1
00:00:00,080 --> 00:00:02,600
Speaker 1: It is time for church complaints with Reverend Motown and

2
00:00:02,640 --> 00:00:11,680
Speaker 1: Deacon deaf jam. Oh. Here we are.

3
00:00:13,760 --> 00:00:18,880
Speaker 2: On another grid day, sponsored and brought to you by

4
00:00:20,280 --> 00:00:26,880
Speaker 2: dear Lord. Yes and lining His goodness is immense.

5
00:00:27,880 --> 00:00:37,000
Speaker 1: Yes, it is Thur Rochester. That's right. He is all

6
00:00:37,320 --> 00:00:46,120
Speaker 1: that we ain't plus some and more. Yes, as grateful

7
00:00:46,159 --> 00:00:48,080
Speaker 1: as we are, we find.

8
00:00:47,760 --> 00:00:52,880
Speaker 2: Ourselves on this Monday, gathered again for the most ungrateful

9
00:00:53,000 --> 00:00:55,400
Speaker 2: congregation or earth today.

10
00:00:56,240 --> 00:00:56,760
Speaker 1: That's right.

11
00:00:58,200 --> 00:01:01,920
Speaker 2: The jack pot joined us the rule A little congregation

12
00:01:02,560 --> 00:01:04,480
Speaker 2: always got some complaints.

13
00:01:05,640 --> 00:01:09,240
Speaker 1: Come on starting this staying out past.

14
00:01:09,319 --> 00:01:14,759
Speaker 3: It's just a uh Gidessaine middle tape. I shouted too

15
00:01:14,840 --> 00:01:19,880
Speaker 3: loud yesterday. And one of the ushers, brother Raymond Lockhart,

16
00:01:20,600 --> 00:01:23,120
Speaker 3: once somebody told him to try to quieten her down.

17
00:01:23,200 --> 00:01:26,840
Speaker 3: He plucked some flexa seal over her mouth to quieting her,

18
00:01:27,840 --> 00:01:30,560
Speaker 3: that flex and seal tape that you see on the commercial.

19
00:01:30,640 --> 00:01:32,119
Speaker 1: And she is highly.

20
00:01:31,840 --> 00:01:35,080
Speaker 3: Upset, and it took forever to get it off, and

21
00:01:35,120 --> 00:01:38,000
Speaker 3: her lips is really sowing her cheeks. Heals too past,

22
00:01:38,080 --> 00:01:40,480
Speaker 3: he slapped up some flex and seal over her mouth

23
00:01:40,520 --> 00:01:41,560
Speaker 3: to quieting her down.

24
00:01:41,959 --> 00:01:44,319
Speaker 1: Well, a lot of.

25
00:01:44,319 --> 00:01:47,680
Speaker 2: Male members have asked.

26
00:01:48,320 --> 00:01:52,360
Speaker 3: About this, what do you call it flexa seal. You

27
00:01:52,440 --> 00:01:55,160
Speaker 3: know the stuff that that that stopped the water from

28
00:01:55,200 --> 00:01:56,880
Speaker 3: coming through the boat. You know you've seen it on

29
00:01:56,920 --> 00:01:57,559
Speaker 3: that A lot.

30
00:01:57,440 --> 00:02:02,920
Speaker 2: Of men that wont that recipe they house. Can you

31
00:02:03,040 --> 00:02:06,040
Speaker 2: let us know what that is exactly and how much

32
00:02:06,080 --> 00:02:09,519
Speaker 2: it is. We're gonna start selling it at the church.

33
00:02:11,040 --> 00:02:15,880
Speaker 2: A lot of wives have asked for it too, so

34
00:02:16,000 --> 00:02:18,480
Speaker 2: it could be a top seller and go all the

35
00:02:18,560 --> 00:02:22,280
Speaker 2: money proceeds will go towards the building for it.

36
00:02:23,480 --> 00:02:27,960
Speaker 3: I will make a note of that, Pastor. Moving along,

37
00:02:28,040 --> 00:02:31,200
Speaker 3: Now we gotta issue here, Pastor. Brother Amos O'Neill, who

38
00:02:31,280 --> 00:02:34,080
Speaker 3: has a hump in his back, is one of the

39
00:02:34,160 --> 00:02:38,080
Speaker 3: wise men in the nativity scene. He is sitting on

40
00:02:38,080 --> 00:02:40,880
Speaker 3: one of the camels. Now that's a lot of humps

41
00:02:40,919 --> 00:02:44,760
Speaker 3: in one scene. Pastor, and the children are confused. What

42
00:02:44,840 --> 00:02:45,679
Speaker 3: should we do?

43
00:02:48,000 --> 00:02:54,320
Speaker 2: Well, we must explain to the children that at a

44
00:02:54,440 --> 00:02:59,920
Speaker 2: nativity scene, that is where the beginning was come as.

45
00:02:59,760 --> 00:03:02,279
Speaker 1: You all right.

46
00:03:02,639 --> 00:03:09,519
Speaker 2: Just tell the children that is too wise man and

47
00:03:09,840 --> 00:03:11,680
Speaker 2: four camps.

48
00:03:12,800 --> 00:03:13,560
Speaker 1: You run for that.

49
00:03:16,000 --> 00:03:19,359
Speaker 3: You're gonna have to explain brother Amos O'Neill's hump to him.

50
00:03:19,360 --> 00:03:20,600
Speaker 1: Past I think that's the one.

51
00:03:20,560 --> 00:03:25,920
Speaker 2: Brother Amos is also starring in our Halloween play The

52
00:03:26,080 --> 00:03:28,040
Speaker 2: hunch Back or Notre Dame.

53
00:03:29,480 --> 00:03:35,200
Speaker 1: All Right, it's still gonna be confusing for the year.

54
00:03:35,440 --> 00:03:40,320
Speaker 2: Also, the Santa Claus foot stool at the mall, a

55
00:03:40,400 --> 00:03:42,920
Speaker 2: lot of cuts climbs on his back to get up

56
00:03:42,960 --> 00:03:44,200
Speaker 2: on Santa Claus lap.

57
00:03:46,200 --> 00:03:47,760
Speaker 1: We view that hump every way.

58
00:03:47,800 --> 00:03:48,280
Speaker 2: We can't.

59
00:03:48,960 --> 00:03:52,040
Speaker 1: Yes we have, Yes, we have all right.

60
00:03:52,120 --> 00:03:56,160
Speaker 3: I hope this doesn't offend Brother Jay Anthony past, the

61
00:03:57,200 --> 00:04:00,320
Speaker 3: big guy, the yard bro lost both big toe due

62
00:04:00,360 --> 00:04:04,240
Speaker 3: to diabetes. He's asking that the church get him some

63
00:04:04,400 --> 00:04:08,400
Speaker 3: sandals made that the material would come between his third

64
00:04:08,440 --> 00:04:12,360
Speaker 3: and fourth toe so he can balance better. Uh, but

65
00:04:12,480 --> 00:04:15,440
Speaker 3: especially made sandals are three hundred and fifty hours the past.

66
00:04:15,440 --> 00:04:16,680
Speaker 1: So that's gonna be your call.

67
00:04:16,800 --> 00:04:21,880
Speaker 2: Pass. I was thinking about this over the weekend. He

68
00:04:22,000 --> 00:04:26,560
Speaker 2: had I ran up into him that but he didn't run.

69
00:04:26,680 --> 00:04:29,799
Speaker 3: That's the show that the toes anyway.

70
00:04:31,040 --> 00:04:32,320
Speaker 1: That that's the truth.

71
00:04:32,680 --> 00:04:36,280
Speaker 2: I ran up into him at the Dallas shoe Warehouse.

72
00:04:38,000 --> 00:04:41,040
Speaker 1: Really. Uh, I was down.

73
00:04:40,880 --> 00:04:45,960
Speaker 3: There the shoe wear house.

74
00:04:48,920 --> 00:04:54,080
Speaker 1: For the girls, the new girls that theations.

75
00:04:56,640 --> 00:04:59,920
Speaker 2: Ran up into him. And what I had suggested to

76
00:05:00,160 --> 00:05:05,760
Speaker 2: him was by the regular flip flops and put.

77
00:05:05,560 --> 00:05:18,839
Speaker 4: Them on the wrong foot and they'll make it through

78
00:05:18,880 --> 00:05:23,680
Speaker 4: that third and fourth toe.

79
00:05:26,560 --> 00:05:28,159
Speaker 1: Now that what created.

80
00:05:30,720 --> 00:05:35,279
Speaker 3: We are taking ministry Christmas photos this coming week. Ministry

81
00:05:35,360 --> 00:05:39,719
Speaker 3: Christmas photos this coming week, different ministries for different ministries. Pastor,

82
00:05:39,800 --> 00:05:41,640
Speaker 3: you're gonna have to step in. You're gonna have to

83
00:05:41,720 --> 00:05:44,520
Speaker 3: tell all of our ex cons that they are not

84
00:05:44,760 --> 00:05:46,920
Speaker 3: a ministry and will not.

85
00:05:47,040 --> 00:05:48,320
Speaker 1: Be taking pictures.

86
00:05:48,800 --> 00:05:48,960
Speaker 2: Uh.

87
00:05:49,120 --> 00:05:51,480
Speaker 3: No one has stepped to say anything to them yet

88
00:05:51,520 --> 00:05:54,400
Speaker 3: because they're scared, especially the one they call Killer J.

89
00:05:54,920 --> 00:05:56,960
Speaker 1: He's the one that runs the group.

90
00:05:57,040 --> 00:05:59,920
Speaker 3: But somebody need to tell Killer J that they are

91
00:06:00,040 --> 00:06:00,840
Speaker 3: out of ministry.

92
00:06:03,000 --> 00:06:08,960
Speaker 2: Keep the pictures, but because we don't want no problem.

93
00:06:09,000 --> 00:06:13,039
Speaker 2: But the reception is none of them can kneel while

94
00:06:13,160 --> 00:06:14,000
Speaker 2: taking the photo.

95
00:06:14,040 --> 00:06:16,800
Speaker 1: Now, we ain't gonna have to take no photo. Yeah,

96
00:06:16,800 --> 00:06:18,200
Speaker 1: they don't want to kneel or anything.

97
00:06:18,279 --> 00:06:20,480
Speaker 2: Everybody wants to take that prison shot.

98
00:06:20,800 --> 00:06:24,800
Speaker 1: That's squat, that's what is that? The squad? What's that?

99
00:06:24,800 --> 00:06:31,120
Speaker 2: That's that photo that all inmates.

100
00:06:31,720 --> 00:06:38,840
Speaker 1: Uh so they can't let them, let them take the picture.

101
00:06:39,120 --> 00:06:40,240
Speaker 2: Well, well we're gonna have to.

102
00:06:40,480 --> 00:06:41,920
Speaker 1: Who's gonna go in there and tell me they can't?

103
00:06:46,800 --> 00:06:50,600
Speaker 1: All right, take the picture? Killing J can take a

104
00:06:50,600 --> 00:06:50,920
Speaker 1: all right?

105
00:06:52,400 --> 00:06:55,839
Speaker 2: You can't run at church if you're not help, you

106
00:06:56,040 --> 00:06:58,240
Speaker 2: can pastor from the grave.

107
00:06:59,160 --> 00:07:02,279
Speaker 1: That's right. You kill a ja, yeah, we don't let

108
00:07:02,360 --> 00:07:03,240
Speaker 1: him taking picture