WEBVTT - 9 | Demaris, Part Two

0:00:00.600 --> 0:00:04.760
<v Speaker 1>iHeart three d Are the Er for fall exposure.

0:00:05.360 --> 0:00:06.360
<v Speaker 2>Listen with that phones.

0:00:08.720 --> 0:00:11.840
<v Speaker 3>Havoctown is a production of iHeart Podcasts and Grimm and

0:00:11.880 --> 0:00:16.320
<v Speaker 3>Mild from Aaron Mankey Headphones recommended. Listener discretion advised.

0:00:22.360 --> 0:00:24.720
<v Speaker 4>I do not have time to properly relate the horrors

0:00:24.720 --> 0:00:27.040
<v Speaker 4>of this night, nor is there a likelihood that they

0:00:27.080 --> 0:00:29.800
<v Speaker 4>will be read by friendly eyes. But I write these

0:00:29.880 --> 0:00:32.320
<v Speaker 4>last words in the hope that they may, at some

0:00:32.520 --> 0:00:35.200
<v Speaker 4>point in the future be of service to someone else.

0:00:36.280 --> 0:00:39.879
<v Speaker 4>What I have seen this night devive, since it strains

0:00:39.920 --> 0:00:44.680
<v Speaker 4>belief this town is cursed and I will not.

0:00:44.720 --> 0:00:45.720
<v Speaker 1>Survive to see dawn.

0:01:19.400 --> 0:01:22.200
<v Speaker 5>Instead of taking the left turn to safety, when I

0:01:22.240 --> 0:01:26.679
<v Speaker 5>reached the intersection, I turned right. I wonder now how

0:01:26.720 --> 0:01:30.120
<v Speaker 5>things would have ended if I'd just driven toward Maine

0:01:30.600 --> 0:01:34.520
<v Speaker 5>instead of turned back towards Sylvie. Between her house and

0:01:34.600 --> 0:01:38.039
<v Speaker 5>mine lay downtown, where the lights from emergency vehicles made

0:01:38.040 --> 0:01:42.800
<v Speaker 5>the world seem ghostly, unreal. I couldn't run that gauntlet,

0:01:42.880 --> 0:01:45.240
<v Speaker 5>so I took all the little side streets and alleys

0:01:45.280 --> 0:01:49.120
<v Speaker 5>to get around it. I was in shock. I didn't

0:01:49.120 --> 0:01:52.160
<v Speaker 5>know what I was doing. I didn't know what I

0:01:52.240 --> 0:01:54.760
<v Speaker 5>was going to do after. But I knew I wanted

0:01:54.800 --> 0:01:56.000
<v Speaker 5>Sylvie to ride shotgun.

0:01:57.200 --> 0:01:59.360
<v Speaker 1>Hey, this is Sylvie. You know what to do.

0:02:00.200 --> 0:02:04.280
<v Speaker 5>Sylvie. Uh hey, I'm coming to get you. If you

0:02:04.280 --> 0:02:10.760
<v Speaker 5>could just be home when I get there. There's something

0:02:10.800 --> 0:02:17.240
<v Speaker 5>really messed up happened, dude. And the woman who appeared

0:02:17.320 --> 0:02:20.440
<v Speaker 5>in front of my car was completely naked.

0:02:20.960 --> 0:02:21.880
<v Speaker 1>I stopped stop.

0:02:22.160 --> 0:02:26.040
<v Speaker 5>She was covered in that blood spread her eyes and

0:02:26.160 --> 0:02:32.360
<v Speaker 5>nose and ears, all leaking dark red. Jesus, Oh my god,

0:02:32.520 --> 0:02:35.960
<v Speaker 5>Oh my god. Hey, get away, get away.

0:02:38.080 --> 0:02:40.560
<v Speaker 4>Jesus Jesus.

0:02:42.240 --> 0:02:45.680
<v Speaker 5>She wasn't the only one out either, the police, the

0:02:45.760 --> 0:02:51.200
<v Speaker 5>National Guard, the occasional gunshot ringing out, another neighbor taking

0:02:51.200 --> 0:02:54.160
<v Speaker 5>a bullet, or maybe trying to take down an infected

0:02:54.400 --> 0:02:58.040
<v Speaker 5>family member or former best friend. I had no way

0:02:58.080 --> 0:03:01.480
<v Speaker 5>of knowing how far this thing had spread, how close

0:03:01.560 --> 0:03:06.079
<v Speaker 5>I was to the end of the world. Sylvie Street

0:03:06.120 --> 0:03:14.679
<v Speaker 5>was pitch black, foreboding, not a light on anywhere, Sylvie, Sylvie,

0:03:14.919 --> 0:03:20.800
<v Speaker 5>it's me, let me in. God damn it, Sylvie, Please fucking.

0:03:20.600 --> 0:03:22.040
<v Speaker 1>Get in here. Are you crazy?

0:03:22.440 --> 0:03:23.440
<v Speaker 5>I've been calling you.

0:03:23.720 --> 0:03:24.360
<v Speaker 1>Phone's dead.

0:03:24.919 --> 0:03:26.160
<v Speaker 5>How long has your power been out?

0:03:27.040 --> 0:03:30.799
<v Speaker 1>All evening? Had the National Guard here earlier? A guy

0:03:30.800 --> 0:03:33.080
<v Speaker 1>claiming to be a medic took my temperature and asked

0:03:33.080 --> 0:03:35.240
<v Speaker 1>a lot of questions about who I came in contact with.

0:03:35.920 --> 0:03:37.280
<v Speaker 1>You still have power at your place?

0:03:37.880 --> 0:03:41.160
<v Speaker 5>No, we can't go back there tonight.

0:03:41.880 --> 0:03:42.200
<v Speaker 1>Why not?

0:03:43.360 --> 0:03:46.920
<v Speaker 5>Okay, I'm going to tell you something and you're not

0:03:46.960 --> 0:03:49.280
<v Speaker 5>gonna believe me, but I need you to trust me.

0:03:49.480 --> 0:03:53.440
<v Speaker 5>I'm not lying and I'm not crazy. And out with it. Jesus,

0:03:54.040 --> 0:04:00.360
<v Speaker 5>Jimbo came to see me before he died. Nope, go on.

0:04:01.400 --> 0:04:04.520
<v Speaker 5>When I got home from Jerry Havoc's house this evening,

0:04:05.240 --> 0:04:07.640
<v Speaker 5>Jimbohorn was waiting for me.

0:04:09.520 --> 0:04:09.840
<v Speaker 6>Go on.

0:04:11.200 --> 0:04:15.200
<v Speaker 5>He was not dead or alive.

0:04:16.720 --> 0:04:17.200
<v Speaker 1>Explain.

0:04:18.320 --> 0:04:19.280
<v Speaker 5>Don't make me say it.

0:04:19.920 --> 0:04:21.960
<v Speaker 1>Yeah, no, say it.

0:04:22.120 --> 0:04:26.080
<v Speaker 5>Fine. He was a vampire. I knew it.

0:04:26.720 --> 0:04:28.480
<v Speaker 1>I knew it. I don't mean a gloat, but I

0:04:28.520 --> 0:04:32.960
<v Speaker 1>knew it. So uh, okay, I'm sorry. What what happened

0:04:33.000 --> 0:04:33.440
<v Speaker 1>to Jimbo?

0:04:34.120 --> 0:04:35.120
<v Speaker 5>Oh he tried to kill me?

0:04:35.480 --> 0:04:39.320
<v Speaker 1>What? Oh my god? Wait? Wait, how did you get away?

0:04:39.760 --> 0:04:43.359
<v Speaker 5>I will I put a goddamn steak through his heart?

0:04:44.279 --> 0:04:51.640
<v Speaker 1>Jesus, Yeah, oh my god. Oh so he's just lying

0:04:51.640 --> 0:04:54.280
<v Speaker 1>on the floor at your house dead?

0:04:54.960 --> 0:04:58.760
<v Speaker 5>Yeah? I mean, I mean I think so. Marie happened

0:04:58.800 --> 0:05:02.039
<v Speaker 5>to come check on me. And told me about his

0:05:02.240 --> 0:05:05.320
<v Speaker 5>escape from the hospital, how he killed a mortician.

0:05:05.839 --> 0:05:13.920
<v Speaker 1>Marie, the nurse who helped your father. Yeah, ah, don't.

0:05:13.960 --> 0:05:14.880
<v Speaker 1>I don't know what to say.

0:05:15.520 --> 0:05:20.480
<v Speaker 5>Oh, and Ken, he's a vampire too, what the street preacher? Yeah?

0:05:20.680 --> 0:05:23.039
<v Speaker 1>Oh, oh, the poor guy.

0:05:23.680 --> 0:05:28.320
<v Speaker 5>And he told Marie I know what to do because

0:05:28.360 --> 0:05:29.000
<v Speaker 5>of my family.

0:05:29.800 --> 0:05:32.400
<v Speaker 1>Oh, you're supposed to to.

0:05:31.720 --> 0:05:32.880
<v Speaker 5>To kill vampires.

0:05:32.920 --> 0:05:41.200
<v Speaker 1>I guess, well, you're after a good start. Oh no, no, oh, honey,

0:05:41.240 --> 0:05:43.000
<v Speaker 1>I'm I'm sorry. I'm sorry.

0:05:43.440 --> 0:05:45.320
<v Speaker 5>I didn't want to kill him.

0:05:46.120 --> 0:05:49.960
<v Speaker 1>He attacked me, and I know, honey, honey, honey, No,

0:05:50.640 --> 0:05:58.599
<v Speaker 1>it's okay. Come here. I'm sorry. I'm just I'm very traumatized. Yeah. Yeah,

0:05:58.640 --> 0:05:59.279
<v Speaker 1>who wouldn't be.

0:06:00.000 --> 0:06:02.880
<v Speaker 5>Oh my god, Barbara, Barbara. We need to check on her.

0:06:03.200 --> 0:06:05.200
<v Speaker 1>No, Kuran, Kurin, I hate to tell you this, but

0:06:05.279 --> 0:06:07.560
<v Speaker 1>I think it might be dangerous to go outside now.

0:06:07.839 --> 0:06:11.480
<v Speaker 5>And no, Jimbo left her there in the house. He

0:06:11.560 --> 0:06:13.120
<v Speaker 5>said he attacked her.

0:06:13.400 --> 0:06:17.280
<v Speaker 1>Well, Karin, if that's true, she may be beyond our help.

0:06:17.640 --> 0:06:22.120
<v Speaker 5>Sylvie, that's no excuse not to help her.

0:06:22.800 --> 0:06:23.440
<v Speaker 1>God damn it.

0:06:23.480 --> 0:06:25.400
<v Speaker 5>Her In, I'll drive.

0:06:26.120 --> 0:06:28.440
<v Speaker 1>No, No, you're in no shape to drive. I will drive,

0:06:30.839 --> 0:06:31.839
<v Speaker 1>God damnit her in.

0:06:36.040 --> 0:06:38.880
<v Speaker 5>We were back on the streets, and the tension was

0:06:39.000 --> 0:06:42.440
<v Speaker 5>palpable as we barreled toward Jimbo in Barb's house.

0:06:44.360 --> 0:06:46.600
<v Speaker 1>Should I take Main Street or cut over to third?

0:06:46.680 --> 0:06:49.400
<v Speaker 5>You think i'd stay off the main drag? The National

0:06:49.440 --> 0:06:53.479
<v Speaker 5>Guard is crawling all over it must be their base camp. Smart.

0:06:54.279 --> 0:06:57.680
<v Speaker 1>Oh shit, you never told me how I went with Jerry.

0:06:58.200 --> 0:06:58.760
<v Speaker 1>You saw him.

0:06:58.640 --> 0:07:03.800
<v Speaker 5>Earlier, right, strange he was, I don't know. He was

0:07:03.800 --> 0:07:05.600
<v Speaker 5>out of sorts. He seemed to be dealing with some

0:07:06.000 --> 0:07:09.320
<v Speaker 5>business stuff that didn't make him terribly happy.

0:07:09.440 --> 0:07:12.960
<v Speaker 1>He was preoccupied with business during a vampire outbreak.

0:07:13.560 --> 0:07:16.040
<v Speaker 5>Yeah, weird, yep.

0:07:16.800 --> 0:07:18.200
<v Speaker 1>What was the inside of the house like?

0:07:19.480 --> 0:07:22.120
<v Speaker 5>I mean? I felt like a museum. He has a

0:07:22.160 --> 0:07:26.320
<v Speaker 5>portrait of his great great great grandmother that is clearly haunted.

0:07:26.680 --> 0:07:30.640
<v Speaker 5>Oh he's squirrely, dude. Do you think he has anything

0:07:30.680 --> 0:07:35.160
<v Speaker 5>to do with all this? Who's to say? Shit?

0:07:35.640 --> 0:07:39.880
<v Speaker 1>Roadblock, I'll make short work at these boys trying to

0:07:39.920 --> 0:07:44.640
<v Speaker 1>act like you've been infected with vampirism though. See your id,

0:07:44.840 --> 0:07:47.240
<v Speaker 1>ma'am is sure a thing handsome.

0:07:48.040 --> 0:07:49.760
<v Speaker 2>What's your business tonight? Oh?

0:07:49.800 --> 0:07:52.360
<v Speaker 1>I'm just driving to see a friend who lives down

0:07:52.400 --> 0:07:52.800
<v Speaker 1>this way.

0:07:53.440 --> 0:07:54.760
<v Speaker 4>Are you aware of there's a curfew.

0:07:55.360 --> 0:07:57.200
<v Speaker 1>Oh I was not.

0:07:58.160 --> 0:08:01.080
<v Speaker 2>Have you come in contact with anyone to any strange behavior?

0:08:02.880 --> 0:08:07.200
<v Speaker 1>Always tonight? No?

0:08:07.200 --> 0:08:10.920
<v Speaker 4>No, have you exhibited any signs of fatigue, fever, nausea,

0:08:11.040 --> 0:08:13.120
<v Speaker 4>or bleeding from your eyes or nose or ears?

0:08:13.600 --> 0:08:14.000
<v Speaker 5>Uh? You know?

0:08:15.440 --> 0:08:16.600
<v Speaker 1>Can I go now?

0:08:17.160 --> 0:08:17.840
<v Speaker 2>Not this way?

0:08:18.000 --> 0:08:18.960
<v Speaker 4>This road is shut down.

0:08:19.280 --> 0:08:21.760
<v Speaker 1>Well, our friend lives here, so.

0:08:22.640 --> 0:08:26.600
<v Speaker 4>Well, ma'am, pray for her. Now, please turn around and

0:08:26.640 --> 0:08:28.960
<v Speaker 4>return to your residence until curfew was lifted in the morning.

0:08:30.960 --> 0:08:32.960
<v Speaker 1>Are you sure we can't just drink?

0:08:34.360 --> 0:08:37.400
<v Speaker 4>Oh? My god?

0:08:38.400 --> 0:08:39.000
<v Speaker 1>Are you okay?

0:08:39.160 --> 0:08:41.640
<v Speaker 4>What was it? How was that?

0:08:41.640 --> 0:08:45.959
<v Speaker 1>That was Bill Braydon from the hardware store? Why was

0:08:46.000 --> 0:08:48.400
<v Speaker 1>that sort of a bit shooting at me after making

0:08:48.400 --> 0:08:50.560
<v Speaker 1>me some of those ridiculous drinks all these years with

0:08:50.559 --> 0:08:51.320
<v Speaker 1>a straight face?

0:08:52.520 --> 0:08:52.840
<v Speaker 5>Uh?

0:08:53.679 --> 0:08:57.600
<v Speaker 1>Wait? Wait are you did you get hit?

0:08:58.400 --> 0:08:58.640
<v Speaker 5>Wait?

0:08:59.040 --> 0:09:00.360
<v Speaker 1>Could she look at my arm?

0:09:01.240 --> 0:09:04.640
<v Speaker 5>Jesus, Yeah, yeah, you got grazed.

0:09:06.840 --> 0:09:08.319
<v Speaker 1>The sweater is cash beer.

0:09:08.920 --> 0:09:10.760
<v Speaker 5>Are you hurt? Can you drive?

0:09:11.760 --> 0:09:11.880
<v Speaker 6>Uh?

0:09:12.720 --> 0:09:14.040
<v Speaker 1>Yeah? Uh yeah?

0:09:14.120 --> 0:09:14.280
<v Speaker 2>Yeah?

0:09:14.400 --> 0:09:14.559
<v Speaker 6>Yeah?

0:09:14.640 --> 0:09:21.160
<v Speaker 1>Yeah I am, Oh, I am. I'm vibrating with adrenaline.

0:09:21.440 --> 0:09:23.920
<v Speaker 5>You should probably get that bandage. Toney, we should go

0:09:24.000 --> 0:09:24.760
<v Speaker 5>to the hospital.

0:09:25.040 --> 0:09:27.440
<v Speaker 1>No, no, I'm not going to the hospital for a

0:09:27.600 --> 0:09:28.439
<v Speaker 1>grace I just.

0:09:28.400 --> 0:09:31.280
<v Speaker 5>Need to to bandage it up. Okay, maybe we'll find

0:09:31.280 --> 0:09:33.640
<v Speaker 5>something at Jimbo and Barbes. It's just left I know,

0:09:33.920 --> 0:09:42.199
<v Speaker 5>I know. Huh oh no, oh no, Barb. The Horn

0:09:42.240 --> 0:09:45.800
<v Speaker 5>house was taped off and a couple of officers were

0:09:45.840 --> 0:09:49.440
<v Speaker 5>standing on his front porch smoking. As we sat in

0:09:49.440 --> 0:09:53.400
<v Speaker 5>the car watching. A cart was pushed out a body

0:09:53.840 --> 0:09:54.400
<v Speaker 5>in a bag.

0:09:56.480 --> 0:09:58.600
<v Speaker 1>Okay, we should go.

0:10:00.080 --> 0:10:05.599
<v Speaker 5>Didn't deserve this. No, either did Jim or Ken or

0:10:05.679 --> 0:10:08.000
<v Speaker 5>Old Tom Stabinaw or Bill Brayden.

0:10:08.800 --> 0:10:10.720
<v Speaker 1>I mean, Bill did just shoot me?

0:10:11.960 --> 0:10:17.640
<v Speaker 5>What's next, Sylvie? How long until this town is completely consumed?

0:10:18.400 --> 0:10:24.080
<v Speaker 5>I don't know. I have to do something. Oh wait what,

0:10:24.920 --> 0:10:26.760
<v Speaker 5>I'm going back to Jerry's house?

0:10:27.600 --> 0:10:28.720
<v Speaker 1>Wait wait what?

0:10:29.160 --> 0:10:29.319
<v Speaker 4>Well?

0:10:29.320 --> 0:10:32.080
<v Speaker 5>This all started with him and no one is even

0:10:32.160 --> 0:10:35.199
<v Speaker 5>casting him a second glance. What if he attacks you?

0:10:35.559 --> 0:10:40.120
<v Speaker 5>I don't know, I'll I'll fight back. I'm new to this.

0:10:41.040 --> 0:10:42.320
<v Speaker 1>I'm going with you.

0:10:42.360 --> 0:10:45.280
<v Speaker 5>No, No, you need a wingman. It's not safe.

0:10:45.559 --> 0:10:48.760
<v Speaker 1>Look around Korean nowhere is safe. I just got shot

0:10:48.800 --> 0:10:51.120
<v Speaker 1>by a guy who always orders his Berman mixed with sprite.

0:10:53.600 --> 0:11:00.920
<v Speaker 1>I have pepper spray. Okay, fine, okay, what's the plan?

0:11:02.200 --> 0:11:02.679
<v Speaker 5>No clue?

0:11:03.840 --> 0:11:04.600
<v Speaker 1>Great? Great?

0:11:05.120 --> 0:11:09.439
<v Speaker 5>I love it I'm in all right, let's go get

0:11:09.520 --> 0:11:10.600
<v Speaker 5>murdered at the Havoc house.

0:11:11.040 --> 0:11:13.000
<v Speaker 1>Wooo yeah.

0:11:20.920 --> 0:11:23.280
<v Speaker 4>I do not have time to properly relate the horrors

0:11:23.320 --> 0:11:25.640
<v Speaker 4>of this night, nor is there a likelihood that they

0:11:25.679 --> 0:11:28.400
<v Speaker 4>will be read by friendly eyes. But I write these

0:11:28.480 --> 0:11:30.880
<v Speaker 4>last words in the hope that they may, at some

0:11:31.120 --> 0:11:33.760
<v Speaker 4>point in the future be of service to someone else.

0:11:34.760 --> 0:11:38.800
<v Speaker 4>What I have seen this night defive. Since it's train's belief.

0:11:39.720 --> 0:11:43.199
<v Speaker 4>This town is cursed, and I will not survive to

0:11:43.240 --> 0:11:43.920
<v Speaker 4>see dog.

0:11:52.640 --> 0:11:53.199
<v Speaker 6>De Marius?

0:11:54.320 --> 0:11:55.199
<v Speaker 1>How could you allow this?

0:11:56.200 --> 0:11:56.480
<v Speaker 6>Father?

0:11:57.320 --> 0:11:59.040
<v Speaker 2>Please? De Marius?

0:12:06.120 --> 0:12:15.400
<v Speaker 5>No, I suppose I'll see you both in hell.

0:12:16.920 --> 0:12:24.680
<v Speaker 1>H Amen.

0:12:32.880 --> 0:12:33.600
<v Speaker 5>What have you done?

0:12:33.720 --> 0:12:34.160
<v Speaker 1>Josiah?

0:12:36.080 --> 0:12:36.880
<v Speaker 5>What have you done?

0:12:37.920 --> 0:12:42.920
<v Speaker 4>He was dead already, He was your son. You couldn't

0:12:42.920 --> 0:12:45.120
<v Speaker 4>look past your own madness to try to save him.

0:12:46.600 --> 0:12:47.959
<v Speaker 1>What kind of monster are you?

0:12:49.440 --> 0:12:51.440
<v Speaker 4>Your grandsons will now grow up without a father.

0:12:52.320 --> 0:12:57.240
<v Speaker 1>You have destroyed their future with a single blow. You

0:12:57.400 --> 0:13:01.440
<v Speaker 1>foolish girl. Where are you going?

0:13:01.800 --> 0:13:03.079
<v Speaker 5>Come back here and face me.

0:13:03.559 --> 0:13:05.920
<v Speaker 1>I'm going to end this once and for all.

0:13:07.679 --> 0:13:21.880
<v Speaker 4>Josiah, Come back here and face me. Cow Ad. Josiah

0:13:21.920 --> 0:13:25.760
<v Speaker 4>has gone up to him. He has the stick. He's

0:13:25.800 --> 0:13:26.560
<v Speaker 4>going after hunt.

0:13:27.760 --> 0:13:49.800
<v Speaker 1>He's mad. I will stop him. Okay, careful, careful, the

0:13:49.840 --> 0:13:53.400
<v Speaker 1>steps are steep. I'm not dying her in my legs

0:13:53.440 --> 0:13:55.120
<v Speaker 1>work fine. My shoulder is bleeding.

0:13:55.600 --> 0:13:58.240
<v Speaker 5>Can't believe you were Cashmere on a vampire hunt.

0:13:58.760 --> 0:14:02.640
<v Speaker 1>The breakdown of society is no excuse to look sloppy.

0:14:03.240 --> 0:14:06.800
<v Speaker 5>Well, play up your injury. Okay, keep them occupied. Uh,

0:14:07.400 --> 0:14:07.960
<v Speaker 5>I'll snoop.

0:14:08.920 --> 0:14:11.480
<v Speaker 1>Great air type plan, nothing can go wrong.

0:14:12.240 --> 0:14:23.560
<v Speaker 5>Nope, word guaranteed success. Okay, here goes nothing. Jesus, I'm sorry.

0:14:23.760 --> 0:14:24.920
<v Speaker 5>We didn't mean to scare you.

0:14:25.560 --> 0:14:29.240
<v Speaker 2>It's fine, it's fine. I wasn't. Oh my god, you're okay,

0:14:30.200 --> 0:14:30.720
<v Speaker 2>you're bleeding.

0:14:32.600 --> 0:14:35.600
<v Speaker 5>It's hard to describe what happened to his face in

0:14:35.720 --> 0:14:43.680
<v Speaker 5>that moment. Surprise flickered into something unreadable, a fiery intensity,

0:14:44.520 --> 0:14:48.920
<v Speaker 5>before shifting back to concern, as if a mask slipped.

0:14:49.920 --> 0:14:53.480
<v Speaker 5>It did not inspire confidence in our decision to come here.

0:14:55.240 --> 0:14:59.480
<v Speaker 1>Quickly, Come in here, please, I wouldn't intrude, but well.

0:14:59.440 --> 0:14:59.960
<v Speaker 2>It's nonsense.

0:15:00.560 --> 0:15:00.880
<v Speaker 6>Please.

0:15:01.320 --> 0:15:02.720
<v Speaker 2>I was just about to call you and tell you

0:15:02.760 --> 0:15:06.200
<v Speaker 2>to come back up. It's pandemonium down there. I mean,

0:15:06.320 --> 0:15:08.560
<v Speaker 2>have you seen It's all over the news. People have

0:15:08.640 --> 0:15:12.440
<v Speaker 2>gone completely insane. Come into the kitchen. Got to have

0:15:12.560 --> 0:15:13.720
<v Speaker 2>something in here to patch you up.

0:15:14.120 --> 0:15:16.960
<v Speaker 5>Thank you. You were gonna call me why?

0:15:18.160 --> 0:15:20.600
<v Speaker 2>You're the only person I know here in town. I

0:15:20.720 --> 0:15:23.680
<v Speaker 2>figured I'd rather have you here and alive than elsewhere

0:15:23.800 --> 0:15:24.360
<v Speaker 2>and dead.

0:15:25.440 --> 0:15:29.520
<v Speaker 1>That is the sweetest thing I've ever heard here.

0:15:29.640 --> 0:15:31.360
<v Speaker 2>Si Sylvie?

0:15:31.640 --> 0:15:31.800
<v Speaker 5>Was it?

0:15:32.440 --> 0:15:33.280
<v Speaker 1>That's what they call me?

0:15:34.840 --> 0:15:35.640
<v Speaker 6>Ugh, I duh.

0:15:36.440 --> 0:15:38.240
<v Speaker 2>I don't know how this kitchen is set up. Hobson

0:15:38.440 --> 0:15:40.480
<v Speaker 2>usually deals with this sort of thing, and he went

0:15:40.520 --> 0:15:42.080
<v Speaker 2>down to keep watching looters of the mill.

0:15:43.360 --> 0:15:47.440
<v Speaker 5>Can I use your restroom? I'm having stomach problems.

0:15:48.360 --> 0:15:50.640
<v Speaker 2>Down the hall next to the office, second door on

0:15:50.680 --> 0:15:50.960
<v Speaker 2>the right.

0:15:51.480 --> 0:15:52.920
<v Speaker 5>Thanks, be right back.

0:15:54.280 --> 0:15:57.160
<v Speaker 1>So is there a missus jury Havoc the fourteenth?

0:15:58.000 --> 0:15:58.400
<v Speaker 6>There is not?

0:15:59.680 --> 0:16:01.200
<v Speaker 1>Oh, and why is that?

0:16:03.280 --> 0:16:05.960
<v Speaker 5>I crept down the hall and found the bathroom, shut

0:16:06.040 --> 0:16:08.600
<v Speaker 5>the door loudly enough for them to hear in the kitchen,

0:16:09.280 --> 0:16:13.080
<v Speaker 5>and continued on to the next door to the dark office,

0:16:14.320 --> 0:16:17.040
<v Speaker 5>not sure what I was even looking for, or even

0:16:17.040 --> 0:16:20.120
<v Speaker 5>if there would be any evidence of well anything, let

0:16:20.160 --> 0:16:24.280
<v Speaker 5>alone proof that this seemingly normal billionaire business tycoon was

0:16:24.360 --> 0:16:29.120
<v Speaker 5>a bloodthirsty ghoul bent on my town's destruction. It did

0:16:29.200 --> 0:16:32.320
<v Speaker 5>cross my mind to ask why he would come to Havoc,

0:16:32.880 --> 0:16:36.760
<v Speaker 5>a town named for him to destroy it, and what

0:16:36.880 --> 0:16:39.440
<v Speaker 5>I could see on his desk only supported my doubts.

0:16:40.120 --> 0:16:43.960
<v Speaker 5>Spreadsheets on earnings, a mock up of the Havoc Mills project,

0:16:44.360 --> 0:16:47.120
<v Speaker 5>an insane number of post it notes with all sorts

0:16:47.160 --> 0:16:49.920
<v Speaker 5>of figures, phone numbers, emails. I mean of anything. This

0:16:50.120 --> 0:16:53.400
<v Speaker 5>was just proving how dedicated he was to building this place.

0:16:54.480 --> 0:16:56.720
<v Speaker 5>I think I was feeling something near to relief when

0:16:56.760 --> 0:17:01.920
<v Speaker 5>my fingers rushed it. The ancient leather bound ledger cover,

0:17:02.120 --> 0:17:06.400
<v Speaker 5>cracked from age, but patched with great care, a sign

0:17:06.480 --> 0:17:10.560
<v Speaker 5>of its tremendous value to its owner. I touched it

0:17:10.680 --> 0:17:13.400
<v Speaker 5>earlier in the evening, only to receive a swift rebuke.

0:17:14.040 --> 0:17:18.520
<v Speaker 5>Don't Maybe it was just a precious family irelom. Maybe

0:17:18.600 --> 0:17:21.800
<v Speaker 5>it was just a very old book that he treasured.

0:17:22.600 --> 0:17:26.440
<v Speaker 5>But something about his earlier reaction rang an alarm bell

0:17:26.560 --> 0:17:30.200
<v Speaker 5>in my mind. And as my fingers trailed over the

0:17:30.280 --> 0:17:35.840
<v Speaker 5>ancient leather the book called to me A couple of

0:17:35.920 --> 0:17:38.160
<v Speaker 5>loose leaves of old paper stuck out of it, as

0:17:38.160 --> 0:17:41.880
<v Speaker 5>if saving a place in a novel. I reached out

0:17:41.960 --> 0:17:46.600
<v Speaker 5>and very carefully flipped open to where it was bookmarked,

0:17:47.800 --> 0:17:50.320
<v Speaker 5>and to the floor fluttered one of the sheets of paper.

0:17:50.800 --> 0:17:54.719
<v Speaker 5>Oh shit. As I reached down to pick it up,

0:17:54.800 --> 0:18:00.720
<v Speaker 5>my blood froze in my veins. On a sheet dated

0:18:00.760 --> 0:18:05.560
<v Speaker 5>the tenth of October eighteen seventeen, a page dense with information,

0:18:06.040 --> 0:18:09.000
<v Speaker 5>torn long ago from its original binding and written in

0:18:09.119 --> 0:18:13.880
<v Speaker 5>a rushed but now familiar handwriting smeared with old ink,

0:18:14.680 --> 0:18:17.800
<v Speaker 5>was an entry of Demerius Apasus journal.

0:18:20.920 --> 0:18:21.760
<v Speaker 1>My time is short.

0:18:22.680 --> 0:18:24.639
<v Speaker 4>Dawn is coming soon, but I do not believe that

0:18:24.720 --> 0:18:27.240
<v Speaker 4>I will live long enough to see it. Whomever finds

0:18:27.280 --> 0:18:30.240
<v Speaker 4>herself reading this, please get them at sitch to my children.

0:18:31.160 --> 0:18:34.040
<v Speaker 4>Tell them their mother loved them, their father loved them,

0:18:34.600 --> 0:18:37.280
<v Speaker 4>and to forgive the actions of their grandfather, who was.

0:18:37.320 --> 0:18:39.160
<v Speaker 1>Doing what he believed needed to be done.

0:18:40.280 --> 0:18:43.160
<v Speaker 4>I followed him into the night, hoping that I would

0:18:43.160 --> 0:18:45.560
<v Speaker 4>be able to stop his madness before he killed another.

0:18:46.400 --> 0:18:52.080
<v Speaker 1>I could not have imagined what I would find. Even

0:18:52.119 --> 0:18:52.600
<v Speaker 1>in the dark.

0:18:52.960 --> 0:18:55.640
<v Speaker 4>I knew the direction of the Havocafs high on the hill,

0:18:56.359 --> 0:18:58.480
<v Speaker 4>and had I not, I could have located it by

0:18:58.520 --> 0:19:01.680
<v Speaker 4>the firelight still flickering in its windows even at that

0:19:01.840 --> 0:19:05.720
<v Speaker 4>late hour. Though I moved quickly, I did not overtake

0:19:05.800 --> 0:19:09.399
<v Speaker 4>Father Josiah, but it would not have mattered as I

0:19:09.520 --> 0:19:12.320
<v Speaker 4>came to the far edge of the forest, I saw

0:19:12.440 --> 0:19:16.960
<v Speaker 4>him standing stalk still in silhouette against the light thrown

0:19:17.080 --> 0:19:19.359
<v Speaker 4>by a large bonfire in front of the house.

0:19:20.280 --> 0:19:23.160
<v Speaker 1>And before I saw her, I heard.

0:19:23.040 --> 0:19:27.200
<v Speaker 6>Him bellow the nape, Missus Havoc, in the name of

0:19:27.280 --> 0:19:30.680
<v Speaker 6>the Holy Father, I command you to release the boy.

0:19:32.280 --> 0:19:35.520
<v Speaker 4>And then I saw her in the flicker of the firelight.

0:19:36.640 --> 0:19:40.600
<v Speaker 1>Sophia Havoc, dressed in a white nightgown.

0:19:40.240 --> 0:19:43.320
<v Speaker 4>A dark stain covering her breast and spreading all the

0:19:43.400 --> 0:19:46.560
<v Speaker 4>way down her belly. In her arms, she held another

0:19:46.680 --> 0:19:53.800
<v Speaker 4>form not much smaller than herself, a boy, limp lifeless.

0:19:55.200 --> 0:19:58.359
<v Speaker 4>She seemed frozen in place for a moment, surprised to

0:19:58.440 --> 0:20:01.040
<v Speaker 4>have been found in such a position. I thought it

0:20:01.160 --> 0:20:09.160
<v Speaker 4>guilt for a moment before I heard it laughter deep

0:20:09.680 --> 0:20:16.000
<v Speaker 4>and June, your God holds no sway here, prize, I.

0:20:16.119 --> 0:20:19.320
<v Speaker 6>Say again, Missus Haabat, releish the boy.

0:20:21.080 --> 0:20:24.520
<v Speaker 4>She seemed to consider this a moment before tossing the

0:20:24.600 --> 0:20:27.000
<v Speaker 4>boy like a rag doole onto the fire beside her.

0:20:30.040 --> 0:20:32.360
<v Speaker 4>I have never seen the man move faster than Josiah

0:20:32.400 --> 0:20:35.240
<v Speaker 4>did toward the child in the fire. He dove headlong

0:20:35.320 --> 0:20:39.040
<v Speaker 4>toward it, fronting as he grabbed the prone form and tossed.

0:20:38.720 --> 0:20:40.840
<v Speaker 1>It aside in a blurse.

0:20:40.880 --> 0:20:44.240
<v Speaker 4>Sophia Havoc was upon him. I rushed forward to health,

0:20:44.320 --> 0:20:47.800
<v Speaker 4>but as I cleared the tree line, I hurt. Unholy wailed,

0:20:50.960 --> 0:20:54.480
<v Speaker 4>and Sophia Habit rolled off him, clawing desperately at the

0:20:54.520 --> 0:20:59.000
<v Speaker 4>wooden steake embedded below her stern, dark blood pulsing force

0:20:59.480 --> 0:21:00.720
<v Speaker 4>as she graveled at it.

0:21:03.280 --> 0:21:08.000
<v Speaker 6>Visit, oh Lord, we've missaging his habitation and creature and alive,

0:21:08.920 --> 0:21:11.000
<v Speaker 6>and removed far away from him.

0:21:11.080 --> 0:21:14.240
<v Speaker 2>All the snaars in the souths of the Devil.

0:21:14.920 --> 0:21:20.360
<v Speaker 6>Let thy angels Michael, Raphael and Gabrielle dwell therein suprecifit

0:21:20.440 --> 0:21:25.080
<v Speaker 6>in peace, and from all Unclean's sirens, Let thy blessing

0:21:25.160 --> 0:21:26.520
<v Speaker 6>me always upon us.

0:21:30.600 --> 0:21:33.840
<v Speaker 1>And then finally she was dead.

0:21:35.240 --> 0:21:35.440
<v Speaker 5>Ah.

0:21:35.600 --> 0:21:41.280
<v Speaker 4>Then with that, Josiah rushed to the boy's side, once more,

0:21:41.880 --> 0:21:45.920
<v Speaker 4>hunched over the crumpled, smoldering bom. I did not hear

0:21:46.000 --> 0:21:48.880
<v Speaker 4>what he whispered, but by his slumped shoulders I could

0:21:48.920 --> 0:21:52.119
<v Speaker 4>tell that the boy had passed. I was frozen to

0:21:52.200 --> 0:21:55.080
<v Speaker 4>my spot by the horror I witnessed, but I was

0:21:55.200 --> 0:21:59.119
<v Speaker 4>jolted out of my stupor when he stood defiant and

0:21:59.240 --> 0:22:01.280
<v Speaker 4>looked up at the arch house before him.

0:22:02.280 --> 0:22:07.399
<v Speaker 6>Jerry Havoc, come out and face me, file devil.

0:22:08.560 --> 0:22:11.600
<v Speaker 4>Before the echo of his cry dissipated, the door to

0:22:11.680 --> 0:22:15.720
<v Speaker 4>the Havoc house opened and jury Havoc filled its brain.

0:22:16.800 --> 0:22:20.240
<v Speaker 4>Disheveled in shirt sleeves and barefoot, he took in the

0:22:20.280 --> 0:22:24.199
<v Speaker 4>bloody scene before him, his eyes landing on his wife's

0:22:24.280 --> 0:22:28.520
<v Speaker 4>body beside the fire. He wailed as he rushed down

0:22:28.600 --> 0:22:29.520
<v Speaker 4>and fell upon her.

0:22:30.680 --> 0:22:34.440
<v Speaker 1>Josiah gave him his moment of grief. He was himself

0:22:34.560 --> 0:22:35.280
<v Speaker 1>no monster.

0:22:36.760 --> 0:22:37.680
<v Speaker 5>It was a great.

0:22:37.600 --> 0:22:41.159
<v Speaker 4>Mistake, for when Havoc's eyes were once again raised, it

0:22:41.320 --> 0:22:45.160
<v Speaker 4>was not grief that burned in them, but an intense hatred.

0:22:46.320 --> 0:22:49.399
<v Speaker 4>Before Josiah could take in his position, Havoc sprang up

0:22:49.520 --> 0:22:52.359
<v Speaker 4>and into him, the both of them toppling hard and

0:22:52.520 --> 0:22:56.280
<v Speaker 4>landing on the ground with sickening thump. Havoc's hands were

0:22:56.359 --> 0:23:00.360
<v Speaker 4>around Josiah's neck, and he howled as father struggled again him.

0:23:01.200 --> 0:23:04.080
<v Speaker 4>I was compelled then to rush to his aid, he

0:23:04.280 --> 0:23:06.320
<v Speaker 4>who I had cursed mere hours before.

0:23:07.359 --> 0:23:07.960
<v Speaker 1>What could I do?

0:23:09.040 --> 0:23:12.720
<v Speaker 4>Meek to merass demeris the sheep, to marrass the capt

0:23:14.200 --> 0:23:20.800
<v Speaker 4>stop and miracles of miracles he did. His eyes found

0:23:20.920 --> 0:23:25.919
<v Speaker 4>mine immediately, and his face chilled my flood. He stood

0:23:26.840 --> 0:23:29.680
<v Speaker 4>slowly as Father Josiah.

0:23:29.440 --> 0:23:31.159
<v Speaker 1>Gasped and flailed beneath him.

0:23:32.920 --> 0:23:35.160
<v Speaker 4>Release him in the name of the Father.

0:23:36.119 --> 0:23:38.080
<v Speaker 5>De merish, you, foolish girl.

0:23:38.440 --> 0:23:43.640
<v Speaker 4>Run And with that Josiah veried, steak in Havoc's thigh

0:23:44.160 --> 0:23:45.119
<v Speaker 4>rand mess.

0:23:46.400 --> 0:23:47.760
<v Speaker 1>This time I listened.

0:23:48.640 --> 0:23:51.640
<v Speaker 4>I rang blindly back through the horse back.

0:23:51.520 --> 0:23:56.000
<v Speaker 1>To this house. I do not know how the scuffle ended.

0:23:56.720 --> 0:23:58.199
<v Speaker 1>I do not know if I will survive this.

0:23:58.280 --> 0:24:01.720
<v Speaker 4>Knife, and if I I do not know where to

0:24:01.840 --> 0:24:04.680
<v Speaker 4>run to next, for how long I would need to run.

0:24:06.080 --> 0:24:08.920
<v Speaker 4>Someone approaches outside. I do not know if it is

0:24:09.000 --> 0:24:13.200
<v Speaker 4>Fathered Josiah or the devil himself. I suppose I will

0:24:13.240 --> 0:24:19.240
<v Speaker 4>find out soon enough. Be brave, my children, and know

0:24:19.400 --> 0:24:23.119
<v Speaker 4>that you come from a line of holy warriors.

0:24:24.200 --> 0:24:37.879
<v Speaker 5>I wish you well. Shit and there it ended. I

0:24:38.000 --> 0:24:41.920
<v Speaker 5>quickly thumbed through the large ledger itself. In it need

0:24:42.000 --> 0:24:45.520
<v Speaker 5>to script tiny pages and pages dense with it, and

0:24:46.040 --> 0:24:48.639
<v Speaker 5>every couple of pages a sketch of a familiar face,

0:24:49.440 --> 0:24:53.040
<v Speaker 5>the one from the portrait in the living room. Sophia.

0:24:53.119 --> 0:24:58.760
<v Speaker 5>Havoc lovingly drawn each signed with a date October tenth,

0:24:59.480 --> 0:25:03.560
<v Speaker 5>the anna of her death at the hands of Josiah Abbys.

0:25:04.640 --> 0:25:07.560
<v Speaker 5>The portraits went back one a year through the pages

0:25:07.680 --> 0:25:12.399
<v Speaker 5>nineteen seventy, nineteen fifty five, eighteen ninety, eighteen eighteen, and

0:25:12.560 --> 0:25:16.240
<v Speaker 5>beyond that handwriting going further all the way back to

0:25:16.359 --> 0:25:21.280
<v Speaker 5>the first entry sixteen ten. I didn't have time to

0:25:21.400 --> 0:25:24.760
<v Speaker 5>know if this was my proof, but it seemed pretty compelling.

0:25:25.840 --> 0:25:29.600
<v Speaker 5>Oh my god, I do not know what came over

0:25:29.720 --> 0:25:33.080
<v Speaker 5>me in that moment. Maybe it was something in my veins,

0:25:33.760 --> 0:25:37.119
<v Speaker 5>my DNA program to fight. I knew I had to

0:25:37.240 --> 0:25:41.640
<v Speaker 5>take it, and so as quietly as possible, I went

0:25:41.720 --> 0:25:45.520
<v Speaker 5>over to the window, gently opened it, and dropped the

0:25:45.640 --> 0:25:50.040
<v Speaker 5>ledger out onto the bushes below. I snuck back out

0:25:50.080 --> 0:25:52.880
<v Speaker 5>of the dark office and into the hall, making sure

0:25:52.920 --> 0:25:56.119
<v Speaker 5>to once again slam the bathroom door, before returning to

0:25:56.200 --> 0:25:59.800
<v Speaker 5>the kitchen where Jeri Hathack was washing up. After patching

0:25:59.920 --> 0:26:03.200
<v Speaker 5>up Sylvie, who was chattering like a nervous bird.

0:26:04.960 --> 0:26:07.879
<v Speaker 1>At any rate, it never really came to fruition, so

0:26:08.040 --> 0:26:10.560
<v Speaker 1>I was stuck with all of this patio furniture and.

0:26:10.640 --> 0:26:15.720
<v Speaker 2>No one to sit in it. M Oh, I was worried,

0:26:15.760 --> 0:26:16.320
<v Speaker 2>you've fallen in.

0:26:17.160 --> 0:26:20.680
<v Speaker 5>Are we are? We all wrapped up so to speak.

0:26:21.280 --> 0:26:26.119
<v Speaker 5>Oh wonderful. Thank you so much for having us.

0:26:26.640 --> 0:26:29.560
<v Speaker 1>Oh no, so soon. We were just getting friendly.

0:26:30.440 --> 0:26:33.640
<v Speaker 2>You're leaving with the town burning down the army taking over.

0:26:34.400 --> 0:26:37.440
<v Speaker 5>Yes. I realized in the bathroom that I need to

0:26:37.680 --> 0:26:38.760
<v Speaker 5>check on Sarahbeth.

0:26:39.720 --> 0:26:42.200
<v Speaker 2>Sarahbeth, Oh my god, Sarabeth.

0:26:42.400 --> 0:26:43.840
<v Speaker 1>Yeah, she must be terrified.

0:26:44.320 --> 0:26:46.280
<v Speaker 2>It's pandemonium out there, ladies.

0:26:46.560 --> 0:26:48.399
<v Speaker 5>Yeah, that's well, that's why I have to check on her.

0:26:48.720 --> 0:26:50.800
<v Speaker 5>She can't always help herself.

0:26:51.600 --> 0:26:51.960
<v Speaker 6>Who is she?

0:26:53.000 --> 0:26:53.480
<v Speaker 5>My cousin?

0:26:54.400 --> 0:26:59.600
<v Speaker 2>Your cousin, m hmm, yeah, well family first, I guess

0:27:00.040 --> 0:27:04.600
<v Speaker 2>obviously I can drive you. It really is incredibly dangerous

0:27:04.640 --> 0:27:07.160
<v Speaker 2>out there, as evidence by your best friend being shot

0:27:07.160 --> 0:27:07.720
<v Speaker 2>on the shoulder.

0:27:08.320 --> 0:27:11.480
<v Speaker 1>It's just but a flesh wound. Thanks for patching me up, Doc,

0:27:11.760 --> 0:27:12.720
<v Speaker 1>I feel good as new.

0:27:13.720 --> 0:27:16.960
<v Speaker 5>Thank you again. The hospital was unreachable.

0:27:17.440 --> 0:27:21.320
<v Speaker 2>Well, your cousin maybe too. I wish you'd reconsider no,

0:27:22.520 --> 0:27:24.320
<v Speaker 2>thank you, Karen.

0:27:25.680 --> 0:27:29.159
<v Speaker 5>He touched my shoulder and I couldn't hide the sudden

0:27:29.320 --> 0:27:33.000
<v Speaker 5>shudder of revulsion, and I could tell that he felt

0:27:33.040 --> 0:27:35.440
<v Speaker 5>it because he let go immediately.

0:27:37.080 --> 0:27:37.840
<v Speaker 2>Be safe out there.

0:27:38.680 --> 0:27:44.680
<v Speaker 5>We will thank you, Jerry, of course, We walked down

0:27:44.720 --> 0:27:48.119
<v Speaker 5>to the car in silence, praying that he would shut

0:27:48.320 --> 0:27:50.520
<v Speaker 5>the door so that I could steal into the bushes

0:27:50.680 --> 0:27:58.040
<v Speaker 5>and retrieve the journal. Come on, come on, oh, thank god, I.

0:27:58.080 --> 0:28:00.600
<v Speaker 1>Guess you really are you doing?

0:28:01.880 --> 0:28:02.200
<v Speaker 6>Come on?

0:28:02.840 --> 0:28:03.840
<v Speaker 1>What the hell are you doing?

0:28:04.600 --> 0:28:04.879
<v Speaker 6>Come on?

0:28:05.000 --> 0:28:05.600
<v Speaker 5>Come on, come on?

0:28:06.560 --> 0:28:06.840
<v Speaker 3>Got it?

0:28:07.520 --> 0:28:08.760
<v Speaker 5>What are you?

0:28:09.359 --> 0:28:09.560
<v Speaker 2>Wait?

0:28:09.800 --> 0:28:10.000
<v Speaker 1>Wait?

0:28:10.040 --> 0:28:11.879
<v Speaker 5>Does that to get in the car? I'm driving?

0:28:12.400 --> 0:28:12.800
<v Speaker 1>Okay?

0:28:14.200 --> 0:28:14.360
<v Speaker 6>Here?

0:28:14.440 --> 0:28:18.439
<v Speaker 5>Hold this? What is this? I think it's a diary?

0:28:19.240 --> 0:28:24.359
<v Speaker 5>He keeps a diary, yes, and he's been keeping in

0:28:24.840 --> 0:28:27.600
<v Speaker 5>for a long long time.

0:28:37.280 --> 0:28:40.480
<v Speaker 3>Havoctown was created by me Aaron Mankey. The show was

0:28:40.520 --> 0:28:44.760
<v Speaker 3>written and directed by Nicholas Takowski. This episode was edited

0:28:44.840 --> 0:28:49.240
<v Speaker 3>and sound designed by Rima lk Ali, starring Jewels States

0:28:49.400 --> 0:28:53.880
<v Speaker 3>as Corene Abbas, James Callis as Jerry Havoc, Felicia Day

0:28:54.080 --> 0:28:58.719
<v Speaker 3>as Sylvie, Harris, Ray Wise as Josiah Abbas, Crystal Lee

0:28:58.960 --> 0:29:03.400
<v Speaker 3>as Demeris, Daniel Ernesto A known as Noah Abbas, with

0:29:03.640 --> 0:29:08.720
<v Speaker 3>additional voice acting from Hannah Fearman, Summer rain Menkey, Daniel

0:29:08.800 --> 0:29:12.520
<v Speaker 3>Avi Sarkis, and Aaron Mankey. This season is directed by

0:29:12.600 --> 0:29:16.880
<v Speaker 3>Nicholas Takoski, with assistant directors Sarah Klein and Jake Diamond,

0:29:17.240 --> 0:29:21.920
<v Speaker 3>casting by Sunday Bowling CSA and Meg Mormon CSA. Production

0:29:22.080 --> 0:29:26.400
<v Speaker 3>coordinator Wayna Calderon. Our theme song was created by Chris

0:29:26.560 --> 0:29:31.080
<v Speaker 3>Childs executive producers Aaron Manke, Trevor Young, and Matt Frederick,

0:29:31.160 --> 0:29:35.720
<v Speaker 3>with supervising producer Rima Lkali and producers Nomes Griffin and

0:29:35.880 --> 0:29:39.680
<v Speaker 3>Jesse Funk. Havoctown is set in the Bridgewater Audio Universe,

0:29:39.720 --> 0:29:44.160
<v Speaker 3>which includes the hit fiction podcasts Bridgewater and Consumed. Learn

0:29:44.240 --> 0:29:47.920
<v Speaker 3>more about both shows as well as Havoctown at grimandmild

0:29:48.120 --> 0:29:51.960
<v Speaker 3>dot com, and find more podcasts from iHeartRadio by visiting

0:29:52.000 --> 0:29:55.560
<v Speaker 3>the iHeartRadio app, Apple Podcasts, or wherever you listen to

0:29:55.640 --> 0:29:56.560
<v Speaker 3>your favorite shows