WEBVTT - Episode 1

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<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

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<v Speaker 1>and Realm.

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<v Speaker 2>We have a lot of work to do and I've

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<v Speaker 2>missed you. Sys come back to me.

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<v Speaker 3>Are you serious right now?

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<v Speaker 2>Is this a dream?

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<v Speaker 3>No, this is not a fucking dream. I can't believe

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<v Speaker 3>this is a first conversation I'm having with you in

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<v Speaker 3>seven years.

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<v Speaker 2>I know, I can't believe you called me.

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<v Speaker 3>You called me? No, I didn't look at how going

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<v Speaker 3>on your phone?

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<v Speaker 2>Who called too? Is irrelevance?

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<v Speaker 3>What do you want, Sadie?

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<v Speaker 2>I'm just happy you answered, even if it was a

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<v Speaker 2>sleep dial.

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<v Speaker 3>I deleted your number and didn't recognize it. And a

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<v Speaker 3>sleep dial is not a thing.

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<v Speaker 2>Yes it is, And who would know the neuroscientist or

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<v Speaker 2>the podcaster?

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<v Speaker 3>Are you drunk right now?

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<v Speaker 2>I've been thinking about you. I wish I would have

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<v Speaker 2>called while I was awake. Maybe our conversation would be

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<v Speaker 2>a little more touching than it is right now.

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<v Speaker 3>What'd you think was gonna happen? You thought I was

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<v Speaker 3>going to start crying and say I love.

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<v Speaker 2>You, I want you back in my life.

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<v Speaker 3>It's too late for that.

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<v Speaker 2>I have a proposal for you, or a job offer,

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<v Speaker 2>if you want to keep it professional. Come up here

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<v Speaker 2>and document my project. All you need to do is

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<v Speaker 2>record everything like you always do. One session, twenty four hours.

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<v Speaker 2>Absolutely not after this, Craft will be mentioned alongside Newton

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<v Speaker 2>and Einstein. No, I'll give you ten thousand dollars.

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<v Speaker 3>What's your project?

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<v Speaker 2>I can't tell you?

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<v Speaker 3>Tell me, or I hang up.

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<v Speaker 2>I need to show you I'm hanging up. You're not

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<v Speaker 2>the only person I'm talking to about this.

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<v Speaker 3>You didn't talk to Gwen Gibbs, did you.

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<v Speaker 2>I want us to reconnect. If you don't want to

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<v Speaker 2>do that. If you can't forgive me, well, I understand.

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<v Speaker 3>I can't believe that shit. I can't believe I actually

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<v Speaker 3>came here. I'm at Craft Sleep Center in Haven Mill.

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<v Speaker 3>I think this is one of now twenty locations nationwide,

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<v Speaker 3>but this one's not listed anywhere. It's like it doesn't exist.

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<v Speaker 3>Ugly building, brutalist architecture, very sady. Okay, Morgan, I'm recording.

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<v Speaker 4>I see wearing a shirt with the red dot that

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<v Speaker 4>says I'm recording.

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<v Speaker 3>Kind of gave it away, just trying to be ethical.

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<v Speaker 4>Sadie says, you've been very successful with your podcast stuff.

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<v Speaker 4>I'm so happy for you.

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<v Speaker 3>By the metric of not living on the streets. I

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<v Speaker 3>am indeed a major success. Can't believe you're still under

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<v Speaker 3>my sister's boot. Yeah, well, I'm sorry that didn't come

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<v Speaker 3>out how I meant it.

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<v Speaker 4>You know I need her, she needs me. I can't

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<v Speaker 4>wait for you to see the session tonight. You'll be

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<v Speaker 4>the first outsider we've let in.

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<v Speaker 3>This isn't bullshit, is it? You guys really did something

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<v Speaker 3>that's an understatement? So where is she now?

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<v Speaker 4>You know her? She's in her cave. She could see

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<v Speaker 4>a mushroom cloud in the distance and keep working. Why

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<v Speaker 4>don't I give you a tour? These are the sleep

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<v Speaker 4>steady rooms.

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<v Speaker 3>A young boys room, iron Man figures strown about, Batman

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<v Speaker 3>themed bedsheets, It's Marvel or DC pick a side kid.

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<v Speaker 3>I was expecting the rooms to look a little more sterile.

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<v Speaker 4>Yeah, I know. For long term studies. We will literally

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<v Speaker 4>ship someone's entire bedroom here. It reduces variables. It's especially

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<v Speaker 4>helpful for children. See this one is different, a little

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<v Speaker 4>more adult.

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<v Speaker 3>Is this the hedge fund? Asshole? Sweet?

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<v Speaker 4>We do need to have some wealthy patients to offset

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<v Speaker 4>the costs of our more speculative endeavors and to pay

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<v Speaker 4>for the children whose parents are financially strained.

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<v Speaker 3>Sadie approved treating children pro bono. She said it would

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<v Speaker 3>be good pr that makes more sense.

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<v Speaker 4>I like working with the kids, though at present we're

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<v Speaker 4>just a skeleton crew with one patient at a time.

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<v Speaker 4>You should meet Diego. He's our computer programmer. What the

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<v Speaker 4>hell was that you weren't supposed to hear?

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<v Speaker 2>That?

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<v Speaker 3>Was that a snuffl No.

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<v Speaker 4>Forget you heard that. It'll make sense later, it will

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<v Speaker 4>trust me.

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<v Speaker 3>Uh okay, okay, thank you.

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<v Speaker 4>Come on, let me show your room.

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<v Speaker 3>I'm alone in my room now I can finally unwind.

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<v Speaker 3>It was good to see Morgan again. She's been my

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<v Speaker 3>sister's right hand woman since I was young. Don't have

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<v Speaker 3>high hopes for the snuff film. Guy, I feel like

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<v Speaker 3>I might be in some kind of Rosemary Baby scenario

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<v Speaker 3>right now. I'm so damn tired. I'm going to take

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<v Speaker 3>a nap.

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<v Speaker 2>What's that? Oh?

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<v Speaker 5>Hello, Hi, I'm doctor Johannes on this. I'm the fourth

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<v Speaker 5>horseman of dream Sequence.

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<v Speaker 3>What's sequence?

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<v Speaker 5>It's what you came here to see. Saty asked me

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<v Speaker 5>to come get you. It's starting.

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<v Speaker 3>Okay, let me get out of my pjah.

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<v Speaker 5>There's no time come with me.

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<v Speaker 3>This is also weird.

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<v Speaker 5>And oh glorymos, excuse me, means you're sensing owls in

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<v Speaker 5>the bog.

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<v Speaker 3>Oh, there's owls in the bog. All right, Josie entry

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<v Speaker 3>in room one. Calibrate Power, surg handle it, Morgan, it'll hold.

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<v Speaker 4>It's gonna be pushed to the brink and then stabilized

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<v Speaker 4>right at eighty five.

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<v Speaker 6>It's at eighty five already and we haven't even started

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<v Speaker 6>processing box Alon yet.

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<v Speaker 4>Focus on your job, I'll focus on mine.

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<v Speaker 3>I'm in an observation room for computer stations and sixteen

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<v Speaker 3>monitors in total from the labels. Some monitors are brainwaves,

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<v Speaker 3>neural code, brain imaging, and something called may NAT. I'm

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<v Speaker 3>standing behind doctor Anders, Morgan Diego, and my sister Sadie,

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<v Speaker 3>who somehow has not yet noticed I'm in the room.

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<v Speaker 3>Even though I'm talking.

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<v Speaker 7>Out loud, I know you're here.

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<v Speaker 3>I'm resisting the urged to shut up after seven years.

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<v Speaker 3>That's my greeting fitting staring out a big two way window,

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<v Speaker 3>and on the other side there's a young woman sleeping

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<v Speaker 3>on the bed. I assume this is Josie Power.

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<v Speaker 1>Just hit eighty five, eighty seven, ninety five. We're gonna

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<v Speaker 1>lose it.

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<v Speaker 3>Relax ninety seven, ninety eight, ninety nine. I am watching,

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<v Speaker 3>That's why.

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<v Speaker 6>I'm yelling ninety eight, ninety four, ninety eighty five, eighty

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<v Speaker 6>five eighty five f off, say.

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<v Speaker 7>Fuck, Morgan, you're forty years old. Tessel transitioning from padawaves

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<v Speaker 7>to delta.

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<v Speaker 3>Josie's eyes move very quickly left and right, like she's

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<v Speaker 3>watching a tennis match, playing on her eyelids. Morgan activated,

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<v Speaker 3>What the hell am I listening to show me the cortex?

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<v Speaker 3>My sister just pulled up the very conticuilt image of

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<v Speaker 3>Josie's brain. Bright lights fire off.

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<v Speaker 5>And on, noodles BPM one done, She's said of us.

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<v Speaker 3>Should we wake her up?

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<v Speaker 7>Absolutely not?

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<v Speaker 2>Why are you doing this to me?

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<v Speaker 3>Drink it? But it's gasoline. Rink it. No one, open

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<v Speaker 3>your throat, swallow it. She doesn't moving out of delta.

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<v Speaker 3>She's not moving out of delta. The may or not

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<v Speaker 3>can't handle the rubber eighty nine eighty five. Turn it

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<v Speaker 3>off now, I want to. We'll lose everything. Turn it off.

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<v Speaker 2>We lost it.

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<v Speaker 7>We'll get it tomorrow.

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<v Speaker 3>Josie just sprang up out of bed, scared out of

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<v Speaker 3>her mind.

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<v Speaker 7>Andrew Soeller fill out her dream journal.

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<v Speaker 3>I thought again, what the fuck did I just.

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<v Speaker 7>Witness dream sequence? That's what I've been working on for

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<v Speaker 7>the last seven years. What was that You didn't figure

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<v Speaker 7>it out? I think I need to hear you say it.

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<v Speaker 7>That was live audio of a woman's nightmare. Holy fucking shit,

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<v Speaker 7>stay document the project. Do this with me?

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<v Speaker 3>Are you trying to get out of pain that ten

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<v Speaker 3>thousand dollars? You promise me?

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<v Speaker 7>I'm serious.

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<v Speaker 3>Did you really reach out to Gwen Gibbs?

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<v Speaker 7>I don't know who that is. I just let you

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<v Speaker 7>think that because I know how motivating hatred can be.

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<v Speaker 7>You're manipulating me, not with lies.

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<v Speaker 3>This machine is approved in everything. You're allowed to be

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<v Speaker 3>doing this. We passed the review board a year ago.

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<v Speaker 3>Or not hurting people, There's nothing dangerous about what you're doing.

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<v Speaker 7>They're just dreams.

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<v Speaker 3>I'll stay on one condition. You have to be one

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<v Speaker 3>hundred percent honest with me. If you lie to me,

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<v Speaker 3>I'm gone. Okay, there was a sound in the nightmare

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<v Speaker 3>and you all reacted to it like it wasn't something

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<v Speaker 3>you wanted to hear. Why.

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<v Speaker 7>It comes from a nightmare figure, and that figure is recurring.

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<v Speaker 3>But that's typical of nightmares, isn't it?

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<v Speaker 7>When I say it's recurring, I don't mean just in Josie.

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<v Speaker 7>I mean in every single subject we've tested. The others

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<v Speaker 7>came here one at a time and aren't aware of

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<v Speaker 7>each other's existence. They've all encountered the same figure.

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<v Speaker 3>So what does that mean?

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<v Speaker 7>I think it means that something is alive in our nightmares,

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<v Speaker 7>and when we hear it, it hears us.

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<v Speaker 1>You're listening to dream Sequence, written and created by Andrew

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<v Speaker 1>Martin Robinson, directed by Dave Beasley and John Brooks. Executive

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<v Speaker 1>producers are Molly Barton, John Brooks, Dave Beasley and Marcy

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<v Speaker 1>Wiseman for realm Alex Williams, Matt Frederick and Trevor Young

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<v Speaker 1>for iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television,

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<v Speaker 1>starring Jesse Case and Alice Kremelberg, with performances by Shalinie

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<v Speaker 1>Bethina Einer, Gunn, Nick Osborne, Winifred Anne Kincannon, Tara Brown,

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<v Speaker 1>Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson,

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<v Speaker 1>Joel Haberley, Simaj Miller, Dean Simone and Brian Finney. Additional

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<v Speaker 1>voice by Patrick Higney, Fred Greenhoalg John Brooks, Christina Telesca,

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<v Speaker 1>and Kaylan West. Casting by Sunday Bowling, Kennedy CSA and

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<v Speaker 1>Meg Mormon CSA. Producers for Realm are Fred Greenholge, Marcus Thorne, Begala,

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<v Speaker 1>and Rhoda Bayessa. Associate producer Michael Colter, Production manager Devin Sheppard,

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<v Speaker 1>Production coordinator Angela Yee. Dialogue editing by Corey Barton. Sound

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<v Speaker 1>designed by Rory O'Shea and Dan Powell. Final mix by

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<v Speaker 1>Kaylan West. Original score composed by Marcus Thorne Bagala, Songs

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<v Speaker 1>for Josie by Kaylan West. Recorded at Real Voice, Los

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<v Speaker 1>Angeles and Citybox, New York City. This podcast was recorded

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<v Speaker 1>under a SAG after collective bargaining agreement. Dream Sequence is

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<v Speaker 1>a production of iHeart Podcasts, Blumhouse Television.

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<v Speaker 3>And Realm.

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<v Speaker 1>Find more great podcasts by visiting the iHeartRadio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite show.