1 00:00:00,320 --> 00:00:04,439 Speaker 1: Dream Sequence is a production of iHeart Podcasts, Blumhouse Television, 2 00:00:04,559 --> 00:00:18,960 Speaker 1: and Realm. 3 00:00:19,920 --> 00:00:23,440 Speaker 2: We have a lot of work to do and I've 4 00:00:23,480 --> 00:00:27,440 Speaker 2: missed you. Sys come back to me. 5 00:00:31,760 --> 00:00:32,960 Speaker 3: Are you serious right now? 6 00:00:34,640 --> 00:00:35,720 Speaker 2: Is this a dream? 7 00:00:37,240 --> 00:00:40,720 Speaker 3: No, this is not a fucking dream. I can't believe 8 00:00:40,760 --> 00:00:42,680 Speaker 3: this is a first conversation I'm having with you in 9 00:00:42,760 --> 00:00:43,400 Speaker 3: seven years. 10 00:00:44,240 --> 00:00:46,159 Speaker 2: I know, I can't believe you called me. 11 00:00:46,800 --> 00:00:50,760 Speaker 3: You called me? No, I didn't look at how going 12 00:00:50,840 --> 00:00:51,440 Speaker 3: on your phone? 13 00:00:53,760 --> 00:00:55,040 Speaker 2: Who called too? Is irrelevance? 14 00:00:55,040 --> 00:00:56,000 Speaker 3: What do you want, Sadie? 15 00:00:56,040 --> 00:00:58,520 Speaker 2: I'm just happy you answered, even if it was a 16 00:00:58,520 --> 00:00:59,120 Speaker 2: sleep dial. 17 00:01:00,080 --> 00:01:02,360 Speaker 3: I deleted your number and didn't recognize it. And a 18 00:01:02,400 --> 00:01:03,800 Speaker 3: sleep dial is not a thing. 19 00:01:04,080 --> 00:01:06,200 Speaker 2: Yes it is, And who would know the neuroscientist or 20 00:01:06,200 --> 00:01:06,760 Speaker 2: the podcaster? 21 00:01:07,360 --> 00:01:08,640 Speaker 3: Are you drunk right now? 22 00:01:11,720 --> 00:01:14,600 Speaker 2: I've been thinking about you. I wish I would have 23 00:01:14,680 --> 00:01:18,280 Speaker 2: called while I was awake. Maybe our conversation would be 24 00:01:18,319 --> 00:01:20,000 Speaker 2: a little more touching than it is right now. 25 00:01:21,720 --> 00:01:23,880 Speaker 3: What'd you think was gonna happen? You thought I was 26 00:01:23,920 --> 00:01:25,480 Speaker 3: going to start crying and say I love. 27 00:01:25,319 --> 00:01:28,320 Speaker 2: You, I want you back in my life. 28 00:01:28,680 --> 00:01:29,560 Speaker 3: It's too late for that. 29 00:01:31,920 --> 00:01:34,360 Speaker 2: I have a proposal for you, or a job offer, 30 00:01:34,400 --> 00:01:37,120 Speaker 2: if you want to keep it professional. Come up here 31 00:01:37,160 --> 00:01:39,280 Speaker 2: and document my project. All you need to do is 32 00:01:39,319 --> 00:01:44,520 Speaker 2: record everything like you always do. One session, twenty four hours. 33 00:01:44,800 --> 00:01:48,440 Speaker 2: Absolutely not after this, Craft will be mentioned alongside Newton 34 00:01:48,600 --> 00:01:52,680 Speaker 2: and Einstein. No, I'll give you ten thousand dollars. 35 00:01:54,600 --> 00:01:55,480 Speaker 3: What's your project? 36 00:01:55,720 --> 00:01:56,400 Speaker 2: I can't tell you? 37 00:01:56,800 --> 00:01:57,960 Speaker 3: Tell me, or I hang up. 38 00:01:58,040 --> 00:02:00,320 Speaker 2: I need to show you I'm hanging up. You're not 39 00:02:00,360 --> 00:02:01,960 Speaker 2: the only person I'm talking to about this. 40 00:02:04,720 --> 00:02:06,840 Speaker 3: You didn't talk to Gwen Gibbs, did you. 41 00:02:08,960 --> 00:02:11,440 Speaker 2: I want us to reconnect. If you don't want to 42 00:02:11,480 --> 00:02:15,680 Speaker 2: do that. If you can't forgive me, well, I understand. 43 00:02:40,760 --> 00:02:43,480 Speaker 3: I can't believe that shit. I can't believe I actually 44 00:02:43,600 --> 00:02:47,160 Speaker 3: came here. I'm at Craft Sleep Center in Haven Mill. 45 00:02:47,560 --> 00:02:50,160 Speaker 3: I think this is one of now twenty locations nationwide, 46 00:02:50,200 --> 00:02:53,280 Speaker 3: but this one's not listed anywhere. It's like it doesn't exist. 47 00:02:55,240 --> 00:03:04,519 Speaker 3: Ugly building, brutalist architecture, very sady. Okay, Morgan, I'm recording. 48 00:03:05,080 --> 00:03:07,160 Speaker 4: I see wearing a shirt with the red dot that 49 00:03:07,160 --> 00:03:07,920 Speaker 4: says I'm recording. 50 00:03:07,960 --> 00:03:10,239 Speaker 3: Kind of gave it away, just trying to be ethical. 51 00:03:10,600 --> 00:03:13,760 Speaker 4: Sadie says, you've been very successful with your podcast stuff. 52 00:03:14,280 --> 00:03:15,399 Speaker 4: I'm so happy for you. 53 00:03:15,560 --> 00:03:17,520 Speaker 3: By the metric of not living on the streets. I 54 00:03:17,639 --> 00:03:21,560 Speaker 3: am indeed a major success. Can't believe you're still under 55 00:03:21,600 --> 00:03:26,600 Speaker 3: my sister's boot. Yeah, well, I'm sorry that didn't come 56 00:03:26,600 --> 00:03:27,640 Speaker 3: out how I meant it. 57 00:03:27,720 --> 00:03:30,920 Speaker 4: You know I need her, she needs me. I can't 58 00:03:30,919 --> 00:03:32,920 Speaker 4: wait for you to see the session tonight. You'll be 59 00:03:32,919 --> 00:03:34,240 Speaker 4: the first outsider we've let in. 60 00:03:35,000 --> 00:03:38,200 Speaker 3: This isn't bullshit, is it? You guys really did something 61 00:03:38,680 --> 00:03:42,960 Speaker 3: that's an understatement? So where is she now? 62 00:03:43,040 --> 00:03:45,520 Speaker 4: You know her? She's in her cave. She could see 63 00:03:45,520 --> 00:03:48,640 Speaker 4: a mushroom cloud in the distance and keep working. Why 64 00:03:48,680 --> 00:03:56,560 Speaker 4: don't I give you a tour? These are the sleep 65 00:03:56,560 --> 00:03:57,559 Speaker 4: steady rooms. 66 00:03:57,840 --> 00:04:01,120 Speaker 3: A young boys room, iron Man figures strown about, Batman 67 00:04:01,200 --> 00:04:05,600 Speaker 3: themed bedsheets, It's Marvel or DC pick a side kid. 68 00:04:06,440 --> 00:04:09,640 Speaker 3: I was expecting the rooms to look a little more sterile. 69 00:04:10,200 --> 00:04:13,120 Speaker 4: Yeah, I know. For long term studies. We will literally 70 00:04:13,120 --> 00:04:17,600 Speaker 4: ship someone's entire bedroom here. It reduces variables. It's especially 71 00:04:17,600 --> 00:04:22,520 Speaker 4: helpful for children. See this one is different, a little 72 00:04:22,520 --> 00:04:23,120 Speaker 4: more adult. 73 00:04:23,520 --> 00:04:25,159 Speaker 3: Is this the hedge fund? Asshole? Sweet? 74 00:04:26,040 --> 00:04:29,560 Speaker 4: We do need to have some wealthy patients to offset 75 00:04:29,600 --> 00:04:32,640 Speaker 4: the costs of our more speculative endeavors and to pay 76 00:04:32,640 --> 00:04:35,200 Speaker 4: for the children whose parents are financially strained. 77 00:04:35,480 --> 00:04:38,360 Speaker 3: Sadie approved treating children pro bono. She said it would 78 00:04:38,360 --> 00:04:40,080 Speaker 3: be good pr that makes more sense. 79 00:04:40,240 --> 00:04:42,839 Speaker 4: I like working with the kids, though at present we're 80 00:04:42,880 --> 00:04:44,880 Speaker 4: just a skeleton crew with one patient at a time. 81 00:04:47,839 --> 00:04:56,200 Speaker 4: You should meet Diego. He's our computer programmer. What the 82 00:04:56,200 --> 00:04:57,520 Speaker 4: hell was that you weren't supposed to hear? 83 00:04:57,560 --> 00:04:57,680 Speaker 2: That? 84 00:04:58,600 --> 00:05:00,280 Speaker 3: Was that a snuffl No. 85 00:05:01,080 --> 00:05:05,640 Speaker 4: Forget you heard that. It'll make sense later, it will 86 00:05:06,320 --> 00:05:06,760 Speaker 4: trust me. 87 00:05:07,360 --> 00:05:10,880 Speaker 3: Uh okay, okay, thank you. 88 00:05:11,880 --> 00:05:13,159 Speaker 4: Come on, let me show your room. 89 00:05:21,640 --> 00:05:24,200 Speaker 3: I'm alone in my room now I can finally unwind. 90 00:05:25,760 --> 00:05:28,080 Speaker 3: It was good to see Morgan again. She's been my 91 00:05:28,120 --> 00:05:31,400 Speaker 3: sister's right hand woman since I was young. Don't have 92 00:05:31,480 --> 00:05:35,599 Speaker 3: high hopes for the snuff film. Guy, I feel like 93 00:05:35,600 --> 00:05:38,080 Speaker 3: I might be in some kind of Rosemary Baby scenario 94 00:05:38,240 --> 00:05:42,680 Speaker 3: right now. I'm so damn tired. I'm going to take 95 00:05:42,680 --> 00:05:43,159 Speaker 3: a nap. 96 00:05:49,680 --> 00:05:51,680 Speaker 2: What's that? Oh? 97 00:05:53,480 --> 00:05:57,760 Speaker 5: Hello, Hi, I'm doctor Johannes on this. I'm the fourth 98 00:05:57,760 --> 00:05:59,200 Speaker 5: horseman of dream Sequence. 99 00:05:59,600 --> 00:06:00,800 Speaker 3: What's sequence? 100 00:06:01,400 --> 00:06:04,080 Speaker 5: It's what you came here to see. Saty asked me 101 00:06:04,120 --> 00:06:05,400 Speaker 5: to come get you. It's starting. 102 00:06:06,000 --> 00:06:07,680 Speaker 3: Okay, let me get out of my pjah. 103 00:06:07,680 --> 00:06:08,880 Speaker 5: There's no time come with me. 104 00:06:15,240 --> 00:06:16,880 Speaker 3: This is also weird. 105 00:06:17,120 --> 00:06:21,680 Speaker 5: And oh glorymos, excuse me, means you're sensing owls in 106 00:06:21,800 --> 00:06:22,159 Speaker 5: the bog. 107 00:06:23,120 --> 00:06:26,640 Speaker 3: Oh, there's owls in the bog. All right, Josie entry 108 00:06:26,680 --> 00:06:31,520 Speaker 3: in room one. Calibrate Power, surg handle it, Morgan, it'll hold. 109 00:06:31,960 --> 00:06:33,919 Speaker 4: It's gonna be pushed to the brink and then stabilized 110 00:06:34,000 --> 00:06:34,839 Speaker 4: right at eighty five. 111 00:06:34,960 --> 00:06:36,919 Speaker 6: It's at eighty five already and we haven't even started 112 00:06:36,960 --> 00:06:38,240 Speaker 6: processing box Alon yet. 113 00:06:38,240 --> 00:06:41,200 Speaker 4: Focus on your job, I'll focus on mine. 114 00:06:41,400 --> 00:06:44,719 Speaker 3: I'm in an observation room for computer stations and sixteen 115 00:06:44,720 --> 00:06:48,040 Speaker 3: monitors in total from the labels. Some monitors are brainwaves, 116 00:06:48,120 --> 00:06:51,360 Speaker 3: neural code, brain imaging, and something called may NAT. I'm 117 00:06:51,360 --> 00:06:55,000 Speaker 3: standing behind doctor Anders, Morgan Diego, and my sister Sadie, 118 00:06:55,000 --> 00:06:57,000 Speaker 3: who somehow has not yet noticed I'm in the room. 119 00:06:57,000 --> 00:06:57,960 Speaker 3: Even though I'm talking. 120 00:06:57,760 --> 00:06:58,920 Speaker 7: Out loud, I know you're here. 121 00:06:58,960 --> 00:07:02,360 Speaker 3: I'm resisting the urged to shut up after seven years. 122 00:07:02,360 --> 00:07:06,960 Speaker 3: That's my greeting fitting staring out a big two way window, 123 00:07:07,520 --> 00:07:09,520 Speaker 3: and on the other side there's a young woman sleeping 124 00:07:09,560 --> 00:07:12,640 Speaker 3: on the bed. I assume this is Josie Power. 125 00:07:12,760 --> 00:07:16,520 Speaker 1: Just hit eighty five, eighty seven, ninety five. We're gonna 126 00:07:16,560 --> 00:07:16,840 Speaker 1: lose it. 127 00:07:16,880 --> 00:07:22,000 Speaker 3: Relax ninety seven, ninety eight, ninety nine. I am watching, 128 00:07:22,000 --> 00:07:22,400 Speaker 3: That's why. 129 00:07:22,320 --> 00:07:28,320 Speaker 6: I'm yelling ninety eight, ninety four, ninety eighty five, eighty 130 00:07:28,440 --> 00:07:32,560 Speaker 6: five eighty five f off, say. 131 00:07:32,440 --> 00:07:36,120 Speaker 7: Fuck, Morgan, you're forty years old. Tessel transitioning from padawaves 132 00:07:36,120 --> 00:07:36,640 Speaker 7: to delta. 133 00:07:36,840 --> 00:07:39,480 Speaker 3: Josie's eyes move very quickly left and right, like she's 134 00:07:39,520 --> 00:07:43,680 Speaker 3: watching a tennis match, playing on her eyelids. Morgan activated, 135 00:07:56,040 --> 00:07:59,280 Speaker 3: What the hell am I listening to show me the cortex? 136 00:08:00,120 --> 00:08:02,200 Speaker 3: My sister just pulled up the very conticuilt image of 137 00:08:02,280 --> 00:08:04,200 Speaker 3: Josie's brain. Bright lights fire off. 138 00:08:04,080 --> 00:08:20,560 Speaker 5: And on, noodles BPM one done, She's said of us. 139 00:08:20,760 --> 00:08:21,640 Speaker 3: Should we wake her up? 140 00:08:21,720 --> 00:08:22,320 Speaker 7: Absolutely not? 141 00:08:26,880 --> 00:08:28,520 Speaker 2: Why are you doing this to me? 142 00:08:29,680 --> 00:08:47,079 Speaker 3: Drink it? But it's gasoline. Rink it. No one, open 143 00:08:47,120 --> 00:08:54,000 Speaker 3: your throat, swallow it. She doesn't moving out of delta. 144 00:08:54,120 --> 00:08:55,920 Speaker 3: She's not moving out of delta. The may or not 145 00:08:56,000 --> 00:08:59,439 Speaker 3: can't handle the rubber eighty nine eighty five. Turn it 146 00:08:59,480 --> 00:09:10,480 Speaker 3: off now, I want to. We'll lose everything. Turn it off. 147 00:09:12,600 --> 00:09:13,240 Speaker 2: We lost it. 148 00:09:13,679 --> 00:09:14,560 Speaker 7: We'll get it tomorrow. 149 00:09:17,880 --> 00:09:20,240 Speaker 3: Josie just sprang up out of bed, scared out of 150 00:09:20,280 --> 00:09:20,760 Speaker 3: her mind. 151 00:09:20,840 --> 00:09:22,400 Speaker 7: Andrew Soeller fill out her dream journal. 152 00:09:24,880 --> 00:09:29,600 Speaker 3: I thought again, what the fuck did I just. 153 00:09:29,600 --> 00:09:34,360 Speaker 7: Witness dream sequence? That's what I've been working on for 154 00:09:34,400 --> 00:09:40,240 Speaker 7: the last seven years. What was that You didn't figure 155 00:09:40,240 --> 00:09:43,720 Speaker 7: it out? I think I need to hear you say it. 156 00:09:46,120 --> 00:09:50,160 Speaker 7: That was live audio of a woman's nightmare. Holy fucking shit, 157 00:09:52,080 --> 00:09:56,560 Speaker 7: stay document the project. Do this with me? 158 00:09:58,760 --> 00:10:00,400 Speaker 3: Are you trying to get out of pain that ten 159 00:10:00,440 --> 00:10:01,600 Speaker 3: thousand dollars? You promise me? 160 00:10:01,679 --> 00:10:03,160 Speaker 7: I'm serious. 161 00:10:04,800 --> 00:10:06,440 Speaker 3: Did you really reach out to Gwen Gibbs? 162 00:10:07,840 --> 00:10:09,840 Speaker 7: I don't know who that is. I just let you 163 00:10:09,880 --> 00:10:12,000 Speaker 7: think that because I know how motivating hatred can be. 164 00:10:12,520 --> 00:10:14,720 Speaker 7: You're manipulating me, not with lies. 165 00:10:17,360 --> 00:10:20,480 Speaker 3: This machine is approved in everything. You're allowed to be 166 00:10:20,520 --> 00:10:22,840 Speaker 3: doing this. We passed the review board a year ago. 167 00:10:23,160 --> 00:10:27,320 Speaker 3: Or not hurting people, There's nothing dangerous about what you're doing. 168 00:10:29,440 --> 00:10:31,040 Speaker 7: They're just dreams. 169 00:10:34,280 --> 00:10:37,480 Speaker 3: I'll stay on one condition. You have to be one 170 00:10:37,600 --> 00:10:39,800 Speaker 3: hundred percent honest with me. If you lie to me, 171 00:10:40,520 --> 00:10:45,800 Speaker 3: I'm gone. Okay, there was a sound in the nightmare 172 00:10:45,840 --> 00:10:47,800 Speaker 3: and you all reacted to it like it wasn't something 173 00:10:47,840 --> 00:10:51,800 Speaker 3: you wanted to hear. Why. 174 00:10:52,440 --> 00:10:57,400 Speaker 7: It comes from a nightmare figure, and that figure is recurring. 175 00:10:58,520 --> 00:11:00,400 Speaker 3: But that's typical of nightmares, isn't it? 176 00:11:02,120 --> 00:11:05,120 Speaker 7: When I say it's recurring, I don't mean just in Josie. 177 00:11:06,480 --> 00:11:10,360 Speaker 7: I mean in every single subject we've tested. The others 178 00:11:10,400 --> 00:11:12,880 Speaker 7: came here one at a time and aren't aware of 179 00:11:12,920 --> 00:11:16,920 Speaker 7: each other's existence. They've all encountered the same figure. 180 00:11:18,760 --> 00:11:20,800 Speaker 3: So what does that mean? 181 00:11:23,320 --> 00:11:28,079 Speaker 7: I think it means that something is alive in our nightmares, 182 00:11:29,960 --> 00:12:11,360 Speaker 7: and when we hear it, it hears us. 183 00:12:13,320 --> 00:12:16,760 Speaker 1: You're listening to dream Sequence, written and created by Andrew 184 00:12:16,760 --> 00:12:21,920 Speaker 1: Martin Robinson, directed by Dave Beasley and John Brooks. Executive 185 00:12:21,960 --> 00:12:25,720 Speaker 1: producers are Molly Barton, John Brooks, Dave Beasley and Marcy 186 00:12:25,760 --> 00:12:30,080 Speaker 1: Wiseman for realm Alex Williams, Matt Frederick and Trevor Young 187 00:12:30,120 --> 00:12:34,400 Speaker 1: for iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television, 188 00:12:34,960 --> 00:12:39,240 Speaker 1: starring Jesse Case and Alice Kremelberg, with performances by Shalinie 189 00:12:39,280 --> 00:12:45,240 Speaker 1: Bethina Einer, Gunn, Nick Osborne, Winifred Anne Kincannon, Tara Brown, 190 00:12:45,679 --> 00:12:53,280 Speaker 1: Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson, 191 00:12:53,720 --> 00:12:59,679 Speaker 1: Joel Haberley, Simaj Miller, Dean Simone and Brian Finney. Additional 192 00:12:59,760 --> 00:13:04,559 Speaker 1: voice by Patrick Higney, Fred Greenhoalg John Brooks, Christina Telesca, 193 00:13:04,600 --> 00:13:08,920 Speaker 1: and Kaylan West. Casting by Sunday Bowling, Kennedy CSA and 194 00:13:09,000 --> 00:13:14,360 Speaker 1: Meg Mormon CSA. Producers for Realm are Fred Greenholge, Marcus Thorne, Begala, 195 00:13:14,640 --> 00:13:20,720 Speaker 1: and Rhoda Bayessa. Associate producer Michael Colter, Production manager Devin Sheppard, 196 00:13:21,160 --> 00:13:25,959 Speaker 1: Production coordinator Angela Yee. Dialogue editing by Corey Barton. Sound 197 00:13:25,960 --> 00:13:29,280 Speaker 1: designed by Rory O'Shea and Dan Powell. Final mix by 198 00:13:29,360 --> 00:13:33,920 Speaker 1: Kaylan West. Original score composed by Marcus Thorne Bagala, Songs 199 00:13:33,920 --> 00:13:37,320 Speaker 1: for Josie by Kaylan West. Recorded at Real Voice, Los 200 00:13:37,360 --> 00:13:41,079 Speaker 1: Angeles and Citybox, New York City. This podcast was recorded 201 00:13:41,160 --> 00:13:45,000 Speaker 1: under a SAG after collective bargaining agreement. Dream Sequence is 202 00:13:45,000 --> 00:13:48,400 Speaker 1: a production of iHeart Podcasts, Blumhouse Television. 203 00:13:47,920 --> 00:13:48,640 Speaker 3: And Realm. 204 00:13:48,800 --> 00:13:53,199 Speaker 1: Find more great podcasts by visiting the iHeartRadio app, Apple Podcasts, 205 00:13:53,320 --> 00:13:55,280 Speaker 1: or wherever you listen to your favorite show.