1 00:00:00,960 --> 00:00:03,880 Speaker 1: Dear listeners of Hollywood Land, does it feel like you're 2 00:00:03,880 --> 00:00:07,160 Speaker 1: stuck in limbo? Standing under a flickering street light at 3 00:00:07,160 --> 00:00:09,880 Speaker 1: the corner of Hollywood and True Crime, waiting for the 4 00:00:09,920 --> 00:00:13,159 Speaker 1: next episode of hollywood Land to drop. I got you. 5 00:00:13,960 --> 00:00:29,000 Speaker 1: Welcome to Hollywood Land, the Rap Party. What's good? Your 6 00:00:29,000 --> 00:00:32,960 Speaker 1: movie geeks, your true crime freaks just like me? You guys, 7 00:00:33,080 --> 00:00:35,640 Speaker 1: like your movie history served up with a side of 8 00:00:35,680 --> 00:00:38,600 Speaker 1: grit and grime. This, of course, is the place where 9 00:00:38,600 --> 00:00:41,640 Speaker 1: we dig up those stories often lost to history, buried 10 00:00:41,920 --> 00:00:44,159 Speaker 1: in the corner of the cutting room floor, the stories 11 00:00:44,200 --> 00:00:47,159 Speaker 1: they didn't want told, the very same stories that have 12 00:00:47,240 --> 00:00:50,120 Speaker 1: now made you the most dangerous person at the party. 13 00:00:50,760 --> 00:00:54,560 Speaker 1: I'm your host, Zeth Lundy, writer, editor, showrunner, and good doctor. 14 00:00:54,600 --> 00:00:57,960 Speaker 1: Here at Double Elvison. Today in the hollywood Land Rap Party, 15 00:00:58,000 --> 00:01:01,680 Speaker 1: we are talking about the Jim Carrey Impostor. We're talking 16 00:01:01,720 --> 00:01:06,319 Speaker 1: great performances by non actors. We're talking about Elvis back 17 00:01:06,360 --> 00:01:08,760 Speaker 1: on the big screen, and a fawn farewell to John Hammond, 18 00:01:08,760 --> 00:01:12,360 Speaker 1: plus your voicemails, texts, emails, and so much more. So, 19 00:01:12,440 --> 00:01:28,400 Speaker 1: Come on, everybody, let's party. Hollywood is in the thick 20 00:01:28,680 --> 00:01:32,160 Speaker 1: of awards season. Here at the pod. We just wrapped 21 00:01:32,200 --> 00:01:36,120 Speaker 1: what I called Well Naturally Awards season month, and just 22 00:01:36,160 --> 00:01:40,320 Speaker 1: this past weekend, the Actor Awards were held in Los Angeles, 23 00:01:40,360 --> 00:01:44,679 Speaker 1: the Actor Awards formerly known as the Screen Actors Guild Awards, 24 00:01:45,160 --> 00:01:49,560 Speaker 1: where Michael B. Jordan won Best Actor for Sinners, Jesse 25 00:01:49,720 --> 00:01:53,960 Speaker 1: Buckley won for her performance in Hamnet, Sean Penn for 26 00:01:54,320 --> 00:01:59,000 Speaker 1: One Battle After Another, Amy Madigan for Weapons. Also, Harrison 27 00:01:59,200 --> 00:02:02,680 Speaker 1: Ford received being a Lifetime Achievement Award. But I don't 28 00:02:02,680 --> 00:02:04,840 Speaker 1: want to talk about the Actor Awards today. I want 29 00:02:04,880 --> 00:02:07,640 Speaker 1: to talk about a different awards show, which took place 30 00:02:07,680 --> 00:02:11,880 Speaker 1: in a different country altogether, and which has subsequently sparked 31 00:02:11,880 --> 00:02:15,760 Speaker 1: all kinds of speculation and debate online about whether or 32 00:02:15,840 --> 00:02:21,360 Speaker 1: not an impostor accepted a major honorary award there. Now, first, 33 00:02:22,240 --> 00:02:25,320 Speaker 1: before I get into that, I gotta clue you into 34 00:02:25,360 --> 00:02:29,959 Speaker 1: my state of mind right now. Jake Jake Brennan over 35 00:02:30,000 --> 00:02:34,200 Speaker 1: a Disgraceland or My Partner in Crime, Our Sister show. 36 00:02:34,880 --> 00:02:38,239 Speaker 1: His whole obsession with conspiracy theories has been rubbing off 37 00:02:38,280 --> 00:02:40,600 Speaker 1: on me. I gotta admit he and I have had 38 00:02:40,600 --> 00:02:44,600 Speaker 1: some recent conversations over in the exclusive section of the 39 00:02:44,639 --> 00:02:48,320 Speaker 1: After Party in Disgraceland about topics like Bob Weir from 40 00:02:48,360 --> 00:02:52,519 Speaker 1: The Grateful Dead and Bohemian Grove, about the alleged interference 41 00:02:52,560 --> 00:02:55,160 Speaker 1: by the US government and the hippie dippy scene of 42 00:02:55,280 --> 00:02:58,720 Speaker 1: Laurel Canyon in the nineteen sixties, about allegations that The 43 00:02:58,720 --> 00:03:02,760 Speaker 1: Grateful Dead's Legendary Cornell's seventy seven show was faked by 44 00:03:02,800 --> 00:03:05,800 Speaker 1: the government. Okay, so this is where I'm at, guys. 45 00:03:06,680 --> 00:03:10,320 Speaker 1: You gotta bear with me here. Okay. So when I 46 00:03:10,360 --> 00:03:13,880 Speaker 1: started to see all this wakad talk on social media 47 00:03:14,240 --> 00:03:19,200 Speaker 1: over the weekend about Jim Carrey's honorary Saesar Award last 48 00:03:19,200 --> 00:03:22,200 Speaker 1: week at the twenty twenty six Sazars, I found myself 49 00:03:22,320 --> 00:03:25,400 Speaker 1: helplessly swept up in the craziness of it all. Have 50 00:03:25,440 --> 00:03:28,000 Speaker 1: you guys seen this shit? Let me set the scene 51 00:03:28,000 --> 00:03:30,720 Speaker 1: here for you, Okay. The Saesar Awards are like the 52 00:03:30,760 --> 00:03:33,240 Speaker 1: French Oscars. They've been around for about half as long 53 00:03:33,280 --> 00:03:38,040 Speaker 1: as the Oscars themselves. They celebrate achievement in French film, naturally, 54 00:03:38,960 --> 00:03:41,960 Speaker 1: and they just hosted their fifty first ceremony last week 55 00:03:42,320 --> 00:03:46,760 Speaker 1: on February twenty six. At the ceremony, the French continued 56 00:03:46,840 --> 00:03:50,600 Speaker 1: a long standing tradition of recognizing the artistic merit of 57 00:03:50,640 --> 00:03:54,920 Speaker 1: American comedians such as Jerry Lewis and bestowing those comedians 58 00:03:54,920 --> 00:03:58,720 Speaker 1: with the kind of intellectual accolades and weighty awards that 59 00:03:58,760 --> 00:04:03,040 Speaker 1: are often given only to quote unquote serious performers. They 60 00:04:03,080 --> 00:04:06,040 Speaker 1: did this last week by presenting Jim Carrey with the 61 00:04:06,080 --> 00:04:09,640 Speaker 1: Honorary Sesar. This is an award meant to recognize a 62 00:04:09,680 --> 00:04:13,720 Speaker 1: performer's career, and it's not always a French performer, it's 63 00:04:13,720 --> 00:04:17,159 Speaker 1: a performer of the world, Okay. In the past, this award, 64 00:04:17,240 --> 00:04:19,359 Speaker 1: the Honorary Cesar, has been given to the likes of 65 00:04:19,520 --> 00:04:24,880 Speaker 1: Ingrid Bergmann, Jean Luc Godard, Sophia Loren, Steven Spielberg, Johnny Depp, 66 00:04:25,240 --> 00:04:30,120 Speaker 1: Roberto Begnini, Quentin Tarantino, Cate Blanchette, David Fincher, and now 67 00:04:30,640 --> 00:04:34,039 Speaker 1: to Jim Carrey. Jim Carrey accepted the award with a 68 00:04:34,120 --> 00:04:36,880 Speaker 1: very funny and very moving speech that he wrote and 69 00:04:36,960 --> 00:04:40,479 Speaker 1: delivered in French, even though he does not speak the language. 70 00:04:40,760 --> 00:04:43,760 Speaker 1: And watching him deliver this speech, watching him talk to 71 00:04:43,800 --> 00:04:45,600 Speaker 1: the press, which he doesn't do a lot of anymore, 72 00:04:46,120 --> 00:04:50,960 Speaker 1: you can tell that he was truly moved by this recognition. Okay. However, 73 00:04:51,480 --> 00:04:57,119 Speaker 1: immediately following the ceremony, video clips and photos of Jim 74 00:04:57,160 --> 00:05:01,200 Speaker 1: Carrey at the Saesar Awards began to disseminate across social media, 75 00:05:01,600 --> 00:05:04,599 Speaker 1: with many people asking why Jim Carrey looked the way 76 00:05:04,640 --> 00:05:09,120 Speaker 1: he looked? Like? Is this some sort of knockoff version 77 00:05:09,480 --> 00:05:13,640 Speaker 1: of Jim Carrey? People were asking, does something seem very 78 00:05:13,680 --> 00:05:18,160 Speaker 1: off about the way Jim Carrey looks? Could it possibly 79 00:05:18,200 --> 00:05:20,960 Speaker 1: be that this wasn't actually Jim Carrey at all, but 80 00:05:20,960 --> 00:05:25,440 Speaker 1: that it was someone pretending to be Jim Carrey? Okay, No, 81 00:05:25,920 --> 00:05:30,120 Speaker 1: it gets weirder. There are people online who have been 82 00:05:30,120 --> 00:05:36,000 Speaker 1: posting these rabbit hole investigations into video footage from Jim 83 00:05:36,040 --> 00:05:38,599 Speaker 1: Carrey arriving at the ceremony speaking to the press. It's 84 00:05:38,640 --> 00:05:42,200 Speaker 1: like it's like they're analyzing the friggin' Zapruder film right. 85 00:05:42,680 --> 00:05:45,839 Speaker 1: One such video points out that Jim Carrey's eye color 86 00:05:45,920 --> 00:05:48,599 Speaker 1: is blue in these videos, yet he's always had brown eyes, 87 00:05:48,920 --> 00:05:52,279 Speaker 1: you know. Another one points to his typically elastic facial 88 00:05:52,360 --> 00:05:55,840 Speaker 1: movements appearing to be rather stiff on this occasion, and 89 00:05:56,240 --> 00:05:59,320 Speaker 1: yet another one points to his recent appearance from just 90 00:05:59,320 --> 00:06:00,960 Speaker 1: a few months ago at the Rock and roll Hall 91 00:06:01,000 --> 00:06:05,279 Speaker 1: of Fame induction ceremony where he inducted Soundgarden and the 92 00:06:05,400 --> 00:06:08,640 Speaker 1: differences in how he looked then versus now. Okay, And 93 00:06:08,680 --> 00:06:12,560 Speaker 1: because all these things, the thesis that emerged from all 94 00:06:12,600 --> 00:06:15,720 Speaker 1: this wackadou chatter on social media was that we were 95 00:06:15,760 --> 00:06:20,400 Speaker 1: actually looking at Jim Carrey's body double in Paris, not 96 00:06:20,520 --> 00:06:24,279 Speaker 1: the real Jim Carrey. Okay, and then the weird get 97 00:06:24,320 --> 00:06:29,000 Speaker 1: even weirder. Okay, because this past Sunday, just I think. 98 00:06:29,040 --> 00:06:32,200 Speaker 1: A few days after the ceremony, a makeup artist, slash 99 00:06:32,240 --> 00:06:36,159 Speaker 1: performance artist, slash drag queen named Alexis Stone seemed to 100 00:06:36,200 --> 00:06:39,120 Speaker 1: confirm all these wild theories by posting an image of 101 00:06:39,160 --> 00:06:42,080 Speaker 1: a face mask on a table next to a set 102 00:06:42,120 --> 00:06:45,240 Speaker 1: of fake teeth and a makeup palette alongside one of 103 00:06:45,240 --> 00:06:48,240 Speaker 1: those photos of Jim Carrey at the Sazars in the 104 00:06:48,279 --> 00:06:53,840 Speaker 1: same Instagram carousel, and the Instagram caption here was Alexis 105 00:06:53,839 --> 00:06:57,680 Speaker 1: Stone as Jim Carrey in Paris. So now all these 106 00:06:57,720 --> 00:07:00,240 Speaker 1: people who were convinced that they were looking out of 107 00:07:00,279 --> 00:07:03,920 Speaker 1: Jim carrey body double are losing their fucking minds because 108 00:07:04,279 --> 00:07:07,440 Speaker 1: you start down this path, you see that this person 109 00:07:07,600 --> 00:07:11,480 Speaker 1: who uh, this makeup performance artist who is known for 110 00:07:11,520 --> 00:07:15,000 Speaker 1: impersonating celebrities. You see that they are seemingly taking credit 111 00:07:15,320 --> 00:07:18,280 Speaker 1: for this theory that they are the truth behind the 112 00:07:18,320 --> 00:07:21,400 Speaker 1: wackadoo theory. Here, you start going down this path and 113 00:07:21,400 --> 00:07:24,240 Speaker 1: suddenly you're connecting all these dots on a Charlie Day 114 00:07:24,480 --> 00:07:27,520 Speaker 1: murder board. You know, you're thinking about how man Jim 115 00:07:27,560 --> 00:07:31,160 Speaker 1: Carrey disappeared into his role as Andy Kaufman and Andy 116 00:07:31,200 --> 00:07:35,680 Speaker 1: Kaufman's alter ego Tony Clifton when he performed in Man 117 00:07:35,720 --> 00:07:38,040 Speaker 1: on the Moon, and how he stayed in makeup and 118 00:07:38,080 --> 00:07:40,960 Speaker 1: stayed in character. And then there's a theory out there 119 00:07:41,000 --> 00:07:44,119 Speaker 1: that the real Andy Kaufman didn't actually die, that Andy 120 00:07:44,160 --> 00:07:47,960 Speaker 1: Kaufman continued to live and to perform as Tony Clifton, 121 00:07:48,360 --> 00:07:51,720 Speaker 1: even though that was actually his friend Bob Zamuda, who 122 00:07:51,760 --> 00:07:55,280 Speaker 1: was carrying on the Tony Clifton torch after Andy Kaufman died. 123 00:07:55,440 --> 00:07:57,560 Speaker 1: But that led to the next conspiracy theory, which was 124 00:07:57,600 --> 00:08:02,080 Speaker 1: that Bob Zamuda was actually Andy Caky Taufmann. So you 125 00:08:02,120 --> 00:08:05,960 Speaker 1: start going down these crazy conspiratorial rabbit holes and the 126 00:08:06,000 --> 00:08:09,280 Speaker 1: whole thing got so out of control. The chatter online 127 00:08:09,280 --> 00:08:11,560 Speaker 1: got so out of control within a couple of days 128 00:08:11,920 --> 00:08:14,480 Speaker 1: that the president of the Cesars or whatever his role 129 00:08:14,520 --> 00:08:16,760 Speaker 1: is there, had to jump in the forray, and he 130 00:08:16,920 --> 00:08:20,080 Speaker 1: issued the following statement to Variety. He said, quote, Jim 131 00:08:20,120 --> 00:08:24,160 Speaker 1: Carrey's visit has been planned since this summer from the outset. 132 00:08:24,320 --> 00:08:27,640 Speaker 1: He was extremely touched by the Academy's invitation. Eight months 133 00:08:27,640 --> 00:08:31,240 Speaker 1: of ongoing constructive discussions. He worked on his speech in 134 00:08:31,280 --> 00:08:34,560 Speaker 1: French for months, asking me about the exact pronunciation of 135 00:08:34,600 --> 00:08:38,720 Speaker 1: certain words. He came with his partner, his daughter, his grandson, 136 00:08:38,840 --> 00:08:42,720 Speaker 1: and twelve close friends and family members. His longtime publicist 137 00:08:42,760 --> 00:08:46,600 Speaker 1: accompanied him. His old friend Michelle Gondry, who has made 138 00:08:46,640 --> 00:08:49,280 Speaker 1: a film and two series with him, was there and 139 00:08:49,320 --> 00:08:53,160 Speaker 1: they were delighted to see each other again unquote. And then, 140 00:08:53,200 --> 00:08:56,679 Speaker 1: as I write this, Jim Carrey's own publicist or representative 141 00:08:56,760 --> 00:08:59,960 Speaker 1: or whatever has reportedly spoken to the press to confron 142 00:09:01,000 --> 00:09:03,640 Speaker 1: that it really was him at the Caesars, which seems 143 00:09:03,720 --> 00:09:06,320 Speaker 1: ridiculous that such a thing has to be done. But 144 00:09:06,440 --> 00:09:08,240 Speaker 1: this is the world, guy, It's this is this is 145 00:09:08,280 --> 00:09:11,320 Speaker 1: where we live. Okay. There's conspiracy theorists out there right 146 00:09:11,320 --> 00:09:15,600 Speaker 1: now saying that there's a maintaining that there's a secret 147 00:09:15,640 --> 00:09:18,000 Speaker 1: episode of Stranger Things that has yet to be released, 148 00:09:18,000 --> 00:09:20,800 Speaker 1: which I'm pretty sure is total bullshit. I think what 149 00:09:20,920 --> 00:09:23,839 Speaker 1: is true here is that Alexis Stone, who has made 150 00:09:23,880 --> 00:09:29,240 Speaker 1: a name for these uh outrageous and often uncanny impersonations 151 00:09:29,280 --> 00:09:32,520 Speaker 1: of celebrities. You know, saw this moment, saw this opportunity, 152 00:09:32,720 --> 00:09:35,440 Speaker 1: seized it, had some fun with it, and for whatever reason, 153 00:09:35,920 --> 00:09:38,720 Speaker 1: people have been so broken by the Internet or whatever. 154 00:09:39,120 --> 00:09:41,800 Speaker 1: You know, we're becoming increasingly unable to separate what is 155 00:09:41,840 --> 00:09:45,560 Speaker 1: clearly a joke or a gag. You know, like there's 156 00:09:45,760 --> 00:09:48,000 Speaker 1: there's got to be a deeper meaning to something like 157 00:09:48,040 --> 00:09:50,199 Speaker 1: a joke just can't be a joke. A guy can't 158 00:09:50,240 --> 00:09:53,240 Speaker 1: just roll up to an award show a couple months older, 159 00:09:53,320 --> 00:09:55,240 Speaker 1: a couple of years older than the last time you 160 00:09:55,280 --> 00:09:59,520 Speaker 1: saw him in public without freaking out. You know. Also, 161 00:09:59,760 --> 00:10:02,320 Speaker 1: a lot what these theories failed to address is that 162 00:10:02,400 --> 00:10:05,200 Speaker 1: Jim Carrey sounds like Jim Carrey at the Cesars. You know, 163 00:10:05,240 --> 00:10:06,960 Speaker 1: it's one thing to become a body double or a 164 00:10:07,000 --> 00:10:10,719 Speaker 1: clone or whatever, but to sound exactly the same as 165 00:10:10,760 --> 00:10:13,839 Speaker 1: something else entirely, and you know, the Alexis Stone of 166 00:10:14,280 --> 00:10:16,880 Speaker 1: it all. The impersonation is that Alexis Stone has done 167 00:10:16,920 --> 00:10:19,959 Speaker 1: of people like Glenn Close or Jack Nicholson or characters 168 00:10:20,000 --> 00:10:23,559 Speaker 1: like Missus Doubtfire. They're so over the top visually, they're 169 00:10:23,559 --> 00:10:26,640 Speaker 1: more like caricatures. They don't look exactly like the person. 170 00:10:26,760 --> 00:10:29,480 Speaker 1: Like do you guys remember back in the eighties, I 171 00:10:29,480 --> 00:10:32,600 Speaker 1: think they were called spinning image, these puppets of like 172 00:10:32,679 --> 00:10:36,559 Speaker 1: the Reagans and Gorbachev. They were used in the music 173 00:10:36,640 --> 00:10:39,959 Speaker 1: video for the Genesis song Land of Confusion. That's kind 174 00:10:40,000 --> 00:10:42,080 Speaker 1: of like more more of the laying here. And I 175 00:10:42,080 --> 00:10:46,280 Speaker 1: can't even believe I'm sitting here justifying why this theory 176 00:10:47,080 --> 00:10:50,000 Speaker 1: is not true, because it's so bonkers, right, But I 177 00:10:50,040 --> 00:10:54,520 Speaker 1: think what bothers me the most about all this talk 178 00:10:55,240 --> 00:10:58,880 Speaker 1: about Jim Carrey being quote unquote unrecognizable or that his 179 00:10:58,960 --> 00:11:02,920 Speaker 1: appearance was quote unquote concerning. Like there are numerous articles 180 00:11:02,960 --> 00:11:07,480 Speaker 1: if you google Jim Carrey says our Awards that lead 181 00:11:07,640 --> 00:11:13,840 Speaker 1: with this so called disturbing revelation, right, that he's unrecognizable, 182 00:11:14,400 --> 00:11:17,280 Speaker 1: And so of course you, oh, my god, he's unrecognizable, 183 00:11:17,280 --> 00:11:19,200 Speaker 1: and you go and look at the article, and no, 184 00:11:19,280 --> 00:11:22,400 Speaker 1: he's not. He looks like Jim Carrey. Like, what's disturbing 185 00:11:22,440 --> 00:11:25,800 Speaker 1: to me is that question. You know, do you see 186 00:11:25,800 --> 00:11:27,880 Speaker 1: anything concerning about how he looks? I don't. He's a 187 00:11:28,040 --> 00:11:31,360 Speaker 1: sixty four year old actor who is aging, And yeah, 188 00:11:31,400 --> 00:11:33,320 Speaker 1: he doesn't look the way he looked a few years ago, 189 00:11:33,400 --> 00:11:35,800 Speaker 1: but who does. And also, you know, Jim Carrey doesn't 190 00:11:35,840 --> 00:11:37,600 Speaker 1: make as many films as he used to. He rarely 191 00:11:37,600 --> 00:11:41,160 Speaker 1: doesn't he press anymore. The movies he has been in recently, 192 00:11:41,240 --> 00:11:44,319 Speaker 1: the last three movies, they're all Sonic, the Hedgehog movies 193 00:11:44,360 --> 00:11:47,280 Speaker 1: where he's in heavy, heavy makeup and costuming. You know, 194 00:11:47,400 --> 00:11:49,440 Speaker 1: we haven't really seen what the real Jim Carrey looks 195 00:11:49,480 --> 00:11:52,600 Speaker 1: like in a while. But also, just let the dude 196 00:11:52,640 --> 00:11:55,200 Speaker 1: have his fucking moment and accept his award. You know, 197 00:11:55,280 --> 00:11:57,360 Speaker 1: this is a guy who should have gotten at least 198 00:11:57,400 --> 00:12:01,640 Speaker 1: an Academy Award nomination for Eternal Sunshine of the Spotless Mind, 199 00:12:02,400 --> 00:12:05,480 Speaker 1: but he didn't. Going back to what I was saying 200 00:12:05,520 --> 00:12:08,360 Speaker 1: earlier about how we tend to only give these sorts 201 00:12:08,400 --> 00:12:11,480 Speaker 1: of awards to serious dramatic actors. But look at all 202 00:12:11,480 --> 00:12:14,480 Speaker 1: the actors that were nominated over Jim Carrey for the 203 00:12:14,559 --> 00:12:17,040 Speaker 1: year of Eternal Sunshine, which was two thousand and four. 204 00:12:18,080 --> 00:12:22,600 Speaker 1: Jamie Fox, don Cheatle, Johnny Depp, Leonardo DiCaprio, Clint Eastwood. 205 00:12:22,840 --> 00:12:26,080 Speaker 1: Could any of those guys play Lloyd Christmas in dumb 206 00:12:26,080 --> 00:12:30,520 Speaker 1: and Dummer like Jim Carrey did? Not a chance, Not 207 00:12:30,640 --> 00:12:33,480 Speaker 1: a chance. The dude is a legend. Let him have 208 00:12:33,520 --> 00:12:38,240 Speaker 1: his award and leave him alone. Now now that I've 209 00:12:38,400 --> 00:12:43,280 Speaker 1: sufficiently covered that insane topic. Staying on the subject of 210 00:12:43,360 --> 00:12:46,200 Speaker 1: conspiracy theories, there are some of those when it comes 211 00:12:46,240 --> 00:12:48,760 Speaker 1: to this week's subject of our fully scripted and sound 212 00:12:48,760 --> 00:12:52,360 Speaker 1: design episode. That's our episode on Patty Hurst. There are 213 00:12:52,400 --> 00:12:54,920 Speaker 1: theories out there that her kidnapping was orchestrated by the 214 00:12:54,920 --> 00:12:58,440 Speaker 1: federal government, that she was behind her own kidnapping, as 215 00:12:58,520 --> 00:13:01,240 Speaker 1: well as many other theories around the Stockholm syndrome of 216 00:13:01,240 --> 00:13:04,440 Speaker 1: it all and the influence of her wealthy and powerful family, 217 00:13:04,480 --> 00:13:07,040 Speaker 1: which I don't know. Maybe goes to show that these 218 00:13:07,080 --> 00:13:09,400 Speaker 1: theories have been here long before the Internet and social 219 00:13:09,440 --> 00:13:12,160 Speaker 1: media allowed us to obsess over them for days and 220 00:13:12,200 --> 00:13:15,040 Speaker 1: weeks at a time. You can check out that episode 221 00:13:15,200 --> 00:13:17,560 Speaker 1: right now if you haven't, and then on Friday this week, 222 00:13:17,800 --> 00:13:20,240 Speaker 1: I've got a brand new Screening Room episode all about 223 00:13:20,280 --> 00:13:25,640 Speaker 1: the twenty thirteen film Prisoners, directed by Denis Villeneuve starring 224 00:13:25,720 --> 00:13:29,040 Speaker 1: Hugh Jackman and Jake Jillenhall. One of my favorite movies 225 00:13:29,080 --> 00:13:32,079 Speaker 1: of the century so far. This film was in conversation 226 00:13:32,160 --> 00:13:34,040 Speaker 1: with our themes this week because the film was about 227 00:13:34,040 --> 00:13:37,240 Speaker 1: a kidnapping of in the search for two little girls 228 00:13:37,320 --> 00:13:40,200 Speaker 1: in Pennsylvania, So definitely check that out. And then on 229 00:13:40,240 --> 00:13:42,959 Speaker 1: Monday next week, we've got our episode on John Houston, 230 00:13:43,120 --> 00:13:47,280 Speaker 1: Maverick director, Another Titan of Hollywood coming your way. This 231 00:13:47,320 --> 00:13:51,520 Speaker 1: episode is specifically about the time before John Houston was 232 00:13:51,520 --> 00:13:54,600 Speaker 1: one of the most consequential Hollywood directors of the twentieth century, 233 00:13:54,960 --> 00:13:57,440 Speaker 1: when he was at the center of a tragedy he 234 00:13:57,480 --> 00:14:00,680 Speaker 1: had to leave the country nearly derailed his higher career 235 00:14:00,720 --> 00:14:04,640 Speaker 1: before it even got started. And speaking of getting started, 236 00:14:05,080 --> 00:14:08,200 Speaker 1: let's get this rap party started with all your lovely 237 00:14:08,240 --> 00:14:11,440 Speaker 1: pieces of correspondence, which we're going to do right after 238 00:14:11,480 --> 00:14:34,960 Speaker 1: this break. Hey, everybody, welcome. We are back here in 239 00:14:35,000 --> 00:14:36,960 Speaker 1: the rap party, getting into the portion of the show 240 00:14:37,120 --> 00:14:40,200 Speaker 1: where I hear from all of you, your voicemails, your DMS, 241 00:14:40,400 --> 00:14:45,920 Speaker 1: your texts, your emails, your carrier pigeons, smoke signals, however 242 00:14:46,040 --> 00:14:47,560 Speaker 1: you get in touch with me, I'm going to cover 243 00:14:47,600 --> 00:14:51,200 Speaker 1: it here. Last week I had asked you guys about 244 00:14:51,360 --> 00:14:57,200 Speaker 1: the greatest performances by non actors, non actors, non actresses 245 00:14:57,240 --> 00:15:00,920 Speaker 1: in a film or you know, unconventional actors in the film, 246 00:15:01,240 --> 00:15:03,480 Speaker 1: and I want to get to some of your responses 247 00:15:03,520 --> 00:15:06,440 Speaker 1: here about that. Let's start with this voicemail from Ben 248 00:15:06,520 --> 00:15:07,520 Speaker 1: in the eight to three. 249 00:15:08,120 --> 00:15:10,240 Speaker 2: Hey, this has been from the eight oh three today. 250 00:15:10,280 --> 00:15:12,880 Speaker 2: I'm actually calling for to leave a message for doctor 251 00:15:13,000 --> 00:15:16,240 Speaker 2: Lundy for the rep party over there, Sarah. I would 252 00:15:16,280 --> 00:15:19,960 Speaker 2: have to say my favorite performance by a non actor 253 00:15:20,760 --> 00:15:23,720 Speaker 2: in a movie would be the great d White Yoakum 254 00:15:24,280 --> 00:15:27,440 Speaker 2: and sling Blade. I was not expecting me when I 255 00:15:27,480 --> 00:15:30,840 Speaker 2: saw the movie. Everybody had talked about Billy Bob Thorn 256 00:15:30,880 --> 00:15:32,800 Speaker 2: in this great Scribty had written and how it made 257 00:15:32,800 --> 00:15:35,400 Speaker 2: some people laugh, made some people cry. So when I 258 00:15:35,480 --> 00:15:37,680 Speaker 2: checked it out, you know, Dwight Yoakum wasn't even on 259 00:15:37,800 --> 00:15:41,000 Speaker 2: a radar. I actually didn't even recognize him, although I 260 00:15:41,080 --> 00:15:44,120 Speaker 2: was playing top forty country music at the time that band. 261 00:15:44,680 --> 00:15:46,600 Speaker 2: Didn't even recognize him because I've never seen him without 262 00:15:46,640 --> 00:15:50,480 Speaker 2: that pattent, with that scruffy beard and mustache. He delivered 263 00:15:50,520 --> 00:15:54,400 Speaker 2: a great performance, just line after quotable line that all 264 00:15:54,440 --> 00:15:58,440 Speaker 2: these years later, I know musicians everywhere are still cluing, 265 00:15:59,120 --> 00:16:02,240 Speaker 2: So that would definitely would be my favorite performance by 266 00:16:03,160 --> 00:16:07,840 Speaker 2: non traditional actor. And just remember we don't need no practice, Randy, 267 00:16:08,480 --> 00:16:09,520 Speaker 2: Thanks Rock and ROLLA. 268 00:16:10,120 --> 00:16:14,640 Speaker 1: D White Yoakum, Ben, I love this answer and I 269 00:16:14,720 --> 00:16:17,560 Speaker 1: completely agree with you. I had the same reaction the 270 00:16:17,600 --> 00:16:20,320 Speaker 1: first time I saw that movie when it came out, 271 00:16:20,800 --> 00:16:24,040 Speaker 1: Dwight Yoakum in Slang Blade, and I think it was 272 00:16:24,120 --> 00:16:27,520 Speaker 1: around the very same time. Actually, there was a great 273 00:16:27,840 --> 00:16:31,640 Speaker 1: John Dall movie, a neo noir film called Red Rock 274 00:16:31,720 --> 00:16:34,560 Speaker 1: West that Dwight Yoakam had a very small part in 275 00:16:34,600 --> 00:16:37,000 Speaker 1: it as well. This is a Nick Cage movie right 276 00:16:37,040 --> 00:16:39,040 Speaker 1: before you know, Raymond Cage was on the verge of 277 00:16:39,080 --> 00:16:41,840 Speaker 1: that split in his career, the pre Oscar years, in 278 00:16:41,880 --> 00:16:44,080 Speaker 1: the post Oscar years. You know, it was like Elvis 279 00:16:44,160 --> 00:16:45,960 Speaker 1: going into the Army, you know what I mean. And 280 00:16:46,000 --> 00:16:48,760 Speaker 1: I also think Dwight Yoakam wrote and directed a film 281 00:16:48,760 --> 00:16:51,320 Speaker 1: that Billy Bob is in from around this time. There 282 00:16:51,320 --> 00:16:53,600 Speaker 1: was a sudden explosion of Dwight Yoakam in movies, and 283 00:16:53,600 --> 00:16:56,560 Speaker 1: I think it took us all by surprise. But I 284 00:16:56,600 --> 00:16:58,840 Speaker 1: gotta I gotta say I enjoy it. And I especially 285 00:16:58,960 --> 00:17:02,520 Speaker 1: enjoy him in In a Panic Room, the David Fincher film. 286 00:17:02,960 --> 00:17:04,600 Speaker 1: He's one of the bad guys who breaks into the 287 00:17:04,600 --> 00:17:08,280 Speaker 1: house that Jodi Foster has just bought. He's also totally 288 00:17:08,359 --> 00:17:11,000 Speaker 1: unrecognizable in that one as well. Good call, Ben, Thank 289 00:17:11,040 --> 00:17:13,680 Speaker 1: you for reaching out. Thanks for the voicemail on this 290 00:17:13,880 --> 00:17:17,240 Speaker 1: same subject. We got a text here from the seven 291 00:17:17,240 --> 00:17:20,640 Speaker 1: to two oh which says best performance by a non 292 00:17:20,720 --> 00:17:24,440 Speaker 1: actor in a movie role Jimmy Cliff as Ivan in 293 00:17:24,520 --> 00:17:27,800 Speaker 1: The Harder They Come nineteen seventy two. My all time 294 00:17:28,000 --> 00:17:32,440 Speaker 1: favorite soundtrack in a really great movie, seven to two Oh. 295 00:17:32,520 --> 00:17:35,520 Speaker 1: Awesome answer. I got to watch that movie again at 296 00:17:35,520 --> 00:17:38,240 Speaker 1: some point. It has been years since I've seen it. However, 297 00:17:38,800 --> 00:17:42,200 Speaker 1: I do spend that soundtrack on the regular. I actually 298 00:17:42,240 --> 00:17:45,480 Speaker 1: got it in the dollar band at a local record 299 00:17:45,480 --> 00:17:47,840 Speaker 1: store here, Believe it or not, best dollar I ever 300 00:17:47,880 --> 00:17:52,480 Speaker 1: spent so many incredible songs on that. Jimmy Cliff and beyond. 301 00:17:53,080 --> 00:17:56,400 Speaker 1: I was talking about the jj CaAl Zone here last week, 302 00:17:56,440 --> 00:17:58,399 Speaker 1: and I think the same thing goes for Jimmy Cliff 303 00:17:58,520 --> 00:18:01,160 Speaker 1: and the Harder They Come soundtrack. You can you can 304 00:18:01,200 --> 00:18:05,159 Speaker 1: listen to that anytime, anywhere, and you are properly in 305 00:18:05,760 --> 00:18:09,520 Speaker 1: the Harder they Come zone big time. Thanks again seven 306 00:18:09,520 --> 00:18:12,080 Speaker 1: to two oh for the message. I talked about the 307 00:18:12,200 --> 00:18:17,360 Speaker 1: new John Candy documentary and Zach from the five three 308 00:18:17,400 --> 00:18:21,160 Speaker 1: to zero wrote in about that said, hey, Zech, good 309 00:18:21,160 --> 00:18:23,600 Speaker 1: call on the John Candy documentary and inspired me to 310 00:18:23,640 --> 00:18:25,720 Speaker 1: put on Uncle Buck for my wife. It was her 311 00:18:25,800 --> 00:18:29,399 Speaker 1: first time seeing the film. John Hughes and John Candy 312 00:18:29,440 --> 00:18:32,959 Speaker 1: are like red wine and Chocolate, a winning combination. Ken Jennings, 313 00:18:33,040 --> 00:18:35,640 Speaker 1: Jeopardy and Industry have been on the tube lately. Keep 314 00:18:35,680 --> 00:18:41,080 Speaker 1: on trucking from Zach. Hey, thanks Zach. Red Wine and Chocolate. 315 00:18:41,200 --> 00:18:44,080 Speaker 1: I like that. I like that a lot. John Hughes 316 00:18:44,080 --> 00:18:46,720 Speaker 1: and John Candy, Yeah, some of his Some of John 317 00:18:46,720 --> 00:18:48,960 Speaker 1: Candy's best work was done with John Hughes, for sure, 318 00:18:49,320 --> 00:18:52,000 Speaker 1: I think arguably his best work. And you know, actually 319 00:18:52,040 --> 00:18:54,640 Speaker 1: we did that as well, Zach. We put on Uncle 320 00:18:54,640 --> 00:18:57,520 Speaker 1: Buck here after we watched the John Candy doc and 321 00:18:57,560 --> 00:18:59,560 Speaker 1: we actually mall. I got managed to get all my 322 00:18:59,600 --> 00:19:01,560 Speaker 1: kids to walk, which is one of it's that's a 323 00:19:01,680 --> 00:19:04,239 Speaker 1: rarity these days, and even more rare as it's one 324 00:19:04,280 --> 00:19:06,679 Speaker 1: of those movies where they were off their devices for 325 00:19:06,760 --> 00:19:09,000 Speaker 1: most of it. And I don't have to explain to 326 00:19:09,040 --> 00:19:12,040 Speaker 1: you why John Candy amuses them as much as he does. 327 00:19:12,080 --> 00:19:14,960 Speaker 1: But it's just it's my family's brand of humor. So 328 00:19:15,000 --> 00:19:17,399 Speaker 1: it's it's my kid's brand of humor and that rules. 329 00:19:17,440 --> 00:19:21,679 Speaker 1: I enjoy love sharing that with them. Industry, Yeah, Industry. 330 00:19:21,800 --> 00:19:25,520 Speaker 1: I just watched the finale last night. Wow. That was 331 00:19:25,560 --> 00:19:30,520 Speaker 1: a dark, incredible season. I really really liked it a lot. Anyways, 332 00:19:30,560 --> 00:19:32,200 Speaker 1: I'm stoked for more. I heard they're doing one more 333 00:19:32,200 --> 00:19:34,840 Speaker 1: season or that, so I'm stoked. You guys haven't watched Industry. 334 00:19:34,920 --> 00:19:36,840 Speaker 1: Check it out here, Listen to your guys. Zach in 335 00:19:36,880 --> 00:19:39,080 Speaker 1: the five to three. Oh okay, you got a text 336 00:19:39,080 --> 00:19:42,000 Speaker 1: here from my guy, metal Head Monday in the seven six', 337 00:19:42,080 --> 00:19:45,880 Speaker 1: five Says zeth Metal Head. Monday here from the seven six, 338 00:19:46,000 --> 00:19:49,919 Speaker 1: five you asked about songs about, curses et. Cetera you 339 00:19:49,960 --> 00:19:54,680 Speaker 1: cannot ignore the conjuring By megadeth off the Classic Peace cells. 340 00:19:54,720 --> 00:19:58,400 Speaker 1: Album the lyrics read like a literal, spell And Dave 341 00:19:58,480 --> 00:20:02,119 Speaker 1: mustaine actually stopped playing tune live for decades because he 342 00:20:02,200 --> 00:20:05,240 Speaker 1: said it did in fact include elements of an actual 343 00:20:05,359 --> 00:20:08,920 Speaker 1: incantation and he did not want to be responsible for its. 344 00:20:08,960 --> 00:20:14,400 Speaker 1: Misuse come, on, rock rolla Damn Metal, Ahead monday rock 345 00:20:14,440 --> 00:20:17,199 Speaker 1: and rolla for sure school of me, here, BROTHER i 346 00:20:17,280 --> 00:20:20,040 Speaker 1: know virtually nothing About Mega. Death i'm just going to 347 00:20:20,080 --> 00:20:22,840 Speaker 1: admit that right out the gate. Here i'm, sorry but 348 00:20:23,040 --> 00:20:27,240 Speaker 1: this song sounds totally. NUTS i love, it and even more, 349 00:20:27,240 --> 00:20:30,520 Speaker 1: so it sounds like A Mega death episode Of disgraceland 350 00:20:30,560 --> 00:20:32,760 Speaker 1: and me paging my partner in, Crime Jake brennan here 351 00:20:32,800 --> 00:20:34,960 Speaker 1: to get in on. That thank you again for the. 352 00:20:34,960 --> 00:20:37,879 Speaker 1: Message i've got another email HERE i wanted to read you. 353 00:20:37,880 --> 00:20:40,800 Speaker 1: Guys it's quite, long BUT i think it's, worthwhile So 354 00:20:40,840 --> 00:20:42,760 Speaker 1: i'm going to read the whole thing and just bear with. 355 00:20:42,800 --> 00:20:46,960 Speaker 1: Me it's an email From mario and the subject Is 356 00:20:47,440 --> 00:20:51,000 Speaker 1: Boogie night's PTA q AND. A ACTUALLY i should. Explain 357 00:20:51,480 --> 00:20:54,679 Speaker 1: we've got this video podcast over On. Patreon me And 358 00:20:54,760 --> 00:20:58,080 Speaker 1: jake called this film should Be played, loud and the 359 00:20:58,080 --> 00:21:01,520 Speaker 1: most recent episode of that podcast is all About Boogie, 360 00:21:01,560 --> 00:21:05,080 Speaker 1: knights The Paul Thomas anderson. Film So mario was emailing 361 00:21:05,160 --> 00:21:07,399 Speaker 1: in sort of in response to. That so here's the 362 00:21:07,440 --> 00:21:10,280 Speaker 1: email From. Mario i'll try and be, short BUT i 363 00:21:10,320 --> 00:21:12,280 Speaker 1: moved To New York city in nineteen ninety nine and 364 00:21:12,320 --> 00:21:14,959 Speaker 1: became roommates with this group of older guys who were 365 00:21:14,960 --> 00:21:18,760 Speaker 1: all writers and in theater Attending fordham Or. Columbia they 366 00:21:18,760 --> 00:21:22,040 Speaker 1: were all grad students and got to attend a screening 367 00:21:22,240 --> 00:21:25,240 Speaker 1: Of Boogie. Nights not really A q AND a With. 368 00:21:25,320 --> 00:21:27,920 Speaker 1: Pta it was more like twelve students that went out 369 00:21:28,000 --> 00:21:30,520 Speaker 1: to A Fordham college bar around the corner from the. 370 00:21:30,560 --> 00:21:33,119 Speaker 1: Screening later that, night when they all got, HOME i 371 00:21:33,160 --> 00:21:34,840 Speaker 1: was in the common area and they sat down and 372 00:21:34,880 --> 00:21:38,960 Speaker 1: just started unpacking Everything pta had been discussing with them that. 373 00:21:39,080 --> 00:21:42,160 Speaker 1: Night the first thing that stood out was That pta 374 00:21:42,400 --> 00:21:44,600 Speaker 1: was talking about doing research for the film in the mid. 375 00:21:44,680 --> 00:21:47,879 Speaker 1: Nineties when looking for props in, locations he had to 376 00:21:47,920 --> 00:21:51,040 Speaker 1: interact with all kinds of og pornographers and adult store, 377 00:21:51,080 --> 00:21:54,080 Speaker 1: owners a lot of whom were the single proprietor and 378 00:21:54,119 --> 00:21:57,040 Speaker 1: were well into their late sixties at the. Time all 379 00:21:57,080 --> 00:22:00,679 Speaker 1: of them were highly paranoid refused to. Participate all of 380 00:22:00,680 --> 00:22:04,560 Speaker 1: them had criminal records of some, kind including statutory rape. 381 00:22:04,600 --> 00:22:07,720 Speaker 1: Charges pta said it really messed with his, head knowing 382 00:22:07,720 --> 00:22:10,160 Speaker 1: that he was interacting with some very sick people who 383 00:22:10,160 --> 00:22:12,440 Speaker 1: have been selling porn to other sick people for a 384 00:22:12,520 --> 00:22:15,040 Speaker 1: very long. Time he said he always knew that the 385 00:22:15,040 --> 00:22:18,520 Speaker 1: paranoia and reluctance from these guys was because they probably 386 00:22:18,600 --> 00:22:21,280 Speaker 1: had quote unquote other stuff in the back, room he. 387 00:22:21,359 --> 00:22:24,080 Speaker 1: Said at one point he questioned the whole, project but 388 00:22:24,160 --> 00:22:27,240 Speaker 1: continued because he knew he had a story to. Tell 389 00:22:27,359 --> 00:22:29,399 Speaker 1: the second thing that stood out was The Todd parker 390 00:22:29,560 --> 00:22:32,720 Speaker 1: character played By Thomas. Jane as soon As todd shows, 391 00:22:32,800 --> 00:22:35,680 Speaker 1: up the whole movie takes a, turn AND pta was 392 00:22:35,720 --> 00:22:39,080 Speaker 1: touring with the idea of providing small hints That todd 393 00:22:39,160 --> 00:22:42,119 Speaker 1: was an inside, man a company man of some, kind 394 00:22:42,160 --> 00:22:45,560 Speaker 1: because the company always manages to slip someone. In he's 395 00:22:45,560 --> 00:22:49,520 Speaker 1: an outsider who shows up and infiltrates a tight circle 396 00:22:49,720 --> 00:22:53,320 Speaker 1: with new drugs and new moves and sets up a cocaine. Heist, 397 00:22:53,920 --> 00:22:56,480 Speaker 1: Anyway i've never seen or read any interviews ABOUT pta 398 00:22:56,640 --> 00:22:58,760 Speaker 1: talking about this to the, media SO i guess this 399 00:22:58,880 --> 00:23:01,320 Speaker 1: was some straight from the horse his mouth material he 400 00:23:01,440 --> 00:23:05,240 Speaker 1: was sharing with students at the. Time, bonus so my 401 00:23:05,400 --> 00:23:08,280 Speaker 1: roommate who attended the screening actually went on to. Success 402 00:23:08,520 --> 00:23:10,920 Speaker 1: he has written for two big shows On, netflix And 403 00:23:11,000 --> 00:23:13,840 Speaker 1: i've never forgotten the film EDUCATION i received living in that. 404 00:23:13,920 --> 00:23:17,159 Speaker 1: Apartment another one that stands out is him telling me 405 00:23:17,200 --> 00:23:20,199 Speaker 1: about how when Filming Twin, Peaks David lynch had his 406 00:23:20,240 --> 00:23:23,440 Speaker 1: team go out and buy the ten most popular television 407 00:23:23,520 --> 00:23:26,920 Speaker 1: sets In america at the. Time they use the TVs 408 00:23:27,200 --> 00:23:30,639 Speaker 1: to dial in the sound Of Twin, peaks mastering the 409 00:23:30,680 --> 00:23:33,960 Speaker 1: audio so that everyone could get the maximum effect from 410 00:23:34,040 --> 00:23:37,439 Speaker 1: the little four inch speaker on your fifteen inch. Set 411 00:23:38,240 --> 00:23:41,639 Speaker 1: rock a Rolla, Mario rock and roll to. You there's 412 00:23:41,840 --> 00:23:45,080 Speaker 1: so much here to, unpack but let me just Say 413 00:23:45,160 --> 00:23:48,440 Speaker 1: i'm loving all the inside baseball shit. Here THE pta 414 00:23:48,520 --> 00:23:51,080 Speaker 1: stories are, amazing but That David lynch t had bit 415 00:23:51,200 --> 00:23:53,760 Speaker 1: about the TVs and dialing in the sound Of Twin. 416 00:23:53,800 --> 00:23:56,879 Speaker 1: Peaks this is like bands mixing a song on a 417 00:23:56,920 --> 00:23:59,320 Speaker 1: cassette and then driving around in a car to see 418 00:23:59,359 --> 00:24:02,240 Speaker 1: how it sounds. RIGHT i love. THAT i love that 419 00:24:03,080 --> 00:24:06,600 Speaker 1: really cool insight to on The Thomas jane character And Boogie. 420 00:24:06,680 --> 00:24:09,560 Speaker 1: Knights we talk at length about that character and the 421 00:24:09,600 --> 00:24:12,320 Speaker 1: pivotal scenes he's in during our episode of this film 422 00:24:12,480 --> 00:24:14,400 Speaker 1: should be played, loud but we never got into all. 423 00:24:14,440 --> 00:24:16,720 Speaker 1: That SO i thank you so much for. That thanks 424 00:24:16,720 --> 00:24:18,639 Speaker 1: so much for writing In mario and sharing all that with. 425 00:24:18,720 --> 00:24:23,280 Speaker 1: Us everyone else get at me six one seven nine 426 00:24:23,359 --> 00:24:27,240 Speaker 1: oh six six six three eight or disgrace lampod at 427 00:24:27,240 --> 00:24:29,959 Speaker 1: gmail dot. Com you can jump in the chat And 428 00:24:30,000 --> 00:24:33,280 Speaker 1: disgraceland all access over On. Patreon give me your inside 429 00:24:33,320 --> 00:24:36,479 Speaker 1: baseball stories About hollywood and we'll share him. Here, okay 430 00:24:36,920 --> 00:24:39,720 Speaker 1: and speaking to, Sharing i'll share with you What i've been, 431 00:24:39,880 --> 00:24:55,280 Speaker 1: watching listening, to and. Reading right after this all, Right 432 00:24:55,400 --> 00:24:57,960 Speaker 1: Hollywood land, game it is time for the recommendation section 433 00:24:58,160 --> 00:25:01,240 Speaker 1: of the rap. Party so here are the Things i've been, 434 00:25:01,400 --> 00:25:05,280 Speaker 1: watching listening, to, reading et. CETERA i managed to get 435 00:25:05,320 --> 00:25:09,160 Speaker 1: to the theater this weekend and saw this New Elvis presley, 436 00:25:09,160 --> 00:25:13,280 Speaker 1: documentary this concert. Film it's CALLED, epic which is an 437 00:25:13,320 --> 00:25:17,400 Speaker 1: acronym For Elvis presley in. CONCERT i managed to see. 438 00:25:17,400 --> 00:25:19,879 Speaker 1: IT i Know matt From Double elvis saw it last, 439 00:25:19,920 --> 00:25:23,959 Speaker 1: week And jake also went this, weekend so we've all 440 00:25:24,440 --> 00:25:26,480 Speaker 1: all three of us here have seen. IT i Know 441 00:25:26,560 --> 00:25:28,960 Speaker 1: matt saw it An. IMAX i don't know If jake 442 00:25:29,000 --> 00:25:31,159 Speaker 1: did or. Not i'm like two hours away from the 443 00:25:31,200 --> 00:25:33,199 Speaker 1: Nearest imax, theater SO i didn't get to see it In, 444 00:25:33,240 --> 00:25:35,879 Speaker 1: imax BUT i still saw it on a big. Screen 445 00:25:36,359 --> 00:25:42,320 Speaker 1: the audio was, loud and, guys this immediately rocketed up 446 00:25:42,400 --> 00:25:46,680 Speaker 1: to one of my favorite concert films music docs of all. 447 00:25:46,760 --> 00:25:51,600 Speaker 1: Time it's that. Good it's directed By Baz, luhrman who 448 00:25:51,640 --> 00:25:54,960 Speaker 1: did The elvis biopic With Austin butler a couple of years. 449 00:25:55,000 --> 00:25:57,439 Speaker 1: Ago regardless of what you thought about, THAT i know 450 00:25:57,520 --> 00:26:00,679 Speaker 1: that was very. DIVISIVE i actually really liked it the 451 00:26:00,680 --> 00:26:02,880 Speaker 1: first TIME i saw, it and liked it a little 452 00:26:02,880 --> 00:26:05,040 Speaker 1: bit less the second TIME i saw. It but, AGAIN 453 00:26:05,080 --> 00:26:07,200 Speaker 1: i know it was a very divisive. Movie regardless of 454 00:26:07,240 --> 00:26:12,560 Speaker 1: how you feel about, that this film is. Nuts Baz 455 00:26:12,680 --> 00:26:18,159 Speaker 1: luhrman has called it an accidental film because he had 456 00:26:18,200 --> 00:26:22,040 Speaker 1: heard about these film reels that had been held in 457 00:26:22,080 --> 00:26:24,280 Speaker 1: a basement or a vault or a house or somewhere 458 00:26:25,280 --> 00:26:27,560 Speaker 1: since the nineteen seventies that had never seen the light of, 459 00:26:27,640 --> 00:26:32,240 Speaker 1: Day and while he was making The elvis, biopic he 460 00:26:32,320 --> 00:26:34,080 Speaker 1: sent a team to go look for these and they 461 00:26:34,119 --> 00:26:37,639 Speaker 1: found them In Kansas, city of all, places sixty five 462 00:26:37,760 --> 00:26:41,320 Speaker 1: reels have never before seen footage Of elvis in the. 463 00:26:41,400 --> 00:26:44,720 Speaker 1: Seventies the sound was not where the reels, were so 464 00:26:44,760 --> 00:26:47,399 Speaker 1: it took them apparently another two years to find the 465 00:26:47,520 --> 00:26:50,800 Speaker 1: sound to match. Up and they gave this stuff To 466 00:26:51,119 --> 00:26:55,000 Speaker 1: Peter jackson's, team who did all the restoration on The 467 00:26:55,040 --> 00:26:57,919 Speaker 1: Beatles Get back, series amongst other, things to make the 468 00:26:57,960 --> 00:27:01,280 Speaker 1: picture in the sound as good as. Possible and that, 469 00:27:01,480 --> 00:27:04,320 Speaker 1: said you, Know Baz luhrman was very quick to point, 470 00:27:04,320 --> 00:27:08,080 Speaker 1: out there is NO ai used in this. Film the 471 00:27:08,160 --> 00:27:12,440 Speaker 1: other thing they found was a tape Of elvis talking 472 00:27:12,560 --> 00:27:15,560 Speaker 1: in a very unguarded way about his, life about his entire. 473 00:27:15,600 --> 00:27:17,680 Speaker 1: Life he did it off. Camera he didn't want to 474 00:27:17,680 --> 00:27:21,639 Speaker 1: be on. Camera so ninety nine percent of what you, 475 00:27:21,680 --> 00:27:25,480 Speaker 1: hear the narration of this film is narrated By, elvis 476 00:27:25,680 --> 00:27:29,439 Speaker 1: actual audio Of elvis that's never been heard before narrating this. 477 00:27:29,560 --> 00:27:35,080 Speaker 1: Story and it's it's about his time In, vegas performing 478 00:27:35,080 --> 00:27:38,520 Speaker 1: In vegas in the, seventies different different years throughout that. 479 00:27:38,640 --> 00:27:42,199 Speaker 1: Decade it but it uses that footage to sort of 480 00:27:42,240 --> 00:27:44,840 Speaker 1: like tell you the entire story of him from the. 481 00:27:44,880 --> 00:27:50,159 Speaker 1: Beginning it's. Incredible the, performances the, access you, know you 482 00:27:50,240 --> 00:27:53,080 Speaker 1: get to Watch elvis and his, band THE Tcb, Band 483 00:27:53,160 --> 00:27:56,679 Speaker 1: James burton on, Guitar Ronnie tutt on, Drums Jerry chef on, 484 00:27:56,760 --> 00:28:01,440 Speaker 1: bass just ripping it up in both rehearsal and performing 485 00:28:01,480 --> 00:28:05,359 Speaker 1: live on. Stage And baslehrmann often cuts back and forth 486 00:28:05,440 --> 00:28:09,040 Speaker 1: between these settings between years even to give you this 487 00:28:09,119 --> 00:28:12,520 Speaker 1: comprehensive image Of elvis in this, period but it also 488 00:28:12,600 --> 00:28:16,320 Speaker 1: gives the film its amazing sense of pace and, rhythm 489 00:28:16,680 --> 00:28:19,720 Speaker 1: even during the. Ballads the momentum in this movie is. 490 00:28:19,840 --> 00:28:23,080 Speaker 1: Nuts but WHAT i really love about it is how 491 00:28:23,080 --> 00:28:26,800 Speaker 1: it helps to reclaim this part Of elvis' musical. CAREER 492 00:28:27,160 --> 00:28:28,920 Speaker 1: i think we've all been taught over the years that 493 00:28:28,960 --> 00:28:31,840 Speaker 1: the early, stuff The Sun record, stuff is the, gold 494 00:28:31,920 --> 00:28:34,479 Speaker 1: and it really is for a number of. Reasons but 495 00:28:34,520 --> 00:28:38,120 Speaker 1: we've been taught to elevate The Sun records material to 496 00:28:38,240 --> 00:28:40,880 Speaker 1: the detriment of some of the other eras Of, elvis 497 00:28:40,880 --> 00:28:43,760 Speaker 1: including The vegas, era WHICH i was taught for a 498 00:28:43,840 --> 00:28:46,160 Speaker 1: very long time to sort of point at and, laugh 499 00:28:46,320 --> 00:28:49,680 Speaker 1: like it's, cheesy it's, bloated it's a money, grab all that. 500 00:28:49,720 --> 00:28:52,000 Speaker 1: Shit but the truth of the matter, is and what 501 00:28:52,040 --> 00:28:53,800 Speaker 1: the thesis of this film seems to be in a, 502 00:28:53,800 --> 00:28:57,360 Speaker 1: way is that this era actually rips and is as 503 00:28:57,640 --> 00:29:01,480 Speaker 1: entertaining as anything That elvis ever. Did that alone makes 504 00:29:01,520 --> 00:29:03,680 Speaker 1: it worth the price of. Admission but then there's, this 505 00:29:03,840 --> 00:29:06,640 Speaker 1: just the incredible vibe Of vegas in the, seventies the 506 00:29:06,680 --> 00:29:11,160 Speaker 1: crowds that are assembled, here at The International. Hotel elvis's incredible, 507 00:29:11,200 --> 00:29:14,640 Speaker 1: clothes from his sunglasses with THE tcb logo on the, 508 00:29:14,680 --> 00:29:17,640 Speaker 1: side or that giant bracelet thing he's, wearing which so fucking. 509 00:29:17,680 --> 00:29:20,239 Speaker 1: Cool which brings me to the other thing about this, 510 00:29:20,280 --> 00:29:23,640 Speaker 1: movie which seems to simply be, like, Hey Elvis presley 511 00:29:23,680 --> 00:29:26,800 Speaker 1: was a great. Hang he's like so, loose he's so. 512 00:29:26,880 --> 00:29:29,760 Speaker 1: Funny he's always tossing off a, joke especially jokes at 513 00:29:29,760 --> 00:29:32,800 Speaker 1: his own. Expense and though he's a strict band leader 514 00:29:33,160 --> 00:29:35,480 Speaker 1: in the in the vein Of James, brown you, know 515 00:29:35,600 --> 00:29:38,440 Speaker 1: calling the, changes the starts and the stops with his 516 00:29:38,520 --> 00:29:41,360 Speaker 1: body on, stage he's not a vengeful. Bandleader you, know 517 00:29:41,400 --> 00:29:45,280 Speaker 1: there's this there's an infectious vibe of joy in everything he. 518 00:29:45,360 --> 00:29:47,760 Speaker 1: Does you guys got to check this. Out go to 519 00:29:47,800 --> 00:29:49,880 Speaker 1: the theater to see it if you, can even if 520 00:29:49,880 --> 00:29:52,280 Speaker 1: it's not and imax the WAY i, did the huge, 521 00:29:52,400 --> 00:29:56,920 Speaker 1: visual the explosive sound Epic Elvis presley in. Concert check that. 522 00:29:57,080 --> 00:30:00,800 Speaker 1: Out speaking of concert or music, DOCS i also Watched 523 00:30:01,360 --> 00:30:04,160 Speaker 1: man on The, run which is the New paul McCartney 524 00:30:04,200 --> 00:30:07,640 Speaker 1: documentary directed By Morgan neville that came out On Amazon 525 00:30:07,720 --> 00:30:11,760 Speaker 1: prime over the weekend this covers the nineteen seventies as, 526 00:30:11,800 --> 00:30:15,520 Speaker 1: well after The beatles broke up And paul moved out 527 00:30:15,560 --> 00:30:18,480 Speaker 1: to the country In scotland and made some solo records 528 00:30:18,480 --> 00:30:22,560 Speaker 1: and Informed. Wings it's very, GOOD i, guess working here 529 00:30:22,600 --> 00:30:25,480 Speaker 1: At Double elvis and writing so much For. Disgraceland you, 530 00:30:25,520 --> 00:30:27,920 Speaker 1: know we've told a lot of these stories, already The 531 00:30:27,960 --> 00:30:30,800 Speaker 1: paul Is dead, story That paul goes to jail In japan, 532 00:30:30,920 --> 00:30:34,760 Speaker 1: story a lot of these stories that the myths around 533 00:30:34,760 --> 00:30:36,680 Speaker 1: these stories and some of the ones that have been 534 00:30:36,720 --> 00:30:39,520 Speaker 1: like lost to history a. Bit so in a, way 535 00:30:40,000 --> 00:30:42,160 Speaker 1: the film is a lot just kind of WHAT i 536 00:30:42,200 --> 00:30:45,200 Speaker 1: expected it to. Be but the footage is. Great there's 537 00:30:45,240 --> 00:30:48,960 Speaker 1: a ton of footage of him In scotland with his young, 538 00:30:49,000 --> 00:30:51,960 Speaker 1: family which is really fun to. Watch and there's also 539 00:30:52,000 --> 00:30:54,120 Speaker 1: a great point of view on What wings did that 540 00:30:54,160 --> 00:30:56,280 Speaker 1: The beatles weren't really able to do in terms of 541 00:30:56,320 --> 00:30:59,840 Speaker 1: like the rock show, experience you, know so totally. Worthwhile 542 00:31:00,040 --> 00:31:03,480 Speaker 1: it was not revelatory in the way that The elvis documentary, 543 00:31:03,640 --> 00:31:06,600 Speaker 1: WAS i, guess is my. Point what HAVE i been listening. 544 00:31:06,640 --> 00:31:10,000 Speaker 1: To i've been listening to the new album By Bill. 545 00:31:10,040 --> 00:31:13,440 Speaker 1: Frizell it's Called In My. Dreams it features His Bill 546 00:31:13,480 --> 00:31:16,520 Speaker 1: frizelle is a very IDIO i guess you can call 547 00:31:16,560 --> 00:31:20,160 Speaker 1: him a jazz, guitarist but he's a very idiosyncratic. Guitarist 548 00:31:20,880 --> 00:31:23,840 Speaker 1: very he's one of. One no one sounds like. Him 549 00:31:24,240 --> 00:31:27,280 Speaker 1: so this record features his regular trio that he's been 550 00:31:27,360 --> 00:31:29,960 Speaker 1: rocking with for a, While Thomas morgan on bass And 551 00:31:30,040 --> 00:31:34,040 Speaker 1: Rudy royson on. DRUMS i actually saw this trio live 552 00:31:34,120 --> 00:31:37,080 Speaker 1: in concert year and a half two years. Ago i'm 553 00:31:37,080 --> 00:31:40,000 Speaker 1: in a very small opera house here In, maine and 554 00:31:40,400 --> 00:31:43,760 Speaker 1: it was. Tremendous. Tremendous but in addition to these three, 555 00:31:43,800 --> 00:31:46,200 Speaker 1: guys there's also a small string section on this, record, 556 00:31:46,280 --> 00:31:50,480 Speaker 1: violin viola and, cello and it's this just this super 557 00:31:50,480 --> 00:31:53,320 Speaker 1: funky jazz hybrid thing that Only Bill frizelle can, do you. 558 00:31:53,360 --> 00:31:56,520 Speaker 1: Know i'm also listening to The New gorilla's Album The, 559 00:31:56,600 --> 00:31:58,920 Speaker 1: mountain WHICH i like quite a. Bit it feels like 560 00:31:58,960 --> 00:32:01,160 Speaker 1: an album in the best, way like something that you 561 00:32:01,240 --> 00:32:02,880 Speaker 1: start at the beginning and see it through all the 562 00:32:02,880 --> 00:32:04,760 Speaker 1: way to the. End it's got a lot Of indian 563 00:32:04,880 --> 00:32:08,640 Speaker 1: musical influences on it sounds. Gorgeous definitely worth checking that. 564 00:32:08,680 --> 00:32:11,120 Speaker 1: Out And i've also been listening to a lot Of 565 00:32:11,200 --> 00:32:15,120 Speaker 1: John hammond in. Memoriam the Great John hammond passed away 566 00:32:15,440 --> 00:32:18,120 Speaker 1: a few days. Ago he was eighty. Three if you 567 00:32:18,160 --> 00:32:21,080 Speaker 1: don't Know John, hammond Or JOHN. P, hammond Or John Hammond, 568 00:32:21,120 --> 00:32:24,080 Speaker 1: junior as he sometimes went, by he was the son 569 00:32:24,120 --> 00:32:27,760 Speaker 1: of the legendary music producer and talent scout also Named John, 570 00:32:27,800 --> 00:32:32,400 Speaker 1: hammond who Discovered Billie, Holliday Aretha, Franklin Bob, dylan to 571 00:32:32,480 --> 00:32:36,680 Speaker 1: name a. Few but that guy's That John hammond's, Son 572 00:32:36,760 --> 00:32:40,280 Speaker 1: John Hammond, junior was a blues musician and he'd been 573 00:32:40,320 --> 00:32:43,160 Speaker 1: working since the nineteen. Sixties one of the Records i've 574 00:32:43,160 --> 00:32:46,280 Speaker 1: been listening to a bunch is from nineteen sixty. Five 575 00:32:46,360 --> 00:32:49,960 Speaker 1: it's called So Many. Roads, famously it's the first recording 576 00:32:50,040 --> 00:32:53,000 Speaker 1: that the band like the band did and when they 577 00:32:53,000 --> 00:32:55,640 Speaker 1: were still The, hawks but they had just finished doing 578 00:32:55,680 --> 00:32:58,280 Speaker 1: their time With Ronnie, hawkins and this is right before 579 00:32:58,280 --> 00:33:00,920 Speaker 1: they hooked up With Bob. Dylan so this is like 580 00:33:00,960 --> 00:33:04,840 Speaker 1: a blues rock record With Levon, Helm Garth hudson And 581 00:33:04,920 --> 00:33:09,000 Speaker 1: Robbie robertson backing Up John, hammond along With Mike bloomfield 582 00:33:09,160 --> 00:33:13,320 Speaker 1: And Charlie. Mussel white says stacked cast of. Players Danko 583 00:33:13,360 --> 00:33:15,200 Speaker 1: emmanuel were supposed to be on, it BUT i guess 584 00:33:15,240 --> 00:33:18,160 Speaker 1: the producer or somebody Made John hammond use some other 585 00:33:18,240 --> 00:33:21,280 Speaker 1: more tested guys or. Whatever that one's. Great and then 586 00:33:21,360 --> 00:33:23,440 Speaker 1: a really Fun John hammon Record i've been listening to 587 00:33:23,560 --> 00:33:26,719 Speaker 1: again is from two thousand and. One it's Called Wicked. 588 00:33:26,760 --> 00:33:30,360 Speaker 1: Grin it's entirely made up of covers Of Tom waits 589 00:33:30,440 --> 00:33:34,240 Speaker 1: songs he does like Heart attack And, Vine Clap, Hands Big, 590 00:33:34,280 --> 00:33:37,720 Speaker 1: Black Mariah murder on The Red. BARN i THINK i 591 00:33:37,720 --> 00:33:40,880 Speaker 1: can say with confidence that his version of Heart attack 592 00:33:40,920 --> 00:33:44,400 Speaker 1: And VINE i like even better Than Tom waits's. Original 593 00:33:44,840 --> 00:33:47,240 Speaker 1: and the cool thing about this record is it's produced 594 00:33:47,240 --> 00:33:50,360 Speaker 1: By Tom, waits who also plays guitar on the whole, 595 00:33:50,360 --> 00:33:54,440 Speaker 1: thing along with his longtime Bassist Larry. Taylor you've Got 596 00:33:54,480 --> 00:33:58,680 Speaker 1: Augie meyers from The Sir Douglas, Quintet Stephen hodges on, 597 00:33:58,760 --> 00:34:01,120 Speaker 1: drums who played on a bunch Of Time weights. Records 598 00:34:01,680 --> 00:34:04,000 Speaker 1: it's a gem of a. Record if you don't know, 599 00:34:04,040 --> 00:34:08,319 Speaker 1: this check it. Out READING i told you, GUYS i 600 00:34:08,400 --> 00:34:12,080 Speaker 1: was captivated Reading Chris whitaker's latest, Book all The colors 601 00:34:12,120 --> 00:34:15,120 Speaker 1: of The. DARK i did finish it last. Weekend it 602 00:34:15,160 --> 00:34:18,640 Speaker 1: was really really, good ALTHOUGH i must say the first 603 00:34:18,680 --> 00:34:21,960 Speaker 1: half of the book was, NonStop cannot put it. Down 604 00:34:22,600 --> 00:34:24,680 Speaker 1: and then there's a MAJOR i, mean there's a number 605 00:34:24,680 --> 00:34:27,200 Speaker 1: of major events pivotal plot points in this, book but 606 00:34:27,239 --> 00:34:30,840 Speaker 1: there's like a, major major event in like dead center 607 00:34:30,880 --> 00:34:34,160 Speaker 1: of this. Book and then right after, that the second 608 00:34:34,200 --> 00:34:38,400 Speaker 1: half kind of settled into a more contemplative slow section 609 00:34:38,560 --> 00:34:42,120 Speaker 1: before coming back in the last LIKE i don't, know 610 00:34:42,200 --> 00:34:44,560 Speaker 1: the last quarter or so to really land the plane 611 00:34:44,560 --> 00:34:47,680 Speaker 1: in a thrilling. WAY i still recommend, it highly recommended. 612 00:34:47,680 --> 00:34:50,000 Speaker 1: It it was very very, good but it close to six hundred. 613 00:34:50,000 --> 00:34:53,480 Speaker 1: PAGES i think a little fat could have been trimmed. 614 00:34:53,760 --> 00:34:56,799 Speaker 1: Somewhere now it's your. TURN i want to hear from. 615 00:34:56,800 --> 00:35:00,520 Speaker 1: You what have you been, watching, reading listening? To hit me? 616 00:35:00,640 --> 00:35:02,760 Speaker 1: Up let me know you know how to do? It 617 00:35:02,880 --> 00:35:07,600 Speaker 1: six one seven nine oh six six six three Eight hang, tight, 618 00:35:07,600 --> 00:35:22,520 Speaker 1: Guys i'm gonna be right, Back, okay. Everybody it's just 619 00:35:22,560 --> 00:35:25,320 Speaker 1: about time for me to wrap up the rap party 620 00:35:25,400 --> 00:35:27,200 Speaker 1: and get the hell out of. HERE i gotta go 621 00:35:27,239 --> 00:35:31,200 Speaker 1: do some research For. Disgraceland i've got to put together 622 00:35:31,320 --> 00:35:34,120 Speaker 1: the next episode of The Screening. Room SO i can 623 00:35:34,200 --> 00:35:36,560 Speaker 1: record that soon For matt to put, together so you 624 00:35:36,560 --> 00:35:39,439 Speaker 1: guys can hear that this week six one seven nine 625 00:35:39,440 --> 00:35:44,919 Speaker 1: oh six six six three eight or disgracelampod at gmail dot. 626 00:35:44,960 --> 00:35:47,920 Speaker 1: Com two easy ways for you to get in touch with. 627 00:35:47,960 --> 00:35:50,600 Speaker 1: Me it's also how you get in touch With jake 628 00:35:50,760 --> 00:35:54,640 Speaker 1: over In. Disgracelam i'm literally flying through all these messages 629 00:35:54,680 --> 00:35:57,840 Speaker 1: and texts and emails and everything As i'm putting together 630 00:35:57,920 --> 00:36:00,880 Speaker 1: the rap party each. Week it's the only TIME i 631 00:36:01,040 --> 00:36:04,600 Speaker 1: look in the. Inboxes, Okay so please understand if we 632 00:36:04,640 --> 00:36:06,799 Speaker 1: don't respond to you guys all the time right there 633 00:36:07,040 --> 00:36:09,400 Speaker 1: in the text or the email or, whatever know that 634 00:36:09,440 --> 00:36:12,319 Speaker 1: we are seeing, them we appreciate them. All we'll get 635 00:36:12,320 --> 00:36:14,720 Speaker 1: to as many as we can here in these weekly 636 00:36:14,760 --> 00:36:19,120 Speaker 1: wrap and after party. Shows, okay with, that let's recap 637 00:36:19,480 --> 00:36:22,240 Speaker 1: number one first of. All right, now in Your hollywood, 638 00:36:22,280 --> 00:36:26,040 Speaker 1: land feed our episode On Patty. Hurst number two coming 639 00:36:26,080 --> 00:36:28,560 Speaker 1: at you This. Friday we've got a new episode of 640 00:36:28,600 --> 00:36:31,400 Speaker 1: The Screening, room and this Week i'm talking all about 641 00:36:31,640 --> 00:36:35,360 Speaker 1: the twenty thirteen Film, prisoners directed By Denis villeneuve and 642 00:36:35,400 --> 00:36:39,520 Speaker 1: Starring Hugh jackman And Jake. Gillenhall number three next week On, 643 00:36:39,600 --> 00:36:43,200 Speaker 1: monday we continue Our mavericks And outliers month with a 644 00:36:43,239 --> 00:36:48,120 Speaker 1: fully scripted and sound design episode on Director John. Houston number. 645 00:36:48,120 --> 00:36:51,360 Speaker 1: Four over in our sisters Show, disgraceland we just dropped 646 00:36:51,400 --> 00:36:54,920 Speaker 1: a brand new, episode Our part two episode On. Inexcess 647 00:36:55,520 --> 00:36:57,600 Speaker 1: this one gets into the Wild west that was The 648 00:36:57,640 --> 00:37:01,080 Speaker 1: australian pub rock scene back on the, set as well 649 00:37:01,080 --> 00:37:03,560 Speaker 1: as a number of crazy stories we weren't able to 650 00:37:03,560 --> 00:37:06,920 Speaker 1: tell In part, One part, one largely being the story 651 00:37:07,239 --> 00:37:10,200 Speaker 1: Of Michael hutchins and his. Death you can hear both 652 00:37:10,200 --> 00:37:14,040 Speaker 1: of those episodes over in The disgraceland. Feed number five 653 00:37:14,320 --> 00:37:18,560 Speaker 1: don't sleep On Disgraceland all access over In, patreon where 654 00:37:18,560 --> 00:37:20,560 Speaker 1: you can get ad free listening of all of our, 655 00:37:20,600 --> 00:37:25,280 Speaker 1: shows plus bonus audio and video, content including our monthly video. 656 00:37:25,320 --> 00:37:27,839 Speaker 1: Podcast this film should be played, loud which is Where 657 00:37:27,880 --> 00:37:30,520 Speaker 1: jake AND i come together Like voltron to deliver a 658 00:37:30,520 --> 00:37:33,800 Speaker 1: deep dive into the incredible music behind some of our favorite. 659 00:37:33,840 --> 00:37:37,480 Speaker 1: Movies we've got episodes On Boogie, Night's Train spotting And 660 00:37:37,560 --> 00:37:41,239 Speaker 1: Goodfellows up, already more coming at you real. Soon just 661 00:37:41,239 --> 00:37:45,880 Speaker 1: go to disgracelampod dot com to sign. Up and, now 662 00:37:46,040 --> 00:37:48,480 Speaker 1: in honor of this week's. Episode here's What america was 663 00:37:48,520 --> 00:37:52,000 Speaker 1: watching at the movies in nineteen seventy, four the year 664 00:37:52,040 --> 00:37:56,000 Speaker 1: That Patti hurst was kidnapped by The Symbionese Liberation. Army 665 00:37:58,040 --> 00:38:03,479 Speaker 1: number One Blazing, saddles directed by Mel. Brooks number, Two 666 00:38:04,239 --> 00:38:09,280 Speaker 1: The Towering inferno directed By John, geerman directed By Francis number, 667 00:38:09,280 --> 00:38:12,759 Speaker 1: Three number, Four The trial Of Billy jackson directed By 668 00:38:12,840 --> 00:38:18,399 Speaker 1: John lafleyhips Direct number Four Young frankensteiner eight directed by Mel. 669 00:38:18,440 --> 00:38:22,240 Speaker 1: Brooks where's The? Adams number, five directed By. Earthquake godfather 670 00:38:22,520 --> 00:38:25,680 Speaker 1: was directed By Mark robson And Francis. Always number Six 671 00:38:26,640 --> 00:38:31,600 Speaker 1: The Godfather Part two directed By Francis Ford Cople number 672 00:38:31,600 --> 00:38:36,560 Speaker 1: Seven Quit talking And start Mixing cold