that 0:56:10.840 --> 0:56:13.400 was the beginning of the scene of the walking in, 0:56:13.520 --> 0:56:15.560 It's like, let's pretend to be other people walking on 0:56:15.600 --> 0:56:18.600 the Jones, yes, and we make a joke, and then 0:56:18.960 --> 0:56:21.080 we can't tell the truth because the dad would actually, 0:56:21.239 --> 0:56:23.160 you know, kill us, and then we're stuck in a 0:56:23.239 --> 0:56:25.439 lie and we have to play it out. Jinks and Sue, 0:56:25.920 --> 0:56:27.719 come on, we just fixed it. 0:56:28.400 --> 0:56:30.560 He saved all the hijinks for the B story. 0:56:33.520 --> 0:56:36.360 They're not gonna kiss, and then they're gonna kiss. They do, 0:56:36.520 --> 0:56:39.319 they do? They express their feelings. I mean the next scene, 0:56:39.360 --> 0:56:42.800 you guys literally just trot out the potential problems and 0:56:43.160 --> 0:56:46.520 and you say there's no problem. So it's like anti 0:56:46.960 --> 0:56:53.320 story alert. Sorry, no later. And then they repeat the 0:56:53.400 --> 0:56:55.479 thing where we can't kiss but we're gonna kiss. 0:56:55.600 --> 0:56:55.880 It's like. 0:56:58.400 --> 0:56:59.840 It's ecstatic episode. 0:57:00.320 --> 0:57:03.359 Corey wonders what's stopping them in Unison. They all look 0:57:03.400 --> 0:57:06.239 at the grizzly dad owner. He thinks the city's a 0:57:06.360 --> 0:57:09.760 dangerous place and something terrible's gonna happen to us. Amy 0:57:09.840 --> 0:57:12.480 Sue begs them, can you talk to him for us? 0:57:12.800 --> 0:57:14.839 Why you can't tell your ow dads. You're gonna get 0:57:14.840 --> 0:57:18.600 the stranger who's a music college kid. Maybe I don't 0:57:18.640 --> 0:57:19.439 know what this did. 0:57:20.280 --> 0:57:22.800 You gotta deal with a dad made it clear he 0:57:22.840 --> 0:57:23.400 doesn't like you. 0:57:24.520 --> 0:57:27.600 Hey, stranger, I could tell with your owner of dad, 0:57:27.840 --> 0:57:29.640 you could take care of this blog. And it's Corey 0:57:29.960 --> 0:57:30.240 not me. 0:57:30.880 --> 0:57:34.480 Why because he's never met a man from Philadelphia. You're 0:57:34.520 --> 0:57:35.200 gonna tell him. 0:57:35.240 --> 0:57:38.160 Your city folk. That answers everything. 0:57:39.760 --> 0:57:44.080 Never been to the Philadelphia, Corey nods, yeah, it's just 0:57:44.200 --> 0:57:46.160 that he's very large, and I got to get my 0:57:46.240 --> 0:57:48.920 friend here back home. He stands to leave, in motions 0:57:48.920 --> 0:57:50.920 for Sean to join him, but Sean says he's not 0:57:51.000 --> 0:57:53.280 going home. Corey doesn't know why he keeps saying that, 0:57:53.440 --> 0:57:55.920 and Sean explains, because you're not hearing it. That's what 0:57:56.040 --> 0:57:56.840 I needed to tell you. 0:57:57.040 --> 0:57:59.160 So wait, have I said that I'm not going home yet? 0:57:59.400 --> 0:58:00.760 I thought I have and drop that bomb. 0:58:00.840 --> 0:58:04.960 Yet I also agree that you had not said that yet. 0:58:05.120 --> 0:58:07.360 Yeah, I say I'll tell you later, and you say 0:58:07.480 --> 0:58:08.040 you should go. 0:58:08.120 --> 0:58:10.040 Home, and he does point out why only me? 0:58:10.280 --> 0:58:10.840 What about you? 0:58:11.080 --> 0:58:13.600 And you change the subject, so I think so. 0:58:13.680 --> 0:58:15.840 Then he says, why you keep saying that I actually 0:58:15.880 --> 0:58:16.840 haven't said him staying I. 0:58:16.880 --> 0:58:19.040 Think he just meant. He's picked up on the subtext, 0:58:19.400 --> 0:58:22.200 and and he's understood it every time, even every time 0:58:22.240 --> 0:58:24.280 you've no latered him, He's picked up on it. 0:58:24.600 --> 0:58:28.640 There's subtext galore in this episode, so all the funny 0:58:29.080 --> 0:58:30.960 subjects pick it up exactly. 0:58:32.120 --> 0:58:33.920 It only makes sense in the subjects. 0:58:35.120 --> 0:58:37.960 It's the only episode ever done that's only subtext. 0:58:38.600 --> 0:58:40.160 Because the text is so bad. 0:58:41.080 --> 0:58:45.160 Cory sarcastically says goodbye and shakes Sean's hand. He starts 0:58:45.200 --> 0:58:47.920 to walk away, but Sean doesn't move. Life changes, you know, 0:58:48.200 --> 0:58:51.200 people go separate ways. Corey asks if he's breaking up 0:58:51.200 --> 0:58:52.720 with him in a public place, so we won't make 0:58:52.760 --> 0:58:55.240 a scene, He tests, Sean, you don't think i'll make 0:58:55.280 --> 0:58:58.320 a scene? Sean laughs, no, I know you'll make a scene, 0:58:58.480 --> 0:59:01.080 but I'm not going home. Cory asks when are you 0:59:01.160 --> 0:59:03.760 going to go back then, and Shawn shrugs maybe never. 0:59:04.240 --> 0:59:06.320 Corey raises his voice as Sean pays the bill at 0:59:06.360 --> 0:59:09.080 the register. Just because things are not going perfectly in 0:59:09.160 --> 0:59:11.120 your life does not mean that you tear everything up 0:59:11.200 --> 0:59:13.680 and end up and who knows where? And I didn't 0:59:13.680 --> 0:59:19.280 think why is Corey letting Sean pay for this? Corey 0:59:19.360 --> 0:59:23.440 should definitely buy this meal? You think, yeah, anyway? 0:59:23.720 --> 0:59:24.120 Bothered me? 0:59:24.600 --> 0:59:26.880 Seawan's half listening. Then he points to a picture behind 0:59:26.920 --> 0:59:29.560 Sarah and he asks to see it. Corey's whining behind him. 0:59:29.600 --> 0:59:30.120 Do you hear me? 0:59:30.280 --> 0:59:32.760 What do you think you're gonna find? Sean stares at 0:59:32.800 --> 0:59:35.360 the picture and grins. He shows Corey, it's a picture 0:59:35.360 --> 0:59:38.720 of Chet and the owner of the restaurant. Corey admits, Okay, 0:59:39.040 --> 0:59:43.280 now it just got interesting, and I thought it's about 0:59:43.560 --> 0:59:46.640 freaking time. This could be great if this is the 0:59:46.760 --> 0:59:50.080 thing that kick starts whatever it is that Shawn ends 0:59:50.160 --> 0:59:50.640 up wanting to do. 0:59:50.880 --> 0:59:52.360 But Shawn's already decided. 0:59:52.120 --> 0:59:53.320 He's not going, already decided. 0:59:53.520 --> 0:59:56.200 This is just more decision, yet more of the same. 0:59:56.920 --> 0:59:59.840 See, I guess validation for your right, Yeah, it's validation. 1:00:00.440 --> 1:00:02.760 All right. We're back at the truck stop. Sean's staring 1:00:02.800 --> 1:00:05.680 at the picture, surrounded by Corey and nobody's angel. Stacey 1:00:05.760 --> 1:00:09.320 asks you know that guy, and Sean laughs kinda, he's 1:00:09.400 --> 1:00:11.960 my father. Sarah asks, that's your father. 1:00:13.440 --> 1:00:16.000 We've established this, yeah, because I said that's my father. 1:00:16.320 --> 1:00:18.840 And don't I say the exact same line I said 1:00:18.880 --> 1:00:21.200 in the last episode where I go kind of know 1:00:21.360 --> 1:00:21.720 him or. 1:00:21.920 --> 1:00:25.919 Kind of home. Yes, he's my dad. Tic yeah, yeah, 1:00:27.080 --> 1:00:29.080 Corey protests, No, don't call him over. 1:00:29.240 --> 1:00:29.800 He hates me. 1:00:30.760 --> 1:00:33.520 Grizzly Dad asks the girls if Corey's bothering them, and 1:00:33.600 --> 1:00:37.480 Corey responds, deadpan, I just stopped here for lunch. Sarah 1:00:37.560 --> 1:00:40.760 excitedly reveals this is Chet Hunter's son. The owner grins, 1:00:40.880 --> 1:00:43.600 of course he is. I knew you looked familiar. Chet's 1:00:43.600 --> 1:00:45.240 been showing us pictures of you for I don't know 1:00:45.320 --> 1:00:48.080 how long. Sarah bashfully admits, I like the one where 1:00:48.120 --> 1:00:49.360 you're getting a bath in the sink. 1:00:50.560 --> 1:00:51.080 Yeah you do. 1:00:56.200 --> 1:00:59.800 The owner shakes his hand. You're Sean. How's medical school going? 1:01:00.240 --> 1:01:03.680 Seawan clarifies, Actually, it's just college. The man laughs. Ched 1:01:03.800 --> 1:01:06.400 always tells a good story. Then he turns to Corey, 1:01:06.480 --> 1:01:09.000 and you're Corey. You're the kid Shawn's always getting out 1:01:09.040 --> 1:01:12.520 of them scrapes. Corey starts to actually the guy, but 1:01:12.680 --> 1:01:13.640 Sean cuts him off. 1:01:13.800 --> 1:01:17.360 I do like this idea of like, yeah, yeah, it 1:01:17.360 --> 1:01:19.720 could have been an extended bit about all the like 1:01:19.960 --> 1:01:21.920 the lies that Chet told that we have to like 1:01:22.200 --> 1:01:23.920 break down and figure out what was going on. 1:01:24.120 --> 1:01:26.560 Yeah, yeah, shame, shame you hurts your knee and couldn't 1:01:26.560 --> 1:01:27.320 become an astronaut. 1:01:27.360 --> 1:01:30.720 Like that's the episode I want to watch, Yes, the 1:01:30.800 --> 1:01:35.880 episode of Sean uncovering his father's life exactly. Yep, that's 1:01:35.920 --> 1:01:37.960 the one I want. Sean cuts him off. How come 1:01:38.000 --> 1:01:39.840 there's a picture of my dad and this truck stop? 1:01:40.080 --> 1:01:43.200 The man laughs, Chet wouldn't drive his Ray between Pennsylvania 1:01:43.240 --> 1:01:45.360 and Ohio without stopping here and telling us some of 1:01:45.440 --> 1:01:49.080 his latest adventures. Right, So he was a truck driver apparently, 1:01:49.560 --> 1:01:52.440 unless they're calling the mobile home array. We never No, 1:01:52.600 --> 1:01:56.160 we never established that, but we did establish that he 1:01:56.960 --> 1:01:59.880 dealt cards. Right, he got an offer for the Vegas thing, 1:02:00.080 --> 1:02:03.280 So I think I j is. 1:02:03.280 --> 1:02:07.680 Not really an odd job. That's consistent, correct, So it 1:02:07.760 --> 1:02:08.440 seems weird that. 1:02:08.760 --> 1:02:12.280 Yeah, the truck driver from earlier agrees that's right. He 1:02:12.400 --> 1:02:14.640 also said that Sean was perfect for one of your daughters. 1:02:14.640 --> 1:02:17.440 As I recall, the owner frowns. I don't recall that 1:02:18.240 --> 1:02:21.120 the trucker stands by his words. I recall that Sean 1:02:21.160 --> 1:02:24.240 wonders which one in the girl's grin in Sarah's direction, 1:02:24.640 --> 1:02:27.680 she admits it was me. Sean can't help but rizz 1:02:27.720 --> 1:02:31.320 her up in response, Well, that always did have good taste. 1:02:31.440 --> 1:02:33.400 What is the point of this? So now I'm flirting? 1:02:33.840 --> 1:02:38.000 Yes, now you could be interested, and it's all just 1:02:38.160 --> 1:02:41.400 further it's it's just fear for great Now there's a 1:02:41.440 --> 1:02:44.760 grin and be interested and he likes it. Here's how 1:02:44.760 --> 1:02:45.800 am I ever going to get him out of this? 1:02:46.160 --> 1:02:47.920 I need to get him home the same way it 1:02:48.040 --> 1:02:50.760 happened for Eric in his episode. 1:02:51.120 --> 1:02:53.680 But why does he need to get me home? Why 1:02:53.760 --> 1:02:54.280 does Corey? 1:02:55.080 --> 1:02:58.520 Because the universe says this show is going to go 1:02:58.720 --> 1:03:00.880 for seven seas since. 1:03:01.400 --> 1:03:05.360 He has no argument, Like all, he wants to finish college. 1:03:05.400 --> 1:03:08.480 He says it when you're wrestling, He's like, you got it. 1:03:08.520 --> 1:03:10.800 Why you gotta go home and finish school and don't 1:03:10.840 --> 1:03:11.600 throw away your life? 1:03:11.680 --> 1:03:14.760 Like yeah, it would actually be easy to just say 1:03:15.080 --> 1:03:18.280 we have classes on Monday and test due and like 1:03:18.640 --> 1:03:20.640 Poene's expecting you, you can't bail. 1:03:21.040 --> 1:03:22.880 Yeah, because right now, I don't really. 1:03:22.680 --> 1:03:25.520 Feel the conflict other than like, oh, Sean might leave 1:03:25.600 --> 1:03:28.480 the show, right you don't want as a viewer. But 1:03:28.560 --> 1:03:31.440 otherwise it's not really clear, like Sean, go, yeah, take 1:03:31.440 --> 1:03:32.000 a trip, man. 1:03:32.360 --> 1:03:34.400 Corey throws his arms in the air. Now he's never 1:03:34.520 --> 1:03:37.360 coming home. The owner wonders, so what's your daddy up to? 1:03:37.520 --> 1:03:37.680 Now? 1:03:38.120 --> 1:03:42.120 Sean's excitement ends, Corey, none of these people know. The 1:03:42.240 --> 1:03:45.560 man questions know what. Sean tries to find the right words. 1:03:45.960 --> 1:03:48.680 I hate to tell you this, but my dad died 1:03:48.760 --> 1:03:49.240 last week. 1:03:52.000 --> 1:03:52.280 Sean. 1:03:52.440 --> 1:03:53.400 Also, how would they know? 1:03:53.840 --> 1:03:56.400 It's been a week and we're at a random truck stop, 1:03:56.400 --> 1:04:00.240 which we've already established is on the moon essentially, so 1:04:00.360 --> 1:04:00.920 how would. 1:04:00.680 --> 1:04:01.320 They have found out? 1:04:02.040 --> 1:04:04.160 I do think that's just one of those things where 1:04:04.920 --> 1:04:08.920 when you know everyone in Sean's life back home does know, 1:04:10.000 --> 1:04:15.600 and yeah, it's a weird feeling when someone you someone 1:04:15.840 --> 1:04:17.560 you love and are very close to dies and the 1:04:17.640 --> 1:04:22.959 rest of the world just goes on and you're like, yeah, yeah, 1:04:23.240 --> 1:04:26.040 and like so I kind of like that moment where 1:04:26.080 --> 1:04:28.800 he's like, I have if I go on this trip, 1:04:28.840 --> 1:04:31.880 I'm gonna have to tell all these people. The diner 1:04:31.960 --> 1:04:34.800 goes quiet. Finally, the trucker speaks up, so who shot him? 1:04:35.200 --> 1:04:38.080 Everyone bursts into laughter, and Sean wonders, is it okay 1:04:38.120 --> 1:04:41.160 that people are laughing? The owner nods, of course, it's okay. 1:04:41.640 --> 1:04:43.600 Just thinking about that ugly son of a gun's face 1:04:43.680 --> 1:04:45.840 is enough to make you laugh. They break out into 1:04:45.920 --> 1:04:48.800 laughter again, and this time Sean joins them. He asks, 1:04:48.960 --> 1:04:49.200 let me. 1:04:49.240 --> 1:04:51.840 Talk out my feelings. Is it okay to that laughing? 1:04:52.120 --> 1:04:56.040 Who ever asked that question? Now you feel insecure about it? 1:04:56.320 --> 1:04:57.440 Or do it? 1:04:57.640 --> 1:04:57.680 Like? 1:04:59.720 --> 1:05:02.640 Is it okay that I'm doing this? The owners lend 1:05:02.720 --> 1:05:05.120 some words of wisdom. Your father died, Sean, but he 1:05:05.160 --> 1:05:08.640 ain't gone. When someone you love leaves you, they're never gone. 1:05:09.080 --> 1:05:12.640 He taps his head. They stay right here. Sean wonders, 1:05:13.080 --> 1:05:15.240 how well did you guys know my dad? The man 1:05:15.320 --> 1:05:18.320 admits pretty well. He was always running from something. He 1:05:18.440 --> 1:05:21.200 had that way about him. Amy Sue chimes in, I 1:05:21.320 --> 1:05:24.880 always thought he was running for something. Again in list 1:05:24.960 --> 1:05:28.280 of conversations that have just never happened, this. 1:05:28.440 --> 1:05:28.840 Is up there. 1:05:29.760 --> 1:05:31.760 I thought that she meant like he was training for 1:05:31.840 --> 1:05:34.720 a marathon or something like that. Run for something. 1:05:34.840 --> 1:05:39.880 Yeah, yeah, Sean asks for what, and she answers you. 1:05:40.880 --> 1:05:43.439 The owner agrees you were all he talked about. Kid. 1:05:43.800 --> 1:05:46.360 Your father wanted to be perfect for you, and this 1:05:46.560 --> 1:05:49.560 is nice. I think this would be something that would 1:05:49.600 --> 1:05:52.520 mean something to Sean to hear from these people who 1:05:52.600 --> 1:05:58.200 knew his dad. Boy, he loved you. Sean's eye, well, 1:05:58.480 --> 1:05:59.880 he would have been perfect if he would have just 1:06:00.040 --> 1:06:02.040 in there for me. Sean brings over a tray with 1:06:02.080 --> 1:06:04.720 a beer in two sodas. The man grabs the beer 1:06:04.760 --> 1:06:07.040 and Sean takes a soda. Though Chet isn't here, he 1:06:07.160 --> 1:06:10.320 deserves a toast. Sean nods in agreement, but admits he's 1:06:10.360 --> 1:06:13.400 horrible at these things, so he asks Corey to say something, 1:06:13.680 --> 1:06:16.640 but he won't. He's mad at Sean. The audience laughs, 1:06:16.680 --> 1:06:18.400 and Shawn asks, are you mad at him? 1:06:18.640 --> 1:06:21.800 Sean is horrible. He's a poet, right, who gives a 1:06:21.880 --> 1:06:25.480 toast at the wedding, Right who also was chosen to 1:06:25.520 --> 1:06:26.160 give the speech. 1:06:26.520 --> 1:06:29.560 Yes, so why he was valedictorian. 1:06:30.080 --> 1:06:33.800 Is very good at speech. I mean it seems like he's. 1:06:33.680 --> 1:06:36.919 Actually really good at starting speeches and then storming off stage. 1:06:38.800 --> 1:06:40.760 That's what happened, right forte. 1:06:40.920 --> 1:06:43.640 Yeah, and Shawn asks, are you mad at him? In 1:06:43.760 --> 1:06:46.800 reference to chet Corey admits no, and he raises his 1:06:46.880 --> 1:06:50.000 soda bottle. Chet Hunter was not a saint, but he 1:06:50.080 --> 1:06:52.400 loved Sean as much as he possibly could. And even 1:06:52.440 --> 1:06:54.440 if he wasn't always around to show it, we all 1:06:54.560 --> 1:06:56.720 know he wanted to be and I'm sure if he could, 1:06:57.320 --> 1:06:59.440 he'd be here with you right now. I believe that. 1:07:00.080 --> 1:07:04.520 Sean smiles and agrees. Corey announces to chet Hunter Shawn's father. 1:07:05.120 --> 1:07:09.479 Everyone raises their glass. Here here, Sean repeats to chet Hunter, 1:07:10.200 --> 1:07:16.680 my father, now, question for you, do you think? Sean, 1:07:18.200 --> 1:07:22.880 at this point believes the last sentiment Chet had said 1:07:22.920 --> 1:07:25.840 in the hospital bed, which is I need you too, son. 1:07:26.800 --> 1:07:30.080 Do we think that both Corey and Sean do think 1:07:30.160 --> 1:07:32.680 that had Chet made it out of the hospital that time, 1:07:32.800 --> 1:07:34.040 he really would have stayed. 1:07:34.800 --> 1:07:38.200 Yes, I think so too. At least there's a hope 1:07:38.240 --> 1:07:41.360 there that that's what would have happened. That was Sean's 1:07:41.640 --> 1:07:44.920 entire life, though, was his father giving and getting his 1:07:45.000 --> 1:07:47.320 hopes up and then disappointing him. So at least he 1:07:47.760 --> 1:07:50.960 ended hopeful as opposed to disappoint it. 1:08:04.000 --> 1:08:06.760 All right, we're back in the apartment for a rousing 1:08:06.960 --> 1:08:10.360 Bee story. Rachel and Jack stare at Eric, who's in 1:08:10.440 --> 1:08:13.240 the kitchen drinking milk from the carton. Rachel admits, I'm 1:08:13.240 --> 1:08:16.840 really glad we're talking about this. Jack ads, see, we 1:08:16.880 --> 1:08:18.559 didn't want to tell you because we thought it would 1:08:18.560 --> 1:08:21.360 make it all weird between us. Eric's eyes, you know, 1:08:21.720 --> 1:08:23.880 when I saw you guys kissing, it bothered me, and 1:08:24.000 --> 1:08:26.080 I didn't know why. I didn't know if I was 1:08:26.200 --> 1:08:30.000 jealous or I felt betrayed or Rachel interjects, you know 1:08:30.080 --> 1:08:32.320 what I think it was. I think that Jack just 1:08:32.400 --> 1:08:34.320 really needed a friend, and I tried to be that 1:08:34.479 --> 1:08:38.160 for him. Eric assures her well, you're a really good friend. 1:08:38.840 --> 1:08:41.360 Jack chimes in, you saw me, Eric, I was in 1:08:41.439 --> 1:08:44.920 a dark place, Rachel admits, and, come to think of it, 1:08:45.280 --> 1:08:47.800 I may have gone a little too far. Jack ads 1:08:48.240 --> 1:08:51.840 maybe I did too. Eric questions, really, so you all 1:08:51.960 --> 1:08:54.760 just went too far. Rachel and Jack say yeah. So 1:08:55.120 --> 1:08:59.519 Eric repeats yeah, and then he asks, so then we're 1:08:59.520 --> 1:09:05.120 still three friends. Rachel tells him, no, better friends than 1:09:05.200 --> 1:09:08.719 we ever have been. Eric nods, yeah, you know something, 1:09:09.080 --> 1:09:11.639 This talking thing feels really good. We shouldn't be able 1:09:11.680 --> 1:09:13.439 to talk about stuff when they just go too far. 1:09:14.040 --> 1:09:16.840 Rachel and Jack say yeah. Wants more and Eric agrees yeah. 1:09:17.240 --> 1:09:19.679 He ends the conversation. He has some stuff in the dryer, 1:09:19.800 --> 1:09:22.720 so he's going to go and now left alone, Jack 1:09:22.760 --> 1:09:27.240 admits Eric's a stud. That's good. That's really good. Rachel agrees, yeah, 1:09:27.400 --> 1:09:29.920 I really respect that when somebody can just come out 1:09:29.960 --> 1:09:33.400 and say how they're feeling. No games. Jack turns to her, 1:09:33.640 --> 1:09:35.800 I want to kiss you. She responds, I want to 1:09:35.840 --> 1:09:38.640 kiss you too, Jack, and then they fall into the 1:09:38.720 --> 1:09:39.720 couch making out. 1:09:40.960 --> 1:09:43.000 Not as good a kiss where are the other episode? 1:09:43.400 --> 1:09:45.280 But not a kiss as the life, not as good 1:09:45.320 --> 1:09:47.720 of a kid, I think one of the things that 1:09:48.280 --> 1:09:50.560 ruined the B story for me is that it's so 1:09:51.240 --> 1:09:54.200 very obvious from the very beginning of this episode with 1:09:54.280 --> 1:09:57.320 them behaving awkwardly in the kitchen that they do like 1:09:57.400 --> 1:10:00.240 each other and want to be in a relationship if 1:10:00.280 --> 1:10:04.160 there wasn't any awkwardness between them, and both of them 1:10:04.240 --> 1:10:07.880 were like, by the way, I have to talk to 1:10:07.920 --> 1:10:08.320 you about that. 1:10:08.760 --> 1:10:10.320 Yeah, I'm so sorry. 1:10:10.880 --> 1:10:13.200 Yeah, and you know what, me too, And we actually 1:10:13.280 --> 1:10:15.080 were like, oh, that's a bummer because it looked kind 1:10:15.080 --> 1:10:16.920 of hot, like and I thought there was really something 1:10:16.960 --> 1:10:19.519 between them, but they are both for acting as though 1:10:19.600 --> 1:10:22.400 for sure they don't want this. They have this conversation 1:10:22.520 --> 1:10:24.720 with Eric, we actually believe all of it, and then 1:10:25.280 --> 1:10:27.960 and then the turn, and then the turn or you 1:10:28.160 --> 1:10:30.200 have Eric come in and say I think you guys 1:10:30.200 --> 1:10:32.680 should be together. Just go for it, and then they're like, no, no, no, no, 1:10:32.920 --> 1:10:35.720 we really don't want to. Exactually have a conflict with Eric, 1:10:35.960 --> 1:10:38.320 and then they insist, and then Eric says, okay, I 1:10:38.479 --> 1:10:39.920 just wanted you to know it's okay with. 1:10:40.040 --> 1:10:40.840 Me, and then. 1:10:42.360 --> 1:10:45.439 They lied to and then they keep Because I think 1:10:45.439 --> 1:10:47.360 we do a couple of episodes now where everything is 1:10:47.760 --> 1:10:49.760 like done secretive secret. 1:10:49.560 --> 1:10:52.000 They could have just gotten too that secretive. It really 1:10:52.120 --> 1:10:53.880 like our show just decided to tread water for a 1:10:53.920 --> 1:10:57.160 whole episode. It's like, let's not change anything. Let's just 1:10:57.280 --> 1:10:59.759 hint to change and get these this girl band in here. 1:11:00.200 --> 1:11:02.439 Right, let's put the show on hold. Basically, that's what 1:11:02.520 --> 1:11:02.840 I'm saying. 1:11:02.840 --> 1:11:04.479 That's why this is not an episode of Woman's World. 1:11:04.840 --> 1:11:07.479 Yeah all right, Well, then we're back into Chet's trailer. 1:11:07.560 --> 1:11:09.040 Seawan is setting up the pull out bed. 1:11:09.160 --> 1:11:12.559 Until scoring ran exploded. I was like, that's the trailer 1:11:13.080 --> 1:11:15.880 if we actually moved their house, how are we supposed 1:11:15.880 --> 1:11:20.040 to believe this putting down the bed. Wasn't there a 1:11:20.160 --> 1:11:20.919 back bedroom? 1:11:21.360 --> 1:11:23.080 Yes, but that's where you would be. 1:11:23.720 --> 1:11:25.560 But they had to they had to get rid of 1:11:25.920 --> 1:11:28.360 the hallway that was back there because the trailer would 1:11:28.360 --> 1:11:31.120 have been and when we saw the trailer in previous episodes, 1:11:31.240 --> 1:11:34.679 our previous seasons, there was a back hallway to other 1:11:34.880 --> 1:11:37.600 rooms that they then have to like wall off and 1:11:37.760 --> 1:11:38.800 act like they don't exist. 1:11:39.160 --> 1:11:41.559 Oh yeah, there, So that area that were you there's 1:11:41.600 --> 1:11:48.200 not even there anymore because it has trailer. Oh god, yeah, 1:11:48.240 --> 1:11:48.599 you're right. 1:11:49.800 --> 1:11:52.519 Maybe you just left the bedrooms back at the trailer, 1:11:53.360 --> 1:11:55.960 yea of the living room and dining room with you. 1:11:57.720 --> 1:11:59.840 Sean is setting up the pull out bed as he tells, 1:12:00.400 --> 1:12:02.240 I'm on a journey, so I've got to stay on 1:12:02.320 --> 1:12:05.080 this journey. Corey mocks him. Oh, you're on a journey. 1:12:05.160 --> 1:12:07.080 It was a two day trip. Now it's a journey. 1:12:07.479 --> 1:12:12.960 Soon it will be a voyage. That's so funny. Sean insists, 1:12:13.040 --> 1:12:15.040 I'm looking for something. Okay, I'm not going to be 1:12:15.080 --> 1:12:16.479 able to find it at home, and I'm not going 1:12:16.520 --> 1:12:18.719 to be able to find it with you. Corey shouts, 1:12:18.760 --> 1:12:20.360 then why am I on this trip? Why did you 1:12:20.439 --> 1:12:22.560 bring me in the first place. Sean tells him so 1:12:22.680 --> 1:12:25.000 I could get your blessing because I wanted to say goodbye. 1:12:25.520 --> 1:12:28.760 Corey shakes his head in disgust. You are sick, sir. 1:12:29.240 --> 1:12:32.439 So this was a fling. I feel cheap. He demands 1:12:32.439 --> 1:12:34.519 Sean give him the keys, but Sean jumps back. He 1:12:34.640 --> 1:12:36.400 wants to spend the night in the trailer, but Corey 1:12:36.560 --> 1:12:39.080 argues he wants to turn this trailer around and go home. 1:12:39.560 --> 1:12:42.040 The boys start to squabble, and Corey threatens to tell 1:12:42.120 --> 1:12:44.519 Feene while they wrestle. Sean says he needs to hear 1:12:44.600 --> 1:12:46.519 that everything's going to be okay and he's making the 1:12:46.600 --> 1:12:49.760 right decision. Corey flings him backwards. You want my help, 1:12:50.120 --> 1:12:53.519 go home, finish college and work on your papal skills. 1:12:54.080 --> 1:12:57.160 Still sparring, Sean suggests we're going to sleep on it. 1:12:57.640 --> 1:12:59.840 They both land on the floor, still fighting, when there's 1:12:59.840 --> 1:13:02.400 an knock at the door. Amy Sue just walks right in. 1:13:02.840 --> 1:13:06.720 We need your advice. Corey looks at Sean, perhaps we 1:13:06.800 --> 1:13:09.120 should get up. The rest of the girls walk in, 1:13:09.240 --> 1:13:11.479 and Ali explains, we want to see if we can 1:13:11.560 --> 1:13:14.559 make it somewhere other than here. Stacy adds their father 1:13:14.680 --> 1:13:15.479 will never let that. 1:13:15.600 --> 1:13:18.519 Happen, and you have to make this decision. 1:13:19.360 --> 1:13:23.680 Phil Spector and Quincy Jonesincy Jones to figure this out, 1:13:24.280 --> 1:13:26.920 but Sarah's mind is made up. It doesn't matter. I'm 1:13:26.960 --> 1:13:30.320 not leaving. Amy, Sue and I are all Dad has Amy. 1:13:30.360 --> 1:13:32.519 Sue argues, we can't stay here for the rest of 1:13:32.560 --> 1:13:35.960 our lives. Stacey asks the boys, look, this is a 1:13:36.000 --> 1:13:38.920 big decision. Could you tell us what you really think? 1:13:39.520 --> 1:13:45.240 Corey responds, no, I can't because I don't know you. Finally, 1:13:46.520 --> 1:13:51.280 I don't want to. I'm not gonna you can't make me, 1:13:51.720 --> 1:13:54.520 which is what they should have said about this episode. 1:13:54.800 --> 1:13:56.040 Yeah, pretty much. 1:13:56.560 --> 1:14:00.800 Yeah, Amy, Sue stares at him, and Corey immediately gives 1:14:00.840 --> 1:14:03.960 in You girls are better than every band I've heard 1:14:04.040 --> 1:14:07.240 in college. I mean, you have a real shot out there, 1:14:07.520 --> 1:14:09.519 and even if things don't work out, you'll never know 1:14:09.640 --> 1:14:11.360 what your lives are gonna be like if you don't 1:14:11.439 --> 1:14:14.000 see what else is out there. So talk to your father. 1:14:14.200 --> 1:14:18.479 He'll understand. He seems like a very understanding guy. And 1:14:18.680 --> 1:14:20.600 then he's behind me. 1:14:23.479 --> 1:14:29.000 Couldn't he say something that's actually scary? Tostead the understanding guy. 1:14:29.040 --> 1:14:32.160 He's a nice guy. That's not like the beat is there, 1:14:32.240 --> 1:14:34.759 but the line is completely wrong. It should be totally 1:14:35.080 --> 1:14:37.840 Your dad's not very bright. The reality is he's not 1:14:37.920 --> 1:14:38.880 going to really get this. 1:14:39.320 --> 1:14:41.360 He's kind of a he's gonna want to hold you back, 1:14:41.400 --> 1:14:42.919 but that's because it's totally selfish. 1:14:43.080 --> 1:14:44.160 Yeah, he's just whatever. 1:14:44.400 --> 1:14:49.120 Just their dad walks into the trailer and Corey turns 1:14:49.160 --> 1:14:51.320 around and screams at the sight of the menacing man. 1:14:51.479 --> 1:14:53.960 The man asks, why are you in here with my daughters? 1:14:54.400 --> 1:14:56.040 Corey gaslights him, I'm not. 1:15:00.040 --> 1:15:04.080 I'm not what this isn't cake? This isn't Corey, this 1:15:04.200 --> 1:15:07.200 is cake exactly. That would have been a great callback. 1:15:08.000 --> 1:15:10.280 I just jumped in and said that this is the 1:15:10.360 --> 1:15:13.920 cake because he's Corey is his cake. Corey thinks we're good. 1:15:14.400 --> 1:15:16.800 He thinks we should take a chance and leave. Corey 1:15:16.840 --> 1:15:19.960 denies everything. She's a liar. The man questions, why do 1:15:20.040 --> 1:15:23.120 you want my girls to leave me? Corey explains, I don't, 1:15:23.400 --> 1:15:25.920 It's just he places a hand on the scary man. 1:15:26.439 --> 1:15:29.160 There comes a time in every man's life, Bill, He 1:15:29.240 --> 1:15:31.960 stops himself. You don't want me to touch you, do you? 1:15:32.560 --> 1:15:35.599 Bill threatens, why don't you keep doing it and see 1:15:35.640 --> 1:15:39.280 what happens? Pulling his hand off Bill, Corey continues, there 1:15:39.320 --> 1:15:41.320 comes a time in every man's life where he has 1:15:41.400 --> 1:15:43.400 to let go of the people he loves and let 1:15:43.439 --> 1:15:47.040 them find their own way. Sean laughs at the obvious hypocrisy, 1:15:47.120 --> 1:15:49.639 and Corey yells, I'm not talking about you, I'm talking 1:15:49.640 --> 1:15:53.800 about them. Corey notices Bill's threatening look and backtracks, I'm 1:15:53.880 --> 1:15:56.479 not talking about them, I'm talking about me. I want 1:15:56.520 --> 1:15:59.120 to go home. He tries to leave the trailer, but 1:15:59.200 --> 1:16:02.240 Bill stops him. Hold on, little man, Corey curses, I 1:16:02.400 --> 1:16:06.000 was almost out the door. Sarah assures her dad they'll 1:16:06.040 --> 1:16:08.080 stay here. He needs help running the place and he 1:16:08.200 --> 1:16:11.960 needs them, so they'll stay. Bill takes a deep breath. Girls, 1:16:12.600 --> 1:16:15.559 you're fired. They look at each other and smile. Amy 1:16:15.640 --> 1:16:18.920 Sue thanks her dad. Sarah assures him they'll make him proud. 1:16:19.280 --> 1:16:21.720 He tells them he's already proud. And the whole time, 1:16:21.720 --> 1:16:27.519 I'm going, why does anyone watching care at all about 1:16:27.840 --> 1:16:29.120 this story? About it? 1:16:29.120 --> 1:16:31.519 But you're assuming people are watching at this point because 1:16:31.560 --> 1:16:33.240 of the thing, and I think. 1:16:33.200 --> 1:16:33.960 That's a sumption. 1:16:34.120 --> 1:16:36.479 We've got a really yah wish. Yikes. 1:16:37.000 --> 1:16:38.680 It almost seemed like, you know what this seemed like 1:16:38.680 --> 1:16:38.880 to me? 1:16:39.160 --> 1:16:41.640 This seemed like they were working as hard as they 1:16:41.680 --> 1:16:45.760 could to spin off an entire new show for these girls. Yeah, 1:16:46.160 --> 1:16:50.240 and yes, they're their foray into Okay, this episode's going 1:16:50.280 --> 1:16:52.960 to be about you, because this is essentially your backdoor pilot, 1:16:53.400 --> 1:16:55.479 and we're gonna then get you on the road and 1:16:55.560 --> 1:16:59.240 then it's the all girl band TV show. God, that's 1:16:59.280 --> 1:16:59.920 what it seemed like to me. 1:17:00.520 --> 1:17:03.160 He turns to Corey and announces, if anything should happen 1:17:03.200 --> 1:17:05.320 to them, I'll hunt you down like a dog. 1:17:06.400 --> 1:17:07.120 What why? 1:17:07.200 --> 1:17:07.960 Why is this on me? 1:17:08.360 --> 1:17:09.960 It has nothing to do with him. 1:17:12.560 --> 1:17:15.160 He encourages them necessarily other than saying they're talented. 1:17:15.479 --> 1:17:19.240 No, Corey gives him a big fake grin. Then we'll 1:17:19.240 --> 1:17:22.600 see each other again soon. Amy Sue asks Bill if 1:17:22.640 --> 1:17:24.680 he's going to be okay without them, and he reminds her, 1:17:24.800 --> 1:17:27.639 I'm not going to be without you. You're always right here, 1:17:27.920 --> 1:17:30.599 and he taps his head again. Corey then walks over 1:17:30.640 --> 1:17:35.120 to Sean. You're fired. Sean asks from what, and Corey explains, 1:17:35.439 --> 1:17:37.600 from me, I don't know what you're looking for, but 1:17:37.680 --> 1:17:39.160 I guess you need to go away for a while 1:17:39.240 --> 1:17:42.880 to find it. Sean grins, Are you sure, daddy? Corey 1:17:42.960 --> 1:17:46.000 turns to Bill. We sure, Bill. Bill gives him a nod. 1:17:46.400 --> 1:17:49.559 I'm afraid so, kid. Corey tells Sean, if you ever 1:17:49.640 --> 1:17:52.240 need anything, or you ever need my help, Sean cuts 1:17:52.320 --> 1:17:52.559 him off. 1:17:53.080 --> 1:17:53.320 I know. 1:17:54.000 --> 1:17:56.760 Corey turns back to Bill once it's so hard to 1:17:56.840 --> 1:17:59.920 let him go. Bill agrees as he holds the girl's club. 1:18:00.640 --> 1:18:03.400 Corey reaches into his pocket and hands Sean the red bandana. 1:18:03.880 --> 1:18:06.519 He tells Sean to take care of himself, and then 1:18:07.240 --> 1:18:11.400 we get the one great scene in the episode. The 1:18:11.520 --> 1:18:14.200 next day, Shawn is back and the red bandana and 1:18:14.240 --> 1:18:17.840 the leather jacket. Situating himself into the truck, he sits 1:18:17.880 --> 1:18:20.479 at the steering wheel and he lets out a big sigh. 1:18:21.080 --> 1:18:24.280 Then we hear Chet's voice he gonna crank it up 1:18:24.360 --> 1:18:27.000 or what. Sean's stunned to see his dad in the 1:18:27.000 --> 1:18:29.719 passenger seat, but Chet just laughs, Bet you didn't expect 1:18:29.760 --> 1:18:32.680 to see me han Son. Sean asks what he's doing there, 1:18:32.720 --> 1:18:35.519 and Chet explains, you're looking for something. I thought i'd 1:18:35.560 --> 1:18:38.280 try and help you find it. Sean admits, that's very 1:18:38.320 --> 1:18:41.280 cool of you. Chet boasts I was always a cool guy. 1:18:41.680 --> 1:18:45.960 Sean laughs, then lovingly admits I miss you. Chet nods 1:18:46.320 --> 1:18:49.880 I know, but remember I'm always right here, and he 1:18:49.920 --> 1:18:53.519 taps Sean's head. Sean smiles, but when he faces forward 1:18:53.560 --> 1:18:55.720 to turn on the car, we see Chet is no 1:18:55.880 --> 1:18:59.679 longer there, but Sean is setting off for his adventure. Also, 1:19:00.360 --> 1:19:02.080 Sean could be on mushrooms. 1:19:02.040 --> 1:19:04.679 That's possible, but it's a great scene. It's a great 1:19:04.720 --> 1:19:06.559 scene or great mushrooms, either one. 1:19:06.520 --> 1:19:07.519 One of the two. Either way. 1:19:07.840 --> 1:19:11.120 The second chets on screen, it's like it's maragic. He's 1:19:11.200 --> 1:19:13.800 just got so much charisma, it's so much energy. 1:19:13.560 --> 1:19:16.840 And the two of you work together and it's just great. 1:19:17.080 --> 1:19:18.519 Yep, so beautiful. 1:19:18.680 --> 1:19:20.680 Took us twenty one and a half minutes to get there. 1:19:23.479 --> 1:19:25.519 Thank you all for joining us for this episode of 1:19:25.520 --> 1:19:27.360 Pod Meets World. As always, you can follow us on 1:19:27.479 --> 1:19:29.920 Instagram pod meets World Show. You can send us your 1:19:29.960 --> 1:19:33.439 emails podmeets World show at gmail dot com, and we've 1:19:33.479 --> 1:19:34.040 got March. 1:19:35.240 --> 1:19:38.000 Side effects of the death boner can include death boner's 1:19:38.120 --> 1:19:40.920 spitting loss or sudden everything's really loud for some reason. 1:19:41.280 --> 1:19:45.000 If your deathboner lasts more than four hours, sweet March. 1:19:46.280 --> 1:19:54.639 Pod meets Worldshow dot com zombie Boner. You can join 1:19:54.720 --> 1:19:57.160 us for our next episode recap, which is season six, 1:19:57.280 --> 1:20:02.280 episode sixteen. My Baby Valentine, which I guess is the baby. 1:20:03.040 --> 1:20:06.080 Yep, I get to give to a baby. 1:20:06.280 --> 1:20:08.120 Oh god, you give another year? 1:20:08.160 --> 1:20:12.400 You still thanksty God? Damn it, my god. 1:20:12.960 --> 1:20:14.120 I can't talk about it right now. 1:20:14.439 --> 1:20:23.000 No later, I don't know, yes later, writer, send us out. 1:20:23.280 --> 1:20:27.680 We love you all, pod dismissed. Podmeats World is an 1:20:27.720 --> 1:20:30.840 iHeart podcast producer and hosted by Danielle Fischel, Wilfredell and 1:20:30.960 --> 1:20:34.919 Ryder Strong. Executive producers Jensen Karp and Amy Sugarman, Executive 1:20:34.960 --> 1:20:39.080 in charge of production, Danielle Romo, producer and editor, Tarasubash producer, 1:20:39.200 --> 1:20:42.400 Maddie Moore engineer and Boy Meets World Superman Easton Allen. 1:20:42.560 --> 1:20:45.679 Our theme song is by Kyle Morton of Typhoon. Follow 1:20:45.760 --> 1:20:48.559 us on Instagram at Podmeets World Show or email us 1:20:48.640 --> 1:20:51.280 at Podmeets World Show at gmail dot com