WEBVTT - Deep Cuts Horror Hit List #12 “Bring Her Back”

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<v Speaker 1>Hey there, folks. It is Monday, October the twentieth, and

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<v Speaker 1>a true Oscar worthy performance highlights the next movie on

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<v Speaker 1>our horror hit list. Welcome everybody to this episode of

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<v Speaker 1>Amy and TJ. We continue to count down our favorite

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<v Speaker 1>horror movies that maybe you never heard of as we

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<v Speaker 1>get closer to Halloween. Robes, I didn't overstate it at

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<v Speaker 1>the top DDA.

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<v Speaker 2>No. In fact, when we were actually looking to go

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<v Speaker 2>see this movie in the theaters like we did, we

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<v Speaker 2>kept reading about this woman's performance, and so actually, I

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<v Speaker 2>think I had high expectations that I felt like wouldn't

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<v Speaker 2>be met. My goodness, Sally Hawkins is the lead in this,

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<v Speaker 2>and my goodness, I really would not be surprised and

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<v Speaker 2>would be willing to be a part of the campaign

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<v Speaker 2>to get her nominated for a an Academy Award. She

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<v Speaker 2>deserves an Oscar.

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<v Speaker 1>This Okay, folks, we yes, we're horror movie fans. We

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<v Speaker 1>like Justin Long. We never thought he was gonna be

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<v Speaker 1>nominated for an Oscar for Jeepers. Creepers, Okay, And there

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<v Speaker 1>are some great we talked about. I mean, Justin Chastain

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<v Speaker 1>was in another one. There are great performances this one.

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<v Speaker 1>We're not overstating and just being Homer's in this one.

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<v Speaker 1>This woman's performance carries the daunting nature and the creepy

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<v Speaker 1>nature and also a grief stricken nature of this movie.

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<v Speaker 1>She hits so many bizarre notes. It's her. We're a

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<v Speaker 1>campaigning now. I want this woman to be at least nominated.

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<v Speaker 1>You know how they are about horror.

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<v Speaker 2>Movies, Well, this got us going into a little bit

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<v Speaker 2>of a deep dive in researching and recognizing that only

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<v Speaker 2>that we could find Anthony Hopkins and Jodie Foster. They

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<v Speaker 2>both won Best Actor in their category for Silence of

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<v Speaker 2>the Lambs and Silence of the Lambs one Best Picture.

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<v Speaker 2>But that's about it when it comes to horror movies,

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<v Speaker 2>and obvious that movie swept the Oscars that year, as

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<v Speaker 2>it should have. It is a unbelievable movie. I don't

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<v Speaker 2>know that this movie rises to that level, but it's

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<v Speaker 2>really good and certainly her performance does in my humble opinion.

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<v Speaker 1>And we're so excited about miss Sally Hawkins that we

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<v Speaker 1>haven't even told you the name of a damn movie.

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<v Speaker 1>It's Bring Her Back. It's number twelve on our list.

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<v Speaker 1>The movie is Bring Her Back, and it is it

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<v Speaker 1>is brand spaken new just out for a few months. Bro,

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<v Speaker 1>we were very excited anytime we see a horror movie

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<v Speaker 1>that's that's rated this highly by critics, like, Okay, something

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<v Speaker 1>special is happening.

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<v Speaker 2>It must be really really good. So yes, we ran

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<v Speaker 2>to the theater to see Bring Her Back, released May

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<v Speaker 2>twenty eighth, twenty twenty five, an hour and forty four

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<v Speaker 2>minutes rateed R, and it is absolutely earns every bit

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<v Speaker 2>of that rateed R.

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<v Speaker 1>Just warning, you say warning. This is the one movie

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<v Speaker 1>we teased in the last episode. This is the one.

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<v Speaker 1>We've been going back and rewatching all of these movies

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<v Speaker 1>before we do a review here on them or put

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<v Speaker 1>them on our list. This is the one I said, babe,

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<v Speaker 1>can we not watch this one? I don't want to

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<v Speaker 1>see it again. Now, that is a weird thing to

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<v Speaker 1>try to sell somebody on seeing a movie is saying

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<v Speaker 1>I don't want to see it again. It is tough

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<v Speaker 1>to up see.

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<v Speaker 2>I don't mind watching it again. I wouldn't be upset

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<v Speaker 2>about fast forwarding through one scene. And that's the scene

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<v Speaker 2>that you are well.

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<v Speaker 1>Okay, yes, go ahead, I know what you're talking about.

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<v Speaker 2>Yes, you are mostly concerned about rewatching.

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<v Speaker 1>But there is more to it than that. This is

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<v Speaker 1>a very heavy it's very dark, it involves rituals. It

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<v Speaker 1>is a there is nothing. This is one movie when

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<v Speaker 1>people say, well, why do you go to horror movies?

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<v Speaker 1>How can you have fun being scared? This is one

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<v Speaker 1>movie that it's tough to find enjoyment.

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<v Speaker 2>It's a tough watch, but it's remarkable and you are transfixed.

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<v Speaker 2>I will tell you, no matter what's going on in

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<v Speaker 2>your life, good bad, ugly happy said, you won't even

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<v Speaker 2>remember what's you are so engrossed in this film. It

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<v Speaker 2>sucks you in, It pulls you into the narrative, and

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<v Speaker 2>it's a bumpy ride. But I mean that's part of

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<v Speaker 2>the reason why we go to these movies. We want

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<v Speaker 2>to feel something, we want to be transported, and certainly

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<v Speaker 2>this movie does this.

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<v Speaker 1>Oh my god, in horrific ways. It is classified as

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<v Speaker 1>a horror mystery movie. The synopsis is pretty simple. A

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<v Speaker 1>brother and sister uncover a terrifying ritual at the secluded

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<v Speaker 1>home of their new foster mother. They really underplayed arrows.

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<v Speaker 1>That sounds so simple.

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<v Speaker 2>That doesn't sound at all. A terrifying ritual is just

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<v Speaker 2>the beginning of it. The acting is so good though,

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<v Speaker 2>across all of the folks who are in this film.

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<v Speaker 2>The box office, it did well, nineteen million domestically, twenty

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<v Speaker 2>million internationally, so just about forty million total, and the

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<v Speaker 2>budget was fifteen million, so they did well. And certainly

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<v Speaker 2>this is coming to us from these two directors, Michael

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<v Speaker 2>and Danny Philippa, who did Talk to Me, which we

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<v Speaker 2>loved as well. I thought that movie was final. You

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<v Speaker 2>thought that the lead in that one should have been nominated.

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<v Speaker 1>She was so good, she was spectacular. Sally Hawkins is

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<v Speaker 1>another level in this one. But those brothers are considered

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<v Speaker 1>now these modern masters of horror. I think they're being called,

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<v Speaker 1>but they're storytelling and the way it are doing movies

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<v Speaker 1>is I'll watch anything their names are attached to.

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<v Speaker 2>Yes, agreed, So the critics agreed. As you mentioned, Rotten

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<v Speaker 2>Tomatoes score eighty nine percent. I actually thought it would

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<v Speaker 2>be higher than that, and the audience scores seventy nine percent.

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<v Speaker 2>And my only guess is why it's a little bit

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<v Speaker 2>lower is because it is such a tough movie to watch.

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<v Speaker 1>Okay, did you read through these reviews? I have not met.

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<v Speaker 2>You said that I shouldn't see I.

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<v Speaker 1>Wanted, and you will agree, I think. But it's some

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<v Speaker 1>of these make me think we actually are qualified to

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<v Speaker 1>be professional critics, because it is. It does. It's validation

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<v Speaker 1>when you see people have the same thoughts, so point

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<v Speaker 1>out the same things and they're the professionals.

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<v Speaker 2>Now.

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<v Speaker 1>The critic consensus on this one a domestic nightmare that

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<v Speaker 1>draws its most profound scares from Sally Hawkins deranged performance,

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<v Speaker 1>Bring Her Back as an exemplary chiller that reaffirms directors

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<v Speaker 1>Danny and Michael Philippo as modern masters of horror. Wow,

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<v Speaker 1>there it is. Yeah, now, that is a hell of

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<v Speaker 1>a review.

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<v Speaker 2>Deranged performance, and of course that would send me if

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<v Speaker 2>I hadn't seen it, straight to watching it immediately.

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<v Speaker 1>And again you old Sally. She was in the Paddington

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<v Speaker 1>movies and she Shape of Water. She was nominated. Oh yeah,

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<v Speaker 1>she's an Oscar nominee. She's an Oscar nominy.

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<v Speaker 2>That makes a lot of sense.

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<v Speaker 1>Okay, yes, No. The audience consensus on this one is

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<v Speaker 1>Bring Her Back is a harrowing motion picture that may

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<v Speaker 1>gut the bravest of horror buffs, reiterating that the Philippole

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<v Speaker 1>brothers are here to slay.

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<v Speaker 2>Oh I love that here to slay. That's that's funny.

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<v Speaker 2>I like that. I applaud that more please. This is

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<v Speaker 2>the kind of movie that is just gripping in every

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<v Speaker 2>way it. We talk about how some of the movies

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<v Speaker 2>on our list were like this is just fun, this

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<v Speaker 2>is a wild ride, this is entertaining this, and then

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<v Speaker 2>there are those that are elevated. This is the probably

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<v Speaker 2>among the highest of the elevated horror flicks, and that

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<v Speaker 2>just there's incredible storytelling, incredible acting, twist and turns you

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<v Speaker 2>cannot see coming, and the type of horror look you start.

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<v Speaker 2>When you watch enough like we do. You see some

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<v Speaker 2>of the same deaths, you see some of the same gore,

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<v Speaker 2>you see some of the same tricks. And I don't

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<v Speaker 2>mind that because when they work, they work. But when

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<v Speaker 2>you see things as innovative as we saw in this movie,

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<v Speaker 2>it's really impressive.

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<v Speaker 1>All right. Sample critic review. There are a lot of

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<v Speaker 1>very good ones. So Bringer Back isn't just scary. It's

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<v Speaker 1>the most disturbing movie of the year. Gripped me with

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<v Speaker 1>relentless anxiety around life, death, family, grief, and the extremes

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<v Speaker 1>people go to to suppress pain.

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<v Speaker 2>Wow.

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<v Speaker 1>Sally Hawkins does that. I love movies when we talk

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<v Speaker 1>about Barbarian and there was another one recently where the monster,

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<v Speaker 1>if you will, or the main evil person you relate

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<v Speaker 1>to something that all comes from grief, Like I'm doing

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<v Speaker 1>this bad thing because I am actually dealing with loss

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<v Speaker 1>in my own life. I like that.

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<v Speaker 2>That reminds me of Babaduk too, that's same. There are

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<v Speaker 2>some there are some horror movies where and sometimes it doesn't.

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<v Speaker 2>I don't like the ending. I'm like, please, don't make

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<v Speaker 2>me feel sorry for the monster. But I actually get

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<v Speaker 2>it when they do have that ending, if they do

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<v Speaker 2>it in the right way, it just creates this moment.

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<v Speaker 2>We've had many conversations in life about good versus evil.

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<v Speaker 2>It's not that simple. Almost never are you all bad

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<v Speaker 2>or all good, And a lot of times people can

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<v Speaker 2>start off good and turn bad and vice versa. But

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<v Speaker 2>that I do appreciate it when told right that arching,

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<v Speaker 2>that overarching theme, that hey, it's not as obvious or

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<v Speaker 2>as easy to point out good and bad.

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<v Speaker 1>I'm a fan of this type of storytelling. Another says

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<v Speaker 1>this is a nightmare inducing movie thanks to a wicked

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<v Speaker 1>Sally Hawkins and a story balanced by heartache and horror.

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<v Speaker 1>That's a good way to put it.

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<v Speaker 2>That is so good.

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<v Speaker 1>Another one saying these brothers their brand of filmmaking is

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<v Speaker 1>brutal and honest. Their movie creates unbearable tension from start

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<v Speaker 1>to finish. It feels like a festering wound.

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<v Speaker 2>And then people will be like, why do I want

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<v Speaker 2>to go see this movie? That I get exactly what

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<v Speaker 2>the writer or the critic wrote in that, and that

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<v Speaker 2>was meant to actually be a compliment for people who

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<v Speaker 2>don't like horror movies. You would say, again, case in point,

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<v Speaker 2>here's why you are freaks for liking this stuff, and

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<v Speaker 2>I'm normal for not liking it.

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<v Speaker 1>This is the movie you would always warn somebody about, Hey,

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<v Speaker 1>you should see it, but you would never just say, yeah,

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<v Speaker 1>go check it out.

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<v Speaker 2>I would never tell my parents and my mom and

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<v Speaker 2>dad are they really don't like horror movies. They love

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<v Speaker 2>the blackening, as we pointed out, like they'll take that,

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<v Speaker 2>but they really aren't big horror movie buffs. They don't

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<v Speaker 2>know where my brother and I came from because we

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<v Speaker 2>both love horror movies so much. But this would be

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<v Speaker 2>a movie I would tell them to never watch. Ever.

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<v Speaker 1>Oh wow, Okay, here is the funniest one. And this

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<v Speaker 1>is the one that probably I could have written, I

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<v Speaker 1>have no desire to watch Bring Her Back ever again.

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<v Speaker 1>And I mean this as the highest possible compliment it is.

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<v Speaker 1>It's scared. It creeps me out so much. I don't

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<v Speaker 1>ever And.

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<v Speaker 2>These are all from official critics. Correct, this is not audience.

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<v Speaker 1>This is not audience yet someone else say it's a

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<v Speaker 1>film that opens in one direction but erradically changes lanes

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<v Speaker 1>to chase another movie's success rather than truly stand on

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<v Speaker 1>its own. Get what they're saying.

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<v Speaker 2>Oh, they're saying that. Are there? Are they saying that

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<v Speaker 2>it's chasing what success?

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<v Speaker 1>Talk to me so that they find some connection. They're

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<v Speaker 1>trying to go some direction that movie went. So disagree

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<v Speaker 1>and get that either. But hey, everybody has the thing

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<v Speaker 1>somebody else. Bring Her Back joins the growing roster of

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<v Speaker 1>grief horror films that feel more derivative than innovative. You

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<v Speaker 1>get that.

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<v Speaker 2>I just think they're trying to say something bad about

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<v Speaker 2>a movie that there's very little to say bad about

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<v Speaker 2>other than it's disturbing and gruesome. But that's a good

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<v Speaker 2>thing for horror movie fans.

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<v Speaker 1>And to your point, the first audience review is the

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<v Speaker 1>best one. Quote what a horrifying and sad story. Recommend it.

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<v Speaker 1>It is awful. It is a tough one. Oh my god.

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<v Speaker 2>That's so.

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<v Speaker 1>There is one scene, folks.

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<v Speaker 2>Yeah, I know. And when you talk about the one scene,

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<v Speaker 2>I actually feel the part of my body that it

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<v Speaker 2>impacts hurt, like I actually feel phantom pain because it

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<v Speaker 2>stays with you and you're you're making you're doing exactly

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<v Speaker 2>what I want to do. It's so rough, it makes

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<v Speaker 2>it hard to talk. Makes no sense unless you know

0:11:34.679 --> 0:11:36.360
<v Speaker 2>and you've seen the movie. All right, here's another one

0:11:36.360 --> 0:11:39.480
<v Speaker 2>from the audience. Excellent film and a fresh look on

0:11:39.600 --> 0:11:42.960
<v Speaker 2>grief horror. Story is unsettling and there are definitely some

0:11:43.040 --> 0:11:45.840
<v Speaker 2>gory parts. One of the best horror films of the year.

0:11:46.000 --> 0:11:48.760
<v Speaker 2>Exclamation point. Look, I didn't realize. We talked about these

0:11:48.760 --> 0:11:53.319
<v Speaker 2>subgenres of horror and comedy horror, and we found m

0:11:53.360 --> 0:11:56.960
<v Speaker 2>calm horror. There's a thriller horror, but I never even

0:11:57.000 --> 0:12:01.079
<v Speaker 2>considered or there's body horror, but grief horror. I hadn't

0:12:01.640 --> 0:12:03.760
<v Speaker 2>thought about that. But yes, there are a couple movies

0:12:03.800 --> 0:12:04.120
<v Speaker 2>like that.

0:12:04.520 --> 0:12:08.439
<v Speaker 1>There is you know what they include. I'm trying my

0:12:08.520 --> 0:12:11.240
<v Speaker 1>thinking of you know, what. I don't want to mention

0:12:11.320 --> 0:12:13.400
<v Speaker 1>that movie because it might sound like a criticism, so

0:12:13.600 --> 0:12:14.800
<v Speaker 1>I'll tell you about it when we get.

0:12:14.720 --> 0:12:16.320
<v Speaker 2>All right, all right, now, everyone's gonna want to know

0:12:16.320 --> 0:12:19.000
<v Speaker 2>what you're saying. A couple other audience reviews. My soul

0:12:19.400 --> 0:12:23.320
<v Speaker 2>and entire being hurts after watching this. You could have

0:12:23.320 --> 0:12:23.920
<v Speaker 2>written that too.

0:12:24.360 --> 0:12:25.839
<v Speaker 1>Now, this last one is a really good one.

0:12:25.920 --> 0:12:29.400
<v Speaker 2>I love it, and this sums it up. Absolute masterpiece.

0:12:29.800 --> 0:12:32.720
<v Speaker 2>Great directing and writing, and first horror movie I've seen

0:12:32.760 --> 0:12:35.920
<v Speaker 2>in a while where you can empathize for the antagonist.

0:12:36.400 --> 0:12:38.840
<v Speaker 2>Disturbing and scary at times, but this movie had me

0:12:38.920 --> 0:12:41.800
<v Speaker 2>in tears. Definitely draws emotion out of you and is

0:12:41.880 --> 0:12:45.080
<v Speaker 2>not what you typically expect from a possession horror such

0:12:45.080 --> 0:12:47.920
<v Speaker 2>as this. Can't wait to show this movie to other

0:12:48.000 --> 0:12:49.840
<v Speaker 2>people and watch their reactions.

0:12:50.760 --> 0:12:53.320
<v Speaker 1>I think that's an honest assessment. You do go on

0:12:53.400 --> 0:12:56.680
<v Speaker 1>more of an emotional ride. You're invested because you have

0:12:56.720 --> 0:12:59.240
<v Speaker 1>foster kids involved. One of the little girl is blind

0:12:59.280 --> 0:13:03.000
<v Speaker 1>as a you can't add to visual disability, yes, and

0:13:03.040 --> 0:13:05.840
<v Speaker 1>needs a brother to help. But even that sweet little dynamic.

0:13:06.640 --> 0:13:10.320
<v Speaker 2>And there is grief on both parts. Because I'm from

0:13:10.360 --> 0:13:14.280
<v Speaker 2>the kids and from the antagonist, as we shall call her.

0:13:14.320 --> 0:13:18.520
<v Speaker 2>But yes, everyone was dealing with major loss and trying

0:13:18.559 --> 0:13:22.760
<v Speaker 2>to go forward, and wow, it unravels very quickly.

0:13:22.800 --> 0:13:26.000
<v Speaker 1>Okay, is there anyone listening is going to go out

0:13:26.000 --> 0:13:27.000
<v Speaker 1>and watch this movie tonight?

0:13:27.080 --> 0:13:28.840
<v Speaker 2>It made like horror movies, Yes.

0:13:28.840 --> 0:13:30.600
<v Speaker 1>Maybe we've sold them in such a way that you

0:13:30.640 --> 0:13:32.720
<v Speaker 1>got to just be curious, like, what in the world

0:13:32.840 --> 0:13:36.360
<v Speaker 1>is this movie? Yeah, it's special. It is special in

0:13:36.440 --> 0:13:39.880
<v Speaker 1>all the best ways when it comes to a horror movie.

0:13:39.920 --> 0:13:43.000
<v Speaker 1>We'll tell you why. After all, we just said about

0:13:43.000 --> 0:13:45.480
<v Speaker 1>how uncomfortable this movie made us, we'll tell you why

0:13:45.520 --> 0:13:47.640
<v Speaker 1>it actually made our list. Who it's for, who it's

0:13:47.679 --> 0:13:51.880
<v Speaker 1>not for? And Robes always has a wonderful food drink

0:13:52.000 --> 0:13:55.400
<v Speaker 1>pairing to go with the movies. I actually haven't heard

0:13:55.400 --> 0:13:57.040
<v Speaker 1>this one yet myself, kind of curious.

0:13:57.120 --> 0:14:11.920
<v Speaker 2>Stay here, continuing our conversation now on our number twelve movie,

0:14:12.280 --> 0:14:16.160
<v Speaker 2>Bring Her Back. It is one of the scariest and

0:14:16.400 --> 0:14:20.080
<v Speaker 2>most disturbing movies on our list, and of course that's

0:14:20.120 --> 0:14:24.120
<v Speaker 2>why it made our list. It is just so compelling

0:14:24.200 --> 0:14:26.760
<v Speaker 2>to watch, from the acting and the performances to the

0:14:26.800 --> 0:14:30.000
<v Speaker 2>storyline with the twists and the turns. But man, you

0:14:30.120 --> 0:14:33.320
<v Speaker 2>got to bring your your I guess your big girl panties.

0:14:33.360 --> 0:14:35.440
<v Speaker 2>You got to bring them with you because I'm telling

0:14:35.480 --> 0:14:37.200
<v Speaker 2>you this is some scary stuff.

0:14:37.280 --> 0:14:37.720
<v Speaker 1>Is that a thing?

0:14:38.200 --> 0:14:41.520
<v Speaker 2>I would not take girl pannies. I would not want

0:14:41.560 --> 0:14:44.160
<v Speaker 2>to watch this by myself. I would want to watch

0:14:44.160 --> 0:14:46.200
<v Speaker 2>this with somebody who I could cuddle up next to,

0:14:46.520 --> 0:14:48.520
<v Speaker 2>just because there are times when I needed to hide

0:14:48.520 --> 0:14:51.080
<v Speaker 2>my eyes and I wanted to hide my eyes next

0:14:51.080 --> 0:14:52.080
<v Speaker 2>to somebody I love.

0:14:52.320 --> 0:14:54.720
<v Speaker 1>You want to snuggle on this one? I? Yes, yeah,

0:14:54.760 --> 0:14:58.480
<v Speaker 1>you need like a physical protector of some kind. You know,

0:14:58.600 --> 0:15:01.360
<v Speaker 1>you just feel batter having somebody. Yeah, no, I mean me,

0:15:01.680 --> 0:15:05.320
<v Speaker 1>everybody like no, not just it with that kind of

0:15:05.400 --> 0:15:09.400
<v Speaker 1>I cannot believe they're doing this. You just can't know

0:15:09.720 --> 0:15:13.880
<v Speaker 1>how you feel throughout this movie. And jump scares in

0:15:13.880 --> 0:15:14.200
<v Speaker 1>this one.

0:15:14.800 --> 0:15:16.800
<v Speaker 2>Yes, there are jump scares. I mean it's just it's

0:15:16.800 --> 0:15:19.640
<v Speaker 2>the whole thing is terrifying. But yes, they had just

0:15:19.720 --> 0:15:22.040
<v Speaker 2>the right amount of everything, and so why it made

0:15:22.040 --> 0:15:28.520
<v Speaker 2>our list. Masterful movie making period. This is just brilliantly done.

0:15:28.960 --> 0:15:33.200
<v Speaker 1>Yeah, and Sally Hawkins, if nothing else, turn your eyes

0:15:33.240 --> 0:15:37.000
<v Speaker 1>for every creepy part, but watch her. She is worth

0:15:37.040 --> 0:15:40.320
<v Speaker 1>a watch in this movie. She is just incredible. So yeah,

0:15:41.040 --> 0:15:44.160
<v Speaker 1>this is as far as horror movies go, this is

0:15:44.200 --> 0:15:48.000
<v Speaker 1>certainly on the list. This is probably number one of

0:15:48.000 --> 0:15:50.120
<v Speaker 1>all performances. Yes, and horror movies.

0:15:50.200 --> 0:15:52.920
<v Speaker 2>And there we've had And we were kind of looking

0:15:52.960 --> 0:15:55.120
<v Speaker 2>back and looking on our list and marveling at how

0:15:55.240 --> 0:15:58.840
<v Speaker 2>much the acting was a part of our choices because

0:15:58.880 --> 0:16:01.120
<v Speaker 2>there's so many movies we we keep seeing more and

0:16:01.120 --> 0:16:02.360
<v Speaker 2>more by the way, Oh we could have put this

0:16:02.400 --> 0:16:03.720
<v Speaker 2>one on. Oh we could have put that one on.

0:16:03.800 --> 0:16:05.600
<v Speaker 2>And so we'll have a list for next year too,

0:16:05.640 --> 0:16:09.280
<v Speaker 2>because there are so many good performances that you forget about.

0:16:09.280 --> 0:16:11.880
<v Speaker 2>But then when you actually look at the list altogether,

0:16:12.800 --> 0:16:15.600
<v Speaker 2>there's some damn good actors in these movies. So who

0:16:15.680 --> 0:16:17.880
<v Speaker 2>is this movie for? I think you've got to have

0:16:17.920 --> 0:16:20.080
<v Speaker 2>a strong stomach, You got to be able to tolerate

0:16:20.160 --> 0:16:23.920
<v Speaker 2>some gruesome scenes, and you have to really be in

0:16:23.960 --> 0:16:27.200
<v Speaker 2>it to want to watch excellent storytelling with incredible acting

0:16:27.200 --> 0:16:28.880
<v Speaker 2>if you're in that, because sometimes you're not in that mood.

0:16:28.920 --> 0:16:30.840
<v Speaker 2>I know that sounds silly, but sometimes you're not into

0:16:30.920 --> 0:16:33.560
<v Speaker 2>appreciating that. You don't want to watch this movie unless

0:16:33.560 --> 0:16:36.760
<v Speaker 2>you're in that mood to appreciate just stellar acting. Stellar

0:16:36.840 --> 0:16:41.160
<v Speaker 2>script and some stellar scare scenes.

0:16:41.440 --> 0:16:44.720
<v Speaker 1>Yeah, you had to you just talk about mood. I

0:16:44.720 --> 0:16:46.960
<v Speaker 1>can't remember what it was. Just the other day you

0:16:47.040 --> 0:16:49.880
<v Speaker 1>had something on and we both said, nah, it's not

0:16:49.960 --> 0:16:52.440
<v Speaker 1>the right mood right now. It was during the day.

0:16:52.520 --> 0:16:54.240
<v Speaker 1>Maybe it was too dark or something was going and

0:16:54.280 --> 0:16:58.360
<v Speaker 1>the movie was too dark, and we just there are times.

0:16:57.760 --> 0:17:00.560
<v Speaker 2>Like another time, another place right now.

0:17:00.640 --> 0:17:02.640
<v Speaker 1>Yeah, but don't try this one. If you want to

0:17:02.680 --> 0:17:05.080
<v Speaker 1>be upbeat and having fun. This is one. This is

0:17:05.280 --> 0:17:07.160
<v Speaker 1>art to sit and appreciate, to be honest with you.

0:17:07.160 --> 0:17:09.240
<v Speaker 2>Yeah, So who is this not for? I think if

0:17:09.240 --> 0:17:11.760
<v Speaker 2>you haven't and you aren't a fan of horror movies typically,

0:17:12.000 --> 0:17:14.119
<v Speaker 2>you probably are gonna have a tough time with this

0:17:14.160 --> 0:17:16.560
<v Speaker 2>one because it is dark and twisted.

0:17:17.320 --> 0:17:17.600
<v Speaker 1>Oh.

0:17:17.920 --> 0:17:21.720
<v Speaker 2>One of the death scenes by someone who you love

0:17:21.720 --> 0:17:25.040
<v Speaker 2>in this film is so tough because it's so simple

0:17:25.560 --> 0:17:28.919
<v Speaker 2>and yet it's so awful at the same time. You

0:17:28.960 --> 0:17:29.480
<v Speaker 2>know what I'm.

0:17:29.359 --> 0:17:31.600
<v Speaker 1>Talking about, right, I can't with this movie.

0:17:31.960 --> 0:17:34.360
<v Speaker 2>Oh my goodness. So yes, I think you really have

0:17:34.400 --> 0:17:38.520
<v Speaker 2>to be a uh in order to fully appreciate this.

0:17:38.680 --> 0:17:41.120
<v Speaker 2>It would be helpful if you are truly a horror

0:17:41.160 --> 0:17:44.120
<v Speaker 2>movie fan, because if you are a horror movie fan,

0:17:44.200 --> 0:17:46.560
<v Speaker 2>You will appreciate this the way it should be appreciated.

0:17:46.640 --> 0:17:48.720
<v Speaker 1>Yes, yes, even if you don't sit think oh wow,

0:17:48.760 --> 0:17:51.159
<v Speaker 1>this is and you're not gonna have fun necessarily watching this,

0:17:51.320 --> 0:17:54.480
<v Speaker 1>but you yes, any horror movie fan will appreciate this. Y.

0:17:54.640 --> 0:17:57.520
<v Speaker 2>Yes. Okay, So food drink pairing first, why don't you

0:17:57.560 --> 0:18:03.200
<v Speaker 2>give our listeners what your a suggestion not to eat?

0:18:03.880 --> 0:18:09.240
<v Speaker 1>I'm serious. All there is not do not eat anything

0:18:09.240 --> 0:18:13.359
<v Speaker 1>that requires the use of a sharp knife. That's it.

0:18:13.400 --> 0:18:14.320
<v Speaker 1>That's all I got to And.

0:18:14.280 --> 0:18:18.080
<v Speaker 2>People are gonna think that that's about stabbing. There's another

0:18:19.119 --> 0:18:23.240
<v Speaker 2>there's another you're making. I wish people could see what

0:18:23.440 --> 0:18:25.560
<v Speaker 2>you are doing right now, But there is something that

0:18:25.600 --> 0:18:28.040
<v Speaker 2>involves a knife that you can't imagine until you actually

0:18:28.080 --> 0:18:29.800
<v Speaker 2>see it, and it won't ever leave you.

0:18:29.880 --> 0:18:31.520
<v Speaker 1>That's the problem. No, yeah, no knives.

0:18:31.560 --> 0:18:33.159
<v Speaker 2>So I would actually take it a step further and

0:18:33.160 --> 0:18:36.159
<v Speaker 2>say nothing crunchy. I would just say, you know, because normally,

0:18:36.200 --> 0:18:39.600
<v Speaker 2>like peanuts, popcorn, pretzels, I would avoid anything crunchy. So

0:18:39.720 --> 0:18:43.520
<v Speaker 2>I was actually going to say something like ice cream

0:18:43.560 --> 0:18:46.439
<v Speaker 2>would be good because ice helps with nausea, and if

0:18:46.480 --> 0:18:49.080
<v Speaker 2>you're feeling a little sick or woozy watching this, movie.

0:18:49.280 --> 0:18:52.560
<v Speaker 2>I would say a nice ice cream parfeit would be

0:18:52.720 --> 0:18:56.520
<v Speaker 2>perfect with this film. And whatever drink you want again,

0:18:56.560 --> 0:18:58.159
<v Speaker 2>I'm going to go with the nan acidic. You just

0:18:58.200 --> 0:19:03.000
<v Speaker 2>want to keep things really simple in your stomach because

0:19:03.040 --> 0:19:05.359
<v Speaker 2>you're going to be on a wild ride that you

0:19:05.400 --> 0:19:07.840
<v Speaker 2>don't need anything extra, So I would avoid bubbles, beer

0:19:07.880 --> 0:19:08.760
<v Speaker 2>or anything like that.

0:19:10.359 --> 0:19:13.960
<v Speaker 1>These brothers, they are these directors because I please Amy

0:19:14.000 --> 0:19:16.120
<v Speaker 1>TJ do not review our movie.

0:19:16.359 --> 0:19:19.359
<v Speaker 2>We're telling people nothing acidic, nothing it.

0:19:19.480 --> 0:19:22.399
<v Speaker 1>Now, make sure you have at least one person with you.

0:19:23.119 --> 0:19:26.679
<v Speaker 2>A ginger mint. No, I'm kidding, but no, something that

0:19:26.840 --> 0:19:28.840
<v Speaker 2>just is simple. And I do think ice cream is

0:19:28.920 --> 0:19:31.879
<v Speaker 2>nice because that's got a good texture for what you're watching.

0:19:31.960 --> 0:19:34.320
<v Speaker 2>You don't want anything crunchy. You'll understand after you watch it.

0:19:34.680 --> 0:19:37.200
<v Speaker 2>Oh okay, where can you watch this film? HBO Max

0:19:37.280 --> 0:19:39.479
<v Speaker 2>is where it's available, and obviously you can purchase it

0:19:39.760 --> 0:19:42.640
<v Speaker 2>on demand. It's pretty much everywhere in terms of streaming,

0:19:42.640 --> 0:19:45.479
<v Speaker 2>but if you do have an HBO Max subscription, it

0:19:45.520 --> 0:19:47.359
<v Speaker 2>will come to you at no extra costs.

0:19:47.400 --> 0:19:50.000
<v Speaker 1>I would love to hear people's reactions. Who are who

0:19:50.000 --> 0:19:51.880
<v Speaker 1>would go and watch it because of what they heard here.

0:19:52.280 --> 0:19:55.080
<v Speaker 1>I would love to hear their reactions to it. We

0:19:55.160 --> 0:19:58.679
<v Speaker 1>gotta find it. Send them in Amy TJ Podcast, Instagram in.

0:19:58.720 --> 0:20:01.080
<v Speaker 2>The yeah, put it in the comments section. Well, we're

0:20:01.119 --> 0:20:03.359
<v Speaker 2>gonna go. We haven't looked at it yet, but I

0:20:03.400 --> 0:20:05.960
<v Speaker 2>would like to go through some of those social media

0:20:05.960 --> 0:20:08.159
<v Speaker 2>posts and read everyone's comments, and maybe we can have

0:20:08.160 --> 0:20:09.879
<v Speaker 2>a fun kind of follow It would be fun to

0:20:09.920 --> 0:20:12.840
<v Speaker 2>hear what everyone thinks is their favorite movie among the

0:20:12.880 --> 0:20:15.120
<v Speaker 2>group that we selected. That might be a fun one too.

0:20:15.440 --> 0:20:17.440
<v Speaker 1>Follow up put into a vote, that would be great.

0:20:17.520 --> 0:20:18.920
<v Speaker 2>We could do that at the end. We could put

0:20:18.960 --> 0:20:20.639
<v Speaker 2>it to a vote and have everyone kind of way

0:20:20.680 --> 0:20:22.400
<v Speaker 2>in and then we can do something and figure out

0:20:22.440 --> 0:20:24.440
<v Speaker 2>just how off we were from what you all think.

0:20:24.480 --> 0:20:28.399
<v Speaker 2>But our next movie, it will be number eleven on

0:20:28.600 --> 0:20:34.000
<v Speaker 2>the list. This is a movie that actually blended genres

0:20:34.000 --> 0:20:38.320
<v Speaker 2>in a way that got me so excited. I was

0:20:38.560 --> 0:20:41.520
<v Speaker 2>very quick to ask you to come to a movie

0:20:41.640 --> 0:20:42.119
<v Speaker 2>date with me.

0:20:43.800 --> 0:20:49.080
<v Speaker 1>Wow, that's your ease. Yeah, this movie of all it's

0:20:49.160 --> 0:20:52.000
<v Speaker 1>number it will be a number eleven on our list. Yes,

0:20:52.720 --> 0:20:56.240
<v Speaker 1>but it is the number one movie on the list

0:20:56.520 --> 0:21:00.399
<v Speaker 1>that you should see with a date. Perfect.

0:21:00.600 --> 0:21:02.520
<v Speaker 2>I love it all right, And with that, thank you

0:21:02.600 --> 0:21:08.440
<v Speaker 2>for listening. Everyone, I'm maybe Roebuck alongside my always movie

0:21:08.560 --> 0:21:11.480
<v Speaker 2>date TJ Holmes, and we will talk to you soon.