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Speaker 1: iHeart three d Are the Er for fall exposure.

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Speaker 2: Listen with that phones.

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Speaker 3: Havoctown is a production of iHeart Podcasts and Grimm and

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Speaker 3: Mild from Aaron Mankey Headphones recommended. Listener discretion advised.

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Speaker 4: I do not have time to properly relate the horrors

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Speaker 4: of this night, nor is there a likelihood that they

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Speaker 4: will be read by friendly eyes. But I write these

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Speaker 4: last words in the hope that they may, at some

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Speaker 4: point in the future be of service to someone else.

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Speaker 4: What I have seen this night devive, since it strains

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Speaker 4: belief this town is cursed and I will not.

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Speaker 1: Survive to see dawn.

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Speaker 5: Instead of taking the left turn to safety, when I

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Speaker 5: reached the intersection, I turned right. I wonder now how

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Speaker 5: things would have ended if I'd just driven toward Maine

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Speaker 5: instead of turned back towards Sylvie. Between her house and

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Speaker 5: mine lay downtown, where the lights from emergency vehicles made

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Speaker 5: the world seem ghostly, unreal. I couldn't run that gauntlet,

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Speaker 5: so I took all the little side streets and alleys

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Speaker 5: to get around it. I was in shock. I didn't

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Speaker 5: know what I was doing. I didn't know what I

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Speaker 5: was going to do after. But I knew I wanted

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Speaker 5: Sylvie to ride shotgun.

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Speaker 1: Hey, this is Sylvie. You know what to do.

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Speaker 5: Sylvie. Uh hey, I'm coming to get you. If you

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Speaker 5: could just be home when I get there. There's something

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Speaker 5: really messed up happened, dude. And the woman who appeared

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Speaker 5: in front of my car was completely naked.

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Speaker 1: I stopped stop.

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Speaker 5: She was covered in that blood spread her eyes and

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Speaker 5: nose and ears, all leaking dark red. Jesus, Oh my god,

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Speaker 5: Oh my god. Hey, get away, get away.

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Speaker 4: Jesus Jesus.

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Speaker 5: She wasn't the only one out either, the police, the

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Speaker 5: National Guard, the occasional gunshot ringing out, another neighbor taking

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Speaker 5: a bullet, or maybe trying to take down an infected

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Speaker 5: family member or former best friend. I had no way

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Speaker 5: of knowing how far this thing had spread, how close

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Speaker 5: I was to the end of the world. Sylvie Street

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Speaker 5: was pitch black, foreboding, not a light on anywhere, Sylvie, Sylvie,

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Speaker 5: it's me, let me in. God damn it, Sylvie, Please fucking.

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Speaker 1: Get in here. Are you crazy?

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Speaker 5: I've been calling you.

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Speaker 1: Phone's dead.

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Speaker 5: How long has your power been out?

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Speaker 1: All evening? Had the National Guard here earlier? A guy

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Speaker 1: claiming to be a medic took my temperature and asked

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Speaker 1: a lot of questions about who I came in contact with.

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Speaker 1: You still have power at your place?

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Speaker 5: No, we can't go back there tonight.

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Speaker 1: Why not?

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Speaker 5: Okay, I'm going to tell you something and you're not

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Speaker 5: gonna believe me, but I need you to trust me.

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Speaker 5: I'm not lying and I'm not crazy. And out with it. Jesus,

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Speaker 5: Jimbo came to see me before he died. Nope, go on.

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Speaker 5: When I got home from Jerry Havoc's house this evening,

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Speaker 5: Jimbohorn was waiting for me.

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Speaker 6: Go on.

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Speaker 5: He was not dead or alive.

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Speaker 1: Explain.

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Speaker 5: Don't make me say it.

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Speaker 1: Yeah, no, say it.

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Speaker 5: Fine. He was a vampire. I knew it.

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Speaker 1: I knew it. I don't mean a gloat, but I

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Speaker 1: knew it. So uh, okay, I'm sorry. What what happened

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Speaker 1: to Jimbo?

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Speaker 5: Oh he tried to kill me?

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Speaker 1: What? Oh my god? Wait? Wait, how did you get away?

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Speaker 5: I will I put a goddamn steak through his heart?

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Speaker 1: Jesus, Yeah, oh my god. Oh so he's just lying

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Speaker 1: on the floor at your house dead?

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Speaker 5: Yeah? I mean, I mean I think so. Marie happened

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Speaker 5: to come check on me. And told me about his

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Speaker 5: escape from the hospital, how he killed a mortician.

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Speaker 1: Marie, the nurse who helped your father. Yeah, ah, don't.

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Speaker 1: I don't know what to say.

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Speaker 5: Oh, and Ken, he's a vampire too, what the street preacher? Yeah?

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Speaker 1: Oh, oh, the poor guy.

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Speaker 5: And he told Marie I know what to do because

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Speaker 5: of my family.

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Speaker 1: Oh, you're supposed to to.

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Speaker 5: To kill vampires.

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Speaker 1: I guess, well, you're after a good start. Oh no, no, oh, honey,

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Speaker 1: I'm I'm sorry. I'm sorry.

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Speaker 5: I didn't want to kill him.

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Speaker 1: He attacked me, and I know, honey, honey, honey, No,

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Speaker 1: it's okay. Come here. I'm sorry. I'm just I'm very traumatized. Yeah. Yeah,

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Speaker 1: who wouldn't be.

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Speaker 5: Oh my god, Barbara, Barbara. We need to check on her.

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Speaker 1: No, Kuran, Kurin, I hate to tell you this, but

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Speaker 1: I think it might be dangerous to go outside now.

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Speaker 5: And no, Jimbo left her there in the house. He

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Speaker 5: said he attacked her.

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Speaker 1: Well, Karin, if that's true, she may be beyond our help.

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Speaker 5: Sylvie, that's no excuse not to help her.

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Speaker 1: God damn it.

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Speaker 5: Her In, I'll drive.

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Speaker 1: No, No, you're in no shape to drive. I will drive,

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Speaker 1: God damnit her in.

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Speaker 5: We were back on the streets, and the tension was

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Speaker 5: palpable as we barreled toward Jimbo in Barb's house.

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Speaker 1: Should I take Main Street or cut over to third?

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Speaker 5: You think i'd stay off the main drag? The National

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Speaker 5: Guard is crawling all over it must be their base camp. Smart.

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Speaker 1: Oh shit, you never told me how I went with Jerry.

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Speaker 1: You saw him.

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Speaker 5: Earlier, right, strange he was, I don't know. He was

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Speaker 5: out of sorts. He seemed to be dealing with some

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Speaker 5: business stuff that didn't make him terribly happy.

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Speaker 1: He was preoccupied with business during a vampire outbreak.

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Speaker 5: Yeah, weird, yep.

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Speaker 1: What was the inside of the house like?

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Speaker 5: I mean? I felt like a museum. He has a

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Speaker 5: portrait of his great great great grandmother that is clearly haunted.

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Speaker 5: Oh he's squirrely, dude. Do you think he has anything

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Speaker 5: to do with all this? Who's to say? Shit?

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Speaker 1: Roadblock, I'll make short work at these boys trying to

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Speaker 1: act like you've been infected with vampirism though. See your id,

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Speaker 1: ma'am is sure a thing handsome.

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Speaker 2: What's your business tonight? Oh?

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Speaker 1: I'm just driving to see a friend who lives down

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Speaker 1: this way.

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Speaker 4: Are you aware of there's a curfew.

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Speaker 1: Oh I was not.

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Speaker 2: Have you come in contact with anyone to any strange behavior?

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Speaker 1: Always tonight? No?

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Speaker 4: No, have you exhibited any signs of fatigue, fever, nausea,

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Speaker 4: or bleeding from your eyes or nose or ears?

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Speaker 5: Uh? You know?

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Speaker 1: Can I go now?

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Speaker 2: Not this way?

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Speaker 4: This road is shut down.

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Speaker 1: Well, our friend lives here, so.

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Speaker 4: Well, ma'am, pray for her. Now, please turn around and

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Speaker 4: return to your residence until curfew was lifted in the morning.

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Speaker 1: Are you sure we can't just drink?

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Speaker 4: Oh? My god?

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Speaker 1: Are you okay?

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Speaker 4: What was it? How was that?

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Speaker 1: That was Bill Braydon from the hardware store? Why was

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Speaker 1: that sort of a bit shooting at me after making

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Speaker 1: me some of those ridiculous drinks all these years with

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Speaker 1: a straight face?

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Speaker 5: Uh?

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Speaker 1: Wait? Wait are you did you get hit?

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Speaker 5: Wait?

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Speaker 1: Could she look at my arm?

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Speaker 5: Jesus, Yeah, yeah, you got grazed.

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Speaker 1: The sweater is cash beer.

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Speaker 5: Are you hurt? Can you drive?

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Speaker 6: Uh?

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Speaker 1: Yeah? Uh yeah?

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Speaker 2: Yeah?

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Speaker 6: Yeah?

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Speaker 1: Yeah I am, Oh, I am. I'm vibrating with adrenaline.

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Speaker 5: You should probably get that bandage. Toney, we should go

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Speaker 5: to the hospital.

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Speaker 1: No, no, I'm not going to the hospital for a

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Speaker 1: grace I just.

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Speaker 5: Need to to bandage it up. Okay, maybe we'll find

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Speaker 5: something at Jimbo and Barbes. It's just left I know,

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Speaker 5: I know. Huh oh no, oh no, Barb. The Horn

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Speaker 5: house was taped off and a couple of officers were

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Speaker 5: standing on his front porch smoking. As we sat in

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Speaker 5: the car watching. A cart was pushed out a body

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Speaker 5: in a bag.

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Speaker 1: Okay, we should go.

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Speaker 5: Didn't deserve this. No, either did Jim or Ken or

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Speaker 5: Old Tom Stabinaw or Bill Brayden.

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Speaker 1: I mean, Bill did just shoot me?

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Speaker 5: What's next, Sylvie? How long until this town is completely consumed?

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Speaker 5: I don't know. I have to do something. Oh wait what,

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Speaker 5: I'm going back to Jerry's house?

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Speaker 1: Wait wait what?

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Speaker 4: Well?

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Speaker 5: This all started with him and no one is even

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Speaker 5: casting him a second glance. What if he attacks you?

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Speaker 5: I don't know, I'll I'll fight back. I'm new to this.

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Speaker 1: I'm going with you.

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Speaker 5: No, No, you need a wingman. It's not safe.

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Speaker 1: Look around Korean nowhere is safe. I just got shot

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Speaker 1: by a guy who always orders his Berman mixed with sprite.

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Speaker 1: I have pepper spray. Okay, fine, okay, what's the plan?

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Speaker 5: No clue?

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Speaker 1: Great? Great?

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Speaker 5: I love it I'm in all right, let's go get

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Speaker 5: murdered at the Havoc house.

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Speaker 1: Wooo yeah.

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Speaker 4: I do not have time to properly relate the horrors

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Speaker 4: of this night, nor is there a likelihood that they

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Speaker 4: will be read by friendly eyes. But I write these

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Speaker 4: last words in the hope that they may, at some

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Speaker 4: point in the future be of service to someone else.

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Speaker 4: What I have seen this night defive. Since it's train's belief.

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Speaker 4: This town is cursed, and I will not survive to

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Speaker 4: see dog.

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Speaker 6: De Marius?

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Speaker 1: How could you allow this?

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Speaker 6: Father?

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Speaker 2: Please? De Marius?

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Speaker 5: No, I suppose I'll see you both in hell.

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Speaker 1: H Amen.

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Speaker 5: What have you done?

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Speaker 1: Josiah?

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Speaker 5: What have you done?

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Speaker 4: He was dead already, He was your son. You couldn't

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Speaker 4: look past your own madness to try to save him.

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Speaker 1: What kind of monster are you?

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Speaker 4: Your grandsons will now grow up without a father.

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Speaker 1: You have destroyed their future with a single blow. You

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Speaker 1: foolish girl. Where are you going?

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Speaker 5: Come back here and face me.

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Speaker 1: I'm going to end this once and for all.

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Speaker 4: Josiah, Come back here and face me. Cow Ad. Josiah

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Speaker 4: has gone up to him. He has the stick. He's

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Speaker 4: going after hunt.

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Speaker 1: He's mad. I will stop him. Okay, careful, careful, the

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Speaker 1: steps are steep. I'm not dying her in my legs

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Speaker 1: work fine. My shoulder is bleeding.

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Speaker 5: Can't believe you were Cashmere on a vampire hunt.

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Speaker 1: The breakdown of society is no excuse to look sloppy.

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Speaker 5: Well, play up your injury. Okay, keep them occupied. Uh,

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Speaker 5: I'll snoop.

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Speaker 1: Great air type plan, nothing can go wrong.

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Speaker 5: Nope, word guaranteed success. Okay, here goes nothing. Jesus, I'm sorry.

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Speaker 5: We didn't mean to scare you.

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Speaker 2: It's fine, it's fine. I wasn't. Oh my god, you're okay,

228
00:14:30,200 --> 00:14:30,720
Speaker 2: you're bleeding.

229
00:14:32,600 --> 00:14:35,600
Speaker 5: It's hard to describe what happened to his face in

230
00:14:35,720 --> 00:14:43,680
Speaker 5: that moment. Surprise flickered into something unreadable, a fiery intensity,

231
00:14:44,520 --> 00:14:48,920
Speaker 5: before shifting back to concern, as if a mask slipped.

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00:14:49,920 --> 00:14:53,480
Speaker 5: It did not inspire confidence in our decision to come here.

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00:14:55,240 --> 00:14:59,480
Speaker 1: Quickly, Come in here, please, I wouldn't intrude, but well.

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00:14:59,440 --> 00:14:59,960
Speaker 2: It's nonsense.

235
00:15:00,560 --> 00:15:00,880
Speaker 6: Please.

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00:15:01,320 --> 00:15:02,720
Speaker 2: I was just about to call you and tell you

237
00:15:02,760 --> 00:15:06,200
Speaker 2: to come back up. It's pandemonium down there. I mean,

238
00:15:06,320 --> 00:15:08,560
Speaker 2: have you seen It's all over the news. People have

239
00:15:08,640 --> 00:15:12,440
Speaker 2: gone completely insane. Come into the kitchen. Got to have

240
00:15:12,560 --> 00:15:13,720
Speaker 2: something in here to patch you up.

241
00:15:14,120 --> 00:15:16,960
Speaker 5: Thank you. You were gonna call me why?

242
00:15:18,160 --> 00:15:20,600
Speaker 2: You're the only person I know here in town. I

243
00:15:20,720 --> 00:15:23,680
Speaker 2: figured I'd rather have you here and alive than elsewhere

244
00:15:23,800 --> 00:15:24,360
Speaker 2: and dead.

245
00:15:25,440 --> 00:15:29,520
Speaker 1: That is the sweetest thing I've ever heard here.

246
00:15:29,640 --> 00:15:31,360
Speaker 2: Si Sylvie?

247
00:15:31,640 --> 00:15:31,800
Speaker 5: Was it?

248
00:15:32,440 --> 00:15:33,280
Speaker 1: That's what they call me?

249
00:15:34,840 --> 00:15:35,640
Speaker 6: Ugh, I duh.

250
00:15:36,440 --> 00:15:38,240
Speaker 2: I don't know how this kitchen is set up. Hobson

251
00:15:38,440 --> 00:15:40,480
Speaker 2: usually deals with this sort of thing, and he went

252
00:15:40,520 --> 00:15:42,080
Speaker 2: down to keep watching looters of the mill.

253
00:15:43,360 --> 00:15:47,440
Speaker 5: Can I use your restroom? I'm having stomach problems.

254
00:15:48,360 --> 00:15:50,640
Speaker 2: Down the hall next to the office, second door on

255
00:15:50,680 --> 00:15:50,960
Speaker 2: the right.

256
00:15:51,480 --> 00:15:52,920
Speaker 5: Thanks, be right back.

257
00:15:54,280 --> 00:15:57,160
Speaker 1: So is there a missus jury Havoc the fourteenth?

258
00:15:58,000 --> 00:15:58,400
Speaker 6: There is not?

259
00:15:59,680 --> 00:16:01,200
Speaker 1: Oh, and why is that?

260
00:16:03,280 --> 00:16:05,960
Speaker 5: I crept down the hall and found the bathroom, shut

261
00:16:06,040 --> 00:16:08,600
Speaker 5: the door loudly enough for them to hear in the kitchen,

262
00:16:09,280 --> 00:16:13,080
Speaker 5: and continued on to the next door to the dark office,

263
00:16:14,320 --> 00:16:17,040
Speaker 5: not sure what I was even looking for, or even

264
00:16:17,040 --> 00:16:20,120
Speaker 5: if there would be any evidence of well anything, let

265
00:16:20,160 --> 00:16:24,280
Speaker 5: alone proof that this seemingly normal billionaire business tycoon was

266
00:16:24,360 --> 00:16:29,120
Speaker 5: a bloodthirsty ghoul bent on my town's destruction. It did

267
00:16:29,200 --> 00:16:32,320
Speaker 5: cross my mind to ask why he would come to Havoc,

268
00:16:32,880 --> 00:16:36,760
Speaker 5: a town named for him to destroy it, and what

269
00:16:36,880 --> 00:16:39,440
Speaker 5: I could see on his desk only supported my doubts.

270
00:16:40,120 --> 00:16:43,960
Speaker 5: Spreadsheets on earnings, a mock up of the Havoc Mills project,

271
00:16:44,360 --> 00:16:47,120
Speaker 5: an insane number of post it notes with all sorts

272
00:16:47,160 --> 00:16:49,920
Speaker 5: of figures, phone numbers, emails. I mean of anything. This

273
00:16:50,120 --> 00:16:53,400
Speaker 5: was just proving how dedicated he was to building this place.

274
00:16:54,480 --> 00:16:56,720
Speaker 5: I think I was feeling something near to relief when

275
00:16:56,760 --> 00:17:01,920
Speaker 5: my fingers rushed it. The ancient leather bound ledger cover,

276
00:17:02,120 --> 00:17:06,400
Speaker 5: cracked from age, but patched with great care, a sign

277
00:17:06,480 --> 00:17:10,560
Speaker 5: of its tremendous value to its owner. I touched it

278
00:17:10,680 --> 00:17:13,400
Speaker 5: earlier in the evening, only to receive a swift rebuke.

279
00:17:14,040 --> 00:17:18,520
Speaker 5: Don't Maybe it was just a precious family irelom. Maybe

280
00:17:18,600 --> 00:17:21,800
Speaker 5: it was just a very old book that he treasured.

281
00:17:22,600 --> 00:17:26,440
Speaker 5: But something about his earlier reaction rang an alarm bell

282
00:17:26,560 --> 00:17:30,200
Speaker 5: in my mind. And as my fingers trailed over the

283
00:17:30,280 --> 00:17:35,840
Speaker 5: ancient leather the book called to me A couple of

284
00:17:35,920 --> 00:17:38,160
Speaker 5: loose leaves of old paper stuck out of it, as

285
00:17:38,160 --> 00:17:41,880
Speaker 5: if saving a place in a novel. I reached out

286
00:17:41,960 --> 00:17:46,600
Speaker 5: and very carefully flipped open to where it was bookmarked,

287
00:17:47,800 --> 00:17:50,320
Speaker 5: and to the floor fluttered one of the sheets of paper.

288
00:17:50,800 --> 00:17:54,719
Speaker 5: Oh shit. As I reached down to pick it up,

289
00:17:54,800 --> 00:18:00,720
Speaker 5: my blood froze in my veins. On a sheet dated

290
00:18:00,760 --> 00:18:05,560
Speaker 5: the tenth of October eighteen seventeen, a page dense with information,

291
00:18:06,040 --> 00:18:09,000
Speaker 5: torn long ago from its original binding and written in

292
00:18:09,119 --> 00:18:13,880
Speaker 5: a rushed but now familiar handwriting smeared with old ink,

293
00:18:14,680 --> 00:18:17,800
Speaker 5: was an entry of Demerius Apasus journal.

294
00:18:20,920 --> 00:18:21,760
Speaker 1: My time is short.

295
00:18:22,680 --> 00:18:24,639
Speaker 4: Dawn is coming soon, but I do not believe that

296
00:18:24,720 --> 00:18:27,240
Speaker 4: I will live long enough to see it. Whomever finds

297
00:18:27,280 --> 00:18:30,240
Speaker 4: herself reading this, please get them at sitch to my children.

298
00:18:31,160 --> 00:18:34,040
Speaker 4: Tell them their mother loved them, their father loved them,

299
00:18:34,600 --> 00:18:37,280
Speaker 4: and to forgive the actions of their grandfather, who was.

300
00:18:37,320 --> 00:18:39,160
Speaker 1: Doing what he believed needed to be done.

301
00:18:40,280 --> 00:18:43,160
Speaker 4: I followed him into the night, hoping that I would

302
00:18:43,160 --> 00:18:45,560
Speaker 4: be able to stop his madness before he killed another.

303
00:18:46,400 --> 00:18:52,080
Speaker 1: I could not have imagined what I would find. Even

304
00:18:52,119 --> 00:18:52,600
Speaker 1: in the dark.

305
00:18:52,960 --> 00:18:55,640
Speaker 4: I knew the direction of the Havocafs high on the hill,

306
00:18:56,359 --> 00:18:58,480
Speaker 4: and had I not, I could have located it by

307
00:18:58,520 --> 00:19:01,680
Speaker 4: the firelight still flickering in its windows even at that

308
00:19:01,840 --> 00:19:05,720
Speaker 4: late hour. Though I moved quickly, I did not overtake

309
00:19:05,800 --> 00:19:09,399
Speaker 4: Father Josiah, but it would not have mattered as I

310
00:19:09,520 --> 00:19:12,320
Speaker 4: came to the far edge of the forest, I saw

311
00:19:12,440 --> 00:19:16,960
Speaker 4: him standing stalk still in silhouette against the light thrown

312
00:19:17,080 --> 00:19:19,359
Speaker 4: by a large bonfire in front of the house.

313
00:19:20,280 --> 00:19:23,160
Speaker 1: And before I saw her, I heard.

314
00:19:23,040 --> 00:19:27,200
Speaker 6: Him bellow the nape, Missus Havoc, in the name of

315
00:19:27,280 --> 00:19:30,680
Speaker 6: the Holy Father, I command you to release the boy.

316
00:19:32,280 --> 00:19:35,520
Speaker 4: And then I saw her in the flicker of the firelight.

317
00:19:36,640 --> 00:19:40,600
Speaker 1: Sophia Havoc, dressed in a white nightgown.

318
00:19:40,240 --> 00:19:43,320
Speaker 4: A dark stain covering her breast and spreading all the

319
00:19:43,400 --> 00:19:46,560
Speaker 4: way down her belly. In her arms, she held another

320
00:19:46,680 --> 00:19:53,800
Speaker 4: form not much smaller than herself, a boy, limp lifeless.

321
00:19:55,200 --> 00:19:58,359
Speaker 4: She seemed frozen in place for a moment, surprised to

322
00:19:58,440 --> 00:20:01,040
Speaker 4: have been found in such a position. I thought it

323
00:20:01,160 --> 00:20:09,160
Speaker 4: guilt for a moment before I heard it laughter deep

324
00:20:09,680 --> 00:20:16,000
Speaker 4: and June, your God holds no sway here, prize, I.

325
00:20:16,119 --> 00:20:19,320
Speaker 6: Say again, Missus Haabat, releish the boy.

326
00:20:21,080 --> 00:20:24,520
Speaker 4: She seemed to consider this a moment before tossing the

327
00:20:24,600 --> 00:20:27,000
Speaker 4: boy like a rag doole onto the fire beside her.

328
00:20:30,040 --> 00:20:32,360
Speaker 4: I have never seen the man move faster than Josiah

329
00:20:32,400 --> 00:20:35,240
Speaker 4: did toward the child in the fire. He dove headlong

330
00:20:35,320 --> 00:20:39,040
Speaker 4: toward it, fronting as he grabbed the prone form and tossed.

331
00:20:38,720 --> 00:20:40,840
Speaker 1: It aside in a blurse.

332
00:20:40,880 --> 00:20:44,240
Speaker 4: Sophia Havoc was upon him. I rushed forward to health,

333
00:20:44,320 --> 00:20:47,800
Speaker 4: but as I cleared the tree line, I hurt. Unholy wailed,

334
00:20:50,960 --> 00:20:54,480
Speaker 4: and Sophia Habit rolled off him, clawing desperately at the

335
00:20:54,520 --> 00:20:59,000
Speaker 4: wooden steake embedded below her stern, dark blood pulsing force

336
00:20:59,480 --> 00:21:00,720
Speaker 4: as she graveled at it.

337
00:21:03,280 --> 00:21:08,000
Speaker 6: Visit, oh Lord, we've missaging his habitation and creature and alive,

338
00:21:08,920 --> 00:21:11,000
Speaker 6: and removed far away from him.

339
00:21:11,080 --> 00:21:14,240
Speaker 2: All the snaars in the souths of the Devil.

340
00:21:14,920 --> 00:21:20,360
Speaker 6: Let thy angels Michael, Raphael and Gabrielle dwell therein suprecifit

341
00:21:20,440 --> 00:21:25,080
Speaker 6: in peace, and from all Unclean's sirens, Let thy blessing

342
00:21:25,160 --> 00:21:26,520
Speaker 6: me always upon us.

343
00:21:30,600 --> 00:21:33,840
Speaker 1: And then finally she was dead.

344
00:21:35,240 --> 00:21:35,440
Speaker 5: Ah.

345
00:21:35,600 --> 00:21:41,280
Speaker 4: Then with that, Josiah rushed to the boy's side, once more,

346
00:21:41,880 --> 00:21:45,920
Speaker 4: hunched over the crumpled, smoldering bom. I did not hear

347
00:21:46,000 --> 00:21:48,880
Speaker 4: what he whispered, but by his slumped shoulders I could

348
00:21:48,920 --> 00:21:52,119
Speaker 4: tell that the boy had passed. I was frozen to

349
00:21:52,200 --> 00:21:55,080
Speaker 4: my spot by the horror I witnessed, but I was

350
00:21:55,200 --> 00:21:59,119
Speaker 4: jolted out of my stupor when he stood defiant and

351
00:21:59,240 --> 00:22:01,280
Speaker 4: looked up at the arch house before him.

352
00:22:02,280 --> 00:22:07,399
Speaker 6: Jerry Havoc, come out and face me, file devil.

353
00:22:08,560 --> 00:22:11,600
Speaker 4: Before the echo of his cry dissipated, the door to

354
00:22:11,680 --> 00:22:15,720
Speaker 4: the Havoc house opened and jury Havoc filled its brain.

355
00:22:16,800 --> 00:22:20,240
Speaker 4: Disheveled in shirt sleeves and barefoot, he took in the

356
00:22:20,280 --> 00:22:24,199
Speaker 4: bloody scene before him, his eyes landing on his wife's

357
00:22:24,280 --> 00:22:28,520
Speaker 4: body beside the fire. He wailed as he rushed down

358
00:22:28,600 --> 00:22:29,520
Speaker 4: and fell upon her.

359
00:22:30,680 --> 00:22:34,440
Speaker 1: Josiah gave him his moment of grief. He was himself

360
00:22:34,560 --> 00:22:35,280
Speaker 1: no monster.

361
00:22:36,760 --> 00:22:37,680
Speaker 5: It was a great.

362
00:22:37,600 --> 00:22:41,159
Speaker 4: Mistake, for when Havoc's eyes were once again raised, it

363
00:22:41,320 --> 00:22:45,160
Speaker 4: was not grief that burned in them, but an intense hatred.

364
00:22:46,320 --> 00:22:49,399
Speaker 4: Before Josiah could take in his position, Havoc sprang up

365
00:22:49,520 --> 00:22:52,359
Speaker 4: and into him, the both of them toppling hard and

366
00:22:52,520 --> 00:22:56,280
Speaker 4: landing on the ground with sickening thump. Havoc's hands were

367
00:22:56,359 --> 00:23:00,360
Speaker 4: around Josiah's neck, and he howled as father struggled again him.

368
00:23:01,200 --> 00:23:04,080
Speaker 4: I was compelled then to rush to his aid, he

369
00:23:04,280 --> 00:23:06,320
Speaker 4: who I had cursed mere hours before.

370
00:23:07,359 --> 00:23:07,960
Speaker 1: What could I do?

371
00:23:09,040 --> 00:23:12,720
Speaker 4: Meek to merass demeris the sheep, to marrass the capt

372
00:23:14,200 --> 00:23:20,800
Speaker 4: stop and miracles of miracles he did. His eyes found

373
00:23:20,920 --> 00:23:25,919
Speaker 4: mine immediately, and his face chilled my flood. He stood

374
00:23:26,840 --> 00:23:29,680
Speaker 4: slowly as Father Josiah.

375
00:23:29,440 --> 00:23:31,159
Speaker 1: Gasped and flailed beneath him.

376
00:23:32,920 --> 00:23:35,160
Speaker 4: Release him in the name of the Father.

377
00:23:36,119 --> 00:23:38,080
Speaker 5: De merish, you, foolish girl.

378
00:23:38,440 --> 00:23:43,640
Speaker 4: Run And with that Josiah veried, steak in Havoc's thigh

379
00:23:44,160 --> 00:23:45,119
Speaker 4: rand mess.

380
00:23:46,400 --> 00:23:47,760
Speaker 1: This time I listened.

381
00:23:48,640 --> 00:23:51,640
Speaker 4: I rang blindly back through the horse back.

382
00:23:51,520 --> 00:23:56,000
Speaker 1: To this house. I do not know how the scuffle ended.

383
00:23:56,720 --> 00:23:58,199
Speaker 1: I do not know if I will survive this.

384
00:23:58,280 --> 00:24:01,720
Speaker 4: Knife, and if I I do not know where to

385
00:24:01,840 --> 00:24:04,680
Speaker 4: run to next, for how long I would need to run.

386
00:24:06,080 --> 00:24:08,920
Speaker 4: Someone approaches outside. I do not know if it is

387
00:24:09,000 --> 00:24:13,200
Speaker 4: Fathered Josiah or the devil himself. I suppose I will

388
00:24:13,240 --> 00:24:19,240
Speaker 4: find out soon enough. Be brave, my children, and know

389
00:24:19,400 --> 00:24:23,119
Speaker 4: that you come from a line of holy warriors.

390
00:24:24,200 --> 00:24:37,879
Speaker 5: I wish you well. Shit and there it ended. I

391
00:24:38,000 --> 00:24:41,920
Speaker 5: quickly thumbed through the large ledger itself. In it need

392
00:24:42,000 --> 00:24:45,520
Speaker 5: to script tiny pages and pages dense with it, and

393
00:24:46,040 --> 00:24:48,639
Speaker 5: every couple of pages a sketch of a familiar face,

394
00:24:49,440 --> 00:24:53,040
Speaker 5: the one from the portrait in the living room. Sophia.

395
00:24:53,119 --> 00:24:58,760
Speaker 5: Havoc lovingly drawn each signed with a date October tenth,

396
00:24:59,480 --> 00:25:03,560
Speaker 5: the anna of her death at the hands of Josiah Abbys.

397
00:25:04,640 --> 00:25:07,560
Speaker 5: The portraits went back one a year through the pages

398
00:25:07,680 --> 00:25:12,399
Speaker 5: nineteen seventy, nineteen fifty five, eighteen ninety, eighteen eighteen, and

399
00:25:12,560 --> 00:25:16,240
Speaker 5: beyond that handwriting going further all the way back to

400
00:25:16,359 --> 00:25:21,280
Speaker 5: the first entry sixteen ten. I didn't have time to

401
00:25:21,400 --> 00:25:24,760
Speaker 5: know if this was my proof, but it seemed pretty compelling.

402
00:25:25,840 --> 00:25:29,600
Speaker 5: Oh my god, I do not know what came over

403
00:25:29,720 --> 00:25:33,080
Speaker 5: me in that moment. Maybe it was something in my veins,

404
00:25:33,760 --> 00:25:37,119
Speaker 5: my DNA program to fight. I knew I had to

405
00:25:37,240 --> 00:25:41,640
Speaker 5: take it, and so as quietly as possible, I went

406
00:25:41,720 --> 00:25:45,520
Speaker 5: over to the window, gently opened it, and dropped the

407
00:25:45,640 --> 00:25:50,040
Speaker 5: ledger out onto the bushes below. I snuck back out

408
00:25:50,080 --> 00:25:52,880
Speaker 5: of the dark office and into the hall, making sure

409
00:25:52,920 --> 00:25:56,119
Speaker 5: to once again slam the bathroom door, before returning to

410
00:25:56,200 --> 00:25:59,800
Speaker 5: the kitchen where Jeri Hathack was washing up. After patching

411
00:25:59,920 --> 00:26:03,200
Speaker 5: up Sylvie, who was chattering like a nervous bird.

412
00:26:04,960 --> 00:26:07,879
Speaker 1: At any rate, it never really came to fruition, so

413
00:26:08,040 --> 00:26:10,560
Speaker 1: I was stuck with all of this patio furniture and.

414
00:26:10,640 --> 00:26:15,720
Speaker 2: No one to sit in it. M Oh, I was worried,

415
00:26:15,760 --> 00:26:16,320
Speaker 2: you've fallen in.

416
00:26:17,160 --> 00:26:20,680
Speaker 5: Are we are? We all wrapped up so to speak.

417
00:26:21,280 --> 00:26:26,119
Speaker 5: Oh wonderful. Thank you so much for having us.

418
00:26:26,640 --> 00:26:29,560
Speaker 1: Oh no, so soon. We were just getting friendly.

419
00:26:30,440 --> 00:26:33,640
Speaker 2: You're leaving with the town burning down the army taking over.

420
00:26:34,400 --> 00:26:37,440
Speaker 5: Yes. I realized in the bathroom that I need to

421
00:26:37,680 --> 00:26:38,760
Speaker 5: check on Sarahbeth.

422
00:26:39,720 --> 00:26:42,200
Speaker 2: Sarahbeth, Oh my god, Sarabeth.

423
00:26:42,400 --> 00:26:43,840
Speaker 1: Yeah, she must be terrified.

424
00:26:44,320 --> 00:26:46,280
Speaker 2: It's pandemonium out there, ladies.

425
00:26:46,560 --> 00:26:48,399
Speaker 5: Yeah, that's well, that's why I have to check on her.

426
00:26:48,720 --> 00:26:50,800
Speaker 5: She can't always help herself.

427
00:26:51,600 --> 00:26:51,960
Speaker 6: Who is she?

428
00:26:53,000 --> 00:26:53,480
Speaker 5: My cousin?

429
00:26:54,400 --> 00:26:59,600
Speaker 2: Your cousin, m hmm, yeah, well family first, I guess

430
00:27:00,040 --> 00:27:04,600
Speaker 2: obviously I can drive you. It really is incredibly dangerous

431
00:27:04,640 --> 00:27:07,160
Speaker 2: out there, as evidence by your best friend being shot

432
00:27:07,160 --> 00:27:07,720
Speaker 2: on the shoulder.

433
00:27:08,320 --> 00:27:11,480
Speaker 1: It's just but a flesh wound. Thanks for patching me up, Doc,

434
00:27:11,760 --> 00:27:12,720
Speaker 1: I feel good as new.

435
00:27:13,720 --> 00:27:16,960
Speaker 5: Thank you again. The hospital was unreachable.

436
00:27:17,440 --> 00:27:21,320
Speaker 2: Well, your cousin maybe too. I wish you'd reconsider no,

437
00:27:22,520 --> 00:27:24,320
Speaker 2: thank you, Karen.

438
00:27:25,680 --> 00:27:29,159
Speaker 5: He touched my shoulder and I couldn't hide the sudden

439
00:27:29,320 --> 00:27:33,000
Speaker 5: shudder of revulsion, and I could tell that he felt

440
00:27:33,040 --> 00:27:35,440
Speaker 5: it because he let go immediately.

441
00:27:37,080 --> 00:27:37,840
Speaker 2: Be safe out there.

442
00:27:38,680 --> 00:27:44,680
Speaker 5: We will thank you, Jerry, of course, We walked down

443
00:27:44,720 --> 00:27:48,119
Speaker 5: to the car in silence, praying that he would shut

444
00:27:48,320 --> 00:27:50,520
Speaker 5: the door so that I could steal into the bushes

445
00:27:50,680 --> 00:27:58,040
Speaker 5: and retrieve the journal. Come on, come on, oh, thank god, I.

446
00:27:58,080 --> 00:28:00,600
Speaker 1: Guess you really are you doing?

447
00:28:01,880 --> 00:28:02,200
Speaker 6: Come on?

448
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Speaker 1: What the hell are you doing?

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00:28:04,600 --> 00:28:04,879
Speaker 6: Come on?

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00:28:05,000 --> 00:28:05,600
Speaker 5: Come on, come on?

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00:28:06,560 --> 00:28:06,840
Speaker 3: Got it?

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00:28:07,520 --> 00:28:08,760
Speaker 5: What are you?

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00:28:09,359 --> 00:28:09,560
Speaker 2: Wait?

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Speaker 1: Wait?

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00:28:10,040 --> 00:28:11,879
Speaker 5: Does that to get in the car? I'm driving?

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00:28:12,400 --> 00:28:12,800
Speaker 1: Okay?

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00:28:14,200 --> 00:28:14,360
Speaker 6: Here?

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00:28:14,440 --> 00:28:18,439
Speaker 5: Hold this? What is this? I think it's a diary?

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00:28:19,240 --> 00:28:24,359
Speaker 5: He keeps a diary, yes, and he's been keeping in

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00:28:24,840 --> 00:28:27,600
Speaker 5: for a long long time.

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Speaker 3: Havoctown was created by me Aaron Mankey. The show was

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00:28:40,520 --> 00:28:44,760
Speaker 3: written and directed by Nicholas Takowski. This episode was edited

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00:28:44,840 --> 00:28:49,240
Speaker 3: and sound designed by Rima lk Ali, starring Jewels States

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00:28:49,400 --> 00:28:53,880
Speaker 3: as Corene Abbas, James Callis as Jerry Havoc, Felicia Day

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00:28:54,080 --> 00:28:58,719
Speaker 3: as Sylvie, Harris, Ray Wise as Josiah Abbas, Crystal Lee

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00:28:58,960 --> 00:29:03,400
Speaker 3: as Demeris, Daniel Ernesto A known as Noah Abbas, with

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00:29:03,640 --> 00:29:08,720
Speaker 3: additional voice acting from Hannah Fearman, Summer rain Menkey, Daniel

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00:29:08,800 --> 00:29:12,520
Speaker 3: Avi Sarkis, and Aaron Mankey. This season is directed by

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00:29:12,600 --> 00:29:16,880
Speaker 3: Nicholas Takoski, with assistant directors Sarah Klein and Jake Diamond,

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00:29:17,240 --> 00:29:21,920
Speaker 3: casting by Sunday Bowling CSA and Meg Mormon CSA. Production

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00:29:22,080 --> 00:29:26,400
Speaker 3: coordinator Wayna Calderon. Our theme song was created by Chris

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00:29:26,560 --> 00:29:31,080
Speaker 3: Childs executive producers Aaron Manke, Trevor Young, and Matt Frederick,

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00:29:31,160 --> 00:29:35,720
Speaker 3: with supervising producer Rima Lkali and producers Nomes Griffin and

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00:29:35,880 --> 00:29:39,680
Speaker 3: Jesse Funk. Havoctown is set in the Bridgewater Audio Universe,

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00:29:39,720 --> 00:29:44,160
Speaker 3: which includes the hit fiction podcasts Bridgewater and Consumed. Learn

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00:29:44,240 --> 00:29:47,920
Speaker 3: more about both shows as well as Havoctown at grimandmild

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00:29:48,120 --> 00:29:51,960
Speaker 3: dot com, and find more podcasts from iHeartRadio by visiting

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00:29:52,000 --> 00:29:55,560
Speaker 3: the iHeartRadio app, Apple Podcasts, or wherever you listen to

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00:29:55,640 --> 00:29:56,560
Speaker 3: your favorite shows