1 00:00:07,640 --> 00:00:11,760 Speaker 1: Hey there, folks. It is Monday, October the twentieth, and 2 00:00:12,080 --> 00:00:19,040 Speaker 1: a true Oscar worthy performance highlights the next movie on 3 00:00:19,079 --> 00:00:21,880 Speaker 1: our horror hit list. Welcome everybody to this episode of 4 00:00:21,880 --> 00:00:24,720 Speaker 1: Amy and TJ. We continue to count down our favorite 5 00:00:24,720 --> 00:00:27,560 Speaker 1: horror movies that maybe you never heard of as we 6 00:00:27,600 --> 00:00:30,080 Speaker 1: get closer to Halloween. Robes, I didn't overstate it at 7 00:00:30,120 --> 00:00:30,600 Speaker 1: the top DDA. 8 00:00:31,320 --> 00:00:34,199 Speaker 2: No. In fact, when we were actually looking to go 9 00:00:34,240 --> 00:00:36,800 Speaker 2: see this movie in the theaters like we did, we 10 00:00:36,960 --> 00:00:40,320 Speaker 2: kept reading about this woman's performance, and so actually, I 11 00:00:40,320 --> 00:00:43,040 Speaker 2: think I had high expectations that I felt like wouldn't 12 00:00:43,040 --> 00:00:47,640 Speaker 2: be met. My goodness, Sally Hawkins is the lead in this, 13 00:00:48,159 --> 00:00:52,519 Speaker 2: and my goodness, I really would not be surprised and 14 00:00:52,720 --> 00:00:56,360 Speaker 2: would be willing to be a part of the campaign 15 00:00:56,480 --> 00:01:01,360 Speaker 2: to get her nominated for a an Academy Award. She 16 00:01:01,440 --> 00:01:02,240 Speaker 2: deserves an Oscar. 17 00:01:02,520 --> 00:01:05,800 Speaker 1: This Okay, folks, we yes, we're horror movie fans. We 18 00:01:05,959 --> 00:01:07,960 Speaker 1: like Justin Long. We never thought he was gonna be 19 00:01:08,000 --> 00:01:11,759 Speaker 1: nominated for an Oscar for Jeepers. Creepers, Okay, And there 20 00:01:11,760 --> 00:01:14,720 Speaker 1: are some great we talked about. I mean, Justin Chastain 21 00:01:14,800 --> 00:01:18,560 Speaker 1: was in another one. There are great performances this one. 22 00:01:18,560 --> 00:01:22,319 Speaker 1: We're not overstating and just being Homer's in this one. 23 00:01:22,720 --> 00:01:29,600 Speaker 1: This woman's performance carries the daunting nature and the creepy 24 00:01:29,680 --> 00:01:33,360 Speaker 1: nature and also a grief stricken nature of this movie. 25 00:01:33,440 --> 00:01:38,840 Speaker 1: She hits so many bizarre notes. It's her. We're a 26 00:01:38,920 --> 00:01:42,480 Speaker 1: campaigning now. I want this woman to be at least nominated. 27 00:01:42,560 --> 00:01:43,880 Speaker 1: You know how they are about horror. 28 00:01:43,600 --> 00:01:46,280 Speaker 2: Movies, Well, this got us going into a little bit 29 00:01:46,319 --> 00:01:49,360 Speaker 2: of a deep dive in researching and recognizing that only 30 00:01:49,880 --> 00:01:53,160 Speaker 2: that we could find Anthony Hopkins and Jodie Foster. They 31 00:01:53,200 --> 00:01:57,280 Speaker 2: both won Best Actor in their category for Silence of 32 00:01:57,280 --> 00:02:00,600 Speaker 2: the Lambs and Silence of the Lambs one Best Picture. 33 00:02:01,000 --> 00:02:03,880 Speaker 2: But that's about it when it comes to horror movies, 34 00:02:04,160 --> 00:02:07,320 Speaker 2: and obvious that movie swept the Oscars that year, as 35 00:02:07,360 --> 00:02:11,600 Speaker 2: it should have. It is a unbelievable movie. I don't 36 00:02:11,600 --> 00:02:14,799 Speaker 2: know that this movie rises to that level, but it's 37 00:02:15,040 --> 00:02:18,840 Speaker 2: really good and certainly her performance does in my humble opinion. 38 00:02:18,919 --> 00:02:21,600 Speaker 1: And we're so excited about miss Sally Hawkins that we 39 00:02:21,600 --> 00:02:23,000 Speaker 1: haven't even told you the name of a damn movie. 40 00:02:23,000 --> 00:02:26,080 Speaker 1: It's Bring Her Back. It's number twelve on our list. 41 00:02:26,120 --> 00:02:28,920 Speaker 1: The movie is Bring Her Back, and it is it 42 00:02:29,000 --> 00:02:32,240 Speaker 1: is brand spaken new just out for a few months. Bro, 43 00:02:32,520 --> 00:02:35,279 Speaker 1: we were very excited anytime we see a horror movie 44 00:02:35,960 --> 00:02:41,000 Speaker 1: that's that's rated this highly by critics, like, Okay, something 45 00:02:41,400 --> 00:02:42,280 Speaker 1: special is happening. 46 00:02:42,360 --> 00:02:44,440 Speaker 2: It must be really really good. So yes, we ran 47 00:02:44,520 --> 00:02:47,480 Speaker 2: to the theater to see Bring Her Back, released May 48 00:02:47,520 --> 00:02:50,000 Speaker 2: twenty eighth, twenty twenty five, an hour and forty four 49 00:02:50,040 --> 00:02:53,760 Speaker 2: minutes rateed R, and it is absolutely earns every bit 50 00:02:53,800 --> 00:02:54,600 Speaker 2: of that rateed R. 51 00:02:54,800 --> 00:02:57,720 Speaker 1: Just warning, you say warning. This is the one movie 52 00:02:57,760 --> 00:02:59,840 Speaker 1: we teased in the last episode. This is the one. 53 00:02:59,880 --> 00:03:02,520 Speaker 1: We've been going back and rewatching all of these movies 54 00:03:02,560 --> 00:03:04,399 Speaker 1: before we do a review here on them or put 55 00:03:04,400 --> 00:03:06,720 Speaker 1: them on our list. This is the one I said, babe, 56 00:03:06,760 --> 00:03:09,160 Speaker 1: can we not watch this one? I don't want to 57 00:03:09,160 --> 00:03:11,840 Speaker 1: see it again. Now, that is a weird thing to 58 00:03:11,919 --> 00:03:14,359 Speaker 1: try to sell somebody on seeing a movie is saying 59 00:03:14,520 --> 00:03:17,040 Speaker 1: I don't want to see it again. It is tough 60 00:03:17,080 --> 00:03:17,560 Speaker 1: to up see. 61 00:03:17,639 --> 00:03:20,520 Speaker 2: I don't mind watching it again. I wouldn't be upset 62 00:03:20,520 --> 00:03:22,960 Speaker 2: about fast forwarding through one scene. And that's the scene 63 00:03:22,960 --> 00:03:24,680 Speaker 2: that you are well. 64 00:03:24,480 --> 00:03:26,000 Speaker 1: Okay, yes, go ahead, I know what you're talking about. 65 00:03:26,040 --> 00:03:28,360 Speaker 2: Yes, you are mostly concerned about rewatching. 66 00:03:28,520 --> 00:03:30,760 Speaker 1: But there is more to it than that. This is 67 00:03:30,800 --> 00:03:36,200 Speaker 1: a very heavy it's very dark, it involves rituals. It 68 00:03:36,360 --> 00:03:39,400 Speaker 1: is a there is nothing. This is one movie when 69 00:03:39,440 --> 00:03:40,920 Speaker 1: people say, well, why do you go to horror movies? 70 00:03:41,120 --> 00:03:43,760 Speaker 1: How can you have fun being scared? This is one 71 00:03:43,840 --> 00:03:47,720 Speaker 1: movie that it's tough to find enjoyment. 72 00:03:48,000 --> 00:03:52,120 Speaker 2: It's a tough watch, but it's remarkable and you are transfixed. 73 00:03:52,120 --> 00:03:53,720 Speaker 2: I will tell you, no matter what's going on in 74 00:03:53,720 --> 00:03:57,200 Speaker 2: your life, good bad, ugly happy said, you won't even 75 00:03:57,320 --> 00:04:01,640 Speaker 2: remember what's you are so engrossed in this film. It 76 00:04:02,280 --> 00:04:04,520 Speaker 2: sucks you in, It pulls you into the narrative, and 77 00:04:04,560 --> 00:04:07,400 Speaker 2: it's a bumpy ride. But I mean that's part of 78 00:04:07,400 --> 00:04:09,240 Speaker 2: the reason why we go to these movies. We want 79 00:04:09,240 --> 00:04:12,640 Speaker 2: to feel something, we want to be transported, and certainly 80 00:04:12,680 --> 00:04:13,560 Speaker 2: this movie does this. 81 00:04:13,680 --> 00:04:18,480 Speaker 1: Oh my god, in horrific ways. It is classified as 82 00:04:18,520 --> 00:04:21,720 Speaker 1: a horror mystery movie. The synopsis is pretty simple. A 83 00:04:21,800 --> 00:04:25,680 Speaker 1: brother and sister uncover a terrifying ritual at the secluded 84 00:04:25,839 --> 00:04:30,919 Speaker 1: home of their new foster mother. They really underplayed arrows. 85 00:04:31,000 --> 00:04:32,480 Speaker 1: That sounds so simple. 86 00:04:32,240 --> 00:04:35,200 Speaker 2: That doesn't sound at all. A terrifying ritual is just 87 00:04:35,240 --> 00:04:37,440 Speaker 2: the beginning of it. The acting is so good though, 88 00:04:37,480 --> 00:04:40,159 Speaker 2: across all of the folks who are in this film. 89 00:04:40,200 --> 00:04:43,000 Speaker 2: The box office, it did well, nineteen million domestically, twenty 90 00:04:43,000 --> 00:04:46,480 Speaker 2: million internationally, so just about forty million total, and the 91 00:04:46,520 --> 00:04:49,520 Speaker 2: budget was fifteen million, so they did well. And certainly 92 00:04:49,560 --> 00:04:54,080 Speaker 2: this is coming to us from these two directors, Michael 93 00:04:54,080 --> 00:04:57,360 Speaker 2: and Danny Philippa, who did Talk to Me, which we 94 00:04:57,520 --> 00:05:00,479 Speaker 2: loved as well. I thought that movie was final. You 95 00:05:00,520 --> 00:05:03,040 Speaker 2: thought that the lead in that one should have been nominated. 96 00:05:03,080 --> 00:05:05,960 Speaker 1: She was so good, she was spectacular. Sally Hawkins is 97 00:05:06,000 --> 00:05:09,000 Speaker 1: another level in this one. But those brothers are considered 98 00:05:09,080 --> 00:05:14,200 Speaker 1: now these modern masters of horror. I think they're being called, 99 00:05:14,240 --> 00:05:16,360 Speaker 1: but they're storytelling and the way it are doing movies 100 00:05:16,400 --> 00:05:18,640 Speaker 1: is I'll watch anything their names are attached to. 101 00:05:18,760 --> 00:05:21,719 Speaker 2: Yes, agreed, So the critics agreed. As you mentioned, Rotten 102 00:05:21,760 --> 00:05:24,120 Speaker 2: Tomatoes score eighty nine percent. I actually thought it would 103 00:05:24,120 --> 00:05:26,839 Speaker 2: be higher than that, and the audience scores seventy nine percent. 104 00:05:26,880 --> 00:05:28,640 Speaker 2: And my only guess is why it's a little bit 105 00:05:28,680 --> 00:05:30,720 Speaker 2: lower is because it is such a tough movie to watch. 106 00:05:30,760 --> 00:05:32,880 Speaker 1: Okay, did you read through these reviews? I have not met. 107 00:05:33,040 --> 00:05:34,200 Speaker 2: You said that I shouldn't see I. 108 00:05:34,200 --> 00:05:38,080 Speaker 1: Wanted, and you will agree, I think. But it's some 109 00:05:38,160 --> 00:05:41,320 Speaker 1: of these make me think we actually are qualified to 110 00:05:41,400 --> 00:05:45,640 Speaker 1: be professional critics, because it is. It does. It's validation 111 00:05:45,800 --> 00:05:48,320 Speaker 1: when you see people have the same thoughts, so point 112 00:05:48,320 --> 00:05:50,320 Speaker 1: out the same things and they're the professionals. 113 00:05:50,320 --> 00:05:50,440 Speaker 2: Now. 114 00:05:50,440 --> 00:05:54,719 Speaker 1: The critic consensus on this one a domestic nightmare that 115 00:05:54,880 --> 00:06:01,000 Speaker 1: draws its most profound scares from Sally Hawkins deranged performance, 116 00:06:01,560 --> 00:06:05,520 Speaker 1: Bring Her Back as an exemplary chiller that reaffirms directors 117 00:06:05,600 --> 00:06:09,440 Speaker 1: Danny and Michael Philippo as modern masters of horror. Wow, 118 00:06:09,440 --> 00:06:12,720 Speaker 1: there it is. Yeah, now, that is a hell of 119 00:06:12,760 --> 00:06:13,320 Speaker 1: a review. 120 00:06:13,880 --> 00:06:17,000 Speaker 2: Deranged performance, and of course that would send me if 121 00:06:17,040 --> 00:06:19,840 Speaker 2: I hadn't seen it, straight to watching it immediately. 122 00:06:19,960 --> 00:06:22,760 Speaker 1: And again you old Sally. She was in the Paddington 123 00:06:22,839 --> 00:06:25,839 Speaker 1: movies and she Shape of Water. She was nominated. Oh yeah, 124 00:06:25,880 --> 00:06:29,279 Speaker 1: she's an Oscar nominee. She's an Oscar nominy. 125 00:06:29,320 --> 00:06:30,240 Speaker 2: That makes a lot of sense. 126 00:06:30,279 --> 00:06:32,640 Speaker 1: Okay, yes, No. The audience consensus on this one is 127 00:06:32,720 --> 00:06:35,520 Speaker 1: Bring Her Back is a harrowing motion picture that may 128 00:06:35,680 --> 00:06:40,440 Speaker 1: gut the bravest of horror buffs, reiterating that the Philippole 129 00:06:40,480 --> 00:06:42,520 Speaker 1: brothers are here to slay. 130 00:06:43,120 --> 00:06:45,760 Speaker 2: Oh I love that here to slay. That's that's funny. 131 00:06:45,839 --> 00:06:49,359 Speaker 2: I like that. I applaud that more please. This is 132 00:06:49,400 --> 00:06:53,119 Speaker 2: the kind of movie that is just gripping in every 133 00:06:53,120 --> 00:06:55,800 Speaker 2: way it. We talk about how some of the movies 134 00:06:55,800 --> 00:06:57,680 Speaker 2: on our list were like this is just fun, this 135 00:06:57,760 --> 00:07:00,520 Speaker 2: is a wild ride, this is entertaining this, and then 136 00:07:00,560 --> 00:07:04,120 Speaker 2: there are those that are elevated. This is the probably 137 00:07:04,440 --> 00:07:07,240 Speaker 2: among the highest of the elevated horror flicks, and that 138 00:07:07,320 --> 00:07:11,280 Speaker 2: just there's incredible storytelling, incredible acting, twist and turns you 139 00:07:11,400 --> 00:07:15,480 Speaker 2: cannot see coming, and the type of horror look you start. 140 00:07:15,520 --> 00:07:18,240 Speaker 2: When you watch enough like we do. You see some 141 00:07:18,320 --> 00:07:20,840 Speaker 2: of the same deaths, you see some of the same gore, 142 00:07:20,960 --> 00:07:23,120 Speaker 2: you see some of the same tricks. And I don't 143 00:07:23,160 --> 00:07:25,680 Speaker 2: mind that because when they work, they work. But when 144 00:07:25,720 --> 00:07:28,400 Speaker 2: you see things as innovative as we saw in this movie, 145 00:07:28,560 --> 00:07:30,560 Speaker 2: it's really impressive. 146 00:07:30,120 --> 00:07:32,240 Speaker 1: All right. Sample critic review. There are a lot of 147 00:07:32,440 --> 00:07:35,120 Speaker 1: very good ones. So Bringer Back isn't just scary. It's 148 00:07:35,200 --> 00:07:38,880 Speaker 1: the most disturbing movie of the year. Gripped me with 149 00:07:38,960 --> 00:07:43,760 Speaker 1: relentless anxiety around life, death, family, grief, and the extremes 150 00:07:43,800 --> 00:07:45,720 Speaker 1: people go to to suppress pain. 151 00:07:45,840 --> 00:07:46,239 Speaker 2: Wow. 152 00:07:47,400 --> 00:07:51,200 Speaker 1: Sally Hawkins does that. I love movies when we talk 153 00:07:51,240 --> 00:07:55,080 Speaker 1: about Barbarian and there was another one recently where the monster, 154 00:07:55,200 --> 00:07:59,400 Speaker 1: if you will, or the main evil person you relate 155 00:07:59,480 --> 00:08:02,240 Speaker 1: to something that all comes from grief, Like I'm doing 156 00:08:02,280 --> 00:08:05,320 Speaker 1: this bad thing because I am actually dealing with loss 157 00:08:05,360 --> 00:08:06,800 Speaker 1: in my own life. I like that. 158 00:08:06,800 --> 00:08:09,160 Speaker 2: That reminds me of Babaduk too, that's same. There are 159 00:08:09,200 --> 00:08:12,680 Speaker 2: some there are some horror movies where and sometimes it doesn't. 160 00:08:12,720 --> 00:08:14,520 Speaker 2: I don't like the ending. I'm like, please, don't make 161 00:08:14,560 --> 00:08:18,440 Speaker 2: me feel sorry for the monster. But I actually get 162 00:08:18,480 --> 00:08:21,560 Speaker 2: it when they do have that ending, if they do 163 00:08:21,600 --> 00:08:24,480 Speaker 2: it in the right way, it just creates this moment. 164 00:08:24,480 --> 00:08:27,440 Speaker 2: We've had many conversations in life about good versus evil. 165 00:08:27,480 --> 00:08:31,040 Speaker 2: It's not that simple. Almost never are you all bad 166 00:08:31,240 --> 00:08:33,079 Speaker 2: or all good, And a lot of times people can 167 00:08:33,120 --> 00:08:36,640 Speaker 2: start off good and turn bad and vice versa. But 168 00:08:36,920 --> 00:08:41,360 Speaker 2: that I do appreciate it when told right that arching, 169 00:08:41,440 --> 00:08:44,559 Speaker 2: that overarching theme, that hey, it's not as obvious or 170 00:08:44,640 --> 00:08:47,880 Speaker 2: as easy to point out good and bad. 171 00:08:48,000 --> 00:08:51,679 Speaker 1: I'm a fan of this type of storytelling. Another says 172 00:08:51,679 --> 00:08:55,360 Speaker 1: this is a nightmare inducing movie thanks to a wicked 173 00:08:55,760 --> 00:09:00,000 Speaker 1: Sally Hawkins and a story balanced by heartache and horror. 174 00:09:00,520 --> 00:09:01,480 Speaker 1: That's a good way to put it. 175 00:09:01,600 --> 00:09:02,880 Speaker 2: That is so good. 176 00:09:03,440 --> 00:09:05,800 Speaker 1: Another one saying these brothers their brand of filmmaking is 177 00:09:05,840 --> 00:09:10,200 Speaker 1: brutal and honest. Their movie creates unbearable tension from start 178 00:09:10,240 --> 00:09:12,760 Speaker 1: to finish. It feels like a festering wound. 179 00:09:12,920 --> 00:09:14,400 Speaker 2: And then people will be like, why do I want 180 00:09:14,400 --> 00:09:18,560 Speaker 2: to go see this movie? That I get exactly what 181 00:09:19,160 --> 00:09:20,840 Speaker 2: the writer or the critic wrote in that, and that 182 00:09:21,000 --> 00:09:24,000 Speaker 2: was meant to actually be a compliment for people who 183 00:09:24,000 --> 00:09:27,160 Speaker 2: don't like horror movies. You would say, again, case in point, 184 00:09:27,280 --> 00:09:29,920 Speaker 2: here's why you are freaks for liking this stuff, and 185 00:09:30,040 --> 00:09:31,520 Speaker 2: I'm normal for not liking it. 186 00:09:31,640 --> 00:09:33,760 Speaker 1: This is the movie you would always warn somebody about, Hey, 187 00:09:33,840 --> 00:09:36,319 Speaker 1: you should see it, but you would never just say, yeah, 188 00:09:36,360 --> 00:09:36,840 Speaker 1: go check it out. 189 00:09:36,880 --> 00:09:38,600 Speaker 2: I would never tell my parents and my mom and 190 00:09:38,679 --> 00:09:41,040 Speaker 2: dad are they really don't like horror movies. They love 191 00:09:41,080 --> 00:09:43,240 Speaker 2: the blackening, as we pointed out, like they'll take that, 192 00:09:43,720 --> 00:09:45,760 Speaker 2: but they really aren't big horror movie buffs. They don't 193 00:09:45,800 --> 00:09:47,480 Speaker 2: know where my brother and I came from because we 194 00:09:47,520 --> 00:09:49,599 Speaker 2: both love horror movies so much. But this would be 195 00:09:49,640 --> 00:09:52,640 Speaker 2: a movie I would tell them to never watch. Ever. 196 00:09:52,960 --> 00:09:55,040 Speaker 1: Oh wow, Okay, here is the funniest one. And this 197 00:09:55,120 --> 00:09:57,680 Speaker 1: is the one that probably I could have written, I 198 00:09:57,800 --> 00:10:00,960 Speaker 1: have no desire to watch Bring Her Back ever again. 199 00:10:01,360 --> 00:10:06,000 Speaker 1: And I mean this as the highest possible compliment it is. 200 00:10:06,080 --> 00:10:07,920 Speaker 1: It's scared. It creeps me out so much. I don't 201 00:10:07,920 --> 00:10:08,520 Speaker 1: ever And. 202 00:10:08,520 --> 00:10:11,440 Speaker 2: These are all from official critics. Correct, this is not audience. 203 00:10:11,480 --> 00:10:13,400 Speaker 1: This is not audience yet someone else say it's a 204 00:10:13,400 --> 00:10:16,760 Speaker 1: film that opens in one direction but erradically changes lanes 205 00:10:16,800 --> 00:10:19,800 Speaker 1: to chase another movie's success rather than truly stand on 206 00:10:19,840 --> 00:10:21,760 Speaker 1: its own. Get what they're saying. 207 00:10:21,760 --> 00:10:25,880 Speaker 2: Oh, they're saying that. Are there? Are they saying that 208 00:10:25,960 --> 00:10:27,720 Speaker 2: it's chasing what success? 209 00:10:29,720 --> 00:10:33,080 Speaker 1: Talk to me so that they find some connection. They're 210 00:10:33,120 --> 00:10:35,439 Speaker 1: trying to go some direction that movie went. So disagree 211 00:10:35,600 --> 00:10:37,640 Speaker 1: and get that either. But hey, everybody has the thing 212 00:10:37,800 --> 00:10:40,720 Speaker 1: somebody else. Bring Her Back joins the growing roster of 213 00:10:40,880 --> 00:10:45,320 Speaker 1: grief horror films that feel more derivative than innovative. You 214 00:10:45,360 --> 00:10:45,679 Speaker 1: get that. 215 00:10:46,400 --> 00:10:49,360 Speaker 2: I just think they're trying to say something bad about 216 00:10:49,520 --> 00:10:51,680 Speaker 2: a movie that there's very little to say bad about 217 00:10:51,760 --> 00:10:55,960 Speaker 2: other than it's disturbing and gruesome. But that's a good 218 00:10:55,960 --> 00:10:57,160 Speaker 2: thing for horror movie fans. 219 00:10:57,240 --> 00:10:59,400 Speaker 1: And to your point, the first audience review is the 220 00:10:59,400 --> 00:11:07,000 Speaker 1: best one. Quote what a horrifying and sad story. Recommend it. 221 00:11:07,000 --> 00:11:12,240 Speaker 1: It is awful. It is a tough one. Oh my god. 222 00:11:12,400 --> 00:11:12,840 Speaker 2: That's so. 223 00:11:13,120 --> 00:11:14,600 Speaker 1: There is one scene, folks. 224 00:11:15,000 --> 00:11:17,480 Speaker 2: Yeah, I know. And when you talk about the one scene, 225 00:11:17,520 --> 00:11:19,880 Speaker 2: I actually feel the part of my body that it 226 00:11:20,000 --> 00:11:23,760 Speaker 2: impacts hurt, like I actually feel phantom pain because it 227 00:11:23,960 --> 00:11:27,320 Speaker 2: stays with you and you're you're making you're doing exactly 228 00:11:27,400 --> 00:11:31,480 Speaker 2: what I want to do. It's so rough, it makes 229 00:11:31,480 --> 00:11:34,560 Speaker 2: it hard to talk. Makes no sense unless you know 230 00:11:34,679 --> 00:11:36,360 Speaker 2: and you've seen the movie. All right, here's another one 231 00:11:36,360 --> 00:11:39,480 Speaker 2: from the audience. Excellent film and a fresh look on 232 00:11:39,600 --> 00:11:42,960 Speaker 2: grief horror. Story is unsettling and there are definitely some 233 00:11:43,040 --> 00:11:45,840 Speaker 2: gory parts. One of the best horror films of the year. 234 00:11:46,000 --> 00:11:48,760 Speaker 2: Exclamation point. Look, I didn't realize. We talked about these 235 00:11:48,760 --> 00:11:53,319 Speaker 2: subgenres of horror and comedy horror, and we found m 236 00:11:53,360 --> 00:11:56,960 Speaker 2: calm horror. There's a thriller horror, but I never even 237 00:11:57,000 --> 00:12:01,079 Speaker 2: considered or there's body horror, but grief horror. I hadn't 238 00:12:01,640 --> 00:12:03,760 Speaker 2: thought about that. But yes, there are a couple movies 239 00:12:03,800 --> 00:12:04,120 Speaker 2: like that. 240 00:12:04,520 --> 00:12:08,439 Speaker 1: There is you know what they include. I'm trying my 241 00:12:08,520 --> 00:12:11,240 Speaker 1: thinking of you know, what. I don't want to mention 242 00:12:11,320 --> 00:12:13,400 Speaker 1: that movie because it might sound like a criticism, so 243 00:12:13,600 --> 00:12:14,800 Speaker 1: I'll tell you about it when we get. 244 00:12:14,720 --> 00:12:16,320 Speaker 2: All right, all right, now, everyone's gonna want to know 245 00:12:16,320 --> 00:12:19,000 Speaker 2: what you're saying. A couple other audience reviews. My soul 246 00:12:19,400 --> 00:12:23,320 Speaker 2: and entire being hurts after watching this. You could have 247 00:12:23,320 --> 00:12:23,920 Speaker 2: written that too. 248 00:12:24,360 --> 00:12:25,839 Speaker 1: Now, this last one is a really good one. 249 00:12:25,920 --> 00:12:29,400 Speaker 2: I love it, and this sums it up. Absolute masterpiece. 250 00:12:29,800 --> 00:12:32,720 Speaker 2: Great directing and writing, and first horror movie I've seen 251 00:12:32,760 --> 00:12:35,920 Speaker 2: in a while where you can empathize for the antagonist. 252 00:12:36,400 --> 00:12:38,840 Speaker 2: Disturbing and scary at times, but this movie had me 253 00:12:38,920 --> 00:12:41,800 Speaker 2: in tears. Definitely draws emotion out of you and is 254 00:12:41,880 --> 00:12:45,080 Speaker 2: not what you typically expect from a possession horror such 255 00:12:45,080 --> 00:12:47,920 Speaker 2: as this. Can't wait to show this movie to other 256 00:12:48,000 --> 00:12:49,840 Speaker 2: people and watch their reactions. 257 00:12:50,760 --> 00:12:53,320 Speaker 1: I think that's an honest assessment. You do go on 258 00:12:53,400 --> 00:12:56,680 Speaker 1: more of an emotional ride. You're invested because you have 259 00:12:56,720 --> 00:12:59,240 Speaker 1: foster kids involved. One of the little girl is blind 260 00:12:59,280 --> 00:13:03,000 Speaker 1: as a you can't add to visual disability, yes, and 261 00:13:03,040 --> 00:13:05,840 Speaker 1: needs a brother to help. But even that sweet little dynamic. 262 00:13:06,640 --> 00:13:10,320 Speaker 2: And there is grief on both parts. Because I'm from 263 00:13:10,360 --> 00:13:14,280 Speaker 2: the kids and from the antagonist, as we shall call her. 264 00:13:14,320 --> 00:13:18,520 Speaker 2: But yes, everyone was dealing with major loss and trying 265 00:13:18,559 --> 00:13:22,760 Speaker 2: to go forward, and wow, it unravels very quickly. 266 00:13:22,800 --> 00:13:26,000 Speaker 1: Okay, is there anyone listening is going to go out 267 00:13:26,000 --> 00:13:27,000 Speaker 1: and watch this movie tonight? 268 00:13:27,080 --> 00:13:28,840 Speaker 2: It made like horror movies, Yes. 269 00:13:28,840 --> 00:13:30,600 Speaker 1: Maybe we've sold them in such a way that you 270 00:13:30,640 --> 00:13:32,720 Speaker 1: got to just be curious, like, what in the world 271 00:13:32,840 --> 00:13:36,360 Speaker 1: is this movie? Yeah, it's special. It is special in 272 00:13:36,440 --> 00:13:39,880 Speaker 1: all the best ways when it comes to a horror movie. 273 00:13:39,920 --> 00:13:43,000 Speaker 1: We'll tell you why. After all, we just said about 274 00:13:43,000 --> 00:13:45,480 Speaker 1: how uncomfortable this movie made us, we'll tell you why 275 00:13:45,520 --> 00:13:47,640 Speaker 1: it actually made our list. Who it's for, who it's 276 00:13:47,679 --> 00:13:51,880 Speaker 1: not for? And Robes always has a wonderful food drink 277 00:13:52,000 --> 00:13:55,400 Speaker 1: pairing to go with the movies. I actually haven't heard 278 00:13:55,400 --> 00:13:57,040 Speaker 1: this one yet myself, kind of curious. 279 00:13:57,120 --> 00:14:11,920 Speaker 2: Stay here, continuing our conversation now on our number twelve movie, 280 00:14:12,280 --> 00:14:16,160 Speaker 2: Bring Her Back. It is one of the scariest and 281 00:14:16,400 --> 00:14:20,080 Speaker 2: most disturbing movies on our list, and of course that's 282 00:14:20,120 --> 00:14:24,120 Speaker 2: why it made our list. It is just so compelling 283 00:14:24,200 --> 00:14:26,760 Speaker 2: to watch, from the acting and the performances to the 284 00:14:26,800 --> 00:14:30,000 Speaker 2: storyline with the twists and the turns. But man, you 285 00:14:30,120 --> 00:14:33,320 Speaker 2: got to bring your your I guess your big girl panties. 286 00:14:33,360 --> 00:14:35,440 Speaker 2: You got to bring them with you because I'm telling 287 00:14:35,480 --> 00:14:37,200 Speaker 2: you this is some scary stuff. 288 00:14:37,280 --> 00:14:37,720 Speaker 1: Is that a thing? 289 00:14:38,200 --> 00:14:41,520 Speaker 2: I would not take girl pannies. I would not want 290 00:14:41,560 --> 00:14:44,160 Speaker 2: to watch this by myself. I would want to watch 291 00:14:44,160 --> 00:14:46,200 Speaker 2: this with somebody who I could cuddle up next to, 292 00:14:46,520 --> 00:14:48,520 Speaker 2: just because there are times when I needed to hide 293 00:14:48,520 --> 00:14:51,080 Speaker 2: my eyes and I wanted to hide my eyes next 294 00:14:51,080 --> 00:14:52,080 Speaker 2: to somebody I love. 295 00:14:52,320 --> 00:14:54,720 Speaker 1: You want to snuggle on this one? I? Yes, yeah, 296 00:14:54,760 --> 00:14:58,480 Speaker 1: you need like a physical protector of some kind. You know, 297 00:14:58,600 --> 00:15:01,360 Speaker 1: you just feel batter having somebody. Yeah, no, I mean me, 298 00:15:01,680 --> 00:15:05,320 Speaker 1: everybody like no, not just it with that kind of 299 00:15:05,400 --> 00:15:09,400 Speaker 1: I cannot believe they're doing this. You just can't know 300 00:15:09,720 --> 00:15:13,880 Speaker 1: how you feel throughout this movie. And jump scares in 301 00:15:13,880 --> 00:15:14,200 Speaker 1: this one. 302 00:15:14,800 --> 00:15:16,800 Speaker 2: Yes, there are jump scares. I mean it's just it's 303 00:15:16,800 --> 00:15:19,640 Speaker 2: the whole thing is terrifying. But yes, they had just 304 00:15:19,720 --> 00:15:22,040 Speaker 2: the right amount of everything, and so why it made 305 00:15:22,040 --> 00:15:28,520 Speaker 2: our list. Masterful movie making period. This is just brilliantly done. 306 00:15:28,960 --> 00:15:33,200 Speaker 1: Yeah, and Sally Hawkins, if nothing else, turn your eyes 307 00:15:33,240 --> 00:15:37,000 Speaker 1: for every creepy part, but watch her. She is worth 308 00:15:37,040 --> 00:15:40,320 Speaker 1: a watch in this movie. She is just incredible. So yeah, 309 00:15:41,040 --> 00:15:44,160 Speaker 1: this is as far as horror movies go, this is 310 00:15:44,200 --> 00:15:48,000 Speaker 1: certainly on the list. This is probably number one of 311 00:15:48,000 --> 00:15:50,120 Speaker 1: all performances. Yes, and horror movies. 312 00:15:50,200 --> 00:15:52,920 Speaker 2: And there we've had And we were kind of looking 313 00:15:52,960 --> 00:15:55,120 Speaker 2: back and looking on our list and marveling at how 314 00:15:55,240 --> 00:15:58,840 Speaker 2: much the acting was a part of our choices because 315 00:15:58,880 --> 00:16:01,120 Speaker 2: there's so many movies we we keep seeing more and 316 00:16:01,120 --> 00:16:02,360 Speaker 2: more by the way, Oh we could have put this 317 00:16:02,400 --> 00:16:03,720 Speaker 2: one on. Oh we could have put that one on. 318 00:16:03,800 --> 00:16:05,600 Speaker 2: And so we'll have a list for next year too, 319 00:16:05,640 --> 00:16:09,280 Speaker 2: because there are so many good performances that you forget about. 320 00:16:09,280 --> 00:16:11,880 Speaker 2: But then when you actually look at the list altogether, 321 00:16:12,800 --> 00:16:15,600 Speaker 2: there's some damn good actors in these movies. So who 322 00:16:15,680 --> 00:16:17,880 Speaker 2: is this movie for? I think you've got to have 323 00:16:17,920 --> 00:16:20,080 Speaker 2: a strong stomach, You got to be able to tolerate 324 00:16:20,160 --> 00:16:23,920 Speaker 2: some gruesome scenes, and you have to really be in 325 00:16:23,960 --> 00:16:27,200 Speaker 2: it to want to watch excellent storytelling with incredible acting 326 00:16:27,200 --> 00:16:28,880 Speaker 2: if you're in that, because sometimes you're not in that mood. 327 00:16:28,920 --> 00:16:30,840 Speaker 2: I know that sounds silly, but sometimes you're not into 328 00:16:30,920 --> 00:16:33,560 Speaker 2: appreciating that. You don't want to watch this movie unless 329 00:16:33,560 --> 00:16:36,760 Speaker 2: you're in that mood to appreciate just stellar acting. Stellar 330 00:16:36,840 --> 00:16:41,160 Speaker 2: script and some stellar scare scenes. 331 00:16:41,440 --> 00:16:44,720 Speaker 1: Yeah, you had to you just talk about mood. I 332 00:16:44,720 --> 00:16:46,960 Speaker 1: can't remember what it was. Just the other day you 333 00:16:47,040 --> 00:16:49,880 Speaker 1: had something on and we both said, nah, it's not 334 00:16:49,960 --> 00:16:52,440 Speaker 1: the right mood right now. It was during the day. 335 00:16:52,520 --> 00:16:54,240 Speaker 1: Maybe it was too dark or something was going and 336 00:16:54,280 --> 00:16:58,360 Speaker 1: the movie was too dark, and we just there are times. 337 00:16:57,760 --> 00:17:00,560 Speaker 2: Like another time, another place right now. 338 00:17:00,640 --> 00:17:02,640 Speaker 1: Yeah, but don't try this one. If you want to 339 00:17:02,680 --> 00:17:05,080 Speaker 1: be upbeat and having fun. This is one. This is 340 00:17:05,280 --> 00:17:07,160 Speaker 1: art to sit and appreciate, to be honest with you. 341 00:17:07,160 --> 00:17:09,240 Speaker 2: Yeah, So who is this not for? I think if 342 00:17:09,240 --> 00:17:11,760 Speaker 2: you haven't and you aren't a fan of horror movies typically, 343 00:17:12,000 --> 00:17:14,119 Speaker 2: you probably are gonna have a tough time with this 344 00:17:14,160 --> 00:17:16,560 Speaker 2: one because it is dark and twisted. 345 00:17:17,320 --> 00:17:17,600 Speaker 1: Oh. 346 00:17:17,920 --> 00:17:21,720 Speaker 2: One of the death scenes by someone who you love 347 00:17:21,720 --> 00:17:25,040 Speaker 2: in this film is so tough because it's so simple 348 00:17:25,560 --> 00:17:28,919 Speaker 2: and yet it's so awful at the same time. You 349 00:17:28,960 --> 00:17:29,480 Speaker 2: know what I'm. 350 00:17:29,359 --> 00:17:31,600 Speaker 1: Talking about, right, I can't with this movie. 351 00:17:31,960 --> 00:17:34,360 Speaker 2: Oh my goodness. So yes, I think you really have 352 00:17:34,400 --> 00:17:38,520 Speaker 2: to be a uh in order to fully appreciate this. 353 00:17:38,680 --> 00:17:41,120 Speaker 2: It would be helpful if you are truly a horror 354 00:17:41,160 --> 00:17:44,120 Speaker 2: movie fan, because if you are a horror movie fan, 355 00:17:44,200 --> 00:17:46,560 Speaker 2: You will appreciate this the way it should be appreciated. 356 00:17:46,640 --> 00:17:48,720 Speaker 1: Yes, yes, even if you don't sit think oh wow, 357 00:17:48,760 --> 00:17:51,159 Speaker 1: this is and you're not gonna have fun necessarily watching this, 358 00:17:51,320 --> 00:17:54,480 Speaker 1: but you yes, any horror movie fan will appreciate this. Y. 359 00:17:54,640 --> 00:17:57,520 Speaker 2: Yes. Okay, So food drink pairing first, why don't you 360 00:17:57,560 --> 00:18:03,200 Speaker 2: give our listeners what your a suggestion not to eat? 361 00:18:03,880 --> 00:18:09,240 Speaker 1: I'm serious. All there is not do not eat anything 362 00:18:09,240 --> 00:18:13,359 Speaker 1: that requires the use of a sharp knife. That's it. 363 00:18:13,400 --> 00:18:14,320 Speaker 1: That's all I got to And. 364 00:18:14,280 --> 00:18:18,080 Speaker 2: People are gonna think that that's about stabbing. There's another 365 00:18:19,119 --> 00:18:23,240 Speaker 2: there's another you're making. I wish people could see what 366 00:18:23,440 --> 00:18:25,560 Speaker 2: you are doing right now, But there is something that 367 00:18:25,600 --> 00:18:28,040 Speaker 2: involves a knife that you can't imagine until you actually 368 00:18:28,080 --> 00:18:29,800 Speaker 2: see it, and it won't ever leave you. 369 00:18:29,880 --> 00:18:31,520 Speaker 1: That's the problem. No, yeah, no knives. 370 00:18:31,560 --> 00:18:33,159 Speaker 2: So I would actually take it a step further and 371 00:18:33,160 --> 00:18:36,159 Speaker 2: say nothing crunchy. I would just say, you know, because normally, 372 00:18:36,200 --> 00:18:39,600 Speaker 2: like peanuts, popcorn, pretzels, I would avoid anything crunchy. So 373 00:18:39,720 --> 00:18:43,520 Speaker 2: I was actually going to say something like ice cream 374 00:18:43,560 --> 00:18:46,439 Speaker 2: would be good because ice helps with nausea, and if 375 00:18:46,480 --> 00:18:49,080 Speaker 2: you're feeling a little sick or woozy watching this, movie. 376 00:18:49,280 --> 00:18:52,560 Speaker 2: I would say a nice ice cream parfeit would be 377 00:18:52,720 --> 00:18:56,520 Speaker 2: perfect with this film. And whatever drink you want again, 378 00:18:56,560 --> 00:18:58,159 Speaker 2: I'm going to go with the nan acidic. You just 379 00:18:58,200 --> 00:19:03,000 Speaker 2: want to keep things really simple in your stomach because 380 00:19:03,040 --> 00:19:05,359 Speaker 2: you're going to be on a wild ride that you 381 00:19:05,400 --> 00:19:07,840 Speaker 2: don't need anything extra, So I would avoid bubbles, beer 382 00:19:07,880 --> 00:19:08,760 Speaker 2: or anything like that. 383 00:19:10,359 --> 00:19:13,960 Speaker 1: These brothers, they are these directors because I please Amy 384 00:19:14,000 --> 00:19:16,120 Speaker 1: TJ do not review our movie. 385 00:19:16,359 --> 00:19:19,359 Speaker 2: We're telling people nothing acidic, nothing it. 386 00:19:19,480 --> 00:19:22,399 Speaker 1: Now, make sure you have at least one person with you. 387 00:19:23,119 --> 00:19:26,679 Speaker 2: A ginger mint. No, I'm kidding, but no, something that 388 00:19:26,840 --> 00:19:28,840 Speaker 2: just is simple. And I do think ice cream is 389 00:19:28,920 --> 00:19:31,879 Speaker 2: nice because that's got a good texture for what you're watching. 390 00:19:31,960 --> 00:19:34,320 Speaker 2: You don't want anything crunchy. You'll understand after you watch it. 391 00:19:34,680 --> 00:19:37,200 Speaker 2: Oh okay, where can you watch this film? HBO Max 392 00:19:37,280 --> 00:19:39,479 Speaker 2: is where it's available, and obviously you can purchase it 393 00:19:39,760 --> 00:19:42,640 Speaker 2: on demand. It's pretty much everywhere in terms of streaming, 394 00:19:42,640 --> 00:19:45,479 Speaker 2: but if you do have an HBO Max subscription, it 395 00:19:45,520 --> 00:19:47,359 Speaker 2: will come to you at no extra costs. 396 00:19:47,400 --> 00:19:50,000 Speaker 1: I would love to hear people's reactions. Who are who 397 00:19:50,000 --> 00:19:51,880 Speaker 1: would go and watch it because of what they heard here. 398 00:19:52,280 --> 00:19:55,080 Speaker 1: I would love to hear their reactions to it. We 399 00:19:55,160 --> 00:19:58,679 Speaker 1: gotta find it. Send them in Amy TJ Podcast, Instagram in. 400 00:19:58,720 --> 00:20:01,080 Speaker 2: The yeah, put it in the comments section. Well, we're 401 00:20:01,119 --> 00:20:03,359 Speaker 2: gonna go. We haven't looked at it yet, but I 402 00:20:03,400 --> 00:20:05,960 Speaker 2: would like to go through some of those social media 403 00:20:05,960 --> 00:20:08,159 Speaker 2: posts and read everyone's comments, and maybe we can have 404 00:20:08,160 --> 00:20:09,879 Speaker 2: a fun kind of follow It would be fun to 405 00:20:09,920 --> 00:20:12,840 Speaker 2: hear what everyone thinks is their favorite movie among the 406 00:20:12,880 --> 00:20:15,120 Speaker 2: group that we selected. That might be a fun one too. 407 00:20:15,440 --> 00:20:17,440 Speaker 1: Follow up put into a vote, that would be great. 408 00:20:17,520 --> 00:20:18,920 Speaker 2: We could do that at the end. We could put 409 00:20:18,960 --> 00:20:20,639 Speaker 2: it to a vote and have everyone kind of way 410 00:20:20,680 --> 00:20:22,400 Speaker 2: in and then we can do something and figure out 411 00:20:22,440 --> 00:20:24,440 Speaker 2: just how off we were from what you all think. 412 00:20:24,480 --> 00:20:28,399 Speaker 2: But our next movie, it will be number eleven on 413 00:20:28,600 --> 00:20:34,000 Speaker 2: the list. This is a movie that actually blended genres 414 00:20:34,000 --> 00:20:38,320 Speaker 2: in a way that got me so excited. I was 415 00:20:38,560 --> 00:20:41,520 Speaker 2: very quick to ask you to come to a movie 416 00:20:41,640 --> 00:20:42,119 Speaker 2: date with me. 417 00:20:43,800 --> 00:20:49,080 Speaker 1: Wow, that's your ease. Yeah, this movie of all it's 418 00:20:49,160 --> 00:20:52,000 Speaker 1: number it will be a number eleven on our list. Yes, 419 00:20:52,720 --> 00:20:56,240 Speaker 1: but it is the number one movie on the list 420 00:20:56,520 --> 00:21:00,399 Speaker 1: that you should see with a date. Perfect. 421 00:21:00,600 --> 00:21:02,520 Speaker 2: I love it all right, And with that, thank you 422 00:21:02,600 --> 00:21:08,440 Speaker 2: for listening. Everyone, I'm maybe Roebuck alongside my always movie 423 00:21:08,560 --> 00:21:11,480 Speaker 2: date TJ Holmes, and we will talk to you soon.