1 00:00:00,720 --> 00:00:16,239 Speaker 1: I am all in again. Oh, let's kiss you. 2 00:00:17,760 --> 00:00:21,400 Speaker 2: You'll more Girls Gazette with Amy Sugarman and Danielle Romo, 3 00:00:21,680 --> 00:00:23,720 Speaker 2: an iHeartRadio podcast. 4 00:00:24,040 --> 00:00:26,760 Speaker 1: All right, everyone, we are here for an episode of 5 00:00:26,960 --> 00:00:29,920 Speaker 1: bun Heads, and this one's a little bit different because 6 00:00:29,920 --> 00:00:34,120 Speaker 1: we are together in the flesh. 7 00:00:35,200 --> 00:00:39,800 Speaker 3: You and I just grabbed the garlia garliicst piece of 8 00:00:39,880 --> 00:00:43,640 Speaker 3: garlic bread ever, so I will not breathe on you 9 00:00:43,680 --> 00:00:46,440 Speaker 3: because I need to brush my tear garlic. Did you 10 00:00:46,440 --> 00:00:47,159 Speaker 3: get it already too? 11 00:00:47,200 --> 00:00:47,320 Speaker 2: Well? 12 00:00:47,360 --> 00:00:52,080 Speaker 1: I ate what are the saracumin onion? I have onion chick? 13 00:00:52,680 --> 00:00:54,840 Speaker 3: Right? Yeah, Danielle and I are having a little party 14 00:00:54,840 --> 00:00:57,880 Speaker 3: together today, so we get to be together and literally 15 00:00:58,000 --> 00:01:00,120 Speaker 3: not that anyone cares, because I know you don't, but 16 00:01:00,160 --> 00:01:02,480 Speaker 3: we will tell you right after this, we are going 17 00:01:02,520 --> 00:01:06,560 Speaker 3: to go roll up our pants and stick our feet 18 00:01:07,280 --> 00:01:09,800 Speaker 3: in this hot tub that happens to be where it's 19 00:01:09,800 --> 00:01:11,959 Speaker 3: not a bathtub. Although I'm not I would do that 20 00:01:12,000 --> 00:01:13,880 Speaker 3: with you stick our feet about him. 21 00:01:13,920 --> 00:01:16,479 Speaker 1: I'm honored that I am one of the few you. 22 00:01:17,520 --> 00:01:19,720 Speaker 3: Not a problem totally with you. But there is a 23 00:01:19,760 --> 00:01:22,040 Speaker 3: hot tub here, so Danielle and I get to stick 24 00:01:22,040 --> 00:01:24,480 Speaker 3: our feet in a chlorinated hot. 25 00:01:24,400 --> 00:01:27,840 Speaker 1: Amy and I are very stressed right now. I wish 26 00:01:27,920 --> 00:01:30,640 Speaker 1: I can paint this picture for you, because she has 27 00:01:30,680 --> 00:01:33,000 Speaker 1: a heating bed on her back. Right now, I think 28 00:01:33,080 --> 00:01:35,360 Speaker 1: to oh, okay, you heard it. I was gonna say, 29 00:01:35,400 --> 00:01:37,679 Speaker 1: to alleviate some stress that we. 30 00:01:37,680 --> 00:01:42,200 Speaker 3: I hurt my way back at Disneyland yesterday, Listen to 31 00:01:42,480 --> 00:01:45,559 Speaker 3: how I did it. So guys, if anyone out there 32 00:01:46,280 --> 00:01:49,400 Speaker 3: is over the age of forty five, you will understand. 33 00:01:50,360 --> 00:01:53,160 Speaker 3: I was carrying four water bottles. 34 00:01:55,440 --> 00:01:56,559 Speaker 1: Before the water bottle. 35 00:01:56,680 --> 00:02:00,440 Speaker 3: Really really basically what happened is we were with all 36 00:02:00,520 --> 00:02:03,200 Speaker 3: this group of people at Disneyland and they were going 37 00:02:03,200 --> 00:02:05,840 Speaker 3: on Rise of the Resistance, which I'm scared of. So 38 00:02:05,920 --> 00:02:08,240 Speaker 3: I was like, oh, get the waters. So I got 39 00:02:08,320 --> 00:02:10,200 Speaker 3: to like four water bottles please. First of all, I 40 00:02:10,200 --> 00:02:12,079 Speaker 3: don't know if you've ever been to Disneyland in the 41 00:02:12,120 --> 00:02:15,760 Speaker 3: Star Wars area set, the sprite and the coke are 42 00:02:15,800 --> 00:02:19,400 Speaker 3: like literally made to look like wibbley wobblies from Star Wars. 43 00:02:19,440 --> 00:02:21,280 Speaker 3: It's like so rad. I don't even not explain it. 44 00:02:21,360 --> 00:02:22,960 Speaker 3: I don't drink soda, and I wanted to because I 45 00:02:22,960 --> 00:02:23,800 Speaker 3: was like, I really want to buy. 46 00:02:23,680 --> 00:02:25,200 Speaker 1: One of those about do you drink the blue milk. 47 00:02:25,919 --> 00:02:29,640 Speaker 3: No, I cannot, but anyway, Okay. So I get the 48 00:02:29,639 --> 00:02:31,919 Speaker 3: four water bottles and I'm carrying a bunch of stuff 49 00:02:31,919 --> 00:02:35,120 Speaker 3: because you're at Disneyland. So I put four water bottles 50 00:02:35,240 --> 00:02:38,560 Speaker 3: under my left arm and I start to walk back 51 00:02:39,200 --> 00:02:44,400 Speaker 3: and all of a sudden, my back I couldn't breathe. 52 00:02:44,440 --> 00:02:46,920 Speaker 3: I was like, it it There was this sort of 53 00:02:47,000 --> 00:02:50,520 Speaker 3: muscle spasm in my left back side to the point 54 00:02:50,520 --> 00:02:52,919 Speaker 3: that I was like, I would have thought I had 55 00:02:53,120 --> 00:02:55,480 Speaker 3: some sort of organ damage, but I'm like, there are 56 00:02:55,560 --> 00:02:59,320 Speaker 3: no organs, Like it's up here. There's no organs up 57 00:02:59,320 --> 00:03:02,560 Speaker 3: there right right. So I was like, okay, I do 58 00:03:02,680 --> 00:03:04,400 Speaker 3: Oukham's razor. Do you know what OCAM's razor? 59 00:03:04,520 --> 00:03:04,640 Speaker 2: Oh? 60 00:03:04,639 --> 00:03:07,119 Speaker 3: What's that? So for people that have like, you know, 61 00:03:07,400 --> 00:03:10,880 Speaker 3: anxiety and like hypochondria like me, you do Aukham's razor, 62 00:03:10,919 --> 00:03:14,880 Speaker 3: which means the most logical option is likely it. So, 63 00:03:15,520 --> 00:03:18,080 Speaker 3: as my brain was like, you have organ damage, I 64 00:03:18,200 --> 00:03:21,360 Speaker 3: was like, what is more likely? The fact that the 65 00:03:21,400 --> 00:03:23,440 Speaker 3: back started to hurt on the same side as the 66 00:03:23,440 --> 00:03:25,639 Speaker 3: four water bottles and I had four water bottles under 67 00:03:25,639 --> 00:03:29,280 Speaker 3: my arm, I took that as the yes, I could 68 00:03:29,560 --> 00:03:32,359 Speaker 3: almost can't breathe. It hurt so bad, and then I Leen, 69 00:03:32,400 --> 00:03:34,480 Speaker 3: our friend Eileen was trying to massage it out, and 70 00:03:34,520 --> 00:03:36,840 Speaker 3: it's definitely getting better. I haven't taken advil today, but 71 00:03:36,880 --> 00:03:41,160 Speaker 3: it's like, it's not good. The heating pad works so well. 72 00:03:41,320 --> 00:03:42,960 Speaker 1: We are here, guys, and we are going. 73 00:03:42,880 --> 00:03:45,520 Speaker 3: To give you health talk with Danielle n Amy. 74 00:03:46,520 --> 00:03:49,400 Speaker 1: Not what you signed up for today, but you know 75 00:03:49,720 --> 00:03:53,240 Speaker 1: there's someone listening who has Garlicky or onion bra. 76 00:03:53,680 --> 00:03:56,120 Speaker 3: Who knows now not to carry four water bottles. 77 00:03:55,840 --> 00:03:59,240 Speaker 1: Or who is sitting somewhere with a heating pad. 78 00:03:59,320 --> 00:04:03,440 Speaker 3: Totally you going, don't carry four water bottles under your arm. 79 00:04:04,680 --> 00:04:06,520 Speaker 1: We see you, and we are we. 80 00:04:06,520 --> 00:04:10,040 Speaker 3: Love you, We love you. Okay, So Danielle and I 81 00:04:10,120 --> 00:04:14,280 Speaker 3: weirdly had a long conversation this week about butN Heads 82 00:04:14,320 --> 00:04:14,960 Speaker 3: off the air. 83 00:04:15,080 --> 00:04:17,279 Speaker 1: We did because we are. 84 00:04:18,960 --> 00:04:22,279 Speaker 3: Befuddled by Buttonheads, right, because there's so many things about 85 00:04:22,279 --> 00:04:27,119 Speaker 3: it that are great and very Gilmoury, and then there's 86 00:04:27,200 --> 00:04:32,240 Speaker 3: something over the top about Sutton Foster's performance that make 87 00:04:32,360 --> 00:04:33,839 Speaker 3: takes me out of the show. 88 00:04:34,839 --> 00:04:37,480 Speaker 1: And this is the honest conversation I have in my 89 00:04:37,520 --> 00:04:39,640 Speaker 1: head every single time I watch an episode. 90 00:04:42,000 --> 00:04:43,400 Speaker 3: It's scary to say this A. 91 00:04:43,320 --> 00:04:46,760 Speaker 1: Lot nicer than I did to Amy over the weekend. 92 00:04:47,160 --> 00:04:50,360 Speaker 1: But the thing that I had, and I don't know 93 00:04:50,480 --> 00:04:54,000 Speaker 1: if it's because I watched it so quickly after finishing 94 00:04:54,000 --> 00:04:58,800 Speaker 1: gil mart Sure, so I didn't. I went in right after, yep. 95 00:04:59,520 --> 00:05:02,760 Speaker 1: And I loved Gilmour so much. And I've said this 96 00:05:02,800 --> 00:05:07,640 Speaker 1: on this podcast before, Lauren Graham and Kelly. 97 00:05:07,400 --> 00:05:14,920 Speaker 4: Bishop perfection you have to throw in there perfection, sure, sure, 98 00:05:15,320 --> 00:05:23,400 Speaker 4: but specifically understated, yes, yes, but specifically Lauren and Kelly 99 00:05:23,760 --> 00:05:27,200 Speaker 4: are just so iconic together and are just so beautiful. 100 00:05:27,560 --> 00:05:31,920 Speaker 1: The chemistry, all of it is just so awesome that 101 00:05:32,160 --> 00:05:37,039 Speaker 1: anybody else that I see with Kelly immediately does not 102 00:05:37,120 --> 00:05:37,760 Speaker 1: live up to it. 103 00:05:37,960 --> 00:05:40,119 Speaker 3: So let me tell you what I think you're actually saying. 104 00:05:41,960 --> 00:05:45,320 Speaker 3: Lauren Graham, She's like unbelievable. 105 00:05:45,400 --> 00:05:46,040 Speaker 1: Yeah, like you do. 106 00:05:46,080 --> 00:05:50,120 Speaker 3: You realize it because the writing is the same, right, 107 00:05:50,120 --> 00:05:55,120 Speaker 3: The writing is good. It's really hard to deliver that 108 00:05:55,200 --> 00:06:01,440 Speaker 3: that sarcasm, that quick wit, that goofy nis. But even 109 00:06:01,520 --> 00:06:03,960 Speaker 3: the way Lauren Graham does physical. 110 00:06:03,480 --> 00:06:06,360 Speaker 1: Comedy is not over the top. I know everything about 111 00:06:06,360 --> 00:06:08,159 Speaker 1: and they say that that's so hard. Every actor that 112 00:06:08,160 --> 00:06:09,880 Speaker 1: you sit with is like, the hardest thing ever is 113 00:06:09,880 --> 00:06:13,880 Speaker 1: physical comedy, which I guess so because it's not working, everybody's. 114 00:06:15,160 --> 00:06:19,640 Speaker 3: But where's Lauren Graham's Emmy? Like seriously, like she's I 115 00:06:19,680 --> 00:06:23,960 Speaker 3: think when you watch this now, I will say, Rachel 116 00:06:23,960 --> 00:06:30,440 Speaker 3: Brosnahan in Mazel, which you haven't seen yet, is real good. Yeah, 117 00:06:30,800 --> 00:06:35,120 Speaker 3: she watch really good and Alex Borstein is really good. 118 00:06:35,200 --> 00:06:37,920 Speaker 3: I think Alex Borstein's actually way better in Mazel than 119 00:06:37,960 --> 00:06:40,080 Speaker 3: she was in Gilmour. She was way too over the 120 00:06:40,120 --> 00:06:43,839 Speaker 3: top for me when she was Drella and Madam Hoosy Doozy. 121 00:06:44,560 --> 00:06:47,839 Speaker 3: She's so good in Mazel. I mean, I love that character. 122 00:06:49,040 --> 00:06:52,840 Speaker 3: I think that because Sutton Foster is such a Broadway 123 00:06:52,920 --> 00:06:56,800 Speaker 3: actor and musicians. She's so talented. She is she can sing, 124 00:06:56,839 --> 00:06:58,760 Speaker 3: she can dance, you can do all these things. It 125 00:06:58,839 --> 00:06:59,920 Speaker 3: is tough on tea. 126 00:07:00,800 --> 00:07:04,880 Speaker 1: Yeah, and that I so every time I watch thisthing 127 00:07:04,880 --> 00:07:08,680 Speaker 1: like there is a reason why Amy Sherman Palladino loves her, 128 00:07:08,800 --> 00:07:13,120 Speaker 1: she continues to use her, you know, has some kind 129 00:07:13,120 --> 00:07:17,720 Speaker 1: of love for Setton Foster. So there is something there that, 130 00:07:17,840 --> 00:07:20,080 Speaker 1: as a writer and creator of a series, that she's 131 00:07:20,200 --> 00:07:25,160 Speaker 1: drawn to using this actress for right, So like maybe 132 00:07:25,720 --> 00:07:29,440 Speaker 1: Michelle is supposed to be Setton Foster. Maybe that character 133 00:07:29,640 --> 00:07:31,800 Speaker 1: is supposed to be that way. Maybe that character is 134 00:07:31,840 --> 00:07:33,720 Speaker 1: supposed to be slightly irritating. 135 00:07:34,360 --> 00:07:34,720 Speaker 3: Yeah. 136 00:07:34,840 --> 00:07:35,360 Speaker 1: Maybe. 137 00:07:35,840 --> 00:07:38,800 Speaker 3: Look, if you're in your car, you're on a walk 138 00:07:38,880 --> 00:07:40,800 Speaker 3: right now, and you're saying to yourself, who the E 139 00:07:41,000 --> 00:07:42,840 Speaker 3: for these two judging? 140 00:07:43,280 --> 00:07:43,840 Speaker 1: We get it. 141 00:07:43,920 --> 00:07:45,800 Speaker 3: We don't know who that we are. You are just 142 00:07:45,800 --> 00:07:49,200 Speaker 3: got lucky that someone at iHeart lets us have microphones. 143 00:07:49,240 --> 00:07:49,760 Speaker 3: We get it. 144 00:07:49,880 --> 00:07:53,360 Speaker 1: So like, invite somebody else, right, We are. 145 00:07:53,560 --> 00:07:56,920 Speaker 3: Just giving our random opinions about a show that we 146 00:07:56,960 --> 00:08:00,120 Speaker 3: do love, which I do love Gilmore Girls, obviously, I 147 00:08:00,160 --> 00:08:02,200 Speaker 3: do love Bunheads, I really do. I love Hazel too. 148 00:08:03,440 --> 00:08:09,440 Speaker 3: The fashion is getting me down, Red Tom, I can like, 149 00:08:09,560 --> 00:08:11,960 Speaker 3: I don't know why they're doing that. Like that's the 150 00:08:11,960 --> 00:08:14,240 Speaker 3: thing about Gilmour is like Graham changed her clothes every 151 00:08:14,240 --> 00:08:15,400 Speaker 3: five minutes, and I was. 152 00:08:15,520 --> 00:08:16,960 Speaker 1: And you wanted to do everything. 153 00:08:17,440 --> 00:08:19,400 Speaker 3: We just ordered Now, by the way, we just ordered 154 00:08:19,960 --> 00:08:23,760 Speaker 3: five of the jackets from the Walmart ad now bred Tom's. 155 00:08:23,880 --> 00:08:26,800 Speaker 1: I don't know about Red, but Tom's were of the era. 156 00:08:27,040 --> 00:08:29,440 Speaker 1: Those I had those like I wore Tom. 157 00:08:29,480 --> 00:08:31,320 Speaker 3: I just don't need them every episode. They're just it's like, 158 00:08:31,360 --> 00:08:38,600 Speaker 3: where's the fashion number two? How do I say this? 159 00:08:41,960 --> 00:08:46,120 Speaker 3: She's Broadwayish right, like yes, and maybe that is meant 160 00:08:46,160 --> 00:08:49,520 Speaker 3: to be. But it's so weird because which we'll talk 161 00:08:49,559 --> 00:08:52,280 Speaker 3: about Michelle the friend? Is that just not her name? No, 162 00:08:52,320 --> 00:08:54,360 Speaker 3: Michelle's that's the friend. 163 00:08:54,559 --> 00:08:56,960 Speaker 1: Can imagine the friend. 164 00:08:57,800 --> 00:09:01,640 Speaker 3: The friend was not over the top at all. Something 165 00:09:01,679 --> 00:09:05,560 Speaker 3: about the friend was so likable that I'm like, what 166 00:09:05,800 --> 00:09:09,000 Speaker 3: is happening? Why does Sutton foster? 167 00:09:09,440 --> 00:09:09,640 Speaker 2: You know? 168 00:09:09,679 --> 00:09:12,840 Speaker 3: Maybe it's like she's loud, like she's she's talking to 169 00:09:12,880 --> 00:09:15,520 Speaker 3: the back of the audience, but I'm like, I'm right here. 170 00:09:16,080 --> 00:09:19,079 Speaker 3: And again, I didn't feel this way about Younger as much. 171 00:09:19,120 --> 00:09:21,320 Speaker 3: I'll have to rewatch Younger, but I don't know. Maybe 172 00:09:21,320 --> 00:09:23,679 Speaker 3: she was just getting her TV legs. 173 00:09:24,280 --> 00:09:27,839 Speaker 1: Maybe I'm trying to find this. 174 00:09:28,559 --> 00:09:29,440 Speaker 3: Something girl's name. 175 00:09:30,000 --> 00:09:33,000 Speaker 1: How don't I forget I'm gonna tell you guys this, Melanie, 176 00:09:33,200 --> 00:09:35,320 Speaker 1: mel Melanie. Here's what I say, Michelle. 177 00:09:35,360 --> 00:09:37,640 Speaker 3: I'm super into the young girls on this show. I'm 178 00:09:37,640 --> 00:09:42,520 Speaker 3: into their storylines, I'm into their performances. Even Sasha's dance 179 00:09:42,559 --> 00:09:44,800 Speaker 3: at the end had me kind of into it, Like 180 00:09:44,840 --> 00:09:48,600 Speaker 3: I watched the whole thing. I love that the young 181 00:09:48,760 --> 00:09:51,360 Speaker 3: people on this I just have such a hard time, 182 00:09:51,520 --> 00:09:57,120 Speaker 3: Like I even liked the storyline of like, it's her birthday. Oh, 183 00:09:57,200 --> 00:10:00,199 Speaker 3: I don't even like that she drives that bug. It's 184 00:10:00,240 --> 00:10:03,200 Speaker 3: over the top. It's just like, uh. That being said, 185 00:10:03,400 --> 00:10:06,439 Speaker 3: I don't hate this episode at all. I liked it. 186 00:10:06,640 --> 00:10:08,520 Speaker 3: I like the storyline. I like the movie. It's very 187 00:10:08,520 --> 00:10:10,480 Speaker 3: Gilmory that movie theater in the car myself? 188 00:10:10,520 --> 00:10:13,120 Speaker 1: Really quick? Is Melanie? 189 00:10:13,760 --> 00:10:14,720 Speaker 3: Who's Melanie? 190 00:10:17,679 --> 00:10:18,800 Speaker 1: Yah's who? 191 00:10:18,840 --> 00:10:21,560 Speaker 3: The hex? Melanie is one of the girls the Little Girls? 192 00:10:21,600 --> 00:10:33,400 Speaker 3: Oh got it? Like booze friend. Yeah, Danielle was kind 193 00:10:33,400 --> 00:10:35,560 Speaker 3: of shook by what she's like, I don't understand what 194 00:10:35,640 --> 00:10:37,520 Speaker 3: happened at the end when you got into the house 195 00:10:37,520 --> 00:10:39,120 Speaker 3: and the dad's sitting there by himself. 196 00:10:39,240 --> 00:10:41,920 Speaker 1: Yeah, I didn't really understand that. Well, okay, so actually 197 00:10:42,000 --> 00:10:44,920 Speaker 1: let's just backtrack really quick. We're watching season one, episode six, 198 00:10:45,040 --> 00:10:45,600 Speaker 1: movie Truck. 199 00:10:45,679 --> 00:10:48,360 Speaker 3: That's what it's called. Movie truck. Yeah, get me a 200 00:10:48,400 --> 00:10:48,959 Speaker 3: movie truck. 201 00:10:49,480 --> 00:10:53,160 Speaker 1: Michelle how visits to help her celebrate her birthday, but 202 00:10:53,440 --> 00:10:56,400 Speaker 1: their festive plans gets sideline when Fanny takes off and 203 00:10:56,480 --> 00:10:57,760 Speaker 1: leaves Michelle in charge of her dance. 204 00:10:57,800 --> 00:11:02,280 Speaker 3: First of all, let's talk about that was Emily, just Emily, 205 00:11:02,559 --> 00:11:03,080 Speaker 3: why do I do? 206 00:11:03,120 --> 00:11:03,200 Speaker 2: That? 207 00:11:03,320 --> 00:11:05,040 Speaker 3: Was Kelly Liss, like a little bit busy and only 208 00:11:05,040 --> 00:11:07,920 Speaker 3: had time to do a couple of scenes. And what 209 00:11:07,960 --> 00:11:12,480 Speaker 3: pool was that the resort she's at is literally like someone's. 210 00:11:12,080 --> 00:11:15,400 Speaker 1: Backyard, No for sure, for sure, like it's. 211 00:11:15,280 --> 00:11:18,240 Speaker 3: Really her pool. She's like, guys, just but if you 212 00:11:18,280 --> 00:11:20,240 Speaker 3: want to send a camera in and shoot me at 213 00:11:20,240 --> 00:11:22,280 Speaker 3: my house, that's literally what it looked like. I was like, 214 00:11:22,520 --> 00:11:23,560 Speaker 3: what is going on? 215 00:11:23,920 --> 00:11:24,840 Speaker 1: I'm not mad at it. 216 00:11:25,160 --> 00:11:29,000 Speaker 3: No, I was totally not mad at it, but. 217 00:11:28,960 --> 00:11:35,240 Speaker 1: Yeah, I mean I definitely in the middle, the whole 218 00:11:35,280 --> 00:11:37,600 Speaker 1: middle of this, I got lost. 219 00:11:37,320 --> 00:11:40,720 Speaker 3: Which part like we're going to the cupcake vendor, which 220 00:11:40,840 --> 00:11:47,760 Speaker 3: was kind of a sprinkle sprinkle a thing that was real. 221 00:11:46,440 --> 00:11:47,480 Speaker 1: Was great. 222 00:11:47,720 --> 00:11:50,559 Speaker 3: It's you know, I even liked that they go shopping 223 00:11:50,600 --> 00:11:52,560 Speaker 3: the town. First of all, I do have a problem 224 00:11:52,600 --> 00:11:56,000 Speaker 3: with the town. Why because you're like strolling along like 225 00:11:56,040 --> 00:11:58,599 Speaker 3: the main drag of Manhattan Beach or something. It just 226 00:11:58,640 --> 00:12:01,360 Speaker 3: doesn't feel like it's We've talked about it. 227 00:12:01,800 --> 00:12:04,080 Speaker 1: Yeah, it's not a small quaint town. 228 00:12:04,280 --> 00:12:07,040 Speaker 3: It's it's bustling and yeah whatever. But anyway, they go 229 00:12:07,040 --> 00:12:08,600 Speaker 3: to Trulli's and it was a little funny for me 230 00:12:08,640 --> 00:12:12,240 Speaker 3: how Sutton Foster was like, don't go in. Yeah, whatever, 231 00:12:12,280 --> 00:12:14,440 Speaker 3: she goes and she loves all the weird you know, 232 00:12:15,120 --> 00:12:17,160 Speaker 3: like the fashion's in the store, So why can't we 233 00:12:17,160 --> 00:12:19,640 Speaker 3: put it on Sunn Foster? But whatever? I mean the 234 00:12:19,679 --> 00:12:23,120 Speaker 3: bear coat? Was it a Teddy bear head blazer? Oh yeah, 235 00:12:23,160 --> 00:12:25,560 Speaker 3: that was amazing. First of all, get some of that 236 00:12:25,600 --> 00:12:26,920 Speaker 3: fashion on Sudden Faster. 237 00:12:27,400 --> 00:12:33,439 Speaker 1: Yeah, yeah, yeah, I mean, I don't know anyway, I 238 00:12:33,480 --> 00:12:34,760 Speaker 1: think we're struggling right now. 239 00:12:35,200 --> 00:12:37,320 Speaker 3: I'm not struggling. I want to talk about I want 240 00:12:37,320 --> 00:12:39,240 Speaker 3: to go to the movie truck. I love the Girls. 241 00:12:39,280 --> 00:12:42,040 Speaker 1: I meant it struggling watching the series is what I'm saying. 242 00:12:42,040 --> 00:12:45,199 Speaker 3: You're struggling more than me. Yeah, but I am struggling less. 243 00:12:45,800 --> 00:12:50,240 Speaker 3: So what happens? We see Sunnen Foster, Melanie's coming for 244 00:12:50,280 --> 00:12:54,200 Speaker 3: the birthday, there's nothing to do. Truly wants to come along. 245 00:12:54,240 --> 00:12:56,640 Speaker 3: They decide to go. They were way too wasted. They 246 00:12:56,720 --> 00:12:58,360 Speaker 3: go to Sparkles, way too drunk. 247 00:12:59,720 --> 00:13:03,679 Speaker 1: Yeah, although are very not drunk. I'm like they are 248 00:13:03,920 --> 00:13:06,760 Speaker 1: dead acting drunk right, acting drunk, but. 249 00:13:06,720 --> 00:13:11,400 Speaker 3: Truly spitting it back in was hysterical. The girl's storyline 250 00:13:12,480 --> 00:13:17,520 Speaker 3: is good. Sasha's parents sleeping in the car. I worried 251 00:13:17,520 --> 00:13:19,959 Speaker 3: about the top of that BMW Oh that gave me. 252 00:13:20,600 --> 00:13:22,959 Speaker 3: I was like, you've just run the top of it. 253 00:13:23,000 --> 00:13:26,679 Speaker 1: But we also we also, I mean we knew this already, 254 00:13:26,760 --> 00:13:30,920 Speaker 1: but we knew Sasha's parents just do not care or 255 00:13:31,040 --> 00:13:33,120 Speaker 1: are just very preoccupied. 256 00:13:34,080 --> 00:13:36,240 Speaker 3: Yeah, she did have to really sneak out and the 257 00:13:36,280 --> 00:13:38,400 Speaker 3: alarm was on and it was very problematic. 258 00:13:38,520 --> 00:13:42,720 Speaker 1: I guess, I guess, but even like even she says 259 00:13:42,760 --> 00:13:44,520 Speaker 1: at the end of it, Okay, it's time to go in, 260 00:13:44,640 --> 00:13:47,920 Speaker 1: and she's like, it's no one's gonna notice, right, I. 261 00:13:47,920 --> 00:13:49,600 Speaker 3: Don't know why sixteen year old wouldn't have been allowed 262 00:13:49,600 --> 00:13:52,040 Speaker 3: to go to a movie. By the way, Yeah, in 263 00:13:52,080 --> 00:13:55,040 Speaker 3: their small town in I can't think of any activity 264 00:13:55,040 --> 00:14:00,040 Speaker 3: more suitable for these people. The carnival looked fun. And 265 00:14:01,160 --> 00:14:03,199 Speaker 3: what do you think that I'm letting Truly come along? 266 00:14:04,400 --> 00:14:09,640 Speaker 1: I'm I will say, outside of Fanny aka Kelly Bishop, 267 00:14:10,400 --> 00:14:15,720 Speaker 1: truly is is my favorite character after Fanny, even before 268 00:14:15,760 --> 00:14:19,160 Speaker 1: the Girls. Really, yeah, I do really like Truly. 269 00:14:19,000 --> 00:14:22,280 Speaker 3: Fine, respectfully disagree, but totally like you like Kirk like it. 270 00:14:22,680 --> 00:14:24,840 Speaker 3: She's Kirk Like, She's just got a bunch of jobs. 271 00:14:24,880 --> 00:14:27,000 Speaker 1: She's the one reason why I laugh in this show. 272 00:14:27,200 --> 00:14:29,640 Speaker 1: To be honest, nothing Michelle says, makes. 273 00:14:29,480 --> 00:14:32,120 Speaker 3: Me a laugh. Happened do you have like remind refreshment 274 00:14:32,200 --> 00:14:34,840 Speaker 3: memory of like, was was there? No, there was no 275 00:14:34,920 --> 00:14:36,200 Speaker 3: Rose ab Do in this one either. 276 00:14:36,960 --> 00:14:39,520 Speaker 1: I think yeah she was. She was definitely there. What 277 00:14:39,560 --> 00:14:40,040 Speaker 1: were they doing? 278 00:14:40,200 --> 00:14:41,800 Speaker 3: How do we work her in. 279 00:14:41,440 --> 00:14:44,400 Speaker 1: In the beginning because the book Club at Fanny's is 280 00:14:44,440 --> 00:14:46,880 Speaker 1: still happening without Fanny. 281 00:14:47,360 --> 00:14:48,040 Speaker 3: That was amusing. 282 00:14:48,440 --> 00:14:50,960 Speaker 1: Yeah, I loved watching. 283 00:14:51,280 --> 00:14:53,240 Speaker 3: I'm sorry they were reading thirty Shades of Gray? No 284 00:14:53,400 --> 00:14:54,720 Speaker 3: was it fifty Shades of Gray? 285 00:14:54,760 --> 00:14:58,680 Speaker 1: But I don't know some other something. 286 00:15:00,120 --> 00:15:04,120 Speaker 3: Thirty. I did watch all the movies, did you? 287 00:15:05,240 --> 00:15:06,360 Speaker 1: I don't think I did? 288 00:15:06,640 --> 00:15:07,080 Speaker 3: You did it? 289 00:15:07,600 --> 00:15:07,760 Speaker 2: You know? 290 00:15:07,800 --> 00:15:11,440 Speaker 3: It's funny. The show reminds me of Season seven of 291 00:15:11,440 --> 00:15:14,400 Speaker 3: Gilmer Girls with the pop culture references, even though Toamy 292 00:15:14,400 --> 00:15:18,080 Speaker 3: Sherman know, their little hashtag trying too hard or they're 293 00:15:18,080 --> 00:15:20,760 Speaker 3: trying to be too current and contemporary, do you know 294 00:15:20,800 --> 00:15:21,160 Speaker 3: what I mean? 295 00:15:21,200 --> 00:15:24,840 Speaker 1: Like yeah, with the Sprinkles vendor, you know, No, the 296 00:15:24,880 --> 00:15:26,520 Speaker 1: ATM is super twenty food stay. 297 00:15:27,320 --> 00:15:29,520 Speaker 3: Blah blah blah. Yeah, you can get like sushi in. 298 00:15:29,480 --> 00:15:32,840 Speaker 1: Those although oh my god, I totally forgot. I wanted 299 00:15:32,840 --> 00:15:36,040 Speaker 1: to mention this so badly and I'm gonna have to 300 00:15:37,040 --> 00:15:41,720 Speaker 1: find out how to pull it up. But when Fanny 301 00:15:41,800 --> 00:15:43,560 Speaker 1: is delivering the news to Michelle that she's not that 302 00:15:43,600 --> 00:15:45,720 Speaker 1: she's gonna have to like take over the classes. Sure 303 00:15:45,800 --> 00:15:48,360 Speaker 1: she was reading a ME weekly magazine. 304 00:15:48,840 --> 00:15:51,280 Speaker 3: Was that supposed to be a sweekly or was there 305 00:15:51,280 --> 00:15:53,080 Speaker 3: a maga an actual magazine called. 306 00:15:52,920 --> 00:15:55,120 Speaker 1: Me I don't know, but I stopped on it, and 307 00:15:55,160 --> 00:15:57,160 Speaker 1: I'm so mad that I didn't take a picture because 308 00:15:57,200 --> 00:15:59,640 Speaker 1: I was like, what is on that? Who is on that? 309 00:16:00,320 --> 00:16:03,680 Speaker 1: And it wasn't a celebrity that I could Jackie. 310 00:16:03,320 --> 00:16:06,160 Speaker 3: Will you guys do us a solid and really zoom 311 00:16:06,160 --> 00:16:07,120 Speaker 3: in on that thing and. 312 00:16:07,160 --> 00:16:09,720 Speaker 1: Posted it on for everything, because I didn't know if 313 00:16:09,720 --> 00:16:13,000 Speaker 1: it was one of those jokes where it's like a 314 00:16:13,040 --> 00:16:15,600 Speaker 1: pa who's on the cover of the magazine. 315 00:16:15,920 --> 00:16:18,880 Speaker 3: On gil Myrtle's they used real magazines, Yeah, real celebrities 316 00:16:18,880 --> 00:16:19,240 Speaker 3: and real. 317 00:16:19,320 --> 00:16:20,840 Speaker 1: I know what the copyright of it was, but it 318 00:16:20,880 --> 00:16:25,800 Speaker 1: was definitely called ME Weekly. Okay, it's not a real 319 00:16:25,840 --> 00:16:26,680 Speaker 1: magazine something. 320 00:16:26,720 --> 00:16:28,560 Speaker 3: It's a fact check that if I thought it. 321 00:16:28,520 --> 00:16:33,360 Speaker 1: Was just a pun of like US Weekly, I was like, 322 00:16:33,680 --> 00:16:34,280 Speaker 1: that's clever. 323 00:16:36,000 --> 00:16:36,160 Speaker 2: You know. 324 00:16:36,240 --> 00:16:39,080 Speaker 3: My problem is, first of all, we're starting to really 325 00:16:39,120 --> 00:16:43,760 Speaker 3: know where Paradise is. Yeah, it's definitely southern California, you 326 00:16:43,800 --> 00:16:47,120 Speaker 3: know what I mean, Like, it's definitely in southern California 327 00:16:48,400 --> 00:16:50,360 Speaker 3: because they mentioned oh Hi and then we did get 328 00:16:50,360 --> 00:16:50,640 Speaker 3: a few. 329 00:16:50,640 --> 00:16:52,120 Speaker 1: It's forty five minutes north. 330 00:16:51,960 --> 00:16:54,840 Speaker 3: Of Carmel shout out in this too, which is a 331 00:16:54,880 --> 00:16:56,240 Speaker 3: good solid couple hours. 332 00:16:56,360 --> 00:16:59,600 Speaker 1: Well, okay, so oh Hi is two hours away from us. 333 00:16:59,400 --> 00:17:01,320 Speaker 3: On the coast, though it's inland a little bit, but 334 00:17:01,320 --> 00:17:03,240 Speaker 3: it's still on the coast, so it basically goes like. 335 00:17:03,280 --> 00:17:05,000 Speaker 1: But Carmel's like five hours. 336 00:17:05,040 --> 00:17:07,800 Speaker 3: So yeah, So it was weird that they mentioned Carmel. 337 00:17:07,600 --> 00:17:10,439 Speaker 1: In between Carmel and OHI, No, you'd. 338 00:17:10,280 --> 00:17:13,040 Speaker 3: Go to Santa Maria. Did Los of Levos get a 339 00:17:13,080 --> 00:17:13,520 Speaker 3: shout out? 340 00:17:13,680 --> 00:17:14,439 Speaker 1: I don't think so, do. 341 00:17:16,560 --> 00:17:20,120 Speaker 3: Los Alamos. I think Santa Maria, San Los Obispo. There's 342 00:17:20,119 --> 00:17:23,679 Speaker 3: a lot of towns before Carmel, but what else. So I 343 00:17:23,880 --> 00:17:26,200 Speaker 3: love the idea that it's a small, quirky town. That's 344 00:17:26,200 --> 00:17:28,080 Speaker 3: why I think it bothers me so much when they're shopping, 345 00:17:29,480 --> 00:17:32,000 Speaker 3: because I'm like, it's not quirky small or quirky or 346 00:17:32,040 --> 00:17:33,240 Speaker 3: Gilmory or anything. 347 00:17:33,720 --> 00:17:36,240 Speaker 1: Yeah, you want to go to like the only grocery stores. 348 00:17:36,400 --> 00:17:38,720 Speaker 1: It's like, oh, my god. It's like season seven of 349 00:17:38,800 --> 00:17:40,680 Speaker 1: Gilmore Girls where they were Ralph. 350 00:17:40,440 --> 00:17:44,840 Speaker 3: Oh my god, we were like what is happening light. 351 00:17:44,960 --> 00:17:48,040 Speaker 1: In the Ralfson studio city and no longer in stars 352 00:17:48,040 --> 00:18:02,600 Speaker 1: Hollow do season market crazy? So then Talia arrives, Well, okay, 353 00:18:02,640 --> 00:18:04,760 Speaker 1: first girl, they go to the Oyster Bar, let's talk 354 00:18:04,800 --> 00:18:07,400 Speaker 1: about that really quick. And they try the same place 355 00:18:07,440 --> 00:18:12,160 Speaker 1: at Rico Works aka yeah no no, no, no, no no no, yeah, 356 00:18:12,280 --> 00:18:15,240 Speaker 1: it's a different place. It's a different place. It's really 357 00:18:15,920 --> 00:18:19,399 Speaker 1: the Kutie Pie Works. That's Rico. That's Rico Sun. 358 00:18:19,920 --> 00:18:24,359 Speaker 3: That's right, that's it's only one restaurant this time. Yeah, 359 00:18:24,480 --> 00:18:25,479 Speaker 3: they try something gross. 360 00:18:25,560 --> 00:18:28,760 Speaker 1: Well, they try that like mystery food, the fried food, 361 00:18:28,920 --> 00:18:32,439 Speaker 1: and and one of the girls, Melanie, is eating it 362 00:18:32,520 --> 00:18:34,119 Speaker 1: and she's like dry heaving. 363 00:18:34,240 --> 00:18:36,320 Speaker 3: That was first of all, and over acting. 364 00:18:36,119 --> 00:18:39,920 Speaker 1: Oh my god, like is she choking? Is she choking? 365 00:18:40,119 --> 00:18:42,440 Speaker 1: I'm like, can somebody else next to her? 366 00:18:42,480 --> 00:18:43,080 Speaker 3: And then she's. 367 00:18:44,480 --> 00:18:47,760 Speaker 1: I know, I know, it's so weird. It's been weird. 368 00:18:48,920 --> 00:18:49,200 Speaker 3: Yeah. 369 00:18:49,240 --> 00:18:50,440 Speaker 1: But then Talia arrives. 370 00:18:51,720 --> 00:18:52,280 Speaker 3: I like her. 371 00:18:52,480 --> 00:18:57,040 Speaker 1: And before she arrives, Michelle goes in the studio and 372 00:18:57,359 --> 00:18:58,680 Speaker 1: tries out the stripper pole. 373 00:18:59,000 --> 00:19:02,080 Speaker 3: That was so uncomfortable because you know why that was 374 00:19:02,119 --> 00:19:04,120 Speaker 3: another sort of fifty shades of great thing. It's because 375 00:19:04,119 --> 00:19:07,439 Speaker 3: of the S factor. So this was the era, in 376 00:19:07,480 --> 00:19:09,680 Speaker 3: my opinion, of Sheila Kelly and the S factor, which 377 00:19:09,720 --> 00:19:11,800 Speaker 3: is still around. And I like she La Kelly a lot. 378 00:19:12,000 --> 00:19:12,320 Speaker 2: M M. 379 00:19:13,040 --> 00:19:15,080 Speaker 3: You know who she is. She's Richard Schiff's wife, and 380 00:19:15,119 --> 00:19:17,480 Speaker 3: we all did it like it was a big old 381 00:19:17,520 --> 00:19:21,080 Speaker 3: trend right around this time. I remember like doing some 382 00:19:21,240 --> 00:19:24,320 Speaker 3: TV bit and going to their house and but it 383 00:19:24,400 --> 00:19:29,960 Speaker 3: was like, it's not landing, well, it's landing like hashtag 384 00:19:30,080 --> 00:19:31,080 Speaker 3: trying to hardock. 385 00:19:31,480 --> 00:19:35,280 Speaker 1: But Talia shows up and she brings the last check from. 386 00:19:35,280 --> 00:19:36,480 Speaker 3: Oh Yeah, and then they're gonna go. 387 00:19:36,840 --> 00:19:40,800 Speaker 1: They're gonna go spend it. And we see like. 388 00:19:40,800 --> 00:19:43,359 Speaker 3: Sutton Foster going upside down on the poles we did. 389 00:19:44,000 --> 00:19:46,399 Speaker 1: I would like to purge that from my memory, but 390 00:19:46,440 --> 00:19:48,280 Speaker 1: we definitely saw her. We saw it. 391 00:19:48,280 --> 00:19:51,359 Speaker 3: It's like, would you be cool seeing Lauren Graham upside 392 00:19:51,359 --> 00:19:51,960 Speaker 3: down on a pole? 393 00:19:52,080 --> 00:19:52,320 Speaker 4: No? 394 00:19:52,320 --> 00:19:56,640 Speaker 1: No, no. But we find out Michelle apparently has kiss 395 00:19:56,640 --> 00:19:57,640 Speaker 1: George Clooney. 396 00:19:57,880 --> 00:20:00,360 Speaker 3: Oh my god, that's right, yep. 397 00:20:01,520 --> 00:20:03,200 Speaker 1: And then we go to Sasha's house, in which we 398 00:20:03,359 --> 00:20:10,160 Speaker 1: kind of already talked about yeah, she's situation upstairs Sasha's mom. 399 00:20:10,160 --> 00:20:13,080 Speaker 3: So I think them lad just to go to the ending. 400 00:20:13,160 --> 00:20:16,120 Speaker 3: I think the mom has left. Yeah, I think that's 401 00:20:16,240 --> 00:20:19,240 Speaker 3: why the dad is so just the frozen on the 402 00:20:19,320 --> 00:20:19,960 Speaker 3: couch shook. 403 00:20:20,040 --> 00:20:22,440 Speaker 1: But like, why that much? 404 00:20:22,960 --> 00:20:26,520 Speaker 3: That's not all right? Why are we getting these people? Yeah? 405 00:20:26,520 --> 00:20:27,960 Speaker 3: I don't know, like have the. 406 00:20:27,920 --> 00:20:30,480 Speaker 1: Fight scene and whatever, and I just could have done 407 00:20:31,240 --> 00:20:34,000 Speaker 1: sitting there just staring. I'm like, you know, when somebody 408 00:20:34,000 --> 00:20:35,520 Speaker 1: walks through the door, like. 409 00:20:35,480 --> 00:20:38,439 Speaker 3: Who'se boyfriend? What's the character's name? Whose boyfriend brings all 410 00:20:38,440 --> 00:20:43,800 Speaker 3: the pink bags? It's not Boo, it's not Sasha. It's 411 00:20:43,800 --> 00:20:46,000 Speaker 3: the other one, the one that ate the gross food. 412 00:20:46,080 --> 00:20:49,000 Speaker 1: Right, Oh, Melanie, is it Melanie's boyfriend? No, it's Ginny. 413 00:20:49,080 --> 00:20:51,200 Speaker 1: Ginny Okay, yeah, yeah, yeah. 414 00:20:50,880 --> 00:20:51,520 Speaker 3: He's cute. 415 00:20:51,520 --> 00:20:57,679 Speaker 1: But yeah, but yeah. They then they go to Michelle and. 416 00:20:58,640 --> 00:21:00,760 Speaker 3: Air looked amazing. The movie looked amazing. 417 00:21:01,000 --> 00:21:01,200 Speaker 1: Yeah. 418 00:21:01,359 --> 00:21:03,200 Speaker 3: I love the whole thing. I loved them moving the seats. 419 00:21:03,200 --> 00:21:05,160 Speaker 3: I thought that was very funny. That was very gilmoury 420 00:21:05,200 --> 00:21:09,159 Speaker 3: and very funny. The guy her sitting next to the 421 00:21:09,160 --> 00:21:12,879 Speaker 3: brother upsetting when the brother was like, write down this number, 422 00:21:13,600 --> 00:21:16,280 Speaker 3: and then you realize it's another girl. You're just like, boo, 423 00:21:16,760 --> 00:21:18,800 Speaker 3: get over this guy. Yeah, go for the guy at 424 00:21:18,800 --> 00:21:19,080 Speaker 3: the bar. 425 00:21:19,400 --> 00:21:23,520 Speaker 1: Yes, the hotty pants pants Barrow was sure to get 426 00:21:23,560 --> 00:21:30,560 Speaker 1: stop with the brother. Such a loser. No, we're back 427 00:21:30,560 --> 00:21:31,440 Speaker 1: at Sasha's house. 428 00:21:32,200 --> 00:21:33,120 Speaker 3: I think we've covered it. 429 00:21:33,240 --> 00:21:37,720 Speaker 1: Yeah, it's still a good show. It is a good Okay, 430 00:21:38,080 --> 00:21:40,159 Speaker 1: let's talk about Sasha's performance at the end, because it 431 00:21:40,200 --> 00:21:42,480 Speaker 1: was a solid She's good a minute and a half. 432 00:21:42,520 --> 00:21:43,600 Speaker 3: Now, that can dance. 433 00:21:43,760 --> 00:21:45,960 Speaker 1: She's cool. Oh, no doubt about it. I watched the 434 00:21:45,960 --> 00:21:48,520 Speaker 1: whole thing, and I watched the whole thing too. The 435 00:21:48,560 --> 00:21:49,480 Speaker 1: whole time, I was like. 436 00:21:49,480 --> 00:21:52,320 Speaker 3: What's that song? It was a song that we all know. Oh, 437 00:21:52,520 --> 00:21:54,560 Speaker 3: it was like it's gonna be an earworm? What is it? 438 00:21:55,160 --> 00:21:58,720 Speaker 3: I forget I know, but it was like I want 439 00:21:58,760 --> 00:22:02,680 Speaker 3: to say, it was like I'm a man, but oh yeah, but. 440 00:22:02,640 --> 00:22:04,640 Speaker 1: It's not that like something like that. 441 00:22:04,680 --> 00:22:05,119 Speaker 2: It's like. 442 00:22:07,040 --> 00:22:10,440 Speaker 1: I'll find that it's a song we all know. Oh, 443 00:22:10,480 --> 00:22:15,159 Speaker 1: here we go are amazing producers, is Stanbull? Oh yeah, 444 00:22:15,680 --> 00:22:17,080 Speaker 1: by they might be giants. 445 00:22:17,400 --> 00:22:20,880 Speaker 3: Oh it's not like the Muffin Man. But yeah, it's 446 00:22:20,960 --> 00:22:23,400 Speaker 3: kind of one of those Yeah, you don't watch where 447 00:22:23,400 --> 00:22:27,399 Speaker 3: in the world is Carmen san Diego. It had to 448 00:22:29,080 --> 00:22:30,840 Speaker 3: in the world is Karmen? 449 00:22:31,600 --> 00:22:33,280 Speaker 1: So you genuinely liked that? 450 00:22:33,920 --> 00:22:36,879 Speaker 3: Yeah, I was like, this girl's a great dancer. She 451 00:22:37,000 --> 00:22:40,239 Speaker 3: is super cool. It was so less awkward than when 452 00:22:40,280 --> 00:22:42,040 Speaker 3: Sutton Foster has to dance by herself. 453 00:22:42,160 --> 00:22:45,359 Speaker 1: I would much rather watch Sasha dance any day. But 454 00:22:45,720 --> 00:22:48,360 Speaker 1: I was very like can this end? 455 00:22:48,800 --> 00:22:52,320 Speaker 3: It definitely was like why are we filling with this random? 456 00:22:52,400 --> 00:22:54,520 Speaker 1: But also it just ended that way. 457 00:22:54,680 --> 00:22:56,680 Speaker 3: I think it was just a minute short. The show 458 00:22:56,840 --> 00:23:03,159 Speaker 3: was just like, you know, I'll give you like a 459 00:23:03,160 --> 00:23:05,600 Speaker 3: little behind the scenes. There are times when we have 460 00:23:05,640 --> 00:23:08,920 Speaker 3: to like hit a mark and sometimes we're like, can 461 00:23:08,960 --> 00:23:11,440 Speaker 3: you say seven more words or like fill it with music? 462 00:23:11,520 --> 00:23:13,879 Speaker 3: Fill it with music, Like you have to hit certain things. 463 00:23:14,000 --> 00:23:17,640 Speaker 3: And I'm convinced that what it was. You are right, 464 00:23:17,960 --> 00:23:21,240 Speaker 3: You're right, Yeah, I know because it was so obvious. 465 00:23:21,240 --> 00:23:23,440 Speaker 3: But also I was like entertaining. 466 00:23:23,200 --> 00:23:25,400 Speaker 1: Yeah, she's cool that she is really cool. 467 00:23:28,680 --> 00:23:32,239 Speaker 3: Right, she's the daughter from the affair and it is 468 00:23:32,280 --> 00:23:32,840 Speaker 3: a good do. 469 00:23:33,920 --> 00:23:37,320 Speaker 1: It's dark and good weird, and I'm here for it. 470 00:23:37,480 --> 00:23:39,439 Speaker 1: Just you know, oh my. 471 00:23:39,320 --> 00:23:47,480 Speaker 3: God, bunheads. Your heads is almost good. So here's my 472 00:23:47,560 --> 00:23:52,520 Speaker 3: question for you. Problem should we just be watching Gilmore Girls, Like, like, 473 00:23:52,560 --> 00:23:55,560 Speaker 3: are we wasting our time trying to like enjoy Gilmore 474 00:23:55,600 --> 00:23:58,880 Speaker 3: Girls by watching? Butnheads, should we just be watching episodes 475 00:23:58,920 --> 00:23:59,680 Speaker 3: of Gilmore Girls? 476 00:23:59,720 --> 00:24:02,560 Speaker 1: Look, we're I mean, what was that episode seven? 477 00:24:02,560 --> 00:24:04,840 Speaker 3: We're not giving up? No, no, no, I'm not suggesting we're 478 00:24:04,840 --> 00:24:07,360 Speaker 3: giving up. I'm just saying for like, anyone who wants 479 00:24:07,400 --> 00:24:12,000 Speaker 3: their Gilmore fix, No, I'm gonna keep it going. Oh, 480 00:24:12,119 --> 00:24:13,919 Speaker 3: Danielle is not as much of a fan as me. 481 00:24:14,840 --> 00:24:16,760 Speaker 3: Wait until I tell her we're watching Masil next note, 482 00:24:16,760 --> 00:24:17,360 Speaker 3: you're gonna. 483 00:24:17,160 --> 00:24:19,919 Speaker 1: Like, I'm kind of down to watch Mazel. I've everyone me. 484 00:24:20,160 --> 00:24:23,000 Speaker 1: Same as Shits Creak. Everyone's like, watch shits Creak. I 485 00:24:23,040 --> 00:24:24,280 Speaker 1: watched three episodes. 486 00:24:23,840 --> 00:24:26,040 Speaker 3: Of it and off, yeah, shits Creaks. 487 00:24:26,040 --> 00:24:28,359 Speaker 1: So it's like one of those that everyone says to 488 00:24:28,359 --> 00:24:31,560 Speaker 1: watch down right. 489 00:24:32,000 --> 00:24:35,439 Speaker 3: So here's the thing. And maybe we're just more relaxed 490 00:24:35,440 --> 00:24:37,359 Speaker 3: because we're sitting in lounge chairs and normally we're like 491 00:24:37,400 --> 00:24:39,800 Speaker 3: at our desks because I I'm not ready to stop 492 00:24:39,840 --> 00:24:41,399 Speaker 3: talking yet. Poems on me. 493 00:24:41,600 --> 00:24:43,960 Speaker 1: But if you guys like. 494 00:24:43,920 --> 00:24:47,440 Speaker 3: What we're doing here, we hope you do. The three 495 00:24:47,440 --> 00:24:50,080 Speaker 3: of you listening, we totally appreciate it. I want to 496 00:24:50,160 --> 00:24:53,280 Speaker 3: do Masel, so please stick with us, because I think 497 00:24:53,320 --> 00:24:54,919 Speaker 3: we could enjoy doing Mazel together. 498 00:24:55,040 --> 00:24:56,600 Speaker 1: I want to watch Mazel, so I'm down. Is it 499 00:24:56,640 --> 00:24:59,320 Speaker 1: thirty or an hour? How many? How long? 500 00:25:00,080 --> 00:25:03,480 Speaker 3: Hour? Can't it? Is this? Thirty? This? 501 00:25:03,640 --> 00:25:05,800 Speaker 1: No? This one's only an hour? But I like the thirties. 502 00:25:06,119 --> 00:25:09,119 Speaker 3: I know, well, I know, but thirties are great. Well 503 00:25:09,160 --> 00:25:13,800 Speaker 3: thirties crank like yeah, I could do but an hour 504 00:25:13,840 --> 00:25:17,359 Speaker 3: and it's fine. Uh So I hope you'll keep listening. 505 00:25:17,400 --> 00:25:20,520 Speaker 3: I don't remember how we're supposed to end this, end it. 506 00:25:20,560 --> 00:25:21,640 Speaker 3: I'm not ready to go yet. 507 00:25:22,200 --> 00:25:26,800 Speaker 1: You're very much avoiding the life you have the rest of. 508 00:25:26,800 --> 00:25:31,520 Speaker 3: This, I know, because we have to work just to stand. 509 00:25:30,680 --> 00:25:33,080 Speaker 1: Right now, Like back hurts. I know. This is very 510 00:25:33,119 --> 00:25:34,400 Speaker 1: comfortable and very therapeutic. 511 00:25:35,400 --> 00:25:37,679 Speaker 3: Is like our talks instead of emailing us or what 512 00:25:37,720 --> 00:25:39,960 Speaker 3: do they do? They know? They instagram us. I don't 513 00:25:39,960 --> 00:25:44,240 Speaker 3: know how you stand and they signed your sidebars. But 514 00:25:44,400 --> 00:25:46,520 Speaker 3: like if you're on a walk and you just want 515 00:25:46,520 --> 00:25:47,679 Speaker 3: two friends with you, we're. 516 00:25:47,560 --> 00:25:49,760 Speaker 1: Here, Yeah, we're here, we're here for you. 517 00:25:49,840 --> 00:25:55,240 Speaker 3: Let us know, join us anyway. We do have good 518 00:25:55,240 --> 00:25:57,760 Speaker 3: food to eat. I don't have a toothbrush because I 519 00:25:57,760 --> 00:25:59,639 Speaker 3: need to get that garlic out. But so what do 520 00:25:59,720 --> 00:26:03,119 Speaker 3: we give episode? I give it, I get it someton 521 00:26:03,520 --> 00:26:07,960 Speaker 3: bless her heart. Look, we like Sutton Foster, I love 522 00:26:08,000 --> 00:26:11,359 Speaker 3: her and younger, but something's not it's what Look, maybe 523 00:26:11,400 --> 00:26:14,639 Speaker 3: it's why Bunheads only went one season. She just hadn't 524 00:26:14,640 --> 00:26:16,520 Speaker 3: found her TV legs. That's what I'm saying. 525 00:26:16,760 --> 00:26:18,520 Speaker 1: Okay, I'm gonna give. 526 00:26:18,359 --> 00:26:19,040 Speaker 3: It a seven. 527 00:26:19,160 --> 00:26:21,560 Speaker 1: Legs are still there though, because Tara and I watched 528 00:26:21,600 --> 00:26:23,359 Speaker 1: the broad show. 529 00:26:25,400 --> 00:26:28,600 Speaker 3: I'm gonna give it a seven. Okay, it's not an eight, 530 00:26:28,640 --> 00:26:29,240 Speaker 3: it's a seven. 531 00:26:29,520 --> 00:26:31,760 Speaker 1: Seven. What do we do that on this I think 532 00:26:31,760 --> 00:26:33,040 Speaker 1: we do? Yeah? 533 00:26:33,080 --> 00:26:33,720 Speaker 3: We did? We do? 534 00:26:33,920 --> 00:26:41,439 Speaker 1: We do seven movie trucks. Okay, I'm gonna give it, Okay, 535 00:26:41,760 --> 00:26:48,480 Speaker 1: six and a half. George Clooney's good, Yeah, why not? 536 00:26:50,160 --> 00:26:50,720 Speaker 1: Why not? 537 00:26:51,680 --> 00:26:54,560 Speaker 3: Do I hear Amy Grant singing, Yes we we. 538 00:26:55,119 --> 00:26:58,240 Speaker 1: Amy and I are avoiding an event that we both 539 00:26:58,280 --> 00:27:00,960 Speaker 1: have to work right now, selling. 540 00:27:00,640 --> 00:27:05,200 Speaker 3: Better than we're jamming Amy Grant tunes at this event 541 00:27:05,280 --> 00:27:07,560 Speaker 3: we have right now. We hit in the bedroom of 542 00:27:07,600 --> 00:27:09,880 Speaker 3: a rental house and I don't want to leave it. 543 00:27:10,320 --> 00:27:34,880 Speaker 1: But we must go. So butt Heads out. 544 00:27:43,640 --> 00:27:47,400 Speaker 2: Everybody, don't forget follow us on Instagram at i Am 545 00:27:47,480 --> 00:27:52,400 Speaker 2: all In podcast, and email us at Gilmore at iHeartRadio 546 00:27:52,760 --> 00:28:00,000 Speaker 2: dot com. 547 00:28:00,359 --> 00:28:02,919 Speaker 3: H