1 00:00:00,760 --> 00:00:17,520 Speaker 1: I am all in, want kiss you. I am all 2 00:00:17,600 --> 00:00:21,599 Speaker 1: in with Scott Patterson and I heart radio podcast. Let's 3 00:00:21,640 --> 00:00:24,720 Speaker 1: get started. I have a lot to say. I bet 4 00:00:24,800 --> 00:00:31,440 Speaker 1: you do. I got a lot to say this one. Oh, 5 00:00:31,480 --> 00:00:34,120 Speaker 1: I have a new idea. Adea, you start first, but 6 00:00:34,159 --> 00:00:36,080 Speaker 1: I have a new idea of something I want to 7 00:00:36,120 --> 00:00:39,239 Speaker 1: do every episode. Now, all right, so you're gonna are 8 00:00:39,240 --> 00:00:41,960 Speaker 1: you gonna a You're gonna talk about it? Talk first, 9 00:00:42,040 --> 00:00:44,239 Speaker 1: You talk first, and then I'll tell you guys, I'm 10 00:00:44,240 --> 00:00:48,639 Speaker 1: gonna spring it on you. Oh my god. Okay, uh yeah, 11 00:00:48,720 --> 00:00:53,840 Speaker 1: I don't know this This episode was what can I say? 12 00:00:54,000 --> 00:00:57,200 Speaker 1: How can I in caps? Like, just Daniel, you want 13 00:00:57,240 --> 00:01:00,440 Speaker 1: to do the what do you do? The recap? Recap? 14 00:01:00,480 --> 00:01:02,480 Speaker 1: And then we'll get it. We'll dive into it. Yeah, 15 00:01:02,560 --> 00:01:06,759 Speaker 1: let's do it. Season three, episode fifteen, Face Off Air 16 00:01:06,880 --> 00:01:12,520 Speaker 1: date February two thousand three. Grandma Gilmore Okaytrix is in 17 00:01:12,600 --> 00:01:15,400 Speaker 1: town for a visit and it has Emily oh riled up. 18 00:01:15,600 --> 00:01:17,880 Speaker 1: But then the tables have turned as Emily sees something 19 00:01:18,000 --> 00:01:21,800 Speaker 1: she shouldn't have. Rory gets annoyed by Justice's reluctance to 20 00:01:21,880 --> 00:01:24,640 Speaker 1: call and decides to go to Stars Hollow Hockey game 21 00:01:24,959 --> 00:01:27,880 Speaker 1: with Lane and her fake boyfriend, but then ses Dean 22 00:01:28,000 --> 00:01:31,080 Speaker 1: with somebody new and speaking of Lane, her and Dave 23 00:01:31,160 --> 00:01:34,520 Speaker 1: have a whole new dating plan set in place. Directed 24 00:01:34,520 --> 00:01:38,800 Speaker 1: by Kenny Ortega. Not typical Kenny Ortega. Yeah, there's no 25 00:01:38,920 --> 00:01:43,479 Speaker 1: dancing or singing in this episode. Wait, I can't get 26 00:01:43,480 --> 00:01:56,760 Speaker 1: a read of Scott loved it or hated it? Yeah. Um, 27 00:01:56,800 --> 00:01:59,600 Speaker 1: you know, I don't know that that episode really hit 28 00:01:59,720 --> 00:02:03,280 Speaker 1: my demo. Uh, I think it hits it. I think 29 00:02:03,360 --> 00:02:06,960 Speaker 1: I think it hits a much younger demo obviously, because 30 00:02:07,000 --> 00:02:11,200 Speaker 1: we spent so much time. Look, when you take the drummer, 31 00:02:12,280 --> 00:02:15,560 Speaker 1: when you take the lead singer and the drummer away 32 00:02:16,800 --> 00:02:19,000 Speaker 1: and separate them and they're in different bands and they're 33 00:02:19,000 --> 00:02:22,600 Speaker 1: playing with different players, you know, you kind of lose 34 00:02:22,600 --> 00:02:25,320 Speaker 1: the threat a little bit. I you know, it just 35 00:02:25,400 --> 00:02:29,280 Speaker 1: proved to me how important the mother daughter relationship is. 36 00:02:29,639 --> 00:02:31,800 Speaker 1: And when you separate these two this much in an 37 00:02:31,840 --> 00:02:37,519 Speaker 1: episode and leave them with other players, um, you know, 38 00:02:37,639 --> 00:02:42,040 Speaker 1: it's entertaining, but it's just it's just it kind of 39 00:02:42,080 --> 00:02:44,840 Speaker 1: felt like it went off the spine of what Gilmore 40 00:02:44,880 --> 00:02:47,519 Speaker 1: Girls is and it went into kid world and it 41 00:02:47,680 --> 00:02:50,320 Speaker 1: really really delved in there because now we have Dean, 42 00:02:51,200 --> 00:02:55,799 Speaker 1: the Dean situation, the jet situation. You know, it reflects 43 00:02:55,800 --> 00:02:57,840 Speaker 1: what the mother has been going through, and it's like, 44 00:02:57,880 --> 00:03:00,720 Speaker 1: you know, the apple not falling too far from the 45 00:03:00,720 --> 00:03:04,480 Speaker 1: tree with their choices and all those lessons learned and 46 00:03:04,840 --> 00:03:08,280 Speaker 1: or are not learned yet. Uh uh. And then of 47 00:03:08,280 --> 00:03:11,640 Speaker 1: course you introduced the most important character in the history 48 00:03:11,680 --> 00:03:19,960 Speaker 1: of television and Trixie, and I just didn't get the 49 00:03:20,040 --> 00:03:24,680 Speaker 1: satisfaction I was looking forward in that encounter, uh and 50 00:03:24,800 --> 00:03:29,320 Speaker 1: that resolution, And I just thought, listen, do you want 51 00:03:29,320 --> 00:03:33,440 Speaker 1: to go chronologically? Yeah, bitch for half an hour? No, 52 00:03:33,600 --> 00:03:36,560 Speaker 1: I love. I love listening to you, bitch. It wasn't 53 00:03:36,600 --> 00:03:38,560 Speaker 1: my favorite, but I liked it and I got some 54 00:03:38,640 --> 00:03:41,800 Speaker 1: really good laugh Let me ask you us about about Trixie, 55 00:03:42,000 --> 00:03:46,160 Speaker 1: because I think I have a theory, okay, because I 56 00:03:46,240 --> 00:03:52,279 Speaker 1: love Mary and Roth. So she is sort is very unlikable, 57 00:03:52,480 --> 00:03:57,320 Speaker 1: right and a little bit over the top, but I 58 00:03:57,400 --> 00:04:00,880 Speaker 1: love what happens as a result of her her. So 59 00:04:01,040 --> 00:04:04,160 Speaker 1: because of her, I love what was happening with lore 60 00:04:04,240 --> 00:04:07,840 Speaker 1: Lye and Emily, and because of her we got that 61 00:04:08,040 --> 00:04:11,320 Speaker 1: hysterical scene at the end with Richard and lore Lye. 62 00:04:11,480 --> 00:04:14,080 Speaker 1: So is there any chance I just think that that 63 00:04:14,160 --> 00:04:17,960 Speaker 1: whole thing started started to cut you off for me, 64 00:04:18,200 --> 00:04:23,039 Speaker 1: that for me, that was built on a house of cards. Uh, 65 00:04:23,080 --> 00:04:25,760 Speaker 1: and it just didn't hold up for me. I think 66 00:04:25,800 --> 00:04:28,520 Speaker 1: the structure I knew, I knew what they were going 67 00:04:28,560 --> 00:04:30,680 Speaker 1: for and trying to build, but it was such a 68 00:04:30,720 --> 00:04:34,359 Speaker 1: weak foundation to begin with that it just didn't it 69 00:04:34,440 --> 00:04:37,640 Speaker 1: just it just fell apart from me. Uh. And I 70 00:04:37,640 --> 00:04:41,000 Speaker 1: didn't take the journey that they were trying to take 71 00:04:41,080 --> 00:04:45,240 Speaker 1: us on. And I actually screamed out at Emily, like, 72 00:04:45,560 --> 00:04:50,440 Speaker 1: you do not owe that, you know what an apology? 73 00:04:50,760 --> 00:04:56,440 Speaker 1: Stop apologizing? Don't apologize? Interesting And I can debate that. 74 00:04:56,640 --> 00:04:59,960 Speaker 1: I thought that there was a chance for some real hard, 75 00:05:00,000 --> 00:05:04,200 Speaker 1: hard edged drama here, like even melodrama, which I was 76 00:05:04,240 --> 00:05:08,040 Speaker 1: like dying for because I wasn't getting it from and 77 00:05:08,240 --> 00:05:11,520 Speaker 1: you know, I wanted a high quality melodrama instead of 78 00:05:11,560 --> 00:05:14,400 Speaker 1: what I considered to be low quality melodrama from the kids, 79 00:05:14,800 --> 00:05:18,240 Speaker 1: And like can can can can can the adults in 80 00:05:18,279 --> 00:05:21,960 Speaker 1: the room please just like let's go, okay, come on, 81 00:05:22,040 --> 00:05:25,680 Speaker 1: hit the accelerator here and let Emily have her runway 82 00:05:25,760 --> 00:05:28,920 Speaker 1: and let her just go off on that woman. Fair 83 00:05:28,960 --> 00:05:33,719 Speaker 1: criticism because I see what you're saying, I liked it 84 00:05:33,760 --> 00:05:36,160 Speaker 1: and I had some really good laughs. Daniel Tar, you 85 00:05:36,200 --> 00:05:38,560 Speaker 1: gotta tell us what you think, because I see what 86 00:05:38,600 --> 00:05:42,279 Speaker 1: you're saying. With Scott, you wanted real emotion where it 87 00:05:42,400 --> 00:05:46,760 Speaker 1: was very campy. Yes, I see what you're saying, and 88 00:05:46,839 --> 00:05:50,960 Speaker 1: I wanted it to be. I mean, listen, all of 89 00:05:51,000 --> 00:05:54,400 Speaker 1: this stuff, the fake boyfriend, that that Mrs Kim, all 90 00:05:54,440 --> 00:05:59,880 Speaker 1: that stuff. I mean, it's not it's it's really is 91 00:06:00,640 --> 00:06:05,000 Speaker 1: straining credulity here, and that we're supposed to buy into 92 00:06:05,040 --> 00:06:08,280 Speaker 1: this world, right, and that Lane is in this bizarre situation. 93 00:06:08,320 --> 00:06:11,640 Speaker 1: Everybody's in this and like now we're tolerating Jess again, 94 00:06:11,680 --> 00:06:14,960 Speaker 1: and then you know Taylor with the wacky hockey stuff 95 00:06:14,960 --> 00:06:18,000 Speaker 1: and his brother. I just thought it was kind of 96 00:06:18,080 --> 00:06:23,880 Speaker 1: clumsily too much of that, Whereas typically in an episode 97 00:06:23,920 --> 00:06:27,080 Speaker 1: we get one or two of those things and then 98 00:06:27,080 --> 00:06:30,480 Speaker 1: they're very funny. In this one, it was like, because 99 00:06:30,520 --> 00:06:34,360 Speaker 1: you've got Taylor, you've got the fake boyfriend, you've got 100 00:06:34,520 --> 00:06:37,920 Speaker 1: Tricks who is campy. You've got a little of Kirk 101 00:06:38,000 --> 00:06:41,720 Speaker 1: being the like a sports announcer and doesn't know the sport. 102 00:06:41,920 --> 00:06:45,360 Speaker 1: So it's almost I see what you're saying. To it's 103 00:06:45,400 --> 00:06:47,880 Speaker 1: like too much. It was there was no it wasn't grounded. 104 00:06:48,320 --> 00:06:51,560 Speaker 1: It was all comedy or attend to comedy, right, like, 105 00:06:51,720 --> 00:06:54,440 Speaker 1: let's go for these. Hey, look we're again, We're in 106 00:06:54,440 --> 00:06:57,880 Speaker 1: another wacky situation, ha ha ha. But I just didn't 107 00:06:57,880 --> 00:06:59,920 Speaker 1: think the execution was there. I didn't think the right 108 00:07:00,200 --> 00:07:04,520 Speaker 1: was there. I didn't think and I'm not going to 109 00:07:04,640 --> 00:07:08,680 Speaker 1: go along on the tricksy ride if Emily feels like 110 00:07:08,720 --> 00:07:14,760 Speaker 1: she has to apologize. I thought people were out of character. Okay, fair, okay, 111 00:07:14,760 --> 00:07:18,720 Speaker 1: So this okay, it's very exciting. It's very exciting. We've 112 00:07:18,760 --> 00:07:21,720 Speaker 1: got so much to debate. So first, Danielle and Tara 113 00:07:21,880 --> 00:07:25,160 Speaker 1: give us your overall impressions. Then I will drop the 114 00:07:25,200 --> 00:07:29,960 Speaker 1: bomb of the new huh something that we're going to 115 00:07:30,040 --> 00:07:32,400 Speaker 1: do every episode, so because I think it's going to 116 00:07:32,480 --> 00:07:36,760 Speaker 1: be perfect for this episode. So first, y'all's overview, what 117 00:07:36,800 --> 00:07:39,880 Speaker 1: did you think with a title like face Off? I 118 00:07:39,920 --> 00:07:43,800 Speaker 1: was expecting some kind of fist throwing, you know, like 119 00:07:43,880 --> 00:07:47,560 Speaker 1: some kind of actual fight. So I was a little 120 00:07:47,640 --> 00:07:49,480 Speaker 1: let down from there. I was just waiting for the 121 00:07:49,560 --> 00:07:51,720 Speaker 1: dan Jest scene where they're going to just like pummel 122 00:07:51,760 --> 00:07:54,440 Speaker 1: each other. I'm just waiting for it didn't happen. It's okay, 123 00:07:54,640 --> 00:07:57,440 Speaker 1: I'm over it. But outside of that, I did like 124 00:07:57,560 --> 00:07:59,600 Speaker 1: that episode. I thought it was fun. I thought it 125 00:07:59,680 --> 00:08:04,440 Speaker 1: was you and and interesting. But I do hear what 126 00:08:04,520 --> 00:08:08,160 Speaker 1: you're saying, Scott, with every character being outside of themselves, 127 00:08:08,440 --> 00:08:11,640 Speaker 1: You're so right, Like every single character was different than 128 00:08:11,680 --> 00:08:17,840 Speaker 1: who they usually are. You know, I thought it weakened everybody. 129 00:08:17,920 --> 00:08:19,960 Speaker 1: The only time. I mean I laughed out loud a 130 00:08:20,000 --> 00:08:24,600 Speaker 1: couple of times, you know, I thought it was hysterically funny. 131 00:08:24,600 --> 00:08:27,000 Speaker 1: When Laurel, I said, that's when she was coming in. 132 00:08:27,120 --> 00:08:28,880 Speaker 1: They made asked her to come and talk to the 133 00:08:28,920 --> 00:08:32,559 Speaker 1: old ladies. She said, that's a deep philosophical question. Then 134 00:08:32,559 --> 00:08:39,120 Speaker 1: she starts backing up. Yeah, that was like for me, 135 00:08:39,240 --> 00:08:42,520 Speaker 1: that was the moment of the whole thing. I mean, 136 00:08:42,600 --> 00:08:48,120 Speaker 1: I did have some belly laughs like la But the 137 00:08:48,160 --> 00:08:50,800 Speaker 1: part I will agree with is there was very little 138 00:08:50,920 --> 00:08:54,080 Speaker 1: drama in the drama in this episode. That was like 139 00:08:54,200 --> 00:08:59,040 Speaker 1: really heartfelt a little bit with Rory. Okay, so Tara, 140 00:08:59,120 --> 00:09:01,160 Speaker 1: you tell us your thought and then I'm just so 141 00:09:01,200 --> 00:09:03,960 Speaker 1: excited for my bomb, my bomb to draw. I mean 142 00:09:04,000 --> 00:09:06,000 Speaker 1: kind of the same as Danielle, Like I really enjoyed it. 143 00:09:06,040 --> 00:09:09,040 Speaker 1: I think also, just having seen the series so many times, 144 00:09:09,040 --> 00:09:10,600 Speaker 1: I was like, oh, yeah, I forgot about this one, 145 00:09:10,640 --> 00:09:12,880 Speaker 1: and then it was like entertained by it. But when 146 00:09:12,880 --> 00:09:14,520 Speaker 1: you put it that way, everyone was a little out 147 00:09:14,559 --> 00:09:17,000 Speaker 1: of character. For me, when I was watching it last night, 148 00:09:17,080 --> 00:09:19,160 Speaker 1: I was like, this is really entertaining. I forgot about 149 00:09:19,679 --> 00:09:22,800 Speaker 1: like this is where we see Lindsay and all that stuff, um, 150 00:09:22,840 --> 00:09:28,680 Speaker 1: and I forgot the grant and her boyfriend. I would 151 00:09:28,760 --> 00:09:31,440 Speaker 1: say I melted with Adam Brady. We'll get to it later, 152 00:09:31,559 --> 00:09:37,240 Speaker 1: but I just but I but he even he was 153 00:09:37,280 --> 00:09:41,520 Speaker 1: out of right, even because he wasn't cool and we're 154 00:09:41,520 --> 00:09:44,640 Speaker 1: so used to him being cool. I did it that 155 00:09:44,720 --> 00:09:46,760 Speaker 1: he went running over there, you know that when the 156 00:09:46,840 --> 00:09:50,600 Speaker 1: camera on that close up of him after Lane leaves 157 00:09:50,679 --> 00:09:54,040 Speaker 1: with Young Chew on the fake day, and then they 158 00:09:54,080 --> 00:09:57,120 Speaker 1: cut to day for Dolski and he's like, he looks like, well, 159 00:09:57,240 --> 00:10:02,240 Speaker 1: what's going on? Right? Looks bummed? Right, It's like, come on, 160 00:10:02,440 --> 00:10:05,640 Speaker 1: don't destroy his character. And another and another beef I 161 00:10:05,679 --> 00:10:08,280 Speaker 1: have is what the heck is Jess doing behind the counter? 162 00:10:08,760 --> 00:10:14,400 Speaker 1: Having seen with Rory, he was that that was a 163 00:10:14,440 --> 00:10:18,040 Speaker 1: big moment for the show because he was working behind 164 00:10:18,080 --> 00:10:24,040 Speaker 1: the counter exactly. Wait why because he was talking to Jess, 165 00:10:24,400 --> 00:10:27,200 Speaker 1: I felt I started feeling a little territorial. And I 166 00:10:27,240 --> 00:10:32,920 Speaker 1: know it sounds ridiculous, but to do a scene, to 167 00:10:33,040 --> 00:10:35,120 Speaker 1: choose to do a scene with him behind the counter 168 00:10:35,280 --> 00:10:41,600 Speaker 1: was like, I don't know that I noticed that, but 169 00:10:41,679 --> 00:10:45,480 Speaker 1: he's been behind the counter before. There before, he's done 170 00:10:45,480 --> 00:10:51,960 Speaker 1: the register before, when you're upstairs are gone food. Yeah, 171 00:10:52,000 --> 00:10:54,400 Speaker 1: everything has been was a little off for me in 172 00:10:54,400 --> 00:10:57,640 Speaker 1: that episode. I don't going to disagree with you. You 173 00:10:57,679 --> 00:11:02,800 Speaker 1: know that wasn't off. Marion Ross's name was spelled. I 174 00:11:02,920 --> 00:11:10,600 Speaker 1: noticed that too. Okay, it's just just to me, it's like, 175 00:11:10,679 --> 00:11:15,160 Speaker 1: how can anybody, even if they're elderly, be that unconscious 176 00:11:15,280 --> 00:11:21,920 Speaker 1: to how obnoxious and abusive they're being to uh to Emily. 177 00:11:22,000 --> 00:11:26,400 Speaker 1: I mean, it's it's very out of the top. And 178 00:11:26,480 --> 00:11:29,960 Speaker 1: that scene in the kitchen with Laura La, I'm telling 179 00:11:30,000 --> 00:11:35,240 Speaker 1: her about the job, the jogger kiss. You know, she goes, 180 00:11:35,280 --> 00:11:38,880 Speaker 1: now I have my moment, and then Laura to convince 181 00:11:38,960 --> 00:11:41,319 Speaker 1: her not to do it. You know, I just what 182 00:11:41,400 --> 00:11:45,000 Speaker 1: is what what are you go doing? Get out of 183 00:11:45,000 --> 00:11:47,679 Speaker 1: her way, Let the scene happen. Let it an't. Let 184 00:11:47,679 --> 00:11:50,600 Speaker 1: it flyde man. I mean she earned this over three 185 00:11:50,679 --> 00:11:53,640 Speaker 1: and a half two and a half years of taking 186 00:11:53,679 --> 00:11:55,959 Speaker 1: crap off that one in the audience wants. I mean, 187 00:11:56,040 --> 00:11:59,560 Speaker 1: I'm the audior like forty years. She's been taking crap 188 00:11:59,600 --> 00:12:04,200 Speaker 1: from that one for four years. Part that doesn't track 189 00:12:04,360 --> 00:12:10,040 Speaker 1: for me with tricks is tricks is so you know, 190 00:12:10,240 --> 00:12:15,120 Speaker 1: she's she's a fancy lady who has perfect manners and 191 00:12:15,200 --> 00:12:19,400 Speaker 1: so proper. So even if she hates Emily, somebody like 192 00:12:19,480 --> 00:12:23,440 Speaker 1: that would never do it in front of their friends 193 00:12:23,840 --> 00:12:27,800 Speaker 1: because it would be so rude that they would judge that, 194 00:12:28,000 --> 00:12:29,960 Speaker 1: do you know what I mean? That would be only 195 00:12:30,040 --> 00:12:33,160 Speaker 1: do when it's just the family. So that was the 196 00:12:33,160 --> 00:12:36,480 Speaker 1: part that I thought, Oh, she wouldn't, you know, like 197 00:12:36,600 --> 00:12:41,000 Speaker 1: a mean old bitch is so perfect at a party, 198 00:12:41,400 --> 00:12:42,880 Speaker 1: do you know what I mean. So that was a 199 00:12:42,920 --> 00:12:44,600 Speaker 1: part that I was like, she's not going to do 200 00:12:44,640 --> 00:12:53,480 Speaker 1: that with those you know Granny's they're okay funeral So 201 00:12:54,320 --> 00:13:03,640 Speaker 1: I know, I know, why were they like that? They 202 00:13:03,679 --> 00:13:09,880 Speaker 1: were No, they were no Golden girls idea And I 203 00:13:09,920 --> 00:13:11,960 Speaker 1: don't have a name for it yet. We have to 204 00:13:12,000 --> 00:13:16,679 Speaker 1: come up with a name. But I think this is new, everybody, 205 00:13:16,720 --> 00:13:20,480 Speaker 1: This is new, keeping it fresh. Okay, So each week 206 00:13:21,200 --> 00:13:24,800 Speaker 1: before we start kind of going through it chronologically, I 207 00:13:24,840 --> 00:13:29,720 Speaker 1: want to do a quick high low or like what 208 00:13:30,040 --> 00:13:32,880 Speaker 1: made the biggest impression on you and what was your 209 00:13:32,920 --> 00:13:36,439 Speaker 1: bone to pick? Because last episode when we did the 210 00:13:36,480 --> 00:13:40,280 Speaker 1: bone to pick, people really seem to like that. They 211 00:13:40,360 --> 00:13:42,800 Speaker 1: wrote all about it with their if they agreed or 212 00:13:42,840 --> 00:13:44,679 Speaker 1: disagreed with our bones to pick. So I feel like 213 00:13:44,720 --> 00:13:48,400 Speaker 1: we need to do are each of us well no, 214 00:13:48,800 --> 00:13:52,160 Speaker 1: because I didn't give my thing that really landed on me, 215 00:13:52,360 --> 00:13:57,600 Speaker 1: which was what was going on at the end with Rory. 216 00:13:57,960 --> 00:14:02,000 Speaker 1: I a phone call. No, when she comes home, so 217 00:14:02,240 --> 00:14:06,600 Speaker 1: Jess is all awesome, picks her up, No, Jess Blewett, No, 218 00:14:07,040 --> 00:14:12,160 Speaker 1: Jess looking awesome. I had that was a hail marriage. Yes, 219 00:14:12,200 --> 00:14:14,280 Speaker 1: that was That was a total hair hail Mary, and 220 00:14:14,320 --> 00:14:16,720 Speaker 1: she didn't buy into it. She was still hurt and 221 00:14:16,800 --> 00:14:19,880 Speaker 1: she was still hurting because Dean was gone. Now okay, 222 00:14:19,960 --> 00:14:24,720 Speaker 1: so that is okay in that moment, like I had 223 00:14:24,760 --> 00:14:27,440 Speaker 1: a good one. I let it go for this loser 224 00:14:28,000 --> 00:14:31,400 Speaker 1: and that could look how he's treating Okay, that's sensitive. 225 00:14:31,640 --> 00:14:34,520 Speaker 1: She's a sensitive young girl that she was sort of 226 00:14:34,640 --> 00:14:36,880 Speaker 1: MOPy about Dean. But I had a weird moment where 227 00:14:36,880 --> 00:14:40,120 Speaker 1: I'm like, did the have sex? And he is the 228 00:14:40,400 --> 00:14:49,280 Speaker 1: same back, I just said that and you said it 229 00:14:49,360 --> 00:14:51,640 Speaker 1: before me. I agree with you. I was like, did 230 00:14:51,760 --> 00:14:54,840 Speaker 1: they have sex? And then she's so belted it kind 231 00:14:54,920 --> 00:14:58,960 Speaker 1: of because he's not treating her right. Yeah? Was it 232 00:14:59,080 --> 00:15:00,840 Speaker 1: taking you back to the episode? I think it was 233 00:15:00,880 --> 00:15:05,000 Speaker 1: the last episode silent well, and then she told Loralae 234 00:15:05,160 --> 00:15:07,840 Speaker 1: like I'm gonna do it and then she was all 235 00:15:07,920 --> 00:15:11,240 Speaker 1: weird with loral and scurried off. So I'm I was 236 00:15:11,280 --> 00:15:13,120 Speaker 1: like having this weird moment, although I do agree with 237 00:15:13,160 --> 00:15:16,920 Speaker 1: Scott that I do think she's bummed about Dean. Yeah, 238 00:15:18,440 --> 00:15:21,120 Speaker 1: Oh that's so weird. I mean I kind of had 239 00:15:21,160 --> 00:15:24,440 Speaker 1: to slow claud Dean in this episode, like like just 240 00:15:24,600 --> 00:15:31,920 Speaker 1: gonna you know happy. Yeah, Dean was awesome in this 241 00:15:32,040 --> 00:15:35,680 Speaker 1: episode because he's got the new girlfriend. He's totally confident 242 00:15:35,720 --> 00:15:38,480 Speaker 1: in it, but still was so sweet and cool to 243 00:15:38,640 --> 00:15:41,920 Speaker 1: Rory and his friend. It was like this guy and 244 00:15:42,000 --> 00:15:48,720 Speaker 1: he looked good in hockey. Okay, alright, Dean, I see you, right? 245 00:15:49,160 --> 00:15:52,080 Speaker 1: So does anyone else have something that they either that 246 00:15:52,240 --> 00:15:55,080 Speaker 1: really stood out to them that we'll discuss further when 247 00:15:55,120 --> 00:15:57,760 Speaker 1: we get to it or like a major bone to pick. 248 00:16:01,080 --> 00:16:03,600 Speaker 1: I do have something that landed on me, like it 249 00:16:04,120 --> 00:16:08,040 Speaker 1: talked abousked me to to think, um, but it's at 250 00:16:08,080 --> 00:16:10,600 Speaker 1: the very end we want to go yeah, because this 251 00:16:10,760 --> 00:16:12,400 Speaker 1: is going to get exact. People are gonna get so 252 00:16:12,480 --> 00:16:16,600 Speaker 1: excited with my bone to pick led to my aha moment. 253 00:16:17,000 --> 00:16:20,600 Speaker 1: So the bone to pick was the Emily and Trick stuff. 254 00:16:20,680 --> 00:16:23,800 Speaker 1: I it just I felt a little it felt overplayed 255 00:16:23,840 --> 00:16:25,840 Speaker 1: to me and the same old stick over and over 256 00:16:25,920 --> 00:16:29,480 Speaker 1: and over again. But the very very end landed on 257 00:16:29,600 --> 00:16:33,680 Speaker 1: me when Emily was like, I'm lonely too. Did everything 258 00:16:34,040 --> 00:16:36,560 Speaker 1: you know didn't ever come across to your did you 259 00:16:36,640 --> 00:16:39,600 Speaker 1: ever think that maybe I'm feeling the same way that 260 00:16:39,720 --> 00:16:42,120 Speaker 1: I'm lonely and that you hurt me? And and it 261 00:16:42,240 --> 00:16:44,680 Speaker 1: was just a very vulnerable moment for her character, which 262 00:16:44,720 --> 00:16:47,400 Speaker 1: I still think it's stuck true to who she is 263 00:16:47,600 --> 00:16:50,360 Speaker 1: as a character, Emily. But it just made me like, 264 00:16:50,920 --> 00:16:54,400 Speaker 1: oh man, she's like giving her truth in that moment 265 00:16:55,000 --> 00:17:00,280 Speaker 1: and that it really like that scene landed on me. Yeah, 266 00:17:04,200 --> 00:17:06,360 Speaker 1: you know what the scene that bothered me the most. 267 00:17:06,440 --> 00:17:08,439 Speaker 1: You want to you want to know my largest phone 268 00:17:09,600 --> 00:17:11,880 Speaker 1: of the bone yard, because this was a bone yard 269 00:17:12,000 --> 00:17:19,120 Speaker 1: for me. But but, but the biggest bone is Laura 270 00:17:19,200 --> 00:17:24,480 Speaker 1: La and Richard sitting on the couch after the sort 271 00:17:24,520 --> 00:17:30,440 Speaker 1: of the reconciliation speech from Emily with the tricks which 272 00:17:30,480 --> 00:17:32,760 Speaker 1: I didn't buy, and now she's going downstairs to get 273 00:17:32,840 --> 00:17:37,840 Speaker 1: to tea before she arrives. Before she comes downstairs, Richard 274 00:17:37,920 --> 00:17:41,200 Speaker 1: starts laughing, and the whole whole thing, well, um, you 275 00:17:41,280 --> 00:17:44,000 Speaker 1: know the jokes. So I'm gonna I have a daddy now, 276 00:17:45,800 --> 00:17:51,600 Speaker 1: without one mention that, without one mention of how his 277 00:17:51,800 --> 00:17:56,760 Speaker 1: wife has been humiliated, how she's been feeling. I mean, 278 00:17:56,840 --> 00:18:01,879 Speaker 1: he just looked, Oh she no, I thought, Richard said 279 00:18:02,840 --> 00:18:10,280 Speaker 1: a break, because Graham's so tough, but so gently, so deferentially, 280 00:18:10,600 --> 00:18:13,800 Speaker 1: and Emily so deferential to this woman and moralize, so 281 00:18:13,920 --> 00:18:17,879 Speaker 1: deferential to her father, and and and him being so 282 00:18:18,080 --> 00:18:22,000 Speaker 1: completely oblivious to the to the harm this is causing 283 00:18:22,080 --> 00:18:25,200 Speaker 1: his own wife. Again, he just comes off to me 284 00:18:25,560 --> 00:18:31,760 Speaker 1: like some spoiled, unconscious little boy who's so enamored of 285 00:18:31,880 --> 00:18:34,440 Speaker 1: his Mommy. Mommy is okay, and she can do you 286 00:18:34,520 --> 00:18:37,359 Speaker 1: think she wants and run rough shot over my wife 287 00:18:37,400 --> 00:18:40,159 Speaker 1: forty years And he sits there and laughs about a 288 00:18:40,320 --> 00:18:43,960 Speaker 1: moment with the kiss with the jogging suit instead of, 289 00:18:44,440 --> 00:18:46,720 Speaker 1: you know, tapping into what his wife is going. Well, 290 00:18:46,760 --> 00:18:49,320 Speaker 1: this has been your one bone to pick with, Richard. 291 00:18:49,600 --> 00:18:53,200 Speaker 1: I think the whole series you have never liked that 292 00:18:53,400 --> 00:18:56,399 Speaker 1: he is, so I don't like a MoMA's boy. I 293 00:18:56,480 --> 00:19:00,720 Speaker 1: can't stay. Yeah, he's very deferential to Graham. It's just 294 00:19:01,840 --> 00:19:06,800 Speaker 1: I'm sorry. It's a very fair criticism, and I'm sitting 295 00:19:06,880 --> 00:19:11,080 Speaker 1: here listen. I understand that these scenes are are are 296 00:19:11,200 --> 00:19:14,480 Speaker 1: well written, they're beautifully acted, they're funny, and I think 297 00:19:15,200 --> 00:19:17,560 Speaker 1: a lot of people in the onance love these scenes. 298 00:19:17,600 --> 00:19:21,240 Speaker 1: I get that I can't enjoy them. I don't enjoy 299 00:19:21,359 --> 00:19:25,440 Speaker 1: them at all. You know what I enjoy. I enjoy 300 00:19:25,560 --> 00:19:29,080 Speaker 1: the possibility that Emily is finally going to take action. 301 00:19:29,160 --> 00:19:32,920 Speaker 1: I wanted her to dump that over her head and 302 00:19:33,040 --> 00:19:35,360 Speaker 1: she didn't, and I was like, gosh, darn it. She's 303 00:19:35,400 --> 00:19:38,320 Speaker 1: singing songs and then she gets you know, they didn't 304 00:19:38,400 --> 00:19:42,480 Speaker 1: give her enough sort of revenge, right, And I understand 305 00:19:42,560 --> 00:19:44,959 Speaker 1: it's an elderly woman. You can't go off on an 306 00:19:45,000 --> 00:19:49,320 Speaker 1: elderly woman. She's like the trich, she's like the Gilmore matriarch, 307 00:19:49,440 --> 00:19:52,240 Speaker 1: and she's protecting Rory, and maybe Rory is going to 308 00:19:52,359 --> 00:19:55,040 Speaker 1: inherit something or whatever. So she's got to be very careful. 309 00:19:55,320 --> 00:19:58,560 Speaker 1: But I think it was justified and was the last 310 00:19:58,600 --> 00:20:00,240 Speaker 1: time I'll said. I think she was just a fight 311 00:20:00,720 --> 00:20:04,320 Speaker 1: and having a little you know, it's a little bigger 312 00:20:04,640 --> 00:20:08,320 Speaker 1: sort of freak out on Graham than she had imagined 313 00:20:08,800 --> 00:20:12,560 Speaker 1: money a little bit, because it's would be one thing 314 00:20:12,760 --> 00:20:15,520 Speaker 1: if these guys were all like broke his jokes and 315 00:20:15,720 --> 00:20:18,399 Speaker 1: Graham was the was the purse strings and had all 316 00:20:18,440 --> 00:20:21,760 Speaker 1: the money, but like Richard has made his own money, 317 00:20:22,480 --> 00:20:26,840 Speaker 1: So that is like they they're not beholden to Graham 318 00:20:26,960 --> 00:20:29,160 Speaker 1: to take you know, not that you should be that way, 319 00:20:29,200 --> 00:20:34,920 Speaker 1: but I think some people are like you know, whatever 320 00:20:34,960 --> 00:20:38,439 Speaker 1: the word is, if if they can't afford their bills, 321 00:20:38,640 --> 00:20:41,159 Speaker 1: if this person isn't funding them. But that's not the 322 00:20:42,119 --> 00:20:45,600 Speaker 1: Gilmore and Laurel I sitting there witnessing this. She came 323 00:20:45,680 --> 00:20:48,560 Speaker 1: in and met the women and and and Graham did it. 324 00:20:48,640 --> 00:20:51,119 Speaker 1: And you know, she humiliated Emily in front of her 325 00:20:51,160 --> 00:20:53,639 Speaker 1: own daughter, in front of her own friend. And what 326 00:20:53,760 --> 00:20:56,800 Speaker 1: does what does Emily too? And Laurel I doesn't chirp 327 00:20:56,880 --> 00:20:58,479 Speaker 1: at her and all say, hey, Graham, you know, why 328 00:20:58,520 --> 00:21:01,240 Speaker 1: don't you take it down and not. I mean, I 329 00:21:01,280 --> 00:21:05,399 Speaker 1: don't like the worst thing ever to say that Graham 330 00:21:05,520 --> 00:21:07,200 Speaker 1: kissed a dude, do you know what I mean? Like 331 00:21:07,320 --> 00:21:09,760 Speaker 1: it seems like there's so many it was almost like 332 00:21:10,359 --> 00:21:14,600 Speaker 1: juicy and hate it. The old ladies could have had 333 00:21:14,680 --> 00:21:17,080 Speaker 1: a real good time talking about it, but instead it 334 00:21:17,160 --> 00:21:24,840 Speaker 1: was this horrific thing. Emily is so utterly um filled 335 00:21:24,920 --> 00:21:29,399 Speaker 1: with amma when it comes to anybody crossing her, her 336 00:21:29,440 --> 00:21:33,440 Speaker 1: own daughter, anybody else. You. I mean, some of the 337 00:21:33,560 --> 00:21:38,320 Speaker 1: greatest speeches and comebacks have come out of Emily's mouth. 338 00:21:39,200 --> 00:21:44,040 Speaker 1: That's very true. Yet she cannot muster uh a couple 339 00:21:44,119 --> 00:21:47,640 Speaker 1: of paragraphs of like back the hell off and don't 340 00:21:47,680 --> 00:21:49,320 Speaker 1: talk to me that way in front of her own 341 00:21:49,359 --> 00:21:53,720 Speaker 1: daughter to Graham. And she's the one that is so 342 00:21:53,920 --> 00:21:56,680 Speaker 1: capable of doing that. She's proved that throughout the show. Laura, 343 00:21:56,760 --> 00:22:00,080 Speaker 1: I can do it. Rory's learning to do it. It 344 00:22:00,200 --> 00:22:03,840 Speaker 1: is just though, like I can't imagine saying that to 345 00:22:03,960 --> 00:22:08,920 Speaker 1: my mother in law. You know, there is no I can't. 346 00:22:08,920 --> 00:22:13,359 Speaker 1: I mean, we talked about that when she's also insane too, 347 00:22:13,440 --> 00:22:17,400 Speaker 1: So I don't have like that like you know, correlation 348 00:22:17,600 --> 00:22:21,200 Speaker 1: to the scenario. But when it comes to your mother 349 00:22:21,280 --> 00:22:24,040 Speaker 1: in law at least like being you know, married to 350 00:22:24,119 --> 00:22:26,560 Speaker 1: my husband. That's my mother in law. There is a 351 00:22:26,680 --> 00:22:29,159 Speaker 1: level of respect that you have to you have to 352 00:22:29,240 --> 00:22:33,520 Speaker 1: deal with and as Yeah, I don't know. That's the 353 00:22:33,560 --> 00:22:36,639 Speaker 1: only thing I said. That theory about the mother in 354 00:22:36,720 --> 00:22:41,320 Speaker 1: law that she just can't cross the mother in law. Yeah, 355 00:22:41,359 --> 00:22:43,000 Speaker 1: but that doesn't give the mother in law the right 356 00:22:43,080 --> 00:22:49,280 Speaker 1: to to call call an idiot every word coming out 357 00:22:49,320 --> 00:22:51,520 Speaker 1: of her mouth. I mean it's not only just calling her. 358 00:22:52,200 --> 00:22:58,760 Speaker 1: She hates Emily everything. There is no quarter given to 359 00:22:59,720 --> 00:23:03,320 Speaker 1: em at all. Bottom line, it is Richard's place to 360 00:23:03,400 --> 00:23:10,480 Speaker 1: step up and right. But he's saying done. It is 361 00:23:10,520 --> 00:23:14,520 Speaker 1: a great bone. Yeah, So here's here's the here's the 362 00:23:14,640 --> 00:23:19,160 Speaker 1: big this is what I'm getting at. Okay, no wonder, Laurel, 363 00:23:19,280 --> 00:23:22,879 Speaker 1: I got the hell out of there. Yeah, that's a 364 00:23:23,119 --> 00:23:27,920 Speaker 1: that's a that's a crazy house. Right. Yeah, And can 365 00:23:27,960 --> 00:23:30,160 Speaker 1: you imagine when it was like back then, when everybody 366 00:23:30,240 --> 00:23:36,160 Speaker 1: had more energy, right, when Graham was younger, when oh 367 00:23:36,280 --> 00:23:39,440 Speaker 1: my goodness, Graham is nuts. I mean, I know, Okay, 368 00:23:39,440 --> 00:23:40,560 Speaker 1: in a minute, we're going to go back to the 369 00:23:40,600 --> 00:23:45,800 Speaker 1: beginning of the episode. But mental and bringing right, Grant's 370 00:23:45,800 --> 00:23:49,800 Speaker 1: bringing her own mattress in and you know, right, Graham 371 00:23:49,920 --> 00:23:53,639 Speaker 1: is nuts. So now she's in stars Hollow, which is 372 00:23:53,720 --> 00:23:58,480 Speaker 1: like a breath of fresh air. Thank god, I'm away 373 00:23:58,520 --> 00:24:04,840 Speaker 1: from these nuts, nut jobs who think they're I You 374 00:24:05,000 --> 00:24:07,960 Speaker 1: thought my mother and dad were bad. You should see 375 00:24:07,960 --> 00:24:12,159 Speaker 1: my grandmother. Oh my god, it's impossible. It's like she 376 00:24:12,320 --> 00:24:15,399 Speaker 1: walked out of the sevres. It's like, what is happening 377 00:24:15,440 --> 00:24:17,879 Speaker 1: with the people? So she got the hell out and 378 00:24:18,119 --> 00:24:22,320 Speaker 1: and gosh, Darnett. I don't blame her. Stay away, don't 379 00:24:22,359 --> 00:24:26,120 Speaker 1: go back. It's like, get a second job to pay 380 00:24:26,160 --> 00:24:29,040 Speaker 1: for jolt yourself. Do not take this money anymore from 381 00:24:29,040 --> 00:24:32,879 Speaker 1: these crazy people. Let's go back to the beginning of 382 00:24:32,920 --> 00:24:36,840 Speaker 1: the episode. He's talking about people with their heads so 383 00:24:37,040 --> 00:24:41,960 Speaker 1: far up there. It's unbelievable. She had to get out, right, 384 00:24:44,440 --> 00:24:47,560 Speaker 1: So now we will go through it. So we start 385 00:24:47,760 --> 00:24:54,680 Speaker 1: in with Dozy talking to Laurela about his upcoming family reunion, 386 00:24:55,359 --> 00:25:02,080 Speaker 1: which I did find funny, all the family reunion stuff. Yeah, yeah, Taylor, 387 00:25:02,240 --> 00:25:06,919 Speaker 1: I mean Taylor being Taylor all the time. He's always Taylor. Well, 388 00:25:07,000 --> 00:25:09,159 Speaker 1: don't keep me waiting because I have many things to 389 00:25:09,240 --> 00:25:14,320 Speaker 1: do today. His brother was so good, his brother. I 390 00:25:14,440 --> 00:25:17,399 Speaker 1: have a theory that Luke and Taylor's brother would be 391 00:25:17,560 --> 00:25:23,159 Speaker 1: p f F Taylor with this guy. Yeah, but it 392 00:25:23,200 --> 00:25:25,840 Speaker 1: wouldn't have been. I think they missed a big opportunity 393 00:25:25,920 --> 00:25:29,639 Speaker 1: with Taylor's brother. I thought it was really cliche and 394 00:25:29,760 --> 00:25:32,800 Speaker 1: such an obvious choice to make him that way. I 395 00:25:32,960 --> 00:25:37,640 Speaker 1: wanted Taylor's brother to be exactly like Taylor. It would 396 00:25:37,680 --> 00:25:43,280 Speaker 1: have been. And what you're saying, give give him give 397 00:25:43,400 --> 00:25:48,080 Speaker 1: him a brother that is exactly like him. That would 398 00:25:48,119 --> 00:25:50,800 Speaker 1: be funny, right, and see which one is more like 399 00:25:50,960 --> 00:25:53,840 Speaker 1: per nikety, you know what I mean, and more detailed 400 00:25:53,880 --> 00:25:56,159 Speaker 1: and more an. I mean, it just would have been 401 00:25:56,200 --> 00:25:58,920 Speaker 1: like you think you think I'm bad, Laura, Like what 402 00:25:59,040 --> 00:26:00,879 Speaker 1: do you meet my brother there? You know what I mean? 403 00:26:01,640 --> 00:26:03,960 Speaker 1: And then there's just like it's like give me a 404 00:26:04,000 --> 00:26:08,280 Speaker 1: tailor on steroids, you know, Yeah, that actually would have been. 405 00:26:08,359 --> 00:26:11,280 Speaker 1: Instead we get sort of the average normal guy that's 406 00:26:11,320 --> 00:26:14,280 Speaker 1: just like Taylor. You're nuts. See everybody in two hours 407 00:26:14,359 --> 00:26:17,920 Speaker 1: have a cocktail. Yeah, just because the show calls for it. 408 00:26:18,160 --> 00:26:22,560 Speaker 1: The show allows you that sort of It's detached from 409 00:26:22,600 --> 00:26:26,679 Speaker 1: reality enough where you could you could get a tailor 410 00:26:26,760 --> 00:26:31,880 Speaker 1: on steroids. Very funny. So then we moved from that scene, 411 00:26:31,920 --> 00:26:34,080 Speaker 1: which I thought was very funny. This was in the diner, 412 00:26:34,200 --> 00:26:36,359 Speaker 1: so we kind of jumped around with the family reunion stuff. 413 00:26:36,400 --> 00:26:38,080 Speaker 1: But we go to Friday night dinner and this is 414 00:26:38,119 --> 00:26:40,879 Speaker 1: where Rory and Lori la are just eating so fast 415 00:26:41,960 --> 00:26:45,000 Speaker 1: and we're kind of like, what are they doing? Then 416 00:26:45,040 --> 00:26:48,159 Speaker 1: we find out they both have plans and dates, and 417 00:26:48,400 --> 00:26:50,479 Speaker 1: I just thought the funniest part is like Emily's like, well, 418 00:26:50,520 --> 00:26:54,639 Speaker 1: we'll just sit here until you tell me what's going on. Also, 419 00:26:54,800 --> 00:26:56,720 Speaker 1: when they're at the table, the two of them by themselves, 420 00:26:56,760 --> 00:26:59,440 Speaker 1: they're like, you're being obvious, like we're supposed to eat fast, 421 00:26:59,480 --> 00:27:04,400 Speaker 1: but like your way too obvious. Okay again again completely 422 00:27:04,480 --> 00:27:09,240 Speaker 1: insulting to Emily, hurt her feelings. That's her granddaughter wanting out. 423 00:27:09,760 --> 00:27:11,680 Speaker 1: I don't want to be with you, I don't want 424 00:27:11,720 --> 00:27:13,760 Speaker 1: to be here. I want to get the hell out. 425 00:27:14,119 --> 00:27:19,400 Speaker 1: So I didn't take it. I found that behavior offensive. 426 00:27:21,080 --> 00:27:23,440 Speaker 1: I see. I thought it was more amusing because it's 427 00:27:23,480 --> 00:27:25,959 Speaker 1: Friday night and these guys have dates. And I actually 428 00:27:26,000 --> 00:27:27,720 Speaker 1: think if they would have told Emily, she would have 429 00:27:27,760 --> 00:27:32,120 Speaker 1: been like cool. You know, I've never felt I start 430 00:27:32,200 --> 00:27:34,320 Speaker 1: feeling sorry for Emily. I mean, she's just getting dumped 431 00:27:34,359 --> 00:27:41,800 Speaker 1: on granddaughter and gh I mean, she's getting from all sides. 432 00:27:41,960 --> 00:27:44,800 Speaker 1: Nobody wants anything to do with her. And then they 433 00:27:44,880 --> 00:27:46,719 Speaker 1: have that pathetic scene where she goes to the end 434 00:27:46,760 --> 00:27:49,080 Speaker 1: and oh, Grandma, let me. She kicked me out of 435 00:27:49,080 --> 00:27:55,200 Speaker 1: the house. You right, what is happening here? It wasn't like, Yeah, 436 00:27:55,840 --> 00:27:59,800 Speaker 1: Graham really makes Emily not Emily like the Emily we 437 00:28:00,040 --> 00:28:04,680 Speaker 1: know and love to hate is completely lost with Graham 438 00:28:04,680 --> 00:28:07,359 Speaker 1: because she just puts her into a whole diather and 439 00:28:07,480 --> 00:28:10,440 Speaker 1: she can't function. And I get that there are people 440 00:28:10,560 --> 00:28:12,520 Speaker 1: that you meet in your life that sort of turn 441 00:28:12,600 --> 00:28:16,639 Speaker 1: you into something that you're not um but this is 442 00:28:16,960 --> 00:28:24,160 Speaker 1: this is a television show. We please, So I thought 443 00:28:24,240 --> 00:28:26,639 Speaker 1: it was interesting as we we have a mention of 444 00:28:26,760 --> 00:28:30,520 Speaker 1: Alex because okay, so people on Instagram were mad at 445 00:28:30,560 --> 00:28:34,560 Speaker 1: me because I can't remember about how it ends with Alex, 446 00:28:34,880 --> 00:28:38,240 Speaker 1: but sometimes I can't remember everything. So we have a 447 00:28:38,320 --> 00:28:40,680 Speaker 1: mention of Alex that she's going out with Alex, but 448 00:28:40,920 --> 00:28:43,680 Speaker 1: there's no Alex. So I think Scott, you were right. 449 00:28:43,800 --> 00:28:46,240 Speaker 1: And I can't remember if Billy mentioned it that he 450 00:28:46,320 --> 00:28:56,360 Speaker 1: probably did get another job. Yeah, you know that Lauren 451 00:28:56,440 --> 00:28:59,120 Speaker 1: wanted more of them, right, right? Like they probably did 452 00:28:59,200 --> 00:29:01,520 Speaker 1: want him, and he probably he was like doing another 453 00:29:01,600 --> 00:29:05,040 Speaker 1: show because it's not like they're still talking about him. 454 00:29:07,000 --> 00:29:09,400 Speaker 1: So okay. So and then we sort of get the 455 00:29:09,480 --> 00:29:13,480 Speaker 1: inkling of Jess not calling, which I thought was like 456 00:29:15,160 --> 00:29:16,720 Speaker 1: I thought it was out of character for him to 457 00:29:16,880 --> 00:29:23,200 Speaker 1: not call her. Really, yeah, only because like he's been 458 00:29:23,280 --> 00:29:26,080 Speaker 1: so on her with like you know, deans around this 459 00:29:26,280 --> 00:29:29,200 Speaker 1: and that. Like I feel like he's been really like 460 00:29:29,320 --> 00:29:32,000 Speaker 1: tell me everything, what are you doing? And so if 461 00:29:32,080 --> 00:29:34,720 Speaker 1: he wants communication, then like why isn't he just giving 462 00:29:34,760 --> 00:29:39,040 Speaker 1: her a call when he gets off of work? Double right? 463 00:29:39,320 --> 00:29:43,800 Speaker 1: It was a little weird, absolutely right. You know, they 464 00:29:43,920 --> 00:29:47,719 Speaker 1: get these kids. Look, I remember being young and falling 465 00:29:47,760 --> 00:29:51,280 Speaker 1: in love and there was you want to be with 466 00:29:51,440 --> 00:29:54,040 Speaker 1: that person. I mean when it's new and it's fresh 467 00:29:54,120 --> 00:29:57,360 Speaker 1: and you're establishing your relationship, Yeah, you don't. You don't 468 00:29:57,480 --> 00:30:01,360 Speaker 1: not call somebody. Well, and Jess is an asshole. Sorry, 469 00:30:02,440 --> 00:30:07,320 Speaker 1: apparently he is. Apparently he used to be. He was 470 00:30:07,400 --> 00:30:10,760 Speaker 1: such a bad boy. You know, bad boy is different 471 00:30:11,080 --> 00:30:14,800 Speaker 1: than than ass But what is he He's not calling 472 00:30:14,840 --> 00:30:18,920 Speaker 1: her because he has some deep seated psychological problems. He's 473 00:30:19,000 --> 00:30:22,280 Speaker 1: just not thinking about it or they've messed up the 474 00:30:22,560 --> 00:30:26,560 Speaker 1: character because the character we know would have called so 475 00:30:26,840 --> 00:30:30,120 Speaker 1: I was thinking about this, he was dating what's your doozy? 476 00:30:30,240 --> 00:30:34,960 Speaker 1: What was that girl at the Shane Shane. He was 477 00:30:35,080 --> 00:30:38,920 Speaker 1: so righteous that he wasn't even gonna like kiss Rory 478 00:30:39,280 --> 00:30:42,600 Speaker 1: or dave Rory until he went and did the right thing, 479 00:30:43,040 --> 00:30:46,440 Speaker 1: which was to break up with Shane. Yes, is a 480 00:30:46,520 --> 00:30:49,480 Speaker 1: good guy. He's kind of a bad boy, but like 481 00:30:50,680 --> 00:30:53,440 Speaker 1: you know, or the town like hoodlum as they once said. 482 00:30:53,840 --> 00:30:56,400 Speaker 1: But like he would have checked in with Rory, he wouldn't. 483 00:30:56,520 --> 00:30:58,240 Speaker 1: He would have been like, I'm working Lane, because like, 484 00:30:58,280 --> 00:31:02,440 Speaker 1: who cares? You know, I expected I expected this, this 485 00:31:02,600 --> 00:31:05,280 Speaker 1: behavior to be explained at the end of the episode 486 00:31:05,320 --> 00:31:10,120 Speaker 1: to her in that scene, like you know something, you know, 487 00:31:10,240 --> 00:31:12,320 Speaker 1: I had a bad phone call with my mom, My 488 00:31:12,480 --> 00:31:14,960 Speaker 1: mom went in to the hospital, my you know, I'm 489 00:31:15,480 --> 00:31:17,800 Speaker 1: there had to be something to throw him off because 490 00:31:17,840 --> 00:31:21,880 Speaker 1: he was so different. He was like a completely different person, 491 00:31:22,280 --> 00:31:25,840 Speaker 1: acting like he's got these deep seated psychological problems or 492 00:31:26,040 --> 00:31:29,360 Speaker 1: some secret that he's not revealing, or some family mess 493 00:31:29,440 --> 00:31:33,040 Speaker 1: that's happening that's affecting him. But we're not getting any 494 00:31:33,120 --> 00:31:36,960 Speaker 1: explanation for this other than Okay, now he's a creep again. 495 00:31:37,400 --> 00:31:40,240 Speaker 1: That's right, Like it's giving us sort of this reason 496 00:31:40,440 --> 00:31:43,840 Speaker 1: to kind of oh Dean. It's almost like the writers 497 00:31:44,520 --> 00:31:48,800 Speaker 1: knew they wanted Rory to be conflicted, to be you know, 498 00:31:49,000 --> 00:31:52,040 Speaker 1: a little bit sad that Dean's got Lindsay. But like 499 00:31:52,200 --> 00:31:54,120 Speaker 1: then the way they got us to it is a 500 00:31:54,200 --> 00:31:59,880 Speaker 1: little off because Jess isn't a jerk. He is now 501 00:32:01,400 --> 00:32:05,600 Speaker 1: he's back to being a jerk. Yeah, he ignored. He 502 00:32:06,280 --> 00:32:11,800 Speaker 1: ignored his girlfriend over the entire weekend until his girlfriend's 503 00:32:11,840 --> 00:32:15,240 Speaker 1: mother had to kind of reprimand him. You think that, Scott, 504 00:32:15,320 --> 00:32:19,280 Speaker 1: what did you think of that? It just I'm sorry, 505 00:32:19,440 --> 00:32:23,400 Speaker 1: this episode just did not get off the ground. It 506 00:32:23,480 --> 00:32:26,000 Speaker 1: didn't get off the ground at all. It stayed on 507 00:32:26,080 --> 00:32:27,800 Speaker 1: the runway and I was waiting for it to fly, 508 00:32:28,000 --> 00:32:31,840 Speaker 1: and it just none of it. It made no There 509 00:32:31,960 --> 00:32:36,720 Speaker 1: was no logic to it, like cohesion is that the word? 510 00:32:38,080 --> 00:32:41,280 Speaker 1: There was no emotional logic to it. I couldn't, you know, 511 00:32:41,400 --> 00:32:44,640 Speaker 1: I didn't understand why these people were acting this way. 512 00:32:44,760 --> 00:32:46,520 Speaker 1: And these are characters that I love and I care 513 00:32:46,560 --> 00:32:49,840 Speaker 1: about and who who I think are brilliant characters. But 514 00:32:50,120 --> 00:32:53,960 Speaker 1: they did were not behaving like themselves. In this episode, 515 00:32:54,000 --> 00:32:57,560 Speaker 1: and I didn't get a really good explanation as to why, Yeah, 516 00:32:57,640 --> 00:33:01,520 Speaker 1: what did everybody think about laur A Lie twice sort 517 00:33:01,560 --> 00:33:06,120 Speaker 1: of having words with Jess, kind of giving him advice. 518 00:33:06,560 --> 00:33:08,600 Speaker 1: It felt like a big overstep, Like I don't know 519 00:33:08,640 --> 00:33:10,280 Speaker 1: a lot of moms that are going to be like, 520 00:33:11,040 --> 00:33:13,400 Speaker 1: I agree is the best and you should be calling 521 00:33:13,440 --> 00:33:16,160 Speaker 1: her And she likes to go to concerts like that 522 00:33:16,200 --> 00:33:18,480 Speaker 1: would turn a kid off. And if her daughter found 523 00:33:18,720 --> 00:33:20,520 Speaker 1: her daughter before I found out she did that, she'd 524 00:33:20,520 --> 00:33:22,800 Speaker 1: probably mad her mom. I was about to say, if 525 00:33:22,840 --> 00:33:24,760 Speaker 1: I find out my mom did that with someone I 526 00:33:24,880 --> 00:33:28,760 Speaker 1: was dating, I'd be mortified. Yeah, because I think between us, 527 00:33:29,240 --> 00:33:32,280 Speaker 1: I will get Laura Lie mom points though, for making 528 00:33:32,360 --> 00:33:34,800 Speaker 1: Rory go to the hockey game. You're not going to 529 00:33:34,880 --> 00:33:37,080 Speaker 1: stay at home. You're not gonna wait by the phone 530 00:33:37,160 --> 00:33:39,520 Speaker 1: and hope this guy calls you. You get your butt 531 00:33:39,600 --> 00:33:42,240 Speaker 1: out and you go to the hockey game and have fun. 532 00:33:42,720 --> 00:33:47,080 Speaker 1: That felt very Laura lish. Yeah, that felt like something 533 00:33:47,160 --> 00:33:49,480 Speaker 1: Laurea l I would do. The thing that was interesting 534 00:33:49,520 --> 00:33:52,640 Speaker 1: about Jesse's we all know she doesn't love Jess, so 535 00:33:52,800 --> 00:33:57,480 Speaker 1: why is she like getting up in his but helping him? 536 00:33:58,000 --> 00:34:00,920 Speaker 1: It's like because she doesn't her daughter to be hurt. 537 00:34:01,440 --> 00:34:04,240 Speaker 1: It's like it's like he reverted back to when we 538 00:34:04,360 --> 00:34:08,200 Speaker 1: first met him and he started interacting with Flora. Wasn't good. 539 00:34:08,960 --> 00:34:12,160 Speaker 1: Reverted He's reverted back to this kid again. He's not 540 00:34:12,320 --> 00:34:16,040 Speaker 1: being the Jess we know with Rory, because even though 541 00:34:16,160 --> 00:34:19,680 Speaker 1: Jess always had conflict, let's say with lower Lea or 542 00:34:19,800 --> 00:34:26,200 Speaker 1: even Luke, he never hurt Rory. Like, I can't think 543 00:34:26,280 --> 00:34:30,520 Speaker 1: of one time other than when we I think it 544 00:34:30,680 --> 00:34:33,400 Speaker 1: was her fault that he wanted her and he started 545 00:34:33,480 --> 00:34:36,759 Speaker 1: dating Shane only because she was still with Dean and 546 00:34:36,880 --> 00:34:39,239 Speaker 1: she was hurt by that. But she but he made 547 00:34:39,320 --> 00:34:45,240 Speaker 1: sense like you're dating teen again. He was so true. 548 00:34:46,239 --> 00:34:50,240 Speaker 1: So I just I don't see him being He's acting 549 00:34:50,320 --> 00:34:53,520 Speaker 1: like he has psychological problems. He's acting like he's bipolar. 550 00:34:53,560 --> 00:34:56,920 Speaker 1: He's acting like he's got drug problems. He's acting in 551 00:34:57,080 --> 00:35:00,879 Speaker 1: ways that a mother would not want him anywhere near 552 00:35:02,120 --> 00:35:08,200 Speaker 1: her daughter. Yeah, I mean, I like this episode, but 553 00:35:08,320 --> 00:35:12,200 Speaker 1: as we're talking about it, it's like it does sort 554 00:35:12,239 --> 00:35:15,759 Speaker 1: of have its flaws. It's kind of funny and light 555 00:35:16,000 --> 00:35:17,840 Speaker 1: for the parts that were that. But you're right, like 556 00:35:18,719 --> 00:35:22,880 Speaker 1: I am sort of buffuddled by Jess. And then I 557 00:35:23,080 --> 00:35:27,759 Speaker 1: like where Laurelie says, don't compare these two, but why 558 00:35:27,920 --> 00:35:33,520 Speaker 1: is Rory do comparing them? She picked Jess, Well, it's inevitable. 559 00:35:33,520 --> 00:35:35,800 Speaker 1: They're in a small town and Dean's interface all the 560 00:35:35,880 --> 00:35:40,120 Speaker 1: time by happenstance, and you know, he's being a great guy, 561 00:35:40,239 --> 00:35:43,879 Speaker 1: and he's being a great friend, and Jess as being 562 00:35:44,160 --> 00:35:47,480 Speaker 1: you know, he's reverting back to some old behavior which 563 00:35:47,600 --> 00:35:51,920 Speaker 1: is not fun to watch, and it's hurting that girl. Yeah, 564 00:35:52,880 --> 00:35:56,879 Speaker 1: and it's uh, you know, I don't look, Jess has 565 00:35:57,000 --> 00:36:03,160 Speaker 1: displayed and proven that he is smarter. Then he's trying 566 00:36:03,200 --> 00:36:09,360 Speaker 1: to get away with Now, Okay, he understands how she feels, 567 00:36:09,400 --> 00:36:12,880 Speaker 1: he understands his effect on her, he understands all this. 568 00:36:13,040 --> 00:36:18,160 Speaker 1: So ignoring her over a weekend is it's either it's 569 00:36:18,200 --> 00:36:21,000 Speaker 1: either intentional or he's had some kind of an episode 570 00:36:22,040 --> 00:36:25,160 Speaker 1: um that maybe we'll find out about the next But 571 00:36:25,600 --> 00:36:28,239 Speaker 1: I think the writers just to me, this is where 572 00:36:28,280 --> 00:36:31,000 Speaker 1: it takes you out of it being real, is that 573 00:36:31,160 --> 00:36:35,120 Speaker 1: they wanted this sort of angsty nous over Dean or 574 00:36:35,239 --> 00:36:38,120 Speaker 1: maybe the missing Dean, and this was the only way 575 00:36:38,120 --> 00:36:41,080 Speaker 1: they could get us there, because it Jess is being Jess, 576 00:36:41,200 --> 00:36:43,920 Speaker 1: the jests that we've that we're falling for and loving, 577 00:36:44,400 --> 00:36:47,120 Speaker 1: he's not going to do this, which means she's not 578 00:36:47,400 --> 00:36:52,400 Speaker 1: going to be jealous of Lindsay. Right. The reason she 579 00:36:52,480 --> 00:36:54,840 Speaker 1: sort of was a little jealous of Lindsay was because 580 00:36:55,000 --> 00:36:58,400 Speaker 1: Jess wasn't treating her great, Like even when Dean's like, 581 00:36:58,640 --> 00:37:04,480 Speaker 1: how's Jess and She's like great, but it's b s. Yeah, 582 00:37:04,520 --> 00:37:05,840 Speaker 1: I was gonna say. I think it kind of sets 583 00:37:05,920 --> 00:37:08,880 Speaker 1: up like this happened the episode where we see Lindsay 584 00:37:09,000 --> 00:37:11,759 Speaker 1: and like we're like okay, and you know, it was 585 00:37:11,840 --> 00:37:14,040 Speaker 1: kind of like playing We're now a little bit more 586 00:37:14,120 --> 00:37:16,600 Speaker 1: on like Dean side, like okay, it looks like he's 587 00:37:16,640 --> 00:37:20,680 Speaker 1: moving on maybe, and then Jess's kind of like losing 588 00:37:20,719 --> 00:37:29,360 Speaker 1: interest on the other side or being a jerk. The 589 00:37:29,480 --> 00:37:31,920 Speaker 1: thing I can't remember is when I saw it the 590 00:37:32,000 --> 00:37:35,600 Speaker 1: first time. Did I see it coming with Lindsay, like 591 00:37:35,719 --> 00:37:39,440 Speaker 1: you know they meet, yeah again, you know there obviously 592 00:37:39,520 --> 00:37:42,720 Speaker 1: we're friends at high school before she went to Chilton, 593 00:37:43,640 --> 00:37:47,480 Speaker 1: And remember She's like, well that was weird, right, and 594 00:37:47,640 --> 00:37:51,120 Speaker 1: Lane's like, yeah, that was weird. Did you think Lane knew? 595 00:37:52,320 --> 00:37:55,920 Speaker 1: How did Lane not know that he's dating that he 596 00:37:56,080 --> 00:37:59,200 Speaker 1: was dating Lindsay because as she goes to school with them, 597 00:38:00,239 --> 00:38:03,399 Speaker 1: and like it's a small town, Lane would have known. 598 00:38:04,000 --> 00:38:07,040 Speaker 1: And I even thought the way Lane was in that 599 00:38:07,320 --> 00:38:11,280 Speaker 1: scene that she knew. Watch it again. It was almost 600 00:38:11,360 --> 00:38:15,000 Speaker 1: like she was hiding something from Rory. But then in 601 00:38:15,120 --> 00:38:18,560 Speaker 1: the next scene she says, I didn't know. It's you 602 00:38:18,640 --> 00:38:21,959 Speaker 1: think she's also just been like super distracted with the band, 603 00:38:21,960 --> 00:38:24,120 Speaker 1: because like sometimes when you're distracted with your own thing, 604 00:38:24,239 --> 00:38:29,120 Speaker 1: like in the band. And no, he's too small in 605 00:38:29,160 --> 00:38:34,239 Speaker 1: the town school. Are you kidding me? If at my 606 00:38:34,719 --> 00:38:38,280 Speaker 1: school two people were dating or even their best friend's 607 00:38:38,360 --> 00:38:41,319 Speaker 1: ex boyfriend and you break up and then he's dating 608 00:38:41,400 --> 00:38:44,440 Speaker 1: a new girl at school that they were clearly friends with, 609 00:38:45,920 --> 00:38:50,000 Speaker 1: we would all know. So I'm like, yeah, that's a 610 00:38:50,080 --> 00:38:52,279 Speaker 1: bone to pick for me. You know. It felt like 611 00:38:53,440 --> 00:38:58,320 Speaker 1: the studio gave some notes to this production and said, listen, 612 00:38:58,640 --> 00:39:01,920 Speaker 1: let's let's do sort of a kid centric episode because 613 00:39:01,960 --> 00:39:05,120 Speaker 1: we need to sort of uh give a nod to 614 00:39:05,200 --> 00:39:07,279 Speaker 1: that demo because that's you know, the c W was 615 00:39:07,320 --> 00:39:10,160 Speaker 1: a young network. It wasn't you know, it doesn't skew older. 616 00:39:10,200 --> 00:39:15,120 Speaker 1: It's it's under thirty five, right, it's older, but yeah, 617 00:39:15,120 --> 00:39:17,840 Speaker 1: you're right. Yeah, it was really it was really geared 618 00:39:17,880 --> 00:39:21,919 Speaker 1: toward teens, and that's the audiences they wanted to get, 619 00:39:22,000 --> 00:39:25,080 Speaker 1: so maybe that had something to do. Almost feels like 620 00:39:26,040 --> 00:39:29,040 Speaker 1: the writers maybe put the writers out of their element 621 00:39:29,080 --> 00:39:31,560 Speaker 1: and put the writers out of their strengths. Scott, You're 622 00:39:31,560 --> 00:39:33,440 Speaker 1: going to have to answer this because this is just 623 00:39:33,520 --> 00:39:35,480 Speaker 1: a weird theory. But I'm not like I do. I'm 624 00:39:35,480 --> 00:39:38,400 Speaker 1: not an actor or a director. It's almost like they 625 00:39:38,520 --> 00:39:43,200 Speaker 1: had Kenny Ortega scheduled right, and then the writers wrote 626 00:39:43,280 --> 00:39:48,160 Speaker 1: this episode that isn't right for Kenny Ortega because think 627 00:39:48,160 --> 00:39:52,440 Speaker 1: about the Kenny Ortega Thanksgiving the dance, um, you know, 628 00:39:52,600 --> 00:39:56,040 Speaker 1: twenty four Dance with thon this So it was almost 629 00:39:56,120 --> 00:39:59,160 Speaker 1: like Kenny was trying to do his Kenny thing, but 630 00:39:59,320 --> 00:40:05,239 Speaker 1: that the right wasn't totally right for it. Um. It 631 00:40:05,400 --> 00:40:08,160 Speaker 1: feels sort of like, wait, I get what you're saying. Yeah, 632 00:40:08,360 --> 00:40:15,080 Speaker 1: I think what happens is if you don't okay, Uh. 633 00:40:15,760 --> 00:40:17,520 Speaker 1: I do think it was right for Kenny because he 634 00:40:17,560 --> 00:40:19,839 Speaker 1: dealt with all those kids and that's his sweet spot. 635 00:40:19,960 --> 00:40:22,800 Speaker 1: He does that well, he does big crowds well, he 636 00:40:22,920 --> 00:40:27,920 Speaker 1: does that. He did the hockey games. Everything was great. Um, 637 00:40:29,160 --> 00:40:31,320 Speaker 1: I don't think it was a Kenny Ortega issue. I 638 00:40:31,440 --> 00:40:34,880 Speaker 1: think it was I really think it was the studio 639 00:40:36,239 --> 00:40:42,960 Speaker 1: wanting to appeal to the demo more more minutes per episode. 640 00:40:43,320 --> 00:40:46,040 Speaker 1: It's like, we're doing the the adult thing too much. 641 00:40:46,120 --> 00:40:49,160 Speaker 1: Let's do the kid. Let's do the kid thing more. Okay, 642 00:40:50,560 --> 00:40:53,680 Speaker 1: maybe maybe ratings weren't what they I mean, ratings were 643 00:40:53,719 --> 00:40:56,120 Speaker 1: always good for the show, but maybe they were trending 644 00:40:56,239 --> 00:40:58,319 Speaker 1: down a little bit because things were getting a little 645 00:40:58,360 --> 00:41:01,799 Speaker 1: too adult, de dramatic. Let's do kid dramatic. These are 646 00:41:01,840 --> 00:41:07,520 Speaker 1: the kind of broad notes. Here's my question. Have you 647 00:41:07,600 --> 00:41:10,160 Speaker 1: ever done an episode of the show doesn't have to 648 00:41:10,200 --> 00:41:12,640 Speaker 1: be gil with girls? Where there was like it started 649 00:41:12,680 --> 00:41:16,640 Speaker 1: with a director right, and then something happened or the 650 00:41:16,680 --> 00:41:18,440 Speaker 1: director wasn't right, and they got rid of him and 651 00:41:18,520 --> 00:41:20,920 Speaker 1: it was the same script but a different director and 652 00:41:21,000 --> 00:41:25,000 Speaker 1: the episode everything changed, like Okay. The best example I 653 00:41:25,040 --> 00:41:27,040 Speaker 1: can give is like when they did Back to the Future, 654 00:41:27,800 --> 00:41:30,960 Speaker 1: Michael J. Fox was Eric Stolts, and like they all 655 00:41:31,080 --> 00:41:33,040 Speaker 1: were like, Eric Stolts is a great actor, but he's 656 00:41:33,040 --> 00:41:35,640 Speaker 1: playing this too dark. He's not pulling off the comedy. 657 00:41:36,160 --> 00:41:38,360 Speaker 1: It's the same words on the page they bring in 658 00:41:38,400 --> 00:41:41,040 Speaker 1: Michael J. Fox, and we have like what I think 659 00:41:41,160 --> 00:41:43,040 Speaker 1: is like the best movie of all time, Like that's 660 00:41:43,080 --> 00:41:46,239 Speaker 1: literally my favorite movie ever. So could the same be 661 00:41:46,440 --> 00:41:50,600 Speaker 1: true that like the same words, maybe you could have 662 00:41:50,719 --> 00:41:54,239 Speaker 1: had your melo drama if it wasn't Kenny Artaga. And 663 00:41:54,280 --> 00:41:56,960 Speaker 1: I'm not critic. I love Kenny Arteaga. I think I 664 00:41:57,120 --> 00:41:59,959 Speaker 1: don't think this is a director issue. It's a script issue. 665 00:42:00,120 --> 00:42:04,600 Speaker 1: It's a script issue. It's not a director issue. There 666 00:42:04,719 --> 00:42:09,560 Speaker 1: wasn't drama in the script enough. I don't think. I 667 00:42:09,680 --> 00:42:12,960 Speaker 1: think the characters were too got too far afield from 668 00:42:13,120 --> 00:42:16,080 Speaker 1: what they had established, and it's and it didn't make 669 00:42:16,160 --> 00:42:19,120 Speaker 1: any kind of there wasn't any kind of real emotional 670 00:42:19,200 --> 00:42:23,800 Speaker 1: logic to it. Um. So that's when you sort of 671 00:42:23,960 --> 00:42:28,080 Speaker 1: disengage from a character, from a narrative, from a storyline 672 00:42:28,120 --> 00:42:32,680 Speaker 1: from a show like things are feeling up. Let me 673 00:42:32,719 --> 00:42:35,640 Speaker 1: tell you something, it's very very difficult to remain consistent, 674 00:42:36,520 --> 00:42:40,440 Speaker 1: uh with the show this complex, with character, this many voices, 675 00:42:41,000 --> 00:42:43,640 Speaker 1: Very difficult to do right because I wouldn't even call 676 00:42:43,719 --> 00:42:47,440 Speaker 1: this a dud, it's just sort of character. You're right, right, 677 00:42:47,560 --> 00:42:51,120 Speaker 1: I know I'm sounding very negative. You're you're not, but 678 00:42:51,360 --> 00:42:54,280 Speaker 1: I did enjoy the episode. I mean the kids stuff. 679 00:42:54,320 --> 00:42:56,600 Speaker 1: I kind of flagged a little bit, you know, um, 680 00:42:57,520 --> 00:43:00,120 Speaker 1: when it's too much Lane, Rory and Sweetie talk and 681 00:43:00,200 --> 00:43:01,759 Speaker 1: all this time stuff, I kind of check out. But 682 00:43:02,840 --> 00:43:06,160 Speaker 1: but it's but it's I really thought they did have 683 00:43:06,280 --> 00:43:08,400 Speaker 1: some good scenes and good scenarios. There was a lot 684 00:43:08,440 --> 00:43:11,239 Speaker 1: of laughs. I don't want to be so negative about it, 685 00:43:11,320 --> 00:43:16,080 Speaker 1: but I just think the the uh, you know, separating 686 00:43:16,560 --> 00:43:20,120 Speaker 1: Laura Line and Rory to this degree, I think it 687 00:43:20,200 --> 00:43:23,120 Speaker 1: hurts the show. I think that's a really interesting point. 688 00:43:23,200 --> 00:43:26,400 Speaker 1: I don't I think, because you know, I'm even just 689 00:43:26,440 --> 00:43:29,440 Speaker 1: thinking about like the school was Tepee. That was funny. 690 00:43:30,040 --> 00:43:34,680 Speaker 1: I did laugh out loud quite a few times. But 691 00:43:34,800 --> 00:43:36,279 Speaker 1: I see what you're saying. Okay, wait, so I have 692 00:43:36,360 --> 00:43:39,600 Speaker 1: a few listen. Listen. There there are lead characters in series, 693 00:43:40,320 --> 00:43:44,520 Speaker 1: and then there's Lauren Graham and Gilmore grows. You you 694 00:43:44,719 --> 00:43:48,000 Speaker 1: go away from her and you don't spend the kind 695 00:43:48,040 --> 00:43:50,200 Speaker 1: of time that you want to spend with her because 696 00:43:50,239 --> 00:43:54,640 Speaker 1: she's the conductor of the orchestra. He really enjoyed was 697 00:43:54,760 --> 00:43:58,279 Speaker 1: you and Billy talking about that, because he has had 698 00:43:58,360 --> 00:44:00,400 Speaker 1: such a great experience with her. You had such a 699 00:44:00,440 --> 00:44:03,000 Speaker 1: great experience with her. I loved hearing the two of 700 00:44:03,080 --> 00:44:05,759 Speaker 1: you sort of just talk about how she is an 701 00:44:05,800 --> 00:44:11,520 Speaker 1: Olympian essentially U and if you don't spend enough time 702 00:44:11,600 --> 00:44:14,640 Speaker 1: with her in an episode, if she's not And maybe 703 00:44:14,680 --> 00:44:16,799 Speaker 1: they did it because they were giving Laura a rest, 704 00:44:17,520 --> 00:44:19,200 Speaker 1: you know what I mean. It's like this had a 705 00:44:19,280 --> 00:44:22,200 Speaker 1: lot to do in this episode. But I see what 706 00:44:22,320 --> 00:44:24,839 Speaker 1: you're saying. It wasn't the chemistry were used to either. 707 00:44:25,200 --> 00:44:28,000 Speaker 1: And look not for nothing, I'm not blowing smoke up 708 00:44:28,040 --> 00:44:30,239 Speaker 1: your you know what, but there wasn't a lot of 709 00:44:30,320 --> 00:44:34,680 Speaker 1: Laura lie Luke, which we do. Really those scenes are 710 00:44:35,880 --> 00:44:40,680 Speaker 1: that same you're getting coffee, like It's just it's something 711 00:44:40,800 --> 00:44:42,960 Speaker 1: so special because I think we only have like the 712 00:44:43,080 --> 00:44:45,680 Speaker 1: one scene where you were with them briefly, and it 713 00:44:45,840 --> 00:44:48,279 Speaker 1: was really more about you and Taylor, So it was 714 00:44:48,360 --> 00:44:51,920 Speaker 1: like we didn't get to see I think this episode 715 00:44:52,000 --> 00:44:58,400 Speaker 1: proves that this show cannot be sustained. Uh, dealing with 716 00:44:58,520 --> 00:45:00,960 Speaker 1: kid World all the time for the majority of the 717 00:45:01,000 --> 00:45:04,520 Speaker 1: show cannot sustain it. If that's the show they wanted. 718 00:45:04,920 --> 00:45:07,600 Speaker 1: If that's the show the c w wanted, then they 719 00:45:07,640 --> 00:45:10,879 Speaker 1: should have dictated that to Amy and Dan and said, listen, 720 00:45:11,320 --> 00:45:14,919 Speaker 1: I can't have these older characters so much. They're there, 721 00:45:14,960 --> 00:45:18,560 Speaker 1: They're gonna be twelve fourteen on the call sheet. We 722 00:45:18,719 --> 00:45:22,000 Speaker 1: want the kids. Just make it about the kids. But 723 00:45:22,120 --> 00:45:24,120 Speaker 1: they didn't make that show. They made a show about 724 00:45:24,160 --> 00:45:26,600 Speaker 1: a mother and a daughter and this heavy relationship with 725 00:45:26,640 --> 00:45:30,640 Speaker 1: a diner on right. Yeah, I mean right the show. 726 00:45:30,800 --> 00:45:34,480 Speaker 1: There is nothing without Lauren Graham with the show amazing 727 00:45:34,560 --> 00:45:38,560 Speaker 1: as Alexis is, which I do think she's amazing. This 728 00:45:38,760 --> 00:45:41,759 Speaker 1: is Lauren Graham. You don't have a show without those two. 729 00:45:42,040 --> 00:45:44,160 Speaker 1: And they've got to be together. They've got to be 730 00:45:44,239 --> 00:45:47,480 Speaker 1: interacting with me, they've got to be interacting with the parents, 731 00:45:47,880 --> 00:45:50,000 Speaker 1: and then you get then you get some fun kids 732 00:45:50,040 --> 00:45:54,480 Speaker 1: stuff tips right right show. That's the backbone of the show. 733 00:45:54,800 --> 00:45:58,120 Speaker 1: A couple more things. There was the cringe eest most 734 00:45:58,200 --> 00:46:03,000 Speaker 1: inappropriate line ever in the episode you know dude, you guys. 735 00:46:03,239 --> 00:46:07,920 Speaker 1: It was so when the guys are playing the band. 736 00:46:08,160 --> 00:46:09,480 Speaker 1: I don't even want to say the line because it 737 00:46:09,560 --> 00:46:12,719 Speaker 1: made me like I literally wrote, oh gay when he 738 00:46:12,760 --> 00:46:21,680 Speaker 1: said gay, even twenty years ago. That was not that No, 739 00:46:22,000 --> 00:46:24,920 Speaker 1: that was rough. There was a funny line though, when 740 00:46:25,360 --> 00:46:29,239 Speaker 1: um dosies reunion, they like me wonder why he's got 741 00:46:29,320 --> 00:46:33,480 Speaker 1: so many pas in shoppy with that so to shop 742 00:46:33,760 --> 00:46:35,600 Speaker 1: He's like, what do you have so many pas in there? Like? 743 00:46:36,000 --> 00:46:39,680 Speaker 1: So that was good I found under use of Michelle, 744 00:46:39,719 --> 00:46:41,600 Speaker 1: I could have used a lot more Michelle. We had 745 00:46:41,640 --> 00:46:43,880 Speaker 1: that one sort of scene where they're like, are you French? 746 00:46:44,239 --> 00:46:47,359 Speaker 1: I fought in the war, and it was like, the right, 747 00:46:47,480 --> 00:46:50,600 Speaker 1: that is the most happy cliche thing, you know, you 748 00:46:50,880 --> 00:46:54,920 Speaker 1: want to bash World War two veterans because it was like, 749 00:46:55,080 --> 00:46:59,560 Speaker 1: what that scene really should have been cut out of 750 00:46:59,640 --> 00:47:05,160 Speaker 1: the episode. Yeah, it made it made that veteran look ridiculous, 751 00:47:05,239 --> 00:47:08,279 Speaker 1: and they were I think they were trying, Yeah, what's 752 00:47:08,320 --> 00:47:10,920 Speaker 1: the angle here? So again you might be right, Like 753 00:47:10,960 --> 00:47:15,239 Speaker 1: I don't want to criticize John Stevens the you do 754 00:47:15,320 --> 00:47:18,080 Speaker 1: a better French joke, but there was some bad writing 755 00:47:18,120 --> 00:47:22,600 Speaker 1: in this. Yeah, I mean, for God's sake, there's a 756 00:47:22,760 --> 00:47:25,719 Speaker 1: million other things that you can interact, you know, a 757 00:47:25,840 --> 00:47:30,600 Speaker 1: patriot or World War two veteran interacting with Michelle. And 758 00:47:30,760 --> 00:47:32,680 Speaker 1: there was so much comedy you could have had with 759 00:47:32,800 --> 00:47:35,560 Speaker 1: Michelle with Taylor and like, we know he's French, like 760 00:47:35,640 --> 00:47:38,080 Speaker 1: we were in season three, Like we didn't a joke, 761 00:47:38,200 --> 00:47:39,920 Speaker 1: Like I feel like we needed more like he just 762 00:47:40,000 --> 00:47:42,239 Speaker 1: seemed it was just like a filler, it feels. It 763 00:47:42,360 --> 00:47:45,480 Speaker 1: was a little funny when Emily said her bitter old biddies, 764 00:47:45,560 --> 00:47:47,160 Speaker 1: but it was also like, really, you got to be 765 00:47:47,280 --> 00:47:50,440 Speaker 1: so mean to the like Granny's. But I could let 766 00:47:50,480 --> 00:47:57,000 Speaker 1: that one slide. Uh. The young shoe stuff with the 767 00:47:57,080 --> 00:47:59,640 Speaker 1: fake dating and him talking to Karen wasn't named Karen, 768 00:47:59,719 --> 00:48:03,239 Speaker 1: know what? Yeah, something like that. It was kind of 769 00:48:03,320 --> 00:48:05,600 Speaker 1: classic if her name was Karen, because she's so like, 770 00:48:06,200 --> 00:48:09,240 Speaker 1: kind of mad, you know, Kirk messing up the hockey. 771 00:48:09,400 --> 00:48:12,480 Speaker 1: I would have enjoyed that more, maybe if some of 772 00:48:12,560 --> 00:48:16,759 Speaker 1: the other stuff wasn't sort of like so over the top. 773 00:48:16,840 --> 00:48:19,759 Speaker 1: Two Yeah it was. It was just it was just 774 00:48:19,880 --> 00:48:23,200 Speaker 1: an odd episode, you know. One once one thing is off, 775 00:48:23,320 --> 00:48:25,360 Speaker 1: then it sort of throws everything else off. It's like 776 00:48:25,440 --> 00:48:28,840 Speaker 1: a house of cards. What about Miss Patty singing the 777 00:48:29,239 --> 00:48:32,399 Speaker 1: national anthem with the bet? That was pretty That was good. 778 00:48:32,760 --> 00:48:34,800 Speaker 1: But they were good, but then it seemed like the 779 00:48:34,880 --> 00:48:40,239 Speaker 1: crowd didn't care. I was like, what's going on? I 780 00:48:40,320 --> 00:48:43,440 Speaker 1: did like how Rory discovered that sports are really about 781 00:48:43,480 --> 00:48:47,440 Speaker 1: food and she enjoyed that, notcho I am Rory when 782 00:48:47,440 --> 00:48:50,280 Speaker 1: it comes to sports. I'm like, oh, does Dodger Gaines 783 00:48:50,320 --> 00:48:58,080 Speaker 1: get some notches? Mm hmm, yeah, yeah, there was some 784 00:48:58,160 --> 00:49:00,359 Speaker 1: good laughs for sure. Yeah, like even when or lies 785 00:49:00,400 --> 00:49:05,080 Speaker 1: like are you serious? Are you serious? Like that was funny. 786 00:49:05,440 --> 00:49:10,040 Speaker 1: I am being serious and I am serious. Lane kind 787 00:49:10,080 --> 00:49:13,240 Speaker 1: of knowing after they saw lindsay like, hey, are you okay? 788 00:49:14,320 --> 00:49:17,000 Speaker 1: Lane kind of knew like that's a little tough. So 789 00:49:17,120 --> 00:49:22,000 Speaker 1: that was mm hmmm mm hmmm. The whole kissing the 790 00:49:22,080 --> 00:49:26,080 Speaker 1: man thing for Graham was kind of also random, but 791 00:49:26,239 --> 00:49:29,080 Speaker 1: yet I did laugh at Emily kind of like sneaking 792 00:49:29,160 --> 00:49:33,000 Speaker 1: me out and then basically hiding in the Everything was funny, 793 00:49:33,080 --> 00:49:35,960 Speaker 1: but also like, who cares that she's kissing this old guy? Right? 794 00:49:36,000 --> 00:49:38,960 Speaker 1: Why are you leaving your own house? Right? It's you. 795 00:49:39,280 --> 00:49:44,640 Speaker 1: It's your freaking house. That's your right. It's like, go upstairs, 796 00:49:44,719 --> 00:49:47,560 Speaker 1: you're going the kitchen. What are you leaving for? I 797 00:49:47,640 --> 00:49:50,400 Speaker 1: don't know. None of this made sense to me, but 798 00:49:50,560 --> 00:49:52,640 Speaker 1: a lot of it didn't make sense. The kids, you know, 799 00:49:52,719 --> 00:49:55,360 Speaker 1: the kids stuff kind of saved me. I was befuddled 800 00:49:55,400 --> 00:49:57,880 Speaker 1: at the end because I felt like Rory would have 801 00:49:57,960 --> 00:50:00,239 Speaker 1: been happy that Jess got the concert. Take it's and 802 00:50:00,239 --> 00:50:01,560 Speaker 1: they went and had a good time. So the fact 803 00:50:01,600 --> 00:50:03,399 Speaker 1: that she was so bummed when she got home threw 804 00:50:03,480 --> 00:50:08,239 Speaker 1: me off. I was like, WHOA, what's going on? To 805 00:50:08,320 --> 00:50:10,880 Speaker 1: be honest, I can't really like watching it back in 806 00:50:11,040 --> 00:50:12,759 Speaker 1: order like this. I'm like, I can't even remember what 807 00:50:12,880 --> 00:50:16,400 Speaker 1: happened the next couple episodes after this, like diving into 808 00:50:16,440 --> 00:50:19,600 Speaker 1: like I'm like, what's next? I don't remember? Well, you know, 809 00:50:19,640 --> 00:50:21,640 Speaker 1: it's kind of weird. Is maybe Scott you could this 810 00:50:21,719 --> 00:50:24,800 Speaker 1: sort of felt like a filler episode or like plunked 811 00:50:24,840 --> 00:50:26,960 Speaker 1: it in there. I mean, obviously we're gonna have more 812 00:50:27,040 --> 00:50:31,080 Speaker 1: from lindsay yes, but I think Grant, I don't. I 813 00:50:31,160 --> 00:50:36,200 Speaker 1: don't obviously. I think this episode served the purpose of 814 00:50:37,400 --> 00:50:41,360 Speaker 1: um maybe trying to refocus the attention from a different 815 00:50:41,440 --> 00:50:45,680 Speaker 1: demo on a narrative the studio thinks is going to 816 00:50:45,800 --> 00:50:49,680 Speaker 1: be far more powerful in terms of selling ads and 817 00:50:50,960 --> 00:50:56,360 Speaker 1: getting Let's focus on the kids. Let's let's do the 818 00:50:56,600 --> 00:51:03,279 Speaker 1: Dean uh Rory Milo or Jess uh Troy ka there 819 00:51:03,480 --> 00:51:06,000 Speaker 1: and and let's spice this up a little bit with kids, 820 00:51:06,800 --> 00:51:08,640 Speaker 1: you know, and let's see if we can get better 821 00:51:08,680 --> 00:51:11,120 Speaker 1: ad dollars or something like that, you know what I mean. 822 00:51:11,480 --> 00:51:13,960 Speaker 1: And let's let's see how this episode is received and 823 00:51:14,040 --> 00:51:16,560 Speaker 1: let's see see if the critics mentioned it, see what 824 00:51:16,640 --> 00:51:19,000 Speaker 1: happens with with our buyers and that kind of thing. 825 00:51:19,200 --> 00:51:21,800 Speaker 1: I really think that it was a business move, you know, 826 00:51:22,080 --> 00:51:25,920 Speaker 1: to really try to ye, I'm not gonna lie peeked 827 00:51:25,920 --> 00:51:28,560 Speaker 1: ahead a little bit. And and there's a very big 828 00:51:28,600 --> 00:51:32,400 Speaker 1: adult storyline coming next week. So well, I mean the 829 00:51:32,440 --> 00:51:37,360 Speaker 1: head too, did you. I was watching last night and 830 00:51:37,440 --> 00:51:39,760 Speaker 1: I was like, I really want to watch two episodes tonight. 831 00:51:39,800 --> 00:51:41,800 Speaker 1: But I thought myself, like a couple of minutes in 832 00:51:42,440 --> 00:51:45,280 Speaker 1: and you know, and you know, maybe, you know, maybe 833 00:51:45,600 --> 00:51:49,640 Speaker 1: in the writer's room they were given this dictates from 834 00:51:49,719 --> 00:51:53,280 Speaker 1: the studio and they just was kind of like, Jesus, 835 00:51:53,360 --> 00:51:58,520 Speaker 1: what do we do now? And next next week's written 836 00:51:58,560 --> 00:52:00,320 Speaker 1: by Amy, so we know that it's going to be 837 00:52:02,560 --> 00:52:06,120 Speaker 1: and it's called the Big One. That's the title. Yeah. 838 00:52:07,680 --> 00:52:10,919 Speaker 1: I don't want to harp on on the writing, even 839 00:52:11,000 --> 00:52:13,919 Speaker 1: though well there was some cringe e writing in there, 840 00:52:14,040 --> 00:52:16,080 Speaker 1: so that, but I don't want to. I don't know 841 00:52:16,160 --> 00:52:19,640 Speaker 1: if you want to necessarily blame the writer for the writing, 842 00:52:19,719 --> 00:52:24,840 Speaker 1: because he may have been facing some impossible tasks and 843 00:52:24,920 --> 00:52:27,640 Speaker 1: there was something funny. There was some funny stuff. I mean, 844 00:52:27,680 --> 00:52:30,880 Speaker 1: I did laugh out loud, and I enjoyed myself watching it. 845 00:52:31,000 --> 00:52:34,520 Speaker 1: It's not like I'm ever look at It's like comparing, 846 00:52:36,040 --> 00:52:39,680 Speaker 1: you know, five star restaurants, like it's always a five star, 847 00:52:40,160 --> 00:52:44,880 Speaker 1: but some are just light. Maybe just get a slightly better, right, Well, 848 00:52:45,040 --> 00:52:47,399 Speaker 1: really you don't think this was like, well the five star, 849 00:52:47,719 --> 00:52:49,839 Speaker 1: the Michelin star restaurants clothed, let's go get a hot 850 00:52:49,880 --> 00:52:53,040 Speaker 1: dog on the No, I do not do you? I 851 00:52:53,160 --> 00:52:56,520 Speaker 1: do not. I wasn't that like Arby's. I think for me, 852 00:52:56,840 --> 00:52:59,120 Speaker 1: like this episode, if it were just like if I 853 00:52:59,200 --> 00:53:01,000 Speaker 1: was going through the channel on TV and it was on, 854 00:53:01,280 --> 00:53:03,120 Speaker 1: I just want to watch one. And I haven't watched 855 00:53:03,160 --> 00:53:05,640 Speaker 1: Gilmore Girls in a while. It's like a phil like 856 00:53:05,680 --> 00:53:08,480 Speaker 1: you said, it's like a filmer entertaining, but watching an 857 00:53:08,600 --> 00:53:12,719 Speaker 1: order like comparing it week after a week, we're like, yeah, 858 00:53:12,880 --> 00:53:16,080 Speaker 1: you know, that's a great point. God, that's so and 859 00:53:16,160 --> 00:53:18,160 Speaker 1: I know we have to go in a second, but 860 00:53:18,760 --> 00:53:22,400 Speaker 1: that's such a great point. The way we're watching it 861 00:53:23,160 --> 00:53:25,960 Speaker 1: is different, like so, I'm do you guys ever just 862 00:53:26,560 --> 00:53:28,960 Speaker 1: you're on USA Network and literally s VU is on 863 00:53:28,960 --> 00:53:32,759 Speaker 1: every week constantly. I always enjoy it, but I don't 864 00:53:32,800 --> 00:53:35,120 Speaker 1: know if I went to the very beginning of Law 865 00:53:35,160 --> 00:53:38,200 Speaker 1: and Order SVU and started watching it in order, if 866 00:53:38,320 --> 00:53:42,080 Speaker 1: each episode would you know there is something about watching 867 00:53:42,160 --> 00:53:45,200 Speaker 1: him in order. But there's also I've ever seen that 868 00:53:45,280 --> 00:53:48,640 Speaker 1: show stop never stop it really never seen a single episode. 869 00:53:49,200 --> 00:53:51,480 Speaker 1: I've seen every episode. I've never seen it in order. 870 00:53:51,600 --> 00:53:56,600 Speaker 1: I just like, turn it on while I well, I 871 00:53:56,640 --> 00:53:58,040 Speaker 1: don't think you would like it because you don't like 872 00:53:58,600 --> 00:54:00,200 Speaker 1: I mean, you were in Saw, but you don't really 873 00:54:00,239 --> 00:54:07,279 Speaker 1: like murder, and like, I'm you would love it. I 874 00:54:07,360 --> 00:54:10,359 Speaker 1: love that. I love trying to figure out what's going 875 00:54:10,440 --> 00:54:18,440 Speaker 1: on criminal minds, I love that crap. Yeah, okay, so Scott, 876 00:54:18,560 --> 00:54:23,239 Speaker 1: we do have something exciting you are doing. So Scott, 877 00:54:23,840 --> 00:54:28,880 Speaker 1: there there's these awesome which people listening no, these Gilmore conventions, 878 00:54:28,920 --> 00:54:30,480 Speaker 1: like I don't know what to call them, but you're 879 00:54:30,520 --> 00:54:33,480 Speaker 1: doing an amazing one and we're actually going to be 880 00:54:33,719 --> 00:54:37,840 Speaker 1: at it live. So we wanted to give people a 881 00:54:37,960 --> 00:54:39,919 Speaker 1: bit more information because it is the first time we're 882 00:54:39,960 --> 00:54:44,359 Speaker 1: going to be there live. Well, Tar is going. I'm going. 883 00:54:44,600 --> 00:54:46,719 Speaker 1: I don't lie, so I can't get there, but Tar 884 00:54:46,880 --> 00:54:49,080 Speaker 1: is going, and so we're gonna do a special episode 885 00:54:49,080 --> 00:54:50,959 Speaker 1: from there. So we wanted to have like the person 886 00:54:51,000 --> 00:54:53,640 Speaker 1: who's putting on the convention come on to tell us 887 00:54:53,640 --> 00:54:55,239 Speaker 1: a little bit more about it, so we can get 888 00:54:55,280 --> 00:54:58,600 Speaker 1: everybody pumped up, whether they can go in person or 889 00:54:58,920 --> 00:55:01,360 Speaker 1: they're gonna be able to listen in to the podcast. 890 00:55:02,120 --> 00:55:07,280 Speaker 1: And it's a pretty much a summer fest of Gilmore hotties. 891 00:55:07,360 --> 00:55:10,480 Speaker 1: Can I say that? Say anything? He wants free country, 892 00:55:13,320 --> 00:55:15,719 Speaker 1: will you guys bring him? Laney? So this is the 893 00:55:15,760 --> 00:55:22,600 Speaker 1: person putting on the what's it called again? And him 894 00:55:22,760 --> 00:55:25,080 Speaker 1: we were actually hosting all the panels at the event, 895 00:55:26,360 --> 00:55:29,879 Speaker 1: So tell us about it, tell us tell us everything. Um. 896 00:55:30,280 --> 00:55:32,960 Speaker 1: So it's called Epics and Chill. It's at the Omar 897 00:55:33,040 --> 00:55:37,680 Speaker 1: Shrine Auditorium UM in the Charleston, South Carolina area. It's 898 00:55:37,680 --> 00:55:41,960 Speaker 1: August nineteen through one. Um, we're gonna have six members 899 00:55:42,680 --> 00:55:47,560 Speaker 1: of the cast of Gilmore Girls, I know, and this 900 00:55:47,800 --> 00:55:52,960 Speaker 1: is Matt Zukries and um Greg Henary's first convention. So 901 00:55:53,120 --> 00:55:56,160 Speaker 1: that's Logan and then that's Mr hunts Barger, So it's 902 00:55:56,200 --> 00:55:58,480 Speaker 1: Logan and his dad. Yeah, so you can get the 903 00:55:58,560 --> 00:56:02,439 Speaker 1: father and son photo and then I know, oh my god, 904 00:56:02,719 --> 00:56:06,160 Speaker 1: I actually wish I was going. And then Scott's going 905 00:56:06,200 --> 00:56:10,200 Speaker 1: to be there and he's doing a special uh coffee 906 00:56:10,280 --> 00:56:12,359 Speaker 1: meat and greet. Actually the coffee meeting green sold out, 907 00:56:12,480 --> 00:56:19,520 Speaker 1: but there's a town hallal congratulations Scott. Coffee date meant 908 00:56:19,520 --> 00:56:21,480 Speaker 1: greet that's already sold out. But there's a town hall 909 00:56:21,520 --> 00:56:26,120 Speaker 1: meet and greet. That's uh, everyone but Matt Um and 910 00:56:26,320 --> 00:56:30,719 Speaker 1: that's including Scott and that that's so genius who thought 911 00:56:30,760 --> 00:56:41,160 Speaker 1: of calling it a town hall. It's John Cabrera, Seawn Gunn, 912 00:56:41,560 --> 00:56:48,640 Speaker 1: Scott Patterson obviously and um and uh Yannick Schuesdale. First 913 00:56:48,680 --> 00:56:52,440 Speaker 1: of all, if you have Scott, you have Michelle. That's 914 00:56:52,440 --> 00:56:56,439 Speaker 1: all you need. So can so okay, if there still 915 00:56:56,480 --> 00:56:58,600 Speaker 1: hotel rooms, like if people want to go like and 916 00:56:58,680 --> 00:57:00,719 Speaker 1: where can they go to find out more information for 917 00:57:00,800 --> 00:57:03,160 Speaker 1: people listening? So there are still ho terror rooms, And 918 00:57:03,360 --> 00:57:05,759 Speaker 1: just really quickly that if you also are fans of 919 00:57:05,880 --> 00:57:11,000 Speaker 1: Gossip Girl, teen Wolf, Um, we have Shane West, Brian Greenberg, 920 00:57:11,080 --> 00:57:13,360 Speaker 1: Tyler Posey from teen Wolf is doing a concert on 921 00:57:13,440 --> 00:57:17,200 Speaker 1: Saturday night. And we just announced Taylor Lautner, who's hasn't 922 00:57:17,240 --> 00:57:23,439 Speaker 1: done anything. I'm good friends with Taylor. He never does 923 00:57:23,520 --> 00:57:26,280 Speaker 1: this kind of thing, does not He's actually he's actually 924 00:57:26,440 --> 00:57:29,480 Speaker 1: never done a convention in this way, like he's done panel, 925 00:57:29,560 --> 00:57:32,120 Speaker 1: he's done a couple of panels in two thousand eleven. 926 00:57:32,200 --> 00:57:34,280 Speaker 1: He's never come and done like the photos auto. So 927 00:57:34,400 --> 00:57:37,760 Speaker 1: this is his first really real convention experience. So Scott, 928 00:57:37,800 --> 00:57:39,520 Speaker 1: that ties it together for you because you just talked 929 00:57:39,560 --> 00:57:43,080 Speaker 1: Twilight with Billy Burke last week. Look, this is gonna 930 00:57:43,120 --> 00:57:47,400 Speaker 1: be a huge convention. This is there's so many there 931 00:57:47,440 --> 00:57:53,760 Speaker 1: are so many like really popular shows represented. Yeah, like 932 00:57:53,880 --> 00:57:56,840 Speaker 1: she said, teen Wolf, Gossip Girl, all kinds of people 933 00:57:56,880 --> 00:57:59,480 Speaker 1: are gonna be there. I've never seen a lineup like 934 00:57:59,600 --> 00:58:03,600 Speaker 1: this at a convention before. It's like it's town Again 935 00:58:03,680 --> 00:58:06,479 Speaker 1: where it's like a w extramgy. Yeah, I was gonna 936 00:58:06,520 --> 00:58:11,440 Speaker 1: say it really town again. So it's it's it's the Charleston, 937 00:58:11,520 --> 00:58:15,080 Speaker 1: South Carolina area that the venue is technically in Mount Pleasant, 938 00:58:15,160 --> 00:58:18,240 Speaker 1: but that's like basically a suburb of Charles, Charleston. That's 939 00:58:18,280 --> 00:58:21,400 Speaker 1: like cool. Tara is going tar Yeah, pumped, Oh my god, 940 00:58:21,400 --> 00:58:26,080 Speaker 1: I'm so excited. We just cook. Yeah, I saw it 941 00:58:26,160 --> 00:58:29,880 Speaker 1: on my credit card and I'll give you We're actually 942 00:58:29,920 --> 00:58:32,680 Speaker 1: we're about to announce one of our not our last guest, 943 00:58:32,760 --> 00:58:34,760 Speaker 1: but one of our final guests and it's Chase Crawford 944 00:58:34,800 --> 00:58:39,479 Speaker 1: who was in Gossip Girl and also what yeah, yeah, 945 00:58:39,720 --> 00:58:42,200 Speaker 1: I did. I did a convention with Chase in New York. 946 00:58:43,960 --> 00:58:46,880 Speaker 1: Oh my god. Wait, so this is just like Hottie 947 00:58:46,960 --> 00:58:51,800 Speaker 1: Central Girls Girls Weekend and we have a lot of 948 00:58:51,880 --> 00:58:56,080 Speaker 1: people doing that. It's definitely a total girls weekend for sure, Tara. 949 00:58:56,760 --> 00:58:59,280 Speaker 1: I'm gonna need to face time us like a lot 950 00:59:00,160 --> 00:59:02,720 Speaker 1: when when I'm not with Scott working, I'm probably gonna 951 00:59:02,760 --> 00:59:09,560 Speaker 1: be off another panel. God's gonna be like, where is Yes, Okay, 952 00:59:09,600 --> 00:59:11,520 Speaker 1: so you guys, Scott does these, but this is the 953 00:59:11,560 --> 00:59:15,040 Speaker 1: first time we're gonna be doing the podcast from the convention, 954 00:59:15,680 --> 00:59:21,160 Speaker 1: so that's gonna be awesome. I can't wait tout August Night, 955 00:59:22,920 --> 00:59:28,960 Speaker 1: August first, Uh huh in Charleston, South Carolina. The website is, uh, 956 00:59:29,640 --> 00:59:32,680 Speaker 1: this is a pretty epic convention, wouldn't you say so? Yeah, 957 00:59:33,480 --> 00:59:36,640 Speaker 1: epic cons dot com so E P I C C 958 00:59:36,880 --> 00:59:39,040 Speaker 1: O N S dot com. And we'll put it on 959 00:59:39,120 --> 00:59:41,960 Speaker 1: our Instagram and in the show right up, Tara, will 960 00:59:41,960 --> 00:59:43,880 Speaker 1: you make sure we put it in the show right 961 00:59:43,960 --> 00:59:46,440 Speaker 1: up so people have the info. Oh I love me 962 00:59:46,560 --> 00:59:49,680 Speaker 1: some Matt Zukari, so you know I'm team logan. This 963 00:59:49,880 --> 00:59:52,840 Speaker 1: is his very first convention ever. So get it. Get 964 00:59:52,920 --> 00:59:56,680 Speaker 1: in rv AM getting I have to leave now to 965 00:59:59,840 --> 01:00:04,000 Speaker 1: you imagine, get the Eastern, get get the whole game. 966 01:00:04,120 --> 01:00:06,960 Speaker 1: I know Tara got the prize on this one. I 967 01:00:07,080 --> 01:00:10,640 Speaker 1: really did. Oh my god, you guys pull straws on 968 01:00:10,760 --> 01:00:12,800 Speaker 1: he got to come or I think it was a 969 01:00:12,880 --> 01:00:17,800 Speaker 1: battle definitely between Tara and Easton and then Tara one somehow. Congratulations, 970 01:00:18,480 --> 01:00:22,320 Speaker 1: we might have to send someone. This is pretty I'm 971 01:00:22,320 --> 01:00:25,680 Speaker 1: not gonna lie. Yeah, absolutely, this is a big one 972 01:00:25,720 --> 01:00:27,680 Speaker 1: because we need someone to hold the phone Tara, to 973 01:00:27,760 --> 01:00:30,560 Speaker 1: take all the photos with you, with all the true 974 01:00:30,880 --> 01:00:32,640 Speaker 1: If you guys do not send me a photo of 975 01:00:32,720 --> 01:00:35,200 Speaker 1: you with Matt Zukri, Like literally, I'm gonna be mad. 976 01:00:36,520 --> 01:00:38,480 Speaker 1: We're gonna you know, We're gonna have to get in 977 01:00:38,560 --> 01:00:41,480 Speaker 1: line and wait our turn to get a photo of them. 978 01:00:41,920 --> 01:00:45,200 Speaker 1: Scot on line for first. I don't know. First of all, 979 01:00:45,760 --> 01:00:50,160 Speaker 1: I'm afraid. I'm afraid of if I go off to 980 01:00:50,280 --> 01:00:52,800 Speaker 1: him in the green room and say, Mr su Creek, 981 01:00:53,000 --> 01:00:56,520 Speaker 1: do you remember me we worked? Can I get a 982 01:00:56,560 --> 01:00:59,560 Speaker 1: photo with you? Can you get the hell away from me? 983 01:01:00,360 --> 01:01:02,320 Speaker 1: You have to do that. You have to wait in 984 01:01:02,440 --> 01:01:05,479 Speaker 1: line to get like, oh my god, I need the video. 985 01:01:05,600 --> 01:01:10,040 Speaker 1: I need that. Every One told me I'm not supposed 986 01:01:10,040 --> 01:01:12,720 Speaker 1: to call it the Instagram. I need it for Instagram. 987 01:01:14,520 --> 01:01:18,880 Speaker 1: Oh my god, I get that. We'll put all the info. 988 01:01:19,200 --> 01:01:23,120 Speaker 1: This is amazing. Friday night event um is karaoke with 989 01:01:23,240 --> 01:01:25,840 Speaker 1: several of the celebrities, including John Carberra. So you can 990 01:01:25,920 --> 01:01:30,520 Speaker 1: come sing karaoke with John Carbara on Friday night. All yeah, 991 01:01:30,800 --> 01:01:33,240 Speaker 1: I mean these are things you can't do other places. 992 01:01:34,000 --> 01:01:37,040 Speaker 1: Oh my god. Wait, and Charleston's kind of cool. What 993 01:01:37,360 --> 01:01:40,040 Speaker 1: is it hot there? What do people wear? Um? It's 994 01:01:40,080 --> 01:01:42,640 Speaker 1: a beach town, so I think, and it's August, so 995 01:01:42,960 --> 01:01:47,240 Speaker 1: definitely your beach were Oh my god, I love it, Tar, 996 01:01:47,320 --> 01:01:50,760 Speaker 1: I'm so jealous. I'm excited. This might be my favorite 997 01:01:50,800 --> 01:01:55,920 Speaker 1: work trip I'll ever do. Okay, so incredibly excited to 998 01:01:56,000 --> 01:01:57,480 Speaker 1: have you, Scott. I just wanted to let you know 999 01:01:57,560 --> 01:02:01,200 Speaker 1: and I can't. I'm looking forward to our panels. So oh, 1000 01:02:01,320 --> 01:02:03,200 Speaker 1: it'll be fun. It'll be fun. It'll be a lot 1001 01:02:03,240 --> 01:02:05,600 Speaker 1: of fun. Are we doing U? Are we doing a 1002 01:02:05,720 --> 01:02:07,480 Speaker 1: panel just you and me? Or is you and me 1003 01:02:07,560 --> 01:02:09,320 Speaker 1: and all the guys? It'll be me and you and 1004 01:02:09,400 --> 01:02:12,920 Speaker 1: all the guys except so that will that it's everyone, 1005 01:02:13,400 --> 01:02:15,400 Speaker 1: So we're gonna have to actually figure that out. So 1006 01:02:15,520 --> 01:02:17,720 Speaker 1: Sean Gunn was originally going to be there both days, 1007 01:02:17,800 --> 01:02:20,760 Speaker 1: but this guy named James Gunn has messed up a 1008 01:02:20,800 --> 01:02:26,280 Speaker 1: little bit. He's gonna Sewan is only going to be 1009 01:02:26,360 --> 01:02:29,280 Speaker 1: there on Sunday and Matt's only there on Saturday because 1010 01:02:29,320 --> 01:02:32,520 Speaker 1: of Matt's filming schedule. So we're we originally had a 1011 01:02:32,760 --> 01:02:35,840 Speaker 1: panel of all together, but we're gonna probably do something 1012 01:02:35,920 --> 01:02:39,280 Speaker 1: on Saturday with Matt and then something on Sunday with Shawn. 1013 01:02:39,400 --> 01:02:41,360 Speaker 1: So we're we're actually that just kind of came through 1014 01:02:41,360 --> 01:02:45,080 Speaker 1: the pipeline, so we're figuring that out. But well, my 1015 01:02:45,320 --> 01:02:49,720 Speaker 1: production cleared me no problem. I don't know what they're problems. Oh. 1016 01:02:50,240 --> 01:02:53,480 Speaker 1: I will say though, but right before Matt does take 1017 01:02:53,600 --> 01:02:57,640 Speaker 1: back off to go back to UH filming on Sunday morning, 1018 01:02:57,680 --> 01:02:59,160 Speaker 1: we are going to be able to do that that 1019 01:02:59,560 --> 01:03:02,280 Speaker 1: amaze in group shot of all six of you together 1020 01:03:02,360 --> 01:03:04,600 Speaker 1: though it's coming in just for that before he leaves 1021 01:03:04,640 --> 01:03:08,280 Speaker 1: for the airport. So I love that. That's why Matt's awesome. 1022 01:03:08,840 --> 01:03:11,840 Speaker 1: Maybe I can meet him there. Well, no, you'll be 1023 01:03:11,960 --> 01:03:17,200 Speaker 1: there even there on Saturday with him I hope you. 1024 01:03:17,520 --> 01:03:21,040 Speaker 1: I hope you get your moment with Matt ser I 1025 01:03:21,160 --> 01:03:24,560 Speaker 1: want a moment. Oh my god, I need I need it. 1026 01:03:24,720 --> 01:03:27,040 Speaker 1: I don't know who gets to the hotel first, but 1027 01:03:27,200 --> 01:03:29,120 Speaker 1: I feel like, you know, you guys should have like this. 1028 01:03:30,120 --> 01:03:32,720 Speaker 1: Can you see Scott just creeping on Matt's room? Oh no, 1029 01:03:33,120 --> 01:03:38,680 Speaker 1: I'll be too nervous and if the elevator I'll back 1030 01:03:38,760 --> 01:03:44,800 Speaker 1: the hell out. I'm sorry, sorry, sorry god. Yeah, well, Tara, 1031 01:03:44,920 --> 01:03:48,680 Speaker 1: I'm jealous. You'll be there and I'll be texting you 1032 01:03:48,760 --> 01:03:51,240 Speaker 1: the whole time. You're gonna face time me. Yeah, I'll 1033 01:03:51,240 --> 01:03:54,080 Speaker 1: just face Why don't you take one of the yachts. 1034 01:03:54,280 --> 01:03:58,480 Speaker 1: Start now. I know when we do the podcast, I'll 1035 01:03:58,520 --> 01:04:00,240 Speaker 1: get to be on the zoom, so I'll get to 1036 01:04:00,280 --> 01:04:02,680 Speaker 1: see we'll get to be on the zoom. I'll see 1037 01:04:02,720 --> 01:04:06,800 Speaker 1: everybody through this. This is how we really do the 1038 01:04:06,880 --> 01:04:09,760 Speaker 1: podcast from the panel. Yeah, Laney's no, We're gonna do 1039 01:04:09,880 --> 01:04:12,640 Speaker 1: it kind of like backstage. Laney's figuring it all out. Oh, 1040 01:04:12,760 --> 01:04:15,120 Speaker 1: I got you, all right, And then we'll have special 1041 01:04:15,240 --> 01:04:18,840 Speaker 1: guests that'll be we could during the group photo op 1042 01:04:18,920 --> 01:04:20,920 Speaker 1: with everyone, we could hold up a FaceTime of EU 1043 01:04:21,000 --> 01:04:23,760 Speaker 1: Daniel and then you could have a group photo with 1044 01:04:23,840 --> 01:04:30,000 Speaker 1: the FaceTime. It's gonna be it'll definitely be a convention 1045 01:04:30,280 --> 01:04:33,320 Speaker 1: specific episode. I don't know if we're gonna be able 1046 01:04:33,360 --> 01:04:38,960 Speaker 1: to watch a Gilmore episode and analyze exactly. We'll make 1047 01:04:39,000 --> 01:04:43,000 Speaker 1: it a special it'll be a whole different thing, exactly. Well, 1048 01:04:43,120 --> 01:04:46,400 Speaker 1: thank you so much. We'll see you soon. Thank you 1049 01:04:46,520 --> 01:04:48,919 Speaker 1: so much for having you. I look forward to seeing 1050 01:04:48,920 --> 01:04:52,760 Speaker 1: you both at the convention. And you can't wait to 1051 01:04:52,800 --> 01:04:55,360 Speaker 1: meet you, Laney, And thanks for all the help. It's 1052 01:04:55,360 --> 01:04:58,840 Speaker 1: a lot to do, uh, and you're doing a great job. 1053 01:04:58,960 --> 01:05:00,960 Speaker 1: So we're gonna have a lot of fun. Thank you 1054 01:05:01,040 --> 01:05:05,320 Speaker 1: so much. I'll see you all right. So ye see 1055 01:05:05,360 --> 01:05:12,200 Speaker 1: everybody Auguste and Charleston right outside of Charleston at the 1056 01:05:12,240 --> 01:05:17,240 Speaker 1: Epics and Chill Convention Fan Convention in Mount Pleasant, South Carolina, 1057 01:05:17,360 --> 01:05:20,640 Speaker 1: which is right outside of Charleston. Man, that's gonna be 1058 01:05:20,840 --> 01:05:23,360 Speaker 1: a great city, great time. Boy, this is gonna be 1059 01:05:23,880 --> 01:05:31,560 Speaker 1: really something. Tara, better get your sleep. Well, this is 1060 01:05:31,600 --> 01:05:33,680 Speaker 1: the first time that we ever do a podcast in 1061 01:05:33,760 --> 01:05:36,080 Speaker 1: person together, like everyone. Oh yeah, this will be the 1062 01:05:36,120 --> 01:05:39,080 Speaker 1: first time that you guys are meeting in person. Yeah, 1063 01:05:41,480 --> 01:05:43,320 Speaker 1: you're the only one I've been in a room withn't 1064 01:05:43,360 --> 01:05:47,160 Speaker 1: met personally. I know. It's that weird. It's it's so 1065 01:05:47,400 --> 01:05:49,320 Speaker 1: weird because when you guys see each other, you will 1066 01:05:49,400 --> 01:05:52,480 Speaker 1: forget that because it's like it's like we're all together 1067 01:05:52,520 --> 01:05:56,280 Speaker 1: all the time. Wait, Scott, are you really tall? I 1068 01:05:56,360 --> 01:05:59,840 Speaker 1: mean I'm like six one. Okay, I'm really sure. It's 1069 01:06:00,520 --> 01:06:02,960 Speaker 1: it always like, heads up, I'm shorter than you think. 1070 01:06:03,960 --> 01:06:10,160 Speaker 1: I'll tell you I'm five one. Scott's going to be 1071 01:06:10,160 --> 01:06:15,640 Speaker 1: a foot tall you huh? Someone else? Like one of 1072 01:06:15,760 --> 01:06:17,720 Speaker 1: someone else we work with their Like after a year 1073 01:06:17,760 --> 01:06:19,600 Speaker 1: with you on Zoom, I didn't realize how short you were. 1074 01:06:21,520 --> 01:06:26,000 Speaker 1: I'm immediately googling how tall is Matt Zukriyah compare my 1075 01:06:26,120 --> 01:06:32,640 Speaker 1: he's like five eight, five nine, But Mr Huntsberger seems tall. Yeah, 1076 01:06:32,720 --> 01:06:37,640 Speaker 1: it says Matt is five nine. Yeah, I think, yeah, 1077 01:06:37,680 --> 01:06:43,680 Speaker 1: I think Mr hunts tall. He's like five eleven. That 1078 01:06:43,760 --> 01:06:45,840 Speaker 1: means I need to get a photo with them Amy 1079 01:06:45,960 --> 01:06:51,160 Speaker 1: so we can see. That's your Christmas card? Hello, right, yeah, 1080 01:06:51,400 --> 01:06:54,360 Speaker 1: you're like, Merry Christmas. Everyone. Let me tell you something. 1081 01:06:54,440 --> 01:06:58,840 Speaker 1: It's going down this summer. Oh my god. Yeah. If 1082 01:06:58,880 --> 01:07:00,560 Speaker 1: I were listening and I could figure out a way 1083 01:07:00,560 --> 01:07:03,320 Speaker 1: to get there, I would do it. Ladies, Just why 1084 01:07:03,360 --> 01:07:05,840 Speaker 1: do you just get on a plane take a pill yourself. 1085 01:07:08,520 --> 01:07:12,240 Speaker 1: I haven't been on a plane since seven or something. 1086 01:07:12,520 --> 01:07:17,240 Speaker 1: Something happened. Did you get there? I just have issues 1087 01:07:17,440 --> 01:07:19,400 Speaker 1: and I feel like I'm going to die every time 1088 01:07:19,400 --> 01:07:22,880 Speaker 1: I'm in there. It's claustrophobia. The idea to go on 1089 01:07:22,920 --> 01:07:27,480 Speaker 1: elevator the RV isn't a bad idea though. RV is 1090 01:07:27,480 --> 01:07:30,760 Speaker 1: a great way to travel. I don't you, Danielle across 1091 01:07:30,800 --> 01:07:33,320 Speaker 1: the country? That is like, you know, it's like you're 1092 01:07:33,320 --> 01:07:38,080 Speaker 1: going on tour. Man, it's fun. It's a lot of fun. Alright, 1093 01:07:38,160 --> 01:07:40,680 Speaker 1: next week, what's the episode? I think it's called the 1094 01:07:40,720 --> 01:07:46,640 Speaker 1: Big One Episode, season three? Wow? See you then? All right, 1095 01:07:46,680 --> 01:07:51,040 Speaker 1: so this is all one episode. We've just jesus, it's 1096 01:07:51,080 --> 01:07:53,320 Speaker 1: really just over an hour. It's actually was an hour 1097 01:07:53,440 --> 01:08:00,400 Speaker 1: and nine minutes. Yeah, you just enjoying yourself. Yeah, so 1098 01:08:00,520 --> 01:08:02,240 Speaker 1: tune in if you want to hear me complain for 1099 01:08:02,520 --> 01:08:07,600 Speaker 1: an hour night. Got a really lifted, really put a 1100 01:08:07,640 --> 01:08:11,440 Speaker 1: little zipperty in your JUDEA promo? Please God, can we 1101 01:08:11,560 --> 01:08:16,760 Speaker 1: please gotta promo? Is St Matterson the Ewing Podcast? And 1102 01:08:16,920 --> 01:08:20,240 Speaker 1: what are we complain about? Your favorite in our nine minutes. 1103 01:08:20,360 --> 01:08:26,280 Speaker 1: This week's for you. It's an honest to god bitch 1104 01:08:26,360 --> 01:08:33,240 Speaker 1: fest with your favorite host. How listen, how much do 1105 01:08:33,360 --> 01:08:35,160 Speaker 1: we hate this episode? But then we would you know, 1106 01:08:35,439 --> 01:08:37,840 Speaker 1: we would qualified by saying no, But we really enjoyed it, 1107 01:08:37,880 --> 01:08:40,320 Speaker 1: and there were a lot of of all. That's the 1108 01:08:40,360 --> 01:08:42,320 Speaker 1: funniest part is I was like, it's not our favorite, 1109 01:08:42,360 --> 01:08:43,840 Speaker 1: but we loved it. But we didn't love it. But 1110 01:08:44,000 --> 01:08:46,559 Speaker 1: we did love it, but we hated it. What was all? 1111 01:08:47,560 --> 01:08:51,120 Speaker 1: We loved the writing. Listen, if I if I was 1112 01:08:51,200 --> 01:08:54,360 Speaker 1: just if I just came home from work, right, I'm tired, 1113 01:08:54,439 --> 01:08:57,320 Speaker 1: my feet hurt, my back hurts. You know, I gotta 1114 01:08:57,360 --> 01:09:01,439 Speaker 1: take a test, I need some food, and this episode 1115 01:09:01,520 --> 01:09:04,160 Speaker 1: came on. It would make me laugh and it would 1116 01:09:04,200 --> 01:09:07,639 Speaker 1: improve my day. It would I would enjoy the heck 1117 01:09:07,720 --> 01:09:11,960 Speaker 1: at it. I really would, I really really would. Right, 1118 01:09:12,040 --> 01:09:14,479 Speaker 1: It's only like Tara said, when you're comparing it to 1119 01:09:14,600 --> 01:09:20,559 Speaker 1: everything because we're spoiled, were so spoiled, Right, Yeah, yeah, 1120 01:09:21,479 --> 01:09:59,519 Speaker 1: we're tough. We're tough. Bye bye, All right, enjoy your week, everybody, everybody, 1121 01:09:59,520 --> 01:10:02,360 Speaker 1: and don't treat had. Follow us on Instagram at I 1122 01:10:02,640 --> 01:10:06,680 Speaker 1: Am all In Podcast and email us at Gilmore at 1123 01:10:06,840 --> 01:10:10,320 Speaker 1: I Heart radio dot com. Oh you Gilmore fans. If 1124 01:10:10,320 --> 01:10:12,280 Speaker 1: you're looking for the best cup of coffee in the world, 1125 01:10:12,360 --> 01:10:16,240 Speaker 1: go to my website for my company, scott ep dot com. 1126 01:10:16,400 --> 01:10:18,559 Speaker 1: S C O T. T y P dot com, scott 1127 01:10:18,600 --> 01:10:29,519 Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.