1 00:00:00,520 --> 00:00:07,600 Speaker 1: From Hollywood. Thank you for listening to us with Ryan Seacrest. 2 00:00:09,560 --> 00:00:11,879 Speaker 1: Bats gonna be opening up our jingle Bout presented by 3 00:00:11,880 --> 00:00:15,200 Speaker 1: Capital One. It's one or two point seven kiss f M. 4 00:00:15,240 --> 00:00:17,200 Speaker 1: That is kind of December three, and I've got your 5 00:00:17,200 --> 00:00:19,520 Speaker 1: tickets again. In just a few minutes, we'll start this 6 00:00:19,560 --> 00:00:22,640 Speaker 1: hour and we've got it for you every single hour here. 7 00:00:22,840 --> 00:00:25,400 Speaker 1: Ed Shearon also will be at the show and Ed 8 00:00:25,680 --> 00:00:27,840 Speaker 1: will join us in about an hour or so, right 9 00:00:27,840 --> 00:00:32,760 Speaker 1: after seven o'clock. His album Equals is out now and 10 00:00:33,000 --> 00:00:35,360 Speaker 1: he's written you Know First Times, which is a beautiful 11 00:00:35,400 --> 00:00:39,080 Speaker 1: love song. The lyrics the first kiss, the first night, 12 00:00:39,159 --> 00:00:41,120 Speaker 1: the first song that made you cry, the first drink 13 00:00:41,159 --> 00:00:44,080 Speaker 1: red wine on a step in Brooklyn. I still feel 14 00:00:44,080 --> 00:00:46,800 Speaker 1: the first fight and we both made it out alive, 15 00:00:47,120 --> 00:00:48,960 Speaker 1: and I can't wait to make a million more first 16 00:00:49,000 --> 00:00:55,520 Speaker 1: time time. That last line is just right. It just 17 00:00:55,560 --> 00:00:59,720 Speaker 1: seems so normal and genuine. He also wrote a lullabye. 18 00:00:59,840 --> 00:01:15,480 Speaker 1: This the lullaby Ed Shearon wrote this called Sandman hanging Out. 19 00:01:18,000 --> 00:01:21,800 Speaker 1: I'm hanging out. It's a lullaby supposed to put somebody 20 00:01:21,800 --> 00:01:22,880 Speaker 1: to sleep, but I don't want to stay up and 21 00:01:22,920 --> 00:01:26,240 Speaker 1: watch that whole song. But that's not that's not knocking 22 00:01:26,280 --> 00:01:29,319 Speaker 1: me out right, but it has that lullaby sound to 23 00:01:29,400 --> 00:01:33,600 Speaker 1: it and the very very got that light sort of happy, 24 00:01:34,000 --> 00:01:37,240 Speaker 1: you know, vibe to it. So we'll talk to Ed 25 00:01:37,360 --> 00:01:40,720 Speaker 1: Shearon and just a little bit. That's very exciting. At 26 00:01:40,760 --> 00:01:45,360 Speaker 1: a second date, update this morning, when you met Mr 27 00:01:45,400 --> 00:01:49,360 Speaker 1: Everything on what? Then here we go? This is a 28 00:01:49,480 --> 00:01:56,680 Speaker 1: story right that his new name now? Senor? Wait what 29 00:01:57,320 --> 00:02:00,800 Speaker 1: Mr Mr All? Mr Everything Senior thought us? Why not? 30 00:02:01,840 --> 00:02:04,840 Speaker 1: Um a second? They met on hands, bonded over the Dodgers, 31 00:02:05,400 --> 00:02:07,760 Speaker 1: and they went out. Oh I thought they went out 32 00:02:07,760 --> 00:02:09,840 Speaker 1: to brunch, but they were not a bunch. I think 33 00:02:09,840 --> 00:02:11,680 Speaker 1: there might have been at r in one of those 34 00:02:12,200 --> 00:02:14,400 Speaker 1: emails they went on a few times. They went on 35 00:02:14,480 --> 00:02:16,120 Speaker 1: a bunch of times, I thought, I said, to a 36 00:02:16,160 --> 00:02:18,840 Speaker 1: brunch anyway, Then I guess he goes out of town 37 00:02:18,919 --> 00:02:22,040 Speaker 1: for a week or so. When we came back, nothing 38 00:02:22,360 --> 00:02:25,080 Speaker 1: ice cold. So what happened? Why? Why? Why is it 39 00:02:25,120 --> 00:02:28,080 Speaker 1: outside out of mind? Or is it absence makes our 40 00:02:28,120 --> 00:02:31,200 Speaker 1: grow fonder? Could be either one of those. So we'll 41 00:02:31,240 --> 00:02:36,320 Speaker 1: get to that in Oak Park this morning. Okay, Rionna 42 00:02:37,520 --> 00:02:42,640 Speaker 1: is on the line. Ri own a good morning, Hi Ryan, 43 00:02:42,760 --> 00:02:48,799 Speaker 1: it's Leona. Oh, Leona s r I O n n A. 44 00:02:49,360 --> 00:02:55,519 Speaker 1: But Leona, actually it's l E N. Well I've never 45 00:02:55,520 --> 00:03:00,800 Speaker 1: met a Riona so so but we'll keep that name 46 00:03:01,240 --> 00:03:06,520 Speaker 1: for our list somewhere. But go ahead, thank you. Anyways, 47 00:03:06,639 --> 00:03:09,800 Speaker 1: I'm calling because the other day I heard you guys 48 00:03:09,840 --> 00:03:17,560 Speaker 1: talking about a sound a sonic logo. Yeah, okay, so 49 00:03:17,960 --> 00:03:20,560 Speaker 1: you kind of played some of the kiss dounds and 50 00:03:21,520 --> 00:03:24,480 Speaker 1: I heard that like boo boo, and I heard you 51 00:03:24,520 --> 00:03:26,800 Speaker 1: even mention it, and I was just like, yes, Ryan, 52 00:03:27,720 --> 00:03:39,640 Speaker 1: that sound that Do you know which one I'm talking about? Yes? Yes, 53 00:03:39,920 --> 00:03:44,520 Speaker 1: that sound literally like reaches out to me as a 54 00:03:44,600 --> 00:03:48,640 Speaker 1: kiss listener, and it says to me, you're listening to kiss. 55 00:03:48,800 --> 00:03:51,800 Speaker 1: That's just automatically happen. So let me we need to 56 00:03:51,800 --> 00:03:54,880 Speaker 1: isolate that and let's send that to Benny Blanc on 57 00:03:55,000 --> 00:03:57,160 Speaker 1: having do a couple of versions of that, because that's 58 00:03:57,280 --> 00:04:03,440 Speaker 1: you're right, do do do Do Do Do Do Do 59 00:04:03,440 --> 00:04:09,960 Speaker 1: Do do do. I'm riffing. I'm riffing on it right right, Yeah, 60 00:04:10,920 --> 00:04:12,840 Speaker 1: you think that after all these years of us working here, 61 00:04:12,840 --> 00:04:16,240 Speaker 1: we could have figured that out. So here's the Netflix one. 62 00:04:17,000 --> 00:04:27,799 Speaker 1: So then this is the one you're referring to, because 63 00:04:27,800 --> 00:04:32,240 Speaker 1: meat chills there it is. That's it. Let's just give 64 00:04:32,279 --> 00:04:34,400 Speaker 1: that to Betty nevn like go to town with that. 65 00:04:34,920 --> 00:04:38,880 Speaker 1: We need words, no no, no, no no no no, 66 00:04:38,480 --> 00:04:41,600 Speaker 1: it's no. It's stronger like this is like like that's 67 00:04:41,640 --> 00:04:44,480 Speaker 1: strong no words, and then we can give the words 68 00:04:44,480 --> 00:04:47,560 Speaker 1: like it would be like and I would say something 69 00:04:47,560 --> 00:04:54,480 Speaker 1: like the morning hack is coming up. Yes, okayn, Thisney 70 00:04:54,520 --> 00:04:57,040 Speaker 1: just got back. Can we be encouraging to each other? 71 00:04:59,200 --> 00:05:02,880 Speaker 1: Thank you? Ver be welcome people to the show, you know, 72 00:05:02,960 --> 00:05:07,800 Speaker 1: like I'll be there for you. You know, I like 73 00:05:07,920 --> 00:05:11,279 Speaker 1: that too. Maybe we do two versions, so we have 74 00:05:11,400 --> 00:05:14,599 Speaker 1: like our opening whatever, and then you have your little 75 00:05:14,720 --> 00:05:18,000 Speaker 1: mini version of the sonic one with words. All right, well, 76 00:05:20,360 --> 00:05:22,800 Speaker 1: thank you for calling with that. We appreciate the suggestion. 77 00:05:22,839 --> 00:05:31,800 Speaker 1: You take good care you Yeah, all right, so I 78 00:05:31,800 --> 00:05:34,200 Speaker 1: do like that too. That that is a it's a stamp. 79 00:05:34,360 --> 00:05:37,200 Speaker 1: It's an audio stamp. Let's get to your morning hack 80 00:05:37,320 --> 00:05:41,200 Speaker 1: and your quote of the day. This was posted in 81 00:05:41,240 --> 00:05:43,800 Speaker 1: a Facebook group and went viral. The kids were home 82 00:05:43,800 --> 00:05:45,880 Speaker 1: from school a few hours before the parents got home 83 00:05:45,920 --> 00:05:49,000 Speaker 1: from work. The parents left them a note that said, quote, 84 00:05:49,080 --> 00:05:52,520 Speaker 1: unload the dishwasher and take a pick, then walk the 85 00:05:52,560 --> 00:05:55,360 Speaker 1: dog and take a pick. When you get the picks, 86 00:05:55,480 --> 00:05:59,240 Speaker 1: will tell you where the Xbox power chord is. So 87 00:05:59,279 --> 00:06:03,080 Speaker 1: basically they documented images of them doing all their chores 88 00:06:03,640 --> 00:06:09,200 Speaker 1: and then they get you get your Xbox. Good back. 89 00:06:10,640 --> 00:06:13,720 Speaker 1: That's really good. So the power chord was taken away, 90 00:06:13,760 --> 00:06:18,120 Speaker 1: the Xbox lives there. Power chords taken away, and it's 91 00:06:18,120 --> 00:06:20,040 Speaker 1: a really good trick. I would never thought of that. 92 00:06:21,920 --> 00:06:26,680 Speaker 1: So documenting with pictures and then take away the plug 93 00:06:26,880 --> 00:06:29,600 Speaker 1: the cord if you want, if you want to do 94 00:06:29,600 --> 00:06:32,200 Speaker 1: that to your or unhooked the WiFi one or them. 95 00:06:33,040 --> 00:06:36,159 Speaker 1: Today's quote every day we have one. You can't change anyone, 96 00:06:36,520 --> 00:06:39,760 Speaker 1: So either change your expectations of them or change who 97 00:06:39,839 --> 00:06:46,799 Speaker 1: is in your life with Ryan secret all right? Uh 98 00:06:47,000 --> 00:06:52,680 Speaker 1: Tanya sis and he's gonna do the news. Yeah. All 99 00:06:52,960 --> 00:06:54,880 Speaker 1: she did a lot of great newscast. Thank you Tony 100 00:06:54,960 --> 00:06:59,279 Speaker 1: for that newcast. Whatever you know, top stories, sissy? What 101 00:06:59,320 --> 00:07:01,880 Speaker 1: do we have this morning? Well, you know. Actor Alec 102 00:07:01,920 --> 00:07:05,200 Speaker 1: Baldwin released a statement and it's calling on production companies 103 00:07:05,240 --> 00:07:09,159 Speaker 1: in Hollywood to hire more police officers and on all 104 00:07:09,240 --> 00:07:12,640 Speaker 1: film and television sets that use guns. This comes, obviously 105 00:07:12,720 --> 00:07:16,040 Speaker 1: after his involvement in the accidental shooting on the Western 106 00:07:16,080 --> 00:07:18,800 Speaker 1: movie set Rust last month in Santa Fe, New Mexico. 107 00:07:19,480 --> 00:07:21,640 Speaker 1: The sixty three year old actor fired a gun while 108 00:07:21,680 --> 00:07:26,120 Speaker 1: rehearsing for a scene, killing cinematographer Helena Hutchins and wounding 109 00:07:26,120 --> 00:07:29,960 Speaker 1: director Joel's house um. Last year, the COVID nineteen pandemic 110 00:07:30,040 --> 00:07:33,160 Speaker 1: forced many stores to keep their doors shut on Thanksgiving, 111 00:07:33,600 --> 00:07:35,480 Speaker 1: some for the first time in years. When you think 112 00:07:35,480 --> 00:07:38,120 Speaker 1: about it, right, and while the Black Friday shopping rush 113 00:07:38,160 --> 00:07:40,880 Speaker 1: continues to kind of like encroach on Turkey Day, some 114 00:07:40,960 --> 00:07:43,800 Speaker 1: retailers are actually trying to entice shoppers to open their 115 00:07:43,800 --> 00:07:47,080 Speaker 1: wallets well before the holiday and actually buy gifts early. 116 00:07:47,360 --> 00:07:50,480 Speaker 1: In fact, many stores have already started offering deep discounts 117 00:07:50,480 --> 00:07:54,680 Speaker 1: on merchandise now this store this year. Stores closed on 118 00:07:54,680 --> 00:07:57,800 Speaker 1: Thanksgiving Day include bed, Bath and Beyond, Best Buy, Costco, 119 00:07:57,920 --> 00:08:01,000 Speaker 1: Home Depot, Sam's Club, Target to Water, Joe's, Walmart, and 120 00:08:01,200 --> 00:08:04,880 Speaker 1: pretty much almost every department store. Winter is coming to 121 00:08:05,000 --> 00:08:07,440 Speaker 1: Dodger Stadium this year. I'm so excited for this. This 122 00:08:07,520 --> 00:08:10,280 Speaker 1: looks amazing. It's a little holiday festival. It's going to 123 00:08:10,320 --> 00:08:15,200 Speaker 1: be including an eighty by sixty foot ice skating rink. Yeah, delicious, 124 00:08:15,200 --> 00:08:17,200 Speaker 1: streets You can visit with Santa all the good stuff. 125 00:08:17,240 --> 00:08:20,640 Speaker 1: It's happening from November through December thirty one to get 126 00:08:20,640 --> 00:08:22,960 Speaker 1: start at sixteen dollars and we'll be available to purchase 127 00:08:23,040 --> 00:08:27,400 Speaker 1: online starting tomorrow at ten am. Admission is free for 128 00:08:27,560 --> 00:08:35,199 Speaker 1: children under three years old. On air with Ryan Seacrest, Well, 129 00:08:35,280 --> 00:08:39,079 Speaker 1: it is one or two point seven Kiss f M. Shivers. 130 00:08:39,160 --> 00:08:42,200 Speaker 1: That's Ed Sharon and Ed Shearon joining us now on 131 00:08:42,240 --> 00:08:46,000 Speaker 1: the hot line. Ed, good morning, How are you pal great? 132 00:08:46,000 --> 00:08:48,280 Speaker 1: How are you June? Well? I want to check in 133 00:08:48,320 --> 00:08:50,320 Speaker 1: before we get to s NL. I want to check in. 134 00:08:50,400 --> 00:08:53,040 Speaker 1: I uh know that you tested positive for COVID a 135 00:08:53,080 --> 00:08:55,760 Speaker 1: few weeks now and also your daughter. Are you Are 136 00:08:55,760 --> 00:09:00,000 Speaker 1: you good? Everything fine? Yeah? Man, everything's everything will good. 137 00:09:00,520 --> 00:09:04,679 Speaker 1: I did the quarantine and you know I had symptoms 138 00:09:04,720 --> 00:09:06,960 Speaker 1: and blah blah blah blah, being the sort of out 139 00:09:07,040 --> 00:09:09,040 Speaker 1: for about ten days now. So everything is all good 140 00:09:09,040 --> 00:09:11,480 Speaker 1: and I'm happy to be back promoting album. Good Well. 141 00:09:11,640 --> 00:09:13,760 Speaker 1: It's good to hear that we got a chance to 142 00:09:13,800 --> 00:09:16,360 Speaker 1: see you at s n L over the weekend. What's 143 00:09:16,400 --> 00:09:20,440 Speaker 1: that experience like to perform in that environment? Um, you know, 144 00:09:20,480 --> 00:09:22,400 Speaker 1: I never really take it for grant because I remember 145 00:09:22,720 --> 00:09:24,520 Speaker 1: how much of the big deal it was when I 146 00:09:24,559 --> 00:09:26,880 Speaker 1: first did it, and then the next time I did 147 00:09:26,920 --> 00:09:28,880 Speaker 1: a huge deal. So like going back in this time, 148 00:09:28,920 --> 00:09:31,959 Speaker 1: you sort of feel the gravitask of the show. It's 149 00:09:32,000 --> 00:09:35,200 Speaker 1: been such a staple on American television for so long, 150 00:09:35,360 --> 00:09:39,240 Speaker 1: and it's just I love I love how Blick and 151 00:09:40,040 --> 00:09:42,760 Speaker 1: Great is the band that I got to use. Guy 152 00:09:42,800 --> 00:09:45,600 Speaker 1: Adam Blackstone put it together, and it was like, it's 153 00:09:45,640 --> 00:09:48,240 Speaker 1: just it's just great. It's out of the norm for me, 154 00:09:48,280 --> 00:09:51,640 Speaker 1: and I just really enjoy it equals and sharing with 155 00:09:51,720 --> 00:09:55,720 Speaker 1: us equals his new album it is out. You know, 156 00:09:55,760 --> 00:09:57,920 Speaker 1: I listened to some of these songs, and I'm gonna 157 00:09:57,920 --> 00:09:59,839 Speaker 1: play a couple of the clips here in a second, 158 00:09:59,840 --> 00:10:02,280 Speaker 1: but listen to some of the songs, and on the outside, 159 00:10:03,040 --> 00:10:05,440 Speaker 1: it's always as if so many of us want to 160 00:10:05,520 --> 00:10:09,280 Speaker 1: have the kinds of relationship you have with your wife 161 00:10:09,400 --> 00:10:13,719 Speaker 1: and now your baby, and I'm just curious how you 162 00:10:13,760 --> 00:10:17,640 Speaker 1: maintain that or how you you stay so grounded and 163 00:10:17,720 --> 00:10:21,200 Speaker 1: can can do that. Well, you know, listen, I'm I'm 164 00:10:21,280 --> 00:10:24,360 Speaker 1: I'm human and my wife's human. And like the songs 165 00:10:24,800 --> 00:10:27,800 Speaker 1: that I always the criticism that people always had for 166 00:10:27,920 --> 00:10:30,760 Speaker 1: my songs is that relationships are reading the worst in 167 00:10:30,760 --> 00:10:32,240 Speaker 1: the world or the best in the world. And I 168 00:10:32,240 --> 00:10:34,840 Speaker 1: feel like songs. I don't feel like writing a song 169 00:10:35,200 --> 00:10:38,199 Speaker 1: if everything's mid Like, if something's great, I'll write a song. 170 00:10:38,240 --> 00:10:40,200 Speaker 1: And if something's really hurt me, then I'll write a song. 171 00:10:40,280 --> 00:10:43,959 Speaker 1: So it's probably sounds like it's the perfect life. But man, 172 00:10:43,960 --> 00:10:47,559 Speaker 1: we're we're we're humans and we I live. I live life, 173 00:10:47,559 --> 00:10:50,360 Speaker 1: and you know, I'm a father, but I don't know 174 00:10:50,720 --> 00:10:54,000 Speaker 1: exactly all the things I should about about parented. But 175 00:10:54,040 --> 00:10:56,080 Speaker 1: I'm learning as I go, and I'm learning of my marriage. 176 00:10:56,080 --> 00:10:59,200 Speaker 1: And it's just the The album just reflects all the 177 00:10:59,240 --> 00:11:00,840 Speaker 1: good times and all the out times, but none of 178 00:11:00,840 --> 00:11:03,520 Speaker 1: the middle day. Well, it's interesting to hear you say that. 179 00:11:03,559 --> 00:11:05,439 Speaker 1: And when i'm you know, let me play actually a 180 00:11:05,480 --> 00:11:07,680 Speaker 1: little bit of the song I'm thinking of first time, 181 00:11:08,000 --> 00:11:11,960 Speaker 1: the first kise the first time, the first song made 182 00:11:12,000 --> 00:11:17,079 Speaker 1: you cry. First look you when I said a few 183 00:11:17,679 --> 00:11:22,120 Speaker 1: stealthy but the fun when we startled home that night, 184 00:11:22,600 --> 00:11:32,600 Speaker 1: I'll go away to make a littliyarul. First time. You 185 00:11:32,640 --> 00:11:34,960 Speaker 1: have to realize that that I'm looking at one of 186 00:11:35,000 --> 00:11:38,120 Speaker 1: our co host Tanya. She's clutching her throat as she 187 00:11:38,520 --> 00:11:42,440 Speaker 1: sings along to that song. And that's my favorite song 188 00:11:42,480 --> 00:11:45,319 Speaker 1: on the album. I think it's in that one specific 189 00:11:45,400 --> 00:11:47,560 Speaker 1: lyric of I can't wait to make a million more 190 00:11:47,600 --> 00:11:50,320 Speaker 1: first times is just so special and beautiful and then 191 00:11:50,400 --> 00:11:53,560 Speaker 1: like tugs at such a special place in my heart, 192 00:11:54,280 --> 00:11:56,480 Speaker 1: Thank you so much. That's so that's so free. That 193 00:11:56,559 --> 00:11:58,920 Speaker 1: was actually I think the first song that I've properly 194 00:11:58,920 --> 00:12:01,760 Speaker 1: finished for the album. And yeah, I've just had it 195 00:12:01,840 --> 00:12:04,840 Speaker 1: for a long time and I really like it. I 196 00:12:04,880 --> 00:12:06,679 Speaker 1: really like it. And now, like being a dad, I'm 197 00:12:06,679 --> 00:12:09,000 Speaker 1: now experiencing all the new first times, you know, seeing 198 00:12:09,240 --> 00:12:11,520 Speaker 1: Laura and walked for the first time, and feel rained 199 00:12:11,520 --> 00:12:13,160 Speaker 1: for the first time and eat a grape for the 200 00:12:13,160 --> 00:12:18,480 Speaker 1: first you know, like we'll be rather are you as 201 00:12:18,640 --> 00:12:22,120 Speaker 1: good a communicating? Like can you communicate as easily as 202 00:12:22,120 --> 00:12:25,079 Speaker 1: you can write lyrics? No? And I think that's why 203 00:12:25,120 --> 00:12:30,520 Speaker 1: I write songs. I think I think I am I find, honestly, 204 00:12:30,600 --> 00:12:33,360 Speaker 1: and music way easier than I find just I mean, 205 00:12:33,640 --> 00:12:37,240 Speaker 1: I'm English, so we always will be like yeah, yeah, fine, 206 00:12:38,040 --> 00:12:42,480 Speaker 1: you're right, You're right. No, And I find like growing 207 00:12:42,559 --> 00:12:44,800 Speaker 1: up now, like if if everyone in like an orchard 208 00:12:44,840 --> 00:12:47,520 Speaker 1: situation with like a family member or a friend or something. 209 00:12:47,800 --> 00:12:51,599 Speaker 1: I now know that just bringing up the thing instantly 210 00:12:51,640 --> 00:12:53,960 Speaker 1: and clearing the air is actually the best thing to do, 211 00:12:54,000 --> 00:12:56,520 Speaker 1: because if you leave stuff to fester, it just builds 212 00:12:56,520 --> 00:12:58,600 Speaker 1: and building building, it actually becomes a bigger problem than 213 00:12:58,600 --> 00:13:02,200 Speaker 1: it started in the first place. But I've never really 214 00:13:02,200 --> 00:13:04,439 Speaker 1: had a problem with that in my music because I 215 00:13:04,640 --> 00:13:07,400 Speaker 1: it's always such a need knee jerk reaction to songwriting. 216 00:13:07,760 --> 00:13:10,040 Speaker 1: Something happens and I write a song and then that's that. 217 00:13:10,120 --> 00:13:12,600 Speaker 1: But in like personal life, I would be, you know, 218 00:13:12,679 --> 00:13:14,920 Speaker 1: five six years ago, I would let things build up, 219 00:13:15,040 --> 00:13:19,080 Speaker 1: and yeah, I'm trying not to do that. Now. We 220 00:13:19,080 --> 00:13:22,320 Speaker 1: were reading somewhere that You've got a lot. I mean, 221 00:13:22,320 --> 00:13:23,719 Speaker 1: obviously this album is out now, but there are a 222 00:13:23,800 --> 00:13:27,319 Speaker 1: lot more songs in the queue which could come out 223 00:13:27,360 --> 00:13:30,000 Speaker 1: at any time. I mean I heard the number was 224 00:13:30,120 --> 00:13:31,840 Speaker 1: like a huge number of songs that are written. Are 225 00:13:31,840 --> 00:13:35,080 Speaker 1: they written in the stage where you're done with them? 226 00:13:35,480 --> 00:13:38,320 Speaker 1: I mean, the songs are finished, but there's I need 227 00:13:38,360 --> 00:13:42,679 Speaker 1: to sort of like tweak production um, because I always 228 00:13:42,760 --> 00:13:45,320 Speaker 1: I never want songs to get stale production wise. So 229 00:13:45,400 --> 00:13:47,240 Speaker 1: I've I've got, I've got the songs, and what I'm 230 00:13:47,280 --> 00:13:49,160 Speaker 1: going to do is probably end the next year. I 231 00:13:49,160 --> 00:13:51,440 Speaker 1: want to finish the first run of tour. I'm just 232 00:13:51,440 --> 00:13:55,000 Speaker 1: going to go in and play them live and um 233 00:13:55,080 --> 00:13:58,280 Speaker 1: yeah and see you see what to play them live 234 00:13:58,280 --> 00:14:01,680 Speaker 1: and then make that the recording. I think so yeah. 235 00:14:01,720 --> 00:14:04,800 Speaker 1: I think that's the that's the next idea for a record, 236 00:14:04,800 --> 00:14:07,120 Speaker 1: because you know this, this record, I spent months and 237 00:14:07,160 --> 00:14:09,320 Speaker 1: months and months getting production right and mixing and blah 238 00:14:09,320 --> 00:14:11,439 Speaker 1: blah blah. And I love the idea of like a 239 00:14:11,520 --> 00:14:14,360 Speaker 1: knee jerk reaction, just going in recording it and it 240 00:14:14,480 --> 00:14:15,640 Speaker 1: is what it is, and then it and then it 241 00:14:15,679 --> 00:14:18,920 Speaker 1: gets released after that. So even with an imperfection, you 242 00:14:19,000 --> 00:14:23,200 Speaker 1: would let it release. Well. First times has so many intererfections, 243 00:14:23,200 --> 00:14:25,480 Speaker 1: and I think that's what people like about it. I 244 00:14:25,520 --> 00:14:28,480 Speaker 1: recorded that song I wrote. I wrote that song, and 245 00:14:28,480 --> 00:14:30,720 Speaker 1: then I went to dinner with my friends and everyone 246 00:14:30,760 --> 00:14:33,760 Speaker 1: had these his little CBD pens and we were drinking 247 00:14:34,040 --> 00:14:36,720 Speaker 1: with drinking wine and I just got really blasted and 248 00:14:36,720 --> 00:14:38,440 Speaker 1: I probably had like a bottle and a half of 249 00:14:38,440 --> 00:14:40,720 Speaker 1: wine and I was like putting on this pen. And 250 00:14:40,760 --> 00:14:43,000 Speaker 1: then at the end of dinner, the producer came up 251 00:14:43,040 --> 00:14:44,640 Speaker 1: to me, come out, came up to me and said 252 00:14:44,640 --> 00:14:46,240 Speaker 1: we didn't get the right vocal. Can you come back in? 253 00:14:46,280 --> 00:14:48,240 Speaker 1: And I could barely open my eyes, and I was like, 254 00:14:49,440 --> 00:14:52,520 Speaker 1: so I went in and recorded this this vocal that's 255 00:14:52,600 --> 00:14:56,360 Speaker 1: really really fragile and gentle because I could barely sing. 256 00:14:56,800 --> 00:14:58,840 Speaker 1: And that's the vocal that's on the album. And I 257 00:14:58,880 --> 00:15:02,560 Speaker 1: love it because it sounds so imperfect basically, you know, 258 00:15:02,640 --> 00:15:04,400 Speaker 1: you know, there's notes that I don't quite hit, and 259 00:15:04,440 --> 00:15:07,280 Speaker 1: it's quite breathy and short and and and everything, and 260 00:15:07,280 --> 00:15:09,840 Speaker 1: it's not perfect. And I think that's what is wonderful 261 00:15:09,880 --> 00:15:12,800 Speaker 1: about it. Well, it is. It's so easting to hear 262 00:15:12,840 --> 00:15:15,480 Speaker 1: that story behind. You know, the song that we were 263 00:15:15,520 --> 00:15:18,360 Speaker 1: just talking about. Ed's new album, Equals is out now. 264 00:15:18,400 --> 00:15:20,360 Speaker 1: Thank you for coming on man, hope to see you soon. 265 00:15:20,400 --> 00:15:23,840 Speaker 1: Have a great holiday season. Absolutely, I'll see you when 266 00:15:23,840 --> 00:15:27,040 Speaker 1: I'm I'm I'm there for the jingle stuff coming up 267 00:15:27,080 --> 00:15:28,400 Speaker 1: before you know it, it's going to be here, the 268 00:15:28,480 --> 00:15:31,720 Speaker 1: jingle stuff and those tickets FM jingle Bow Present my 269 00:15:31,800 --> 00:15:34,200 Speaker 1: topit of one are coming up very shortly. See then, 270 00:15:34,280 --> 00:15:40,280 Speaker 1: Thank you nice, Thank you man. It's sharing. Yeah, he 271 00:15:40,360 --> 00:15:44,680 Speaker 1: just has that. I don't know, you know that the 272 00:15:44,760 --> 00:15:47,360 Speaker 1: success has never changed him. It's interesting when he says 273 00:15:47,400 --> 00:15:49,320 Speaker 1: about how he when he writes music, it's either the 274 00:15:49,400 --> 00:15:51,240 Speaker 1: lows or the highs and not really there nothing in 275 00:15:51,240 --> 00:15:55,880 Speaker 1: the middle. Well, it's like, yeah, it's like the arguments 276 00:15:55,920 --> 00:15:57,520 Speaker 1: and when he gets in an argument with his wife, 277 00:15:57,560 --> 00:16:00,240 Speaker 1: like do you think he apologizes first or does she? H? 278 00:16:01,000 --> 00:16:02,840 Speaker 1: I think now he does. I think maybe before he did, 279 00:16:02,880 --> 00:16:12,240 Speaker 1: because he said he had that that breakthrough. D it's 280 00:16:12,280 --> 00:16:15,680 Speaker 1: time for a second date. Updates one or two point 281 00:16:15,760 --> 00:16:22,040 Speaker 1: seven Kiss FM. This is let's see Colby has written 282 00:16:22,080 --> 00:16:27,000 Speaker 1: to us. Colby is on Hey Colby, good morning morning. 283 00:16:27,840 --> 00:16:32,440 Speaker 1: How are you doing. I'm doing fine now it's been 284 00:16:32,480 --> 00:16:35,000 Speaker 1: all right Okay, well listen, So you went on a 285 00:16:35,000 --> 00:16:39,520 Speaker 1: few dates with somebody bet On Hinges that right? Yeah? Yeah. 286 00:16:39,720 --> 00:16:41,960 Speaker 1: We we went in a couple, you know, about four 287 00:16:42,080 --> 00:16:45,040 Speaker 1: or five times over a couple of weeks. But I 288 00:16:45,080 --> 00:16:47,600 Speaker 1: went out of town for a week for business. I 289 00:16:47,680 --> 00:16:51,280 Speaker 1: get back and it's like everything's just changed out from 290 00:16:51,360 --> 00:16:54,280 Speaker 1: underneath me. She doesn't want to go out, so she 291 00:16:54,400 --> 00:17:01,040 Speaker 1: went on you Yep, she went absolutely just post. Okay, 292 00:17:01,080 --> 00:17:04,640 Speaker 1: well it seems how long were you gone? A week? 293 00:17:05,160 --> 00:17:07,520 Speaker 1: I went out for a week in San Francisco? Can 294 00:17:07,560 --> 00:17:12,080 Speaker 1: I ask you something, what unhinged connected you? Guys? Well, 295 00:17:12,720 --> 00:17:15,320 Speaker 1: I saw that she had answered the prompt for you know, 296 00:17:15,400 --> 00:17:19,560 Speaker 1: what's your perfect Sunday? And she said that her perfect 297 00:17:19,600 --> 00:17:21,639 Speaker 1: Sunday just we go to a Dodger game, were you 298 00:17:22,080 --> 00:17:24,040 Speaker 1: in and out for dinner? And we take a sunset 299 00:17:24,080 --> 00:17:26,919 Speaker 1: hike at Griffith Park And I'm like, boom that I 300 00:17:27,000 --> 00:17:30,439 Speaker 1: love all three of those things. Those are perfect And 301 00:17:30,480 --> 00:17:34,480 Speaker 1: we started connecting over thanks pretty good. I mean, you've 302 00:17:34,520 --> 00:17:39,719 Speaker 1: made me hungry thinking about all right, So the question 303 00:17:39,800 --> 00:17:42,080 Speaker 1: is what with you being out of sight? Why were 304 00:17:42,080 --> 00:17:43,280 Speaker 1: you so out of mind? I think it's what we 305 00:17:43,320 --> 00:17:44,840 Speaker 1: wanted to the bottom of, right, And you you really 306 00:17:44,840 --> 00:17:48,440 Speaker 1: want to go out with her again? Yes, very much. 307 00:17:48,480 --> 00:17:51,160 Speaker 1: So we really had. We had a bunch of good 308 00:17:51,280 --> 00:17:55,240 Speaker 1: dates like this was really promising, and I just I'm 309 00:17:55,280 --> 00:17:57,800 Speaker 1: I'm worried, like was it because I was gone? And 310 00:17:57,880 --> 00:18:01,560 Speaker 1: now I'm just kind of what will give me some 311 00:18:01,600 --> 00:18:05,959 Speaker 1: other You're pretty good the dating example. What's another date? Well, 312 00:18:06,000 --> 00:18:07,880 Speaker 1: I mean, like I said, we went to like a 313 00:18:07,880 --> 00:18:12,320 Speaker 1: Dodgers Giants playoff games. We we did more hiking, we 314 00:18:12,359 --> 00:18:15,440 Speaker 1: went to in and Out, Um, we started we started 315 00:18:15,480 --> 00:18:18,200 Speaker 1: squid game together, like we actually started really hanging out 316 00:18:18,200 --> 00:18:22,120 Speaker 1: more intimately. Okay, So he said that he met her 317 00:18:22,160 --> 00:18:24,200 Speaker 1: on Hinge. They went out, they went to a Dodger game, 318 00:18:24,240 --> 00:18:26,080 Speaker 1: in and out in a sunset walk at Griffith Park 319 00:18:26,119 --> 00:18:29,040 Speaker 1: and they hung out a little bit like they had 320 00:18:29,040 --> 00:18:31,480 Speaker 1: a minute or two together. And then he went away 321 00:18:31,920 --> 00:18:34,840 Speaker 1: work or whatever in San Francisco. A week goes by, 322 00:18:35,160 --> 00:18:38,160 Speaker 1: and now she's not responding to him. She's she's ice cold. 323 00:18:38,200 --> 00:18:40,240 Speaker 1: He said, So, Kobe, are you actually like sending text 324 00:18:40,280 --> 00:18:44,840 Speaker 1: and she's not replying at all? Yeah, just straight up. 325 00:18:44,840 --> 00:18:50,160 Speaker 1: It's like I don't exist. So rude. Mm hmm, what's 326 00:18:50,200 --> 00:18:54,240 Speaker 1: the why? Why they about face? All right, we're gonna 327 00:18:54,640 --> 00:18:59,200 Speaker 1: we have herd Is this her Penny? You got her? 328 00:18:59,400 --> 00:19:03,080 Speaker 1: Her name is me? Mm hmm. Okay, Cob, be very quiet. 329 00:19:03,080 --> 00:19:07,399 Speaker 1: I'm gonna put her up with us now, okay, okay, Amy, 330 00:19:07,480 --> 00:19:09,159 Speaker 1: how are you? Thank you for agreeing to come on 331 00:19:09,160 --> 00:19:14,200 Speaker 1: the air with us? Good morning, Good morning, I'm good. Uh. 332 00:19:15,119 --> 00:19:18,879 Speaker 1: I don't know what's going on. Well, we are calling. 333 00:19:18,960 --> 00:19:20,080 Speaker 1: I know it's a bit out of the blue, but 334 00:19:20,200 --> 00:19:22,920 Speaker 1: we're calling you about a guy you met on Hinge 335 00:19:23,000 --> 00:19:27,880 Speaker 1: named Kobe. You guys went out, Yeah, I remember him. 336 00:19:27,920 --> 00:19:36,760 Speaker 1: He was super nice. Yeah. Was he a good det Yeah? Why? Um, 337 00:19:36,800 --> 00:19:40,080 Speaker 1: I'm getting there. So you guys went to dodging game. 338 00:19:40,119 --> 00:19:42,280 Speaker 1: You guys want to in and out like, Oh that's true. 339 00:19:42,720 --> 00:19:47,600 Speaker 1: M Yeah that's true, and you say it's great. So 340 00:19:48,400 --> 00:19:54,280 Speaker 1: are you still talking to him? Um? No, not really? 341 00:19:54,720 --> 00:20:00,240 Speaker 1: And why is that? I mean, it's not a big deal. 342 00:20:00,320 --> 00:20:02,639 Speaker 1: I just met someone else and I'm just kind of 343 00:20:02,640 --> 00:20:05,800 Speaker 1: seeing where it's going. So did you know that someone 344 00:20:05,880 --> 00:20:10,600 Speaker 1: else while you were dating Colby? No? I just you know, 345 00:20:10,720 --> 00:20:14,520 Speaker 1: I'm just like dating around like so it And have 346 00:20:14,840 --> 00:20:20,560 Speaker 1: you been open with him about that? I honestly, I 347 00:20:20,600 --> 00:20:24,520 Speaker 1: didn't think he'd care that much. It's like, I mean, 348 00:20:24,640 --> 00:20:27,800 Speaker 1: he wasn't putting in that much effort until you know, 349 00:20:27,840 --> 00:20:30,040 Speaker 1: I stopped respotting right away, and then suddenly he was 350 00:20:30,119 --> 00:20:34,959 Speaker 1: very attentive. But so I just didn't think he'd care. Okay, well, 351 00:20:34,960 --> 00:20:37,199 Speaker 1: I'm gonna tell you he does care. He's on the 352 00:20:37,240 --> 00:20:42,000 Speaker 1: line with us now. And Colby, what do you think 353 00:20:42,040 --> 00:20:44,400 Speaker 1: of what Amy is saying and that you didn't put 354 00:20:44,440 --> 00:20:50,680 Speaker 1: too much effort into it? I think that's I think 355 00:20:50,720 --> 00:20:53,320 Speaker 1: that's just not true. I think I was really trying here. 356 00:20:53,400 --> 00:20:55,240 Speaker 1: I thought we had a good thing and you're seeing 357 00:20:55,280 --> 00:20:56,960 Speaker 1: someone else. I mean what I thought we had like 358 00:20:56,960 --> 00:21:00,800 Speaker 1: a really good thing going back and forth here. I 359 00:21:00,880 --> 00:21:04,000 Speaker 1: mean it was fine. I'm just dating right now, Like 360 00:21:04,080 --> 00:21:07,159 Speaker 1: I don't have a boyfriend, so I'm just kind of 361 00:21:07,160 --> 00:21:09,000 Speaker 1: seeing where the things go. So I mean, you're a 362 00:21:09,080 --> 00:21:13,359 Speaker 1: nice guy who knows. But but it didn't that didn't 363 00:21:13,359 --> 00:21:16,920 Speaker 1: you reach out to Amy and Amy didn't respond? Yeah, 364 00:21:17,119 --> 00:21:21,040 Speaker 1: I reached out after after week after my business trip 365 00:21:21,119 --> 00:21:26,920 Speaker 1: here and it got like nothing back. Because like, now 366 00:21:26,960 --> 00:21:28,800 Speaker 1: I'm like dating someone else. But that doesn't mean that 367 00:21:28,840 --> 00:21:31,320 Speaker 1: I'm like closing any doors. I'm just like seeing where 368 00:21:31,359 --> 00:21:34,600 Speaker 1: this is going. So you just expect me to like 369 00:21:34,640 --> 00:21:38,720 Speaker 1: wait around for you to be done. I can't. I 370 00:21:38,760 --> 00:21:42,240 Speaker 1: don't expect anything. Like I'm just living my life. So 371 00:21:42,680 --> 00:21:45,640 Speaker 1: you know, you live your life and maybe our pass 372 00:21:45,720 --> 00:21:48,159 Speaker 1: a cross again and that's great, just like you know, 373 00:21:49,840 --> 00:21:53,040 Speaker 1: this is no big deal. Yeah, but maybe communicate that 374 00:21:53,119 --> 00:22:00,200 Speaker 1: to him instead of just ghosting him. I mean, we're 375 00:22:00,240 --> 00:22:03,240 Speaker 1: both dating, right, It's that's what people do. You just date. 376 00:22:06,680 --> 00:22:10,440 Speaker 1: I feel like if I hadn't gone out of town, 377 00:22:11,240 --> 00:22:13,320 Speaker 1: this wouldn't be happening and we'd still be going on, 378 00:22:13,640 --> 00:22:18,840 Speaker 1: Like I don't know, man, I mean, I feel like 379 00:22:18,840 --> 00:22:21,000 Speaker 1: you can't live your life like that. You can't think 380 00:22:21,040 --> 00:22:24,200 Speaker 1: like what if this? And what if that? It's just like, 381 00:22:24,600 --> 00:22:30,200 Speaker 1: you know, you're nice. Maybe we'll we'll cross paths again, Kobe. 382 00:22:30,359 --> 00:22:33,960 Speaker 1: I think she's being clear that she wants to get 383 00:22:34,119 --> 00:22:36,720 Speaker 1: other people and just see what happens in life. And 384 00:22:36,720 --> 00:22:39,040 Speaker 1: she's sort of in that that. You know, it's an 385 00:22:39,040 --> 00:22:42,080 Speaker 1: offseason right now, so maybe you rekindle in spring, or 386 00:22:42,160 --> 00:22:46,320 Speaker 1: maybe you don't, but at least you have a clear picture. Amy, 387 00:22:47,000 --> 00:22:50,800 Speaker 1: I don't know. And Colby, all right, thank you very much, 388 00:22:50,920 --> 00:22:54,600 Speaker 1: guys call me good luck. Well that was a dismiss 389 00:22:56,000 --> 00:23:00,640 Speaker 1: I don't know, man, it's like, hey man, hey man, 390 00:23:00,720 --> 00:23:04,240 Speaker 1: chill out, hey man, lighting up you here? I don't know, man, 391 00:23:04,280 --> 00:23:12,400 Speaker 1: why did that make me cringe? Right? But d gaff 392 00:23:12,080 --> 00:23:16,520 Speaker 1: But she just as deep as doesn't she doesn't care. 393 00:23:17,400 --> 00:23:21,040 Speaker 1: She d gaffed. What does it mean? He doesn't give? 394 00:23:22,160 --> 00:23:26,199 Speaker 1: Oh gosh who? But she had a gaff? You know, 395 00:23:26,200 --> 00:23:28,359 Speaker 1: a gaff is like she screwed up? But then you 396 00:23:28,440 --> 00:23:30,240 Speaker 1: like a d gaff. I'm like, was there an a gaff? 397 00:23:30,240 --> 00:23:38,560 Speaker 1: A guffaw a gaff? Uh? Got it? Good for her? No? 398 00:23:38,920 --> 00:23:41,200 Speaker 1: I thought it was, but she kind of didn't. Yeah, 399 00:23:41,200 --> 00:23:44,719 Speaker 1: she wasn't communicative. She was she said she was very 400 00:23:44,720 --> 00:23:47,920 Speaker 1: clear because we called her and asked her, well, I mean, 401 00:23:47,920 --> 00:23:52,080 Speaker 1: that's our job, right to make sure that point is 402 00:23:52,119 --> 00:23:54,920 Speaker 1: we shouldn't have to be doing our job. That's the point. 403 00:23:55,000 --> 00:23:57,120 Speaker 1: I don't know, man, that was like, okay, that would 404 00:23:57,119 --> 00:23:59,119 Speaker 1: be it. I think that just that alone made me 405 00:23:59,160 --> 00:24:02,560 Speaker 1: not want to call her. I don't know, man, that 406 00:24:02,760 --> 00:24:05,600 Speaker 1: this is the purpose of second date update. This is 407 00:24:05,680 --> 00:24:13,679 Speaker 1: like perfect Like she on air with Ryan Seacrest, So 408 00:24:13,920 --> 00:24:16,920 Speaker 1: it's Ryan Seacrest with you. Sisney is back from eternity 409 00:24:17,040 --> 00:24:20,600 Speaker 1: leaves so happy to have the family back together. Probably 410 00:24:20,720 --> 00:24:23,560 Speaker 1: sunny and cool highs in the mid sixties and seventies, 411 00:24:24,920 --> 00:24:26,760 Speaker 1: and we think that we all missed each other. Did 412 00:24:26,760 --> 00:24:28,480 Speaker 1: it go by faster for you? Sisany? That was it? 413 00:24:28,560 --> 00:24:33,520 Speaker 1: Three months? It went by so fast? Yeah, definitely for 414 00:24:33,640 --> 00:24:37,040 Speaker 1: August was a blur because she was born in August seventeen, right, 415 00:24:38,000 --> 00:24:40,360 Speaker 1: and then you think that you're back and it's now 416 00:24:40,359 --> 00:24:46,600 Speaker 1: Thanksgiving and Christmas time. I'm it's kind of like a 417 00:24:46,720 --> 00:24:49,560 Speaker 1: soft approach to be back, you know what I mean, 418 00:24:49,560 --> 00:24:51,200 Speaker 1: because we are going to be off for the holidays 419 00:24:51,200 --> 00:24:54,120 Speaker 1: a little bit, and so it's kind of nice. Yeah, 420 00:24:54,119 --> 00:24:57,800 Speaker 1: it's a it's a yeah, it's a it's a soft launch, 421 00:24:58,160 --> 00:25:01,720 Speaker 1: soft launch. Sure, yeah, that's it all right. Partly sunny 422 00:25:01,720 --> 00:25:03,879 Speaker 1: and cool highs in the mid sixties and seventies Inland. 423 00:25:04,119 --> 00:25:08,200 Speaker 1: I love that. We think that's cool here, warmer tomorrow, 424 00:25:08,720 --> 00:25:10,600 Speaker 1: all right, look at the weather run the country like this. 425 00:25:11,800 --> 00:25:13,680 Speaker 1: I know we're gonna be in the nineties by Friday. Guys. 426 00:25:15,200 --> 00:25:17,800 Speaker 1: That's crazy, all right. So it's a bit of a 427 00:25:17,800 --> 00:25:19,800 Speaker 1: long story, but let me shorten it down. We have 428 00:25:19,880 --> 00:25:22,120 Speaker 1: a regular on our show named Malik, and we met 429 00:25:22,160 --> 00:25:25,919 Speaker 1: Malik during the lockdown. He owns Malik Books in Baldon 430 00:25:26,000 --> 00:25:29,520 Speaker 1: Hills and he's magic on the air, and he just 431 00:25:29,560 --> 00:25:33,600 Speaker 1: seems like he has the biggest heart, great heart, and 432 00:25:33,640 --> 00:25:36,480 Speaker 1: he owns Malik's Books, right, and so every once in 433 00:25:36,520 --> 00:25:38,639 Speaker 1: a while he would come on and tell us about 434 00:25:38,640 --> 00:25:45,879 Speaker 1: his recommendation. So I was struck by him in many ways, 435 00:25:46,040 --> 00:25:47,879 Speaker 1: and I thought he should have a podcast. Well, we 436 00:25:47,920 --> 00:25:50,640 Speaker 1: got my podcast, right radio. And then he comes back 437 00:25:50,640 --> 00:25:52,000 Speaker 1: on and he was excited about the launch and he 438 00:25:52,080 --> 00:25:54,040 Speaker 1: was telling us about the launch this Andy and he 439 00:25:54,119 --> 00:25:56,399 Speaker 1: said he even got a theme song, and we played 440 00:25:56,400 --> 00:25:58,840 Speaker 1: the theme song and that sparked a huge conversation. Here, 441 00:25:58,880 --> 00:26:01,600 Speaker 1: let me play that for you. Books has had a 442 00:26:01,680 --> 00:26:07,760 Speaker 1: knowledge you want has? Yeah, they have out of work. 443 00:26:08,119 --> 00:26:12,760 Speaker 1: The whole wild world ws really great. It kind of 444 00:26:13,520 --> 00:26:16,840 Speaker 1: mood for his podcast, and so we thought, well, wait, 445 00:26:17,320 --> 00:26:20,000 Speaker 1: we need something and you know, a theme song, or, 446 00:26:20,200 --> 00:26:22,600 Speaker 1: as Patty put it, a sonic logo. For example, Netflix 447 00:26:22,600 --> 00:26:30,240 Speaker 1: has got their logo, and Kiss has a sonic Actually, 448 00:26:30,320 --> 00:26:36,119 Speaker 1: kissed us have a sonic logo that I feel the 449 00:26:36,160 --> 00:26:38,800 Speaker 1: same thing you do when I hear it, and so 450 00:26:38,880 --> 00:26:45,560 Speaker 1: does Radio Radio has a sonic logo. Oh yeah, it's 451 00:26:45,560 --> 00:26:51,840 Speaker 1: a heartbeat at the end, du Radio. So Miles, who 452 00:26:52,119 --> 00:26:54,600 Speaker 1: works with us, put together the Kiss FM jingle and 453 00:26:54,680 --> 00:26:56,639 Speaker 1: things you hear between the songs. He came up with 454 00:26:56,680 --> 00:26:59,560 Speaker 1: some ideas. So Patty, you suggested an audio tuned rooster, 455 00:27:00,240 --> 00:27:17,400 Speaker 1: suggesting that's what I was thinking. Your seat, Oh wait, 456 00:27:17,440 --> 00:27:20,440 Speaker 1: I don't hate the rooster at the end so good 457 00:27:22,080 --> 00:27:24,840 Speaker 1: at the end? Is it so bad that it's actually good? 458 00:27:25,080 --> 00:27:27,879 Speaker 1: You know when something goes so bad it becomes good again. 459 00:27:29,440 --> 00:27:43,919 Speaker 1: Let's do it again, your seat me it sounds like 460 00:27:44,200 --> 00:27:50,560 Speaker 1: birds are in trouble, but I love it. It sounds 461 00:27:50,600 --> 00:27:54,480 Speaker 1: like somebody's hurting a bird. Is that him singing? Miles singing? Yeah, 462 00:27:54,600 --> 00:27:57,040 Speaker 1: that's him? All right, Well, no offense, Miles. But let's 463 00:27:57,119 --> 00:28:00,359 Speaker 1: here's some other ideas. Oh my god, all right, here 464 00:28:00,400 --> 00:28:05,920 Speaker 1: here's another suggestion. A lot of fun most signs when 465 00:28:06,040 --> 00:28:16,720 Speaker 1: we're done our bed ja ticket supers also sists back 466 00:28:18,440 --> 00:28:20,760 Speaker 1: Ryan Seacrest, and that pretty much tells you the whole 467 00:28:20,760 --> 00:28:24,959 Speaker 1: show we love to do. First of I don't mind 468 00:28:25,160 --> 00:28:27,040 Speaker 1: the Hey, you know, we're a lot of fun unless 469 00:28:27,040 --> 00:28:29,600 Speaker 1: we're not in our bad that's kind of fun, but 470 00:28:29,680 --> 00:28:32,919 Speaker 1: that might get old fast. All right. Here was an 471 00:28:32,960 --> 00:28:39,200 Speaker 1: inspiration from SNL. It's all there with Ryan Seacrest featuring 472 00:28:40,080 --> 00:28:48,360 Speaker 1: Sissy Tanya Patty musical guest the kill ROI and your 473 00:28:48,440 --> 00:28:56,200 Speaker 1: host Ryan's Secrets. I don't net it, I don't hate it, 474 00:28:55,400 --> 00:28:59,280 Speaker 1: but is it? Yeah? I mean I feel like I've 475 00:28:59,280 --> 00:29:02,040 Speaker 1: heard that right. Yeah, that'd be so fun to do 476 00:29:02,360 --> 00:29:04,840 Speaker 1: every morning when and then you switch out the guests. 477 00:29:05,640 --> 00:29:09,000 Speaker 1: But we may get sued by a snel because that's true. Petty. 478 00:29:09,080 --> 00:29:14,960 Speaker 1: Thank you for bringing that up on the air. Okay, 479 00:29:15,000 --> 00:29:18,400 Speaker 1: well we'll check, we'll check all the legal on that 480 00:29:18,440 --> 00:29:21,280 Speaker 1: before we a lot. Maybe we maybe we can license 481 00:29:21,320 --> 00:29:25,720 Speaker 1: it from SNL. I like it a lot. Sorry, just so, 482 00:29:26,040 --> 00:29:30,480 Speaker 1: do we need a lawyer now? Like now, um, well 483 00:29:30,520 --> 00:29:33,520 Speaker 1: that just put a real damper on that one. Okay, 484 00:29:33,520 --> 00:29:34,800 Speaker 1: So now I think Tony you came up with the 485 00:29:34,840 --> 00:29:37,960 Speaker 1: phrase we got you. Oh. I thought it'd be cute 486 00:29:38,000 --> 00:29:40,000 Speaker 1: if we kept saying like, you know, we got you 487 00:29:40,080 --> 00:29:41,440 Speaker 1: and just like all the different things that we do, 488 00:29:41,520 --> 00:29:53,760 Speaker 1: like we got you here. I like this. I like this. 489 00:29:54,000 --> 00:29:57,200 Speaker 1: I like we got you. It's catchy and you'll have 490 00:29:57,600 --> 00:30:01,840 Speaker 1: sing it throughout the day. Yeah, I like it. Let 491 00:30:01,840 --> 00:30:15,240 Speaker 1: me hear it again, got you. I'm considering all the others. 492 00:30:15,280 --> 00:30:18,320 Speaker 1: I like it a lot. Cocka doodle do wins for 493 00:30:18,400 --> 00:30:25,840 Speaker 1: me hand on airth Ryan Seacres cocka doodle do. No, 494 00:30:25,960 --> 00:30:28,000 Speaker 1: but we got you we could switch out with like, 495 00:30:28,280 --> 00:30:30,480 Speaker 1: um so whatever, like on the days that we do 496 00:30:30,560 --> 00:30:34,640 Speaker 1: specific things, you know, second date update today, we got you. 497 00:30:35,040 --> 00:30:37,520 Speaker 1: All right, Well these are all good. Let's so let's 498 00:30:37,520 --> 00:30:39,880 Speaker 1: not drop the ball on something here and Denny blank 499 00:30:39,960 --> 00:30:42,440 Speaker 1: or we're not going to have him submit. I gotta 500 00:30:42,760 --> 00:30:48,040 Speaker 1: him to submit. Good morning, we got you, got you, 501 00:30:48,320 --> 00:30:50,120 Speaker 1: we got you. So we do it all in Unison, 502 00:30:50,320 --> 00:30:55,600 Speaker 1: Good morning, we got a little work on that tight already, 503 00:30:55,960 --> 00:31:02,440 Speaker 1: good morning, we got you screen g all right, So 504 00:31:02,520 --> 00:31:06,280 Speaker 1: Tony is a training report, this hot leading man of 505 00:31:06,440 --> 00:31:09,640 Speaker 1: our generation. You read a lot of opinion pieces about 506 00:31:09,640 --> 00:31:12,320 Speaker 1: and you want to discuss those pieces. I did. I 507 00:31:12,400 --> 00:31:16,840 Speaker 1: went deep into Pete Davidson Land and I just want 508 00:31:16,880 --> 00:31:19,720 Speaker 1: to discuss because I think we can all agree. He's 509 00:31:19,760 --> 00:31:25,000 Speaker 1: been linked to some of Hollywood's like best, most badass women. 510 00:31:25,840 --> 00:31:28,520 Speaker 1: He dated, He was engaged to Ariana Grande, he dated 511 00:31:28,560 --> 00:31:33,360 Speaker 1: Margaret Quality, remember Kate beck in Sale, Kazie David Kai Gerber, 512 00:31:33,480 --> 00:31:36,840 Speaker 1: she's Cindy Crawford's daughter. Um. Most recently, he was linked 513 00:31:36,880 --> 00:31:39,360 Speaker 1: to Phoebe Deniver, the Star of Britain, and then of 514 00:31:39,400 --> 00:31:42,040 Speaker 1: course Kim Kardashian. So that's a pretty impressive list, if 515 00:31:42,080 --> 00:31:45,760 Speaker 1: you ask me. So I got into this, this this 516 00:31:45,880 --> 00:31:48,680 Speaker 1: deep dive, and you know, when you think of Hollywood 517 00:31:48,920 --> 00:31:52,400 Speaker 1: and there's a lot of men, they have egos, there's 518 00:31:52,400 --> 00:31:54,920 Speaker 1: a lot of narcissists, there's guys who think they are 519 00:31:54,960 --> 00:31:57,080 Speaker 1: the ish. They just you know, you just see these 520 00:31:57,120 --> 00:32:00,320 Speaker 1: perfect images and they're not really open and vulnerable about 521 00:32:00,760 --> 00:32:03,640 Speaker 1: themselves or like their struggles. And we all know all 522 00:32:03,680 --> 00:32:06,440 Speaker 1: of us deal with things in our lives. But Pete 523 00:32:06,520 --> 00:32:08,720 Speaker 1: Davidson is really open about the challenges that he's faced. 524 00:32:08,720 --> 00:32:10,960 Speaker 1: You know, he lost his dad on nine eleven, He 525 00:32:11,120 --> 00:32:14,520 Speaker 1: suffers from Crohn's disease. He talks a lot about mental 526 00:32:14,640 --> 00:32:17,480 Speaker 1: illness and his struggles with that. And so I think 527 00:32:17,600 --> 00:32:22,280 Speaker 1: that there's something really beautiful and that draws women to vulnerability, 528 00:32:22,440 --> 00:32:24,560 Speaker 1: and you don't get a lot of that in Hollywood. 529 00:32:24,600 --> 00:32:27,000 Speaker 1: And then also he's a really sweet guy. In twenty nineteen, 530 00:32:27,080 --> 00:32:29,800 Speaker 1: he told Paper magazine that his love language when he's 531 00:32:29,800 --> 00:32:31,600 Speaker 1: in a relationship is to treat the person he's with 532 00:32:31,640 --> 00:32:34,000 Speaker 1: like a princess. You're supposed to make that person feel 533 00:32:34,000 --> 00:32:36,720 Speaker 1: as special as possible. And so I think, at the 534 00:32:36,800 --> 00:32:39,840 Speaker 1: end of the day, we trust Pete Davidson because he's 535 00:32:39,880 --> 00:32:42,680 Speaker 1: really just open and honest and vulnerable and funny. So 536 00:32:42,760 --> 00:32:47,320 Speaker 1: it leads me to just laughter and trust. I read 537 00:32:47,720 --> 00:32:50,680 Speaker 1: an article where Kate Beckinsale was talking about him, saying, 538 00:32:50,840 --> 00:32:53,120 Speaker 1: and he's really funny. I mean, let's not forget the 539 00:32:53,120 --> 00:32:56,240 Speaker 1: guy's got a great, wicked sing. Yeah. So there was 540 00:32:56,280 --> 00:32:59,680 Speaker 1: like some Instagram post about Kim and Pete and why 541 00:33:00,080 --> 00:33:02,520 Speaker 1: Kim is attracted to him, and Kate Beck until actually 542 00:33:02,560 --> 00:33:04,760 Speaker 1: liked that Instagram, so people kind of picked that up, 543 00:33:04,760 --> 00:33:07,400 Speaker 1: as you know, and they had a kiss. Kim and 544 00:33:07,440 --> 00:33:10,520 Speaker 1: Pete had a kiss on SNL right, they did, yes, 545 00:33:11,080 --> 00:33:14,000 Speaker 1: which at the time we all thought was acting. How 546 00:33:14,040 --> 00:33:17,080 Speaker 1: do you act? How do you act a kiss? I mean, 547 00:33:17,280 --> 00:33:20,400 Speaker 1: she was hosting and there was a bit I know, 548 00:33:20,520 --> 00:33:24,160 Speaker 1: but it's live, and you're like, I've seen live skits 549 00:33:24,160 --> 00:33:28,760 Speaker 1: where you pretend you're kissing, but not like that. I 550 00:33:28,840 --> 00:33:30,840 Speaker 1: didn't cross my mind at the time. I never thought. 551 00:33:30,880 --> 00:33:33,160 Speaker 1: So do you think they had broken ice before? Do 552 00:33:33,200 --> 00:33:36,360 Speaker 1: you think they had already sort of hung out before 553 00:33:36,480 --> 00:33:40,600 Speaker 1: the broadcast or maybe that ignited it the kids, yeah? 554 00:33:41,800 --> 00:33:45,680 Speaker 1: Or or did they have you know, the the ignited 555 00:33:45,720 --> 00:33:48,560 Speaker 1: feeling before, which is why they did deliver such a 556 00:33:48,560 --> 00:33:52,000 Speaker 1: good kiss. I don't know. But they've had a history, 557 00:33:52,600 --> 00:33:55,160 Speaker 1: you know, they were friends before, Like Pete had talked 558 00:33:55,160 --> 00:33:57,040 Speaker 1: about how he went at a dinner with she was 559 00:33:57,080 --> 00:33:59,560 Speaker 1: still married to Kanye and he's like Kanye's friends. So 560 00:33:59,600 --> 00:34:03,240 Speaker 1: this a little interesting. It's very small at the top, 561 00:34:03,320 --> 00:34:13,759 Speaker 1: isn't it. Okay, Linda is here. Good morning, Linda. How 562 00:34:13,760 --> 00:34:17,439 Speaker 1: are you doing. Hi, I'm good? How are you super good? Linda, 563 00:34:17,520 --> 00:34:20,600 Speaker 1: So how can we help you? I just wanted to say, 564 00:34:20,600 --> 00:34:22,839 Speaker 1: how glad I'm sitting he's back, because you guys make 565 00:34:22,880 --> 00:34:25,040 Speaker 1: my morning every single morning. And I missed her so 566 00:34:25,120 --> 00:34:27,440 Speaker 1: much because I was I was wondering. I didn't know 567 00:34:27,440 --> 00:34:29,160 Speaker 1: what was going on because I hadn't missed you guys 568 00:34:29,160 --> 00:34:30,759 Speaker 1: for a little while because I was home all the 569 00:34:30,760 --> 00:34:33,879 Speaker 1: time because of cold and everything. Yeah, and um, I'm 570 00:34:33,880 --> 00:34:35,799 Speaker 1: just so happy that she's back. I thought something I 571 00:34:35,840 --> 00:34:37,520 Speaker 1: was looking on the internet to people was going on. 572 00:34:38,200 --> 00:34:39,719 Speaker 1: I just love you guys so much and I'm so 573 00:34:39,760 --> 00:34:44,040 Speaker 1: glad to he's back and congratulations. Um. But I was 574 00:34:44,080 --> 00:34:45,799 Speaker 1: listening to your birth on the radio and I was like, 575 00:34:46,239 --> 00:34:48,839 Speaker 1: I have a child too, and I had a Sissirian though, 576 00:34:48,880 --> 00:34:50,120 Speaker 1: so I didn't have to go through all that. You 577 00:34:50,120 --> 00:34:53,560 Speaker 1: sounded like you're in a little bit of pain hour 578 00:34:53,600 --> 00:34:56,040 Speaker 1: almost thirty hours. You know it's pain, but you block 579 00:34:56,120 --> 00:34:58,799 Speaker 1: it out and then you're just in you you see 580 00:34:58,840 --> 00:35:00,120 Speaker 1: the finish line and you just want to get that 581 00:35:00,160 --> 00:35:02,200 Speaker 1: finish line. And then once the baby's out, your oh 582 00:35:02,239 --> 00:35:05,120 Speaker 1: my god, you're overwhelmed with emotion. It's yeah, and weird 583 00:35:05,160 --> 00:35:07,400 Speaker 1: about having a Shysian. Is that like when you have 584 00:35:07,440 --> 00:35:09,279 Speaker 1: a shysperian like you can feel them tugging on you 585 00:35:09,320 --> 00:35:12,160 Speaker 1: and stuff and you can feel it really weird. I 586 00:35:12,200 --> 00:35:15,719 Speaker 1: felt that with the twins. Yeah it's crazy you had 587 00:35:15,880 --> 00:35:19,440 Speaker 1: you had a systerian prior. Yeah, this is so Survella 588 00:35:19,560 --> 00:35:22,680 Speaker 1: was a v back. Wow, that's interesting. I didn't even 589 00:35:22,719 --> 00:35:26,120 Speaker 1: though you can do that, and I don't want an expression. 590 00:35:30,840 --> 00:35:33,279 Speaker 1: So congratulations. I just missed you so much. You guys 591 00:35:33,400 --> 00:35:35,480 Speaker 1: make my morning every morning. I listened to you, me 592 00:35:35,520 --> 00:35:37,880 Speaker 1: and my daughter. She's rooking now and she loves you 593 00:35:37,880 --> 00:35:41,960 Speaker 1: guys too, and we had well, Linda, thank you for 594 00:35:42,040 --> 00:35:44,160 Speaker 1: coming back. We know a lot of people were on 595 00:35:44,200 --> 00:35:47,800 Speaker 1: different routines and schedules during the lockdown during the pandemic, 596 00:35:47,880 --> 00:35:49,920 Speaker 1: so welcome back. I thought we should. I think we 597 00:35:49,960 --> 00:35:52,000 Speaker 1: should bring people to speed on a more regular basis. 598 00:35:52,360 --> 00:35:55,960 Speaker 1: Coming back, right, Yeah, thank you so much for everything 599 00:35:55,960 --> 00:35:57,960 Speaker 1: you guys do. You guys make me laugh every morning. 600 00:35:58,400 --> 00:36:02,080 Speaker 1: Thank you for my day. Cue all right, I feel 601 00:36:02,080 --> 00:36:05,319 Speaker 1: like after that we have to play this again. She 602 00:36:05,440 --> 00:36:07,400 Speaker 1: was referring if you missed it. She was referring to 603 00:36:08,080 --> 00:36:09,840 Speaker 1: it sounds like she's like Syne you had the baby 604 00:36:09,840 --> 00:36:13,440 Speaker 1: on the radio. It was actually recorded, it was recorded, 605 00:36:13,600 --> 00:36:33,080 Speaker 1: you brought it in when you came back. Oh my goodness, 606 00:36:33,080 --> 00:36:42,040 Speaker 1: Oh my god, wait three thirty nine. There it is? 607 00:36:42,120 --> 00:36:43,759 Speaker 1: That was and what was that recording on your phone 608 00:36:43,840 --> 00:36:49,279 Speaker 1: or someone's phone? So Michael recorded on my iPhone and 609 00:36:49,400 --> 00:36:51,600 Speaker 1: he was holding up my leg at the same time, 610 00:36:51,680 --> 00:36:56,320 Speaker 1: so he recorded the final time before she came. Wow. 611 00:36:57,440 --> 00:37:00,160 Speaker 1: But but like, how sweet is Michael? He would be 612 00:37:00,239 --> 00:37:09,360 Speaker 1: like holy something and he's like, goodness goodnesss air on 613 00:37:09,520 --> 00:37:14,239 Speaker 1: air with Ryan's Secrets. Sisty is back from eternity leave, 614 00:37:14,840 --> 00:37:18,560 Speaker 1: and so what has happened? You become a total dance mom. Yeah, 615 00:37:18,600 --> 00:37:21,600 Speaker 1: so I have, you know, the kids in different activities, 616 00:37:21,680 --> 00:37:26,359 Speaker 1: and Asa started danced ballet and tap class while I 617 00:37:26,400 --> 00:37:29,319 Speaker 1: was on maternity leave. And so it's nice taking her 618 00:37:29,320 --> 00:37:32,120 Speaker 1: to this in the afternoons, um. But what I noticed is, like, 619 00:37:32,160 --> 00:37:34,120 Speaker 1: I know, I sit there and I wait the whole class. 620 00:37:34,120 --> 00:37:37,839 Speaker 1: It's almost an hour and I'm watching the whole time, 621 00:37:37,880 --> 00:37:39,920 Speaker 1: and it's just like a little tiny window through a door. 622 00:37:39,960 --> 00:37:41,880 Speaker 1: It's not like a big window. We can all kind 623 00:37:41,920 --> 00:37:43,879 Speaker 1: of have to get there early and get a seat 624 00:37:43,920 --> 00:37:45,640 Speaker 1: so that I can get this spot to watch her. 625 00:37:46,440 --> 00:37:51,760 Speaker 1: And I don't know if I'm like overly obsessive because 626 00:37:51,920 --> 00:37:54,840 Speaker 1: I danced as a kid and I enjoyed it so much, 627 00:37:54,920 --> 00:37:58,719 Speaker 1: and then it led to gymnastics, cheerleading competitions, and like, 628 00:37:58,800 --> 00:38:01,040 Speaker 1: I loved that world. I love that life that I 629 00:38:01,200 --> 00:38:04,680 Speaker 1: had as a child competitive dancing and cheerleading, and so 630 00:38:04,680 --> 00:38:06,799 Speaker 1: I really wanted as to like it, and she does 631 00:38:06,920 --> 00:38:11,120 Speaker 1: like it. But what I do is I videotape the 632 00:38:11,200 --> 00:38:13,600 Speaker 1: last about like the last two minutes of the class, 633 00:38:14,080 --> 00:38:16,919 Speaker 1: so that I videotaped the routine, and then we come 634 00:38:16,920 --> 00:38:19,640 Speaker 1: home and we watched the video together, and we practice. 635 00:38:19,960 --> 00:38:22,520 Speaker 1: And I don't make her practice, you know, it's fun, 636 00:38:23,520 --> 00:38:26,520 Speaker 1: but I guess I kind of do. So I'm wondering 637 00:38:26,560 --> 00:38:29,680 Speaker 1: if it's like if I'm like a helicopter parent basically, Well, 638 00:38:29,760 --> 00:38:32,000 Speaker 1: I mean to me, you are you trying to help 639 00:38:32,000 --> 00:38:34,280 Speaker 1: her so she gets better. It's not like you're saying 640 00:38:34,280 --> 00:38:37,400 Speaker 1: you're gonna do this and then you're gonna win some competition. No, 641 00:38:37,600 --> 00:38:39,439 Speaker 1: but like, yeah, like my parents never did this stuff 642 00:38:39,480 --> 00:38:41,920 Speaker 1: for me. I naturally did it for myself. Like I 643 00:38:41,960 --> 00:38:44,560 Speaker 1: would bring a VHS camera to my dance classes and 644 00:38:44,680 --> 00:38:46,840 Speaker 1: videotape it so I can go home and practice my 645 00:38:46,920 --> 00:38:48,680 Speaker 1: dances like it's just a thing that you can It's 646 00:38:48,680 --> 00:38:52,040 Speaker 1: like football players watching tape. But she's three years old 647 00:38:52,200 --> 00:38:54,040 Speaker 1: and they're doing like you know what I mean, now 648 00:38:54,080 --> 00:38:59,040 Speaker 1: you get it with game film? Oh game film? Okay, 649 00:38:59,719 --> 00:39:01,919 Speaker 1: kind years if I'm a football player and I don't 650 00:39:01,920 --> 00:39:05,000 Speaker 1: want to toot my own horn. But they assigned the 651 00:39:05,080 --> 00:39:07,200 Speaker 1: positions for the dancer Siddle, which is going to be 652 00:39:07,239 --> 00:39:09,920 Speaker 1: in December, and they put as a front and center, 653 00:39:10,480 --> 00:39:14,240 Speaker 1: and so I was like, and do they assign based 654 00:39:14,239 --> 00:39:17,560 Speaker 1: on skill? I don't know, they might have signed based 655 00:39:17,560 --> 00:39:23,239 Speaker 1: on crazy moms um knows. You know. Part of it 656 00:39:23,280 --> 00:39:25,920 Speaker 1: is it's so easy these days to film something and 657 00:39:25,960 --> 00:39:27,600 Speaker 1: then run it back and take a look at I mean, 658 00:39:27,600 --> 00:39:29,359 Speaker 1: you had a log run of VHS which was a 659 00:39:29,400 --> 00:39:32,960 Speaker 1: different level, but now you can capture anything so easily 660 00:39:33,000 --> 00:39:35,319 Speaker 1: and then you can go back and check it out. 661 00:39:35,400 --> 00:39:37,960 Speaker 1: What How does she respond to it? She likes it, 662 00:39:38,000 --> 00:39:40,160 Speaker 1: and so we like after dinner sometimes I just I 663 00:39:40,239 --> 00:39:41,880 Speaker 1: propped the phone up in the play room and I 664 00:39:41,920 --> 00:39:43,440 Speaker 1: was like, Hey, let's do your dance and we do 665 00:39:43,480 --> 00:39:45,840 Speaker 1: it together for like five minutes, like it's nothing crazy, 666 00:39:46,200 --> 00:39:47,759 Speaker 1: because I just, you know, I wanted to be the 667 00:39:47,800 --> 00:39:51,239 Speaker 1: best that Okay. I think it's okay to want your 668 00:39:51,280 --> 00:39:54,279 Speaker 1: kids to succeed and be the best and give them 669 00:39:54,320 --> 00:39:57,440 Speaker 1: whatever they need to try and practice. Yes, my question 670 00:39:57,520 --> 00:39:59,480 Speaker 1: is my parents didn't do this for me and I 671 00:39:59,480 --> 00:40:02,719 Speaker 1: still was able to succeed because I pushed myself. So like, 672 00:40:02,760 --> 00:40:04,520 Speaker 1: do I need to kind of let go a little 673 00:40:04,520 --> 00:40:07,399 Speaker 1: bit and have her? But she's three, so I feel 674 00:40:07,440 --> 00:40:09,720 Speaker 1: like I got a guide her a little bit. Now, Patty, 675 00:40:09,800 --> 00:40:13,520 Speaker 1: what do you think? I think you present them with whatever, 676 00:40:14,480 --> 00:40:19,160 Speaker 1: with a plethora of activities, and then as they get older, 677 00:40:19,520 --> 00:40:22,799 Speaker 1: they'll start deciding and you'll know based on their personalities 678 00:40:22,840 --> 00:40:25,279 Speaker 1: what they're into what they're not into. Like this year, 679 00:40:25,560 --> 00:40:29,719 Speaker 1: I pulled out Alex from soccer because he's ten now 680 00:40:30,480 --> 00:40:32,440 Speaker 1: and I, you know, I can go to play and 681 00:40:32,480 --> 00:40:35,719 Speaker 1: it breaks my heart because I wanted was your dream? 682 00:40:36,040 --> 00:40:41,560 Speaker 1: That was my dream? Yeah, conversation to have. Well, I 683 00:40:41,640 --> 00:40:45,080 Speaker 1: meet with myself right that your he was not going 684 00:40:45,120 --> 00:40:49,000 Speaker 1: to pursue your dream. I remember growing up my mom 685 00:40:49,160 --> 00:40:51,319 Speaker 1: put me in basketball. My mom and dad and my 686 00:40:51,360 --> 00:40:53,319 Speaker 1: mom that put me in baseball. I think they put 687 00:40:53,320 --> 00:40:56,160 Speaker 1: me in anything they could to see what I took 688 00:40:56,280 --> 00:41:03,879 Speaker 1: open something will stare or yeah or not? And then 689 00:41:03,920 --> 00:41:06,600 Speaker 1: I got into football, and there was so much pure 690 00:41:06,640 --> 00:41:09,920 Speaker 1: pressure to stay on the team because it's hard. It 691 00:41:10,000 --> 00:41:12,359 Speaker 1: was very hard, and Georgia is a big, big deal 692 00:41:12,400 --> 00:41:15,400 Speaker 1: to be in a football program. And it was a 693 00:41:15,400 --> 00:41:17,000 Speaker 1: lot of work, and it was early mornings and it 694 00:41:17,080 --> 00:41:18,759 Speaker 1: was later in the afternoons. It was kind of year 695 00:41:18,840 --> 00:41:23,080 Speaker 1: round two. But I remember, yeah, I liked it, but yeah, 696 00:41:23,080 --> 00:41:25,319 Speaker 1: I also couldn't drop out because all my friends were 697 00:41:25,320 --> 00:41:29,239 Speaker 1: in it. Yeah, I can see that. So I think 698 00:41:29,239 --> 00:41:31,479 Speaker 1: that you you set her up and then she'll start 699 00:41:31,520 --> 00:41:35,480 Speaker 1: making some decisions without are you pushing you know, you'll know, 700 00:41:36,920 --> 00:41:39,799 Speaker 1: all right. But I also think it's okay for you 701 00:41:39,840 --> 00:41:42,520 Speaker 1: to be prideful that she does well at the whatever 702 00:41:42,560 --> 00:41:45,839 Speaker 1: the class or competition. Thank you. Yeah, I'm all for it. 703 00:41:46,200 --> 00:41:49,560 Speaker 1: So Sisney, I mean you were following this two big 704 00:41:49,680 --> 00:41:53,319 Speaker 1: marathons all on Sunday over the weekend. Yeah, and it 705 00:41:53,360 --> 00:41:55,160 Speaker 1: was crazy. We had the l A Marathon and the 706 00:41:55,239 --> 00:41:59,239 Speaker 1: New York Marathon happened this past Sunday. And this is 707 00:41:59,239 --> 00:42:01,640 Speaker 1: all I could find on social media. You know, you 708 00:42:01,680 --> 00:42:03,560 Speaker 1: can still just see like so many people like posting 709 00:42:03,560 --> 00:42:06,040 Speaker 1: stories about this and I saw this one and it 710 00:42:06,200 --> 00:42:08,399 Speaker 1: could you imagine? I mean, crossing the finish line after 711 00:42:08,400 --> 00:42:12,000 Speaker 1: a marathon has to be the most emotional feeling ever. Yes, 712 00:42:12,120 --> 00:42:16,279 Speaker 1: I can only imagine. I've never experienced it. I've experienced 713 00:42:16,280 --> 00:42:19,440 Speaker 1: a half marathon and that I was sobbing like a 714 00:42:19,480 --> 00:42:25,239 Speaker 1: baby thirteen point something miles, and so I could only 715 00:42:25,239 --> 00:42:28,000 Speaker 1: imagine a full marathon, right, and imagine getting two hundred 716 00:42:28,080 --> 00:42:30,879 Speaker 1: meters away from the finish line collapsing like your legs 717 00:42:30,880 --> 00:42:33,440 Speaker 1: just give out. So that's happened to a man at 718 00:42:33,440 --> 00:42:37,120 Speaker 1: the New York Marathon and runners actually came picked him 719 00:42:37,200 --> 00:42:39,879 Speaker 1: up and helped him cross the finish line. That's still 720 00:42:39,920 --> 00:42:42,600 Speaker 1: like six hundred I was like, how many feet is 721 00:42:42,600 --> 00:42:45,719 Speaker 1: two hundreds? It's like six hun or something feet, So 722 00:42:45,760 --> 00:42:48,000 Speaker 1: that's still a long way to go. And they helped 723 00:42:48,000 --> 00:42:50,000 Speaker 1: this man crossed the finish line. So I was like, 724 00:42:50,120 --> 00:42:52,640 Speaker 1: that is such a cute story. That is humanity right there. 725 00:42:52,760 --> 00:42:55,919 Speaker 1: I love all of it. And don't you think that? 726 00:42:56,040 --> 00:42:59,080 Speaker 1: And and marathon runners can, I'm sure attest to it. 727 00:42:59,239 --> 00:43:01,719 Speaker 1: There is a special bond, in a special connection you 728 00:43:01,760 --> 00:43:03,680 Speaker 1: feel with every one of those runners because you know 729 00:43:03,840 --> 00:43:06,880 Speaker 1: what it's going to take, right and you kind of 730 00:43:06,920 --> 00:43:09,600 Speaker 1: look out for each other. It's a special breed. Yeah, 731 00:43:09,680 --> 00:43:11,319 Speaker 1: it's not like you to show up that morning and 732 00:43:11,320 --> 00:43:13,359 Speaker 1: decide you're gonna run a marathon. It's like these people 733 00:43:13,400 --> 00:43:17,319 Speaker 1: have been training for months, you know, running miles and 734 00:43:17,360 --> 00:43:19,279 Speaker 1: miles and miles, and so to not make it at 735 00:43:19,280 --> 00:43:21,719 Speaker 1: the very end, it would be just so heartbreaking. But 736 00:43:22,000 --> 00:43:24,319 Speaker 1: here in l A. I don't know if you saw 737 00:43:24,360 --> 00:43:27,000 Speaker 1: this story of a firefighter. His name was Rudy Maron 738 00:43:27,120 --> 00:43:30,000 Speaker 1: and he proposed to his girlfriend during the l A Marathon. 739 00:43:30,200 --> 00:43:33,400 Speaker 1: We love proposals, so cute. But what's cool about Rudy 740 00:43:33,440 --> 00:43:35,400 Speaker 1: is that he's actually participated in the l A Marathon 741 00:43:35,719 --> 00:43:38,879 Speaker 1: year after year after year, and he runs in all 742 00:43:38,920 --> 00:43:43,480 Speaker 1: of his fireman gear, so that's seventy five pounds of gear, 743 00:43:44,000 --> 00:43:47,000 Speaker 1: and he runs the full marathon here in l A 744 00:43:47,200 --> 00:43:50,320 Speaker 1: to raise awareness and raise money for the California Fire Foundation, 745 00:43:50,960 --> 00:43:55,799 Speaker 1: and it's incredible. And so he he teamed up with 746 00:43:55,880 --> 00:43:58,279 Speaker 1: kat l A, so they were in on it, and 747 00:43:58,320 --> 00:43:59,960 Speaker 1: so kat l A kind of made it seem like 748 00:44:00,000 --> 00:44:03,240 Speaker 1: they were interviewing him and his well now fiance about 749 00:44:03,440 --> 00:44:05,759 Speaker 1: how he runs like this and the foundation and things 750 00:44:05,800 --> 00:44:07,760 Speaker 1: like that, and then at the end of the interview, 751 00:44:07,760 --> 00:44:09,520 Speaker 1: he got down on one knee and proposed to her 752 00:44:09,560 --> 00:44:13,759 Speaker 1: live on TV. Mm hmm, I know. I saw there 753 00:44:13,840 --> 00:44:18,480 Speaker 1: was another couple in New York that, um there was 754 00:44:18,520 --> 00:44:23,080 Speaker 1: a proposal right before the race started, and so emotional, 755 00:44:23,120 --> 00:44:25,480 Speaker 1: but almost like would help you get through the race 756 00:44:25,520 --> 00:44:27,719 Speaker 1: because think of what's to come, right, it's like, oh 757 00:44:27,800 --> 00:44:32,040 Speaker 1: my god, the adrenaline, yeah, adrenaline, the excitement and just 758 00:44:32,320 --> 00:44:35,920 Speaker 1: thinking about all of it. And plus marriage is a marathon, 759 00:44:36,040 --> 00:44:38,840 Speaker 1: and so it really makes sense. I love that. I 760 00:44:38,880 --> 00:44:41,520 Speaker 1: didn't think about that. Yeah, well you should be thinking 761 00:44:41,520 --> 00:44:44,760 Speaker 1: about that. I'm the unmarried one. Well, we have Tomica 762 00:44:48,320 --> 00:44:56,080 Speaker 1: with Ryan Seacrest. That's gonna wrap us tomorrow. More tickets 763 00:44:56,080 --> 00:44:58,560 Speaker 1: store sold out, jingle Ball presented by Capital One. More 764 00:44:58,600 --> 00:45:01,200 Speaker 1: tickets at Disneyland until I have a good man. Great 765 00:45:01,200 --> 00:45:03,080 Speaker 1: to have you back this week's Sysne. She'll take you 766 00:45:03,200 --> 00:45:06,960 Speaker 1: till eleven o'clock this morning. One. Thanks for listening to 767 00:45:07,000 --> 00:45:09,880 Speaker 1: On Air with Ryan Seacrest. Make sure to subscribe and 768 00:45:09,880 --> 00:45:11,120 Speaker 1: we'll talk to you again tomorrow