WEBVTT - From the Vault: Fire From the Rocks, Part 3

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind. My name

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<v Speaker 1>is Robert Lamb.

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<v Speaker 2>And I'm Joe McCormick, and it's Saturday. Time to go

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<v Speaker 2>into the vault for an older episode of the show.

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<v Speaker 2>We are continuing the re air of our series Fire

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<v Speaker 2>from the Rocks, originally published in April and May of

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<v Speaker 2>twenty twenty two. This is part three and this episode

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<v Speaker 2>came out on May fifth, twenty twenty two.

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<v Speaker 3>Enjoy Welcome to Stuff to Blow Your Mind, production of iHeartRadio.

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 2>My name is Robert Lamb and I'm Joe McCormick, and

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<v Speaker 2>today we're back with part three of our series on

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<v Speaker 2>naturally fueled flames and the smolderings and burnings that come

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<v Speaker 2>from the earth itself or from the rocks. So in

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<v Speaker 2>the last episode of the series, we talked talked about

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<v Speaker 2>the Burning Mountain or Mount WinGen in Australia done in

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<v Speaker 2>New South Wales, which is an example of a naturally

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<v Speaker 2>fueled type of fire called a coal seam fire, a

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<v Speaker 2>place where coal formations underground are set on fire and

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<v Speaker 2>then continue to burn as long as they can, as

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<v Speaker 2>long as they have access to oxygen, probably and while

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<v Speaker 2>there's no way to know for sure, Mount WinGen has

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<v Speaker 2>been proposed as potentially the longest burning fire on earth. Though.

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<v Speaker 2>It's interesting because today, as we discussed last time, there's

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<v Speaker 2>no fire that you can see at the surface. There's

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<v Speaker 2>only this large patch of bleached and baked soil which

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<v Speaker 2>can be hot to the touch, and or at least

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<v Speaker 2>parts of it can, and it's a devoid of plant

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<v Speaker 2>life within this patch. And then of course all around

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<v Speaker 2>it there are these interesting sort of there's like a

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<v Speaker 2>war for survival at the border of this burned region,

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<v Speaker 2>so you'll see, like you know, grasses trying to survive,

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<v Speaker 2>and then these bleach tree trunks that are long dead

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<v Speaker 2>but still standing. And then also around this area you

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<v Speaker 2>find these deep cracks or crevices in the earth, out

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<v Speaker 2>of which poor smoke and sulfurous fumes. So the fire

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<v Speaker 2>is burning, but it's burning in the deep. It's burning

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<v Speaker 2>out of sight down inside the mountain, fed by oxygen

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<v Speaker 2>from the surface. And nobody knows how the fire inside

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<v Speaker 2>Mount Engine got started, but it's presumed to be a

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<v Speaker 2>result of some form of natural ignition. Maybe the coal

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<v Speaker 2>at the surface underwent a chemical reaction leading to spontaneous

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<v Speaker 2>combustion or autoignition as it's called, or maybe it was

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<v Speaker 2>struck by lightning or by brush fire, but we don't

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<v Speaker 2>really know. However, there are many other coal seam fires

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<v Speaker 2>that have mostly in one way or another, been created

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<v Speaker 2>by human behavior, and a big example here is coal

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<v Speaker 2>mine fires, my fires that fires in a coal seam

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<v Speaker 2>that get started one way or another because of mining there,

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<v Speaker 2>and they are actually a number of these that are

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<v Speaker 2>that are still burning throughout the world today.

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<v Speaker 1>I'm trying to remember if I know any coal mining

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<v Speaker 1>songs about coal mine fires. There's some really good, like

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<v Speaker 1>mining town folk songs and whatnot, but I can't remember

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<v Speaker 1>any offhand that mentioned fires.

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<v Speaker 2>The real good coal mining folk songs I know were

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<v Speaker 2>like union songs.

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<v Speaker 1>Yeah, same yeah, high Sheriff of hazard and so forth.

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<v Speaker 2>Which side are you on?

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<v Speaker 1>Yeah yeah, yeah, that's that sort of thing.

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<v Speaker 2>Well, yeah, those are great songs, but I don't know

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<v Speaker 2>of any of them that mention a coal seam fire. However,

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<v Speaker 2>I did actually find a poem that mentions a coal

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<v Speaker 2>seam fire, and not just any coal seam fire, but

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<v Speaker 2>the one that I was specifically about to talk about.

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<v Speaker 2>Because so there's a very famous example in the United

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<v Speaker 2>States of a coal seam fire that's been burning for

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<v Speaker 2>decades and it is situated underneath the town of Centralia, Pennsylvania.

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<v Speaker 2>The poem I found was one by a poet named

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<v Speaker 2>Leonard Cress called the Centralia Mine Fire, and I thought

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<v Speaker 2>it was really pretty great. It talks about the town

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<v Speaker 2>being the shrine of the Holy Order of Anthracite, and

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<v Speaker 2>the last four lines of the poem read, though odors

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<v Speaker 2>of bottom damp and methane no longer reek into the

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<v Speaker 2>streets and ignite, the underground tunnels burn, and each vein

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<v Speaker 2>of coal potential fuse leads to another domain.

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<v Speaker 1>Oh nice. This is a contemporary poet by the way. Yeah,

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<v Speaker 1>they have a website Leonardcress dot com.

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<v Speaker 2>So the town of Centralia is in eastern Pennsylvania. It

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<v Speaker 2>was settled in the mid eighteen hundreds and being situated

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<v Speaker 2>over a large coal formation, I think for most of

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<v Speaker 2>its history it was a town where the local economy

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<v Speaker 2>was based around a coal mine, which would not be

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<v Speaker 2>uncommon in places like Pennsylvania or West Virginia, places in

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<v Speaker 2>the US where there's a lot of coal and settlements

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<v Speaker 2>can grow up around the extraction industry based on that coal.

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<v Speaker 2>It was never a huge city. I think in the

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<v Speaker 2>early nineteen sixties the town had some a little over

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<v Speaker 2>two thousand residents, I believe, But things started changing in

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<v Speaker 2>the year nineteen sixty two when part of the coal

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<v Speaker 2>seam that formed the town's industrial base caught fire. Now

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<v Speaker 2>there's still apparently disagreement about exactly how it caught fire.

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<v Speaker 2>One idea I read is that it happened to because

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<v Speaker 2>of a pre existing coal seam fire from a neighboring

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<v Speaker 2>region that spread slowly over several decades until it made

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<v Speaker 2>contact with the Centralia sem and then just burned on

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<v Speaker 2>from there. But I think that's a minority position. The

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<v Speaker 2>more commonly cited explanations involve a garbage stump, and so

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<v Speaker 2>the idea is that the coal caught fire either when

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<v Speaker 2>a scheduled trash burn at a local landfill penetrated the

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<v Speaker 2>mine tunnels and managed to ignite the coal, or possibly

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<v Speaker 2>when some kind of hot ash or coal was dumped

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<v Speaker 2>directly into the pit and set the coal burning. Either way,

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<v Speaker 2>it's a good example to think about how if you've

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<v Speaker 2>got open deposits of coal that are exposed to the atmosphere,

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<v Speaker 2>you really don't want to be burning stuff near that.

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<v Speaker 1>Yeah yeah, trying to imagine the sort of the apocalyptic

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<v Speaker 1>scenario where your garbage fires meet your coal mine tunnels.

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<v Speaker 2>Yeah yeah. And so apparently the locals knew there was

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<v Speaker 2>a fire in the mines beginning in nineteen sixty two,

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<v Speaker 2>but didn't quite realize what a problem it was until

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<v Speaker 2>years later, around the late seventies and early eighties. And

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<v Speaker 2>there were a few touch points here. One story from

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<v Speaker 2>nineteen seventy nine that I've seen in multiple sources is

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<v Speaker 2>that there was a local gas station owner named John Coddington,

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<v Speaker 2>who was also the mayor of the town, who one

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<v Speaker 2>day went out to check the levels in his underground

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<v Speaker 2>storage tank. So when you go to a gas station,

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<v Speaker 2>you know, you get out the pump the gases being

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<v Speaker 2>pumped up from these big tanks under the ground that's

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<v Speaker 2>where the gas lives. And something seemed off, I guess

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<v Speaker 2>when he was checking the levels in the tanks. So

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<v Speaker 2>he ended up checking the temperature in the storage tanks

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<v Speaker 2>and found that the gasoline was one hundred and seventy

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<v Speaker 2>two degrees fahrenheit. Whoa, yeah, yikes, And this did make

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<v Speaker 2>me wonder I was like, wait, what is the autoignition

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<v Speaker 2>temperature of gasoline? Because I might have guessed that if

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<v Speaker 2>you heat gasoline up to one seventy two degrees fahrenheit

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<v Speaker 2>in the presence of oxygen, that would be close to

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<v Speaker 2>it automatically igniting on its own. But I checked, and no,

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<v Speaker 2>my intuition was way off. I see some pretty different numbers,

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<v Speaker 2>but they're all much higher than this. A website called

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<v Speaker 2>engineering toolbox dot com suggests that the autoignition temperature of

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<v Speaker 2>gasoline is more like four to seventy five to five

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<v Speaker 2>thirty six degrees fahrenheit or two forty six to two

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<v Speaker 2>eighty celsius. So it wasn't gonna catch fire on its own,

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<v Speaker 2>but that's still freaky.

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<v Speaker 1>Yeah, And quick disclaimer out there, please do not try

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<v Speaker 1>and eat up gasolene.

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<v Speaker 2>Oh no, don't test out these numbers. Yeah, this is

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<v Speaker 2>not an experiment to perform in your kitchen. In fact,

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<v Speaker 2>just don't ever take gasoline inside your house. Yeah. But

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<v Speaker 2>so that was seventy nine. But then a real turning

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<v Speaker 2>point seemed to come in nineteen eighty one, when a

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<v Speaker 2>local boy who was twelve years old was nearly swallowed

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<v Speaker 2>up and killed. He managed to survive, but he was

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<v Speaker 2>nearly swallowed by the sudden collapse of a sinkhole created

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<v Speaker 2>by the Coalseum fire. And so for a contemporary report

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<v Speaker 2>on this, I found an AP article published on February twentieth,

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<v Speaker 2>nineteen eighty one called Pennsylvania Fearful fire rages for nineteen years.

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<v Speaker 1>This is a good This is a I mean, it's

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<v Speaker 1>a serious story, don't get me wrong. But also the

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<v Speaker 1>writing in this little news piece is it really drives

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<v Speaker 1>home the dread.

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<v Speaker 2>Oh yeah, yeah. So it starts off talking about opinions

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<v Speaker 2>of locals about you know, being exposed to the fumes

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<v Speaker 2>coming out of this mine and stuff. And maybe I

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<v Speaker 2>can come back to that in a minute, but first

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<v Speaker 2>I want to tell the story of this what happened

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<v Speaker 2>to this twelve year old boy. So the article reads quote,

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<v Speaker 2>townspeople said an accident Saturdays heightened their fears, leading to

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<v Speaker 2>a new flurry of government interest. Todd Domboski, twelve, was

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<v Speaker 2>playing in his grandmother's backyard a few houses from his home.

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<v Speaker 2>When he went to investigate a tiny whiff of smoke.

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<v Speaker 2>The ground beneath him collapsed instantly. The youth was engulfed

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<v Speaker 2>in a hot stinking tangle of dirt and tree roots escaping.

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<v Speaker 2>When his older cousin pulled him out, Todd fell about

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<v Speaker 2>six feet before grabbing the roots. Florence Domboski, Todd's mother,

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<v Speaker 2>praised her fourteen year old nephew, Eric Wolfgang, who was

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<v Speaker 2>swift and strong enough to reach into the hole, grab

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<v Speaker 2>Todd's arm and pull him to safety. A temperature of

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<v Speaker 2>three hundred and fifty degrees was recorded in the hole.

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<v Speaker 2>Its depth was not known, and I did look it up.

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<v Speaker 2>More recent articles mentioned that the same coal was later

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<v Speaker 2>measured and it was one hundred and fifty feet deep

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<v Speaker 2>or about forty five meters, and choked with carbon monoxide throughout.

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<v Speaker 2>So if you can imagine this, you're just standing on

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<v Speaker 2>what you believe to be solid ground, and the ground

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<v Speaker 2>beneath you just collapses, It just opens up, and you're

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<v Speaker 2>grabbing at tree roots that are protruding from the dirt,

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<v Speaker 2>and you managed to get a hold of it, but

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<v Speaker 2>down below you is just a pit into nothingness with

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<v Speaker 2>fumes of hell coughing out.

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<v Speaker 1>Absolutely biblical. There's another great paragraph in this ap story

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<v Speaker 1>that reads, quote feeding on timbers, coal and gas in

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<v Speaker 1>a maze of abandoned anthracide tunnels that date back to

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<v Speaker 1>the eighteen eighties. The creeping inferno is believed to have

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<v Speaker 1>spread beneath forty acres despite repeated attempts to curb it.

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<v Speaker 2>Yeah, so this article, part of what it's reporting on

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<v Speaker 2>is attempts to put out the mind fire that have failed.

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<v Speaker 2>I think at the time this was written, already more

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<v Speaker 2>than three and a half million dollars had been spent

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<v Speaker 2>on trying to fight the fire, and to no avail.

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<v Speaker 2>It just didn't work. And so another thing this article

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<v Speaker 2>cites is quotes from local townspeople talking about their fears

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<v Speaker 2>about the mind fire, Like one says that it's kind

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<v Speaker 2>of scary going to sleep at night and not knowing

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<v Speaker 2>if you'll wake up in the morning because you've been

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<v Speaker 2>poisoned in your sleep by fumes from the mine. And

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<v Speaker 2>it quotes a local teacher named Bob Goadinsky who says,

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<v Speaker 2>we feel like rats in a laboratory. No one knows

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<v Speaker 2>what the effect of the carbon monoxide is going to

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<v Speaker 2>be in the future, the children, what will be the

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<v Speaker 2>effect on them.

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<v Speaker 1>All of this, I mean, all this sounds like something

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<v Speaker 1>you'd encounter in a horror movie, except it is real life.

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<v Speaker 1>It's a real life, horrible situation. Concern for the children,

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<v Speaker 1>the creeping darkness beneath the earth, eruptions preying on the innocent.

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<v Speaker 2>Yeah. Another quote it gives is from a resident named

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<v Speaker 2>Sally Sulik, who says, my nose burns, my eyes tear,

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<v Speaker 2>I'm like a zombie, feel like going to sleep all

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<v Speaker 2>the time. If they don't soon do something for us,

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<v Speaker 2>they'll drive us crazy. So in the years since, the

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<v Speaker 2>population of Centralia has been steeply declining. It basically I

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<v Speaker 2>think between nineteen eighty and two thousand it declined to

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<v Speaker 2>almost nothing as the residents moved away. The local homeowners

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<v Speaker 2>were offered buyouts from the government to relocate, and then

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<v Speaker 2>at some point the government essentially condemned all of the

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<v Speaker 2>property in town by way of imminent domain. There were

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<v Speaker 2>a few residents left who didn't want to leave, but

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<v Speaker 2>most of the recent articles I read mentioned only like

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<v Speaker 2>a handful of people still living in the area, fewer

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<v Speaker 2>than ten. And apparently nobody is going to be allowed

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<v Speaker 2>to move to the area, So it's just those people

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<v Speaker 2>there as long as they stay or until their deaths.

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<v Speaker 1>Wow.

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<v Speaker 2>Another thing that struck me about the story is. I

0:12:51.840 --> 0:12:55.360
<v Speaker 2>was reading an article in Atlas Obscura by a freelance

0:12:55.360 --> 0:12:58.640
<v Speaker 2>writer based out of Pennsylvania named Jim Cheney, who was

0:12:58.679 --> 0:13:02.439
<v Speaker 2>writing up the history the Centralia fire but also had

0:13:02.480 --> 0:13:05.360
<v Speaker 2>been there and taken a bunch of pictures on the scene,

0:13:05.400 --> 0:13:07.479
<v Speaker 2>and there was one that struck me as really interesting.

0:13:08.200 --> 0:13:11.720
<v Speaker 2>It was a picture of what the author says, or

0:13:11.760 --> 0:13:16.040
<v Speaker 2>the remains of Route sixty one, which is a section

0:13:16.120 --> 0:13:19.320
<v Speaker 2>of roadway a highway that's now abandoned since it was

0:13:19.480 --> 0:13:22.400
<v Speaker 2>re routed elsewhere. And if you look at the pictures,

0:13:22.400 --> 0:13:24.600
<v Speaker 2>you can see why. Right down the middle of the

0:13:24.679 --> 0:13:28.559
<v Speaker 2>road is a gigantic crack, again like in a bad

0:13:28.679 --> 0:13:33.320
<v Speaker 2>earthquake movie, and so the road is just sort of

0:13:33.400 --> 0:13:37.120
<v Speaker 2>split down the middle. And it actually reminded me a

0:13:37.160 --> 0:13:40.360
<v Speaker 2>bit of the cracks and crevices that had been forming

0:13:40.400 --> 0:13:42.880
<v Speaker 2>in Mount WinGen for the past six thousand years or

0:13:42.920 --> 0:13:45.240
<v Speaker 2>more when you look at the pictures of that. I

0:13:45.280 --> 0:13:47.719
<v Speaker 2>don't know the exact cause of every surface feature we're

0:13:47.720 --> 0:13:49.319
<v Speaker 2>looking at here, but if I had to guess, I

0:13:49.360 --> 0:13:51.920
<v Speaker 2>would say this is probably some kind of collapse caused

0:13:52.000 --> 0:13:56.080
<v Speaker 2>by the burning out that's going on underneath the surface,

0:13:56.200 --> 0:13:58.160
<v Speaker 2>just like we saw in these other cases or like

0:13:58.160 --> 0:13:59.320
<v Speaker 2>would have caused the sinkhole.

0:14:00.080 --> 0:14:05.199
<v Speaker 1>Of course, sometimes the real life tragedy does inspire great art.

0:14:05.840 --> 0:14:09.920
<v Speaker 1>It's worth noting that the town of Centralia inspired the

0:14:09.960 --> 0:14:15.520
<v Speaker 1>fictional town of Valkanvania in the nineteen ninety one film

0:14:15.600 --> 0:14:24.880
<v Speaker 1>Nothing but Trouble, Really, dan Ackroid's weird horror comedy about

0:14:25.560 --> 0:14:27.760
<v Speaker 1>a bunch of sort of sort of. I guess you

0:14:27.760 --> 0:14:33.320
<v Speaker 1>would say Texas chainsaw massacre esque family residing above a

0:14:33.320 --> 0:14:37.800
<v Speaker 1>big coal mine fire. Quite a film. Quite a film.

0:14:38.240 --> 0:14:40.600
<v Speaker 2>Tri Star Pictures or whoever it is, should have a

0:14:40.680 --> 0:14:43.800
<v Speaker 2>standing cash prize for anybody who can manage to watch

0:14:43.840 --> 0:14:46.480
<v Speaker 2>that whole movie.

0:14:46.640 --> 0:14:49.320
<v Speaker 1>It has a lot of fun things in it. You've

0:14:49.320 --> 0:14:51.120
<v Speaker 1>got a wonderful digital underground performance.

0:14:51.160 --> 0:14:52.640
<v Speaker 2>I think you got to make it through a lot

0:14:52.640 --> 0:14:53.880
<v Speaker 2>of stuff before you get to that.

0:14:54.360 --> 0:14:56.840
<v Speaker 1>Dan Ackroyd is clearly having the time of his life

0:14:56.880 --> 0:14:57.480
<v Speaker 1>in this film.

0:14:57.880 --> 0:14:58.360
<v Speaker 2>Yeah.

0:14:58.480 --> 0:15:01.040
<v Speaker 1>So if it's if it's, if you considered a film

0:15:01.040 --> 0:15:03.800
<v Speaker 1>for an audience of one an absolute success, I think

0:15:05.200 --> 0:15:05.360
<v Speaker 1>you know.

0:15:05.400 --> 0:15:08.880
<v Speaker 2>There's another interesting tidbit I came across that's related to

0:15:09.080 --> 0:15:14.240
<v Speaker 2>the Centralia coal mine, and it seems geologically interesting, But

0:15:14.280 --> 0:15:16.400
<v Speaker 2>I couldn't tell if it was because of the fire

0:15:16.600 --> 0:15:19.480
<v Speaker 2>in particular. So there was a news report I read

0:15:19.720 --> 0:15:24.360
<v Speaker 2>on the site for a new station called WNEP sixteen.

0:15:24.440 --> 0:15:27.760
<v Speaker 2>I guess that's an ABC affiliate, and this was out

0:15:27.760 --> 0:15:32.720
<v Speaker 2>of Butler Township, Pennsylvania, and it's talking about a geyser

0:15:33.000 --> 0:15:36.640
<v Speaker 2>in Pennsylvania. That's not something that you would expect to

0:15:36.640 --> 0:15:37.760
<v Speaker 2>find in Pennsylvania.

0:15:38.680 --> 0:15:42.520
<v Speaker 1>I'm looking at the footage here, though it looks geysery, but.

0:15:42.520 --> 0:15:45.120
<v Speaker 2>This is not a natural geyser. This is a geyser

0:15:45.160 --> 0:15:48.600
<v Speaker 2>that was created when many years ago, the mining company

0:15:48.600 --> 0:15:51.680
<v Speaker 2>I guess that ran the Centralia mine drilled a hole

0:15:51.720 --> 0:15:54.480
<v Speaker 2>in the ground connecting to one of the tunnels for

0:15:54.680 --> 0:15:58.960
<v Speaker 2>ventilation of the mine shafts, and somehow now with the

0:15:59.000 --> 0:16:02.760
<v Speaker 2>tunnels partially flooded. I think it's especially when there's like

0:16:02.800 --> 0:16:05.520
<v Speaker 2>been heavy rain or when the snow melts in the spring,

0:16:06.720 --> 0:16:10.040
<v Speaker 2>you get suddenly a guyser gushing up out of this

0:16:10.160 --> 0:16:12.880
<v Speaker 2>ventilation hole. And it looks like a real guyser. It's

0:16:12.960 --> 0:16:15.160
<v Speaker 2>just spraying up into the air and then running off

0:16:15.200 --> 0:16:18.360
<v Speaker 2>into a nearby creek. And they say that the guyser

0:16:18.760 --> 0:16:22.160
<v Speaker 2>has a distinct smell. It smells like eggs which I

0:16:22.160 --> 0:16:26.160
<v Speaker 2>guess is an indication of sulfurous compounds, and that would

0:16:26.160 --> 0:16:28.120
<v Speaker 2>again make sense since you know, you got the coal

0:16:28.200 --> 0:16:30.560
<v Speaker 2>down there and it's on fire. And I was unable

0:16:30.600 --> 0:16:33.160
<v Speaker 2>to tell if this, guys, is actually related to the

0:16:33.160 --> 0:16:36.840
<v Speaker 2>fire or if it's just an unrelated, weird feature of

0:16:36.920 --> 0:16:37.760
<v Speaker 2>this same mine.

0:16:38.960 --> 0:16:41.520
<v Speaker 1>You see, Like there's a quote in the tweet that's

0:16:41.560 --> 0:16:46.520
<v Speaker 1>attached where the reporters saying that it's been there as

0:16:46.520 --> 0:16:49.760
<v Speaker 1>long as quote anyone can remember. There's a mention of

0:16:49.840 --> 0:16:51.440
<v Speaker 1>like some people say, oh, there used to be a

0:16:51.440 --> 0:16:53.640
<v Speaker 1>second one, and it is kind of I mean, all

0:16:53.680 --> 0:16:56.520
<v Speaker 1>of this is a stark reminder of how an enterprise

0:16:56.680 --> 0:17:00.720
<v Speaker 1>like coal mining, how you're you're changing the earth, you know,

0:17:01.000 --> 0:17:02.760
<v Speaker 1>at least on a local level, and of course you

0:17:02.760 --> 0:17:07.240
<v Speaker 1>can get into larger issues of actual climate change as well,

0:17:07.280 --> 0:17:09.399
<v Speaker 1>but even just on a local level, like you're just

0:17:10.359 --> 0:17:15.960
<v Speaker 1>you're vastly altering how the ground beneath your feet is functioning.

0:17:16.400 --> 0:17:27.080
<v Speaker 4>Yeah, all right, let's move on to another fire in

0:17:27.119 --> 0:17:27.520
<v Speaker 4>the earth.

0:17:27.840 --> 0:17:29.960
<v Speaker 1>This is a fun one. I'm excited to talk about

0:17:30.000 --> 0:17:33.040
<v Speaker 1>it because it concerns natural fires that may have been

0:17:33.080 --> 0:17:36.200
<v Speaker 1>burning for two and a half millennia, as well as

0:17:36.240 --> 0:17:41.359
<v Speaker 1>a mythical monster, and that monster is the Chimera. Oh

0:17:41.400 --> 0:17:44.840
<v Speaker 1>and the chimera, of course. I think most folks out

0:17:44.840 --> 0:17:47.359
<v Speaker 1>there will have some image of this in their mind.

0:17:47.680 --> 0:17:50.800
<v Speaker 1>There are some wonderful depictions of it. There's the Chimera

0:17:51.040 --> 0:17:56.040
<v Speaker 1>of Arezzo. It's an Etruscan bronze statue of four hundred

0:17:56.040 --> 0:18:00.000
<v Speaker 1>BCE that's absolutely gorgeous. If anyone has seen this, or

0:18:00.040 --> 0:18:01.200
<v Speaker 1>seen or reproduction of this.

0:18:02.440 --> 0:18:04.560
<v Speaker 2>I've been to a retzo, but I don't think I've

0:18:04.560 --> 0:18:04.959
<v Speaker 2>seen this.

0:18:05.920 --> 0:18:08.440
<v Speaker 1>Well, I'm not sure. I didn't put in my notes

0:18:08.480 --> 0:18:10.600
<v Speaker 1>where it is currently how so I don't know where

0:18:10.640 --> 0:18:13.840
<v Speaker 1>its current status is. But I've seen plenty of images

0:18:13.880 --> 0:18:14.080
<v Speaker 1>of it.

0:18:14.080 --> 0:18:14.240
<v Speaker 2>You know.

0:18:14.240 --> 0:18:18.680
<v Speaker 1>It's this wonderful, uh you know, dark bronze finish, and

0:18:19.480 --> 0:18:22.879
<v Speaker 1>it looks impressive for a creature that is not always

0:18:22.920 --> 0:18:27.040
<v Speaker 1>impressive in artistic renditions, because it is it is not

0:18:27.119 --> 0:18:29.360
<v Speaker 1>only a chimera. It is the chimera. It is this.

0:18:30.359 --> 0:18:34.399
<v Speaker 1>It is this, this hybrid form that some have criticized

0:18:34.440 --> 0:18:37.119
<v Speaker 1>for not completely making all that much sense and maybe

0:18:37.160 --> 0:18:40.920
<v Speaker 1>being too counterintuitive. So at the heart of things, the

0:18:41.000 --> 0:18:46.359
<v Speaker 1>chimera is, of course a goat monster. Most of its

0:18:46.600 --> 0:18:48.920
<v Speaker 1>recognizable body is usually that of a goat. I guess

0:18:48.920 --> 0:18:52.240
<v Speaker 1>one of the interesting things about the camera of Arezzo

0:18:52.520 --> 0:18:55.160
<v Speaker 1>is that less of it is a goat, and maybe

0:18:55.160 --> 0:18:57.399
<v Speaker 1>that's why it's more impressive, Like it looks like the

0:18:57.480 --> 0:19:01.919
<v Speaker 1>artists decided to lean more into the into the lion

0:19:02.000 --> 0:19:05.719
<v Speaker 1>aspects of its body. But generally when you hear talk

0:19:05.720 --> 0:19:08.879
<v Speaker 1>about yeah, we're talking about something that is in large

0:19:08.920 --> 0:19:12.639
<v Speaker 1>part a monstrous she goat. It roams the myths of

0:19:12.680 --> 0:19:17.879
<v Speaker 1>ancient Greece and Rome, and the name itself means she goat,

0:19:18.200 --> 0:19:20.919
<v Speaker 1>and in all depictions it has at least some goat

0:19:20.920 --> 0:19:22.560
<v Speaker 1>properties to its hybrid form.

0:19:23.000 --> 0:19:26.160
<v Speaker 2>Hm, that's funny. I certainly believe you that that's true.

0:19:26.160 --> 0:19:28.720
<v Speaker 2>But I do not really associate the camera with a

0:19:28.760 --> 0:19:32.240
<v Speaker 2>goat at all. I think, like, yeah, like lion, snake,

0:19:32.320 --> 0:19:33.280
<v Speaker 2>eagle or something.

0:19:34.520 --> 0:19:36.960
<v Speaker 1>Yes, some depictions it has wings. I want to say that.

0:19:37.040 --> 0:19:39.439
<v Speaker 1>In the Dungeons and Dragon's Monster Manual they give it

0:19:39.480 --> 0:19:45.400
<v Speaker 1>wings specifically. Now, the oldest records of the monster can

0:19:45.480 --> 0:19:49.560
<v Speaker 1>be found in the sixth book of Homer's Iliad, and

0:19:49.600 --> 0:19:52.399
<v Speaker 1>this is you know, written down at some point in

0:19:52.400 --> 0:19:55.479
<v Speaker 1>the eighth century BCE, and the beast here is described

0:19:55.520 --> 0:19:58.080
<v Speaker 1>as a great fire breathing, she goat with a lion's

0:19:58.119 --> 0:20:01.520
<v Speaker 1>head and the tail of a serpent. And then slightly

0:20:01.520 --> 0:20:05.280
<v Speaker 1>more recently, Hesiod wrote of the chimera in his book Theogeny,

0:20:05.880 --> 0:20:12.600
<v Speaker 1>composed between seven thirty and seven hundred DCE. So in Theogeny,

0:20:12.920 --> 0:20:18.560
<v Speaker 1>Hesiod is discussing the monstrous Echidna quote divine, stubborn hearted Echidna,

0:20:18.720 --> 0:20:22.480
<v Speaker 1>half nymph with dark eyes and fair cheeks, and half

0:20:22.520 --> 0:20:26.719
<v Speaker 1>on the other hand, a serpent, huge and terrible and vast,

0:20:27.080 --> 0:20:32.719
<v Speaker 1>speckled and flesh devouring beneath caves of sacred earth. And

0:20:32.760 --> 0:20:37.680
<v Speaker 1>there in the depths, Echidna mates with the deadly giant Typhon,

0:20:38.119 --> 0:20:43.320
<v Speaker 1>and they produce quote, fierce hearted children monsters, all including

0:20:43.400 --> 0:20:47.879
<v Speaker 1>the two headed dog Orthos, the three headed dog Cerebus,

0:20:48.560 --> 0:20:53.080
<v Speaker 1>and then the even more headed lenaean Hydra, as well

0:20:53.119 --> 0:20:56.879
<v Speaker 1>as the sphinx, the Nemian lion, and of course the chimera.

0:20:57.640 --> 0:21:00.280
<v Speaker 1>And here's what Hesiod had to say about the kr

0:21:00.320 --> 0:21:03.680
<v Speaker 1>And these are these are all translations from the Reverend J.

0:21:03.840 --> 0:21:10.840
<v Speaker 1>Banks translation. Quote. But she Echidna bore chimera, breathing, restless fire,

0:21:11.040 --> 0:21:15.199
<v Speaker 1>fierce and huge, fleet footed, as well as strong. This

0:21:15.320 --> 0:21:19.600
<v Speaker 1>monster had three heads, one indeed of a grim visaged lion,

0:21:20.000 --> 0:21:22.480
<v Speaker 1>one of a goat, and another of a serpent, a

0:21:22.480 --> 0:21:26.440
<v Speaker 1>fierce dragon in front a lion, a dragon behind, and

0:21:26.520 --> 0:21:30.720
<v Speaker 1>in the midst a goat breathing forth the dread strength

0:21:30.920 --> 0:21:31.879
<v Speaker 1>of burning.

0:21:31.600 --> 0:21:34.159
<v Speaker 2>Fire, and in the midst a goat.

0:21:35.960 --> 0:21:38.560
<v Speaker 1>So like, mostly a goat, that's what you're saying, mostly,

0:21:38.760 --> 0:21:40.000
<v Speaker 1>that's what That's what I take it.

0:21:39.960 --> 0:21:42.720
<v Speaker 2>To me, is that he's saying the middle head is

0:21:42.760 --> 0:21:45.520
<v Speaker 2>the goat head, I think, or wait, but it's also

0:21:45.600 --> 0:21:49.760
<v Speaker 2>saying in front a lion and a dragon behind. Yeah,

0:21:49.800 --> 0:21:52.120
<v Speaker 2>So I'm trying to picture this. I'm having it, and I.

0:21:52.040 --> 0:21:53.840
<v Speaker 1>Think this is This is why you have a lot

0:21:53.840 --> 0:21:57.199
<v Speaker 1>of variation in how it's depicted, like that the the

0:21:57.200 --> 0:21:59.879
<v Speaker 1>Etruscan statue, for instance, and other depictions will have the

0:22:00.040 --> 0:22:02.240
<v Speaker 1>oa head just straight up growing out of the back

0:22:02.280 --> 0:22:05.560
<v Speaker 1>of the creature other times, but it's a good head.

0:22:06.040 --> 0:22:08.280
<v Speaker 1>And the goat always looks a little awkward there, like,

0:22:08.320 --> 0:22:11.560
<v Speaker 1>what what are you even doing there, buddy? Like you

0:22:11.600 --> 0:22:14.160
<v Speaker 1>can imagine the creatures moving around the goast just sort

0:22:14.200 --> 0:22:17.480
<v Speaker 1>of awkwardly making a play for vegetation and stuffed.

0:22:17.480 --> 0:22:19.800
<v Speaker 2>In Nibylon, you see a ripple in the water. The

0:22:19.920 --> 0:22:23.200
<v Speaker 2>Jaws theme plays, but it's a goat's head poking out

0:22:23.240 --> 0:22:26.360
<v Speaker 2>over the certain bah. Yeah wait, dude, the goats baar.

0:22:26.480 --> 0:22:27.720
<v Speaker 2>They don't really they bleat.

0:22:28.119 --> 0:22:31.880
<v Speaker 1>Yeah, the bleeding. So yeah, you see. Then you see

0:22:31.880 --> 0:22:33.880
<v Speaker 1>it depicted other ways where all the heads are sort

0:22:33.880 --> 0:22:38.240
<v Speaker 1>of arranged up front and so forth. But yeah, you can.

0:22:38.520 --> 0:22:40.240
<v Speaker 1>I imagine a lot of this is coming from different

0:22:40.240 --> 0:22:44.720
<v Speaker 1>interpretations like this passage. Now, every monster must have its slayer,

0:22:44.760 --> 0:22:47.960
<v Speaker 1>of course, and in this case it is mighty Bellerophon,

0:22:48.400 --> 0:22:52.000
<v Speaker 1>sometimes described as a half human son of Poseidon, who

0:22:52.119 --> 0:22:56.440
<v Speaker 1>uses Athena's bridle to capture the winged Pegasus right into

0:22:56.480 --> 0:22:59.639
<v Speaker 1>battle against the Chimera, and then he thrust his spear

0:22:59.680 --> 0:23:03.720
<v Speaker 1>into the monster's flaming maw. Where what happens The metal

0:23:03.760 --> 0:23:06.639
<v Speaker 1>instantly melts. Oh no, he's defeated. Oh no, he's not,

0:23:06.840 --> 0:23:10.760
<v Speaker 1>because then the liquid metal chokes the deadly monster to death.

0:23:11.080 --> 0:23:12.399
<v Speaker 1>So I always found that to be kind of a

0:23:12.480 --> 0:23:13.120
<v Speaker 1>nice twist.

0:23:13.520 --> 0:23:16.399
<v Speaker 2>Oh yeah, Now, surely the hero didn't intend for the

0:23:16.440 --> 0:23:18.159
<v Speaker 2>metal to melt and choke the monster.

0:23:18.560 --> 0:23:22.200
<v Speaker 1>I don't know. I never doubt these heroes, These Greek

0:23:22.280 --> 0:23:24.280
<v Speaker 1>heroes are are wicked smart.

0:23:24.560 --> 0:23:27.000
<v Speaker 2>That strikes me as more like a like a War

0:23:27.040 --> 0:23:29.680
<v Speaker 2>of the World's type ending where yeah, something you didn't

0:23:29.720 --> 0:23:31.159
<v Speaker 2>even expect kills the monster.

0:23:31.760 --> 0:23:34.399
<v Speaker 1>Now you're probably asking, okay, well, how does this tie

0:23:34.480 --> 0:23:39.520
<v Speaker 1>into places and fire? Well, this myth is certainly tied

0:23:39.520 --> 0:23:43.159
<v Speaker 1>to specific places. For starters, it is written that the

0:23:43.240 --> 0:23:46.720
<v Speaker 1>Chimera was for a time the pet of the king

0:23:47.119 --> 0:23:50.760
<v Speaker 1>of Krea before it escaped and rampaged. This was a

0:23:50.800 --> 0:23:55.399
<v Speaker 1>region of western Anatolia from the eleventh through sixth centuries BCE.

0:23:56.080 --> 0:23:58.440
<v Speaker 1>This region is now part of Turkey. But then the

0:23:58.520 --> 0:24:01.399
<v Speaker 1>Chimera is said to descend upon an area to the

0:24:01.440 --> 0:24:06.120
<v Speaker 1>southeast of Caria in Lysia, where it generally devours every

0:24:06.119 --> 0:24:09.040
<v Speaker 1>mortal in sight and just sets everything on fire. So

0:24:09.160 --> 0:24:12.560
<v Speaker 1>this is the realm of Mount Chimera. In the Book

0:24:12.560 --> 0:24:17.680
<v Speaker 1>of Imaginary Beings, Jorge Luis Borges writes that Virgil describes

0:24:17.760 --> 0:24:21.399
<v Speaker 1>the Chimera and the Aeneid, and that the fourth and

0:24:21.520 --> 0:24:27.840
<v Speaker 1>fifth century commentator Servius ties the monster to Licia and

0:24:27.880 --> 0:24:29.800
<v Speaker 1>went so far as to say that the monster was

0:24:29.840 --> 0:24:33.960
<v Speaker 1>a metaphor for a volcano there, and this was apparently

0:24:33.960 --> 0:24:35.800
<v Speaker 1>echoed by plenty of the elder as well.

0:24:36.480 --> 0:24:37.480
<v Speaker 2>Okay. Interesting.

0:24:38.280 --> 0:24:41.600
<v Speaker 1>This is how Borges summarizes it. Quote, the base of

0:24:41.600 --> 0:24:45.800
<v Speaker 1>the volcano is infested with serpents. On its sides, there

0:24:45.840 --> 0:24:50.439
<v Speaker 1>are meadows where goats pasture, and on top flames shoot forth,

0:24:50.520 --> 0:24:52.360
<v Speaker 1>and lions have their dens.

0:24:52.840 --> 0:24:56.359
<v Speaker 2>I see. Okay, So it's like combining the different types

0:24:56.400 --> 0:25:00.679
<v Speaker 2>of local wildlife, at least allegedly, the serpents around the base,

0:25:01.240 --> 0:25:04.400
<v Speaker 2>and then the goats grazing in the meadow and the lions

0:25:04.440 --> 0:25:07.720
<v Speaker 2>in their caves, and then you have, of course the

0:25:08.080 --> 0:25:10.880
<v Speaker 2>flames coming out. I guess that's the dragon aspect, right.

0:25:11.280 --> 0:25:15.119
<v Speaker 1>Yeah. So I have to say, like, when I was

0:25:15.160 --> 0:25:17.000
<v Speaker 1>reading this, it sended a little far fetched to me

0:25:17.680 --> 0:25:20.520
<v Speaker 1>because we've talked about geomithology before, but I don't remember

0:25:20.720 --> 0:25:24.399
<v Speaker 1>like a version of geo mythology where like the aspects

0:25:24.480 --> 0:25:27.399
<v Speaker 1>of a given geographical feature are then just sort of

0:25:27.440 --> 0:25:32.760
<v Speaker 1>cobbled together into a into a hybrid monster. And as

0:25:32.760 --> 0:25:36.520
<v Speaker 1>it turns out, Borges also finds this ridiculous and mentions

0:25:36.560 --> 0:25:39.639
<v Speaker 1>that he thinks it's absurd, as well as an idea

0:25:39.640 --> 0:25:43.400
<v Speaker 1>that I think was put forth by Plutarch that Chimera

0:25:43.480 --> 0:25:45.480
<v Speaker 1>is the name of a pirate who just happened to

0:25:45.480 --> 0:25:48.639
<v Speaker 1>have these three different animals as part of his iconography

0:25:48.680 --> 0:25:49.879
<v Speaker 1>and his flag and so forth.

0:25:50.119 --> 0:25:51.000
<v Speaker 2>It was a pirate.

0:25:51.520 --> 0:25:54.760
<v Speaker 1>Now. One of the advancements in the sort of figuring

0:25:54.800 --> 0:26:00.399
<v Speaker 1>out this myth and tying the myth into actual geology.

0:26:01.320 --> 0:26:06.640
<v Speaker 1>This occurred during the early nineteenth century. In eighteen eleven,

0:26:06.840 --> 0:26:12.000
<v Speaker 1>hydrographer and Irish rear Admiral Sir Francis Beaufort linked Mount

0:26:12.080 --> 0:26:16.280
<v Speaker 1>Chimera to the geographical features in the region known as

0:26:16.880 --> 0:26:20.879
<v Speaker 1>jan Ar or Janartis. And he explored this region, I believe,

0:26:20.920 --> 0:26:26.080
<v Speaker 1>in eighteen eleven through eighteen twelve, basically going around looking

0:26:26.119 --> 0:26:30.240
<v Speaker 1>at various ruins, citing various ruins, and he's noted during

0:26:30.240 --> 0:26:34.560
<v Speaker 1>this time for rediscovering Hadrian's Gate built there for Roman

0:26:34.600 --> 0:26:39.040
<v Speaker 1>Emperor Hadrian in the year one thirty. So jan Artists,

0:26:39.080 --> 0:26:41.439
<v Speaker 1>what does it look like? Well, it matches up with

0:26:41.480 --> 0:26:43.720
<v Speaker 1>some of these other descriptions we've discussed in these episodes.

0:26:43.760 --> 0:26:47.680
<v Speaker 1>You have a rocky mount here with active gas seeps

0:26:48.080 --> 0:26:51.520
<v Speaker 1>that have produced burning flames for depending on what sources

0:26:51.560 --> 0:26:55.119
<v Speaker 1>you're looking at, perhaps two and a half millennia, so

0:26:55.200 --> 0:27:00.200
<v Speaker 1>perhaps twenty five hundred years. So some still kind of

0:27:00.240 --> 0:27:02.040
<v Speaker 1>interpret it and say, well, this site could have been

0:27:02.080 --> 0:27:06.320
<v Speaker 1>the inspiration for the monster itself, And I guess you

0:27:06.359 --> 0:27:09.000
<v Speaker 1>can kind of open that up and you can look

0:27:09.040 --> 0:27:11.560
<v Speaker 1>at the ideas of the monster being a metaphor for them,

0:27:11.680 --> 0:27:14.879
<v Speaker 1>for this mountain, or just kind of like the oh,

0:27:14.960 --> 0:27:17.240
<v Speaker 1>here's this weird landscape with fire, and you end up

0:27:17.240 --> 0:27:20.640
<v Speaker 1>with this idea of, well, a monster lives here. Surely

0:27:20.680 --> 0:27:23.800
<v Speaker 1>this is the habitat for some sort of monstrous fire

0:27:23.840 --> 0:27:28.640
<v Speaker 1>breathing creature. So the seeps in question here are largely

0:27:29.640 --> 0:27:33.680
<v Speaker 1>on barren ground and they follow various fissures and perhaps faults,

0:27:33.720 --> 0:27:37.560
<v Speaker 1>according to a twenty fifteen paper I was looking at

0:27:37.680 --> 0:27:43.960
<v Speaker 1>from Meyer Dombard at All, published in Frontiers in Microbiology.

0:27:44.040 --> 0:27:47.480
<v Speaker 1>These researchers also reported a fluid seap that they discovered

0:27:49.119 --> 0:27:52.439
<v Speaker 1>in this area, and numerous papers mentioned as well that

0:27:52.560 --> 0:27:55.720
<v Speaker 1>sailors used the fires of the mountain as a kind

0:27:55.720 --> 0:27:59.960
<v Speaker 1>of natural landmark at night in ancient times. Today, however,

0:28:00.480 --> 0:28:03.000
<v Speaker 1>hikers visit the flames and they do things apparently like

0:28:03.080 --> 0:28:06.840
<v Speaker 1>brew tee, cook marshmallows over them, or you know, just

0:28:06.840 --> 0:28:10.200
<v Speaker 1>just look at them as well. Because this is all

0:28:10.200 --> 0:28:13.760
<v Speaker 1>part of the Olympus National Park. So if you know,

0:28:13.800 --> 0:28:15.879
<v Speaker 1>if you're in Turkey, this is a site you can

0:28:15.920 --> 0:28:20.119
<v Speaker 1>go and see. Now, the seeps here are reportedly stronger,

0:28:20.160 --> 0:28:23.240
<v Speaker 1>as are the flames during winter, and apparently this is

0:28:23.440 --> 0:28:28.320
<v Speaker 1>link to changes in atmospheric pressure and ground water recharge.

0:28:28.760 --> 0:28:30.800
<v Speaker 1>And this kind of takes us back to where we're

0:28:30.840 --> 0:28:33.919
<v Speaker 1>just talking about. You know, when you disrupt the underground

0:28:34.040 --> 0:28:38.320
<v Speaker 1>environment through extensive coal mining, you know, these are the

0:28:38.320 --> 0:28:42.880
<v Speaker 1>sort of things like groundwater recharge or the situations you're

0:28:42.920 --> 0:28:47.560
<v Speaker 1>potentially interfering in the vent gases that come up. I

0:28:47.600 --> 0:28:49.080
<v Speaker 1>was looking at a profile of these and it is

0:28:49.200 --> 0:28:54.080
<v Speaker 1>mostly methane and there's some other ingredients in there as well. Now,

0:28:54.200 --> 0:28:57.120
<v Speaker 1>as to whether there are actual snakes there, I mean,

0:28:57.120 --> 0:29:01.000
<v Speaker 1>one presumes, I know there are snakes in Turk. I

0:29:01.000 --> 0:29:04.000
<v Speaker 1>guess it's if we can presume that there either are

0:29:04.360 --> 0:29:06.720
<v Speaker 1>goats or could have been goats there as well, goats

0:29:06.760 --> 0:29:10.480
<v Speaker 1>like a rocky area with some vegetation to muncheon. And

0:29:10.520 --> 0:29:14.120
<v Speaker 1>as far as lions go, you won't find any lions

0:29:14.160 --> 0:29:17.360
<v Speaker 1>here today, but there were once lions found throughout what

0:29:17.480 --> 0:29:20.480
<v Speaker 1>is now Turkey. So I mean, I guess all of

0:29:20.480 --> 0:29:22.880
<v Speaker 1>that is plausible as well to at least a certain extent.

0:29:23.280 --> 0:29:26.720
<v Speaker 2>Oh yeah. If you compare maps of the historic distribution

0:29:26.840 --> 0:29:30.600
<v Speaker 2>of lions to the present distribution throughout Africa and Eurasia,

0:29:30.960 --> 0:29:34.240
<v Speaker 2>it's well, on one hand, it's kind of sad to

0:29:34.280 --> 0:29:37.960
<v Speaker 2>see how much their range has been constricted, but it's

0:29:38.000 --> 0:29:42.400
<v Speaker 2>also eye opening to like, it's eye opening about how

0:29:42.480 --> 0:29:46.480
<v Speaker 2>so many ancient myths and stories all throughout the Middle

0:29:46.520 --> 0:29:49.160
<v Speaker 2>East and the Greek myths and stuff, it seems that

0:29:49.200 --> 0:29:52.560
<v Speaker 2>there are lions everywhere. And you're like, what, because you

0:29:52.600 --> 0:29:55.360
<v Speaker 2>don't really think that there are lions wandering around and

0:29:55.400 --> 0:29:58.760
<v Speaker 2>say Greece or Turkey today, but you know, thousands of

0:29:58.840 --> 0:30:00.360
<v Speaker 2>years ago, they're absolutely.

0:30:00.760 --> 0:30:03.360
<v Speaker 1>It brings us back to the topic we discussed in

0:30:03.400 --> 0:30:08.160
<v Speaker 1>the past about the first known human animal hybrid represented

0:30:08.240 --> 0:30:11.680
<v Speaker 1>in art, that of the lion man. Yeah. Yeah, Now

0:30:11.760 --> 0:30:14.080
<v Speaker 1>this side of this side is also interesting because there

0:30:14.120 --> 0:30:16.600
<v Speaker 1>is a link to the Greek forge god he Festus

0:30:16.640 --> 0:30:20.240
<v Speaker 1>here as well. Hepestus, of course, was the blacksmith's god

0:30:20.640 --> 0:30:23.640
<v Speaker 1>who was also deformed after his father Zeus cast him

0:30:23.680 --> 0:30:26.360
<v Speaker 1>off Mount Olympus for taking his mother Hera's side in

0:30:26.400 --> 0:30:28.680
<v Speaker 1>an argument, Or at least that's one version of the story.

0:30:29.040 --> 0:30:31.600
<v Speaker 1>The Remains of a temple to Hefestus I can be

0:30:31.640 --> 0:30:35.400
<v Speaker 1>found at this site just below the fires, which again

0:30:35.440 --> 0:30:39.200
<v Speaker 1>makes sense given that the sites of natural flames like

0:30:39.280 --> 0:30:42.520
<v Speaker 1>this seem to be inevitably tied to human industry. Like

0:30:42.560 --> 0:30:45.080
<v Speaker 1>we've discussed in these various other examples, people see them

0:30:45.320 --> 0:30:48.720
<v Speaker 1>and they think of like cook fires and the depths

0:30:48.760 --> 0:30:52.040
<v Speaker 1>maintained by the little people, or you know, we think

0:30:52.120 --> 0:30:58.000
<v Speaker 1>of industrial processes, you know, chemical fires and so forth,

0:30:59.080 --> 0:31:08.600
<v Speaker 1>But then sometimes we all tie them to fire breathing monsters.

0:31:08.640 --> 0:31:11.200
<v Speaker 1>And I wanted to mention one more thing that Borjes

0:31:12.080 --> 0:31:14.840
<v Speaker 1>brings up about the chimera. He discusses how he thinks

0:31:14.840 --> 0:31:19.400
<v Speaker 1>that the chimera was ultimately quote too heterogeneous. In other words,

0:31:19.600 --> 0:31:23.160
<v Speaker 1>these parts were all too dissimilar, and it all resists

0:31:23.240 --> 0:31:26.800
<v Speaker 1>quote merging into a single animal. So I guess in

0:31:26.840 --> 0:31:28.760
<v Speaker 1>that you could say that he's sort of saying that

0:31:28.800 --> 0:31:32.440
<v Speaker 1>it's too counterintuitive. To a certain extent, he contends that

0:31:32.480 --> 0:31:35.040
<v Speaker 1>people got a bit tired of the idea of the chimera,

0:31:35.400 --> 0:31:39.760
<v Speaker 1>and we see that reflected in the use of chimeracle

0:31:40.200 --> 0:31:43.400
<v Speaker 1>and the use of chimera as referring to something that

0:31:43.520 --> 0:31:46.280
<v Speaker 1>is just too outrageous to be true. Too outrageous to

0:31:46.320 --> 0:31:49.800
<v Speaker 1>actually exist in the real world, something that just doesn't

0:31:49.880 --> 0:31:52.160
<v Speaker 1>gel together in a form that you can believe in.

0:31:52.600 --> 0:31:56.960
<v Speaker 2>Yeah, that's interesting. I'm always curious about why our intuitions

0:31:57.000 --> 0:31:59.959
<v Speaker 2>about imaginary beings work the way they do. I'm sure

0:32:00.080 --> 0:32:02.760
<v Speaker 2>I've asked questions like this on the show a bunch

0:32:02.760 --> 0:32:06.480
<v Speaker 2>of times, But like, why does one unreal monster seem

0:32:06.760 --> 0:32:11.760
<v Speaker 2>plausible in quotes and another one doesn't? Like the chymerira is, Yeah,

0:32:11.760 --> 0:32:13.960
<v Speaker 2>it's got a goat head in the middle of its back,

0:32:14.080 --> 0:32:17.959
<v Speaker 2>or at least in some depictions, and people are just like, eh, no, no, yeah,

0:32:18.200 --> 0:32:21.640
<v Speaker 2>that doesn't work. The hydra, which has many heads coming

0:32:21.680 --> 0:32:23.760
<v Speaker 2>out of the Yeah, that that works.

0:32:24.120 --> 0:32:27.000
<v Speaker 1>Yeah. I mean even the vegetable lamb of Tartary, as

0:32:27.040 --> 0:32:29.160
<v Speaker 1>fantastic as that is and is you know, with the

0:32:29.400 --> 0:32:33.880
<v Speaker 1>gulf existing between plant and mammal like, that feels more

0:32:33.880 --> 0:32:36.720
<v Speaker 1>believable and I think clearly was more believable for a

0:32:36.800 --> 0:32:40.800
<v Speaker 1>very long period of time compared to the chimera.

0:32:41.200 --> 0:32:45.000
<v Speaker 2>Yeah, so what are the underlying psychological factors, Like what

0:32:45.640 --> 0:32:50.640
<v Speaker 2>subconscious criteria do we use to judge an unreal being

0:32:50.720 --> 0:32:53.959
<v Speaker 2>that makes sense to us versus an unreal being that

0:32:54.040 --> 0:32:57.600
<v Speaker 2>doesn't the chimera goat head. That's just that doesn't make sense.

0:32:57.960 --> 0:33:01.000
<v Speaker 1>Yeah, maybe part of it comes down into like a basic,

0:33:02.120 --> 0:33:05.600
<v Speaker 1>you know, primal estimation of another animal, like what is

0:33:05.880 --> 0:33:07.600
<v Speaker 1>the head on this thing going to bite me? What

0:33:07.720 --> 0:33:10.480
<v Speaker 1>is the head on this animal seem to want to do?

0:33:11.160 --> 0:33:13.920
<v Speaker 1>And if you look at that goat head sticking out

0:33:13.960 --> 0:33:16.440
<v Speaker 1>of the middle of the camera's back, what am I

0:33:16.480 --> 0:33:17.239
<v Speaker 1>supposed to make of that?

0:33:17.680 --> 0:33:17.920
<v Speaker 2>Yeah?

0:33:17.920 --> 0:33:18.800
<v Speaker 1>What's it even doing?

0:33:20.280 --> 0:33:22.760
<v Speaker 2>Now? Cyclops, on the other hand, one big eye in

0:33:22.800 --> 0:33:25.280
<v Speaker 2>the forehead. I picture that all day long. That works.

0:33:25.840 --> 0:33:28.880
<v Speaker 1>Yeah. One of the interesting things about these I guess

0:33:28.880 --> 0:33:30.440
<v Speaker 1>you could call them, you could think of them as

0:33:30.440 --> 0:33:36.800
<v Speaker 1>minimally counterintuitive monsters and hybrids, is that the best of

0:33:36.840 --> 0:33:43.160
<v Speaker 1>them we continue to look at and reconsider and also

0:33:43.280 --> 0:33:48.280
<v Speaker 1>apply like theoretical biological models like I've read. I know,

0:33:48.320 --> 0:33:51.920
<v Speaker 1>I read a wonderful paper once on the biology of

0:33:51.960 --> 0:33:55.560
<v Speaker 1>the centaur where the author was discussing how the centaur's

0:33:55.640 --> 0:34:00.480
<v Speaker 1>body would work, and you know, really focusing on onlatory

0:34:00.560 --> 0:34:03.280
<v Speaker 1>system and and the fact that it would need two hearts,

0:34:03.880 --> 0:34:05.880
<v Speaker 1>one in the human part and one in the horse part.

0:34:06.200 --> 0:34:09.080
<v Speaker 1>You know, I love I love examinations like that. So,

0:34:09.480 --> 0:34:11.520
<v Speaker 1>but it's an example of how the the centaur, as

0:34:11.560 --> 0:34:15.560
<v Speaker 1>fantastic as it is, is not so far removed from

0:34:15.640 --> 0:34:20.239
<v Speaker 1>reality that we can't apply this line of thinking to it. Whereas, yeah,

0:34:20.239 --> 0:34:22.600
<v Speaker 1>I don't think I've ever seen anybody go out on

0:34:22.640 --> 0:34:24.960
<v Speaker 1>a limb and write a you know, a paper like

0:34:25.040 --> 0:34:27.600
<v Speaker 1>This is how the biology of the chimera would work.

0:34:27.640 --> 0:34:29.319
<v Speaker 1>This is how it would breathe fire. This is the

0:34:29.320 --> 0:34:32.279
<v Speaker 1>function of the the live goat head growing from its back,

0:34:32.320 --> 0:34:34.760
<v Speaker 1>and this is why its tail is a live snake.

0:34:35.120 --> 0:34:40.040
<v Speaker 1>This is the diet it consumes. Yeah, this, it's just

0:34:40.160 --> 0:34:43.680
<v Speaker 1>it's just ridiculous. Now, coming back just a little bit too, uh,

0:34:43.880 --> 0:34:46.160
<v Speaker 1>you know to what we've been talking about here, eternal

0:34:46.200 --> 0:34:48.560
<v Speaker 1>flames and all I do want to point out that

0:34:48.800 --> 0:34:51.560
<v Speaker 1>this is the examples we've brought up are are certainly

0:34:51.560 --> 0:34:55.360
<v Speaker 1>not the only examples of natural gas seeps and so forth,

0:34:55.400 --> 0:35:00.480
<v Speaker 1>where eternal flames have evoked mythic ideas, religious devote and

0:35:00.520 --> 0:35:05.920
<v Speaker 1>so forth. I was reading Seeps in the Ancient World, Myths,

0:35:05.960 --> 0:35:11.920
<v Speaker 1>Religions and Social Development by Giuseppe Etope of the National

0:35:11.960 --> 0:35:16.600
<v Speaker 1>Institute of Geophysics and Volcanology in Italy, and he has

0:35:16.640 --> 0:35:19.800
<v Speaker 1>a book titled natural Gas Seepach, but one of the

0:35:19.880 --> 0:35:23.360
<v Speaker 1>chapters is devoted to just looking at some of these examples.

0:35:25.160 --> 0:35:27.600
<v Speaker 1>So he mentions the chimera there. He mentions the fires

0:35:27.640 --> 0:35:30.520
<v Speaker 1>of Baku that we previously discussed, as well as a

0:35:30.560 --> 0:35:34.760
<v Speaker 1>couple of other examples. There's the Baba GurGur seep in Iraq,

0:35:35.640 --> 0:35:39.239
<v Speaker 1>he writes, was probably the burning fiery furnace into which

0:35:40.080 --> 0:35:42.760
<v Speaker 1>King and Nebucanezer cast of the Jews.

0:35:43.200 --> 0:35:47.359
<v Speaker 2>I've seen this claim before, So Baba gurger is it's

0:35:47.400 --> 0:35:52.520
<v Speaker 2>like an oil field near Kirkook, I believe, And there

0:35:53.160 --> 0:35:55.480
<v Speaker 2>is at least one place there where, yeah, there's a

0:35:56.160 --> 0:35:59.759
<v Speaker 2>there is a natural gas seep where the volatiles that

0:35:59.760 --> 0:36:02.840
<v Speaker 2>are out of it have been set a flame and

0:36:02.880 --> 0:36:05.880
<v Speaker 2>they're burning. And yeah, I don't know what the actual

0:36:05.920 --> 0:36:08.720
<v Speaker 2>evidence is that this is the basis of the Bible story.

0:36:08.840 --> 0:36:11.520
<v Speaker 2>One of these many cases where somebody like connects a

0:36:11.600 --> 0:36:16.799
<v Speaker 2>story from ancient history or mythology or legend to an

0:36:16.840 --> 0:36:20.879
<v Speaker 2>observable feature today. And in some cases you can do that,

0:36:20.960 --> 0:36:23.000
<v Speaker 2>like there's a pretty clear link, and in other cases

0:36:23.000 --> 0:36:27.080
<v Speaker 2>I'm not quite sure how strong the evidence for that

0:36:27.120 --> 0:36:30.719
<v Speaker 2>direct connection is. But so, yeah, there is the story

0:36:30.719 --> 0:36:34.200
<v Speaker 2>of King Nebuchadnezzar throwing what is it, Shadragnieshak and a

0:36:34.200 --> 0:36:37.960
<v Speaker 2>bed nego. Oh yeah, yeah, into a burning furnace, and

0:36:38.400 --> 0:36:41.600
<v Speaker 2>I have read some modern authors saying, ah, maybe the

0:36:41.640 --> 0:36:45.720
<v Speaker 2>furnace was this geological feature we see today. Bobby GurGur,

0:36:45.840 --> 0:36:49.800
<v Speaker 2>by the way, I think, means something like father flame

0:36:50.000 --> 0:36:50.960
<v Speaker 2>or Daddy flame.

0:36:51.400 --> 0:36:55.399
<v Speaker 1>Another example that he brings up is the sacred Mangarma's

0:36:55.440 --> 0:36:58.640
<v Speaker 1>flame in Indonesia, which has been active at least since

0:36:58.640 --> 0:37:02.040
<v Speaker 1>the fifteenth century, he writes, and is still used in

0:37:02.120 --> 0:37:06.000
<v Speaker 1>annual Buddhist ceremonies. And then there's the Oracle of Delphi

0:37:06.120 --> 0:37:09.239
<v Speaker 1>in Greece, which we've discussed at least a little bit

0:37:09.239 --> 0:37:13.839
<v Speaker 1>on the show. In the past, there's talk of there

0:37:13.840 --> 0:37:16.680
<v Speaker 1>having been an internal flame at the Temple of Apollo

0:37:16.800 --> 0:37:20.359
<v Speaker 1>there at least at one point. And then there's this

0:37:20.480 --> 0:37:23.640
<v Speaker 1>idea that I believe researchers have kind of gone back

0:37:23.640 --> 0:37:26.520
<v Speaker 1>and forth on this idea that vapors from the earth

0:37:26.840 --> 0:37:31.239
<v Speaker 1>contributed to the visions granted to the priestess of the

0:37:31.280 --> 0:37:35.279
<v Speaker 1>sacred site. The idea I think kind of fell out

0:37:35.280 --> 0:37:37.880
<v Speaker 1>of favor for a while, but more recent geological research

0:37:38.000 --> 0:37:39.560
<v Speaker 1>I was looking at it from two thousand and four

0:37:39.600 --> 0:37:42.919
<v Speaker 1>two thousand and five. They argue that, Okay, the site

0:37:42.960 --> 0:37:46.919
<v Speaker 1>here lies over a fault where gas leaks could theoretically

0:37:46.960 --> 0:37:51.719
<v Speaker 1>cause oxygen and reduction in an individual that would then

0:37:51.800 --> 0:37:56.000
<v Speaker 1>result in a mild hypnotic state complete with hallucinations. I mean,

0:37:56.040 --> 0:38:00.640
<v Speaker 1>even coming back to this ap article about Centralia, you

0:38:00.760 --> 0:38:02.959
<v Speaker 1>have this quote about the you know, the woman talking

0:38:03.000 --> 0:38:05.520
<v Speaker 1>about feeling like she's a zombie walking around due to

0:38:05.560 --> 0:38:09.000
<v Speaker 1>the fumes, which is an altered state. And in this

0:38:09.160 --> 0:38:11.440
<v Speaker 1>and in this case, I mean she she knows that

0:38:11.480 --> 0:38:14.840
<v Speaker 1>it's not the divine trying to speak through her, et cetera.

0:38:15.920 --> 0:38:18.359
<v Speaker 1>But you can you can well imagine a situation where

0:38:18.360 --> 0:38:23.600
<v Speaker 1>if you're combining holy expectations, religious expectations, and ritual with

0:38:24.080 --> 0:38:26.920
<v Speaker 1>this sort of environment, you could easily get to this point.

0:38:27.120 --> 0:38:30.680
<v Speaker 2>If only we could get a medical readout on the

0:38:30.680 --> 0:38:35.799
<v Speaker 2>the oracles of Delphi, that that might be really illuminating. Yeah,

0:38:36.120 --> 0:38:37.440
<v Speaker 2>kind of information exists.

0:38:39.040 --> 0:38:41.400
<v Speaker 1>I wouldn't mind going back and looking at the oracle

0:38:41.880 --> 0:38:44.440
<v Speaker 1>again in the future. It's there's there's a lot of

0:38:44.440 --> 0:38:48.000
<v Speaker 1>interesting writing about it. It is a has a wonderful history.

0:38:48.560 --> 0:38:50.239
<v Speaker 1>All Right, we're going to go and close it out there.

0:38:51.400 --> 0:38:53.440
<v Speaker 1>This this was a fun journey. We got to talk

0:38:53.440 --> 0:38:56.520
<v Speaker 1>about a number of fascinating locations around the Earth, some

0:38:56.600 --> 0:39:01.399
<v Speaker 1>wonderful history, mythology, and religion. If there's a particular site

0:39:01.400 --> 0:39:03.400
<v Speaker 1>we didn't discuss that you would like to bring to

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<v Speaker 1>our attention, certainly write in and let us know. And

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<v Speaker 1>especially if you have visited any of these locations and

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<v Speaker 1>you have direct first hand experience, perhaps you've actually glimpsed

0:39:14.280 --> 0:39:18.360
<v Speaker 1>the flames emerging from the earth, definitely write in and

0:39:18.360 --> 0:39:21.040
<v Speaker 1>tell us about it, share your photos, etc. We would

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<v Speaker 1>love to hear from you. In the meantime. Core episodes

0:39:25.480 --> 0:39:28.240
<v Speaker 1>of Stuff to Blow Your Mind publish every Tuesday and Thursday,

0:39:28.280 --> 0:39:31.400
<v Speaker 1>and the Stuff to Blow Your Mind podcast feed, short form,

0:39:31.920 --> 0:39:35.440
<v Speaker 1>Monster fact or Artifact episodes on Wednesdays, listener Mail on Mondays,

0:39:35.480 --> 0:39:38.040
<v Speaker 1>and on Friday. We set aside most serious concerns and

0:39:38.200 --> 0:39:41.120
<v Speaker 1>just discuss a weird film with Weird House Cinema.

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<v Speaker 2>Huge thanks as always to our excellent audio producer Seth

0:39:44.719 --> 0:39:47.160
<v Speaker 2>Nicholas Johnson. If you would like to get in touch

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<v Speaker 2>with us with feedback on this episode or any other,

0:39:49.680 --> 0:39:51.719
<v Speaker 2>to suggest a topic for the future, or just to

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<v Speaker 2>say Hello. You can email us at contact Stuff to

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<v Speaker 2>Blow Your Mind dot com.

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<v Speaker 3>Stuff to Blow Your Mind is production of iHeartRadio. For

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<v Speaker 3>more podcasts from iHeart Radio, visit the iHeartRadio app, Apple Podcasts,

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<v Speaker 3>or wherever you're listening to your favorite shows.