1 00:00:00,520 --> 00:00:04,280 Speaker 1: Ready for rock Royalty? Are you ready for it? Here 2 00:00:04,400 --> 00:00:04,880 Speaker 1: one a two. 3 00:00:04,800 --> 00:00:07,600 Speaker 2: Point seven kiss FM. 4 00:00:07,640 --> 00:00:10,719 Speaker 1: This guy, he's a legend. 5 00:00:11,520 --> 00:00:16,680 Speaker 2: It's actually inspiration, I mean even for non performers, right 6 00:00:16,880 --> 00:00:19,880 Speaker 2: and watching him alive. I had a chance to see 7 00:00:19,920 --> 00:00:25,120 Speaker 2: him live a few times. Nothing smoother and Lenny Kravitz. 8 00:00:25,680 --> 00:00:28,520 Speaker 2: I believe Tubbs is informed that Lenny Kravitz is standing by. 9 00:00:28,880 --> 00:00:31,240 Speaker 2: Will he be wearing his signature sunglasses? 10 00:00:31,680 --> 00:00:35,640 Speaker 1: Yes, I think so, but it'll be like a clear lens. 11 00:00:35,920 --> 00:00:38,800 Speaker 2: Oh it will not be a clear less Yes, a 12 00:00:38,840 --> 00:00:40,440 Speaker 2: little bit Lenny clear less. 13 00:00:41,240 --> 00:00:45,280 Speaker 1: A clear lens. No, No, not clear. I meant like sheer, 14 00:00:45,479 --> 00:00:47,159 Speaker 1: like you'll be able to still see his eyes, not 15 00:00:47,200 --> 00:00:48,320 Speaker 1: like blackout. 16 00:00:48,320 --> 00:00:52,559 Speaker 2: I think they're blackout. He's gonna wear I don't know 17 00:00:52,680 --> 00:00:54,440 Speaker 2: that a part I can't tell. I Amy tell him. 18 00:00:54,360 --> 00:00:56,080 Speaker 2: I was inspired by his workout video I tried at 19 00:00:56,120 --> 00:00:57,240 Speaker 2: the gym. 20 00:00:57,680 --> 00:00:59,959 Speaker 1: Yeah, so how much did you try the. 21 00:01:01,840 --> 00:01:04,440 Speaker 2: I'm gonna explain it to everybody. Well, we were right, 22 00:01:04,520 --> 00:01:06,840 Speaker 2: sisiny that is Lenny Kravitz. Right. 23 00:01:09,520 --> 00:01:10,319 Speaker 1: How are you, buddy? 24 00:01:11,080 --> 00:01:13,000 Speaker 3: I'm doing well. How are you good? 25 00:01:13,000 --> 00:01:16,360 Speaker 2: To see you fantastic, thanks for coming on, good to 26 00:01:16,400 --> 00:01:16,720 Speaker 2: see you. 27 00:01:16,800 --> 00:01:17,000 Speaker 3: Man. 28 00:01:17,600 --> 00:01:18,360 Speaker 1: We were just. 29 00:01:18,480 --> 00:01:23,120 Speaker 2: Saying Lenny that through your music we are and have been. 30 00:01:23,200 --> 00:01:28,160 Speaker 2: Obviously we are inspired, but also I think through dialogue 31 00:01:28,160 --> 00:01:30,280 Speaker 2: and some of the things that that I've been reading 32 00:01:30,319 --> 00:01:33,360 Speaker 2: about you, some of the things that you practice are 33 00:01:33,400 --> 00:01:36,200 Speaker 2: inspiring and some of the things that you physically do 34 00:01:36,240 --> 00:01:39,120 Speaker 2: are inspiring. I actually tried to recreate you with that 35 00:01:39,600 --> 00:01:42,640 Speaker 2: large bar doing the sit up on the decline bench 36 00:01:42,800 --> 00:01:46,759 Speaker 2: in the gym at a place called dog Pound, and 37 00:01:47,040 --> 00:01:49,440 Speaker 2: it didn't go as smoothly as it did with you 38 00:01:50,200 --> 00:01:51,080 Speaker 2: in your video. 39 00:01:52,040 --> 00:01:55,680 Speaker 3: Come on, I don't know about that, and I know 40 00:01:55,720 --> 00:01:56,240 Speaker 3: you can do it. 41 00:01:56,440 --> 00:01:58,960 Speaker 1: I believe in you, right, I know you do. But 42 00:01:59,240 --> 00:02:03,520 Speaker 1: the way I've been the weight did not. But I did. 43 00:02:03,560 --> 00:02:04,800 Speaker 2: I did see it, and I thought, you know what, 44 00:02:04,920 --> 00:02:07,320 Speaker 2: that is inspired because I was reading that you that 45 00:02:07,480 --> 00:02:11,399 Speaker 2: is part of sort of mental for you, right, exercise 46 00:02:11,520 --> 00:02:12,120 Speaker 2: mental for you. 47 00:02:12,680 --> 00:02:19,799 Speaker 4: The discipline travels across lines, so it enhances any discipline 48 00:02:20,639 --> 00:02:24,200 Speaker 4: that you are trying to achieve. Your focus, your discipline, 49 00:02:24,240 --> 00:02:27,960 Speaker 4: your drive, your commitment to things going from mission to mission, 50 00:02:28,080 --> 00:02:29,400 Speaker 4: in whatever. 51 00:02:30,560 --> 00:02:33,600 Speaker 3: You have in front of you. It really does enhance. 52 00:02:33,320 --> 00:02:37,440 Speaker 4: All of it because you get pushed beyond what you 53 00:02:37,600 --> 00:02:40,320 Speaker 4: thought you could do, and it just works in every 54 00:02:40,360 --> 00:02:43,560 Speaker 4: aspect of your life, and I recommend it for you. 55 00:02:43,720 --> 00:02:46,799 Speaker 3: I'm going to hook you up. I need it, hook 56 00:02:46,840 --> 00:02:47,160 Speaker 3: you up. 57 00:02:47,200 --> 00:02:50,079 Speaker 2: We talk about breaking our comfort zone, and you know, interestingly, 58 00:02:50,160 --> 00:02:54,400 Speaker 2: with the new album Blue Electric Light, this is something 59 00:02:54,600 --> 00:02:58,920 Speaker 2: where I also, I think I kind of know your method, 60 00:02:59,200 --> 00:03:02,240 Speaker 2: but you don't that You're not waking up at whatever 61 00:03:02,280 --> 00:03:04,320 Speaker 2: time and going I'm going to the studio for three hours. 62 00:03:04,360 --> 00:03:04,959 Speaker 1: I'm going to write. 63 00:03:05,440 --> 00:03:07,520 Speaker 2: Whatever happens, happens, I'm going out, going out for lunch. 64 00:03:07,600 --> 00:03:08,919 Speaker 2: That's not your process. 65 00:03:09,200 --> 00:03:12,639 Speaker 4: No, No, I'm an antenna, That's what I call it, 66 00:03:12,760 --> 00:03:18,639 Speaker 4: and I pick up things that are being transmitted, and 67 00:03:18,760 --> 00:03:22,360 Speaker 4: so I prefer to wait for it to happen as 68 00:03:22,400 --> 00:03:24,799 Speaker 4: opposed to a set of time to work. I know 69 00:03:24,840 --> 00:03:28,120 Speaker 4: a lot of musicians and producers that work that way, 70 00:03:28,160 --> 00:03:30,440 Speaker 4: and it works for them. They make a schedule, they 71 00:03:30,480 --> 00:03:32,920 Speaker 4: work like they're in an office. But for me, I 72 00:03:32,960 --> 00:03:40,840 Speaker 4: want to keep as much of my ideas out of it, 73 00:03:40,880 --> 00:03:43,480 Speaker 4: which sounds strange. I want to hear it from the 74 00:03:43,560 --> 00:03:46,120 Speaker 4: pure source, and then my job is to work on 75 00:03:46,160 --> 00:03:50,520 Speaker 4: that to get that to sound like I heard it 76 00:03:50,560 --> 00:03:52,760 Speaker 4: in my head, so that when you hear it, I'm 77 00:03:52,800 --> 00:03:54,640 Speaker 4: hearing this pure. 78 00:03:56,200 --> 00:03:58,000 Speaker 3: Creativity that came to me. 79 00:03:58,120 --> 00:03:59,880 Speaker 4: So that's my job is to then work on that 80 00:04:00,040 --> 00:04:02,640 Speaker 4: at and so I play all the instruments and I 81 00:04:02,680 --> 00:04:05,000 Speaker 4: put it together and it ends up being that. 82 00:04:05,280 --> 00:04:08,640 Speaker 3: But not that I can't write a song the other way. 83 00:04:08,800 --> 00:04:12,320 Speaker 1: But melody first, Melody comes first. Melody is the first thing. 84 00:04:12,880 --> 00:04:13,320 Speaker 3: Normally. 85 00:04:13,360 --> 00:04:16,120 Speaker 4: Well, when I hear these things, I hear them like records, 86 00:04:16,400 --> 00:04:18,599 Speaker 4: so they they I hear the whole thing pretty much. 87 00:04:19,040 --> 00:04:20,480 Speaker 4: I may not hear I may not hear all of 88 00:04:20,520 --> 00:04:25,320 Speaker 4: the words. Sometimes I do, but if I don't, they 89 00:04:25,360 --> 00:04:28,720 Speaker 4: begin to sort of appear as I work on it, 90 00:04:29,360 --> 00:04:32,120 Speaker 4: and I'll go in and do what we call a 91 00:04:32,160 --> 00:04:35,680 Speaker 4: dummy vocal, where you just start scatting the melody because 92 00:04:35,720 --> 00:04:37,880 Speaker 4: I hear the melody and all of a sudden words 93 00:04:37,880 --> 00:04:41,240 Speaker 4: start coming out here and there, and then I listen back. 94 00:04:41,279 --> 00:04:43,200 Speaker 3: I said, what is it I'm saying? And I can 95 00:04:43,240 --> 00:04:44,440 Speaker 3: hear it through the scat. 96 00:04:44,880 --> 00:04:46,920 Speaker 1: Yeah, And it could happen. It could come to you 97 00:04:47,000 --> 00:04:49,480 Speaker 1: at any time sleeping normally. 98 00:04:50,160 --> 00:04:54,960 Speaker 4: Yeah, normally it's between the hours of three and five am. 99 00:04:55,000 --> 00:04:58,080 Speaker 4: I find that no way, that's that's the time where 100 00:04:58,440 --> 00:05:04,799 Speaker 4: I'm being woken up and you know you're sleeping you're comfortable, 101 00:05:04,880 --> 00:05:07,280 Speaker 4: you know, you don't want to get up, but you 102 00:05:07,360 --> 00:05:07,880 Speaker 4: got to get up. 103 00:05:07,880 --> 00:05:09,920 Speaker 1: Do you think it's because do you think it's because 104 00:05:09,920 --> 00:05:12,000 Speaker 1: the rest of the world is quiet? 105 00:05:12,640 --> 00:05:17,200 Speaker 4: Perhaps perhaps in my time zone? Right so, but it 106 00:05:17,360 --> 00:05:19,839 Speaker 4: just seems to be the time that it happens. And 107 00:05:19,920 --> 00:05:23,480 Speaker 4: maybe that's when I'm in you know, rim sleep. I 108 00:05:23,520 --> 00:05:27,160 Speaker 4: don't know, but those are the hours so kind of 109 00:05:27,200 --> 00:05:28,240 Speaker 4: a pain, but. 110 00:05:30,240 --> 00:05:31,640 Speaker 3: You know, you know you got to get up. 111 00:05:31,720 --> 00:05:33,920 Speaker 2: You got to get up, you know, in talking about 112 00:05:33,920 --> 00:05:35,760 Speaker 2: this new album, but it's the kind of album that 113 00:05:35,839 --> 00:05:37,880 Speaker 2: you and you got it one of those time people 114 00:05:38,080 --> 00:05:40,120 Speaker 2: have listened to an album. This is an album that 115 00:05:40,200 --> 00:05:41,600 Speaker 2: you do want to you want to put you want 116 00:05:41,600 --> 00:05:43,719 Speaker 2: to just go away from friends and family for a minute, 117 00:05:43,720 --> 00:05:45,960 Speaker 2: you want a little it's almost a meditative moment for yourself. 118 00:05:46,000 --> 00:05:48,440 Speaker 2: And play the whole thing because it's got different tempos 119 00:05:48,440 --> 00:05:49,000 Speaker 2: to it. 120 00:05:49,000 --> 00:05:50,760 Speaker 1: It's got thank you, it's got. 121 00:05:50,720 --> 00:05:52,360 Speaker 3: I still believe in the album. I still believe in 122 00:05:52,360 --> 00:05:52,960 Speaker 3: the Alchemists. 123 00:05:52,960 --> 00:05:54,599 Speaker 1: Well you can tell when you listen to the whole thing. 124 00:05:54,640 --> 00:05:58,080 Speaker 4: You know, it's it's it's what I grew up listening to. 125 00:05:58,160 --> 00:06:01,960 Speaker 4: It's what I grew up making. And for me, it 126 00:06:02,000 --> 00:06:05,920 Speaker 4: takes a collection of songs to make the statement, and 127 00:06:07,040 --> 00:06:09,840 Speaker 4: you know just how one song flows to the other, 128 00:06:10,360 --> 00:06:14,680 Speaker 4: the time between each song, you know, you know, growing 129 00:06:14,760 --> 00:06:17,279 Speaker 4: up listening to records, you knew when the next song 130 00:06:17,400 --> 00:06:19,479 Speaker 4: was coming and what it was in the space between, 131 00:06:19,520 --> 00:06:21,600 Speaker 4: and every little breath matters. 132 00:06:21,760 --> 00:06:26,279 Speaker 2: You know, how do you view your own spirituality and 133 00:06:26,320 --> 00:06:27,440 Speaker 2: how do you practice it. 134 00:06:29,560 --> 00:06:34,320 Speaker 4: With the gratitude knowing that God is a higher source 135 00:06:34,360 --> 00:06:37,320 Speaker 4: and that all these things are gifts. I do the work, 136 00:06:37,720 --> 00:06:41,760 Speaker 4: You do the work, and thus we have the lives 137 00:06:41,760 --> 00:06:48,320 Speaker 4: that we have. There's a blessing that's also involved and 138 00:06:48,400 --> 00:06:52,559 Speaker 4: having faith and also accept myself as I speak about 139 00:06:52,560 --> 00:06:56,240 Speaker 4: in this song Human, I mean, we're all spiritual beings 140 00:06:56,560 --> 00:07:00,760 Speaker 4: having this human experience. We're here to learn, we're here 141 00:07:00,800 --> 00:07:02,440 Speaker 4: to be human. We're here to deal with all of 142 00:07:02,480 --> 00:07:05,640 Speaker 4: the things that come with this flesh that surrounds our spirit. 143 00:07:06,279 --> 00:07:09,520 Speaker 4: And it's an incredible ride. 144 00:07:09,680 --> 00:07:11,440 Speaker 2: We're gonna play that song here in just a second 145 00:07:11,440 --> 00:07:14,440 Speaker 2: from the album. But I do encourage you if you 146 00:07:14,520 --> 00:07:17,240 Speaker 2: know Lenny Kravitz, I mean, who doesn't know Lenny Krautz. 147 00:07:17,240 --> 00:07:19,240 Speaker 2: If you don't know Anny Krautz, listen to this album, 148 00:07:19,440 --> 00:07:21,880 Speaker 2: Like just take a break from life and listen to 149 00:07:21,920 --> 00:07:22,400 Speaker 2: this album. 150 00:07:22,440 --> 00:07:24,280 Speaker 1: It will give you a ride. And I'm happy that 151 00:07:24,320 --> 00:07:26,320 Speaker 1: you came on to talk about it, Blue elect. 152 00:07:26,480 --> 00:07:30,200 Speaker 4: I appreciate it all, appreciate you having me on. I 153 00:07:30,240 --> 00:07:34,480 Speaker 4: appreciate your words. And I'm over here in Paris right 154 00:07:34,480 --> 00:07:37,720 Speaker 4: now in rehearsal getting ready for the tour. We're gonna 155 00:07:37,720 --> 00:07:40,400 Speaker 4: go out on a world tour which will go on 156 00:07:40,640 --> 00:07:44,240 Speaker 4: for two years, starting in Europe right now in festivals 157 00:07:44,800 --> 00:07:46,760 Speaker 4: and a few of my own arena shows, and then 158 00:07:47,120 --> 00:07:50,520 Speaker 4: I go to Las Vegas for my first residency. 159 00:07:50,640 --> 00:07:52,160 Speaker 1: How are you feeling about that? 160 00:07:52,160 --> 00:07:57,440 Speaker 4: That's exciting, something completely different that I like. That's gonna 161 00:07:57,440 --> 00:08:00,200 Speaker 4: be really nice, and I'm gonna put together something a 162 00:08:00,240 --> 00:08:05,480 Speaker 4: little different for Vegas. It's between October eighteenth and the 163 00:08:05,520 --> 00:08:10,720 Speaker 4: twenty sixth at the Dolby Live at the Park MGM, 164 00:08:10,800 --> 00:08:13,720 Speaker 4: and yeah, I'll be hanging out in Vegas for a 165 00:08:13,760 --> 00:08:16,880 Speaker 4: little bit and then we'll go from there and hit 166 00:08:16,920 --> 00:08:21,200 Speaker 4: America and South America, all over the world, Asia, Australia 167 00:08:21,600 --> 00:08:23,920 Speaker 4: and back around a couple of times. 168 00:08:24,480 --> 00:08:26,080 Speaker 2: Thank you so much for coming on, man. I hope 169 00:08:26,080 --> 00:08:28,080 Speaker 2: to see us somewhere on this planet soon. 170 00:08:28,760 --> 00:08:31,160 Speaker 4: We'll speak man, lots of love to all three of you. 171 00:08:31,760 --> 00:08:34,360 Speaker 4: We'll talk soon, see you buddy, Thank you, all right, 172 00:08:34,880 --> 00:08:35,000 Speaker 4: take 173 00:08:35,040 --> 00:08:38,640 Speaker 1: Care, coming back with the track Lendykravitshos just talking about