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Speaker 1: I listen to the Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen. Hey, welcome to another episode of the

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Speaker 1: Black Guy Tips Podcast. I'm your host Rod, joined us

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Speaker 1: always by my co host Karen, and we are live

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Speaker 1: on a Wednesday, ready to do well, a little something different,

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Speaker 1: do some podcasting. But you know, it's been a while.

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Speaker 1: I think the last time we recapped the TV show

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Speaker 1: is Walking Dead, and then we didn't get to do

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Speaker 1: the finale because that rona hit and they couldn't film.

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Speaker 2: And don't nobody know anything coming back right?

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Speaker 1: And then of course people, you know, there's an other

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Speaker 1: shows we watched during the summer. People are like, oh,

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Speaker 1: y'all should recap that. You know. Me and BOSSI recapped

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Speaker 1: Insecure that's over, you know, and I've been watching and

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Speaker 1: I may destroy you, but I'm like, you know, I

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Speaker 1: watch it on my own time. Don't feel like reviewing

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Speaker 1: it and recapping it. But yeah, we were like, this

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Speaker 1: love Craft Country show looks interesting.

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Speaker 2: Yeah. When I first seen the previews, I was like, Okay,

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Speaker 2: that looks interesting.

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Speaker 1: So we're gonna recap love Craft Country. We watched episode one.

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Speaker 1: We'll get into that in a little bit. You can

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Speaker 1: find us on iTunes, Stitcher, Potomatic. Leave us five star

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Speaker 1: reviews on iTunes and stitchy. Y'all, we would like to

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Speaker 1: read some this Saturday. So if you haven't left us

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Speaker 1: a five star review, and especially if you want to

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Speaker 1: see what it's been pressuring us to give reviews and

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Speaker 1: stuff for shows, and you don't even leave five star reviews,

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Speaker 1: that's terrible. Leave us our five star reviews. But yeah,

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Speaker 1: we leave us a five star review. The official weapon

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Speaker 1: of the show is and unofficials for it and bullet

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Speaker 1: but all extreme and yeah, no bullshit. Let's just get

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Speaker 1: right into it. Okay. I don't even have musical musical

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Speaker 1: key or anything because you know, it's not really like

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Speaker 1: a theme song for this shet but yeah, it's episode

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Speaker 1: one of love Craft Country and it's called Sundown, directed

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Speaker 1: by Yen demannge uh. And of course tell a play

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Speaker 1: about Miss Scha Green before we get right into the recap.

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Speaker 1: I forgot Karen, what did you think about like the

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Speaker 1: show as an idea, not the episode, but just the

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Speaker 1: concept of the of the show in the series, and

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Speaker 1: what made you want to review it? Oh?

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Speaker 2: I camemeb with the clean so like, I don't know

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Speaker 2: nothing about the background. I hadn't read the book, so

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Speaker 2: everything is like a fresh, clean slate to me. I

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Speaker 2: didn't even know it was based off of a book

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Speaker 2: until other people started saying it was based off of

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Speaker 2: like a book. I actually when I seen it, I

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Speaker 2: was like, Ooh, black people and they're doing things. And

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Speaker 2: I realized I the cinematography was gorgeous and the black

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Speaker 2: people were pretty and well shot, and I was like,

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Speaker 2: oh that and my dad, that's just some money into this.

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Speaker 2: And so for me, that's what caught me over anything.

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Speaker 2: That's the truth.

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Speaker 1: I was like, ooh, doing things and I may destroy you.

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Speaker 1: There's been a bunch of stuff with black people doing things.

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Speaker 1: I haven't decided to want to watch.

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Speaker 2: Them or review on That's true nothing.

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Speaker 1: So what was different about this.

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Speaker 2: Because of the Girl from Underground? Yes, I really missed

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Speaker 2: that show. I missed that show a lot. I get

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Speaker 2: sad every time I think about the potential on where

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Speaker 2: they were going to go with the show and what

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Speaker 2: they were going to do with the show, and I've

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Speaker 2: been kind of missing that actress. And so when I

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Speaker 2: seen it, I was like, Oh, she was in my

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Speaker 2: she was in my shit. I was like, this my

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Speaker 2: fuck around and be good. And so from that was

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Speaker 2: the that was the biggest thing that kind of sealed

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Speaker 2: my choice. And yeah, I know they have other black

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Speaker 2: shit and other pretty black people did they shoot beautiful

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Speaker 2: things on But for this right here, that was the

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Speaker 2: biggest thing that made me decide.

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Speaker 1: That it was of my time even though it's horror.

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Speaker 2: Yeah, and at first I didn't really know that it

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Speaker 2: was horror. And I think Jordan Peel like executive produced

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Speaker 2: or has something to do with it. And so because

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Speaker 2: as wives as it may sound, because I'm kind of

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Speaker 2: familiar with Jordan Peel and his work, I was like, oh, okay,

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Speaker 2: I can watch this. I know this isn't gonna be

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Speaker 2: that horror gore. I know that the horror is gonna

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Speaker 2: have a purpose behind it and it's not gonna be

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Speaker 2: horror just for the sake of horror or just for

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Speaker 2: the sake of shock. And so for me, I've seen

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Speaker 2: several of his movies, and so since I've seen several

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Speaker 2: of his movies or things he has had a you know,

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Speaker 2: connected with, I felt comfortable like, Okay, I know I

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Speaker 2: might it might be jumpy, or it might be quote

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Speaker 2: unquote scary, but to me, I look at this stuff

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Speaker 2: similar to I look at sci fi, and I remember

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Speaker 2: you was like, well, how could you watch sci fi?

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Speaker 2: Because in my mind I could separate it, and so

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Speaker 2: I I kind of look at it, Oh, this is

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Speaker 2: going to be something sci fi, This is going to

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Speaker 2: be something that's more kind of out of this world

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Speaker 2: type of thing, or the world is going to be

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Speaker 2: like a different world or the world with a twist

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Speaker 2: on it. And I like stuff like that.

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Speaker 1: Yeah, Horror to me is one of those genres where

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Speaker 1: I don't really like. I'm not a big horror fan,

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Speaker 1: but I don't run from it necessarily, but I'm just

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Speaker 1: not a huge fan of it because I feel like,

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Speaker 1: of all the genres, it's the one where you don't

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Speaker 1: you can make the least amount of sense and people

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Speaker 1: will still like it. And I don't like that feeling,

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Speaker 1: you know, Like I know people that love Midsommer, but

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Speaker 1: I watched Midsummer and when I was just like a

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Speaker 1: lot of this shit just was weird and didn't make sense.

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Speaker 1: It just looked creepy and gory and stuff. But you know,

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Speaker 1: I got to the end, I was like, I don't

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Speaker 1: like the plot. To me, there were too many instances

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Speaker 1: of we would have just left or whatever the fuck

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Speaker 1: right anyway, but Misha Green, who was the showrunner for this,

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Speaker 1: she was the show runner for Underground. Yeah, so her

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Speaker 1: and Journeysmolett were getting back together to do something like this.

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Speaker 1: You know, hopefully this makes people that didn't see it

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Speaker 1: go back and watch Underground, which is a really great series.

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Speaker 1: And I think, you know, it's not really that their fault,

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Speaker 1: Like it's not a ratings thing. Wg an't got bought.

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Speaker 2: It was one of the highest rated shows at the time.

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Speaker 1: Actually, yeah, it wasn't a rating thing. Wg ain't got bought,

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Speaker 1: and they basically was like, we're not renewing this, and

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Speaker 1: if anyone wants to buy for us, they have to

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Speaker 1: pay an exorbited amount to get the show on another network. Right.

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Speaker 2: They made it where it was basically almost impossible to

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Speaker 2: resell it, right. So Misha Green was a big selling

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Speaker 2: point to me because I love Underground so much, and

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Speaker 2: then you know, the cast and stuff is obviously a

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Speaker 2: huge sale because you know, in addition to just Journey Smolette,

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Speaker 2: Jonathan Majors was in one of my favorite movies from

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Speaker 2: last year, uh or maybe two years Ago.

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Speaker 1: Uh. The Last Black Man in San Francisco. That movie

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Speaker 1: is so good, okay, and his performance in it is

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Speaker 1: just ridiculous. And honestly, if you sprinkle black people and

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Speaker 1: some shit, I will watch it. Like it's pretty much

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Speaker 1: like it's not that complicated for me anyway, Like if

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Speaker 1: you sprinkle a lot of black people in certain things,

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Speaker 1: it's like I will give it more of a chance

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Speaker 1: than I would have if there weren't a lot of

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Speaker 1: black people in it. Very like, you know, and that's

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Speaker 1: no you know, no shade to these other shows and stuff.

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Speaker 1: But you know, so I was kind of hyped about that,

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Speaker 1: and then you know, Michael uh, Michael Kay Williams, Courtney

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Speaker 1: b vance aunteniue Ella is like it's just so many

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Speaker 1: fucking people and this shit in the cast that you know,

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Speaker 1: it was crazy. The trailer was dope.

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Speaker 2: Uh.

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Speaker 1: And then I have watched some horror series before or

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Speaker 1: like how you call it, like True Blood obviously Penny

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Speaker 1: Dreadful The Strain, So that's like that's the thing.

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Speaker 2: I will watch things like I watched The Strain from

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Speaker 2: the beginning, from the first episode to the last episode, right.

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Speaker 1: So there was just a lot of stuff and then HBO,

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Speaker 1: like HBO don't really put out no bullshit, so you

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Speaker 1: know it wasn't gonna be like a budgetary thing or

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Speaker 1: you know, like, oh, we get halfway in and we go, oh,

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Speaker 1: they didn't really take the time or put the money

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Speaker 1: in this, and now this is trash. So those are

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Speaker 1: the things that really made me want to watch it,

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Speaker 1: and hopefully it's some some dope epic shit. I believe

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Speaker 1: the first season might be eight episode, so we'll see

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Speaker 1: recap all eight. But yeah, this episode is called Sundown.

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Speaker 1: And what do you think about this episode in general?

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Speaker 1: Before we can get into the breakdown.

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Speaker 2: I loved it. I loved it. I had a ball

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Speaker 2: from the beginning to the of its I didn't because,

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Speaker 2: like I said, I didn't know anything, so I didn't

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Speaker 2: know what to expect. But as it went on, I

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Speaker 2: was say, Okay, this is the eraror this is the time,

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Speaker 2: and it was kind of easy for me to adjust

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Speaker 2: to what was happening, what was going on. It wasn't

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Speaker 2: it wasn't a complex for me to dive in. It

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Speaker 2: wasn't confusing at all. Like they set their rules and

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Speaker 2: they kind of stuck with their rules.

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Speaker 1: Yeah, I loved it as well. It was interesting though,

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Speaker 1: because I came into this also code. I've never read

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Speaker 1: a Lovecraft County the novel. I've never really grew up

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Speaker 1: on HP lovecraft stuff, even though HP lovecrafts imagery and

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Speaker 1: ideas that've infiltrated everything anyway. So if you like aliens,

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Speaker 1: if you like you know a lot of science fiction stuff,

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Speaker 1: you like horror, a lot of that stuff is off

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Speaker 1: of his influence. Now, the thing about HP Lovecraft is

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Speaker 1: that he was a raging racist. Oh yes, so and

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Speaker 1: like super racists, and the the show kind of hits

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Speaker 1: that dead center where they're just like in your face.

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Speaker 1: And so there's some meta commentary going on in the

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Speaker 1: show that is essentially saying, like, we know, the person

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Speaker 1: who originated this is a quote unquote flawed man, racist man,

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Speaker 1: and like, who are all these ideas of monsters and

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Speaker 1: all that stuff? But that doesn't mean that black people

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Speaker 1: can't find a home or inspiration to do their own thing.

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Speaker 1: And within this world, this universe that he's so wholeheartedly

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Speaker 1: wanted to keep us out of, you know. And so

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Speaker 1: there's like little easter egg type things that happen, you know,

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Speaker 1: within there that are actually direct shots at HP Lovecraft

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Speaker 1: and stuff, and it's a huge deal because HP Lovecraft

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Speaker 1: is such a big deal that like there's there's a

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Speaker 1: writing award named after him where they give the writer

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Speaker 1: of the year the bust of him, and there was

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Speaker 1: a controversy over that, like a black writer won that

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Speaker 1: award and was like, you know, I have I'm happy

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Speaker 1: to be acknowledged, but I have to think about I

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Speaker 1: have this head of this racis in my house now, right,

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Speaker 1: you know what I mean. So, like, apparently he was

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Speaker 1: a piece of shit, so ons like he loved like

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Speaker 1: he thought Hitler was pretty cool. You see what I'm saying. Like,

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Speaker 1: so yeah, we'll see how the first I always ten.

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Speaker 1: It looks like it's ten episodes, So yeah, the first

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Speaker 1: season being ten episodes, you know, hopefully be a fun ride.

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Speaker 1: But yeah, I loved it. Watching it the second time

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Speaker 1: is when I picked up on some of that extra

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Speaker 1: commentary and just you know, it looks so great. The

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Speaker 1: acting was great. Some of the plot stuff was very

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Speaker 1: coincidental or convenient. But we'll see where that goes. Because

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Speaker 1: I'm assuming they they want to get us to a

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Speaker 1: destination and they're not really fucking around on certain things.

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Speaker 1: It just like, Okay, so y'all knew they were heading

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Speaker 1: to this house, let's just go, you know, as opposed

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Speaker 1: to you know, making it longer and longer. So all right,

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Speaker 1: let's get into the scene by scene breakdown. Uh. So

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Speaker 1: it starts and it's a dream like and I didn't

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Speaker 1: know what was happening. It's like an old timmy black

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Speaker 1: and white movie. I was like, we're going to the war,

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Speaker 1: like it's the only thing missing was like the voice

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Speaker 1: of the old radio guys that used to do like

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Speaker 1: propaganda films back and then the year it's nineteen for seven, Yes,

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Speaker 1: and what back anth Wall, Yeah, give them hell boys,

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Speaker 1: Like it was it was the only thing missing from

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Speaker 1: the audio. And uh and it's so it's like a

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Speaker 1: dream from a movie, black and white movie real and

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Speaker 1: the movie set seems to be World War two and

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Speaker 1: there's this black like contingent of soldiers that are fighting

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Speaker 1: in the trenches of World War two, killing these like

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Speaker 1: Germans or what ever. And our main character is one

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Speaker 1: of the soldiers and we see him killing people, shooting

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Speaker 1: up people, shooting shit. And his name is Atticus, we

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Speaker 1: found out later, and he's just kicking some German ass

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Speaker 1: you know, just some fast twitch muscles all up on

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Speaker 1: them Germans, okay, giving them what for? And so he

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Speaker 1: gets out of the like he had some moves, Like

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Speaker 1: he gets out of the trenches and you give him

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Speaker 1: a little razzle dazzle crossover, you know what I'm saying,

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Speaker 1: pulling bullets out of everywhere. And then the motherfucking camera

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Speaker 1: pans out and you see that this is like a

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Speaker 1: fucking science fiction landscape.

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Speaker 2: Yes. I was like, we on another planet.

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Speaker 1: Yeah, his little shit wasn't nothing like it. Like he

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Speaker 1: I thought, you had some little moves he got out there,

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Speaker 1: and when it zoomed out, I was like, he don't

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Speaker 1: got nothing for this motherfucking uh.

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Speaker 2: Like I don't know what he thinks he doing.

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Speaker 1: Yeah, like like like he don't have nothing for these

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Speaker 1: flying saucers. They had the motherfucking walking things from War

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Speaker 1: to World, Lasers down on people.

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Speaker 2: Yeah, crafts. I'm not in the air with bright lights

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Speaker 2: on the ground.

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Speaker 1: Yeah, flying saucers. That cuthulhu, I think that's how you

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Speaker 1: pronounce it. The tentnacal monsters that had a wings and

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Speaker 1: they look like fucking giant squids that can fly and ship.

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Speaker 1: That motherfucker was in the air, and.

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Speaker 2: Then the old school they like, the creatures are going

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Speaker 2: to fight Godzilla.

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Speaker 1: Yeah, yeah, yeah, those are that's what it's based on.

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Speaker 1: Oh look that that's what I'm saying, those HP Lovecraft

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Speaker 1: stuff is the imagery is in everything.

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Speaker 2: Okay, So like all this ship.

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Speaker 1: We liked that he came up with people use and

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Speaker 1: it infiltrates, you know, the way we designed creatures and

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Speaker 1: all that ship. And then of course he hated niggers.

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Speaker 1: But let's not get sidetracked on him hating niggers. Okay,

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Speaker 1: that is just a thing. You can still be creative,

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Speaker 1: and we're being fair. Every white man did back then

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Speaker 1: and most of them still do down so uh we

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Speaker 1: see who votes for Trump. But yeah, and then uh,

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Speaker 1: there's a voiceover happening in the background that is like

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Speaker 1: about the story of Jackie Robinson, but it can also

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Speaker 1: be considered like an overlay for this action scene. Yeah.

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Speaker 2: And something else that I thought was really neat was

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Speaker 2: at the beginning was in black or white, and then

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Speaker 2: once they kind of pan out and like the world

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Speaker 2: quote unquote opened up to what was happening behind him.

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Speaker 2: I love how it slowly changed like a techno color.

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Speaker 2: It was color, but it wasn't like standard color.

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Speaker 1: Was like an explosion happening, and then color fills in, Yes,

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Speaker 1: and I.

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Speaker 2: Really that was a beautiful transition.

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Speaker 1: Yeah, And so that you know, that overlay with the

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Speaker 1: voice was you know, for Jackie Robinson, but also kind

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Speaker 1: of for Atticus. And so a fucking woman floats down

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Speaker 1: out of one of the flying saucers and she's got

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Speaker 1: like pink skin, she's obviously not human, and she hugs

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Speaker 1: him and she says some alien shit in his ear

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Speaker 1: that I don't know if he understood. I don't know

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Speaker 1: if he speaks it or what. But before he could

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Speaker 1: even answer, she turns him around, and when he turns around,

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Speaker 1: one of those fucking Cuthulhu monsters is there with his

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Speaker 1: tentacles and his jaws, opening his lunch. Yes, it was like,

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Speaker 1: h black people, I've never had one of these.

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Speaker 2: And then before you taste it looking more so.

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Speaker 1: Right, and so the creature gets split in half from

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Speaker 1: Jackie Robinson's back, Yes, and that was a cool visual.

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Speaker 1: And then of course, you know, Jackie Robinson's every nigga's

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Speaker 1: hero back then, and he's he like walks up to

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Speaker 1: him and you know, the dudes are like, oh my god,

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Speaker 1: Jackie Robinson, thanks for saving me and shit. And then

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Speaker 1: as he does that, the creature is knitting itself back

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Speaker 1: together in the background, and it lunges at Jackie again,

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Speaker 1: and Jackie lines up like he's about to hit a

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Speaker 1: home run and we hit a crack at the bat

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Speaker 1: and then the dream is over.

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Speaker 2: Yes, that was really neat. When it started stitching it,

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Speaker 2: I was like, oh, we can reanimate or regenerate. I

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Speaker 2: was like, oh. I was like, this is gonna be

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Speaker 2: like a fight fight.

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Speaker 1: Right, But we wake up and it's like that dream

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Speaker 1: is over, So that's it's not gonna be a fight fight.

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Speaker 1: That was him flipping the fuck out just reading it back.

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Speaker 2: I thought, I thought, well, oh, we getting ready to fly,

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Speaker 2: we getting ready to flashed down. We're gonna have buncock.

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Speaker 2: I was like, okay, let's let's go. We're gonna have

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Speaker 2: people with animal heads. I was like, where else we

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Speaker 2: going to go with this?

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Speaker 1: Yeah, it was very animate like and it just and

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Speaker 1: it just didn't make any like to me. I was like,

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Speaker 1: what the fuck is this series? That's what I was saying, Like,

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Speaker 1: what the fuck was that? So when he woke up,

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Speaker 1: I was like, oh, okay, kind of thank god because

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Speaker 1: that was too much. Like it's like they just threw

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Speaker 1: everything and a blend that threw us in the middle

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Speaker 1: of it. And was like, this is a TV show.

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Speaker 1: It's like, this is not this doesn't make no sense.

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Speaker 2: I was like, because it don't make sense.

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Speaker 1: So he wakes up and he's in the back of

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Speaker 1: a bus and he's falling asleep while reading a book

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Speaker 1: and a black woman is, uh, he's in and he's

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Speaker 1: in the very backs bro and a black woman's like

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Speaker 1: a row ahead of him and sees that he's woken up,

338
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Speaker 1: and she's like, hey, that was just us passing that bump,

339
00:18:23,400 --> 00:18:25,480
Speaker 1: was just us passing over a bridge, like that's what

340
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Speaker 1: woke you up. And we just reached the promised Land,

341
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Speaker 1: like we finally out of the South. And you can

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Speaker 1: see a sign in the back that says Kentucky leaving Kentucky,

343
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Speaker 1: and he gives the sign a middle finger and says

344
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Speaker 1: basically like you know, fuck Jim Crow, like goodbye to

345
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Speaker 1: Kentucky and old Jim Crow. And then she gives him

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Speaker 1: a knowing glance. And then as it's driving, the bus

347
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Speaker 1: engine blows a gasket and they have to pull over

348
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Speaker 1: on the side of the road. And while they're pulled over,

349
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Speaker 1: Tick as he goes by Atticus, him and this black

350
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Speaker 1: woman you know, are among a group of people with

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Speaker 1: white people obviously in the front of the section of

352
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Speaker 1: the bus, because the back of the bus was for

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Speaker 1: colored people.

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Speaker 2: And so yeah, and that was like, you know that

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00:19:15,920 --> 00:19:18,399
Speaker 2: that's real. But it was jarring to see because, like

356
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Speaker 2: I said, I'm being introduced with the work to the

357
00:19:20,320 --> 00:19:22,480
Speaker 2: world for the prison House. I was like, oh, so

358
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Speaker 2: we're going back back.

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Speaker 1: And in an interesting way, it's like in his dream

360
00:19:27,280 --> 00:19:29,960
Speaker 1: under fighting all these monsters and shit, he was almost

361
00:19:30,040 --> 00:19:33,440
Speaker 1: more free and had more agency than real life. When

362
00:19:33,440 --> 00:19:35,160
Speaker 1: he woke up in the back of a colored section

363
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Speaker 1: of a bus, It's like, in this dreaming, in this story,

364
00:19:37,920 --> 00:19:39,600
Speaker 1: he could be free in a certain way that he

365
00:19:39,640 --> 00:19:43,120
Speaker 1: could not be in real life. So he wakes up,

366
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Speaker 1: they get off the bus. He's reading the book White

367
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Speaker 1: waiting on someone to come, either you know, fix the

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Speaker 1: bus or whatever. Well, no one's coming to fix the bus.

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Speaker 1: A truck comes to give everybody a ride, everybody who

370
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Speaker 1: is white. And I remember thinking when he was sitting

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00:20:03,600 --> 00:20:05,600
Speaker 1: there and the white people were talking about each other,

372
00:20:05,680 --> 00:20:09,040
Speaker 1: ignoring them, And I said, they're not gonna give them

373
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Speaker 1: a ride, are they?

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Speaker 2: You know what? Maybe maybe I forget because I was

375
00:20:16,000 --> 00:20:18,160
Speaker 2: like okay, I was like, well, maybe they're gonna put

376
00:20:18,200 --> 00:20:22,200
Speaker 2: him a last because I kept think and I was like, oh, oh,

377
00:20:22,040 --> 00:20:26,480
Speaker 2: oh they got to walk walk? Oh I was And

378
00:20:26,520 --> 00:20:28,760
Speaker 2: then it made sense why he was like, let me

379
00:20:28,800 --> 00:20:31,080
Speaker 2: get your bass, because here he was like, yeah, we're

380
00:20:31,080 --> 00:20:32,879
Speaker 2: gonna walk, and I'm not interested in.

381
00:20:33,520 --> 00:20:36,880
Speaker 1: What's interesting is that it didn't seem like it ever

382
00:20:36,920 --> 00:20:38,959
Speaker 1: occurred to either of them that they would be on

383
00:20:38,960 --> 00:20:41,960
Speaker 1: that truck. Like they didn't even seem disappointed or let down.

384
00:20:42,040 --> 00:20:43,920
Speaker 1: It just seemed like these white people are not gonna

385
00:20:43,960 --> 00:20:47,639
Speaker 1: let a song. That seems pretty obvious. Well, I guess

386
00:20:48,040 --> 00:20:51,760
Speaker 1: we'll be walking because a colored ticket. You know, they

387
00:20:51,880 --> 00:20:54,240
Speaker 1: can't they can't make a colored section of the back

388
00:20:54,280 --> 00:20:58,640
Speaker 1: of a truck, right, you know. And so they get

389
00:20:58,680 --> 00:21:01,560
Speaker 1: to walk in and and she asked him about the

390
00:21:01,560 --> 00:21:04,520
Speaker 1: bookies reading. The book is called The Princess of Mars

391
00:21:05,160 --> 00:21:08,720
Speaker 1: and it's one of the John Carter books. Johnny Carter

392
00:21:08,960 --> 00:21:14,639
Speaker 1: is that movie we saw that had my man Taylor

393
00:21:14,720 --> 00:21:18,960
Speaker 1: Keish who was in Friday Night Lights It was a

394
00:21:19,040 --> 00:21:23,840
Speaker 1: really really tanked. It was really bad. It did harbor

395
00:21:23,960 --> 00:21:26,760
Speaker 1: the box office. It was beautiful though, but the movie

396
00:21:26,880 --> 00:21:29,720
Speaker 1: was like it was the summer of Keish where kitsch

397
00:21:29,880 --> 00:21:32,159
Speaker 1: where we were like, I was rooting for him. I

398
00:21:32,200 --> 00:21:36,880
Speaker 1: still root for Kitchen, but he had like three major

399
00:21:36,920 --> 00:21:40,040
Speaker 1: flops in like three months, and he ain't been the

400
00:21:40,040 --> 00:21:44,240
Speaker 1: same for him on the street. So the Princess of

401
00:21:44,280 --> 00:21:50,400
Speaker 1: Mars was also the woman who came down. I'm assuming

402
00:21:50,600 --> 00:21:52,560
Speaker 1: the woman who came down in the flying saucer that

403
00:21:52,600 --> 00:21:55,560
Speaker 1: hugged him in his dream was that character from the

404
00:21:55,600 --> 00:22:00,639
Speaker 1: John Carter bud okay, Right, So then they have a

405
00:22:00,680 --> 00:22:04,480
Speaker 1: great conversation between him and this black lady is they're

406
00:22:04,480 --> 00:22:07,280
Speaker 1: walking and he's carrying her, you know, carrying her bags

407
00:22:07,280 --> 00:22:11,160
Speaker 1: with her, and she's like, what's the book you're reading

408
00:22:11,160 --> 00:22:14,080
Speaker 1: and stuff, and he's like, yes, Princess of Mars, it's

409
00:22:14,080 --> 00:22:17,680
Speaker 1: about John Carter. It's a book. It's these books based

410
00:22:17,680 --> 00:22:23,440
Speaker 1: on this general in the Virginian Army who fought during

411
00:22:23,480 --> 00:22:26,440
Speaker 1: the Confederate War. He hides from some I believe it's

412
00:22:26,440 --> 00:22:29,440
Speaker 1: Apache Indians in a cave, and I think he said

413
00:22:29,440 --> 00:22:33,520
Speaker 1: Apache and the cave magically teleports him to Mars and

414
00:22:34,080 --> 00:22:39,439
Speaker 1: he becomes like a warlord in Mars, right and uh.

415
00:22:39,560 --> 00:22:43,800
Speaker 1: And she was like, okay, but that means he fought

416
00:22:43,840 --> 00:22:48,520
Speaker 1: in the Confederate Army. And he was like yeah. She

417
00:22:48,600 --> 00:22:50,960
Speaker 1: was like, so you're reading a book about somebody that

418
00:22:51,000 --> 00:22:54,320
Speaker 1: fought in the Confederate Army. That means he fought for slavery.

419
00:22:54,800 --> 00:22:56,199
Speaker 1: You don't get to put it because he said he

420
00:22:56,240 --> 00:22:58,000
Speaker 1: was an ex Confederate soldier. She was like, you don't

421
00:22:58,000 --> 00:22:59,639
Speaker 1: get to put an X in front of that, Like

422
00:23:00,480 --> 00:23:03,800
Speaker 1: you fall of slavery, you can't be a good person. Basically,

423
00:23:04,600 --> 00:23:09,680
Speaker 1: it's kind of like voting for Trump message. And then

424
00:23:09,760 --> 00:23:13,919
Speaker 1: he says stories are like people loving them don't make

425
00:23:13,960 --> 00:23:17,680
Speaker 1: them perfect. You just try to cherish them, overlook their flowers.

426
00:23:18,280 --> 00:23:20,800
Speaker 1: And she's like, yeah, but the flowers are still there.

427
00:23:21,600 --> 00:23:24,280
Speaker 2: You can't watch the milwacky. You can't make them go away.

428
00:23:25,280 --> 00:23:30,880
Speaker 2: You dy there, you in your motherfucking face. And something

429
00:23:30,960 --> 00:23:33,640
Speaker 2: that I actually really like, particularly like once they're past

430
00:23:33,720 --> 00:23:37,280
Speaker 2: Kentucky and all the wonking and things and all the racism.

431
00:23:37,720 --> 00:23:40,359
Speaker 2: It's one of the things where it kind of, in

432
00:23:40,400 --> 00:23:43,639
Speaker 2: my opinion, it emphasized the fact and we're probably gonna go.

433
00:23:44,040 --> 00:23:46,600
Speaker 2: This is the theme for a lot of this episode.

434
00:23:46,600 --> 00:23:49,800
Speaker 2: For me, it emphasized the fact that a lot of

435
00:23:49,840 --> 00:23:53,480
Speaker 2: the bullshit that people up north kind of hanging their

436
00:23:53,520 --> 00:23:56,080
Speaker 2: hat on, like racism ain't up here, Kentucky, ain't the South,

437
00:23:56,160 --> 00:23:56,600
Speaker 2: my nigga.

438
00:23:57,080 --> 00:24:00,439
Speaker 1: You know, Well they left Kentucky. Oh they they have

439
00:24:00,520 --> 00:24:03,680
Speaker 1: cost over from Kentucky. So they were north of Kentucky

440
00:24:03,720 --> 00:24:07,400
Speaker 1: even at this point, right, and it still was racism. Right.

441
00:24:07,520 --> 00:24:11,040
Speaker 2: So it showed the point that when people want to

442
00:24:11,040 --> 00:24:15,679
Speaker 2: act like the South is just racist and nowhere else

443
00:24:16,000 --> 00:24:20,800
Speaker 2: in fucking America has racism, has white people, has people

444
00:24:20,800 --> 00:24:23,200
Speaker 2: with biased none of that, that that shit is only

445
00:24:23,200 --> 00:24:27,000
Speaker 2: in the South. This kind of debunks that all together.

446
00:24:27,160 --> 00:24:30,040
Speaker 2: And people living these living, these black people that live

447
00:24:30,080 --> 00:24:32,919
Speaker 2: in these areas know this. But I just like it

448
00:24:33,160 --> 00:24:36,360
Speaker 2: being presented to where, oh no, we're gonna show you that.

449
00:24:36,320 --> 00:24:41,160
Speaker 1: This shit was everywhere the rest of this show does.

450
00:24:41,320 --> 00:24:44,520
Speaker 1: None of this show that we watched takes place in

451
00:24:44,560 --> 00:24:47,640
Speaker 1: any part of the South, Right, So that's what's interesting,

452
00:24:47,760 --> 00:24:50,560
Speaker 1: Like all the like this is. I love it because

453
00:24:50,640 --> 00:24:53,920
Speaker 1: it's so true to life, and there is that misperception

454
00:24:54,080 --> 00:24:56,400
Speaker 1: of well, yeah, it was racist in the South back

455
00:24:56,400 --> 00:24:58,800
Speaker 1: in the old days Jim Crow and this, that and

456
00:24:58,880 --> 00:25:02,359
Speaker 1: the others. Like, No, in the North, they just weren't

457
00:25:02,359 --> 00:25:05,720
Speaker 1: as many black people to be racist too in certain areas,

458
00:25:06,119 --> 00:25:07,720
Speaker 1: and in the areas where there were a lot of

459
00:25:07,720 --> 00:25:11,680
Speaker 1: black people, Look what they did with red lining, and

460
00:25:12,200 --> 00:25:15,240
Speaker 1: you know the way they took advantage of people's living situations,

461
00:25:15,400 --> 00:25:18,960
Speaker 1: the lack of employment. Look what they did in Chicago

462
00:25:19,800 --> 00:25:22,639
Speaker 1: like this. It's not like it was better. So I

463
00:25:22,920 --> 00:25:25,240
Speaker 1: think it just was a different type of racist. And

464
00:25:25,359 --> 00:25:26,919
Speaker 1: actually it may have been better than the South, but

465
00:25:26,960 --> 00:25:29,080
Speaker 1: it was just different. It wasn't like and up here

466
00:25:29,119 --> 00:25:32,280
Speaker 1: the white people are just completely different in understand like no, no,

467
00:25:33,000 --> 00:25:33,760
Speaker 1: and most.

468
00:25:33,480 --> 00:25:35,639
Speaker 2: Of them actually didn't care about what the South was

469
00:25:35,680 --> 00:25:37,640
Speaker 2: doing until the niggas moved in and then they had

470
00:25:37,640 --> 00:25:38,600
Speaker 2: a problem.

471
00:25:38,920 --> 00:25:42,399
Speaker 1: Right, So but yeah, she definitely was woke. That was

472
00:25:42,920 --> 00:25:45,399
Speaker 1: a woke black woman back then. She was keeping them

473
00:25:45,440 --> 00:25:47,639
Speaker 1: high standards on that fiction. She was like, I'm right.

474
00:25:47,760 --> 00:25:49,720
Speaker 1: Several think pieces on John Carter to Night.

475
00:25:49,720 --> 00:25:52,720
Speaker 2: Come on, you could tell she was a dignified black woman.

476
00:25:53,680 --> 00:25:55,640
Speaker 1: She was not feeling it. She was like, you don't

477
00:25:55,680 --> 00:26:00,479
Speaker 1: get to put an X in front of that. So

478
00:26:00,600 --> 00:26:06,760
Speaker 1: then he talks about loving those stories and how little

479
00:26:06,760 --> 00:26:09,160
Speaker 1: Negro boys from outside of Chicago don't get to do

480
00:26:09,600 --> 00:26:14,960
Speaker 1: those adventures and dreams and stuff that you know happened

481
00:26:15,000 --> 00:26:18,480
Speaker 1: in these books. So they're his escapism, which is interesting

482
00:26:18,520 --> 00:26:20,399
Speaker 1: because we know this series is gonna be about a

483
00:26:20,440 --> 00:26:23,240
Speaker 1: little boy from outside Chicago getting to do a bunch

484
00:26:23,280 --> 00:26:28,840
Speaker 1: of adventures and dreams and shit, but against the backdrop

485
00:26:28,920 --> 00:26:33,280
Speaker 1: of black life in America is a dangerous adventure every

486
00:26:33,320 --> 00:26:38,800
Speaker 1: time you leave your door, yes, sir, So yeah, he

487
00:26:39,800 --> 00:26:43,480
Speaker 1: talks about that, and then she says, unless they joined

488
00:26:43,480 --> 00:26:45,720
Speaker 1: the army, then they can go on adventures. And he

489
00:26:45,880 --> 00:26:48,320
Speaker 1: was like, I didn't join the army to go on adventures.

490
00:26:48,359 --> 00:26:51,639
Speaker 1: I didn't get away from my dad. And now that's

491
00:26:51,680 --> 00:26:55,159
Speaker 1: weirdly ironically, what's bringing me back is my dad. And

492
00:26:55,240 --> 00:26:57,240
Speaker 1: she was like, oh, no, that he died and he

493
00:26:57,320 --> 00:27:00,480
Speaker 1: was like, nah, he's just been missing, and you know,

494
00:27:00,880 --> 00:27:02,239
Speaker 1: I just came back to find him.

495
00:27:03,560 --> 00:27:03,879
Speaker 2: Uh.

496
00:27:03,920 --> 00:27:07,159
Speaker 1: And then we go to Chicago. That's the next lane.

497
00:27:07,840 --> 00:27:11,639
Speaker 1: So in Chicago, Uh, it starts with different characters. We

498
00:27:11,680 --> 00:27:15,159
Speaker 1: don't like start with Atticus. We start with Courtney b

499
00:27:15,320 --> 00:27:20,119
Speaker 1: Vance who's laying in the bed, loving up on his

500
00:27:20,760 --> 00:27:21,560
Speaker 1: one own.

501
00:27:23,320 --> 00:27:26,560
Speaker 2: Her heads everywhere and she is just chilling.

502
00:27:27,240 --> 00:27:31,359
Speaker 1: Mm hmm. They was having that old uh Aunjanue Ellis

503
00:27:31,359 --> 00:27:33,880
Speaker 1: and they were having that just that you know, old

504
00:27:34,000 --> 00:27:38,320
Speaker 1: married couple, you know, like lazy day laying in bed,

505
00:27:38,520 --> 00:27:40,280
Speaker 1: might have sex and helped the kids down. Hear this

506
00:27:40,400 --> 00:27:44,399
Speaker 1: type of type of morning. He was feeling kind of frisky,

507
00:27:44,440 --> 00:27:48,159
Speaker 1: as they say. But yeah, they're laying up in bed

508
00:27:48,520 --> 00:27:52,040
Speaker 1: and his name is George Freeman and her name is

509
00:27:52,119 --> 00:27:55,959
Speaker 1: Hippolyta Freeman and so he's laying in bed with his

510
00:27:56,000 --> 00:27:59,240
Speaker 1: wife and she's like, I don't what the old black

511
00:27:59,320 --> 00:28:02,159
Speaker 1: dam that's that's a good All the names are. All

512
00:28:02,200 --> 00:28:05,200
Speaker 1: the names are, which is weird because they're also all

513
00:28:05,280 --> 00:28:09,240
Speaker 1: like Greek and shit to some extent. You know, Atticus

514
00:28:09,480 --> 00:28:16,040
Speaker 1: is old like Greek Roman, these old names, Letitia, Hippolyta,

515
00:28:16,359 --> 00:28:18,080
Speaker 1: And it's kind of weird because some of these names

516
00:28:18,119 --> 00:28:23,440
Speaker 1: phased out. But a lot of there's like certain phases

517
00:28:23,480 --> 00:28:26,399
Speaker 1: of names that black people used to have and for

518
00:28:26,480 --> 00:28:32,359
Speaker 1: different reasons, much of them being about respectability, like you know,

519
00:28:32,520 --> 00:28:34,680
Speaker 1: doing whatever you can to kind of wrap your child

520
00:28:34,720 --> 00:28:36,639
Speaker 1: and what you think might help make give them a

521
00:28:36,640 --> 00:28:39,200
Speaker 1: slight chance to be safe, and so you would name

522
00:28:39,280 --> 00:28:42,400
Speaker 1: them after these like white people things. A lot of

523
00:28:42,720 --> 00:28:46,880
Speaker 1: black kids getting named after like General Sherman and like,

524
00:28:47,320 --> 00:28:53,800
Speaker 1: you know, to be like they're American. Don't kill my baby, please, okay, listen, okay, right,

525
00:28:53,920 --> 00:28:57,920
Speaker 1: hey child, Greek goddess here, Greek goddess. Let's not let's

526
00:28:57,920 --> 00:29:02,920
Speaker 1: not take disrespect my little girl, you know. So, But yeah,

527
00:29:03,160 --> 00:29:05,280
Speaker 1: I mean that may be deeper meanings to the names

528
00:29:05,320 --> 00:29:08,800
Speaker 1: as well, but I don't know those. So she could

529
00:29:08,800 --> 00:29:10,280
Speaker 1: feel them staring at the back of her head in

530
00:29:10,280 --> 00:29:14,160
Speaker 1: the bed and she's like, uh, you waiting. You ain't

531
00:29:14,240 --> 00:29:15,960
Speaker 1: on your wife to get up and cook breakfast. And

532
00:29:16,000 --> 00:29:19,240
Speaker 1: he was like, I waiting on something different, you know

533
00:29:19,280 --> 00:29:21,640
Speaker 1: what I'm saying, trying to eat a little something else

534
00:29:21,720 --> 00:29:25,280
Speaker 1: up in here. They had that old school was hilarious,

535
00:29:25,320 --> 00:29:26,840
Speaker 1: and he said he has to lead to go on

536
00:29:26,880 --> 00:29:30,959
Speaker 1: the road tomorrow for the guy. The guide is the

537
00:29:31,000 --> 00:29:34,440
Speaker 1: guide Book. The guide Book in this universe is basically

538
00:29:34,520 --> 00:29:38,160
Speaker 1: the Green Book. The Green Book is an underrated movie

539
00:29:38,160 --> 00:29:40,640
Speaker 1: that black people hated from two years ago that wasn't

540
00:29:40,640 --> 00:29:48,600
Speaker 1: an Oscar. But but yeah, he so in this work, yeah,

541
00:29:48,720 --> 00:29:55,880
Speaker 1: in this one, in this world, George Freeman actually is like,

542
00:29:56,440 --> 00:30:00,800
Speaker 1: I guess the arbiter the creator of their green Book,

543
00:30:01,680 --> 00:30:05,000
Speaker 1: and it's just called the Grind the Guidebook, and he

544
00:30:05,400 --> 00:30:08,840
Speaker 1: his job is to go out and explore the world,

545
00:30:08,960 --> 00:30:11,920
Speaker 1: to explore America, find the safe places for black people

546
00:30:11,960 --> 00:30:16,560
Speaker 1: to eat, to live, to whatever. When you're traveling, to

547
00:30:16,720 --> 00:30:20,560
Speaker 1: lodge lodging hotels, so that black people have a place

548
00:30:20,600 --> 00:30:23,000
Speaker 1: to stay and they don't just go into like a

549
00:30:23,040 --> 00:30:28,120
Speaker 1: sundown town and get killed or you know, stay stay

550
00:30:28,120 --> 00:30:31,960
Speaker 1: in someplace and be taking advantage of where they can

551
00:30:32,080 --> 00:30:34,920
Speaker 1: like travel and get a meal. Because for black people,

552
00:30:35,280 --> 00:30:37,800
Speaker 1: you could be on the road driving, there's the same

553
00:30:38,320 --> 00:30:39,400
Speaker 1: just before Siri.

554
00:30:39,960 --> 00:30:41,560
Speaker 2: Right, you didn't know where you was at in some

555
00:30:41,600 --> 00:30:42,360
Speaker 2: places of the country.

556
00:30:42,400 --> 00:30:45,880
Speaker 1: Yeah, it's before Google Maps and shit. So you could

557
00:30:45,880 --> 00:30:48,360
Speaker 1: be driving and it might be the only place you

558
00:30:48,480 --> 00:30:51,680
Speaker 1: can eat for the next two hours. Or you know,

559
00:30:51,800 --> 00:30:54,360
Speaker 1: on this highway there's only one place that will serve

560
00:30:54,400 --> 00:30:57,000
Speaker 1: black people, or there's only one black owned place where

561
00:30:57,040 --> 00:31:01,200
Speaker 1: you can stay, get gas, right, and sundown towns and stuff.

562
00:31:01,200 --> 00:31:02,600
Speaker 1: You can't just pull over on the side of the

563
00:31:02,640 --> 00:31:05,719
Speaker 1: road and stay in your car. You can't just go

564
00:31:05,760 --> 00:31:08,880
Speaker 1: parking a hotel parking lot or something like that. You

565
00:31:08,920 --> 00:31:13,400
Speaker 1: could get killed literally over that. So that's his job,

566
00:31:13,600 --> 00:31:17,480
Speaker 1: and so he has to go out on another trip tomorrow,

567
00:31:17,720 --> 00:31:20,680
Speaker 1: road trip to to find some more stuff for the guy,

568
00:31:20,800 --> 00:31:23,480
Speaker 1: to make sure the details are the same, to make

569
00:31:23,520 --> 00:31:25,680
Speaker 1: sure the things that he said has a change, because

570
00:31:25,720 --> 00:31:28,320
Speaker 1: you have to update this book all the time, because hey,

571
00:31:28,480 --> 00:31:30,440
Speaker 1: some changes come up. And now it's like you go

572
00:31:30,480 --> 00:31:33,040
Speaker 1: to this people, Yeah, you go to this hotel. It's

573
00:31:33,040 --> 00:31:36,840
Speaker 1: white's only now, you know. So he starts trying to

574
00:31:36,840 --> 00:31:40,240
Speaker 1: get some of that wet ass pussy and she she

575
00:31:40,360 --> 00:31:44,040
Speaker 1: suggests that maybe she could go and make a trip

576
00:31:44,080 --> 00:31:47,080
Speaker 1: instead of him, Like I would like to go and

577
00:31:47,160 --> 00:31:48,880
Speaker 1: I could do the trip instead of you, and I

578
00:31:48,880 --> 00:31:51,880
Speaker 1: could check the details out. And it kind of pauses

579
00:31:51,960 --> 00:31:55,280
Speaker 1: the makeout section session, like it kind of stops everything,

580
00:31:55,960 --> 00:32:02,959
Speaker 1: and she's like, is that, Like why is this idea?

581
00:32:03,400 --> 00:32:03,600
Speaker 3: You know?

582
00:32:03,720 --> 00:32:05,840
Speaker 1: So crazy? He was like, it's dangerous out there for

583
00:32:05,920 --> 00:32:10,320
Speaker 1: a woman on the road. But she's like, I've done

584
00:32:10,360 --> 00:32:16,000
Speaker 1: reviews before using your notes, and I it would be

585
00:32:16,040 --> 00:32:19,280
Speaker 1: even better if I could write the note, write the

586
00:32:19,280 --> 00:32:22,040
Speaker 1: the reviews for myself in my own words, with my

587
00:32:22,080 --> 00:32:27,400
Speaker 1: own research. And he's like, look, it's dangerous out there

588
00:32:27,440 --> 00:32:28,520
Speaker 1: for a woman alone.

589
00:32:30,520 --> 00:32:32,600
Speaker 2: And it wasn't over no control of shit, it was

590
00:32:32,640 --> 00:32:35,479
Speaker 2: like I love my wife like you know, type of

591
00:32:35,480 --> 00:32:40,040
Speaker 2: thing you wouldn't woman, I'm trying. It wasn't anything like that.

592
00:32:40,120 --> 00:32:43,080
Speaker 2: It was coming from a very loving and carrying, concerned

593
00:32:43,080 --> 00:32:44,040
Speaker 2: place about her safety.

594
00:32:44,080 --> 00:32:46,720
Speaker 1: I like how they wrote this because they clearly were disagreeing,

595
00:32:46,800 --> 00:32:50,280
Speaker 1: but it wasn't in some like like yeah, like you said,

596
00:32:50,280 --> 00:32:53,120
Speaker 1: it wasn't argumentative, it wasn't raised voices. It wasn't like

597
00:32:53,200 --> 00:32:53,800
Speaker 1: you're gonna.

598
00:32:53,600 --> 00:32:55,520
Speaker 2: Do what I say understanding.

599
00:32:55,720 --> 00:32:59,680
Speaker 1: Yeah, it wasn't like patriarchal as much as it was protected. Right,

600
00:33:00,560 --> 00:33:03,560
Speaker 1: But you know at that time too, you gotta I

601
00:33:03,600 --> 00:33:06,640
Speaker 1: mean now to today, but still at that time for sure,

602
00:33:07,160 --> 00:33:09,920
Speaker 1: you know you have to consider like not many black

603
00:33:09,960 --> 00:33:15,120
Speaker 1: women had a lot of agency and the ability to

604
00:33:15,160 --> 00:33:17,600
Speaker 1: have a time of me to have their own cars,

605
00:33:17,640 --> 00:33:20,800
Speaker 1: to you know, to not need a man I depend

606
00:33:20,800 --> 00:33:22,600
Speaker 1: on a man, to have their own job outside of

607
00:33:22,600 --> 00:33:28,480
Speaker 1: the house. That where like it was not necessary by necessity,

608
00:33:28,840 --> 00:33:32,440
Speaker 1: like it's not cleaning houses or well the way they

609
00:33:32,480 --> 00:33:34,880
Speaker 1: pay us. Everyone in this house gotta work so we

610
00:33:34,880 --> 00:33:36,760
Speaker 1: can live in the shack blah blah blah. He owns

611
00:33:36,800 --> 00:33:42,120
Speaker 1: his own business, you know, and while they're not they're

612
00:33:42,160 --> 00:33:44,240
Speaker 1: not rich or anything. It seemed to be like kind

613
00:33:44,240 --> 00:33:49,800
Speaker 1: of like working class, right. So yeah, so she was like,

614
00:33:50,120 --> 00:33:53,360
Speaker 1: I would like to go on this thing. He's like, yeah,

615
00:33:53,400 --> 00:33:56,640
Speaker 1: I just can't have you go out there like that.

616
00:33:56,960 --> 00:33:59,600
Speaker 1: You know. So she it kind of ruins the mood.

617
00:33:59,640 --> 00:34:01,600
Speaker 1: She goes to get out of bed, but then he

618
00:34:01,680 --> 00:34:07,280
Speaker 1: wounds her back to bed with some of that light fingering. Okay,

619
00:34:07,800 --> 00:34:08,080
Speaker 1: it was.

620
00:34:08,080 --> 00:34:09,680
Speaker 2: Implied like touching.

621
00:34:10,040 --> 00:34:15,160
Speaker 1: Okay, you went downstairs and he was like, you know.

622
00:34:15,120 --> 00:34:16,759
Speaker 2: He was only shut for go ahead and do the

623
00:34:16,960 --> 00:34:20,759
Speaker 2: do the coppers mess the drapes. That's all he was

624
00:34:20,800 --> 00:34:21,560
Speaker 2: sure of saying.

625
00:34:23,080 --> 00:34:26,960
Speaker 1: He went downtown, Okay, he was ready to get a

626
00:34:27,000 --> 00:34:31,040
Speaker 1: session in. You know, it happens. I mean, this is

627
00:34:31,120 --> 00:34:34,200
Speaker 1: just grown people business. It felt so grown like it

628
00:34:34,320 --> 00:34:38,880
Speaker 1: just felt it just felt like like all of our parents,

629
00:34:39,239 --> 00:34:40,800
Speaker 1: you know what I mean, like all of us have

630
00:34:40,920 --> 00:34:44,080
Speaker 1: to say like like I don't know if I should

631
00:34:44,120 --> 00:34:47,799
Speaker 1: be watching this, like like it's so weird because you

632
00:34:47,840 --> 00:34:51,239
Speaker 1: white people have sex all the time on TV, but

633
00:34:51,560 --> 00:34:54,680
Speaker 1: that sex felt so parental. It was just like like

634
00:34:54,800 --> 00:34:57,320
Speaker 1: I was like, oh, I cover my ears and close

635
00:34:57,400 --> 00:35:00,839
Speaker 1: my eyes and walk out of here. But yeah, I

636
00:35:00,920 --> 00:35:03,480
Speaker 1: don't think ID belong here. He let his fingers do

637
00:35:03,600 --> 00:35:12,200
Speaker 1: the talking. Come on back to bed, girl, we know

638
00:35:12,280 --> 00:35:14,760
Speaker 1: what it's all about. I'm gonna take you on a trip,

639
00:35:14,760 --> 00:35:16,960
Speaker 1: all right, I know. And she was like, now you

640
00:35:17,000 --> 00:35:19,960
Speaker 1: know we got these paper pan walls. She's like, you

641
00:35:20,000 --> 00:35:23,120
Speaker 1: know d downstairs. And we find out later d is

642
00:35:23,160 --> 00:35:26,359
Speaker 1: their daughter, Diana, and I'm liked gonna be she gonna

643
00:35:26,360 --> 00:35:30,520
Speaker 1: hear all this fucking like come on now, and he

644
00:35:30,640 --> 00:35:32,719
Speaker 1: was like, girl, I don't care. I want to make

645
00:35:32,760 --> 00:35:36,200
Speaker 1: love to my wife in the daytime. Your face on.

646
00:35:36,360 --> 00:35:38,080
Speaker 2: He was like, I'm tired of the lights off.

647
00:35:38,280 --> 00:35:40,560
Speaker 1: Okay, I want to touch that little dangling thing in

648
00:35:40,560 --> 00:35:47,200
Speaker 1: the back of your throat. And so then he is downstairs.

649
00:35:47,200 --> 00:35:50,560
Speaker 1: She's drawn and listening to the radio, and then the

650
00:35:50,719 --> 00:35:53,600
Speaker 1: sounds of her daddy, Dick and dad ass down get

651
00:35:53,719 --> 00:35:57,319
Speaker 1: too loud and she was like, oh my god, these

652
00:35:57,440 --> 00:36:00,440
Speaker 1: niggas and with his grouse right, she was like, I

653
00:36:00,440 --> 00:36:01,960
Speaker 1: can't even turn the radio up. I gotta go to

654
00:36:02,000 --> 00:36:05,799
Speaker 1: the whole different room. And then she goes to the

655
00:36:05,880 --> 00:36:08,760
Speaker 1: kitchen and she goes to open the window or something

656
00:36:09,400 --> 00:36:12,839
Speaker 1: and lob hole Atticus is outside coming up the fire

657
00:36:12,880 --> 00:36:16,440
Speaker 1: skate and she screams like ah, and that interrupts the

658
00:36:16,480 --> 00:36:18,399
Speaker 1: senior sex session.

659
00:36:19,280 --> 00:36:20,920
Speaker 2: Because they're like, why is that baby screaming?

660
00:36:21,200 --> 00:36:23,959
Speaker 1: Right, They're like, hold on, you can't smash these case

661
00:36:23,960 --> 00:36:27,839
Speaker 1: of smither rings. Noo. And we find out in this

662
00:36:28,200 --> 00:36:34,520
Speaker 1: that George is Atticus's uncle, and so he's come to

663
00:36:34,600 --> 00:36:37,960
Speaker 1: visit them first before going to his own house. And

664
00:36:39,200 --> 00:36:41,200
Speaker 1: they they're, you know, they do the whole like boy,

665
00:36:41,239 --> 00:36:44,640
Speaker 1: you're getting big, or oh, your nephew's home ain't nothing,

666
00:36:44,719 --> 00:36:48,960
Speaker 1: you know, da da, and they're like, Dinah was scared

667
00:36:49,000 --> 00:36:50,719
Speaker 1: and she's like I wasn't scared. It was like she

668
00:36:50,840 --> 00:36:55,160
Speaker 1: was scared. Uh. And then later Atticus goes into Safe

669
00:36:55,280 --> 00:36:59,720
Speaker 1: Negro Travel, which is the I believe it's the store

670
00:37:01,040 --> 00:37:04,799
Speaker 1: that George owns that sells this god and it has

671
00:37:04,880 --> 00:37:06,880
Speaker 1: other books and stuff in that too, and they do

672
00:37:07,000 --> 00:37:08,839
Speaker 1: some they were working on some cars in the back,

673
00:37:08,920 --> 00:37:11,120
Speaker 1: you know, black people. Shit. It was just like they

674
00:37:11,160 --> 00:37:13,040
Speaker 1: do everything up in there. I don't know what else.

675
00:37:13,560 --> 00:37:15,719
Speaker 1: We roll cigarettes, Like what else you need?

676
00:37:15,760 --> 00:37:18,239
Speaker 2: We played bingo, we got your numbers right.

677
00:37:18,360 --> 00:37:19,799
Speaker 1: I don't know what else they did in there, but

678
00:37:19,960 --> 00:37:22,600
Speaker 1: it didn't look shady. It's like like if you could

679
00:37:22,640 --> 00:37:26,279
Speaker 1: go there to get like your oven fixed or get

680
00:37:26,360 --> 00:37:30,640
Speaker 1: up new, get a new book, you know, and right,

681
00:37:30,800 --> 00:37:36,800
Speaker 1: so but yeah, so, uh, Atticus picks up a book

682
00:37:36,800 --> 00:37:40,600
Speaker 1: by HP Lovecraft because in this universe, I guess HP

683
00:37:40,719 --> 00:37:45,000
Speaker 1: Lovecraft does exist. Hey, they have names for the monsters

684
00:37:45,560 --> 00:37:50,080
Speaker 1: all that type of stuff. So this is like, it's

685
00:37:50,120 --> 00:37:53,720
Speaker 1: this interesting meta commentary. And he picks up this book

686
00:37:53,920 --> 00:37:59,680
Speaker 1: called The Outsider and others and they talk about you know,

687
00:38:00,000 --> 00:38:02,440
Speaker 1: because George is like, you're still reading them books. So

688
00:38:02,680 --> 00:38:04,239
Speaker 1: you know your father would have you know, he hated

689
00:38:04,280 --> 00:38:07,919
Speaker 1: them books. And he's like, I know Htre Lovecraft.

690
00:38:08,160 --> 00:38:08,279
Speaker 3: Uh.

691
00:38:09,920 --> 00:38:11,800
Speaker 1: When he found out I was reading these books, he

692
00:38:11,920 --> 00:38:17,160
Speaker 1: made me memorize the poem HP lovecraft road called on

693
00:38:17,239 --> 00:38:23,840
Speaker 1: the Creation of Niggers, which was, as you can guess, racist.

694
00:38:24,400 --> 00:38:27,600
Speaker 1: It's shocking. Okay, I know that might have threw you

695
00:38:27,640 --> 00:38:31,920
Speaker 1: for a loop, but on the Creation of Niggers not

696
00:38:32,040 --> 00:38:32,640
Speaker 1: very flattering.

697
00:38:32,719 --> 00:38:32,799
Speaker 2: Man.

698
00:38:33,000 --> 00:38:36,759
Speaker 1: Look, I hear you. It's funny to me too, and

699
00:38:36,800 --> 00:38:39,640
Speaker 1: I mean it's strange. It's strange to me too. Yeah,

700
00:38:40,200 --> 00:38:43,319
Speaker 1: you wouldn't believe it. Okay, threw me for a loop

701
00:38:43,360 --> 00:38:48,319
Speaker 1: to find that that little tidbit out. Guess he put

702
00:38:48,320 --> 00:38:50,880
Speaker 1: it all in the I guess he put it all

703
00:38:50,920 --> 00:38:54,799
Speaker 1: in the title on that one, just to let us know.

704
00:38:56,800 --> 00:39:05,880
Speaker 1: Angree shot. Yeah, so I'm assuming after he read that

705
00:39:05,920 --> 00:39:12,080
Speaker 1: poem for the first time, Atticus was like, uh, well

706
00:39:12,160 --> 00:39:14,840
Speaker 1: give me a second computer. There we go. Oh like,

707
00:39:15,040 --> 00:39:20,680
Speaker 1: what said computer? Do it again? Oh god, they fucked

708
00:39:20,719 --> 00:39:22,840
Speaker 1: up my queue. It was going so to move.

709
00:39:24,200 --> 00:39:25,680
Speaker 2: Like we ain't got an audience looking at us in

710
00:39:25,680 --> 00:39:26,040
Speaker 2: the face.

711
00:39:26,160 --> 00:39:30,560
Speaker 1: Yeah, let's just pretend there we go that probably the

712
00:39:30,560 --> 00:39:33,000
Speaker 1: first time you read that poem. I'm not gonna read

713
00:39:33,000 --> 00:39:35,439
Speaker 1: the poem. I heard his mad racist I'm good.

714
00:39:35,640 --> 00:39:36,319
Speaker 2: I'm good too.

715
00:39:36,560 --> 00:39:40,000
Speaker 1: You know, we're not here to celebrate HP Lovecraft, you know,

716
00:39:40,320 --> 00:39:46,680
Speaker 1: as much as we are here to celebrate this blackness.

717
00:39:47,040 --> 00:39:51,960
Speaker 1: So but yeah, so that was supposed to ween Atticus

718
00:39:52,040 --> 00:39:55,040
Speaker 1: off of pulp fiction novels and shit because his dad

719
00:39:55,120 --> 00:39:58,919
Speaker 1: seems to be one, uh an alcoholic. Later we find

720
00:39:58,920 --> 00:40:06,600
Speaker 1: out probably abusive and also very militant. Like the riffs

721
00:40:06,680 --> 00:40:09,240
Speaker 1: between Atticus and his dad were not what I thought

722
00:40:09,239 --> 00:40:11,920
Speaker 1: they were gonna be about. Uh, we'll get to that later.

723
00:40:12,000 --> 00:40:16,160
Speaker 1: But so then we find out his dad's been missing

724
00:40:16,200 --> 00:40:18,920
Speaker 1: for two weeks. George is like, I just thought he

725
00:40:19,080 --> 00:40:22,359
Speaker 1: was drunk, like he'd only be and then next thing,

726
00:40:22,400 --> 00:40:23,399
Speaker 1: you know, he wasn't around for.

727
00:40:23,320 --> 00:40:25,479
Speaker 2: Two weeks and this man I know, they come knock

728
00:40:25,480 --> 00:40:27,080
Speaker 2: it out my dough asking him about well he ain't

729
00:40:27,080 --> 00:40:27,840
Speaker 2: pay rent.

730
00:40:27,920 --> 00:40:33,400
Speaker 1: Right, and Atticus says, well, he did write me a

731
00:40:33,520 --> 00:40:37,759
Speaker 1: letter about my mother and we found out here that

732
00:40:37,840 --> 00:40:42,560
Speaker 1: his mother has she's dead. And the note says that

733
00:40:42,760 --> 00:40:47,120
Speaker 1: his father found out where Atticus's mother's family came from

734
00:40:47,520 --> 00:40:50,760
Speaker 1: and that they should go find out more together, and

735
00:40:50,840 --> 00:40:52,880
Speaker 1: he was like, it doesn't even really sound like my dad,

736
00:40:54,160 --> 00:40:57,160
Speaker 1: And it also implied George implies that this is an

737
00:40:57,160 --> 00:41:02,719
Speaker 1: obsession of Atticus's father, uh to like try to find

738
00:41:02,719 --> 00:41:07,399
Speaker 1: out where the Atticus's mother's family was from a chase

739
00:41:07,440 --> 00:41:12,200
Speaker 1: A lineage. And Atticus is like, yes, said I had

740
00:41:12,200 --> 00:41:15,920
Speaker 1: a sacred secret legacy of birthright that has been taken

741
00:41:15,960 --> 00:41:19,799
Speaker 1: from me in this letter. And the place where they

742
00:41:19,800 --> 00:41:23,080
Speaker 1: can go find out more about it is Arkham, Massachusetts.

743
00:41:23,400 --> 00:41:27,120
Speaker 1: Now that's interesting because Arkham is a place that supposedly

744
00:41:27,520 --> 00:41:32,080
Speaker 1: HP Lovecraft made up. But Arkham is take it's so

745
00:41:32,239 --> 00:41:35,399
Speaker 1: big and pop pop pop fiction and ship that pop

746
00:41:35,440 --> 00:41:42,239
Speaker 1: culture and whatnot, like that's where Batman, Yeah, ay, all

747
00:41:42,280 --> 00:41:44,719
Speaker 1: that stuff is named after that. It's an ode to

748
00:41:44,840 --> 00:41:48,960
Speaker 1: HP Lovecraft, right, So like it's a it's a huge thing.

749
00:41:49,040 --> 00:41:51,399
Speaker 1: But one thing the decisions they made in the show

750
00:41:51,400 --> 00:41:53,120
Speaker 1: that I thought was interested and maybe we'll come into

751
00:41:53,120 --> 00:41:56,239
Speaker 1: play later why they did it. But they say that

752
00:41:56,800 --> 00:42:01,680
Speaker 1: the handwriting was misunderstood. It's not Arkham, it's Ardam the

753
00:42:01,800 --> 00:42:04,200
Speaker 1: instead of a k's a D. So I don't know

754
00:42:04,320 --> 00:42:06,080
Speaker 1: how that's gonna play later, but I just thought that

755
00:42:06,160 --> 00:42:09,080
Speaker 1: was an interesting decision because Arkham is what it is

756
00:42:09,080 --> 00:42:14,680
Speaker 1: in all these books and shit. Right, So then he says, well,

757
00:42:15,000 --> 00:42:19,759
Speaker 1: it's in Lovecraft country now the thing is, and I

758
00:42:19,800 --> 00:42:21,799
Speaker 1: don't want people write and explain it because I really

759
00:42:21,840 --> 00:42:23,960
Speaker 1: do want us to try to get it from the series.

760
00:42:24,080 --> 00:42:26,400
Speaker 1: And so I know this was a book and we

761
00:42:26,840 --> 00:42:28,840
Speaker 1: want to avoid the Game of Thrones problems that we

762
00:42:28,920 --> 00:42:31,359
Speaker 1: had the first time we reviewed Game of Thrones, which

763
00:42:31,400 --> 00:42:33,239
Speaker 1: is people read the books and they know where the

764
00:42:33,280 --> 00:42:37,080
Speaker 1: story's going. With this, a lot of people got screeners

765
00:42:37,120 --> 00:42:40,040
Speaker 1: so they see the first five episodes. We're probably gonna

766
00:42:40,080 --> 00:42:43,360
Speaker 1: do no feedback on this, or very little feedback because

767
00:42:43,400 --> 00:42:47,279
Speaker 1: people really don't know how to handle somebody talking about

768
00:42:47,360 --> 00:42:49,520
Speaker 1: something that they know where it's going. And they're like,

769
00:42:49,560 --> 00:42:51,440
Speaker 1: but you might get this wrong. I might, and then

770
00:42:51,440 --> 00:42:53,640
Speaker 1: we'll find out together when it's when when it goes

771
00:42:53,680 --> 00:42:54,080
Speaker 1: the other.

772
00:42:53,960 --> 00:42:56,400
Speaker 2: Way, and it's okay to be correct.

773
00:42:56,480 --> 00:42:58,239
Speaker 1: Yeah. I might have a theory on something and it

774
00:42:58,280 --> 00:43:00,480
Speaker 1: doesn't work out, you know. I might just like a

775
00:43:00,560 --> 00:43:03,239
Speaker 1: character and then they halfway through that, I'm like, oh,

776
00:43:03,280 --> 00:43:06,080
Speaker 1: I like this character. The show might do something different

777
00:43:06,160 --> 00:43:08,200
Speaker 1: than the book does. So I don't know, and I

778
00:43:08,200 --> 00:43:10,759
Speaker 1: don't really want to know, and compared to the book,

779
00:43:10,800 --> 00:43:13,920
Speaker 1: So if your book reader person, don't write in, it's okay.

780
00:43:15,000 --> 00:43:17,080
Speaker 1: If you've seen the first five episodes, don't write in,

781
00:43:17,200 --> 00:43:19,680
Speaker 1: it's okay. If you're just reading all the Easter eggs

782
00:43:20,040 --> 00:43:23,120
Speaker 1: from all the reviews and all the stuff, don't write in.

783
00:43:23,280 --> 00:43:25,600
Speaker 1: It's okay. Just let us. We're giving you me and

784
00:43:25,680 --> 00:43:28,879
Speaker 1: Karen's opinion on this show as it develops. And that's

785
00:43:28,920 --> 00:43:30,480
Speaker 1: just a little side note I wanted to put out

786
00:43:30,480 --> 00:43:33,040
Speaker 1: there because I think that is a potential pit for

787
00:43:33,120 --> 00:43:35,920
Speaker 1: all that to me, ruins the vibe of reviews when

788
00:43:35,920 --> 00:43:39,520
Speaker 1: people do that. Yes, at least the way we do reviews.

789
00:43:39,880 --> 00:43:45,919
Speaker 1: You know, like you know more than us, cool, no problem, Yeah,

790
00:43:46,040 --> 00:43:48,160
Speaker 1: we like we like not knowing. It makes it more

791
00:43:48,200 --> 00:43:50,520
Speaker 1: fun for us, and it's hard for some people to

792
00:43:50,560 --> 00:43:57,480
Speaker 1: relate to that. But yeah, so then this art and

793
00:43:57,640 --> 00:44:00,399
Speaker 1: place is in Lovecraft Country, and I'm not one hundred

794
00:44:00,400 --> 00:44:03,520
Speaker 1: percent sure what that means, Like if HP Lovecraft only

795
00:44:03,520 --> 00:44:07,360
Speaker 1: wrote about a certain region of America, if the hpree

796
00:44:07,440 --> 00:44:13,080
Speaker 1: love Craft creatures and shit that mythology, if it is

797
00:44:13,120 --> 00:44:15,160
Speaker 1: real in this world and they do know that it's real,

798
00:44:15,800 --> 00:44:18,160
Speaker 1: you know, or you know what I'm saying. If HP

799
00:44:18,239 --> 00:44:20,520
Speaker 1: Lovecraft is such a big deal in this world that

800
00:44:20,719 --> 00:44:24,000
Speaker 1: everyone knows HP Lovecraft, I don't know, but I know.

801
00:44:24,280 --> 00:44:26,280
Speaker 1: But the fact that they referred to it so matter

802
00:44:26,320 --> 00:44:30,000
Speaker 1: of factly, I was like, oh, that is everybody.

803
00:44:30,360 --> 00:44:32,320
Speaker 2: When you hear that word, everybody goes okay.

804
00:44:32,520 --> 00:44:35,480
Speaker 1: And of course it's also dope because it's the title

805
00:44:35,560 --> 00:44:38,319
Speaker 1: of the show, and everyone loves when you put the

806
00:44:38,320 --> 00:44:41,160
Speaker 1: title the show in the script. Everyone loves that. He's like,

807
00:44:41,280 --> 00:44:43,280
Speaker 1: ain't I didn't love Craft Country. He just looked directly

808
00:44:43,280 --> 00:44:52,919
Speaker 1: at the camera. The boy you know, right, So but yeah,

809
00:44:53,520 --> 00:44:56,960
Speaker 1: so George examines the letter and says it's not okay,

810
00:44:57,000 --> 00:44:59,920
Speaker 1: but it's a d's ardem uh. And then Atticus goes

811
00:45:00,080 --> 00:45:02,960
Speaker 1: for a walk and he sees the military signing up

812
00:45:03,120 --> 00:45:06,839
Speaker 1: more black young men him in.

813
00:45:06,800 --> 00:45:09,640
Speaker 2: The way him and that military dude look at each other.

814
00:45:09,680 --> 00:45:12,319
Speaker 2: The he looked at that dude disgusted, and that dude

815
00:45:12,360 --> 00:45:14,840
Speaker 2: looked at him like disgusted to it. I can't explain

816
00:45:14,960 --> 00:45:17,920
Speaker 2: that look was like, I know you're in the military.

817
00:45:17,960 --> 00:45:21,920
Speaker 2: He was like, yeah, you about the trick the boys, right, He.

818
00:45:21,880 --> 00:45:24,080
Speaker 1: Looked like you see right through me and know this

819
00:45:24,200 --> 00:45:26,560
Speaker 1: is all bullshit. I'm signing them up to go get killed.

820
00:45:26,600 --> 00:45:28,680
Speaker 2: Yeah, because I know I have the military haircut. You

821
00:45:28,719 --> 00:45:29,759
Speaker 2: can point me out.

822
00:45:30,080 --> 00:45:32,839
Speaker 1: Well he had the military Yeah, yeah, maybe in.

823
00:45:32,800 --> 00:45:36,120
Speaker 2: The military body like a uniform, but he could tell

824
00:45:36,160 --> 00:45:37,279
Speaker 2: like that's the military boy.

825
00:45:37,360 --> 00:45:39,320
Speaker 1: They had a very knowing look on his face.

826
00:45:39,640 --> 00:45:42,080
Speaker 2: Yeah, by the way he walked and presented hisself, I

827
00:45:42,120 --> 00:45:46,120
Speaker 2: am disgusted. That's how they both liked at each other.

828
00:45:47,120 --> 00:45:49,319
Speaker 1: So that was interesting, you know, And plus it was

829
00:45:49,400 --> 00:45:50,959
Speaker 1: just one of those It was just one of those

830
00:45:51,000 --> 00:45:56,360
Speaker 1: moments where uh, the character like that they're sending us

831
00:45:56,400 --> 00:45:59,560
Speaker 1: a message right there, you know, like the black man

832
00:45:59,640 --> 00:46:05,480
Speaker 1: and the military. America been doing us wrong from inception,

833
00:46:05,680 --> 00:46:08,439
Speaker 1: putting our boys on the front line, letting us die

834
00:46:09,120 --> 00:46:14,200
Speaker 1: and taking our lives with the racism of America, take

835
00:46:14,239 --> 00:46:17,000
Speaker 1: our lives, or with the race, or with the bullets

836
00:46:17,040 --> 00:46:19,520
Speaker 1: or the the Vietcom take out. You know, it was

837
00:46:19,560 --> 00:46:23,319
Speaker 1: like it felt very deep and heavy right there. And

838
00:46:23,360 --> 00:46:26,640
Speaker 1: then also just because we know he got deal with racism.

839
00:46:26,640 --> 00:46:29,400
Speaker 1: He's not being treated like a soldier, he's not treated

840
00:46:29,440 --> 00:46:32,719
Speaker 1: like a veteran in America. He's not giving any level

841
00:46:32,760 --> 00:46:36,280
Speaker 1: of respect, you know, caeper niggas and banking caper niggas

842
00:46:36,280 --> 00:46:45,239
Speaker 1: and being told to stand for him. Uh, review too woke,

843
00:46:46,320 --> 00:46:59,400
Speaker 1: but review. So then he goes, uh, he goes to uh,

844
00:46:59,440 --> 00:47:03,960
Speaker 1: like I said, as the military, I think this is

845
00:47:04,000 --> 00:47:09,839
Speaker 1: also when he sees yeah, yeah, this is also where

846
00:47:09,840 --> 00:47:13,400
Speaker 1: he sees like kids playing in the water with the hydrant,

847
00:47:14,000 --> 00:47:16,600
Speaker 1: uh to stay out of the heat, and a white

848
00:47:16,600 --> 00:47:19,320
Speaker 1: man that looked like a police officer uniform was shutting

849
00:47:19,320 --> 00:47:19,920
Speaker 1: the ship off.

850
00:47:20,400 --> 00:47:22,680
Speaker 2: Yeah. And you know what, and as somebody from the South,

851
00:47:22,840 --> 00:47:24,439
Speaker 2: I realized, that's a northern thing.

852
00:47:24,560 --> 00:47:26,560
Speaker 1: It's a city thing. Yeah, yeah, it's yeah.

853
00:47:26,360 --> 00:47:28,520
Speaker 2: It's a northern thing because we are like a like

854
00:47:28,560 --> 00:47:31,000
Speaker 2: a big city type of thing. Because down here niggas

855
00:47:31,040 --> 00:47:33,640
Speaker 2: been like, you don't tell that goddamn water waste, you know,

856
00:47:33,800 --> 00:47:35,759
Speaker 2: I know it's turn the fire holes off.

857
00:47:35,880 --> 00:47:39,680
Speaker 1: Well, that just that's where you were raised. I still

858
00:47:39,719 --> 00:47:43,000
Speaker 1: do have memories in Roseland of people fucking with the

859
00:47:43,080 --> 00:47:45,719
Speaker 1: hydrant and then we were playing the water. So it's

860
00:47:45,760 --> 00:47:47,600
Speaker 1: just it's like a poor black people thing.

861
00:47:49,080 --> 00:47:51,799
Speaker 2: I ain't had that much, but I guess I was

862
00:47:51,840 --> 00:47:53,680
Speaker 2: a step of bug because my mom would be like,

863
00:47:53,719 --> 00:47:55,320
Speaker 2: the fuck are you doing out there in that water.

864
00:47:55,160 --> 00:47:57,919
Speaker 1: Turning water off? Yeah, I don't remember anybody doing that

865
00:47:58,040 --> 00:48:00,759
Speaker 1: in my once I lived in when I was living

866
00:48:00,760 --> 00:48:03,799
Speaker 1: in neighborhoods, and it's not like I lived in in

867
00:48:04,120 --> 00:48:06,080
Speaker 1: uh In there for a long period time or nothing.

868
00:48:06,120 --> 00:48:08,239
Speaker 1: My family, some of my family didn't not stay with

869
00:48:08,280 --> 00:48:11,480
Speaker 1: them all the time. But yeah, like that, definitely. I

870
00:48:11,480 --> 00:48:14,000
Speaker 1: think it's just like a poor put a bunch of

871
00:48:14,080 --> 00:48:17,480
Speaker 1: black people in one area together. We don't have pools

872
00:48:17,480 --> 00:48:21,200
Speaker 1: and shit normally, So you know, you want to cool down,

873
00:48:21,200 --> 00:48:22,640
Speaker 1: beat the heat in the summer, you turn on them

874
00:48:22,680 --> 00:48:25,800
Speaker 1: motherfucking high drinking. We all gonna get wet, get wet.

875
00:48:27,760 --> 00:48:30,359
Speaker 1: So then yeah, the white man, of course does not

876
00:48:30,360 --> 00:48:32,640
Speaker 1: play that. He was like, no negroes go back to

877
00:48:32,960 --> 00:48:37,319
Speaker 1: sweltering heat and turned off the water of the little kids.

878
00:48:37,360 --> 00:48:40,359
Speaker 1: But Atticus just kind of walks by, uh, doesn't say

879
00:48:40,360 --> 00:48:42,680
Speaker 1: anything or notice it, or doesn't seem to notice it

880
00:48:42,760 --> 00:48:47,080
Speaker 1: at the time. And then he walks underneath where the

881
00:48:47,120 --> 00:48:50,600
Speaker 1: train runs on like an overpass, and he goes to

882
00:48:50,640 --> 00:48:54,760
Speaker 1: this bar, the Denmark Vesey Bar. And this is interesting

883
00:48:54,800 --> 00:48:58,719
Speaker 1: because I asked Twitter because I was like, is this

884
00:48:58,840 --> 00:49:01,319
Speaker 1: made up for the shows? And Mark Vesse bars? Is

885
00:49:01,320 --> 00:49:03,520
Speaker 1: that like real? And they was like, no, that's real.

886
00:49:03,600 --> 00:49:08,120
Speaker 1: That's really in Chicago. Denmark Vessey was one of the

887
00:49:08,120 --> 00:49:14,320
Speaker 1: founders of the Ami Church and he was killed and

888
00:49:14,520 --> 00:49:18,160
Speaker 1: because he was part of supposedly part of a U

889
00:49:18,520 --> 00:49:21,120
Speaker 1: slaver vote that was gonna happen, and the white man

890
00:49:21,160 --> 00:49:23,960
Speaker 1: found out about it and sentenced him and a whole

891
00:49:24,000 --> 00:49:26,600
Speaker 1: bunch of slaves and black people to death. He was

892
00:49:26,640 --> 00:49:29,799
Speaker 1: a free man, but because he so they found some

893
00:49:29,920 --> 00:49:36,080
Speaker 1: slaves snitched and uh, I don't mean, I don't mean

894
00:49:36,239 --> 00:49:38,759
Speaker 1: to go in any tropes. You can look it up

895
00:49:38,800 --> 00:49:41,560
Speaker 1: for yourselves. It's really what happened. It was the light

896
00:49:41,600 --> 00:49:45,359
Speaker 1: screed house slaves that stitched. So it was just like.

897
00:49:47,719 --> 00:49:52,399
Speaker 2: And then they wonder why your favorite miss Tubman was like, bitch,

898
00:49:52,440 --> 00:49:54,640
Speaker 2: if you take this trip, you either come and win

899
00:49:54,680 --> 00:49:55,959
Speaker 2: me or your motherfucking died.

900
00:49:57,239 --> 00:49:59,680
Speaker 1: They get They weren't trying to get the freedom. They

901
00:49:59,680 --> 00:50:02,120
Speaker 1: were trying to have a slave revolt. So this wasn't.

902
00:50:01,880 --> 00:50:06,000
Speaker 2: Even oh yeah, she was like either put like this,

903
00:50:06,239 --> 00:50:08,200
Speaker 2: once you signed the papers, it's a one way trip.

904
00:50:08,239 --> 00:50:12,000
Speaker 1: Well, he told too many people, and so some of

905
00:50:12,000 --> 00:50:15,880
Speaker 1: the people really liked their masters. Maybe maybe they masters

906
00:50:16,040 --> 00:50:18,840
Speaker 1: they daddy. Maybe they masters was their daddy.

907
00:50:19,000 --> 00:50:19,800
Speaker 2: I don't remember.

908
00:50:20,040 --> 00:50:22,279
Speaker 1: You know, they were treated differently. They were had bi

909
00:50:22,400 --> 00:50:27,840
Speaker 1: racial and money. Yeah, and so they went to court

910
00:50:27,880 --> 00:50:29,720
Speaker 1: and testified against then Mark Vessi.

911
00:50:48,840 --> 00:50:50,480
Speaker 2: So I didn't know why.

912
00:50:50,960 --> 00:50:54,399
Speaker 1: I didn't know that was we're sick. Uh, they come

913
00:50:54,480 --> 00:50:55,520
Speaker 1: to kick us masters.

914
00:50:55,920 --> 00:50:56,080
Speaker 2: Uh.

915
00:50:56,120 --> 00:51:00,880
Speaker 1: But I didn't know if that was like some like

916
00:51:01,000 --> 00:51:03,840
Speaker 1: ultra woke like Little East Egg. But no, that's real.

917
00:51:04,000 --> 00:51:06,080
Speaker 1: And I was just like, man, Chicago seems like a

918
00:51:06,120 --> 00:51:10,959
Speaker 1: dope city. So yeah, so he goes into Denmark Vessi

919
00:51:11,080 --> 00:51:15,080
Speaker 1: bar because that's where his daddy used to be because

920
00:51:15,080 --> 00:51:18,640
Speaker 1: he a drunk. A lot of a lot of implications

921
00:51:18,640 --> 00:51:19,840
Speaker 1: that daddy might have been a drunk.

922
00:51:20,239 --> 00:51:20,359
Speaker 2: Uh.

923
00:51:20,400 --> 00:51:24,759
Speaker 1: If you didn't get it yet, you understood, So, uh,

924
00:51:25,360 --> 00:51:27,080
Speaker 1: I guess his dad used to be posted up on

925
00:51:27,120 --> 00:51:29,000
Speaker 1: the bar there all the time. So he goes in

926
00:51:29,000 --> 00:51:34,719
Speaker 1: to check. And another big theme is that Atticus used

927
00:51:34,719 --> 00:51:37,399
Speaker 1: to be a skinny, nerdy kid that wore big coke

928
00:51:37,719 --> 00:51:41,480
Speaker 1: coke bottle glasses, and now he's filled out the military.

929
00:51:41,760 --> 00:51:45,560
Speaker 1: You know, he's probably getting three meals every day, you

930
00:51:45,600 --> 00:51:49,520
Speaker 1: know for you Yeah, well, not just that, but he

931
00:51:49,600 --> 00:51:53,480
Speaker 1: seems like he built up his physical fitness because he

932
00:51:53,640 --> 00:51:57,480
Speaker 1: did used to be kind of a small weak child

933
00:51:57,600 --> 00:52:00,320
Speaker 1: and all this shit, and also because he has some

934
00:52:00,400 --> 00:52:03,719
Speaker 1: daddy issues that we'll get to later. So, uh, he

935
00:52:03,800 --> 00:52:05,960
Speaker 1: keeps running into people who recognize him and they're like,

936
00:52:06,040 --> 00:52:09,640
Speaker 1: is that you dick? You know all that stuff. So, uh,

937
00:52:09,760 --> 00:52:12,040
Speaker 1: this guy Tree comes up to him and I don't

938
00:52:12,040 --> 00:52:15,560
Speaker 1: know what is. I don't know if Tree just a

939
00:52:15,640 --> 00:52:19,000
Speaker 1: ne'er do well or what. But Tick was not feeling

940
00:52:19,080 --> 00:52:19,560
Speaker 1: him at all.

941
00:52:19,800 --> 00:52:22,799
Speaker 2: They had some history, like they may go into that

942
00:52:22,880 --> 00:52:25,319
Speaker 2: at some period of time, but it was some history there.

943
00:52:25,719 --> 00:52:30,320
Speaker 1: Yeah, so they was like yeah. Tick was like hey,

944
00:52:30,360 --> 00:52:32,520
Speaker 1: I mean, Tree was like it's me Tree Man, and

945
00:52:32,560 --> 00:52:33,759
Speaker 1: he was like yeah, I know y'all.

946
00:52:33,840 --> 00:52:34,040
Speaker 2: Man.

947
00:52:35,000 --> 00:52:37,799
Speaker 1: He's like all right, well damn what you need? He

948
00:52:37,920 --> 00:52:40,839
Speaker 1: was like, is Sammy here? And Sammy is a guy.

949
00:52:40,880 --> 00:52:42,799
Speaker 1: He's like, is the guy who runs the bar, you know,

950
00:52:42,800 --> 00:52:45,359
Speaker 1: the woman to raise he here? He's like Sammy, Yeah,

951
00:52:45,400 --> 00:52:48,759
Speaker 1: he out back and he goes past him, and I

952
00:52:48,760 --> 00:52:51,600
Speaker 1: think because he was so rude to him, the guy

953
00:52:52,120 --> 00:52:54,239
Speaker 1: kind of chuckles to himself because I think he set

954
00:52:54,320 --> 00:52:58,279
Speaker 1: him back there in that moment on purpose, right, like,

955
00:52:58,600 --> 00:53:01,160
Speaker 1: well this will be funny then him, since you didn't

956
00:53:01,160 --> 00:53:04,160
Speaker 1: even want to be nice. And so he goes out

957
00:53:04,200 --> 00:53:07,760
Speaker 1: back and Sammy is back there in the alleyway getting

958
00:53:07,800 --> 00:53:14,120
Speaker 1: some head bottle Walter getting his dick sucked and by

959
00:53:14,600 --> 00:53:19,600
Speaker 1: dude who. They're startled when Tick comes out there and

960
00:53:19,920 --> 00:53:22,760
Speaker 1: atticans is just like, oh my bad, excuse, I'm sorry

961
00:53:22,760 --> 00:53:25,879
Speaker 1: and turns around to go back in, like and uh

962
00:53:26,920 --> 00:53:29,200
Speaker 1: the guy runs off. That was that was suckingd to

963
00:53:29,280 --> 00:53:35,120
Speaker 1: dick and uh uh Sammy this and this was so

964
00:53:35,120 --> 00:53:37,520
Speaker 1: funny to me. This made me laugh so hard. Sets

965
00:53:37,640 --> 00:53:41,279
Speaker 1: the second time Sammy goes from getting his dick suck

966
00:53:41,320 --> 00:53:42,839
Speaker 1: to have a conversation like.

967
00:53:42,880 --> 00:53:44,799
Speaker 2: That, Yeah, he was like, this is what the fuck

968
00:53:44,840 --> 00:53:45,160
Speaker 2: I do?

969
00:53:45,560 --> 00:53:47,719
Speaker 1: Yeah, but it was just so like I was like,

970
00:53:47,880 --> 00:53:49,840
Speaker 1: was the head that trash? Was it? Did it not

971
00:53:49,880 --> 00:53:52,120
Speaker 1: even feel good? I feel like we just got started.

972
00:53:52,560 --> 00:53:55,600
Speaker 1: There's a moment after you're getting your dick suck. If

973
00:53:55,600 --> 00:53:57,520
Speaker 1: you get interrupted in the middle, it's gonna be a

974
00:53:57,520 --> 00:53:59,359
Speaker 1: little bit of an attitude. And I don't need a second

975
00:53:59,360 --> 00:54:02,520
Speaker 1: to get myself together. Samu snapped right back to business, like,

976
00:54:02,800 --> 00:54:07,280
Speaker 1: hold up, you take something? Uh you? Uh you montress

977
00:54:07,320 --> 00:54:07,879
Speaker 1: son right there?

978
00:54:07,920 --> 00:54:09,800
Speaker 2: That must have been a mediocare head job. And it

979
00:54:09,800 --> 00:54:12,239
Speaker 2: wouldn't surprise me to go back, like I said. Him

980
00:54:12,239 --> 00:54:14,799
Speaker 2: and Tree got history, so I don't know if tre

981
00:54:14,960 --> 00:54:16,719
Speaker 2: booted him or beat him up or something like that.

982
00:54:16,760 --> 00:54:19,400
Speaker 2: And he remembers, but he's like whatever.

983
00:54:19,640 --> 00:54:21,440
Speaker 1: Yeah, I don't know either. They will get to that

984
00:54:21,440 --> 00:54:26,279
Speaker 1: bab you want, but yeah, Uh. Samuel was Sammy like

985
00:54:26,360 --> 00:54:28,040
Speaker 1: came right out of the out of the mouth and

986
00:54:28,120 --> 00:54:29,759
Speaker 1: was like, hold up, let me put my dick away.

987
00:54:30,120 --> 00:54:35,839
Speaker 1: Uh you ain't you a montress son? And he's like yeah.

988
00:54:36,040 --> 00:54:37,640
Speaker 1: He's like, you're looking for your daddy. You know, I

989
00:54:38,080 --> 00:54:39,480
Speaker 1: ain't seen him in a couple of weeks. He used

990
00:54:39,520 --> 00:54:41,359
Speaker 1: to be up there, laid up on my bar every

991
00:54:41,440 --> 00:54:45,160
Speaker 1: day and uh lost lost my best customer.

992
00:54:46,120 --> 00:54:46,279
Speaker 3: Uh.

993
00:54:46,480 --> 00:54:48,759
Speaker 1: He says that basically his dad left with a white

994
00:54:48,840 --> 00:54:52,560
Speaker 1: man about two weeks ago and the guy was dressed

995
00:54:52,640 --> 00:54:56,279
Speaker 1: really sharp, like he could be a lawyer or something.

996
00:54:56,000 --> 00:54:57,879
Speaker 2: Like that, and like he ain't from around here.

997
00:54:58,120 --> 00:55:00,320
Speaker 1: Well, he said not definitely not a cop because he

998
00:55:00,480 --> 00:55:05,120
Speaker 1: dressed to nice for that, and he said. They drove

999
00:55:05,200 --> 00:55:09,080
Speaker 1: off in an expensive silver Ford car that was super fast,

1000
00:55:09,280 --> 00:55:11,160
Speaker 1: and he was like, to have that kind of money,

1001
00:55:11,360 --> 00:55:13,280
Speaker 1: he must have been a lawyer or something. He couldn't

1002
00:55:13,280 --> 00:55:17,000
Speaker 1: have just been, you know, a regular person living around there.

1003
00:55:18,520 --> 00:55:21,279
Speaker 1: So then we get a live song performance by this

1004
00:55:21,480 --> 00:55:23,360
Speaker 1: thick sister in this blue dress.

1005
00:55:23,600 --> 00:55:26,480
Speaker 2: Yes it's a chocolate ass. She was gorgeous mm hmm.

1006
00:55:26,760 --> 00:55:29,880
Speaker 1: And then as she's singing and it's like to have

1007
00:55:30,000 --> 00:55:33,839
Speaker 1: a good old time, it's a light skinned woman named Letitia.

1008
00:55:34,160 --> 00:55:35,120
Speaker 2: This was pre COVID.

1009
00:55:36,400 --> 00:55:40,640
Speaker 1: Leticia letted Lewis comes out, played by Jerny Smolette. She

1010
00:55:40,680 --> 00:55:43,319
Speaker 1: gets out of the car and approaches the stage by

1011
00:55:43,320 --> 00:55:47,319
Speaker 1: the way. I love when shows do this and movies too.

1012
00:55:47,440 --> 00:55:49,640
Speaker 1: I like when movies do this too, where they have

1013
00:55:49,800 --> 00:55:52,640
Speaker 1: like a big actor or main character and they just

1014
00:55:52,680 --> 00:55:56,040
Speaker 1: don't introduce them for like twenty five minutes. I don't

1015
00:55:56,040 --> 00:55:58,600
Speaker 1: know why. I like that, where it's just like we're

1016
00:55:58,640 --> 00:56:01,440
Speaker 1: so confident in our ability to make this story and

1017
00:56:01,480 --> 00:56:04,239
Speaker 1: these other characters and these other actors' ability, We're not

1018
00:56:04,320 --> 00:56:08,280
Speaker 1: even gonna show up with like the Firecracker character until

1019
00:56:08,280 --> 00:56:10,319
Speaker 1: about halfway in, just to let you know like we

1020
00:56:10,400 --> 00:56:16,279
Speaker 1: got this, you know. So she shows up and just

1021
00:56:16,440 --> 00:56:20,240
Speaker 1: as the woman on stage, Ruby is finishing her song

1022
00:56:20,360 --> 00:56:23,200
Speaker 1: and she's asking the crowd like what y'all what y'all

1023
00:56:23,239 --> 00:56:25,839
Speaker 1: want to hear next? And they started requesting some white

1024
00:56:25,840 --> 00:56:27,360
Speaker 1: stuff that's on the radio. She's like talking them, I

1025
00:56:27,400 --> 00:56:29,920
Speaker 1: didn't want to hear that, and she was like, you know,

1026
00:56:30,280 --> 00:56:32,279
Speaker 1: mimicking how the white people be singing and saying it

1027
00:56:32,360 --> 00:56:36,279
Speaker 1: was born and shit. And so then letty uh from

1028
00:56:36,320 --> 00:56:39,840
Speaker 1: this from the crowd goes a whole lot of shaken

1029
00:56:40,440 --> 00:56:44,960
Speaker 1: and everybody recognizes Leeddy as not as from around there

1030
00:56:45,080 --> 00:56:48,720
Speaker 1: as a good singer, and as Ruby as her sister,

1031
00:56:49,320 --> 00:56:51,799
Speaker 1: and so it's like she was like, well and they're

1032
00:56:51,840 --> 00:56:54,799
Speaker 1: like Letty let like let us sing, and you can

1033
00:56:54,880 --> 00:56:57,440
Speaker 1: see there's like a little bit of tension with Ruby

1034
00:56:57,520 --> 00:57:00,239
Speaker 1: and Leeddy. Yes you can yeah, Like Ruby low like

1035
00:57:00,520 --> 00:57:04,440
Speaker 1: why y'all want this bitch come on stage like this

1036
00:57:04,600 --> 00:57:07,520
Speaker 1: is my time right like here she come like just

1037
00:57:07,560 --> 00:57:10,520
Speaker 1: annoy like it wasn't like over the top anoy, but

1038
00:57:10,640 --> 00:57:13,440
Speaker 1: just kind of like what you want, I don't.

1039
00:57:13,280 --> 00:57:14,320
Speaker 2: Want to make no sing.

1040
00:57:14,360 --> 00:57:16,280
Speaker 1: Yeah, why are you even showing up?

1041
00:57:16,480 --> 00:57:17,240
Speaker 2: Like stay in the bag?

1042
00:57:17,280 --> 00:57:19,520
Speaker 1: Nobody asks you to come up up this closed, right,

1043
00:57:19,680 --> 00:57:22,640
Speaker 1: So Letty does come on stage. They do a duet

1044
00:57:23,480 --> 00:57:26,200
Speaker 1: with her and Ruby, a whole lot of shaking, and even.

1045
00:57:26,000 --> 00:57:27,960
Speaker 2: While they were singing, you could tell the titch was

1046
00:57:27,960 --> 00:57:30,120
Speaker 2: going on because she was singing something she was like a, nah,

1047
00:57:31,080 --> 00:57:31,760
Speaker 2: give me the mic back.

1048
00:57:31,880 --> 00:57:35,400
Speaker 1: Yeah, that's another another thing. I like, another trope when

1049
00:57:36,000 --> 00:57:38,520
Speaker 1: the people on stage get annoyed with each other. You know,

1050
00:57:39,600 --> 00:57:42,800
Speaker 1: it's a lot like Living Color, where Vernon and Corey

1051
00:57:43,400 --> 00:57:45,280
Speaker 1: be doing their thing on there. It's kind of like

1052
00:57:45,320 --> 00:57:47,040
Speaker 1: it's kind of cute because it's like, oh, yeah, we

1053
00:57:47,640 --> 00:57:50,200
Speaker 1: like that. You know, the band's not gonna break up

1054
00:57:50,240 --> 00:57:52,720
Speaker 1: after the show, but you know, it's still funny to

1055
00:57:52,720 --> 00:57:55,680
Speaker 1: see them be like, you know, treat each other like,

1056
00:57:55,880 --> 00:57:58,400
Speaker 1: you know, like siblings or whatever, and these literally were

1057
00:57:58,480 --> 00:58:00,720
Speaker 1: siblings and they're fighting over them and it's you know,

1058
00:58:00,800 --> 00:58:02,960
Speaker 1: give me the mic and then seeing me, okay, you're

1059
00:58:02,960 --> 00:58:05,240
Speaker 1: getting a little too a little too much with this

1060
00:58:05,440 --> 00:58:08,160
Speaker 1: and all this ship. She was Yeah, she was clocking

1061
00:58:08,160 --> 00:58:10,280
Speaker 1: her what she had on and all this ship. So

1062
00:58:10,320 --> 00:58:12,480
Speaker 1: they get off the stage. Someone else takes the stage

1063
00:58:12,760 --> 00:58:18,200
Speaker 1: and after the duet and h in the meantime, everyone's dancing.

1064
00:58:18,680 --> 00:58:21,600
Speaker 1: Uh ted, Atticus goes it opens up the hydrant again

1065
00:58:21,640 --> 00:58:25,480
Speaker 1: for the little kids. He takes Diana into the spring

1066
00:58:26,000 --> 00:58:29,160
Speaker 1: springles Letter gets, well, you know that's his little uh,

1067
00:58:29,240 --> 00:58:32,320
Speaker 1: I guess. See that's his cousin, I guess. And so

1068
00:58:35,280 --> 00:58:37,440
Speaker 1: when they and so when they get off stage, Letty

1069
00:58:37,680 --> 00:58:42,000
Speaker 1: uh oh, and then we see George dancing and we

1070
00:58:42,120 --> 00:58:46,600
Speaker 1: see hippo light of being like, yeah, like it.

1071
00:58:46,640 --> 00:58:48,720
Speaker 2: Happened almost on their street, in front of their house.

1072
00:58:48,720 --> 00:58:51,960
Speaker 2: Like the black party was like basically open up the

1073
00:58:52,000 --> 00:58:53,960
Speaker 2: door and this doorsteps and the parties right there.

1074
00:58:54,040 --> 00:58:56,440
Speaker 1: Yeah, it was just like a cool little black party moment.

1075
00:58:56,880 --> 00:59:00,000
Speaker 1: And so then after they get off stage, when we

1076
00:59:00,160 --> 00:59:04,120
Speaker 1: really find out, like Letty and Ruby do have some beef.

1077
00:59:05,600 --> 00:59:09,760
Speaker 1: Ruby is basically like, what you want some money? Because

1078
00:59:09,880 --> 00:59:11,880
Speaker 1: if you here for some money, I ain't got it.

1079
00:59:12,320 --> 00:59:13,760
Speaker 1: And don't think because you got out there in the

1080
00:59:13,840 --> 00:59:16,280
Speaker 1: saying one song with me, you're gonna get any of

1081
00:59:16,280 --> 00:59:18,520
Speaker 1: these tips. And she was like, no, I don't need

1082
00:59:18,560 --> 00:59:20,320
Speaker 1: no money, It's not that, just maybe a place to

1083
00:59:20,360 --> 00:59:22,640
Speaker 1: hold up for a couple of days. And she was like, okay,

1084
00:59:22,720 --> 00:59:25,120
Speaker 1: there it is. You need a place to stay. And

1085
00:59:25,440 --> 00:59:27,800
Speaker 1: she's like, you know, basically just till I get on

1086
00:59:27,840 --> 00:59:29,280
Speaker 1: my feet, you know, I can get a job blah

1087
00:59:29,320 --> 00:59:33,680
Speaker 1: blah blah. And she was like, well, I'm down at

1088
00:59:33,880 --> 00:59:35,200
Speaker 1: first of all, you get on to stay for two

1089
00:59:35,280 --> 00:59:37,920
Speaker 1: days and she's like, how do I'm I found a

1090
00:59:38,000 --> 00:59:40,320
Speaker 1: job in two days? And she was like clean some

1091
00:59:40,360 --> 00:59:42,920
Speaker 1: houses or something. She's like, I'm not cleaning houses and

1092
00:59:42,920 --> 00:59:47,000
Speaker 1: she was like, well the Ruby the was like, well

1093
00:59:47,040 --> 00:59:49,560
Speaker 1: you ain't got clean houses, but Joe ass can't stay

1094
00:59:49,560 --> 00:59:54,920
Speaker 1: here forever, so figure something out. And she goes, well,

1095
00:59:55,760 --> 00:59:58,880
Speaker 1: I'm staying at this It sounded like she was at

1096
00:59:58,960 --> 01:00:02,480
Speaker 1: a boarding house, which during that period of time in

1097
01:00:02,560 --> 01:00:05,600
Speaker 1: Chicago specifically that there was a lot of that, and

1098
01:00:05,720 --> 01:00:07,720
Speaker 1: especially a lot of a legal boarding and if you

1099
01:00:07,760 --> 01:00:11,439
Speaker 1: were a single woman, even more so, you were likely

1100
01:00:11,480 --> 01:00:15,680
Speaker 1: to be in a boarding situation because one you didn't

1101
01:00:15,720 --> 01:00:19,360
Speaker 1: have that double income even families was in these situations.

1102
01:00:19,880 --> 01:00:22,720
Speaker 1: White people were so it was so crazy. The racism

1103
01:00:22,800 --> 01:00:25,720
Speaker 1: was so crazy. They were charging black people higher rent

1104
01:00:26,280 --> 01:00:29,479
Speaker 1: for much smaller places, so they were like sublet places out.

1105
01:00:29,920 --> 01:00:32,720
Speaker 1: They would split like an apartment into like two or

1106
01:00:32,720 --> 01:00:36,840
Speaker 1: three rooms, and each one would have a room and

1107
01:00:36,880 --> 01:00:37,760
Speaker 1: all that time like.

1108
01:00:37,800 --> 01:00:41,000
Speaker 2: The one bathroom one ch right.

1109
01:00:41,840 --> 01:00:43,760
Speaker 1: So Ruby seems to be staying in one of those

1110
01:00:43,800 --> 01:00:45,640
Speaker 1: types of situations, and she's like, yeah, you can't stay

1111
01:00:45,640 --> 01:00:47,439
Speaker 1: there forever. You can stay there for maybe a couple

1112
01:00:47,440 --> 01:00:49,200
Speaker 1: of days, and you got to figure something the fuck out.

1113
01:00:50,800 --> 01:00:53,600
Speaker 1: And she also brings up she says, what happened to

1114
01:00:53,720 --> 01:00:55,280
Speaker 1: the house while you standing there? And she was like,

1115
01:00:55,320 --> 01:00:58,720
Speaker 1: mama's funeral happened, which implies Letty did not go to

1116
01:00:58,760 --> 01:01:01,720
Speaker 1: her own mom's funeral that and it was.

1117
01:01:01,760 --> 01:01:04,919
Speaker 2: Like, yeah, I had money, but I had to pay

1118
01:01:05,040 --> 01:01:05,479
Speaker 2: for some.

1119
01:01:05,400 --> 01:01:07,840
Speaker 1: Shit, right, and Letty gate put in on that shit either.

1120
01:01:09,680 --> 01:01:17,960
Speaker 1: So then Letty also notices Tick, who they like. There

1121
01:01:18,040 --> 01:01:20,360
Speaker 1: was a lot of thirst trapping going on with Tick

1122
01:01:20,480 --> 01:01:26,120
Speaker 1: in this Atticus in this episode man Majors over there

1123
01:01:26,480 --> 01:01:31,120
Speaker 1: like the built. It was funny because I remember peeping

1124
01:01:31,160 --> 01:01:34,800
Speaker 1: that in uh Last Man in San Francisco, because he

1125
01:01:34,840 --> 01:01:38,440
Speaker 1: plays this really weird, kind of withdrawn character who's like

1126
01:01:38,480 --> 01:01:42,600
Speaker 1: an actor, but he's like a very aloof and awkward

1127
01:01:42,680 --> 01:01:45,240
Speaker 1: and shit and I remember thinking like, first of all,

1128
01:01:45,240 --> 01:01:47,200
Speaker 1: this dude's a hell of an actor. The end of that,

1129
01:01:47,760 --> 01:01:51,919
Speaker 1: the end of the the ending of that, well, we'll

1130
01:01:52,160 --> 01:01:55,280
Speaker 1: we'll draw you to tears. But once he starts quote

1131
01:01:55,320 --> 01:01:58,680
Speaker 1: unquote acting in the movie, you're like, oh my god,

1132
01:01:58,760 --> 01:02:01,120
Speaker 1: this dude is a star. Like just it's like the

1133
01:02:01,160 --> 01:02:03,560
Speaker 1: same thing we see when Sterling K. Brown were just like, oh,

1134
01:02:03,560 --> 01:02:07,000
Speaker 1: this dude's a fucking star and not just a star

1135
01:02:07,160 --> 01:02:09,080
Speaker 1: and some like because they can act so well, but

1136
01:02:09,160 --> 01:02:12,240
Speaker 1: like all the little check marks that people have where

1137
01:02:12,240 --> 01:02:15,600
Speaker 1: it's like you got a very definitive features U body

1138
01:02:15,600 --> 01:02:18,280
Speaker 1: and tip top shape, all that stuff, and so in

1139
01:02:18,320 --> 01:02:20,200
Speaker 1: this in this show, they just let him kind of

1140
01:02:20,200 --> 01:02:22,479
Speaker 1: show it off. So he's running around in the tight

1141
01:02:22,560 --> 01:02:26,120
Speaker 1: white T shirt in the in the water, just glistening

1142
01:02:26,200 --> 01:02:31,240
Speaker 1: all over his bomb and and let him know.

1143
01:02:31,480 --> 01:02:36,040
Speaker 2: The other thing was him moving in slow motion just wrink,

1144
01:02:36,280 --> 01:02:38,000
Speaker 2: you know, it just bounces off of them.

1145
01:02:38,400 --> 01:02:39,960
Speaker 1: Yeah, all you need to do is do one of

1146
01:02:40,000 --> 01:02:41,880
Speaker 1: those like hair swoops. Yes.

1147
01:02:43,440 --> 01:02:47,680
Speaker 2: But yeah, so the only thing with shows like Freak Baby, right.

1148
01:02:48,600 --> 01:02:51,600
Speaker 1: She was like, oh, he didn't filled out. I see, uh,

1149
01:02:51,720 --> 01:02:57,600
Speaker 1: you know, he's kind of so she noticed that he

1150
01:02:57,600 --> 01:03:01,120
Speaker 1: had filled out, and Ruby was like, yeah, that's him,

1151
01:03:01,240 --> 01:03:03,440
Speaker 1: you know, he he's not a little boy no more

1152
01:03:03,520 --> 01:03:08,280
Speaker 1: or something like that. But it's just interesting because, uh,

1153
01:03:08,400 --> 01:03:15,240
Speaker 1: I guess t Atticus had moved away and Ruby must

1154
01:03:15,240 --> 01:03:20,040
Speaker 1: have stayed there, but also Leedy had moved away. So

1155
01:03:21,280 --> 01:03:23,680
Speaker 1: but but for some reason, Ruby was acting like, yeah, girl,

1156
01:03:23,800 --> 01:03:26,920
Speaker 1: everybody know that. And I'm like, how, like, how do

1157
01:03:27,040 --> 01:03:28,480
Speaker 1: Ruby know him that well? That?

1158
01:03:28,640 --> 01:03:28,680
Speaker 2: No?

1159
01:03:28,960 --> 01:03:36,400
Speaker 1: You know? Anyway, So then later that night, Atticus asked George,

1160
01:03:36,480 --> 01:03:39,240
Speaker 1: how's Mesa doing from all the dancing and partying and stuff,

1161
01:03:39,520 --> 01:03:41,400
Speaker 1: and he was like, I'm just lucky to even have

1162
01:03:41,520 --> 01:03:45,920
Speaker 1: knees at this point. Uh. And so, uh, George we

1163
01:03:45,960 --> 01:03:49,800
Speaker 1: found out has two shattered knee caps. And he's got

1164
01:03:49,800 --> 01:03:54,000
Speaker 1: his kneecaps shattered, not from playing basketball, not because he

1165
01:03:54,040 --> 01:03:56,640
Speaker 1: refused to take a knee for Kaepernick. Okay, and then

1166
01:03:56,720 --> 01:03:59,240
Speaker 1: he went to the NBA bubble. No, he his knees

1167
01:03:59,280 --> 01:04:03,120
Speaker 1: got shattered from some white people that caught him. I

1168
01:04:03,120 --> 01:04:06,120
Speaker 1: guess one of the guide book put an X on

1169
01:04:06,160 --> 01:04:09,400
Speaker 1: that town because he got his knees fucked up. And

1170
01:04:09,440 --> 01:04:12,480
Speaker 1: he's worried that Hippolaia. His wife wants to start traveling

1171
01:04:12,480 --> 01:04:15,840
Speaker 1: with him. Because he's like, what would have happened if

1172
01:04:15,840 --> 01:04:22,400
Speaker 1: she was there? Right? And uh so that's so that

1173
01:04:22,520 --> 01:04:24,919
Speaker 1: that's that's how we find out that George got bad

1174
01:04:25,000 --> 01:04:26,840
Speaker 1: knees or is they call him on fire? Started?

1175
01:04:26,880 --> 01:04:27,480
Speaker 2: Hot knees?

1176
01:04:27,720 --> 01:04:30,040
Speaker 1: Is what when you get a certain age and needs

1177
01:04:30,040 --> 01:04:31,920
Speaker 1: to be getting hot because they're so messed up.

1178
01:04:32,080 --> 01:04:34,600
Speaker 2: Yeah, you get over a certain age and I don't

1179
01:04:34,600 --> 01:04:37,440
Speaker 2: know how you realize it. One day you just realized

1180
01:04:37,480 --> 01:04:40,320
Speaker 2: your knees hurt, or you been down too long, or

1181
01:04:40,360 --> 01:04:42,960
Speaker 2: your chriss cross applesauces too long, and all of a sudden,

1182
01:04:43,080 --> 01:04:44,120
Speaker 2: the bit just started hurting.

1183
01:04:44,160 --> 01:04:46,880
Speaker 1: You were like, oh ship, Yeah, so George is definitely

1184
01:04:46,880 --> 01:04:52,480
Speaker 1: a hot knees all star, come on. So uh They

1185
01:04:52,560 --> 01:04:55,720
Speaker 1: also pull out the Atlas, and on the atlas, do

1186
01:04:55,760 --> 01:05:01,960
Speaker 1: y'all remember atlases? On there's drawings of monsters, and we

1187
01:05:02,040 --> 01:05:04,800
Speaker 1: find out that Diana, his daughter, drew them. She's very

1188
01:05:04,880 --> 01:05:11,560
Speaker 1: artistically inclined. But it seems that those those atlases, we're

1189
01:05:11,600 --> 01:05:13,880
Speaker 1: gonna find out that those drawings match up with some

1190
01:05:13,920 --> 01:05:17,720
Speaker 1: things because there was some coincidences in this episode where

1191
01:05:17,760 --> 01:05:20,520
Speaker 1: it's like that that's what that little girl drew on

1192
01:05:20,520 --> 01:05:22,240
Speaker 1: that map. So yeah, she.

1193
01:05:22,360 --> 01:05:25,400
Speaker 2: Had like certain sit had like clam members over him

1194
01:05:25,600 --> 01:05:28,520
Speaker 2: and like they'll throw her. I was like, oh, she

1195
01:05:28,600 --> 01:05:30,840
Speaker 2: probably drawn place where she's like don't go here. This

1196
01:05:31,000 --> 01:05:31,720
Speaker 2: place safe.

1197
01:05:32,000 --> 01:05:36,920
Speaker 1: Like I was like, oh, that makes sense right. So

1198
01:05:37,000 --> 01:05:41,600
Speaker 1: then Atticus wants to know where Ardam is. George says

1199
01:05:41,960 --> 01:05:44,560
Speaker 1: is really old. It's over two hundred years ago the

1200
01:05:44,640 --> 01:05:48,160
Speaker 1: last mention of it, and it would be somewhere around

1201
01:05:48,160 --> 01:05:53,280
Speaker 1: Devon County, Massachusetts. And then he realizes Atticus is gonna

1202
01:05:53,320 --> 01:05:55,320
Speaker 1: go after his father because he thinks that's where his

1203
01:05:55,400 --> 01:05:59,600
Speaker 1: father went to Artam. And he's like, I'm gonna go

1204
01:05:59,680 --> 01:06:05,920
Speaker 1: up there, so I need to know the location. But

1205
01:06:06,080 --> 01:06:08,880
Speaker 1: because it's not on the map, is no one really

1206
01:06:08,880 --> 01:06:11,520
Speaker 1: has the evidence of it existing to this at this time.

1207
01:06:12,840 --> 01:06:16,960
Speaker 1: It's like it's gonna be a crap shoot and yeah,

1208
01:06:17,080 --> 01:06:21,560
Speaker 1: and so he's like, I need my car. I need

1209
01:06:21,560 --> 01:06:24,360
Speaker 1: the car. Woody does Woody still running. He's like, yes,

1210
01:06:24,440 --> 01:06:26,200
Speaker 1: you can use the car, but also I'm gonna go

1211
01:06:26,240 --> 01:06:28,280
Speaker 1: with you because I can't let you go by yourself,

1212
01:06:28,760 --> 01:06:30,920
Speaker 1: because Georgian says, you're like you're going to look for

1213
01:06:30,960 --> 01:06:35,439
Speaker 1: my brother and you're going into Devon County. You're going

1214
01:06:35,480 --> 01:06:38,240
Speaker 1: into a place that you know it's dangerous, and plus

1215
01:06:38,560 --> 01:06:42,400
Speaker 1: it'll give me a chance to like, uh, I gotta

1216
01:06:42,440 --> 01:06:45,400
Speaker 1: go out to do the guidbook stuff anyway, so I

1217
01:06:45,480 --> 01:06:46,960
Speaker 1: might as well go with you. We just make an

1218
01:06:46,960 --> 01:06:53,760
Speaker 1: extra shop stop. And uh, Diana, because he's like Atticus

1219
01:06:53,840 --> 01:06:55,400
Speaker 1: is like you sure, you sure about that? And he

1220
01:06:55,440 --> 01:06:57,919
Speaker 1: points to the to the atlas and Diana has drawn

1221
01:06:57,960 --> 01:07:01,160
Speaker 1: a grim grim reaper over there that area of Devon

1222
01:07:01,200 --> 01:07:01,960
Speaker 1: County or whatever.

1223
01:07:03,040 --> 01:07:03,240
Speaker 2: Uh.

1224
01:07:03,280 --> 01:07:05,760
Speaker 1: So the Atticus walks home and this time to his

1225
01:07:05,960 --> 01:07:09,320
Speaker 1: father's house, and in the background we see that silver

1226
01:07:09,680 --> 01:07:12,600
Speaker 1: Ford parked up against a wall and it sounds like

1227
01:07:12,720 --> 01:07:15,320
Speaker 1: the description of the car that his dad drove off

1228
01:07:15,400 --> 01:07:16,640
Speaker 1: in with that white Yeah.

1229
01:07:16,640 --> 01:07:19,920
Speaker 2: And I didn't catch that at first, but I was like, okay,

1230
01:07:19,960 --> 01:07:20,400
Speaker 2: but yes.

1231
01:07:21,560 --> 01:07:23,440
Speaker 1: Then he gets to his dad's house, he picks up

1232
01:07:23,440 --> 01:07:27,840
Speaker 1: a copy of the Count of Monte Cristo, which is

1233
01:07:28,000 --> 01:07:28,600
Speaker 1: old book.

1234
01:07:29,520 --> 01:07:31,440
Speaker 2: I think made of that, ain't it.

1235
01:07:31,840 --> 01:07:33,840
Speaker 1: Yeah. I want to say the man the Iron Mask

1236
01:07:33,960 --> 01:07:36,040
Speaker 1: is made off of that. I want to say that,

1237
01:07:36,800 --> 01:07:37,800
Speaker 1: let me google that.

1238
01:07:38,000 --> 01:07:39,120
Speaker 2: But I've heard that name before.

1239
01:07:39,120 --> 01:07:41,480
Speaker 1: That's why I thought, Yeah, I want to say, that's

1240
01:07:41,520 --> 01:07:44,479
Speaker 1: what that ship is based off of. Like the Three

1241
01:07:44,560 --> 01:07:48,200
Speaker 1: Musketeers and all that shit or maybe maybe something around there,

1242
01:07:50,360 --> 01:07:52,720
Speaker 1: but yeah, it's I don't know, It's just I think

1243
01:07:52,760 --> 01:07:55,520
Speaker 1: the County musk Bady Christ was like this dude that

1244
01:07:55,800 --> 01:07:58,320
Speaker 1: got in prisoned and all the ship was taken from

1245
01:07:58,360 --> 01:08:09,440
Speaker 1: him and they and he gets out and eventually gets revenge.

1246
01:08:09,720 --> 01:08:14,160
Speaker 1: So I think that's the same. Maybe that's two different stories,

1247
01:08:14,160 --> 01:08:16,400
Speaker 1: but I don't know. It's one of my old stories

1248
01:08:16,439 --> 01:08:18,080
Speaker 1: like that, one of my old French stories and shit.

1249
01:08:18,240 --> 01:08:22,200
Speaker 1: So and there's several copies of his book, so I'm

1250
01:08:22,240 --> 01:08:27,320
Speaker 1: assuming whatever's happening with his father in this fucking book

1251
01:08:28,160 --> 01:08:30,519
Speaker 1: something gonna like it's gonna mean something, because it was.

1252
01:08:30,760 --> 01:08:33,200
Speaker 1: It wasn't like one copy was in the house, It's

1253
01:08:33,280 --> 01:08:35,320
Speaker 1: like every book was. And then he picked up a

1254
01:08:35,360 --> 01:08:40,320
Speaker 1: copy and a picture of their family fell out, and

1255
01:08:40,360 --> 01:08:43,400
Speaker 1: it was his dad, who is clearly gonna be played

1256
01:08:43,439 --> 01:08:45,840
Speaker 1: by Michael K. Williams because that's who's in the picture,

1257
01:08:46,320 --> 01:08:49,679
Speaker 1: and then a young Atticus and then this black woman

1258
01:08:49,760 --> 01:08:53,600
Speaker 1: that was his mom, I guess. And so in the

1259
01:08:53,640 --> 01:08:55,519
Speaker 1: closet he finds a shoe box that has a gun

1260
01:08:55,560 --> 01:08:57,479
Speaker 1: in it and takes a gun out. Then he makes

1261
01:08:57,479 --> 01:08:59,960
Speaker 1: a phone call on a rotary phone. The South Korea

1262
01:09:00,040 --> 01:09:03,839
Speaker 1: the old school phone. Had to call the operator operator

1263
01:09:03,920 --> 01:09:04,320
Speaker 1: my nigga.

1264
01:09:04,360 --> 01:09:06,080
Speaker 2: I was like, oh, we're going back back.

1265
01:09:07,439 --> 01:09:11,000
Speaker 1: Woman answers. He never says a word, but she figures out.

1266
01:09:11,160 --> 01:09:13,599
Speaker 1: She's like, you went home. You shouldn't have done that.

1267
01:09:13,680 --> 01:09:14,559
Speaker 1: And then he hangs up.

1268
01:09:15,000 --> 01:09:16,920
Speaker 2: Yeah, I wonder who that woman is, right.

1269
01:09:16,840 --> 01:09:18,920
Speaker 1: This baby my mom, assuming you know.

1270
01:09:20,960 --> 01:09:21,040
Speaker 3: So.

1271
01:09:21,160 --> 01:09:26,679
Speaker 1: Then the next morning he goes to leave. He goes

1272
01:09:26,680 --> 01:09:32,120
Speaker 1: to Safe Travels, safe Negro Travels or whatever, and that's

1273
01:09:32,120 --> 01:09:34,160
Speaker 1: what it's called for real, not joking. He goes to

1274
01:09:34,200 --> 01:09:39,240
Speaker 1: Safe Negro Travels to get in the car with his family, oh,

1275
01:09:39,320 --> 01:09:43,080
Speaker 1: with George. But he when he's there, he sees leaning

1276
01:09:43,120 --> 01:09:47,879
Speaker 1: into the back of the car putting up, putting packing things.

1277
01:09:48,600 --> 01:09:53,360
Speaker 1: Is Letty wearing the tightest pink pants anybody had back.

1278
01:09:53,200 --> 01:09:56,559
Speaker 2: In the old Negro days, paying the style.

1279
01:09:56,920 --> 01:10:00,280
Speaker 1: Yeah, she, like Letty is definitely such a character they're

1280
01:10:00,320 --> 01:10:06,200
Speaker 1: out of like, like she's such a character out of time,

1281
01:10:06,280 --> 01:10:10,720
Speaker 1: almost like Afford thinking different, like like they win and

1282
01:10:10,800 --> 01:10:12,960
Speaker 1: got a woman from like the eighties and put her

1283
01:10:13,000 --> 01:10:15,599
Speaker 1: back in the twenties or whatever, the forties or whatever.

1284
01:10:15,840 --> 01:10:18,360
Speaker 1: And she was like, I'm fighting against all this bullshit, right,

1285
01:10:18,479 --> 01:10:21,280
Speaker 1: like her pants are super tight and she's leaning over.

1286
01:10:21,360 --> 01:10:26,280
Speaker 1: She's she's very like ambitious and very like she doesn't

1287
01:10:26,320 --> 01:10:29,240
Speaker 1: mind being the center of attention all this stuff, even

1288
01:10:29,280 --> 01:10:32,400
Speaker 1: though she don't really have everything together clearly from finances

1289
01:10:32,400 --> 01:10:35,439
Speaker 1: and stuff, a place to stay. Even we see that

1290
01:10:35,479 --> 01:10:37,439
Speaker 1: she's kind of like this four thing in person, and

1291
01:10:37,520 --> 01:10:40,439
Speaker 1: so he sees. So now we have both seen both

1292
01:10:40,439 --> 01:10:43,439
Speaker 1: of them check each other out. So I'm assuming we're

1293
01:10:43,479 --> 01:10:46,360
Speaker 1: headed towards some type of romantic tension here because she

1294
01:10:46,400 --> 01:10:48,160
Speaker 1: looked at him when he was dancing around in the

1295
01:10:48,200 --> 01:10:50,800
Speaker 1: water and shit, and then he's before he knew who

1296
01:10:50,840 --> 01:10:52,599
Speaker 1: she was. He was like, who was this with all

1297
01:10:52,600 --> 01:10:54,720
Speaker 1: this ass? Oh damn, hey, letty And she's like, you

1298
01:10:54,840 --> 01:10:56,360
Speaker 1: just gonna stay. You're gonna help me put up some

1299
01:10:56,360 --> 01:10:58,040
Speaker 1: stuff in the car. He's like, what do you are

1300
01:10:58,040 --> 01:10:58,840
Speaker 1: you going with us?

1301
01:10:59,439 --> 01:11:00,960
Speaker 2: And he had no idea.

1302
01:11:01,200 --> 01:11:04,720
Speaker 1: Yeah, and she's like, you know, at tickda da da,

1303
01:11:04,760 --> 01:11:06,720
Speaker 1: and he was like, lady. She was like, only my

1304
01:11:06,760 --> 01:11:08,559
Speaker 1: friends called me that, you're still my friend, and he

1305
01:11:08,680 --> 01:11:11,080
Speaker 1: was like, you was the only girl in the science

1306
01:11:11,080 --> 01:11:13,200
Speaker 1: club with me when I was a nerd, so yeah,

1307
01:11:13,360 --> 01:11:16,160
Speaker 1: I would say we're still friends. And then George comes

1308
01:11:16,160 --> 01:11:25,560
Speaker 1: out and uh with Hip Hippolyta and Diana, and basically

1309
01:11:26,120 --> 01:11:30,959
Speaker 1: he says, Marvin is gonna look into Artam for them. Marvin,

1310
01:11:31,120 --> 01:11:39,120
Speaker 1: we found out later is Latitia's brother, and they stopped

1311
01:11:39,120 --> 01:11:42,880
Speaker 1: by his house later in the show, and he's gonna

1312
01:11:42,920 --> 01:11:46,600
Speaker 1: look into Artem. He's in some type of like you know,

1313
01:11:46,880 --> 01:11:49,719
Speaker 1: they always had some organization back like the Negro Science

1314
01:11:49,760 --> 01:11:50,759
Speaker 1: Advancement Academy.

1315
01:11:51,160 --> 01:11:53,280
Speaker 2: We always could find some shit if we need.

1316
01:11:53,600 --> 01:11:57,120
Speaker 1: Some ship, he started. So he gonna look into like

1317
01:11:57,240 --> 01:12:01,800
Speaker 1: the historical Negro Club to find out where Ardem is

1318
01:12:01,840 --> 01:12:03,080
Speaker 1: and what that ship is about.

1319
01:12:03,320 --> 01:12:05,599
Speaker 2: Of his network, they're gonna find it.

1320
01:12:05,840 --> 01:12:15,280
Speaker 1: Right, And so then Hippolyta and Diana like basically see

1321
01:12:15,320 --> 01:12:20,000
Speaker 1: George off like you know, y'all have a safe trip,

1322
01:12:20,200 --> 01:12:25,160
Speaker 1: blah blah blah. Uh, Diana has packed the Atlas into

1323
01:12:25,320 --> 01:12:30,320
Speaker 1: Woody in case of an emergency, and then uh, they

1324
01:12:30,360 --> 01:12:33,280
Speaker 1: make a they do a cute little double check like

1325
01:12:33,439 --> 01:12:39,599
Speaker 1: safety kid this that you know, Flair tire, and then uh,

1326
01:12:39,640 --> 01:12:43,240
Speaker 1: they do this little production of George pretending that he well,

1327
01:12:43,280 --> 01:12:46,479
Speaker 1: it's only one thing. I felt like something's missing, and

1328
01:12:46,640 --> 01:12:49,000
Speaker 1: Diana's like, you don't have to do this every time.

1329
01:12:49,120 --> 01:12:53,280
Speaker 1: He's like where's my you know, comic book and then

1330
01:12:53,720 --> 01:12:58,439
Speaker 1: apparently she draws comic books for her dad take on

1331
01:12:58,479 --> 01:13:02,120
Speaker 1: the road and and they don't tell us why significant,

1332
01:13:02,160 --> 01:13:04,920
Speaker 1: but it is significant that she changed it or that

1333
01:13:04,960 --> 01:13:07,840
Speaker 1: it's called Ornethia blue and it's like this woman with

1334
01:13:07,920 --> 01:13:11,240
Speaker 1: blue hair on the cover. And I'm not hundredson sure why.

1335
01:13:11,320 --> 01:13:13,120
Speaker 1: We will probably find out why that was a big

1336
01:13:13,200 --> 01:13:18,719
Speaker 1: change or whatever, but Hippolyta is very proud of Diana

1337
01:13:18,800 --> 01:13:21,920
Speaker 1: for that. Oh yeah, So in the chat pointed out

1338
01:13:21,920 --> 01:13:26,840
Speaker 1: that that is the name of Diana wonder Woman, and

1339
01:13:26,920 --> 01:13:31,240
Speaker 1: hippolytas her mom movies, So okay, maybe that's the inspiration.

1340
01:13:31,479 --> 01:13:37,559
Speaker 1: So then they traveled through the Midwest and you know,

1341
01:13:37,680 --> 01:13:42,560
Speaker 1: by car long long travels, and we get a montage

1342
01:13:42,600 --> 01:13:46,120
Speaker 1: of a bunch of lots scenes of black life over

1343
01:13:46,880 --> 01:13:51,120
Speaker 1: James Baldwin in his infamous debate with William F. Buckley

1344
01:13:52,160 --> 01:13:57,680
Speaker 1: and their shots of like black segregated life, and you

1345
01:13:57,720 --> 01:13:59,559
Speaker 1: can see it on the internet because people was putting

1346
01:13:59,600 --> 01:14:02,120
Speaker 1: it together as it was happening. But these were pictures

1347
01:14:02,160 --> 01:14:05,639
Speaker 1: from like Gordon Parks photos and stuff, and they basically

1348
01:14:05,640 --> 01:14:08,560
Speaker 1: brought them to real life, like the detail in painstaking

1349
01:14:08,640 --> 01:14:12,479
Speaker 1: detail where like the colored ice cream section where it

1350
01:14:12,560 --> 01:14:14,920
Speaker 1: was off to the side and the white families. That's

1351
01:14:14,920 --> 01:14:18,200
Speaker 1: a picture this the mom and daughter and their like

1352
01:14:18,280 --> 01:14:23,439
Speaker 1: Sunday best almost standing out near the colored sign. There's

1353
01:14:23,479 --> 01:14:26,599
Speaker 1: this other thing whereas black people waiting on the bus

1354
01:14:26,640 --> 01:14:28,840
Speaker 1: and there's a huge line because all the black people

1355
01:14:28,880 --> 01:14:31,120
Speaker 1: had to take the bus, and then over them is

1356
01:14:31,160 --> 01:14:35,800
Speaker 1: an advertisement for white people for cars, for a car,

1357
01:14:35,880 --> 01:14:38,639
Speaker 1: and it's got a white family and it's smiling and

1358
01:14:38,720 --> 01:14:42,920
Speaker 1: the logo says world's highest standard of living. There's no

1359
01:14:43,040 --> 01:14:45,840
Speaker 1: way like the American way. And it's just so like

1360
01:14:46,720 --> 01:14:50,599
Speaker 1: it's it's such huge irony that these black people are

1361
01:14:50,720 --> 01:14:54,759
Speaker 1: ex fancy and so yeah, it was like an old

1362
01:14:55,200 --> 01:14:59,639
Speaker 1: to all those pictures and stuff all over. James Baldwin,

1363
01:15:00,000 --> 01:15:03,599
Speaker 1: you know, it's James Baldwin basically talks about black life

1364
01:15:03,600 --> 01:15:07,840
Speaker 1: in America and what's it like the imperialistic nature of

1365
01:15:07,880 --> 01:15:12,280
Speaker 1: whiteness in America compared it to like the French, and

1366
01:15:12,840 --> 01:15:15,760
Speaker 1: he basically says, you know, when a black child, a

1367
01:15:15,840 --> 01:15:19,439
Speaker 1: colored child looks beyond this and most have had the

1368
01:15:19,479 --> 01:15:21,880
Speaker 1: same rights that they get. You know, they're the ones

1369
01:15:21,880 --> 01:15:23,760
Speaker 1: who look crazy to look at this system and think

1370
01:15:23,760 --> 01:15:27,439
Speaker 1: it's wrong because that's how ingrained the bias and bigotry

1371
01:15:27,520 --> 01:15:30,520
Speaker 1: is in America. So it was like it was just beautiful,

1372
01:15:30,520 --> 01:15:35,400
Speaker 1: like that alone right there is like art, you know

1373
01:15:35,439 --> 01:15:35,880
Speaker 1: what I mean.

1374
01:15:37,280 --> 01:15:41,960
Speaker 2: It was pretty. And also while it was driving, Letty

1375
01:15:42,160 --> 01:15:46,599
Speaker 2: was like, I can't drive, and I was thinking yeah,

1376
01:15:46,640 --> 01:15:48,439
Speaker 2: but then I thought about it. They probably don't want

1377
01:15:48,439 --> 01:15:50,280
Speaker 2: you to drive because it's about a higher probability to

1378
01:15:50,320 --> 01:15:52,520
Speaker 2: they'll get pulled over with her driving.

1379
01:15:53,080 --> 01:15:56,200
Speaker 1: Maybe, And it could also well we haven't gotten to

1380
01:15:56,240 --> 01:15:58,880
Speaker 1: this yet, but yeah, it could be that. It could

1381
01:15:58,920 --> 01:16:01,520
Speaker 1: also be just the fact that she's a woman and

1382
01:16:01,560 --> 01:16:04,320
Speaker 1: their men and man driving into man thing. It's just

1383
01:16:04,320 --> 01:16:08,200
Speaker 1: like voting came to men black men first, you know.

1384
01:16:09,800 --> 01:16:12,080
Speaker 1: So yeah, like it could it could be a lot

1385
01:16:12,080 --> 01:16:14,000
Speaker 1: of things. You know, it could be sexist. And it

1386
01:16:14,320 --> 01:16:17,280
Speaker 1: wasn't some overt like we hate women, bitch like. It

1387
01:16:17,400 --> 01:16:20,919
Speaker 1: wasn't that. It was just very much like a man drives,

1388
01:16:20,920 --> 01:16:23,599
Speaker 1: it's my car, and and if someone else is gonna drive,

1389
01:16:23,600 --> 01:16:24,360
Speaker 1: Atticus could drive.

1390
01:16:24,439 --> 01:16:26,479
Speaker 2: I know. She was like, I'm doing the music.

1391
01:16:26,600 --> 01:16:28,599
Speaker 1: Yeah, you're a woman, you should. But we didn't get

1392
01:16:28,640 --> 01:16:30,719
Speaker 1: to that part yet. That's that's actually further down the line.

1393
01:16:31,720 --> 01:16:35,800
Speaker 1: At the gas station. A white man during this montage

1394
01:16:36,600 --> 01:16:40,840
Speaker 1: mocks Atticus because he's eating a banana while talking to Letty,

1395
01:16:40,840 --> 01:16:43,680
Speaker 1: and the guy starts doing all these monkey sounds and

1396
01:16:43,760 --> 01:16:46,160
Speaker 1: Atticus kind of flicks his banana at them before they

1397
01:16:46,200 --> 01:16:47,519
Speaker 1: get in the car and drive off.

1398
01:16:48,280 --> 01:16:50,200
Speaker 2: They had to go get them, and.

1399
01:16:50,160 --> 01:16:54,040
Speaker 1: Then the background, as an aunt, Jemima sogn Yeah, and

1400
01:16:54,080 --> 01:16:57,559
Speaker 1: you see this happen several times, well a couple more

1401
01:16:57,560 --> 01:17:02,599
Speaker 1: times in the in the show. But also, like that

1402
01:17:02,720 --> 01:17:04,840
Speaker 1: is one of the things about being a black man

1403
01:17:05,160 --> 01:17:10,840
Speaker 1: in America is that you're under two different scopes, you know,

1404
01:17:10,920 --> 01:17:13,680
Speaker 1: because you're you've been told your whole life to beat

1405
01:17:13,760 --> 01:17:16,000
Speaker 1: us protected, to beat us patriarch, to be a man

1406
01:17:16,240 --> 01:17:18,320
Speaker 1: and a stand up for your rights. But at the

1407
01:17:18,360 --> 01:17:22,160
Speaker 1: same time, your rights aren't protected and you are and

1408
01:17:22,200 --> 01:17:25,559
Speaker 1: they aren't respected. And then when they demean you in

1409
01:17:25,600 --> 01:17:29,719
Speaker 1: the eyes of the women of your race, like there's

1410
01:17:29,880 --> 01:17:33,280
Speaker 1: it's like you're fighting two things because they understand and

1411
01:17:33,320 --> 01:17:36,200
Speaker 1: they want you to survive, but also it's like you

1412
01:17:36,320 --> 01:17:39,000
Speaker 1: as a man, feel reduced in that moment, you know,

1413
01:17:39,200 --> 01:17:41,120
Speaker 1: so like I can't just punch this white boy in

1414
01:17:41,120 --> 01:17:43,840
Speaker 1: the face and you know, end up with the death

1415
01:17:43,880 --> 01:17:47,840
Speaker 1: penalty on our way back home. But at the same time,

1416
01:17:47,960 --> 01:17:50,640
Speaker 1: I can't just let this person do this shit to

1417
01:17:50,640 --> 01:17:52,919
Speaker 1: me in my face as a human being and disrespect

1418
01:17:53,000 --> 01:17:55,559
Speaker 1: me like that. And so yeah, we see that play

1419
01:17:55,560 --> 01:17:58,040
Speaker 1: out a couple of times, but we.

1420
01:17:58,080 --> 01:18:01,040
Speaker 2: Learned it from you. You have a motherfucking war that

1421
01:18:01,080 --> 01:18:06,080
Speaker 2: you lost, and because your men's men's pride was shattered

1422
01:18:06,160 --> 01:18:09,280
Speaker 2: so much, y'all went around a country and changed the

1423
01:18:09,360 --> 01:18:12,360
Speaker 2: course of the American history and puting these motherfucking statues

1424
01:18:12,400 --> 01:18:13,320
Speaker 2: over fucking pride.

1425
01:18:13,560 --> 01:18:16,080
Speaker 1: Keep in mind, keep in mind though they're not they're

1426
01:18:16,160 --> 01:18:19,559
Speaker 1: not in the South. So these are these are the

1427
01:18:19,560 --> 01:18:21,720
Speaker 1: people the country, right, these are the people well this

1428
01:18:21,760 --> 01:18:24,400
Speaker 1: is before that, but so these are the people that

1429
01:18:24,400 --> 01:18:28,120
Speaker 1: that technically won that war against the Confederates and treating

1430
01:18:28,120 --> 01:18:29,880
Speaker 1: these black people like this, you know what I mean.

1431
01:18:30,360 --> 01:18:36,360
Speaker 1: So these are their ancestors. But I digress anyway, And

1432
01:18:36,400 --> 01:18:38,559
Speaker 1: then of course they're paying to an aunt Jemama sign

1433
01:18:39,240 --> 01:18:43,240
Speaker 1: in the background on a just sitting there as they

1434
01:18:43,240 --> 01:18:46,960
Speaker 1: get ready to drive off from the from the gas.

1435
01:18:47,800 --> 01:18:50,519
Speaker 1: It was very heavy handed, Yes it was, I respect it.

1436
01:18:50,960 --> 01:18:56,320
Speaker 1: So then they leave, they and George suggest that they

1437
01:18:56,360 --> 01:18:59,760
Speaker 1: take a detour to Simmonsville to check on a place

1438
01:18:59,760 --> 01:19:02,759
Speaker 1: called Lydia's, which is a place that he has marked

1439
01:19:02,760 --> 01:19:07,240
Speaker 1: as safe to go to in his book, but he's

1440
01:19:07,280 --> 01:19:09,479
Speaker 1: heard some rumors that there might have been some changes

1441
01:19:09,520 --> 01:19:11,040
Speaker 1: and he just wants to go fill it out, make

1442
01:19:11,080 --> 01:19:13,360
Speaker 1: sure that's still safe to go eat. And this is

1443
01:19:13,360 --> 01:19:15,559
Speaker 1: why Atticus, of course has no shirt on on the

1444
01:19:15,600 --> 01:19:18,599
Speaker 1: side of the road, giving himself a wipe down as

1445
01:19:18,720 --> 01:19:23,799
Speaker 1: Letty takes a picture in her camera of his chisel back. Okay,

1446
01:19:25,000 --> 01:19:27,760
Speaker 1: and Letty's like, nobody asked me, but I could go

1447
01:19:27,840 --> 01:19:30,639
Speaker 1: for a hot meal, and then she mentions not being

1448
01:19:30,680 --> 01:19:32,600
Speaker 1: allowed to drive while getting in the back. She's like,

1449
01:19:32,640 --> 01:19:34,639
Speaker 1: if I can't drive, I could at least play choose

1450
01:19:34,680 --> 01:19:35,120
Speaker 1: the music.

1451
01:19:35,280 --> 01:19:37,200
Speaker 2: And I know that camera is expensive for the time.

1452
01:19:38,000 --> 01:19:42,200
Speaker 1: And then they turn up to some bb king and

1453
01:19:42,840 --> 01:19:47,720
Speaker 1: they go to Simmonsville, and as they enter Simmonsville, the

1454
01:19:47,840 --> 01:19:50,640
Speaker 1: first thing they see is some firefighters hanging out in

1455
01:19:50,640 --> 01:19:55,360
Speaker 1: front of the firefighter howee or whatever the fire what

1456
01:19:55,439 --> 01:20:02,040
Speaker 1: do you call that place? Fire station? Fire station? So

1457
01:20:02,040 --> 01:20:04,400
Speaker 1: they hang out from the fire station and there's a

1458
01:20:04,439 --> 01:20:07,519
Speaker 1: dog on a leash that is going crazy when it

1459
01:20:07,560 --> 01:20:11,120
Speaker 1: sees these black people and you know black people. The

1460
01:20:11,240 --> 01:20:12,639
Speaker 1: nigga since started tingling.

1461
01:20:13,800 --> 01:20:16,240
Speaker 2: It was like, and they've been like, why some niggas

1462
01:20:16,240 --> 01:20:17,000
Speaker 2: don't like dogs?

1463
01:20:17,479 --> 01:20:19,479
Speaker 1: Why all right, dogs were on the wrong side of

1464
01:20:19,479 --> 01:20:21,720
Speaker 1: civil rights and I will forever hold that against them.

1465
01:20:21,760 --> 01:20:28,160
Speaker 1: I'm sorry, I'm not sorry. But then but then, yeah,

1466
01:20:28,160 --> 01:20:32,000
Speaker 1: so they see these they see these firefighters, they're the

1467
01:20:32,080 --> 01:20:35,320
Speaker 1: dog going crazy. Then they go to where the diner

1468
01:20:35,360 --> 01:20:37,519
Speaker 1: should be, but the diner has a different name now

1469
01:20:37,600 --> 01:20:40,920
Speaker 1: now it's Simmonsville dineet And they go to walk in

1470
01:20:41,520 --> 01:20:47,040
Speaker 1: and Letty give some white women some attitude while saying

1471
01:20:48,320 --> 01:20:50,720
Speaker 1: something about how like this might be the kind of

1472
01:20:50,720 --> 01:20:54,320
Speaker 1: place where they won't serve you or something like that, because,

1473
01:20:54,360 --> 01:20:56,599
Speaker 1: like I said, Letty is like from nineteen eighty five

1474
01:20:56,680 --> 01:20:59,720
Speaker 1: and just somehow time traveled into this world.

1475
01:20:59,439 --> 01:21:00,439
Speaker 2: Got places on time.

1476
01:21:00,479 --> 01:21:03,320
Speaker 1: Baby. Yeah, Letty is like, I'm out for my rights today.

1477
01:21:04,200 --> 01:21:07,680
Speaker 1: I'm not waiting, and yes, I'm giving white women an

1478
01:21:07,680 --> 01:21:13,799
Speaker 1: evil eye, okay to they face. So they go into

1479
01:21:14,080 --> 01:21:17,000
Speaker 1: the Simmonsville dyning that and the first thing that happens

1480
01:21:16,960 --> 01:21:21,400
Speaker 1: is really like every trope of the racist place, the

1481
01:21:21,439 --> 01:21:24,640
Speaker 1: only thing missing was the record scratch you know what

1482
01:21:24,640 --> 01:21:26,760
Speaker 1: I mean, Like, well, that's all we needed was the

1483
01:21:26,800 --> 01:21:31,960
Speaker 1: country music. So they were like a white man was

1484
01:21:31,960 --> 01:21:34,799
Speaker 1: sitting at the dillioner talking at the counter of the diner,

1485
01:21:34,880 --> 01:21:39,120
Speaker 1: talking to the waiter, and when the black people walked in,

1486
01:21:39,240 --> 01:21:42,280
Speaker 1: he just turned around like, well, I never like he

1487
01:21:42,400 --> 01:21:43,559
Speaker 1: just he didn't say nothing.

1488
01:21:43,720 --> 01:21:45,600
Speaker 2: Yeah, the dude sitting at the kind of put his

1489
01:21:45,680 --> 01:21:48,240
Speaker 2: knucker down and left in the horse he will. I

1490
01:21:48,360 --> 01:21:51,160
Speaker 2: was thinking, oh, this is accused that y'all probably should

1491
01:21:51,200 --> 01:21:52,000
Speaker 2: not eat here.

1492
01:21:52,600 --> 01:21:56,800
Speaker 1: Yeah, like I think they should have known when the

1493
01:21:56,800 --> 01:22:04,360
Speaker 1: door shime went off, Yeah, that was right. And so

1494
01:22:04,479 --> 01:22:06,879
Speaker 1: he gave him the face like, what are you niggers

1495
01:22:06,880 --> 01:22:11,320
Speaker 1: doing in here? They both did well, no, the white Okay,

1496
01:22:11,400 --> 01:22:14,800
Speaker 1: so there's a subtle difference. The white man that was

1497
01:22:14,840 --> 01:22:17,439
Speaker 1: a customer gave him a face that said, what are

1498
01:22:17,479 --> 01:22:20,760
Speaker 1: you niggers doing in here? The white dude that worked

1499
01:22:20,800 --> 01:22:23,720
Speaker 1: behind the counter gave a face and said, what are

1500
01:22:23,720 --> 01:22:28,799
Speaker 1: you niggas doing in here? Totally different reactions, okay, because

1501
01:22:28,840 --> 01:22:31,400
Speaker 1: the white man left that was a.

1502
01:22:31,360 --> 01:22:33,519
Speaker 2: Customer, Yes, he walked off in the hoof.

1503
01:22:33,680 --> 01:22:36,160
Speaker 1: Yeah, he was like, well, I've never here again. I

1504
01:22:36,160 --> 01:22:39,800
Speaker 1: can't believe coming here with that big Negro noses and the.

1505
01:22:39,760 --> 01:22:43,840
Speaker 2: Difference was the age. The younger boy behind the counter

1506
01:22:43,920 --> 01:22:46,160
Speaker 2: was looking like he ain't know what to do, almost

1507
01:22:46,200 --> 01:22:47,720
Speaker 2: like what are you?

1508
01:22:47,920 --> 01:22:50,680
Speaker 1: Could have been the age, Yeah, could could just be

1509
01:22:50,720 --> 01:22:53,640
Speaker 1: the fact that I work here. Yes, it might be

1510
01:22:53,680 --> 01:22:56,040
Speaker 1: a problem if I serve you, I'm not the owner.

1511
01:22:57,760 --> 01:23:00,920
Speaker 1: The older white dude, the fat dude of leaves in

1512
01:23:00,960 --> 01:23:03,280
Speaker 1: a huff. The dude behind the counter comes from behind

1513
01:23:03,320 --> 01:23:05,800
Speaker 1: the counter and he's like, oh, can't get well, what

1514
01:23:05,880 --> 01:23:07,400
Speaker 1: are y'all? Can I help you in there?

1515
01:23:07,439 --> 01:23:10,040
Speaker 2: Like he was shut up, what y'all doing here? Right?

1516
01:23:10,240 --> 01:23:13,320
Speaker 1: Like y'all y'all sure y'all not from here? Is right?

1517
01:23:13,479 --> 01:23:19,080
Speaker 1: And he's like, uh so uh. George is like because

1518
01:23:19,080 --> 01:23:20,840
Speaker 1: he comes in and it's like we was just hoping

1519
01:23:20,840 --> 01:23:22,160
Speaker 1: to get a bite to eat or whatever, and they

1520
01:23:22,240 --> 01:23:25,320
Speaker 1: and of course it was complete dead silence, and so

1521
01:23:25,360 --> 01:23:27,719
Speaker 1: it's like, I guess we'll see ourselves. And they sit down,

1522
01:23:27,840 --> 01:23:33,920
Speaker 1: and of course, of course, Letty and atticust negroes of

1523
01:23:34,000 --> 01:23:36,479
Speaker 1: my own heart say the thing I would have said,

1524
01:23:36,520 --> 01:23:40,480
Speaker 1: which is we don't have to eat here. That's immediately

1525
01:23:40,560 --> 01:23:43,000
Speaker 1: I was like, yeah, this is m not in will

1526
01:23:43,080 --> 01:23:46,000
Speaker 1: y'all just don't feel like a we should sit down

1527
01:23:46,000 --> 01:23:49,960
Speaker 1: and eat, y'all a safe place with all your black

1528
01:23:50,040 --> 01:23:52,360
Speaker 1: negro sens to start tingling like Spider Man.

1529
01:23:52,800 --> 01:23:55,160
Speaker 2: It is trouble around the corner and pay attention.

1530
01:23:55,280 --> 01:23:59,759
Speaker 1: And George is having his motherfucking like civil rights moment,

1531
01:24:00,479 --> 01:24:05,240
Speaker 1: like like he like, George is like, this is the

1532
01:24:05,280 --> 01:24:10,599
Speaker 1: stand for the race. Is having some food in this diner,

1533
01:24:10,760 --> 01:24:13,679
Speaker 1: and they will serve me because I'm an American citizen.

1534
01:24:14,320 --> 01:24:17,120
Speaker 1: Green too, you are a former soldier, and you are

1535
01:24:17,200 --> 01:24:19,479
Speaker 1: a woman of the world. We will. We have the

1536
01:24:19,520 --> 01:24:26,559
Speaker 1: same right as Americans that anybody has. Okay, nobody could

1537
01:24:26,600 --> 01:24:27,519
Speaker 1: take us off of him.

1538
01:24:27,840 --> 01:24:30,000
Speaker 2: We didn't land on Plymouth.

1539
01:24:29,680 --> 01:24:32,080
Speaker 1: Rock rock landing on us like.

1540
01:24:34,960 --> 01:24:37,280
Speaker 2: Having his mom. But he was like, look y'all, young people,

1541
01:24:37,280 --> 01:24:39,160
Speaker 2: ain't gonna run me out of this place like.

1542
01:24:39,160 --> 01:24:42,760
Speaker 1: All this ship for some seasonless motherfucking grips Like good,

1543
01:24:43,160 --> 01:24:45,800
Speaker 1: I'm good. This is not I'm not trying to die

1544
01:24:45,840 --> 01:24:48,320
Speaker 1: for some motherfucking chicken fried steak. That's not even gonna

1545
01:24:48,360 --> 01:24:50,880
Speaker 1: it's gonna be too tough and definitely has fit in it,

1546
01:24:50,920 --> 01:24:53,240
Speaker 1: you know, it is definitely got spit in it. So

1547
01:24:53,360 --> 01:24:55,599
Speaker 1: Lady's like, well, let me go use the restaurant and

1548
01:24:55,640 --> 01:24:58,680
Speaker 1: the clerk has gone backstage, so ye, and I think

1549
01:24:58,720 --> 01:25:02,800
Speaker 1: the joker to MI if he yes, it was like

1550
01:25:02,880 --> 01:25:05,640
Speaker 1: exit stage left, and he just he just got out

1551
01:25:05,680 --> 01:25:07,680
Speaker 1: of there, and so they were like, you know, I

1552
01:25:07,720 --> 01:25:10,400
Speaker 1: think uh, I think they said they wanted three coffees.

1553
01:25:10,560 --> 01:25:12,519
Speaker 1: So it was like, if he ever comes back with

1554
01:25:12,560 --> 01:25:15,000
Speaker 1: that coffee, I think I'm gonna get this, uh, you know,

1555
01:25:15,080 --> 01:25:17,800
Speaker 1: these pancakes or whatever the fuck. And then Letty goes

1556
01:25:17,840 --> 01:25:20,120
Speaker 1: back to the bathroom, but she has to pass by

1557
01:25:20,280 --> 01:25:22,599
Speaker 1: like the manager's office to go to the bathroom, and

1558
01:25:22,640 --> 01:25:25,360
Speaker 1: she hears him in there on the phone, and we

1559
01:25:25,439 --> 01:25:28,639
Speaker 1: don't know who he's talking to, but whoever he's talking

1560
01:25:28,680 --> 01:25:33,679
Speaker 1: to is he's scared of him. And he's like, oh,

1561
01:25:33,800 --> 01:25:36,680
Speaker 1: and here's an important note. Before they got the Simmonsville

1562
01:25:38,200 --> 01:25:46,280
Speaker 1: when George suggested it in the car, Atticus said, you know,

1563
01:25:46,720 --> 01:25:52,879
Speaker 1: on the map, Diana drew some trolls that eat unwary

1564
01:25:53,000 --> 01:25:59,639
Speaker 1: travelers over there, eat their bones. And they laughed it off. Okay, so.

1565
01:26:01,840 --> 01:26:06,760
Speaker 4: Yeah, that baby ain't joy that for no reason foreshadowing, So, uh,

1566
01:26:06,880 --> 01:26:10,839
Speaker 4: they go to the While she's going to the bathroom,

1567
01:26:10,880 --> 01:26:12,800
Speaker 4: she overhears him in the manager office and he's on

1568
01:26:12,840 --> 01:26:13,960
Speaker 4: the phone in a.

1569
01:26:13,920 --> 01:26:17,439
Speaker 1: Hush voice, basically like, yes, it's three of them. Yeah,

1570
01:26:17,439 --> 01:26:20,519
Speaker 1: they ain't here right now. No, I didn't serve. No,

1571
01:26:21,520 --> 01:26:25,840
Speaker 1: after what you did to Lydia. News flash, Lydia used

1572
01:26:25,840 --> 01:26:29,040
Speaker 1: to be the name of that place. Lydia's Okay.

1573
01:26:29,080 --> 01:26:30,920
Speaker 2: I didn't know that. Okay, I mean I knew that,

1574
01:26:30,960 --> 01:26:33,479
Speaker 2: but I kind of I thought Lydia, like what they

1575
01:26:33,479 --> 01:26:35,040
Speaker 2: did to like the person Lydia.

1576
01:26:35,840 --> 01:26:40,599
Speaker 1: Yeah, the person Okay, Lydia. It was named after somebody

1577
01:26:40,680 --> 01:26:44,000
Speaker 1: named Lydia. Is now the Simmonsville down that.

1578
01:26:44,280 --> 01:26:47,200
Speaker 2: Yeah, but during that time I forgot that the restaurant

1579
01:26:47,240 --> 01:26:48,479
Speaker 2: was named Lydia too.

1580
01:26:48,640 --> 01:26:51,839
Speaker 1: Right, So he said, after what you did to Lydia,

1581
01:26:52,280 --> 01:26:56,719
Speaker 1: not the restaurant, your person. Which my what the story

1582
01:26:56,760 --> 01:26:59,479
Speaker 1: I'm feeling in is Lydia probably was a white person

1583
01:26:59,680 --> 01:27:02,080
Speaker 1: because I think people were probably thinking, oh, it's a

1584
01:27:02,080 --> 01:27:04,240
Speaker 1: black person. A town like this would never let a

1585
01:27:04,240 --> 01:27:06,679
Speaker 1: black person own a diner. So you already know that's

1586
01:27:06,680 --> 01:27:08,840
Speaker 1: not how it happened. My guess is Lydio was a

1587
01:27:08,880 --> 01:27:11,679
Speaker 1: white person that was cool with serving black people. Black

1588
01:27:11,680 --> 01:27:17,080
Speaker 1: people came there and they was like the residents was like, nah,

1589
01:27:17,120 --> 01:27:20,599
Speaker 1: fuck that you don't serve niggas here and we're gonna

1590
01:27:20,640 --> 01:27:22,639
Speaker 1: get you out of town. Fuck you up, whatever, take

1591
01:27:22,640 --> 01:27:27,600
Speaker 1: your restaurant. Shout out to the USUF Hawkins documentary I

1592
01:27:27,640 --> 01:27:33,040
Speaker 1: watched on HBO just today, so like to end, that

1593
01:27:33,240 --> 01:27:39,040
Speaker 1: was not a fucking nineteen twenty seven Okay anyway, so

1594
01:27:39,080 --> 01:27:43,000
Speaker 1: she uh so, so the so letty hears this, and

1595
01:27:43,040 --> 01:27:46,920
Speaker 1: then it cuts back to Atticus and George at the table.

1596
01:27:47,000 --> 01:27:50,559
Speaker 1: It's like, yeah, uh you know, if he ever come back,

1597
01:27:50,560 --> 01:27:53,519
Speaker 1: I'm gonna order this food. And then George Atticus starts

1598
01:27:53,560 --> 01:27:57,360
Speaker 1: looking around and he notices the inside the restaurant's painted white,

1599
01:27:57,439 --> 01:28:01,920
Speaker 1: and he says, uh, George, tell me again, why is

1600
01:28:01,960 --> 01:28:05,280
Speaker 1: the White House painted white? And George's like, yeah, in

1601
01:28:05,320 --> 01:28:09,040
Speaker 1: the war eighteen twelve, when they burned the White House,

1602
01:28:09,080 --> 01:28:12,200
Speaker 1: they had to paint over it to cover the burn marks.

1603
01:28:12,760 --> 01:28:16,240
Speaker 1: And he looks around. He's like, and all the bricks

1604
01:28:16,240 --> 01:28:21,439
Speaker 1: in here are painted white? Could it be to cover

1605
01:28:21,520 --> 01:28:25,719
Speaker 1: some burn marks? And that's when Leddy runs from back

1606
01:28:26,160 --> 01:28:27,080
Speaker 1: from the bathroom.

1607
01:28:27,640 --> 01:28:32,080
Speaker 2: Before she does, Atticus takes his feet and he moves

1608
01:28:32,120 --> 01:28:36,519
Speaker 2: like a board up underneath his feet and you could

1609
01:28:36,600 --> 01:28:40,080
Speaker 2: see like the burdmarks of the wood there, and he

1610
01:28:40,160 --> 01:28:44,400
Speaker 2: shifted it back, and so they're having this conversation why

1611
01:28:44,960 --> 01:28:47,879
Speaker 2: Lydia is like coming from the back.

1612
01:28:47,960 --> 01:28:51,880
Speaker 1: Yeah, Latitia, So Leddy comes from the back and she's like,

1613
01:28:52,560 --> 01:28:54,080
Speaker 1: get your house off. We gotta go to get the

1614
01:28:54,080 --> 01:28:55,000
Speaker 1: fuck out of here right now.

1615
01:28:56,120 --> 01:28:57,880
Speaker 2: She was like, I'm not explaining shit.

1616
01:28:58,240 --> 01:29:01,240
Speaker 1: She jumped in the car. She was George and his

1617
01:29:01,320 --> 01:29:04,040
Speaker 1: hot knees was getting a little too slow and he

1618
01:29:04,200 --> 01:29:06,880
Speaker 1: was like, let me drive one man. She was like what, No,

1619
01:29:07,200 --> 01:29:10,000
Speaker 1: Like buckle up, like they didn't have to sea beets.

1620
01:29:10,000 --> 01:29:12,000
Speaker 1: It's just like get anything, let's go, like theyn't have

1621
01:29:12,040 --> 01:29:14,160
Speaker 1: time for none of that ship and as and through

1622
01:29:14,240 --> 01:29:17,320
Speaker 1: the form you can hear the fire engine blaring because

1623
01:29:17,320 --> 01:29:20,960
Speaker 1: the motherfucking racist firefighters was on the case too. And

1624
01:29:21,040 --> 01:29:23,120
Speaker 1: if if it makes sense, because if they burn that

1625
01:29:23,240 --> 01:29:25,400
Speaker 1: restaurant down, the firefighters has been the one to put

1626
01:29:25,439 --> 01:29:28,200
Speaker 1: it out. Uh, come on, there was that a put it.

1627
01:29:28,520 --> 01:29:30,920
Speaker 1: There was that to burn it and put it out.

1628
01:29:31,720 --> 01:29:35,000
Speaker 1: So they come like a truck full of white dudes

1629
01:29:35,080 --> 01:29:38,160
Speaker 1: comes chasing them with guns, shooting at that car, and

1630
01:29:38,200 --> 01:29:41,680
Speaker 1: then the fire truck gets stuck in an alleyway and

1631
01:29:41,720 --> 01:29:46,000
Speaker 1: then they basically had just chasing Atticus shoots back at

1632
01:29:46,040 --> 01:29:51,360
Speaker 1: them a couple of times, and that silver car that

1633
01:29:51,439 --> 01:29:56,360
Speaker 1: they saw earlier UH is pulling up out of UH.

1634
01:29:56,560 --> 01:29:59,240
Speaker 1: They can see it coming to where they're gonna connect

1635
01:29:59,240 --> 01:30:01,600
Speaker 1: at a fork in the row, and they're raised to like,

1636
01:30:01,640 --> 01:30:04,120
Speaker 1: speed up, leady, because we don't want to hit that car.

1637
01:30:04,640 --> 01:30:06,639
Speaker 1: And they at this point, you don't know if their

1638
01:30:06,640 --> 01:30:11,320
Speaker 1: friend to foward, they're gonna right, but you definitely don't

1639
01:30:11,320 --> 01:30:12,640
Speaker 1: want to get hit knocked out the side of the

1640
01:30:12,720 --> 01:30:16,720
Speaker 1: road going full speed like that right. And George was like,

1641
01:30:16,960 --> 01:30:19,439
Speaker 1: I forget what he said exactly what something like sow

1642
01:30:19,479 --> 01:30:21,360
Speaker 1: down a girl. She's like, my name is not girl.

1643
01:30:21,360 --> 01:30:24,920
Speaker 1: My name is Lyticia. Look fucking Lewis like like, I

1644
01:30:24,960 --> 01:30:28,040
Speaker 1: just love that line in the way she delivered it. Yeah,

1645
01:30:28,080 --> 01:30:30,040
Speaker 1: He's like, damn it, girl, you gonna crash us. And

1646
01:30:30,120 --> 01:30:32,719
Speaker 1: she was like, my name is not girlss Leticia fucking Lewis.

1647
01:30:34,240 --> 01:30:37,200
Speaker 1: So then uh, because he's just backseat driving the whole time,

1648
01:30:37,200 --> 01:30:39,200
Speaker 1: it's like, George, you're gonna sit your hot knees down

1649
01:30:41,080 --> 01:30:43,639
Speaker 1: in the distance. So that's when the silver Ford comes

1650
01:30:44,240 --> 01:30:48,640
Speaker 1: and they connected this fork in the road where Letitia

1651
01:30:48,680 --> 01:30:51,280
Speaker 1: and Woody the car which has now had his back

1652
01:30:51,280 --> 01:30:54,799
Speaker 1: window shot out. They they are slightly aheaded his forward.

1653
01:30:54,960 --> 01:30:58,439
Speaker 1: They're all going full speed. Then the ford pulls a

1654
01:30:58,600 --> 01:31:01,559
Speaker 1: right behind them and between them and the truck that's

1655
01:31:01,640 --> 01:31:05,960
Speaker 1: chasing them with the gunmen, and for it looks like

1656
01:31:06,000 --> 01:31:10,160
Speaker 1: it's almost giving cover for them. And then at some

1657
01:31:10,280 --> 01:31:16,160
Speaker 1: point it stops and the truck flips over the car,

1658
01:31:17,200 --> 01:31:19,920
Speaker 1: but it doesn't look like it actually touched the car

1659
01:31:19,960 --> 01:31:22,040
Speaker 1: at all. There's not a scratch on the car. Hit

1660
01:31:22,080 --> 01:31:24,639
Speaker 1: a brick wall, yeah, it's like it did a force

1661
01:31:24,680 --> 01:31:27,559
Speaker 1: field or some shit. And of course the people in

1662
01:31:27,560 --> 01:31:31,559
Speaker 1: the truck are dead. They hit that motherfucker asphalt. It's

1663
01:31:31,560 --> 01:31:37,240
Speaker 1: a rap and uh. They had stopped in Woody and

1664
01:31:37,439 --> 01:31:40,920
Speaker 1: Tick was looking back and goes, okay, drive drive, And

1665
01:31:41,040 --> 01:31:43,479
Speaker 1: as he's doing that, a white woman gets out of

1666
01:31:43,479 --> 01:31:47,120
Speaker 1: the car, blond hair, blue eyed, white woman and kind

1667
01:31:47,160 --> 01:31:51,120
Speaker 1: of makes stairs at taking them as they drive off.

1668
01:31:51,600 --> 01:31:53,200
Speaker 1: And she didn't look like she wanted to attack them

1669
01:31:53,240 --> 01:31:53,679
Speaker 1: or anything.

1670
01:31:54,280 --> 01:31:55,960
Speaker 2: But I don't know if she friended it out, but

1671
01:31:56,000 --> 01:31:57,639
Speaker 2: I just I was like, I don't know if these

1672
01:31:57,680 --> 01:32:02,000
Speaker 2: white men, uh uh fucked her family member over or

1673
01:32:02,080 --> 01:32:04,439
Speaker 2: did something to her personally. But she was like, you

1674
01:32:04,479 --> 01:32:05,400
Speaker 2: should not passed.

1675
01:32:05,760 --> 01:32:10,880
Speaker 1: Yeah, they took that l So then after this they

1676
01:32:10,920 --> 01:32:15,320
Speaker 1: go to Marvin's house and whether they regarding him with

1677
01:32:15,400 --> 01:32:21,599
Speaker 1: the tale of how the fucking uh Letty's driving made

1678
01:32:21,880 --> 01:32:26,679
Speaker 1: the crash happen and uh and you know, and Marvin's

1679
01:32:26,720 --> 01:32:29,000
Speaker 1: like basically like y'all lucky to be alive or whatever.

1680
01:32:30,600 --> 01:32:33,760
Speaker 1: So they eat some dinner with him. Uh he gives them.

1681
01:32:34,080 --> 01:32:37,920
Speaker 1: Now Marvin's the you know, Negro historical Society he just warmed.

1682
01:32:38,240 --> 01:32:42,360
Speaker 1: So he's giving them the rundown of Devon County, which

1683
01:32:42,400 --> 01:32:47,439
Speaker 1: is where they think Artemi is and so he says

1684
01:32:48,479 --> 01:32:54,160
Speaker 1: it was founded by witch hunters from the Old Country. Uh,

1685
01:32:54,200 --> 01:32:56,519
Speaker 1: they hung a woman for being a witch for having

1686
01:32:56,920 --> 01:32:59,200
Speaker 1: sex with a black man. They say it was the

1687
01:32:59,200 --> 01:33:04,479
Speaker 1: devil in the form of a black man, the BBC

1688
01:33:05,200 --> 01:33:08,599
Speaker 1: being evil. And also there's a tax happening in the woods.

1689
01:33:08,640 --> 01:33:11,439
Speaker 1: They think it could be bears or wildlife. They don't know.

1690
01:33:12,840 --> 01:33:16,160
Speaker 1: And they introduced the character the sheriff called Eustace Hunt,

1691
01:33:16,200 --> 01:33:19,080
Speaker 1: who is a racist who has a thick sheet of

1692
01:33:19,720 --> 01:33:24,520
Speaker 1: NAACP complaints and that's just a third of the complaints.

1693
01:33:24,880 --> 01:33:26,960
Speaker 2: Yeah, he was like, I didn't, I didn't I couldn't

1694
01:33:27,000 --> 01:33:31,000
Speaker 2: print out everything. You know my you know print, you

1695
01:33:31,040 --> 01:33:33,639
Speaker 2: know the paper is like fifteen cent. I can't afford

1696
01:33:33,640 --> 01:33:35,479
Speaker 2: all that, so y'all just gonna get a third.

1697
01:33:36,280 --> 01:33:39,760
Speaker 1: And then he says he thinks he knows where Artam

1698
01:33:39,960 --> 01:33:43,760
Speaker 1: is on a map, and he says here, and it's

1699
01:33:43,800 --> 01:33:46,760
Speaker 1: in the middle of nowhere. They don't have any like

1700
01:33:46,960 --> 01:33:49,880
Speaker 1: maps of roads or bridges into it, but there must

1701
01:33:49,880 --> 01:33:52,240
Speaker 1: be a way to get into it if it exists, correct,

1702
01:33:53,000 --> 01:33:56,760
Speaker 1: And Tick wants to go to Atticus wants to go

1703
01:33:56,800 --> 01:33:59,080
Speaker 1: to the registry and find a route in the Artum

1704
01:33:59,479 --> 01:34:04,519
Speaker 1: and Enjoy says, okay, like like, okay, you really dedicated

1705
01:34:04,520 --> 01:34:06,920
Speaker 1: to you convince your father's day, you're dedicated to go

1706
01:34:06,960 --> 01:34:11,519
Speaker 1: in the fine them okay. So uh, George calls home

1707
01:34:13,200 --> 01:34:20,040
Speaker 1: long distance remember long distance? Shall, yes, running up, running up?

1708
01:34:21,720 --> 01:34:27,160
Speaker 1: Marvin's uh uh long distance Bill and his last name.

1709
01:34:27,200 --> 01:34:30,240
Speaker 1: Marvin's last name is Baptiste, which is interesting because Latitia's

1710
01:34:30,320 --> 01:34:33,519
Speaker 1: last name is Lewis. I don't know we know Ruby's

1711
01:34:33,600 --> 01:34:38,479
Speaker 1: last name. We can see there's kind of some skin

1712
01:34:38,600 --> 01:34:42,080
Speaker 1: tone diverteness. I wonder what if we're gonna find out

1713
01:34:42,120 --> 01:34:45,960
Speaker 1: more about her family? But anyway, so George calls home

1714
01:34:46,000 --> 01:34:48,639
Speaker 1: he's barely paying attention to Diana shout to parents were kids,

1715
01:34:48,640 --> 01:34:51,720
Speaker 1: I get it. Uh, she was like, she was like,

1716
01:34:51,800 --> 01:34:53,680
Speaker 1: and then she did this, and she she's gonna be

1717
01:34:54,040 --> 01:34:56,800
Speaker 1: checking on phone poles on the moon and shit. He

1718
01:34:56,840 --> 01:34:59,679
Speaker 1: was like, yeah, okay, baby, let me talk to your mama.

1719
01:34:59,720 --> 01:35:03,240
Speaker 1: Wan I know, mister Baptiste's bill here. And then he

1720
01:35:03,320 --> 01:35:05,960
Speaker 1: tells Hippolida that he wants her to go with him

1721
01:35:05,960 --> 01:35:08,560
Speaker 1: on the next guide trip together. And she said she

1722
01:35:08,800 --> 01:35:10,599
Speaker 1: liked that, and then they get off the phone.

1723
01:35:10,640 --> 01:35:13,400
Speaker 2: Oh you could tell that that touched her heart.

1724
01:35:13,840 --> 01:35:16,840
Speaker 1: That's interesting. Why I wonder why he decided that after

1725
01:35:17,880 --> 01:35:20,439
Speaker 1: what they just went through, Like, I wonder if he

1726
01:35:20,479 --> 01:35:24,400
Speaker 1: decided that because Letitia drove the car or you know

1727
01:35:24,400 --> 01:35:26,400
Speaker 1: what I'm saying, like showed that she was more than capable,

1728
01:35:26,479 --> 01:35:29,439
Speaker 1: really saved their lives, showed that she was more than capable.

1729
01:35:29,560 --> 01:35:34,839
Speaker 2: And it is fucking dangerous to be out here by myself.

1730
01:35:34,680 --> 01:35:37,360
Speaker 1: Right, So I don't know, this is an interesting decision.

1731
01:35:37,720 --> 01:35:39,840
Speaker 1: At this point, he pulls out a picture of a

1732
01:35:39,880 --> 01:35:42,439
Speaker 1: wallet of from his wallet of a woman that ain't

1733
01:35:42,479 --> 01:35:45,160
Speaker 1: his wife and looks a lot like the woman from

1734
01:35:45,160 --> 01:35:50,280
Speaker 1: the picture of Tike's family. Like his mama. So I

1735
01:35:50,320 --> 01:35:52,680
Speaker 1: don't know if that is his mama and there's some

1736
01:35:52,800 --> 01:35:55,040
Speaker 1: history there or something. I don't know, But I don't

1737
01:35:55,080 --> 01:35:57,839
Speaker 1: know why you keep another woman picture in your wallet?

1738
01:35:58,080 --> 01:36:01,600
Speaker 1: A dead woman? Why is that dead girl's picture in

1739
01:36:01,680 --> 01:36:02,280
Speaker 1: your wallet?

1740
01:36:03,040 --> 01:36:05,679
Speaker 2: A why?

1741
01:36:05,439 --> 01:36:08,080
Speaker 1: Why is your Why is your dick in a dead

1742
01:36:08,120 --> 01:36:10,280
Speaker 1: girl's phone? I can't remember that. Why is your picture

1743
01:36:10,320 --> 01:36:16,240
Speaker 1: of your penis? And a dead girl's phone? So then

1744
01:36:16,800 --> 01:36:19,679
Speaker 1: we hear Marvin and Letitia arguing about money. The longest

1745
01:36:19,720 --> 01:36:21,800
Speaker 1: short of it is she got money from him, She

1746
01:36:21,880 --> 01:36:23,760
Speaker 1: has it paid back. She was supposed to use the

1747
01:36:23,760 --> 01:36:26,479
Speaker 1: money to come down and to the mama's funeral. She

1748
01:36:26,560 --> 01:36:28,200
Speaker 1: didn't go to the funeral. She says she used the

1749
01:36:28,200 --> 01:36:31,479
Speaker 1: money to bail out some friends. First, she said she

1750
01:36:31,560 --> 01:36:33,439
Speaker 1: saved it and that's how she got down here now,

1751
01:36:33,560 --> 01:36:35,880
Speaker 1: and he's like, don't lie to me. Then she says, okay,

1752
01:36:35,960 --> 01:36:37,800
Speaker 1: I used it to bail out some friends, but it's

1753
01:36:37,840 --> 01:36:39,559
Speaker 1: not what you think, and he basically, I don't give

1754
01:36:39,560 --> 01:36:41,679
Speaker 1: a fuck what you think. And it sounded like she's

1755
01:36:41,720 --> 01:36:44,960
Speaker 1: some type of activist. So I just took this as

1756
01:36:45,000 --> 01:36:47,679
Speaker 1: she must be the long lost ancestor of Sean King

1757
01:36:48,320 --> 01:36:52,639
Speaker 1: because there's missing money, activism, anger from the black community.

1758
01:36:52,880 --> 01:36:56,240
Speaker 2: I mean, we don't want to hear none of your excuses.

1759
01:36:56,560 --> 01:36:58,800
Speaker 1: Yeah, think about it. You know her sister mad or

1760
01:36:58,840 --> 01:37:00,439
Speaker 1: brother mad. It only made makes sense.

1761
01:37:00,479 --> 01:37:00,920
Speaker 2: They are.

1762
01:37:02,439 --> 01:37:10,480
Speaker 1: I'm just saying, and dark hearted too, So then uh uh.

1763
01:37:10,640 --> 01:37:14,559
Speaker 1: Tick is like listening to this. Atticus is listening to

1764
01:37:14,600 --> 01:37:17,280
Speaker 1: this arguing from outside on the porch, and you can

1765
01:37:17,320 --> 01:37:20,320
Speaker 1: tell us kind of getting to him. And George comes

1766
01:37:20,320 --> 01:37:24,160
Speaker 1: out and then they have like a conversation and he's like, yes,

1767
01:37:24,200 --> 01:37:26,000
Speaker 1: it's kind of bad, and he's like, it's not the

1768
01:37:26,320 --> 01:37:28,200
Speaker 1: Atticus is like, it's not the worst I ever heard,

1769
01:37:28,800 --> 01:37:32,240
Speaker 1: because it sounds like he grew up in an abusive household.

1770
01:37:32,479 --> 01:37:37,320
Speaker 1: And they talk about his father Montrousse and Mantrouss is

1771
01:37:37,439 --> 01:37:42,120
Speaker 1: George's brother and Atticus's dad, and Atticus is basically like,

1772
01:37:42,520 --> 01:37:45,679
Speaker 1: the last time I was home, me and my dad

1773
01:37:45,680 --> 01:37:48,640
Speaker 1: got into a fucking fistfight because I came home. He

1774
01:37:48,760 --> 01:37:50,360
Speaker 1: was mad. I was in the army. A woman came

1775
01:37:50,400 --> 01:37:53,280
Speaker 1: out to interview me for the paper to talk about

1776
01:37:53,280 --> 01:37:55,720
Speaker 1: the experiences of a black soldier, and he was like,

1777
01:37:56,080 --> 01:37:58,400
Speaker 1: you're gonna encourage people to make the same dumb ass

1778
01:37:58,400 --> 01:38:01,519
Speaker 1: decision you did as so this time I gave him

1779
01:38:01,520 --> 01:38:04,200
Speaker 1: as good as he gave me, and I whooped his ass.

1780
01:38:04,200 --> 01:38:06,640
Speaker 1: I still see the cracks in the plaster when I

1781
01:38:06,680 --> 01:38:09,639
Speaker 1: came home from you know, I still remember putting those

1782
01:38:09,640 --> 01:38:14,920
Speaker 1: cracks there, and he and then George tells the story

1783
01:38:14,960 --> 01:38:18,479
Speaker 1: of how Montross he does love Tick, he just does

1784
01:38:18,600 --> 01:38:22,639
Speaker 1: not express it. And when they were kids, George didn't

1785
01:38:22,680 --> 01:38:25,439
Speaker 1: do enough as the older brother to protect Montross from

1786
01:38:25,479 --> 01:38:28,120
Speaker 1: out the abuse of their father. So we're talking cycles

1787
01:38:28,160 --> 01:38:33,439
Speaker 1: of abuse that weren't broken. And Tick kind of is

1788
01:38:33,560 --> 01:38:37,960
Speaker 1: mad that George is even making these excuses for Montrosse,

1789
01:38:38,080 --> 01:38:41,719
Speaker 1: Like he's like, well, then you didn't protect me either,

1790
01:38:42,280 --> 01:38:44,760
Speaker 1: like like, here's your chance to break the psyche. Should

1791
01:38:44,760 --> 01:38:49,559
Speaker 1: have came in and saved me from his abuse, and

1792
01:38:49,840 --> 01:38:55,040
Speaker 1: uh uh yeah, he's still pissed about that shit. And

1793
01:38:55,080 --> 01:38:59,599
Speaker 1: it's kind of interesting because at that point, uh, Tick

1794
01:38:59,720 --> 01:39:02,200
Speaker 1: his angry and he's about to go in the house

1795
01:39:02,439 --> 01:39:07,400
Speaker 1: and intervene in the argument between Letty and Marvin. And

1796
01:39:07,600 --> 01:39:10,120
Speaker 1: what it made me think is is he going to

1797
01:39:10,160 --> 01:39:13,439
Speaker 1: intervene because he thinks it's prudent and it's the best

1798
01:39:13,479 --> 01:39:16,040
Speaker 1: time and he wants to go save her or whatever,

1799
01:39:16,360 --> 01:39:18,200
Speaker 1: or is he just angry like he was his daddy

1800
01:39:18,240 --> 01:39:21,479
Speaker 1: and he's about to go whoop that dude's ass awso, like,

1801
01:39:21,680 --> 01:39:25,519
Speaker 1: you know, cause he got this rage inside and George

1802
01:39:25,520 --> 01:39:29,880
Speaker 1: stops him and says, that's family business. And we don't

1803
01:39:29,880 --> 01:39:32,599
Speaker 1: really even know what they're arguing about, right, And while

1804
01:39:32,800 --> 01:39:36,360
Speaker 1: it did get angry, it never gets physically violent or

1805
01:39:36,400 --> 01:39:40,800
Speaker 1: anything like that. And the next morning they wake up

1806
01:39:40,800 --> 01:39:43,559
Speaker 1: and they're about to hit the road to go to

1807
01:39:43,600 --> 01:39:46,479
Speaker 1: that town that that that county.

1808
01:39:46,040 --> 01:39:48,040
Speaker 2: And basically he puts it out and was like, don't

1809
01:39:48,040 --> 01:39:49,559
Speaker 2: you pin your ass again?

1810
01:39:49,880 --> 01:39:52,160
Speaker 1: Yeah, he said don't. Yeah, like you say, here to

1811
01:39:52,240 --> 01:39:53,600
Speaker 1: night and then you gotta get the fuck out in

1812
01:39:53,600 --> 01:39:57,040
Speaker 1: the morning. So I think her plans was to actually

1813
01:39:57,080 --> 01:39:58,720
Speaker 1: stay like that literally was going to be the end

1814
01:39:58,720 --> 01:40:01,400
Speaker 1: of her trip right there, right that was the point

1815
01:40:01,479 --> 01:40:02,920
Speaker 1: she was supposed to be going up there to stay

1816
01:40:02,960 --> 01:40:07,160
Speaker 1: with Marvin. So all right, so they go to the

1817
01:40:07,200 --> 01:40:12,759
Speaker 1: car in the morning, Atticus and George are basically working

1818
01:40:12,800 --> 01:40:14,880
Speaker 1: on the back window taking all the pieces out of

1819
01:40:14,960 --> 01:40:20,040
Speaker 1: glass that's been shattered back there, and Letty comes out

1820
01:40:22,680 --> 01:40:25,160
Speaker 1: and gets in the car with him because she can't

1821
01:40:25,200 --> 01:40:29,400
Speaker 1: stay there. Basically, uh, and they're going to Devon County

1822
01:40:30,520 --> 01:40:35,080
Speaker 1: to look for Ardam, which is where they think Atticus's

1823
01:40:35,120 --> 01:40:40,800
Speaker 1: father is. So then they get lost. They've been driving

1824
01:40:40,800 --> 01:40:45,600
Speaker 1: around this place all time, all day. Everyone's frustrated with

1825
01:40:45,640 --> 01:40:46,000
Speaker 1: each other.

1826
01:40:46,120 --> 01:40:48,160
Speaker 2: Yes, and this is the part of the trip where

1827
01:40:49,760 --> 01:40:51,800
Speaker 2: you are like, Okay, this is gonna make or break

1828
01:40:51,800 --> 01:40:54,680
Speaker 2: the trip because everybody's irritated and they've been up and

1829
01:40:54,720 --> 01:40:57,240
Speaker 2: down the roads. All of them little dirt roads probably

1830
01:40:57,280 --> 01:40:59,599
Speaker 2: look the same. And it's like.

1831
01:41:00,479 --> 01:41:03,160
Speaker 1: Before and this is what people don't remember. Man, before

1832
01:41:03,320 --> 01:41:05,880
Speaker 1: fucking this is even before a map quest so you

1833
01:41:05,880 --> 01:41:08,439
Speaker 1: could print out like the instructions to get up.

1834
01:41:08,560 --> 01:41:10,759
Speaker 2: So you had to know where the hell you were going.

1835
01:41:11,200 --> 01:41:14,040
Speaker 1: Yeah, this is like you missed a mail market. You're fucked.

1836
01:41:14,040 --> 01:41:17,920
Speaker 1: And keep in mind they didn't have a like map

1837
01:41:18,160 --> 01:41:20,439
Speaker 1: to the place they were going. This was just them

1838
01:41:20,520 --> 01:41:25,439
Speaker 1: driving around in a sundown county, sundown town like they said.

1839
01:41:25,560 --> 01:41:27,320
Speaker 1: That was the thing. They said, a lot of places

1840
01:41:27,360 --> 01:41:32,519
Speaker 1: in sundown towns. This place, Devin was a sundown county,

1841
01:41:32,720 --> 01:41:36,000
Speaker 1: the whole fucking county that had a notoriously racist chef.

1842
01:41:36,320 --> 01:41:42,679
Speaker 1: This uh usef you yet useless? What was his last name?

1843
01:41:42,760 --> 01:41:46,280
Speaker 2: Yeah, the one did they did they old boy Toad

1844
01:41:46,439 --> 01:41:47,080
Speaker 2: was telling them about.

1845
01:41:47,520 --> 01:41:51,120
Speaker 1: Yeah, so so this is like the this is what's crazy.

1846
01:41:51,320 --> 01:41:54,240
Speaker 1: The racism of being shot in the middle, shot at

1847
01:41:54,280 --> 01:41:56,839
Speaker 1: in the middle of the town, chased out with guns

1848
01:41:57,400 --> 01:41:59,400
Speaker 1: was not the end of the show. That wasn't the

1849
01:41:59,439 --> 01:42:03,760
Speaker 1: climactic escape that we go, okay, who well they made

1850
01:42:03,800 --> 01:42:05,760
Speaker 1: it out of their racism. That's the big that's the

1851
01:42:05,760 --> 01:42:09,320
Speaker 1: big chill for the week, right, No, No, that was

1852
01:42:09,439 --> 01:42:12,360
Speaker 1: that was just the middle of the episode that that

1853
01:42:12,479 --> 01:42:17,800
Speaker 1: was not the scariest thing that would happen. So, yeah,

1854
01:42:18,120 --> 01:42:22,200
Speaker 1: so they have this sheriff there that they're afraid of.

1855
01:42:22,600 --> 01:42:28,640
Speaker 1: You know, it's getting dark, and Atticus is frustrated and

1856
01:42:28,680 --> 01:42:30,760
Speaker 1: they know they haven like they have to get out

1857
01:42:30,800 --> 01:42:34,280
Speaker 1: of town by sondown, and so he gets out the

1858
01:42:34,320 --> 01:42:36,080
Speaker 1: car to think for a second and to see if

1859
01:42:36,080 --> 01:42:39,360
Speaker 1: he can see from the road, like if you can

1860
01:42:39,479 --> 01:42:41,760
Speaker 1: maybe see a bridge or something. They look for a

1861
01:42:41,760 --> 01:42:45,040
Speaker 1: bridge into this place and he can't see it. Lady

1862
01:42:45,080 --> 01:42:50,639
Speaker 1: gets out and it's basically like, listen, we're gonna find

1863
01:42:50,640 --> 01:42:53,000
Speaker 1: your dad. We're not gonna give up, but we just

1864
01:42:53,080 --> 01:42:56,320
Speaker 1: need to leave. We just need to take like we

1865
01:42:56,320 --> 01:42:57,640
Speaker 1: don't want to get caught on the side of the

1866
01:42:57,720 --> 01:43:00,240
Speaker 1: road out here at the dark, just like my brother said,

1867
01:43:00,240 --> 01:43:03,160
Speaker 1: it's getting dark. They hear some rustling in the woods

1868
01:43:03,960 --> 01:43:07,800
Speaker 1: and Tick makes a says it's a show goth, which

1869
01:43:07,920 --> 01:43:11,320
Speaker 1: is a name of a creature from the Lovecraft books.

1870
01:43:12,040 --> 01:43:14,720
Speaker 1: So he reads those books, so it's probably it's I

1871
01:43:14,760 --> 01:43:16,160
Speaker 1: think we're supposed to take it to him trying to

1872
01:43:16,200 --> 01:43:19,680
Speaker 1: make a joke, but obviously it's a hard like we

1873
01:43:19,760 --> 01:43:23,840
Speaker 1: know it's foreshadowing, right, it's a hard thing. So he's

1874
01:43:23,920 --> 01:43:29,320
Speaker 1: like we you know, before they can like pull off

1875
01:43:29,400 --> 01:43:33,960
Speaker 1: or whatever. The sheriff pulls up and it is. Eustace

1876
01:43:37,800 --> 01:43:41,040
Speaker 1: of course, was like like.

1877
01:43:41,760 --> 01:43:43,840
Speaker 2: It's like all the people that could have pulled him

1878
01:43:43,880 --> 01:43:44,960
Speaker 2: up with this nigga.

1879
01:43:44,920 --> 01:43:49,320
Speaker 1: Used to hunt hunting niggas. So Usta just pulls up

1880
01:43:49,720 --> 01:43:53,160
Speaker 1: and we do the typical racist sheriff thing, and it

1881
01:43:53,280 --> 01:43:56,519
Speaker 1: is it's so wild because black life in America is

1882
01:43:56,560 --> 01:44:00,160
Speaker 1: the horror movie, right. The cop pulling up and what

1883
01:44:00,320 --> 01:44:03,519
Speaker 1: y'all doing around here? You know that ship? Uh, you

1884
01:44:03,600 --> 01:44:06,599
Speaker 1: know it's awful, you know what, get out the car,

1885
01:44:06,760 --> 01:44:08,960
Speaker 1: go on hand? Now what's you know, what are y'all

1886
01:44:08,960 --> 01:44:12,000
Speaker 1: doing here? And you know, of course old hot knees

1887
01:44:12,040 --> 01:44:14,200
Speaker 1: gets out the car. They're frustrated with each other, but

1888
01:44:14,240 --> 01:44:16,280
Speaker 1: they all have to, like, you don't get to be

1889
01:44:16,320 --> 01:44:20,280
Speaker 1: frustrated with the police. So George is like, you know,

1890
01:44:20,400 --> 01:44:23,320
Speaker 1: this is my uh, I'm George Freeman. This is my

1891
01:44:23,560 --> 01:44:27,960
Speaker 1: nephew Atticus and our friend Latitia. And we're just passing

1892
01:44:28,000 --> 01:44:33,240
Speaker 1: through and he's like, well, you know this is sundowntown, right,

1893
01:44:33,280 --> 01:44:35,240
Speaker 1: you know what that is. And he's like, yes, yes,

1894
01:44:35,280 --> 01:44:40,439
Speaker 1: we do. It's like, well of courding. Uh, you know,

1895
01:44:40,600 --> 01:44:42,280
Speaker 1: if I would have caught y'all all had to dark,

1896
01:44:42,360 --> 01:44:44,559
Speaker 1: I have no choice but to legally string y'all up

1897
01:44:44,600 --> 01:44:50,720
Speaker 1: from these trees. And he's like, I think Atticus is like,

1898
01:44:50,760 --> 01:44:55,400
Speaker 1: but it's not sundown yet. It's like, you're right, my

1899
01:44:56,080 --> 01:44:59,639
Speaker 1: watch or whatever. Sundown's at seven o nine, dude's seven

1900
01:44:59,640 --> 01:45:02,080
Speaker 1: minutes now. And I was like, well, we'll just get

1901
01:45:02,080 --> 01:45:03,200
Speaker 1: in the car and get out of here then, and

1902
01:45:03,240 --> 01:45:05,400
Speaker 1: he was like, well, you're never gonna make it going

1903
01:45:05,479 --> 01:45:09,040
Speaker 1: south that way, so you're gonna have to uh. He

1904
01:45:09,120 --> 01:45:11,120
Speaker 1: was like, well we'll go north, sir. And he was like, okay,

1905
01:45:11,680 --> 01:45:15,479
Speaker 1: well I guess that'll that'll work. So y'all go ahead

1906
01:45:15,479 --> 01:45:19,240
Speaker 1: and go north, right, so they turn around to go north.

1907
01:45:19,439 --> 01:45:22,040
Speaker 1: But Attaicus asked before they turn around, like, is it

1908
01:45:22,120 --> 01:45:24,680
Speaker 1: legal to do a U turn? Soor sir? And he's like,

1909
01:45:24,960 --> 01:45:28,120
Speaker 1: it's not, but in this case, I'll let you do

1910
01:45:28,200 --> 01:45:29,640
Speaker 1: a U turn. No.

1911
01:45:29,800 --> 01:45:31,960
Speaker 2: I thought that when they was talking, they was talking

1912
01:45:32,000 --> 01:45:33,760
Speaker 2: about the directions. He was like, oh, so you're gonna

1913
01:45:33,760 --> 01:45:34,880
Speaker 2: make a legal U turn.

1914
01:45:36,280 --> 01:45:39,800
Speaker 1: Atticus figured it out. He said, so you're gonna He

1915
01:45:39,880 --> 01:45:41,479
Speaker 1: was like, so is it legal to make a U

1916
01:45:41,479 --> 01:45:45,759
Speaker 1: turn here? And he said it's not. He basically because

1917
01:45:45,800 --> 01:45:48,120
Speaker 1: he thought when Addaicus pointed out that it wasn't even

1918
01:45:48,200 --> 01:45:50,080
Speaker 1: dark yet, he was basically on some like, oh you

1919
01:45:50,200 --> 01:45:53,360
Speaker 1: a smart nigga, you know, like you want to do

1920
01:45:53,720 --> 01:45:58,680
Speaker 1: this makes more sense? Yeah? So yeah, so so he

1921
01:45:59,000 --> 01:46:02,200
Speaker 1: it was. You know, it was basically like the white

1922
01:46:02,240 --> 01:46:06,600
Speaker 1: version of the racist cop from Boys in the Hood.

1923
01:46:06,760 --> 01:46:08,000
Speaker 2: You got any drugs or weapons?

1924
01:46:08,040 --> 01:46:08,559
Speaker 1: Don't you?

1925
01:46:08,600 --> 01:46:08,880
Speaker 2: No?

1926
01:46:12,800 --> 01:46:13,759
Speaker 1: I didn't do nothing.

1927
01:46:15,439 --> 01:46:16,719
Speaker 2: You think you talk.

1928
01:46:18,680 --> 01:46:18,880
Speaker 3: Think?

1929
01:46:19,600 --> 01:46:25,400
Speaker 2: Uh scared now.

1930
01:46:26,760 --> 01:46:29,920
Speaker 1: I like that this one took this job.

1931
01:46:31,360 --> 01:46:33,400
Speaker 2: I hate little motherfuckers like you.

1932
01:46:34,080 --> 01:46:36,160
Speaker 1: That's basically how he was acting the whole time. He

1933
01:46:36,200 --> 01:46:38,839
Speaker 1: got that whole, that whole vibe.

1934
01:46:39,240 --> 01:46:39,840
Speaker 2: Yes he did.

1935
01:46:40,240 --> 01:46:43,680
Speaker 1: So he was basically like, oh, you're a smart nigga, okay.

1936
01:46:43,880 --> 01:46:45,400
Speaker 1: And so when you asking to do it, you turn.

1937
01:46:45,479 --> 01:46:47,040
Speaker 1: He's like, nah, I might let you do it, you

1938
01:46:47,120 --> 01:46:50,640
Speaker 1: turn if you ask me nice. It's like if you

1939
01:46:50,680 --> 01:46:53,479
Speaker 1: say pretty please, it's like pretty please. He's like, now

1940
01:46:53,520 --> 01:46:55,880
Speaker 1: you can do better than that. And he was like,

1941
01:46:57,200 --> 01:47:02,720
Speaker 1: say pretty please? May I do a you turn? Like

1942
01:47:03,280 --> 01:47:04,120
Speaker 1: may I smart?

1943
01:47:04,160 --> 01:47:04,240
Speaker 2: Like?

1944
01:47:04,320 --> 01:47:06,800
Speaker 1: Can will you let? You said pretty please? Will you

1945
01:47:06,920 --> 01:47:10,120
Speaker 1: let this smart nigga make a U turn here? And

1946
01:47:10,160 --> 01:47:12,240
Speaker 1: he says it and it's in front of letty and

1947
01:47:12,280 --> 01:47:16,080
Speaker 1: it's that thing again that like emasculation. Don't what you

1948
01:47:16,120 --> 01:47:19,320
Speaker 1: want to survive is you know, it's just that fucked

1949
01:47:19,400 --> 01:47:23,120
Speaker 1: up thing they do. And so they have the most

1950
01:47:23,200 --> 01:47:26,920
Speaker 1: intense driving of the speed limits scene I have ever

1951
01:47:27,000 --> 01:47:29,720
Speaker 1: seen since Speed one.

1952
01:47:30,040 --> 01:47:32,760
Speaker 3: That shit had my heart right, Yes, it was like

1953
01:47:32,800 --> 01:47:36,560
Speaker 3: speed It was the most intense nigga, you better do

1954
01:47:36,720 --> 01:47:40,320
Speaker 3: exactly fifty five, not fifty six, not fifty four I

1955
01:47:40,360 --> 01:47:42,200
Speaker 3: have ever seen in my life.

1956
01:47:42,360 --> 01:47:43,000
Speaker 1: Oh my god.

1957
01:47:43,160 --> 01:47:45,719
Speaker 2: And that was okay. And then all of a sudden,

1958
01:47:45,760 --> 01:47:47,719
Speaker 2: the nigga came out of nowhere. I was like, also

1959
01:47:47,760 --> 01:47:49,799
Speaker 2: he followed them, holy shit.

1960
01:47:49,960 --> 01:47:53,280
Speaker 1: And he of course is speeding and he's following them

1961
01:47:53,280 --> 01:47:57,920
Speaker 1: so hard he starts ramming the car. He knows that

1962
01:47:58,439 --> 01:48:02,200
Speaker 1: the atticus is driving, and he that if he does

1963
01:48:02,360 --> 01:48:05,400
Speaker 1: above the speed limit, they will be arrested and pulled

1964
01:48:05,439 --> 01:48:08,200
Speaker 1: over and killed. And he also knows that if they

1965
01:48:08,320 --> 01:48:11,439
Speaker 1: don't make it out of town before that sun goes down,

1966
01:48:11,640 --> 01:48:13,640
Speaker 1: they're gonna get killed. And there's like, we had to

1967
01:48:13,680 --> 01:48:17,200
Speaker 1: cross over the tracks, and they they do cross over

1968
01:48:17,240 --> 01:48:20,680
Speaker 1: the railroad tracks exactly like seven o nine, making it

1969
01:48:20,720 --> 01:48:23,320
Speaker 1: out of town. They celebrate. Then they turned the corner

1970
01:48:23,479 --> 01:48:27,559
Speaker 1: and the the road is blocked off by cops with

1971
01:48:27,760 --> 01:48:33,120
Speaker 1: guns and it turns out the sheriff was just pushing

1972
01:48:33,160 --> 01:48:33,840
Speaker 1: them into a trap.

1973
01:48:33,920 --> 01:48:34,720
Speaker 2: Yeah, just fuck with.

1974
01:48:34,680 --> 01:48:39,680
Speaker 1: Them, right, And so then they take the take the

1975
01:48:39,800 --> 01:48:43,200
Speaker 1: black people out of the car and march them into

1976
01:48:43,200 --> 01:48:45,559
Speaker 1: the woods in the middle of the dark night, in.

1977
01:48:45,520 --> 01:48:48,080
Speaker 2: The middle of motherfucking New Wi, the same.

1978
01:48:47,920 --> 01:48:51,000
Speaker 1: Woods where mysterious attacks have been happening from bears and

1979
01:48:51,040 --> 01:48:51,800
Speaker 1: maybe mountain lions.

1980
01:48:51,840 --> 01:48:53,640
Speaker 2: I don't know where this You know, this might be

1981
01:48:53,640 --> 01:48:55,439
Speaker 2: a reason why niggas don't like to be lost in

1982
01:48:55,479 --> 01:48:56,879
Speaker 2: the woods or like the woods.

1983
01:48:57,560 --> 01:49:02,400
Speaker 1: Uh, this is definitely not this particular moment. But like

1984
01:49:02,439 --> 01:49:05,120
Speaker 1: when people say black people don't like camping. This is

1985
01:49:05,400 --> 01:49:08,559
Speaker 1: this is why the woods have never belonged to us.

1986
01:49:09,040 --> 01:49:11,719
Speaker 1: We've never had the autonomy in America to be allowed

1987
01:49:11,720 --> 01:49:14,320
Speaker 1: to be feel safe in the woods, not just from animals,

1988
01:49:14,320 --> 01:49:15,120
Speaker 1: but from white people.

1989
01:49:15,160 --> 01:49:15,439
Speaker 2: Come on.

1990
01:49:15,880 --> 01:49:17,759
Speaker 1: Uh So then the cops throw them on the ground

1991
01:49:17,760 --> 01:49:21,040
Speaker 1: in the dark woods, accuse him of being burglars. Atticus

1992
01:49:21,240 --> 01:49:24,080
Speaker 1: is trying to reason with them and shit, and they're like,

1993
01:49:24,200 --> 01:49:26,360
Speaker 1: let me tell you what. You're gonna say, Okay, there's

1994
01:49:26,360 --> 01:49:29,320
Speaker 1: been burglars around here. You're gonna say, we're not from here,

1995
01:49:29,320 --> 01:49:30,479
Speaker 1: We're just passing through.

1996
01:49:31,320 --> 01:49:32,519
Speaker 2: Fit the description, right.

1997
01:49:32,920 --> 01:49:35,000
Speaker 1: He's like, you're clearly out here. We looked at your car,

1998
01:49:35,120 --> 01:49:38,160
Speaker 1: it's like and then one of the je deputies like

1999
01:49:38,200 --> 01:49:40,559
Speaker 1: it could be stolen. I'm like, this thing ain't no help.

2000
01:49:41,120 --> 01:49:43,640
Speaker 1: And he's like, you know you're gonna say, you know

2001
01:49:44,040 --> 01:49:46,439
Speaker 1: that we just got the wrong people, blah blah, and

2002
01:49:46,840 --> 01:49:49,680
Speaker 1: so Attica is like, look, it's just a misunderstanding. My

2003
01:49:49,800 --> 01:49:54,880
Speaker 1: uncle's right, sheriff hunt please, and he said wait now

2004
01:49:55,400 --> 01:49:57,559
Speaker 1: he's like you have He's like you can search the car,

2005
01:49:57,800 --> 01:50:00,280
Speaker 1: you know, if you want to, you won't find anything there.

2006
01:50:00,680 --> 01:50:03,400
Speaker 1: It was like, did this nigger just give me permission

2007
01:50:03,960 --> 01:50:04,920
Speaker 1: to search his car.

2008
01:50:05,360 --> 01:50:06,479
Speaker 2: He's like, how do you know my name?

2009
01:50:06,800 --> 01:50:10,080
Speaker 1: Right? I'm like, man, Kaepernick's know your rights campaign didn't

2010
01:50:10,080 --> 01:50:13,040
Speaker 1: make it to this part of the woods. And then he

2011
01:50:13,240 --> 01:50:15,639
Speaker 1: goes and how'd you know my name? You're just passing

2012
01:50:15,720 --> 01:50:19,519
Speaker 1: through and they're like, nothing, you don't. They're about to

2013
01:50:19,680 --> 01:50:23,760
Speaker 1: kill them. And then they hear some wrestling in the woods,

2014
01:50:23,760 --> 01:50:27,120
Speaker 1: the same wrestling from earlier, except then they hear some

2015
01:50:27,160 --> 01:50:30,720
Speaker 1: weird ass but lots of raptor type sound like they

2016
01:50:30,840 --> 01:50:33,160
Speaker 1: was making all kinds of weird ass chirps and ship

2017
01:50:33,439 --> 01:50:37,000
Speaker 1: that did not sound like any animal, because it was like, oh,

2018
01:50:37,000 --> 01:50:40,439
Speaker 1: it's probably just a bear or something like Yeah. It

2019
01:50:40,520 --> 01:50:45,040
Speaker 1: was like it was like it was like, Nope, that's

2020
01:50:45,160 --> 01:50:53,639
Speaker 1: not any that's no bird that sounds like that. And

2021
01:50:53,680 --> 01:50:57,800
Speaker 1: then the creature jumps out of the woods as a

2022
01:50:57,880 --> 01:50:59,960
Speaker 1: bunch of eyes. We don't know.

2023
01:51:00,160 --> 01:51:01,040
Speaker 2: I don't think I've seen it.

2024
01:51:01,120 --> 01:51:04,320
Speaker 1: Yes, yes, I did, Okay, has a bunch of eyes,

2025
01:51:05,360 --> 01:51:08,240
Speaker 1: is fast as ship. It has a huge fucking mouth,

2026
01:51:08,640 --> 01:51:10,920
Speaker 1: and that's all you can tell because it's on the

2027
01:51:10,920 --> 01:51:15,240
Speaker 1: screen for about zero point three seconds as it literally

2028
01:51:15,640 --> 01:51:19,040
Speaker 1: devours a sheriff except for his fucking arm.

2029
01:51:19,080 --> 01:51:21,240
Speaker 2: And all you see is the arm hit the ground,

2030
01:51:21,400 --> 01:51:24,559
Speaker 2: and I look like, holy shit, what just happened?

2031
01:51:24,600 --> 01:51:27,800
Speaker 1: And the arm was holding a flashlight. Yes, and it

2032
01:51:27,920 --> 01:51:32,080
Speaker 1: lands on the ground in front of the three of

2033
01:51:32,160 --> 01:51:36,639
Speaker 1: our heroes who are laying prone and covered in blood

2034
01:51:36,720 --> 01:51:38,479
Speaker 1: now from the sheriff.

2035
01:51:38,520 --> 01:51:40,920
Speaker 2: They got juiced right in front of them.

2036
01:51:41,360 --> 01:51:45,200
Speaker 1: And I love this scene because obviously the sheriffs are

2037
01:51:45,240 --> 01:51:49,839
Speaker 1: all panicing and shit. But Atticus basically looked at Letitia

2038
01:51:49,920 --> 01:51:50,959
Speaker 1: and Georgia said.

2039
01:51:51,000 --> 01:51:54,559
Speaker 2: Run because their attention is on some other shit, like.

2040
01:51:54,680 --> 01:51:56,479
Speaker 1: You're gonna have to shoot me in the back, officer,

2041
01:51:56,640 --> 01:51:59,920
Speaker 1: because I'm not dying out here, by no motherfucking mini.

2042
01:52:00,080 --> 01:52:05,759
Speaker 1: I have velociraptors. So they started, y'all, they started running,

2043
01:52:06,320 --> 01:52:08,639
Speaker 1: but George gets knocked back down to the ground by

2044
01:52:08,680 --> 01:52:10,760
Speaker 1: accident and he just lays there because he got them

2045
01:52:10,800 --> 01:52:11,400
Speaker 1: hot knees.

2046
01:52:11,760 --> 01:52:14,160
Speaker 2: Come on, He's like, you know what, you know what,

2047
01:52:14,320 --> 01:52:16,679
Speaker 2: let me stop dropping roll. I'll just I'll just stay

2048
01:52:16,760 --> 01:52:19,360
Speaker 2: right here. This right here actually might be the safe place.

2049
01:52:19,600 --> 01:52:21,760
Speaker 1: This is the age where you fall, and you just

2050
01:52:21,760 --> 01:52:23,280
Speaker 1: need to get your mind right for a second.

2051
01:52:23,560 --> 01:52:26,400
Speaker 2: Come on, get your mind, your body, your soul. You

2052
01:52:26,400 --> 01:52:29,280
Speaker 2: you need to rethink everything about your next actions.

2053
01:52:29,520 --> 01:52:32,559
Speaker 1: And so the cops turn around with the shotgun and

2054
01:52:32,600 --> 01:52:36,080
Speaker 1: the flashlight as they're running from the creatures, and when

2055
01:52:36,080 --> 01:52:38,240
Speaker 1: it turns, when he turns around with his flash light

2056
01:52:38,400 --> 01:52:41,880
Speaker 1: on his shotgun, the creature ducks off. So that's when

2057
01:52:41,920 --> 01:52:43,439
Speaker 1: I was like, oh, I think the creatures might be

2058
01:52:43,479 --> 01:52:46,600
Speaker 1: sensitive to light, because why the fuck else wouldn't it

2059
01:52:46,680 --> 01:52:49,559
Speaker 1: just fucking kill him, Because it's not like he shot

2060
01:52:49,560 --> 01:52:51,240
Speaker 1: the creature. It was right when he turned and put

2061
01:52:51,280 --> 01:52:53,479
Speaker 1: the light on it. It just ducked out of the way, okay.

2062
01:52:54,560 --> 01:52:57,000
Speaker 1: And so then back at the original oh, and so

2063
01:52:57,080 --> 01:53:00,120
Speaker 1: then Letty and Tick make it into an abandoned the

2064
01:53:00,160 --> 01:53:02,960
Speaker 1: house and they close the door, and he goes, what

2065
01:53:03,040 --> 01:53:09,040
Speaker 1: about George. We gotta get George, and she's like nope, Like,

2066
01:53:09,120 --> 01:53:10,639
Speaker 1: we can't save Jeordan dead.

2067
01:53:10,880 --> 01:53:12,599
Speaker 2: We won't be no good to him dead.

2068
01:53:12,880 --> 01:53:16,080
Speaker 1: And back at the original scene of the murders that

2069
01:53:16,280 --> 01:53:19,360
Speaker 1: or that was gonna be the murder scene, George prized

2070
01:53:19,360 --> 01:53:22,280
Speaker 1: the flesh flashlight from the cold dead hands of that

2071
01:53:22,320 --> 01:53:26,200
Speaker 1: cop and then the cops for the cops back at

2072
01:53:26,240 --> 01:53:29,719
Speaker 1: the abandoned house that Letty and Tick found, forced Letty

2073
01:53:29,720 --> 01:53:30,800
Speaker 1: and Tick to let them in.

2074
01:53:31,439 --> 01:53:32,519
Speaker 2: Hole through the door. Yeah.

2075
01:53:32,520 --> 01:53:34,400
Speaker 1: They was like, we ain't opening ship and they shot

2076
01:53:34,439 --> 01:53:36,000
Speaker 1: a hole through the door. It's like, okay, let him in.

2077
01:53:36,320 --> 01:53:38,240
Speaker 1: So they let him in. Then they was like, you know, now,

2078
01:53:38,600 --> 01:53:41,200
Speaker 1: you know, vote barricade the door, and all these other

2079
01:53:41,280 --> 01:53:43,960
Speaker 1: deputies have been eaten, so it's just one deputy and

2080
01:53:44,000 --> 01:53:46,720
Speaker 1: then the sheriff. The sheriff has been bitten and his

2081
01:53:46,800 --> 01:53:50,599
Speaker 1: fucking shoulder is almost gone. Yes, like whatever bait him,

2082
01:53:50,640 --> 01:53:52,360
Speaker 1: beat him hard as fuck. I don't know how he's

2083
01:53:52,400 --> 01:53:55,640
Speaker 1: not dead and it's super gross. And he's like, you know,

2084
01:53:55,800 --> 01:53:57,040
Speaker 1: yelling at them, and Ship.

2085
01:53:57,320 --> 01:54:01,960
Speaker 2: I was like, okay, we don't keep this racist thing to.

2086
01:54:02,040 --> 01:54:07,360
Speaker 1: The grade right, still holding this shotgun. And so they

2087
01:54:07,520 --> 01:54:09,840
Speaker 1: argue for a little bit about what to do, because

2088
01:54:10,040 --> 01:54:12,240
Speaker 1: you know, Atticus like we gotta go out. I gotta

2089
01:54:12,280 --> 01:54:15,200
Speaker 1: get George. I can't let him down there, and they're like,

2090
01:54:15,240 --> 01:54:18,080
Speaker 1: you're not opening that door, and he was like, we

2091
01:54:18,120 --> 01:54:20,240
Speaker 1: gotta do something, you know, can't stay in here, blah

2092
01:54:20,240 --> 01:54:22,920
Speaker 1: blah blah. And then they hear one of them creatures

2093
01:54:22,960 --> 01:54:27,880
Speaker 1: on the roof and Atticus is like, I'm going to

2094
01:54:27,960 --> 01:54:31,040
Speaker 1: get George. And even in the meanwhile, we see George

2095
01:54:31,040 --> 01:54:33,320
Speaker 1: walking through the woods with the flashlights, slow as hell,

2096
01:54:33,360 --> 01:54:36,680
Speaker 1: onto my knee, and I'm not gonna lie. I thought

2097
01:54:36,680 --> 01:54:39,840
Speaker 1: George was dying because George said, lady could He said,

2098
01:54:40,200 --> 01:54:42,800
Speaker 1: hippo light that could come with him on the next trip,

2099
01:54:43,120 --> 01:54:44,920
Speaker 1: And I said, and then he looked at a picture

2100
01:54:44,920 --> 01:54:47,000
Speaker 1: in his wallet, and that was all the telltale signs

2101
01:54:47,000 --> 01:54:50,800
Speaker 1: of a motherfucker in to die. Everybody know that rule,

2102
01:54:51,120 --> 01:54:55,480
Speaker 1: you about to die whenever you start thinking about the family. Yeah,

2103
01:54:55,680 --> 01:54:57,520
Speaker 1: you know, when I get back home, I got a

2104
01:54:57,560 --> 01:55:00,960
Speaker 1: sweet heart waiting on men. You know, Sh'S salad shit.

2105
01:55:01,040 --> 01:55:04,000
Speaker 1: I just like Auburn cotton fields. And you're like this

2106
01:55:04,120 --> 01:55:08,960
Speaker 1: nigga gonna die being a door will and shit, black love, y'all.

2107
01:55:09,040 --> 01:55:12,000
Speaker 1: I said, he's a dead man. So I was shocked

2108
01:55:12,000 --> 01:55:15,120
Speaker 1: that this motherfucker was walking through the woods with the flashlight.

2109
01:55:15,480 --> 01:55:17,600
Speaker 1: I said, Okay, well he won't be making it to

2110
01:55:17,640 --> 01:55:19,080
Speaker 1: the house, So what are we gonna do from here?

2111
01:55:19,280 --> 01:55:20,960
Speaker 2: You're right now.

2112
01:55:21,000 --> 01:55:23,360
Speaker 1: But one of the cous looks outside, said somebody's out there.

2113
01:55:23,600 --> 01:55:26,240
Speaker 1: As they're arguing over if ticket's gonna go and try

2114
01:55:26,280 --> 01:55:28,800
Speaker 1: to save George, and they open up the door, even

2115
01:55:28,840 --> 01:55:31,160
Speaker 1: though the officer's like, I'll shoot you He's like, if

2116
01:55:31,160 --> 01:55:33,600
Speaker 1: you shoot me, the creatures gonna come. So what the fun? Yeah,

2117
01:55:33,600 --> 01:55:37,240
Speaker 1: you're gonna drawn with the loud So they so uh

2118
01:55:37,320 --> 01:55:40,600
Speaker 1: and the creatures clearly communicate by uh. It sounds like

2119
01:55:40,640 --> 01:55:48,800
Speaker 1: they communicate by sound. And so they let they let

2120
01:55:48,800 --> 01:55:54,520
Speaker 1: Georgie in and George old poetic ass uh is in there,

2121
01:55:54,800 --> 01:55:57,840
Speaker 1: and they argue a bit more and then they hear

2122
01:55:57,920 --> 01:56:00,480
Speaker 1: the monster on the roof and he goes listen to

2123
01:56:00,520 --> 01:56:05,000
Speaker 1: them children of the Night, which music they make, and

2124
01:56:05,040 --> 01:56:08,080
Speaker 1: of course the reading them books. The Sheriff's like, and

2125
01:56:08,080 --> 01:56:13,920
Speaker 1: that's a line apparently from Brown Stokers Dracula. Oh okay, right,

2126
01:56:15,320 --> 01:56:17,680
Speaker 1: don't I didn't know that on my own. I read

2127
01:56:17,720 --> 01:56:20,560
Speaker 1: it in a review or something like that, like an

2128
01:56:20,560 --> 01:56:25,800
Speaker 1: Easter egg thing, and so it was like, uh, the

2129
01:56:26,320 --> 01:56:29,760
Speaker 1: so he says that line from that book, and I

2130
01:56:29,800 --> 01:56:32,080
Speaker 1: think at that point we're supposed to recognize these kind

2131
01:56:32,200 --> 01:56:38,440
Speaker 1: things may operate on the same type of rules as vampires,

2132
01:56:38,520 --> 01:56:41,320
Speaker 1: kind of something like that. We know they are afraid

2133
01:56:41,320 --> 01:56:44,880
Speaker 1: of the light or they can't come to the past light.

2134
01:56:47,080 --> 01:56:52,400
Speaker 1: So uh and and so yeah, so the of course

2135
01:56:52,480 --> 01:56:56,000
Speaker 1: when he says this, the the racist cops is basically

2136
01:56:56,040 --> 01:56:59,000
Speaker 1: like what's this nigger on about? You know, they never

2137
01:56:59,120 --> 01:57:00,200
Speaker 1: listened to the advice of the.

2138
01:57:00,160 --> 01:57:02,560
Speaker 2: Black city Negro language. What are they talking about?

2139
01:57:02,720 --> 01:57:05,800
Speaker 1: So they was like and he was like, I got

2140
01:57:05,880 --> 01:57:08,400
Speaker 1: here with just a flashlight, and I think they're afraid

2141
01:57:08,400 --> 01:57:12,880
Speaker 1: of the of the light, and so Attic is like,

2142
01:57:13,200 --> 01:57:16,360
Speaker 1: we just need more light. Were the cars and the

2143
01:57:16,440 --> 01:57:18,400
Speaker 1: racist sheriff don't want to tell him shit, but the

2144
01:57:18,400 --> 01:57:20,320
Speaker 1: debut is like, they're about a quarter mile down the

2145
01:57:20,320 --> 01:57:24,160
Speaker 1: other way, and he was like, uh, okay, well I'll

2146
01:57:24,160 --> 01:57:28,480
Speaker 1: go to the cars. I'll get some flash lights and

2147
01:57:28,640 --> 01:57:30,760
Speaker 1: the headlights on the car. It might it might be

2148
01:57:30,800 --> 01:57:33,720
Speaker 1: able to keep the creatures off of us and flares

2149
01:57:33,760 --> 01:57:36,880
Speaker 1: and shit like that. And the racist shriff is like, no,

2150
01:57:37,040 --> 01:57:40,280
Speaker 1: you are. You're too smart, You smart nigga, too smart

2151
01:57:40,280 --> 01:57:42,600
Speaker 1: for your good. You probably just leave us here to

2152
01:57:42,680 --> 01:57:44,080
Speaker 1: die getting the car drive off.

2153
01:57:44,120 --> 01:57:45,280
Speaker 2: You're fucking racist.

2154
01:57:45,680 --> 01:57:48,280
Speaker 1: Right, of course he's racist, and it's what he would do.

2155
01:57:49,360 --> 01:57:51,760
Speaker 1: So much of racism from white people is what they

2156
01:57:51,800 --> 01:57:55,440
Speaker 1: would do, but aimed at black people. Right, you live

2157
01:57:55,480 --> 01:57:58,040
Speaker 1: off the government and you're lazy, live off of other

2158
01:57:58,080 --> 01:58:01,280
Speaker 1: people's hard work. You mean like slave on Uh yeah,

2159
01:58:02,560 --> 01:58:04,680
Speaker 1: you're rapist. I don't know, there's a lot of light

2160
01:58:04,680 --> 01:58:07,160
Speaker 1: skinned black people around here. You used to own like

2161
01:58:07,240 --> 01:58:09,680
Speaker 1: it's just you know, it's always just we would do

2162
01:58:09,760 --> 01:58:12,760
Speaker 1: a day. But but we're the ones that are evil.

2163
01:58:12,880 --> 01:58:18,400
Speaker 1: And so he makes Letitia go and it was so

2164
01:58:19,240 --> 01:58:23,480
Speaker 1: the scene was so dope to me because Tick was

2165
01:58:23,560 --> 01:58:25,680
Speaker 1: ready to die to do like he was like, no,

2166
01:58:25,840 --> 01:58:28,920
Speaker 1: fuck that, I'm going, well shoot me then, and she's like, no,

2167
01:58:29,200 --> 01:58:31,960
Speaker 1: I have to do it. I'm gonna do it. And

2168
01:58:33,040 --> 01:58:37,160
Speaker 1: she he's like pulls it to the side and he's like, listen,

2169
01:58:38,440 --> 01:58:41,400
Speaker 1: you could do it, Okay, you just you you like,

2170
01:58:41,880 --> 01:58:43,800
Speaker 1: you just get there, you concentrate, you do this, blah

2171
01:58:43,840 --> 01:58:46,960
Speaker 1: blah blah. And she's like, you don't even seem scared.

2172
01:58:47,240 --> 01:58:49,440
Speaker 1: They teach you that in the army. And he's like,

2173
01:58:50,160 --> 01:58:52,360
Speaker 1: I'm not scared because fear is not gonna save us.

2174
01:58:52,440 --> 01:58:53,440
Speaker 1: Right now you are.

2175
01:58:54,680 --> 01:58:57,280
Speaker 2: And she looked like, do you know how many marches

2176
01:58:57,400 --> 01:59:01,360
Speaker 2: I've had to run away from m I got this?

2177
01:59:02,320 --> 01:59:03,720
Speaker 1: She she looked scared to me.

2178
01:59:03,840 --> 01:59:05,040
Speaker 2: I mean, yeah, she looked scared.

2179
01:59:05,160 --> 01:59:06,400
Speaker 1: But when he said that.

2180
01:59:06,680 --> 01:59:07,120
Speaker 2: I mean.

2181
01:59:08,680 --> 01:59:12,600
Speaker 1: It was w ap okay. She was like okay, here

2182
01:59:12,640 --> 01:59:17,440
Speaker 1: you splosh. And so then she ran to the car,

2183
01:59:18,440 --> 01:59:22,320
Speaker 1: and the spirit of the ancestors was behind this woman, okay,

2184
01:59:23,000 --> 01:59:24,960
Speaker 1: Like I looked behind her and in the sky you

2185
01:59:24,960 --> 01:59:29,200
Speaker 1: can see flo Jo and Harriet Tubman over her shoulders,

2186
01:59:29,200 --> 01:59:32,560
Speaker 1: compelling her to run with all the speed.

2187
01:59:33,040 --> 01:59:35,600
Speaker 2: She was running like you run when your mama tell

2188
01:59:35,640 --> 01:59:37,800
Speaker 2: you she needs some milk and she forgot it and

2189
01:59:37,840 --> 01:59:40,000
Speaker 2: they are skinning the groceries, and your black ass better

2190
01:59:40,000 --> 01:59:42,360
Speaker 2: be back before that woman rings up the last item.

2191
01:59:42,560 --> 01:59:45,720
Speaker 1: She hit the fucking tom cruise run on this ship,

2192
01:59:46,600 --> 01:59:49,360
Speaker 1: like the form was perfect. I don't know if she

2193
01:59:49,400 --> 01:59:51,400
Speaker 1: got high heels or not, but you know, Norman, when

2194
01:59:51,440 --> 01:59:54,080
Speaker 1: we see a woman running in a hard situation that's

2195
01:59:54,400 --> 01:59:57,120
Speaker 1: tripping and falling over the roots of trees and high

2196
01:59:57,160 --> 02:00:03,760
Speaker 1: heels breaking sprinting, she ran her ass off. I would

2197
02:00:03,760 --> 02:00:05,480
Speaker 1: love to see the behind the scenes of them and

2198
02:00:05,520 --> 02:00:07,800
Speaker 1: how they shot this. But she ran.

2199
02:00:07,960 --> 02:00:09,320
Speaker 2: She had that time cruise run.

2200
02:00:10,600 --> 02:00:13,560
Speaker 1: Yes, that is what I just said. So she ran

2201
02:00:13,720 --> 02:00:19,120
Speaker 1: to the car and she turns on the headlights because

2202
02:00:19,120 --> 02:00:23,880
Speaker 1: the creatures are out there that after her. And in

2203
02:00:23,960 --> 02:00:31,520
Speaker 1: the meantime, uh, while they're in the house with the

2204
02:00:31,600 --> 02:00:35,200
Speaker 1: racist sheriff and the racist deputy, the racist sheriff who's

2205
02:00:35,240 --> 02:00:36,880
Speaker 1: been bitten on the shoulder, starts coughing.

2206
02:00:37,680 --> 02:00:40,160
Speaker 2: I was like, oh, that COVID nineteen right.

2207
02:00:42,360 --> 02:00:48,320
Speaker 1: Niggas, I hate him, never had the thing right to me,

2208
02:00:49,080 --> 02:00:49,680
Speaker 1: it's a niggas.

2209
02:00:49,880 --> 02:00:50,200
Speaker 2: I'm sick.

2210
02:00:51,000 --> 02:00:53,880
Speaker 1: And so he starts coughing, and so they tell the

2211
02:00:54,000 --> 02:00:57,640
Speaker 1: deputy something wrong with him, like what's wrong with your boy?

2212
02:00:58,320 --> 02:01:03,200
Speaker 1: And he's like, Sheriff, you're all right, I must eat blood.

2213
02:01:03,400 --> 02:01:07,360
Speaker 1: And so that's when George is like, it's just like

2214
02:01:07,400 --> 02:01:12,320
Speaker 1: the vampires. What happens when a vampire bite somebody, they

2215
02:01:12,360 --> 02:01:14,680
Speaker 1: turn into a vampire, right, And he tells Atticus get

2216
02:01:14,720 --> 02:01:16,840
Speaker 1: on this side of the room with me and the

2217
02:01:16,840 --> 02:01:19,920
Speaker 1: sheriff and the deputies are the only ones with guns, right,

2218
02:01:20,360 --> 02:01:23,120
Speaker 1: And so they tell the deputy shoot.

2219
02:01:22,840 --> 02:01:25,440
Speaker 2: Him, you the all of them with the motherfucking gun.

2220
02:01:26,000 --> 02:01:28,720
Speaker 1: And it was so it was honestly like how black

2221
02:01:28,760 --> 02:01:32,080
Speaker 1: people are in the movies when we watch a horror movie.

2222
02:01:32,600 --> 02:01:34,840
Speaker 1: They were watching the horror movie. Happen to this white

2223
02:01:34,880 --> 02:01:39,320
Speaker 1: man who apparently wanted to shoot everything, but this this

2224
02:01:39,320 --> 02:01:40,520
Speaker 1: this creature as he.

2225
02:01:40,680 --> 02:01:43,839
Speaker 2: See him form into something that's not a man.

2226
02:01:44,320 --> 02:01:47,360
Speaker 1: Right, It is honestly the benefit of the doubt that

2227
02:01:47,400 --> 02:01:50,480
Speaker 1: white people get that black people never do that killed

2228
02:01:50,520 --> 02:01:54,280
Speaker 1: this man, that killed this sheriff because he yes.

2229
02:01:54,160 --> 02:01:56,760
Speaker 2: But the thing is they don't turn into they turn

2230
02:01:56,840 --> 02:01:57,440
Speaker 2: the monsters.

2231
02:01:57,440 --> 02:01:57,880
Speaker 1: They don't.

2232
02:01:58,000 --> 02:02:00,240
Speaker 2: You can't physically see them. That's why it want to

2233
02:02:00,240 --> 02:02:01,800
Speaker 2: shoot him. But in this case, he actually seen the

2234
02:02:01,840 --> 02:02:03,720
Speaker 2: monster shoot the bitch shoot him.

2235
02:02:04,080 --> 02:02:06,000
Speaker 1: Yeah, he had all the evidence he needed to, but

2236
02:02:06,040 --> 02:02:07,600
Speaker 1: he was like, why shoot him when I can take

2237
02:02:07,640 --> 02:02:11,480
Speaker 1: him out the burger king? Okay, he's not a monster

2238
02:02:11,560 --> 02:02:16,120
Speaker 1: to me. And of course the sheriff monster kills him,

2239
02:02:16,240 --> 02:02:19,880
Speaker 1: it bites him or whatever, and then the sheriff monster

2240
02:02:20,280 --> 02:02:26,120
Speaker 1: is gonna kill Atticus and George Atticus gets the shotgun,

2241
02:02:26,320 --> 02:02:29,760
Speaker 1: shoots it in the back. It does not really phase it.

2242
02:02:29,760 --> 02:02:33,080
Speaker 1: It turns around and before he can kill it, he

2243
02:02:33,160 --> 02:02:35,880
Speaker 1: turned around like, oh that tickled. Before he can kill it,

2244
02:02:36,200 --> 02:02:39,760
Speaker 1: we cut back to Letty. Letty is in the She's

2245
02:02:39,800 --> 02:02:43,120
Speaker 1: gotten into the car in the woody and the creature

2246
02:02:43,400 --> 02:02:46,400
Speaker 1: is afraid of the light headlights, so it jumps into

2247
02:02:46,400 --> 02:02:50,360
Speaker 1: the thet the trees. Then it lands again on the

2248
02:02:50,360 --> 02:02:54,120
Speaker 1: hood past the headlights, and she flashes her camera at

2249
02:02:54,160 --> 02:02:56,760
Speaker 1: it and that is what makes it jump off, and

2250
02:02:56,800 --> 02:03:00,879
Speaker 1: then she drives the fucking car directly into the building,

2251
02:03:01,320 --> 02:03:04,760
Speaker 1: into the door of the building. She even blows her

2252
02:03:04,800 --> 02:03:13,520
Speaker 1: horn and boom goes through the building. George Atticus leaps

2253
02:03:13,520 --> 02:03:15,160
Speaker 1: out the way, but George is kind of knocked out.

2254
02:03:15,160 --> 02:03:17,520
Speaker 1: They pull him into the headlights so he'll be safe,

2255
02:03:17,960 --> 02:03:20,919
Speaker 1: and then they take flares and throw them all around

2256
02:03:21,520 --> 02:03:24,040
Speaker 1: the car in front of the house. And then the

2257
02:03:24,080 --> 02:03:27,280
Speaker 1: creatures get a signal from a creature that appears to

2258
02:03:27,280 --> 02:03:32,680
Speaker 1: be the one in charge. Yeah, and then they all disappear.

2259
02:03:33,800 --> 02:03:37,440
Speaker 1: In the morning, they wake up covered in fucking blood. Yes,

2260
02:03:37,920 --> 02:03:40,600
Speaker 1: walking down the street and I was like, I.

2261
02:03:40,520 --> 02:03:42,120
Speaker 2: Was like, oh shit, they don't have a car because

2262
02:03:42,120 --> 02:03:42,760
Speaker 2: she crashed it.

2263
02:03:43,720 --> 02:03:47,440
Speaker 1: Right, They walk down the street and they walk under

2264
02:03:47,600 --> 02:03:52,960
Speaker 1: a bridge. Well, they walk down the bridge and they

2265
02:03:53,040 --> 02:03:54,120
Speaker 1: are done.

2266
02:03:54,400 --> 02:03:57,600
Speaker 2: And this whole time I was scared of them. I

2267
02:03:57,640 --> 02:04:02,000
Speaker 2: was like, they all covered in blood.

2268
02:04:03,040 --> 02:04:06,080
Speaker 1: I was like, still this fucking evil ass.

2269
02:04:06,440 --> 02:04:08,720
Speaker 2: I was like, somebody gonna pull them over and it's

2270
02:04:08,760 --> 02:04:10,600
Speaker 2: gonna be a motherfucking problem.

2271
02:04:10,400 --> 02:04:13,160
Speaker 1: Right, But they have now crossed in the artum it

2272
02:04:13,160 --> 02:04:15,320
Speaker 1: is said, so apparently they're in the middle of nowhere

2273
02:04:15,360 --> 02:04:18,560
Speaker 1: now and they're just walking and they walk into artam

2274
02:04:19,160 --> 02:04:23,760
Speaker 1: and covered in blood once again. The creatures very upset

2275
02:04:23,800 --> 02:04:27,000
Speaker 1: they didn't get to try some dark meat and it's like,

2276
02:04:27,280 --> 02:04:30,080
Speaker 1: I like thighs uh. And so they walked up to

2277
02:04:30,120 --> 02:04:32,360
Speaker 1: what appears to be like a castle like mansion, which

2278
02:04:32,400 --> 02:04:34,680
Speaker 1: is also I remember being drawn on the at list,

2279
02:04:34,720 --> 02:04:38,880
Speaker 1: several of those, and the silver car is parked there

2280
02:04:38,880 --> 02:04:41,720
Speaker 1: in the driveway of this mansion, the sivil car that

2281
02:04:41,840 --> 02:04:46,080
Speaker 1: saved them, and they knock on the door. It opens up.

2282
02:04:46,200 --> 02:04:49,320
Speaker 1: A dapper white man answers and says, we've been expecting you,

2283
02:04:49,360 --> 02:04:53,440
Speaker 1: mister Freeman, welcome home. And then that's the end.

2284
02:04:54,520 --> 02:04:55,120
Speaker 2: So that was it.

2285
02:04:55,200 --> 02:04:57,760
Speaker 1: That was the episode. Man, That shit was crazy. I

2286
02:04:57,800 --> 02:04:59,320
Speaker 1: don't know what the fuck they expect? What do you

2287
02:04:59,360 --> 02:05:00,440
Speaker 1: look forward to next week?

2288
02:05:01,560 --> 02:05:08,000
Speaker 2: Oh? What happened? Like y'all, y'all basically go to this

2289
02:05:08,080 --> 02:05:10,920
Speaker 2: Harry Potter's house and we're trying to figure out what

2290
02:05:11,320 --> 02:05:12,000
Speaker 2: is happening.

2291
02:05:11,680 --> 02:05:12,840
Speaker 1: For all these white people.

2292
02:05:13,720 --> 02:05:16,000
Speaker 2: Yes, why are they protecting you?

2293
02:05:16,080 --> 02:05:16,360
Speaker 1: Yeah?

2294
02:05:16,480 --> 02:05:17,960
Speaker 2: How did they know you were gonna get there?

2295
02:05:18,480 --> 02:05:21,040
Speaker 1: And of course you know this is very coincidental. Blah

2296
02:05:21,080 --> 02:05:23,480
Speaker 1: blah blah. I get it. I'm not like, I'm not

2297
02:05:23,520 --> 02:05:25,880
Speaker 1: saying it's the best, fucking most complicated right, And I've

2298
02:05:25,880 --> 02:05:26,720
Speaker 1: ever seen in life.

2299
02:05:26,760 --> 02:05:28,680
Speaker 2: But fresh you froze, baby.

2300
02:05:28,480 --> 02:05:31,520
Speaker 1: Oh I'm a freeze all right on these niggas. Okay, Uh,

2301
02:05:32,120 --> 02:05:36,360
Speaker 1: they can't see me. I'm still not back you, all right,

2302
02:05:36,480 --> 02:05:41,680
Speaker 1: Well keep to some people. Oh for real, all right,

2303
02:05:42,520 --> 02:05:46,200
Speaker 1: let me refreshed then, okay, give me my second pause.

2304
02:05:47,440 --> 02:05:50,720
Speaker 1: But yeah, so technical difficulties fixed. But yeah, so uh,

2305
02:05:51,320 --> 02:05:53,280
Speaker 1: I'm looking forward to seeing who the white people are

2306
02:05:55,000 --> 02:05:57,640
Speaker 1: and what that's got to do, what that manchats doing anything,

2307
02:05:58,880 --> 02:06:02,040
Speaker 1: how that fucking car works that made them crash without

2308
02:06:02,080 --> 02:06:06,520
Speaker 1: touching anything? Right, So I think those are the things.

2309
02:06:06,640 --> 02:06:08,840
Speaker 1: And they showed preview for the whole like little clips

2310
02:06:08,840 --> 02:06:11,000
Speaker 1: to the whole season, so it looks like we will

2311
02:06:11,000 --> 02:06:13,680
Speaker 1: be seeing Ruby Moore and all that stuff. So I

2312
02:06:13,760 --> 02:06:16,080
Speaker 1: want to see all that, but mostly just want to

2313
02:06:16,120 --> 02:06:19,000
Speaker 1: know what's going on in that mansion and where is

2314
02:06:19,000 --> 02:06:21,760
Speaker 1: his fucking father, Like where's Michael K. Williams? What is

2315
02:06:21,800 --> 02:06:25,840
Speaker 1: he doing? Like who was he? Did it? Was that

2316
02:06:25,880 --> 02:06:27,720
Speaker 1: white man to answer the door? The guy he drove

2317
02:06:27,800 --> 02:06:30,640
Speaker 1: off with, Like I want to know all that stuff.

2318
02:06:30,680 --> 02:06:34,520
Speaker 1: So I'm looking forward to it. So thanks for check

2319
02:06:34,640 --> 02:06:36,560
Speaker 1: hanging out with us, everybody in the chat. It was

2320
02:06:36,600 --> 02:06:41,560
Speaker 1: fun and we'll talk to you guys soon. Saturday will

2321
02:06:41,560 --> 02:06:44,920
Speaker 1: be our feedback show Ball zys Forces will be tomorrow

2322
02:06:45,000 --> 02:06:47,560
Speaker 1: and the nerd Off should be Friday. So until next time,

2323
02:06:47,640 --> 02:06:49,400
Speaker 1: I love you nah