WEBVTT - Listener Mail: Tridents, Aliens, Microgravity

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<v Speaker 1>My welcome to Stuff to Blow your Mind from how

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<v Speaker 1>Stuff Works dot com. Hey you welcome to Stuff to

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<v Speaker 1>Blow your Mind. My name is Robert Lamb and I'm

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<v Speaker 1>Joe McCormick, and it's time for August listener mail. That's right. Uh, yeah,

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<v Speaker 1>we almost forgot to do another one of these, but

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<v Speaker 1>we've been trying to do them more or less monthly

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<v Speaker 1>because that, I mean, that's how much cool listener mail

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<v Speaker 1>we get. I mean, we get a lot of just

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<v Speaker 1>nice personal comments about how much people enjoy the show.

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<v Speaker 1>And you know, sometimes we read one of those or

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<v Speaker 1>two of those just to give our you know, ourselves

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<v Speaker 1>a pat on the bat. But but we do receive

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<v Speaker 1>a lot of of of of really insightful emails about

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<v Speaker 1>content that we've covered, uh, you know, listeners sharing their

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<v Speaker 1>take on particular topics and occasionally pointing out something we missed.

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<v Speaker 1>Even Yeah, you can only patch your own back so

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<v Speaker 1>much before it starts to get sore. So maybe we

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<v Speaker 1>should just dive straight into some of the fascinating and

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<v Speaker 1>strange ideas that our listeners have sent us in reaction

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<v Speaker 1>to recent episodes. Let's do it. What do you think

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<v Speaker 1>about going back to the year old ashen light. Oh yeah,

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<v Speaker 1>the the strange light on the Dark Side of Venus.

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<v Speaker 1>You know, our mail bot Carney has has has seen

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<v Speaker 1>these lights in person. Oh really yeah, yeah, I didn't

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<v Speaker 1>hear this. So so he had a life before he

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<v Speaker 1>was a humble mail bot. I mean, he was a

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<v Speaker 1>space probe really. Yeah. Not many people realized this from

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<v Speaker 1>from which space program? American Soviet what was very hush

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<v Speaker 1>hush about that, especially given the current political climate. So

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<v Speaker 1>I'm not sure which side he was on. Was a

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<v Speaker 1>Bulgarian space probe that went to Venus, found the Action Light,

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<v Speaker 1>came back and it's been a cover up ever since. Yeah,

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<v Speaker 1>Like he doesn't say much, but I know he's seen

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<v Speaker 1>the claims to have seen the action line. So one

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<v Speaker 1>of the things we talked about in the Action Light

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<v Speaker 1>episode was, of course the possibility that seems like a

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<v Speaker 1>very strong possibility that the reports of the lights on

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<v Speaker 1>the Dark Side of Venus have just been observer error.

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<v Speaker 1>You know, that nobody, nobody is actually seeing anything, that

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<v Speaker 1>it was just imagination or artifacts of the technology used

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<v Speaker 1>at the time. And then it's kind of occurring at

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<v Speaker 1>like the cutting edge of perception without any kind of

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<v Speaker 1>way to like photograph or record what is being seen, right,

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<v Speaker 1>But of course part of the problem has been while

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<v Speaker 1>you've got all these sightings, if you are going to

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<v Speaker 1>assume people were really seeing something, what could it be?

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<v Speaker 1>What could it have been? And I offered a crazy

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<v Speaker 1>idea at the end of the episode, Well, what if

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<v Speaker 1>you actually do have organisms floating in the atmosphere of venus,

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<v Speaker 1>suspended in droplets in the atmosphere in the clouds, and

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<v Speaker 1>and they're actually bioluminescent or somehow reflecting or emitting light

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<v Speaker 1>at different frequencies, maybe at times when they bloom, and

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<v Speaker 1>this would explain the strange periodicity of the apparent ash

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<v Speaker 1>and light sightings. Well, we heard from our listener Michael,

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<v Speaker 1>who said, hello, my name is Michael, and I just

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<v Speaker 1>started listening to the podcast three episodes in, and I

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<v Speaker 1>definitely have more than I want to listen to. I

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<v Speaker 1>teach science in seventh and eighth grade, and I love

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<v Speaker 1>how much your podcast makes me explore different ideas. I'm

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<v Speaker 1>writing in about your most recent pod guests because you

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<v Speaker 1>said something right at the end that I thought was

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<v Speaker 1>so fascinating. You talked about what if the action light

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<v Speaker 1>was the result of micro organisms in the atmosphere. Now,

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<v Speaker 1>this is just total off the cuff thinking about what

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<v Speaker 1>could be possible, But I feel like that's kind of

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<v Speaker 1>exactly what your show is supposed to make you do. Yeah,

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<v Speaker 1>I hope. So what if the light is a combination

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<v Speaker 1>of both the solar bombardment and the micro organisms. My

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<v Speaker 1>thought is this, organisms living up in the atmosphere like

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<v Speaker 1>that would obviously be exposed to more solar radiation. They

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<v Speaker 1>would need to have a way to deal with the

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<v Speaker 1>excess that they don't use. I'm assuming they would be

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<v Speaker 1>photo autotrophs of some kind. What if their way of

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<v Speaker 1>dealing with the excess energy would be to absorb it.

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<v Speaker 1>The electrons would become excited, and then they would admit

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<v Speaker 1>that light when the electrons went back to their ground state.

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<v Speaker 1>I have no idea if this is possible, because I'm

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<v Speaker 1>pretty sure this is not how bioluminescence occurs on our planet,

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<v Speaker 1>but let's assume that it is possible. If possible, then

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<v Speaker 1>the action light could be the interaction of exponential microorganism

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<v Speaker 1>growth that corresponds to extreme solar activity. The high amounts

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<v Speaker 1>of both microorganisms and solar activity, it may produce a

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<v Speaker 1>light strong enough to be faintly visible to us from Earth.

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<v Speaker 1>Having it be the interaction between two rare events would

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<v Speaker 1>explain why this only happens infrequently and does not happen

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<v Speaker 1>with any discernible pattern to us, because even if we

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<v Speaker 1>can analyze solar activity, we wouldn't know when that would

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<v Speaker 1>line up with exponential microorganism growth, and after exponential growth,

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<v Speaker 1>we have a period of severely decreased population since they

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<v Speaker 1>hit their carrying capacity, which would mean that even if

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<v Speaker 1>there was high solar radiation, it would not trigger the

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<v Speaker 1>ash and light. This would also explain why the light

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<v Speaker 1>does not appear to be green as is produced by

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<v Speaker 1>the oxygen reactions. Again, pure conjecture, almost certainly incorrect, But

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<v Speaker 1>wouldn't that be cool if astronomers had been seeing signs

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<v Speaker 1>of life on Venus for hundreds of years and did

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<v Speaker 1>not realize it. That would definitely blow my mind. Anyway,

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<v Speaker 1>I'm excited to join your audience and most likely will

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<v Speaker 1>write in every now and then since I'm a science

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<v Speaker 1>teacher and it looks like your podcast is right up

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<v Speaker 1>my alley now. Of what he said there, wouldn't it

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<v Speaker 1>be um? Wouldn't it be interesting if they were if

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<v Speaker 1>what they were looking at was really alien life and

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<v Speaker 1>they didn't realize it. Uh, you know, you could say that, well,

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<v Speaker 1>some of these individuals were saying it was alien life.

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<v Speaker 1>The the version of alien life they were imagining, uh,

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<v Speaker 1>was was certainly not correct, right, it was von groy

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<v Speaker 1>thousand right. He was saying, Well, what it is is

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<v Speaker 1>obviously the coronation of the new Venusian king. Yeah, it's

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<v Speaker 1>all those fireworks they're throwing up over this, uh, this

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<v Speaker 1>dynastic change that's occurring down there. But that certainly not

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<v Speaker 1>the case. But it would be interesting if in a way,

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<v Speaker 1>in a very small way, but a pivotal way, he

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<v Speaker 1>was actually right. That would be a great vindication for

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<v Speaker 1>for von groyth thousand. Also, Michael got back after I

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<v Speaker 1>responded and said he'd done a little more research on

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<v Speaker 1>this and realized, quote what I was talking about would

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<v Speaker 1>be not would not be biolumin essence, but actually biofluorescence,

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<v Speaker 1>the ability to absorb in then a midlight of different frequencies.

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<v Speaker 1>I wasn't positive if there were organisms on Earth that

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<v Speaker 1>could do this, but apparently there absolutely are, so yeah,

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<v Speaker 1>this seems theoretically possible. I even found a paper about

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<v Speaker 1>scientists looking into plants on Earth needing to protect themselves

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<v Speaker 1>from increased UV radiation because of the thinning ozone layer,

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<v Speaker 1>and it seemed like this is a possibility they were

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<v Speaker 1>looking into. Uh So, yeah, thanks again for getting in

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<v Speaker 1>touch Michael that that is a highly interesting speculative idea.

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<v Speaker 1>I wonder if we already know things that could bat

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<v Speaker 1>down this hypothesis, things already in evidence, or if somebody

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<v Speaker 1>would need to do any new observations or experiments to

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<v Speaker 1>see if this, uh this kind of thing were possible.

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<v Speaker 1>I don't know. Carney's very hushed hush on the whole

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<v Speaker 1>situation though. Also just another idea that came to us

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<v Speaker 1>from our listener Justin on Twitter. Justin wrote a thought

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<v Speaker 1>that came to his mind is what if the ashen

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<v Speaker 1>light is venus moving fast enough in relation to the

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<v Speaker 1>Earth to blue shift infra red light so heat into

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<v Speaker 1>the visible spectrum? And I thought that was an interesting question.

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<v Speaker 1>I don't have a way of evaluating that. My guests

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<v Speaker 1>would be that blue shifted light from the infra red

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<v Speaker 1>would still I mean, you could do that if it's

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<v Speaker 1>moving fast enough. That's possible from the shorter wavelengths of

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<v Speaker 1>thermal emission. But my guests would be probably just that

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<v Speaker 1>it wouldn't be bright enough to see from Earth even

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<v Speaker 1>if it shifted into the visible spectrum. But I don't

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<v Speaker 1>know for sure. That's that's another thing worth checking with

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<v Speaker 1>an expert about. All right, well, I'm gonna call Carney

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<v Speaker 1>over here. A is some some more listener mail here

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<v Speaker 1>for us, and it's relating to our recent episode on

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<v Speaker 1>drinking coffee, more importantly, brewing coffee in microgravity in orbit. Uh, specifically,

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<v Speaker 1>you know, aboard the the I S. S SO first

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<v Speaker 1>have to acknowledge, Nathaniel wrote in. Listener Nathaniel wrote in

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<v Speaker 1>and pointed out that I referred to the I S.

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<v Speaker 1>S Presso machine as being a four pound machine as

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<v Speaker 1>opposed to a forty pound machine. Okay, well that's an

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<v Speaker 1>order of magnitude of difference, yeah, but just about one zero.

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<v Speaker 1>It didn't really affect that the rest of the content

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<v Speaker 1>of the episode, but we did put we did tag

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<v Speaker 1>that old episode for people who are listening to it

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<v Speaker 1>for the first time. Um. We also heard from a

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<v Speaker 1>listener on Twitter. Uh this as Twitter listener r P

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<v Speaker 1>r P rode in and said, uh, listen this morning,

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<v Speaker 1>great show as always, I don't drink coffee, So my

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<v Speaker 1>question is can I have my mountain dew in space?

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<v Speaker 1>Apart from all the bad stuff, it does to me

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<v Speaker 1>curious about carbonated liquids in space, and so I thought

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<v Speaker 1>this was an interesting question. Uh, you know, not when

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<v Speaker 1>we could do a whole episode on But I looked

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<v Speaker 1>into it a little bit and I did find a

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<v Speaker 1>NASA re NASA page about this. Uh. If you look

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<v Speaker 1>up NASA carbonated beverages in space you'll find this as well.

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<v Speaker 1>But the basic answer breaks down to this. So the

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<v Speaker 1>bubbles of carbon dioxide and carbonated beverages, they aren't buoyant

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<v Speaker 1>in a witless environment, so they remain randomly distributed throughout

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<v Speaker 1>the fluid even after you swallow it. This means that

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<v Speaker 1>carbonated beverages, including soft drinks and of course beers, uh,

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<v Speaker 1>they they may become a foamy mess. Uh, NASA says

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<v Speaker 1>during space travel. WHOA, Now this makes me think, do

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<v Speaker 1>you burp in space? I've never thought about this for now.

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<v Speaker 1>Bubbles from your digestive system of gas would seem to

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<v Speaker 1>rise naturally through buoyancy so that you could burp. But

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<v Speaker 1>if you're in a microgravity environment or in zero G

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<v Speaker 1>would bubbles rise to the top four? Youtuberp this is

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<v Speaker 1>it's interesting. I don't know they've ever read anything about it,

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<v Speaker 1>or if I did, it was overshadowed by all the

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<v Speaker 1>content about pooping in space. Anyway, that the NASA piece continues.

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<v Speaker 1>It points out that the carbonation in the soda will

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<v Speaker 1>also not separate in micro gravity, and in the absence

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<v Speaker 1>of gravity, the carbon dioxide bubbles and carminated beverages go

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<v Speaker 1>through and astronauts digestive system rather than being yeah, rather

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<v Speaker 1>than being belched out as on Earth. So that seems

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<v Speaker 1>to lead that seems to lead some weight to the

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<v Speaker 1>idea that maybe as you're nuts, don't belch um. And anyway,

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<v Speaker 1>they point out that this could cause adverse side effects

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<v Speaker 1>as well. So if you're gonna have mountain dew in space,

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<v Speaker 1>um I would I would imagine it would have to

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<v Speaker 1>be flat mountain dew. Yeah. Wow, that that is a

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<v Speaker 1>horrible thing to imagine. But I guess it could still

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<v Speaker 1>be cold or hot. If you're a hot mountain dew enthusiasts,

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<v Speaker 1>a hot catheter of mountain dew just letting for you, nothing,

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<v Speaker 1>nothing gets you invigorated to to go fix that space

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<v Speaker 1>pro in your little urinal shaped cup. I think what

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<v Speaker 1>we need to design is a machine for astronauts to

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<v Speaker 1>burp with. It would somehow use momentum on the body.

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<v Speaker 1>Would be called like kinetic burp NG. It would be

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<v Speaker 1>kind of like that scene in Willy Wonka with the

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<v Speaker 1>fizzy lifting drink. Yeah, like centerfuge the burps out of here.

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<v Speaker 1>But it's just another example of all the various functions

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<v Speaker 1>we take for granted here on Earth, in our our

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<v Speaker 1>our one G of gravity. This comes to us from

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<v Speaker 1>our listener, Evan, and it's about space coffee. Evans says, recently,

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<v Speaker 1>I listened to Astronauts and Spaceships Getting Coffee, great episode,

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<v Speaker 1>and I thought i'd write in to share some experiences

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<v Speaker 1>that I had with an experiment testing as zero G

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<v Speaker 1>workaround designed for the I s S, particularly as it

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<v Speaker 1>involves the use of centripetal force to create artificial gravity

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<v Speaker 1>in ways that I don't think you've discussed before. Namely,

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<v Speaker 1>rather than creating gravity for the entire space station or

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<v Speaker 1>spacecraft by having the whole thing constantly revolved, instead, you

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<v Speaker 1>can create localized gravity within the station or craft by

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<v Speaker 1>spinning platforms etcetera for specific purposes such as exercise. Robert,

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<v Speaker 1>I think we did talk about that a little bit

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<v Speaker 1>in our Artificial Gravity episode, didn't Yeah, I think we did.

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<v Speaker 1>We may not have. I don't think we discussed it

0:11:26.600 --> 0:11:29.880
<v Speaker 1>in the coffee episode, that's true, But the Artificial Gravity episode,

0:11:30.000 --> 0:11:32.480
<v Speaker 1>I think we explored that angle. But if I'm wrong,

0:11:32.520 --> 0:11:34.800
<v Speaker 1>maybe that's worth a look in the future. Anyway. Evan

0:11:34.880 --> 0:11:38.160
<v Speaker 1>continues quote. It was about twelve years ago when I

0:11:38.200 --> 0:11:41.880
<v Speaker 1>was a horrendously impoverished university student. I needed money pretty

0:11:41.920 --> 0:11:44.640
<v Speaker 1>desperately and didn't have much time or willingness to work

0:11:44.640 --> 0:11:46.760
<v Speaker 1>in those days. So a friend of mine in the

0:11:46.760 --> 0:11:49.440
<v Speaker 1>biology department mentioned to me that there was a bulletin

0:11:49.480 --> 0:11:52.400
<v Speaker 1>board for the biosy med School area of the campus

0:11:52.440 --> 0:11:55.800
<v Speaker 1>which listed opportunities for students to take part in faculty

0:11:55.840 --> 0:11:59.439
<v Speaker 1>members experiments as paid subjects. I found one that offered

0:11:59.480 --> 0:12:03.520
<v Speaker 1>decent pay, applied and was immediately accepted, all without inquiring

0:12:03.520 --> 0:12:06.119
<v Speaker 1>about or being informed of the nature of the experiment.

0:12:06.400 --> 0:12:08.440
<v Speaker 1>The money was decent, so it seemed too good to

0:12:08.480 --> 0:12:11.680
<v Speaker 1>be true. As it turns out, a professor of surgery,

0:12:11.800 --> 0:12:14.760
<v Speaker 1>I assume it was Dr Anton jessep Uh If I

0:12:14.800 --> 0:12:18.599
<v Speaker 1>recall correctly, had designed a machine to counter the deleterious

0:12:18.640 --> 0:12:21.160
<v Speaker 1>effects of zero G environments on the human body, and

0:12:21.200 --> 0:12:23.680
<v Speaker 1>was having it tested to see about trying to get

0:12:23.720 --> 0:12:26.280
<v Speaker 1>it on the I s S. It was basically a

0:12:26.320 --> 0:12:30.240
<v Speaker 1>pillar installed in a small, empty room, fastened at floor

0:12:30.280 --> 0:12:33.479
<v Speaker 1>and ceiling, and outfitted with two arms which ran horizontal

0:12:33.520 --> 0:12:36.320
<v Speaker 1>to the ground. The arms could spin. One of the

0:12:36.440 --> 0:12:38.880
<v Speaker 1>arms terminated in a bicycle and the other in a

0:12:38.920 --> 0:12:42.320
<v Speaker 1>small platform. The idea was for one astronaut to pedal

0:12:42.360 --> 0:12:45.640
<v Speaker 1>the bicycle, thus spinning the arms, while another astronaut would

0:12:45.640 --> 0:12:49.360
<v Speaker 1>stand on the platform and do exercises. Both astronauts would

0:12:49.360 --> 0:12:52.679
<v Speaker 1>thereby get in some crucial exercise at a measurable and

0:12:52.800 --> 0:12:56.080
<v Speaker 1>adjustable level of artificial gravity. There was a monitor on

0:12:56.120 --> 0:12:59.079
<v Speaker 1>the bike with a readout about the various relevant forces

0:12:59.120 --> 0:13:01.920
<v Speaker 1>at play, be approximate number of gees to which the

0:13:01.960 --> 0:13:06.280
<v Speaker 1>exercisers were subjected, et cetera. Uh something that's small, man,

0:13:06.320 --> 0:13:09.200
<v Speaker 1>I would worry about Coriola's forces on that. Yeah, I mean,

0:13:09.240 --> 0:13:11.920
<v Speaker 1>I'm getting a little dizzy and nauseous just imagining this

0:13:11.960 --> 0:13:15.480
<v Speaker 1>in my head. Yeah, so Evan continues. It sounds all

0:13:15.520 --> 0:13:18.400
<v Speaker 1>well and good, but for two facts that in order

0:13:18.440 --> 0:13:21.440
<v Speaker 1>to measure the effects, muscle biopsies were required before and

0:13:21.480 --> 0:13:24.440
<v Speaker 1>after each workout, and that I have a propensity for

0:13:24.520 --> 0:13:27.599
<v Speaker 1>horrible motion sickness. The first time I gave it a go,

0:13:28.080 --> 0:13:30.240
<v Speaker 1>I made it through a few sets of rapidly spinning

0:13:30.280 --> 0:13:33.560
<v Speaker 1>squats that higher than normal gravity. Then when the machine

0:13:33.600 --> 0:13:36.040
<v Speaker 1>began to slow its spin, I got horribly sick and

0:13:36.120 --> 0:13:39.880
<v Speaker 1>threw up everywhere. Vomits flattered on wide swaths of floor

0:13:39.960 --> 0:13:42.680
<v Speaker 1>and wall, of course, as I was still spinning fairly

0:13:42.760 --> 0:13:47.920
<v Speaker 1>quickly at that point. So I went into the control group. Uh,

0:13:47.960 --> 0:13:50.840
<v Speaker 1>he says, he went into the control group, quote, which

0:13:50.880 --> 0:13:54.280
<v Speaker 1>did just normal squats to provide some frame of reference

0:13:54.320 --> 0:13:56.959
<v Speaker 1>for the efficacy of the machine. Is that something you're

0:13:56.960 --> 0:13:59.240
<v Speaker 1>supposed to do, take somebody from your test group and

0:13:59.280 --> 0:14:01.600
<v Speaker 1>then put them in your control group. Or is he

0:14:01.720 --> 0:14:05.439
<v Speaker 1>just like wandering, uh like dizzally into the into the

0:14:05.440 --> 0:14:08.439
<v Speaker 1>control group. Oh maybe I don't know. I don't want

0:14:08.440 --> 0:14:10.480
<v Speaker 1>to be unfair. That seems like something that might not

0:14:10.520 --> 0:14:12.400
<v Speaker 1>be something you're supposed to do, But I don't know.

0:14:13.080 --> 0:14:15.920
<v Speaker 1>Evan continues. It still wasn't a great experience, though, as

0:14:15.960 --> 0:14:19.280
<v Speaker 1>the muscle biopsies were pretty rough, since we were testing

0:14:19.280 --> 0:14:22.280
<v Speaker 1>out the efficacy of squats. They had to cut into

0:14:22.440 --> 0:14:25.080
<v Speaker 1>the skin of my calf, then screw a kind of

0:14:25.120 --> 0:14:27.840
<v Speaker 1>small metal tube down into the muscle. It was a

0:14:27.840 --> 0:14:32.080
<v Speaker 1>fun feeling, even with local anesthetic. The tube would then

0:14:32.160 --> 0:14:34.480
<v Speaker 1>engage a bit of suction to get some of my

0:14:34.600 --> 0:14:38.080
<v Speaker 1>muscle into it and kind of cap itself with a razor,

0:14:38.200 --> 0:14:41.800
<v Speaker 1>thus trapping a small standardized amount of leg muscle inside,

0:14:42.080 --> 0:14:45.960
<v Speaker 1>about the size of one piece of Kicks Cereal my kicks.

0:14:46.880 --> 0:14:51.440
<v Speaker 1>It's just a standard measurement of muscle tissue. Right, car

0:14:51.480 --> 0:14:56.120
<v Speaker 1>gets forty kicks to the hogshead and um Evan writes,

0:14:56.200 --> 0:14:58.440
<v Speaker 1>it's strange to look at one's own leg muscle. Yeah,

0:14:58.480 --> 0:15:01.520
<v Speaker 1>I bet it was much whiter than I expected, more

0:15:01.600 --> 0:15:04.760
<v Speaker 1>like chicken than pork or beef. So yeah, I would

0:15:04.760 --> 0:15:08.000
<v Speaker 1>get these muscle biopsies before and after the workout every

0:15:08.080 --> 0:15:10.560
<v Speaker 1>day for two weeks. If you think your legs are

0:15:10.560 --> 0:15:13.920
<v Speaker 1>sore after an ordinary workout, you get the idea. At

0:15:13.920 --> 0:15:15.480
<v Speaker 1>the end of two weeks, I got a check for

0:15:15.520 --> 0:15:18.080
<v Speaker 1>about four and fifty dollars. Not sure if it was

0:15:18.120 --> 0:15:21.080
<v Speaker 1>worth it. The money's long spin, but I still have

0:15:21.240 --> 0:15:24.720
<v Speaker 1>the little regularly spaced incision scars on my leg makes

0:15:24.760 --> 0:15:27.000
<v Speaker 1>a good story. Though. To sum it up, I don't

0:15:27.040 --> 0:15:29.200
<v Speaker 1>know if the machine made it to the I s S,

0:15:29.480 --> 0:15:31.560
<v Speaker 1>but from what the professor was saying, it seemed like

0:15:31.560 --> 0:15:34.400
<v Speaker 1>the results were looking pretty promising, at least as the

0:15:34.400 --> 0:15:37.600
<v Speaker 1>experiment was finishing up. Hope you found this interesting and

0:15:37.640 --> 0:15:40.000
<v Speaker 1>thanks for your podcast. It keeps me company in my

0:15:40.080 --> 0:15:44.520
<v Speaker 1>long idle evenings. More episodes per week. Please, As you're

0:15:44.600 --> 0:15:47.600
<v Speaker 1>stitching up your test subjects, it's probably a good idea

0:15:47.640 --> 0:15:49.600
<v Speaker 1>to tell them that this looks promising. I don't want

0:15:49.600 --> 0:15:51.800
<v Speaker 1>to say, like, yeah, I guess this is a loud

0:15:51.880 --> 0:15:55.160
<v Speaker 1>goose chase. Uh yeah. Thanks for the leg though, thanks

0:15:55.200 --> 0:15:58.920
<v Speaker 1>for the leg muscle kernels, Thanks for the vomit samples. Yeah, well,

0:15:58.920 --> 0:16:00.480
<v Speaker 1>this I have to say this is one of This

0:16:00.520 --> 0:16:04.000
<v Speaker 1>is a thoroughly enjoyable bit of listener mail, but also

0:16:04.040 --> 0:16:08.240
<v Speaker 1>one of the more um uh kind of nauseating list

0:16:08.240 --> 0:16:11.640
<v Speaker 1>your mails because we had the spinning contraption, the vomiting,

0:16:12.080 --> 0:16:14.560
<v Speaker 1>the the the leg muscle samples. There was a lot

0:16:14.600 --> 0:16:18.200
<v Speaker 1>of squeamish content. So you know, five stars, I'm gonna

0:16:18.240 --> 0:16:21.520
<v Speaker 1>go to six best new email. Oh yeah, okay was

0:16:21.520 --> 0:16:24.760
<v Speaker 1>our scale. We've we've not established the scale is Wait, no,

0:16:24.920 --> 0:16:27.440
<v Speaker 1>we got the Pitchfork scale, so I I'd say eight

0:16:27.440 --> 0:16:29.760
<v Speaker 1>point three best new email. Okay, we got a lot

0:16:29.800 --> 0:16:31.760
<v Speaker 1>of great emails on the way, so maybe it'll get beaten.

0:16:31.840 --> 0:16:35.440
<v Speaker 1>Who knows. Here's another one related to the coffee episode,

0:16:35.440 --> 0:16:36.960
<v Speaker 1>and this is just an answer to some of the

0:16:37.240 --> 0:16:40.880
<v Speaker 1>sci fi questions we had. This comes from Theodore. Theodore

0:16:40.880 --> 0:16:43.080
<v Speaker 1>says quote, I'm sitting here drinking a hot black cup

0:16:43.120 --> 0:16:45.360
<v Speaker 1>of coffee, listening to your most recent episode on coffee

0:16:45.360 --> 0:16:47.320
<v Speaker 1>and space. I just wanted to write in and include

0:16:47.360 --> 0:16:51.560
<v Speaker 1>some other books with space coffee. You missed Dune spice coffee. This,

0:16:51.640 --> 0:16:54.320
<v Speaker 1>of course, is a big one that I'm kind of

0:16:54.480 --> 0:16:57.640
<v Speaker 1>shocked that we didn't bring it up, given we've we've

0:16:57.680 --> 0:17:00.280
<v Speaker 1>done whole episodes on Dune. Now imagine we mentioned uh

0:17:00.800 --> 0:17:04.760
<v Speaker 1>spice coffee in those episodes. But in anyway, he says,

0:17:04.920 --> 0:17:07.920
<v Speaker 1>quotes said to be mixed with the spice milans, giving

0:17:07.960 --> 0:17:10.439
<v Speaker 1>it a cinnamon flavor. It has never made clear if

0:17:10.440 --> 0:17:13.040
<v Speaker 1>the coffee in question here is the same beverage we

0:17:13.200 --> 0:17:16.639
<v Speaker 1>drink now, or if the word has morph to refer

0:17:16.720 --> 0:17:20.040
<v Speaker 1>to other hot beverages. That's a good point Ring World,

0:17:20.600 --> 0:17:22.520
<v Speaker 1>a book I was going to write in about for

0:17:22.560 --> 0:17:26.440
<v Speaker 1>the summer reading episode, features basically a replicator on board

0:17:26.440 --> 0:17:28.879
<v Speaker 1>the ship that can produce coffee. I highly recommend this

0:17:28.880 --> 0:17:30.960
<v Speaker 1>book for you guys, not because of the coffee, but

0:17:31.040 --> 0:17:34.320
<v Speaker 1>the imaginative aliens and the artifacts left behind by ancient

0:17:34.359 --> 0:17:37.600
<v Speaker 1>super galactic civilizations. I do have to say, this is

0:17:37.640 --> 0:17:40.560
<v Speaker 1>a book that's long done on my reading list and

0:17:40.600 --> 0:17:43.720
<v Speaker 1>I've never picked it up. But it's it's a famous work.

0:17:43.880 --> 0:17:45.840
<v Speaker 1>This is one of the ones where I think we

0:17:45.920 --> 0:17:48.480
<v Speaker 1>must have had at least a half dozen listener males

0:17:48.480 --> 0:17:51.000
<v Speaker 1>tell us, we've got to read this one lately. I

0:17:51.000 --> 0:17:54.080
<v Speaker 1>don't know why. I must be good. It must be good. Yeah,

0:17:54.119 --> 0:17:56.239
<v Speaker 1>I mean it is. It is a famous work. Like,

0:17:56.440 --> 0:17:58.520
<v Speaker 1>there's no reason for me to be I'm not, you know,

0:17:58.560 --> 0:18:03.880
<v Speaker 1>actively avoiding. Uh. The next one is Um Artemis and

0:18:04.000 --> 0:18:06.399
<v Speaker 1>it has lunar coffee. Says that this book was written

0:18:06.440 --> 0:18:10.720
<v Speaker 1>by Andy Weir, writer of The Martian. Both books are great,

0:18:10.880 --> 0:18:14.600
<v Speaker 1>but Artemis has better or more interesting coffee. In the

0:18:14.680 --> 0:18:18.200
<v Speaker 1>Lunar City, the primary industry is aluminum production. A waste

0:18:18.240 --> 0:18:21.399
<v Speaker 1>product of that is oxygen, and the city uses that.

0:18:21.480 --> 0:18:24.800
<v Speaker 1>The city uses to breathe. However, to replicate Earth's atmosphere,

0:18:25.240 --> 0:18:27.320
<v Speaker 1>they would need to bring tons of nitrogen up to

0:18:27.359 --> 0:18:30.040
<v Speaker 1>the Moon from Earth, too expensive. Instead, they have a

0:18:30.080 --> 0:18:33.560
<v Speaker 1>pure oxygen environment with of the air pressure of Earth.

0:18:33.840 --> 0:18:36.240
<v Speaker 1>This lowers the boiling coin of water to something like

0:18:36.280 --> 0:18:39.400
<v Speaker 1>sixty five degrees celsius, meaning that all coffee comes out

0:18:39.440 --> 0:18:43.520
<v Speaker 1>weak to earthling taste. That's a bummer. And then Hitchhiker's

0:18:43.520 --> 0:18:47.360
<v Speaker 1>Guide to the Galaxy something almost but not quite entirely

0:18:47.440 --> 0:18:51.760
<v Speaker 1>unlike tea. The replicator in h h G G is

0:18:51.840 --> 0:18:55.240
<v Speaker 1>unable to replicate Earth tea, and when Arthur finally gets

0:18:55.359 --> 0:18:58.240
<v Speaker 1>it to work, it shuts down the computer, nearly killing

0:18:58.320 --> 0:19:00.439
<v Speaker 1>everyone on the ship. You know, this is something that

0:19:00.480 --> 0:19:03.479
<v Speaker 1>I feel like doesn't get explored enough. Uh, The idea

0:19:03.480 --> 0:19:07.800
<v Speaker 1>of cooking and preparing food and everything in space. We've

0:19:07.840 --> 0:19:11.199
<v Speaker 1>talked about how foods and drinks don't necessarily taste the

0:19:11.200 --> 0:19:13.440
<v Speaker 1>same in space because if you're in a microgravity or

0:19:13.520 --> 0:19:16.600
<v Speaker 1>zero G environment, you're often congested and stuff like that,

0:19:16.720 --> 0:19:19.679
<v Speaker 1>Like it changes you. The environment changes your ability to

0:19:19.720 --> 0:19:22.800
<v Speaker 1>taste things. But if you are cooking in space or

0:19:22.880 --> 0:19:27.320
<v Speaker 1>preparing hot beverages, it also changes the fundamental properties of

0:19:27.400 --> 0:19:31.320
<v Speaker 1>chemical reactions. Things happen in different temperatures. You might not

0:19:31.400 --> 0:19:35.360
<v Speaker 1>be able to achieve the same tastes in prepared foods,

0:19:35.720 --> 0:19:38.200
<v Speaker 1>even if you could taste them the same way. Yeah,

0:19:38.200 --> 0:19:41.000
<v Speaker 1>I mean it is ultimately a fool's errand to to

0:19:41.400 --> 0:19:44.800
<v Speaker 1>try and create good space food, Like space food is

0:19:44.800 --> 0:19:46.920
<v Speaker 1>always going to be space food, or maybe it's maybe

0:19:46.920 --> 0:19:48.520
<v Speaker 1>it's just a different kind of thing. I mean, who's

0:19:48.520 --> 0:19:52.280
<v Speaker 1>going to be the first great chef beyond Earth? It's

0:19:52.320 --> 0:19:54.080
<v Speaker 1>a great question, but there's gonna also going to be

0:19:54.080 --> 0:19:56.120
<v Speaker 1>a pretty low bar to set, right, Like the first

0:19:56.200 --> 0:19:58.160
<v Speaker 1>chef on Mars is going to be the greatest mart

0:19:58.160 --> 0:20:00.960
<v Speaker 1>and chef. Ever, what do you what do you think

0:20:01.119 --> 0:20:04.520
<v Speaker 1>the first restaurant beyond Earth? What is that going to be? Like?

0:20:04.560 --> 0:20:06.520
<v Speaker 1>What kind of food will it serve? Well, I would

0:20:06.520 --> 0:20:08.879
<v Speaker 1>hope it would be like a Taurus pizza. I'm thinking,

0:20:08.920 --> 0:20:11.280
<v Speaker 1>you know where it spends, because it has to spend

0:20:11.320 --> 0:20:14.199
<v Speaker 1>to keep the toppings on it. So the the like

0:20:14.240 --> 0:20:16.399
<v Speaker 1>the outside of the Taurus is just the bottom of

0:20:16.440 --> 0:20:19.480
<v Speaker 1>the crust. The inside of the Taurus is the surface

0:20:19.480 --> 0:20:21.399
<v Speaker 1>of the pizza, and so the toppings are held in

0:20:21.440 --> 0:20:23.919
<v Speaker 1>by what's the trifcal force I think it's gonna be

0:20:23.920 --> 0:20:26.520
<v Speaker 1>one of those irritating cute cie places that thinks it's

0:20:26.600 --> 0:20:29.440
<v Speaker 1>just a hilarious to put bacon and dishes where it

0:20:29.480 --> 0:20:33.240
<v Speaker 1>doesn't belong. Well, we'll see what would be real bacon

0:20:33.320 --> 0:20:34.800
<v Speaker 1>mill or it would it be like some sort of

0:20:35.320 --> 0:20:38.760
<v Speaker 1>like a that grown um pig it's grown on the ship,

0:20:38.880 --> 0:20:42.040
<v Speaker 1>or like a Martian pig variant. So many questions bacon

0:20:42.119 --> 0:20:46.800
<v Speaker 1>protein product. Okay, what's up next? Well, I think next

0:20:46.880 --> 0:20:49.080
<v Speaker 1>we should take a short break and when we come back,

0:20:49.720 --> 0:20:52.920
<v Speaker 1>we will lead some listener mail related to our episode

0:20:52.920 --> 0:20:58.480
<v Speaker 1>on the Trident. Thank alright, we're back. So the first

0:20:58.560 --> 0:21:01.000
<v Speaker 1>a bit of trident to email. We did this whole

0:21:01.000 --> 0:21:05.520
<v Speaker 1>episode about the about the trident, the mythical symbolic nature

0:21:05.560 --> 0:21:07.520
<v Speaker 1>of the trident, and I believe we we touched on

0:21:07.560 --> 0:21:09.520
<v Speaker 1>at one point the idea that you don't really see

0:21:09.800 --> 0:21:12.199
<v Speaker 1>you don't see a trident in nature, that a that

0:21:12.280 --> 0:21:16.119
<v Speaker 1>a trident is. Is this this human construction and therefore

0:21:16.160 --> 0:21:18.639
<v Speaker 1>has all of this human meaning associated with it. We

0:21:18.680 --> 0:21:21.520
<v Speaker 1>had one listener, Cindy Leu right to us on Twitter

0:21:21.600 --> 0:21:25.119
<v Speaker 1>and she shared a photograph with us of a of

0:21:25.400 --> 0:21:28.879
<v Speaker 1>a fossil or a reconstructed fossil and says she says, quote,

0:21:29.080 --> 0:21:33.240
<v Speaker 1>this trilobyte, while a syrops has a trident to pick

0:21:33.280 --> 0:21:37.800
<v Speaker 1>with you. Uh. And indeed, this particular trilobyte has a

0:21:37.840 --> 0:21:41.760
<v Speaker 1>trident formation, a trident apendage coming out of its head,

0:21:41.800 --> 0:21:46.040
<v Speaker 1>like it's a unicorn trilobyte with a trident instead of

0:21:46.040 --> 0:21:50.440
<v Speaker 1>a single horn. It's the straight up devil. Yeah, she says,

0:21:50.600 --> 0:21:52.600
<v Speaker 1>um And I wrote her back and said, oh, well

0:21:52.600 --> 0:21:54.920
<v Speaker 1>that this is wonderful the idea, And she says, thanks.

0:21:54.960 --> 0:21:57.480
<v Speaker 1>Trilobytes fascinating me. They have such a wide collection of

0:21:57.480 --> 0:22:00.240
<v Speaker 1>weird and wonderful apendages. Too bad all we have now

0:22:00.280 --> 0:22:02.840
<v Speaker 1>are their fossils. Or is she saying she wants to

0:22:02.840 --> 0:22:06.000
<v Speaker 1>live in a world where she's completely covered in triobytes? Well,

0:22:06.040 --> 0:22:09.520
<v Speaker 1>I mean it sounds kind of nice. But anyway, I

0:22:09.560 --> 0:22:11.720
<v Speaker 1>was looking into this a little bit, like why is

0:22:11.800 --> 0:22:14.800
<v Speaker 1>this trident there? Why why would the organism have this structure?

0:22:15.280 --> 0:22:17.200
<v Speaker 1>And it turns out there are a few different theories

0:22:17.240 --> 0:22:18.919
<v Speaker 1>as to why it's there. We don't know for certain.

0:22:18.960 --> 0:22:21.560
<v Speaker 1>No one is that it's a means of of of

0:22:21.960 --> 0:22:25.120
<v Speaker 1>of levitating itself above the sea floor, lifting up from

0:22:25.119 --> 0:22:28.600
<v Speaker 1>the sea floor. Essentially, you know, an appendage, or it's

0:22:28.600 --> 0:22:32.080
<v Speaker 1>some sort of a sophisticated sensory organ, or it's a

0:22:32.119 --> 0:22:35.800
<v Speaker 1>mechanism for hiding or defending, or that this is just

0:22:35.840 --> 0:22:39.000
<v Speaker 1>an example of sexual dimorphism and it's you know, somehow

0:22:39.080 --> 0:22:41.960
<v Speaker 1>play it would have played a role in mate selection,

0:22:42.600 --> 0:22:47.160
<v Speaker 1>or it's a sexual or cast polymorphism as in social insects.

0:22:48.119 --> 0:22:51.399
<v Speaker 1>So a few different possibilities there. But indeed, uh, nature

0:22:51.480 --> 0:22:53.960
<v Speaker 1>doesn't give us a lot of tridents, but nature gave

0:22:54.040 --> 0:22:56.359
<v Speaker 1>us at least one trident, and you'll find it on

0:22:56.560 --> 0:23:00.320
<v Speaker 1>a species of trilobyte. That's worthwhile. Trident. Yeah, all right,

0:23:00.320 --> 0:23:02.320
<v Speaker 1>Now Karnie is bringing me another bit of listener mail,

0:23:02.600 --> 0:23:05.719
<v Speaker 1>this one on his own tried and appendage, and this

0:23:05.720 --> 0:23:08.440
<v Speaker 1>one comes to us from Rob. Hey, Robert and Joe.

0:23:08.440 --> 0:23:10.159
<v Speaker 1>I just listened to your episode and tried its and

0:23:10.200 --> 0:23:11.880
<v Speaker 1>not only was it a great listen, but it really

0:23:11.880 --> 0:23:14.080
<v Speaker 1>got my brain grinding away on the magic of the

0:23:14.160 --> 0:23:16.440
<v Speaker 1>number three. That's part of what we talked about in

0:23:16.480 --> 0:23:20.000
<v Speaker 1>the episode is like why do we assigned three this

0:23:20.119 --> 0:23:24.560
<v Speaker 1>magical power? Rob says, quote, I have often bucked can

0:23:24.600 --> 0:23:27.879
<v Speaker 1>convention with my beliefs on two fundamental time measures. I

0:23:27.880 --> 0:23:30.879
<v Speaker 1>don't think of seasons in the term of spring, summer, autumn,

0:23:30.880 --> 0:23:34.720
<v Speaker 1>and winter, but more of extreme transition extreme. I also

0:23:34.760 --> 0:23:37.480
<v Speaker 1>don't think of the day in terms of morning, afternoon, evening,

0:23:37.520 --> 0:23:40.879
<v Speaker 1>and night, but like extreme transition extreme, I think of

0:23:40.920 --> 0:23:44.360
<v Speaker 1>it like the infinity symbol. To the early humans, there

0:23:44.400 --> 0:23:47.879
<v Speaker 1>was a cyclic pattern of time of light, a transition

0:23:47.880 --> 0:23:50.560
<v Speaker 1>of light, a time of dark, a time of transition

0:23:50.600 --> 0:23:53.720
<v Speaker 1>of light, a time of light, et cetera. Similarly, for

0:23:53.760 --> 0:23:57.480
<v Speaker 1>early humans living outside of equatorial areas, there was a

0:23:57.520 --> 0:24:00.280
<v Speaker 1>cyclic pattern of time of warmth and transition of Aren't

0:24:00.280 --> 0:24:02.240
<v Speaker 1>the time of cold, a transition of warmth, a time

0:24:02.280 --> 0:24:05.120
<v Speaker 1>of warmth, etcetera. Maybe that kind of perspective on cycles

0:24:05.119 --> 0:24:07.560
<v Speaker 1>of the day and seasons also led to the magic

0:24:07.720 --> 0:24:10.200
<v Speaker 1>attributed to three I guess the same could also be

0:24:10.200 --> 0:24:13.280
<v Speaker 1>said of lunar cycles full moon transition, new moon, transition,

0:24:13.320 --> 0:24:16.879
<v Speaker 1>full moon, etcetera. Additionally, there's the riddle of the sphinx. UH.

0:24:16.920 --> 0:24:20.400
<v Speaker 1>The answer speaks to three phases of life infant, adult,

0:24:20.480 --> 0:24:23.680
<v Speaker 1>old age UH. This holds true for plants and animals.

0:24:23.680 --> 0:24:26.680
<v Speaker 1>To the ancient paradigm is connected to the much more

0:24:26.760 --> 0:24:30.560
<v Speaker 1>modern maiden mother and chron aspects of the goddess and neopaganism,

0:24:30.760 --> 0:24:33.280
<v Speaker 1>which also helps keep the power of three alive. The

0:24:33.320 --> 0:24:35.720
<v Speaker 1>ancient Greeks had the three Fates, which were said to

0:24:35.720 --> 0:24:38.560
<v Speaker 1>tell the fate of a day of a day's old child.

0:24:38.880 --> 0:24:41.680
<v Speaker 1>Shakespeare had the three Weird Sisters in Macbeth, who also

0:24:41.760 --> 0:24:44.720
<v Speaker 1>prophesies the fate of Macbeth. Uh. There is a clear

0:24:44.800 --> 0:24:48.800
<v Speaker 1>multicultural attribution of magic and supernatural ability to the number three.

0:24:49.040 --> 0:24:51.400
<v Speaker 1>Pure speculation on my part, but I think the perspective

0:24:51.440 --> 0:24:54.480
<v Speaker 1>on days, season's life, human plant, animal cycles, and maybe

0:24:54.480 --> 0:24:57.280
<v Speaker 1>even lunar cycles that I mentioned earlier played a part

0:24:57.280 --> 0:25:00.159
<v Speaker 1>in this attribution. I think these are common experiences too

0:25:00.160 --> 0:25:03.480
<v Speaker 1>many early cultures that early humans would want to explain

0:25:03.480 --> 0:25:06.720
<v Speaker 1>and understand, defining them in a similar way three phases.

0:25:06.800 --> 0:25:09.760
<v Speaker 1>They could all be explained with a single answer, a

0:25:09.840 --> 0:25:13.160
<v Speaker 1>supernatural entity. Oh and then there's the triangle, a very

0:25:13.200 --> 0:25:16.840
<v Speaker 1>stable basic geometric shape with three corners. Three equals stable.

0:25:17.040 --> 0:25:19.080
<v Speaker 1>I remember back in high school one of the cool

0:25:19.119 --> 0:25:21.359
<v Speaker 1>English teachers I had told us to watch movies and

0:25:21.400 --> 0:25:24.439
<v Speaker 1>plays with an eye for people standing in triangles. He

0:25:24.520 --> 0:25:27.360
<v Speaker 1>said that pattern is often used to denote strength, especially

0:25:27.640 --> 0:25:30.159
<v Speaker 1>if there are two people standing in close proximity to

0:25:30.200 --> 0:25:34.359
<v Speaker 1>the camera and a third standing behind and slightly elevated.

0:25:34.400 --> 0:25:37.679
<v Speaker 1>That showed the third person was the leader and that

0:25:37.800 --> 0:25:40.359
<v Speaker 1>role was bestowed by the two others. The variation was

0:25:40.440 --> 0:25:43.480
<v Speaker 1>usually used when the people are moving. The leader is

0:25:43.520 --> 0:25:46.879
<v Speaker 1>in front of the triangle taking a leadership role, with

0:25:46.960 --> 0:25:50.120
<v Speaker 1>the other two falling in behind. He used a west

0:25:50.119 --> 0:25:51.919
<v Speaker 1>side story as an example. Not sure it holds one

0:25:52.600 --> 0:25:56.879
<v Speaker 1>of true at the time, but a fun visual exercise. Nonetheless,

0:25:57.280 --> 0:25:59.000
<v Speaker 1>it could be way off, but it has been a

0:25:59.000 --> 0:26:02.520
<v Speaker 1>fun thought exercise. Thanks for stirring the pot of my imagination.

0:26:02.640 --> 0:26:04.959
<v Speaker 1>Cheers Rock. Yeah. I think this is a bunch more

0:26:05.000 --> 0:26:11.000
<v Speaker 1>examples of the the seemingly um innate magical signaling of

0:26:11.080 --> 0:26:13.879
<v Speaker 1>the number three that it seems to tell us that

0:26:14.000 --> 0:26:17.080
<v Speaker 1>something important is going on, and when something important is

0:26:17.119 --> 0:26:19.400
<v Speaker 1>going on, of course something magical is going on. Yeah.

0:26:19.440 --> 0:26:23.200
<v Speaker 1>I like the point about the triangle structure and film. Uh.

0:26:23.240 --> 0:26:25.760
<v Speaker 1>I don't remember this coming up in film classes I had,

0:26:25.800 --> 0:26:29.000
<v Speaker 1>but I instantly think to say Conan the Barbarian because

0:26:29.000 --> 0:26:31.080
<v Speaker 1>you meet Falsa Doom. But it's not just Thosa Dom.

0:26:31.080 --> 0:26:33.680
<v Speaker 1>Thalsa Doom has got his to his two thugs there.

0:26:33.800 --> 0:26:36.920
<v Speaker 1>You wouldn't have a Thalsa Doom without a finely Thorsen, right.

0:26:37.000 --> 0:26:38.600
<v Speaker 1>And then the other guy whose name I forget that

0:26:38.640 --> 0:26:41.160
<v Speaker 1>was the football player. Yeah, he only has one line

0:26:41.160 --> 0:26:43.920
<v Speaker 1>in the whole movie, but it's the most perfect execution

0:26:44.359 --> 0:26:46.359
<v Speaker 1>of a one word line in a in a film

0:26:46.359 --> 0:26:48.720
<v Speaker 1>I've ever seen. What's the word? It's you. He just

0:26:48.720 --> 0:26:51.040
<v Speaker 1>says you like he sees and it it helps you

0:26:51.119 --> 0:26:53.760
<v Speaker 1>don't remember the dramatic music. But I was thinking it

0:26:53.760 --> 0:26:57.359
<v Speaker 1>would be great if the word is like carrots that

0:26:57.720 --> 0:27:00.399
<v Speaker 1>but that's just as hard, really, I feel. You know,

0:27:00.400 --> 0:27:03.040
<v Speaker 1>when a character has like a whole monologue to really

0:27:03.119 --> 0:27:05.879
<v Speaker 1>lay out how they feel about something, it's also Doom's

0:27:05.880 --> 0:27:08.400
<v Speaker 1>got great monologue. Yeah, yeah, yeah, it's also Doom has

0:27:08.440 --> 0:27:12.840
<v Speaker 1>just got miles of of of of dialogue and monologues

0:27:12.920 --> 0:27:15.240
<v Speaker 1>to to just lay out whose character is and what

0:27:15.359 --> 0:27:17.880
<v Speaker 1>defines him. This character has just got that one word,

0:27:17.920 --> 0:27:20.080
<v Speaker 1>and yet he manages to do it, so it's it's

0:27:20.160 --> 0:27:24.399
<v Speaker 1>arguably a better performance. Nice job anyway you will contemplate

0:27:24.440 --> 0:27:26.800
<v Speaker 1>this on the Tree of Woe. Let's move on to

0:27:27.119 --> 0:27:30.160
<v Speaker 1>some emails in response to our episode about the ancient

0:27:30.240 --> 0:27:33.520
<v Speaker 1>aliens ideas, Oh yes, we got some good ones on this, Yeah,

0:27:33.520 --> 0:27:35.760
<v Speaker 1>a lot of good ones here. I was kind of surprised.

0:27:35.840 --> 0:27:38.640
<v Speaker 1>I don't think we heard from anybody who was like, hey,

0:27:38.760 --> 0:27:41.040
<v Speaker 1>I believe in ancient aliens and I'm mad that you

0:27:41.080 --> 0:27:43.879
<v Speaker 1>guys don't. Um. Yeah, I was, well, you know, I

0:27:43.880 --> 0:27:46.399
<v Speaker 1>guess I wasn't hoping for that, but I was thinking

0:27:46.400 --> 0:27:50.080
<v Speaker 1>we might hear from someone who would, maybe you know,

0:27:50.480 --> 0:27:52.840
<v Speaker 1>whould maybe be on towards that end of the spectrum

0:27:52.840 --> 0:27:56.440
<v Speaker 1>as opposed to the more purely skeptic, because we kind

0:27:56.440 --> 0:27:59.920
<v Speaker 1>of we we in that episode we engaged with the idea,

0:28:00.119 --> 0:28:03.200
<v Speaker 1>you know, as as much as we could while remaining

0:28:03.240 --> 0:28:05.840
<v Speaker 1>skeptical about it. We talked about the way Carl Sagan

0:28:05.880 --> 0:28:08.199
<v Speaker 1>engaged with it. Right, the idea is that so like

0:28:08.240 --> 0:28:11.680
<v Speaker 1>the Eric von Danecken approach is obviously you know, that's

0:28:11.680 --> 0:28:15.800
<v Speaker 1>a nonstarter, it's nonsense. But there could be an intelligent

0:28:15.840 --> 0:28:18.560
<v Speaker 1>way to approach this idea and look for evidence of it.

0:28:18.640 --> 0:28:21.000
<v Speaker 1>And Carl Sagan laid out some really good thoughts about

0:28:21.040 --> 0:28:23.280
<v Speaker 1>that and some stuff he wrote in the sixties and seventies. Yeah,

0:28:23.280 --> 0:28:26.320
<v Speaker 1>because while the while a lot of ridiculous stuff has

0:28:26.359 --> 0:28:30.160
<v Speaker 1>been done in the name of this hypothesis. The hypothesis

0:28:30.160 --> 0:28:35.240
<v Speaker 1>itself is is perfectly sensible. If there are aliens, then

0:28:35.280 --> 0:28:38.040
<v Speaker 1>they may have been here before. And that's there's there's

0:28:38.120 --> 0:28:41.640
<v Speaker 1>nothing so shameful about that sentence. What would evidence of

0:28:41.680 --> 0:28:43.800
<v Speaker 1>it look like if it were to exist, right, And

0:28:43.880 --> 0:28:46.640
<v Speaker 1>that's where we and that also is is a fair discussion.

0:28:46.680 --> 0:28:48.520
<v Speaker 1>But then when we look for that evidence, we just

0:28:48.560 --> 0:28:51.040
<v Speaker 1>do not find it. Right. But we did find a

0:28:51.080 --> 0:28:53.920
<v Speaker 1>lot of great listener response to this episode. We did,

0:28:54.200 --> 0:28:58.280
<v Speaker 1>so I am going to read our first one. Let's say,

0:28:58.400 --> 0:29:02.040
<v Speaker 1>let's let's look first at the one from Graham. Graham rights,

0:29:02.160 --> 0:29:04.600
<v Speaker 1>hi all, just now catching up on episodes of stuff

0:29:04.640 --> 0:29:06.520
<v Speaker 1>to blow your mind and just listen to the episode

0:29:06.560 --> 0:29:08.840
<v Speaker 1>on the Chariots of the Gods. The reason I have

0:29:08.880 --> 0:29:11.440
<v Speaker 1>to play catch up now is that I was leading

0:29:11.480 --> 0:29:13.920
<v Speaker 1>some trips of high school students for the New York

0:29:13.960 --> 0:29:17.240
<v Speaker 1>Times and nat GEO student Trips. One of those trips

0:29:17.360 --> 0:29:20.440
<v Speaker 1>was to Switzerland, where I had a chance to take

0:29:20.520 --> 0:29:24.440
<v Speaker 1>one of my students to the Young Frau Park in Interlochen. Yes,

0:29:24.640 --> 0:29:27.040
<v Speaker 1>I knew somebody out there had to have been there.

0:29:27.320 --> 0:29:30.120
<v Speaker 1>I'm an astrobiologist and someone with an interest in the

0:29:30.160 --> 0:29:33.160
<v Speaker 1>ancient aliens ideas. I thought i'd share my experience in

0:29:33.200 --> 0:29:35.960
<v Speaker 1>Young Frau Park. When you arrive at the park, it

0:29:36.000 --> 0:29:39.320
<v Speaker 1>has an eerie feeling of being a memorial to something dead.

0:29:40.000 --> 0:29:43.080
<v Speaker 1>While we were there, we saw only three employees and

0:29:43.080 --> 0:29:46.160
<v Speaker 1>the parking lot was almost entirely empty. There was a

0:29:46.240 --> 0:29:49.080
<v Speaker 1>small school group there when we arrived, but for most

0:29:49.120 --> 0:29:51.520
<v Speaker 1>of our several hours in the park, it was just

0:29:51.720 --> 0:29:54.920
<v Speaker 1>two of us and another pair of people. Since the

0:29:54.920 --> 0:29:57.880
<v Speaker 1>turnout is so low and there are only a few employees,

0:29:58.280 --> 0:30:01.040
<v Speaker 1>most of the exhibits are closed except for at two

0:30:01.080 --> 0:30:04.680
<v Speaker 1>specific times each day. This meant that one employee and

0:30:04.720 --> 0:30:07.440
<v Speaker 1>the other pair of people were with us in every

0:30:07.520 --> 0:30:11.280
<v Speaker 1>exhibit as we made our way around. The exhibits were beautiful,

0:30:11.320 --> 0:30:14.600
<v Speaker 1>with structures built to mimic pyramids of Egyptians and Mayans

0:30:14.960 --> 0:30:18.440
<v Speaker 1>or the vimana of ancient sanscrit stories. Most of the

0:30:18.480 --> 0:30:21.560
<v Speaker 1>exhibits have little pre show halls where you can walk

0:30:21.600 --> 0:30:24.000
<v Speaker 1>at your leisure and read about some of the artifacts

0:30:24.000 --> 0:30:27.040
<v Speaker 1>from ancient peoples that von Danikin and others think might

0:30:27.040 --> 0:30:30.280
<v Speaker 1>have come from alien influences. However, most of these pre

0:30:30.400 --> 0:30:33.080
<v Speaker 1>show areas can be explored in fifteen minutes or so.

0:30:33.520 --> 0:30:36.760
<v Speaker 1>Each exhibit is then really just a movie theater built

0:30:36.760 --> 0:30:40.080
<v Speaker 1>to resemble some facet of the ancient society in question.

0:30:40.520 --> 0:30:43.200
<v Speaker 1>The movies are fun to watch. The mostly seem low

0:30:43.240 --> 0:30:45.440
<v Speaker 1>budget and have c g I that feels like something

0:30:45.480 --> 0:30:48.320
<v Speaker 1>from the late nineties. Oh that's always that's the best.

0:30:49.360 --> 0:30:52.200
<v Speaker 1>Each of these movies presents that some topic related to

0:30:52.280 --> 0:30:57.200
<v Speaker 1>ancient people nasca lines, pyramids, vimana, etcetera, and then presents

0:30:57.240 --> 0:31:00.320
<v Speaker 1>the idea that maybe the constructions and no ledge of

0:31:00.320 --> 0:31:03.520
<v Speaker 1>the ancients came from aliens. There's even a video that

0:31:03.560 --> 0:31:07.400
<v Speaker 1>presents a giant alien space battle in Earth's orbit, although

0:31:07.440 --> 0:31:10.440
<v Speaker 1>the park does present the ideas as being merely possible.

0:31:10.800 --> 0:31:12.680
<v Speaker 1>One thing that I took away from the park is

0:31:12.720 --> 0:31:16.360
<v Speaker 1>that it feels like von Danikin's personal shrine to himself.

0:31:16.880 --> 0:31:19.520
<v Speaker 1>There are copies of his books all over the park.

0:31:19.880 --> 0:31:22.680
<v Speaker 1>There are pictures of him in various places. There are

0:31:22.680 --> 0:31:25.600
<v Speaker 1>even signs saying when he'll be in the park next

0:31:25.640 --> 0:31:27.800
<v Speaker 1>to give a lecture. Though I can't imagine a lot

0:31:27.840 --> 0:31:30.880
<v Speaker 1>of people are there for such events. I can't actually

0:31:30.880 --> 0:31:33.680
<v Speaker 1>see how the park even remains open. Maybe there are

0:31:33.680 --> 0:31:35.600
<v Speaker 1>some other days when they do more business, but I

0:31:35.680 --> 0:31:37.920
<v Speaker 1>doubt they see much more than a hundred people on

0:31:37.960 --> 0:31:42.560
<v Speaker 1>any given day. Cheers. Well, this is direct report from

0:31:42.600 --> 0:31:46.080
<v Speaker 1>the field. Amazing, this is great now. You know, one

0:31:46.160 --> 0:31:49.680
<v Speaker 1>might say, Graham, just because you you know, you didn't

0:31:49.720 --> 0:31:53.080
<v Speaker 1>see evidence for how humans are maintaining this magnificent creation.

0:31:53.480 --> 0:31:56.120
<v Speaker 1>Maybe it is because it is the work of alien

0:31:56.480 --> 0:31:59.080
<v Speaker 1>That is a great thing to point out. Yeah, how

0:31:59.120 --> 0:32:03.640
<v Speaker 1>could humans a loan have conceived such a wonder Another

0:32:03.720 --> 0:32:05.320
<v Speaker 1>thing this makes me think about, with all the like

0:32:05.400 --> 0:32:07.800
<v Speaker 1>pictures of him everywhere in the books, is it makes

0:32:07.800 --> 0:32:11.320
<v Speaker 1>me think about your comparison to l Ron Hubbard. Yeah,

0:32:11.360 --> 0:32:14.760
<v Speaker 1>I do get I did get a strong leron hubbard vibe,

0:32:15.440 --> 0:32:18.240
<v Speaker 1>But I mean still I am jealous that he got

0:32:18.280 --> 0:32:20.120
<v Speaker 1>to go there, because when I was reading about it

0:32:21.480 --> 0:32:24.360
<v Speaker 1>in UM, when we're researching that episode, I just I

0:32:24.440 --> 0:32:26.400
<v Speaker 1>really wanted to check it out for myself. You know

0:32:26.440 --> 0:32:29.160
<v Speaker 1>what this actually makes me think about is how I

0:32:29.200 --> 0:32:32.800
<v Speaker 1>would like to go to a place that's just take

0:32:32.840 --> 0:32:35.800
<v Speaker 1>out the ancient aliens aspect and just have an ancient

0:32:35.880 --> 0:32:40.160
<v Speaker 1>civilizations park that it's just like a giant imagine like

0:32:40.200 --> 0:32:45.400
<v Speaker 1>a Disney World, but it's all recreations of civilizations of

0:32:45.400 --> 0:32:47.880
<v Speaker 1>the ancient world, you know, trying to recreate what a

0:32:47.920 --> 0:32:51.360
<v Speaker 1>street would look like in their culture with original type architecture,

0:32:51.480 --> 0:32:55.520
<v Speaker 1>maybe re rebuildings or recreations of the wonders that they built.

0:32:56.320 --> 0:32:59.600
<v Speaker 1>That'd be awesome because they are truly wonders, and you

0:32:59.640 --> 0:33:02.080
<v Speaker 1>don't have too you don't have to see them through

0:33:02.160 --> 0:33:06.320
<v Speaker 1>the you know, the lens of ancient alien speculation to

0:33:06.320 --> 0:33:11.040
<v Speaker 1>to to give it that wonder Like the pyramids are amazing. Uh,

0:33:11.200 --> 0:33:14.640
<v Speaker 1>you know, these various other you know, architectural or cultural

0:33:15.440 --> 0:33:18.280
<v Speaker 1>creations are amazing and and and they are amazing just

0:33:18.400 --> 0:33:21.880
<v Speaker 1>as pure human creations. And of course you can actually

0:33:21.960 --> 0:33:24.600
<v Speaker 1>visit these the ones that still exist. You can't visit them.

0:33:24.600 --> 0:33:26.120
<v Speaker 1>You can't visit all of them because some of them

0:33:26.120 --> 0:33:29.520
<v Speaker 1>have been destroyed or inaccessible or whatever. But yeah, I

0:33:29.520 --> 0:33:31.120
<v Speaker 1>think it'd be great to build a place like this.

0:33:31.200 --> 0:33:33.000
<v Speaker 1>It's just easier for people to get to, you know.

0:33:33.080 --> 0:33:35.760
<v Speaker 1>We also heard from listener Kira who wrote in and

0:33:35.800 --> 0:33:38.160
<v Speaker 1>she said, hello, there, I was listening to your Chariots

0:33:38.160 --> 0:33:40.920
<v Speaker 1>of the God episode guest today, where you were discussing

0:33:40.960 --> 0:33:43.560
<v Speaker 1>the name of the uh name of the Young Frau

0:33:43.720 --> 0:33:47.240
<v Speaker 1>park in Switzerland. Young Frau actually means virgin in German,

0:33:47.880 --> 0:33:50.360
<v Speaker 1>which added to the weirdness of that park for me,

0:33:50.680 --> 0:33:53.520
<v Speaker 1>which might have been a loss to other listeners due

0:33:53.520 --> 0:33:56.840
<v Speaker 1>to the mistranslation. To young woman, that's what I guessed

0:33:56.840 --> 0:33:59.360
<v Speaker 1>it might have meant, So it's she says, it is

0:33:59.360 --> 0:34:01.960
<v Speaker 1>not that un com and to name mountain peaks young

0:34:02.000 --> 0:34:05.760
<v Speaker 1>Frau or version. But calling this park the Virgin park

0:34:06.120 --> 0:34:08.840
<v Speaker 1>made me chuckle a bit, since it promotes these bizarre

0:34:08.920 --> 0:34:12.840
<v Speaker 1>concepts of human kinds origins, whilst ancient aliens theory also

0:34:12.880 --> 0:34:16.279
<v Speaker 1>touches upon biblical stories where the virgin is obviously an

0:34:16.280 --> 0:34:18.880
<v Speaker 1>important symbol. So I thought it would be amusing to

0:34:18.880 --> 0:34:21.960
<v Speaker 1>point this out since this actually backs up your arguments

0:34:21.960 --> 0:34:24.200
<v Speaker 1>made at the end of the episode regarding the adaptation

0:34:24.239 --> 0:34:29.120
<v Speaker 1>of religious motifs for such pseudoscience alternative religion theories. Although

0:34:29.160 --> 0:34:31.080
<v Speaker 1>these are just my own musings about the name of

0:34:31.120 --> 0:34:33.480
<v Speaker 1>the park, keep out the good work, as your voices

0:34:33.480 --> 0:34:36.719
<v Speaker 1>helped me get through my insomnia and university stresses, So

0:34:36.800 --> 0:34:39.879
<v Speaker 1>please do not ever stop greeting from the Netherlands. Kira,

0:34:40.239 --> 0:34:43.000
<v Speaker 1>We all plan on stopping. Thanks a lot, Kira. Well, hey,

0:34:43.000 --> 0:34:45.440
<v Speaker 1>while we're talking about Young Frau Park, might as well.

0:34:45.840 --> 0:34:48.920
<v Speaker 1>Revisit our comments about Dollywood. We talked about Dollywood in

0:34:48.920 --> 0:34:50.920
<v Speaker 1>an episode for some reason. I guess it just came up,

0:34:50.960 --> 0:34:52.959
<v Speaker 1>and I was just talking about like the different types

0:34:52.960 --> 0:34:55.800
<v Speaker 1>of parks one comes to expect in the United States.

0:34:55.880 --> 0:34:58.320
<v Speaker 1>I think I think I admitted I'd never been to Dollywood,

0:34:58.360 --> 0:34:59.880
<v Speaker 1>so I didn't mean to judge it harshly, but I

0:35:00.040 --> 0:35:02.359
<v Speaker 1>is trying to imagine, if it's a Dolly Parton themed park,

0:35:02.440 --> 0:35:06.000
<v Speaker 1>what is it like Dolly Parton song themed rides? So

0:35:06.080 --> 0:35:10.160
<v Speaker 1>they have a Jolene roller coaster. I was confused, but

0:35:10.320 --> 0:35:13.880
<v Speaker 1>Amy enlightened us. So our listener Amy says, Hi, so

0:35:13.920 --> 0:35:17.480
<v Speaker 1>you guys were talking about Dollywood and implying it's not good.

0:35:18.160 --> 0:35:20.120
<v Speaker 1>I thought the same until I went with my family.

0:35:20.440 --> 0:35:23.040
<v Speaker 1>It is one of the coolest tourist places ever. When

0:35:23.120 --> 0:35:25.600
<v Speaker 1>we went it was International Week. They had acts and

0:35:25.680 --> 0:35:27.880
<v Speaker 1>vendors from all over the world. As part of the

0:35:27.920 --> 0:35:30.920
<v Speaker 1>regular permanent park. There are many local crafters who get

0:35:30.960 --> 0:35:34.160
<v Speaker 1>an excellent place to sell their crafts. They have glassblowing,

0:35:34.320 --> 0:35:38.640
<v Speaker 1>wrought iron, sculpture, yarn and sewing arts. They also have

0:35:38.719 --> 0:35:41.680
<v Speaker 1>a large area of free trade vendors. Next to this,

0:35:41.800 --> 0:35:44.800
<v Speaker 1>there is a bald eagle sanctuary. They have local folk

0:35:44.920 --> 0:35:49.680
<v Speaker 1>musicians and regular exhibits on conservation. Dolly's childhood home is there,

0:35:49.680 --> 0:35:51.760
<v Speaker 1>and it was about the size of a small hotel

0:35:51.880 --> 0:35:55.800
<v Speaker 1>room for her entire large family. They use newspaper ads

0:35:55.840 --> 0:35:59.800
<v Speaker 1>to decorate the walls. Severe Ville, Tennessee, which is basically,

0:35:59.800 --> 0:36:02.839
<v Speaker 1>if you're not familiar with East Tennessee geography, it's it's

0:36:02.920 --> 0:36:05.720
<v Speaker 1>like right next to Pigeon Forge where Dollywood is. Severe

0:36:05.800 --> 0:36:10.920
<v Speaker 1>Ville also or servier Ville is my Canadian UH College

0:36:10.960 --> 0:36:14.200
<v Speaker 1>instructors referred to it at the University of Tennessee Knoxville.

0:36:14.480 --> 0:36:17.000
<v Speaker 1>Um is it. Severeville is also the setting for Corman

0:36:17.040 --> 0:36:21.400
<v Speaker 1>McCarthy's fantastic novel Child of God. Oh yeah, yeah, it is,

0:36:21.840 --> 0:36:24.040
<v Speaker 1>which I do not think is reflected at all in

0:36:24.120 --> 0:36:26.359
<v Speaker 1>the Dollywood attractions. I don't think they have Child of God.

0:36:26.680 --> 0:36:29.319
<v Speaker 1>Have a Child of God ride The scene where he

0:36:29.320 --> 0:36:33.200
<v Speaker 1>goes to get the axe reforged, remember that one? Oh no,

0:36:33.280 --> 0:36:34.840
<v Speaker 1>I don't. I don't remember that scene. I think it

0:36:34.880 --> 0:36:37.360
<v Speaker 1>was more traumatized by other scenes in that time. Oh no,

0:36:37.680 --> 0:36:39.960
<v Speaker 1>that's a great scene. And like the murderer goes to

0:36:40.000 --> 0:36:42.400
<v Speaker 1>get his ax worked on at a forge somewhere, and

0:36:42.480 --> 0:36:44.920
<v Speaker 1>the smith or the forge worker whoever the guy is,

0:36:44.960 --> 0:36:47.200
<v Speaker 1>he like tells him everything he's doing as he does

0:36:47.239 --> 0:36:49.759
<v Speaker 1>it um and then at the end he is like,

0:36:49.920 --> 0:36:51.719
<v Speaker 1>think you could do that. And then the guy goes

0:36:51.800 --> 0:36:57.120
<v Speaker 1>do what Okay, it does ring a bell does ring?

0:36:57.560 --> 0:37:00.440
<v Speaker 1>But anyway, I started picking up. She just Amy continues

0:37:00.480 --> 0:37:03.680
<v Speaker 1>to talk about how Severeful in Tennessee, which is in

0:37:03.719 --> 0:37:06.840
<v Speaker 1>that area, was very poor. Uh and the Dolly Pardon

0:37:06.920 --> 0:37:09.560
<v Speaker 1>put the park there and employed a lot of people,

0:37:09.640 --> 0:37:12.960
<v Speaker 1>created a bustling commercial area. She says, quote, I think

0:37:13.000 --> 0:37:14.760
<v Speaker 1>you should have an episode on one of your sister

0:37:14.800 --> 0:37:17.880
<v Speaker 1>podcasts about it and her. She does many good works

0:37:17.880 --> 0:37:20.440
<v Speaker 1>and is an especially good friend to the drag queens

0:37:20.440 --> 0:37:23.279
<v Speaker 1>who portray her. Goes to show you can't judge a

0:37:23.360 --> 0:37:27.959
<v Speaker 1>theme park by I don't know, well, thanks to Amy,

0:37:28.040 --> 0:37:30.360
<v Speaker 1>I I did not in any way I mean to

0:37:30.600 --> 0:37:33.400
<v Speaker 1>impugne Dolly Pardon. I don't know a whole lot about her,

0:37:33.440 --> 0:37:35.359
<v Speaker 1>but from what I know, I think Dolly Pardon is great.

0:37:35.800 --> 0:37:37.879
<v Speaker 1>Oh yeah, I agree. I did not. I certainly did

0:37:37.880 --> 0:37:41.319
<v Speaker 1>not mean to imply that Dollywood was not good. I

0:37:41.360 --> 0:37:43.640
<v Speaker 1>have heard nothing of good, great things about it from

0:37:44.000 --> 0:37:46.440
<v Speaker 1>family members who have gone there and uh, And I

0:37:46.480 --> 0:37:48.800
<v Speaker 1>am aware that that Dolly Parton has has done a

0:37:48.840 --> 0:37:50.799
<v Speaker 1>lot of good work in that area. Yeah, I didn't

0:37:50.800 --> 0:37:54.000
<v Speaker 1>know she did anything with like eagle conservation and all that.

0:37:54.680 --> 0:37:56.160
<v Speaker 1>I wasn't familiar with that. I knew about like the

0:37:56.600 --> 0:37:59.799
<v Speaker 1>job creation in the severe able Pigeon Forge area, but

0:38:00.239 --> 0:38:01.919
<v Speaker 1>but that was about the extent of it. Well, yeah,

0:38:01.960 --> 0:38:03.920
<v Speaker 1>good for Dolly. You know, I don't know if she

0:38:04.040 --> 0:38:06.640
<v Speaker 1>ever would have predicted that people would be out there

0:38:06.680 --> 0:38:10.160
<v Speaker 1>having a conversation about her in a podcast with reference

0:38:10.239 --> 0:38:14.399
<v Speaker 1>to a park in Switzerland about ancient aliens. But but

0:38:14.400 --> 0:38:16.960
<v Speaker 1>but great for Dolly. All right, here's another one from

0:38:17.239 --> 0:38:19.840
<v Speaker 1>that has to do with our our Ancient Aliens Chariot

0:38:19.880 --> 0:38:23.880
<v Speaker 1>of God's episode. This one's from Mike. Mike says, hey, guys,

0:38:23.920 --> 0:38:26.960
<v Speaker 1>listening to your recent discussion regarding ancient alien speculation and

0:38:26.960 --> 0:38:29.000
<v Speaker 1>its appearance in science fiction. I was struck by a

0:38:29.040 --> 0:38:32.840
<v Speaker 1>couple notable to me of missions uh in the in

0:38:32.880 --> 0:38:35.840
<v Speaker 1>the season two episode of the original Star Trek series

0:38:36.200 --> 0:38:40.600
<v Speaker 1>who mourns for an as. I won't summarize it here

0:38:40.920 --> 0:38:42.799
<v Speaker 1>other than to say that it is a It is

0:38:42.800 --> 0:38:46.200
<v Speaker 1>definitely a relevant example with Kirk at one point observing

0:38:46.239 --> 0:38:49.600
<v Speaker 1>that creatures such as he could have visited Earth informed

0:38:49.680 --> 0:38:52.799
<v Speaker 1>the basis of classical Greek mythology. The episode has a

0:38:52.880 --> 0:38:57.120
<v Speaker 1>thoughtful yet playful take on the idea, overlapping most with

0:38:57.200 --> 0:39:00.399
<v Speaker 1>the Carl Sagan school of thought on the topic. Star

0:39:00.480 --> 0:39:03.640
<v Speaker 1>Trek touches on the concept again in the Next Generation

0:39:03.680 --> 0:39:07.120
<v Speaker 1>episode The Chase. This time the speculation is presented in

0:39:07.160 --> 0:39:10.080
<v Speaker 1>a reversal at the end. No guilt for spoilers here.

0:39:10.080 --> 0:39:13.120
<v Speaker 1>The episode is not that strong and conforms more to

0:39:13.200 --> 0:39:16.759
<v Speaker 1>the species of ancient alien speculation we saw in Prometheus.

0:39:17.200 --> 0:39:19.600
<v Speaker 1>I don't know that I could claim either of these

0:39:19.640 --> 0:39:22.000
<v Speaker 1>as the greatest examples of the genre, but they were

0:39:22.000 --> 0:39:25.799
<v Speaker 1>both mainstream programs, and the original series episode would have

0:39:25.920 --> 0:39:29.400
<v Speaker 1>definitely left the nineteen seven viewer with something to think about.

0:39:29.600 --> 0:39:31.880
<v Speaker 1>Love the show, in my honest opinion, best pot on

0:39:31.880 --> 0:39:36.480
<v Speaker 1>the web. Keep it up, Mike, Yeah, and I I

0:39:36.560 --> 0:39:39.640
<v Speaker 1>appreciated this, you know, I um, I've never really watched

0:39:39.719 --> 0:39:42.480
<v Speaker 1>Classic Track. I don't know. I just I have a

0:39:42.520 --> 0:39:44.279
<v Speaker 1>certain aversion to it. I don't know, I just can't

0:39:44.280 --> 0:39:47.000
<v Speaker 1>get I didn't watch it when I was young enough

0:39:47.239 --> 0:39:50.040
<v Speaker 1>or whatever. But but I watched the heck out of

0:39:50.239 --> 0:39:52.799
<v Speaker 1>Star Trek the Next Generation, and I do find like

0:39:52.840 --> 0:39:55.440
<v Speaker 1>now that he mentioned, I do fondly remember the Chase episode,

0:39:55.440 --> 0:39:58.120
<v Speaker 1>and I do remember it feeling really amazing at the

0:39:58.160 --> 0:40:00.400
<v Speaker 1>time when I was watching it in like early junior

0:40:00.480 --> 0:40:03.120
<v Speaker 1>high or something. And that was probably my first encounter

0:40:03.160 --> 0:40:05.640
<v Speaker 1>with the concept of ancient aliens and like a purely

0:40:05.680 --> 0:40:08.160
<v Speaker 1>fictional work as opposed to the you know, sort of

0:40:08.200 --> 0:40:10.800
<v Speaker 1>the pseudoscience of In Search of which I think I

0:40:11.280 --> 0:40:15.080
<v Speaker 1>referenced in that episode. Well, speaking of that kind of amazement,

0:40:15.120 --> 0:40:17.560
<v Speaker 1>I should mention just one last listener mail we got

0:40:17.960 --> 0:40:22.799
<v Speaker 1>about ancient aliens from our listener Alexandra who she She

0:40:22.880 --> 0:40:24.600
<v Speaker 1>said that when she found out we were doing an

0:40:24.600 --> 0:40:27.439
<v Speaker 1>episode about chariots of the Gods, she lost her mind

0:40:27.480 --> 0:40:31.200
<v Speaker 1>a bit, and she said, quote that was one of

0:40:31.200 --> 0:40:34.759
<v Speaker 1>those self discovery, coming of age outlandish ideas books that

0:40:34.800 --> 0:40:37.920
<v Speaker 1>I found fascinating in college. You know, when your personal

0:40:37.960 --> 0:40:43.200
<v Speaker 1>reading list includes books like Celestine Prophecy and Ishmael. I

0:40:43.239 --> 0:40:45.719
<v Speaker 1>love Ishmael, by the way, I don't know. It was

0:40:45.760 --> 0:40:49.080
<v Speaker 1>a book by Daniel Quinn. It's essentially a conversation between

0:40:49.080 --> 0:40:52.839
<v Speaker 1>a human and talking gorilla covering you know, a lot

0:40:52.880 --> 0:40:56.960
<v Speaker 1>of topics about human nature and conservation, etcetera. It's I

0:40:57.040 --> 0:40:59.640
<v Speaker 1>recommend it, I recommend Ishmael. That sounds worth checking out,

0:40:59.680 --> 0:41:03.399
<v Speaker 1>but continues while you all were describing the passage about

0:41:03.440 --> 0:41:06.879
<v Speaker 1>Ezekiel's account of angels in the Bible, and absolutely Yen

0:41:07.000 --> 0:41:08.680
<v Speaker 1>came over me to hear a follow up to this

0:41:08.760 --> 0:41:12.000
<v Speaker 1>podcast on the book Food of the Gods. If it's

0:41:12.040 --> 0:41:14.960
<v Speaker 1>the theme, hear me out. This book explains the idea

0:41:15.000 --> 0:41:17.640
<v Speaker 1>of the forbidden fruit of the Western Adam and Eve

0:41:17.719 --> 0:41:21.400
<v Speaker 1>narrative as being the magic mushroom that when they the

0:41:21.480 --> 0:41:24.360
<v Speaker 1>fruit quote and their eyes were opened and they saw

0:41:24.440 --> 0:41:28.319
<v Speaker 1>the shame in their nakedness a k a. They developed consciousness.

0:41:28.360 --> 0:41:31.760
<v Speaker 1>This narrative explains the concept that psychedelics could have developed

0:41:31.760 --> 0:41:34.799
<v Speaker 1>our concept of God because we projected a creator through

0:41:34.840 --> 0:41:38.080
<v Speaker 1>hallucinations in our own image. It also has some other

0:41:38.120 --> 0:41:41.840
<v Speaker 1>noteworthy concepts regarding the development of language. YadA YadA. Anyway,

0:41:42.000 --> 0:41:44.200
<v Speaker 1>I'd love to hear your view on this book. It

0:41:44.239 --> 0:41:47.200
<v Speaker 1>could get met a real quick. Thanks guys. I love

0:41:47.239 --> 0:41:50.520
<v Speaker 1>your show. Well, we've actually been talking about doing an

0:41:50.520 --> 0:41:53.399
<v Speaker 1>episode on Food of the Gods by Terence McKenna. Yeah,

0:41:53.560 --> 0:41:57.240
<v Speaker 1>it's one of those that I, uh judge from a distance,

0:41:57.280 --> 0:41:59.719
<v Speaker 1>I have not yet been able to ascertain whether it's

0:41:59.760 --> 0:42:01.960
<v Speaker 1>just a bunch of pseudoscience or whether there's some good

0:42:01.960 --> 0:42:04.080
<v Speaker 1>stuff in it, so it might be worth a look

0:42:04.120 --> 0:42:07.440
<v Speaker 1>figure it out. Yeah, I'm I'm looking forward to looking

0:42:07.520 --> 0:42:09.520
<v Speaker 1>at it more closely. I picked up a copy of it.

0:42:09.560 --> 0:42:11.920
<v Speaker 1>I haven't started reading it yet, but uh, I believe

0:42:11.960 --> 0:42:15.280
<v Speaker 1>it was I think I read some some commentary from

0:42:15.320 --> 0:42:17.880
<v Speaker 1>I believe it was John Horrigan who who had some

0:42:17.960 --> 0:42:19.680
<v Speaker 1>nice things to say about Food of the Gods and

0:42:19.760 --> 0:42:24.080
<v Speaker 1>use it as a He was making the argument that

0:42:24.080 --> 0:42:27.800
<v Speaker 1>that this is an example of like the serious Terence mckenne,

0:42:27.920 --> 0:42:30.879
<v Speaker 1>or at least the the Terence McKenna that was that

0:42:30.880 --> 0:42:33.560
<v Speaker 1>that wanted to, you know, actually put on his academics

0:42:33.600 --> 0:42:37.760
<v Speaker 1>hat as opposed to his um shaman shaman hat. Yeah,

0:42:37.840 --> 0:42:40.080
<v Speaker 1>which are both were the hats. We need scientists and

0:42:40.120 --> 0:42:43.520
<v Speaker 1>we need shaman's um, you know, but you shouldn't confuse

0:42:43.600 --> 0:42:45.920
<v Speaker 1>the two. Yeah, we should not confuse the two. So

0:42:46.200 --> 0:42:48.400
<v Speaker 1>look for possibly look for an episode on that in

0:42:48.440 --> 0:42:50.239
<v Speaker 1>the future. We're gonna have We're gonna look, We'll look

0:42:50.280 --> 0:42:52.920
<v Speaker 1>at it and then proceed from there. If if it

0:42:52.960 --> 0:42:56.400
<v Speaker 1>looks like a good topic totally, Thanks Alexandra. So I

0:42:56.440 --> 0:42:58.000
<v Speaker 1>think we should take a look at maybe a few

0:42:58.000 --> 0:43:00.520
<v Speaker 1>short ones before we take another break. How about this

0:43:00.560 --> 0:43:03.640
<v Speaker 1>one from Heidi? I thought this was kind of interesting. Uh,

0:43:03.640 --> 0:43:07.000
<v Speaker 1>this was like some anthropology coming from the world of retail.

0:43:07.719 --> 0:43:11.960
<v Speaker 1>So Heidi says, Hey, guys, I've been in retail for

0:43:12.000 --> 0:43:14.719
<v Speaker 1>all of my working life and have noticed something pretty interesting.

0:43:14.840 --> 0:43:18.520
<v Speaker 1>Imagine a situation where two of the exact same items

0:43:18.840 --> 0:43:21.719
<v Speaker 1>are sitting next to each other on a shelf. This

0:43:21.800 --> 0:43:25.759
<v Speaker 1>happens a lot, especially with items that sell well. I've

0:43:25.800 --> 0:43:28.920
<v Speaker 1>noticed in an overwhelming number of cases, people choose the

0:43:29.040 --> 0:43:31.919
<v Speaker 1>item on the left over the item on the right,

0:43:32.320 --> 0:43:35.160
<v Speaker 1>despite those being the same item. I wonder if the

0:43:35.200 --> 0:43:38.200
<v Speaker 1>reason for this is that we as Americans read and

0:43:38.200 --> 0:43:40.839
<v Speaker 1>write starting on the left side of the paper. And

0:43:40.960 --> 0:43:43.640
<v Speaker 1>if that's the case, is it different in other countries

0:43:43.680 --> 0:43:45.480
<v Speaker 1>where they start on the right side of the paper.

0:43:45.800 --> 0:43:48.879
<v Speaker 1>Love your work, keep it up. That is first of all,

0:43:48.880 --> 0:43:51.960
<v Speaker 1>an interesting observation that I've never made. Yeah, And secondly

0:43:52.040 --> 0:43:54.160
<v Speaker 1>I think that is that sounds like a perfectly logical

0:43:54.239 --> 0:43:57.440
<v Speaker 1>hypothesis for what's going on there. Yeah, that that's worth investigating.

0:43:57.480 --> 0:43:59.439
<v Speaker 1>I wonder if anybody has ever looked in this into

0:43:59.440 --> 0:44:01.960
<v Speaker 1>this science quickly. I mean, if that is a real phenomenon,

0:44:02.040 --> 0:44:05.359
<v Speaker 1>which I trust your experience, it sounds like that very

0:44:05.400 --> 0:44:10.280
<v Speaker 1>well could be. Here's a variation I wonder about, Robert.

0:44:10.320 --> 0:44:14.600
<v Speaker 1>Do you find yourself not wanting to pick the first

0:44:14.640 --> 0:44:17.960
<v Speaker 1>item displayed on the shelf, but rather wanting to reach

0:44:18.120 --> 0:44:20.960
<v Speaker 1>behind it to take the second or third of the

0:44:21.040 --> 0:44:24.120
<v Speaker 1>same item from the shelf at the grocery store. Oh? Yes,

0:44:24.560 --> 0:44:27.440
<v Speaker 1>for two reasons, because the first one has probably been handled,

0:44:27.840 --> 0:44:30.040
<v Speaker 1>and I want something that's handled less, even if it's

0:44:30.040 --> 0:44:32.960
<v Speaker 1>in packaging for some reason. And then also there's this

0:44:33.160 --> 0:44:35.240
<v Speaker 1>perhaps wives tale. I don't know if this is true,

0:44:35.680 --> 0:44:38.880
<v Speaker 1>but somebody at some point told me that the fresher

0:44:38.920 --> 0:44:41.440
<v Speaker 1>items are in the back because they want, you like

0:44:41.480 --> 0:44:43.520
<v Speaker 1>if it's you know, some sort of produce, because they

0:44:43.560 --> 0:44:46.480
<v Speaker 1>want to sell off the older items which are upfront.

0:44:47.000 --> 0:44:50.200
<v Speaker 1>Again that this may be completely, uh, you know, just

0:44:50.239 --> 0:44:52.400
<v Speaker 1>a complete lives tale for all I know, Well, in

0:44:52.480 --> 0:44:55.680
<v Speaker 1>my experience, that is absolutely true. I've worked in groceries. Yeah,

0:44:55.719 --> 0:44:58.680
<v Speaker 1>so not plural. I have worked in a grocery store.

0:44:59.360 --> 0:45:02.239
<v Speaker 1>When I worked and grocery store, I did grocery stocking,

0:45:02.520 --> 0:45:06.120
<v Speaker 1>like dairy and stuff like that, and we absolutely tried

0:45:06.200 --> 0:45:08.920
<v Speaker 1>to order the items so that the freshest ones were

0:45:08.960 --> 0:45:10.960
<v Speaker 1>in the back and the oldest ones were in the

0:45:11.000 --> 0:45:14.080
<v Speaker 1>front because the oldest ones are expiring and you want

0:45:14.080 --> 0:45:15.840
<v Speaker 1>to give them out the door. But of course people

0:45:15.920 --> 0:45:17.920
<v Speaker 1>wise up to that, so they started digging through and

0:45:17.960 --> 0:45:21.680
<v Speaker 1>messing up all your stacks. Uh So, yeah, it's it's

0:45:21.680 --> 0:45:24.839
<v Speaker 1>a it's a foul game. It's a it's a real

0:45:24.920 --> 0:45:28.440
<v Speaker 1>knife in the ribs when you go shopping for dairy. Anyway,

0:45:28.440 --> 0:45:30.880
<v Speaker 1>Thanks Heidi. That that's interesting and maybe we'll return to

0:45:30.920 --> 0:45:33.080
<v Speaker 1>that in the future. All right, here's one This is

0:45:33.120 --> 0:45:37.200
<v Speaker 1>from This is a Facebook message that we've received from Tom. Hey, guys,

0:45:37.200 --> 0:45:39.200
<v Speaker 1>I just listened to your two part episode regarding your

0:45:39.200 --> 0:45:41.759
<v Speaker 1>summer reading list. I think it was Robert who brought

0:45:41.840 --> 0:45:44.880
<v Speaker 1>up Soma the video game and question whether or not

0:45:44.960 --> 0:45:48.439
<v Speaker 1>the game drew any inspiration from Starfish by Peter Watts. Sick.

0:45:48.480 --> 0:45:52.759
<v Speaker 1>That was actually me, but okay, so Tom continues. I

0:45:52.840 --> 0:45:58.080
<v Speaker 1>recently listened to an interview with Frictional Games developer Thomas Gripp,

0:45:58.280 --> 0:46:01.279
<v Speaker 1>who cited Peter Watts is one of the biggest inspirations

0:46:01.280 --> 0:46:04.799
<v Speaker 1>for their games after Lovecraft. Pretty cool, keep up the

0:46:04.800 --> 0:46:08.879
<v Speaker 1>great work, Tom. What do you know? Yeah? Well, I mean,

0:46:09.239 --> 0:46:11.200
<v Speaker 1>like I said, it makes sense when you're when when

0:46:11.239 --> 0:46:14.799
<v Speaker 1>you play Soma, which again is just a fabulous game. Um.

0:46:15.520 --> 0:46:17.800
<v Speaker 1>I mean you do see a lot of starfish DNA

0:46:17.880 --> 0:46:22.680
<v Speaker 1>in there. Definitely the most philosophically interesting video game I've played,

0:46:23.000 --> 0:46:25.920
<v Speaker 1>and with great undersea environments, and so that that's the

0:46:25.960 --> 0:46:29.080
<v Speaker 1>starfish thing the start, well, the undersea environments and the

0:46:29.160 --> 0:46:33.960
<v Speaker 1>creepy nihilism horror. Yeah, okay, one more uh. In our

0:46:34.000 --> 0:46:36.759
<v Speaker 1>summer reading episode, we had a brief discussion about the

0:46:36.760 --> 0:46:38.880
<v Speaker 1>idea of the word soul, which is a word that

0:46:38.920 --> 0:46:41.960
<v Speaker 1>I think is in a lot of ways really linguistically valuable.

0:46:42.000 --> 0:46:44.959
<v Speaker 1>It's like a really powerful good word, but it also

0:46:45.040 --> 0:46:48.960
<v Speaker 1>has all this supernatural baggage attached to it, and I

0:46:49.040 --> 0:46:51.920
<v Speaker 1>was wondering if the word could be rehabilitated for something

0:46:51.920 --> 0:46:54.680
<v Speaker 1>that doesn't have any supernatural meanings, or if there's a

0:46:54.719 --> 0:46:59.359
<v Speaker 1>good alternative word that's as powerful as soul is but

0:46:59.360 --> 0:47:03.720
<v Speaker 1>but doesn't mean like something ghostly or anything like that anywhere.

0:47:03.719 --> 0:47:06.640
<v Speaker 1>Our listener Vassilis got in touch to say, how about

0:47:06.640 --> 0:47:11.319
<v Speaker 1>the word see hey or psyche. It's free of religious connotations.

0:47:11.400 --> 0:47:14.000
<v Speaker 1>Also happens to be the Greek word for soul now

0:47:14.120 --> 0:47:17.440
<v Speaker 1>and three thousand years ago. Oh and it's science is,

0:47:17.520 --> 0:47:22.279
<v Speaker 1>of course psychology. Well that's pretty good psyche psyche. It

0:47:22.320 --> 0:47:24.680
<v Speaker 1>also makes me think of dungeons and dragons and psychic

0:47:24.760 --> 0:47:26.960
<v Speaker 1>damage they can be inflicted. So how do you get

0:47:27.000 --> 0:47:30.960
<v Speaker 1>psychic damage? Oh, you know, we've you know, various spells

0:47:31.000 --> 0:47:33.960
<v Speaker 1>and effects, or you know, gazing into a demon lord's

0:47:34.000 --> 0:47:36.640
<v Speaker 1>eyes too long, that sort of thing. They'll just snap

0:47:36.680 --> 0:47:39.839
<v Speaker 1>you mind flairs, messing with you. They're a whole host

0:47:39.920 --> 0:47:43.400
<v Speaker 1>of ways you can get some psychic damage. Let's do

0:47:43.440 --> 0:47:45.360
<v Speaker 1>one more for Michelle and then let's take a break.

0:47:45.840 --> 0:47:49.680
<v Speaker 1>Michelle also writes about our Summer Reading episodes. She says, Hello,

0:47:50.200 --> 0:47:52.680
<v Speaker 1>I've enjoyed your podcast for many years, from way back

0:47:52.680 --> 0:47:54.799
<v Speaker 1>in the Julie days. I wanted to let you know

0:47:54.840 --> 0:47:57.759
<v Speaker 1>your Summer Reading episode cracked me up and solved an

0:47:57.800 --> 0:48:01.080
<v Speaker 1>ongoing debate between my parents. My parents have a beach

0:48:01.120 --> 0:48:03.239
<v Speaker 1>house in a small town on the central coast of

0:48:03.280 --> 0:48:07.120
<v Speaker 1>California called Cambria, just down the highway from Hurstcastle, which

0:48:07.120 --> 0:48:08.719
<v Speaker 1>is worth a visit if you ever make it out

0:48:08.760 --> 0:48:11.120
<v Speaker 1>to this coast. When I was listening to the intro

0:48:11.239 --> 0:48:13.720
<v Speaker 1>to the first episode, all about the Tom Clancy books

0:48:13.719 --> 0:48:16.640
<v Speaker 1>at beach houses, I thought, how do they know they've

0:48:16.680 --> 0:48:19.280
<v Speaker 1>been to my parents house? My parents have two large

0:48:19.280 --> 0:48:22.400
<v Speaker 1>built in bookcases in their beach house, one whole shelf

0:48:22.400 --> 0:48:25.600
<v Speaker 1>of which is filled entirely with Clancy novels. I went

0:48:25.680 --> 0:48:28.239
<v Speaker 1>up this weekend for a family reunion. My dad asked

0:48:28.280 --> 0:48:30.920
<v Speaker 1>if I listened to your podcast, and started telling me

0:48:30.960 --> 0:48:33.440
<v Speaker 1>about the episode. We just stood there, looking at the

0:48:33.480 --> 0:48:36.840
<v Speaker 1>bookshelf and laughing. He now feels very self conscious about

0:48:36.840 --> 0:48:39.600
<v Speaker 1>his reading choices, but finally realized that he doesn't actually

0:48:39.680 --> 0:48:42.320
<v Speaker 1>plan to ever reread them, and is willing to finally

0:48:42.320 --> 0:48:44.320
<v Speaker 1>give in to my mom, who's been bugging him to

0:48:44.360 --> 0:48:47.160
<v Speaker 1>get rid of them for years. So thank you for

0:48:47.480 --> 0:48:50.799
<v Speaker 1>much entertainment and information, and for the extra two feet

0:48:50.840 --> 0:48:53.000
<v Speaker 1>of room on the bookshelf. I guess I'll just have

0:48:53.040 --> 0:48:55.520
<v Speaker 1>to go buy more books. Oh well, now I feel bad.

0:48:55.560 --> 0:48:57.960
<v Speaker 1>I did not at all mean to make you or

0:48:58.000 --> 0:49:00.319
<v Speaker 1>your dad feel bad about Tom Clancy books I read,

0:49:00.320 --> 0:49:02.560
<v Speaker 1>but you want to read? Yeah, yeah, no, no Clancy

0:49:02.600 --> 0:49:05.279
<v Speaker 1>shaming here. I I read well first of all, my

0:49:05.360 --> 0:49:07.680
<v Speaker 1>dad read a lot of them, uh, and I remember

0:49:08.200 --> 0:49:09.959
<v Speaker 1>like leafing through him. He had a bunch of old

0:49:09.960 --> 0:49:12.200
<v Speaker 1>spy and novels and read. He read a lot of

0:49:12.200 --> 0:49:15.960
<v Speaker 1>other stuff too, But I read I think Cardinal and

0:49:15.960 --> 0:49:18.000
<v Speaker 1>the Kremlin. I think that was the Clancy book I read.

0:49:18.000 --> 0:49:20.279
<v Speaker 1>In it, I remember it does have a very like

0:49:20.440 --> 0:49:25.040
<v Speaker 1>creepy scene towards the beginning where um, a spy has

0:49:25.040 --> 0:49:28.680
<v Speaker 1>been put in this uh uh, this state of sensory deprivation,

0:49:28.880 --> 0:49:30.839
<v Speaker 1>like in a tank in a close suit like kind

0:49:30.840 --> 0:49:35.240
<v Speaker 1>of the original like dark arts John C. Lily version

0:49:35.440 --> 0:49:39.319
<v Speaker 1>of sensory deprivation. Uh. So, I mean, yeah, there's a

0:49:39.360 --> 0:49:41.480
<v Speaker 1>there's a lot of good stuff in those books. I'm

0:49:41.480 --> 0:49:45.040
<v Speaker 1>sure beyond that. So yeah, read what what entertains you,

0:49:45.080 --> 0:49:47.560
<v Speaker 1>what makes you happy? Absolutely it is. It is not

0:49:47.680 --> 0:49:49.759
<v Speaker 1>at all our mission to make people feel bad about

0:49:49.800 --> 0:49:53.040
<v Speaker 1>their reading pleasures. You know, narrative is a sacred retreat,

0:49:53.080 --> 0:49:55.799
<v Speaker 1>and you make that retreat alone. So you know, it's

0:49:55.880 --> 0:49:57.400
<v Speaker 1>not up to us to tell you where you should go.

0:49:57.520 --> 0:50:00.800
<v Speaker 1>But we will tell you this. Uh, don't go away,

0:50:00.960 --> 0:50:03.399
<v Speaker 1>because we're gonna be right back after one more ad

0:50:03.440 --> 0:50:06.759
<v Speaker 1>break and we'll read some more. Listener mails all right,

0:50:07.280 --> 0:50:11.080
<v Speaker 1>thank alright, we're back. What does Carney have for us

0:50:11.120 --> 0:50:12.920
<v Speaker 1>next here? Joe, Well, here's the one that came in

0:50:12.960 --> 0:50:15.680
<v Speaker 1>with reference to our episode about the illusory truth effect.

0:50:15.680 --> 0:50:18.520
<v Speaker 1>I thought this was interesting. This comes from Chris, and

0:50:18.640 --> 0:50:21.719
<v Speaker 1>Chris says, Hi, Robin, Joe. When I was around four

0:50:21.800 --> 0:50:24.399
<v Speaker 1>years old, we visited a fair and my parents took

0:50:24.400 --> 0:50:27.480
<v Speaker 1>a photo of me holding a monkey. I have a

0:50:27.600 --> 0:50:30.640
<v Speaker 1>very vivid memory of the monkey biting me on the hand,

0:50:30.719 --> 0:50:33.520
<v Speaker 1>and remember the handler taking the monkey off of me.

0:50:33.920 --> 0:50:36.440
<v Speaker 1>I'm thirty six years old now and still remember this

0:50:36.480 --> 0:50:39.000
<v Speaker 1>event happening, and my parents still have the photo of

0:50:39.040 --> 0:50:41.840
<v Speaker 1>me and the monkey. The thing is, the monkey never

0:50:41.960 --> 0:50:45.320
<v Speaker 1>actually bit me. Apparently, while I was holding the monkey,

0:50:45.360 --> 0:50:47.840
<v Speaker 1>I was so scared that it would bite me that

0:50:47.920 --> 0:50:51.000
<v Speaker 1>my parents quickly took the photo and dragged me away

0:50:51.040 --> 0:50:53.640
<v Speaker 1>to do something else. Every time I saw this photo

0:50:53.719 --> 0:50:55.960
<v Speaker 1>as a child, I would say that the monkey bit me,

0:50:56.080 --> 0:50:58.920
<v Speaker 1>and my parents would always try and correct me. I

0:50:59.000 --> 0:51:01.920
<v Speaker 1>knew they were wrong. Is I distinctly remember the bite

0:51:02.080 --> 0:51:04.319
<v Speaker 1>whereas my parents knew I was wrong as they were

0:51:04.320 --> 0:51:06.800
<v Speaker 1>the ones who took the picture. It seems the fear

0:51:06.840 --> 0:51:09.000
<v Speaker 1>of the bite as a child caused me to believe

0:51:09.080 --> 0:51:12.799
<v Speaker 1>it actually did happen, and the repetition by myself of

0:51:12.880 --> 0:51:16.200
<v Speaker 1>this lie instilled to false memory into my brain. It's

0:51:16.239 --> 0:51:19.200
<v Speaker 1>bizarre how how over thirty years later, I can still

0:51:19.239 --> 0:51:23.000
<v Speaker 1>remember this false event happening, even though as an adult,

0:51:23.000 --> 0:51:27.919
<v Speaker 1>I've come to accept the fact it never actually did. Weird. Huh, Yeah, Chris,

0:51:27.960 --> 0:51:31.719
<v Speaker 1>that that's that's fascinating, And I think that is absolutely

0:51:31.800 --> 0:51:33.799
<v Speaker 1>in line with what the research tells us about what

0:51:33.840 --> 0:51:36.400
<v Speaker 1>our brains are capable of. You. I mean, we we

0:51:36.520 --> 0:51:39.239
<v Speaker 1>create false memories like this all the time. Maybe not

0:51:39.280 --> 0:51:42.719
<v Speaker 1>always as vivid as that one, but tons of the

0:51:42.760 --> 0:51:46.080
<v Speaker 1>stuff you remember doing in your life you almost definitely

0:51:46.160 --> 0:51:49.160
<v Speaker 1>didn't do. Yeah, And childhood can be very confusing too,

0:51:49.160 --> 0:51:51.480
<v Speaker 1>about it when it comes to this, because you know,

0:51:51.520 --> 0:51:53.960
<v Speaker 1>as we discussed, as we kind of explored here, you

0:51:54.000 --> 0:51:57.600
<v Speaker 1>have memories, kind of faint memories at times about what happened,

0:51:57.600 --> 0:51:59.880
<v Speaker 1>and you have stories that are told about what happened.

0:52:00.400 --> 0:52:04.040
<v Speaker 1>And between the two is you know, you you have this, uh,

0:52:04.320 --> 0:52:06.759
<v Speaker 1>you have what's stored in your head. But anyway, Chris,

0:52:06.800 --> 0:52:09.759
<v Speaker 1>thanks for sharing that. That is interesting. Here's a quick

0:52:09.800 --> 0:52:13.319
<v Speaker 1>one that came to us from from Diane uh, and

0:52:13.640 --> 0:52:15.879
<v Speaker 1>she says, Hi, Joe and Robert, I'm a huge fan

0:52:15.960 --> 0:52:17.799
<v Speaker 1>of your podcast. I thought i'd send you a pick

0:52:17.880 --> 0:52:20.680
<v Speaker 1>of what I found while looking through my husband's latest

0:52:20.800 --> 0:52:23.880
<v Speaker 1>edition of the British science magazine New Scientists in the

0:52:23.920 --> 0:52:27.640
<v Speaker 1>culture section. The articles are mostly over my artistic head

0:52:27.840 --> 0:52:31.160
<v Speaker 1>and there's always something to glean. Keep up the fantastic work, Diane,

0:52:31.200 --> 0:52:33.600
<v Speaker 1>and she sent us a picture where our podcast was

0:52:33.640 --> 0:52:36.840
<v Speaker 1>mentioned in the pages of the British New Scientists magazine.

0:52:37.360 --> 0:52:40.200
<v Speaker 1>Thanks New Scientists. Yeah, and and thanks Diane, because this

0:52:40.239 --> 0:52:41.759
<v Speaker 1>is one of those cases where you know, some of

0:52:41.800 --> 0:52:43.799
<v Speaker 1>you might if you see something as you might think, oh, well,

0:52:43.800 --> 0:52:46.239
<v Speaker 1>they probably let Robert and Joe know that they were

0:52:46.239 --> 0:52:48.360
<v Speaker 1>going to do this, or somebody else tells us know

0:52:48.680 --> 0:52:50.840
<v Speaker 1>that Diane is the only person who's brought this to

0:52:50.880 --> 0:52:54.200
<v Speaker 1>our attention. So we appreciate you guys looking out for

0:52:54.280 --> 0:52:56.400
<v Speaker 1>us like that. Okay, This next one comes to us

0:52:56.480 --> 0:53:01.719
<v Speaker 1>from Atata is also writing about Lou Sorry Truth Auto Rights. Hi.

0:53:01.880 --> 0:53:05.200
<v Speaker 1>Agreeings from Helsinki, Finland. From a big fan of your show.

0:53:05.480 --> 0:53:08.439
<v Speaker 1>I was listening to your latest episode, Illusory Truth Part one,

0:53:09.160 --> 0:53:11.960
<v Speaker 1>where in the beginning you mentioned the study about scientific

0:53:12.000 --> 0:53:14.239
<v Speaker 1>knowledge of the American public, and how people had a

0:53:14.280 --> 0:53:18.120
<v Speaker 1>poor understanding of boiling water physics but a better understanding

0:53:18.120 --> 0:53:21.000
<v Speaker 1>about the use of uranium. This brought one case of

0:53:21.040 --> 0:53:25.080
<v Speaker 1>the illusory truth to my mind popular misconceptions about nuclear power.

0:53:25.480 --> 0:53:28.560
<v Speaker 1>Working both as a researcher and local politician with climate

0:53:28.560 --> 0:53:32.359
<v Speaker 1>and energy issues, I'd say misconceptions about nuclear energy are

0:53:32.400 --> 0:53:35.960
<v Speaker 1>among the most popular and most harmful. Nuclear energy is

0:53:35.960 --> 0:53:39.480
<v Speaker 1>widely thought as horrible for the environment and dangerous for people,

0:53:39.760 --> 0:53:42.439
<v Speaker 1>Yet when compared to other energy sources and taking into

0:53:42.480 --> 0:53:46.560
<v Speaker 1>account the scale of energy produced, this is simply not true. Popular,

0:53:46.680 --> 0:53:51.080
<v Speaker 1>if not so widely spread, are also even more weird misconceptions,

0:53:51.080 --> 0:53:53.520
<v Speaker 1>such as that nuclear power plants could blow up like

0:53:53.560 --> 0:53:57.720
<v Speaker 1>a nuclear explosion, or that they emit nuclear radiation continuously

0:53:57.800 --> 0:54:01.160
<v Speaker 1>in their environment. I suppose these mis conceptions result from

0:54:01.200 --> 0:54:04.400
<v Speaker 1>the constant exposure to these ideas in popular culture, and

0:54:04.480 --> 0:54:08.120
<v Speaker 1>also from the deliberate fearmongering by some organizations. Issues you

0:54:08.200 --> 0:54:11.120
<v Speaker 1>also discussed in the episode. While nuclear power is by

0:54:11.120 --> 0:54:14.640
<v Speaker 1>no means without challenges, it is a tried and true, scalable,

0:54:14.719 --> 0:54:18.440
<v Speaker 1>low emission technology, without which our efforts to combat climate

0:54:18.520 --> 0:54:22.080
<v Speaker 1>change and loss of biodiversity become greatly more difficult, if

0:54:22.120 --> 0:54:24.880
<v Speaker 1>possible at all. In my work, it is frustrating to

0:54:24.920 --> 0:54:28.799
<v Speaker 1>correct the widely spread misconceptions over and over again. Understanding

0:54:28.800 --> 0:54:32.240
<v Speaker 1>the mechanisms of how such misconceptions are created and spread, however,

0:54:32.320 --> 0:54:35.319
<v Speaker 1>makes it easier to fight ignorance with scientific knowledge. So

0:54:35.360 --> 0:54:38.200
<v Speaker 1>thank you for discussing this interesting topic. Looking forward to

0:54:38.239 --> 0:54:41.600
<v Speaker 1>more in part two. Thanks again for your great podcast. Well,

0:54:41.640 --> 0:54:43.680
<v Speaker 1>thank you, Ata, and I hope part two is useful

0:54:43.719 --> 0:54:46.719
<v Speaker 1>for you. I gotta say there there are true challenges

0:54:47.080 --> 0:54:50.080
<v Speaker 1>about what to do about nuclear power and in terms

0:54:50.080 --> 0:54:52.680
<v Speaker 1>of say, making sure that facilities are secure, and especially

0:54:52.719 --> 0:54:55.160
<v Speaker 1>trying to figure out what to do with leftover high

0:54:55.239 --> 0:54:57.439
<v Speaker 1>level waste and stuff like that. But but I agree

0:54:57.480 --> 0:54:59.799
<v Speaker 1>with you. I mean, nuclear power has a lot of

0:54:59.800 --> 0:55:03.120
<v Speaker 1>gre it advantages too, especially as a as a low

0:55:03.160 --> 0:55:06.640
<v Speaker 1>emission alternative to fossil fuel based energy. Yeah, this might

0:55:06.680 --> 0:55:08.080
<v Speaker 1>be something we might want to come back in and

0:55:08.120 --> 0:55:10.359
<v Speaker 1>revisit for an episode in the future. All right, here's

0:55:10.360 --> 0:55:15.080
<v Speaker 1>one from Nadine responding to our Proteus Effect episode. Hi, there,

0:55:15.160 --> 0:55:17.239
<v Speaker 1>I'm a bit late to this party. That's all right,

0:55:17.800 --> 0:55:21.040
<v Speaker 1>The party has always open um, she says, But I

0:55:21.080 --> 0:55:23.720
<v Speaker 1>just listened today to the episode discussing the proteus effect.

0:55:24.040 --> 0:55:26.719
<v Speaker 1>As part of the enormously fascinating discussion, you touch on

0:55:26.760 --> 0:55:30.000
<v Speaker 1>the idea of RPG's specifically D and D characters, and

0:55:30.040 --> 0:55:33.280
<v Speaker 1>how noticeably or not a player may emulate the character

0:55:33.360 --> 0:55:36.360
<v Speaker 1>outside of the game's context. In particular, my interest was

0:55:36.400 --> 0:55:38.839
<v Speaker 1>piqued by the discussion of whether or not one might

0:55:38.840 --> 0:55:42.000
<v Speaker 1>deliberately make use of the proteus effect to consciously make

0:55:42.080 --> 0:55:45.600
<v Speaker 1>changes to one's own personality based on those characters. I

0:55:45.640 --> 0:55:48.040
<v Speaker 1>find this intriguing for a number of reasons, not least

0:55:48.040 --> 0:55:51.080
<v Speaker 1>of which is that I've previously had similar conversations. We

0:55:51.120 --> 0:55:54.279
<v Speaker 1>didn't specifically refer to proteus effect, of course, not being

0:55:54.320 --> 0:55:56.520
<v Speaker 1>aware of it at the time, but there are significant

0:55:56.520 --> 0:56:00.799
<v Speaker 1>parallels for context. I play tabletop RPGs which have been

0:56:00.840 --> 0:56:04.239
<v Speaker 1>modified for use in an online text based platform. Old

0:56:04.280 --> 0:56:06.920
<v Speaker 1>school nerds will probably know what I'm talking about. It's

0:56:06.960 --> 0:56:11.280
<v Speaker 1>efectionally known as uh mushing, it's m U s H,

0:56:11.360 --> 0:56:13.560
<v Speaker 1>and then I m G m U s H, standing

0:56:13.600 --> 0:56:17.520
<v Speaker 1>for multi user shared hallucination. In this setting, I have

0:56:17.560 --> 0:56:21.080
<v Speaker 1>played a minor multitude of character types and personalities. This

0:56:21.120 --> 0:56:23.480
<v Speaker 1>includes villains by the way. As a writer, I find

0:56:23.520 --> 0:56:26.279
<v Speaker 1>them fascinating, and because mushing is text based, playing them

0:56:26.320 --> 0:56:30.040
<v Speaker 1>serves as an excellent exercise and characterization. More to the point,

0:56:30.080 --> 0:56:32.399
<v Speaker 1>a couple of these characters have been stronger and more

0:56:32.440 --> 0:56:36.320
<v Speaker 1>well rounded than others. Their personalities were nuanced and clearly developed,

0:56:36.520 --> 0:56:39.959
<v Speaker 1>with distinctly defined characteristics, and through them I was able

0:56:39.960 --> 0:56:43.360
<v Speaker 1>to more completely immerse myself in the role play experience.

0:56:43.880 --> 0:56:47.240
<v Speaker 1>It was thoroughly enjoyable, and in the aftermath of that experience,

0:56:47.280 --> 0:56:49.200
<v Speaker 1>outside of the context of the game, I discovered something

0:56:49.239 --> 0:56:52.319
<v Speaker 1>unexpected I find myself. I found myself leaning into some

0:56:52.400 --> 0:56:55.920
<v Speaker 1>of these characters quite heavily to borrow traits that were

0:56:56.000 --> 0:56:58.719
<v Speaker 1>quite well developed in them, but which I felt a

0:56:58.760 --> 0:57:01.440
<v Speaker 1>bit lacking in myself. For example, one of my favorite

0:57:01.520 --> 0:57:05.040
<v Speaker 1>characters possessed an unflappable sense of self confidence, which was

0:57:05.080 --> 0:57:08.640
<v Speaker 1>admittedly more than a little bit wish fulfillment on my part.

0:57:08.840 --> 0:57:12.200
<v Speaker 1>Since playing her, I have frequently deliberately put myself back

0:57:12.239 --> 0:57:14.839
<v Speaker 1>into the mindset I occupied while in character in the

0:57:14.880 --> 0:57:17.440
<v Speaker 1>game in order to assume that quality for a while.

0:57:17.520 --> 0:57:22.080
<v Speaker 1>For job interviews or difficult conversations, etcetera. Any situation in

0:57:22.080 --> 0:57:24.200
<v Speaker 1>which I feel a little out of my depth and

0:57:24.200 --> 0:57:27.320
<v Speaker 1>would like to borrow some confidence is fair game. I

0:57:27.360 --> 0:57:29.880
<v Speaker 1>suppose in a way it's wearing the character like a

0:57:29.920 --> 0:57:33.439
<v Speaker 1>mask in talking to other players in this hobby. I'm

0:57:33.520 --> 0:57:36.920
<v Speaker 1>certainly not alone in that tendency. Phrases like Alice is

0:57:37.040 --> 0:57:39.760
<v Speaker 1>very much in my head today, or o MG, Stephen

0:57:39.880 --> 0:57:42.840
<v Speaker 1>is so mad at you right now I'm in response

0:57:42.880 --> 0:57:46.120
<v Speaker 1>to something that the character would not have appreciated are

0:57:46.200 --> 0:57:49.960
<v Speaker 1>fairly common parlance among my particular play group, and I've

0:57:49.960 --> 0:57:53.400
<v Speaker 1>observed it in the wider hobby population as well. I

0:57:53.440 --> 0:57:55.720
<v Speaker 1>don't know how well this experience fits into the overall

0:57:55.760 --> 0:57:58.640
<v Speaker 1>framework of the proteus effect, is defined by various studies,

0:57:58.800 --> 0:58:02.120
<v Speaker 1>but it seemed at lee peripherally related enough that I

0:58:02.200 --> 0:58:05.520
<v Speaker 1>felt I should share it. I adore the podcast. I

0:58:05.560 --> 0:58:07.960
<v Speaker 1>came to it late, but I'm catching up, and every

0:58:07.960 --> 0:58:11.920
<v Speaker 1>episode feeds my brain and piques my curiosity. I'm grateful

0:58:11.960 --> 0:58:15.080
<v Speaker 1>for the amazing content. It's engaging and insightful, and it's

0:58:15.120 --> 0:58:17.880
<v Speaker 1>soul food for a poly math like me, looking impatiently

0:58:17.920 --> 0:58:20.320
<v Speaker 1>forward to the next episode. Thank you so much for

0:58:20.360 --> 0:58:23.640
<v Speaker 1>doing what you do, Nettie. Well, thanks Standin. This is

0:58:23.680 --> 0:58:25.840
<v Speaker 1>not the only email we've gotten like this. We've heard

0:58:25.840 --> 0:58:30.320
<v Speaker 1>from multiple people who talk about the idea of um

0:58:30.320 --> 0:58:35.680
<v Speaker 1>of using some form of role playing outside the confines

0:58:35.720 --> 0:58:38.000
<v Speaker 1>of the game to change the way they live their life,

0:58:38.280 --> 0:58:42.439
<v Speaker 1>essentially to get in character to do things. And yeah,

0:58:42.520 --> 0:58:45.040
<v Speaker 1>I wonder about that. I mean I wonder about how

0:58:45.320 --> 0:58:48.480
<v Speaker 1>I mean, I know there are like role playing forms

0:58:48.520 --> 0:58:52.440
<v Speaker 1>of therapy right there, they're like, I don't know all

0:58:52.480 --> 0:58:54.840
<v Speaker 1>that much about them, but I wonder to what extent

0:58:55.760 --> 0:58:58.000
<v Speaker 1>And people get kind of literal and deep with that,

0:58:58.080 --> 0:59:00.760
<v Speaker 1>like going to role playing game for ms of therapy,

0:59:00.840 --> 0:59:03.040
<v Speaker 1>where like if you lack confidence, they will give you

0:59:03.080 --> 0:59:05.960
<v Speaker 1>a character to play. I think I've come across some

0:59:06.080 --> 0:59:10.600
<v Speaker 1>examples of of this being used, um at least in

0:59:10.680 --> 0:59:13.560
<v Speaker 1>some therapy environments where they're essentially using tinners and dragons

0:59:13.640 --> 0:59:16.560
<v Speaker 1>or some uh you know, boiled down version of of

0:59:16.640 --> 0:59:20.680
<v Speaker 1>role playing tabletop role playing now, Nadine and know you

0:59:20.720 --> 0:59:24.360
<v Speaker 1>asked how that fits with the original produce effect, and

0:59:24.400 --> 0:59:26.640
<v Speaker 1>I think it seems like a kind of elastic concept

0:59:26.720 --> 0:59:30.800
<v Speaker 1>now because originally it was referring specifically to physical avatars.

0:59:31.240 --> 0:59:34.160
<v Speaker 1>It was like, if you play as a character having

0:59:34.160 --> 0:59:38.040
<v Speaker 1>certain physical attributes, UM. But I think, yeah, you can

0:59:38.040 --> 0:59:40.640
<v Speaker 1>definitely expand the idea to at least a version of

0:59:40.680 --> 0:59:44.680
<v Speaker 1>itself that is more all encompassing about playing characters and

0:59:44.800 --> 0:59:48.920
<v Speaker 1>simulated environments and how those qualities come back to the

0:59:48.960 --> 0:59:52.400
<v Speaker 1>person playing the character. I wonder about that. I mean it,

0:59:53.560 --> 0:59:55.360
<v Speaker 1>I think I feel like part of the problem here

0:59:55.400 --> 0:59:58.800
<v Speaker 1>is that people have different levels of tolerance for situations

0:59:58.840 --> 1:00:02.600
<v Speaker 1>like role playing. You know, Robert, you probably don't have

1:00:02.640 --> 1:00:05.200
<v Speaker 1>this because you actually do play D and D. But

1:00:05.240 --> 1:00:07.360
<v Speaker 1>I know a lot of adults would probably be like, oh,

1:00:07.400 --> 1:00:09.640
<v Speaker 1>that's silly. You know, I'd be too embarrassed to do

1:00:09.720 --> 1:00:12.640
<v Speaker 1>something like that. But it seems like something that's worth

1:00:12.680 --> 1:00:15.080
<v Speaker 1>giving a try, even if you feel like it might

1:00:15.120 --> 1:00:17.320
<v Speaker 1>be embarrassing or like you don't know how to do it.

1:00:18.440 --> 1:00:20.640
<v Speaker 1>I bet it's worth checking out for most people who

1:00:20.720 --> 1:00:24.400
<v Speaker 1>feel some kind of character based inadequacy, or like there's

1:00:24.440 --> 1:00:26.920
<v Speaker 1>something that you want to do but can't. Yeah, I

1:00:27.000 --> 1:00:29.400
<v Speaker 1>mean to to to tie into another episode. I feel

1:00:29.400 --> 1:00:31.440
<v Speaker 1>like this is one of the great appeals of Werewolf,

1:00:31.880 --> 1:00:34.880
<v Speaker 1>which which if depending on how you play it, can

1:00:35.040 --> 1:00:38.560
<v Speaker 1>incorporate at least some mild role playing elements or you know,

1:00:38.720 --> 1:00:40.800
<v Speaker 1>or or you can get a little more robust with it,

1:00:41.120 --> 1:00:46.120
<v Speaker 1>but it does have players engaging in these extremes of

1:00:46.360 --> 1:00:48.920
<v Speaker 1>human behavior they don't necessarily get to, you know, employ

1:00:48.920 --> 1:00:53.400
<v Speaker 1>on a regular basis, namely, um, actively deceiving your friends

1:00:53.440 --> 1:00:58.680
<v Speaker 1>and or family, or persecuting your friends and family, um

1:00:59.240 --> 1:01:03.600
<v Speaker 1>and ordering their execution for lecanthropy. Uh. You know, all

1:01:03.600 --> 1:01:07.600
<v Speaker 1>these sort of you know, extreme modes of human social behavior. Yeah,

1:01:07.600 --> 1:01:14.120
<v Speaker 1>except is it good to practice lying? I don't know, Uh, well, good, Uh,

1:01:14.160 --> 1:01:16.080
<v Speaker 1>I don't know if good is the word. I don't know.

1:01:16.120 --> 1:01:19.720
<v Speaker 1>That just sounds like we're wolf talk there, Joe. Is

1:01:19.720 --> 1:01:23.000
<v Speaker 1>it good to practice persecuting? Yes? Or maybe it's an

1:01:23.000 --> 1:01:25.160
<v Speaker 1>outlet for persecution. I don't know, you know, I mean,

1:01:25.160 --> 1:01:27.600
<v Speaker 1>it's it's something humans are obviously good at. And if

1:01:27.600 --> 1:01:29.400
<v Speaker 1>you're gonna do it, I would prefer it be the

1:01:29.880 --> 1:01:33.120
<v Speaker 1>be fictional werewolves within a you know, a parlor game.

1:01:33.680 --> 1:01:36.480
<v Speaker 1>They should be the ones to suffer. Yes, swing your

1:01:36.480 --> 1:01:39.080
<v Speaker 1>silver sword at a werewolf, not at somebody who made

1:01:39.120 --> 1:01:41.560
<v Speaker 1>you mad on the internet. Right, all right, So that

1:01:41.640 --> 1:01:44.640
<v Speaker 1>you have it another installment of listener Mail. There were

1:01:44.640 --> 1:01:46.440
<v Speaker 1>still a few great ones that we didn't get to

1:01:46.560 --> 1:01:48.800
<v Speaker 1>that we had lined up. Maybe we'll get to those

1:01:49.000 --> 1:01:51.520
<v Speaker 1>uh next month or so when we do another listener

1:01:51.560 --> 1:01:54.600
<v Speaker 1>mail installment, and certainly uh feel free to write in

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<v Speaker 1>of you. It's true, we really do love hearing from you,

1:02:04.160 --> 1:02:07.800
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1:02:08.200 --> 1:02:11.160
<v Speaker 1>respond to or read out every great message we get,

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