1
00:00:16,440 --> 00:00:19,880
Speaker 1: Tour announcement starts now. This is George. Just a reminder

2
00:00:19,880 --> 00:00:22,840
Speaker 1: that you can see my dear co host Sam Taggart

3
00:00:22,880 --> 00:00:28,800
Speaker 1: on tour this summer, starting in July in San Francisco, Seattle, Portland, Washington,

4
00:00:28,880 --> 00:00:32,720
Speaker 1: d C, Philly, Chicago, Pittsburgh and Boston and Hot off

5
00:00:32,800 --> 00:00:36,239
Speaker 1: the Presses. You can also see me, George Severes, do

6
00:00:36,320 --> 00:00:40,400
Speaker 1: a few small shows this August in anticipation for my

7
00:00:40,440 --> 00:00:42,720
Speaker 1: own tour that's happening later on in the fall. But

8
00:00:42,840 --> 00:00:45,879
Speaker 1: this August I will be in New York, LA and

9
00:00:46,120 --> 00:00:49,600
Speaker 1: Get this East Hampton on August thirtieth. So if you

10
00:00:49,600 --> 00:00:52,000
Speaker 1: want to see me in New York, LA or East Hampton,

11
00:00:52,159 --> 00:00:56,120
Speaker 1: tickets are at linktree dot com slash George Severs. The

12
00:00:56,160 --> 00:00:58,000
Speaker 1: link is in my instagram bio. And if you want

13
00:00:58,000 --> 00:01:00,360
Speaker 1: to see Sam on tour, you can find that at

14
00:01:00,360 --> 00:01:03,640
Speaker 1: linktree dot com slash get this Sam Taggart and that

15
00:01:03,720 --> 00:01:05,680
Speaker 1: link is in his Instagram bio.

16
00:01:06,400 --> 00:01:06,640
Speaker 2: God.

17
00:01:06,680 --> 00:01:09,480
Speaker 1: We love symmetry, folks, well enjoy the show.

18
00:01:10,800 --> 00:01:13,679
Speaker 3: Podcast starts now. What is up everyone around the globe?

19
00:01:13,840 --> 00:01:17,399
Speaker 3: We are here in Los Angeles, California. We can be

20
00:01:17,440 --> 00:01:20,080
Speaker 3: discovered at any moment for the actors.

21
00:01:20,080 --> 00:01:23,920
Speaker 2: We are not. I'm walking around saying kind of hair

22
00:01:24,000 --> 00:01:26,760
Speaker 2: on my face, like stuck to my cheeks, yelling please

23
00:01:26,800 --> 00:01:28,600
Speaker 2: discover me. You know I'm undiscovered.

24
00:01:28,640 --> 00:01:31,320
Speaker 3: You know what. You just scolded me for New York

25
00:01:31,360 --> 00:01:33,080
Speaker 3: Versus LA. But I have.

26
00:01:33,120 --> 00:01:37,679
Speaker 2: To before every episode I take Sam aside Rocky style.

27
00:01:37,840 --> 00:01:40,000
Speaker 2: I'm a coach. I'm literally in the wrestler and he

28
00:01:40,120 --> 00:01:43,840
Speaker 2: is Mickey Rourke, and I'm saying, Sam, don't go New

29
00:01:43,920 --> 00:01:46,160
Speaker 2: York versus LA mode right off the bat. You have

30
00:01:46,280 --> 00:01:49,840
Speaker 2: other moves. You can have so many things in your arsenal.

31
00:01:50,160 --> 00:01:52,080
Speaker 2: You can't just do New York versus You.

32
00:01:52,000 --> 00:01:53,880
Speaker 3: Can't get discovered in LA because you can't walk on

33
00:01:53,920 --> 00:01:56,000
Speaker 3: the street. Part of being discovered walking down the street,

34
00:01:56,760 --> 00:01:58,320
Speaker 3: you need to be walking down the street and have

35
00:01:58,480 --> 00:02:00,640
Speaker 3: a person say, oh my god, you a model.

36
00:02:00,800 --> 00:02:02,520
Speaker 2: First of all, you can get discovered in a mall.

37
00:02:02,640 --> 00:02:04,880
Speaker 2: You can get discovered in a strip mall. You can

38
00:02:04,920 --> 00:02:08,000
Speaker 2: get discovered at a coffee shop, maybe Maru Coffy.

39
00:02:08,440 --> 00:02:11,880
Speaker 3: You just get discovered in line, the one hour long line, yes,

40
00:02:12,240 --> 00:02:13,080
Speaker 3: Marrow coffee.

41
00:02:13,200 --> 00:02:14,880
Speaker 2: Many people you know what they do these days, these

42
00:02:14,880 --> 00:02:16,840
Speaker 2: aspiring models, They come and they wait in lines.

43
00:02:17,360 --> 00:02:20,520
Speaker 3: That's true, Okay, never mind, I take it all back.

44
00:02:20,600 --> 00:02:22,359
Speaker 2: And also there's no such thing as being discovered on

45
00:02:22,400 --> 00:02:25,120
Speaker 2: the street anymore, because the proverbial street is actually the feed.

46
00:02:25,560 --> 00:02:27,520
Speaker 2: So if you just come to LA, as long as

47
00:02:27,520 --> 00:02:29,040
Speaker 2: there's a pump rare in the background, you can prove,

48
00:02:29,040 --> 00:02:30,320
Speaker 2: you know, you don't have to pay for me to move.

49
00:02:30,360 --> 00:02:33,239
Speaker 2: I'm already in LA, but here I am. Here's my face.

50
00:02:34,200 --> 00:02:36,280
Speaker 3: There's also no more being discovered because there's no more

51
00:02:36,280 --> 00:02:37,840
Speaker 3: such thing as there's no.

52
00:02:37,880 --> 00:02:41,240
Speaker 2: Gatekeepers, there's no flumb or TV, there's no gatekeepers, and

53
00:02:41,280 --> 00:02:44,040
Speaker 2: there's no quality of any kind. So at any given point,

54
00:02:44,080 --> 00:02:46,200
Speaker 2: you have been discovered because you're in control of who

55
00:02:46,200 --> 00:02:47,000
Speaker 2: gets discovered or not.

56
00:02:47,080 --> 00:02:49,239
Speaker 3: If you are alive and have a phone, you are discovered.

57
00:02:49,520 --> 00:02:52,960
Speaker 2: It's actually you need to being discovered now is the default,

58
00:02:53,160 --> 00:02:56,200
Speaker 2: and opting out of being discovered is like the choice

59
00:02:56,240 --> 00:02:56,560
Speaker 2: you make.

60
00:02:56,880 --> 00:02:58,400
Speaker 3: Well, and this is here, This is what kind of

61
00:02:58,440 --> 00:03:00,720
Speaker 3: makes me sad about people who are famed and older,

62
00:03:01,000 --> 00:03:02,880
Speaker 3: sort of like Madonna, like she actually needs to be

63
00:03:02,880 --> 00:03:03,600
Speaker 3: discovered now.

64
00:03:04,400 --> 00:03:06,880
Speaker 2: That is literally so true, and that is why she's

65
00:03:06,960 --> 00:03:09,880
Speaker 2: doing spaon con for built the platform for paying for

66
00:03:09,919 --> 00:03:12,000
Speaker 2: your rent, and you make points that.

67
00:03:12,080 --> 00:03:13,160
Speaker 3: Was really sad to me.

68
00:03:13,440 --> 00:03:15,880
Speaker 2: So basically, if people haven't seen this, Madonna is doing

69
00:03:15,880 --> 00:03:19,359
Speaker 2: a digital series I think approximate the seventeen part digital series.

70
00:03:19,960 --> 00:03:22,880
Speaker 2: Seventeen part digital series where she's being interviewed by the

71
00:03:22,960 --> 00:03:26,400
Speaker 2: CEO of Built, who does not respect her enough to

72
00:03:26,400 --> 00:03:29,040
Speaker 2: memorize the questions and is looking this is camera. He's

73
00:03:29,080 --> 00:03:33,079
Speaker 2: looking over here to read the questions, completely charmless. So, Madonna,

74
00:03:33,440 --> 00:03:36,480
Speaker 2: what is your craziest dread story in New York?

75
00:03:37,000 --> 00:03:41,040
Speaker 3: It's such a bummer. And by the way she is,

76
00:03:41,560 --> 00:03:45,080
Speaker 3: you know, she used to like storm out of things. Meanwhile,

77
00:03:45,080 --> 00:03:47,080
Speaker 3: she's being disrespected and she has to sit there and

78
00:03:47,080 --> 00:03:47,440
Speaker 3: take it.

79
00:03:47,520 --> 00:03:48,120
Speaker 2: Are you kidding me?

80
00:03:48,240 --> 00:03:48,400
Speaker 3: Right?

81
00:03:48,400 --> 00:03:50,640
Speaker 2: Before that was filmed, her team took her aside and said,

82
00:03:50,640 --> 00:03:54,760
Speaker 2: if this Built account backfires, we're not releasing Confessions too.

83
00:03:55,120 --> 00:03:58,119
Speaker 2: Built is fully funding Confessions to the album, the tour

84
00:03:58,200 --> 00:04:00,560
Speaker 2: and the press tour, and you better sit there and

85
00:04:00,600 --> 00:04:07,080
Speaker 2: you're leotard completely motionless. Is your craziest rent story?

86
00:04:07,120 --> 00:04:14,560
Speaker 3: And shoot in our guest, of course, because I feel

87
00:04:14,600 --> 00:04:16,400
Speaker 3: that she might have some things to add.

88
00:04:16,480 --> 00:04:19,479
Speaker 2: She's kind of the Madonna of the alternative La based

89
00:04:19,480 --> 00:04:23,960
Speaker 2: comedy scene, but much younger. Thank you, Thank you, and

90
00:04:24,040 --> 00:04:25,360
Speaker 2: take that Madonna.

91
00:04:25,400 --> 00:04:26,800
Speaker 3: Please welcome Hayden Johnson.

92
00:04:27,440 --> 00:04:29,960
Speaker 2: Wow, okay, And I have two thoughts. First of all,

93
00:04:30,000 --> 00:04:32,919
Speaker 2: it's just so fucked up to bring Madonna back to

94
00:04:32,960 --> 00:04:39,080
Speaker 2: a place of what's your craziest rent storyspect She keeps

95
00:04:39,080 --> 00:04:41,840
Speaker 2: saying these things like and they obviously primed her. They

96
00:04:41,839 --> 00:04:45,160
Speaker 2: were like, you gotta like be self deprecating whatever, and

97
00:04:45,200 --> 00:04:47,200
Speaker 2: so she goes, I used to fuck guys just so

98
00:04:47,240 --> 00:04:52,880
Speaker 2: I could use their shower. It's like, Madonna, don't say that.

99
00:04:53,240 --> 00:04:56,479
Speaker 2: Don't say that, Madonna, it's not true. Don't say that.

100
00:04:56,560 --> 00:04:58,800
Speaker 2: It might be true though, No, no, it's definitely true,

101
00:04:58,800 --> 00:05:02,800
Speaker 2: to be clear, But it's just like we are past that.

102
00:05:02,920 --> 00:05:07,560
Speaker 2: You don't Madonna shouldn't need to nostalgia bait. Agree, she

103
00:05:07,600 --> 00:05:08,000
Speaker 2: doesn't need.

104
00:05:07,960 --> 00:05:09,920
Speaker 3: Nostal debate, and she doesn't need to be like, can

105
00:05:09,960 --> 00:05:12,640
Speaker 3: you believe my journey? Like I was poor now I'm rich.

106
00:05:13,000 --> 00:05:15,000
Speaker 3: I'm like, I don't care, Like you're one of the

107
00:05:15,000 --> 00:05:16,520
Speaker 3: greatest we have and.

108
00:05:16,480 --> 00:05:18,040
Speaker 2: The brants came in real life. You were poor for

109
00:05:18,080 --> 00:05:20,760
Speaker 2: like two seconds. She just kind of emerged from like

110
00:05:20,800 --> 00:05:23,320
Speaker 2: an oak tree to like, this is how I like

111
00:05:23,400 --> 00:05:28,240
Speaker 2: to think of it. My second thought is getting discovered, right,

112
00:05:29,120 --> 00:05:31,880
Speaker 2: getting discovered in New York is so much easier because

113
00:05:32,080 --> 00:05:34,919
Speaker 2: you guys have those little people running around interviewing people

114
00:05:34,920 --> 00:05:37,440
Speaker 2: in the street. That's a really good point. And we

115
00:05:37,440 --> 00:05:39,919
Speaker 2: don't have that in La Nobody's running up to people

116
00:05:39,920 --> 00:05:42,080
Speaker 2: going what's the worst thing your mom said to you?

117
00:05:42,120 --> 00:05:45,039
Speaker 2: Like that? But you guys have that, and that's like

118
00:05:45,120 --> 00:05:47,080
Speaker 2: most of the economy in New York right now. It's that,

119
00:05:47,279 --> 00:05:53,120
Speaker 2: And then it's like Macha brulat latte build credit card.

120
00:05:53,320 --> 00:05:55,839
Speaker 3: The whole thing with the constant interviewing people on the

121
00:05:55,839 --> 00:05:58,760
Speaker 3: street is I'm like the street is for walking the street,

122
00:05:59,120 --> 00:06:01,720
Speaker 3: and famously the catchphrase of New York is I'm walking here.

123
00:06:01,839 --> 00:06:04,120
Speaker 3: And now they've they've created this world where you can't

124
00:06:04,120 --> 00:06:07,040
Speaker 3: even walk on the sidewalk because it's constantly talk shows

125
00:06:07,040 --> 00:06:07,760
Speaker 3: are being filmed.

126
00:06:07,560 --> 00:06:09,880
Speaker 2: Left and right, or they've gentrified the street. The last

127
00:06:09,920 --> 00:06:12,520
Speaker 2: remaining place that was not gentrified.

128
00:06:12,040 --> 00:06:16,280
Speaker 3: For community is now it's now a set for up

129
00:06:16,279 --> 00:06:17,080
Speaker 3: and coming creators.

130
00:06:17,120 --> 00:06:20,360
Speaker 2: Non union. By the way, of course, people used to

131
00:06:20,400 --> 00:06:22,920
Speaker 2: just sit in Washington Square Park and read a book,

132
00:06:23,200 --> 00:06:26,040
Speaker 2: smoke a joint, and now you can't because people are

133
00:06:26,160 --> 00:06:30,520
Speaker 2: people are screaming about what their favorite movies are I forbid?

134
00:06:30,560 --> 00:06:34,920
Speaker 2: You refuse to participate in this non consensual set that is,

135
00:06:35,120 --> 00:06:37,440
Speaker 2: you're literally on the set of like a reality show

136
00:06:37,880 --> 00:06:40,440
Speaker 2: that is again sponsored by built. If you refuse to

137
00:06:40,440 --> 00:06:42,640
Speaker 2: participate in it, then the video of you refusing goes

138
00:06:42,720 --> 00:06:45,080
Speaker 2: viral and it's like, look at this dumb ass gay guy,

139
00:06:45,400 --> 00:06:47,360
Speaker 2: you know, like he's so weird he didn't want to

140
00:06:47,360 --> 00:06:48,320
Speaker 2: participate in a video.

141
00:06:48,480 --> 00:06:50,359
Speaker 3: You know how Republicans are like I'm afraid to go

142
00:06:50,400 --> 00:06:53,080
Speaker 3: to New York City because I'll be murdered on the street. Yes, Like,

143
00:06:53,400 --> 00:06:54,960
Speaker 3: I too, am afraid to go to New York City

144
00:06:54,960 --> 00:06:56,960
Speaker 3: because I will be interviewed by someone I don't want

145
00:06:57,000 --> 00:06:59,800
Speaker 3: to be interviewed by, and I am scared of being that.

146
00:07:00,320 --> 00:07:02,120
Speaker 2: Sometimes these people come up on my feet and I'm like,

147
00:07:02,839 --> 00:07:05,200
Speaker 2: you don't seem to be having the interview. The person

148
00:07:05,279 --> 00:07:07,520
Speaker 2: doing the man on the Street thing, I'm like, were

149
00:07:07,560 --> 00:07:10,320
Speaker 2: you chosen for this by some sort of like you know,

150
00:07:10,360 --> 00:07:12,720
Speaker 2: it's like mandatory military service, but for doing man on

151
00:07:12,760 --> 00:07:14,800
Speaker 2: the Street videos because you don't seem to be having fun.

152
00:07:14,880 --> 00:07:16,480
Speaker 2: You don't know what you're talking. There's just one person

153
00:07:16,520 --> 00:07:18,320
Speaker 2: who asks people like what their favorite movies are and

154
00:07:18,360 --> 00:07:20,160
Speaker 2: then they say, and he's like, I haven't seen that one.

155
00:07:20,320 --> 00:07:20,520
Speaker 3: No.

156
00:07:22,840 --> 00:07:24,440
Speaker 2: They asked me if I wanted to do this one

157
00:07:24,440 --> 00:07:26,600
Speaker 2: and I was like no. Well it's like he'll be

158
00:07:26,680 --> 00:07:28,280
Speaker 2: like what are and it's like a gay guy and

159
00:07:28,320 --> 00:07:31,040
Speaker 2: he's like, what's your favorite gay like gay movie? And

160
00:07:31,160 --> 00:07:34,120
Speaker 2: someone will be like, you know, an obvious choice like

161
00:07:34,160 --> 00:07:38,680
Speaker 2: pink flamingos or you know one food yes, and he's like, oh,

162
00:07:38,760 --> 00:07:41,240
Speaker 2: haven't haven't seen that one? And then the person will

163
00:07:41,240 --> 00:07:43,480
Speaker 2: be like yeah. It's like John Waters like, oh, I know,

164
00:07:43,560 --> 00:07:47,600
Speaker 2: don don't know him. End of Clutch had a little

165
00:07:47,640 --> 00:07:49,840
Speaker 2: sounds thing at the end, and it's like what what

166
00:07:49,960 --> 00:07:53,080
Speaker 2: are we doing? It's it's we're getting so far away

167
00:07:53,120 --> 00:07:56,520
Speaker 2: from like interesting content to just like two people talking

168
00:07:56,600 --> 00:07:58,400
Speaker 2: and they both look crazy enough that you're like, I

169
00:07:58,400 --> 00:08:03,880
Speaker 2: guess I'll stick around. Actually like unintentional like Andy Kaufman

170
00:08:04,000 --> 00:08:08,120
Speaker 2: level alternative comedy where it's like how much can we

171
00:08:08,200 --> 00:08:11,280
Speaker 2: deconstruct human interaction? Where it's at some point it's just

172
00:08:11,320 --> 00:08:14,119
Speaker 2: going to be someone staring into the screen Marina Bramovic style,

173
00:08:14,440 --> 00:08:16,680
Speaker 2: But it's like kind of a mediocre gay guy that's.

174
00:08:16,640 --> 00:08:19,800
Speaker 3: Unfortunately a genius idea. I will say the we have

175
00:08:19,960 --> 00:08:24,960
Speaker 3: weaponized sound sting and title card like now soundsting titleguard

176
00:08:25,000 --> 00:08:28,000
Speaker 3: on literally blank space, and you're like, that's my favorite show.

177
00:08:28,760 --> 00:08:30,720
Speaker 3: There can be nothing else there is there as long

178
00:08:30,720 --> 00:08:32,400
Speaker 3: as there's a sting in a title card or.

179
00:08:32,400 --> 00:08:36,400
Speaker 2: We're stripping down. The initial thing that everyone's aiming for

180
00:08:36,520 --> 00:08:39,240
Speaker 2: is what like sitcom or talk show like okay that

181
00:08:39,280 --> 00:08:41,960
Speaker 2: has certain parts, we're stripping them down, and it's like,

182
00:08:41,960 --> 00:08:43,440
Speaker 2: what if a talk show was just a man on

183
00:08:43,440 --> 00:08:45,880
Speaker 2: the street segment. What if it was just you know,

184
00:08:46,280 --> 00:08:49,160
Speaker 2: the clip of two people having a conversation and they're

185
00:08:49,200 --> 00:08:50,920
Speaker 2: stripped down, stripped, and then at the end, it's going

186
00:08:50,960 --> 00:08:54,160
Speaker 2: to be like like nature document, it's going to be

187
00:08:54,200 --> 00:08:56,880
Speaker 2: like just footage of New York City, which is a

188
00:08:56,920 --> 00:09:01,360
Speaker 2: beautiful hope we need to like silent right, and it's

189
00:09:01,559 --> 00:09:03,800
Speaker 2: just a static image in New York City. I would

190
00:09:03,840 --> 00:09:05,920
Speaker 2: prefer if these people just kind of went around it

191
00:09:05,960 --> 00:09:08,760
Speaker 2: with a camera and kind of locked onto someone's conversation

192
00:09:08,920 --> 00:09:11,760
Speaker 2: from far away. I would rather watch that be dropped

193
00:09:11,760 --> 00:09:15,120
Speaker 2: into the middle of two random New Yorkers talking. I

194
00:09:15,120 --> 00:09:16,240
Speaker 2: think that would be beautiful.

195
00:09:16,679 --> 00:09:19,680
Speaker 3: That would be really nice. It's funny to talk, of course,

196
00:09:20,280 --> 00:09:23,280
Speaker 3: to critique this world while doing a podcast where our

197
00:09:23,320 --> 00:09:25,760
Speaker 3: clips will end with a sting and a title card.

198
00:09:28,520 --> 00:09:30,640
Speaker 2: But I but this is a whole, this is a

199
00:09:30,679 --> 00:09:31,240
Speaker 2: whole savage.

200
00:09:31,240 --> 00:09:33,320
Speaker 3: Well, this is long form. This is long form.

201
00:09:33,440 --> 00:09:35,760
Speaker 2: This is getting people into the long form. There is

202
00:09:35,800 --> 00:09:37,199
Speaker 2: no long form. There's no longer.

203
00:09:37,440 --> 00:09:38,160
Speaker 3: That's true.

204
00:09:38,480 --> 00:09:41,559
Speaker 2: Also, do you ever sit stop and think what I

205
00:09:41,600 --> 00:09:46,079
Speaker 2: am doing here is watching only ads? Like what clips

206
00:09:46,080 --> 00:09:49,240
Speaker 2: are is ads for something else? Yeah, that you're never

207
00:09:49,280 --> 00:09:51,960
Speaker 2: gonna go and find. Well, I'm finding it's like opening

208
00:09:52,120 --> 00:09:53,920
Speaker 2: What if you opened a magazine and it was literally

209
00:09:54,080 --> 00:09:56,240
Speaker 2: just advertisements and you were just sitting and that's just

210
00:09:56,360 --> 00:09:58,680
Speaker 2: you're sitting there like, oh interesting, Oh I don't like

211
00:09:58,720 --> 00:10:01,160
Speaker 2: that one. Oh, and then that's it. Well, to be fair,

212
00:10:01,320 --> 00:10:04,400
Speaker 2: when I do feel like magazines fell off because because

213
00:10:04,400 --> 00:10:04,920
Speaker 2: it was all ads.

214
00:10:05,040 --> 00:10:06,839
Speaker 3: You literally open a Vogue and you're like, wait, that's not,

215
00:10:07,000 --> 00:10:08,959
Speaker 3: that's not, that's not that's not You're like, when does

216
00:10:08,960 --> 00:10:11,040
Speaker 3: it get fun? Like when am I like, oh, how chic?

217
00:10:11,440 --> 00:10:14,000
Speaker 2: Yeah? Well, at least the ads in volgar chic though

218
00:10:14,240 --> 00:10:16,080
Speaker 2: a little I don't know.

219
00:10:16,240 --> 00:10:17,520
Speaker 3: I don't know what chic anymore.

220
00:10:17,559 --> 00:10:20,040
Speaker 2: I gotta get rid of my Vogue. Do you subscribe.

221
00:10:20,120 --> 00:10:22,240
Speaker 2: I used to. I used to. I was like, I

222
00:10:22,360 --> 00:10:24,560
Speaker 2: was like, I want to know, I want to I

223
00:10:24,559 --> 00:10:26,959
Speaker 2: want to carry Yeah, I want I literally I was like,

224
00:10:27,000 --> 00:10:29,400
Speaker 2: I'm moving to the city, like I want to be careful.

225
00:10:29,480 --> 00:10:31,280
Speaker 2: That's yes. That's how I was with The New Yorker,

226
00:10:31,320 --> 00:10:33,320
Speaker 2: where someone the other day was like, oh, I sent

227
00:10:33,360 --> 00:10:35,000
Speaker 2: the link and they were like, oh, I don't subscribe,

228
00:10:35,040 --> 00:10:36,360
Speaker 2: and I was like, I didn't know you could not

229
00:10:36,400 --> 00:10:41,120
Speaker 2: subscribe to The New Yorker. That was like my birth right.

230
00:10:41,600 --> 00:10:43,280
Speaker 2: As soon as I moved to major city, I have

231
00:10:43,360 --> 00:10:44,840
Speaker 2: to get the New Yorker and then have a pile

232
00:10:44,840 --> 00:10:45,800
Speaker 2: of it that I've never read.

233
00:10:46,320 --> 00:10:49,400
Speaker 3: I will say back to your thing about Instagram entirely

234
00:10:49,400 --> 00:10:52,520
Speaker 3: being ads is that it does feel like I open

235
00:10:52,559 --> 00:10:55,040
Speaker 3: it now and it's so foreign. No one on there

236
00:10:55,080 --> 00:10:57,800
Speaker 3: I know anymore. It's just like different people trying to

237
00:10:57,840 --> 00:11:00,559
Speaker 3: start a new show and I'm like, okay, no no

238
00:11:00,559 --> 00:11:02,280
Speaker 3: no no no no no no. And so it's like

239
00:11:02,360 --> 00:11:04,400
Speaker 3: kind of losing its grip on me because it is

240
00:11:04,480 --> 00:11:06,719
Speaker 3: not feeling that like personal connection to it.

241
00:11:06,760 --> 00:11:08,720
Speaker 2: But you know what's funny is like you're saying, Okay,

242
00:11:08,720 --> 00:11:10,440
Speaker 2: it's not what it used to be, but then you

243
00:11:10,440 --> 00:11:14,439
Speaker 2: think when did I like it? Like it's like it's

244
00:11:14,480 --> 00:11:17,640
Speaker 2: like what am I looking for here? When I keep scrolling.

245
00:11:17,760 --> 00:11:19,680
Speaker 2: I do think there was like a period of time

246
00:11:19,880 --> 00:11:23,040
Speaker 2: where people hadn't figured out how to like be an

247
00:11:23,080 --> 00:11:26,760
Speaker 2: influencer yet, but they were making content and then you

248
00:11:26,840 --> 00:11:28,920
Speaker 2: were able to like look them in the eyes and

249
00:11:28,960 --> 00:11:32,360
Speaker 2: like see a person and like genuinely connect to them.

250
00:11:32,760 --> 00:11:37,400
Speaker 2: And now everybody's kind of like imitating somebody who is

251
00:11:37,440 --> 00:11:40,600
Speaker 2: like who is like doing a style that was recommended

252
00:11:40,640 --> 00:11:43,880
Speaker 2: to them by their like marketing person or whatever. And

253
00:11:43,960 --> 00:11:46,719
Speaker 2: so now it just seems like there's like people have

254
00:11:46,800 --> 00:11:50,120
Speaker 2: a big personality, but it feels like like there's a vacuum,

255
00:11:50,200 --> 00:11:53,000
Speaker 2: like there's nothing behind their eyes. They're just kind of

256
00:11:53,480 --> 00:11:58,480
Speaker 2: being loud or like, I don't know, making up big

257
00:11:58,520 --> 00:12:01,920
Speaker 2: personality is an interesting phrase. I haven't seen one of

258
00:12:01,920 --> 00:12:02,560
Speaker 2: those in a while.

259
00:12:04,280 --> 00:12:06,640
Speaker 3: I feel like, maybe not big personality, but big sort

260
00:12:06,679 --> 00:12:10,719
Speaker 3: of outfit swing. Yeah, it's a big outfit swing some

261
00:12:10,760 --> 00:12:13,600
Speaker 3: signifiers and hair and makeup that are like I'm cool,

262
00:12:14,120 --> 00:12:15,839
Speaker 3: and then that's like whatever comes after that.

263
00:12:16,040 --> 00:12:20,520
Speaker 2: The signifiers are everywhere. Oh, the signifiers It is the matrix,

264
00:12:20,559 --> 00:12:22,439
Speaker 2: and the signifiers are bullets, and I am trying to

265
00:12:23,440 --> 00:12:29,520
Speaker 2: signifier here, signifier there. Yeah, and I'm just I'm I'm uninterested.

266
00:12:29,559 --> 00:12:34,000
Speaker 2: They're asking questions to someone kind of banking on that

267
00:12:34,320 --> 00:12:37,760
Speaker 2: that person being interviewed being really entertaining, because then their

268
00:12:37,760 --> 00:12:41,480
Speaker 2: reactions are just like yeah, or when they like the

269
00:12:41,520 --> 00:12:43,920
Speaker 2: person says something and then the interviewer just looks to

270
00:12:43,960 --> 00:12:46,640
Speaker 2: cameras like oh yeah, it's like the person just said

271
00:12:47,160 --> 00:12:54,760
Speaker 2: my favorite color is yellow or whatever. Cut turbotags. Sorry,

272
00:12:55,360 --> 00:12:58,760
Speaker 2: I love Okay, Okay, I don't want to.

273
00:12:58,760 --> 00:12:59,560
Speaker 3: Say it a couple of times.

274
00:12:59,559 --> 00:13:02,559
Speaker 2: Maybe I would to be sponsored by Turbo texts.

275
00:13:02,640 --> 00:13:04,160
Speaker 3: Yeah, they're so ethical.

276
00:13:04,840 --> 00:13:07,120
Speaker 2: Yeah, I don't It isn't crazy that we have to

277
00:13:07,120 --> 00:13:10,160
Speaker 2: do our own taxes. Hello, I don't want to use

278
00:13:10,160 --> 00:13:11,000
Speaker 2: AI for something.

279
00:13:11,520 --> 00:13:16,240
Speaker 3: Okay, yea clip that clip Today I was at my gym,

280
00:13:16,280 --> 00:13:19,320
Speaker 3: of course, and uh, they're so jealous. You already went

281
00:13:19,520 --> 00:13:22,880
Speaker 3: Yeah the morning it was yesterday, I was in a

282
00:13:22,920 --> 00:13:26,160
Speaker 3: horrible movie because they were after that being said, they

283
00:13:26,200 --> 00:13:28,240
Speaker 3: have a TV in the locker room that plays sort

284
00:13:28,280 --> 00:13:31,720
Speaker 3: of local news and in the big game if it's on.

285
00:13:32,200 --> 00:13:34,000
Speaker 3: But I was watching local news and there's like a

286
00:13:34,040 --> 00:13:36,840
Speaker 3: commercial and I was like, this is entirely made of AI.

287
00:13:37,679 --> 00:13:41,000
Speaker 3: I was like, wait, this happened without me knowing where,

288
00:13:41,040 --> 00:13:43,360
Speaker 3: Like if you turn on just a normal channel, the

289
00:13:43,360 --> 00:13:44,400
Speaker 3: commercials are a I know.

290
00:13:45,400 --> 00:13:52,439
Speaker 2: Yeah, so I recently read a sub stuck pause for

291
00:13:52,559 --> 00:13:59,959
Speaker 2: event yay o. Everyone everyone gets at the entire stuff

292
00:14:00,080 --> 00:14:00,840
Speaker 2: for iHeart Radio.

293
00:14:01,640 --> 00:14:06,160
Speaker 3: Wow, that's awesome, George. Was it did you pay for

294
00:14:06,240 --> 00:14:07,240
Speaker 3: it monthly or was it free?

295
00:14:07,520 --> 00:14:09,040
Speaker 2: It was one of the free ones. Yeah, I'm a

296
00:14:09,080 --> 00:14:11,480
Speaker 2: free subscriber to this particular subset.

297
00:14:11,720 --> 00:14:12,439
Speaker 3: That's what I thought.

298
00:14:12,800 --> 00:14:14,840
Speaker 2: By this guy, Sam Crisci believe is his name, but

299
00:14:15,000 --> 00:14:19,000
Speaker 2: he was there was usually some controversy were a short

300
00:14:19,000 --> 00:14:21,120
Speaker 2: story or something won some award and then it was

301
00:14:21,800 --> 00:14:25,360
Speaker 2: revealed revealed that it was written by AI. Okay, and

302
00:14:25,400 --> 00:14:27,040
Speaker 2: so then he was making the point. He was like, yes,

303
00:14:27,080 --> 00:14:29,480
Speaker 2: obviously it's written by AI. But guess what if you

304
00:14:29,680 --> 00:14:31,840
Speaker 2: just like have your third eye open, you will notice

305
00:14:31,880 --> 00:14:34,160
Speaker 2: so many things around us are written by AI. And

306
00:14:34,200 --> 00:14:36,000
Speaker 2: one of the examples he mentioned was the show The

307
00:14:36,040 --> 00:14:37,800
Speaker 2: Miniature Wife. And I was like, oh, you're taking this

308
00:14:37,840 --> 00:14:39,680
Speaker 2: too far, like I don't think The Miniature Wife was

309
00:14:39,680 --> 00:14:42,920
Speaker 2: written by AI. And then you started quoting parts of it,

310
00:14:43,000 --> 00:14:45,360
Speaker 2: like pieces of dialogue because he watched it and I'm like,

311
00:14:45,800 --> 00:14:49,040
Speaker 2: what's written by Isn't it? Like no human would write this.

312
00:14:49,240 --> 00:14:51,480
Speaker 2: I can't believe that you were so quick to defend

313
00:14:51,560 --> 00:14:55,480
Speaker 2: The Miniature Wife. Was I was like, I don't think

314
00:14:55,520 --> 00:14:57,440
Speaker 2: Elizabeth Banks would work on an air project.

315
00:14:58,200 --> 00:15:00,520
Speaker 3: Well, I mean the premise of the Miniature Wife. I'm saying,

316
00:15:00,520 --> 00:15:02,680
Speaker 3: this is the most original concept I've heard in decades.

317
00:15:02,760 --> 00:15:05,760
Speaker 2: Yeah, there's a wife that she's she's tiny. I actually

318
00:15:05,960 --> 00:15:08,680
Speaker 2: was really I was really defending The Miniature Wife because

319
00:15:08,720 --> 00:15:11,640
Speaker 2: when it came out and people were like, this is

320
00:15:11,680 --> 00:15:14,840
Speaker 2: a thirty rock joke, I'm like, it's self aware, dumb ass.

321
00:15:15,200 --> 00:15:17,760
Speaker 2: They don't they don't think they're making the Godfather, but

322
00:15:17,920 --> 00:15:21,560
Speaker 2: the Miniature Godfather. Like they know it's funny that tries miniature.

323
00:15:21,760 --> 00:15:23,560
Speaker 2: Do you think they don't know that it's funny that

324
00:15:23,600 --> 00:15:24,480
Speaker 2: the wife is miniature.

325
00:15:24,640 --> 00:15:26,240
Speaker 3: I'm glad you're in the dumb one. We have the

326
00:15:26,280 --> 00:15:29,680
Speaker 3: same reaction when people react to like a title being funny.

327
00:15:29,800 --> 00:15:33,440
Speaker 2: It's like it's given a chance. I don't or it's

328
00:15:33,480 --> 00:15:36,480
Speaker 2: like that other there was that trailer for that movie

329
00:15:36,520 --> 00:15:39,040
Speaker 2: where it's like there's one night a year you can

330
00:15:39,080 --> 00:15:41,520
Speaker 2: have sex. You know about this. It's like a rom common.

331
00:15:41,560 --> 00:15:47,040
Speaker 2: The premise is they live in a society and some

332
00:15:47,120 --> 00:15:50,280
Speaker 2: other girl, the girl from a complete unknown and it's

333
00:15:50,320 --> 00:15:52,680
Speaker 2: and people were like, okay, so I guess it's funny

334
00:15:52,720 --> 00:15:56,080
Speaker 2: that they live in a fascist theocracy. It's like, maybe,

335
00:15:58,160 --> 00:16:00,920
Speaker 2: well have you seen the producers? I think was making

336
00:16:00,960 --> 00:16:03,520
Speaker 2: me laugh about The Miniature Wife, as it was like, okay,

337
00:16:03,520 --> 00:16:05,680
Speaker 2: we've done so many oh to me. I saw it

338
00:16:05,720 --> 00:16:08,400
Speaker 2: and I was like, okay, we've done so many shows

339
00:16:08,480 --> 00:16:11,440
Speaker 2: about like a straight couple that now it's like, what

340
00:16:11,560 --> 00:16:15,080
Speaker 2: can we give them to make them interesting? Oh? I know,

341
00:16:15,200 --> 00:16:17,320
Speaker 2: we'll make the wife tiny.

342
00:16:20,840 --> 00:16:23,800
Speaker 3: Where we're at, I love a big swing. Like I

343
00:16:24,160 --> 00:16:26,880
Speaker 3: saw The Miniature Wife and I said, okay, how did

344
00:16:26,880 --> 00:16:29,320
Speaker 3: we get here. I'm like, I'm gonna want to see

345
00:16:29,320 --> 00:16:29,600
Speaker 3: this pie.

346
00:16:29,640 --> 00:16:32,280
Speaker 2: Well, of course, I want to know how she got tiny.

347
00:16:31,720 --> 00:16:34,880
Speaker 2: That is really big. I sort of know that in

348
00:16:34,920 --> 00:16:37,440
Speaker 2: this sub sect the guy hadn't fact checked, so he

349
00:16:37,560 --> 00:16:39,920
Speaker 2: kept calling the show the Littlest Wife, and he was

350
00:16:39,920 --> 00:16:42,880
Speaker 2: making this like really like passionate argument against AI and

351
00:16:42,920 --> 00:16:45,600
Speaker 2: he was like, and in the Littlest Wife, she says this,

352
00:16:45,720 --> 00:16:47,600
Speaker 2: and I'm like, well, what is the Miniature Wife?

353
00:16:48,000 --> 00:16:50,280
Speaker 3: He said, this was written by a human, Notice my mistake.

354
00:16:50,400 --> 00:16:52,800
Speaker 2: Yeah exactly. Yeah, that's beautiful.

355
00:16:53,000 --> 00:16:56,240
Speaker 3: That is interesting is can he can he prove that

356
00:16:56,240 --> 00:16:57,440
Speaker 3: the miniature wife is AI?

357
00:16:57,520 --> 00:16:59,440
Speaker 2: Or is just to say he can't prove it? But

358
00:16:59,480 --> 00:17:01,480
Speaker 2: I'm kind of like, I actually like that he's not

359
00:17:01,520 --> 00:17:03,640
Speaker 2: trying to prove it because he's like my human eye.

360
00:17:03,840 --> 00:17:07,480
Speaker 2: What he's basically saying is believe in your human capability

361
00:17:07,480 --> 00:17:10,639
Speaker 2: of judging what is human. When you look at something

362
00:17:10,680 --> 00:17:13,879
Speaker 2: like you're looking at these ads, you know something is off.

363
00:17:14,040 --> 00:17:16,359
Speaker 2: Like what we have. All we have left is our

364
00:17:16,440 --> 00:17:18,880
Speaker 2: human judgment. And if we just like accept that this

365
00:17:18,920 --> 00:17:21,119
Speaker 2: is the new normal, then we will also start thinking

366
00:17:21,160 --> 00:17:24,399
Speaker 2: like AI and then there's no going back. Yeah. I

367
00:17:24,440 --> 00:17:26,840
Speaker 2: think that's why. I mean, you would hope that that's

368
00:17:26,880 --> 00:17:31,200
Speaker 2: why the miniature wife would be kind of a truly

369
00:17:31,359 --> 00:17:34,800
Speaker 2: human concoction, because you would hope that maybe total AI

370
00:17:34,880 --> 00:17:38,879
Speaker 2: wouldn't come up with a white wife tiny again and

371
00:17:38,920 --> 00:17:41,800
Speaker 2: in the miniature. And I do think the idea to

372
00:17:41,840 --> 00:17:44,680
Speaker 2: make the wife miniature was a human idea. I think

373
00:17:44,720 --> 00:17:48,560
Speaker 2: it's just a dialogue that was written by a putting

374
00:17:48,560 --> 00:17:51,040
Speaker 2: out a statement the idea to make of course, the

375
00:17:51,080 --> 00:17:54,160
Speaker 2: idea to make the wife miniature was all human one

376
00:17:54,640 --> 00:17:58,440
Speaker 2: percent conceived by people. But I kind of I also

377
00:17:58,480 --> 00:18:01,840
Speaker 2: do think that is the argument the pro AI people

378
00:18:01,880 --> 00:18:04,320
Speaker 2: are making, where they're like, well, the ideas are human,

379
00:18:04,400 --> 00:18:05,960
Speaker 2: but you don't know, you don't want a human to

380
00:18:06,000 --> 00:18:08,679
Speaker 2: write like you know, the cold open Like it's like

381
00:18:09,040 --> 00:18:12,440
Speaker 2: it's it's like AI is a tool. Yeah, so that's

382
00:18:12,640 --> 00:18:15,160
Speaker 2: people love to say that. Yeah, that's kind of how

383
00:18:15,200 --> 00:18:17,600
Speaker 2: it keeps going, where people are like, oh, don't you

384
00:18:17,600 --> 00:18:20,120
Speaker 2: shouldn't be using AI for this, and then they're like, hey,

385
00:18:20,640 --> 00:18:23,240
Speaker 2: we came up with the idea of what the movie

386
00:18:23,320 --> 00:18:25,840
Speaker 2: was going to be, and then I make the human

387
00:18:25,880 --> 00:18:29,359
Speaker 2: party is the idea and the execution part like the

388
00:18:29,440 --> 00:18:33,960
Speaker 2: workers can be replaced sort of like the man nature

389
00:18:34,520 --> 00:18:38,280
Speaker 2: can be human workers should be an idea from a

390
00:18:38,320 --> 00:18:42,000
Speaker 2: person and then the robot can write that idea. But

391
00:18:42,080 --> 00:18:43,040
Speaker 2: that's not a big deal.

392
00:18:43,800 --> 00:18:45,760
Speaker 3: Yeah, you can come up with the prompt.

393
00:18:46,000 --> 00:18:49,800
Speaker 2: Yeah you are not miniature. Hey, people came up with

394
00:18:49,840 --> 00:18:52,439
Speaker 2: the prompts. People came up with wife manage to.

395
00:18:52,440 --> 00:18:53,680
Speaker 3: Show about a wife who's miniature.

396
00:18:53,880 --> 00:18:56,240
Speaker 2: Now was it? Now was it the AI's idea to

397
00:18:56,280 --> 00:18:59,359
Speaker 2: put the miniature wife on a little train set? Yeah,

398
00:18:59,600 --> 00:19:01,679
Speaker 2: that was, but we knew that the wife was going

399
00:19:01,760 --> 00:19:05,320
Speaker 2: to be tied interviewing the writer on like inside the

400
00:19:05,600 --> 00:19:08,199
Speaker 2: writer's studio. And He's like, when I was coming up

401
00:19:08,200 --> 00:19:10,439
Speaker 2: with a prompt, I was going back and forth between

402
00:19:11,240 --> 00:19:13,760
Speaker 2: what if a wife is miniature? And what if the

403
00:19:14,080 --> 00:19:16,399
Speaker 2: what if a miniature is a wife? And and the

404
00:19:16,520 --> 00:19:19,320
Speaker 2: and they came back with such different things for each one. Yeah,

405
00:19:19,359 --> 00:19:21,280
Speaker 2: and my job as a writer is to choose which

406
00:19:21,280 --> 00:19:23,240
Speaker 2: one made the more sense. And you know, the first

407
00:19:23,240 --> 00:19:25,080
Speaker 2: exacts I went to they were like, what if the

408
00:19:25,080 --> 00:19:27,880
Speaker 2: wife was huge? And I was like, you don't get it.

409
00:19:28,880 --> 00:19:31,600
Speaker 2: You don't get it. You're trying to you're trying to

410
00:19:31,600 --> 00:19:34,640
Speaker 2: take my idea and change it. Although this is interesting,

411
00:19:34,640 --> 00:19:35,800
Speaker 2: what if the wife was huge?

412
00:19:35,840 --> 00:19:38,080
Speaker 3: What if thee that actually could have been a more

413
00:19:38,080 --> 00:19:38,840
Speaker 3: interesting story.

414
00:19:38,920 --> 00:19:41,240
Speaker 2: Well, I think that it is not a coincidence that

415
00:19:41,240 --> 00:19:43,640
Speaker 2: Trump is president and we're making the wife small. That's

416
00:19:43,800 --> 00:19:46,959
Speaker 2: very true, I think, I think, you know, but they

417
00:19:46,960 --> 00:19:50,800
Speaker 2: made Sidney Sweeney big. Okay, Well that was different. Was

418
00:19:50,800 --> 00:19:52,199
Speaker 2: that a dream? I haven't seen the job.

419
00:19:52,240 --> 00:19:53,080
Speaker 3: I was fetish content.

420
00:19:53,200 --> 00:19:55,480
Speaker 2: That was fetish content, where the miniature, of course, could

421
00:19:55,480 --> 00:19:56,560
Speaker 2: never be fetish content.

422
00:19:57,800 --> 00:20:00,720
Speaker 3: That's true, that's interesting, that's true. I'm maybe because the

423
00:20:00,800 --> 00:20:02,520
Speaker 3: wife Sidney Sweeney's not a wife yet.

424
00:20:02,960 --> 00:20:05,920
Speaker 2: Wife she got married in the show that I've seen,

425
00:20:06,000 --> 00:20:08,320
Speaker 2: Well she leaves him sort of. Oh okay, well I

426
00:20:08,320 --> 00:20:11,080
Speaker 2: guess again, never seen the show. There's so many clips

427
00:20:11,119 --> 00:20:12,639
Speaker 2: of the show. I have no idea what it's about.

428
00:20:13,400 --> 00:20:15,720
Speaker 2: Shows like Sidney Sweeney saying our word and then it's like,

429
00:20:15,800 --> 00:20:17,640
Speaker 2: so is this about high school? Yeah?

430
00:20:17,880 --> 00:20:19,679
Speaker 3: No, Season three or before You was one of the

431
00:20:19,680 --> 00:20:22,320
Speaker 3: worst things I've ever had to see. That being said

432
00:20:22,440 --> 00:20:25,680
Speaker 3: Sam Levinson, I do stand. I am the idol number

433
00:20:25,720 --> 00:20:26,160
Speaker 3: one fan.

434
00:20:26,640 --> 00:20:29,679
Speaker 2: You just stand behind anyone with your name, any Sam,

435
00:20:30,760 --> 00:20:32,320
Speaker 2: any Sam, You're on their side.

436
00:20:33,960 --> 00:20:35,840
Speaker 3: No, you're like, at least someone's dreaming.

437
00:20:36,600 --> 00:20:37,879
Speaker 2: Wait, what are you referring to?

438
00:20:38,400 --> 00:20:38,600
Speaker 3: Leven?

439
00:20:38,720 --> 00:20:41,760
Speaker 2: So he's like, at least he's having fun out there.

440
00:20:41,920 --> 00:20:44,600
Speaker 2: I do think he took some big swings making this

441
00:20:44,840 --> 00:20:45,400
Speaker 2: last one.

442
00:20:45,480 --> 00:20:47,480
Speaker 3: And the only issue, the big issue with the last

443
00:20:47,480 --> 00:20:49,399
Speaker 3: one is that was just so boy. The whole thing

444
00:20:49,480 --> 00:20:56,080
Speaker 3: was I'm like, yeah, let me guess, yeah, shooting drugs, yeah,

445
00:20:56,440 --> 00:20:59,520
Speaker 3: constitution fighting, and it's like, what happened to high school?

446
00:21:00,040 --> 00:21:00,520
Speaker 3: Have an eye?

447
00:21:00,720 --> 00:21:05,240
Speaker 2: Happen a knitting macroma. That's my examples of things that

448
00:21:05,280 --> 00:21:10,040
Speaker 2: are women really. Yeah, you're here watching you for you

449
00:21:10,320 --> 00:21:13,040
Speaker 2: and you're going, why do women all will have to do? OnlyFans?

450
00:21:13,080 --> 00:21:14,920
Speaker 2: Now whatever? I happen to women doing that. Whatever. I

451
00:21:14,920 --> 00:21:18,960
Speaker 2: have a sting in the home. Yeah, knitting, making knitting, Hello,

452
00:21:19,520 --> 00:21:20,520
Speaker 2: making a nice roast.

453
00:21:21,880 --> 00:21:25,160
Speaker 3: Yeah. Well I think I haven't seen the Miniature Wife,

454
00:21:25,200 --> 00:21:26,680
Speaker 3: of course, but at least I matter.

455
00:21:26,680 --> 00:21:29,359
Speaker 2: If you had you suddenly come out as having seen

456
00:21:29,359 --> 00:21:30,760
Speaker 2: the Miniature Wife, I would walk out.

457
00:21:32,280 --> 00:21:34,800
Speaker 3: Can I tell you? I did start it like, no, not,

458
00:21:37,000 --> 00:21:39,840
Speaker 3: you are insane. I hit play on the Miniature Wife

459
00:21:39,840 --> 00:21:41,400
Speaker 3: because I was like, I've got.

460
00:21:41,080 --> 00:21:43,600
Speaker 2: To know more. Well, I will say I didn't.

461
00:21:43,600 --> 00:21:44,199
Speaker 3: I fell asleep.

462
00:21:44,520 --> 00:21:47,199
Speaker 2: I don't want to dox him. But someone we know

463
00:21:47,240 --> 00:21:54,840
Speaker 2: that is sort of in the industry, okay, pausing to

464
00:21:54,920 --> 00:21:59,000
Speaker 2: be Yeah, everyone is just looking at me, which I

465
00:21:59,000 --> 00:22:03,639
Speaker 2: think is really interesting. So this is someone we know

466
00:22:03,640 --> 00:22:05,240
Speaker 2: that writes about the entertainment issue, is what I was

467
00:22:05,240 --> 00:22:08,040
Speaker 2: trying to say. So he has access to like Nielsen

468
00:22:08,600 --> 00:22:10,840
Speaker 2: proprietary tools that you have to pay for whatever. And

469
00:22:10,920 --> 00:22:12,879
Speaker 2: at one point he was over at my apartment and

470
00:22:12,920 --> 00:22:16,840
Speaker 2: he was like looking up the Nielsen streaming rating. So

471
00:22:16,880 --> 00:22:19,000
Speaker 2: it's like the top ten most probably shows on Nielsen,

472
00:22:19,119 --> 00:22:20,560
Speaker 2: and he was like, what do you think is number one?

473
00:22:20,600 --> 00:22:22,080
Speaker 2: And I was like, of course one of the tailor

474
00:22:22,119 --> 00:22:26,800
Speaker 2: sare Taylor Sheridan shows like I don't know some sidcom

475
00:22:26,840 --> 00:22:30,240
Speaker 2: I've never heard of whatever, it was a Miniature Wife. Meanwhile,

476
00:22:30,240 --> 00:22:32,439
Speaker 2: I thought it was a flop. I mean because in

477
00:22:32,480 --> 00:22:34,520
Speaker 2: my community, no one has seen The Miniature Wife. But

478
00:22:34,560 --> 00:22:37,840
Speaker 2: it turns out all across America they have Miniature Wife fever.

479
00:22:39,080 --> 00:22:41,280
Speaker 3: But that's not I think they're like canceling it already.

480
00:22:41,400 --> 00:22:44,440
Speaker 2: Oh okay, so he can't. I think there is something

481
00:22:44,440 --> 00:22:47,439
Speaker 2: about hooking people, because yeah, because here we are, you know,

482
00:22:47,520 --> 00:22:51,119
Speaker 2: despite all our talk about how it's flopping, here we

483
00:22:51,160 --> 00:22:55,359
Speaker 2: are thirty plus many and this episode is brought to

484
00:22:55,400 --> 00:22:56,639
Speaker 2: you by The Miniature Wife.

485
00:22:56,840 --> 00:22:58,359
Speaker 3: Yeah, which is canceled.

486
00:22:57,960 --> 00:23:00,400
Speaker 2: We believe, which is canceled, but the first season still

487
00:23:00,520 --> 00:23:05,960
Speaker 2: you can for your considerations and watch Miniature performance. Elizabeth.

488
00:23:06,200 --> 00:23:08,440
Speaker 2: You know what I would love is if the Miniature

489
00:23:08,480 --> 00:23:12,280
Speaker 2: Wife won an Emmy and then she had to accept

490
00:23:12,320 --> 00:23:14,720
Speaker 2: the like she did kind of like an old school,

491
00:23:14,840 --> 00:23:16,679
Speaker 2: you know, and they used to have like the like

492
00:23:16,760 --> 00:23:20,480
Speaker 2: Shrek would accept that. Yeah, yeah, except in character, and

493
00:23:20,560 --> 00:23:27,199
Speaker 2: then her like climbing up the Emmy being like you guys, Yeah,

494
00:23:27,200 --> 00:23:30,439
Speaker 2: that's really good. We used to have whimsy when I

495
00:23:30,480 --> 00:23:33,240
Speaker 2: know it's crazy. Well, they did put Baby Yoda on

496
00:23:33,240 --> 00:23:35,200
Speaker 2: the red carpet. Okay, that's good.

497
00:23:35,280 --> 00:23:36,200
Speaker 3: Yeah, you know what else?

498
00:23:36,640 --> 00:23:37,320
Speaker 2: You know what else?

499
00:23:37,480 --> 00:23:39,280
Speaker 3: I saw the Mandalorian movie.

500
00:23:39,880 --> 00:23:41,760
Speaker 2: Well, yeah, but that I expected you to see.

501
00:23:41,960 --> 00:23:43,960
Speaker 3: Well, I were so excited about it, Well because I

502
00:23:44,000 --> 00:23:45,640
Speaker 3: needed to see baby Yoda.

503
00:23:45,720 --> 00:23:48,399
Speaker 2: And you taught me that Baby Yoda's real name is

504
00:23:48,440 --> 00:23:53,159
Speaker 2: Groburo which and he's not actually Baby Yoda. He's a

505
00:23:53,160 --> 00:23:57,119
Speaker 2: different person. Yeah I didn't know. Yeah, yeah, there can

506
00:23:57,160 --> 00:23:59,600
Speaker 2: be lots of them. Yeah I didn't. I guess I

507
00:23:59,600 --> 00:24:03,000
Speaker 2: didn't really that Yoda is a speciesies. You thought he

508
00:24:03,119 --> 00:24:05,040
Speaker 2: was kind of a mass ended up looking like that.

509
00:24:06,000 --> 00:24:08,280
Speaker 2: It was thought he was like a god figure, and

510
00:24:08,320 --> 00:24:09,720
Speaker 2: that's what he looks. He was kind of in the

511
00:24:09,760 --> 00:24:12,399
Speaker 2: swamp long enough that he got yes, exactly. Yeah, I

512
00:24:12,400 --> 00:24:15,680
Speaker 2: thought it was just like a guy. Yeah. Yeah, that's interesting.

513
00:24:16,280 --> 00:24:19,600
Speaker 3: Yeah, pretty boring film if you ask me, Oh really, yeah,

514
00:24:19,640 --> 00:24:23,840
Speaker 3: well you got Jeremy Allen White plays Baby Job of

515
00:24:23,880 --> 00:24:26,359
Speaker 3: the Hut and it's one of the worst.

516
00:24:26,440 --> 00:24:33,200
Speaker 2: What is Baby Job of the hun performance? Is it animated?

517
00:24:33,440 --> 00:24:34,280
Speaker 2: Is he am prosthetics?

518
00:24:34,359 --> 00:24:36,359
Speaker 3: He is giving a vocal performance.

519
00:24:36,640 --> 00:24:38,080
Speaker 2: Well yeah, I don't think that's what you want for

520
00:24:38,080 --> 00:24:40,119
Speaker 2: a vocal performance. And again we should put him in

521
00:24:40,160 --> 00:24:41,919
Speaker 2: prosthetics and he should be in that.

522
00:24:41,800 --> 00:24:45,000
Speaker 3: Thing and talk about AI writing. The whole thing is

523
00:24:45,440 --> 00:24:48,800
Speaker 3: I just wish my dad was a better guy. I'm

524
00:24:48,840 --> 00:24:51,199
Speaker 3: not like my dad. Every line that's what.

525
00:24:51,320 --> 00:24:53,119
Speaker 2: Baby job of the hut. That's because he kind of

526
00:24:53,200 --> 00:24:55,359
Speaker 2: dad is job of the hut. Imagine you have daddy

527
00:24:55,400 --> 00:24:56,440
Speaker 2: issues is job of the Hut.

528
00:24:57,800 --> 00:25:00,400
Speaker 3: It was so stupid. It was a little almost things

529
00:25:00,400 --> 00:25:00,960
Speaker 3: I've ever seen.

530
00:25:01,359 --> 00:25:03,120
Speaker 2: Huh Yeah, I already kind of feel for your baby

531
00:25:03,200 --> 00:25:05,240
Speaker 2: job with a hut if I can be the honest.

532
00:25:05,640 --> 00:25:07,239
Speaker 2: So the whole point of this movie is like, what

533
00:25:07,280 --> 00:25:11,040
Speaker 2: if they were all babies Star Wars babies, Like it's

534
00:25:11,080 --> 00:25:12,920
Speaker 2: kind of like with My Little Pony where they're all

535
00:25:13,000 --> 00:25:15,520
Speaker 2: baby ponies. Well, job of the huts?

536
00:25:15,720 --> 00:25:19,280
Speaker 3: Son Son is you know a teen or even twenties potentially,

537
00:25:19,320 --> 00:25:19,879
Speaker 3: but I don't know.

538
00:25:20,000 --> 00:25:25,200
Speaker 2: So it's like euphoria kind of. He's like smuggling about it. Yeah,

539
00:25:25,240 --> 00:25:26,280
Speaker 2: they're like doing Heroin.

540
00:25:26,880 --> 00:25:28,320
Speaker 3: He lives in a fighting ring.

541
00:25:29,320 --> 00:25:33,320
Speaker 2: Oh, what the fuck are you talking about I like

542
00:25:33,359 --> 00:25:37,320
Speaker 2: that you're improving, that's fat, that's really fun. Should we

543
00:25:37,320 --> 00:25:50,639
Speaker 2: do for a segment? That's first segment, Haydden. I'm like

544
00:25:50,680 --> 00:25:52,960
Speaker 2: so happy you're here too, like such a like a

545
00:25:53,080 --> 00:25:56,400
Speaker 2: comedian and like we love our non comedian guests obviously,

546
00:25:57,080 --> 00:25:58,800
Speaker 2: but then we come in so stressed and we're like

547
00:25:59,040 --> 00:26:01,200
Speaker 2: we're sudden, we're sot weird. And I do want to

548
00:26:01,240 --> 00:26:04,320
Speaker 2: say something about this because I've noticed I've noticed podcasts

549
00:26:04,320 --> 00:26:07,240
Speaker 2: are kind of murdering of this trendom having people who

550
00:26:07,320 --> 00:26:11,560
Speaker 2: are like popular, like famous on and oh, to be clear,

551
00:26:11,640 --> 00:26:13,760
Speaker 2: we're not looking for popular or famous, but.

552
00:26:14,000 --> 00:26:18,160
Speaker 3: People were nervous around are obscure, Yeah, obscure And by

553
00:26:18,160 --> 00:26:19,400
Speaker 3: the way, fewer people listen.

554
00:26:20,000 --> 00:26:22,320
Speaker 2: Yeah, And I'm and I'm kind of I like, will

555
00:26:22,359 --> 00:26:24,639
Speaker 2: get like fifteen minutes into an episode of something and

556
00:26:24,680 --> 00:26:27,479
Speaker 2: I'll be like, okay, well this is like this feels

557
00:26:27,520 --> 00:26:30,760
Speaker 2: like painful, Like this doesn't feel like they're friends. No,

558
00:26:31,400 --> 00:26:33,880
Speaker 2: we've just mad. But I I know you you've known

559
00:26:33,920 --> 00:26:36,280
Speaker 2: each other, known each other, but spiritually we've known each other,

560
00:26:36,400 --> 00:26:39,240
Speaker 2: known each other forever because we we all kind of

561
00:26:39,280 --> 00:26:41,960
Speaker 2: the blood and the spirit kind of flows through us

562
00:26:42,160 --> 00:26:47,159
Speaker 2: of the alternative gay comedy community. Yes, of course, And

563
00:26:47,160 --> 00:26:49,800
Speaker 2: I'm pulling, and you guys are trying to get into

564
00:26:49,800 --> 00:26:54,800
Speaker 2: that I'm playing. I don't know where I would go. Okay, No,

565
00:26:54,920 --> 00:26:57,639
Speaker 2: It's every time we have an on comunian on I'm like, suddenly,

566
00:26:57,720 --> 00:27:00,520
Speaker 2: I'm like, should we change the entire structure of the

567
00:27:00,520 --> 00:27:02,359
Speaker 2: show and have it be like a deep interview about

568
00:27:02,440 --> 00:27:03,800
Speaker 2: like their childhood trauma.

569
00:27:04,160 --> 00:27:06,080
Speaker 3: And I'll be like fun for like ten minutes, and

570
00:27:06,080 --> 00:27:08,359
Speaker 3: then I'll start to disassociate and be like, what what

571
00:27:08,440 --> 00:27:10,760
Speaker 3: am I doing here? I'd be like, this is the

572
00:27:10,880 --> 00:27:12,080
Speaker 3: last thing I'm good at.

573
00:27:12,480 --> 00:27:15,320
Speaker 2: Yeah, And then you guys are throwing ads more and more, Yeah,

574
00:27:15,359 --> 00:27:18,080
Speaker 2: more and more. We just did an ad for Fabreeze. Oh,

575
00:27:19,320 --> 00:27:21,960
Speaker 2: and can I say I was listening to a kind

576
00:27:21,960 --> 00:27:24,919
Speaker 2: of a fucked up history podcast and YouTube pop on

577
00:27:25,200 --> 00:27:28,320
Speaker 2: talking about Fabreez. You guys areeze out as everywhere.

578
00:27:28,400 --> 00:27:28,800
Speaker 3: I didn't know.

579
00:27:29,400 --> 00:27:31,399
Speaker 2: I actually think our Fabreez ad is really good. I

580
00:27:31,840 --> 00:27:34,080
Speaker 2: think so too. I was like, yeah, it's really good.

581
00:27:34,080 --> 00:27:36,959
Speaker 2: I heard it. I'm not about Fabreez. I was like,

582
00:27:37,400 --> 00:27:40,119
Speaker 2: am I wait, Sorry, I don't want to no place,

583
00:27:40,240 --> 00:27:43,840
Speaker 2: but I'll say I wasn't thinking about fabreeze, and now

584
00:27:43,840 --> 00:27:45,399
Speaker 2: you're thinking about it constantly, and then I have to

585
00:27:45,440 --> 00:27:46,920
Speaker 2: and now I'm thinking about like, oh I wish I

586
00:27:46,920 --> 00:27:48,800
Speaker 2: want home kind a smell blak. Well, wait till you

587
00:27:48,800 --> 00:27:52,439
Speaker 2: hear about their pride campaign. Okay, okay. Our first segment

588
00:27:52,480 --> 00:27:54,880
Speaker 2: is called straight Shooters, and in this segment we gauge

589
00:27:54,920 --> 00:27:57,320
Speaker 2: your familiarity with in complicity and straight culture by asking

590
00:27:57,320 --> 00:27:58,920
Speaker 2: me a series of rapid fire questions where you have

591
00:27:58,960 --> 00:28:00,879
Speaker 2: to choose this thing or this thing and you And

592
00:28:00,920 --> 00:28:02,679
Speaker 2: the one rule is you can't ask any follow up

593
00:28:02,720 --> 00:28:08,320
Speaker 2: questions about how the game works. Just choose, Okay, trusting

594
00:28:08,320 --> 00:28:11,920
Speaker 2: your gut or streading your stuff, stretting your stock Chipotle

595
00:28:12,000 --> 00:28:17,280
Speaker 2: Mayo or everybody say Ao Chipotle Mao. Is the Curious

596
00:28:17,280 --> 00:28:21,399
Speaker 2: case of Benjamin Button or the vicarious phase of Lindsay Lohan,

597
00:28:22,680 --> 00:28:25,000
Speaker 2: the Vicarius raise Lindsay lohand.

598
00:28:27,000 --> 00:28:28,200
Speaker 3: Or can I see your Feta?

599
00:28:28,440 --> 00:28:31,159
Speaker 2: Can I see your feta? Please? You are going so

600
00:28:31,280 --> 00:28:38,200
Speaker 2: postmodern with this coming from an erotic massage or she's

601
00:28:38,200 --> 00:28:43,320
Speaker 2: coming it's Michelle Vissage coming from an erotic massage.

602
00:28:43,920 --> 00:28:47,400
Speaker 3: A pitch perfect performance or a rich affect that's gorgeous.

603
00:28:48,360 --> 00:28:54,240
Speaker 2: Pitch perfect performance frame, mogging, clavicular or brainstorming nothing in particular,

604
00:28:54,760 --> 00:28:56,120
Speaker 2: storming in particular.

605
00:28:56,200 --> 00:28:58,040
Speaker 3: And I feel like I've maybe done this one before,

606
00:28:58,120 --> 00:29:00,440
Speaker 3: but it came to me again and I'm having to

607
00:29:00,480 --> 00:29:04,880
Speaker 3: respect that. So Gucci Louis Louis, fend Fendi Prada or

608
00:29:04,960 --> 00:29:06,560
Speaker 3: superclor fradualistic.

609
00:29:10,840 --> 00:29:15,000
Speaker 2: U, super color fradulistic explow. I think what you're thinking.

610
00:29:15,160 --> 00:29:18,360
Speaker 2: I once did one that was super color fragulistic, xplidocious

611
00:29:18,440 --> 00:29:20,680
Speaker 2: or super call me Friday. Let's just expedite the process,

612
00:29:21,960 --> 00:29:25,920
Speaker 2: which to this day is maybe the best. And that's

613
00:29:25,960 --> 00:29:29,280
Speaker 2: actually how you know. AI could never because sometimes I

614
00:29:29,560 --> 00:29:32,360
Speaker 2: don't do this anymore, but in the past sometimes I would.

615
00:29:33,080 --> 00:29:34,760
Speaker 2: If I was really struggling with coming up with them,

616
00:29:34,760 --> 00:29:37,400
Speaker 2: I would go to rhymezone dot com and like try

617
00:29:37,480 --> 00:29:40,840
Speaker 2: to rhyme something, and it could never come up with

618
00:29:41,160 --> 00:29:44,080
Speaker 2: super call me Friday. Let's just let's just expedite the process. Like,

619
00:29:44,200 --> 00:29:46,200
Speaker 2: and that's how you know that only a human mind

620
00:29:48,880 --> 00:29:50,640
Speaker 2: and they have the right cadence. Yeah, and I do

621
00:29:50,720 --> 00:29:52,640
Speaker 2: want to say that I wouldn't say that most of

622
00:29:52,680 --> 00:29:56,719
Speaker 2: those rhymes, yeah, and it would not have been as

623
00:29:56,760 --> 00:30:01,760
Speaker 2: funny if they did rhyme yeah, yeah, yeah, okay, and so.

624
00:30:01,800 --> 00:30:04,520
Speaker 3: We rate our guests on a skull zero one thousand doubs. Great,

625
00:30:04,720 --> 00:30:07,640
Speaker 3: and that was a really amazing performance.

626
00:30:08,160 --> 00:30:10,680
Speaker 2: You're I'm gonna be completely honest with you. This isn't

627
00:30:10,800 --> 00:30:12,560
Speaker 2: no fault of your own, but we've recently been giving

628
00:30:12,560 --> 00:30:14,480
Speaker 2: a lot of high scores and We're like, do for

629
00:30:14,520 --> 00:30:16,840
Speaker 2: a low one, and I'm trying to not give it

630
00:30:16,880 --> 00:30:18,760
Speaker 2: to you because you don't deserve a low one. Yeah,

631
00:30:18,920 --> 00:30:20,320
Speaker 2: but I was last time you guys had a trans

632
00:30:20,400 --> 00:30:22,640
Speaker 2: person on this podcast. We have trans people on this

633
00:30:22,680 --> 00:30:30,720
Speaker 2: podcast all the time. Okay. In fact, we have had

634
00:30:31,160 --> 00:30:34,320
Speaker 2: get ready for this, read this comes up, ready for this,

635
00:30:35,520 --> 00:30:37,280
Speaker 2: I have I have a crazy pact for you. Okay.

636
00:30:37,400 --> 00:30:41,160
Speaker 2: We have had three trans Pulitzer Prize winners on this podcast.

637
00:30:42,000 --> 00:30:43,600
Speaker 2: What do you have to say to that? And where

638
00:30:43,680 --> 00:30:48,520
Speaker 2: is your put give me a lot of square. I

639
00:30:48,640 --> 00:30:51,400
Speaker 2: had that realization the other day when I was stoned.

640
00:30:53,600 --> 00:30:54,880
Speaker 3: That's right, George smokes weed.

641
00:30:55,080 --> 00:30:57,360
Speaker 2: Yeah, yeah, that's what you thought he was fucking yeah

642
00:30:57,800 --> 00:31:00,720
Speaker 2: smoke Pulitzer winners.

643
00:31:02,400 --> 00:31:04,840
Speaker 3: That's really well, I'm gonna be insane and say one

644
00:31:04,880 --> 00:31:05,440
Speaker 3: thousand dollars.

645
00:31:05,520 --> 00:31:10,880
Speaker 2: Yeah, it's one thousand dollars yay, and I think you

646
00:31:10,960 --> 00:31:13,320
Speaker 2: need we need to encourage you to get that Pulleitzer. Okay,

647
00:31:13,640 --> 00:31:16,920
Speaker 2: I think can happen for you Pulitzer only book. No,

648
00:31:17,200 --> 00:31:20,160
Speaker 2: of course, think about the ones we've had interview, No, no,

649
00:31:21,480 --> 00:31:25,120
Speaker 2: they've Each of our guests has won for a different category. Okay,

650
00:31:25,320 --> 00:31:26,920
Speaker 2: if you guys can name, then maybe I can figure

651
00:31:26,960 --> 00:31:30,000
Speaker 2: out which one I. Okay, so Cole Scola one for theater,

652
00:31:30,680 --> 00:31:36,000
Speaker 2: Tory Peters one for fiction, and Andrew Longshui went for criticism.

653
00:31:36,720 --> 00:31:40,800
Speaker 2: So those are out. But you could still win for poetry. Okay.

654
00:31:41,840 --> 00:31:45,320
Speaker 2: You could win for like something more journalistic, like if

655
00:31:45,320 --> 00:31:47,240
Speaker 2: you want to do photo journalism, maybe we'll send you

656
00:31:47,280 --> 00:31:49,640
Speaker 2: to Botswana and you can go on a sort of

657
00:31:50,640 --> 00:31:53,960
Speaker 2: nature photography thing. What if I kind of take like

658
00:31:54,040 --> 00:31:56,120
Speaker 2: one picture of like Trump where he kind of like

659
00:31:56,200 --> 00:32:01,120
Speaker 2: looks sort of editorial photography. Yeah, you could over the

660
00:32:01,160 --> 00:32:05,400
Speaker 2: New York magazine. He's like in shadow, yes, yes, and

661
00:32:05,520 --> 00:32:09,560
Speaker 2: there's kind of like a strange kind of background, and

662
00:32:09,760 --> 00:32:12,640
Speaker 2: you know he's he's kind of he looks his shadow

663
00:32:12,720 --> 00:32:15,960
Speaker 2: has become like an old tree. I'm hearing the Poetzer

664
00:32:16,040 --> 00:32:21,720
Speaker 2: committee like start getting the engraving machine role. You know,

665
00:32:21,880 --> 00:32:23,840
Speaker 2: sort of like starting so that it can start engraving.

666
00:32:23,880 --> 00:32:26,480
Speaker 2: It takes a couple of years warm up. Yeah, I'll

667
00:32:26,520 --> 00:32:28,840
Speaker 2: say that your other guests kind of took the ones

668
00:32:28,920 --> 00:32:31,920
Speaker 2: that seemed more like kind of funding up my alley. Yeah,

669
00:32:32,040 --> 00:32:35,920
Speaker 2: I'll work on poetry. You could do like length nonfiction,

670
00:32:36,160 --> 00:32:38,280
Speaker 2: like if you want to write a memoir, Okay, oh

671
00:32:38,800 --> 00:32:41,000
Speaker 2: I should. That's kind of a classic thing that a

672
00:32:41,080 --> 00:32:43,520
Speaker 2: queer creator can do, is write a memoir. Yeah, and

673
00:32:43,640 --> 00:32:45,360
Speaker 2: people do really like people do love it.

674
00:32:45,400 --> 00:32:46,080
Speaker 3: People love it.

675
00:32:46,280 --> 00:32:50,280
Speaker 2: Yeah, it's like it's like it's like six chapters of

676
00:32:50,360 --> 00:32:52,400
Speaker 2: my coming out story. That was like that was like

677
00:32:52,440 --> 00:32:54,440
Speaker 2: an hour long. Yeah, and it ends with and then

678
00:32:54,480 --> 00:32:56,760
Speaker 2: I did Stradio Lab and then I did Tradio Lab

679
00:32:57,480 --> 00:33:00,520
Speaker 2: and then I looked around and I said, I'm home.

680
00:33:01,760 --> 00:33:09,440
Speaker 2: I'm home. I say that, yeah, I'm home. Yeah. Yeah,

681
00:33:09,520 --> 00:33:13,200
Speaker 2: that's good. Well I've always said that. Well, I actually

682
00:33:13,320 --> 00:33:15,360
Speaker 2: did not invent saying this, but another gig I did.

683
00:33:15,400 --> 00:33:16,840
Speaker 2: And then I've been kind of claiming it as my own.

684
00:33:16,880 --> 00:33:21,400
Speaker 2: But Rich Joswiak once said that bell Hooks his legacy

685
00:33:21,680 --> 00:33:24,720
Speaker 2: is less talented people trying to sound like her, you

686
00:33:24,760 --> 00:33:27,080
Speaker 2: know what I mean. It's like people trying to have

687
00:33:27,200 --> 00:33:31,160
Speaker 2: that cadence of like love is when a feather touches

688
00:33:31,320 --> 00:33:36,920
Speaker 2: another person, but you are the chicken. Yes, yeah, I've

689
00:33:37,440 --> 00:33:41,160
Speaker 2: been noticing this, especially with like some you know, I

690
00:33:41,240 --> 00:33:45,520
Speaker 2: think more popular like queer people, where I think they

691
00:33:45,600 --> 00:33:47,920
Speaker 2: are like they are kind of getting on stage and

692
00:33:48,040 --> 00:33:51,520
Speaker 2: saying something that like reads is like pretty insightful. But

693
00:33:51,640 --> 00:33:55,160
Speaker 2: it's like this is maybe insightful to like my cousin

694
00:33:55,440 --> 00:33:59,000
Speaker 2: that like only met like one gay person in their light,

695
00:33:59,200 --> 00:34:02,400
Speaker 2: like and guess what, the cousin community is way bigger

696
00:34:02,560 --> 00:34:04,960
Speaker 2: than the community you're apartment now. I know, it's so

697
00:34:05,240 --> 00:34:09,480
Speaker 2: tough a world of cousins and this country up. They

698
00:34:09,520 --> 00:34:12,239
Speaker 2: are buying tickets to arena shows of people telling them,

699
00:34:12,640 --> 00:34:16,640
Speaker 2: you know that love is the answer answer and it

700
00:34:16,800 --> 00:34:21,240
Speaker 2: just it it seems profound, and they present themselves as profound,

701
00:34:21,320 --> 00:34:23,200
Speaker 2: but I think they might actually be like maybe a

702
00:34:23,239 --> 00:34:26,439
Speaker 2: little dumb completely or maybe a lot maybe a lot

703
00:34:26,800 --> 00:34:31,040
Speaker 2: maybe a lot hot hey potentially Yeah, And I want

704
00:34:31,080 --> 00:34:33,640
Speaker 2: to say that it is every day I get more

705
00:34:33,680 --> 00:34:37,960
Speaker 2: and more upset that the two biggest trans comedians are

706
00:34:38,520 --> 00:34:42,240
Speaker 2: in Japan, the two ones who are doing arenas javan

707
00:34:42,360 --> 00:34:47,200
Speaker 2: is so iconic, like the clips of Javan stand up

708
00:34:47,840 --> 00:34:51,280
Speaker 2: are like talk about like the miniature wife level genius.

709
00:34:52,880 --> 00:34:56,440
Speaker 2: There was one clip where they're like they're like, I

710
00:34:56,640 --> 00:34:59,440
Speaker 2: used to do math, now I clean the kitchen counter

711
00:34:59,600 --> 00:35:04,600
Speaker 2: like it's just like that's the and then jingle no

712
00:35:04,640 --> 00:35:06,560
Speaker 2: no no, no no no see me on tour.

713
00:35:18,239 --> 00:35:21,520
Speaker 3: Let's give this topic, Hayden. What is your street topic today?

714
00:35:21,760 --> 00:35:28,160
Speaker 2: Okay, my straight topic is straight birthday parties, specifically, but

715
00:35:28,320 --> 00:35:35,799
Speaker 2: not limited to birthdays at arcades. WHOA, because here's where

716
00:35:35,800 --> 00:35:36,480
Speaker 2: I'm coming at this.

717
00:35:36,719 --> 00:35:36,959
Speaker 3: Please.

718
00:35:37,000 --> 00:35:41,200
Speaker 2: There is a Dave and Busters in Los Angeles. People

719
00:35:41,239 --> 00:35:43,080
Speaker 2: are I don't know if you've had this experience yet.

720
00:35:44,440 --> 00:35:47,440
Speaker 2: My straight friends often are like, oh, I know what

721
00:35:47,520 --> 00:35:49,520
Speaker 2: I'll do for my birthday. Everyone can come out to

722
00:35:49,600 --> 00:35:54,200
Speaker 2: Dave and Busters. I am not welcome at David Busters.

723
00:35:54,400 --> 00:35:59,240
Speaker 2: I me walking into a David Busters is the equivalent

724
00:35:59,280 --> 00:36:02,640
Speaker 2: of me walking into the R and See, Like, is

725
00:36:03,480 --> 00:36:06,719
Speaker 2: terrifying that there are people on the TV trying to

726
00:36:06,800 --> 00:36:09,200
Speaker 2: get me out of there. It's like walking into one

727
00:36:09,239 --> 00:36:15,880
Speaker 2: of those Jubilee videos that's like persons Conservative Busters. It

728
00:36:16,080 --> 00:36:19,000
Speaker 2: is like it, and they are they are mad at me.

729
00:36:19,320 --> 00:36:21,400
Speaker 2: They are mad at me for being in there. They're like,

730
00:36:21,520 --> 00:36:23,920
Speaker 2: why would you come here. I'm trying to have a

731
00:36:24,040 --> 00:36:28,520
Speaker 2: beer while my kid screams at the basketball thing where

732
00:36:28,520 --> 00:36:33,640
Speaker 2: they shoot the basketballs. Yeah, it feels like and it

733
00:36:33,840 --> 00:36:37,680
Speaker 2: just I guess really the broad part of straight culture

734
00:36:37,719 --> 00:36:41,080
Speaker 2: here is that I feel like my straight friends and

735
00:36:41,200 --> 00:36:46,000
Speaker 2: it's okay, but do not take into consideration like maybe

736
00:36:46,360 --> 00:36:49,680
Speaker 2: what might be a really terrifying place for somebody that's

737
00:36:49,719 --> 00:36:55,040
Speaker 2: not maybe like assist woman to wife. Yeah yeah, yeah,

738
00:36:55,560 --> 00:36:58,040
Speaker 2: that's not the miniature wife. The miniature wife could walk

739
00:36:58,040 --> 00:37:00,560
Speaker 2: into a Dave and Busters and everyone would go correct there.

740
00:37:01,480 --> 00:37:03,760
Speaker 2: But I'm the huge wife, I mean the most obvious.

741
00:37:03,880 --> 00:37:07,160
Speaker 2: My honey, I'm the huge wife, and they don't want

742
00:37:07,160 --> 00:37:09,520
Speaker 2: to see me in there. You are, I'm gonna have

743
00:37:09,600 --> 00:37:11,800
Speaker 2: to answer if you know, because I am the huge wife,

744
00:37:12,200 --> 00:37:15,719
Speaker 2: huge wife, and the Dave Uster's website is like, no

745
00:37:16,000 --> 00:37:19,600
Speaker 2: huge wives, no flip flops. I walk into David Busters

746
00:37:19,640 --> 00:37:21,919
Speaker 2: and there's like a height requord from the taller woman

747
00:37:23,200 --> 00:37:25,880
Speaker 2: they go in there, and I'm not. I'm not passing

748
00:37:25,960 --> 00:37:29,239
Speaker 2: the tas okay, So I'm just sort of spipballing here.

749
00:37:29,320 --> 00:37:31,200
Speaker 2: My most obvious interpretation of what you're saying is that,

750
00:37:31,320 --> 00:37:35,840
Speaker 2: like Dave and Busters is nostalgia for people who like

751
00:37:36,800 --> 00:37:39,399
Speaker 2: had a good time in high school. It's like for them,

752
00:37:39,480 --> 00:37:40,880
Speaker 2: they think of a Dave and Busters and they're like

753
00:37:40,960 --> 00:37:42,759
Speaker 2: remember when everything was better? And then for you, you

754
00:37:42,800 --> 00:37:44,719
Speaker 2: think about it and you're like, remember when I like

755
00:37:45,000 --> 00:37:47,680
Speaker 2: hated my life? Yeah? Yeah, yeah, Remember when that kid

756
00:37:47,920 --> 00:37:50,680
Speaker 2: like slammed me into a wall ye laser tag arena

757
00:37:50,760 --> 00:37:53,800
Speaker 2: because they knew I was right? Yesler, yeah, and you

758
00:37:53,960 --> 00:37:56,000
Speaker 2: and you have said that I can't say on this

759
00:37:57,000 --> 00:38:06,640
Speaker 2: specific assist women. Can we go diva?

760
00:38:10,560 --> 00:38:13,400
Speaker 3: It is funny when like straight people don't know when

761
00:38:13,440 --> 00:38:16,719
Speaker 3: they're being a exclusionary, like yes, because there is such

762
00:38:16,760 --> 00:38:17,080
Speaker 3: a thing.

763
00:38:17,440 --> 00:38:19,320
Speaker 2: But they're like, well, no, that I'm being normal, and

764
00:38:19,400 --> 00:38:21,759
Speaker 2: you're like no. It reminds me of when straight people

765
00:38:21,880 --> 00:38:25,160
Speaker 2: try to do try to like effortlessly include gay people

766
00:38:25,239 --> 00:38:28,040
Speaker 2: in wedding activities of being like yeah, there's like you

767
00:38:28,120 --> 00:38:29,680
Speaker 2: know my bride's maids and there's one of them is

768
00:38:29,680 --> 00:38:32,239
Speaker 2: a gay guy, or like or even worse, the gay

769
00:38:32,280 --> 00:38:33,800
Speaker 2: guy since he's like, ah, he can go on the

770
00:38:33,840 --> 00:38:36,000
Speaker 2: groom side, and they just think like it'll work itself out,

771
00:38:36,000 --> 00:38:39,560
Speaker 2: and it's like I'm dying, this is not going to

772
00:38:39,600 --> 00:38:42,719
Speaker 2: work himself out, and I want you to have your

773
00:38:42,840 --> 00:38:45,840
Speaker 2: little thing. Like, of course, I'm not asking you to

774
00:38:45,960 --> 00:38:48,080
Speaker 2: not do your birthday there, I'm not. But but what

775
00:38:48,280 --> 00:38:51,239
Speaker 2: I'm asking for is like it's always these like big

776
00:38:51,480 --> 00:38:56,000
Speaker 2: life events. Yes, And I feel like by abstaining, I'm

777
00:38:56,040 --> 00:38:58,200
Speaker 2: saying I don't care about you as a friend, or

778
00:38:58,320 --> 00:39:00,359
Speaker 2: I don't care that you're I don't care that it's

779
00:39:00,400 --> 00:39:02,239
Speaker 2: your birthday, I don't care that you're getting married, I

780
00:39:02,280 --> 00:39:07,239
Speaker 2: don't care that your short film's coming out. Well, but

781
00:39:07,360 --> 00:39:09,560
Speaker 2: it's like I do care, but you're asking me to

782
00:39:09,640 --> 00:39:12,360
Speaker 2: go into an actively hostile total environment.

783
00:39:12,719 --> 00:39:14,880
Speaker 3: Yeah. It's like, you know, I'm not having my birthday

784
00:39:14,920 --> 00:39:17,600
Speaker 3: party at the Eagle because I know it would exclude people. Yes, yes,

785
00:39:17,680 --> 00:39:19,160
Speaker 3: because I'm like, this is just for me. You can

786
00:39:19,200 --> 00:39:21,479
Speaker 3: go to David Busters with your squad whenever you want.

787
00:39:23,160 --> 00:39:25,520
Speaker 2: I will say you have to call you out. You

788
00:39:25,719 --> 00:39:27,640
Speaker 2: like would have your birthday party at the Eagle and

789
00:39:27,680 --> 00:39:29,560
Speaker 2: then be weirded out if someone to George.

790
00:39:29,680 --> 00:39:30,480
Speaker 3: I have never done that.

791
00:39:32,400 --> 00:39:34,759
Speaker 2: In my years. I've never done that in DC. And

792
00:39:34,840 --> 00:39:37,200
Speaker 2: Sam's sister, who has like three kids, came to our

793
00:39:37,239 --> 00:39:38,680
Speaker 2: show and then afterwards we were like, we're all going

794
00:39:38,719 --> 00:39:40,120
Speaker 2: to go to a bar, and then we're like, where

795
00:39:40,120 --> 00:39:42,399
Speaker 2: should we go? And then Sam was like, maybe somewhere gay.

796
00:39:42,800 --> 00:39:43,400
Speaker 2: Do you remember this?

797
00:39:43,880 --> 00:39:48,279
Speaker 3: Of course I remember this, George, because it was my

798
00:39:48,520 --> 00:39:52,080
Speaker 3: night too, and this is my show, and I wanted

799
00:39:52,080 --> 00:39:56,840
Speaker 3: to go where I wanted to go, and that's okay, yes, yes, this.

800
00:39:56,960 --> 00:39:59,319
Speaker 2: Is my sister mom's night out. She hasn't she has

801
00:39:59,320 --> 00:40:01,720
Speaker 2: three kids at home. She hasn't been like four months.

802
00:40:01,960 --> 00:40:04,000
Speaker 2: He's like, we go to a gay barket, George.

803
00:40:04,080 --> 00:40:06,680
Speaker 3: I did a show and it was my night too,

804
00:40:07,800 --> 00:40:12,360
Speaker 3: and I was visiting DC and I had unbelievable.

805
00:40:13,239 --> 00:40:15,560
Speaker 2: And I do think there is like I think there

806
00:40:15,640 --> 00:40:18,800
Speaker 2: are I've been. I've been saying, you know, uh, Nicole

807
00:40:18,880 --> 00:40:21,480
Speaker 2: page Brooks says fag Bar, and I really like the bar.

808
00:40:21,600 --> 00:40:24,520
Speaker 2: I think fag Bar is one of our best. I

809
00:40:24,600 --> 00:40:27,040
Speaker 2: think there's like there's like fag bars where you can

810
00:40:27,200 --> 00:40:31,120
Speaker 2: bring I did my birthday at High Tops, very tasteful,

811
00:40:31,160 --> 00:40:34,719
Speaker 2: Thank you high Topsless feelas during the day because I'm like,

812
00:40:34,960 --> 00:40:37,080
Speaker 2: I have a lot of straight friends. I also want

813
00:40:37,160 --> 00:40:40,799
Speaker 2: to be in like a gay space, but it's also

814
00:40:40,840 --> 00:40:44,880
Speaker 2: a sports bart, so it's intersectional, everyone welcome. Everyone kind

815
00:40:44,880 --> 00:40:47,040
Speaker 2: of gets what they what they want. I think that

816
00:40:47,160 --> 00:40:50,880
Speaker 2: that that space is important where it's either a straight

817
00:40:51,080 --> 00:40:56,759
Speaker 2: leaning gay bar or a gay straight people come on

818
00:40:56,880 --> 00:41:01,440
Speaker 2: in bar. Yeah, not to say that that's high topsis feelis,

819
00:41:01,480 --> 00:41:04,239
Speaker 2: but that is the experience I've had there most of

820
00:41:04,280 --> 00:41:04,640
Speaker 2: the time.

821
00:41:04,880 --> 00:41:07,920
Speaker 3: I mean that space is like it does feel like

822
00:41:08,000 --> 00:41:09,600
Speaker 3: a straight bar, but then you're like, actually you are

823
00:41:09,600 --> 00:41:10,359
Speaker 3: allowed to get here.

824
00:41:10,800 --> 00:41:13,880
Speaker 2: Yeah, that's how I like. I'm I'm doing kind of

825
00:41:13,920 --> 00:41:16,279
Speaker 2: like gay makeout at my birthday. But also there are

826
00:41:16,440 --> 00:41:20,399
Speaker 2: like very straight heterosexual writers who I work with there,

827
00:41:20,520 --> 00:41:22,560
Speaker 2: but it's okay that I'm doing what I'm doing. Hi

828
00:41:22,680 --> 00:41:25,960
Speaker 2: tops Those feelis is like what if Disneyland kind of

829
00:41:26,120 --> 00:41:28,200
Speaker 2: tried to make a gay bar in less feelss.

830
00:41:28,920 --> 00:41:31,040
Speaker 3: Yeah, it's an interesting space.

831
00:41:31,200 --> 00:41:33,239
Speaker 2: You sort of keep thinking Daisy is gonna come out

832
00:41:33,280 --> 00:41:39,879
Speaker 2: and signatographs, a little baseball out.

833
00:41:41,080 --> 00:41:43,120
Speaker 3: I will say it's one of those spaces that I

834
00:41:43,239 --> 00:41:45,520
Speaker 3: do go to and I can feel like my health

835
00:41:45,560 --> 00:41:47,840
Speaker 3: bar running out, Like I'm like I only have so

836
00:41:48,080 --> 00:41:51,279
Speaker 3: long here and then I have to go somewhere where

837
00:41:51,280 --> 00:41:52,319
Speaker 3: I can really clean out.

838
00:41:52,719 --> 00:41:55,040
Speaker 2: Yeah. And I remember one one time I did a

839
00:41:55,120 --> 00:41:58,160
Speaker 2: birthday and like the the after I was like anyone

840
00:41:58,200 --> 00:42:01,120
Speaker 2: who stays late, Like, we'll go to act and I

841
00:42:01,320 --> 00:42:04,680
Speaker 2: like actors, and hopefully like most of the straight people

842
00:42:04,760 --> 00:42:06,480
Speaker 2: will have left, and the ones that are like left

843
00:42:06,520 --> 00:42:09,279
Speaker 2: behind kind of have an aura of bisexuality, so it's

844
00:42:09,320 --> 00:42:11,120
Speaker 2: not a big Well, the longer you stay out, the

845
00:42:11,200 --> 00:42:14,960
Speaker 2: more bisexual you become. Yeah, the more bisexual everyone becomes. Really,

846
00:42:15,640 --> 00:42:17,880
Speaker 2: and I think the people who like are kind of

847
00:42:18,120 --> 00:42:21,000
Speaker 2: like I've been more people have been coming out recently.

848
00:42:21,080 --> 00:42:23,960
Speaker 2: Have you noticed this, Oh, it's constant. It's crazy when

849
00:42:24,000 --> 00:42:28,360
Speaker 2: I find out that people weren't gay or it's shocking

850
00:42:28,440 --> 00:42:28,600
Speaker 2: to me.

851
00:42:28,800 --> 00:42:31,480
Speaker 3: This is just wait, wait, you're saying people are like

852
00:42:31,560 --> 00:42:33,719
Speaker 3: gay people are coming out as by or straight people

853
00:42:33,760 --> 00:42:34,160
Speaker 3: are coming out.

854
00:42:34,239 --> 00:42:37,320
Speaker 2: No, sorry, I like, I've been finding out that like

855
00:42:37,520 --> 00:42:39,960
Speaker 2: people that I would have assumed have been gay their

856
00:42:40,000 --> 00:42:43,359
Speaker 2: whole lives, like came out in the last like year

857
00:42:43,440 --> 00:42:45,960
Speaker 2: or two. Like, I meet a lesbian and I'm like, well,

858
00:42:46,000 --> 00:42:48,720
Speaker 2: this is you know, this is the number one lesbian

859
00:42:48,719 --> 00:42:50,600
Speaker 2: in the world, this is the head of a lesbian community.

860
00:42:51,080 --> 00:42:53,239
Speaker 2: And then they're like, I came out last year and

861
00:42:53,400 --> 00:42:54,960
Speaker 2: that's really shocking to me.

862
00:42:55,200 --> 00:42:56,120
Speaker 3: That's kind of freaky.

863
00:42:56,320 --> 00:42:58,439
Speaker 2: Yeah, I don't know if this is happening to you, guys?

864
00:42:58,520 --> 00:43:01,880
Speaker 3: Is this here I go again? I feel like it's

865
00:43:02,000 --> 00:43:05,880
Speaker 3: more it's more in La because I think you can

866
00:43:05,920 --> 00:43:08,160
Speaker 3: get away with being like, all dating here is bad.

867
00:43:08,320 --> 00:43:11,120
Speaker 2: Maybe I'm just like bad at dating. And then suddenly

868
00:43:11,160 --> 00:43:14,960
Speaker 2: you're like, oh, well, La is a very lesbian city. Yeah,

869
00:43:15,040 --> 00:43:18,759
Speaker 2: I see that, and New York is a very gig guys. Yeah,

870
00:43:19,160 --> 00:43:22,000
Speaker 2: because and obviously there are so many iconic lesbians in

871
00:43:22,040 --> 00:43:25,200
Speaker 2: New York. You know, friendly It's and the list, But

872
00:43:25,880 --> 00:43:28,320
Speaker 2: you know, New York, it's always like the theme of

873
00:43:28,400 --> 00:43:30,399
Speaker 2: New York is we have to save Gingers, the last

874
00:43:30,440 --> 00:43:34,839
Speaker 2: remaining lesbian bar. There's always it's always a lesbian are

875
00:43:35,000 --> 00:43:37,480
Speaker 2: opens with a go fund me to keep it going,

876
00:43:37,960 --> 00:43:41,080
Speaker 2: Like we're opening, we have money for two weeks, like

877
00:43:41,200 --> 00:43:43,799
Speaker 2: and then after that we're switching to the GoFundMe model.

878
00:43:44,239 --> 00:43:47,080
Speaker 2: We gotta we gotta protact the lesbian bars. I like

879
00:43:47,239 --> 00:43:49,800
Speaker 2: being able to go there. They're the best. They're nice

880
00:43:50,040 --> 00:43:52,719
Speaker 2: and yeah, sometimes the I mean, there are a few

881
00:43:52,760 --> 00:43:55,200
Speaker 2: gay bars that I even feel like, are are really

882
00:43:55,360 --> 00:43:58,320
Speaker 2: that that fun? At this point? I know, you know,

883
00:43:58,440 --> 00:44:01,360
Speaker 2: it's like they're getting they're kind of getting more like

884
00:44:01,440 --> 00:44:03,799
Speaker 2: Kathy Hilton is now running who or whatever?

885
00:44:04,400 --> 00:44:06,560
Speaker 3: Well we is like we.

886
00:44:06,719 --> 00:44:09,680
Speaker 2: Hose Grand Marshall for the Pride Parade is Kathy Hilton,

887
00:44:10,640 --> 00:44:13,960
Speaker 2: which is to me crazy, don't you think that we

888
00:44:14,080 --> 00:44:16,719
Speaker 2: hoos always It's like Halsa Vanderpump used to run like

889
00:44:16,760 --> 00:44:19,560
Speaker 2: it's always some woman like that right now, And I

890
00:44:19,640 --> 00:44:22,640
Speaker 2: think it's just becoming more and more. Like I don't know,

891
00:44:22,760 --> 00:44:24,400
Speaker 2: it's getting scarier over there.

892
00:44:24,400 --> 00:44:27,200
Speaker 3: We knows. Whenever I've been over there, I'm sort of like,

893
00:44:28,560 --> 00:44:29,560
Speaker 3: like what year is?

894
00:44:29,680 --> 00:44:31,640
Speaker 2: Though, it's completely alienating.

895
00:44:31,719 --> 00:44:34,920
Speaker 3: Like I'm like, what culture you consuming? Yeah, yeah, it's

896
00:44:35,000 --> 00:44:35,680
Speaker 3: really freaky.

897
00:44:35,960 --> 00:44:40,120
Speaker 2: They're trying to like trap themselves in twenty fifteen or something. Yeah,

898
00:44:40,560 --> 00:44:43,200
Speaker 2: and it's not working. And it's like the cracks are

899
00:44:43,280 --> 00:44:46,640
Speaker 2: no completely, it's like going to Amish country. But for them,

900
00:44:46,760 --> 00:44:50,200
Speaker 2: they haven't gotten streaming yet, so they're like watching live.

901
00:44:50,800 --> 00:44:52,279
Speaker 2: They're like watching Will and Grace.

902
00:44:52,560 --> 00:44:55,480
Speaker 3: Like you think wearing like little red like athletic shorts

903
00:44:55,600 --> 00:44:57,480
Speaker 3: is hot, Like, we don't do that anymore.

904
00:44:57,520 --> 00:44:59,680
Speaker 2: Don't do that anymore. It's not two thousand and three. No,

905
00:44:59,760 --> 00:45:05,279
Speaker 2: we're doing really long car hearts. Yeah, yeah, gay guys,

906
00:45:05,320 --> 00:45:07,479
Speaker 2: then a belly shirt. The good, the good, gay guys

907
00:45:07,480 --> 00:45:10,080
Speaker 2: are looking like workers now are looking like slutty little

908
00:45:10,080 --> 00:45:12,719
Speaker 2: work so they are It's complicated because it's like first

909
00:45:12,760 --> 00:45:15,600
Speaker 2: they looked like fully workers, you are right, and then

910
00:45:15,600 --> 00:45:16,880
Speaker 2: they were like, wait, we have to walk it back

911
00:45:16,880 --> 00:45:19,560
Speaker 2: a little bit, so now it's worker pants, but then

912
00:45:19,680 --> 00:45:24,200
Speaker 2: like limited to belly shirt on top. Yeah, I like that.

913
00:45:24,840 --> 00:45:26,440
Speaker 3: I like that.

914
00:45:27,239 --> 00:45:30,560
Speaker 2: Like that. I went to h the Eagle in LA

915
00:45:30,719 --> 00:45:34,360
Speaker 2: with one of my partners this last weekend and like,

916
00:45:34,560 --> 00:45:39,040
Speaker 2: my it's like a very fem person like kind of

917
00:45:39,080 --> 00:45:42,719
Speaker 2: transfern person, and there was I had a moment of

918
00:45:42,800 --> 00:45:47,319
Speaker 2: being like, wow, we're the only two people entire room

919
00:45:47,600 --> 00:45:50,520
Speaker 2: and it is like such just it's and I loved it.

920
00:45:50,640 --> 00:45:52,440
Speaker 2: I was like, I want to be in spaces like

921
00:45:52,520 --> 00:45:55,040
Speaker 2: this all the time, but they, of course don't want

922
00:45:55,080 --> 00:45:59,800
Speaker 2: me there. Do you well, I feel I wonder sometimes

923
00:46:00,280 --> 00:46:03,480
Speaker 2: I'm trying to think how it is in LA in

924
00:46:03,640 --> 00:46:06,399
Speaker 2: New York. I'm trying to phrase it the right way.

925
00:46:06,480 --> 00:46:09,160
Speaker 2: I'm trying to phrase the right way like I would say,

926
00:46:09,640 --> 00:46:15,560
Speaker 2: there is a an increasing solidarity specifically between gay guys

927
00:46:15,760 --> 00:46:21,480
Speaker 2: and trans girls, almost exclusionary of other parts of the community.

928
00:46:22,080 --> 00:46:24,680
Speaker 2: It's like it's very like I think Twins Versus Dolls

929
00:46:25,160 --> 00:46:28,240
Speaker 2: was very instrumental in making this happen. I think obviously

930
00:46:28,400 --> 00:46:32,120
Speaker 2: club culture, gay guys and trans girls are overrepresented compared

931
00:46:32,160 --> 00:46:34,640
Speaker 2: to like lesbians and like bisexual married women.

932
00:46:37,280 --> 00:46:37,680
Speaker 3: You know what I.

933
00:46:39,960 --> 00:46:43,839
Speaker 2: Find like, I'm often in a quote unquote mixed group,

934
00:46:43,920 --> 00:46:47,480
Speaker 2: that is, those two communities hanging out together. And I

935
00:46:47,560 --> 00:46:49,840
Speaker 2: don't know if we have the language yet to describe

936
00:46:50,080 --> 00:46:55,080
Speaker 2: what that is. Yeah, that's your policy, like literally, like

937
00:46:55,280 --> 00:46:59,480
Speaker 2: because it's also you. It's complicated. It's almost like we

938
00:46:59,600 --> 00:47:03,160
Speaker 2: had to all lose each other to find each other again,

939
00:47:03,719 --> 00:47:05,960
Speaker 2: Like we had to be like go on different on

940
00:47:06,000 --> 00:47:08,320
Speaker 2: different journeys and then find each other again. Yeah, but

941
00:47:08,400 --> 00:47:10,560
Speaker 2: there is like there's always going to be that thing

942
00:47:10,640 --> 00:47:13,000
Speaker 2: of like I was a gay boy and all these

943
00:47:13,080 --> 00:47:16,080
Speaker 2: people were gay boys, and as as long as you

944
00:47:16,160 --> 00:47:19,200
Speaker 2: guys don't go, well, you can only become a gay

945
00:47:19,280 --> 00:47:22,440
Speaker 2: man or after that, like then we can all kind

946
00:47:22,480 --> 00:47:24,480
Speaker 2: of connect on this. And I think that's what it is,

947
00:47:24,640 --> 00:47:28,200
Speaker 2: a shared experience. Yes, I think it's like recognizing the

948
00:47:28,239 --> 00:47:34,120
Speaker 2: shared experience without being problematic about it. Yes, definitely, definitely.

949
00:47:34,480 --> 00:47:35,520
Speaker 2: Now it gets really quiet.

950
00:47:35,680 --> 00:47:38,480
Speaker 3: I have a that was first of all, very profound.

951
00:47:38,600 --> 00:47:39,399
Speaker 2: Thank you too.

952
00:47:39,840 --> 00:47:41,960
Speaker 3: I want to take it into a less profound direction.

953
00:47:42,480 --> 00:47:42,920
Speaker 2: Perfect.

954
00:47:43,239 --> 00:47:46,360
Speaker 3: So here's what I'm struggling with. I need you guys

955
00:47:46,440 --> 00:47:46,920
Speaker 3: to help me with.

956
00:47:47,120 --> 00:47:47,319
Speaker 2: Yeah.

957
00:47:47,360 --> 00:47:49,080
Speaker 3: Yeah, it's like what am I supposed to do for

958
00:47:49,120 --> 00:47:49,960
Speaker 3: my birthday? These days?

959
00:47:50,160 --> 00:47:52,760
Speaker 2: Thank you for bringing it back to birthdays because.

960
00:47:52,840 --> 00:47:56,400
Speaker 3: The thing as we get older, I feel that like

961
00:47:57,160 --> 00:47:59,680
Speaker 3: my friend group and maybe it's because of moving and

962
00:48:00,320 --> 00:48:03,120
Speaker 3: like everyone is so desparate. Like I'm like, I have

963
00:48:03,320 --> 00:48:05,360
Speaker 3: the comedy people, I have the comedy people from my

964
00:48:05,480 --> 00:48:07,560
Speaker 3: past are the comedy people from my present. I have

965
00:48:07,719 --> 00:48:10,080
Speaker 3: like gay guys I've met in the last year. I

966
00:48:10,160 --> 00:48:14,000
Speaker 3: have like queer friends from comedy. It's like it's and

967
00:48:14,120 --> 00:48:16,160
Speaker 3: none of them know each other, and I'm sort of

968
00:48:16,239 --> 00:48:21,080
Speaker 3: like do I pick one? Yeah, And so I'm stuck.

969
00:48:21,480 --> 00:48:24,960
Speaker 2: I tried to do everyone this past time, Like I

970
00:48:25,080 --> 00:48:28,120
Speaker 2: was kind of like, okay, just everyone, I'm like close,

971
00:48:28,360 --> 00:48:30,759
Speaker 2: like you know, like come out, like maybe we can

972
00:48:30,840 --> 00:48:33,880
Speaker 2: make it work. And it did kind of work. I

973
00:48:33,960 --> 00:48:36,480
Speaker 2: do think probably the best thing to do is dancing,

974
00:48:36,680 --> 00:48:40,680
Speaker 2: because what is the universal language question?

975
00:48:40,760 --> 00:48:41,799
Speaker 3: True, we can all speak.

976
00:48:41,960 --> 00:48:46,239
Speaker 2: Of course, it is dance. It's music and dance. But

977
00:48:46,360 --> 00:48:48,800
Speaker 2: I don't know, I don't it is it is getting

978
00:48:48,840 --> 00:48:50,160
Speaker 2: hard to do birthdays.

979
00:48:50,200 --> 00:48:51,600
Speaker 3: I think I want to have a pool party.

980
00:48:52,080 --> 00:48:54,799
Speaker 2: Pool party is really good too. Yeah yeah, But.

981
00:48:54,880 --> 00:48:57,640
Speaker 3: Then it's like, so like random comedians gonna be hanging

982
00:48:57,640 --> 00:48:59,840
Speaker 3: out like the hottest gay guys on Earth. I just

983
00:49:00,360 --> 00:49:00,680
Speaker 3: go right.

984
00:49:01,239 --> 00:49:03,680
Speaker 2: I don't think they will even speak to each other.

985
00:49:04,280 --> 00:49:05,760
Speaker 2: I think there will be different groups.

986
00:49:06,200 --> 00:49:07,360
Speaker 3: They're not gonna get mad at each other.

987
00:49:07,520 --> 00:49:08,680
Speaker 2: Think about your wedding.

988
00:49:10,400 --> 00:49:11,280
Speaker 3: That was tasteful.

989
00:49:15,200 --> 00:49:18,120
Speaker 2: What are you're like, I want it both to be

990
00:49:18,200 --> 00:49:22,240
Speaker 2: an orgy in a networking I'm the same difficult Okay, Okay,

991
00:49:22,800 --> 00:49:24,520
Speaker 2: I say you don't want it to be tasteful.

992
00:49:24,920 --> 00:49:26,440
Speaker 3: I don't want it to be tasteful. I want to

993
00:49:26,480 --> 00:49:28,160
Speaker 3: be like I want it to be like a fun day,

994
00:49:28,440 --> 00:49:32,200
Speaker 3: like where I'm like, yeah, then I think it becomes

995
00:49:32,600 --> 00:49:35,839
Speaker 3: stark room. Well yeah, I think you had a dark room.

996
00:49:36,200 --> 00:49:39,560
Speaker 3: Well it's like it's like, how how allowed are we

997
00:49:39,800 --> 00:49:43,200
Speaker 3: because we're in community with so many people as comedians,

998
00:49:43,680 --> 00:49:46,359
Speaker 3: How loud are we to extract the people that are

999
00:49:46,480 --> 00:49:48,600
Speaker 3: fun out of that group? Well that's the big.

1000
00:49:48,560 --> 00:49:51,759
Speaker 2: Question and leave behind the people that are kind of

1001
00:49:53,080 --> 00:49:55,440
Speaker 2: Because I will say this to people and everyone will

1002
00:49:55,440 --> 00:49:57,839
Speaker 2: be like, just invite, just invite the ones you want.

1003
00:49:57,920 --> 00:50:03,120
Speaker 2: It's your birthday that goes horribly. It goes horribly. I

1004
00:50:03,640 --> 00:50:06,040
Speaker 2: trouble when you ask people for advice and they give

1005
00:50:06,080 --> 00:50:08,000
Speaker 2: you something like that, It's like, can you fucking be serious.

1006
00:50:08,320 --> 00:50:10,600
Speaker 2: I trusted you to have this conversation. You know that

1007
00:50:10,680 --> 00:50:13,200
Speaker 2: what you're saying is bullshit. Maybe we grow up. I'm

1008
00:50:13,239 --> 00:50:15,400
Speaker 2: not eight years old, Like why are you speaking to me?

1009
00:50:15,480 --> 00:50:17,759
Speaker 2: And like throw pillow language, like let's get down to

1010
00:50:17,800 --> 00:50:18,440
Speaker 2: brass tacks.

1011
00:50:18,520 --> 00:50:20,680
Speaker 3: What do I do? Well, yeah, they'll be like just

1012
00:50:20,719 --> 00:50:22,200
Speaker 3: about who you want. It's like, well, this is why

1013
00:50:22,239 --> 00:50:23,120
Speaker 3: everyone hates you.

1014
00:50:23,360 --> 00:50:30,120
Speaker 2: Yeah I invited. Yeah, I don't. I don't know how

1015
00:50:30,200 --> 00:50:32,160
Speaker 2: to how to pull those people out.

1016
00:50:32,080 --> 00:50:34,200
Speaker 3: And like almost what I want to do is like

1017
00:50:34,719 --> 00:50:38,000
Speaker 3: from the hours of twelve to four is comedy time, okay,

1018
00:50:38,120 --> 00:50:40,960
Speaker 3: and then four to eight is like like I'm kind

1019
00:50:41,000 --> 00:50:41,960
Speaker 3: of wanting you to them.

1020
00:50:41,920 --> 00:50:47,920
Speaker 2: Ber less performer comes. This is actually you've maybe stumbled

1021
00:50:48,000 --> 00:50:52,719
Speaker 2: upon something incredible, which is to do two separate invites,

1022
00:50:53,400 --> 00:50:57,160
Speaker 2: one from four to seven for comedy people, one from

1023
00:50:57,360 --> 00:51:00,680
Speaker 2: seven to eleven that is a gay okay guys, and

1024
00:51:00,920 --> 00:51:03,800
Speaker 2: and people might stay, but they will all think that

1025
00:51:03,960 --> 00:51:07,479
Speaker 2: it is from the same invitation, like nobody will because

1026
00:51:07,480 --> 00:51:09,440
Speaker 2: they will just think gay guys are naturally late and

1027
00:51:09,520 --> 00:51:13,040
Speaker 2: more night. Yes, exactly, they're gonna go. Well, of course

1028
00:51:13,120 --> 00:51:15,680
Speaker 2: this fag is showing yes. And then to you to

1029
00:51:15,800 --> 00:51:18,400
Speaker 2: your point about people becoming more bisexual as time goes by.

1030
00:51:18,560 --> 00:51:21,919
Speaker 2: It's perfect because then the people in the first tier, Yeah,

1031
00:51:22,040 --> 00:51:26,000
Speaker 2: maybe I'll discover their bisexuality, you know, by seven pm. Yes,

1032
00:51:26,120 --> 00:51:28,719
Speaker 2: suddenly they're staying for seven to eleven. They're having their

1033
00:51:28,760 --> 00:51:32,040
Speaker 2: first gigs. By the end of the night, they're doing poppers. Yeah, wow,

1034
00:51:32,880 --> 00:51:33,880
Speaker 2: that's that's.

1035
00:51:33,840 --> 00:51:34,719
Speaker 3: Actually gonna work.

1036
00:51:35,320 --> 00:51:39,000
Speaker 2: I'm like not doing a bit anymore. Like I'm not

1037
00:51:39,200 --> 00:51:41,959
Speaker 2: I'm no longer on the podcast. I'm talking to you, Sam.

1038
00:51:42,480 --> 00:51:44,880
Speaker 2: I think that's a good idea. Someone listens to this

1039
00:51:44,960 --> 00:51:46,960
Speaker 2: episode and then gets the invite for three pm, they're like,

1040
00:51:47,040 --> 00:51:48,399
Speaker 2: what the fuck do you think?

1041
00:51:48,400 --> 00:51:49,800
Speaker 3: I'm just a comedian.

1042
00:51:50,600 --> 00:51:53,000
Speaker 2: Comedian that you're a three pm is like, yeah, I

1043
00:51:53,040 --> 00:51:54,719
Speaker 2: would love that you did like a like kind of

1044
00:51:54,760 --> 00:51:57,239
Speaker 2: a six to eight. That's like, that's like you're on

1045
00:51:57,400 --> 00:51:59,080
Speaker 2: the verge. Because I think I'm puzzed.

1046
00:51:59,640 --> 00:52:00,400
Speaker 1: I know, I.

1047
00:52:01,960 --> 00:52:06,719
Speaker 2: Know I'm customed to I'm not gay guy late in

1048
00:52:06,800 --> 00:52:09,239
Speaker 2: the night, but I'm also a comedian. I think I

1049
00:52:09,320 --> 00:52:10,160
Speaker 2: can stick around.

1050
00:52:10,400 --> 00:52:11,359
Speaker 3: Yeah, you can both.

1051
00:52:11,480 --> 00:52:13,960
Speaker 2: It will be fun. It will be fun. Okay. So

1052
00:52:14,239 --> 00:52:16,600
Speaker 2: to bring it to gay versus straight what's happening here

1053
00:52:16,719 --> 00:52:20,160
Speaker 2: is interesting because the gay impulse is what can I

1054
00:52:20,280 --> 00:52:23,160
Speaker 2: best do to accommodate everyone and make sure everyone has

1055
00:52:23,200 --> 00:52:25,960
Speaker 2: a good experience, And it's like the like you are

1056
00:52:26,000 --> 00:52:28,919
Speaker 2: basically paralyzed with choice because you don't want one person

1057
00:52:28,960 --> 00:52:30,879
Speaker 2: to feel left out, whereas as you're saying, the straight

1058
00:52:30,920 --> 00:52:33,080
Speaker 2: impulse is to be like you can come to Dave

1059
00:52:33,120 --> 00:52:36,000
Speaker 2: and Buster's bitch yeah, And they're oh, totally, you know,

1060
00:52:36,200 --> 00:52:38,640
Speaker 2: like they are not thinking, they're just sort of like,

1061
00:52:40,160 --> 00:52:42,480
Speaker 2: basically it's a lack of empathy because they're thinking, I

1062
00:52:42,680 --> 00:52:45,879
Speaker 2: like Dave and Busters, I am person and it's my turn,

1063
00:52:45,920 --> 00:52:48,200
Speaker 2: and it's my turn. And there's almost a like kind

1064
00:52:48,200 --> 00:52:51,239
Speaker 2: of woke liberal energy to it where they're like, well,

1065
00:52:51,280 --> 00:52:54,080
Speaker 2: of course you can come to Dave and Busters. You're

1066
00:52:54,280 --> 00:52:56,279
Speaker 2: my trans friend, but I'm not ashamed to be seen

1067
00:52:56,320 --> 00:52:59,120
Speaker 2: with you and Dad. It's not about you being ashamed,

1068
00:52:59,120 --> 00:53:02,040
Speaker 2: it's about me feeling say yeah, yeah. It's like it's like, hey,

1069
00:53:02,400 --> 00:53:05,520
Speaker 2: you being proud to be with me? Yes, yes, besides me,

1070
00:53:05,719 --> 00:53:09,440
Speaker 2: because for them, you are like adding diversity. Yeah, and

1071
00:53:10,120 --> 00:53:12,040
Speaker 2: I'm one of the few people. Yeah, I'm one of

1072
00:53:12,120 --> 00:53:15,719
Speaker 2: the few people. And I would say this also goes

1073
00:53:15,800 --> 00:53:18,080
Speaker 2: back to the wedding thing of like straight people are

1074
00:53:18,080 --> 00:53:20,720
Speaker 2: actually really proud that they're like look at the photo

1075
00:53:21,640 --> 00:53:22,000
Speaker 2: see her?

1076
00:53:22,440 --> 00:53:23,839
Speaker 3: Yes, right right right?

1077
00:53:23,920 --> 00:53:25,719
Speaker 2: Do you see him? Do you see like? Do you

1078
00:53:25,800 --> 00:53:28,239
Speaker 2: see how one of the one of the bridesmaids is

1079
00:53:28,320 --> 00:53:30,520
Speaker 2: a guy made? Don't think I was capable of that? Yeah,

1080
00:53:30,920 --> 00:53:33,840
Speaker 2: this is this one and and he was crazy, you

1081
00:53:33,880 --> 00:53:37,759
Speaker 2: were completely quiet. Yeah, night, you didn't say it. One

1082
00:53:37,760 --> 00:53:40,080
Speaker 2: of my favorite tropes is when God blessed him but

1083
00:53:40,160 --> 00:53:43,400
Speaker 2: like women who have only like one gay friend overseell

1084
00:53:43,520 --> 00:53:46,440
Speaker 2: how crazy and funny it is. And it's like some

1085
00:53:46,640 --> 00:53:48,880
Speaker 2: guy that can be it? Can it works? At like

1086
00:53:49,000 --> 00:53:52,440
Speaker 2: MRK Pharmaceuticals, It's like, oh my god, Phil is always

1087
00:53:52,480 --> 00:53:55,239
Speaker 2: saying the craziest stuff. Yeah, and he's just like, what

1088
00:53:55,320 --> 00:53:57,080
Speaker 2: are you away? Are you guys going for your honeymoon?

1089
00:53:58,400 --> 00:53:59,360
Speaker 2: You're not, You're not.

1090
00:54:00,480 --> 00:54:03,920
Speaker 3: I had this insane experience once where I was like

1091
00:54:04,160 --> 00:54:06,160
Speaker 3: invited to a part of the wedding, like they were

1092
00:54:06,160 --> 00:54:08,400
Speaker 3: like the ceremonies really small, the receptions really small, but

1093
00:54:08,480 --> 00:54:10,879
Speaker 3: like at the a PM literally they were like come,

1094
00:54:10,960 --> 00:54:12,879
Speaker 3: dance like come, and it was like in New York.

1095
00:54:12,880 --> 00:54:14,000
Speaker 3: I was living in New York. I was like, of

1096
00:54:14,080 --> 00:54:14,840
Speaker 3: course we'll pop in.

1097
00:54:15,000 --> 00:54:17,759
Speaker 2: How fun. Yeah, And then like I didn't.

1098
00:54:17,520 --> 00:54:19,000
Speaker 3: Realize at the moment I watched in the door. I

1099
00:54:19,120 --> 00:54:21,680
Speaker 3: was hired help like I'm not paid, of course, but

1100
00:54:21,760 --> 00:54:23,640
Speaker 3: it was like dance like and I was like, oh,

1101
00:54:23,640 --> 00:54:25,360
Speaker 3: I'm getting a drink and she was like, why is

1102
00:54:25,400 --> 00:54:26,920
Speaker 3: you dancing? Why is't you dancing?

1103
00:54:27,360 --> 00:54:29,040
Speaker 2: And it was like and she was even like, why

1104
00:54:29,040 --> 00:54:30,879
Speaker 2: don't you go request a song, go recross the song.

1105
00:54:30,800 --> 00:54:33,120
Speaker 3: From the DJ. I'm like, it's your wedding. I would

1106
00:54:33,239 --> 00:54:36,000
Speaker 3: never do that. She's like, be crazy, be gay. Yeah,

1107
00:54:36,200 --> 00:54:37,680
Speaker 3: And I was like, what the fuck?

1108
00:54:38,040 --> 00:54:40,960
Speaker 2: It was scary. Yeah, you're kind of It is like

1109
00:54:41,120 --> 00:54:44,680
Speaker 2: you're bringing a You're bringing your little kind of energy

1110
00:54:44,840 --> 00:54:46,400
Speaker 2: to it and hope so that that will make it

1111
00:54:46,560 --> 00:54:49,560
Speaker 2: more fun and cool. But that is not our responsibility.

1112
00:54:49,719 --> 00:54:50,200
Speaker 3: We just want to.

1113
00:54:50,520 --> 00:54:53,000
Speaker 2: We actually just here's the truest thing. We just want

1114
00:54:53,040 --> 00:54:53,960
Speaker 2: to show up for our friends.

1115
00:54:54,120 --> 00:54:54,600
Speaker 3: We just want to.

1116
00:54:54,680 --> 00:54:57,120
Speaker 2: We just wanna be nice, yeah, and maybe not get

1117
00:54:57,160 --> 00:54:59,520
Speaker 2: hate crimed in the process. Yeah, and that's all I'm

1118
00:54:59,600 --> 00:55:02,640
Speaker 2: looking for. A It's like, if you do your if

1119
00:55:02,680 --> 00:55:06,719
Speaker 2: you're gonna have your birthday at a brewery, let's check

1120
00:55:06,960 --> 00:55:09,640
Speaker 2: who's like, let's check the vibe of the brewery. Maybe.

1121
00:55:09,920 --> 00:55:14,160
Speaker 3: And I know it's so sometimes it's even just the

1122
00:55:14,239 --> 00:55:18,400
Speaker 3: word brewery, Like no, I get it's like a straight person,

1123
00:55:18,480 --> 00:55:21,640
Speaker 3: it's like how they feel a warmth, they feel comfort,

1124
00:55:22,080 --> 00:55:23,719
Speaker 3: And then I hear the word brewery and I'm just like,

1125
00:55:24,840 --> 00:55:26,440
Speaker 3: it's like I can do it. I can do it.

1126
00:55:26,719 --> 00:55:29,480
Speaker 3: And it's like I don't want to be like that,

1127
00:55:30,040 --> 00:55:30,759
Speaker 3: but I can't not.

1128
00:55:31,400 --> 00:55:34,200
Speaker 2: Yeah, and I again like I want them to do

1129
00:55:34,360 --> 00:55:36,080
Speaker 2: what they want to do. I just want to be

1130
00:55:36,239 --> 00:55:39,520
Speaker 2: absolved of not going really yeah, yeah, you have a

1131
00:55:39,600 --> 00:55:43,000
Speaker 2: doctor's note. It's like my patient is LGBTQ. Yeah, she

1132
00:55:43,160 --> 00:55:44,320
Speaker 2: can't attend this party.

1133
00:55:44,400 --> 00:55:44,840
Speaker 3: I want to.

1134
00:55:45,360 --> 00:55:47,040
Speaker 2: It's like I never r s v P no, I

1135
00:55:47,160 --> 00:55:49,560
Speaker 2: just ignore it, but I want to r s VP no,

1136
00:55:50,560 --> 00:55:56,719
Speaker 2: you know, little converse safety reasons, good reason. That's wait,

1137
00:55:56,800 --> 00:55:59,840
Speaker 2: I'm having the craziest memory that is literally related to

1138
00:55:59,880 --> 00:56:03,200
Speaker 2: your idea of or your idea your joint idea of

1139
00:56:03,320 --> 00:56:08,279
Speaker 2: three to seven. Ok okay, so a pullets. Sorry, at

1140
00:56:08,360 --> 00:56:11,000
Speaker 2: my wedding, we had a ceremony and dinner and then

1141
00:56:11,160 --> 00:56:13,440
Speaker 2: an after party where more people were invited because it

1142
00:56:13,520 --> 00:56:16,319
Speaker 2: was like a bigger bar and it was like dancing whatever.

1143
00:56:17,600 --> 00:56:20,600
Speaker 2: The people that were invited to the ceremony were not

1144
00:56:20,920 --> 00:56:22,840
Speaker 2: told there would be an after party, like there was

1145
00:56:22,920 --> 00:56:24,560
Speaker 2: no like extra in it, because we were like we'll

1146
00:56:24,600 --> 00:56:26,359
Speaker 2: hear about it for word about like we'll all say

1147
00:56:26,400 --> 00:56:28,120
Speaker 2: at the end, like we're all going to the bar

1148
00:56:28,239 --> 00:56:31,600
Speaker 2: after right. So, but then the people that were invited

1149
00:56:31,760 --> 00:56:33,440
Speaker 2: only to the after party, of course, did get an

1150
00:56:33,440 --> 00:56:35,480
Speaker 2: email that's like, hey, come celebrate with us at Julius.

1151
00:56:35,800 --> 00:56:41,800
Speaker 2: Here's what happened. Straight people from the main event heard

1152
00:56:42,000 --> 00:56:43,799
Speaker 2: that all these gay guys had been invited to an

1153
00:56:43,800 --> 00:56:46,960
Speaker 2: after party and became offended. They were like, oh, so

1154
00:56:47,080 --> 00:56:49,000
Speaker 2: are we not invited to the gay guy dance party.

1155
00:56:49,400 --> 00:56:51,800
Speaker 2: We're like you're we're like you're safe for work friends,

1156
00:56:52,120 --> 00:56:54,440
Speaker 2: and we're only ceremony and dinner and we're not invited

1157
00:56:54,440 --> 00:56:58,400
Speaker 2: to the after party and I and it I was like, no,

1158
00:56:58,560 --> 00:57:01,000
Speaker 2: I promise that that's not the thinking was. The thinking

1159
00:57:01,120 --> 00:57:02,879
Speaker 2: was like we would all walk over together. You guys

1160
00:57:02,880 --> 00:57:05,239
Speaker 2: don't need to get a separate email about it. But

1161
00:57:05,360 --> 00:57:07,560
Speaker 2: then but then like people I think to this day

1162
00:57:07,719 --> 00:57:11,120
Speaker 2: were like, I don't think that's true. That's interesting, but

1163
00:57:11,320 --> 00:57:13,520
Speaker 2: and I want to say you are allowed to do that.

1164
00:57:15,400 --> 00:57:19,400
Speaker 3: Doing that, but it's like but it's like I can

1165
00:57:19,480 --> 00:57:23,120
Speaker 3: fully see being offended. Yeah, like because it's like, well, yeah,

1166
00:57:23,160 --> 00:57:24,520
Speaker 3: I can come. But I didn't get the.

1167
00:57:24,520 --> 00:57:26,560
Speaker 2: Email because to me, it was more chic to be

1168
00:57:26,680 --> 00:57:32,280
Speaker 2: like secret secret. There's an after party, yeah, and it's

1169
00:57:32,280 --> 00:57:33,640
Speaker 2: fun because then the people that did get the Separate

1170
00:57:33,680 --> 00:57:35,880
Speaker 2: and better already there. So then everyone walks over together.

1171
00:57:35,960 --> 00:57:37,000
Speaker 2: Suddenly it's a bunch of gay.

1172
00:57:36,920 --> 00:57:38,680
Speaker 3: Guys, and.

1173
00:57:40,800 --> 00:57:42,800
Speaker 2: What is the energy of the of the straight people

1174
00:57:42,840 --> 00:57:45,640
Speaker 2: who are like because because that's really specific being like,

1175
00:57:45,680 --> 00:57:47,840
Speaker 2: you know what I think it is, I can't come

1176
00:57:47,960 --> 00:57:50,480
Speaker 2: to the gay guy after party. It was actually straight

1177
00:57:50,520 --> 00:57:54,280
Speaker 2: people that are cool and would be hanging out with

1178
00:57:54,320 --> 00:57:56,360
Speaker 2: the gay guys, and I think they had this moment

1179
00:57:56,720 --> 00:57:59,560
Speaker 2: of being like I thought I thought I was cool,

1180
00:57:59,880 --> 00:58:02,040
Speaker 2: Like I thought I was gay guy adjacent enough for this,

1181
00:58:02,440 --> 00:58:07,400
Speaker 2: But George thinks I'm not. Like I've worked my whole life,

1182
00:58:08,640 --> 00:58:11,400
Speaker 2: I read all the bok I've read all the books,

1183
00:58:11,480 --> 00:58:13,400
Speaker 2: I have so many gay friends. I'm not like the

1184
00:58:13,480 --> 00:58:15,280
Speaker 2: girl who has only one gay friend named Phil who

1185
00:58:15,320 --> 00:58:18,320
Speaker 2: works at work pharmaceuticals, and still it's not enough, Like

1186
00:58:18,560 --> 00:58:21,400
Speaker 2: no matter what I do, Wow.

1187
00:58:21,480 --> 00:58:22,200
Speaker 3: That's interesting.

1188
00:58:22,760 --> 00:58:26,560
Speaker 2: Yeah, but I do, I mean I do, just it

1189
00:58:26,600 --> 00:58:28,160
Speaker 2: would suck to find out that you're the three to

1190
00:58:28,240 --> 00:58:32,360
Speaker 2: see even now like I as you know, as a woman,

1191
00:58:32,440 --> 00:58:34,640
Speaker 2: of course I am going, oh, wow, I hope I

1192
00:58:34,720 --> 00:58:37,560
Speaker 2: don't mess out on the gay guy party. But it

1193
00:58:37,720 --> 00:58:40,080
Speaker 2: is valid to not include me in the gay guy party.

1194
00:58:40,120 --> 00:58:41,600
Speaker 2: Well it's also, of course, you know, protect me from

1195
00:58:41,640 --> 00:58:42,920
Speaker 2: what I want, because then you go to the gay

1196
00:58:42,960 --> 00:58:45,920
Speaker 2: party and it's like, get me out of here. Often

1197
00:58:46,400 --> 00:58:49,880
Speaker 2: well yeah, the only time I think that is when

1198
00:58:49,920 --> 00:58:52,120
Speaker 2: I show up to a gay guy party and I go, oh,

1199
00:58:52,240 --> 00:58:54,480
Speaker 2: the politics in this room are way different than I

1200
00:58:55,240 --> 00:58:56,439
Speaker 2: than I was anticipating.

1201
00:58:56,480 --> 00:58:58,200
Speaker 3: Well, gay guy party. You know, we use as the

1202
00:58:58,280 --> 00:59:01,280
Speaker 3: terms sort of a monolith, but it can really vary

1203
00:59:01,400 --> 00:59:02,640
Speaker 3: in tone and style.

1204
00:59:02,920 --> 00:59:08,480
Speaker 2: Yeah, I agree. There there is like really fun dancing.

1205
00:59:08,680 --> 00:59:11,000
Speaker 2: It's like, oh, I know these songs like this is great.

1206
00:59:11,120 --> 00:59:14,440
Speaker 2: And then there is like, oh these people are scared

1207
00:59:14,840 --> 00:59:19,760
Speaker 2: yeah fully on g and their eyes are darting from

1208
00:59:19,840 --> 00:59:22,680
Speaker 2: corner to corner. Yeah, and eye lok by, they grab

1209
00:59:22,720 --> 00:59:28,880
Speaker 2: both my shoulders, they go, girl, your hair, and suddenly

1210
00:59:28,960 --> 00:59:32,000
Speaker 2: I'm in a conversation with somebody that tells real estate.

1211
00:59:37,040 --> 00:59:38,000
Speaker 2: I think we figured it out.

1212
00:59:38,160 --> 00:59:38,960
Speaker 3: That was really good.

1213
00:59:39,080 --> 00:59:41,880
Speaker 2: I think it's in chunks. I think that's really good.

1214
00:59:41,920 --> 00:59:43,760
Speaker 3: I think this episode is really clippable. I think it's

1215
00:59:43,800 --> 00:59:44,560
Speaker 3: super terrible.

1216
00:59:44,840 --> 00:59:47,320
Speaker 2: Yeah, the miniature wife stuff is really going to go.

1217
00:59:47,480 --> 00:59:51,520
Speaker 3: That was awesome your wife stuff. I think we hit

1218
00:59:51,680 --> 00:59:55,800
Speaker 3: like so many deep things, so many surface things, and I.

1219
00:59:55,840 --> 01:00:00,160
Speaker 2: Mean, I do think the question remains with this here

1220
01:00:00,200 --> 01:00:01,920
Speaker 2: at system that you guys have come up with, Like

1221
01:00:02,440 --> 01:00:03,480
Speaker 2: people will be offended.

1222
01:00:04,640 --> 01:00:07,120
Speaker 3: Yeah, what if it's like choose your own adventure. What

1223
01:00:07,200 --> 01:00:09,280
Speaker 3: if it's like you can only come for one.

1224
01:00:11,360 --> 01:00:13,800
Speaker 2: Well, these are the Oh, you send the options and

1225
01:00:13,880 --> 01:00:14,760
Speaker 2: then it's you opt in.

1226
01:00:15,000 --> 01:00:16,560
Speaker 3: It's like do you want chicken or fish? It's like

1227
01:00:16,680 --> 01:00:18,880
Speaker 3: do you want to come for the early part that's

1228
01:00:18,920 --> 01:00:20,480
Speaker 3: sort of more wholesome and normal.

1229
01:00:20,360 --> 01:00:23,880
Speaker 2: Or you can have different for each one. I do, Yeah,

1230
01:00:23,880 --> 01:00:25,800
Speaker 2: I do think there is something to like you really

1231
01:00:25,920 --> 01:00:28,640
Speaker 2: have to make sure that the groups don't overlap, so

1232
01:00:28,720 --> 01:00:31,280
Speaker 2: that they don't communicate completely.

1233
01:00:31,400 --> 01:00:33,640
Speaker 3: There's an hour window between them there where it's empty.

1234
01:00:33,920 --> 01:00:37,760
Speaker 2: Yeah, just to clear everyone out, what are you doing

1235
01:00:37,760 --> 01:00:39,160
Speaker 2: at different places.

1236
01:00:38,880 --> 01:00:40,720
Speaker 3: Different locations? Smart?

1237
01:00:41,120 --> 01:00:43,520
Speaker 2: What's happening now with like over complicating? This is like

1238
01:00:43,640 --> 01:00:47,320
Speaker 2: what happens when people try to solve like a political

1239
01:00:47,600 --> 01:00:50,240
Speaker 2: issue and it's like there's one obvious conservative side to

1240
01:00:50,320 --> 01:00:53,560
Speaker 2: one obvious progressive side, and then suddenly you're dealing with

1241
01:00:53,680 --> 01:00:57,040
Speaker 2: some sort of very complicated public private partnership where there's

1242
01:00:57,080 --> 01:01:00,120
Speaker 2: like sponsors involved, and it's like super technocratic, and like

1243
01:01:00,200 --> 01:01:02,840
Speaker 2: everyone's yelling at one another and someone is accusing someone

1244
01:01:02,920 --> 01:01:05,840
Speaker 2: of being a yimbi versus nimby, and it's the most

1245
01:01:05,920 --> 01:01:08,880
Speaker 2: complicated polic superposal ever. It's like the compromise that pleases

1246
01:01:08,960 --> 01:01:09,960
Speaker 2: no one, and it's like we did it.

1247
01:01:10,200 --> 01:01:11,760
Speaker 3: It was like that what was that commal? The thing

1248
01:01:11,800 --> 01:01:14,000
Speaker 3: that became a meme tho free college.

1249
01:01:13,720 --> 01:01:16,120
Speaker 2: After two years? Yeah, yeah, call grands for people that

1250
01:01:16,200 --> 01:01:19,080
Speaker 2: like were in college for exactly nine months while pregnant.

1251
01:01:20,360 --> 01:01:23,640
Speaker 3: I but this is like I literally don't have birthdays

1252
01:01:23,640 --> 01:01:25,600
Speaker 3: anymore because I'm like I struggle with this every year

1253
01:01:25,840 --> 01:01:27,760
Speaker 3: because you were. How I used to solve this problem

1254
01:01:27,920 --> 01:01:30,200
Speaker 3: is I would invite people the day before and just

1255
01:01:30,440 --> 01:01:31,720
Speaker 3: and then it would which.

1256
01:01:31,600 --> 01:01:33,640
Speaker 2: Was just like I'm so crazy. I'm so last minute.

1257
01:01:33,720 --> 01:01:35,800
Speaker 3: And then which, by the way, is there because my

1258
01:01:35,840 --> 01:01:37,360
Speaker 3: birthday is on like a holiday weekend.

1259
01:01:38,120 --> 01:01:42,320
Speaker 2: Yeah, that's always bad. That's never good. My birthday has

1260
01:01:42,320 --> 01:01:45,000
Speaker 2: fallen on the super Bowl a lot, and that's that's

1261
01:01:45,080 --> 01:01:50,080
Speaker 2: quite tough. The beginning of February. So and I'm not

1262
01:01:50,160 --> 01:01:53,240
Speaker 2: telling you the year, no, no, I just genuinely I

1263
01:01:53,600 --> 01:01:55,160
Speaker 2: had a moment where I was like, I have literally

1264
01:01:55,240 --> 01:02:01,000
Speaker 2: no idea what seasoned the super Bowl? Right forgot? But

1265
01:02:01,120 --> 01:02:03,200
Speaker 2: that that is a thing where it's like, okay, well

1266
01:02:03,840 --> 01:02:05,480
Speaker 2: that does feel like a hate crime if you guys

1267
01:02:05,520 --> 01:02:08,840
Speaker 2: are kind of like choosing total super Bowl over it does,

1268
01:02:08,960 --> 01:02:11,840
Speaker 2: but then it probably makes you it's so easy for

1269
01:02:11,960 --> 01:02:14,840
Speaker 2: you like it because yeah, yeah, I am kind of I'm.

1270
01:02:14,800 --> 01:02:16,560
Speaker 3: Like a Matthew's birthday was on the super Bowl.

1271
01:02:16,640 --> 01:02:24,240
Speaker 2: Yeah, and there's something to that. Every eight sext wow, wow,

1272
01:02:24,480 --> 01:02:26,240
Speaker 2: you do know when the super Bowl is? Why not?

1273
01:02:26,480 --> 01:02:30,360
Speaker 2: Well again, it is my husband's birthday. At point?

1274
01:02:41,880 --> 01:02:43,400
Speaker 3: Should we do our finals? Like oh my god? Is

1275
01:02:43,440 --> 01:02:43,760
Speaker 3: it time?

1276
01:02:44,640 --> 01:02:47,920
Speaker 2: Like basically right, yes, do you have anything else you

1277
01:02:48,000 --> 01:02:48,800
Speaker 2: want to say?

1278
01:02:53,480 --> 01:02:53,720
Speaker 3: Yeah?

1279
01:02:54,400 --> 01:03:00,360
Speaker 2: Or like promote even okay, there we go, Yeah, age

1280
01:03:00,440 --> 01:03:03,760
Speaker 2: to the show ideas you're trying to get you want

1281
01:03:03,760 --> 01:03:08,680
Speaker 2: to pitch anything. Yeah? So the Huge Wife, right, the

1282
01:03:08,760 --> 01:03:11,040
Speaker 2: Huge Wife is that's already been green light. I canceled time.

1283
01:03:11,320 --> 01:03:16,200
Speaker 2: She's kind of got like who would play her careful?

1284
01:03:19,880 --> 01:03:20,240
Speaker 3: I don't know.

1285
01:03:20,520 --> 01:03:22,160
Speaker 2: I've kind of got in my hat. Is that she's

1286
01:03:22,200 --> 01:03:24,280
Speaker 2: sort of like Clifford the big red dogging yet where

1287
01:03:24,280 --> 01:03:26,640
Speaker 2: it's like she's got a huge kind of house outside

1288
01:03:26,720 --> 01:03:27,280
Speaker 2: the main one.

1289
01:03:27,480 --> 01:03:28,120
Speaker 3: That's nice.

1290
01:03:29,200 --> 01:03:32,200
Speaker 2: Is she raising normal sized kids? Yeah? I think so.

1291
01:03:32,520 --> 01:03:34,360
Speaker 2: And she's kind of like a time to take for

1292
01:03:34,520 --> 01:03:35,760
Speaker 2: me to take you to school, and she kind of

1293
01:03:35,760 --> 01:03:38,760
Speaker 2: picks them up and takes a couple of steps cuts

1294
01:03:38,800 --> 01:03:41,480
Speaker 2: them down. Okay, that's good. So I want to plug

1295
01:03:41,560 --> 01:03:47,360
Speaker 2: the Huge Wife. I'm on tour, uh my tour piss Queen,

1296
01:03:48,640 --> 01:03:50,280
Speaker 2: get a bunch of city. Well, your toy is called

1297
01:03:50,360 --> 01:03:51,960
Speaker 2: piss Queen. That's really good.

1298
01:03:52,680 --> 01:03:53,040
Speaker 3: You know.

1299
01:03:53,120 --> 01:03:54,800
Speaker 2: One of the few things that makes me laugh is

1300
01:03:54,920 --> 01:03:58,200
Speaker 2: this clip of Millennia Trump trying to say peace on

1301
01:03:58,280 --> 01:04:01,040
Speaker 2: Earth but actually saying piss on Earth because of her accent.

1302
01:04:01,320 --> 01:04:04,040
Speaker 2: His on Earth is really good tophobic, but it is funny.

1303
01:04:04,240 --> 01:04:10,680
Speaker 2: You guys know, the h do not come? Yeah, yeah, yeah, yeah,

1304
01:04:10,840 --> 01:04:13,880
Speaker 2: I'm gonna come. I love that, and that was a

1305
01:04:13,920 --> 01:04:15,840
Speaker 2: really good Trump by the way. You can that. But

1306
01:04:18,160 --> 01:04:20,040
Speaker 2: that's my that's my and I would like to plug that.

1307
01:04:20,200 --> 01:04:22,800
Speaker 2: That's my third plug. I need him to stop to

1308
01:04:23,160 --> 01:04:24,960
Speaker 2: be less funny so that we can, like, I know,

1309
01:04:25,080 --> 01:04:26,440
Speaker 2: it's the most hacked thing ever to be like t

1310
01:04:27,120 --> 01:04:31,280
Speaker 2: wilifornios car. But if only we could uh like do

1311
01:04:31,400 --> 01:04:33,920
Speaker 2: a very specific kind of brain damage to him that

1312
01:04:34,200 --> 01:04:36,000
Speaker 2: caused him to just not be funny, like say the

1313
01:04:36,040 --> 01:04:38,080
Speaker 2: same things but not funny, then I think we could

1314
01:04:38,200 --> 01:04:42,200
Speaker 2: get past this whole thing. Yeah, I think, just why not,

1315
01:04:43,080 --> 01:04:47,320
Speaker 2: why not do full brain damage? But yeah, I totally agree.

1316
01:04:47,640 --> 01:04:49,640
Speaker 2: I was just sort of going with a harm reduction model.

1317
01:04:50,480 --> 01:04:53,720
Speaker 2: That's interesting. I don't really feel that way about the President,

1318
01:04:53,800 --> 01:04:57,000
Speaker 2: Donald Trump. But we have to be respectful. Yeah, yeah, yeah,

1319
01:04:57,040 --> 01:04:58,480
Speaker 2: you guys have our president.

1320
01:04:59,200 --> 01:04:59,960
Speaker 3: He is our president.

1321
01:05:00,040 --> 01:05:03,760
Speaker 2: Fabrize told you guys, you can't speak to a lot

1322
01:05:03,840 --> 01:05:11,400
Speaker 2: of rules wants to advertiser, like just don't say anything

1323
01:05:11,440 --> 01:05:12,040
Speaker 2: bad about Trump.

1324
01:05:12,640 --> 01:05:14,680
Speaker 3: If you have to say, get spin image it's partial.

1325
01:05:15,120 --> 01:05:19,640
Speaker 2: Yeah, and it's the Gulf of America golf breeze.

1326
01:05:19,680 --> 01:05:20,440
Speaker 3: Whatever happened with that.

1327
01:05:21,240 --> 01:05:24,000
Speaker 2: I don't think that kind of fell off that stick.

1328
01:05:24,400 --> 01:05:27,240
Speaker 2: You know, there's one thing liberals are obsessed with, its

1329
01:05:28,080 --> 01:05:31,360
Speaker 2: names and terms for things like tell them that something

1330
01:05:31,640 --> 01:05:33,960
Speaker 2: that a symbol or a word is changing, and they're like,

1331
01:05:34,000 --> 01:05:36,800
Speaker 2: we're hitting the streets. Show them footage of war. They're like,

1332
01:05:37,000 --> 01:05:39,360
Speaker 2: I can't really hold space for that right now. I

1333
01:05:39,400 --> 01:05:41,920
Speaker 2: would love to get into that. But chapel row and

1334
01:05:42,120 --> 01:05:44,800
Speaker 2: just kind of ignored a kid for an hour, and

1335
01:05:45,280 --> 01:05:45,920
Speaker 2: I can't have to.

1336
01:05:46,360 --> 01:05:48,840
Speaker 3: I need to buy that. It's literally for that.

1337
01:05:51,400 --> 01:05:55,959
Speaker 2: It's so amazing. Yeah, like people are so amazing. Yeah,

1338
01:05:56,160 --> 01:05:59,880
Speaker 2: I think, yeah, I think that's really where land. It's

1339
01:06:01,280 --> 01:06:02,240
Speaker 2: so phenomenal.

1340
01:06:02,760 --> 01:06:05,440
Speaker 3: It's really amazing what we can all do when we

1341
01:06:05,480 --> 01:06:06,240
Speaker 3: put our heads together.

1342
01:06:06,320 --> 01:06:10,919
Speaker 2: I was like, you know, Caromo Brown, shout out, let's

1343
01:06:10,920 --> 01:06:12,920
Speaker 2: start there. Well, I can't believe we've made it. Think

1344
01:06:12,960 --> 01:06:19,800
Speaker 2: this whole thing without talking about AI AI therapy. You know,

1345
01:06:21,080 --> 01:06:25,000
Speaker 2: is defending himself against a variety of accusations, including sexual harassment.

1346
01:06:25,040 --> 01:06:26,520
Speaker 2: By the way, if you read the People article, but

1347
01:06:27,160 --> 01:06:29,720
Speaker 2: one of the one of the things is that people

1348
01:06:30,040 --> 01:06:31,840
Speaker 2: kept saying he got face work, and he said, no,

1349
01:06:31,920 --> 01:06:34,000
Speaker 2: I didn't get face work. And now he's explaining himself

1350
01:06:34,000 --> 01:06:36,360
Speaker 2: and he's like, actually I got boocal fat removal, and

1351
01:06:36,480 --> 01:06:38,200
Speaker 2: then something went wrong so I had to get a

1352
01:06:38,240 --> 01:06:41,840
Speaker 2: different surgery to fix my whatever whatever. And then people

1353
01:06:42,120 --> 01:06:45,360
Speaker 2: I know are commenting under the like People Magazine, Instagram,

1354
01:06:45,440 --> 01:06:47,680
Speaker 2: being like, so he did get face work. It's like,

1355
01:06:48,200 --> 01:06:49,880
Speaker 2: shut up, well the.

1356
01:06:49,880 --> 01:06:51,840
Speaker 3: People that we know that actually are still active on

1357
01:06:51,920 --> 01:06:54,400
Speaker 3: social media in the comments is really scary to me.

1358
01:06:54,560 --> 01:06:57,120
Speaker 2: That is that is wild. I also just think like

1359
01:06:57,920 --> 01:07:01,320
Speaker 2: it kind of his bad for like, like people shouldn't

1360
01:07:01,320 --> 01:07:03,240
Speaker 2: be crazy when people get work done, but also just

1361
01:07:03,320 --> 01:07:05,120
Speaker 2: like own it when you get work done, well you

1362
01:07:05,360 --> 01:07:09,560
Speaker 2: feel like I got this thing done. Hiding it. Hiding

1363
01:07:09,600 --> 01:07:12,520
Speaker 2: it feels so much more sinister to me, like you're

1364
01:07:12,560 --> 01:07:16,600
Speaker 2: like everybody can. I don't know, It's just I guess

1365
01:07:16,600 --> 01:07:19,520
Speaker 2: I'm just such a cool person that all my fat

1366
01:07:19,560 --> 01:07:22,240
Speaker 2: went away. But I will say and just to like

1367
01:07:22,400 --> 01:07:26,320
Speaker 2: play Devil's advocate, Okay. You know, any sort of body

1368
01:07:26,400 --> 01:07:30,280
Speaker 2: modification comes from a desire to look a different way

1369
01:07:30,320 --> 01:07:33,120
Speaker 2: by definition, right, So that's like, if you're a crama Brown,

1370
01:07:33,200 --> 01:07:35,320
Speaker 2: you've got that there was an insecurity that needed to

1371
01:07:35,360 --> 01:07:37,439
Speaker 2: be addressed. So it is asking a lot for someone

1372
01:07:37,520 --> 01:07:38,880
Speaker 2: to be like and now have a sense of humor

1373
01:07:38,880 --> 01:07:41,400
Speaker 2: about it. You know, I'm not even saying a sense

1374
01:07:41,440 --> 01:07:43,520
Speaker 2: of humor about it, Like I really think you could

1375
01:07:43,560 --> 01:07:46,280
Speaker 2: just be like, hey, I got I got this done,

1376
01:07:46,520 --> 01:07:48,760
Speaker 2: Like like I know somebody who just got like a

1377
01:07:48,800 --> 01:07:50,680
Speaker 2: hair system, and they're like, just got a hair system,

1378
01:07:50,760 --> 01:07:52,720
Speaker 2: and it's like, yeah, I think I think do that.

1379
01:07:52,800 --> 01:07:57,640
Speaker 2: I think it's weirder to act like you've never looked wildly,

1380
01:07:57,960 --> 01:07:59,800
Speaker 2: like you're like you're like, I didn't get Veneers your

1381
01:07:59,800 --> 01:08:04,400
Speaker 2: tea third had never been to them exactly, That's right.

1382
01:08:04,720 --> 01:08:05,880
Speaker 2: I love Bosters at seven thirty.

1383
01:08:05,960 --> 01:08:09,080
Speaker 3: Hey, yeah, what I was gonna say for the Kromo

1384
01:08:09,160 --> 01:08:10,960
Speaker 3: getting the Boogle fat and it kind of messing up

1385
01:08:11,000 --> 01:08:12,880
Speaker 3: and them having to go back in. Do you think

1386
01:08:13,280 --> 01:08:15,520
Speaker 3: that when you're getting that done, you're like hoping they

1387
01:08:15,600 --> 01:08:19,840
Speaker 3: mess up so you get another one for free, Like you're.

1388
01:08:19,920 --> 01:08:21,560
Speaker 2: Gonna be honest, I don't think he was hoping for it.

1389
01:08:21,640 --> 01:08:24,160
Speaker 3: I think you're like, oh, please, please please, because then

1390
01:08:24,200 --> 01:08:25,680
Speaker 3: I can just say I got Google fat. But then

1391
01:08:25,720 --> 01:08:27,240
Speaker 3: I got other stuff done too, but I can just

1392
01:08:27,280 --> 01:08:28,240
Speaker 3: say I got Google fat.

1393
01:08:28,479 --> 01:08:30,240
Speaker 2: Yeah I got It's like.

1394
01:08:30,240 --> 01:08:31,760
Speaker 3: When you're at a restaurant and you hope that they

1395
01:08:31,880 --> 01:08:33,800
Speaker 3: forget your meal, so then you can get it for free.

1396
01:08:35,920 --> 01:08:38,519
Speaker 2: You guys don't do that. I hope they forget your meal. Yeah,

1397
01:08:38,520 --> 01:08:40,200
Speaker 2: so I'm like twenty minutes later, you can be like, hey,

1398
01:08:40,560 --> 01:08:42,760
Speaker 2: like I ordered this, and they'd be like, oh I

1399
01:08:42,920 --> 01:08:45,600
Speaker 2: told yeah, Oh my god, here's a bask cheesecake.

1400
01:08:45,720 --> 01:08:47,200
Speaker 3: Yeah, they're like it's for free. It's for free.

1401
01:08:47,280 --> 01:08:51,760
Speaker 2: Okay, Yeah, yeah, you guys don't hope for that. I guess.

1402
01:08:53,600 --> 01:08:55,839
Speaker 2: I like when I got it. I like that with coffee.

1403
01:08:55,840 --> 01:08:57,599
Speaker 2: I like when I get a coffee and I'm like, oh,

1404
01:08:57,680 --> 01:08:59,160
Speaker 2: this is made wrong, and then they give me Oh

1405
01:08:59,240 --> 01:09:01,080
Speaker 2: my god, I love or if they let you keep

1406
01:09:01,120 --> 01:09:02,599
Speaker 2: the other one too, and you're like, I actually didn't

1407
01:09:02,600 --> 01:09:04,559
Speaker 2: mind the other one either, So I have two coffees.

1408
01:09:05,120 --> 01:09:07,760
Speaker 2: Yeah that's good. That's what I'm hugging that as well.

1409
01:09:07,880 --> 01:09:10,479
Speaker 2: Oh definitely get boogle fat, Get Google fat if you

1410
01:09:10,520 --> 01:09:14,160
Speaker 2: listen to this podcast Boogle fat Seriously. Yeah, boogles are

1411
01:09:14,200 --> 01:09:16,120
Speaker 2: showing you. Guys were saying before we came in here

1412
01:09:16,200 --> 01:09:19,240
Speaker 2: that you're tired of all these shows. Yeah, none of

1413
01:09:19,280 --> 01:09:24,559
Speaker 2: them are getting boogle disgusting. Yeah, two Door Final sever

1414
01:09:24,600 --> 01:09:27,559
Speaker 2: Suddenly both of us showed up with boogle Fat removal.

1415
01:09:27,640 --> 01:09:33,559
Speaker 3: Oh give it some time. Life is long? Life is long?

1416
01:09:34,000 --> 01:09:35,599
Speaker 2: Is it? Where is the book? By the way, It's

1417
01:09:35,680 --> 01:09:38,200
Speaker 2: right here. It's your cheeks. I like that though, I thought.

1418
01:09:38,320 --> 01:09:39,439
Speaker 2: I know I too.

1419
01:09:40,960 --> 01:09:42,559
Speaker 3: I'm give it a couple of years.

1420
01:09:42,640 --> 01:09:49,639
Speaker 2: Okay, you guys are having Cli Killer. He's waiting out there.

1421
01:09:50,640 --> 01:09:53,360
Speaker 2: You know, I'm proud of us for not for not

1422
01:09:53,439 --> 01:09:55,800
Speaker 2: talking more about Clivic, not like being like one of

1423
01:09:55,800 --> 01:09:56,479
Speaker 2: those people.

1424
01:09:56,280 --> 01:09:58,479
Speaker 3: That's like, let's have one. It'll get it'll get people

1425
01:09:58,560 --> 01:09:58,840
Speaker 3: coming in.

1426
01:09:59,439 --> 01:10:01,720
Speaker 2: Yeah. I think I'm really proud of you guys for that. No,

1427
01:10:01,840 --> 01:10:04,280
Speaker 2: me too, Me too. We are having Candice Owens on though.

1428
01:10:04,520 --> 01:10:04,720
Speaker 3: Yeah.

1429
01:10:05,000 --> 01:10:06,840
Speaker 2: Yeah, that's just because we like her. Pot's because she

1430
01:10:06,920 --> 01:10:09,560
Speaker 2: slays the runway. But you like what specifically kind of

1431
01:10:09,880 --> 01:10:10,639
Speaker 2: what she's saying.

1432
01:10:11,360 --> 01:10:12,439
Speaker 3: Yeah, we just agree with it.

1433
01:10:12,560 --> 01:10:15,439
Speaker 2: Yeah, I guess is what we're saying. Yeah, I know

1434
01:10:15,560 --> 01:10:16,320
Speaker 2: she's a friend.

1435
01:10:18,320 --> 01:10:21,519
Speaker 3: The pod. Let's do our final segment. Our final segment

1436
01:10:21,640 --> 01:10:23,400
Speaker 3: is called shout Outs, and in this segment we pay

1437
01:10:23,439 --> 01:10:25,840
Speaker 3: omash is the grand straight tradition of the radio shout out,

1438
01:10:26,160 --> 01:10:28,280
Speaker 3: shouting out anything that we are enjoying. People place those

1439
01:10:28,320 --> 01:10:32,000
Speaker 3: things ideas and we will go first and we make

1440
01:10:32,040 --> 01:10:36,000
Speaker 3: them up on the spot. George, do you have one?

1441
01:10:36,920 --> 01:10:42,320
Speaker 2: Yes, I can have one. Okay, you know, I'm gonna

1442
01:10:42,320 --> 01:10:44,640
Speaker 2: be Ernest and I'm gonna shout out Boots Triley and

1443
01:10:44,720 --> 01:10:47,559
Speaker 2: I love Boosters. I saw it last night by myself

1444
01:10:47,720 --> 01:10:53,280
Speaker 2: after Courtney O'Donnell canceled on me. So maybe don't go

1445
01:10:53,360 --> 01:11:00,360
Speaker 2: to her for or shows. She was committed to coming

1446
01:11:00,439 --> 01:11:03,559
Speaker 2: and then decided that she wasn't going to an hour

1447
01:11:03,680 --> 01:11:04,559
Speaker 2: before the showtime.

1448
01:11:04,840 --> 01:11:05,719
Speaker 3: Let's get to the movie.

1449
01:11:07,880 --> 01:11:10,519
Speaker 2: I want to shout out, honestly, the kind of Bay

1450
01:11:10,640 --> 01:11:13,360
Speaker 2: Area vibe of the movie. I think it's so hilarious

1451
01:11:13,400 --> 01:11:16,200
Speaker 2: that two Yards did the music, but she kind of

1452
01:11:16,479 --> 01:11:21,439
Speaker 2: ate down. It was so good and I just am like,

1453
01:11:22,439 --> 01:11:25,840
Speaker 2: finally someone with an imagination in this town. It was

1454
01:11:25,960 --> 01:11:27,800
Speaker 2: things I had never seen before. I'm not saying it

1455
01:11:27,840 --> 01:11:31,760
Speaker 2: all added up to, you know, exactly, like you know,

1456
01:11:31,840 --> 01:11:34,360
Speaker 2: more than some of its parts, but I was so

1457
01:11:34,800 --> 01:11:37,360
Speaker 2: impressed throughout. It was so colorful, it was so bold.

1458
01:11:37,600 --> 01:11:40,240
Speaker 2: All the actors were so good. Kiki Palmer's like a

1459
01:11:40,320 --> 01:11:45,880
Speaker 2: generational talent. It's so it's just so good, and it's

1460
01:11:45,960 --> 01:11:48,560
Speaker 2: a miracle that it got made and it actually, you know,

1461
01:11:48,720 --> 01:11:50,519
Speaker 2: I go back and forth with my Bay Area pass

1462
01:11:50,560 --> 01:11:52,519
Speaker 2: because I did live there for six years, but it

1463
01:11:52,720 --> 01:11:57,479
Speaker 2: made me proud of my Berea heritage. Akai went to

1464
01:11:57,520 --> 01:11:59,720
Speaker 2: college there and stayed there for two years afterwards. And

1465
01:12:00,320 --> 01:12:02,320
Speaker 2: I just kind of a huge shout out to Oakland,

1466
01:12:02,320 --> 01:12:05,160
Speaker 2: San Francisco, and kind of that whole area wine country

1467
01:12:05,200 --> 01:12:08,599
Speaker 2: in Aposnoma, and shout out to good Triley ooh An,

1468
01:12:08,880 --> 01:12:11,280
Speaker 2: I gotta support that one. It's really good. It's really good.

1469
01:12:12,680 --> 01:12:16,120
Speaker 3: What's up freaks, losers perverts around the globe. I would

1470
01:12:16,200 --> 01:12:19,040
Speaker 3: like to give a shout out to I guess this

1471
01:12:19,200 --> 01:12:21,200
Speaker 3: is weird to do when we're having the host of

1472
01:12:21,240 --> 01:12:23,479
Speaker 3: it on in a day or two, but I want

1473
01:12:23,479 --> 01:12:25,719
Speaker 3: to give a shout out to the podcast band Splain

1474
01:12:26,240 --> 01:12:30,519
Speaker 3: and the Madonna saga twelve hour Saga that I am

1475
01:12:30,640 --> 01:12:31,719
Speaker 3: four hours deep into.

1476
01:12:32,240 --> 01:12:33,200
Speaker 2: You know, you start listening to a.

1477
01:12:33,200 --> 01:12:35,080
Speaker 3: Podcast you say, Okay, what am I really gonna learned

1478
01:12:35,120 --> 01:12:37,920
Speaker 3: about Madonna? I pretty much have heard it all, folks,

1479
01:12:38,360 --> 01:12:40,599
Speaker 3: And then I'm listening and I'm saying, I didn't know that, well,

1480
01:12:40,640 --> 01:12:42,439
Speaker 3: I certainly didn't know that, well, what the hell I

1481
01:12:42,479 --> 01:12:45,160
Speaker 3: didn't know that? It's making me appreciate her on such

1482
01:12:45,200 --> 01:12:47,880
Speaker 3: a deep level. I already loved her, and now I

1483
01:12:48,320 --> 01:12:52,720
Speaker 3: am so in that it feels completely insane. I think,

1484
01:12:52,960 --> 01:12:55,560
Speaker 3: even as someone who loves her, I underestimated her and

1485
01:12:55,840 --> 01:12:59,680
Speaker 3: I think about her, you know, recent past, and I say, well,

1486
01:12:59,720 --> 01:13:02,360
Speaker 3: through this lens, it's completely different. I can see it

1487
01:13:02,400 --> 01:13:06,800
Speaker 3: all very differently and with much more appreciation. And so

1488
01:13:08,040 --> 01:13:10,519
Speaker 3: I want to say, I feel so free is still good.

1489
01:13:10,680 --> 01:13:12,840
Speaker 3: I am still supporting I feel so free, And I

1490
01:13:12,920 --> 01:13:14,880
Speaker 3: think if you're not supporting I feel so free this summer,

1491
01:13:15,000 --> 01:13:17,720
Speaker 3: then you are not coming to the pool party. So

1492
01:13:18,040 --> 01:13:21,280
Speaker 3: stream bands blame stream I feel so free Stream Madonna,

1493
01:13:21,479 --> 01:13:23,280
Speaker 3: xox ol, Sam Wow.

1494
01:13:24,880 --> 01:13:27,320
Speaker 2: I want to give a shout out to the Pulitzer Board,

1495
01:13:29,000 --> 01:13:35,040
Speaker 2: the people behind the speeches Bulleit Surprise of the same name.

1496
01:13:35,840 --> 01:13:38,040
Speaker 2: I just think I love the work they're doing over there,

1497
01:13:38,760 --> 01:13:41,799
Speaker 2: and if they ever want to get coffee or whatever,

1498
01:13:42,200 --> 01:13:47,519
Speaker 2: I'd love to kind of chat about what I'm working on. Also, earnestly,

1499
01:13:47,680 --> 01:13:50,880
Speaker 2: the podcast Cool People Who Did Cool Stuff. It's like

1500
01:13:50,960 --> 01:13:53,360
Speaker 2: a podcast about direct action and mutual aid, and it's

1501
01:13:53,439 --> 01:13:55,280
Speaker 2: the podcast that I keep listening to and hearing your

1502
01:13:55,280 --> 01:13:59,519
Speaker 2: guys this for Breeze commercial supporting mutual Yeah. Yeah, So

1503
01:13:59,880 --> 01:14:04,680
Speaker 2: I love that second in Boots Riley and I love Boosters.

1504
01:14:04,800 --> 01:14:07,360
Speaker 2: It's really fun. You know, all the effects were like practical.

1505
01:14:07,680 --> 01:14:11,120
Speaker 2: It's so cool, the stop motion stuff and the miniature

1506
01:14:11,240 --> 01:14:14,600
Speaker 2: card chase. Yes, people we don't like I just like

1507
01:14:14,720 --> 01:14:18,880
Speaker 2: like that Anymore. I can't believe that it exists. Like

1508
01:14:19,360 --> 01:14:23,040
Speaker 2: it makes me so it warms my heart. Yeah, it

1509
01:14:23,160 --> 01:14:25,240
Speaker 2: made me really really happy. And I also it's like

1510
01:14:25,360 --> 01:14:28,840
Speaker 2: how fun the Demi moor is doing it random ass. Yeah,

1511
01:14:30,080 --> 01:14:32,320
Speaker 2: I love. I also like love when I see like

1512
01:14:32,400 --> 01:14:34,840
Speaker 2: a celebrity that I kind of thought was maybe a

1513
01:14:34,920 --> 01:14:37,560
Speaker 2: little like doing an anti capitalism.

1514
01:14:37,120 --> 01:14:40,880
Speaker 3: Yeah, Like I does bring into questions sometimes how aware

1515
01:14:41,280 --> 01:14:43,160
Speaker 3: actors are of what they're doing.

1516
01:14:43,479 --> 01:14:44,960
Speaker 2: I think that's a really good question.

1517
01:14:45,120 --> 01:14:45,360
Speaker 3: And I.

1518
01:14:46,840 --> 01:14:48,760
Speaker 2: And I don't. I don't want to. I don't want to,

1519
01:14:49,000 --> 01:14:51,920
Speaker 2: you know, super get into it with any of them.

1520
01:14:52,120 --> 01:14:55,200
Speaker 2: But I like seeing it happen. I like seeing some

1521
01:14:55,320 --> 01:14:56,480
Speaker 2: of our greatest celebrities.

1522
01:14:57,120 --> 01:14:57,439
Speaker 3: It's fun.

1523
01:14:57,600 --> 01:15:02,040
Speaker 2: You don't have to be in the bag for Boots

1524
01:15:02,280 --> 01:15:04,960
Speaker 2: Riley's exact politics to understand the ethos of the movie.

1525
01:15:05,000 --> 01:15:06,880
Speaker 2: Like I think Anymore is like got it. So it's

1526
01:15:06,880 --> 01:15:10,200
Speaker 2: like punk rock, yeah, which is what's amazing on her.

1527
01:15:10,320 --> 01:15:12,800
Speaker 2: You can be pro AI and pro punk rock. I

1528
01:15:12,960 --> 01:15:16,400
Speaker 2: just want to say, that's something you understand that she

1529
01:15:16,680 --> 01:15:19,680
Speaker 2: misspoke if you listen to the rest of If you

1530
01:15:19,720 --> 01:15:21,519
Speaker 2: watch the rest of that clip, then she goes on

1531
01:15:21,600 --> 01:15:23,880
Speaker 2: to say, like what will never be replaced as human's

1532
01:15:23,920 --> 01:15:26,479
Speaker 2: capacity for arts. It's like, okay, so she's.

1533
01:15:26,360 --> 01:15:28,960
Speaker 3: Working it out on the people spot people having their

1534
01:15:29,040 --> 01:15:31,320
Speaker 3: cake and eating it too. They're saying stuff like that,

1535
01:15:31,439 --> 01:15:35,200
Speaker 3: and they really useful tool. It's like having your cake

1536
01:15:35,200 --> 01:15:36,240
Speaker 3: and eating it too, don't you think.

1537
01:15:36,240 --> 01:15:38,480
Speaker 2: Will Poultre also gives a really good gi guy performance

1538
01:15:39,160 --> 01:15:42,120
Speaker 2: with the green hair. Oh my god, so good. Yeah,

1539
01:15:42,320 --> 01:15:44,240
Speaker 2: because and you can tell he like has been waiting

1540
01:15:44,280 --> 01:15:46,560
Speaker 2: his whole life for whatever reason to give that performance.

1541
01:15:46,640 --> 01:15:49,040
Speaker 2: He's like, I'm gonna be kind of a crazy gay guy. Yeah,

1542
01:15:49,080 --> 01:15:51,559
Speaker 2: and I like to imagine that like yeah, like Boots right,

1543
01:15:51,840 --> 01:15:53,600
Speaker 2: like nobody was giving him like a note. I'm like,

1544
01:15:53,720 --> 01:15:56,720
Speaker 2: make it like that. Okay, yeah, but they're still like

1545
01:15:56,800 --> 01:15:59,320
Speaker 2: kind of taking that into I really, something I have

1546
01:15:59,400 --> 01:16:01,080
Speaker 2: always wanted is for Boot Riley to do like a

1547
01:16:01,280 --> 01:16:06,519
Speaker 2: gay project, because you know, obviously by area birth of

1548
01:16:07,600 --> 01:16:09,680
Speaker 2: you know, gay activism, blah blah, I think he has

1549
01:16:09,680 --> 01:16:11,760
Speaker 2: a lot of gay people around him, and I think

1550
01:16:11,840 --> 01:16:14,880
Speaker 2: the aesthetic is so like bright colorful. Gay aesthetic is

1551
01:16:15,120 --> 01:16:19,800
Speaker 2: very queer, like bright colors, blah blah blah. And I'm like,

1552
01:16:20,120 --> 01:16:22,080
Speaker 2: how fun would it be if he made like a

1553
01:16:22,360 --> 01:16:27,040
Speaker 2: gay whatever at capitalist satire? I want to see Boots

1554
01:16:27,120 --> 01:16:30,200
Speaker 2: Riley stop that train, Yes exactly, I want to see

1555
01:16:30,240 --> 01:16:30,960
Speaker 2: what that would have looked like.

1556
01:16:31,080 --> 01:16:32,080
Speaker 3: Plus his name is Boots.

1557
01:16:32,120 --> 01:16:33,000
Speaker 2: I know his name is Boots.

1558
01:16:33,920 --> 01:16:40,040
Speaker 3: It rights itself well see Hayden on tour.

1559
01:16:40,920 --> 01:16:43,160
Speaker 2: And this was so fun. Yeah, thank you guys for

1560
01:16:43,280 --> 01:16:43,640
Speaker 2: having me.

1561
01:16:44,000 --> 01:16:45,240
Speaker 3: Of course By