WEBVTT - Part One: Tony Alamo: The Worst Preacher

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<v Speaker 1>Also media, Welcome back to Behind the Bastards, a podcast

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<v Speaker 1>that is mourning the temporary loss of its producer. Today,

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<v Speaker 1>Sophie got into a little bit of a kerfuffle with

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<v Speaker 1>the the ftc some shots were exchanged. Anyway, she's on

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<v Speaker 1>the run now, but we're we're expecting her to report

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<v Speaker 1>back in from her mountain hide away any day. But

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<v Speaker 1>until she gets back, Samantha McVeigh is with me, uh

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<v Speaker 1>today this week, Samantha, how are you doing good?

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<v Speaker 2>You know, I was just saying, I feel like Sophie

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<v Speaker 2>is our adult that supervises, so.

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<v Speaker 3>I'm a little nervous that she's not here.

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<v Speaker 2>But it's okay because I also did another show with

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<v Speaker 2>Margaret and Sophie wasn't there either, So maybe she is

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<v Speaker 2>she mad at me.

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<v Speaker 1>Oh no, no, no, no, no.

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<v Speaker 3>No, it's she's just running.

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<v Speaker 1>It's it's just she's on the run from from the law. Yeah, yeah,

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<v Speaker 1>it's it's it's it's fine. Once she once she gets

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<v Speaker 1>to our hidden mountain fastness, uh in an undisclosed location

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<v Speaker 1>in the Rockies, she'll she'll be back on the calls.

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<v Speaker 1>Everything will be fine. Yeah, it gets We're going to

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<v Speaker 1>be doing the podcast via Morse code. Yeah, that is

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<v Speaker 1>going to be the only way to communicate. Yeah, we're

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<v Speaker 1>going to get some code talkers, but with like maybe

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<v Speaker 1>maybe Klingon based. I don't think the Feds can crack

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<v Speaker 1>that one yet. Uh not anymore. They got all those

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<v Speaker 1>feds out. Those are the first people the Trump folks fired.

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<v Speaker 1>Samantha stuff your mom never told you? Is your podcast?

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<v Speaker 1>You got anything else you want to plug up at

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<v Speaker 1>the top here before we get into our subject for

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<v Speaker 1>the week.

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<v Speaker 3>I don't think so. Yeah, I'm on a podcast. It

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<v Speaker 3>has a book. It's been around for a.

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<v Speaker 1>Bit, it has it. Yeah, an OG. And speaking of ogs,

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<v Speaker 1>we're going to be talking about one of the OG's

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<v Speaker 1>of being an abusive Christian cult leader in the United States,

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<v Speaker 1>the worst preacher of all time, a guy that Los

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<v Speaker 1>Angeles residents might be are going to be aware of

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<v Speaker 1>as well as most of our Alabama listeners. Tony Alamo,

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<v Speaker 1>what have you heard of this guy? Do you know? Total?

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<v Speaker 3>I don't.

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<v Speaker 2>I don't know, which is what I'm kind of surprised

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<v Speaker 2>by because I was really.

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<v Speaker 3>Deep into the Christian world. So, oh, yeah, I know

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<v Speaker 3>this one.

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<v Speaker 1>He is, Well, he's one of the weirder ones and

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<v Speaker 1>he's one of like the worst people wherever he This guy,

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<v Speaker 1>oh man, he does all of the evil cult leader things,

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<v Speaker 1>child trafficking, slave labor, you know, all all all the

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<v Speaker 1>good stuff, abusive, a corpse. It's great. We got a

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<v Speaker 1>lot of fun stuff today.

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<v Speaker 3>Some modern day Christianity.

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<v Speaker 1>Let's go yeah, yeah, yeah, So again, his last name

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<v Speaker 1>is Alamo, but it's spelled Alamo, but that's not how

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<v Speaker 1>it's pronounced because the State of Texas would have come

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<v Speaker 1>after him then he would have had the rangers on

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<v Speaker 1>him long before the FBI finally took him down if

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<v Speaker 1>he'd been weakening Texas' brand. But yeah, Tony Alamo. And

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<v Speaker 1>this is this is kind of a weird one in

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<v Speaker 1>that he is not the initial leader of his cult.

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<v Speaker 1>That's kind of his wife. So it starts out as

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<v Speaker 1>him being almost like you used by this cult that

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<v Speaker 1>he later winds up running like he's always one of

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<v Speaker 1>the people running it, but like his wife is definitely

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<v Speaker 1>much more like the driving force of the cult when

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<v Speaker 1>they get started, which is interesting. You don't see that

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<v Speaker 1>a lot, you know, you know, So this is a

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<v Speaker 1>we're gonna be talking about a feminist icon in the

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<v Speaker 1>world of establishing a cult that chat traffics children across

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<v Speaker 1>state lifes.

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<v Speaker 3>And icon Well, that's exciting.

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<v Speaker 1>Yeah, it's good. Girls can do everything the boys can do,

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<v Speaker 1>including trafficking.

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<v Speaker 3>That's right. Obviously, we're always saying that equal opportunity. I

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<v Speaker 3>love it.

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<v Speaker 4>Yeah.

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<v Speaker 1>So one of my favorite things about this is that

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<v Speaker 1>these guys the people were talking about today were very

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<v Speaker 1>good friends of one of our friends of the pod

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<v Speaker 1>who had a run in of his own with law

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<v Speaker 1>enforcement in a town called Waco. But I'm getting ahead

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<v Speaker 1>of myself.

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<v Speaker 2>Here, Okay.

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<v Speaker 3>I was wondering, I'm not gonna lie.

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<v Speaker 1>Yeah, a little bit of where there's some way to

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<v Speaker 1>go that comes in here. Yeah, ali O, Waco.

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<v Speaker 3>All seemed too convenient.

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<v Speaker 1>That's right. Now. Tony was not just the leader of

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<v Speaker 1>the cult, you know again, he was basically its first

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<v Speaker 1>member or maybe co leader, with the woman who became

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<v Speaker 1>his wife, who we're going to talk about before we

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<v Speaker 1>talk about Tony, because she is fascinating too, Edith opel Horn,

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<v Speaker 1>which is you know, and she's she's got that serial

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<v Speaker 1>killer name starting I know, Opal there's something sinister about that.

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<v Speaker 2>It's a middle name is sinister, and it's also bless

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<v Speaker 2>your heart, like she's going to poison you, but it's

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<v Speaker 2>going to be a really great pie.

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<v Speaker 1>Yeah, yeah, exactly, Yes, And she is she is, This

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<v Speaker 1>is a she is a down home girl. Now, if

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<v Speaker 1>you if your first thought when I said Tony Alamo

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<v Speaker 1>was that like, oh, well, that's way too good a

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<v Speaker 1>name of a cult leader to be a real cult

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<v Speaker 1>leader's name, you are correct. And Tony was not born

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<v Speaker 1>Tony Alamo. He was born Bernie Lazar Hoffman on September twentieth,

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<v Speaker 1>nineteen thirty four, in Joplin, Missouri. So again, this is

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<v Speaker 1>kind of rare for evangelical Christian cult leaders, but he

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<v Speaker 1>was born into a Jewish family. His parents were immigrants

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<v Speaker 1>from Romania, and while this may seem like an unlikely

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<v Speaker 1>background again for an Evangelical Christian cult leader, Bernie's family

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<v Speaker 1>was never religious, and as a boy, his parents identity

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<v Speaker 1>like it told him, hey, you should tell people that

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<v Speaker 1>you're Romanian, not Jewish, because if you tell him you're Jewish,

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<v Speaker 1>you're gonna get beaten up. Right Like we're in We're

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<v Speaker 1>in Joplin, Missouri in the forties and fifties. You know,

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<v Speaker 1>you know, you really don't, you know what I mean?

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<v Speaker 1>Dropping that too much now. Edith was also born into

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<v Speaker 1>a Jewish family on April twenty fifth, nineteen twenty for

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<v Speaker 1>in Alma, Arkansas, a small town about the same size

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<v Speaker 1>as Dire, Kansas, where the family moved shortly after her birth.

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<v Speaker 1>Her father was a convert or, her family was mixed religion.

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<v Speaker 1>It's a little unclear to me because she told her

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<v Speaker 1>daughter later that she first encountered the Bible reciting passages

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<v Speaker 1>from it at her father's sick bed. He'd been sent

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<v Speaker 1>home from the military early due to contracting tuberculosis, and

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<v Speaker 1>over the course of several years he wasted away and

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<v Speaker 1>tried to stay outside to avoid spreading the illness to

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<v Speaker 1>his family. So he's like camping out to try to

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<v Speaker 1>stop from getting his family sick, which is yeah, I

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<v Speaker 1>mean that's some real like thirties.

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<v Speaker 3>Just quarantine you out there.

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<v Speaker 1>Yeah, dad lives in the yard because otherwise they'll get

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<v Speaker 1>us all killed. Edith would later claim to have refused

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<v Speaker 1>to listen to what he said and like because she

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<v Speaker 1>was convinced that she could heal him by reciting Bible passages,

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<v Speaker 1>so she insisted on sitting next to his cot or

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<v Speaker 1>whatever night. This may have been later myth making after

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<v Speaker 1>she converted, Because our only source on her childhood is

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<v Speaker 1>her either way, what we can confirm is that from

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<v Speaker 1>an early age, Edith dreamed of being a star in

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<v Speaker 1>the newly forming film industry, which had just come to

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<v Speaker 1>be centered in Hollywood, California. But her dreams were interrupted

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<v Speaker 1>by the northern normal patterns of life in a small

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<v Speaker 1>southern town. By which I mean she got pregnant extremely young, obviously, right,

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<v Speaker 1>Like she's a dire like our kidsaw in the fucking

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<v Speaker 1>thirties and forties.

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<v Speaker 3>What else is there to do?

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<v Speaker 1>Well? I mean literally, there is nothing else that you

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<v Speaker 1>can do aside from get pregnant early and have your

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<v Speaker 1>brother's and husband die of various coal related diseases or

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<v Speaker 1>farming related accidents. You know. Yeah, yeah, obviously, like people,

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<v Speaker 1>there have numerous different things that they can do with

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<v Speaker 1>their lives, all of which involved dying young.

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<v Speaker 3>Dying young.

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<v Speaker 1>Yeah.

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<v Speaker 4>So.

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<v Speaker 1>Debbie Scrivener describes what happened next in the book Whispering

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<v Speaker 1>in the Daylight, which is about the Alamos quote. She

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<v Speaker 1>married at fourteen, had a baby at fifteen, and divorced

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<v Speaker 1>at sixteen. It was then that Edith ople decided to

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<v Speaker 1>take charge of her own journey to stardom and headed

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<v Speaker 1>to California. When she reached Hollywood, Edith Ople changed her

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<v Speaker 1>name to Susan Fleetwood. After failed attempts at a singing

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<v Speaker 1>an acting career, she married and then divorced Saul Lippowitz

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<v Speaker 1>and converted from her Jewish roots to Evangelical Christianity. She

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<v Speaker 1>began to preach and teach informally. And she just straight

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<v Speaker 1>up abandons her son right now. This is her son

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<v Speaker 1>that she has at fifteen. But yeah, she just kind

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<v Speaker 1>of bounces on the family she's got over there, moves

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<v Speaker 1>to Hollywood and starts trying to make it. And the

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<v Speaker 1>one daughter that she has with Saul Lippowitz is named

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<v Speaker 1>Christhion like christ Hiao n KOI I'm guessing Koy was.

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<v Speaker 1>I mean, I don't actually know where Koy comes from here.

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<v Speaker 1>That must be her married name. That's what she writes

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<v Speaker 1>under as an adult. I have never heard of the

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<v Speaker 1>name Christhian before. This may be a misspelling of the

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<v Speaker 1>name Christaan, like like christ o in, which is a

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<v Speaker 1>Latin girl's name that means follower of Christ. But I

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<v Speaker 1>don't know. Chris theon doesn't appear to be anything right.

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<v Speaker 2>It sounds like as an amalgamation of saying Christ and

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<v Speaker 2>then like Thessalonians, one of the chapters like.

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<v Speaker 1>That maybe yeah, yeah, somebody's flipping through a Bible on

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<v Speaker 1>an epidural and is like, I got a name.

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<v Speaker 3>I'll take these two things, buy them together. Beautiful, yeah, perfect,

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<v Speaker 3>no problems here.

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<v Speaker 1>Yeah. Now, according to Chris, we're going to call her

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<v Speaker 1>Chris because I'm not going to try to pronounce that

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<v Speaker 1>name the whole time, and that's generally what she seems

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<v Speaker 1>to go by. Edith, her mom makes a living during

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<v Speaker 1>this period, primarily as a con woman because she's trying

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<v Speaker 1>to find work. In the movie, she does some acting gigs,

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<v Speaker 1>but they do not her career doesn't take off right.

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<v Speaker 1>Her daughter will credit this to the fact that she

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<v Speaker 1>just does not have the look that hally Wood's going for.

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<v Speaker 1>In this period. She was, per her daughter quote, beautiful

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<v Speaker 1>in the weirdest way, not like you would look at

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<v Speaker 1>her and go wow, a striking beauty. But when she

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<v Speaker 1>walked in a room, she had so much command that

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<v Speaker 1>people stopped talking. So she's not the kind of she

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<v Speaker 1>doesn't have the right look to get the big Hollywood gigs.

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<v Speaker 1>But she does have the right look to make people

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<v Speaker 1>pay attention to her and kind of gravitates naturally to

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<v Speaker 1>conning them as a result.

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<v Speaker 3>I mean, it's all tracks to where she goes.

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<v Speaker 1>It feels like it's very perfectly natural. Yes, I'm seeing

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<v Speaker 1>the a to be here very easily, very quickly. When

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<v Speaker 1>she managed to get work or successfully work at con

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<v Speaker 1>the family would have money, and so during Chris's childhood

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<v Speaker 1>they swung wildly between mild solvency and absolute poverty with

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<v Speaker 1>such regularity that it made Chris's childhood kind of dizzying.

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<v Speaker 1>Also dizzying was the violence that Edith employed on a

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<v Speaker 1>near daily basis. And I'm not going to read a

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<v Speaker 1>lot of detailed stories of physical abuse here. Chris has

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<v Speaker 1>a book that she's going to write later about her childhood,

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<v Speaker 1>and her book, Mama Said, has some of the worst

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<v Speaker 1>and most descriptions of like the beating and psychological abuse

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<v Speaker 1>of a little kid that I've ever read. Edith is

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<v Speaker 1>a very bad mother, Like I cannot overemphasize how abuse

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<v Speaker 1>of this woman is to her daughter, or at least

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<v Speaker 1>that's how Chris relates it. I don't know why she

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<v Speaker 1>would lie about the specific things that she's lying about,

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<v Speaker 1>given that they comport entirely with the life that Edith

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<v Speaker 1>is going to live from this point forward. Right, So, Edith,

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<v Speaker 1>now living as Susan and her daughter, spent years on

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<v Speaker 1>the margins. Once Chris is thirteen, Edith is like, Hey,

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<v Speaker 1>you got to start earning your keep, right, You're basically

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<v Speaker 1>an adult woman. It's time for you to start going

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<v Speaker 1>out for parts and recording demo tapes as a singer.

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<v Speaker 1>And you know, you kind of get the feeling that

0:11:51.640 --> 0:11:53.559
<v Speaker 1>part of what she's doing is like, Hey, you know

0:11:53.720 --> 0:11:55.880
<v Speaker 1>you're you're the age that a lot of creeps in

0:11:55.920 --> 0:11:58.600
<v Speaker 1>Hollywood are interested in. If you can make that work

0:11:58.640 --> 0:12:02.319
<v Speaker 1>for us, go do it. It's a it's a bad

0:12:02.640 --> 0:12:06.320
<v Speaker 1>again childhood. The two live in a one room apartment

0:12:06.360 --> 0:12:09.800
<v Speaker 1>with a pull down Murphy bed and survived primarily off

0:12:09.840 --> 0:12:13.040
<v Speaker 1>of what Chris describes as mystery cans, which are canned

0:12:13.080 --> 0:12:16.199
<v Speaker 1>foods with the labels removed that sold for cheaper than

0:12:16.240 --> 0:12:19.960
<v Speaker 1>regular food. Quote, you would open these cans and whatever

0:12:20.000 --> 0:12:20.920
<v Speaker 1>you opened, you ate.

0:12:22.120 --> 0:12:22.920
<v Speaker 3>It's like a surprise.

0:12:23.160 --> 0:12:26.319
<v Speaker 1>It's like a surprise. Yeah, exactly. You're keeping your life interesting,

0:12:26.800 --> 0:12:30.560
<v Speaker 1>probably just pounding a lot of pure fucking coconut oil

0:12:30.679 --> 0:12:37.000
<v Speaker 1>or whatever, like right, imagining, Yeah, yeah, pie, if you're lucky,

0:12:37.080 --> 0:12:41.960
<v Speaker 1>pie me. Yeah, a lot of inspired suits. Suits. Oh

0:12:42.040 --> 0:12:46.720
<v Speaker 1>my god. Yeah, that's like that. That's such a perfect

0:12:46.760 --> 0:12:51.240
<v Speaker 1>like absolute poverty, uh story right there. Yeah, just just

0:12:51.280 --> 0:12:53.840
<v Speaker 1>eating mystery cans with my mom as she tries to

0:12:53.880 --> 0:13:00.360
<v Speaker 1>pip me out to the music industry to go, Yeah,

0:13:00.720 --> 0:13:03.360
<v Speaker 1>get pregnant or drop and eat pea, right, like, those

0:13:03.400 --> 0:13:07.040
<v Speaker 1>are your options. So by this point, by the times

0:13:07.400 --> 0:13:11.120
<v Speaker 1>Chris is thirteen, Edith has aged out of most of

0:13:11.160 --> 0:13:14.600
<v Speaker 1>the roles that interested her. Right. She is, again, particularly

0:13:14.600 --> 0:13:16.800
<v Speaker 1>for this period of Hollywood, too old to become a

0:13:16.880 --> 0:13:19.640
<v Speaker 1>leading lady, right, and the bulk of her earnings now

0:13:19.679 --> 0:13:23.280
<v Speaker 1>come from con artistry. And here is how Debbie Scrivener

0:13:23.400 --> 0:13:27.520
<v Speaker 1>describes her most successful and repeated con. She developed her

0:13:27.559 --> 0:13:31.000
<v Speaker 1>evangelical skills by scamming churches under the pretense of being

0:13:31.080 --> 0:13:33.920
<v Speaker 1>a missionary seeking funds. She would say to Chris put

0:13:33.920 --> 0:13:36.439
<v Speaker 1>on address, We're going to do a church. They would go,

0:13:36.520 --> 0:13:38.840
<v Speaker 1>and during the service, Susan would stand and say, I

0:13:38.880 --> 0:13:41.200
<v Speaker 1>have a message from the Lord and I need to speak.

0:13:41.600 --> 0:13:44.600
<v Speaker 1>Susan would speak, Chris would sing, church members would pass

0:13:44.640 --> 0:13:47.440
<v Speaker 1>a love offering and mother and daughter would leave with money.

0:13:47.840 --> 0:13:50.960
<v Speaker 1>And so, at age thirty four, Edith Opelhorn gave birth

0:13:51.000 --> 0:13:54.320
<v Speaker 1>to a new persona Susan Lippowitz, with business acumen, powers

0:13:54.320 --> 0:13:58.000
<v Speaker 1>of persuasion, and gritty determination. Well in place. There's some

0:13:58.080 --> 0:14:00.240
<v Speaker 1>disagreement in my sources of her when she's got that's

0:14:00.280 --> 0:14:03.440
<v Speaker 1>going by Susan, but it appears to be something she

0:14:03.600 --> 0:14:07.000
<v Speaker 1>takes on as part of this, like I'm going to

0:14:07.040 --> 0:14:10.120
<v Speaker 1>be scamming churches. And I think it's interesting again that

0:14:10.160 --> 0:14:12.400
<v Speaker 1>she comes from like a background that is very much

0:14:12.480 --> 0:14:16.719
<v Speaker 1>not evangelical Christianity, which may be why she knows how

0:14:16.760 --> 0:14:19.760
<v Speaker 1>to manipulate these people so well, maybe it's just the

0:14:19.760 --> 0:14:22.000
<v Speaker 1>simple fact that none of this is sacred to her

0:14:22.440 --> 0:14:23.960
<v Speaker 1>and the way it is to these people. So she's

0:14:24.000 --> 0:14:26.560
<v Speaker 1>able to kind of look in from the outside and like, oh,

0:14:26.560 --> 0:14:28.080
<v Speaker 1>I know how to fuck with these I know how

0:14:28.120 --> 0:14:29.880
<v Speaker 1>to get their money, right, Yeah, I know what they

0:14:29.920 --> 0:14:33.040
<v Speaker 1>want to hear. They want to see my daughter singing. Yeah.

0:14:33.280 --> 0:14:36.080
<v Speaker 2>I mean, if she truly was trying to heal her father,

0:14:36.440 --> 0:14:39.080
<v Speaker 2>realize it doesn't work and this is bs, I'm gonna

0:14:39.080 --> 0:14:39.760
<v Speaker 2>just take their money.

0:14:39.760 --> 0:14:42.160
<v Speaker 1>Then I'm gonna take their fucking money. They're they lied

0:14:42.200 --> 0:14:44.400
<v Speaker 1>to me when my dad was sitting. Yeah, maybe there's

0:14:44.400 --> 0:14:48.160
<v Speaker 1>something there too, just like if I'm green lighting the

0:14:48.320 --> 0:14:51.640
<v Speaker 1>HBO mini series, that's at least how I try to gain. Yeah,

0:14:51.680 --> 0:14:52.600
<v Speaker 1>that's how we're going to start.

0:14:52.600 --> 0:14:54.440
<v Speaker 3>Give her a little that's her villain origin.

0:14:54.520 --> 0:14:58.200
<v Speaker 1>Right, right, So Susan nursed clear ambitions of turning her

0:14:58.280 --> 0:15:01.200
<v Speaker 1>daughter into a money ticket, and and Chris's initial ambition

0:15:01.360 --> 0:15:04.520
<v Speaker 1>was music. But Susan was the kind of mom who

0:15:04.600 --> 0:15:07.720
<v Speaker 1>was more than capable of acting on opportunity. One day

0:15:07.760 --> 0:15:10.400
<v Speaker 1>in nineteen sixty four or sixty five, when Chris was

0:15:10.440 --> 0:15:13.360
<v Speaker 1>in eighth grade, she rode home on a city bus.

0:15:13.440 --> 0:15:15.880
<v Speaker 1>Now this was during a time again we're talking sixty

0:15:15.880 --> 0:15:18.160
<v Speaker 1>four or sixty five, this is a time of a

0:15:18.200 --> 0:15:22.600
<v Speaker 1>heightened racial tension, particularly in Los Angeles. The way Chris

0:15:22.640 --> 0:15:26.600
<v Speaker 1>describes it decades later, and again, Chris is not being

0:15:26.720 --> 0:15:30.480
<v Speaker 1>raised what we would call racially open minded. Right, Her

0:15:30.520 --> 0:15:35.560
<v Speaker 1>mom grows up in the South in the twenties and thirties.

0:15:36.240 --> 0:15:38.920
<v Speaker 1>She is raised believing some very racist things. So she

0:15:39.000 --> 0:15:41.240
<v Speaker 1>sees Chris sees this group of black girls on the

0:15:41.280 --> 0:15:44.440
<v Speaker 1>bus and quote, I may have given them a look.

0:15:44.640 --> 0:15:48.240
<v Speaker 1>They didn't like I'm not sure. One of the girls

0:15:48.280 --> 0:15:51.800
<v Speaker 1>responds by sticking out her foot, and Chris trips and falls,

0:15:52.280 --> 0:15:54.600
<v Speaker 1>and then the girls laugh at her, and other people

0:15:54.640 --> 0:15:57.680
<v Speaker 1>on the bus start laughing too, and so Chris runs

0:15:57.680 --> 0:15:59.960
<v Speaker 1>for the exit and then trips herself on her way

0:16:00.200 --> 0:16:02.280
<v Speaker 1>out right, and so she winds up with like scraped up,

0:16:02.280 --> 0:16:05.000
<v Speaker 1>bloody knees and everything. And that's, as Chris says it,

0:16:05.080 --> 0:16:08.720
<v Speaker 1>that's all that happened, right, Like, you know, she's probably

0:16:08.760 --> 0:16:11.200
<v Speaker 1>this girl who's raised very racist, gives a mean look

0:16:11.240 --> 0:16:13.680
<v Speaker 1>to a black girl who trips her, and the encounter

0:16:13.880 --> 0:16:16.600
<v Speaker 1>ends right in the grand scheme of things, not a

0:16:16.720 --> 0:16:20.640
<v Speaker 1>huge deal. But when Chris gets home, Susan sees that

0:16:20.720 --> 0:16:23.560
<v Speaker 1>she has bloody hands and knees, mostly from the second

0:16:23.560 --> 0:16:26.840
<v Speaker 1>time that she fell on her own. And Susan's like,

0:16:26.920 --> 0:16:29.480
<v Speaker 1>what happened? And Chris told her, right, I got tripped

0:16:29.480 --> 0:16:32.720
<v Speaker 1>on the bus by this black girl. And Susan responds,

0:16:32.920 --> 0:16:35.080
<v Speaker 1>you let a bunch of and then she drops several

0:16:35.120 --> 0:16:37.920
<v Speaker 1>slurs in a row. Run you off a public bus.

0:16:38.560 --> 0:16:41.320
<v Speaker 1>Chris tries to explain, I couldn't do anything, but Susan

0:16:41.400 --> 0:16:45.080
<v Speaker 1>is drunk, so she beats her daughter mercilessly breaking her

0:16:45.120 --> 0:16:47.320
<v Speaker 1>nose badly enough that she has to go to the

0:16:47.360 --> 0:16:50.000
<v Speaker 1>hospital because there's blood coming out of her ears. Right,

0:16:50.080 --> 0:16:54.240
<v Speaker 1>So we're talking like very serious abuse here. So when

0:16:54.240 --> 0:16:57.920
<v Speaker 1>they get to the hospital, they can't Susan, Like, Susan

0:16:57.960 --> 0:17:00.480
<v Speaker 1>doesn't want her daughter saying, well, I got tripped on

0:17:00.520 --> 0:17:02.160
<v Speaker 1>the bus and scraped up my knees and then my

0:17:02.200 --> 0:17:04.440
<v Speaker 1>mom beat me so bad I have a concussion, right,

0:17:04.440 --> 0:17:06.360
<v Speaker 1>because then Mom's going to get arrested. Right.

0:17:06.640 --> 0:17:07.240
<v Speaker 3>That's not great.

0:17:07.440 --> 0:17:10.479
<v Speaker 1>That's not great. Yeah, that's like even even in this

0:17:10.560 --> 0:17:15.679
<v Speaker 1>period of time, in the mid sixties, that's child abuse. Yeah.

0:17:15.720 --> 0:17:19.040
<v Speaker 1>So because her injuries require an explanation, Susan on the

0:17:19.080 --> 0:17:21.560
<v Speaker 1>way over to the hospital is coaching her daughter, who

0:17:21.560 --> 0:17:23.960
<v Speaker 1>has a head injury, like, hey, you got to you

0:17:24.000 --> 0:17:25.960
<v Speaker 1>gotta say it was those girls on the bus. You

0:17:26.040 --> 0:17:27.840
<v Speaker 1>gotta say it was like a race thing that they

0:17:27.880 --> 0:17:30.359
<v Speaker 1>beat you up because you're white. And then her book,

0:17:30.440 --> 0:17:34.000
<v Speaker 1>Mama said, Chris writes quote those six black girl and

0:17:34.040 --> 0:17:36.359
<v Speaker 1>this is her talking about like how she what she

0:17:36.520 --> 0:17:39.439
<v Speaker 1>tells the hospital, those six black girls beat me up

0:17:39.480 --> 0:17:41.040
<v Speaker 1>on the bus. I told them I got on the

0:17:41.040 --> 0:17:43.600
<v Speaker 1>bus and that girl tripped me, uttered racial slurs, knocked

0:17:43.640 --> 0:17:45.960
<v Speaker 1>me down and kicked me. Mom chimed in to add

0:17:45.960 --> 0:17:49.280
<v Speaker 1>another fantastic detail. Every time I retold the story, you

0:17:49.280 --> 0:17:51.840
<v Speaker 1>know what they said to her. They were screaming at her, screaming,

0:17:51.880 --> 0:17:54.640
<v Speaker 1>We're going to take over America, you white bitch. They

0:17:54.640 --> 0:17:57.560
<v Speaker 1>told her this is their city. The nurses, all white,

0:17:57.600 --> 0:18:01.080
<v Speaker 1>would gasp and cluck, and then even more racist things

0:18:01.080 --> 0:18:04.000
<v Speaker 1>get said. I think you get the idea right. Like

0:18:04.080 --> 0:18:09.919
<v Speaker 1>she is, Susan is very much leaning into the racial

0:18:09.960 --> 0:18:12.440
<v Speaker 1>animus of the time in order to try and make

0:18:12.480 --> 0:18:15.280
<v Speaker 1>this a story that she can sell not just to

0:18:15.359 --> 0:18:19.440
<v Speaker 1>these like white hospital workers, but to the media, which

0:18:19.480 --> 0:18:22.000
<v Speaker 1>is where she's going to go next, because when she

0:18:22.080 --> 0:18:24.520
<v Speaker 1>calls the cops, the cops are like, we don't really

0:18:24.520 --> 0:18:26.919
<v Speaker 1>care about some kids getting into a fight on a bus.

0:18:26.960 --> 0:18:29.080
<v Speaker 1>This is where the lapd and this is the sixties.

0:18:29.080 --> 0:18:32.200
<v Speaker 1>There's so much else going on right now and where

0:18:32.200 --> 0:18:35.040
<v Speaker 1>the LAPD, So we don't really care about much anyway.

0:18:35.960 --> 0:18:38.879
<v Speaker 1>So she starts reaching out to every newspaper in town

0:18:39.600 --> 0:18:42.680
<v Speaker 1>to tell them increasingly elaborate lies about the hate crime

0:18:42.680 --> 0:18:45.920
<v Speaker 1>her daughter had suffered. The only reporter who shows up

0:18:46.040 --> 0:18:48.680
<v Speaker 1>is a guy from the Harold Examiner, and the next

0:18:48.760 --> 0:18:50.919
<v Speaker 1>day Chris is on the front page of the paper.

0:18:51.400 --> 0:18:54.840
<v Speaker 1>Now this ignites a response from the local community, and

0:18:54.920 --> 0:18:57.320
<v Speaker 1>that's what brings the cops out. A whole bunch of

0:18:57.359 --> 0:19:00.639
<v Speaker 1>particularly the most racist people in LA start sending bouquets

0:19:00.640 --> 0:19:06.200
<v Speaker 1>of flowers to Chris, often with very racist messages in them. Susan,

0:19:06.440 --> 0:19:08.960
<v Speaker 1>because again this is all about money for Sue, she

0:19:09.080 --> 0:19:12.239
<v Speaker 1>tries to sue the bus company and eventually gets her

0:19:12.320 --> 0:19:16.359
<v Speaker 1>daughter on local TV, which turns her into, in Chris's words,

0:19:16.400 --> 0:19:20.160
<v Speaker 1>a martyr for the cause. The John Birch Society gets

0:19:20.200 --> 0:19:26.159
<v Speaker 1>interested and Susan and Chris are enrolled in the organization. Yeah,

0:19:26.200 --> 0:19:28.960
<v Speaker 1>so this is she This is like the kind of

0:19:29.000 --> 0:19:32.040
<v Speaker 1>the first big con. Susan realizes she can play with

0:19:32.119 --> 0:19:34.480
<v Speaker 1>her daughter, is like, I'm going to try and make

0:19:34.560 --> 0:19:38.600
<v Speaker 1>her like the face of the anti integration movement, right

0:19:39.440 --> 0:19:41.320
<v Speaker 1>and it You know, this works for a little while.

0:19:42.080 --> 0:19:45.600
<v Speaker 1>Spurred to action by media attention, the LAPD takes to

0:19:45.760 --> 0:19:48.640
<v Speaker 1>the field with the usual degree of competence you would expect.

0:19:49.000 --> 0:19:53.439
<v Speaker 1>This is from Chris's book. Six black girls were arrested,

0:19:53.600 --> 0:19:56.480
<v Speaker 1>thrown in jail, charged, and dragged into a courtroom to

0:19:56.520 --> 0:19:59.199
<v Speaker 1>answer for my mother's crime. Mama told me I'd have

0:19:59.240 --> 0:20:01.800
<v Speaker 1>to testify on the witness stand. The thought made me

0:20:01.840 --> 0:20:04.480
<v Speaker 1>want to die. Mama caught me trying to overdose on

0:20:04.560 --> 0:20:07.240
<v Speaker 1>pills before the court date. She poured salt water down

0:20:07.280 --> 0:20:09.960
<v Speaker 1>my throat until I threw everything up. She didn't beat

0:20:10.000 --> 0:20:12.000
<v Speaker 1>me this time, though. She couldn't have me showing up

0:20:12.040 --> 0:20:18.679
<v Speaker 1>to court with fresh wounds. So pretty bad, pretty bad story. Yeah,

0:20:18.680 --> 0:20:21.639
<v Speaker 1>she didn't beat that's but she didn't beat her. She

0:20:21.880 --> 0:20:23.560
<v Speaker 1>just nearly drowned her with salt water.

0:20:23.640 --> 0:20:27.080
<v Speaker 2>It's fine, fine, it's fine, A sailing solutions, everything's great.

0:20:27.320 --> 0:20:29.880
<v Speaker 2>You know, I'm actually surprised that the police didn't jump

0:20:29.920 --> 0:20:32.600
<v Speaker 2>in and be like, oh, racial stuff, let's go beat

0:20:32.640 --> 0:20:34.840
<v Speaker 2>some people like that seems like something they would want

0:20:34.880 --> 0:20:36.520
<v Speaker 2>to do because they don't actually want to work.

0:20:36.840 --> 0:20:40.400
<v Speaker 1>Yeah, I mean I think that's that's that's my expectation.

0:20:40.560 --> 0:20:42.320
<v Speaker 1>But also you have to you have to note that

0:20:42.359 --> 0:20:45.000
<v Speaker 1>a big motivator for them is always not doing anything.

0:20:45.400 --> 0:20:47.879
<v Speaker 1>So when they first get the phone call, they're going

0:20:47.960 --> 0:20:49.639
<v Speaker 1>to be like, well, I don't care like what he

0:20:49.760 --> 0:20:54.959
<v Speaker 1>tried to get me to do this? Okay, yeah, anyway,

0:20:55.320 --> 0:20:59.600
<v Speaker 1>uh so that's that's what's happened so far? Pretty fun

0:20:59.680 --> 0:21:02.479
<v Speaker 1>story of outrageous child abuse.

0:21:03.000 --> 0:21:04.240
<v Speaker 3>What a beautiful fairy tale?

0:21:04.359 --> 0:21:06.560
<v Speaker 1>Yeah, what a beautiful fairy tale. This this has is

0:21:06.600 --> 0:21:08.200
<v Speaker 1>a little bit there's a little bit of a fairy

0:21:08.240 --> 0:21:11.640
<v Speaker 1>tale feel, except for instead of like Chris getting rich

0:21:11.720 --> 0:21:16.200
<v Speaker 1>and powerful, her evil and abusive mother does right after

0:21:16.240 --> 0:21:19.399
<v Speaker 1>this point. But before we hit that, let's do some

0:21:19.480 --> 0:21:27.120
<v Speaker 1>ads and we're back. How are you holding up their?

0:21:27.200 --> 0:21:30.360
<v Speaker 3>Sam, I'm just thinking about this. It seems like have

0:21:30.400 --> 0:21:33.240
<v Speaker 3>you ever heard the story of Gypsy Rose, Yes, the

0:21:33.320 --> 0:21:34.399
<v Speaker 3>child star them.

0:21:34.800 --> 0:21:39.280
<v Speaker 2>This sounds like the redneck version of that, except church,

0:21:39.400 --> 0:21:42.520
<v Speaker 2>which makes sense if you want to be like real honest,

0:21:42.640 --> 0:21:44.600
<v Speaker 2>and I'm not gonna lie. I'm sorry to those who

0:21:44.600 --> 0:21:45.320
<v Speaker 2>live in Arkansas.

0:21:45.400 --> 0:21:46.960
<v Speaker 3>I know it's not your fault, but.

0:21:47.320 --> 0:21:50.000
<v Speaker 2>Arkansas is one of the top four states that I'm

0:21:50.080 --> 0:21:52.880
<v Speaker 2>terrified to go through as a person of color, Like, yeah,

0:21:52.960 --> 0:21:54.800
<v Speaker 2>if I can, I'll never go through there.

0:21:55.920 --> 0:22:00.600
<v Speaker 1>I mean, yeah, it's and again we're talking like seventy

0:22:00.680 --> 0:22:05.040
<v Speaker 1>years ago in that area. So even now Susan grows

0:22:05.119 --> 0:22:09.960
<v Speaker 1>up knowing like, yeah, it's like a whole different level

0:22:10.000 --> 0:22:14.280
<v Speaker 1>of racism. So yeah, Chris thinks that these girls who

0:22:14.280 --> 0:22:18.040
<v Speaker 1>get arrested based on her mom's lives get acquitted again.

0:22:18.119 --> 0:22:20.920
<v Speaker 1>She's like in her early teens at this point in time.

0:22:21.720 --> 0:22:23.960
<v Speaker 1>In her book, she speaks of feeling deep shame for

0:22:24.000 --> 0:22:26.280
<v Speaker 1>the incident, particularly the damage it may have done to

0:22:26.320 --> 0:22:28.720
<v Speaker 1>those girls. She claims it opened her eyes to the

0:22:28.800 --> 0:22:31.040
<v Speaker 1>kind of systemic bias that black people face, and I

0:22:31.080 --> 0:22:34.399
<v Speaker 1>have no reason to disbeliever her. In her autobiography she

0:22:34.440 --> 0:22:38.200
<v Speaker 1>expresses pretty honest guilt and sorrow over this, And given

0:22:38.200 --> 0:22:40.000
<v Speaker 1>that she is an eighth grader when this happens, I

0:22:40.000 --> 0:22:41.919
<v Speaker 1>hope we can agree none of this is her fault.

0:22:42.760 --> 0:22:44.960
<v Speaker 2>Like, so they found the right girls. They didn't just

0:22:45.040 --> 0:22:47.840
<v Speaker 2>pick random black girls that they are like, yeah, the suits,

0:22:48.480 --> 0:22:49.359
<v Speaker 2>I think surprising.

0:22:49.600 --> 0:22:52.320
<v Speaker 1>She describes it as them finding the girls, but I

0:22:52.359 --> 0:22:55.280
<v Speaker 1>don't actually know that that's the case. Again, her memory

0:22:55.359 --> 0:22:59.320
<v Speaker 1>is not going to be perfect if anything happening right anyway,

0:22:59.600 --> 0:23:03.200
<v Speaker 1>that's Susan's background. This is the woman who becomes Susan Alamo.

0:23:03.800 --> 0:23:06.199
<v Speaker 1>What a delight, And she's not going to be our

0:23:06.280 --> 0:23:09.919
<v Speaker 1>primary character. So the fact that again she's going to

0:23:09.920 --> 0:23:13.520
<v Speaker 1>be kind of running the cult for its early years,

0:23:13.520 --> 0:23:15.560
<v Speaker 1>but she'll be out of the picture after a while,

0:23:15.600 --> 0:23:17.600
<v Speaker 1>and I just need to prep you with her story

0:23:17.640 --> 0:23:22.200
<v Speaker 1>because Tony's is so much worse. And this gets us.

0:23:22.200 --> 0:23:23.720
<v Speaker 1>And part of why we're doing this is because I

0:23:23.720 --> 0:23:26.080
<v Speaker 1>have a lot more detail on her early life and

0:23:26.119 --> 0:23:29.200
<v Speaker 1>young adulthood than I do the early life of Bernie Hoffman,

0:23:29.240 --> 0:23:33.800
<v Speaker 1>who becomes the future toorney Tony Alamo. He's about this

0:23:33.880 --> 0:23:36.720
<v Speaker 1>is interesting as a male cult leader who has a

0:23:36.720 --> 0:23:39.840
<v Speaker 1>lot of sex crimes. Later, he's about ten years younger

0:23:39.840 --> 0:23:46.120
<v Speaker 1>than Susan, so hey, there you go. You know, he's

0:23:46.160 --> 0:23:48.680
<v Speaker 1>not going to be consistent about that sort of thing

0:23:48.720 --> 0:23:52.359
<v Speaker 1>the rest of his life. But in this case, Susan

0:23:52.440 --> 0:23:54.359
<v Speaker 1>is in more of a position to take advantage of

0:23:54.440 --> 0:23:57.840
<v Speaker 1>him than he is of her. Right sure, I think

0:23:57.840 --> 0:24:01.800
<v Speaker 1>she's also just much smarter and savvy. Bernie also moves

0:24:01.840 --> 0:24:04.240
<v Speaker 1>to Los Angeles as a young adult, I think in

0:24:04.280 --> 0:24:06.880
<v Speaker 1>his late teens, with a dream of striking and famous.

0:24:07.520 --> 0:24:09.800
<v Speaker 1>He seems to have always wanted a career in entertainment.

0:24:09.840 --> 0:24:12.159
<v Speaker 1>He was a good dancer and became an instructor for

0:24:12.280 --> 0:24:16.119
<v Speaker 1>Rudolph Valentino as a young man. While still a teenager,

0:24:16.200 --> 0:24:18.440
<v Speaker 1>he moves to La to break into the music industry.

0:24:18.480 --> 0:24:22.720
<v Speaker 1>He records several songs at the height of the British

0:24:22.760 --> 0:24:26.800
<v Speaker 1>invasion in like sixty three sixty four where he's like

0:24:27.280 --> 0:24:29.879
<v Speaker 1>trying to sing like a British person, but he doesn't

0:24:29.920 --> 0:24:34.119
<v Speaker 1>really know how to. It's an odd it's an odd

0:24:34.160 --> 0:24:38.560
<v Speaker 1>set of choices that he's making. Yeah, but he is

0:24:38.640 --> 0:24:41.320
<v Speaker 1>working with some actual people. Like the one of the

0:24:41.359 --> 0:24:44.560
<v Speaker 1>songs he records, Little Yankee Girl, had been written by

0:24:44.640 --> 0:24:48.119
<v Speaker 1>Bobby Jamison, who is a prominent songwriter for hire in

0:24:48.200 --> 0:24:51.280
<v Speaker 1>the area, and was produced by Kim Fowley, who co

0:24:51.359 --> 0:24:54.919
<v Speaker 1>wrote and produced songs for Kiss, Chris Christofferson, Alice Cooper,

0:24:54.920 --> 0:24:57.880
<v Speaker 1>and others. So he is working with some people who

0:24:57.920 --> 0:25:04.800
<v Speaker 1>are real music industry folks. In conversations at parties and bars, Bernie,

0:25:04.840 --> 0:25:06.840
<v Speaker 1>who by this point had started going by the name

0:25:06.960 --> 0:25:10.359
<v Speaker 1>Tony Alamo, would claim to have ushered the Beatles into

0:25:10.400 --> 0:25:13.040
<v Speaker 1>fame and worked with the Rolling Stones as well as

0:25:13.200 --> 0:25:16.440
<v Speaker 1>Sonny and Chaer. The only musician that we can prove

0:25:16.480 --> 0:25:19.879
<v Speaker 1>that he promoted was Pete Best, a former member of

0:25:19.960 --> 0:25:23.960
<v Speaker 1>The Beatles, but he promotes Best after Best leaves the band.

0:25:24.440 --> 0:25:26.760
<v Speaker 1>And primarily what he seems to be doing is like

0:25:27.200 --> 0:25:29.600
<v Speaker 1>conning people who want to be musicians out of their

0:25:29.640 --> 0:25:32.280
<v Speaker 1>money by showing them this letter from Pete Best and

0:25:32.320 --> 0:25:35.040
<v Speaker 1>being like, see, I helped get the Beatles started, even

0:25:35.080 --> 0:25:37.280
<v Speaker 1>though the letter he's got from Best is after Best

0:25:37.440 --> 0:25:38.400
<v Speaker 1>left the Beatles.

0:25:38.960 --> 0:25:41.359
<v Speaker 3>So he's trying to let everybody know I have connections.

0:25:41.400 --> 0:25:41.760
<v Speaker 3>I did this.

0:25:43.200 --> 0:25:45.840
<v Speaker 1>Yeah, you know the guy who fumbled the bag bigger

0:25:45.880 --> 0:25:48.760
<v Speaker 1>than anyone has ever fumbled a bag. I worked with

0:25:48.800 --> 0:25:49.200
<v Speaker 1>that guy.

0:25:49.680 --> 0:25:51.560
<v Speaker 2>Yeah, the person you have to google because you're not

0:25:51.640 --> 0:25:52.960
<v Speaker 2>sure why you've heard of him.

0:25:53.119 --> 0:25:54.400
<v Speaker 3>Yeah, then you figure it out.

0:25:54.520 --> 0:25:57.160
<v Speaker 1>Yeah, a guy who fucked up being in the Beatles.

0:26:00.160 --> 0:26:04.800
<v Speaker 1>Sorry Pete. So. Tony's usual spiel involved bragging about traveling

0:26:04.840 --> 0:26:07.440
<v Speaker 1>on the road with the Beetles and the Stones. Here's

0:26:07.480 --> 0:26:10.439
<v Speaker 1>an excerpt from one such recitation of his speech. The

0:26:10.480 --> 0:26:13.679
<v Speaker 1>bodyguard would open the door, throw down a big velvet pillow,

0:26:13.720 --> 0:26:16.719
<v Speaker 1>and we would step into the velvet pillow. The barber

0:26:16.720 --> 0:26:19.080
<v Speaker 1>would comb our hair, the nurse would take our pulse.

0:26:19.160 --> 0:26:21.240
<v Speaker 1>One of the fellows would spray us with cologne, and

0:26:21.280 --> 0:26:24.160
<v Speaker 1>other strew flowers in our path, and the cops would

0:26:24.160 --> 0:26:27.439
<v Speaker 1>stand at attention, and like, there'd be some video of

0:26:27.480 --> 0:26:29.960
<v Speaker 1>this if anything like this ever happened to you, Tony,

0:26:30.080 --> 0:26:32.520
<v Speaker 1>Like I know people were crazy for the Beatles, but

0:26:32.560 --> 0:26:33.760
<v Speaker 1>this wasn't how they did it.

0:26:34.600 --> 0:26:36.880
<v Speaker 2>I Like, I can't imagine, because it's just the thought

0:26:36.960 --> 0:26:38.760
<v Speaker 2>that I was, like, I would have made immediately trip

0:26:39.000 --> 0:26:40.160
<v Speaker 2>Like that does not sound.

0:26:39.960 --> 0:26:43.959
<v Speaker 1>Like why are they taking your pulse?

0:26:44.200 --> 0:26:45.520
<v Speaker 3>Like what is wrong with you?

0:26:45.800 --> 0:26:46.600
<v Speaker 1>Is the pulse thing?

0:26:46.960 --> 0:26:48.520
<v Speaker 3>I don't get it. I don't get this.

0:26:48.800 --> 0:26:52.639
<v Speaker 1>Yeah, so this was not particularly believable to anyone with

0:26:52.760 --> 0:26:55.600
<v Speaker 1>real experience in the music industry. But those people aren't

0:26:55.600 --> 0:26:59.440
<v Speaker 1>Tony's target. He is trying to get the attention of dumb,

0:26:59.520 --> 0:27:02.280
<v Speaker 1>inexp sperienced young wannabes who have some cash in their

0:27:02.320 --> 0:27:04.679
<v Speaker 1>pocket and who he can convince like, oh, hey, you

0:27:04.760 --> 0:27:06.400
<v Speaker 1>got like if you've got a couple of grands, that's

0:27:06.400 --> 0:27:07.600
<v Speaker 1>all it's going to take for me to get this

0:27:07.640 --> 0:27:09.679
<v Speaker 1>demo tape into the hands of a DJ who's going

0:27:09.760 --> 0:27:11.520
<v Speaker 1>to put it on the air or something like that. Right,

0:27:11.560 --> 0:27:13.439
<v Speaker 1>Like the these are the kind of cons that he

0:27:13.520 --> 0:27:17.399
<v Speaker 1>is carrying out right, And he makes a living doing this,

0:27:17.600 --> 0:27:20.680
<v Speaker 1>not a good one. He is not super successful. He

0:27:20.800 --> 0:27:23.280
<v Speaker 1>is just kind of on the edge of not starving

0:27:23.320 --> 0:27:25.359
<v Speaker 1>to death all the time as a result of his

0:27:25.440 --> 0:27:29.800
<v Speaker 1>income from this. Now, later in life he would claim

0:27:29.800 --> 0:27:32.840
<v Speaker 1>that this year nineteen sixty four, during a business meeting,

0:27:32.960 --> 0:27:36.000
<v Speaker 1>God struck him death and gave him an order start

0:27:36.040 --> 0:27:38.840
<v Speaker 1>preaching the gospel or he'd be killed then and there.

0:27:39.400 --> 0:27:42.679
<v Speaker 1>This is what he's going to claim later. Absolutely not

0:27:42.720 --> 0:27:46.000
<v Speaker 1>what happens. And we know that because Susan's daughter, Chris,

0:27:46.119 --> 0:27:49.040
<v Speaker 1>is there when Tony meets her mother for the first time,

0:27:49.280 --> 0:27:52.240
<v Speaker 1>and the account she gives is a lot more believable.

0:27:52.720 --> 0:27:55.800
<v Speaker 1>One day, in I think nineteen sixty six, that the

0:27:55.920 --> 0:27:59.720
<v Speaker 1>timeline's a little fluid, Tony steps into a bar that

0:28:00.160 --> 0:28:04.000
<v Speaker 1>and her mom are drinking at right now. At this point,

0:28:04.080 --> 0:28:07.560
<v Speaker 1>Chris is kind of making some money as a recording artist.

0:28:07.600 --> 0:28:10.440
<v Speaker 1>She's not huge, but she's doing like backup vocals and stuff.

0:28:10.480 --> 0:28:13.119
<v Speaker 1>So she understands a little bit about the industry, and

0:28:13.160 --> 0:28:16.160
<v Speaker 1>she knows people in the industry, and she's been warned

0:28:16.160 --> 0:28:19.480
<v Speaker 1>about Tony and that she'd tell you something in nineteen

0:28:19.680 --> 0:28:22.960
<v Speaker 1>sixty six. If you're a sixteen year old girl in

0:28:23.000 --> 0:28:27.399
<v Speaker 1>the music industry, people warn you about Tony Alamo and like,

0:28:27.720 --> 0:28:30.639
<v Speaker 1>you have to be really bad to cross that line.

0:28:30.680 --> 0:28:34.000
<v Speaker 1>In nineteen sixty six, right, yeah.

0:28:33.840 --> 0:28:36.200
<v Speaker 2>I mean, I guess if you know enough people or

0:28:36.240 --> 0:28:38.120
<v Speaker 2>the right people, you'll get good information.

0:28:38.440 --> 0:28:41.920
<v Speaker 1>Yeah, yeah, and she does. She gets warned about this guy,

0:28:42.280 --> 0:28:44.640
<v Speaker 1>and so she warns her mom because he starts walk

0:28:44.720 --> 0:28:46.520
<v Speaker 1>up to their table, and she's like, I've heard about

0:28:46.520 --> 0:28:49.200
<v Speaker 1>this guy. Do not talk to him. He's a fucking creep.

0:28:49.960 --> 0:28:52.440
<v Speaker 1>But Tony walks right up to their table. And my

0:28:52.640 --> 0:28:56.480
<v Speaker 1>read on what happened is that, weirdly enough, Tony and

0:28:56.560 --> 0:29:00.520
<v Speaker 1>Susan are kind of made for each other. They're both artists.

0:29:00.560 --> 0:29:03.840
<v Speaker 1>I think initially they both identify each other as a

0:29:03.840 --> 0:29:08.000
<v Speaker 1>good mark, right, because Chris claims they immediately both start

0:29:08.080 --> 0:29:10.480
<v Speaker 1>lying to each other, right, trying to get money out

0:29:10.480 --> 0:29:10.880
<v Speaker 1>of the other.

0:29:11.040 --> 0:29:11.240
<v Speaker 5>You know.

0:29:11.760 --> 0:29:14.600
<v Speaker 1>Tony starts talking about the stars that he was promoting,

0:29:14.960 --> 0:29:17.080
<v Speaker 1>and Susan is like, I'm an actress. You know, my

0:29:17.200 --> 0:29:20.520
<v Speaker 1>daughter's a singer. We've got connections. When she says that,

0:29:20.640 --> 0:29:22.440
<v Speaker 1>Tony's like, oh, I can make your daughter a star.

0:29:22.920 --> 0:29:25.720
<v Speaker 1>And Chris would later recall I'm watching them and it's

0:29:25.720 --> 0:29:28.000
<v Speaker 1>like a tennis match of horse crap. They both think

0:29:28.040 --> 0:29:30.239
<v Speaker 1>the other's got money. He gets to up to go

0:29:30.240 --> 0:29:31.800
<v Speaker 1>to the bathroom, and I turned to my mother and

0:29:31.840 --> 0:29:34.200
<v Speaker 1>I said, listen to me. This guy is an absolute bum,

0:29:34.440 --> 0:29:37.200
<v Speaker 1>he's living with that little pregnant girl. She puts her

0:29:37.200 --> 0:29:39.560
<v Speaker 1>finger in my face, which she often did, and said,

0:29:39.800 --> 0:29:42.040
<v Speaker 1>you mind your fucking business. When he gets back. You

0:29:42.080 --> 0:29:44.520
<v Speaker 1>wait a few minutes and politely excuse yourself from the

0:29:44.560 --> 0:29:50.280
<v Speaker 1>table and don't come home tonight. So again, year Mama, the.

0:29:50.240 --> 0:29:52.440
<v Speaker 2>Year Mama had a plan. At least she to'll look

0:29:52.440 --> 0:29:54.240
<v Speaker 2>it out of the house, I guess. I mean, yeah,

0:29:54.240 --> 0:29:56.200
<v Speaker 2>I could have gone really arrived very quickly.

0:29:56.280 --> 0:30:01.440
<v Speaker 1>So it's going to go awry not much longer than this, unfortunately,

0:30:02.360 --> 0:30:04.680
<v Speaker 1>of course, But yeah, I mean you are right, Mama

0:30:04.720 --> 0:30:07.040
<v Speaker 1>had a plan, right, Like, Tony is not going to

0:30:07.080 --> 0:30:09.960
<v Speaker 1>wind up taking advantage of Susan, like she is going

0:30:10.000 --> 0:30:12.400
<v Speaker 1>to wind up kind of looping him into her thing.

0:30:14.600 --> 0:30:16.520
<v Speaker 1>So he comes back and he sits down at the

0:30:16.560 --> 0:30:19.400
<v Speaker 1>table and Chris looks at him or and sorry, and

0:30:19.560 --> 0:30:21.880
<v Speaker 1>Susan looks at him and says, Tony, I've got to

0:30:21.920 --> 0:30:24.680
<v Speaker 1>ask you a question. Did you know that Jesus Christ

0:30:24.720 --> 0:30:27.480
<v Speaker 1>is coming back to Earth again? And Tony looks deep

0:30:27.480 --> 0:30:29.959
<v Speaker 1>into horizon and says, of course I know that, Susan,

0:30:30.240 --> 0:30:32.920
<v Speaker 1>but how did you know? And she's like, let's go

0:30:33.040 --> 0:30:36.480
<v Speaker 1>to my apartment to talk about it, which is the

0:30:36.600 --> 0:30:40.360
<v Speaker 1>like evangelical con man and con woman flirting is I've

0:30:40.400 --> 0:30:42.320
<v Speaker 1>never really heard that story before.

0:30:43.080 --> 0:30:44.040
<v Speaker 3>Oh amazing?

0:30:44.200 --> 0:30:46.840
<v Speaker 2>Oh yeah, okay, we need to advertise that as the

0:30:46.840 --> 0:30:49.200
<v Speaker 2>perfect pickup line for other Christians.

0:30:48.880 --> 0:30:52.520
<v Speaker 1>Crime date Yeah, come on, yeah, are you looking to

0:30:52.720 --> 0:30:55.760
<v Speaker 1>like rob a bunch of maga people? Like this is

0:30:55.800 --> 0:31:01.320
<v Speaker 1>the dating site where you can find your person? Oh? Man,

0:31:01.640 --> 0:31:04.040
<v Speaker 1>So to make a show, how did you know that?

0:31:04.120 --> 0:31:07.200
<v Speaker 1>They just it's it's almost supernatural, right, They can feel

0:31:07.240 --> 0:31:09.440
<v Speaker 1>the vibrations of each other, like, oh, this is a

0:31:09.440 --> 0:31:13.719
<v Speaker 1>man who you know, uh is there's just nothing inside

0:31:13.720 --> 0:31:15.960
<v Speaker 1>of him, but is a desire to fleece people for

0:31:16.000 --> 0:31:20.080
<v Speaker 1>their money. And that's all I've got inside me. It's beautiful.

0:31:20.120 --> 0:31:21.600
<v Speaker 1>I love it when people find each other.

0:31:21.720 --> 0:31:21.880
<v Speaker 4>You know.

0:31:21.920 --> 0:31:22.840
<v Speaker 3>It's better than a soul.

0:31:23.400 --> 0:31:25.360
<v Speaker 1>Yeah, oh yeah, No, a soul is just going to

0:31:25.400 --> 0:31:28.880
<v Speaker 1>weigh you down right, true. Yeah, if you're just completely

0:31:28.880 --> 0:31:33.000
<v Speaker 1>hollow inside, you float like a witch in the fucking

0:31:33.280 --> 0:31:37.080
<v Speaker 1>sixteen hundreds or whenever. So, to make a short story

0:31:37.120 --> 0:31:39.800
<v Speaker 1>even shorter, the two hit it off and got married

0:31:39.880 --> 0:31:44.640
<v Speaker 1>three separate times over the course of forty eight hours. Now,

0:31:44.800 --> 0:31:47.240
<v Speaker 1>what did I say? Why did they get married? Three

0:31:47.280 --> 0:31:52.160
<v Speaker 1>times in two days. Yeah, it does, it does They

0:31:52.640 --> 0:31:55.440
<v Speaker 1>They first go to Mexico where they get hitched, but

0:31:55.560 --> 0:31:59.080
<v Speaker 1>then like right when they're about to have sex, Susan's like, actually,

0:31:59.120 --> 0:32:01.840
<v Speaker 1>I worry that Mexic marriage isn't legal, and I'm not

0:32:01.840 --> 0:32:04.680
<v Speaker 1>going to sleep with you until we're legally married. And

0:32:04.720 --> 0:32:08.160
<v Speaker 1>Tony is apparently hard up enough that he drives them

0:32:08.200 --> 0:32:12.920
<v Speaker 1>from Mexico to Vegas without sleeping and purchases two marriage

0:32:13.000 --> 0:32:17.520
<v Speaker 1>licenses and pasting two different marriage ceremonies just.

0:32:17.400 --> 0:32:21.240
<v Speaker 3>In case she backs out another one. Really is the

0:32:21.280 --> 0:32:21.920
<v Speaker 3>real one.

0:32:23.160 --> 0:32:27.080
<v Speaker 1>This is the real one. And eventually Susan's like, all right,

0:32:27.160 --> 0:32:30.520
<v Speaker 1>I guess we're married enough. I think this might make

0:32:30.600 --> 0:32:32.880
<v Speaker 1>him the only person I've ever read about who is

0:32:32.880 --> 0:32:40.760
<v Speaker 1>bigamously married to his one wife. He is going to

0:32:40.800 --> 0:32:45.000
<v Speaker 1>do he does so much bigamy in the future, but

0:32:45.040 --> 0:32:47.800
<v Speaker 1>he kind of does start by getting bigamously married to

0:32:47.840 --> 0:32:48.640
<v Speaker 1>a single woman.

0:32:49.120 --> 0:32:50.040
<v Speaker 3>He's a practice round.

0:32:50.400 --> 0:32:53.800
<v Speaker 1>Yeah, this is his practice round of big maybe Yeah, yeah,

0:32:53.840 --> 0:32:56.520
<v Speaker 1>he's the chosen one of bigamy. He's the fucking loop

0:32:56.600 --> 0:32:58.440
<v Speaker 1>Skywalker of bigamy.

0:32:59.080 --> 0:33:01.160
<v Speaker 2>He's gonna do it right, and he's gotta practice it

0:33:01.200 --> 0:33:03.120
<v Speaker 2>and get it through and then like, you know, it

0:33:03.160 --> 0:33:05.200
<v Speaker 2>perflects everything that's right.

0:33:05.280 --> 0:33:07.440
<v Speaker 1>That's right. You can't just start, you know, and assume

0:33:07.480 --> 0:33:09.440
<v Speaker 1>you're going to be good at it, like I don't know,

0:33:09.480 --> 0:33:13.200
<v Speaker 1>surgery or something easy. So the two change their names

0:33:13.320 --> 0:33:17.440
<v Speaker 1>to Tony and Susan Alamo, and they start preaching the word.

0:33:18.360 --> 0:33:20.719
<v Speaker 1>Now in the beginning, this is just an iteration of

0:33:20.760 --> 0:33:24.280
<v Speaker 1>Susan's extant con work at churches. Right, the new couple

0:33:24.280 --> 0:33:27.600
<v Speaker 1>would trawl the streets of Los Angeles for starving hippie kids,

0:33:27.600 --> 0:33:30.280
<v Speaker 1>generally kids who were like coming down from bad trips

0:33:30.560 --> 0:33:32.920
<v Speaker 1>or who were living on the street because they had

0:33:32.960 --> 0:33:35.880
<v Speaker 1>too many bad trips. And since these kids were broke,

0:33:36.480 --> 0:33:40.040
<v Speaker 1>preaching to them wasn't there's no like money from these kids, right,

0:33:40.520 --> 0:33:44.160
<v Speaker 1>So they get a bunch of followers, but those followers

0:33:44.200 --> 0:33:46.080
<v Speaker 1>are just kind of eating them out of house and home.

0:33:46.200 --> 0:33:50.120
<v Speaker 1>So the Alamos tell them, hey, go get jobs and

0:33:50.240 --> 0:33:52.560
<v Speaker 1>mail us the money. We've got to move to Las

0:33:52.640 --> 0:33:57.240
<v Speaker 1>Vegas for unclear reasons. And so they do that and Chris,

0:33:57.360 --> 0:33:59.680
<v Speaker 1>Susan just kind of leaves her daughter behind in La

0:33:59.760 --> 0:34:02.040
<v Speaker 1>which is I would say maybe the best thing for

0:34:02.120 --> 0:34:03.440
<v Speaker 1>Chris at this point in time.

0:34:04.120 --> 0:34:07.040
<v Speaker 3>Keep your mom where she was okay.

0:34:08.400 --> 0:34:12.560
<v Speaker 1>From the yeah okay, Yeah, Susan's not super committed to

0:34:12.600 --> 0:34:20.240
<v Speaker 1>being a mother. So Susan and Tony are in Las Vegas.

0:34:20.680 --> 0:34:24.440
<v Speaker 1>Chris eventually travels there because she misses her mom, and

0:34:24.600 --> 0:34:28.240
<v Speaker 1>as soon as she shows up, she claims Tony rapes her. Right,

0:34:28.440 --> 0:34:30.600
<v Speaker 1>she would have been fifteen or sixteen at this point,

0:34:30.880 --> 0:34:33.600
<v Speaker 1>Susan walks in as it's happening, calls her a whore,

0:34:33.760 --> 0:34:36.799
<v Speaker 1>accuses her of trying to steal Tony, and sends her

0:34:36.800 --> 0:34:40.760
<v Speaker 1>back to Los Angeles. And then a couple of months later,

0:34:40.920 --> 0:34:44.680
<v Speaker 1>Tony and Susan returned to LA because they've found another

0:34:44.800 --> 0:34:49.680
<v Speaker 1>wannabe celebrity to promote. This guy's name was Rovaugh. He

0:34:49.800 --> 0:34:55.719
<v Speaker 1>was a motorcycle riding, opera singer and yeah, very multi talented, right.

0:34:56.360 --> 0:34:59.560
<v Speaker 1>I don't think his career takes off, but there's enough

0:34:59.640 --> 0:35:02.319
<v Speaker 1>there that Tony's able to get a lot of backer money.

0:35:02.320 --> 0:35:04.759
<v Speaker 1>He's able to convince people, hey, this guy's going to

0:35:04.840 --> 0:35:07.280
<v Speaker 1>be huge, give me some money to get his career started.

0:35:07.560 --> 0:35:10.600
<v Speaker 1>And then he buys jewels, furs, leather jackets with that.

0:35:11.400 --> 0:35:15.080
<v Speaker 1>But this business is not doing well. And so even

0:35:15.120 --> 0:35:18.480
<v Speaker 1>though their first stab at becoming cult leaders hadn't really

0:35:18.560 --> 0:35:20.960
<v Speaker 1>made them a lot of money. They returned to that

0:35:21.120 --> 0:35:23.480
<v Speaker 1>grift as soon as they get back to Los Angeles,

0:35:24.360 --> 0:35:26.960
<v Speaker 1>so they start expanding their recruitment from just some down

0:35:27.040 --> 0:35:30.320
<v Speaker 1>and out hippie kids to prostitutes, to other homeless people,

0:35:30.400 --> 0:35:33.680
<v Speaker 1>to failing actors, to musicians and stuff who are kind

0:35:33.680 --> 0:35:36.120
<v Speaker 1>of on the margins and like government housing and the like.

0:35:36.640 --> 0:35:39.439
<v Speaker 1>Some of their first marks are because they burst back

0:35:39.480 --> 0:35:42.040
<v Speaker 1>into Susan's life and they take all of her friends

0:35:42.040 --> 0:35:46.520
<v Speaker 1>and roommates and put them into a cult, basically convert

0:35:46.560 --> 0:35:50.080
<v Speaker 1>them by being like, hey, you'll get regular meals, which

0:35:50.160 --> 0:35:54.440
<v Speaker 1>they provide via diving and dumpsters for expired food. So

0:35:54.520 --> 0:35:57.120
<v Speaker 1>they get all of these kids to start working, you know,

0:35:57.480 --> 0:36:01.120
<v Speaker 1>just kind of bullshit jobs and funnelly that money, donating

0:36:01.160 --> 0:36:04.560
<v Speaker 1>their salaries to an entity that the Alamo's established in

0:36:04.680 --> 0:36:08.440
<v Speaker 1>nineteen sixty nine, the Tony and Susan Alamo Foundation. So

0:36:09.960 --> 0:36:12.960
<v Speaker 1>fascinating grifts so far, you're just kind of I mean,

0:36:13.000 --> 0:36:15.640
<v Speaker 1>all they're ever doing is abusing poor people, right, like

0:36:15.719 --> 0:36:20.960
<v Speaker 1>that that's the Alamo con particularly her daughter's boyfriend.

0:36:21.560 --> 0:36:21.880
<v Speaker 2>Right.

0:36:22.080 --> 0:36:23.320
<v Speaker 3>This is interesting.

0:36:24.320 --> 0:36:27.560
<v Speaker 1>Yeah, it's pretty bleak and a big part of what

0:36:27.600 --> 0:36:30.680
<v Speaker 1>they're doing is they're they're finding poor Jewish kids who

0:36:30.719 --> 0:36:33.319
<v Speaker 1>are living on the streets, some of them who had

0:36:33.360 --> 0:36:37.520
<v Speaker 1>converted to Christianity and others who they converted. Tony particularly

0:36:37.680 --> 0:36:40.040
<v Speaker 1>was really good at converting these like down and out

0:36:40.320 --> 0:36:43.959
<v Speaker 1>former hippie kids. And the more people they bring in,

0:36:44.120 --> 0:36:46.120
<v Speaker 1>the more money starts to come in. Some of it's

0:36:46.120 --> 0:36:49.880
<v Speaker 1>coming from members handing over salaries or like inheritances and

0:36:49.920 --> 0:36:53.920
<v Speaker 1>savings accounts, but the real money comes in when Susan

0:36:54.000 --> 0:36:57.480
<v Speaker 1>figures out what is their first really brilliant con So

0:36:58.280 --> 0:37:02.680
<v Speaker 1>then like today, southern California has a massive homelessness problem

0:37:02.840 --> 0:37:05.720
<v Speaker 1>right and specifically the kind of people who are filling

0:37:05.800 --> 0:37:08.040
<v Speaker 1>the streets are the kind of people that the Alamos

0:37:08.120 --> 0:37:11.920
<v Speaker 1>make their business preaching to and converting. And then as

0:37:12.000 --> 0:37:15.359
<v Speaker 1>now affluent, midass and middle class people are disgusted by

0:37:15.360 --> 0:37:18.399
<v Speaker 1>homelessness and eager to support anyone who promised to take

0:37:18.480 --> 0:37:23.160
<v Speaker 1>these people off the street. So once they get followers

0:37:23.400 --> 0:37:25.399
<v Speaker 1>and they're pulling these people off the street and they're

0:37:25.400 --> 0:37:28.040
<v Speaker 1>putting them up in like rented spaces and stuff, they're

0:37:28.040 --> 0:37:32.080
<v Speaker 1>warehousing them. Basically, they'll pile their followers into vans on

0:37:32.120 --> 0:37:36.239
<v Speaker 1>the weekends and drive to megachurches in rich areas, and

0:37:36.280 --> 0:37:39.560
<v Speaker 1>then Susan will line up with they'll clean these hippie

0:37:39.640 --> 0:37:41.920
<v Speaker 1>kids up and Susan will line up with them and

0:37:42.000 --> 0:37:44.080
<v Speaker 1>she'll start preaching the word, and she'll go down the

0:37:44.120 --> 0:37:46.000
<v Speaker 1>line and have them all give like a version of

0:37:46.040 --> 0:37:48.040
<v Speaker 1>like I was on the street, you know, doing heroin

0:37:48.160 --> 0:37:50.560
<v Speaker 1>or whatever, and then I got found by the Alamos. Right,

0:37:51.120 --> 0:37:55.000
<v Speaker 1>and then Susan would conclude by being like, hey, does

0:37:55.080 --> 0:37:59.040
<v Speaker 1>this church support work like this, right, getting these indigent

0:37:59.160 --> 0:38:03.360
<v Speaker 1>kids off the streets and back to God. Right. Well,

0:38:03.640 --> 0:38:05.680
<v Speaker 1>if you want to see me continue to do this,

0:38:06.200 --> 0:38:09.759
<v Speaker 1>give some money to the Susan Antonio Lamo Foundation, right.

0:38:10.000 --> 0:38:12.560
<v Speaker 1>And that's the grift. Right, We're getting these homeless kids

0:38:12.600 --> 0:38:15.080
<v Speaker 1>off the street, and the actual money is coming in

0:38:15.120 --> 0:38:19.120
<v Speaker 1>from churches where they don't have followers, right, but they

0:38:19.120 --> 0:38:22.200
<v Speaker 1>do have a lot of people who hate seeing homeless people.

0:38:22.840 --> 0:38:25.000
<v Speaker 1>That's how they get their money.

0:38:25.480 --> 0:38:29.520
<v Speaker 3>Wow, I mean a little respect. They really did pull

0:38:29.520 --> 0:38:30.680
<v Speaker 3>people off those streets.

0:38:30.800 --> 0:38:37.480
<v Speaker 1>They are off the streets. They are accurately describing to

0:38:37.520 --> 0:38:39.600
<v Speaker 1>an extent what they're doing. They're not giving these kids

0:38:39.600 --> 0:38:43.600
<v Speaker 1>a better life or a safer life. Really not on

0:38:43.680 --> 0:38:48.319
<v Speaker 1>the streets. Well, and it's it's such a fascinating like

0:38:49.719 --> 0:38:52.520
<v Speaker 1>through line of Okay, I can see why that works, right,

0:38:52.880 --> 0:38:55.560
<v Speaker 1>because you're able to say, hey, you know what, what

0:38:55.560 --> 0:38:58.880
<v Speaker 1>what are kind of like conservative conservative Christians more scared

0:38:58.880 --> 0:39:02.000
<v Speaker 1>about than anything in the early seventies the hippie movement, right,

0:39:02.239 --> 0:39:05.879
<v Speaker 1>sixty nine was not that long ago. We're cleaning up

0:39:05.920 --> 0:39:08.680
<v Speaker 1>after the Hippie movement, right, like that.

0:39:08.960 --> 0:39:12.360
<v Speaker 3>Hippie movement exactly, anybody of different colors race.

0:39:12.440 --> 0:39:14.839
<v Speaker 1>Right, and we're taking these people and putting them where

0:39:14.880 --> 0:39:18.839
<v Speaker 1>you don't have to see them, right, Yeah. And they

0:39:18.880 --> 0:39:22.400
<v Speaker 1>start making a lot of money doing this. Soon the

0:39:22.400 --> 0:39:25.200
<v Speaker 1>Alamos have enough cash to make the dream that every

0:39:25.280 --> 0:39:29.480
<v Speaker 1>cult leader has real, buying land and starting a compound.

0:39:29.920 --> 0:39:34.040
<v Speaker 1>In nineteen seventy one, they purchase acreage in Saugus, California,

0:39:34.440 --> 0:39:37.000
<v Speaker 1>and an old restaurant that they convert to a church.

0:39:37.440 --> 0:39:40.880
<v Speaker 1>Their followers are made to live in chicken coops. Married

0:39:40.920 --> 0:39:44.279
<v Speaker 1>couples get to live in shacks, and once it was

0:39:44.320 --> 0:39:46.400
<v Speaker 1>known that the Alamos are doing the good work of

0:39:46.480 --> 0:39:49.160
<v Speaker 1>cleaning up the shrapnel of the Hippie movement off the streets,

0:39:49.440 --> 0:39:52.120
<v Speaker 1>more money and followers start to flow in. This is

0:39:52.160 --> 0:39:56.279
<v Speaker 1>part of a broader trend in evangelicalism as counter swing

0:39:56.360 --> 0:39:58.440
<v Speaker 1>to the Summer of Love and this sort of leftward

0:39:58.480 --> 0:40:00.880
<v Speaker 1>tilt of culture at the end of the sixties. I

0:40:00.920 --> 0:40:03.239
<v Speaker 1>think we're all familiar with the way in which this

0:40:03.320 --> 0:40:06.120
<v Speaker 1>kind of stuff kind of yins and yang's out right,

0:40:06.280 --> 0:40:08.520
<v Speaker 1>like you have your big sort of leftward shift and

0:40:08.560 --> 0:40:13.480
<v Speaker 1>then this huge reactionary shift. Well, the Alamos grift hits

0:40:13.719 --> 0:40:16.320
<v Speaker 1>right at the peak of that reactionary shift.

0:40:16.960 --> 0:40:17.800
<v Speaker 3>Perfect timing.

0:40:18.160 --> 0:40:22.200
<v Speaker 1>Yeah, yeah, Unfortunately, the worst people always have pretty good timing.

0:40:22.760 --> 0:40:29.680
<v Speaker 1>Speaking of Samantha, let's listen to the incredible timing of

0:40:29.719 --> 0:40:40.760
<v Speaker 1>some of our advertisers. We're back, oh Man, good stuff.

0:40:41.640 --> 0:40:46.040
<v Speaker 1>So in her book, Betty Shriver cites an article The

0:40:46.080 --> 0:40:49.520
<v Speaker 1>Great Guru Hunt by columnist Art Kunkin, who documented at

0:40:49.520 --> 0:40:52.920
<v Speaker 1>the time this kind of reactionary shift occurring and the

0:40:52.960 --> 0:40:55.759
<v Speaker 1>space that it was making for cult leaders like the Alamos.

0:40:56.360 --> 0:40:58.520
<v Speaker 1>There is very definitely something in the air, and it

0:40:58.600 --> 0:41:01.040
<v Speaker 1>is not, as I originally thought last year, just the

0:41:01.040 --> 0:41:04.960
<v Speaker 1>cycle of individualism and personal mystical search that could have

0:41:05.000 --> 0:41:07.560
<v Speaker 1>been expected to fill the vacuum left by the failures

0:41:07.600 --> 0:41:10.800
<v Speaker 1>of mass political activism in the nineteen sixties, a certain

0:41:10.920 --> 0:41:13.480
<v Speaker 1>cat is being let out of the bag accidentally or

0:41:13.480 --> 0:41:16.000
<v Speaker 1>by design, which will either result in the creation of

0:41:16.040 --> 0:41:19.400
<v Speaker 1>many socially motivated individuals of great personal energy who can

0:41:19.440 --> 0:41:23.279
<v Speaker 1>stop mankind from destroying itself, or the widespread dispersal of

0:41:23.320 --> 0:41:26.920
<v Speaker 1>these same energies utilized by egoistic persons who will accelerate

0:41:26.960 --> 0:41:30.480
<v Speaker 1>the crises. Which one of those? Would you say, we got.

0:41:32.560 --> 0:41:32.799
<v Speaker 3>All?

0:41:35.239 --> 0:41:39.359
<v Speaker 1>I mean, I find that so familiar to what we

0:41:39.400 --> 0:41:43.000
<v Speaker 1>saw happened after twenty twenty. Right, you have all of

0:41:43.040 --> 0:41:47.399
<v Speaker 1>these energies that get mobilized and then dispersed into these

0:41:47.440 --> 0:41:52.279
<v Speaker 1>different sort of like cultic movements and disinformation streams. You

0:41:52.320 --> 0:41:57.440
<v Speaker 1>know that the Internet and social media has really enabled yeah,

0:41:57.640 --> 0:42:01.319
<v Speaker 1>by egoistic persons who accelerate the christ that the mobilization

0:42:01.400 --> 0:42:03.240
<v Speaker 1>had existed initially to fight.

0:42:04.000 --> 0:42:06.479
<v Speaker 3>Yeah, and then they're the only ones profiting off right.

0:42:06.920 --> 0:42:11.640
<v Speaker 1>Yes, yes, like we can. Oh boy, I mean it's sad,

0:42:12.000 --> 0:42:17.160
<v Speaker 1>it's good. I go back and forth between, like, I

0:42:17.160 --> 0:42:20.960
<v Speaker 1>guess it's comforting that this happened back then too, Like.

0:42:21.200 --> 0:42:22.200
<v Speaker 3>Yeah, is it?

0:42:22.280 --> 0:42:25.279
<v Speaker 2>Or is it just frustrating that this cyclical thing has

0:42:25.320 --> 0:42:28.279
<v Speaker 2>to continue to happen and we just have to never learn,

0:42:28.400 --> 0:42:31.680
<v Speaker 2>like we never fucking learned, or the people that have

0:42:31.880 --> 0:42:34.080
<v Speaker 2>learned really well, and so they bring it back so

0:42:34.160 --> 0:42:35.080
<v Speaker 2>they can make that profit.

0:42:35.320 --> 0:42:36.840
<v Speaker 3>I'm gonna throw this computer, keep it.

0:42:37.360 --> 0:42:41.200
<v Speaker 1>Yeah, yeah, yeah, I think that that's yeah fair. As

0:42:41.239 --> 0:42:44.000
<v Speaker 1>the money flowed in, the Alamos constructed a new facility,

0:42:44.160 --> 0:42:47.200
<v Speaker 1>Music Square Church in Hollywood and started filling it with

0:42:47.280 --> 0:42:50.880
<v Speaker 1>street kids. Susan handled much of the foundations outward facing

0:42:50.880 --> 0:42:54.040
<v Speaker 1>communications to what we might call normies, the big donors

0:42:54.040 --> 0:42:57.120
<v Speaker 1>and leaders of other churches, while Tony handled converting new

0:42:57.160 --> 0:43:00.520
<v Speaker 1>followers and took point on actually creating a belief system

0:43:00.600 --> 0:43:03.680
<v Speaker 1>for their teeming legions to follow from a book by

0:43:03.760 --> 0:43:07.680
<v Speaker 1>Greta p Allendorf quote, The Alamo ministry preached a wide

0:43:07.800 --> 0:43:11.840
<v Speaker 1>range of ideas in times paranoia, UFOs as divine messengers,

0:43:11.840 --> 0:43:15.719
<v Speaker 1>and Vatican conspiracy theories. Tony hated the Catholic Church and

0:43:15.719 --> 0:43:19.120
<v Speaker 1>blamed them for everything bad that had ever happened, including Nazism.

0:43:19.239 --> 0:43:22.840
<v Speaker 1>One Alamo tracked entitled the Pope's Secrets Read the Vatican

0:43:22.920 --> 0:43:25.400
<v Speaker 1>is posing as snow white, but the Bible says that

0:43:25.440 --> 0:43:29.400
<v Speaker 1>she is a prostitute, and I I mean he's not

0:43:29.560 --> 0:43:33.120
<v Speaker 1>one hundred percent wrong about the Catholic Church being particularly

0:43:33.239 --> 0:43:35.480
<v Speaker 1>fucked up in this period of time, given what we're

0:43:35.520 --> 0:43:37.680
<v Speaker 1>going to find out in the late nineties and early

0:43:37.719 --> 0:43:42.719
<v Speaker 1>two thousands. But it's also like not more responsible for

0:43:42.840 --> 0:43:45.040
<v Speaker 1>that kind of thing than his own church is going

0:43:45.120 --> 0:43:49.360
<v Speaker 1>to be, right, Like Tony's also you know, a prostitute

0:43:49.400 --> 0:43:52.840
<v Speaker 1>of people's souls, you know, like he's a pimp of

0:43:52.880 --> 0:43:56.319
<v Speaker 1>people's souls. I should say that's how he makes his money. Right. So,

0:43:56.400 --> 0:43:58.560
<v Speaker 1>in her book, Betty does a pretty good job of

0:43:58.600 --> 0:44:02.200
<v Speaker 1>explaining how the conversion process worked for new inductees. After

0:44:02.239 --> 0:44:05.000
<v Speaker 1>they were picked up generally hungry on the streets of Hollywood,

0:44:05.280 --> 0:44:08.280
<v Speaker 1>they'd be promised a meal and taken by bus to Saugus.

0:44:08.440 --> 0:44:11.400
<v Speaker 1>Quote from the moment Brenda and Daniel arrived at the

0:44:11.440 --> 0:44:13.600
<v Speaker 1>corner of Hollywood and Highland to catch a bus. The

0:44:13.680 --> 0:44:16.319
<v Speaker 1>brothers and sisters separated them. A woman known as Sister

0:44:16.360 --> 0:44:19.040
<v Speaker 1>Cynthia ushered Brenda to a seat For the next forty

0:44:19.040 --> 0:44:21.680
<v Speaker 1>five minutes. Cynthia fervently explained that all the signs of

0:44:21.719 --> 0:44:24.120
<v Speaker 1>the end times written in the Bible were currently happening.

0:44:24.520 --> 0:44:27.200
<v Speaker 1>She pointed out the vapors of smoke covering Los Angeles.

0:44:27.200 --> 0:44:30.280
<v Speaker 1>She mentioned earthquakes and wars. Cynthia told her that God

0:44:30.320 --> 0:44:33.080
<v Speaker 1>was looking for dedicated laborers to preach and save souls

0:44:33.120 --> 0:44:36.480
<v Speaker 1>before Jesus returns. The bus pulled off on Sierra Highway

0:44:36.480 --> 0:44:39.320
<v Speaker 1>and Saugus, the heart of Canyon Country. Hundreds of people

0:44:39.320 --> 0:44:41.959
<v Speaker 1>were milling about, greeting the buses and leading people about

0:44:42.000 --> 0:44:44.719
<v Speaker 1>the grounds. Brenda, Daniel, and the others were ushered into

0:44:44.719 --> 0:44:47.719
<v Speaker 1>a large hall where they sat on benches and waited expectantly.

0:44:48.080 --> 0:44:50.880
<v Speaker 1>The room was packed with people standing room only. Brenda

0:44:50.920 --> 0:44:53.000
<v Speaker 1>was a bit uneasy, but Cynthia assured her that she

0:44:53.080 --> 0:44:55.360
<v Speaker 1>was in for a treat. A man who called himself

0:44:55.400 --> 0:44:57.520
<v Speaker 1>Brother Michael, stepped up to the podium and gave a

0:44:57.560 --> 0:45:00.360
<v Speaker 1>hearty welcome to the gathering. You're as welcome as the

0:45:00.360 --> 0:45:03.760
<v Speaker 1>flowers of May and the noonday sun. Praise the Lord. Amen.

0:45:04.320 --> 0:45:06.840
<v Speaker 1>He continued with a few rules that included no talking

0:45:06.920 --> 0:45:09.680
<v Speaker 1>during services and a ban on literature from other places.

0:45:10.080 --> 0:45:13.799
<v Speaker 1>Brothers walked through the rose to collect foreign forbidden materials.

0:45:14.120 --> 0:45:17.680
<v Speaker 1>Brothers and sisters called over seers, monitored the physical needs

0:45:17.680 --> 0:45:21.000
<v Speaker 1>and functions of the community, such as water supply, electricity usage,

0:45:21.000 --> 0:45:24.160
<v Speaker 1>and even the distribution of toilet paper, often pages torn

0:45:24.200 --> 0:45:27.520
<v Speaker 1>from telephone books. They had to seek permission from Tony

0:45:27.520 --> 0:45:30.440
<v Speaker 1>and Susan for every aspect of their existence. One evening,

0:45:30.480 --> 0:45:34.200
<v Speaker 1>after dinner, sister Cynthia sharply reprimanded Brenda for overstepping the

0:45:34.239 --> 0:45:36.640
<v Speaker 1>authority of an overseer, which he turned on the lights

0:45:36.640 --> 0:45:38.920
<v Speaker 1>in a building. Brenda said, but I thought I should

0:45:38.960 --> 0:45:41.000
<v Speaker 1>turn on the lights since I was the first to arrive.

0:45:41.440 --> 0:45:49.040
<v Speaker 1>Cynthia retorted, there you go, thinking again, Oh fuck, that's

0:45:49.080 --> 0:45:51.880
<v Speaker 1>some good classic cult banter. Yeah, I got.

0:45:51.840 --> 0:45:53.680
<v Speaker 2>You know, this is the thing about cults, I think,

0:45:53.719 --> 0:45:55.160
<v Speaker 2>and this is kind of one of the big problems,

0:45:55.280 --> 0:45:58.680
<v Speaker 2>especially a cult like this. If you know, you want

0:45:58.680 --> 0:46:00.719
<v Speaker 2>to sit back and say the man they were, but

0:46:00.840 --> 0:46:03.319
<v Speaker 2>those rules apply for so many of the churches, like

0:46:03.560 --> 0:46:04.839
<v Speaker 2>literally the type that I.

0:46:04.800 --> 0:46:05.440
<v Speaker 3>Grew up in.

0:46:05.680 --> 0:46:08.360
<v Speaker 2>They wouldn't say necessarily you couldn't turn on the lights,

0:46:08.560 --> 0:46:11.239
<v Speaker 2>But the idea don't bring in literature, don't learn things

0:46:11.280 --> 0:46:14.520
<v Speaker 2>on your own, was very much like place and told

0:46:14.640 --> 0:46:17.640
<v Speaker 2>us like things like seminary and the being, any of

0:46:17.680 --> 0:46:21.040
<v Speaker 2>those places were against God and not having faith. So

0:46:21.160 --> 0:46:26.080
<v Speaker 2>like Unfortunately that because this cult is so crazy, it

0:46:26.120 --> 0:46:28.960
<v Speaker 2>makes the other things look normal and it's not.

0:46:30.280 --> 0:46:33.520
<v Speaker 1>Yeah, okay though, No, yeah, you're not very okay with

0:46:33.560 --> 0:46:34.279
<v Speaker 1>all that.

0:46:34.320 --> 0:46:35.080
<v Speaker 3>I'm okay though.

0:46:35.800 --> 0:46:35.920
<v Speaker 4>So.

0:46:36.040 --> 0:46:39.960
<v Speaker 1>Physical punishments were common, as is sexual violence from Tony,

0:46:40.280 --> 0:46:43.760
<v Speaker 1>who really seems to prefer young teenagers to adult women,

0:46:43.840 --> 0:46:47.960
<v Speaker 1>including his wife. What keeps people from leaving? You're not

0:46:47.960 --> 0:46:49.719
<v Speaker 1>going to be surprised to hear this. It's a fear

0:46:49.760 --> 0:46:52.759
<v Speaker 1>of hell, which is implicated daily from sermons by the

0:46:52.760 --> 0:46:55.799
<v Speaker 1>Alamos and their followers. Every day they would tell new

0:46:55.800 --> 0:46:58.960
<v Speaker 1>inductees and their old followers stories about people who had

0:46:59.040 --> 0:47:02.400
<v Speaker 1>joined the church, left and immediately died. Right, if you

0:47:02.480 --> 0:47:06.000
<v Speaker 1>leave the church, basically you are instantly going to be dead, right,

0:47:06.600 --> 0:47:08.839
<v Speaker 1>and then you go to hell. You go straight to hell. Right.

0:47:10.760 --> 0:47:13.799
<v Speaker 1>You know it's not new, but it serves right. You know,

0:47:13.840 --> 0:47:16.799
<v Speaker 1>this is a functional, functional cult thing to be doing.

0:47:17.800 --> 0:47:21.000
<v Speaker 3>This method is proven, is sound. Let's keep going with it.

0:47:21.080 --> 0:47:24.319
<v Speaker 1>Yeah, exactly exactly why. It's like driving evolvo, you know,

0:47:24.360 --> 0:47:28.920
<v Speaker 1>why fuck with what works? Occasionally, So, the only reason

0:47:29.040 --> 0:47:31.960
<v Speaker 1>normal believers would need to leave the property was to work,

0:47:32.000 --> 0:47:34.400
<v Speaker 1>and more and more of them worked for businesses owned

0:47:34.400 --> 0:47:37.560
<v Speaker 1>and operated by the Alamos. They also had to travel

0:47:37.640 --> 0:47:40.480
<v Speaker 1>to churches and civic centers to deliver what the Alamos

0:47:40.520 --> 0:47:43.640
<v Speaker 1>called popcorn testimony. These are the little speeches by former

0:47:43.719 --> 0:47:47.359
<v Speaker 1>hippies and homeless people that opened up donor pocketbooks, right

0:47:47.640 --> 0:47:49.160
<v Speaker 1>you know where they're saying like, hey, if I hadn't

0:47:49.200 --> 0:47:51.120
<v Speaker 1>if the Alamos hadn't found me, I'd be dead or

0:47:51.160 --> 0:47:54.640
<v Speaker 1>in jail or in a mental institution. You know, these

0:47:54.640 --> 0:47:58.880
<v Speaker 1>are the popcorn speeches. By the mid nineteen seventies, the

0:47:58.920 --> 0:48:05.000
<v Speaker 1>Alamos are wealthy, they're outwardly respectable. They're operating several successful

0:48:05.040 --> 0:48:08.000
<v Speaker 1>businesses that we're keeping according you know, in the eyes

0:48:08.000 --> 0:48:10.720
<v Speaker 1>of a lot of Angelino's, the riff raff off the streets,

0:48:10.719 --> 0:48:13.160
<v Speaker 1>and you know where they belong, locked up somewhere away

0:48:13.160 --> 0:48:16.600
<v Speaker 1>from the people with expensive houses. Susan Tony then got

0:48:16.600 --> 0:48:20.080
<v Speaker 1>to live the life of high rolling multi millionaires. On

0:48:20.080 --> 0:48:22.960
<v Speaker 1>one famous occasion, Susan showed up for an interview wearing

0:48:23.000 --> 0:48:26.279
<v Speaker 1>a Lynx jacket and a floor length address, telling the

0:48:26.320 --> 0:48:29.480
<v Speaker 1>interview where God wants his children to go first class

0:48:30.239 --> 0:48:33.120
<v Speaker 1>and I guess to have links links for jackets.

0:48:34.000 --> 0:48:36.280
<v Speaker 2>I mean, you got to show off when you're blessed.

0:48:36.600 --> 0:48:39.200
<v Speaker 2>That's right here with hashtag blessed that's right.

0:48:39.200 --> 0:48:41.880
<v Speaker 1>If you don't do that, people might not really believe

0:48:41.920 --> 0:48:44.520
<v Speaker 1>that God has blessed you, and that endangers their souls.

0:48:44.960 --> 0:48:47.080
<v Speaker 3>That's the point. Yeah, you're not going to be blessed.

0:48:47.440 --> 0:48:49.920
<v Speaker 1>I'm glad you understand it. Right, You're really doing this

0:48:50.160 --> 0:48:51.440
<v Speaker 1>for their souls, right.

0:48:51.440 --> 0:48:53.400
<v Speaker 3>I mean, I'm not going to show you my jacket

0:48:53.480 --> 0:48:54.680
<v Speaker 3>right now. I'm just saying.

0:48:54.800 --> 0:48:57.120
<v Speaker 1>No, no, but you have a lot of links. Uh,

0:48:57.840 --> 0:49:02.759
<v Speaker 1>you're you're heavy, heavy end the lynxes, which who isn't Yeah, exactly,

0:49:03.040 --> 0:49:05.600
<v Speaker 1>That's all I wear is lynxes. This is one hundred

0:49:05.600 --> 0:49:09.799
<v Speaker 1>percent lengths hoodie. It's really hot though, it's incredibly warm. Yes,

0:49:10.160 --> 0:49:13.600
<v Speaker 1>not at all comfortable, especially when I've got the heat on.

0:49:14.400 --> 0:49:18.000
<v Speaker 1>So in nineteen seventy five, we finally get some good news,

0:49:18.040 --> 0:49:22.120
<v Speaker 1>which is that Susan gets diagnosed with cancer. Now, as

0:49:22.160 --> 0:49:24.720
<v Speaker 1>a little girl, she had claimed to have been struck.

0:49:24.800 --> 0:49:27.920
<v Speaker 1>Sometimes she would claim that she caught tuberculosis from her father,

0:49:28.160 --> 0:49:31.440
<v Speaker 1>right and that she had been healed by God after praying.

0:49:31.920 --> 0:49:35.040
<v Speaker 1>And as a result, when she gets sick, she prescribes

0:49:35.080 --> 0:49:38.040
<v Speaker 1>herself and as well as prescribing Tony and most of

0:49:38.080 --> 0:49:40.520
<v Speaker 1>their followers that they're going to pitch up stakes and

0:49:40.640 --> 0:49:43.680
<v Speaker 1>move back to Arkansas where they'll be healed. Right, They

0:49:43.719 --> 0:49:46.440
<v Speaker 1>still keep the Saugust compound open. They still have their

0:49:46.480 --> 0:49:49.120
<v Speaker 1>followers there like recruiting people off the streets of la

0:49:49.239 --> 0:49:53.000
<v Speaker 1>and raising money working some businesses, but kind of the

0:49:53.040 --> 0:49:55.920
<v Speaker 1>core of their best followers. And they take most of

0:49:55.960 --> 0:49:59.120
<v Speaker 1>their money to a place called Dire, Arkansas, which is

0:49:59.160 --> 0:50:02.600
<v Speaker 1>where she'd grown up, and they buy a compound. So

0:50:03.040 --> 0:50:05.720
<v Speaker 1>this is a little town population less than five hundred,

0:50:06.040 --> 0:50:09.880
<v Speaker 1>and they make, you know, people notice when they suddenly

0:50:09.960 --> 0:50:12.680
<v Speaker 1>drive in because they only have black Cadillacts. That's the

0:50:12.719 --> 0:50:15.920
<v Speaker 1>only car his followers drive. So he has, like suddenly

0:50:15.920 --> 0:50:19.120
<v Speaker 1>this huge fleet of new black Cadillacts and dozens of

0:50:19.120 --> 0:50:24.120
<v Speaker 1>converted hippies move into this very small town. Their combat

0:50:24.160 --> 0:50:26.480
<v Speaker 1>is centered around the home that had been Susan's home

0:50:26.520 --> 0:50:29.040
<v Speaker 1>when she was a little girl. They expanded it and

0:50:29.160 --> 0:50:31.960
<v Speaker 1>updated it with all of the least classy adornments their

0:50:32.000 --> 0:50:36.000
<v Speaker 1>new riches could buy. Greta Allendorff writes the couple was

0:50:36.040 --> 0:50:39.759
<v Speaker 1>fond of red carpeting, chandeliers, and velvet wall coverings and

0:50:39.840 --> 0:50:43.040
<v Speaker 1>installed them in every space they occupied. Just the most

0:50:43.120 --> 0:50:44.839
<v Speaker 1>hideous place you could imagine.

0:50:45.120 --> 0:50:46.920
<v Speaker 3>I needed to be shaggy carpeting.

0:50:46.800 --> 0:50:48.759
<v Speaker 1>Oh yeah, oh my god, some like.

0:50:48.880 --> 0:50:52.399
<v Speaker 2>Yeah, bear skin rugs, that's right, I need all of them.

0:50:52.400 --> 0:50:54.640
<v Speaker 2>And then golden candles, yes.

0:50:54.920 --> 0:50:58.160
<v Speaker 1>Golden candles. Every wall is pure velvet, like I mean,

0:50:58.200 --> 0:51:00.640
<v Speaker 1>the instant you drop a cigarette in this place, it

0:51:00.719 --> 0:51:07.280
<v Speaker 1>goes up right. Just beautiful stuff. So at this time

0:51:07.360 --> 0:51:10.600
<v Speaker 1>they also begin construction on a sprawling Victorian home on

0:51:10.680 --> 0:51:13.440
<v Speaker 1>the mountain, complete with dormitories for their followers in a

0:51:13.440 --> 0:51:16.719
<v Speaker 1>heart shaped pool for Susan. A grand church hall is

0:51:16.760 --> 0:51:20.840
<v Speaker 1>constructed for their evangelical TV show where Tony sang loves

0:51:20.840 --> 0:51:24.319
<v Speaker 1>songs for Susan such as my personal favorite, I love

0:51:24.360 --> 0:51:28.160
<v Speaker 1>you so much it hurts Me. Now. One of the

0:51:28.160 --> 0:51:30.880
<v Speaker 1>things that interesting is that, like a lot less of

0:51:30.920 --> 0:51:33.520
<v Speaker 1>his songs than you'd expect given who he is, are

0:51:33.600 --> 0:51:37.880
<v Speaker 1>like actual religious songs, Like again, this is just him

0:51:37.920 --> 0:51:41.480
<v Speaker 1>talking about how much he loves his wife, his horrible,

0:51:41.520 --> 0:51:46.120
<v Speaker 1>evil wife. But I do feel like I'm legally bound

0:51:46.120 --> 0:51:49.680
<v Speaker 1>to show you a video of the Alamos playing this song. Now,

0:51:50.400 --> 0:51:52.719
<v Speaker 1>this should tell you something about like the level of

0:51:53.000 --> 0:51:56.560
<v Speaker 1>because I'm talking about these people, they are a cult.

0:51:56.680 --> 0:51:59.880
<v Speaker 1>They're very abusive. That's not how they're treated. They are

0:52:00.320 --> 0:52:03.840
<v Speaker 1>as like megachurch pastors who are widely beloved.

0:52:04.360 --> 0:52:04.480
<v Speaker 2>Uh.

0:52:04.760 --> 0:52:06.600
<v Speaker 1>The clip that I'm about to play is from a

0:52:06.680 --> 0:52:10.680
<v Speaker 1>performance that they make at the Grand Ole Opry in Nashville, Tennessee,

0:52:11.120 --> 0:52:14.320
<v Speaker 1>which is a very real, very major venue for country

0:52:14.320 --> 0:52:17.080
<v Speaker 1>Western musicians. Right, this is not like a fringe thing.

0:52:17.160 --> 0:52:19.560
<v Speaker 1>If you're at the grand Ole Opry, like you have

0:52:19.600 --> 0:52:23.799
<v Speaker 1>a degree of legitimacy within the music within at least

0:52:23.880 --> 0:52:26.400
<v Speaker 1>like the country Western chunks of the music industry.

0:52:26.000 --> 0:52:26.439
<v Speaker 2>At the time.

0:52:26.920 --> 0:52:28.200
<v Speaker 3>Or did they just pay a lot of money.

0:52:28.800 --> 0:52:30.439
<v Speaker 1>I mean, I think that may be what they did,

0:52:30.440 --> 0:52:32.719
<v Speaker 1>but in terms of people looking out from the from

0:52:32.760 --> 0:52:35.080
<v Speaker 1>the outside end, or just say like, well they're on

0:52:35.120 --> 0:52:37.319
<v Speaker 1>the grand Ole Opry, so they must be legit.

0:52:37.200 --> 0:52:40.720
<v Speaker 3>Right, legitimate. Yeah, it's a Dolly Parton right there, right.

0:52:40.400 --> 0:52:43.640
<v Speaker 1>Well, Dolly Parton will show up in this story unfortunately. No.

0:52:43.719 --> 0:52:47.640
<v Speaker 1>Oh yeah, it's it's not all that bad in terms

0:52:47.640 --> 0:52:51.120
<v Speaker 1>of her involvement. But she's not completely uninvolved with the

0:52:51.120 --> 0:52:56.640
<v Speaker 1>Alamos either. Great stuff. So I'm going to oh, yeah,

0:52:56.680 --> 0:52:58.759
<v Speaker 1>look at them, why do they off?

0:52:59.120 --> 0:53:05.360
<v Speaker 3>They're an off break? And like Johnny Cash.

0:53:03.560 --> 0:53:06.279
<v Speaker 1>He is so tony Alamo. If you're not able to

0:53:06.320 --> 0:53:08.439
<v Speaker 1>look at the video of this, you should. I would

0:53:08.520 --> 0:53:10.759
<v Speaker 1>recommend checking some of them out on YouTube. They're all

0:53:10.800 --> 0:53:15.520
<v Speaker 1>over YouTube. Tony looks like off brand Johnny Cash if

0:53:15.520 --> 0:53:17.920
<v Speaker 1>he like if he put on about forty pounds of

0:53:18.160 --> 0:53:19.680
<v Speaker 1>just water weight and.

0:53:19.640 --> 0:53:25.080
<v Speaker 2>A week shipped from Timu, Yeah, ship from He's because he.

0:53:25.120 --> 0:53:28.480
<v Speaker 1>Got a little melted in the shipping container. And then

0:53:28.840 --> 0:53:33.000
<v Speaker 1>I don't know, like honestly, Susan and I like she

0:53:33.000 --> 0:53:37.000
<v Speaker 1>she's wearing like a fucking opallescent white out like pure white,

0:53:37.000 --> 0:53:39.319
<v Speaker 1>but it's like a shiny opalescent.

0:53:38.800 --> 0:53:41.320
<v Speaker 3>White, so uncomfortable.

0:53:41.400 --> 0:53:44.279
<v Speaker 1>It looks horribly uncomfortable. She is dying of cancer at

0:53:44.280 --> 0:53:48.520
<v Speaker 1>this point, but legitimately yeah, yeah, yes, yes, she's sick

0:53:48.760 --> 0:53:51.280
<v Speaker 1>by this point. It's going to take her a while

0:53:51.320 --> 0:53:55.520
<v Speaker 1>to actually fucking die, like years, but she is sick

0:53:55.560 --> 0:54:01.359
<v Speaker 1>at this point. She her head, the shape of it.

0:54:01.480 --> 0:54:05.040
<v Speaker 1>She looks kind of like one of those gray aliens

0:54:05.120 --> 0:54:08.840
<v Speaker 1>wearing a skin suit, like that's Susan Alamo looks except

0:54:08.840 --> 0:54:10.200
<v Speaker 1>for like a lot of makeup too.

0:54:11.320 --> 0:54:14.520
<v Speaker 2>What is that one movie I already forgot that has

0:54:14.560 --> 0:54:18.960
<v Speaker 2>the aliens and obviously the White House is.

0:54:18.920 --> 0:54:24.480
<v Speaker 3>Involved, like uh ship Glenn closes in it, and I

0:54:24.480 --> 0:54:26.239
<v Speaker 3>think he like, do you know.

0:54:27.560 --> 0:54:30.719
<v Speaker 1>Correct, Let's let's let let's let's look this up real quick.

0:54:32.480 --> 0:54:36.000
<v Speaker 3>Could be wrong. There's those aliens that's so bad, like digitally.

0:54:37.080 --> 0:54:37.480
<v Speaker 4>I don't know.

0:54:37.560 --> 0:54:39.759
<v Speaker 1>That doesn't sound familiar to me at all. Mar Wait,

0:54:39.800 --> 0:54:42.440
<v Speaker 1>they're saying at Mars attacks. Yes, yes, she does look

0:54:42.520 --> 0:54:46.400
<v Speaker 1>like she's she's got, she's got, like if those aliens

0:54:46.440 --> 0:54:48.839
<v Speaker 1>were wearing like a rubber human.

0:54:48.560 --> 0:54:51.120
<v Speaker 3>Suit head what loos like?

0:54:51.400 --> 0:54:55.560
<v Speaker 1>Yeah, fascinating. What I what I want to get across

0:54:55.680 --> 0:54:58.440
<v Speaker 1>is that they really don't look like regular people, like

0:54:58.520 --> 0:55:02.160
<v Speaker 1>real people. Like they both look like almost cgi.

0:55:01.680 --> 0:55:03.920
<v Speaker 3>Humans and she scares me.

0:55:04.320 --> 0:55:11.040
<v Speaker 1>They are both frightening, I would say, but her particularly yeah, yeah.

0:55:10.320 --> 0:55:12.799
<v Speaker 3>Like she I see her beating people. I see that.

0:55:12.840 --> 0:55:17.719
<v Speaker 1>Oh yeah, not hard. So now that we've said that,

0:55:17.800 --> 0:55:19.799
<v Speaker 1>let's listen to them play beautiful music.

0:55:19.520 --> 0:55:25.000
<v Speaker 6>Together to be dedicated to a message in songs. And

0:55:25.560 --> 0:55:30.239
<v Speaker 6>it's Tony Alamo, J D. Sumner and the Stamps Quartet,

0:55:31.080 --> 0:55:34.200
<v Speaker 6>and we're going to try to preview as much of

0:55:34.239 --> 0:55:37.640
<v Speaker 6>this album as we possibly can. So if you'll just

0:55:37.680 --> 0:55:41.600
<v Speaker 6>stay right here with us and now, Tony Alamo, J D.

0:55:41.760 --> 0:55:44.560
<v Speaker 6>Summer and the Stamps Quartet, I love you so much

0:55:44.680 --> 0:55:45.239
<v Speaker 6>it hurts me.

0:55:45.840 --> 0:55:46.840
<v Speaker 3>She stills expiring.

0:55:48.239 --> 0:55:53.000
<v Speaker 5>This song is dedicated to my wife, Susan. It's a

0:55:53.040 --> 0:55:55.520
<v Speaker 5>message and song that's so very dear to my heart

0:55:56.600 --> 0:55:59.520
<v Speaker 5>because I lived every word of this song during a

0:55:59.600 --> 0:56:00.960
<v Speaker 5>very long long news.

0:56:00.600 --> 0:56:01.400
<v Speaker 1>With my Susan.

0:56:02.280 --> 0:56:03.280
<v Speaker 3>This is so painful.

0:56:03.640 --> 0:56:06.600
<v Speaker 5>During those long dark years, I cried out to God

0:56:06.760 --> 0:56:09.560
<v Speaker 5>every day of my life to let my sweetheart live.

0:56:11.200 --> 0:56:15.560
<v Speaker 5>God and his divine mercy hurt my cries, and he

0:56:15.719 --> 0:56:16.920
<v Speaker 5>answered my prayers.

0:56:22.360 --> 0:56:26.280
<v Speaker 1>I love your soul much.

0:56:27.880 --> 0:56:28.719
<v Speaker 5>It hurts me.

0:56:29.840 --> 0:56:33.680
<v Speaker 1>Okay, I think we're good.

0:56:34.360 --> 0:56:35.000
<v Speaker 3>It went away.

0:56:35.840 --> 0:56:37.839
<v Speaker 1>Oh I stopped it. We didn't need it, We didn't

0:56:37.880 --> 0:56:42.680
<v Speaker 1>need to keep going. I want to hear his singing voice.

0:56:42.520 --> 0:56:45.560
<v Speaker 2>Really bad, Liken skip the Sunday.

0:56:45.920 --> 0:56:48.960
<v Speaker 1>It feels like a parody of like Johnny Cash is

0:56:49.000 --> 0:56:53.880
<v Speaker 1>a fucking uh scam preacher. Yes, his outfit is amazing.

0:56:53.920 --> 0:56:58.440
<v Speaker 1>He's like standing alone on this bad Yeah, it's so

0:56:58.640 --> 0:57:02.720
<v Speaker 1>good to haunt me. It's a haunting vibe.

0:57:02.880 --> 0:57:05.000
<v Speaker 3>Right, I need someone come say to my house.

0:57:06.400 --> 0:57:12.000
<v Speaker 1>It's like it's a deeply evil vibe. Yeah, like I can.

0:57:12.280 --> 0:57:15.680
<v Speaker 1>I'm so glad the cancer came back, which it does.

0:57:15.800 --> 0:57:19.160
<v Speaker 1>Susan dies in nineteen eighty two from the same cancer

0:57:19.200 --> 0:57:23.360
<v Speaker 1>that had inspired the move back to Arkansas. Now, sam

0:57:23.360 --> 0:57:26.200
<v Speaker 1>this creates real issues for Tony because by this point

0:57:26.240 --> 0:57:29.040
<v Speaker 1>he and Susan they had spent seven years or so,

0:57:29.200 --> 0:57:32.320
<v Speaker 1>you know, since she got sick preaching that she and

0:57:32.400 --> 0:57:33.440
<v Speaker 1>he couldn't die.

0:57:33.920 --> 0:57:34.080
<v Speaker 5>Right.

0:57:34.520 --> 0:57:37.680
<v Speaker 1>Susan had described herself because they have a TV station

0:57:37.800 --> 0:57:40.040
<v Speaker 1>by this point, she would call herself the Lamb of

0:57:40.080 --> 0:57:42.560
<v Speaker 1>God and would say that she and Tony were both

0:57:42.600 --> 0:57:45.080
<v Speaker 1>had to be alive on earth to act as witnesses

0:57:45.120 --> 0:57:48.080
<v Speaker 1>for the end times. Right, So the fact that she

0:57:48.280 --> 0:57:52.240
<v Speaker 1>is dead now creates a real pickle for Tony Alamo

0:57:52.440 --> 0:57:54.560
<v Speaker 1>and the cult, one that they're going to have to

0:57:54.640 --> 0:57:57.360
<v Speaker 1>resolve in part two. You got any ideas about how

0:57:57.400 --> 0:57:58.040
<v Speaker 1>they resolve it.

0:57:58.560 --> 0:58:01.200
<v Speaker 3>I'm thinking like we can a Bernie Oh my god,

0:58:01.320 --> 0:58:02.240
<v Speaker 3>yes you've got it.

0:58:03.760 --> 0:58:09.960
<v Speaker 1>Oh yes, yes, indeed, absolutely, like an R rated weekended Bernie'.

0:58:10.000 --> 0:58:12.400
<v Speaker 1>Unless Weekended Bernies was rated R I was. I think

0:58:12.640 --> 0:58:15.040
<v Speaker 1>it was in the eighties, then like an X rated

0:58:15.040 --> 0:58:21.840
<v Speaker 1>weekended Bernie's. Okay, uh, Samantha, before we record that, you

0:58:21.840 --> 0:58:23.760
<v Speaker 1>want to throw out your pluggables here because we're done

0:58:23.800 --> 0:58:24.400
<v Speaker 1>with part one.

0:58:25.040 --> 0:58:27.640
<v Speaker 2>Yeah again, you can find me on stuff Mom Never

0:58:27.680 --> 0:58:29.880
<v Speaker 2>told you. With my co host Annie, we talk about

0:58:29.880 --> 0:58:31.960
<v Speaker 2>a lot of intersectional stuff, so that means really sad

0:58:31.960 --> 0:58:35.600
<v Speaker 2>stuff right now until like you know, we're actually on

0:58:35.640 --> 0:58:38.120
<v Speaker 2>the list and people come at us. But anyway, that's

0:58:38.240 --> 0:58:40.120
<v Speaker 2>a podcast that I'm on. And then you can find

0:58:40.160 --> 0:58:43.400
<v Speaker 2>me on Blue Sky McVeagh Sam, and that's about it.

0:58:43.720 --> 0:58:48.240
<v Speaker 1>Yep, yep, check out Sam, find her on the Blue Sky.

0:58:48.480 --> 0:58:53.880
<v Speaker 1>Listen to her podcast, and you know, listen to this

0:58:54.000 --> 0:58:56.640
<v Speaker 1>podcast that you just listen to, go back in time

0:58:56.680 --> 0:58:58.400
<v Speaker 1>and listen to it a second time so that we

0:58:58.760 --> 0:59:01.840
<v Speaker 1>start trending in the other time streams, you know, right.

0:59:02.160 --> 0:59:06.560
<v Speaker 3>Or also listen to that song to your love, you

0:59:06.600 --> 0:59:06.800
<v Speaker 3>know what.

0:59:07.000 --> 0:59:09.920
<v Speaker 1>Put that song on and listen to nothing else for

0:59:09.960 --> 0:59:13.280
<v Speaker 1>the next like forty eight hours. Right, It'll be fine.

0:59:13.400 --> 0:59:15.360
<v Speaker 1>You're gonna be great. You're gonna do You're gonna do good.

0:59:15.360 --> 0:59:16.800
<v Speaker 1>You're not gonna lose your mind.

0:59:19.640 --> 0:59:22.360
<v Speaker 4>Behind the Bastards is a production of cool Zone Media.

0:59:22.720 --> 0:59:26.000
<v Speaker 4>For more from cool Zone Media, visit our website coolzonemedia

0:59:26.160 --> 0:59:29.360
<v Speaker 4>dot com, or check us out on the iHeartRadio app,

0:59:29.440 --> 0:59:32.600
<v Speaker 4>Apple Podcasts, or wherever you get your podcasts. Behind the

0:59:32.640 --> 0:59:36.720
<v Speaker 4>Bastards is now available on YouTube, new episodes every Wednesday

0:59:36.800 --> 0:59:40.440
<v Speaker 4>and Friday. Subscribe to our channel YouTube dot com slash

0:59:40.640 --> 0:59:42.360
<v Speaker 4>At Behind the Bastards