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Speaker 1: I've been I've had mixtapes in my mind for a

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Speaker 1: couple of reasons, but the main one is I sent

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Speaker 1: stuff off the Legacy box and I had these tapes

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Speaker 1: like audio tapes that I had no idea what was

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Speaker 1: on them. Turns out they were mostly just mixtapes. So

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Speaker 1: it's just you know, song collections that way I used

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Speaker 1: to I used to also make mixtapes where I would

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Speaker 1: put movie quotes, Like I would hold the tape recorder

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Speaker 1: up to the movie screen, so we would make like

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Speaker 1: I would make a tape for a friend, and I

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Speaker 1: would include like quotes from movies that we love or

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Speaker 1: that we always quoted and stuff, so it's cool to

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Speaker 1: listen back. Yeah, And then I'm writing this thing where

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Speaker 1: I am using a mixtape in in this in this

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Speaker 1: piece that I'm writing from the nineties, like I find

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Speaker 1: a mixtape and I but it was so cool. I like,

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Speaker 1: this is one of the ways that you can use

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Speaker 1: chat Gpt like creatively, because like I don't want, obviously,

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Speaker 1: I don't want like chat Gpt to write stuff for me.

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Speaker 1: I can use him, use him her it as like

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Speaker 1: a writing coach or like a partner in some ways.

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Speaker 1: And so what I decided to do. I was like, oh,

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Speaker 1: I want you to tell me what songs would be

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Speaker 1: on this mixtape if this character is this so like I,

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Speaker 1: you know, if a seventeen year old girl in nineteen

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Speaker 1: ninety five, and I was like, I gave like a

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Speaker 1: couple of songs. I was like, I definitely want these

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Speaker 1: three on there. Can you make the rest? Like what

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Speaker 1: other songs would be on there? And then I made

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Speaker 1: a playlist based on that list, And so then I'm

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Speaker 1: listening while I'm writing, I'm listening to a mixtape from

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Speaker 1: a fictional character. It was so closing, you know. It's

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Speaker 1: like able to like engage in the creativity in a

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Speaker 1: way like I don't know, cause it's like I could

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Speaker 1: obviously come up with the list, but it would be

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Speaker 1: all songs. I knew. This way, I was able to

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Speaker 1: like discover songs that a seventeen year old girl in

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Speaker 1: nineteen ninety five would anyway, So, what would you guys

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Speaker 1: have on your mixtape from the nineties?

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Speaker 2: Okay, this is how we do it, like this, we

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Speaker 2: do this is how we do it. For sure. It

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Speaker 2: would be something from all right, I only have that one?

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Speaker 2: Will you go with with one of yours.

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Speaker 3: Uh well, yeah, let's go one at a time then,

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Speaker 3: because the first one that popped into my head was

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Speaker 3: the Sugar song that I played all the time from

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Speaker 3: Copper Blue. Remember went down to the river, so that

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Speaker 3: that song would have been on there, blanking on the

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Speaker 3: name of it. Who could Yeah, you played me the.

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Speaker 4: Oh you think Paul from when you weren't into you?

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Speaker 1: Weren't that into beastie boys, were you?

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Speaker 3: No, it's just that because I had the speaker in

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Speaker 3: the back of my car, which is still there.

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Speaker 4: Uh that thing that just thumped with the Paul Revere, So.

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Speaker 1: You still have the speaker?

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Speaker 4: Yeah?

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Speaker 1: Does it work?

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Speaker 4: I honestly don't even know.

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Speaker 1: I have not. I would love to sit in your

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Speaker 1: car and re experience that bass.

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Speaker 3: It was so funny because last time I was home

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Speaker 3: in Connecticut, I went and checked the car out and

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Speaker 3: I sat in it, and it smells exactly like it

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Speaker 3: did when I was sixteen. Like it was the strangest

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Speaker 3: I'm sitting in my car again. It smells exactly the same.

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Speaker 3: It's the hint of cigarette, the hint of just the leather.

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Speaker 4: It's uh, yeah, it was so weird.

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Speaker 3: I love my car.

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Speaker 2: Writer, what would be in yours.

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Speaker 1: Well, obviously it would just be three live Counting Crows songs.

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Speaker 2: No, yeah, would definitely be creative.

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Speaker 1: Yeah, no, definitely because I used to collect tapes of concerts,

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Speaker 1: like all the bootlegs of Counting Crows, So there would

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Speaker 1: definitely be like the live version of Murder of One

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Speaker 1: with some eleven minute improvs ad because it was all

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Speaker 1: like some crazy story and like, oh this is where

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Speaker 1: you're singing a yeah, So I would have definitely been

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Speaker 1: one of those. And then Van Morrison song Yeah yeah,

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Speaker 1: I would have been you know something off of astral

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Speaker 1: Weeks for sure.

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Speaker 3: And then.

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Speaker 1: My third song you Know I was Annie DiFranco. Oh funny,

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Speaker 1: because I don't listen to her at all anymore. I

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Speaker 1: just stopped listening to her newer music like basically since

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Speaker 1: two thousand, since two thousand, but her nineties stuff I

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Speaker 1: really still love. The lyrics are incredible, and so yeah,

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Speaker 1: I was a huge honor to Franco fan, so probably

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Speaker 1: would have been one of her songs like.

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Speaker 2: She's so funny. I knew I loved Donnie DeFranco, and

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Speaker 2: I did not remember that the reason I knew of

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Speaker 2: her was because you introduced me to her, but you're right. Yeah,

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Speaker 2: I love Donnie DeFranco, so I would this is how

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Speaker 2: we do it, and then it would be eight No

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Speaker 2: Fun from Snoop Dogg's album Doggie Style, Gotcha, and then

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Speaker 2: Return of the Mac.

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Speaker 3: Oh wow, those would be no either of those others

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Speaker 3: written the Mac? Yeah, Mark Morrison, I might put something

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Speaker 3: on there from Weezer's Blue album. Oh yeah, if I'm honest,

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Speaker 3: that was a great album in the nineties, especially so

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Speaker 3: I don't know which song it might have been.

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Speaker 2: And really.

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Speaker 1: Without parents? No, no, that was a fish show.

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Speaker 3: No.

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Speaker 1: I went to. My first concert was actually the Hold

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Speaker 1: onto the Night guy what's his name, Richard? When I

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Speaker 1: was like eight.

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Speaker 2: I love it so much.

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Speaker 1: It was so loud.

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Speaker 2: Oh my god, who would have known that coming up

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Speaker 2: in just a few short years that was going to

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Speaker 2: be the theme song to your character.

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Speaker 1: Jacket for your jacket? Yeah, no, it's so Yeah. When

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Speaker 1: I was thirteen or fourteen, I guess my first concert

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Speaker 1: were like went without parents, like dropped off in San Francisco.

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Speaker 1: Was was Weezer?

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Speaker 3: Apparently they're great live. I never saw great there.

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Speaker 2: Yeah, okay, so Weezer and you're who does anything?

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Speaker 1: Yeah?

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Speaker 4: No, it's it's tough.

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Speaker 3: Although I will say, what was your first concert, Danielle,

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Speaker 3: because mine was the Beach Boys as a kid.

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Speaker 2: Mine was Aerosmith.

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Speaker 4: That was the first one you went to.

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Speaker 2: My first ever concert was with Yeah, it was with

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Speaker 2: Angel and VICKI and you guys and yeah.

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Speaker 4: See the picture every day.

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Speaker 2: What's your third song?

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Speaker 1: Will No?

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Speaker 3: I said, I think so sugar, and but again, this

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Speaker 3: is all if I'm just sticking with the nineties, if

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Speaker 3: it's that I had no but I mean, if it's

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Speaker 3: nineties music, if it's mixtapes that I have in the nineties,

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Speaker 3: and I was in a huge Pink Floyd phase still,

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Speaker 3: so there would have been I did have Morrison, which was.

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Speaker 4: Yeah, so yeah, there would have been a lot of

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Speaker 4: Pink Floyd.

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Speaker 3: I still personally think Dark Side of the Moon is

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Speaker 3: the greatest album that's ever been made, start to finish.

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Speaker 1: So it's funny like I, yeah, I definitely listened to

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Speaker 1: some Pink Floyd, but like everybody in my town listened

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Speaker 1: to Pink Floyd.

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Speaker 3: Yeah, crazy, yeah it was. I loved Pink Floyd. I

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Speaker 3: still do.

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Speaker 2: I still I have futually ever heard Dark Side of

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Speaker 2: the Moon. That's it really yeah, remember.

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Speaker 4: The wall never heard you never heard Comfortably Numb or.

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Speaker 2: I mean maybe like on the radio, but I've never

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Speaker 2: like listened to the album.

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Speaker 4: So it's so good and the movie is just crazy.

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Speaker 2: What would the pod meets World mixtape be? What are three?

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Speaker 2: What would the Boy meets World pod meets World mixtape?

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Speaker 2: Hold On, Hold onto the Night?

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Speaker 3: Yeah, we've talked.

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Speaker 1: About I mean, yeah, well we've already if you already

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Speaker 1: took this is how we do.

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Speaker 2: It, so has to be on there. And then a

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Speaker 2: third Boy meets World Pod meets World.

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Speaker 3: I would say, just because maybe uh, just because he's

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Speaker 3: family and how much we love him. Maybe a y

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Speaker 3: Kylie Oh great, I.

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Speaker 2: Think that, But we could also then let's expand and

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Speaker 2: let's do a Hepcat song. Yes, so let's do out

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Speaker 2: a Kylie add a Hepcat song, Lisa Lobe, stay.

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Speaker 4: And hold on to Them, hold on to the Night.

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Speaker 3: That's a solid mixtape right there, you are either hipster

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Speaker 3: dancing or getting laid.

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Speaker 2: Of course in this bomb It's world.

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Speaker 4: You just have them the Ray Colecord mix mix tape.

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Speaker 1: Then what was the second season was like a jazzy

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Speaker 1: sort of like.

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Speaker 3: The third third season where we're in the pool hall

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Speaker 3: is the one where it's just the guitars, right.

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Speaker 2: And that's very sure. Yeah, that's just Yeah, we'll have

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Speaker 2: all of those, all of those we may need to

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Speaker 2: make this well.

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Speaker 4: Yeah, the problem is no one's going to be able

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Speaker 4: to play the tape.

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Speaker 2: There's an updated version of a mixtape. It's called a playlist,

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Speaker 2: and you.

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Speaker 3: Can share it with the size. Where the talking shows are,

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Speaker 3: We're on a Tomcat show.

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Speaker 4: Yes, I love it.

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Speaker 2: I love the talkies. I do too. Welcome to podcast.

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Speaker 2: Welcome to our guest.

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Speaker 3: Welcome to podcast will for now the podcast Will for

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Speaker 3: Happy Talkie show here show.

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Speaker 1: Welcome to Talkie and your eerie show. This is I'm

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Speaker 1: your host to Panga.

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Speaker 2: Welcome to a podcast podcast. Welcome to pod meets World.

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Speaker 2: I'm Danielle Fischle.

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Speaker 1: I'm right or Strong.

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Speaker 4: I'm Wilfrid Dell. Welcome to podcast the podcast.

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Speaker 1: I'm your host of the podcast host.

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Speaker 4: I'm your host of talking show, Danielle Fischle.

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Speaker 2: So thank you all for joining us for this episode recap.

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Speaker 2: It is season six, episode fifteen, road Trip. It originally

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Speaker 2: aired February fifth, nineteen ninety nine. The synopsis to get

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Speaker 2: his mind off of his dad's death. Sean takes Corey

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Speaker 2: on a soul searching road trip in Chet's trailer and

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Speaker 2: they end up at a very musical truck stop. It

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Speaker 2: was directed by David Kendall and it was written by

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Speaker 2: Ma Nelson. Before I jump into all of our guest stars, uh,

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Speaker 2: does anybody want to share their overall thoughts?

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Speaker 4: First?

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Speaker 1: This was a clunker for me, just flat, low energy.

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Speaker 1: It was just inert, like just a weird episode of

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Speaker 1: So Weird Happening. I just was like, there's no energy.

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Speaker 1: There's no energy in the story. There's no energy. I

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Speaker 1: just even with a musical performance, there's a performance and

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Speaker 1: like love Triangley stuff on the story. Couldn't say it.

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Speaker 1: It was just flat. Everything felt flat, like nothing really

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Speaker 1: made sense to me.

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Speaker 2: It was just like, I know this episode needed a

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Speaker 2: blood transfusion.

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Speaker 4: I don't even consider this a boy met told them.

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Speaker 2: You don't even want to go yeah outside, I just say.

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Speaker 1: Sean goes on the road and meets his ghost dad,

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Speaker 1: like we could learn that in another yes later.

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Speaker 4: What this and this was to me?

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Speaker 3: This was a twenty minute Saturday Morning special that Disney did,

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Speaker 3: which was just a one little thing where Corey and

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Speaker 3: Sean are on like the road trip should have been

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Speaker 3: whole on the episode. And as a little aside, they

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Speaker 3: launched this new girl band on a Saturday morning to show,

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Speaker 3: but to wedge it into an episode I was literally watching.

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Speaker 3: I was like, this is this is not a show.

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Speaker 1: This is this is it's bad. It's just poor, like

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Speaker 1: it's poor integration. It doesn't feels like it is a

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Speaker 1: commercial for this band's commercial.

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Speaker 4: Yep.

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Speaker 1: And then also like it's you're rehashing the same plotline

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Speaker 1: of season two episode one with Eric right or season

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Speaker 1: three episode one. I was like, wait a minute, we've

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Speaker 1: done this before, seen this basically this set and these

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Speaker 1: characters and the whole.

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Speaker 2: Asking a question what are you doing? When are you

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Speaker 2: and then no, nothing, nothing, I'm not coming home.

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Speaker 5: Man.

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Speaker 2: It's like.

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Speaker 4: Sitting down eating pie. I mean it's like even the

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Speaker 4: same complete Yeah, yeah it was.

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Speaker 3: And the b story they obviously just well, we were

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Speaker 3: paying them this week, so we as we'll give them

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Speaker 3: six lines each. You didn't need it. They should have

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Speaker 3: just made it again a twenty minute Saturday morning special,

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Speaker 3: launch this girl band and then get back into the show.

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Speaker 3: This was a this was real it wasn't good or

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Speaker 3: bad to me. It was this was not an episode

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Speaker 3: of boy Metrol.

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Speaker 2: Yeah, take it out, take it out of the cannon. Yep,

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Speaker 2: I agree.

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Speaker 6: I'm there.

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Speaker 2: Like writer said, there's some stuff we have to know.

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Speaker 2: We have to know that ghost ghost Chet.

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Speaker 4: Exists, is going to be a thing.

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Speaker 1: And that was the best scene of the whole thing.

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Speaker 1: That's why I'm seeing. I was like, oh, Blake and

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Speaker 1: I are having like a moment and it's emotional, and

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Speaker 1: I was like, that's all you needed. Just make that

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Speaker 1: as one scene of another episode.

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Speaker 2: I Also the other thing I like is the idea

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Speaker 2: that on the road trip you would stumble a lot

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Speaker 2: upon a picture of your dad in a place, and

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Speaker 2: that I love that. I love that idea that that

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Speaker 2: would trigger something in you that you could discover more

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Speaker 2: about your dad's life away from you. Like the only

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Speaker 2: memories you have of your dad are your childhood memories

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Speaker 2: where you were taking care of him, But he had

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Speaker 2: a and you don't know any part about his other

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Speaker 2: thriving life when he was away from you. And so

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Speaker 2: that's what I'm saying, how it is just like.

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Speaker 3: A toast and like a really I don't know what

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Speaker 3: I will say one of my new favorite things in

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Speaker 3: my entire life now is Rider's face as the girls

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Speaker 3: are singing directly.

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Speaker 2: I cannot believe you just said that. It was the

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Speaker 2: only moment I mentioned to Jens Jensen and I watched

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Speaker 2: it separately. I don't even think I want and I said,

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Speaker 2: writers faced they are singing. They basically boop him in

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Speaker 2: the nose, and writers like this, and I know he's

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Speaker 2: dead inside, just completely just literally you're gone on another planet.

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Speaker 3: It's my favorite new thing is that I want that

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Speaker 3: as my screen saver. Just your face as the girls

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Speaker 3: are singing directly to you. It's just like, I'm here

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Speaker 3: so uncomfortable.

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Speaker 1: Actor like actually have them sing live at least like

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Speaker 1: make it. Just did a karaoke episode. These girls could

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Speaker 1: obviously singod live. Why do they have suddenly a track?

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Speaker 2: It was just yeah, it was so does it need

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Speaker 2: to be the whole song?

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Speaker 4: It was the whole song?

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Speaker 1: So were they on the Hollywood records?

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Speaker 3: Were they on the Yeah, they must have to launch them.

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Speaker 3: And because again they you know, I think Backstreet Boys

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Speaker 3: were on uh, Sabrina, you know that this happens. I

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Speaker 3: think and Sink came on a show. I mean, that's

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Speaker 3: this is what they do. But this was not a

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Speaker 3: good integration of them into the show. It was really

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Speaker 3: forced and just oh god, that was God Your Face

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Speaker 3: Rider was just so good. That was absolutely magic.

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Speaker 2: By the way, those other bands in Sync and Backstreet

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Speaker 2: and whatever, they weren't on Hollywood Records. This was this

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Speaker 2: band was on the on this is now post the

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Speaker 2: Disney buying of ABC, and this is Hollywood exactly. Synergy

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Speaker 2: s energy, synergy exactly what this is. So that's that's

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Speaker 2: that's it. That's the reason.

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Speaker 3: And I remember the girls being lovely by the way,

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Speaker 3: the girls perhapsolutely wonderful and actual.

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Speaker 1: Positive memories of this episode because the week was fun, yeah,

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Speaker 1: and I was like, this is yeah, this is weirdful.

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Speaker 3: Yeah.

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Speaker 2: So guest starring Blake Clark is back as Chet Hunter.

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Speaker 2: You might be wondering how he's dead. Well, I have

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Speaker 2: one word for you. He's a ghost.

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Speaker 1: Now.

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Speaker 2: So then there's Sarah Christine Smith as Sarah, one member

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Speaker 2: of Nobody's Angel, the once signed to Hollywood Records girl

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Speaker 2: group who plays themselves in the episode. Sarah was a

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Speaker 2: professional dancer who appeared in the first and second Austin

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Speaker 2: Powers Movies screamed two She's all that like Mike That

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Speaker 2: seventy Show, to name a few. She also played Cinnamon,

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Speaker 2: which I have to guess is a different type of

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Speaker 2: dancer on the OC. She is bill acting today in

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Speaker 2: things like the Hallmark movie Love's Second Chance and Lifetime's

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Speaker 2: Sins of My Husband. And then we have Altza as Ali,

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Speaker 2: another Nobody's Angel member. She started as an actress on

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Speaker 2: six episodes of Michael Jacob's My Two Dads, Oh and

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Speaker 2: an episode of Blossom, but she is best known now

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Speaker 2: as twinkle Time, the Peruvian American pop star for children

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Speaker 2: or what the New York Times called Lady Gaga for kids.

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Speaker 2: There is an entire twinkle Time empire, both in the

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Speaker 2: American and Latin markets. She's almost a real life Bratstall

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Speaker 2: and you can learn more at twinkletimeanfriends dot com. And

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Speaker 2: then we have Amy, Sue Hardy and Stacy Harper. They

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Speaker 2: round out the group playing Amy and Stacy. And we've

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Speaker 2: got the return of Mickey Jones now as Milkshake Guy.

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Speaker 2: Mickey appeared on Boy Meets World back in season four's

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Speaker 2: Janitor Dad as Ezekiel, the mountain man who briefly worked

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Speaker 2: at the Wilderness Store. Can we assume this is the

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Speaker 2: same character? Do we think he's just still playing Ezekiel now?

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Speaker 3: Because he was power somebody was powerful sick. So I

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Speaker 3: don't know if I thought that was her mom, but

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Speaker 3: it might have been the mom. Yeah.

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Speaker 2: So. Jones was an unmistakable character actor who appeared on

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Speaker 2: TV shows like Charlie's Angels, Workaholics, Home Improvement, and Married

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Speaker 2: with Children and movies like Total Recall, Stir Crazy, National

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Speaker 2: Lampoon's Vacation, and Sling Blade. But that was his second career, yep.

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Speaker 2: He started off as a drummer, playing for Bob Dylan,

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Speaker 2: Trinny Lopez, and Kenny Rogers. He played on a total

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Speaker 2: of seventeen Gold Records before he turned his attention to acting,

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Speaker 2: and sadly, Mickey passed away from complications of diabetes in

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Speaker 2: twenty eighteen at the age of seventy six.

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Speaker 1: I probably talked about talking to him when he was

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Speaker 1: on before, but this was the week where I really

355
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Speaker 1: spent like a lot of time home getting stories about

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Speaker 1: playing with Bob Dylan. He was on like the sixty

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Speaker 1: five tour, ye like just but I also remember things

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Speaker 1: like he was he's quick to tell me. He's like,

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Speaker 1: you know, the one band that none of us understood

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Speaker 1: back in the day. I was like, why, He's like

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Speaker 1: the Doors they just sucked. They just played basic blues.

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Speaker 1: We could never He's like, I guess, I guess he

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Speaker 1: was charismatic but like you know, Jim Morrison, but otherwise,

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Speaker 1: like the music was so dumb. It was the first,

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Speaker 1: like a real musician to tell me that. I remember

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Speaker 1: being like, I guess you're kind of right. It was like, yeah,

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Speaker 1: there's a basic blues progression. It's like three chords and

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Speaker 1: just Dan. I was like, so I can never plicit

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Speaker 1: to the Doors without thinking about him saying.

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Speaker 2: So funny thinking about that conversation.

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Speaker 1: But he was so sober. So he he was always

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Speaker 1: like since I never drank, I remember everything from the

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Speaker 1: sixties and seventies, so he's like so all the other musicians.

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Speaker 1: He would just tell me stories and like, I remember

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Speaker 1: I was supposed to bring because at that time, like

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Speaker 1: right around that time, they had released a live version

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Speaker 1: of Dylan's sixty five tour and I he wanted he

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00:19:00,080 --> 00:19:01,359
Speaker 1: was going to sign it for me, and I forgot

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Speaker 1: to bring it to the last day and he's like,

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Speaker 1: did you bring it him like, oh no, I forgot

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Speaker 1: it out, so I don't have a signature on my own.

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Speaker 2: That stinks. And then Art Lafleur as Bill. This is

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Speaker 2: quite a fun surprise. You can add another actor to

384
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Speaker 2: the somewhat unexplainable connection between Boy Meets World and the Sandlot,

385
00:19:23,800 --> 00:19:28,600
Speaker 2: since Lafleur played the Babe Babe Ruth in the movie. Laflour,

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00:19:28,800 --> 00:19:34,360
Speaker 2: another accomplished character actor, appeared on TV shows Mash, thirty Something, Webster,

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00:19:34,640 --> 00:19:38,199
Speaker 2: and Soap to name a few, and some classic movies

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00:19:38,560 --> 00:19:43,160
Speaker 2: like Cobra, Field of Dreams, Wargames, and Air America List

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Speaker 2: What I Know. Lafleur passed away in twenty twenty one

390
00:19:48,440 --> 00:19:51,960
Speaker 2: after a ten year battle with Parkinson's disease. He was

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Speaker 2: seventy eight years old.

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Speaker 1: What a look, right, has a presence? He just has

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Speaker 1: like such a great character. Look just all you do

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00:20:01,760 --> 00:20:04,040
Speaker 1: is walk on on screen and you're like, oh, yeah,

395
00:20:04,160 --> 00:20:08,800
Speaker 1: that's like the earth. Yeah, he just has this like yeah,

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Speaker 1: he's really but I don't know the I'm not doing

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Speaker 1: him any favors on our show, and I just feel

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Speaker 1: like he's.

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Speaker 3: We need to know he was.

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00:20:16,960 --> 00:20:17,880
Speaker 2: What does he do on Mash?

401
00:20:18,560 --> 00:20:21,280
Speaker 3: Well, here's a guest star. But he came as several

402
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Speaker 3: guest stars, and the most notable one I remember is

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Speaker 3: when Hawkeye was gifted an entire side of beef that

404
00:20:27,880 --> 00:20:31,000
Speaker 3: has to thought out. It's the episode where Margaret's father

405
00:20:31,200 --> 00:20:33,359
Speaker 3: shows up at the Yeah, okay, this is later in

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Speaker 3: the series when they're kind of grasping its draws a

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Speaker 3: little bit.

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Speaker 2: Yeah, someone brings the side of beef.

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00:20:41,680 --> 00:20:44,119
Speaker 3: Margaret's dad shows up, and it's like they have one

410
00:20:44,160 --> 00:20:46,440
Speaker 3: where Colonel Potter's son shows up and he's like, you're

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Speaker 3: in the middle of a war, guys.

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Speaker 2: I think we are spending too much time thinking about

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Speaker 2: our own Like, if that's a good pitch, we are

414
00:20:53,880 --> 00:20:56,040
Speaker 2: working too hard trying to come up with our idea. Well,

415
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Speaker 2: if someone just brings a side.

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Speaker 4: Of beef, great. It was supposed to be it was

417
00:21:03,240 --> 00:21:05,399
Speaker 4: supposed to go to the general, but it was rerouted.

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00:21:05,520 --> 00:21:07,159
Speaker 3: So now the General is trying to track down his

419
00:21:07,240 --> 00:21:09,280
Speaker 3: side of beef and Art Befloor comes in to try

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Speaker 3: to get.

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00:21:10,400 --> 00:21:11,120
Speaker 1: The beef back.

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00:21:11,280 --> 00:21:14,320
Speaker 2: Get the beef back. Okay, yeah, yeah, this is good.

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Speaker 4: How was the beef story? Margaret's that being a jerk

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00:21:16,800 --> 00:21:17,320
Speaker 4: was the a story?

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00:21:19,359 --> 00:21:22,160
Speaker 2: So jumping into our recap. We are on the road trip,

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00:21:22,280 --> 00:21:25,000
Speaker 2: a rare continuation from the prior episode where the two

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00:21:25,080 --> 00:21:28,080
Speaker 2: friends agreed to get out of town. It's the classic

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00:21:28,119 --> 00:21:30,159
Speaker 2: TV setup where the car is not moving, but you

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Speaker 2: have screens out the windows to mimic movement.

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Speaker 4: Okay, question, I'm sorry, question right here.

431
00:21:38,840 --> 00:21:43,639
Speaker 1: Just horrible touchy wheel, touchy wheel, touchy turney wheel, turney wheel,

432
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Speaker 1: tar thurty wheel. Talk.

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Speaker 4: How big is your trailer?

434
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Speaker 1: I know, dude, don't get me. When we walked into

435
00:21:51,840 --> 00:21:54,800
Speaker 1: the trailer, I was like, wait, we're actually towing. This

436
00:21:55,560 --> 00:21:59,120
Speaker 1: is not a tolerible trailer. It's a trailer park trailer. Yes,

437
00:21:59,200 --> 00:22:01,960
Speaker 1: it's a mobile hole. Like our writers did not understand

438
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Speaker 1: how mobile homes work.

439
00:22:03,000 --> 00:22:03,480
Speaker 4: Now, thank you.

440
00:22:03,880 --> 00:22:05,840
Speaker 1: That's ridiculous. He's later.

441
00:22:06,000 --> 00:22:07,840
Speaker 3: I just see you driving down the freeway with this

442
00:22:08,119 --> 00:22:11,400
Speaker 3: giant mobile home scraping along the ground because it lack ridge,

443
00:22:11,440 --> 00:22:12,000
Speaker 3: and like.

444
00:22:12,080 --> 00:22:15,160
Speaker 1: That is not the kind of mobile home you drive

445
00:22:15,240 --> 00:22:17,240
Speaker 1: around and what But I guess they had already made

446
00:22:17,280 --> 00:22:20,359
Speaker 1: that mistake by making a joke drove her home away.

447
00:22:20,680 --> 00:22:25,000
Speaker 2: Michael Jacobs lived in a thirteen thousand square foot house, and.

448
00:22:25,440 --> 00:22:31,800
Speaker 3: One of his understanding of didn't he thinks if it's mobile,

449
00:22:32,720 --> 00:22:35,920
Speaker 3: get to drive, you can tow it with a pickup truck.

450
00:22:35,960 --> 00:22:40,680
Speaker 1: Apparently that is like, like, I can't believe none of

451
00:22:40,760 --> 00:22:42,720
Speaker 1: us called it out, Like what are you talking about?

452
00:22:43,040 --> 00:22:45,960
Speaker 1: Like at all the furniture and like there's streams, it's

453
00:22:45,960 --> 00:22:47,920
Speaker 1: a house. It's like, wait, how do we tie this

454
00:22:48,040 --> 00:22:50,399
Speaker 1: all down for Sean to leave the next morning? Like

455
00:22:50,680 --> 00:22:52,520
Speaker 1: what the dumb mistake?

456
00:22:52,800 --> 00:22:57,280
Speaker 3: It was great, He's so absurd that it was great,

457
00:22:58,240 --> 00:22:59,600
Speaker 3: But it's play for reality.

458
00:23:00,480 --> 00:23:02,359
Speaker 2: But is this the first time you're thinking about it,

459
00:23:02,440 --> 00:23:04,800
Speaker 2: because that's what we were saying the whole time, is

460
00:23:04,840 --> 00:23:08,480
Speaker 2: that when he was Oh, you mean when like when

461
00:23:08,640 --> 00:23:11,159
Speaker 2: every time Chet would leave, we would that would be

462
00:23:11,240 --> 00:23:13,360
Speaker 2: the thing that that would be the place that was gone.

463
00:23:13,480 --> 00:23:15,520
Speaker 2: He's taken that with him. You didn't have that place

464
00:23:15,560 --> 00:23:15,720
Speaker 2: to go.

465
00:23:15,840 --> 00:23:19,000
Speaker 1: That was just a joke when Verna, no, I think

466
00:23:19,320 --> 00:23:24,240
Speaker 1: the joke, but like I didn't realize that like it

467
00:23:24,359 --> 00:23:25,760
Speaker 1: was being played for real that she.

468
00:23:26,280 --> 00:23:28,800
Speaker 4: You're hitching up your house to a pickup truck.

469
00:23:29,560 --> 00:23:31,920
Speaker 2: This is, by the way, when we mentioned moving to Adler,

470
00:23:32,000 --> 00:23:33,840
Speaker 2: when we talk about like someday where we might move

471
00:23:33,880 --> 00:23:36,680
Speaker 2: from this house, and he goes, can what if we

472
00:23:37,040 --> 00:23:39,760
Speaker 2: can we take our house with us, Like, let's move

473
00:23:40,160 --> 00:23:42,960
Speaker 2: closer to pop up in teen Tina memes, but could

474
00:23:42,960 --> 00:23:44,440
Speaker 2: we bring our house? This is what he wants to do.

475
00:23:44,720 --> 00:23:48,040
Speaker 3: He wants to just think you actually can do that. Really, Yeah,

476
00:23:48,480 --> 00:23:51,080
Speaker 3: that's an actual thing. There's companies that will like move

477
00:23:51,160 --> 00:23:54,600
Speaker 3: your home, right, but it's a big project. Yeah, it's

478
00:23:54,640 --> 00:23:55,760
Speaker 3: not cheap a lot.

479
00:23:55,960 --> 00:23:56,359
Speaker 1: I don't.

480
00:23:57,800 --> 00:23:58,119
Speaker 3: Trucks.

481
00:23:58,359 --> 00:24:00,360
Speaker 4: Yeah, okay, yeah, all right.

482
00:24:00,480 --> 00:24:03,639
Speaker 2: So Corey sits passenger while Sean, in a red bandana

483
00:24:03,720 --> 00:24:07,320
Speaker 2: and his leather jacket, drives the truck. Though being on

484
00:24:07,520 --> 00:24:10,280
Speaker 2: the road seems cool to Corey at first, he worriedly

485
00:24:10,320 --> 00:24:13,440
Speaker 2: asks Sean where they're going. Sean dodges the question. This

486
00:24:13,600 --> 00:24:15,680
Speaker 2: is exactly what he needed to take his mind off

487
00:24:15,720 --> 00:24:18,720
Speaker 2: of everything. Corey tells Sean he is so sorry about

488
00:24:18,760 --> 00:24:21,600
Speaker 2: his dad dying, and Sean laughs it off, Cory, you're

489
00:24:21,640 --> 00:24:25,200
Speaker 2: not helping, So Corey changes the subject. He's sorry about

490
00:24:25,200 --> 00:24:28,560
Speaker 2: Angela too. Sean' scoffs, how about a drive off right

491
00:24:28,640 --> 00:24:32,320
Speaker 2: now instead of a previously on I'll just say it.

492
00:24:32,359 --> 00:24:35,000
Speaker 4: Out last, I'll say it again.

493
00:24:37,160 --> 00:24:39,280
Speaker 3: Just a line of traffic behind you as a home

494
00:24:39,400 --> 00:24:43,040
Speaker 3: is being dragged down the freeway, sparks, sparks everywhere.

495
00:24:44,480 --> 00:24:47,240
Speaker 2: Corey asks why they're really on this trip. After a

496
00:24:47,280 --> 00:24:49,840
Speaker 2: long pause, Sean says he'll tell him later when the

497
00:24:49,920 --> 00:24:50,520
Speaker 2: time is ready.

498
00:24:50,840 --> 00:24:54,720
Speaker 4: Why what, Because Corey would then.

499
00:24:56,280 --> 00:24:57,760
Speaker 1: We're going to drop this like a bomb.

500
00:24:57,840 --> 00:25:00,160
Speaker 2: And as the audience doesn't already.

501
00:25:00,840 --> 00:25:03,080
Speaker 4: That's because we've seen it with Eric and Corey.

502
00:25:03,320 --> 00:25:04,159
Speaker 6: We saw this, but.

503
00:25:07,520 --> 00:25:10,080
Speaker 2: Size, will you at least tell me when we get

504
00:25:10,119 --> 00:25:13,840
Speaker 2: to wherever it is, we don't know we're going. Sean nods, yes, you'll.

505
00:25:13,720 --> 00:25:17,200
Speaker 3: Know by the giant yogurt cup. You'll know when it's

506
00:25:17,480 --> 00:25:18,160
Speaker 3: sprinkle tire.

507
00:25:18,280 --> 00:25:20,399
Speaker 1: Like the conflict, what is the engine of this?

508
00:25:20,840 --> 00:25:23,840
Speaker 3: Like if Sean is leaving, he wants to say a

509
00:25:23,880 --> 00:25:26,199
Speaker 3: good goodie and then he's going to disappear.

510
00:25:26,359 --> 00:25:28,440
Speaker 1: We're not going to actually talk about that, so this

511
00:25:28,560 --> 00:25:32,480
Speaker 1: scene is useless, Like just do it previously on pulling

512
00:25:32,560 --> 00:25:34,760
Speaker 1: over in the side of the road and like don't

513
00:25:34,800 --> 00:25:38,520
Speaker 1: have the bad green screen and crappy exposition and lack

514
00:25:38,600 --> 00:25:41,320
Speaker 1: of like it's like, basically, Corey, we're going to have

515
00:25:41,359 --> 00:25:44,639
Speaker 1: conflict in another scene or two, talk about it a conflict,

516
00:25:44,920 --> 00:25:49,520
Speaker 1: but otherwise there's nothing wrong. Joke about our bandanas. That's

517
00:25:49,600 --> 00:25:50,720
Speaker 1: that's the whole point of the scene.

518
00:25:50,800 --> 00:25:53,920
Speaker 4: Like, so it's not yes, and it's yes later. That's

519
00:25:54,000 --> 00:25:57,160
Speaker 4: the new the new game.

520
00:26:00,119 --> 00:26:03,240
Speaker 2: So Corey decides to embrace the road tripping lifestyle, and

521
00:26:03,320 --> 00:26:05,480
Speaker 2: he grabs a white bandana and ties it on his head,

522
00:26:05,720 --> 00:26:08,280
Speaker 2: just like Sean. Sean gives him an apprehensive look, and

523
00:26:08,320 --> 00:26:12,200
Speaker 2: Corey's concerned. What Sean explains, if one guy's wearing a bandana,

524
00:26:12,359 --> 00:26:16,080
Speaker 2: it's cool. If two guys are, it's Thankfully, Corey catches

525
00:26:16,119 --> 00:26:18,600
Speaker 2: his drift. I get it. The one bandana rule has

526
00:26:18,640 --> 00:26:21,960
Speaker 2: been enforced. He removes the accessory and says he'll save

527
00:26:22,040 --> 00:26:25,879
Speaker 2: it for another time. I did not pick up on

528
00:26:26,000 --> 00:26:27,040
Speaker 2: a gay panic.

529
00:26:27,280 --> 00:26:30,400
Speaker 1: Actually no, I mean I remembered the joke and thought

530
00:26:30,440 --> 00:26:32,439
Speaker 1: that's what it was. So that's clearly what we were

531
00:26:32,480 --> 00:26:36,000
Speaker 1: intent we have that. I was actually like, oh, this

532
00:26:36,160 --> 00:26:37,959
Speaker 1: doesn't play like but I remembered it as a gay

533
00:26:38,000 --> 00:26:38,520
Speaker 1: panic joke.

534
00:26:38,960 --> 00:26:39,560
Speaker 2: That's so funny.

535
00:26:39,840 --> 00:26:41,240
Speaker 4: I didn't think it is just douy.

536
00:26:41,400 --> 00:26:43,520
Speaker 1: It was just like it we're just lame, right, Yeah.

537
00:26:44,440 --> 00:26:47,320
Speaker 1: On set, I think I must have asked the question,

538
00:26:47,480 --> 00:26:48,280
Speaker 1: like what is this about?

539
00:26:48,720 --> 00:26:50,320
Speaker 2: Right, Like if Jenson and I are getting ready to

540
00:26:50,320 --> 00:26:51,960
Speaker 2: go out and then we come downstairs and we're both

541
00:26:52,000 --> 00:26:55,160
Speaker 2: wearing leather jackets. I'm like, okay, but we can't both

542
00:26:55,200 --> 00:26:56,800
Speaker 2: be leather jacket guy, Like one.

543
00:26:56,680 --> 00:26:59,720
Speaker 1: Of us has to be read both ways. But I

544
00:26:59,840 --> 00:27:01,679
Speaker 1: know that we intended it is against Okay, So.

545
00:27:01,880 --> 00:27:04,359
Speaker 3: How often I'm curious, now, how often do you and

546
00:27:04,440 --> 00:27:06,919
Speaker 3: Jensen come down both wearing the same type of jacket?

547
00:27:07,000 --> 00:27:11,560
Speaker 3: And if you do, question B sub question, who's the

548
00:27:11,600 --> 00:27:13,280
Speaker 3: one who changes more? You are Jensen?

549
00:27:13,480 --> 00:27:16,280
Speaker 2: And why is it all come down Jensen? Yeah, absolutely,

550
00:27:16,280 --> 00:27:18,120
Speaker 2: I'm not going to change and kidding. I spent forever.

551
00:27:19,720 --> 00:27:22,600
Speaker 2: I thought about this very long. This is no you're

552
00:27:22,680 --> 00:27:26,879
Speaker 2: changing also because I have the anxiety around getting dressed

553
00:27:26,880 --> 00:27:29,120
Speaker 2: and he doesn't. He can just go upstairs and change

554
00:27:29,200 --> 00:27:29,639
Speaker 2: very quickly.

555
00:27:30,000 --> 00:27:32,879
Speaker 1: Yeah, Alex and I are becoming the same person, but

556
00:27:33,000 --> 00:27:36,360
Speaker 1: we dressed the same thankful. I know it's ridiculous. It's

557
00:27:36,400 --> 00:27:40,200
Speaker 1: like we clearly are just communicating each other's taste. So like, yes,

558
00:27:40,440 --> 00:27:43,520
Speaker 1: often we walk out and I'm like, you're wearing that, Well,

559
00:27:43,680 --> 00:27:46,040
Speaker 1: we were the exact same color. It's awful.

560
00:27:46,320 --> 00:27:49,119
Speaker 2: We I've noticed that Jensen and I will a lot

561
00:27:49,200 --> 00:27:51,880
Speaker 2: of times be coordinated in a good way where I'm

562
00:27:51,960 --> 00:27:54,240
Speaker 2: like Oh good. The dress I'm wearing right now has

563
00:27:54,280 --> 00:27:55,800
Speaker 2: a little bit of that burgundy in it, and you're

564
00:27:55,840 --> 00:27:58,119
Speaker 2: wearing a vintage T shirt that's got a burgundy and

565
00:27:58,200 --> 00:28:01,240
Speaker 2: a burgundy hat. And so we look like we planned this,

566
00:28:01,400 --> 00:28:04,960
Speaker 2: but we didn't really, So that works. Yeah, we don't.

567
00:28:05,840 --> 00:28:07,760
Speaker 2: And then in like our day to day style, like

568
00:28:07,880 --> 00:28:10,760
Speaker 2: my daytime style is obviously very much fourteen year old

569
00:28:10,800 --> 00:28:14,720
Speaker 2: skator boy, and then we sometimes look looks.

570
00:28:14,560 --> 00:28:15,439
Speaker 4: Similar little similar.

571
00:28:15,440 --> 00:28:17,639
Speaker 3: Okay, Sue just will come in and say why are

572
00:28:17,640 --> 00:28:19,760
Speaker 3: you and my lululu and pants and sports bra right,

573
00:28:19,840 --> 00:28:21,480
Speaker 3: And I'm like, oh, were you going to wear this?

574
00:28:21,840 --> 00:28:24,200
Speaker 3: And so I just yeah, I just put on her clothes.

575
00:28:24,119 --> 00:28:26,440
Speaker 2: Just that makes sense, and then she just can put

576
00:28:26,440 --> 00:28:27,560
Speaker 2: on yours, and yeah, you're fine.

577
00:28:27,640 --> 00:28:28,080
Speaker 1: Works fine.

578
00:28:28,119 --> 00:28:30,000
Speaker 3: She's like, hey, it's a sweater from nineteen ninety eight,

579
00:28:30,119 --> 00:28:30,800
Speaker 3: fits me perfect.

580
00:28:31,359 --> 00:28:34,840
Speaker 1: Moth holes. Another thing that bugs me about this episode, Oh,

581
00:28:34,920 --> 00:28:39,720
Speaker 1: let's start. This is completely ripped from my life. Remember

582
00:28:39,760 --> 00:28:41,480
Speaker 1: this is the one that I went on a road

583
00:28:41,480 --> 00:28:44,160
Speaker 1: trip in ninety eight, the summer before this season. So

584
00:28:44,320 --> 00:28:47,400
Speaker 1: they decided to make road tripping and they asked me

585
00:28:47,520 --> 00:28:51,400
Speaker 1: for footage from my actual road shot to put into

586
00:28:51,520 --> 00:28:52,080
Speaker 1: this episode.

587
00:28:52,200 --> 00:28:53,880
Speaker 2: Or the next one you wrote to me about it.

588
00:28:53,960 --> 00:28:55,280
Speaker 2: Hey sexy, Hey sexy.

589
00:28:55,640 --> 00:28:59,320
Speaker 1: Oh god. But I would wear bandanas like. I wore

590
00:28:59,400 --> 00:29:02,320
Speaker 1: bandannas because I was trying to I had. I didn't

591
00:29:02,320 --> 00:29:03,800
Speaker 1: want to get recognized while I was on this road

592
00:29:03,800 --> 00:29:05,760
Speaker 1: trip in ninety eight, So I would wear bandanas, and

593
00:29:05,880 --> 00:29:09,520
Speaker 1: I had glasses. I got fake glasses like I went

594
00:29:09,600 --> 00:29:12,640
Speaker 1: and got you know, like Harry Potter or whatever, like

595
00:29:12,720 --> 00:29:14,960
Speaker 1: a look of even though they were because I didn't

596
00:29:15,000 --> 00:29:18,320
Speaker 1: need glasses kent. I was Clark kenting it and putting

597
00:29:18,360 --> 00:29:20,440
Speaker 1: a bandana on the cover of My Boy Meets World Hair.

598
00:29:20,480 --> 00:29:22,560
Speaker 1: So I wouldn't get recognized on the road trip. And

599
00:29:22,680 --> 00:29:24,800
Speaker 1: so because of that, like was my look when I

600
00:29:24,880 --> 00:29:27,280
Speaker 1: came back, they decided to write a whole bandana thing.

601
00:29:27,760 --> 00:29:29,960
Speaker 3: What girl band did you find on your regular trip?

602
00:29:30,040 --> 00:29:30,800
Speaker 1: Ye? Good question.

603
00:29:31,880 --> 00:29:34,080
Speaker 3: You never know. It could be a whole different girl band.

604
00:29:35,200 --> 00:29:36,560
Speaker 1: How many girl bands were there?

605
00:29:37,400 --> 00:29:38,760
Speaker 4: There's a decent amount in the nineties.

606
00:29:38,800 --> 00:29:42,960
Speaker 3: You got what TLC, TLC Salt and Pepper was PRODWV,

607
00:29:43,520 --> 00:29:44,560
Speaker 3: Destiny's Child.

608
00:29:44,760 --> 00:29:52,040
Speaker 4: Wow, Nobody's Angel, Everybody's Escape Escape. Wow, there's a poll?

609
00:29:52,600 --> 00:29:54,400
Speaker 1: Yeah, yikes where.

610
00:29:54,240 --> 00:29:57,600
Speaker 2: A truck stop news set alert writer do you remember

611
00:29:57,680 --> 00:29:59,680
Speaker 2: the set any any complaints.

612
00:30:00,080 --> 00:30:02,880
Speaker 1: No, it's actually a wonderful set. It's outlined the way

613
00:30:02,920 --> 00:30:05,240
Speaker 1: the depth of it. And likes it better than the

614
00:30:05,280 --> 00:30:07,680
Speaker 1: one we had in season three. Yeah, this is The

615
00:30:07,800 --> 00:30:10,600
Speaker 1: license plates are cool. The license plates are a good background, yeah,

616
00:30:10,840 --> 00:30:13,280
Speaker 1: I think, And like just the way it's utilizing all

617
00:30:13,320 --> 00:30:15,560
Speaker 1: the different angles, like where they perform, Like, it's good.

618
00:30:15,640 --> 00:30:17,400
Speaker 1: It's a really good set. And I remember sitting in

619
00:30:17,400 --> 00:30:21,520
Speaker 1: there talking to mostly talking to Mickey and then hanging

620
00:30:21,520 --> 00:30:23,480
Speaker 1: out with the girls. The girls were so yeah, they're

621
00:30:23,480 --> 00:30:25,720
Speaker 1: really sweet and like I remember this week being really fun,

622
00:30:26,400 --> 00:30:27,120
Speaker 1: very very sweet.

623
00:30:39,000 --> 00:30:41,440
Speaker 2: So Corey and Sean arrive and now Corey is wearing

624
00:30:41,520 --> 00:30:45,840
Speaker 2: the red bandana and Sean is bandana lists. Corey giddily

625
00:30:45,840 --> 00:30:48,800
Speaker 2: announces to Sean, this is a real truck stop. Sean

626
00:30:48,840 --> 00:30:51,680
Speaker 2: giggles back, we have a real truck, Corey adds, and

627
00:30:51,800 --> 00:30:54,400
Speaker 2: we stopped here. Corey thinks he'll get to Panga a

628
00:30:54,520 --> 00:30:56,720
Speaker 2: hat while they're here, and the boys take a seat

629
00:30:56,720 --> 00:31:00,320
Speaker 2: at two nearby stools. Have either of you ever seen

630
00:31:00,440 --> 00:31:05,400
Speaker 2: Topanga wear a hat? I'm just curious.

631
00:31:06,520 --> 00:31:09,280
Speaker 4: Yes, yes I have. When she pulls it off of

632
00:31:09,360 --> 00:31:11,720
Speaker 4: Corey's head in the very first episode, she does put.

633
00:31:11,760 --> 00:31:15,360
Speaker 2: On her own hair right, the Phillies hat, and then

634
00:31:15,440 --> 00:31:18,040
Speaker 2: she wears a beret for the fake.

635
00:31:17,920 --> 00:31:21,000
Speaker 3: Fresh because you're French. That's friends.

636
00:31:21,240 --> 00:31:26,240
Speaker 2: The other was never seen topanga and a hat. Just

637
00:31:26,720 --> 00:31:31,720
Speaker 2: noticing that, Corey happily greets the waitress, Amy Sue. She

638
00:31:31,840 --> 00:31:34,520
Speaker 2: smiles at the boys. She's never seen them here before.

639
00:31:34,880 --> 00:31:39,400
Speaker 2: Cory grins, what do you think? Of course, of course

640
00:31:40,160 --> 00:31:45,400
Speaker 2: she thinks they're cute. Is there a world where we

641
00:31:45,680 --> 00:31:49,600
Speaker 2: believed that a woman would not spot Cory and I

642
00:31:49,760 --> 00:31:51,920
Speaker 2: immediately talk about.

643
00:31:51,720 --> 00:31:52,360
Speaker 1: How cute he is?

644
00:31:53,440 --> 00:31:58,240
Speaker 2: Hey, that's you know, it wasn't even a threat.

645
00:31:58,600 --> 00:31:59,680
Speaker 4: Yep, that's not nothing.

646
00:32:01,240 --> 00:32:03,000
Speaker 2: Then she pulls out a pad and a pencil for

647
00:32:03,080 --> 00:32:06,040
Speaker 2: their order. Corey decides on the world's Best hash Browns,

648
00:32:06,080 --> 00:32:09,080
Speaker 2: while Sean quietly studies the menu. Corey pipes in his

649
00:32:09,280 --> 00:32:13,440
Speaker 2: daddy died. A nearby truck driver gruffly suggests the chicken

650
00:32:13,480 --> 00:32:17,400
Speaker 2: fried steak. Corey cautiously asks, what kind of animal is

651
00:32:17,480 --> 00:32:22,160
Speaker 2: that from? The man repeats himself slowly, this time chicken

652
00:32:22,840 --> 00:32:27,280
Speaker 2: fry steak. Corey nervously says he doesn't want any trouble,

653
00:32:27,320 --> 00:32:30,320
Speaker 2: and Sean caves he'll have the chicken fried steak the trucker.

654
00:32:30,400 --> 00:32:31,840
Speaker 2: Thanks Sean for listening.

655
00:32:31,960 --> 00:32:34,120
Speaker 1: On the conflict here. What has happened?

656
00:32:34,280 --> 00:32:36,520
Speaker 2: None, we've walked in and ordered food, correct, do you

657
00:32:36,600 --> 00:32:39,440
Speaker 2: have there's no conflict at all whatsoever?

658
00:32:39,960 --> 00:32:41,760
Speaker 1: No? No, oh, there's lunch.

659
00:32:44,520 --> 00:32:49,760
Speaker 2: But even this whole setup premise that you two are

660
00:32:50,040 --> 00:32:55,760
Speaker 2: like spot able to be pin pointed out. I've never

661
00:32:55,880 --> 00:32:59,960
Speaker 2: seen you here before. Big city, men, big Philadelphia city.

662
00:33:00,560 --> 00:33:02,800
Speaker 1: We're a couple of hours drive from Philly, and of

663
00:33:02,880 --> 00:33:05,720
Speaker 1: course it's like redneck central, of course, and like it's

664
00:33:05,880 --> 00:33:08,160
Speaker 1: so different, it's a whole different country. They don't they've

665
00:33:08,240 --> 00:33:09,560
Speaker 1: never been to Philadelphia, like.

666
00:33:10,400 --> 00:33:13,840
Speaker 2: Jerry Gordy or something like, what what is happening? It's

667
00:33:14,080 --> 00:33:15,200
Speaker 2: so so weird.

668
00:33:15,320 --> 00:33:17,280
Speaker 1: I think it was just like they didn't lean into

669
00:33:17,440 --> 00:33:20,200
Speaker 1: Like I thought maybe the point was that we didn't

670
00:33:20,240 --> 00:33:23,840
Speaker 1: fit in, but Sean is totally fine, and so like,

671
00:33:24,000 --> 00:33:28,640
Speaker 1: why admit that Sean's his daddy died? Thing doesn't isn't

672
00:33:28,680 --> 00:33:30,080
Speaker 1: motivated by meaning weird?

673
00:33:30,160 --> 00:33:32,440
Speaker 4: I think it's just a joke, And then I think

674
00:33:32,480 --> 00:33:34,520
Speaker 4: the conflict is going to belong to the girls.

675
00:33:35,840 --> 00:33:39,000
Speaker 3: Well, yeah, that's why they said special Saturday Morning Special,

676
00:33:39,000 --> 00:33:42,240
Speaker 3: because it's not about Corey and Sean. It's about the girls, right.

677
00:33:42,280 --> 00:33:45,840
Speaker 1: Which develops and like act too. So there's nothing happening.

678
00:33:46,080 --> 00:33:48,800
Speaker 4: Yah, it's just like there's.

679
00:33:48,800 --> 00:33:49,960
Speaker 1: Lunch talked about.

680
00:33:50,040 --> 00:33:54,640
Speaker 3: Lunch, by the way, when it's delivered, I can tell instantly.

681
00:33:55,400 --> 00:33:59,000
Speaker 3: Those are not the world's best hash browns. Oh was

682
00:33:59,080 --> 00:34:02,080
Speaker 3: not grilled right, There was as top. There was no

683
00:34:02,280 --> 00:34:05,920
Speaker 3: crunch going. Those were average shoe string potatoes that were

684
00:34:05,960 --> 00:34:06,600
Speaker 3: not cooked properly.

685
00:34:06,720 --> 00:34:09,319
Speaker 2: You know what. Couldn't even save those halapeno mustard from

686
00:34:09,360 --> 00:34:11,080
Speaker 2: Deets and Watson. You couldn't even save them.

687
00:34:11,200 --> 00:34:13,919
Speaker 3: Mustard is so good. That mustard is so good.

688
00:34:14,160 --> 00:34:15,040
Speaker 4: I can't even forget.

689
00:34:15,080 --> 00:34:17,160
Speaker 2: On our way to the kitchen, Amy Sue tells Sean

690
00:34:17,320 --> 00:34:20,759
Speaker 2: she's sorry that his daddy died. Sean earnestly responds, thank you.

691
00:34:21,160 --> 00:34:24,000
Speaker 2: I can tell you mean that. The truck driver asks

692
00:34:24,040 --> 00:34:26,400
Speaker 2: Amy Sue for some gravy, and she bites back, you

693
00:34:26,480 --> 00:34:30,560
Speaker 2: don't need it. Merle, Oh, definitely not the same character. Merle.

694
00:34:31,120 --> 00:34:34,320
Speaker 3: Zekiel. Merle is not Ezekiel. They were brothers in a

695
00:34:34,360 --> 00:34:36,439
Speaker 3: different life, right, That's a whole different story.

696
00:34:36,840 --> 00:34:39,480
Speaker 2: Corey whispers to Sean that biker looks like the guy

697
00:34:39,520 --> 00:34:42,319
Speaker 2: from ZZ Top and Merle just stares right at them.

698
00:34:42,880 --> 00:34:45,839
Speaker 2: Then another cute waitress greets the boys and fills their

699
00:34:45,880 --> 00:34:49,520
Speaker 2: coffee cups. Corey can't contain his excitement. I love this place.

700
00:34:51,480 --> 00:34:53,680
Speaker 1: What it is?

701
00:34:55,400 --> 00:34:56,920
Speaker 4: This is not a boy metrilled episode.

702
00:34:57,000 --> 00:34:57,360
Speaker 1: It is not.

703
00:34:58,360 --> 00:34:59,840
Speaker 4: It is a Saturday Morning special that.

704
00:34:59,840 --> 00:35:02,680
Speaker 1: They we're just saying stuff because like one moment, it's like, oh,

705
00:35:03,040 --> 00:35:05,000
Speaker 1: he's going to be intimidated by the biker, but now

706
00:35:05,040 --> 00:35:07,800
Speaker 1: he loves this place because there's is that supposed to

707
00:35:07,800 --> 00:35:08,279
Speaker 1: be a turn?

708
00:35:08,440 --> 00:35:09,279
Speaker 2: Like what is I know?

709
00:35:09,520 --> 00:35:11,440
Speaker 3: Because the girls, it's not that it's it's because all

710
00:35:11,560 --> 00:35:13,080
Speaker 3: every girl is cuter than the next.

711
00:35:14,320 --> 00:35:16,200
Speaker 1: Is the point of the scene that like he's scared

712
00:35:16,239 --> 00:35:17,719
Speaker 1: and wants to get out of there until he sees

713
00:35:17,760 --> 00:35:20,600
Speaker 1: the girl and then it's not it's just the weirdest

714
00:35:20,880 --> 00:35:21,600
Speaker 1: we're just way of.

715
00:35:21,640 --> 00:35:22,759
Speaker 4: The scene, scared and.

716
00:35:25,560 --> 00:35:26,000
Speaker 3: Scorny.

717
00:35:26,560 --> 00:35:31,600
Speaker 4: He's very scorny right now. He is Corny Cory's corney.

718
00:35:32,320 --> 00:35:32,520
Speaker 3: Yeah.

719
00:35:35,280 --> 00:35:37,600
Speaker 2: She asks the boys where they're from, and when Corey

720
00:35:37,640 --> 00:35:40,640
Speaker 2: says Philadelphia, she admits she's always wanted to go there.

721
00:35:40,920 --> 00:35:44,319
Speaker 1: He's three hours away. I mean it can't be more

722
00:35:44,360 --> 00:35:46,439
Speaker 1: than three Pennsylvania. Three hours.

723
00:35:46,920 --> 00:35:50,840
Speaker 4: The hell's going on always wanted to go to the

724
00:35:50,920 --> 00:35:51,520
Speaker 4: big city.

725
00:35:52,160 --> 00:35:54,920
Speaker 1: Like it's a classic. It's gone right back to that

726
00:35:55,200 --> 00:35:58,160
Speaker 1: old boy world troph It's like the trailer park. You know,

727
00:35:58,239 --> 00:36:03,360
Speaker 1: they're just complete. Oh my gosh, like everybody's every You leave.

728
00:36:03,239 --> 00:36:07,400
Speaker 3: Philly and man Country forty minutes outside you're with Country Bumpkins.

729
00:36:08,760 --> 00:36:11,319
Speaker 2: Corey responds, not really, I'm a cop.

730
00:36:12,680 --> 00:36:16,439
Speaker 1: Why why is Cory Ryan? Piece is funny is also

731
00:36:16,520 --> 00:36:18,960
Speaker 1: a reference to like the old Sean joke where Sean

732
00:36:19,000 --> 00:36:21,239
Speaker 1: pretended to be a cop to the teacher. So like, no,

733
00:36:22,680 --> 00:36:25,160
Speaker 1: I was like, where's where's this hat? Where's going? Is

734
00:36:25,200 --> 00:36:26,759
Speaker 1: this going somewhere? Nope, Sean goes.

735
00:36:28,120 --> 00:36:31,600
Speaker 2: He says Corey is in fact the chief of police.

736
00:36:34,440 --> 00:36:38,680
Speaker 2: Corey then immediately following her, another pretty girl walks by

737
00:36:38,800 --> 00:36:42,160
Speaker 2: carrying plates of food. She introduces herself as Stacy, and

738
00:36:42,320 --> 00:36:46,200
Speaker 2: Corey points out this place is crawling with chicks. He

739
00:36:46,320 --> 00:36:49,359
Speaker 2: gives a little wave to Stacy, who smiles back. Then

740
00:36:49,680 --> 00:36:52,840
Speaker 2: another cute girl delivers their plates of food. The boys

741
00:36:52,880 --> 00:36:57,560
Speaker 2: are blown away. She confidently tells Sean, you're searching for something.

742
00:36:58,480 --> 00:36:59,480
Speaker 2: I can tell.

743
00:37:02,960 --> 00:37:03,160
Speaker 1: Why.

744
00:37:04,680 --> 00:37:08,920
Speaker 2: This has never nothing even remotely close to this has

745
00:37:09,040 --> 00:37:14,400
Speaker 2: ever happened in a real life scenario ever, anywhere on

746
00:37:14,520 --> 00:37:17,239
Speaker 2: the face of the earth. I can tell you, Hi,

747
00:37:17,440 --> 00:37:20,720
Speaker 2: I'm Stacy. I can tell you're searching for something coffee?

748
00:37:21,960 --> 00:37:27,080
Speaker 1: What this is? You know, when you look like a

749
00:37:27,200 --> 00:37:30,840
Speaker 1: guy who's soulful and on a road trip because of death.

750
00:37:32,680 --> 00:37:37,239
Speaker 2: It's like, thank you daddy, death.

751
00:37:37,440 --> 00:37:40,560
Speaker 3: Yeah, exactly, thank you so much, Stacy. Can you recook

752
00:37:40,600 --> 00:37:42,080
Speaker 3: these hash browns? Because this ain't right?

753
00:37:42,480 --> 00:37:45,239
Speaker 1: And then Corey talks like, she's not right there, right there,

754
00:37:45,360 --> 00:37:46,839
Speaker 1: she's staring into your soul.

755
00:37:47,440 --> 00:37:48,640
Speaker 3: Well, have you also seen I don't know if it

756
00:37:48,719 --> 00:37:50,399
Speaker 3: was in this scene or a later scene, but there's

757
00:37:50,400 --> 00:37:53,360
Speaker 3: an atmosphere actor in the background who's eating pie and

758
00:37:53,600 --> 00:37:54,680
Speaker 3: just watching the show.

759
00:37:55,960 --> 00:37:58,279
Speaker 4: It's the greatest thing I've ever seen. He's like, probably judging,

760
00:37:58,960 --> 00:38:02,920
Speaker 4: he's just sitting there, stupid.

761
00:38:06,880 --> 00:38:07,880
Speaker 1: I'll wait for the rewrites.

762
00:38:09,520 --> 00:38:13,960
Speaker 2: Sean nods, yeah, I am. Then she just smiles and

763
00:38:14,040 --> 00:38:17,880
Speaker 2: stares at him. Corey whispers, she's peering, Indie, your freaking soul,

764
00:38:18,560 --> 00:38:21,439
Speaker 2: but the girl doesn't budge until Waitress number two walks

765
00:38:21,520 --> 00:38:24,479
Speaker 2: by and whispers to her he's coming. Soul peering girl

766
00:38:24,800 --> 00:38:28,160
Speaker 2: quickly leaves. A tough looking middle aged man with a

767
00:38:28,239 --> 00:38:31,120
Speaker 2: flat top and a flat and flannel Mosy's on up

768
00:38:31,160 --> 00:38:33,680
Speaker 2: to Corey and Sean eyeing them down like prey.

769
00:38:34,120 --> 00:38:37,960
Speaker 1: Now, wouldn't it make sense that Sean would actually flirt

770
00:38:38,000 --> 00:38:38,680
Speaker 1: with these girls?

771
00:38:39,080 --> 00:38:39,279
Speaker 5: Yes?

772
00:38:39,480 --> 00:38:42,600
Speaker 1: And wouldn't that increase the tension? Could create a conflict

773
00:38:42,680 --> 00:38:45,360
Speaker 1: with this direct because as it is, Corey is engaged,

774
00:38:45,600 --> 00:38:48,239
Speaker 1: he's not flirting or kind of jokingly flirts, but he's

775
00:38:48,280 --> 00:38:51,960
Speaker 1: not serious. And Sean does nothing, nothing at all, just

776
00:38:52,080 --> 00:38:52,520
Speaker 1: looks sad.

777
00:38:52,640 --> 00:38:54,239
Speaker 2: Sean has the bner of death.

778
00:38:54,480 --> 00:38:54,960
Speaker 1: That's all.

779
00:38:55,320 --> 00:38:55,879
Speaker 2: That's all.

780
00:38:56,239 --> 00:39:00,600
Speaker 4: That's just Sean. Did you say odor of death?

781
00:39:00,920 --> 00:39:06,480
Speaker 3: Or no?

782
00:39:06,800 --> 00:39:08,120
Speaker 2: He's not flirting?

783
00:39:08,480 --> 00:39:08,600
Speaker 3: Right?

784
00:39:11,360 --> 00:39:13,440
Speaker 1: Couldn't they have rewritten this or with like puts us

785
00:39:13,520 --> 00:39:16,600
Speaker 1: in a compromising position. I say something to her, I

786
00:39:16,719 --> 00:39:20,640
Speaker 1: ask her for her but I do you want to later?

787
00:39:21,480 --> 00:39:24,640
Speaker 2: I do think that the exactly what I'm saying threw

788
00:39:24,719 --> 00:39:28,080
Speaker 2: it all off. That the idea of Sean being in

789
00:39:28,200 --> 00:39:31,080
Speaker 2: a mental place where he's able to be flirty with

790
00:39:31,200 --> 00:39:34,440
Speaker 2: a girl changes the idea that he's on a soul

791
00:39:34,560 --> 00:39:35,919
Speaker 2: search about his dead dad.

792
00:39:36,920 --> 00:39:41,520
Speaker 3: So and then after Boner of Death, I heard nothing

793
00:39:41,640 --> 00:39:44,920
Speaker 3: you said after Boner of Death, because that's all that's

794
00:39:45,000 --> 00:39:45,960
Speaker 3: going through my head now.

795
00:39:46,080 --> 00:39:49,200
Speaker 4: Is the merch that would be around the bone of death.

796
00:39:50,160 --> 00:39:51,240
Speaker 4: Oh god.

797
00:39:55,160 --> 00:39:57,040
Speaker 2: But so they had to put they had to put

798
00:39:57,080 --> 00:40:01,680
Speaker 2: the idea of their being like chick in Corey's mouth

799
00:40:02,600 --> 00:40:07,160
Speaker 2: because and yet none of there, just because they had

800
00:40:07,200 --> 00:40:07,719
Speaker 2: to mention it.

801
00:40:08,120 --> 00:40:10,719
Speaker 1: But then it's like scary, dad, It's like, really, no,

802
00:40:10,840 --> 00:40:11,600
Speaker 1: I'm scared for what.

803
00:40:11,880 --> 00:40:17,320
Speaker 2: We're not doing anything, I know, so, uh, Corey pleasantly

804
00:40:17,360 --> 00:40:22,040
Speaker 2: greets them, Well, hello there, authentic grizzled old roadside diner man.

805
00:40:22,960 --> 00:40:25,440
Speaker 2: The man points to Amy Sue. Do you see her?

806
00:40:25,800 --> 00:40:28,920
Speaker 2: Corey grins, yes, I do, to which the man responds,

807
00:40:29,080 --> 00:40:32,439
Speaker 2: that's Amy Sue, she's my daughter. Corey points out, you're

808
00:40:32,440 --> 00:40:35,120
Speaker 2: a lucky man. The man continues, you see her, and

809
00:40:35,239 --> 00:40:37,920
Speaker 2: he points to another waitress. Corey repeats, yes, I do,

810
00:40:38,200 --> 00:40:41,040
Speaker 2: and the man reveals that's Sarah. She's my daughter too.

811
00:40:41,560 --> 00:40:44,920
Speaker 2: Corey laughs he must have quite the gun collection. The

812
00:40:45,000 --> 00:40:48,560
Speaker 2: man shows no sign of amusement. He points out Stacy next,

813
00:40:48,880 --> 00:40:53,080
Speaker 2: and it's worth noting Stacy is black. Corey's interested. Let's

814
00:40:53,080 --> 00:41:00,600
Speaker 2: see you explain that one no world where you could

815
00:41:00,640 --> 00:41:05,840
Speaker 2: have adopted a child have a daughter. The man motions

816
00:41:05,880 --> 00:41:09,680
Speaker 2: to Stacy and Ali his daughter's best friends. They're just

817
00:41:10,120 --> 00:41:14,600
Speaker 2: like daughters to him. Watch yourself. He points to Sean,

818
00:41:15,000 --> 00:41:17,680
Speaker 2: you look familiar, but Sean tells him he's never been

819
00:41:17,719 --> 00:41:20,879
Speaker 2: there before. The owner counters, I didn't say you've been here.

820
00:41:21,320 --> 00:41:23,919
Speaker 2: I just said you looked familiar, and he walks away,

821
00:41:24,320 --> 00:41:28,959
Speaker 2: leaving both the boys quite stunned. Corey lets out an, oh, Betty.

822
00:41:29,880 --> 00:41:35,520
Speaker 1: Why Betty. We just learned a lot of information. We

823
00:41:35,640 --> 00:41:36,959
Speaker 1: walked in, ordered food.

824
00:41:37,000 --> 00:41:37,640
Speaker 2: There is still no.

825
00:41:40,280 --> 00:41:46,680
Speaker 1: We now know how these people are. Okay, thanks, Just

826
00:41:46,760 --> 00:41:48,600
Speaker 1: in case you didn't get it, he's a grizzled old

827
00:41:48,920 --> 00:41:51,960
Speaker 1: roadside owner. Just let's say it.

828
00:41:52,320 --> 00:41:55,000
Speaker 2: Maybe Betty is the conflict and it's just off camera.

829
00:41:56,840 --> 00:41:57,080
Speaker 1: God.

830
00:41:57,520 --> 00:41:59,719
Speaker 3: I would never speak for him because I would have

831
00:41:59,800 --> 00:42:02,399
Speaker 3: no idea, but I'll guarantee you this was not Matt

832
00:42:02,440 --> 00:42:03,520
Speaker 3: Nelson's favorite script.

833
00:42:04,680 --> 00:42:06,799
Speaker 4: I would be able to put money down.

834
00:42:06,960 --> 00:42:10,360
Speaker 3: That's not that Nelson kind of this was a network

835
00:42:10,480 --> 00:42:12,239
Speaker 3: note essentially, you need to get this band on, you

836
00:42:12,280 --> 00:42:12,960
Speaker 3: need to lost up.

837
00:42:13,120 --> 00:42:15,160
Speaker 4: Yeah, and Matt kind of was like, all right, here

838
00:42:15,239 --> 00:42:15,400
Speaker 4: we go.

839
00:42:15,760 --> 00:42:18,480
Speaker 2: If Matt had the if Matt could have had the

840
00:42:19,160 --> 00:42:22,000
Speaker 2: free rein to do what we talked about. Where he

841
00:42:22,480 --> 00:42:24,439
Speaker 2: is on a search and he stops at a place

842
00:42:24,480 --> 00:42:26,600
Speaker 2: and there's a picture of Chet and it sparks something

843
00:42:26,680 --> 00:42:29,919
Speaker 2: in Sean. Sean could get the idea on this road

844
00:42:30,000 --> 00:42:32,680
Speaker 2: trip that is only supposed to be for a weekend,

845
00:42:33,160 --> 00:42:36,399
Speaker 2: we could see Sean go no, I can't go back.

846
00:42:37,040 --> 00:42:39,600
Speaker 2: I mean, I'm going to retrace my father's steps. Who

847
00:42:39,920 --> 00:42:44,320
Speaker 2: was when I wasn't around? And decided last episode exactly

848
00:42:44,640 --> 00:42:48,600
Speaker 2: so Matt Nelson could have done a bang up job

849
00:42:49,320 --> 00:42:51,680
Speaker 2: with given free rein with him, give.

850
00:42:51,600 --> 00:42:54,359
Speaker 6: You a producer. Note that while I was researching, because

851
00:42:54,360 --> 00:42:58,080
Speaker 6: I thought about that, this is definitely Matt Nelson's worst script. Yeah,

852
00:42:58,800 --> 00:43:03,480
Speaker 6: season six is the most glaring moment that you're sliding

853
00:43:03,600 --> 00:43:08,600
Speaker 6: in the Nielsen ratings because there is a weird I

854
00:43:08,680 --> 00:43:11,759
Speaker 6: guess thought process out there that because you had more

855
00:43:11,880 --> 00:43:15,359
Speaker 6: viewers in season six and seven that the ratings were better.

856
00:43:15,719 --> 00:43:17,840
Speaker 6: But the truth is you were never lower on the

857
00:43:17,960 --> 00:43:21,160
Speaker 6: Nielsen ratings than season six and seven, just more people

858
00:43:21,239 --> 00:43:24,560
Speaker 6: were watching television, so like your numbers were up, but

859
00:43:24,680 --> 00:43:27,479
Speaker 6: your placement was very, very down. So when you're talking

860
00:43:27,520 --> 00:43:30,920
Speaker 6: about being on the bubble, six and seven is your

861
00:43:31,080 --> 00:43:32,440
Speaker 6: most bubbly Well, no.

862
00:43:32,520 --> 00:43:34,959
Speaker 3: That makes sense because season seven we were only picked

863
00:43:35,040 --> 00:43:37,000
Speaker 3: up for thirteen. Originally we didn't can get our full

864
00:43:37,080 --> 00:43:39,080
Speaker 3: twenty two when we didn't hear about our back nine

865
00:43:39,120 --> 00:43:40,360
Speaker 3: until halfway through the season.

866
00:43:40,640 --> 00:43:41,800
Speaker 1: So you are sliding.

867
00:43:42,160 --> 00:43:46,200
Speaker 6: So when ABC and Disney and whoever is thinking about shows, well,

868
00:43:46,440 --> 00:43:48,839
Speaker 6: boy meets World, let's get that band on Boy Me's World.

869
00:43:49,000 --> 00:43:52,960
Speaker 6: It's almost like you're becoming an outlet for more synergy.

870
00:43:53,480 --> 00:43:54,200
Speaker 3: Right, that makes sense?

871
00:43:54,280 --> 00:43:55,080
Speaker 4: Yeah, that makes sense.

872
00:43:55,560 --> 00:43:55,880
Speaker 3: Okay.

873
00:44:07,840 --> 00:44:09,920
Speaker 2: Corey tells Sean to eat up because they have a

874
00:44:10,000 --> 00:44:12,040
Speaker 2: lot of ground to cover in two days. That's when

875
00:44:12,080 --> 00:44:14,960
Speaker 2: Sean finally comes clean, I'm not being fair to you.

876
00:44:15,280 --> 00:44:18,520
Speaker 2: You should go home. Corey is confused, but Amy Sue interrupts,

877
00:44:18,920 --> 00:44:20,560
Speaker 2: do you have to go home? Before we sing?

878
00:44:25,840 --> 00:44:27,000
Speaker 1: Keep mart some information?

879
00:44:27,800 --> 00:44:32,280
Speaker 4: Okay, you're just laughing. As she says there's no response

880
00:44:32,400 --> 00:44:32,600
Speaker 4: to it.

881
00:44:34,160 --> 00:44:41,720
Speaker 2: Cory asks you girls got yourself a little band conting Corey,

882
00:44:41,880 --> 00:44:51,080
Speaker 2: which is funny, Little Johnny Cats, you get a little

883
00:44:51,160 --> 00:44:59,320
Speaker 2: backs your little coffee poorers. Hi Y' also sing yeah, yeah, okay.

884
00:45:00,400 --> 00:45:03,000
Speaker 2: Amy Sue and Sarah give each other a look before

885
00:45:03,080 --> 00:45:06,680
Speaker 2: asking Corey how old are you? And Corey laughs, honey,

886
00:45:06,800 --> 00:45:12,160
Speaker 2: I'm taking and he shows off his engagement ring. Amy

887
00:45:12,280 --> 00:45:16,960
Speaker 2: Sue admits we don't get a lot of city guys around, Dear.

888
00:45:17,120 --> 00:45:17,360
Speaker 6: Why not?

889
00:45:17,800 --> 00:45:21,000
Speaker 1: This is it's a truck stop diner. It's all city

890
00:45:21,040 --> 00:45:23,200
Speaker 1: people driving and stopping to eat. Like, what do you.

891
00:45:24,680 --> 00:45:27,560
Speaker 2: We'd be interested to know what you think?

892
00:45:28,880 --> 00:45:37,440
Speaker 5: What Cory and Shane, two teenagers in community college, stumble

893
00:45:37,520 --> 00:45:39,839
Speaker 5: in here, and this is going.

894
00:45:39,800 --> 00:45:43,440
Speaker 1: To hinge on our decision to approve them or not.

895
00:45:43,880 --> 00:45:44,759
Speaker 3: Are we we have?

896
00:45:46,080 --> 00:45:47,279
Speaker 2: Are we valuable?

897
00:45:48,000 --> 00:45:48,120
Speaker 1: Well?

898
00:45:48,320 --> 00:45:52,399
Speaker 3: I mean, cow can tell you it's good before you've

899
00:45:52,440 --> 00:45:54,120
Speaker 3: got to get outside influence.

900
00:45:54,360 --> 00:45:56,640
Speaker 1: You're wearing a leather jacket. You must be from the city.

901
00:45:58,080 --> 00:46:01,239
Speaker 2: Scary. It's scary there.

902
00:46:03,320 --> 00:46:06,120
Speaker 1: While we have a whole backing track that's professionally produced

903
00:46:06,640 --> 00:46:12,080
Speaker 1: for our original song, dance Moves and right, we never

904
00:46:12,160 --> 00:46:13,520
Speaker 1: say nobody, no.

905
00:46:13,880 --> 00:46:15,680
Speaker 2: No, just they just thought people were going to be like.

906
00:46:15,719 --> 00:46:20,320
Speaker 4: What I hear that again? Whatever the nineties equivalent of googling?

907
00:46:20,400 --> 00:46:27,879
Speaker 2: That is exactly what's shazam? I'm gonna invent shazam. Then

908
00:46:28,640 --> 00:46:32,359
Speaker 2: Corey continues to be condescending. This will be cute. They

909
00:46:32,520 --> 00:46:34,640
Speaker 2: want to hear what we think of their band. I

910
00:46:34,840 --> 00:46:37,520
Speaker 2: hope they do that. Achy Breakie.

911
00:46:39,239 --> 00:46:42,759
Speaker 3: Ben is still he's it's absurd, but it's he still

912
00:46:42,840 --> 00:46:45,600
Speaker 3: makes me laugh because I mean, I know he's trying.

913
00:46:46,040 --> 00:46:49,840
Speaker 1: Yeah, but three seconds ago he was excited about the

914
00:46:49,880 --> 00:46:53,040
Speaker 1: hot chicks who are like populating this place. Then he

915
00:46:53,120 --> 00:46:55,880
Speaker 1: was scared of the dad. Now he's mocking them for

916
00:46:56,000 --> 00:46:59,920
Speaker 1: being in events. Yeah, like who couldn't possibly be talented.

917
00:47:00,040 --> 00:47:03,520
Speaker 1: It's like he's just there's no, there's nothing. And then

918
00:47:03,560 --> 00:47:05,799
Speaker 1: Sewan is just there with his bone dad.

919
00:47:06,560 --> 00:47:07,160
Speaker 3: What is called?

920
00:47:07,320 --> 00:47:11,640
Speaker 1: Like Shawn has done nothing except like, oh, the guy

921
00:47:11,719 --> 00:47:13,319
Speaker 1: recognized me, but I've never been here.

922
00:47:14,560 --> 00:47:14,680
Speaker 2: Oh.

923
00:47:14,800 --> 00:47:16,759
Speaker 4: But then we get to the best face in the

924
00:47:17,040 --> 00:47:19,640
Speaker 4: history of television up right here.

925
00:47:19,960 --> 00:47:21,279
Speaker 2: No, no, it's coming up in the next in the

926
00:47:21,440 --> 00:47:23,440
Speaker 2: in the next scene at the truck stop. Okay, okay,

927
00:47:24,280 --> 00:47:27,640
Speaker 2: So Sean isn't really paying attention. He insists that Corey

928
00:47:27,760 --> 00:47:30,200
Speaker 2: goes home. Corey doesn't get it, But what about you, Sean.

929
00:47:30,560 --> 00:47:33,560
Speaker 2: Sean quickly changes the subject. I wonder if this band's

930
00:47:33,600 --> 00:47:34,000
Speaker 2: any good.

931
00:47:36,200 --> 00:47:38,800
Speaker 1: Avoid don't actually have any conflict?

932
00:47:41,520 --> 00:47:42,120
Speaker 3: Yes later.

933
00:47:43,960 --> 00:47:45,480
Speaker 6: It is later, No.

934
00:47:47,680 --> 00:47:51,160
Speaker 4: Later, the worst improper No later.

935
00:47:51,680 --> 00:47:53,480
Speaker 1: I have lots of deep feelings, but I'm not going

936
00:47:53,560 --> 00:47:57,960
Speaker 1: to share them yet. That's the s Sean Hunter improv

937
00:47:59,280 --> 00:48:02,600
Speaker 1: should That's a great bit. It is so funny.

938
00:48:03,840 --> 00:48:04,880
Speaker 2: Then we're in the apartment.

939
00:48:05,239 --> 00:48:07,080
Speaker 4: No, thank god, b story, this will kick it up.

940
00:48:07,280 --> 00:48:09,320
Speaker 1: I know. That's why I was really hoping. I was like,

941
00:48:09,480 --> 00:48:11,440
Speaker 1: because we last saw them there was a sexy kiss

942
00:48:11,600 --> 00:48:12,440
Speaker 1: in the real conflict.

943
00:48:12,560 --> 00:48:14,960
Speaker 3: Yeah, and a great episode, so he won't go this

944
00:48:15,120 --> 00:48:17,440
Speaker 3: is let's see, this will save it. This is the

945
00:48:17,480 --> 00:48:20,760
Speaker 3: boner of life. There is what's going on in this scene.

946
00:48:21,400 --> 00:48:24,040
Speaker 1: So yes, boner of orange juice. That's what we start with.

947
00:48:24,560 --> 00:48:29,920
Speaker 2: Yeah, Jack's unloading groceries. As Rachel peers into their freezer.

948
00:48:30,320 --> 00:48:32,239
Speaker 2: Jack awkwardly tries to sneak past her.

949
00:48:32,200 --> 00:48:35,120
Speaker 1: And then they started talking and awkwardness.

950
00:48:36,760 --> 00:48:37,440
Speaker 2: Refrigerator.

951
00:48:37,680 --> 00:48:37,799
Speaker 1: Yea.

952
00:48:38,080 --> 00:48:41,000
Speaker 2: But also, only one person needs to unload the groceries.

953
00:48:41,160 --> 00:48:43,160
Speaker 2: We both do, we don't need one person, but it's

954
00:48:43,160 --> 00:48:43,600
Speaker 2: a one.

955
00:48:43,560 --> 00:48:44,960
Speaker 4: One person jobs.

956
00:48:45,400 --> 00:48:47,720
Speaker 2: Just get out of there, put the bags down.

957
00:48:47,640 --> 00:48:51,239
Speaker 1: And one of you to notice the bag. The cloth bag.

958
00:48:53,680 --> 00:48:56,919
Speaker 1: I can't believe because Michael used to. But I guess

959
00:48:56,960 --> 00:48:58,799
Speaker 1: maybe that was on girl that he railed against them

960
00:48:58,840 --> 00:49:01,280
Speaker 1: because them on this it looks.

961
00:49:01,360 --> 00:49:04,000
Speaker 4: And again this episode lobsters everywhere.

962
00:49:04,920 --> 00:49:06,000
Speaker 2: I missed it again.

963
00:49:07,640 --> 00:49:11,200
Speaker 1: Literally just on it because I'm watching the actors.

964
00:49:12,840 --> 00:49:16,640
Speaker 3: To this story all at the same time. Uh, in

965
00:49:16,760 --> 00:49:20,280
Speaker 3: the trailer park. Dede has just hidden it by literally

966
00:49:20,480 --> 00:49:24,160
Speaker 3: just putting it on the stove. It's a white stove,

967
00:49:24,360 --> 00:49:27,040
Speaker 3: and sitting hanging off the white stove is this giant

968
00:49:27,120 --> 00:49:29,320
Speaker 3: red lobster just right there over your shoulder.

969
00:49:29,400 --> 00:49:33,080
Speaker 2: Yep, it's great, Okay, I really I can't believe I

970
00:49:33,120 --> 00:49:33,919
Speaker 2: haven't caught it once.

971
00:49:34,160 --> 00:49:35,320
Speaker 4: That's insane to me.

972
00:49:36,520 --> 00:49:39,120
Speaker 2: Finally, Rachel breaks the silence. They're gonna have to talk

973
00:49:39,120 --> 00:49:42,040
Speaker 2: about this sometime. Jack's relieved. Oh good, I thought you

974
00:49:42,120 --> 00:49:44,880
Speaker 2: were gonna want to talk about it now, She says,

975
00:49:45,080 --> 00:49:49,000
Speaker 2: I do Jack's eyes I know, and Rachel tells him

976
00:49:49,040 --> 00:49:52,680
Speaker 2: to go first. Jack starts when we were kissing, and

977
00:49:52,800 --> 00:49:55,279
Speaker 2: Rachel quickly cuts him off. Just don't say anything stupid, okay,

978
00:49:55,600 --> 00:49:59,120
Speaker 2: Jack continues, I was just keeping everything bottled up. Rachel

979
00:49:59,160 --> 00:50:02,520
Speaker 2: interrupts him again, Just don't say that it didn't mean anything,

980
00:50:02,560 --> 00:50:05,520
Speaker 2: because that would be hurtful. Jack admits, Oh no, it

981
00:50:05,760 --> 00:50:08,360
Speaker 2: felt like it meant something, but then he quickly changes

982
00:50:08,400 --> 00:50:11,799
Speaker 2: his tune. But maybe it didn't. He sits on the couch.

983
00:50:12,160 --> 00:50:15,000
Speaker 2: He giggles, this is where they kissed. He explains, he

984
00:50:15,120 --> 00:50:17,840
Speaker 2: was just in a really vulnerable place. That day. Rachel

985
00:50:17,880 --> 00:50:22,040
Speaker 2: hesitantly agrees, right, maybe it was just a friend comforting

986
00:50:22,080 --> 00:50:25,120
Speaker 2: a friend. Jack agrees, but he doesn't seem too convinced.

987
00:50:25,600 --> 00:50:29,040
Speaker 2: Rachel shrugs that way, no one gets hurt. Jack nods,

988
00:50:29,680 --> 00:50:33,080
Speaker 2: no reason to tell Eric. Rachel's eyes widen, No, that

989
00:50:33,239 --> 00:50:36,520
Speaker 2: would be hurtful. Then on cue, Eric walks in carrying

990
00:50:36,560 --> 00:50:39,839
Speaker 2: his laundry basket. He says hey and walks right past them,

991
00:50:39,960 --> 00:50:42,800
Speaker 2: only to turn and casually break the news. Oh I

992
00:50:42,960 --> 00:50:46,200
Speaker 2: saw you two kissing. Rachel and Jack stare at him

993
00:50:46,360 --> 00:50:51,520
Speaker 2: in shock. Done done, done, And we've recapped what happened

994
00:50:51,560 --> 00:50:52,200
Speaker 2: last episode.

995
00:50:52,480 --> 00:50:55,920
Speaker 1: Yeah, he just recapped it. And he walked in on

996
00:50:56,040 --> 00:50:58,480
Speaker 1: them and told them that he walked in on them,

997
00:50:58,600 --> 00:50:59,160
Speaker 1: and now they know.

998
00:51:00,080 --> 00:51:01,879
Speaker 3: Thing I got mostly from the scene was I knew

999
00:51:01,920 --> 00:51:05,880
Speaker 3: it was bad, but I have horrible posture. I mean

1000
00:51:05,920 --> 00:51:08,800
Speaker 3: I have really really rounded, slumpy shoulders.

1001
00:51:09,080 --> 00:51:12,839
Speaker 1: It's like carrying a basket, right, You're not even Eric

1002
00:51:13,000 --> 00:51:13,520
Speaker 1: is sad.

1003
00:51:14,360 --> 00:51:19,359
Speaker 3: Well, No, but all the time I have bad posture. Yeah, yeah, yeah,

1004
00:51:20,280 --> 00:51:22,160
Speaker 3: like I should I should be walking like this, but

1005
00:51:22,280 --> 00:51:23,239
Speaker 3: that feels uncomfortable.

1006
00:51:23,880 --> 00:51:26,680
Speaker 4: I do I have rounded shoulder syndrome. I do do RSS.

1007
00:51:26,840 --> 00:51:29,239
Speaker 4: I have technic technic.

1008
00:51:29,360 --> 00:51:32,440
Speaker 2: What is technic technic? It's how all of our like

1009
00:51:32,719 --> 00:51:35,120
Speaker 2: the the hump in the back of the neck and

1010
00:51:35,200 --> 00:51:37,200
Speaker 2: back of the shoulders that we get from looking at

1011
00:51:37,239 --> 00:51:38,080
Speaker 2: our phones all the time.

1012
00:51:38,239 --> 00:51:40,880
Speaker 1: Oh, technic, that's what I have death boner?

1013
00:51:41,640 --> 00:51:42,719
Speaker 3: You do you do.

1014
00:51:44,440 --> 00:51:44,920
Speaker 1: Technically?

1015
00:51:45,120 --> 00:51:46,920
Speaker 4: If you have death boner after four hours, I can

1016
00:51:47,000 --> 00:51:48,000
Speaker 4: tell the doctor.

1017
00:51:51,640 --> 00:51:55,680
Speaker 1: There are bills for that, right death. It happens that everybody.

1018
00:51:57,960 --> 00:52:00,400
Speaker 2: So then we're back at the truck stop. We're almost

1019
00:52:00,520 --> 00:52:04,120
Speaker 2: to our favorite writer face. The four girls have taken

1020
00:52:04,200 --> 00:52:07,960
Speaker 2: the stage and Amy Sue announces, we'd like to dedicate

1021
00:52:08,080 --> 00:52:12,120
Speaker 2: this song to our two wandering guests. You guys have

1022
00:52:12,200 --> 00:52:13,760
Speaker 2: been there for five minutes.

1023
00:52:14,160 --> 00:52:16,520
Speaker 1: Five minutes to talk about some stuff.

1024
00:52:16,560 --> 00:52:18,040
Speaker 4: But they're city folk.

1025
00:52:20,320 --> 00:52:24,800
Speaker 3: And apparently and our people trying to round the country

1026
00:52:24,840 --> 00:52:26,400
Speaker 3: trying to find you us so.

1027
00:52:27,280 --> 00:52:31,359
Speaker 2: And then the girl group Nobody's Angel lip sync their song.

1028
00:52:32,000 --> 00:52:34,080
Speaker 2: I can't help myself give them.

1029
00:52:34,000 --> 00:52:37,239
Speaker 1: Some instruments like make this. The point is that there's

1030
00:52:37,280 --> 00:52:40,719
Speaker 1: a band and they should be talented in like but

1031
00:52:40,800 --> 00:52:43,400
Speaker 1: the fact that they're like a polished dancery.

1032
00:52:43,440 --> 00:52:51,560
Speaker 2: What accompanied by synchronized dance moves and a very nineties

1033
00:52:51,719 --> 00:52:55,080
Speaker 2: pop track. Corey and Sean seem impressed as the girls

1034
00:52:55,120 --> 00:52:57,680
Speaker 2: eventually gave the song once to start.

1035
00:52:57,440 --> 00:52:59,279
Speaker 1: It by the way, did you oh yeah, because we

1036
00:52:59,320 --> 00:53:02,560
Speaker 1: had to do it a week there listening to it

1037
00:53:02,800 --> 00:53:04,759
Speaker 1: and I remembered it, it was like, oh my god,

1038
00:53:04,880 --> 00:53:05,239
Speaker 1: remember this.

1039
00:53:06,320 --> 00:53:08,560
Speaker 2: Did they come with it already choreographed or was there

1040
00:53:08,560 --> 00:53:09,799
Speaker 2: a choreographer on set?

1041
00:53:09,840 --> 00:53:12,080
Speaker 1: Okay, now they came with it. They had their own choreographer,

1042
00:53:12,200 --> 00:53:14,399
Speaker 1: you know. So they just came and did their their thing.

1043
00:53:14,719 --> 00:53:17,120
Speaker 1: They did it every week, like all week and yeah,

1044
00:53:17,400 --> 00:53:18,400
Speaker 1: and I did some research.

1045
00:53:18,440 --> 00:53:20,319
Speaker 3: They were a band for three years, so they must

1046
00:53:20,360 --> 00:53:22,480
Speaker 3: have been relatively successful at the time.

1047
00:53:22,520 --> 00:53:25,239
Speaker 2: I would have imagined the girls eventually give them a

1048
00:53:25,280 --> 00:53:29,319
Speaker 2: little personalized performance. But then the diner owner walks up

1049
00:53:29,360 --> 00:53:31,680
Speaker 2: and they run back to the stage to finish the song.

1050
00:53:32,080 --> 00:53:35,360
Speaker 2: It's doing that part right where they get close to you.

1051
00:53:36,640 --> 00:53:40,200
Speaker 4: Oh it is it is you, the look on your face.

1052
00:53:40,280 --> 00:53:41,920
Speaker 2: I wish we could have to find a still of it.

1053
00:53:42,239 --> 00:53:44,160
Speaker 4: We will, We'll have to put it up because it is.

1054
00:53:44,400 --> 00:53:50,480
Speaker 3: It is combination dead inside, horribly embarrassed and questioning every

1055
00:53:50,520 --> 00:53:51,960
Speaker 3: decision you've ever made in your life.

1056
00:53:52,160 --> 00:53:55,840
Speaker 1: It is just accurate.

1057
00:53:56,960 --> 00:53:58,120
Speaker 3: Was kind of like sitting there.

1058
00:53:58,080 --> 00:53:59,719
Speaker 4: Like, what's happening in my life right now?

1059
00:54:00,560 --> 00:54:02,080
Speaker 2: I can't believe I have to do this. All I

1060
00:54:02,120 --> 00:54:04,680
Speaker 2: can see is you say. I can't believe it. I

1061
00:54:04,719 --> 00:54:05,279
Speaker 2: can't believe I.

1062
00:54:05,239 --> 00:54:05,640
Speaker 3: Have to do this.

1063
00:54:06,160 --> 00:54:08,920
Speaker 4: It's the best thing I've ever seen. It saved the

1064
00:54:08,960 --> 00:54:11,360
Speaker 4: whole episode for me, just that one shot, because.

1065
00:54:11,160 --> 00:54:11,720
Speaker 3: It was magic.

1066
00:54:11,960 --> 00:54:12,160
Speaker 1: Yeah.

1067
00:54:12,239 --> 00:54:14,160
Speaker 2: I was in lay Miss, I was in La Miss.

1068
00:54:14,520 --> 00:54:16,600
Speaker 2: I once was in lay Miss.

1069
00:54:16,640 --> 00:54:18,759
Speaker 1: Yeah, it was okay, worked to t Tommylee Jones was

1070
00:54:18,800 --> 00:54:19,359
Speaker 1: once an actor.

1071
00:54:20,880 --> 00:54:24,600
Speaker 2: The performance of what is very close, if not the

1072
00:54:24,960 --> 00:54:29,879
Speaker 2: entire song comes to a close, and patrons, including Corey

1073
00:54:29,920 --> 00:54:33,120
Speaker 2: and Sewan, give the girl group a rowdy round of applause.

1074
00:54:33,719 --> 00:54:36,000
Speaker 2: Nobody's Angel runs up to the boys, do you think

1075
00:54:36,040 --> 00:54:40,480
Speaker 2: we're any good? Corey is shocked. You were awesome. You

1076
00:54:40,640 --> 00:54:45,240
Speaker 2: shouldn't be here, dishing out hash browns. Stacey asks Sean,

1077
00:54:45,480 --> 00:54:49,840
Speaker 2: who she calls mystery boy, what he thinks. He chimes in,

1078
00:54:50,400 --> 00:54:52,960
Speaker 2: I agree with Officer Bob.

1079
00:54:55,160 --> 00:55:00,239
Speaker 1: Hysterical joke. It's a runner now, it's a runner that

1080
00:55:00,360 --> 00:55:02,000
Speaker 1: he's pretending to be a cop to what.

1081
00:55:04,840 --> 00:55:08,600
Speaker 2: Ali grins good, because we want you to help us

1082
00:55:08,719 --> 00:55:09,120
Speaker 2: leave this.

1083
00:55:09,640 --> 00:55:12,840
Speaker 1: Why do we help them leave? How could we possibly.

1084
00:55:14,280 --> 00:55:17,280
Speaker 3: The whole house you could obviously, okay, but like, wouldn't

1085
00:55:17,320 --> 00:55:21,600
Speaker 3: you find people who have money who might be.

1086
00:55:21,640 --> 00:55:24,520
Speaker 1: Able to like be a manager my father?

1087
00:55:24,880 --> 00:55:26,880
Speaker 2: How much money would it take? How many hashbreads to

1088
00:55:27,080 --> 00:55:29,000
Speaker 2: kill brothers?

1089
00:55:30,840 --> 00:55:33,960
Speaker 3: It's awful, this is I mean, that's why I said

1090
00:55:33,960 --> 00:55:36,080
Speaker 3: I'm not It's not even bad. It's just not a

1091
00:55:36,120 --> 00:55:37,120
Speaker 3: boy metroled episode.

1092
00:55:37,200 --> 00:55:38,160
Speaker 4: It's not why.

1093
00:55:39,000 --> 00:55:41,280
Speaker 1: And then it falls on Corey to make the decision

1094
00:55:41,840 --> 00:55:45,000
Speaker 1: to like what send them to college or to the

1095
00:55:45,040 --> 00:55:47,120
Speaker 1: big city. It doesn't make any why us?

1096
00:55:48,640 --> 00:55:49,120
Speaker 4: That's why?

1097
00:55:49,960 --> 00:55:52,560
Speaker 1: Okay? What if? What if instead of lying about being

1098
00:55:52,560 --> 00:55:57,640
Speaker 1: a cop, Corey lied about being a musician and writer,

1099
00:55:58,040 --> 00:56:00,600
Speaker 1: then then we would have a we have to keep

1100
00:56:00,600 --> 00:56:03,000
Speaker 1: a lie going because he would get caught by the.

1101
00:56:03,040 --> 00:56:05,520
Speaker 2: Dad, Barry Gordy exactly what if?

1102
00:56:05,560 --> 00:56:08,800
Speaker 1: I mean, that's so easy? Is Corey just thought it.

1103
00:56:08,960 --> 00:56:10,680
Speaker 1: He's like, we're on the road, we should When that

1104
00:56:10,840 --> 00:56:13,400
Speaker 1: was the beginning of the scene of the walking in,

1105
00:56:13,520 --> 00:56:15,560
Speaker 1: It's like, let's pretend to be other people walking on

1106
00:56:15,600 --> 00:56:18,600
Speaker 1: the Jones, yes, and we make a joke, and then

1107
00:56:18,960 --> 00:56:21,080
Speaker 1: we can't tell the truth because the dad would actually,

1108
00:56:21,239 --> 00:56:23,160
Speaker 1: you know, kill us, and then we're stuck in a

1109
00:56:23,239 --> 00:56:25,439
Speaker 1: lie and we have to play it out. Jinks and Sue,

1110
00:56:25,920 --> 00:56:27,719
Speaker 1: come on, we just fixed it.

1111
00:56:28,400 --> 00:56:30,560
Speaker 4: He saved all the hijinks for the B story.

1112
00:56:33,520 --> 00:56:36,360
Speaker 1: They're not gonna kiss, and then they're gonna kiss. They do,

1113
00:56:36,520 --> 00:56:39,319
Speaker 1: they do? They express their feelings. I mean the next scene,

1114
00:56:39,360 --> 00:56:42,800
Speaker 1: you guys literally just trot out the potential problems and

1115
00:56:43,160 --> 00:56:46,520
Speaker 1: and you say there's no problem. So it's like anti

1116
00:56:46,960 --> 00:56:53,320
Speaker 1: story alert. Sorry, no later. And then they repeat the

1117
00:56:53,400 --> 00:56:55,479
Speaker 1: thing where we can't kiss but we're gonna kiss.

1118
00:56:55,600 --> 00:56:55,880
Speaker 3: It's like.

1119
00:56:58,400 --> 00:56:59,840
Speaker 1: It's ecstatic episode.

1120
00:57:00,320 --> 00:57:03,359
Speaker 2: Corey wonders what's stopping them in Unison. They all look

1121
00:57:03,400 --> 00:57:06,239
Speaker 2: at the grizzly dad owner. He thinks the city's a

1122
00:57:06,360 --> 00:57:09,760
Speaker 2: dangerous place and something terrible's gonna happen to us. Amy

1123
00:57:09,840 --> 00:57:12,480
Speaker 2: Sue begs them, can you talk to him for us?

1124
00:57:12,800 --> 00:57:14,839
Speaker 1: Why you can't tell your ow dads. You're gonna get

1125
00:57:14,840 --> 00:57:18,600
Speaker 1: the stranger who's a music college kid. Maybe I don't

1126
00:57:18,640 --> 00:57:19,439
Speaker 1: know what this did.

1127
00:57:20,280 --> 00:57:22,800
Speaker 2: You gotta deal with a dad made it clear he

1128
00:57:22,840 --> 00:57:23,400
Speaker 2: doesn't like you.

1129
00:57:24,520 --> 00:57:27,600
Speaker 1: Hey, stranger, I could tell with your owner of dad,

1130
00:57:27,840 --> 00:57:29,640
Speaker 1: you could take care of this blog. And it's Corey

1131
00:57:29,960 --> 00:57:30,240
Speaker 1: not me.

1132
00:57:30,880 --> 00:57:34,480
Speaker 2: Why because he's never met a man from Philadelphia. You're

1133
00:57:34,520 --> 00:57:35,200
Speaker 2: gonna tell him.

1134
00:57:35,240 --> 00:57:38,160
Speaker 4: Your city folk. That answers everything.

1135
00:57:39,760 --> 00:57:44,080
Speaker 2: Never been to the Philadelphia, Corey nods, yeah, it's just

1136
00:57:44,200 --> 00:57:46,160
Speaker 2: that he's very large, and I got to get my

1137
00:57:46,240 --> 00:57:48,920
Speaker 2: friend here back home. He stands to leave, in motions

1138
00:57:48,920 --> 00:57:50,920
Speaker 2: for Sean to join him, but Sean says he's not

1139
00:57:51,000 --> 00:57:53,280
Speaker 2: going home. Corey doesn't know why he keeps saying that,

1140
00:57:53,440 --> 00:57:55,920
Speaker 2: and Sean explains, because you're not hearing it. That's what

1141
00:57:56,040 --> 00:57:56,840
Speaker 2: I needed to tell you.

1142
00:57:57,040 --> 00:57:59,160
Speaker 1: So wait, have I said that I'm not going home yet?

1143
00:57:59,400 --> 00:58:00,760
Speaker 1: I thought I have and drop that bomb.

1144
00:58:00,840 --> 00:58:04,960
Speaker 2: Yet I also agree that you had not said that yet.

1145
00:58:05,120 --> 00:58:07,360
Speaker 1: Yeah, I say I'll tell you later, and you say

1146
00:58:07,480 --> 00:58:08,040
Speaker 1: you should go.

1147
00:58:08,120 --> 00:58:10,040
Speaker 2: Home, and he does point out why only me?

1148
00:58:10,280 --> 00:58:10,840
Speaker 1: What about you?

1149
00:58:11,080 --> 00:58:13,600
Speaker 2: And you change the subject, so I think so.

1150
00:58:13,680 --> 00:58:15,840
Speaker 1: Then he says, why you keep saying that I actually

1151
00:58:15,880 --> 00:58:16,840
Speaker 1: haven't said him staying I.

1152
00:58:16,880 --> 00:58:19,040
Speaker 2: Think he just meant. He's picked up on the subtext,

1153
00:58:19,400 --> 00:58:22,200
Speaker 2: and and he's understood it every time, even every time

1154
00:58:22,240 --> 00:58:24,280
Speaker 2: you've no latered him, He's picked up on it.

1155
00:58:24,600 --> 00:58:28,640
Speaker 3: There's subtext galore in this episode, so all the funny

1156
00:58:29,080 --> 00:58:30,960
Speaker 3: subjects pick it up exactly.

1157
00:58:32,120 --> 00:58:33,920
Speaker 1: It only makes sense in the subjects.

1158
00:58:35,120 --> 00:58:37,960
Speaker 4: It's the only episode ever done that's only subtext.

1159
00:58:38,600 --> 00:58:40,160
Speaker 1: Because the text is so bad.

1160
00:58:41,080 --> 00:58:45,160
Speaker 2: Cory sarcastically says goodbye and shakes Sean's hand. He starts

1161
00:58:45,200 --> 00:58:47,920
Speaker 2: to walk away, but Sean doesn't move. Life changes, you know,

1162
00:58:48,200 --> 00:58:51,200
Speaker 2: people go separate ways. Corey asks if he's breaking up

1163
00:58:51,200 --> 00:58:52,720
Speaker 2: with him in a public place, so we won't make

1164
00:58:52,760 --> 00:58:55,240
Speaker 2: a scene, He tests, Sean, you don't think i'll make

1165
00:58:55,280 --> 00:58:58,320
Speaker 2: a scene? Sean laughs, no, I know you'll make a scene,

1166
00:58:58,480 --> 00:59:01,080
Speaker 2: but I'm not going home. Cory asks when are you

1167
00:59:01,160 --> 00:59:03,760
Speaker 2: going to go back then, and Shawn shrugs maybe never.

1168
00:59:04,240 --> 00:59:06,320
Speaker 2: Corey raises his voice as Sean pays the bill at

1169
00:59:06,360 --> 00:59:09,080
Speaker 2: the register. Just because things are not going perfectly in

1170
00:59:09,160 --> 00:59:11,120
Speaker 2: your life does not mean that you tear everything up

1171
00:59:11,200 --> 00:59:13,680
Speaker 2: and end up and who knows where? And I didn't

1172
00:59:13,680 --> 00:59:19,280
Speaker 2: think why is Corey letting Sean pay for this? Corey

1173
00:59:19,360 --> 00:59:23,440
Speaker 2: should definitely buy this meal? You think, yeah, anyway?

1174
00:59:23,720 --> 00:59:24,120
Speaker 6: Bothered me?

1175
00:59:24,600 --> 00:59:26,880
Speaker 2: Seawan's half listening. Then he points to a picture behind

1176
00:59:26,920 --> 00:59:29,560
Speaker 2: Sarah and he asks to see it. Corey's whining behind him.

1177
00:59:29,600 --> 00:59:30,120
Speaker 1: Do you hear me?

1178
00:59:30,280 --> 00:59:32,760
Speaker 2: What do you think you're gonna find? Sean stares at

1179
00:59:32,800 --> 00:59:35,360
Speaker 2: the picture and grins. He shows Corey, it's a picture

1180
00:59:35,360 --> 00:59:38,720
Speaker 2: of Chet and the owner of the restaurant. Corey admits, Okay,

1181
00:59:39,040 --> 00:59:43,280
Speaker 2: now it just got interesting, and I thought it's about

1182
00:59:43,560 --> 00:59:46,640
Speaker 2: freaking time. This could be great if this is the

1183
00:59:46,760 --> 00:59:50,080
Speaker 2: thing that kick starts whatever it is that Shawn ends

1184
00:59:50,160 --> 00:59:50,640
Speaker 2: up wanting to do.

1185
00:59:50,880 --> 00:59:52,360
Speaker 1: But Shawn's already decided.

1186
00:59:52,120 --> 00:59:53,320
Speaker 2: He's not going, already decided.

1187
00:59:53,520 --> 00:59:56,200
Speaker 1: This is just more decision, yet more of the same.

1188
00:59:56,920 --> 00:59:59,840
Speaker 2: See, I guess validation for your right, Yeah, it's validation.

1189
01:00:00,440 --> 01:00:02,760
Speaker 2: All right. We're back at the truck stop. Sean's staring

1190
01:00:02,800 --> 01:00:05,680
Speaker 2: at the picture, surrounded by Corey and nobody's angel. Stacey

1191
01:00:05,760 --> 01:00:09,320
Speaker 2: asks you know that guy, and Sean laughs kinda, he's

1192
01:00:09,400 --> 01:00:11,960
Speaker 2: my father. Sarah asks, that's your father.

1193
01:00:13,440 --> 01:00:16,000
Speaker 3: We've established this, yeah, because I said that's my father.

1194
01:00:16,320 --> 01:00:18,840
Speaker 1: And don't I say the exact same line I said

1195
01:00:18,880 --> 01:00:21,200
Speaker 1: in the last episode where I go kind of know

1196
01:00:21,360 --> 01:00:21,720
Speaker 1: him or.

1197
01:00:21,920 --> 01:00:25,919
Speaker 2: Kind of home. Yes, he's my dad. Tic yeah, yeah,

1198
01:00:27,080 --> 01:00:29,080
Speaker 2: Corey protests, No, don't call him over.

1199
01:00:29,240 --> 01:00:29,800
Speaker 4: He hates me.

1200
01:00:30,760 --> 01:00:33,520
Speaker 2: Grizzly Dad asks the girls if Corey's bothering them, and

1201
01:00:33,600 --> 01:00:37,480
Speaker 2: Corey responds, deadpan, I just stopped here for lunch. Sarah

1202
01:00:37,560 --> 01:00:40,760
Speaker 2: excitedly reveals this is Chet Hunter's son. The owner grins,

1203
01:00:40,880 --> 01:00:43,600
Speaker 2: of course he is. I knew you looked familiar. Chet's

1204
01:00:43,600 --> 01:00:45,240
Speaker 2: been showing us pictures of you for I don't know

1205
01:00:45,320 --> 01:00:48,080
Speaker 2: how long. Sarah bashfully admits, I like the one where

1206
01:00:48,120 --> 01:00:49,360
Speaker 2: you're getting a bath in the sink.

1207
01:00:50,560 --> 01:00:51,080
Speaker 1: Yeah you do.

1208
01:00:56,200 --> 01:00:59,800
Speaker 2: The owner shakes his hand. You're Sean. How's medical school going?

1209
01:01:00,240 --> 01:01:03,680
Speaker 2: Seawan clarifies, Actually, it's just college. The man laughs. Ched

1210
01:01:03,800 --> 01:01:06,400
Speaker 2: always tells a good story. Then he turns to Corey,

1211
01:01:06,480 --> 01:01:09,000
Speaker 2: and you're Corey. You're the kid Shawn's always getting out

1212
01:01:09,040 --> 01:01:12,520
Speaker 2: of them scrapes. Corey starts to actually the guy, but

1213
01:01:12,680 --> 01:01:13,640
Speaker 2: Sean cuts him off.

1214
01:01:13,800 --> 01:01:17,360
Speaker 1: I do like this idea of like, yeah, yeah, it

1215
01:01:17,360 --> 01:01:19,720
Speaker 1: could have been an extended bit about all the like

1216
01:01:19,960 --> 01:01:21,920
Speaker 1: the lies that Chet told that we have to like

1217
01:01:22,200 --> 01:01:23,920
Speaker 1: break down and figure out what was going on.

1218
01:01:24,120 --> 01:01:26,560
Speaker 3: Yeah, yeah, shame, shame you hurts your knee and couldn't

1219
01:01:26,560 --> 01:01:27,320
Speaker 3: become an astronaut.

1220
01:01:27,360 --> 01:01:30,720
Speaker 2: Like that's the episode I want to watch, Yes, the

1221
01:01:30,800 --> 01:01:35,880
Speaker 2: episode of Sean uncovering his father's life exactly. Yep, that's

1222
01:01:35,920 --> 01:01:37,960
Speaker 2: the one I want. Sean cuts him off. How come

1223
01:01:38,000 --> 01:01:39,840
Speaker 2: there's a picture of my dad and this truck stop?

1224
01:01:40,080 --> 01:01:43,200
Speaker 2: The man laughs, Chet wouldn't drive his Ray between Pennsylvania

1225
01:01:43,240 --> 01:01:45,360
Speaker 2: and Ohio without stopping here and telling us some of

1226
01:01:45,440 --> 01:01:49,080
Speaker 2: his latest adventures. Right, So he was a truck driver apparently,

1227
01:01:49,560 --> 01:01:52,440
Speaker 2: unless they're calling the mobile home array. We never No,

1228
01:01:52,600 --> 01:01:56,160
Speaker 2: we never established that, but we did establish that he

1229
01:01:56,960 --> 01:01:59,880
Speaker 2: dealt cards. Right, he got an offer for the Vegas thing,

1230
01:02:00,080 --> 01:02:03,280
Speaker 2: So I think I j is.

1231
01:02:03,280 --> 01:02:07,680
Speaker 1: Not really an odd job. That's consistent, correct, So it

1232
01:02:07,760 --> 01:02:08,440
Speaker 1: seems weird that.

1233
01:02:08,760 --> 01:02:12,280
Speaker 2: Yeah, the truck driver from earlier agrees that's right. He

1234
01:02:12,400 --> 01:02:14,640
Speaker 2: also said that Sean was perfect for one of your daughters.

1235
01:02:14,640 --> 01:02:17,440
Speaker 2: As I recall, the owner frowns. I don't recall that

1236
01:02:18,240 --> 01:02:21,120
Speaker 2: the trucker stands by his words. I recall that Sean

1237
01:02:21,160 --> 01:02:24,240
Speaker 2: wonders which one in the girl's grin in Sarah's direction,

1238
01:02:24,640 --> 01:02:27,680
Speaker 2: she admits it was me. Sean can't help but rizz

1239
01:02:27,720 --> 01:02:31,320
Speaker 2: her up in response, Well, that always did have good taste.

1240
01:02:31,440 --> 01:02:33,400
Speaker 1: What is the point of this? So now I'm flirting?

1241
01:02:33,840 --> 01:02:38,000
Speaker 2: Yes, now you could be interested, and it's all just

1242
01:02:38,160 --> 01:02:41,400
Speaker 2: further it's it's just fear for great Now there's a

1243
01:02:41,440 --> 01:02:44,760
Speaker 2: grin and be interested and he likes it. Here's how

1244
01:02:44,760 --> 01:02:45,800
Speaker 2: am I ever going to get him out of this?

1245
01:02:46,160 --> 01:02:47,920
Speaker 2: I need to get him home the same way it

1246
01:02:48,040 --> 01:02:50,760
Speaker 2: happened for Eric in his episode.

1247
01:02:51,120 --> 01:02:53,680
Speaker 1: But why does he need to get me home? Why

1248
01:02:53,760 --> 01:02:54,280
Speaker 1: does Corey?

1249
01:02:55,080 --> 01:02:58,520
Speaker 2: Because the universe says this show is going to go

1250
01:02:58,720 --> 01:03:00,880
Speaker 2: for seven seas since.

1251
01:03:01,400 --> 01:03:05,360
Speaker 4: He has no argument, Like all, he wants to finish college.

1252
01:03:05,400 --> 01:03:08,480
Speaker 3: He says it when you're wrestling, He's like, you got it.

1253
01:03:08,520 --> 01:03:10,800
Speaker 3: Why you gotta go home and finish school and don't

1254
01:03:10,840 --> 01:03:11,600
Speaker 3: throw away your life?

1255
01:03:11,680 --> 01:03:14,760
Speaker 1: Like yeah, it would actually be easy to just say

1256
01:03:15,080 --> 01:03:18,280
Speaker 1: we have classes on Monday and test due and like

1257
01:03:18,640 --> 01:03:20,640
Speaker 1: Poene's expecting you, you can't bail.

1258
01:03:21,040 --> 01:03:22,880
Speaker 2: Yeah, because right now, I don't really.

1259
01:03:22,680 --> 01:03:25,520
Speaker 1: Feel the conflict other than like, oh, Sean might leave

1260
01:03:25,600 --> 01:03:28,480
Speaker 1: the show, right you don't want as a viewer. But

1261
01:03:28,560 --> 01:03:31,440
Speaker 1: otherwise it's not really clear, like Sean, go, yeah, take

1262
01:03:31,440 --> 01:03:32,000
Speaker 1: a trip, man.

1263
01:03:32,360 --> 01:03:34,400
Speaker 2: Corey throws his arms in the air. Now he's never

1264
01:03:34,520 --> 01:03:37,360
Speaker 2: coming home. The owner wonders, so what's your daddy up to?

1265
01:03:37,520 --> 01:03:37,680
Speaker 1: Now?

1266
01:03:38,120 --> 01:03:42,120
Speaker 2: Sean's excitement ends, Corey, none of these people know. The

1267
01:03:42,240 --> 01:03:45,560
Speaker 2: man questions know what. Sean tries to find the right words.

1268
01:03:45,960 --> 01:03:48,680
Speaker 2: I hate to tell you this, but my dad died

1269
01:03:48,760 --> 01:03:49,240
Speaker 2: last week.

1270
01:03:52,000 --> 01:03:52,280
Speaker 3: Sean.

1271
01:03:52,440 --> 01:03:53,400
Speaker 1: Also, how would they know?

1272
01:03:53,840 --> 01:03:56,400
Speaker 3: It's been a week and we're at a random truck stop,

1273
01:03:56,400 --> 01:04:00,240
Speaker 3: which we've already established is on the moon essentially, so

1274
01:04:00,360 --> 01:04:00,920
Speaker 3: how would.

1275
01:04:00,680 --> 01:04:01,320
Speaker 1: They have found out?

1276
01:04:02,040 --> 01:04:04,160
Speaker 2: I do think that's just one of those things where

1277
01:04:04,920 --> 01:04:08,920
Speaker 2: when you know everyone in Sean's life back home does know,

1278
01:04:10,000 --> 01:04:15,600
Speaker 2: and yeah, it's a weird feeling when someone you someone

1279
01:04:15,840 --> 01:04:17,560
Speaker 2: you love and are very close to dies and the

1280
01:04:17,640 --> 01:04:22,959
Speaker 2: rest of the world just goes on and you're like, yeah, yeah,

1281
01:04:23,240 --> 01:04:26,040
Speaker 2: and like so I kind of like that moment where

1282
01:04:26,080 --> 01:04:28,800
Speaker 2: he's like, I have if I go on this trip,

1283
01:04:28,840 --> 01:04:31,880
Speaker 2: I'm gonna have to tell all these people. The diner

1284
01:04:31,960 --> 01:04:34,800
Speaker 2: goes quiet. Finally, the trucker speaks up, so who shot him?

1285
01:04:35,200 --> 01:04:38,080
Speaker 2: Everyone bursts into laughter, and Sean wonders, is it okay

1286
01:04:38,120 --> 01:04:41,160
Speaker 2: that people are laughing? The owner nods, of course, it's okay.

1287
01:04:41,640 --> 01:04:43,600
Speaker 2: Just thinking about that ugly son of a gun's face

1288
01:04:43,680 --> 01:04:45,840
Speaker 2: is enough to make you laugh. They break out into

1289
01:04:45,920 --> 01:04:48,800
Speaker 2: laughter again, and this time Sean joins them. He asks,

1290
01:04:48,960 --> 01:04:49,200
Speaker 2: let me.

1291
01:04:49,240 --> 01:04:51,840
Speaker 1: Talk out my feelings. Is it okay to that laughing?

1292
01:04:52,120 --> 01:04:56,040
Speaker 1: Who ever asked that question? Now you feel insecure about it?

1293
01:04:56,320 --> 01:04:57,440
Speaker 6: Or do it?

1294
01:04:57,640 --> 01:04:57,680
Speaker 1: Like?

1295
01:04:59,720 --> 01:05:02,640
Speaker 2: Is it okay that I'm doing this? The owners lend

1296
01:05:02,720 --> 01:05:05,120
Speaker 2: some words of wisdom. Your father died, Sean, but he

1297
01:05:05,160 --> 01:05:08,640
Speaker 2: ain't gone. When someone you love leaves you, they're never gone.

1298
01:05:09,080 --> 01:05:12,640
Speaker 2: He taps his head. They stay right here. Sean wonders,

1299
01:05:13,080 --> 01:05:15,240
Speaker 2: how well did you guys know my dad? The man

1300
01:05:15,320 --> 01:05:18,320
Speaker 2: admits pretty well. He was always running from something. He

1301
01:05:18,440 --> 01:05:21,200
Speaker 2: had that way about him. Amy Sue chimes in, I

1302
01:05:21,320 --> 01:05:24,880
Speaker 2: always thought he was running for something. Again in list

1303
01:05:24,960 --> 01:05:28,280
Speaker 2: of conversations that have just never happened, this.

1304
01:05:28,440 --> 01:05:28,840
Speaker 1: Is up there.

1305
01:05:29,760 --> 01:05:31,760
Speaker 4: I thought that she meant like he was training for

1306
01:05:31,840 --> 01:05:34,720
Speaker 4: a marathon or something like that. Run for something.

1307
01:05:34,840 --> 01:05:39,880
Speaker 2: Yeah, yeah, Sean asks for what, and she answers you.

1308
01:05:40,880 --> 01:05:43,439
Speaker 2: The owner agrees you were all he talked about. Kid.

1309
01:05:43,800 --> 01:05:46,360
Speaker 2: Your father wanted to be perfect for you, and this

1310
01:05:46,560 --> 01:05:49,560
Speaker 2: is nice. I think this would be something that would

1311
01:05:49,600 --> 01:05:52,520
Speaker 2: mean something to Sean to hear from these people who

1312
01:05:52,600 --> 01:05:58,200
Speaker 2: knew his dad. Boy, he loved you. Sean's eye, well,

1313
01:05:58,480 --> 01:05:59,880
Speaker 2: he would have been perfect if he would have just

1314
01:06:00,040 --> 01:06:02,040
Speaker 2: in there for me. Sean brings over a tray with

1315
01:06:02,080 --> 01:06:04,720
Speaker 2: a beer in two sodas. The man grabs the beer

1316
01:06:04,760 --> 01:06:07,040
Speaker 2: and Sean takes a soda. Though Chet isn't here, he

1317
01:06:07,160 --> 01:06:10,320
Speaker 2: deserves a toast. Sean nods in agreement, but admits he's

1318
01:06:10,360 --> 01:06:13,400
Speaker 2: horrible at these things, so he asks Corey to say something,

1319
01:06:13,680 --> 01:06:16,640
Speaker 2: but he won't. He's mad at Sean. The audience laughs,

1320
01:06:16,680 --> 01:06:18,400
Speaker 2: and Shawn asks, are you mad at him?

1321
01:06:18,640 --> 01:06:21,800
Speaker 1: Sean is horrible. He's a poet, right, who gives a

1322
01:06:21,880 --> 01:06:25,480
Speaker 1: toast at the wedding, Right who also was chosen to

1323
01:06:25,520 --> 01:06:26,160
Speaker 1: give the speech.

1324
01:06:26,520 --> 01:06:29,560
Speaker 2: Yes, so why he was valedictorian.

1325
01:06:30,080 --> 01:06:33,800
Speaker 1: Is very good at speech. I mean it seems like he's.

1326
01:06:33,680 --> 01:06:36,919
Speaker 3: Actually really good at starting speeches and then storming off stage.

1327
01:06:38,800 --> 01:06:40,760
Speaker 3: That's what happened, right forte.

1328
01:06:40,920 --> 01:06:43,640
Speaker 2: Yeah, and Shawn asks, are you mad at him? In

1329
01:06:43,760 --> 01:06:46,800
Speaker 2: reference to chet Corey admits no, and he raises his

1330
01:06:46,880 --> 01:06:50,000
Speaker 2: soda bottle. Chet Hunter was not a saint, but he

1331
01:06:50,080 --> 01:06:52,400
Speaker 2: loved Sean as much as he possibly could. And even

1332
01:06:52,440 --> 01:06:54,440
Speaker 2: if he wasn't always around to show it, we all

1333
01:06:54,560 --> 01:06:56,720
Speaker 2: know he wanted to be and I'm sure if he could,

1334
01:06:57,320 --> 01:06:59,440
Speaker 2: he'd be here with you right now. I believe that.

1335
01:07:00,080 --> 01:07:04,520
Speaker 2: Sean smiles and agrees. Corey announces to chet Hunter Shawn's father.

1336
01:07:05,120 --> 01:07:09,479
Speaker 2: Everyone raises their glass. Here here, Sean repeats to chet Hunter,

1337
01:07:10,200 --> 01:07:16,680
Speaker 2: my father, now, question for you, do you think? Sean,

1338
01:07:18,200 --> 01:07:22,880
Speaker 2: at this point believes the last sentiment Chet had said

1339
01:07:22,920 --> 01:07:25,840
Speaker 2: in the hospital bed, which is I need you too, son.

1340
01:07:26,800 --> 01:07:30,080
Speaker 2: Do we think that both Corey and Sean do think

1341
01:07:30,160 --> 01:07:32,680
Speaker 2: that had Chet made it out of the hospital that time,

1342
01:07:32,800 --> 01:07:34,040
Speaker 2: he really would have stayed.

1343
01:07:34,800 --> 01:07:38,200
Speaker 3: Yes, I think so too. At least there's a hope

1344
01:07:38,240 --> 01:07:41,360
Speaker 3: there that that's what would have happened. That was Sean's

1345
01:07:41,640 --> 01:07:44,920
Speaker 3: entire life, though, was his father giving and getting his

1346
01:07:45,000 --> 01:07:47,320
Speaker 3: hopes up and then disappointing him. So at least he

1347
01:07:47,760 --> 01:07:50,960
Speaker 3: ended hopeful as opposed to disappoint it.

1348
01:08:04,000 --> 01:08:06,760
Speaker 2: All right, we're back in the apartment for a rousing

1349
01:08:06,960 --> 01:08:10,360
Speaker 2: Bee story. Rachel and Jack stare at Eric, who's in

1350
01:08:10,440 --> 01:08:13,240
Speaker 2: the kitchen drinking milk from the carton. Rachel admits, I'm

1351
01:08:13,240 --> 01:08:16,840
Speaker 2: really glad we're talking about this. Jack ads, see, we

1352
01:08:16,880 --> 01:08:18,559
Speaker 2: didn't want to tell you because we thought it would

1353
01:08:18,560 --> 01:08:21,360
Speaker 2: make it all weird between us. Eric's eyes, you know,

1354
01:08:21,720 --> 01:08:23,880
Speaker 2: when I saw you guys kissing, it bothered me, and

1355
01:08:24,000 --> 01:08:26,080
Speaker 2: I didn't know why. I didn't know if I was

1356
01:08:26,200 --> 01:08:30,000
Speaker 2: jealous or I felt betrayed or Rachel interjects, you know

1357
01:08:30,080 --> 01:08:32,320
Speaker 2: what I think it was. I think that Jack just

1358
01:08:32,400 --> 01:08:34,320
Speaker 2: really needed a friend, and I tried to be that

1359
01:08:34,479 --> 01:08:38,160
Speaker 2: for him. Eric assures her well, you're a really good friend.

1360
01:08:38,840 --> 01:08:41,360
Speaker 2: Jack chimes in, you saw me, Eric, I was in

1361
01:08:41,439 --> 01:08:44,920
Speaker 2: a dark place, Rachel admits, and, come to think of it,

1362
01:08:45,280 --> 01:08:47,800
Speaker 2: I may have gone a little too far. Jack ads

1363
01:08:48,240 --> 01:08:51,840
Speaker 2: maybe I did too. Eric questions, really, so you all

1364
01:08:51,960 --> 01:08:54,760
Speaker 2: just went too far. Rachel and Jack say yeah. So

1365
01:08:55,120 --> 01:08:59,519
Speaker 2: Eric repeats yeah, and then he asks, so then we're

1366
01:08:59,520 --> 01:09:05,120
Speaker 2: still three friends. Rachel tells him, no, better friends than

1367
01:09:05,200 --> 01:09:08,719
Speaker 2: we ever have been. Eric nods, yeah, you know something,

1368
01:09:09,080 --> 01:09:11,639
Speaker 2: This talking thing feels really good. We shouldn't be able

1369
01:09:11,680 --> 01:09:13,439
Speaker 2: to talk about stuff when they just go too far.

1370
01:09:14,040 --> 01:09:16,840
Speaker 2: Rachel and Jack say yeah. Wants more and Eric agrees yeah.

1371
01:09:17,240 --> 01:09:19,679
Speaker 2: He ends the conversation. He has some stuff in the dryer,

1372
01:09:19,800 --> 01:09:22,720
Speaker 2: so he's going to go and now left alone, Jack

1373
01:09:22,760 --> 01:09:27,240
Speaker 2: admits Eric's a stud. That's good. That's really good. Rachel agrees, yeah,

1374
01:09:27,400 --> 01:09:29,920
Speaker 2: I really respect that when somebody can just come out

1375
01:09:29,960 --> 01:09:33,400
Speaker 2: and say how they're feeling. No games. Jack turns to her,

1376
01:09:33,640 --> 01:09:35,800
Speaker 2: I want to kiss you. She responds, I want to

1377
01:09:35,840 --> 01:09:38,640
Speaker 2: kiss you too, Jack, and then they fall into the

1378
01:09:38,720 --> 01:09:39,720
Speaker 2: couch making out.

1379
01:09:40,960 --> 01:09:43,000
Speaker 1: Not as good a kiss where are the other episode?

1380
01:09:43,400 --> 01:09:45,280
Speaker 2: But not a kiss as the life, not as good

1381
01:09:45,320 --> 01:09:47,720
Speaker 2: of a kid, I think one of the things that

1382
01:09:48,280 --> 01:09:50,560
Speaker 2: ruined the B story for me is that it's so

1383
01:09:51,240 --> 01:09:54,200
Speaker 2: very obvious from the very beginning of this episode with

1384
01:09:54,280 --> 01:09:57,320
Speaker 2: them behaving awkwardly in the kitchen that they do like

1385
01:09:57,400 --> 01:10:00,240
Speaker 2: each other and want to be in a relationship if

1386
01:10:00,280 --> 01:10:04,160
Speaker 2: there wasn't any awkwardness between them, and both of them

1387
01:10:04,240 --> 01:10:07,880
Speaker 2: were like, by the way, I have to talk to

1388
01:10:07,920 --> 01:10:08,320
Speaker 2: you about that.

1389
01:10:08,760 --> 01:10:10,320
Speaker 3: Yeah, I'm so sorry.

1390
01:10:10,880 --> 01:10:13,200
Speaker 2: Yeah, and you know what, me too, And we actually

1391
01:10:13,280 --> 01:10:15,080
Speaker 2: were like, oh, that's a bummer because it looked kind

1392
01:10:15,080 --> 01:10:16,920
Speaker 2: of hot, like and I thought there was really something

1393
01:10:16,960 --> 01:10:19,519
Speaker 2: between them, but they are both for acting as though

1394
01:10:19,600 --> 01:10:22,400
Speaker 2: for sure they don't want this. They have this conversation

1395
01:10:22,520 --> 01:10:24,720
Speaker 2: with Eric, we actually believe all of it, and then

1396
01:10:25,280 --> 01:10:27,960
Speaker 2: and then the turn, and then the turn or you

1397
01:10:28,160 --> 01:10:30,200
Speaker 2: have Eric come in and say I think you guys

1398
01:10:30,200 --> 01:10:32,680
Speaker 2: should be together. Just go for it, and then they're like, no, no, no, no,

1399
01:10:32,920 --> 01:10:35,720
Speaker 2: we really don't want to. Exactually have a conflict with Eric,

1400
01:10:35,960 --> 01:10:38,320
Speaker 2: and then they insist, and then Eric says, okay, I

1401
01:10:38,479 --> 01:10:39,920
Speaker 2: just wanted you to know it's okay with.

1402
01:10:40,040 --> 01:10:40,840
Speaker 1: Me, and then.

1403
01:10:42,360 --> 01:10:45,439
Speaker 3: They lied to and then they keep Because I think

1404
01:10:45,439 --> 01:10:47,360
Speaker 3: we do a couple of episodes now where everything is

1405
01:10:47,760 --> 01:10:49,760
Speaker 3: like done secretive secret.

1406
01:10:49,560 --> 01:10:52,000
Speaker 1: They could have just gotten too that secretive. It really

1407
01:10:52,120 --> 01:10:53,880
Speaker 1: like our show just decided to tread water for a

1408
01:10:53,920 --> 01:10:57,160
Speaker 1: whole episode. It's like, let's not change anything. Let's just

1409
01:10:57,280 --> 01:10:59,759
Speaker 1: hint to change and get these this girl band in here.

1410
01:11:00,200 --> 01:11:02,439
Speaker 2: Right, let's put the show on hold. Basically, that's what

1411
01:11:02,520 --> 01:11:02,840
Speaker 2: I'm saying.

1412
01:11:02,840 --> 01:11:04,479
Speaker 3: That's why this is not an episode of Woman's World.

1413
01:11:04,840 --> 01:11:07,479
Speaker 2: Yeah all right, Well, then we're back into Chet's trailer.

1414
01:11:07,560 --> 01:11:09,040
Speaker 2: Seawan is setting up the pull out bed.

1415
01:11:09,160 --> 01:11:12,559
Speaker 1: Until scoring ran exploded. I was like, that's the trailer

1416
01:11:13,080 --> 01:11:15,880
Speaker 1: if we actually moved their house, how are we supposed

1417
01:11:15,880 --> 01:11:20,040
Speaker 1: to believe this putting down the bed. Wasn't there a

1418
01:11:20,160 --> 01:11:20,919
Speaker 1: back bedroom?

1419
01:11:21,360 --> 01:11:23,080
Speaker 4: Yes, but that's where you would be.

1420
01:11:23,720 --> 01:11:25,560
Speaker 1: But they had to they had to get rid of

1421
01:11:25,920 --> 01:11:28,360
Speaker 1: the hallway that was back there because the trailer would

1422
01:11:28,360 --> 01:11:31,120
Speaker 1: have been and when we saw the trailer in previous episodes,

1423
01:11:31,240 --> 01:11:34,679
Speaker 1: our previous seasons, there was a back hallway to other

1424
01:11:34,880 --> 01:11:37,600
Speaker 1: rooms that they then have to like wall off and

1425
01:11:37,760 --> 01:11:38,800
Speaker 1: act like they don't exist.

1426
01:11:39,160 --> 01:11:41,559
Speaker 2: Oh yeah, there, So that area that were you there's

1427
01:11:41,600 --> 01:11:48,200
Speaker 2: not even there anymore because it has trailer. Oh god, yeah,

1428
01:11:48,240 --> 01:11:48,599
Speaker 2: you're right.

1429
01:11:49,800 --> 01:11:52,519
Speaker 3: Maybe you just left the bedrooms back at the trailer,

1430
01:11:53,360 --> 01:11:55,960
Speaker 3: yea of the living room and dining room with you.

1431
01:11:57,720 --> 01:11:59,840
Speaker 2: Sean is setting up the pull out bed as he tells,

1432
01:12:00,400 --> 01:12:02,240
Speaker 2: I'm on a journey, so I've got to stay on

1433
01:12:02,320 --> 01:12:05,080
Speaker 2: this journey. Corey mocks him. Oh, you're on a journey.

1434
01:12:05,160 --> 01:12:07,080
Speaker 2: It was a two day trip. Now it's a journey.

1435
01:12:07,479 --> 01:12:12,960
Speaker 2: Soon it will be a voyage. That's so funny. Sean insists,

1436
01:12:13,040 --> 01:12:15,040
Speaker 2: I'm looking for something. Okay, I'm not going to be

1437
01:12:15,080 --> 01:12:16,479
Speaker 2: able to find it at home, and I'm not going

1438
01:12:16,520 --> 01:12:18,719
Speaker 2: to be able to find it with you. Corey shouts,

1439
01:12:18,760 --> 01:12:20,360
Speaker 2: then why am I on this trip? Why did you

1440
01:12:20,439 --> 01:12:22,560
Speaker 2: bring me in the first place. Sean tells him so

1441
01:12:22,680 --> 01:12:25,000
Speaker 2: I could get your blessing because I wanted to say goodbye.

1442
01:12:25,520 --> 01:12:28,760
Speaker 2: Corey shakes his head in disgust. You are sick, sir.

1443
01:12:29,240 --> 01:12:32,439
Speaker 2: So this was a fling. I feel cheap. He demands

1444
01:12:32,439 --> 01:12:34,519
Speaker 2: Sean give him the keys, but Sean jumps back. He

1445
01:12:34,640 --> 01:12:36,400
Speaker 2: wants to spend the night in the trailer, but Corey

1446
01:12:36,560 --> 01:12:39,080
Speaker 2: argues he wants to turn this trailer around and go home.

1447
01:12:39,560 --> 01:12:42,040
Speaker 2: The boys start to squabble, and Corey threatens to tell

1448
01:12:42,120 --> 01:12:44,519
Speaker 2: Feene while they wrestle. Sean says he needs to hear

1449
01:12:44,600 --> 01:12:46,519
Speaker 2: that everything's going to be okay and he's making the

1450
01:12:46,600 --> 01:12:49,760
Speaker 2: right decision. Corey flings him backwards. You want my help,

1451
01:12:50,120 --> 01:12:53,519
Speaker 2: go home, finish college and work on your papal skills.

1452
01:12:54,080 --> 01:12:57,160
Speaker 2: Still sparring, Sean suggests we're going to sleep on it.

1453
01:12:57,640 --> 01:12:59,840
Speaker 2: They both land on the floor, still fighting, when there's

1454
01:12:59,840 --> 01:13:02,400
Speaker 2: an knock at the door. Amy Sue just walks right in.

1455
01:13:02,840 --> 01:13:06,720
Speaker 2: We need your advice. Corey looks at Sean, perhaps we

1456
01:13:06,800 --> 01:13:09,120
Speaker 2: should get up. The rest of the girls walk in,

1457
01:13:09,240 --> 01:13:11,479
Speaker 2: and Ali explains, we want to see if we can

1458
01:13:11,560 --> 01:13:14,559
Speaker 2: make it somewhere other than here. Stacy adds their father

1459
01:13:14,680 --> 01:13:15,479
Speaker 2: will never let that.

1460
01:13:15,600 --> 01:13:18,519
Speaker 1: Happen, and you have to make this decision.

1461
01:13:19,360 --> 01:13:23,680
Speaker 2: Phil Spector and Quincy Jonesincy Jones to figure this out,

1462
01:13:24,280 --> 01:13:26,920
Speaker 2: but Sarah's mind is made up. It doesn't matter. I'm

1463
01:13:26,960 --> 01:13:30,320
Speaker 2: not leaving. Amy, Sue and I are all Dad has Amy.

1464
01:13:30,360 --> 01:13:32,519
Speaker 2: Sue argues, we can't stay here for the rest of

1465
01:13:32,560 --> 01:13:35,960
Speaker 2: our lives. Stacey asks the boys, look, this is a

1466
01:13:36,000 --> 01:13:38,920
Speaker 2: big decision. Could you tell us what you really think?

1467
01:13:39,520 --> 01:13:45,240
Speaker 2: Corey responds, no, I can't because I don't know you. Finally,

1468
01:13:46,520 --> 01:13:51,280
Speaker 2: I don't want to. I'm not gonna you can't make me,

1469
01:13:51,720 --> 01:13:54,520
Speaker 2: which is what they should have said about this episode.

1470
01:13:54,800 --> 01:13:56,040
Speaker 3: Yeah, pretty much.

1471
01:13:56,560 --> 01:14:00,800
Speaker 2: Yeah, Amy, Sue stares at him, and Corey immediately gives

1472
01:14:00,840 --> 01:14:03,960
Speaker 2: in You girls are better than every band I've heard

1473
01:14:04,040 --> 01:14:07,240
Speaker 2: in college. I mean, you have a real shot out there,

1474
01:14:07,520 --> 01:14:09,519
Speaker 2: and even if things don't work out, you'll never know

1475
01:14:09,640 --> 01:14:11,360
Speaker 2: what your lives are gonna be like if you don't

1476
01:14:11,439 --> 01:14:14,000
Speaker 2: see what else is out there. So talk to your father.

1477
01:14:14,200 --> 01:14:18,479
Speaker 2: He'll understand. He seems like a very understanding guy. And

1478
01:14:18,680 --> 01:14:20,600
Speaker 2: then he's behind me.

1479
01:14:23,479 --> 01:14:29,000
Speaker 1: Couldn't he say something that's actually scary? Tostead the understanding guy.

1480
01:14:29,040 --> 01:14:32,160
Speaker 1: He's a nice guy. That's not like the beat is there,

1481
01:14:32,240 --> 01:14:34,759
Speaker 1: but the line is completely wrong. It should be totally

1482
01:14:35,080 --> 01:14:37,840
Speaker 1: Your dad's not very bright. The reality is he's not

1483
01:14:37,920 --> 01:14:38,880
Speaker 1: going to really get this.

1484
01:14:39,320 --> 01:14:41,360
Speaker 2: He's kind of a he's gonna want to hold you back,

1485
01:14:41,400 --> 01:14:42,919
Speaker 2: but that's because it's totally selfish.

1486
01:14:43,080 --> 01:14:44,160
Speaker 1: Yeah, he's just whatever.

1487
01:14:44,400 --> 01:14:49,120
Speaker 2: Just their dad walks into the trailer and Corey turns

1488
01:14:49,160 --> 01:14:51,320
Speaker 2: around and screams at the sight of the menacing man.

1489
01:14:51,479 --> 01:14:53,960
Speaker 2: The man asks, why are you in here with my daughters?

1490
01:14:54,400 --> 01:14:56,040
Speaker 2: Corey gaslights him, I'm not.

1491
01:15:00,040 --> 01:15:04,080
Speaker 1: I'm not what this isn't cake? This isn't Corey, this

1492
01:15:04,200 --> 01:15:07,200
Speaker 1: is cake exactly. That would have been a great callback.

1493
01:15:08,000 --> 01:15:10,280
Speaker 2: I just jumped in and said that this is the

1494
01:15:10,360 --> 01:15:13,920
Speaker 2: cake because he's Corey is his cake. Corey thinks we're good.

1495
01:15:14,400 --> 01:15:16,800
Speaker 2: He thinks we should take a chance and leave. Corey

1496
01:15:16,840 --> 01:15:19,960
Speaker 2: denies everything. She's a liar. The man questions, why do

1497
01:15:20,040 --> 01:15:23,120
Speaker 2: you want my girls to leave me? Corey explains, I don't,

1498
01:15:23,400 --> 01:15:25,920
Speaker 2: It's just he places a hand on the scary man.

1499
01:15:26,439 --> 01:15:29,160
Speaker 2: There comes a time in every man's life, Bill, He

1500
01:15:29,240 --> 01:15:31,960
Speaker 2: stops himself. You don't want me to touch you, do you?

1501
01:15:32,560 --> 01:15:35,599
Speaker 2: Bill threatens, why don't you keep doing it and see

1502
01:15:35,640 --> 01:15:39,280
Speaker 2: what happens? Pulling his hand off Bill, Corey continues, there

1503
01:15:39,320 --> 01:15:41,320
Speaker 2: comes a time in every man's life where he has

1504
01:15:41,400 --> 01:15:43,400
Speaker 2: to let go of the people he loves and let

1505
01:15:43,439 --> 01:15:47,040
Speaker 2: them find their own way. Sean laughs at the obvious hypocrisy,

1506
01:15:47,120 --> 01:15:49,639
Speaker 2: and Corey yells, I'm not talking about you, I'm talking

1507
01:15:49,640 --> 01:15:53,800
Speaker 2: about them. Corey notices Bill's threatening look and backtracks, I'm

1508
01:15:53,880 --> 01:15:56,479
Speaker 2: not talking about them, I'm talking about me. I want

1509
01:15:56,520 --> 01:15:59,120
Speaker 2: to go home. He tries to leave the trailer, but

1510
01:15:59,200 --> 01:16:02,240
Speaker 2: Bill stops him. Hold on, little man, Corey curses, I

1511
01:16:02,400 --> 01:16:06,000
Speaker 2: was almost out the door. Sarah assures her dad they'll

1512
01:16:06,040 --> 01:16:08,080
Speaker 2: stay here. He needs help running the place and he

1513
01:16:08,200 --> 01:16:11,960
Speaker 2: needs them, so they'll stay. Bill takes a deep breath. Girls,

1514
01:16:12,600 --> 01:16:15,559
Speaker 2: you're fired. They look at each other and smile. Amy

1515
01:16:15,640 --> 01:16:18,920
Speaker 2: Sue thanks her dad. Sarah assures him they'll make him proud.

1516
01:16:19,280 --> 01:16:21,720
Speaker 2: He tells them he's already proud. And the whole time,

1517
01:16:21,720 --> 01:16:27,519
Speaker 2: I'm going, why does anyone watching care at all about

1518
01:16:27,840 --> 01:16:29,120
Speaker 2: this story? About it?

1519
01:16:29,120 --> 01:16:31,519
Speaker 3: But you're assuming people are watching at this point because

1520
01:16:31,560 --> 01:16:33,240
Speaker 3: of the thing, and I think.

1521
01:16:33,200 --> 01:16:33,960
Speaker 4: That's a sumption.

1522
01:16:34,120 --> 01:16:36,479
Speaker 3: We've got a really yah wish. Yikes.

1523
01:16:37,000 --> 01:16:38,680
Speaker 4: It almost seemed like, you know what this seemed like

1524
01:16:38,680 --> 01:16:38,880
Speaker 4: to me?

1525
01:16:39,160 --> 01:16:41,640
Speaker 3: This seemed like they were working as hard as they

1526
01:16:41,680 --> 01:16:45,760
Speaker 3: could to spin off an entire new show for these girls. Yeah,

1527
01:16:46,160 --> 01:16:50,240
Speaker 3: and yes, they're their foray into Okay, this episode's going

1528
01:16:50,280 --> 01:16:52,960
Speaker 3: to be about you, because this is essentially your backdoor pilot,

1529
01:16:53,400 --> 01:16:55,479
Speaker 3: and we're gonna then get you on the road and

1530
01:16:55,560 --> 01:16:59,240
Speaker 3: then it's the all girl band TV show. God, that's

1531
01:16:59,280 --> 01:16:59,920
Speaker 3: what it seemed like to me.

1532
01:17:00,520 --> 01:17:03,160
Speaker 2: He turns to Corey and announces, if anything should happen

1533
01:17:03,200 --> 01:17:05,320
Speaker 2: to them, I'll hunt you down like a dog.

1534
01:17:06,400 --> 01:17:07,120
Speaker 1: What why?

1535
01:17:07,200 --> 01:17:07,960
Speaker 3: Why is this on me?

1536
01:17:08,360 --> 01:17:09,960
Speaker 2: It has nothing to do with him.

1537
01:17:12,560 --> 01:17:15,160
Speaker 1: He encourages them necessarily other than saying they're talented.

1538
01:17:15,479 --> 01:17:19,240
Speaker 2: No, Corey gives him a big fake grin. Then we'll

1539
01:17:19,240 --> 01:17:22,600
Speaker 2: see each other again soon. Amy Sue asks Bill if

1540
01:17:22,640 --> 01:17:24,680
Speaker 2: he's going to be okay without them, and he reminds her,

1541
01:17:24,800 --> 01:17:27,639
Speaker 2: I'm not going to be without you. You're always right here,

1542
01:17:27,920 --> 01:17:30,599
Speaker 2: and he taps his head again. Corey then walks over

1543
01:17:30,640 --> 01:17:35,120
Speaker 2: to Sean. You're fired. Sean asks from what, and Corey explains,

1544
01:17:35,439 --> 01:17:37,600
Speaker 2: from me, I don't know what you're looking for, but

1545
01:17:37,680 --> 01:17:39,160
Speaker 2: I guess you need to go away for a while

1546
01:17:39,240 --> 01:17:42,880
Speaker 2: to find it. Sean grins, Are you sure, daddy? Corey

1547
01:17:42,960 --> 01:17:46,000
Speaker 2: turns to Bill. We sure, Bill. Bill gives him a nod.

1548
01:17:46,400 --> 01:17:49,559
Speaker 2: I'm afraid so, kid. Corey tells Sean, if you ever

1549
01:17:49,640 --> 01:17:52,240
Speaker 2: need anything, or you ever need my help, Sean cuts

1550
01:17:52,320 --> 01:17:52,559
Speaker 2: him off.

1551
01:17:53,080 --> 01:17:53,320
Speaker 1: I know.

1552
01:17:54,000 --> 01:17:56,760
Speaker 2: Corey turns back to Bill once it's so hard to

1553
01:17:56,840 --> 01:17:59,920
Speaker 2: let him go. Bill agrees as he holds the girl's club.

1554
01:18:00,640 --> 01:18:03,400
Speaker 2: Corey reaches into his pocket and hands Sean the red bandana.

1555
01:18:03,880 --> 01:18:06,519
Speaker 2: He tells Sean to take care of himself, and then

1556
01:18:07,240 --> 01:18:11,400
Speaker 2: we get the one great scene in the episode. The

1557
01:18:11,520 --> 01:18:14,200
Speaker 2: next day, Shawn is back and the red bandana and

1558
01:18:14,240 --> 01:18:17,840
Speaker 2: the leather jacket. Situating himself into the truck, he sits

1559
01:18:17,880 --> 01:18:20,479
Speaker 2: at the steering wheel and he lets out a big sigh.

1560
01:18:21,080 --> 01:18:24,280
Speaker 2: Then we hear Chet's voice he gonna crank it up

1561
01:18:24,360 --> 01:18:27,000
Speaker 2: or what. Sean's stunned to see his dad in the

1562
01:18:27,000 --> 01:18:29,719
Speaker 2: passenger seat, but Chet just laughs, Bet you didn't expect

1563
01:18:29,760 --> 01:18:32,680
Speaker 2: to see me han Son. Sean asks what he's doing there,

1564
01:18:32,720 --> 01:18:35,519
Speaker 2: and Chet explains, you're looking for something. I thought i'd

1565
01:18:35,560 --> 01:18:38,280
Speaker 2: try and help you find it. Sean admits, that's very

1566
01:18:38,320 --> 01:18:41,280
Speaker 2: cool of you. Chet boasts I was always a cool guy.

1567
01:18:41,680 --> 01:18:45,960
Speaker 2: Sean laughs, then lovingly admits I miss you. Chet nods

1568
01:18:46,320 --> 01:18:49,880
Speaker 2: I know, but remember I'm always right here, and he

1569
01:18:49,920 --> 01:18:53,519
Speaker 2: taps Sean's head. Sean smiles, but when he faces forward

1570
01:18:53,560 --> 01:18:55,720
Speaker 2: to turn on the car, we see Chet is no

1571
01:18:55,880 --> 01:18:59,679
Speaker 2: longer there, but Sean is setting off for his adventure. Also,

1572
01:19:00,360 --> 01:19:02,080
Speaker 2: Sean could be on mushrooms.

1573
01:19:02,040 --> 01:19:04,679
Speaker 3: That's possible, but it's a great scene. It's a great

1574
01:19:04,720 --> 01:19:06,559
Speaker 3: scene or great mushrooms, either one.

1575
01:19:06,520 --> 01:19:07,519
Speaker 2: One of the two. Either way.

1576
01:19:07,840 --> 01:19:11,120
Speaker 1: The second chets on screen, it's like it's maragic. He's

1577
01:19:11,200 --> 01:19:13,800
Speaker 1: just got so much charisma, it's so much energy.

1578
01:19:13,560 --> 01:19:16,840
Speaker 4: And the two of you work together and it's just great.

1579
01:19:17,080 --> 01:19:18,519
Speaker 2: Yep, so beautiful.

1580
01:19:18,680 --> 01:19:20,680
Speaker 3: Took us twenty one and a half minutes to get there.

1581
01:19:23,479 --> 01:19:25,519
Speaker 2: Thank you all for joining us for this episode of

1582
01:19:25,520 --> 01:19:27,360
Speaker 2: Pod Meets World. As always, you can follow us on

1583
01:19:27,479 --> 01:19:29,920
Speaker 2: Instagram pod meets World Show. You can send us your

1584
01:19:29,960 --> 01:19:33,439
Speaker 2: emails podmeets World show at gmail dot com, and we've

1585
01:19:33,479 --> 01:19:34,040
Speaker 2: got March.

1586
01:19:35,240 --> 01:19:38,000
Speaker 3: Side effects of the death boner can include death boner's

1587
01:19:38,120 --> 01:19:40,920
Speaker 3: spitting loss or sudden everything's really loud for some reason.

1588
01:19:41,280 --> 01:19:45,000
Speaker 3: If your deathboner lasts more than four hours, sweet March.

1589
01:19:46,280 --> 01:19:54,639
Speaker 2: Pod meets Worldshow dot com zombie Boner. You can join

1590
01:19:54,720 --> 01:19:57,160
Speaker 2: us for our next episode recap, which is season six,

1591
01:19:57,280 --> 01:20:02,280
Speaker 2: episode sixteen. My Baby Valentine, which I guess is the baby.

1592
01:20:03,040 --> 01:20:06,080
Speaker 1: Yep, I get to give to a baby.

1593
01:20:06,280 --> 01:20:08,120
Speaker 2: Oh god, you give another year?

1594
01:20:08,160 --> 01:20:12,400
Speaker 4: You still thanksty God? Damn it, my god.

1595
01:20:12,960 --> 01:20:14,120
Speaker 1: I can't talk about it right now.

1596
01:20:14,439 --> 01:20:23,000
Speaker 2: No later, I don't know, yes later, writer, send us out.

1597
01:20:23,280 --> 01:20:27,680
Speaker 1: We love you all, pod dismissed. Podmeats World is an

1598
01:20:27,720 --> 01:20:30,840
Speaker 1: iHeart podcast producer and hosted by Danielle Fischel, Wilfredell and

1599
01:20:30,960 --> 01:20:34,919
Speaker 1: Ryder Strong. Executive producers Jensen Karp and Amy Sugarman, Executive

1600
01:20:34,960 --> 01:20:39,080
Speaker 1: in charge of production, Danielle Romo, producer and editor, Tarasubash producer,

1601
01:20:39,200 --> 01:20:42,400
Speaker 1: Maddie Moore engineer and Boy Meets World Superman Easton Allen.

1602
01:20:42,560 --> 01:20:45,679
Speaker 1: Our theme song is by Kyle Morton of Typhoon. Follow

1603
01:20:45,760 --> 01:20:48,559
Speaker 1: us on Instagram at Podmeets World Show or email us

1604
01:20:48,640 --> 01:20:51,280
Speaker 1: at Podmeets World Show at gmail dot com