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Speaker 1: Just hilarious and Charlottage.

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Speaker 2: Club, thank y'all for bere like coach a Lee, how

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Speaker 2: about family. The Rector Club is where people get the

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Speaker 2: information on the topics, on the artist and everything like that.

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Speaker 1: I'm winning. You guys were nice. Everybody got me all

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Speaker 1: nervous like you guys. Let's not yo watch Yeah.

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Speaker 3: You locked into the world's most dangerous morning show.

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Speaker 4: If you want to break this club and we're gonna

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Speaker 4: bring it, one hundred and twenty miners will not come up.

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Speaker 1: This is what I grew up.

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Speaker 5: That's right, Get up about the bids and listen to

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Speaker 5: the greatest show owner.

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Speaker 1: Good morning usca.

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Speaker 6: Yo yo yo yo yo yo yo yo yo yo

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Speaker 6: yo yo yo yo yo yo yo yo yo yo

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Speaker 6: yo yo yo yo yo yo.

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Speaker 1: We're on vacation. Sorry, we still got to say, Charlamagne

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Speaker 1: to go. What I gotta say, Jeselarius, that was just

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Speaker 1: on vacation, Charlamage were on vacation. Well, piece of the plan.

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Speaker 1: It is Friday.

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Speaker 4: We all on vacation. This is the best of show.

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Speaker 4: So these voices that you're hearing right now are AI.

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Speaker 1: That's right for their pre recording, say pre record. We

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Speaker 1: don't do AI here at iHeartRadio. We this is guaranteed

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Speaker 1: human over here.

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Speaker 4: But this is a pre recorded and it is Friday,

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Speaker 4: the day after Thanksgiving, and there's a one good way

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Speaker 4: to burn calories is to laugh.

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Speaker 1: Yes, So who are we getting into this weekend? Well

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Speaker 1: today this.

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Speaker 4: Dam I know you can't wait, you always can't wait

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Speaker 4: to get into somebody, Lord have mercy, but no, we're

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Speaker 4: talking to Drew Sky this morning. Drewsky has been up

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Speaker 4: to the Breakfast Club quite a few times. Actually, fun fact,

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Speaker 4: before we moved out of our old studio and moved

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Speaker 4: into the Black Brothership, Drew Ski was our last interview

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Speaker 4: in the old.

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Speaker 1: Breakfast Club studio.

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Speaker 4: So that's first what I don't know or that ten years,

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Speaker 4: eleven years, I don't know how many years that was,

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Speaker 4: but those first ten eleven years that we were in

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Speaker 4: the old studio, jews Sky was our last interview in

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Speaker 4: the building. So if you ever want to do some

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Speaker 4: Breakfast Club trivia, our first ever interview ever was Ray

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Speaker 4: j and our last interview in the old studio with Drewski.

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Speaker 4: Good little booking right there. But also Kevin Hart. We're

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Speaker 4: gonna get one of our classic Kevin Hart conversations We've

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Speaker 4: had several of those, and Dave Chappelle and Donnelle Rollins.

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Speaker 1: Dave Chappelle has been here once.

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Speaker 4: Donnelle of course couldn't let Dave have a moment by himself,

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Speaker 4: so Donnelle Rollins came up here with Dave Chappelle. So

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Speaker 4: we'll be getting all of that on for you. Hopefully

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Speaker 4: you get some chuckles and burn some calories. Man this

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Speaker 4: day after Thanksgiving, and we'll see you Monday with brand

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Speaker 4: new episodes of the World's Most Dangerous Warning short of Breakfast.

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Speaker 6: Ray right, Ray, Yo, Charlotte, Mane Davy? What up are

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Speaker 6: we lying?

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Speaker 1: This is your time to get it off your chest?

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Speaker 6: I got an indoor pool, outdoor pool.

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Speaker 1: We want to hear from you on the Breakfast Club.

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Speaker 7: Get on the phone right now here, tell you.

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Speaker 1: What it is. We live. Hey, Nadine, good morning. Get

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Speaker 1: it off your chest. Where you call him from?

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Speaker 3: First?

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Speaker 7: I'm calling from Dallas.

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Speaker 1: Ex okay, Dallas. What's up, Mama.

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Speaker 8: I am with a book.

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Speaker 7: It's called Da Dating and I'm so great. Guys, tack

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Speaker 7: it up and read it?

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Speaker 1: How the data fact?

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Speaker 8: Yeah?

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Speaker 1: Is it a heavy read? Is it thick?

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Speaker 2: Like?

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Speaker 1: How many pages?

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Speaker 7: Is it?

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Speaker 1: How many pages.

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Speaker 7: Is it's it's not that that's thick. It's like one

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Speaker 7: hundred and sixteen pages. But it's one day read. But

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Speaker 7: it's a great story about.

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Speaker 1: About your what my dating life? Oh you're a big girl,

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Speaker 1: dull done. She might not be big no more. It

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Speaker 1: might be her past like she's writing about it was hard,

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Speaker 1: it was hot for you today.

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Speaker 7: No, it's a phastirical look at my dating life because

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Speaker 7: it's the things that I went through and the lessons

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Speaker 7: that I learned along the way.

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Speaker 4: Okay, I'd love to read that I had a I

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Speaker 4: had a homegirl who wrote something like that before it

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Speaker 4: was called dating Wild Fat.

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Speaker 6: Well, yeah, it's on Amazon.

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Speaker 7: So it's by Nadine Jones with just Me and again

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Speaker 7: How to Date a fact a Fat Girl backdating?

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Speaker 1: Okay, what category is it in food?

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Speaker 8: Home?

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Speaker 1: Jesus? What is it like? What category?

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Speaker 3: It's not?

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Speaker 9: It should be from asking?

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Speaker 7: I don't know what category is man, but it's comedy.

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Speaker 7: I think photerical, so you know, just typing in your finance.

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Speaker 1: What's it called again?

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Speaker 7: How to Date a fact Chick?

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Speaker 2: So for God takes you out to eat? Do you

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Speaker 2: limit the food that you have so you don't look big.

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Speaker 9: You gotta read the books.

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Speaker 3: You're right.

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Speaker 1: I'm sorry it came up as a cookbook. You know

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Speaker 1: it didn't shut up?

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Speaker 4: You know How to Date a fact Chick background God

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Speaker 4: to Dating by Nadine Jones.

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Speaker 1: All right, I like the couple.

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Speaker 3: I like that.

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Speaker 1: I like that. It looks like what do you call

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Speaker 1: that a cosm? A cosm? What do you call that book? Yeah?

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Speaker 8: Whatever that is?

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Speaker 1: Yeah, I like that composition, composition that.

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Speaker 2: Well, you have a go one they did, Thank you

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Speaker 2: you too, good luck?

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Speaker 1: Hello? Who's this?

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Speaker 8: What's going on? Man? My name is super Trucker. Man.

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Speaker 8: I'm out of eastern North Carolina. Man, I'm a truck driver.

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Speaker 1: What's up, super truck How you feeling this morning?

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Speaker 8: Man? I'm good man. I'm out here shifting kids, making

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Speaker 8: that black come out to fight?

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Speaker 3: Okay, all right?

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Speaker 1: What you transporting?

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Speaker 8: I do flat bad from hauling building materials right now?

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Speaker 1: Okay, all right, we'll be safe for them.

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Speaker 3: Yo.

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Speaker 8: Man. I just want to know, man, y'all got love

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Speaker 8: for truckers.

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Speaker 9: Man, you're damn right. I got love for truckers, you know.

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Speaker 8: I know YouTube chess.

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Speaker 7: Hey, look I got a song called.

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Speaker 3: Truck of Love.

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Speaker 6: Man, so y'all could have tend Check it out.

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Speaker 8: It's on YouTube.

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Speaker 2: You still got love for truckle Jesse you he was

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Speaker 2: I blow that home for his brother.

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Speaker 4: I got you all right, man, be safe for them?

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Speaker 3: Brother?

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Speaker 1: Hello?

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Speaker 6: Who's this yo? What's something to be?

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Speaker 3: What's up?

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Speaker 1: Brother?

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Speaker 8: What's up? Jess? How y'all doing?

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Speaker 9: What's that baby?

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Speaker 4: Good?

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Speaker 3: Good?

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Speaker 9: What's going on?

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Speaker 1: Get it off your chest? Yo? I'm mad at my

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Speaker 1: brother James. What's your brother do?

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Speaker 6: He's Yo? He set me up. I'm sick last night

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Speaker 6: and I'm feeling well. I'm at home and he tlied

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Speaker 6: to his wife, telling him her that he was hanging

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Speaker 6: out with.

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Speaker 8: Me all night and he wasn't.

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Speaker 9: Oh man, I ain't tell you the thought of the lie.

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Speaker 6: He ain't tell me because I was dead to the world.

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Speaker 6: And his wife's called my wife asking her.

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Speaker 1: Was he was he with me?

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Speaker 9: Oh man?

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Speaker 1: What your wife say?

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Speaker 3: Yo?

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Speaker 6: She blew his spot up? Like hell no, you want

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Speaker 6: to see the cameras.

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Speaker 9: Damn.

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Speaker 6: She blew him up and he's calling me up.

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Speaker 10: Told him by Yo, you're supposed to help me up.

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Speaker 10: I'm like, Yo, you should have told me first.

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Speaker 9: I hate with somebody.

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Speaker 2: Make you a part of the lie, but don't tell

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Speaker 2: you about the lie.

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Speaker 1: Like damn down.

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Speaker 10: He's mad because he say, now I'm the reason why

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Speaker 10: his wife is putting him out.

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Speaker 6: Now he wants to come and stay in my house.

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Speaker 2: Hell, you not the reason, and your wife ain't gonn

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Speaker 2: let him stay. Your wife's gonna let no cheating a

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Speaker 2: stay at the guys.

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Speaker 10: I'm shutting him over to you, Envy.

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Speaker 2: Definitely not send him over to me. I got a

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Speaker 2: couple of dogs that make sure he stay out.

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Speaker 8: I hear that, Envy, Yo.

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Speaker 10: Envy, when you throw another mixtape out, man, come on,

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Speaker 10: stop playing.

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Speaker 9: You be rapping.

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Speaker 1: You're talking about the DJ.

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Speaker 9: You be rappid.

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Speaker 2: Yeah you're gonna get that in a while. Brother, you

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Speaker 2: know it ain't gonna happen.

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Speaker 1: Bro Oh, come on, Envy, they ain't gonna happen. These

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Speaker 1: all these artists a lot different, man.

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Speaker 2: But back then I would say the artists really respected

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Speaker 2: the DJ and really loved the DJ. Win nexus artist

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Speaker 2: was something and they would be happy to do it,

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Speaker 2: glad to do it.

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Speaker 1: But now I ain't playing a politics game.

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Speaker 8: Brother, Yeah, yeah, I know what you in breadcast.

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Speaker 2: Man shout all right, brother, you have a good one. Man, alright, brother,

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Speaker 2: get it off your chest. Eight hundred five eight five

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Speaker 2: one oh five one. If you need to vent, phone

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Speaker 2: lines are wide open.

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Speaker 1: It's the breakfast Club. Good morning, the Breakfast Club. This

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Speaker 1: is your time to get it off your chest, whether

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Speaker 1: you're mad or blessed.

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Speaker 2: I hate the way that you walk, the way that

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Speaker 2: you talk, I hate the way that you dress.

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Speaker 1: Everything when me is best?

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Speaker 3: Call up next eight hundred five eight five five one.

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Speaker 1: Not just me, I'm what the coach of filing. Hello,

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Speaker 1: who's there?

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Speaker 8: This is Thomas?

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Speaker 1: Hey, Thomas, Good morning.

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Speaker 8: From I'm calling from I'm calling from.

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Speaker 3: Vegas, Vegas, Las Vegas.

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Speaker 1: Good morning.

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Speaker 3: You up early?

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Speaker 8: Yeah, man, I just got off work. I ain't really

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Speaker 8: have nowhere to go. We work at Brother, I'm listening

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Speaker 8: to Yeah famous Tommy Burgers. Uh huh well famous Tommy Burgers.

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Speaker 1: Are you working Tommy Burgers?

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Speaker 8: Yeah?

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Speaker 1: Okay, yeah yeah, how y'all doing?

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Speaker 8: Good morning, Jesh morning.

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Speaker 11: Southern man, heavy.

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Speaker 1: Good morning, sir.

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Speaker 8: Welcome back.

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Speaker 1: What's right?

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Speaker 8: Love?

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Speaker 9: You sound like you're crying because hey, he's just coming

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Speaker 9: to it.

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Speaker 1: Brother, talk to us, brother, what's happening?

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Speaker 8: Oh, relationship problems? Out of it? Put out of my

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Speaker 8: put out of my apartment.

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Speaker 9: Oh that's why you said you.

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Speaker 8: I'm sleeping up that's right now.

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Speaker 1: Oh, man, she puts you out. You got a victor

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Speaker 1: or something. She put you off of doing something.

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Speaker 8: No, I didn't get a bigtig. It's so long story.

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Speaker 8: We both been staying there, and it's kind of been

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Speaker 8: a water rose. You remember that movie.

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Speaker 1: I do remember.

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Speaker 8: It's kind of been a water rose. The situation and

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Speaker 8: that you. I was just told I gotta leave because

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Speaker 8: it's better off that I did. You know she got

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Speaker 8: a kid.

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Speaker 1: Yeah, but it's not.

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Speaker 12: I mean it's better off that you did. I mean,

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Speaker 12: I guess for the household. But if you sleeping on

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Speaker 12: the steps, you have nowhere to go, that's not really good.

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Speaker 8: I ain't got no choice. Uh my family is.

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Speaker 9: That's another long story.

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Speaker 4: Okay, I gotta water story, man, I gotta hear more

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Speaker 4: of the story.

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Speaker 1: If I come to a conclusion. What did you do?

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Speaker 8: That's another that's another long story. What did I do?

257
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Speaker 1: What did you do to her?

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Speaker 8: It's a long.

259
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Speaker 6: In this situation. I'm coming.

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Speaker 1: I don't know.

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Speaker 8: I don't want to say too much because I'm pretty

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Speaker 8: sure they're gonna be listening. But you know you woman,

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Speaker 8: I'll keep it one thousand, which is you know what

264
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Speaker 8: I'm saying. Uh, it was a situation. Now I know

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Speaker 8: that I thought this on myself because I have been

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Speaker 8: caught in the past. She was talking to other people. Okay, Now,

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Speaker 8: I wasn't cheating. I was talking to somebody else. Yeah, cheating.

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Speaker 4: And I don't even need to hear hold on, hold.

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Speaker 8: On, hold on, hold on, hold on, hold on, hold on.

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Speaker 8: Let me chose because I took my leg and I

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Speaker 8: was not doing it. And like I said, I might

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Speaker 8: have brought this on because she thought I was talking

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Speaker 8: to somebody that night when I really wasn't. I was

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Speaker 8: talking to my brother. And then you know, she went

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Speaker 8: off and then I showed her what I was doing,

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Speaker 8: and it just kept going. Instead of oh my bad,

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Speaker 8: I messed up, it just kept going and it just

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00:11:00,720 --> 00:11:02,920
Speaker 8: got worse, getting worse.

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Speaker 4: As a man who has formerly lied to his significant other,

280
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Speaker 4: I don't believe you.

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Speaker 2: Sound like he was helping a family member get some groceries.

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Speaker 4: That's what my brother, it's my brother. At three o'clock

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Speaker 4: in the morning, you whispering to your brother.

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Speaker 1: Bro, were sorry, brother, you gotta gotta.

285
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Speaker 8: Take Yeah, that's what I'm doing.

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00:11:22,800 --> 00:11:23,840
Speaker 1: Yeah, we've been there and done that.

287
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Speaker 4: Get you a pillow and get you a blanket and

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Speaker 4: enjoy them steps for the next couple of days.

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Speaker 1: You'll be right.

290
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Speaker 8: It ain't even like that.

291
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Speaker 3: But hey, you right, brother, have a good one.

292
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Speaker 1: Yeah, sorry, Field.

293
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Speaker 4: Everybody says a long story, it sounds good.

294
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Speaker 1: I'm sleeping on the steps.

295
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Speaker 9: And the last thing I'm doing i'm sleeping on the

296
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Speaker 9: steps is calling the radio.

297
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Speaker 1: Boy what are you doing?

298
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Speaker 8: What? Wow?

299
00:11:49,120 --> 00:11:50,080
Speaker 1: Get it off your chest?

300
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Speaker 2: Eight undrendk five eight five one oh five one if

301
00:11:52,440 --> 00:11:54,319
Speaker 2: you need to vent phone lines to wide openness to

302
00:11:54,320 --> 00:11:54,880
Speaker 2: breakfast Club.

303
00:11:54,920 --> 00:11:57,160
Speaker 1: Good morning, the breakfast Club.

304
00:12:00,080 --> 00:12:03,600
Speaker 2: Only everybody, it's the j n V Jess hilarious, charlamage

305
00:12:03,640 --> 00:12:05,280
Speaker 2: the guy. We are the breakfast Club. Long the roast

306
00:12:05,320 --> 00:12:07,240
Speaker 2: filling in for Jess. We got a special guests in

307
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Speaker 2: the building.

308
00:12:07,679 --> 00:12:11,640
Speaker 1: Yes, indeed, Drew Ski, what's up y'all doing? My brother?

309
00:12:11,760 --> 00:12:12,240
Speaker 3: Good good.

310
00:12:12,360 --> 00:12:14,840
Speaker 1: I was just laughing at that clip of you bringing

311
00:12:14,840 --> 00:12:16,800
Speaker 1: the whole sectional over for that girl.

312
00:12:16,840 --> 00:12:16,960
Speaker 8: Man.

313
00:12:17,760 --> 00:12:21,000
Speaker 1: You is hey, man, no, this is what's wrong with you?

314
00:12:21,040 --> 00:12:21,199
Speaker 8: Man?

315
00:12:21,760 --> 00:12:23,640
Speaker 1: Yeah, but you kind of did hold back a little

316
00:12:23,679 --> 00:12:25,880
Speaker 1: bit though, you ain't go all in. Yeah, I thought

317
00:12:25,920 --> 00:12:28,440
Speaker 1: you was really gonna go crazy with the jokes. I

318
00:12:28,520 --> 00:12:31,320
Speaker 1: leave insulting fat people up to you. Yes, No, I

319
00:12:31,360 --> 00:12:34,400
Speaker 1: don't do that. You did, No, I don't don't you did?

320
00:12:34,520 --> 00:12:36,240
Speaker 4: I tend to keep it in contact with the fat

321
00:12:36,280 --> 00:12:37,360
Speaker 4: little boy that you insulted.

322
00:12:45,360 --> 00:12:45,560
Speaker 9: Man.

323
00:12:45,640 --> 00:12:48,720
Speaker 1: Listen, listen, listen. Have you been keeping in contact with

324
00:12:48,720 --> 00:12:49,199
Speaker 1: that little bit?

325
00:12:49,240 --> 00:12:49,360
Speaker 8: No?

326
00:12:49,440 --> 00:12:52,160
Speaker 1: I'm not in contact with that or his mother. But

327
00:12:52,240 --> 00:12:54,480
Speaker 1: I think I probably will be getting sued at some

328
00:12:54,600 --> 00:12:56,800
Speaker 1: point from that. I don't know why, but she said

329
00:12:56,880 --> 00:12:59,320
Speaker 1: she said she was going to, though I don't know

330
00:12:59,320 --> 00:13:01,000
Speaker 1: how that works. So new to the money, so I

331
00:13:01,000 --> 00:13:03,120
Speaker 1: don't know if that actually does that go through?

332
00:13:03,400 --> 00:13:05,559
Speaker 4: When did your lawyer gonna hit you and be like, hey, Drewski,

333
00:13:05,640 --> 00:13:06,480
Speaker 4: you got a civil suit.

334
00:13:06,520 --> 00:13:13,000
Speaker 1: You're getting sued. I'm not even it comes with anybody

335
00:13:13,040 --> 00:13:14,160
Speaker 1: for a.

336
00:13:15,240 --> 00:13:17,960
Speaker 4: They're gonna win, okay, but they can sue you for

337
00:13:18,000 --> 00:13:18,720
Speaker 4: how much for that?

338
00:13:18,760 --> 00:13:19,920
Speaker 1: For calling a kid fat?

339
00:13:20,160 --> 00:13:20,360
Speaker 8: Yes?

340
00:13:20,720 --> 00:13:23,000
Speaker 2: Emotion fact, you know why people a lot of people

341
00:13:23,040 --> 00:13:24,520
Speaker 2: do that is because they figure out you don't want

342
00:13:24,520 --> 00:13:25,199
Speaker 2: to happen what I'm saying.

343
00:13:25,280 --> 00:13:28,160
Speaker 1: Come on, man, y'all played the clip of of keV

344
00:13:28,320 --> 00:13:38,199
Speaker 1: throwing me the alley though ye started, he started, They're

345
00:13:38,200 --> 00:13:41,440
Speaker 1: gonna go to I got all that. Yeah, man, you know,

346
00:13:41,600 --> 00:13:44,800
Speaker 1: but nah, I honestly it was apologizing to the kid.

347
00:13:44,880 --> 00:13:47,840
Speaker 1: But yeah, I thought I couldn't tell. Sometimes when I'm

348
00:13:47,880 --> 00:13:50,800
Speaker 1: in character and doing like these streams, you don't know

349
00:13:50,840 --> 00:13:53,960
Speaker 1: who's acting and doing all this stuff along with you.

350
00:13:54,000 --> 00:13:56,400
Speaker 1: So it's like some people be coming on the stream,

351
00:13:56,600 --> 00:13:58,319
Speaker 1: they might be serious, some people be coming on there

352
00:13:58,360 --> 00:14:02,240
Speaker 1: as as a character, and the kid was there playing something,

353
00:14:02,520 --> 00:14:04,280
Speaker 1: so I don't know. I really didn't know it was

354
00:14:04,640 --> 00:14:08,040
Speaker 1: I think when he started crying, I'm like, man, yeah,

355
00:14:08,040 --> 00:14:09,560
Speaker 1: I really thought it was fake because I'm like, oh,

356
00:14:09,559 --> 00:14:13,199
Speaker 1: they're playing to the character of the Adams Family character.

357
00:14:13,400 --> 00:14:17,400
Speaker 1: Well yeah, he actually was a fat kid. But I

358
00:14:17,400 --> 00:14:18,240
Speaker 1: didn't see it off.

359
00:14:18,360 --> 00:14:18,560
Speaker 8: Man.

360
00:14:18,840 --> 00:14:21,480
Speaker 1: I just thought, I'm like, it's all it's a green

361
00:14:21,560 --> 00:14:23,800
Speaker 1: light because everybody had been calling me fat all night.

362
00:14:23,840 --> 00:14:26,880
Speaker 1: So he was looking at hey, man, sit down, man,

363
00:14:27,000 --> 00:14:29,520
Speaker 1: sit your fat ass damn. So I'm like, okay, this

364
00:14:29,640 --> 00:14:31,920
Speaker 1: is green light for everybody getting called fat in here.

365
00:14:32,480 --> 00:14:34,840
Speaker 11: Do you think we should have called her what you're saying?

366
00:14:34,880 --> 00:14:36,640
Speaker 13: He said, you can't say that. You got to say word.

367
00:14:36,840 --> 00:14:42,600
Speaker 1: Oh okay, oh the girl, oh big dank. No. I

368
00:14:42,640 --> 00:14:44,360
Speaker 1: just thought it was funny. Hell that you brought the

369
00:14:44,400 --> 00:14:47,280
Speaker 1: whole entire sectional. You could have just found a bigger

370
00:14:47,360 --> 00:14:49,720
Speaker 1: chair with no arm. There was no big chair with

371
00:14:49,840 --> 00:14:51,800
Speaker 1: no I think she just wanted a chair with no arms.

372
00:14:52,280 --> 00:14:56,400
Speaker 1: He made it worse. But yeah, you're right, there ain't no.

373
00:14:58,600 --> 00:14:58,760
Speaker 3: Yet.

374
00:15:00,040 --> 00:15:02,960
Speaker 1: Yes, we did do Detroit. She was she's from Detroit.

375
00:15:03,080 --> 00:15:09,000
Speaker 1: Yeah from Damn signed that too. Yeah, yeah, we we

376
00:15:09,080 --> 00:15:10,840
Speaker 1: got some big women on the TV show I got.

377
00:15:11,080 --> 00:15:13,320
Speaker 1: I mean, love wise, are you are you into big women?

378
00:15:15,600 --> 00:15:23,720
Speaker 1: Tough question, brother, I've been there. I've been there. I

379
00:15:23,720 --> 00:15:26,280
Speaker 1: will say I've been there, probably before the money and

380
00:15:26,320 --> 00:15:26,920
Speaker 1: the fame came.

381
00:15:27,320 --> 00:15:28,880
Speaker 13: You've been there dating a big woman.

382
00:15:29,120 --> 00:15:33,200
Speaker 1: I've been in between and in some scenes from of course,

383
00:15:33,920 --> 00:15:37,120
Speaker 1: there's a lot of big, beautiful women out there, don't sum. Yeah, no,

384
00:15:37,160 --> 00:15:39,080
Speaker 1: I'm not. That's why I said I stay grounded, you know,

385
00:15:39,240 --> 00:15:40,920
Speaker 1: even with the money and the fame. I said that.

386
00:15:41,320 --> 00:15:42,880
Speaker 1: You said I've been there. I ain't saying I might

387
00:15:42,920 --> 00:15:43,960
Speaker 1: not revisit. Okay.

388
00:15:44,120 --> 00:15:46,080
Speaker 4: One thing I do appreciate about you, kid, is how

389
00:15:46,120 --> 00:15:48,040
Speaker 4: you show love the stude man. We don't have enough

390
00:15:48,080 --> 00:15:52,160
Speaker 4: appreciation up and never had. What made you start showing studes?

391
00:15:52,200 --> 00:15:54,240
Speaker 4: The love you do well. You know, studge.

392
00:15:54,320 --> 00:15:57,440
Speaker 1: People don't understand the studge having appealing touch truthfully, like

393
00:15:57,720 --> 00:16:00,400
Speaker 1: you could share clothes with them, okay, you a vibe

394
00:16:00,440 --> 00:16:02,200
Speaker 1: with them. Sometimes they could be a bro. You know,

395
00:16:02,360 --> 00:16:03,560
Speaker 1: like when you're hanging out with a girl and you

396
00:16:03,640 --> 00:16:05,840
Speaker 1: be like, damn, I feel like I can't express my

397
00:16:06,160 --> 00:16:08,600
Speaker 1: feelings to her because she's gonna think I'm weak. Studs

398
00:16:08,640 --> 00:16:11,000
Speaker 1: they understand that they got periods, bro, you.

399
00:16:11,040 --> 00:16:11,560
Speaker 8: Know what I'm saying.

400
00:16:11,600 --> 00:16:13,200
Speaker 11: So, so it's like talking to your homeboy.

401
00:16:13,280 --> 00:16:16,120
Speaker 1: But yeah, it's like talking to a homie. But you

402
00:16:16,240 --> 00:16:18,600
Speaker 1: can also hit on the side if she with it.

403
00:16:18,800 --> 00:16:19,320
Speaker 3: You never know.

404
00:16:19,720 --> 00:16:23,560
Speaker 1: Sometimes the studs they be sneaking. The stud they don't

405
00:16:23,560 --> 00:16:25,360
Speaker 1: tell y'all that, That's what I'm saying. They don't tell

406
00:16:25,400 --> 00:16:27,280
Speaker 1: y'all that studs be sneaking. There's a whole group of

407
00:16:27,320 --> 00:16:28,480
Speaker 1: people that are like it's called.

408
00:16:28,400 --> 00:16:31,480
Speaker 13: Sneaking indicators, and how you know when the stud is

409
00:16:31,520 --> 00:16:32,760
Speaker 13: with the sneaker, you.

410
00:16:32,880 --> 00:16:35,960
Speaker 1: Never really know. That's the thing about them being a stud.

411
00:16:36,280 --> 00:16:39,400
Speaker 1: They're so it's like they got a mask on. So

412
00:16:39,640 --> 00:16:42,360
Speaker 1: sometimes you just gotta poke at it and try to see. Okay,

413
00:16:42,720 --> 00:16:49,080
Speaker 1: see not actually, but I'm just saying like, you know,

414
00:16:49,320 --> 00:16:51,000
Speaker 1: you just try to vibe with them and see how

415
00:16:51,040 --> 00:16:52,840
Speaker 1: they feel. Some of them they are stuck up and

416
00:16:52,960 --> 00:16:55,360
Speaker 1: they don't go for none of that. So you gotta

417
00:16:55,400 --> 00:16:56,240
Speaker 1: respect those put.

418
00:16:56,120 --> 00:16:56,520
Speaker 3: Them just side.

419
00:16:56,520 --> 00:17:00,240
Speaker 1: That's a bro like women like let me get on top. Yeah,

420
00:17:00,320 --> 00:17:03,520
Speaker 1: they do it, but you still gonna hear the masculinity

421
00:17:03,560 --> 00:17:06,639
Speaker 1: in the voice. Yeah, a little bit. How many have

422
00:17:06,720 --> 00:17:08,320
Speaker 1: you had? Hey, man, that's we're not here to talk

423
00:17:08,320 --> 00:17:11,879
Speaker 1: about that. Yeah, a couple. Yeah, I think it's we

424
00:17:12,000 --> 00:17:13,760
Speaker 1: got something on the show on could have been loved.

425
00:17:13,800 --> 00:17:15,399
Speaker 4: Yeah, I think it's wild one studs pull out their

426
00:17:15,440 --> 00:17:18,000
Speaker 4: scrap on and then they like have another girl, you know,

427
00:17:18,280 --> 00:17:20,760
Speaker 4: and and the person with the scrap trying to.

428
00:17:20,760 --> 00:17:23,240
Speaker 1: Act like it's something going on that Come on, wo

429
00:17:24,000 --> 00:17:25,879
Speaker 1: are you into that? You watch that type of stuff?

430
00:17:26,200 --> 00:17:28,280
Speaker 1: Watch it? I mean you just explained it. You did

431
00:17:28,359 --> 00:17:30,600
Speaker 1: explain it. The comedy comedy.

432
00:17:31,480 --> 00:17:33,040
Speaker 4: It's like it's like, you know, if you get a tattoo,

433
00:17:33,080 --> 00:17:35,600
Speaker 4: imagine getting tattoo on a fake harm and act exactly.

434
00:17:35,720 --> 00:17:35,840
Speaker 8: You know.

435
00:17:36,480 --> 00:17:39,240
Speaker 1: That's how it's kind of it's a dumb thing. It's like,

436
00:17:39,560 --> 00:17:42,159
Speaker 1: let's cut it. Yeah, yeah, I get it. And you

437
00:17:42,240 --> 00:17:45,880
Speaker 1: got the record with young Yeah, yeah, yeah, we just well,

438
00:17:45,880 --> 00:17:50,679
Speaker 1: why do we have to go into amazing give one

439
00:17:50,720 --> 00:17:53,080
Speaker 1: of those things and then going to younger may come on, man,

440
00:17:53,160 --> 00:17:56,159
Speaker 1: don't do that, that's the bro. But you know what

441
00:17:56,240 --> 00:17:58,560
Speaker 1: made me think about it. Young was up here one time,

442
00:17:58,640 --> 00:18:00,679
Speaker 1: a long time ago, and I asked, remember she had

443
00:18:02,600 --> 00:18:05,520
Speaker 1: after how yeah, but you know when we shot the

444
00:18:05,600 --> 00:18:07,719
Speaker 1: music video with her for the song could have been

445
00:18:07,760 --> 00:18:09,960
Speaker 1: loved recently, she told me, she said, you know, Drewski,

446
00:18:10,080 --> 00:18:11,879
Speaker 1: I don't be caring because I'm not really a stud.

447
00:18:12,080 --> 00:18:13,840
Speaker 1: She said, I don't see myself as that. She see

448
00:18:13,920 --> 00:18:16,399
Speaker 1: herself as something completely different. That's why she's like the

449
00:18:16,520 --> 00:18:19,359
Speaker 1: queen of them, because she don't even see herself on that.

450
00:18:19,400 --> 00:18:21,080
Speaker 11: And you calling the queen? Are you using the right term?

451
00:18:21,080 --> 00:18:23,959
Speaker 1: And I you're right, you're right, Probably can't I think

452
00:18:24,840 --> 00:18:27,560
Speaker 1: being she told me straight up, she said, she said,

453
00:18:27,600 --> 00:18:29,520
Speaker 1: I ain't classified as that. She told me straight up.

454
00:18:30,040 --> 00:18:31,560
Speaker 1: She said, I don't want to be called that. She said,

455
00:18:31,560 --> 00:18:33,159
Speaker 1: I don't get offending. Everybody asked me like, do you

456
00:18:33,200 --> 00:18:35,680
Speaker 1: get a fitling about what Drewski be doing? And she said, no,

457
00:18:35,760 --> 00:18:37,720
Speaker 1: I'm not a stud, she said, she in her own lane.

458
00:18:37,720 --> 00:18:40,760
Speaker 1: I don't even know what they call her type. I

459
00:18:40,840 --> 00:18:44,760
Speaker 1: really still don't know what they call her, said the girls,

460
00:18:44,800 --> 00:18:45,880
Speaker 1: But she would be in the day.

461
00:18:45,920 --> 00:18:47,720
Speaker 13: I think for a lot of us straight women she

462
00:18:48,080 --> 00:18:49,200
Speaker 13: would be because it's like a Brooklyn.

463
00:18:49,720 --> 00:18:51,320
Speaker 1: You just she tough man.

464
00:18:51,480 --> 00:18:51,840
Speaker 8: She ain't.

465
00:18:52,080 --> 00:18:53,720
Speaker 1: She's a tough cookie, the crack I tell you that.

466
00:18:53,920 --> 00:18:55,399
Speaker 1: So your hands selected her, like he was, like, I know,

467
00:18:55,480 --> 00:18:57,359
Speaker 1: I want to do this song for my could have been.

468
00:18:58,840 --> 00:19:00,960
Speaker 1: It's because we got some studs in the house and

469
00:19:01,040 --> 00:19:05,320
Speaker 1: I know that you know, you can't do something like

470
00:19:05,440 --> 00:19:08,280
Speaker 1: that without getting her approval. So I wanted to make

471
00:19:08,320 --> 00:19:11,280
Speaker 1: sure we was doing everything and following suit, right, That's

472
00:19:11,320 --> 00:19:15,040
Speaker 1: what it's about. Yeah, representation. Well, congratulations on the Dunkin

473
00:19:15,080 --> 00:19:15,840
Speaker 1: Donuts commercials.

474
00:19:15,880 --> 00:19:18,200
Speaker 4: Oh thank you, thank you, thank you that you're getting

475
00:19:18,200 --> 00:19:20,760
Speaker 4: a lot of endorsements dun Donuts.

476
00:19:21,680 --> 00:19:28,040
Speaker 1: It's a bunch of stuff. I didn't commercial commercial. There's

477
00:19:28,040 --> 00:19:30,000
Speaker 1: a bunch of stuff I don't know. I can't keep

478
00:19:30,080 --> 00:19:30,359
Speaker 1: up with it.

479
00:19:31,359 --> 00:19:33,679
Speaker 4: What's more lucrative endorsement money or the money you make

480
00:19:33,800 --> 00:19:34,960
Speaker 4: off social media doing.

481
00:19:36,000 --> 00:19:38,760
Speaker 1: Its equally the same kind of It just depends on

482
00:19:38,840 --> 00:19:41,320
Speaker 1: the deal. I think, Uh, it depends on what what

483
00:19:41,480 --> 00:19:44,399
Speaker 1: the deal is. So the Super Bowl commercial definitely. That

484
00:19:44,520 --> 00:19:46,840
Speaker 1: was my first time doing that, so that is lucrative.

485
00:19:46,840 --> 00:19:49,520
Speaker 1: If the people out there don't know a Super Bowl

486
00:19:49,560 --> 00:19:53,760
Speaker 1: commercial is you know what's crazy. I saw that Jim

487
00:19:53,880 --> 00:19:56,639
Speaker 1: Carrey was supposed to be in this Dunkin Donuts commercial

488
00:19:56,680 --> 00:20:01,680
Speaker 1: with all of us, so accidentally, yeah, ye, Jim Carrey

489
00:20:01,760 --> 00:20:03,520
Speaker 1: was supposed to be in it, and they accidentally sent

490
00:20:03,840 --> 00:20:05,680
Speaker 1: that amount of money that he was supposed to get

491
00:20:05,720 --> 00:20:07,560
Speaker 1: for the two hours that he was going to be

492
00:20:07,640 --> 00:20:12,280
Speaker 1: on set. And I was mind blowing. Yeah, well we

493
00:20:12,560 --> 00:20:13,800
Speaker 1: we had to act like we didn't see it.

494
00:20:14,000 --> 00:20:14,240
Speaker 9: Wow.

495
00:20:14,960 --> 00:20:16,920
Speaker 1: But then my team kind of yeah it was. It

496
00:20:17,000 --> 00:20:20,200
Speaker 1: was up there over for two hours to be on set. Yeah, wow,

497
00:20:20,359 --> 00:20:22,320
Speaker 1: it was. It was up in that area and I'm like,

498
00:20:22,480 --> 00:20:24,760
Speaker 1: what so we argue back with them. They didn't budge them.

499
00:20:26,359 --> 00:20:28,399
Speaker 1: You ain't Jim Carrey, so they didn't. Yeah, but no,

500
00:20:28,520 --> 00:20:30,560
Speaker 1: I just thought it was kind of like, damn, like

501
00:20:30,920 --> 00:20:33,119
Speaker 1: this is the level to work up to. This is

502
00:20:33,480 --> 00:20:35,080
Speaker 1: It was kind of inspirational a little bit, seeing the

503
00:20:35,160 --> 00:20:37,359
Speaker 1: number that they had him there for two hours. We

504
00:20:37,400 --> 00:20:39,800
Speaker 1: got more with Drew Ski when we come back, don't move.

505
00:20:39,840 --> 00:20:46,119
Speaker 1: It's the Breakfast Club. Good Morning, The Breakfast Club Morning

506
00:20:46,160 --> 00:20:49,280
Speaker 1: everybody is the j n Vy just hilarious.

507
00:20:49,320 --> 00:20:51,600
Speaker 2: Charlamagne the guy, we are the breakfast Club, long the

508
00:20:51,640 --> 00:20:53,040
Speaker 2: roaster singing with us as well.

509
00:20:53,280 --> 00:20:55,840
Speaker 1: We're still kicking it with Drew Ski. Charlamagne. Now you

510
00:20:55,960 --> 00:20:58,280
Speaker 1: got this new show could have been in Love. Are

511
00:20:58,320 --> 00:20:59,239
Speaker 1: you really looking for love?

512
00:20:59,320 --> 00:20:59,520
Speaker 3: Dude?

513
00:20:59,720 --> 00:20:59,920
Speaker 8: Yeah?

514
00:21:00,280 --> 00:21:05,399
Speaker 1: Yes, seriously, seriously, and and the show will show that

515
00:21:05,520 --> 00:21:07,399
Speaker 1: I am looking for love. And it was amongst a

516
00:21:07,520 --> 00:21:09,680
Speaker 1: bunch of girls in the house. You know, I think

517
00:21:09,840 --> 00:21:12,160
Speaker 1: it was probably the best situation to do because it's

518
00:21:12,200 --> 00:21:14,720
Speaker 1: like bringing back the vibes of like Flavor of Love

519
00:21:14,920 --> 00:21:16,920
Speaker 1: and you know those shows like I Love New York

520
00:21:17,359 --> 00:21:20,080
Speaker 1: and this time because nobody in this generation has seen that.

521
00:21:20,600 --> 00:21:22,520
Speaker 1: I grew up watching that type of stuff, you know,

522
00:21:22,720 --> 00:21:25,240
Speaker 1: and that is really what I wanted to bring that

523
00:21:25,400 --> 00:21:27,480
Speaker 1: vibe of. It was like, all right, if Flavor Flave

524
00:21:27,560 --> 00:21:31,960
Speaker 1: can find love, Flavor fla No, I'm not saying that

525
00:21:32,320 --> 00:21:34,800
Speaker 1: I just met the dude. He's he still looked the same,

526
00:21:35,280 --> 00:21:41,040
Speaker 1: but yeah, he's a good nice person. Now when a

527
00:21:41,080 --> 00:21:44,280
Speaker 1: girl say you a nice person, what that means, bro?

528
00:21:44,760 --> 00:21:45,320
Speaker 3: What that means?

529
00:21:45,720 --> 00:21:48,119
Speaker 1: No, he's a good dude, He's a good guy. But

530
00:21:49,600 --> 00:21:53,600
Speaker 1: Flavor Flave can find love on television. I was like,

531
00:21:53,600 --> 00:21:56,680
Speaker 1: all right, let me just go with his model. It

532
00:21:56,800 --> 00:21:58,600
Speaker 1: makes sense, though, I think I'm looking for it. What

533
00:21:58,840 --> 00:22:00,720
Speaker 1: type of woman? Like, what's we got a lot of

534
00:22:00,800 --> 00:22:05,280
Speaker 1: women that was in the house. Yea meat ball, Yeah,

535
00:22:05,960 --> 00:22:08,159
Speaker 1: I said, we got the trench babies in there. You know,

536
00:22:08,400 --> 00:22:11,240
Speaker 1: so I wanted a selection of all I have white

537
00:22:11,440 --> 00:22:16,480
Speaker 1: black Latino b Yeah we got. Well, he's not a contestant, doctor,

538
00:22:18,600 --> 00:22:20,800
Speaker 1: not a contestant, but he is. He did help me

539
00:22:20,840 --> 00:22:23,760
Speaker 1: find love. We have Bobby Altov. She was helping us

540
00:22:23,800 --> 00:22:28,520
Speaker 1: find the Caleb Presley girls off immediately. Yes, young and

541
00:22:28,600 --> 00:22:31,480
Speaker 1: May also was helping us as well. Yeah, but uh yeah,

542
00:22:31,520 --> 00:22:34,159
Speaker 1: doctor Lumar. He wasn't with all the you know, he

543
00:22:34,280 --> 00:22:38,920
Speaker 1: was straight pro Afro American and he let them know.

544
00:22:39,080 --> 00:22:41,639
Speaker 1: Like he was asking some of the Latino girls, He's like,

545
00:22:41,720 --> 00:22:45,399
Speaker 1: do you see yourself as Afro Latino or just And

546
00:22:45,440 --> 00:22:46,000
Speaker 1: I'm like, what the.

547
00:22:46,359 --> 00:22:47,040
Speaker 9: Does that mean?

548
00:22:47,320 --> 00:22:49,639
Speaker 1: It doesn't make sense what he's saying. It's like, what

549
00:22:49,880 --> 00:22:53,520
Speaker 1: is Afro Latino? He's like, do you believe you are

550
00:22:53,640 --> 00:22:59,120
Speaker 1: Afro Latina? It didn't. Yeah, he's he's a fantastic Yes,

551
00:22:59,560 --> 00:23:02,320
Speaker 1: get him for in particular, I wanted to see what

552
00:23:02,720 --> 00:23:05,040
Speaker 1: girls were in it for the money, and I wanted

553
00:23:05,040 --> 00:23:07,520
Speaker 1: to see what girls were in it honestly to be

554
00:23:07,720 --> 00:23:11,360
Speaker 1: with the king. And he knows all about a king situation,

555
00:23:11,680 --> 00:23:15,040
Speaker 1: like how could you uplift his empire? And that was

556
00:23:15,080 --> 00:23:16,640
Speaker 1: one of the things he preched on in the show.

557
00:23:16,720 --> 00:23:18,600
Speaker 1: But he got a little We had to get him

558
00:23:18,600 --> 00:23:23,760
Speaker 1: off set. He kind of well, he yeah, yeah he was.

559
00:23:24,080 --> 00:23:26,040
Speaker 1: He was actually scaring the women on the show. We

560
00:23:26,119 --> 00:23:28,600
Speaker 1: got him off set. Jesus, Yeah, it got bad as

561
00:23:28,640 --> 00:23:30,760
Speaker 1: a joker, he really no, no, no, I think he

562
00:23:31,640 --> 00:23:33,879
Speaker 1: got into his bag of like he started arguing with

563
00:23:33,920 --> 00:23:37,880
Speaker 1: one of the white girls like that and it got Yeah,

564
00:23:39,040 --> 00:23:41,840
Speaker 1: you'll see it's on around the episode three or four.

565
00:23:42,000 --> 00:23:43,360
Speaker 1: I think you'll see him.

566
00:23:43,400 --> 00:23:44,080
Speaker 13: This is serious.

567
00:23:44,600 --> 00:23:46,119
Speaker 1: Look, it was serious.

568
00:23:46,680 --> 00:23:49,280
Speaker 14: The teaser that you posted on your Instagram, you lean

569
00:23:49,359 --> 00:23:51,280
Speaker 14: a lot into the whole Ruby Rolls. People thought that

570
00:23:51,400 --> 00:23:53,320
Speaker 14: was fake situation. So I didn't know this show was

571
00:23:53,359 --> 00:23:55,560
Speaker 14: like you really looking for love or it's another gimmicks.

572
00:23:55,880 --> 00:23:58,040
Speaker 1: We just wanted to make it like feel like yo,

573
00:23:58,320 --> 00:24:02,119
Speaker 1: like this stuff was covered on TMZ and all these pages.

574
00:24:02,160 --> 00:24:04,200
Speaker 1: We might as well look for love. If this is

575
00:24:04,880 --> 00:24:07,840
Speaker 1: what's going on, It's like Yo, this year, for some reason,

576
00:24:07,960 --> 00:24:09,879
Speaker 1: my love life has mattered the most. So it's like,

577
00:24:09,880 --> 00:24:12,040
Speaker 1: all right, why wouldn't we do a show that's kind

578
00:24:12,040 --> 00:24:13,720
Speaker 1: of what we wanted to show? Like, all right, this

579
00:24:14,000 --> 00:24:16,439
Speaker 1: is kind of almost makes sense to do right now,

580
00:24:16,520 --> 00:24:17,680
Speaker 1: in a comedic way, of course.

581
00:24:17,760 --> 00:24:19,840
Speaker 14: But yeah, I think for some reason. It was in

582
00:24:19,920 --> 00:24:21,760
Speaker 14: the back of the boat kissing Ruby Rose. That's why

583
00:24:21,800 --> 00:24:22,120
Speaker 14: we care.

584
00:24:22,320 --> 00:24:24,359
Speaker 1: I mean yeah, No, I'm not saying for some reason.

585
00:24:24,400 --> 00:24:25,720
Speaker 1: I'm just saying it just was.

586
00:24:25,960 --> 00:24:26,119
Speaker 3: You know.

587
00:24:26,320 --> 00:24:31,000
Speaker 1: That's what this year consists. I've never really been public. No,

588
00:24:31,320 --> 00:24:32,280
Speaker 1: I didn't, well I didn't.

589
00:24:32,480 --> 00:24:32,840
Speaker 8: She did.

590
00:24:33,080 --> 00:24:36,359
Speaker 11: Yeah, she said you paid for pr not Jesus.

591
00:24:36,840 --> 00:24:37,920
Speaker 1: That's neither here nor there.

592
00:24:37,960 --> 00:24:38,160
Speaker 8: Brother.

593
00:24:38,280 --> 00:24:39,719
Speaker 1: I just you know, I just go with the fly.

594
00:24:39,800 --> 00:24:40,520
Speaker 1: I let people talk.

595
00:24:40,600 --> 00:24:40,719
Speaker 8: Man.

596
00:24:40,760 --> 00:24:44,000
Speaker 1: I don't love me. Love is a strong word.

597
00:24:45,200 --> 00:24:45,760
Speaker 8: Yes I did.

598
00:24:45,880 --> 00:24:49,200
Speaker 1: I did break your heart. Nah, I don't think at all.

599
00:24:49,280 --> 00:24:51,320
Speaker 1: I think, yeah, I think it might have just been

600
00:24:51,400 --> 00:24:54,720
Speaker 1: my fault. There's some things that transpired in the midst

601
00:24:54,760 --> 00:24:56,760
Speaker 1: of all the you know all that boat man, you

602
00:24:56,800 --> 00:24:59,720
Speaker 1: know how it goes. I don't know what did you cry? No? No, no,

603
00:24:59,840 --> 00:25:01,359
Speaker 1: we wasn't in that deep. But this, that's why I

604
00:25:01,400 --> 00:25:03,720
Speaker 1: said it wouldn't love. It wasn't at that point.

605
00:25:03,560 --> 00:25:05,760
Speaker 14: Yet, but you were with her, which was a big deal.

606
00:25:05,800 --> 00:25:07,120
Speaker 14: I think that's why we all thought it was fake

607
00:25:07,160 --> 00:25:09,879
Speaker 14: because we were like never like you know.

608
00:25:09,920 --> 00:25:10,479
Speaker 8: What it was though.

609
00:25:10,600 --> 00:25:13,840
Speaker 1: It was probably because we grew up around like the

610
00:25:13,960 --> 00:25:18,400
Speaker 1: same area, so it was kind of like naturally eventually

611
00:25:18,640 --> 00:25:20,320
Speaker 1: maybe gonna happen, you know what I mean. Like it

612
00:25:20,400 --> 00:25:24,359
Speaker 1: was like because of friends and like other people around

613
00:25:24,440 --> 00:25:26,920
Speaker 1: her camp, being with people around my camp, we always

614
00:25:27,040 --> 00:25:29,200
Speaker 1: see each other. It was like always like a blow

615
00:25:29,280 --> 00:25:32,800
Speaker 1: by situation. She was like, yeah, but then sometimes I

616
00:25:32,840 --> 00:25:35,040
Speaker 1: ain't got no money yet, you ain't got no money.

617
00:25:35,080 --> 00:25:36,639
Speaker 1: But that was at the time. No, I'm saying at

618
00:25:36,680 --> 00:25:39,800
Speaker 1: the time, No, no, no, I'm talking about back then.

619
00:25:40,119 --> 00:25:41,640
Speaker 1: I'm saying, like when we grew up in the same area,

620
00:25:41,720 --> 00:25:43,960
Speaker 1: so it's like always wanted her. But you know, I

621
00:25:43,960 --> 00:25:46,120
Speaker 1: ain't say that either, But I'm just saying it's like, ah,

622
00:25:46,520 --> 00:25:48,639
Speaker 1: but I might, I might, I don't know, but that

623
00:25:50,240 --> 00:25:53,520
Speaker 1: together I ain't. I don't think I bought No, No,

624
00:25:53,600 --> 00:25:53,880
Speaker 1: I did.

625
00:25:53,960 --> 00:25:54,479
Speaker 8: I did.

626
00:25:54,600 --> 00:25:56,359
Speaker 1: I did, like some flowers, but it was only like

627
00:25:56,440 --> 00:25:57,160
Speaker 1: a couple of weeks.

628
00:25:57,200 --> 00:25:59,720
Speaker 13: It just wait, your whole relationship with her.

629
00:25:59,760 --> 00:26:02,680
Speaker 1: Yeah, it might have been like I don't know, two

630
00:26:02,800 --> 00:26:07,119
Speaker 1: three weeks in public, two three weeks. Yeah, I was wild. No,

631
00:26:07,200 --> 00:26:09,200
Speaker 1: I wouldn't know that. Just what you know what it is.

632
00:26:09,600 --> 00:26:11,560
Speaker 1: It's because I thought like, all right, this is what

633
00:26:11,680 --> 00:26:14,080
Speaker 1: we're supposed to do. I'm thinking like, oh, we're both

634
00:26:14,119 --> 00:26:16,320
Speaker 1: in the public. Guy, this is this is what's supposed

635
00:26:16,359 --> 00:26:17,080
Speaker 1: to happen, Like.

636
00:26:17,160 --> 00:26:19,080
Speaker 13: Let me get ahead of it before it happens.

637
00:26:18,800 --> 00:26:20,880
Speaker 1: Type of thing. No, not even before it happens. It's

638
00:26:20,960 --> 00:26:23,359
Speaker 1: like I was like, kid, I mean, somebody's gonna leak it.

639
00:26:23,359 --> 00:26:25,399
Speaker 1: At some point. We're going out in public and doing stuff.

640
00:26:26,240 --> 00:26:28,199
Speaker 1: Might as well might not, you know, like it might

641
00:26:28,240 --> 00:26:30,440
Speaker 1: as well. So I don't think it was a bad

642
00:26:30,560 --> 00:26:32,720
Speaker 1: situation to go public. I just think it might have

643
00:26:32,840 --> 00:26:36,200
Speaker 1: just been a little too early. Like with going public,

644
00:26:36,280 --> 00:26:39,000
Speaker 1: I do believe you can do it too early before

645
00:26:39,160 --> 00:26:41,560
Speaker 1: y'all get to adjust and like just like how you

646
00:26:41,640 --> 00:26:43,240
Speaker 1: can move in with a female too early.

647
00:26:43,880 --> 00:26:46,600
Speaker 14: I think anything that you do, like revolving, like involving

648
00:26:46,680 --> 00:26:48,640
Speaker 14: you and like you look, people would just be making jokes.

649
00:26:48,720 --> 00:26:50,680
Speaker 14: You posted a photo about you getting ready for the

650
00:26:50,760 --> 00:26:51,720
Speaker 14: NBA All Star Game.

651
00:26:55,200 --> 00:26:56,639
Speaker 1: Kill old meal, they cat you?

652
00:26:56,720 --> 00:26:56,760
Speaker 4: What?

653
00:27:00,400 --> 00:27:03,000
Speaker 1: But see that that's what it is. Sometimes that's why

654
00:27:03,040 --> 00:27:05,200
Speaker 1: I say you can't. Some goofy girls they be like,

655
00:27:05,240 --> 00:27:07,440
Speaker 1: oh my god, I'm made for you, Like you have

656
00:27:07,600 --> 00:27:10,240
Speaker 1: no idea how funny I am. And I'm like, I

657
00:27:10,400 --> 00:27:12,639
Speaker 1: have no, you have no idea. I would never date you,

658
00:27:13,040 --> 00:27:14,960
Speaker 1: you know what I'm saying, Just because it's like, sometimes

659
00:27:15,359 --> 00:27:17,040
Speaker 1: you don't want a girl that play too much. Some

660
00:27:17,119 --> 00:27:18,560
Speaker 1: of those girls that play too much just go too

661
00:27:18,640 --> 00:27:22,359
Speaker 1: far too Like I have had a situation where a girl,

662
00:27:22,440 --> 00:27:23,760
Speaker 1: you know what I'm saying, kind of like where you

663
00:27:24,119 --> 00:27:26,680
Speaker 1: you said in that setting in the in the bedroom,

664
00:27:26,960 --> 00:27:28,600
Speaker 1: and she was like, damn you got a gap between

665
00:27:28,640 --> 00:27:31,600
Speaker 1: your legs and she wasn't talking about I thought. I

666
00:27:31,720 --> 00:27:34,920
Speaker 1: was like what that means? She said, my thighs was

667
00:27:35,040 --> 00:27:37,679
Speaker 1: making it look like a gap like they touched.

668
00:27:38,760 --> 00:27:42,800
Speaker 15: Oh, like they spelled the word got talk about this, No,

669
00:27:43,560 --> 00:27:47,640
Speaker 15: I'm not pronounced yeah. Got a yat a gap, Yeah,

670
00:27:48,160 --> 00:27:53,439
Speaker 15: but a yat a yeah like a goat damn oh

671
00:27:53,560 --> 00:27:58,240
Speaker 15: like god, damn, like a fat old ass. She said, thighs.

672
00:27:59,280 --> 00:28:01,960
Speaker 15: She said, Hey, man, we're not talking about it. I'm

673
00:28:02,000 --> 00:28:03,160
Speaker 15: just telling you what she said.

674
00:28:04,000 --> 00:28:07,320
Speaker 1: So that's why I say to say sometimes it ain't

675
00:28:07,440 --> 00:28:12,080
Speaker 1: good today. The girl as goofy, do too much in it.

676
00:28:12,200 --> 00:28:15,800
Speaker 1: And I went from up to downtown real fast. That

677
00:28:15,880 --> 00:28:16,480
Speaker 1: might not have been goofy.

678
00:28:16,520 --> 00:28:17,280
Speaker 11: That's just an observation.

679
00:28:17,560 --> 00:28:23,320
Speaker 1: It's just it's like like like shut her. Yeah, it's like,

680
00:28:23,440 --> 00:28:25,639
Speaker 1: come on now, don't say that right now, because a

681
00:28:25,760 --> 00:28:28,320
Speaker 1: girl that's goofy always dates a dude that's like quiet,

682
00:28:28,440 --> 00:28:30,560
Speaker 1: kind of chill. If you ever noticed it, it's not

683
00:28:30,640 --> 00:28:33,120
Speaker 1: that you can't handle it. Sometimes it'll be too much, man,

684
00:28:33,200 --> 00:28:33,840
Speaker 1: it's too much.

685
00:28:33,960 --> 00:28:35,240
Speaker 13: She told you together.

686
00:28:35,359 --> 00:28:37,240
Speaker 1: Now you said when she said the gap, it was cool.

687
00:28:37,320 --> 00:28:39,680
Speaker 1: She would have said, but she said, you make a gap.

688
00:28:40,600 --> 00:28:43,560
Speaker 13: I'm like, you wear your getting ready for.

689
00:28:46,200 --> 00:28:46,520
Speaker 8: Me or her?

690
00:28:46,720 --> 00:28:49,360
Speaker 13: First of all, you you wear T shirts and the pool.

691
00:28:51,000 --> 00:28:53,560
Speaker 1: I'm a T shirt and the pool. I'm gonna say, yeah, yeah,

692
00:28:54,400 --> 00:28:57,080
Speaker 1: living your life a little bit, a little bit. Yeah,

693
00:28:57,120 --> 00:28:58,640
Speaker 1: I'll throw it up a little bit, but you know,

694
00:28:59,200 --> 00:29:00,720
Speaker 1: I'm one of them. I'll put it on like a

695
00:29:00,760 --> 00:29:04,080
Speaker 1: little uh what's like like a little soccer shirt. Why

696
00:29:04,120 --> 00:29:07,320
Speaker 1: would you put the water shirts? You heard them? Yeah,

697
00:29:09,720 --> 00:29:11,960
Speaker 1: I noticed that. And it could have been look like

698
00:29:12,040 --> 00:29:13,760
Speaker 1: saucy a little bit when you.

699
00:29:13,840 --> 00:29:14,240
Speaker 8: Was doing it.

700
00:29:20,320 --> 00:29:26,400
Speaker 1: Yeah, not saucy. Saucy. Come on, man, not asid freaky

701
00:29:26,440 --> 00:29:30,680
Speaker 1: as right there. No, I'm not saying that. I'm just

702
00:29:30,760 --> 00:29:32,200
Speaker 1: saying off the you know, being on.

703
00:29:32,840 --> 00:29:34,480
Speaker 2: All Right, we got more with Drew Ski when we

704
00:29:34,640 --> 00:29:37,160
Speaker 2: come back. Let's get into his new single. This one

705
00:29:37,240 --> 00:29:39,920
Speaker 2: features Young Blue and Young It could have been love.

706
00:29:40,200 --> 00:29:41,040
Speaker 2: It's the Breakfast Club.

707
00:29:41,120 --> 00:29:44,640
Speaker 1: Good morning, Good morning everybody. We are the Breakfast Club.

708
00:29:44,920 --> 00:29:46,760
Speaker 1: We're still kicking it with Drew Ski, Charlamagne.

709
00:29:47,120 --> 00:29:50,240
Speaker 4: Question you Ky and keV we know we want to

710
00:29:50,240 --> 00:29:53,080
Speaker 4: see the movie. Is their actual talks happening.

711
00:29:53,720 --> 00:29:56,880
Speaker 1: Yes, yes, he just called us last night, spazing on us.

712
00:29:58,640 --> 00:29:59,120
Speaker 3: Yeah, he is.

713
00:29:59,160 --> 00:30:01,640
Speaker 1: And Kevin Lart just letting us know. He was like, guys,

714
00:30:01,720 --> 00:30:04,160
Speaker 1: get serious about this because he gave us a list

715
00:30:04,200 --> 00:30:07,040
Speaker 1: of movies to watch to study. He wanted us to

716
00:30:07,760 --> 00:30:10,040
Speaker 1: I guess I watched some of the movies, but KD dinnitt.

717
00:30:10,200 --> 00:30:12,000
Speaker 1: So he was like, listen, man, it's not like you

718
00:30:12,120 --> 00:30:14,480
Speaker 1: got to do y'all ain't doing. He said, what movies

719
00:30:14,520 --> 00:30:16,160
Speaker 1: you got set up for this year? And we both

720
00:30:16,240 --> 00:30:18,240
Speaker 1: just I said, come on, don't do that to us, man,

721
00:30:18,280 --> 00:30:20,720
Speaker 1: don't but he's he honestly was just he's it's like

722
00:30:20,840 --> 00:30:22,760
Speaker 1: hard parenting you know what I mean. He's like letting

723
00:30:22,840 --> 00:30:25,480
Speaker 1: us know, let yo lock in because this is like

724
00:30:25,560 --> 00:30:27,960
Speaker 1: I'm trying to get y'all to that next level of thinking,

725
00:30:28,040 --> 00:30:29,920
Speaker 1: Like all right, if I'm telling you to study this

726
00:30:30,200 --> 00:30:31,880
Speaker 1: or do this, or study the script or look at

727
00:30:31,920 --> 00:30:34,360
Speaker 1: this movie, that definitely is something you should do because

728
00:30:34,400 --> 00:30:36,960
Speaker 1: this is gonna benefit your future. So you know, he

729
00:30:37,120 --> 00:30:38,640
Speaker 1: just was taking it hard on us. But yeah, nah,

730
00:30:38,760 --> 00:30:41,680
Speaker 1: I think we have a bunch of meetings set up

731
00:30:41,760 --> 00:30:44,680
Speaker 1: right now to where we'll be shooting very soon. I

732
00:30:44,720 --> 00:30:46,600
Speaker 1: don't know exactly the month, but it will be this year.

733
00:30:48,360 --> 00:30:50,680
Speaker 1: I've seen part of the script at the beginning of it.

734
00:30:50,920 --> 00:30:52,960
Speaker 1: It's at the beginning stages to where they're like in

735
00:30:53,040 --> 00:30:56,560
Speaker 1: a writing room right now. So writing room means like

736
00:30:56,800 --> 00:30:59,160
Speaker 1: multiple different writers are like punching up jokes on it.

737
00:30:59,240 --> 00:31:01,440
Speaker 1: And then also all of us have, like I say

738
00:31:01,520 --> 00:31:02,880
Speaker 1: so on what's being written.

739
00:31:03,000 --> 00:31:05,080
Speaker 4: So I do like that keV does that for y'all

740
00:31:05,120 --> 00:31:07,160
Speaker 4: because there is another level. I know that you and

741
00:31:07,240 --> 00:31:10,160
Speaker 4: Ki a whole lot of but there is another level.

742
00:31:09,920 --> 00:31:12,320
Speaker 1: To He's like, Yo, you guys are you guys are lit?

743
00:31:12,400 --> 00:31:14,400
Speaker 1: But you know, if you want to be the man

744
00:31:14,560 --> 00:31:18,160
Speaker 1: forever or you know the superstar, this is the type

745
00:31:18,160 --> 00:31:19,880
Speaker 1: of stuff you got to do. So he's just given

746
00:31:19,960 --> 00:31:23,520
Speaker 1: that that firm parenting of like take this serious, like

747
00:31:23,600 --> 00:31:27,200
Speaker 1: I understand, y'all, yeah, saying oh, I'm busy. I'm seriously guys,

748
00:31:27,360 --> 00:31:29,000
Speaker 1: what movies you got set up?

749
00:31:29,040 --> 00:31:29,240
Speaker 3: Right now?

750
00:31:29,440 --> 00:31:31,880
Speaker 11: A Project X style movie? Was that one of the

751
00:31:31,960 --> 00:31:32,840
Speaker 11: movies he asked you how to watch?

752
00:31:34,160 --> 00:31:34,640
Speaker 3: What did?

753
00:31:36,480 --> 00:31:39,120
Speaker 1: No, it's I don't want to say, because then that

754
00:31:39,160 --> 00:31:42,000
Speaker 1: will give off our idea of whatever we're shooting. Who

755
00:31:42,080 --> 00:31:43,240
Speaker 1: told you Project X style?

756
00:31:44,200 --> 00:31:46,240
Speaker 11: Common sense? A Project X style movie?

757
00:31:46,720 --> 00:31:47,040
Speaker 8: With you?

758
00:31:47,800 --> 00:31:50,120
Speaker 1: Drew Ski, cav Kai, can you.

759
00:31:56,880 --> 00:31:57,680
Speaker 2: With you?

760
00:31:58,320 --> 00:31:59,000
Speaker 1: Kevin Kai?

761
00:31:59,680 --> 00:32:02,200
Speaker 4: And literally Kayle can be on scream the whole movie

762
00:32:02,360 --> 00:32:04,720
Speaker 4: and as he screams, the scream gets bigger, but the

763
00:32:04,760 --> 00:32:06,680
Speaker 4: party keeps getting bigger and biggest house.

764
00:32:07,320 --> 00:32:10,600
Speaker 1: I will say that this movie will be amazing. Whatever

765
00:32:10,680 --> 00:32:14,080
Speaker 1: we do. I don't know the specifics all the way through,

766
00:32:14,160 --> 00:32:16,200
Speaker 1: yet we're still in the right room. So yeah, Nah,

767
00:32:16,360 --> 00:32:20,040
Speaker 1: keV is honestly being like the father figure and like

768
00:32:20,200 --> 00:32:22,480
Speaker 1: setting all this up. So yeah, and he and he

769
00:32:22,720 --> 00:32:25,480
Speaker 1: really is like locked in with all amongst all the

770
00:32:25,520 --> 00:32:27,400
Speaker 1: other stuff he's got going on as well, Like he's

771
00:32:27,480 --> 00:32:28,520
Speaker 1: really he's locked in.

772
00:32:29,160 --> 00:32:31,640
Speaker 4: Listen, it's right there. I looked at Keky Palm and

773
00:32:31,760 --> 00:32:34,160
Speaker 4: says a movie is at forty million dollars. The one

774
00:32:34,200 --> 00:32:38,960
Speaker 4: that I feel like y'all can do that are even more. Yeah, easy,

775
00:32:39,080 --> 00:32:40,600
Speaker 4: I agree, you know what I mean. And it's not

776
00:32:40,680 --> 00:32:42,240
Speaker 4: going to cost a lot to shoot a movie with

777
00:32:42,360 --> 00:32:45,200
Speaker 4: you like y'all. That Yeah, that's the next level.

778
00:32:45,280 --> 00:32:47,280
Speaker 1: I agree. This weekend, you're gonna be at the NBA

779
00:32:47,320 --> 00:32:48,600
Speaker 1: Celebrity All Star Game.

780
00:32:48,720 --> 00:32:48,880
Speaker 15: Did you.

781
00:32:50,120 --> 00:32:53,040
Speaker 1: I've been training. I've been training with a trainer from

782
00:32:53,080 --> 00:32:57,280
Speaker 1: OTE over time and uh yeah, he's trained like Bradley

783
00:32:57,360 --> 00:33:01,760
Speaker 1: Beal amongst other NBA players and stuff. So Court Fraser, are.

784
00:33:01,720 --> 00:33:03,040
Speaker 11: You really trying to go out there and win MVP?

785
00:33:03,400 --> 00:33:06,080
Speaker 1: Yeah, I'm trying to win m v P because of

786
00:33:06,120 --> 00:33:08,360
Speaker 1: course I'm gonna be entertaining and while announce stuff. But

787
00:33:08,360 --> 00:33:09,840
Speaker 1: I got you gotta put up some points to get

788
00:33:09,880 --> 00:33:15,960
Speaker 1: the m v P. Uh No, I don't think v Yeah.

789
00:33:16,240 --> 00:33:18,160
Speaker 1: NBA just got to do better on the rosters, man,

790
00:33:18,200 --> 00:33:21,120
Speaker 1: they gotta. I think they just should bring a little

791
00:33:21,120 --> 00:33:24,000
Speaker 1: bit more of like our world into it. NFL did

792
00:33:24,040 --> 00:33:28,000
Speaker 1: a good job this past weekend. Yeah, they had like me,

793
00:33:28,320 --> 00:33:32,560
Speaker 1: lotto sexy red car speed. They just had.

794
00:33:32,640 --> 00:33:33,200
Speaker 8: They had like.

795
00:33:33,320 --> 00:33:37,000
Speaker 1: People that like people understand like that these are celebrities.

796
00:33:37,560 --> 00:33:39,760
Speaker 1: What NBA they got. There's there's a lot of people

797
00:33:39,760 --> 00:33:43,920
Speaker 1: on my team on your team, on your team, Matt

798
00:33:44,000 --> 00:33:44,680
Speaker 1: Bonds on your team.

799
00:33:45,080 --> 00:33:45,400
Speaker 3: I knew that.

800
00:33:45,560 --> 00:33:50,400
Speaker 1: Yeah, Chris Brickley the training. Yeah. So the Drew skis

801
00:33:50,440 --> 00:33:53,600
Speaker 1: point he needs more of the generations. No, I'm just saying, like,

802
00:33:53,800 --> 00:33:57,200
Speaker 1: I just think that they you should have a couple

803
00:33:57,320 --> 00:34:02,520
Speaker 1: more you generate, Yeah, my generation that No. IM not

804
00:34:02,640 --> 00:34:04,400
Speaker 1: saying it has to be that either. I'm just saying,

805
00:34:04,480 --> 00:34:08,200
Speaker 1: like some of the name I think I'm probably gonna

806
00:34:08,239 --> 00:34:09,680
Speaker 1: run point. Definitely not.

807
00:34:15,520 --> 00:34:15,719
Speaker 8: Point.

808
00:34:15,760 --> 00:34:17,840
Speaker 1: You need to be playing center. Hey man, listen and

809
00:34:18,920 --> 00:34:21,040
Speaker 1: y'all will see me after I win m v P

810
00:34:21,920 --> 00:34:24,399
Speaker 1: that I am at the guard position. You're not playing.

811
00:34:24,800 --> 00:34:28,080
Speaker 1: Definitely playing guard, you're not playing. Somebody on line said

812
00:34:28,080 --> 00:34:31,440
Speaker 1: I'm playing the wrong guard position. They said, it's for football,

813
00:34:31,480 --> 00:34:35,360
Speaker 1: you should do security. Somebody said, are pulling guard? What

814
00:34:35,400 --> 00:34:38,839
Speaker 1: do you do for Valentine? Valentine the game that kind

815
00:34:38,880 --> 00:34:41,120
Speaker 1: of messes up any Valentine's Day plans. I got with

816
00:34:41,200 --> 00:34:44,000
Speaker 1: a bunch of girls, had a bunch of them lined up.

817
00:34:45,040 --> 00:34:48,160
Speaker 1: You gotta work. I had a bunch of them lined up,

818
00:34:48,520 --> 00:34:51,200
Speaker 1: just I'm playing in the game. I'm busy. I'm busy,

819
00:34:51,280 --> 00:34:52,680
Speaker 1: Like I said, like, why can't she go with you

820
00:34:52,719 --> 00:34:55,040
Speaker 1: the AST all weekend? Hey, I'm locked in. I'm trying

821
00:34:55,040 --> 00:34:57,279
Speaker 1: to get m v P true. True, all the ones

822
00:34:57,320 --> 00:34:59,680
Speaker 1: I had lined up that I can't do it. Can

823
00:35:00,120 --> 00:35:01,960
Speaker 1: I can't do the whole rose pedal at the hotel thing.

824
00:35:02,000 --> 00:35:04,080
Speaker 1: I can't run it. Okay, we could have been lovers

825
00:35:04,120 --> 00:35:06,080
Speaker 1: out nowhere. Can they see it? They can see it

826
00:35:06,120 --> 00:35:08,879
Speaker 1: on my YouTube at Drew Ski, So yeah, it could

827
00:35:08,920 --> 00:35:10,520
Speaker 1: have been loved. Let's do it. We appreciate you for

828
00:35:10,600 --> 00:35:12,640
Speaker 1: joining U following us if you're not already. But who

829
00:35:12,719 --> 00:35:15,879
Speaker 1: is it? It's juicy, ladies and gentlemen. It's the Breakfast Club.

830
00:35:15,920 --> 00:35:22,160
Speaker 1: Good boarding the breakfast Club. You're checking out the breakfast

831
00:35:22,200 --> 00:35:23,640
Speaker 1: Club morning.

832
00:35:23,680 --> 00:35:27,279
Speaker 2: Everybody is DJ Envy Angela Yee, Charlamage the guy. We

833
00:35:27,360 --> 00:35:29,440
Speaker 2: are the breakfast Club. We got some special guests in the.

834
00:35:29,440 --> 00:35:31,600
Speaker 13: Building with now we have one special guest.

835
00:35:31,680 --> 00:35:34,560
Speaker 4: Yeah, we always say we got special guests right in

836
00:35:34,680 --> 00:35:35,200
Speaker 4: the building.

837
00:35:36,719 --> 00:35:42,080
Speaker 1: Don't always apply to everybody. This one, this one definitely.

838
00:35:42,320 --> 00:35:43,880
Speaker 3: When it starts show up like yo, see if we

839
00:35:43,920 --> 00:35:46,080
Speaker 3: can get Donelle to come in, but I'm.

840
00:35:46,040 --> 00:35:46,400
Speaker 1: Cool with it.

841
00:35:46,480 --> 00:35:49,080
Speaker 2: We have Ashley Larry Donell rawlers, and we have a

842
00:35:49,120 --> 00:35:49,759
Speaker 2: special guest that.

843
00:35:49,800 --> 00:35:55,520
Speaker 4: Has in twelve man the legendary that's right, iconic Dame Chappelle.

844
00:35:55,760 --> 00:35:58,839
Speaker 3: Oh my god, good morning, good morning man.

845
00:35:59,200 --> 00:36:01,560
Speaker 4: See do you feel do you feel pressure to do

846
00:36:01,640 --> 00:36:03,239
Speaker 4: a great radio interview since you haven't done it in

847
00:36:03,280 --> 00:36:03,839
Speaker 4: twelve years?

848
00:36:04,520 --> 00:36:07,520
Speaker 3: Not really, I mean yeah, I just you know, I

849
00:36:07,600 --> 00:36:10,879
Speaker 3: want everybody like me. I don't come out and try

850
00:36:10,960 --> 00:36:14,279
Speaker 3: to do bad. But I saw you at the fight, Charlottagne. Yes,

851
00:36:14,360 --> 00:36:16,920
Speaker 3: I was at the Triple G Daddy Jacobs fight, and

852
00:36:16,960 --> 00:36:18,480
Speaker 3: I got to tell you. I got excited to see

853
00:36:18,520 --> 00:36:21,040
Speaker 3: and I realized I never met this person. That's how

854
00:36:21,080 --> 00:36:22,840
Speaker 3: I felt. I saw you a few rolls up. I'm like,

855
00:36:22,960 --> 00:36:25,960
Speaker 3: that's Dave Chappelle, and then you turned around and you saluted.

856
00:36:26,040 --> 00:36:27,480
Speaker 3: But I'm like, I don't think he's doing that to me.

857
00:36:28,040 --> 00:36:32,880
Speaker 3: I didn't want us to look back at first. I

858
00:36:33,000 --> 00:36:34,719
Speaker 3: want us to look back at from like, oh he's

859
00:36:34,719 --> 00:36:36,440
Speaker 3: talking to me. I told my wife and saying, you

860
00:36:36,480 --> 00:36:37,520
Speaker 3: see Da Chappelle, just say.

861
00:36:37,440 --> 00:36:37,880
Speaker 1: What's up to me?

862
00:36:38,360 --> 00:36:40,239
Speaker 4: So I'm saying all that to say, you know, I

863
00:36:40,320 --> 00:36:42,200
Speaker 4: got really good for lay show that night. Because you

864
00:36:42,239 --> 00:36:42,839
Speaker 4: said what was something?

865
00:36:43,480 --> 00:36:44,560
Speaker 13: I didn't know where that was gone?

866
00:36:47,880 --> 00:36:54,960
Speaker 1: I said, do you waken bacon the morning day, but

867
00:36:55,040 --> 00:36:56,160
Speaker 1: do you wait till after breakfast?

868
00:36:56,320 --> 00:36:58,560
Speaker 3: Yeah, I'm a waiter. I usually late at night.

869
00:36:58,760 --> 00:36:59,239
Speaker 1: Oh at night?

870
00:36:59,360 --> 00:37:02,000
Speaker 4: Okay, okay, you said something interesting. You said you don't

871
00:37:02,000 --> 00:37:04,680
Speaker 4: ever want to just present something bad. You still feel

872
00:37:04,719 --> 00:37:07,279
Speaker 4: like you got something to prove because you're like critically acclaimed,

873
00:37:07,640 --> 00:37:09,200
Speaker 4: you're respected by your peers.

874
00:37:09,840 --> 00:37:12,000
Speaker 1: You feel still like you got something to proof.

875
00:37:12,880 --> 00:37:14,719
Speaker 3: No, it's not, it's not necessarily you feel like you

876
00:37:14,760 --> 00:37:16,560
Speaker 3: have something to proved. I'm sure you guys feel the

877
00:37:16,560 --> 00:37:19,160
Speaker 3: same way. It's like quality control, right. You want to

878
00:37:19,239 --> 00:37:22,239
Speaker 3: make sure that whatever you offer you put your best

879
00:37:22,280 --> 00:37:24,319
Speaker 3: foot for. You know that does doesn't mean you want

880
00:37:24,360 --> 00:37:27,160
Speaker 3: to prove anything. This means you respect the people that

881
00:37:27,320 --> 00:37:30,320
Speaker 3: respect you, and you want to reciprocate their respect with

882
00:37:30,480 --> 00:37:31,160
Speaker 3: a good product.

883
00:37:31,320 --> 00:37:33,360
Speaker 1: You still get nervous when you do shows, or this

884
00:37:33,480 --> 00:37:34,279
Speaker 1: is a piece of cake to you.

885
00:37:34,440 --> 00:37:35,799
Speaker 16: Well, one time it didn't work out.

886
00:37:36,080 --> 00:37:37,800
Speaker 3: Yeah, sometimes it doesn't worry. You know what it's like

887
00:37:38,000 --> 00:37:40,120
Speaker 3: and done. You can attest to this when people ask

888
00:37:40,200 --> 00:37:41,880
Speaker 3: me like, do you get nervous when you going stage?

889
00:37:42,000 --> 00:37:44,520
Speaker 3: It's like asking a pilot if he gets nervous before

890
00:37:44,560 --> 00:37:52,080
Speaker 3: a flight. I might hit some weather, but I feel

891
00:37:52,080 --> 00:37:54,480
Speaker 3: like you normally you land the plane. I don't think

892
00:37:54,520 --> 00:37:56,840
Speaker 3: we've never not landed. Maybe Detroit, but other than that.

893
00:37:57,800 --> 00:37:59,120
Speaker 4: By the way, I would never want to I would

894
00:37:59,160 --> 00:38:00,680
Speaker 4: never want to know about Poble was nervous by the

895
00:38:00,719 --> 00:38:01,880
Speaker 4: way he went on, nervous.

896
00:38:02,200 --> 00:38:05,520
Speaker 5: I'm just a little confused because everybody's throwing so much

897
00:38:05,560 --> 00:38:07,800
Speaker 5: respect and Dave, I've been on this show four or

898
00:38:07,840 --> 00:38:09,680
Speaker 5: five times. When I come in here, they don't even

899
00:38:09,719 --> 00:38:14,680
Speaker 5: look me in my face every time I come here,

900
00:38:14,800 --> 00:38:17,000
Speaker 5: y'all on social media everything.

901
00:38:17,480 --> 00:38:19,880
Speaker 1: What about that time you came and I told everybody

902
00:38:19,920 --> 00:38:22,000
Speaker 1: I said, no matter what Donelle says, do not laugh.

903
00:38:27,840 --> 00:38:30,239
Speaker 3: It was like it was like I was like, oh,

904
00:38:30,400 --> 00:38:31,440
Speaker 3: this looked like the setup.

905
00:38:31,960 --> 00:38:33,960
Speaker 1: What made you even like down there was? It was

906
00:38:35,880 --> 00:38:39,040
Speaker 1: damn what was it down there that said I could

907
00:38:39,040 --> 00:38:39,640
Speaker 1: work with this guy?

908
00:38:40,719 --> 00:38:42,680
Speaker 3: The first time I heard about you, I was I

909
00:38:42,760 --> 00:38:45,440
Speaker 3: went home to d C and I went to the

910
00:38:45,520 --> 00:38:47,640
Speaker 3: comedy club and I asked him old comers like, what's

911
00:38:47,680 --> 00:38:50,640
Speaker 3: popping around here? And everybody was like Yo, you gotta

912
00:38:50,640 --> 00:38:54,000
Speaker 3: see this new kid down now rawlings. And then I

913
00:38:54,120 --> 00:38:56,839
Speaker 3: met you and we had we had a swell time,

914
00:38:57,719 --> 00:38:58,719
Speaker 3: remember that. Yeah, I do.

915
00:39:00,400 --> 00:39:08,160
Speaker 1: Swell time alone everywhere.

916
00:39:12,440 --> 00:39:15,439
Speaker 3: I watched the like, okay, like I watched your show

917
00:39:15,520 --> 00:39:17,439
Speaker 3: one line all the time, Like I watched all you guys.

918
00:39:17,880 --> 00:39:19,920
Speaker 3: I've seen the I just watched an interview that you

919
00:39:20,040 --> 00:39:23,160
Speaker 3: did with Neil ye face, that's my guy. I watched

920
00:39:23,200 --> 00:39:24,719
Speaker 3: you on a real estate show.

921
00:39:25,480 --> 00:39:25,680
Speaker 14: Yeah.

922
00:39:26,560 --> 00:39:29,960
Speaker 3: And then and I saw you with the DJIL Awards.

923
00:39:30,280 --> 00:39:32,319
Speaker 3: I presented award to you, and you promise. You said,

924
00:39:32,320 --> 00:39:33,840
Speaker 3: i'mnna come on the show. You said, you know, I

925
00:39:33,840 --> 00:39:35,560
Speaker 3: gotta need a little time, but I'm gonna come. Yeah,

926
00:39:35,600 --> 00:39:36,440
Speaker 3: that's right, that's right.

927
00:39:36,520 --> 00:39:38,920
Speaker 1: You definitely kept your work. Yeah, man, suit to my guy, Neil.

928
00:39:38,920 --> 00:39:41,080
Speaker 4: Why do you think white people have gravitated towards you

929
00:39:41,239 --> 00:39:43,719
Speaker 4: your comedy, because it's been like that your whole career.

930
00:39:43,880 --> 00:39:45,359
Speaker 3: Well, you know, I don't know. I don't look at

931
00:39:45,360 --> 00:39:47,320
Speaker 3: it that way, like the whites are really gravitating to it.

932
00:39:49,160 --> 00:39:51,600
Speaker 3: I don't use those I don't use those kinds of metrics.

933
00:39:54,000 --> 00:39:56,160
Speaker 3: I think all of us, at some point we have

934
00:39:56,520 --> 00:40:00,399
Speaker 3: ventured into some kind of cultural cross road. Well, black

935
00:40:00,480 --> 00:40:05,440
Speaker 3: people with corporate people, and we don't smoke weed. We all,

936
00:40:05,560 --> 00:40:08,200
Speaker 3: you know, we traverse the American landscape. So I don't

937
00:40:08,239 --> 00:40:11,160
Speaker 3: think there's anyone in America that I'm incapable of communicating

938
00:40:11,200 --> 00:40:12,000
Speaker 3: to on some level.

939
00:40:12,080 --> 00:40:15,160
Speaker 2: Now everything so sensitive? Now do you think you could

940
00:40:15,160 --> 00:40:17,960
Speaker 2: do the Dave Chappelle's Show and not have backlash? Because

941
00:40:18,239 --> 00:40:20,359
Speaker 2: it seems like everything is sensitive. You say a word

942
00:40:20,440 --> 00:40:22,240
Speaker 2: and people are already crying and picking it in outside

943
00:40:22,239 --> 00:40:22,720
Speaker 2: of things.

944
00:40:22,719 --> 00:40:26,719
Speaker 3: Hey man, President, grass girls by the that's all you

945
00:40:26,800 --> 00:40:29,560
Speaker 3: need to know, right, That's what that's where it's at,

946
00:40:29,719 --> 00:40:35,160
Speaker 3: you know, you know, and comedians wipe out, you know,

947
00:40:35,280 --> 00:40:37,839
Speaker 3: everybody does. Sometimes you're gonna say something and you might

948
00:40:37,960 --> 00:40:40,360
Speaker 3: be wrong, but that's that's the nature of the genre.

949
00:40:40,480 --> 00:40:40,600
Speaker 2: You know.

950
00:40:41,320 --> 00:40:44,279
Speaker 3: To not take a chance for fear of that would

951
00:40:44,320 --> 00:40:46,560
Speaker 3: be would not be being true to the music.

952
00:40:46,640 --> 00:40:48,879
Speaker 1: Because would you ever apologize if if you said something

953
00:40:48,920 --> 00:40:49,279
Speaker 1: too far?

954
00:40:49,760 --> 00:40:52,920
Speaker 3: If if if I can see if I actually can

955
00:40:52,960 --> 00:40:56,640
Speaker 3: see this too far? But it's a it's a touchy line,

956
00:40:56,640 --> 00:40:58,440
Speaker 3: you know what I mean? I like I like it

957
00:40:58,560 --> 00:41:00,120
Speaker 3: harder I think I think it.

958
00:41:00,320 --> 00:41:02,680
Speaker 11: Yeah, I'm gonna say you have you have quite possibly

959
00:41:02,719 --> 00:41:04,040
Speaker 11: the greatest rape joke of all time?

960
00:41:04,960 --> 00:41:05,520
Speaker 3: Bill Copy?

961
00:41:08,080 --> 00:41:10,560
Speaker 1: What he said was that? Was that an observation you

962
00:41:10,680 --> 00:41:11,240
Speaker 1: was pondering?

963
00:41:12,880 --> 00:41:15,040
Speaker 3: I mean, you know the thing is, this is the thing.

964
00:41:15,239 --> 00:41:18,680
Speaker 3: It's tough to talk about jokes because I don't want

965
00:41:18,680 --> 00:41:22,040
Speaker 3: to open the door with all these weird like analytics

966
00:41:22,080 --> 00:41:25,279
Speaker 3: and like what does he actually mean by that? That's

967
00:41:25,360 --> 00:41:28,719
Speaker 3: a slippery slope. But you know, I don't want to

968
00:41:28,800 --> 00:41:31,480
Speaker 3: antagonize anybody, intentionally offend somebody.

969
00:41:31,760 --> 00:41:33,319
Speaker 4: Have you come up with an answer for as far

970
00:41:33,400 --> 00:41:35,239
Speaker 4: as like what should we do with Bill Cosby? Should

971
00:41:35,280 --> 00:41:38,319
Speaker 4: we still watch his work? Should we still appreciate his art?

972
00:41:38,760 --> 00:41:39,800
Speaker 3: Do you have an answer for that?

973
00:41:40,040 --> 00:41:40,200
Speaker 1: Yeah?

974
00:41:41,280 --> 00:41:43,680
Speaker 3: No, The question is the kind of question that makes

975
00:41:43,760 --> 00:41:45,880
Speaker 3: more questions, got you you know what I mean, Like,

976
00:41:45,960 --> 00:41:47,640
Speaker 3: it's a it's a tough one, man, because you know

977
00:41:47,680 --> 00:41:49,840
Speaker 3: what he's accused of. It's very serious. I don't I

978
00:41:49,880 --> 00:41:53,080
Speaker 3: don't like take that lightly. However, you know, I don't know,

979
00:41:53,960 --> 00:41:57,200
Speaker 3: it was seventies times. It's crazy, what's going on. I

980
00:41:57,200 --> 00:42:01,000
Speaker 3: don't know what to say. America's dad is America's rapist?

981
00:42:02,560 --> 00:42:05,640
Speaker 3: According to The New York Post, Yeah, it's a tough one.

982
00:42:06,000 --> 00:42:08,239
Speaker 2: We got more with Dave Chappelle and Donnelle Rowlands when

983
00:42:08,280 --> 00:42:09,279
Speaker 2: we come back, don't move.

984
00:42:09,320 --> 00:42:11,279
Speaker 1: It's the Breakfast Club. Good morning morning.

985
00:42:11,320 --> 00:42:14,879
Speaker 2: Everybody is DJ Envy Angela Yee, CHARLAMAGNEA God, we all.

986
00:42:14,880 --> 00:42:18,520
Speaker 1: The Breakfast Club. We have Dave Chappelle and Donnelle Rawlings

987
00:42:18,560 --> 00:42:19,120
Speaker 1: in the building.

988
00:42:19,440 --> 00:42:19,640
Speaker 9: Yeah.

989
00:42:20,000 --> 00:42:22,319
Speaker 16: I did appreciate on those specials that you didn't shy

990
00:42:22,400 --> 00:42:24,920
Speaker 16: away from any topics because I do feel like everybody's

991
00:42:24,960 --> 00:42:27,560
Speaker 16: so politically correct, you know. And I also find it

992
00:42:27,600 --> 00:42:30,200
Speaker 16: ironic that everybody's like, he walked away from fifty million,

993
00:42:30,320 --> 00:42:32,919
Speaker 16: but then you came back and got sixty million doing

994
00:42:33,040 --> 00:42:34,840
Speaker 16: Netflix specials.

995
00:42:35,320 --> 00:42:38,279
Speaker 3: Yeah, well you know what. Yeah, thank god that there

996
00:42:38,400 --> 00:42:40,960
Speaker 3: was a happy ending to nothing away from Sapelle Show,

997
00:42:40,960 --> 00:42:43,840
Speaker 3: because I could have just never worked again, you know.

998
00:42:44,160 --> 00:42:45,840
Speaker 3: But I never stopped. Even when I was like not

999
00:42:46,000 --> 00:42:48,120
Speaker 3: in the public guy, I was still playing comedy clubs

1000
00:42:48,719 --> 00:42:51,680
Speaker 3: and I found an altitude that I was comfortable and

1001
00:42:51,880 --> 00:42:53,200
Speaker 3: you know that.

1002
00:42:53,239 --> 00:42:53,719
Speaker 9: A good time.

1003
00:42:53,880 --> 00:42:55,680
Speaker 1: How many times a day did Donnelle call you and

1004
00:42:55,719 --> 00:42:56,520
Speaker 1: beg you to come back?

1005
00:42:57,160 --> 00:42:59,160
Speaker 3: No, he didn't call you and me with nothing.

1006
00:43:00,520 --> 00:43:03,239
Speaker 16: Were you guys always in communication? Because Donad did it

1007
00:43:03,320 --> 00:43:06,320
Speaker 16: for a while. He was in a state of depression after.

1008
00:43:06,440 --> 00:43:10,120
Speaker 3: Donelle was Jesus. Yeah, had a tough time myself.

1009
00:43:12,960 --> 00:43:13,759
Speaker 2: Like what if the help mean?

1010
00:43:16,239 --> 00:43:17,839
Speaker 3: I think you know when I was gone, I think

1011
00:43:17,880 --> 00:43:19,920
Speaker 3: I stayed in donall standing with me and Neil were

1012
00:43:19,960 --> 00:43:23,120
Speaker 3: cool the whole time. You know, it wasn't It wasn't

1013
00:43:23,200 --> 00:43:26,880
Speaker 3: as bad blood amongst like people will assume that I

1014
00:43:27,040 --> 00:43:29,080
Speaker 3: left in a hoob. It wasn't like I mean, I

1015
00:43:29,120 --> 00:43:30,640
Speaker 3: did leave the hoob. I wasn't mad the guy.

1016
00:43:30,800 --> 00:43:32,560
Speaker 5: A lot of people like after, you know, after he

1017
00:43:32,680 --> 00:43:33,920
Speaker 5: left a lot of people would ask me, you know

1018
00:43:34,160 --> 00:43:35,000
Speaker 5: how I feel about it?

1019
00:43:35,120 --> 00:43:36,520
Speaker 3: Whatever, aw you're upset?

1020
00:43:36,560 --> 00:43:39,760
Speaker 5: And I never was upset because I was doing comedy

1021
00:43:39,800 --> 00:43:42,120
Speaker 5: for a while before I was introduced to Dave Chapelle's

1022
00:43:42,200 --> 00:43:44,680
Speaker 5: like with anything you can be, You could be as

1023
00:43:44,760 --> 00:43:46,920
Speaker 5: talented as you want, but until you get the right platform,

1024
00:43:47,000 --> 00:43:48,280
Speaker 5: nobody would never know about.

1025
00:43:48,040 --> 00:43:50,640
Speaker 1: It, gotcha. So you know, know, if I can't be

1026
00:43:50,719 --> 00:43:52,239
Speaker 1: in a Dave Chapelle sitting here, but go ahead, what.

1027
00:43:59,680 --> 00:44:06,720
Speaker 3: You mean won no matter what speak.

1028
00:44:07,160 --> 00:44:08,000
Speaker 1: So I know what happened.

1029
00:44:08,360 --> 00:44:10,600
Speaker 5: But you know, everybody, you know the one that I've

1030
00:44:10,640 --> 00:44:13,600
Speaker 5: been asked that question a million times that I always

1031
00:44:13,640 --> 00:44:15,440
Speaker 5: felt that I was talented. But again, you need to

1032
00:44:15,480 --> 00:44:18,359
Speaker 5: write opportunity, Like even in sports, you know you could

1033
00:44:18,360 --> 00:44:20,239
Speaker 5: be a talented person, but until the coach puts you

1034
00:44:20,280 --> 00:44:22,320
Speaker 5: in the game, nobody will never see what you So

1035
00:44:22,440 --> 00:44:22,600
Speaker 5: you do.

1036
00:44:22,760 --> 00:44:24,839
Speaker 3: So he gave me a platform to do what I've

1037
00:44:24,840 --> 00:44:26,239
Speaker 3: been doing for years. And I think there was an

1038
00:44:26,239 --> 00:44:27,280
Speaker 3: even exchange.

1039
00:44:26,920 --> 00:44:32,880
Speaker 1: After on that. Okay, so Dave, you do you have

1040
00:44:32,960 --> 00:44:35,359
Speaker 1: a favorite mumble rapper? Because you a hip hop head,

1041
00:44:35,480 --> 00:44:37,160
Speaker 1: do you appreciate anything from this generation?

1042
00:44:38,000 --> 00:44:38,120
Speaker 8: Uh?

1043
00:44:38,480 --> 00:44:40,440
Speaker 3: Yeah, I appreciate it. I mean a party to it

1044
00:44:40,480 --> 00:44:42,600
Speaker 3: if I go out and they playing Migos and I

1045
00:44:42,680 --> 00:44:45,520
Speaker 3: listened to that. But a favorite mumble rap But I

1046
00:44:45,560 --> 00:44:47,919
Speaker 3: don't know about all that. I like to build to say,

1047
00:44:47,960 --> 00:44:48,759
Speaker 3: the lyrics.

1048
00:44:48,480 --> 00:44:50,840
Speaker 16: To well, I can tell who you really like based

1049
00:44:50,880 --> 00:44:52,480
Speaker 16: on who you have on tour when you well, when

1050
00:44:52,480 --> 00:44:54,560
Speaker 16: you do this residency that you're doing in New York

1051
00:44:54,600 --> 00:44:57,160
Speaker 16: City at Radio City, I can see that you hand

1052
00:44:57,239 --> 00:44:58,799
Speaker 16: picked the artists that you wanted to be there.

1053
00:44:59,480 --> 00:45:02,399
Speaker 3: Yeah, you know was It's funny, man. So this year

1054
00:45:02,600 --> 00:45:06,480
Speaker 3: will be like my thirtieth anniversary standard and I figured,

1055
00:45:06,560 --> 00:45:08,880
Speaker 3: like why I should mark that occasion right? Like you

1056
00:45:08,960 --> 00:45:11,680
Speaker 3: know it's you know, this business is hard. You you

1057
00:45:11,840 --> 00:45:14,000
Speaker 3: existed in a long time, but it's good to stop

1058
00:45:14,080 --> 00:45:16,120
Speaker 3: for a minute and just appreciate the fact that you

1059
00:45:16,840 --> 00:45:19,000
Speaker 3: I'm still able to do this, and I'm very lucky

1060
00:45:19,040 --> 00:45:23,200
Speaker 3: to be successful. So it's it's it's a it's a celebration.

1061
00:45:23,400 --> 00:45:27,200
Speaker 3: Like even now you'll see my next special. The act

1062
00:45:27,280 --> 00:45:30,439
Speaker 3: I'm doing now, I like it because there is joy

1063
00:45:30,560 --> 00:45:33,680
Speaker 3: in it, Like I'm really enjoying what I'm doing right now.

1064
00:45:33,960 --> 00:45:35,800
Speaker 3: I really you know what I mean. It's like I

1065
00:45:35,880 --> 00:45:39,520
Speaker 3: want skydive once. Have you ever done that? Okay? I

1066
00:45:40,239 --> 00:45:43,279
Speaker 3: hated it, you know, I what did.

1067
00:45:43,239 --> 00:45:45,719
Speaker 1: You hate about it? Because I hated going up. I

1068
00:45:45,800 --> 00:45:47,520
Speaker 1: hate the thought of jump when.

1069
00:45:48,680 --> 00:45:48,879
Speaker 6: People.

1070
00:45:48,920 --> 00:45:51,319
Speaker 1: I enjoyed that part, but the whole going up part

1071
00:45:51,360 --> 00:45:51,719
Speaker 1: I didn't like.

1072
00:45:51,960 --> 00:45:56,799
Speaker 3: It was because it was terrifying the entire time. Like, okay, yeah,

1073
00:45:57,200 --> 00:45:59,200
Speaker 3: in the beginning, it's a plane ride. Then the door

1074
00:45:59,360 --> 00:46:02,640
Speaker 3: opens and you realize you expected to jump out, and

1075
00:46:02,680 --> 00:46:05,120
Speaker 3: I'm strapped through a guy that I've never met before,

1076
00:46:05,640 --> 00:46:08,120
Speaker 3: and I didn't see the shoot pack, and oh my god,

1077
00:46:08,200 --> 00:46:10,480
Speaker 3: I have kids and all this stuff. You're thinking as

1078
00:46:10,520 --> 00:46:12,000
Speaker 3: you edge up to the door. Next thing you know,

1079
00:46:12,040 --> 00:46:15,239
Speaker 3: you're just in the sky. There's no logical reason to

1080
00:46:15,320 --> 00:46:18,799
Speaker 3: be there, there's no you know, my life didn't depend

1081
00:46:18,840 --> 00:46:20,520
Speaker 3: on it. And yet I jumped out of this plane

1082
00:46:21,080 --> 00:46:24,160
Speaker 3: and you're just falling, and everyone says it feels like flying,

1083
00:46:24,680 --> 00:46:27,160
Speaker 3: but to me, it felt like falling about one hundred

1084
00:46:27,160 --> 00:46:29,640
Speaker 3: and twenty miles and I was terrified.

1085
00:46:30,160 --> 00:46:31,719
Speaker 1: So what did you get out the situation other than

1086
00:46:31,760 --> 00:46:32,360
Speaker 1: being terrified?

1087
00:46:32,440 --> 00:46:35,160
Speaker 3: Well, the point is when you when the shoot lands

1088
00:46:35,200 --> 00:46:37,960
Speaker 3: and you survive it, you go home it night, You

1089
00:46:38,120 --> 00:46:41,759
Speaker 3: eat then a food taste, but house is quiet and

1090
00:46:41,840 --> 00:46:44,239
Speaker 3: still in it. You feel comfortable in safe in your house.

1091
00:46:44,239 --> 00:46:46,319
Speaker 3: You're like, man, I'm glad to be home. Everything's good.

1092
00:46:46,560 --> 00:46:49,560
Speaker 3: So that's what it felt like. It felt like coming

1093
00:46:49,640 --> 00:46:52,080
Speaker 3: back and doing this Netflix specially, all that felt like

1094
00:46:52,239 --> 00:46:54,480
Speaker 3: my shoot open and everything's just good.

1095
00:46:54,600 --> 00:46:54,719
Speaker 8: Right.

1096
00:46:55,120 --> 00:46:56,400
Speaker 1: Yeah, I just got to do all that to get

1097
00:46:56,440 --> 00:46:57,800
Speaker 1: that feeling. I'm black in America.

1098
00:46:57,840 --> 00:46:59,800
Speaker 4: All I gotta do is to drive through the neighborhood

1099
00:46:59,840 --> 00:47:01,920
Speaker 4: that I live in and making home without being stopped.

1100
00:47:01,960 --> 00:47:04,719
Speaker 3: I feel that I live in a much nicer neighborhood.

1101
00:47:04,760 --> 00:47:05,080
Speaker 8: Office.

1102
00:47:09,200 --> 00:47:13,840
Speaker 3: I mean, we're all you know what I mean, Like,

1103
00:47:13,880 --> 00:47:15,640
Speaker 3: I don't know what you mean, But it's not like

1104
00:47:15,680 --> 00:47:17,920
Speaker 3: I'm going to try to survive a traffic stop just

1105
00:47:18,000 --> 00:47:20,600
Speaker 3: to get that feeling. I mean, it's like it's the

1106
00:47:20,680 --> 00:47:22,520
Speaker 3: black experience. But I did it. I don't know why

1107
00:47:22,560 --> 00:47:25,560
Speaker 3: I did it, but the point is that now this

1108
00:47:25,719 --> 00:47:27,719
Speaker 3: is just I'm happy to be doing them.

1109
00:47:27,760 --> 00:47:28,600
Speaker 13: Would you do it again?

1110
00:47:29,320 --> 00:47:30,279
Speaker 3: What quit my show?

1111
00:47:30,480 --> 00:47:30,520
Speaker 1: No?

1112
00:47:35,920 --> 00:47:37,040
Speaker 3: No, I don't think I would.

1113
00:47:37,120 --> 00:47:37,279
Speaker 1: Man.

1114
00:47:37,440 --> 00:47:39,480
Speaker 3: I mean, like, I get it. I know what it's about.

1115
00:47:39,560 --> 00:47:42,000
Speaker 3: You know what I mean. I just think that you

1116
00:47:42,080 --> 00:47:44,120
Speaker 3: know something. It's just one of those things that I

1117
00:47:44,160 --> 00:47:46,319
Speaker 3: didn't even mean to do it the first time. It's

1118
00:47:46,360 --> 00:47:47,000
Speaker 3: a long story.

1119
00:47:47,280 --> 00:47:48,840
Speaker 5: If I hate to do this, but I have to

1120
00:47:48,880 --> 00:47:51,360
Speaker 5: put you on the spot. But could you explain to

1121
00:47:51,440 --> 00:47:55,080
Speaker 5: the breakfast club what you did to my apple pie

1122
00:47:55,239 --> 00:47:55,759
Speaker 5: a year ago?

1123
00:47:58,880 --> 00:48:02,080
Speaker 3: No, he's talking, Okay. So we were playing at the

1124
00:48:02,239 --> 00:48:05,720
Speaker 3: Paps Blue Ribbon Theater, and the pastry chef and downall

1125
00:48:05,880 --> 00:48:07,920
Speaker 3: hit it off the first night and engagement.

1126
00:48:08,200 --> 00:48:08,920
Speaker 1: She was white and.

1127
00:48:14,000 --> 00:48:16,839
Speaker 3: No no, but but she she's an older woman, real

1128
00:48:16,880 --> 00:48:18,880
Speaker 3: sweet woman, and she really liked Down.

1129
00:48:18,920 --> 00:48:19,080
Speaker 8: Now.

1130
00:48:19,800 --> 00:48:22,759
Speaker 3: So I came to work and she had baked him

1131
00:48:22,800 --> 00:48:27,360
Speaker 3: a pie and the pie had his name stenciled in

1132
00:48:27,440 --> 00:48:27,840
Speaker 3: the crust.

1133
00:48:28,560 --> 00:48:30,200
Speaker 5: And I was excited about it because every day she

1134
00:48:30,200 --> 00:48:32,000
Speaker 5: would come away. She says, there anything that you could

1135
00:48:32,040 --> 00:48:34,080
Speaker 5: do for Is there anything specially one? I was like,

1136
00:48:34,160 --> 00:48:35,640
Speaker 5: make me a post. She was like, that's pretty simple.

1137
00:48:36,000 --> 00:48:38,080
Speaker 5: I said, well, if that's so simple, make me a

1138
00:48:38,160 --> 00:48:40,520
Speaker 5: pie and put my name on the top of the pie.

1139
00:48:44,280 --> 00:48:54,680
Speaker 3: Stuff that is correct. I was excited about the pie.

1140
00:48:56,320 --> 00:48:59,560
Speaker 3: I was sure everybody pie. I didn't actually put money

1141
00:48:59,680 --> 00:49:03,640
Speaker 3: in it. When he kept going, he was like, because

1142
00:49:03,680 --> 00:49:06,120
Speaker 3: somebody put that pie in a microwave for three seconds.

1143
00:49:08,040 --> 00:49:10,160
Speaker 3: So as a bunch of people love Dave Chappelle, He's

1144
00:49:10,160 --> 00:49:11,600
Speaker 3: an evil friend, sage.

1145
00:49:14,040 --> 00:49:15,879
Speaker 2: We got more with Dave Chappelle when we come back,

1146
00:49:15,960 --> 00:49:19,279
Speaker 2: don't move. It's the breakfast club, Morningning. Everybody is dj MG,

1147
00:49:19,520 --> 00:49:21,239
Speaker 2: Angela Yee Charlomage to God.

1148
00:49:21,280 --> 00:49:23,400
Speaker 1: We are the breakfast Club. We have Dave Chappelle and

1149
00:49:23,520 --> 00:49:26,719
Speaker 1: Donnelle Rawlings in the building. Charlamagne. When the last time

1150
00:49:26,760 --> 00:49:28,840
Speaker 1: you've been humbled? Dave humbled?

1151
00:49:29,040 --> 00:49:31,880
Speaker 3: Yeah? You mean like what professionally or personally?

1152
00:49:31,960 --> 00:49:32,200
Speaker 1: Both?

1153
00:49:33,239 --> 00:49:33,399
Speaker 8: Yo?

1154
00:49:33,840 --> 00:49:39,319
Speaker 3: Yo, man, life is humiliating, yeah for you for everybody.

1155
00:49:39,560 --> 00:49:39,680
Speaker 4: Yo.

1156
00:49:39,840 --> 00:49:41,719
Speaker 3: You think if I'm walking down the street and the

1157
00:49:41,840 --> 00:49:43,840
Speaker 3: lady says, you know, can I take a picture and

1158
00:49:43,920 --> 00:49:45,640
Speaker 3: you know how to work at camera? And we all

1159
00:49:45,719 --> 00:49:48,759
Speaker 3: standing there but she do that because you gotta you know,

1160
00:49:48,920 --> 00:49:52,120
Speaker 3: you gotta have empathy. But life is humilily. Being a

1161
00:49:52,239 --> 00:49:56,920
Speaker 3: parent's humiliating, being a husband's humiliated. All of it's humiliated.

1162
00:49:57,640 --> 00:49:58,680
Speaker 1: Hindsight is twenty twenty.

1163
00:49:58,800 --> 00:50:01,800
Speaker 4: Was it was everything, Like everything you went through, like

1164
00:50:02,280 --> 00:50:05,840
Speaker 4: even the Chapelle show experience, and even walking away from.

1165
00:50:05,719 --> 00:50:06,400
Speaker 1: It, was it all worth it?

1166
00:50:06,600 --> 00:50:06,920
Speaker 3: Hey man?

1167
00:50:07,000 --> 00:50:07,160
Speaker 8: Yeah?

1168
00:50:07,160 --> 00:50:07,320
Speaker 2: I was.

1169
00:50:07,520 --> 00:50:10,120
Speaker 3: I was happy to have that show, you know, I'm

1170
00:50:10,160 --> 00:50:14,000
Speaker 3: sorry and the way it ended, but I enjoyed making

1171
00:50:14,080 --> 00:50:14,479
Speaker 3: that show.

1172
00:50:14,760 --> 00:50:15,040
Speaker 4: It was.

1173
00:50:15,880 --> 00:50:18,640
Speaker 3: It was an experience that very few people get the

1174
00:50:18,760 --> 00:50:20,200
Speaker 3: head do.

1175
00:50:20,200 --> 00:50:22,800
Speaker 1: You miss it? Especially with everything going on and so

1176
00:50:22,960 --> 00:50:27,680
Speaker 1: much material? Had this because I see something and I say,

1177
00:50:27,719 --> 00:50:29,960
Speaker 1: damn I miss Yeah, I miss it too.

1178
00:50:30,120 --> 00:50:30,279
Speaker 8: You know.

1179
00:50:30,480 --> 00:50:31,920
Speaker 3: I think I don't know if I could do it

1180
00:50:31,960 --> 00:50:33,920
Speaker 3: again though, because I miss it. But then I remember

1181
00:50:33,960 --> 00:50:35,840
Speaker 3: what it was like to do it, and it just

1182
00:50:36,040 --> 00:50:38,800
Speaker 3: wasn't It might be easier now to make just because

1183
00:50:38,800 --> 00:50:40,840
Speaker 3: of technology, and yeah, but.

1184
00:50:40,880 --> 00:50:43,480
Speaker 1: The end of that ruin because it won't.

1185
00:50:43,239 --> 00:50:43,600
Speaker 3: Be the same.

1186
00:50:43,719 --> 00:50:45,759
Speaker 4: Yeah, stuff that you want to do somebody will do

1187
00:50:45,920 --> 00:50:49,040
Speaker 4: on YouTube ten times faster and ten times worse.

1188
00:50:49,440 --> 00:50:50,840
Speaker 3: Right, Yeah, that's true, but.

1189
00:50:50,920 --> 00:50:52,440
Speaker 13: You didn't play a lot of people.

1190
00:50:53,280 --> 00:50:53,839
Speaker 8: It was great.

1191
00:50:53,960 --> 00:50:55,719
Speaker 3: Yeah, I worked with a lot of great people. I

1192
00:50:55,840 --> 00:50:58,440
Speaker 3: was doing the showing Atlanta the other night and bumped

1193
00:50:58,440 --> 00:51:00,040
Speaker 3: into like some of the guys from the crew. I

1194
00:51:00,120 --> 00:51:01,839
Speaker 3: hadn't seen those guys as I walked up the set.

1195
00:51:02,000 --> 00:51:03,880
Speaker 3: It was good to see him, and you know, you

1196
00:51:04,000 --> 00:51:07,480
Speaker 3: remember people finally, like after it's all said and done.

1197
00:51:07,520 --> 00:51:10,360
Speaker 3: So you know, I do have bad films about how

1198
00:51:10,400 --> 00:51:12,520
Speaker 3: it ended, but I don't have bad films about what

1199
00:51:12,640 --> 00:51:14,120
Speaker 3: it was. It was a great experience.

1200
00:51:14,320 --> 00:51:16,840
Speaker 1: How did Charlie Murphy's pass and affect you? Because I

1201
00:51:16,920 --> 00:51:17,960
Speaker 1: know you guys were pretty close.

1202
00:51:18,960 --> 00:51:21,080
Speaker 3: It was tough, man, it was. It was a reality.

1203
00:51:21,680 --> 00:51:23,799
Speaker 3: I feel very lucky that I got to know him.

1204
00:51:24,600 --> 00:51:26,960
Speaker 3: I feel like he's a very large part of the

1205
00:51:27,000 --> 00:51:29,640
Speaker 3: reason that I got to be successful. Like literally, he

1206
00:51:29,800 --> 00:51:32,520
Speaker 3: changed my life just by saying I fought Rick James.

1207
00:51:32,640 --> 00:51:36,080
Speaker 3: Many times we were like, what he fought Frick James?

1208
00:51:39,080 --> 00:51:43,759
Speaker 1: Jesus, whoa, whoa?

1209
00:51:46,160 --> 00:51:46,799
Speaker 9: But it like.

1210
00:51:49,560 --> 00:51:54,040
Speaker 3: I didn't know you could say on the radio, but no,

1211
00:51:54,160 --> 00:51:57,160
Speaker 3: he said he fought Rick James. Many times. We tell

1212
00:51:57,280 --> 00:51:59,520
Speaker 3: us his story at lunch and it literally from then on,

1213
00:51:59,640 --> 00:52:01,080
Speaker 3: it just changed. It changed.

1214
00:52:01,560 --> 00:52:02,400
Speaker 1: You immortalized him.

1215
00:52:02,920 --> 00:52:05,640
Speaker 3: Yeah, man, but you know, I got to like meet

1216
00:52:05,719 --> 00:52:09,640
Speaker 3: and work with Rick and uh, I mean, you know Charlie,

1217
00:52:09,640 --> 00:52:12,400
Speaker 3: and he was a o G. Like Charlie's been around

1218
00:52:12,480 --> 00:52:15,160
Speaker 3: the block. You know, his brother was Eddie Murphy. He's

1219
00:52:15,200 --> 00:52:18,920
Speaker 3: seen the epicenter of like the fame that we all

1220
00:52:19,000 --> 00:52:21,320
Speaker 3: wanted to acquire. And he had great stories and he

1221
00:52:21,440 --> 00:52:23,320
Speaker 3: was also real nurturing dude. I think he gave me

1222
00:52:23,400 --> 00:52:26,960
Speaker 3: great advice. Uh, you know, I got miss his presence. Man,

1223
00:52:27,000 --> 00:52:28,040
Speaker 3: I'm really I was real.

1224
00:52:27,960 --> 00:52:30,520
Speaker 16: Sad to hear that doing a great job on power

1225
00:52:31,480 --> 00:52:32,600
Speaker 16: a great job he took.

1226
00:52:33,200 --> 00:52:34,719
Speaker 1: Job, he definitely took.

1227
00:52:34,760 --> 00:52:38,319
Speaker 3: That's when you busted you in New York.

1228
00:52:38,400 --> 00:52:40,960
Speaker 5: Yeah, but I will say, you know, like you, when

1229
00:52:41,000 --> 00:52:44,320
Speaker 5: other people get stuff away from yourself, it's hard to

1230
00:52:44,400 --> 00:52:47,200
Speaker 5: celebrate that. But you know, when I found out that

1231
00:52:47,280 --> 00:52:49,719
Speaker 5: Charlie was doing that role, I realized that he was

1232
00:52:49,760 --> 00:52:52,600
Speaker 5: probably perfect person for him. And then the hindsight as

1233
00:52:52,680 --> 00:52:54,480
Speaker 5: far as with him passing away or whatever, I just

1234
00:52:54,560 --> 00:52:56,879
Speaker 5: think this is a nice thing for people to see

1235
00:52:56,960 --> 00:52:58,799
Speaker 5: him being a part of a great body of work

1236
00:52:58,880 --> 00:52:59,040
Speaker 5: like that.

1237
00:52:59,120 --> 00:53:00,480
Speaker 3: And he said and he did, good job.

1238
00:53:00,680 --> 00:53:02,960
Speaker 4: Did Charlie is definitely make y'all think about your own mortality.

1239
00:53:03,000 --> 00:53:04,920
Speaker 4: Because I know Donnelle called me one day randomy. He's like,

1240
00:53:04,960 --> 00:53:06,040
Speaker 4: y'all just want to tell you man, you know what

1241
00:53:06,080 --> 00:53:08,560
Speaker 4: I'm saying. You know, people dying and you might die,

1242
00:53:08,600 --> 00:53:09,520
Speaker 4: so I just want to tell y'all love you.

1243
00:53:09,560 --> 00:53:10,640
Speaker 1: You doing a good job. I'm like, what.

1244
00:53:12,719 --> 00:53:13,960
Speaker 3: You know, I will say.

1245
00:53:14,040 --> 00:53:15,680
Speaker 5: And I know Dave may have a different answers, like

1246
00:53:15,760 --> 00:53:18,200
Speaker 5: when someone passed away in something, specially when somebody that

1247
00:53:18,280 --> 00:53:21,080
Speaker 5: you care about, it makes you think about people important

1248
00:53:21,080 --> 00:53:22,880
Speaker 5: in your life and the people that you respect. And

1249
00:53:23,000 --> 00:53:25,320
Speaker 5: I don't know, I was probably you know, in my

1250
00:53:25,440 --> 00:53:28,120
Speaker 5: feelings that day, but it was at a time when

1251
00:53:28,120 --> 00:53:31,279
Speaker 5: you just dropped your book and I'm seeing like your

1252
00:53:31,360 --> 00:53:34,800
Speaker 5: transition from not just doing urban stuff, but like the

1253
00:53:34,920 --> 00:53:37,040
Speaker 5: media run that you get, Oh, I'll keep it real,

1254
00:53:37,480 --> 00:53:44,160
Speaker 5: all the white folks that you partner up. I was like,

1255
00:53:44,600 --> 00:53:47,000
Speaker 5: I was like, he's taking it to the next level.

1256
00:53:47,239 --> 00:53:49,439
Speaker 5: And another thing in our community is not too often

1257
00:53:49,480 --> 00:53:51,640
Speaker 5: that people read books. So the fact that you know,

1258
00:53:52,080 --> 00:53:54,319
Speaker 5: a brother put a book out and he got people

1259
00:53:54,360 --> 00:53:58,000
Speaker 5: that wouldn't normally pay attention to that, Like, I know,

1260
00:53:58,040 --> 00:53:58,640
Speaker 5: it's hard to say.

1261
00:53:58,719 --> 00:54:02,080
Speaker 3: And I didn't say no homo before I said that.

1262
00:54:02,239 --> 00:54:04,000
Speaker 1: I loved you, and I know that's why.

1263
00:54:06,120 --> 00:54:10,640
Speaker 3: And I didn't say pauls at the end, I thought

1264
00:54:10,680 --> 00:54:11,200
Speaker 3: you was sick.

1265
00:54:12,640 --> 00:54:13,359
Speaker 1: I thought he was sick.

1266
00:54:13,400 --> 00:54:15,839
Speaker 5: I thought he was like And that's the one time

1267
00:54:15,960 --> 00:54:20,399
Speaker 5: that we really appreciate people in death, when someone passed away.

1268
00:54:20,840 --> 00:54:22,879
Speaker 3: It makes you think about so many times in our life.

1269
00:54:23,080 --> 00:54:25,080
Speaker 5: We get to a point where you say to yourself,

1270
00:54:25,200 --> 00:54:27,040
Speaker 5: I wanted to call that person just to say hi

1271
00:54:27,200 --> 00:54:29,560
Speaker 5: or just say what's up, and you don't act on

1272
00:54:30,040 --> 00:54:33,799
Speaker 5: those feelings, and then something tragically happened, and then you're like, oh, man,

1273
00:54:33,800 --> 00:54:34,879
Speaker 5: I was just supposed to call him.

1274
00:54:34,880 --> 00:54:36,800
Speaker 3: So that was me and my mom. You know sometimes

1275
00:54:36,840 --> 00:54:38,759
Speaker 3: on the tour bus down there gets drunk and looks

1276
00:54:38,800 --> 00:54:47,040
Speaker 3: at pictures of his son and cried that I could

1277
00:54:47,080 --> 00:54:49,200
Speaker 3: believe that that's I called him.

1278
00:54:50,200 --> 00:54:51,480
Speaker 1: You haven't met that baby mama.

1279
00:54:52,000 --> 00:54:56,160
Speaker 3: Yeah of course, yeah, of course she's wonderful. We vacation together.

1280
00:54:56,440 --> 00:54:57,799
Speaker 13: Yeah, I see that. You guys want the yacht?

1281
00:54:58,480 --> 00:55:03,799
Speaker 3: Yeah, well yeah, because I thought it was a yacht

1282
00:55:03,920 --> 00:55:05,279
Speaker 3: until I saw Puffy.

1283
00:55:07,600 --> 00:55:10,359
Speaker 1: Just went on. Puffy turns that we had a boat,

1284
00:55:10,920 --> 00:55:11,680
Speaker 1: that we had a boat.

1285
00:55:12,239 --> 00:55:14,680
Speaker 3: You don't need to compete with stuff like that, though,

1286
00:55:14,840 --> 00:55:18,320
Speaker 3: not at all Yeah, I'm I'm really, like really really

1287
00:55:18,680 --> 00:55:21,880
Speaker 3: happy right now. And I you know, I appreciate it,

1288
00:55:22,000 --> 00:55:23,480
Speaker 3: Like my kids are safe right now.

1289
00:55:23,520 --> 00:55:23,840
Speaker 5: I know what.

1290
00:55:24,600 --> 00:55:28,040
Speaker 3: Everyone's happy it. One's fair and clean and skill up.

1291
00:55:28,120 --> 00:55:28,560
Speaker 8: Man, I'm just.

1292
00:55:30,800 --> 00:55:34,040
Speaker 4: Yeah, seeing you pop out with Chris Rock a couple

1293
00:55:34,080 --> 00:55:36,120
Speaker 4: of times, another legend, another icon.

1294
00:55:36,239 --> 00:55:38,200
Speaker 3: Yeah, he's the that's the homie man.

1295
00:55:38,360 --> 00:55:39,960
Speaker 1: There's only two of y'all in that space though.

1296
00:55:40,800 --> 00:55:42,799
Speaker 3: Yeah, Chris is there. He's definitely a big brother. Though

1297
00:55:42,840 --> 00:55:45,359
Speaker 3: he's like, he's killing it. I went and saw act

1298
00:55:46,160 --> 00:55:48,560
Speaker 3: exact a few times. One he's doing he's killing that.

1299
00:55:48,680 --> 00:55:50,360
Speaker 13: Right now, he's saying, maybe you guys would do a

1300
00:55:50,400 --> 00:55:51,239
Speaker 13: tour together.

1301
00:55:51,920 --> 00:55:55,120
Speaker 3: Well, we are. We are gonna do two nights together

1302
00:55:55,160 --> 00:55:56,960
Speaker 3: at Radio City. Will be the first time we've ever

1303
00:55:57,320 --> 00:56:01,000
Speaker 3: officially headlined the show, a co headline show together, and

1304
00:56:01,280 --> 00:56:02,520
Speaker 3: I'm very excited about it.

1305
00:56:03,280 --> 00:56:06,800
Speaker 5: It's the first time any comic has ever done a

1306
00:56:06,920 --> 00:56:10,759
Speaker 5: residency of a month at Radio City Music Hall. Dave

1307
00:56:10,880 --> 00:56:12,719
Speaker 5: is a real humble dou He's not gonna say really

1308
00:56:12,920 --> 00:56:15,080
Speaker 5: a the spectacle of what's about to go down, But

1309
00:56:15,280 --> 00:56:18,200
Speaker 5: nobody's ever done a joint where like the entire month

1310
00:56:18,280 --> 00:56:20,799
Speaker 5: of August, We're locking everything down.

1311
00:56:20,840 --> 00:56:22,000
Speaker 3: We got some of the best.

1312
00:56:31,040 --> 00:56:35,319
Speaker 6: Show Don't let me get.

1313
00:56:35,239 --> 00:56:40,120
Speaker 1: People, don't let me don't I do think y'all need

1314
00:56:40,160 --> 00:56:41,399
Speaker 1: no other comedians on those days.

1315
00:56:41,520 --> 00:56:44,719
Speaker 5: It's gonna be And to be quite honest, to be

1316
00:56:44,840 --> 00:56:47,040
Speaker 5: quite honest, you don't. But you know what I'm saying.

1317
00:56:47,080 --> 00:56:47,680
Speaker 5: We got a team.

1318
00:56:47,719 --> 00:56:49,480
Speaker 3: I'm not I'm gonna do some of the shows.

1319
00:56:49,840 --> 00:56:52,560
Speaker 9: But you know that show.

1320
00:56:57,080 --> 00:57:00,440
Speaker 1: You did.

1321
00:57:00,480 --> 00:57:01,400
Speaker 3: I have the opportunity to.

1322
00:57:02,040 --> 00:57:02,920
Speaker 13: Tell you the understudy.

1323
00:57:03,719 --> 00:57:05,000
Speaker 3: He's totally gonna be on.

1324
00:57:05,560 --> 00:57:07,719
Speaker 1: We are the Breakfast Club now coming up next.

1325
00:57:07,840 --> 00:57:09,920
Speaker 2: Usually we do rumors, but I mean, damn it, man,

1326
00:57:10,239 --> 00:57:12,640
Speaker 2: Dave Chappelle's said, we're gonna kick it with Dave Chappelle.

1327
00:57:12,400 --> 00:57:14,480
Speaker 1: Some more so, so don't move. It's the Breakfast Club,

1328
00:57:14,480 --> 00:57:18,040
Speaker 1: Good morning Now. Usually we do rumors right here, but

1329
00:57:18,240 --> 00:57:20,400
Speaker 1: I mean Donnell Rawlings and Dave Chappelle's here.

1330
00:57:20,480 --> 00:57:23,360
Speaker 2: Dave Chappelle hasn't done radio in twelve years, so we're

1331
00:57:23,440 --> 00:57:24,440
Speaker 2: kicking it with Dave Chappelle.

1332
00:57:25,160 --> 00:57:27,320
Speaker 4: Charlamagne want to ask you, what do you draw the

1333
00:57:27,400 --> 00:57:29,480
Speaker 4: line when it comes to like a cultural appropriation.

1334
00:57:29,880 --> 00:57:32,920
Speaker 1: What do you mean white people appropriating like black culture?

1335
00:57:34,480 --> 00:57:38,360
Speaker 3: Okay, this is a controversial question and I'm not sure

1336
00:57:38,720 --> 00:57:41,880
Speaker 3: if the premise. I'm not sure if the premise of

1337
00:57:41,960 --> 00:57:42,880
Speaker 3: the question is correct.

1338
00:57:43,880 --> 00:57:48,440
Speaker 4: Colie and Kendall today superimposed their images on Biggie and

1339
00:57:48,520 --> 00:57:50,520
Speaker 4: Tupac and they got t shirt.

1340
00:57:50,360 --> 00:57:55,280
Speaker 3: Right, Okay, And as a black person, a person from

1341
00:57:55,400 --> 00:58:01,920
Speaker 3: that culture, you feel like they are just misrespectful respect Yeah. Yeah, man,

1342
00:58:01,920 --> 00:58:04,040
Speaker 3: that's that's a tough one. Did you go see the

1343
00:58:04,080 --> 00:58:04,800
Speaker 3: Tupac movie?

1344
00:58:05,120 --> 00:58:05,160
Speaker 1: No?

1345
00:58:06,280 --> 00:58:06,840
Speaker 3: Did you like it?

1346
00:58:08,000 --> 00:58:10,480
Speaker 16: I don't think it was as terrible as everybody was.

1347
00:58:10,480 --> 00:58:11,600
Speaker 9: Saying, But it wasn't.

1348
00:58:11,840 --> 00:58:14,040
Speaker 3: I haven't heard good things, and yes, it wasn't.

1349
00:58:14,120 --> 00:58:17,880
Speaker 16: Like it starts before Tupac is born and it ends

1350
00:58:18,320 --> 00:58:20,439
Speaker 16: when he dies. That's a long period of time to cover.

1351
00:58:20,600 --> 00:58:23,080
Speaker 16: And so many things that happened in Tupac's life, and

1352
00:58:23,160 --> 00:58:27,000
Speaker 16: he was such a complex person and so many different incident.

1353
00:58:27,520 --> 00:58:29,840
Speaker 3: You ever had a club when Tupac was there?

1354
00:58:30,320 --> 00:58:30,360
Speaker 1: No?

1355
00:58:30,680 --> 00:58:36,360
Speaker 3: Never. It wasn't that much fun real, Yeah, I just

1356
00:58:36,440 --> 00:58:38,360
Speaker 3: remember being in party. I just felt like a lot

1357
00:58:38,400 --> 00:58:40,840
Speaker 3: of darks around a guy. I liked him, I didn't

1358
00:58:40,880 --> 00:58:43,919
Speaker 3: know him well, but I felt like culturally that those

1359
00:58:43,960 --> 00:58:44,960
Speaker 3: were darker times.

1360
00:58:45,200 --> 00:58:47,520
Speaker 1: Yeah, absolutely, there.

1361
00:58:47,680 --> 00:58:50,320
Speaker 3: Right, you know, and I'm not saying this would be controversial.

1362
00:58:50,320 --> 00:58:51,760
Speaker 3: I don't even this just nothing to do with the

1363
00:58:51,840 --> 00:58:52,760
Speaker 3: question that you asked me.

1364
00:58:52,920 --> 00:58:54,320
Speaker 1: I just thought you got out the question like a

1365
00:58:54,440 --> 00:58:55,280
Speaker 1: UFC fighter.

1366
00:58:58,160 --> 00:59:02,360
Speaker 3: And I've been watching Charlotte Man, I was ready. Everyone's like,

1367
00:59:02,600 --> 00:59:03,520
Speaker 3: just ignore him.

1368
00:59:09,760 --> 00:59:12,920
Speaker 13: I just you know, you plan to see it to

1369
00:59:13,120 --> 00:59:14,280
Speaker 13: just get an idea.

1370
00:59:15,040 --> 00:59:17,960
Speaker 3: I'm gonna watch it at home, probably, you know what

1371
00:59:18,040 --> 00:59:21,120
Speaker 3: I mean. Like, I don't know man so well. The

1372
00:59:21,320 --> 00:59:24,680
Speaker 3: question asking, I think is a very important question. But

1373
00:59:24,800 --> 00:59:27,840
Speaker 3: I'm not sure how to answer that, you know what

1374
00:59:27,880 --> 00:59:32,080
Speaker 3: I mean, because at a certain point, I feel like

1375
00:59:33,000 --> 00:59:35,760
Speaker 3: no one's gonna feel that way more than African American

1376
00:59:36,240 --> 00:59:39,720
Speaker 3: because we create so much culture and oftentimes just ciphering

1377
00:59:39,760 --> 00:59:44,040
Speaker 3: from us, and it's almost all that we've ever had had.

1378
00:59:44,040 --> 00:59:46,280
Speaker 3: We've done many great things, but you know what I mean, absolutely,

1379
00:59:46,840 --> 00:59:50,720
Speaker 3: but but it is American culture to Kylie and Kenna,

1380
00:59:50,840 --> 00:59:54,720
Speaker 3: like they don't understand what they've happened into. They don't understand.

1381
00:59:54,960 --> 00:59:57,480
Speaker 3: I don't think they were doing that maliciously. I just

1382
00:59:57,560 --> 01:00:00,400
Speaker 3: think that they don't. They're never gonna, you, black dude,

1383
01:00:00,880 --> 01:00:04,040
Speaker 3: gonna see the world. They if you had some glasses

1384
01:00:04,520 --> 01:00:06,479
Speaker 3: that someone could put on this to see the world,

1385
01:00:07,200 --> 01:00:11,080
Speaker 3: how you saw the world. It be fright and terrified. Yeah,

1386
01:00:11,720 --> 01:00:14,640
Speaker 3: you know, I heard the interview with you. I get it.

1387
01:00:14,760 --> 01:00:16,560
Speaker 3: I know what you mean. I get it. But that's

1388
01:00:16,600 --> 01:00:17,640
Speaker 3: a hard question to answer.

1389
01:00:18,240 --> 01:00:19,480
Speaker 13: Do your kids think you're funny?

1390
01:00:20,240 --> 01:00:20,479
Speaker 8: Yeah?

1391
01:00:21,600 --> 01:00:23,680
Speaker 3: Yeah, I mean, look, I'm the dad, so there's something

1392
01:00:23,720 --> 01:00:28,439
Speaker 3: about me that's corny to them. But they but they yeah,

1393
01:00:28,480 --> 01:00:31,320
Speaker 3: they get it. They know. My kids are teenagers now.

1394
01:00:31,400 --> 01:00:34,200
Speaker 3: My youngest son is as old as I was when

1395
01:00:34,240 --> 01:00:36,080
Speaker 3: I started doing its fourteen.

1396
01:00:36,360 --> 01:00:36,600
Speaker 9: Wow.

1397
01:00:36,920 --> 01:00:37,840
Speaker 1: He started at fourteen.

1398
01:00:38,080 --> 01:00:39,080
Speaker 3: Yeah, I started really young.

1399
01:00:39,360 --> 01:00:39,600
Speaker 4: Wow.

1400
01:00:39,920 --> 01:00:43,000
Speaker 3: Thirty years I'll be I'll be forty four this this

1401
01:00:43,160 --> 01:00:47,959
Speaker 3: summer veteran season. Yeah, and it'll be my thirtieth version.

1402
01:00:48,200 --> 01:00:49,280
Speaker 3: I'm like, really proud of that.

1403
01:00:49,440 --> 01:00:51,200
Speaker 1: What made you get on stage at the age of fourteen?

1404
01:00:51,880 --> 01:00:53,360
Speaker 3: The fear of death?

1405
01:00:54,040 --> 01:00:54,440
Speaker 1: Well you do?

1406
01:00:54,560 --> 01:00:54,720
Speaker 4: You do?

1407
01:00:55,000 --> 01:00:56,520
Speaker 1: You haven't thinking about your own mortality?

1408
01:00:56,960 --> 01:00:57,160
Speaker 15: Well?

1409
01:00:57,320 --> 01:01:00,320
Speaker 3: Yo, we're black dudes in America. Somebody when I was

1410
01:01:00,360 --> 01:01:02,440
Speaker 3: in high school, my freshman year in high school, I

1411
01:01:02,560 --> 01:01:05,200
Speaker 3: talked about on an actor studio on six hundred kids

1412
01:01:05,320 --> 01:01:08,760
Speaker 3: my age got murdered in Washington, DC. You can't be

1413
01:01:08,880 --> 01:01:11,280
Speaker 3: in an environment like that and that not affect you,

1414
01:01:11,720 --> 01:01:13,600
Speaker 3: like yo. You It made me want to just do

1415
01:01:13,760 --> 01:01:16,240
Speaker 3: whatever it was I wanted to do. I feel very

1416
01:01:16,360 --> 01:01:19,520
Speaker 3: lucky to get to be forty four, right, which which

1417
01:01:19,760 --> 01:01:23,000
Speaker 3: you know, now I'm more ambitious and I'm looking forward

1418
01:01:23,000 --> 01:01:26,160
Speaker 3: to pay and have price at the movies. But before that,

1419
01:01:26,800 --> 01:01:28,200
Speaker 3: I didn't know I was going to live this long,

1420
01:01:28,360 --> 01:01:31,439
Speaker 3: you know. And I think the fear of not doing

1421
01:01:31,480 --> 01:01:33,320
Speaker 3: what I wanted to do in life made me do

1422
01:01:33,400 --> 01:01:33,960
Speaker 3: what I wanted to do.

1423
01:01:34,200 --> 01:01:37,040
Speaker 16: Even in Kevin Hart's book, he talks about doing comedy

1424
01:01:37,120 --> 01:01:39,680
Speaker 16: because he was just trying to survive too, Like just

1425
01:01:39,760 --> 01:01:41,480
Speaker 16: being funny is what actually helped him.

1426
01:01:41,560 --> 01:01:43,520
Speaker 1: Not, Yeah, I wonder what what makes you believe the

1427
01:01:43,560 --> 01:01:44,320
Speaker 1: stage can save you?

1428
01:01:44,400 --> 01:01:47,560
Speaker 3: Though it absolutely did. Look at a guy like Kevin

1429
01:01:47,600 --> 01:01:51,600
Speaker 3: Heart's mother from Philly. He is the number one selling

1430
01:01:52,000 --> 01:01:56,960
Speaker 3: artist on tour on Earth from any jump, you know,

1431
01:01:57,000 --> 01:02:00,400
Speaker 3: I'm very proud that somebody from my genre is at

1432
01:02:00,440 --> 01:02:02,680
Speaker 3: the top of the food chains, right, and it's somebody

1433
01:02:02,720 --> 01:02:06,520
Speaker 3: I remember him starting out. It's amazing to see it.

1434
01:02:06,640 --> 01:02:09,000
Speaker 3: And he's absolutely could save your life. What made you

1435
01:02:09,080 --> 01:02:13,560
Speaker 3: think that you're fast talking and your liking of controversial

1436
01:02:13,680 --> 01:02:15,200
Speaker 3: questions would take it as far as it had?

1437
01:02:15,440 --> 01:02:15,840
Speaker 1: That's true?

1438
01:02:17,320 --> 01:02:17,920
Speaker 8: And yet.

1439
01:02:19,960 --> 01:02:23,480
Speaker 3: And yeah, and I've never met you, but you're one

1440
01:02:23,560 --> 01:02:25,520
Speaker 3: of the few celebrities I've met in a long time.

1441
01:02:25,560 --> 01:02:29,000
Speaker 3: Like literally, I feel like I know you and I've

1442
01:02:29,160 --> 01:02:32,040
Speaker 3: only seen you once. It means you're very effective at

1443
01:02:32,080 --> 01:02:34,720
Speaker 3: what you do. In my opinion, it means you're very effective.

1444
01:02:34,840 --> 01:02:36,880
Speaker 1: But I still feel like I can get shot because

1445
01:02:36,920 --> 01:02:37,880
Speaker 1: of my fast talking.

1446
01:02:38,000 --> 01:02:38,160
Speaker 4: You know.

1447
01:02:38,880 --> 01:02:43,600
Speaker 3: Yeah, but God forbid, no, man, you've transcended that. I mean, look,

1448
01:02:43,680 --> 01:02:46,240
Speaker 3: anything terrible can happen to anybody. But there's some people

1449
01:02:46,280 --> 01:02:49,800
Speaker 3: that get shot, that never get a platform, they never

1450
01:02:49,880 --> 01:02:52,240
Speaker 3: get to write a book, that never get to I mean,

1451
01:02:52,320 --> 01:02:55,040
Speaker 3: everybody knows your name. You meet famous people, they already

1452
01:02:55,080 --> 01:02:56,200
Speaker 3: know who you are. It's amazing.

1453
01:02:57,080 --> 01:02:58,080
Speaker 1: You know what about that?

1454
01:02:58,160 --> 01:03:00,200
Speaker 3: I was so aware somebody came up to me want

1455
01:03:00,200 --> 01:03:01,480
Speaker 3: to take a picture. They thought that was him.

1456
01:03:01,680 --> 01:03:08,200
Speaker 1: They didn't like that happened.

1457
01:03:08,600 --> 01:03:10,760
Speaker 3: I swear to God, he was like, are you charlottee

1458
01:03:10,800 --> 01:03:11,080
Speaker 3: the God?

1459
01:03:14,360 --> 01:03:15,200
Speaker 1: That's just actful?

1460
01:03:15,280 --> 01:03:18,000
Speaker 13: Why are you so mad about that? You weren't mad

1461
01:03:18,080 --> 01:03:18,920
Speaker 13: with Morris Chestnut.

1462
01:03:19,040 --> 01:03:20,000
Speaker 1: That's Mars Chestnut.

1463
01:03:20,960 --> 01:03:25,440
Speaker 4: It's a different You called it Mars Chestnuts Chestnut.

1464
01:03:26,360 --> 01:03:26,680
Speaker 9: Think of you.

1465
01:03:27,040 --> 01:03:29,200
Speaker 1: That's the big day you got to go. Who do

1466
01:03:29,280 --> 01:03:30,000
Speaker 1: we hear for tickets.

1467
01:03:30,720 --> 01:03:32,439
Speaker 3: Oh you guys, you're good, You're good money.

1468
01:03:32,720 --> 01:03:34,040
Speaker 1: Until we get to the door and we got to

1469
01:03:34,040 --> 01:03:39,560
Speaker 1: call down. I was like, I would never know.

1470
01:03:39,600 --> 01:03:45,360
Speaker 3: I would love to get that call. Yo, this is

1471
01:03:45,360 --> 01:03:45,800
Speaker 3: a preference.

1472
01:03:45,840 --> 01:03:45,960
Speaker 4: Blo.

1473
01:03:46,080 --> 01:03:47,880
Speaker 1: We all saw what what what?

1474
01:03:48,040 --> 01:03:49,200
Speaker 8: What is that? A matter?

1475
01:03:50,640 --> 01:03:50,800
Speaker 10: There?

1476
01:03:50,880 --> 01:03:54,280
Speaker 1: You have? It is Dave Chappelle, come on say do that?

1477
01:03:55,760 --> 01:03:58,680
Speaker 1: Damn don all right donell rawlings, it's the Breakfast Club.

1478
01:03:58,720 --> 01:04:04,040
Speaker 2: Good morning, wanting everybody's DJ Envy Jess hilarious, charlamage the guy.

1479
01:04:04,080 --> 01:04:05,760
Speaker 2: We are the Breakfast Club. We're still kicking it with

1480
01:04:05,880 --> 01:04:09,160
Speaker 2: Kevin Hart. Juicy said, you actually set him up in

1481
01:04:09,240 --> 01:04:11,919
Speaker 2: that stream with that little kid, he said, he said

1482
01:04:12,080 --> 01:04:14,040
Speaker 2: it was you that actually, he said, I mean, this

1483
01:04:14,160 --> 01:04:15,680
Speaker 2: is what that's that's what you did.

1484
01:04:15,880 --> 01:04:20,840
Speaker 11: You did start said, started follow lea. They followed your league.

1485
01:04:22,000 --> 01:04:23,560
Speaker 2: What you need to understand is where the cameras are

1486
01:04:23,560 --> 01:04:25,240
Speaker 2: at all times. What I said, the juice key was

1487
01:04:25,280 --> 01:04:29,479
Speaker 2: in his ear. I said something in his ear. Okay,

1488
01:04:29,600 --> 01:04:31,840
Speaker 2: nobody really knows what I said. He knows what I said.

1489
01:04:32,200 --> 01:04:34,800
Speaker 2: And then he took the liberty of going and saying

1490
01:04:34,920 --> 01:04:37,040
Speaker 2: very harsh things. By the way, you know, things it

1491
01:04:37,040 --> 01:04:37,720
Speaker 2: shouldn't be seen.

1492
01:04:37,800 --> 01:04:38,960
Speaker 1: You walk right out like you see.

1493
01:04:39,000 --> 01:04:41,280
Speaker 2: I mean, I don't want to be around that. I've

1494
01:04:41,320 --> 01:04:43,360
Speaker 2: seen a lot of people getting fights. I've seen what

1495
01:04:43,400 --> 01:04:44,080
Speaker 2: it's about to happen.

1496
01:04:45,320 --> 01:04:49,120
Speaker 1: Breakfast Club Morning.

1497
01:04:49,160 --> 01:04:52,920
Speaker 2: Everybody is dj Envy, Jess hilarious, Charlamagne the guy. We

1498
01:04:53,000 --> 01:04:55,400
Speaker 2: are the breakfast Club. We got a special guest in

1499
01:04:55,440 --> 01:04:56,120
Speaker 2: the building.

1500
01:04:55,880 --> 01:04:56,919
Speaker 1: Who refuses to stop.

1501
01:04:57,160 --> 01:05:00,600
Speaker 2: Ladies and gentlemen, Kevin hart fulcome back brother, he just

1502
01:05:00,680 --> 01:05:09,000
Speaker 2: won't sit down yourself. Life is great, no complaints. Man

1503
01:05:09,240 --> 01:05:12,080
Speaker 2: here to talk about more, which means great. That is happening,

1504
01:05:12,720 --> 01:05:16,200
Speaker 2: still moving, still tracking, still working, still doing the same thing,

1505
01:05:16,280 --> 01:05:16,680
Speaker 2: but bigger.

1506
01:05:16,920 --> 01:05:19,320
Speaker 9: Talk to us about this new two part documentary.

1507
01:05:19,400 --> 01:05:19,800
Speaker 3: You've got.

1508
01:05:21,200 --> 01:05:25,360
Speaker 2: To congratulations to Jamie fox Man. This is a Jamie

1509
01:05:25,440 --> 01:05:29,840
Speaker 2: fox idea that he came to me with at heartbeat.

1510
01:05:30,120 --> 01:05:32,480
Speaker 2: And you know it was a concept about being one

1511
01:05:32,480 --> 01:05:35,080
Speaker 2: of the call sheet and the good and bad of it.

1512
01:05:35,320 --> 01:05:35,480
Speaker 8: Right.

1513
01:05:35,600 --> 01:05:38,640
Speaker 2: He's like, you know a lot of people experience it,

1514
01:05:38,800 --> 01:05:41,240
Speaker 2: but it doesn't do the same for everyone. You know,

1515
01:05:41,760 --> 01:05:44,840
Speaker 2: And whether it's the ego, whether it's the money, whether

1516
01:05:44,880 --> 01:05:48,000
Speaker 2: it's the idea of the money, whether it's the thought

1517
01:05:48,160 --> 01:05:50,720
Speaker 2: of my career is now about to be and it

1518
01:05:50,840 --> 01:05:54,320
Speaker 2: doesn't become like there's so many different concepts attached to it.

1519
01:05:54,360 --> 01:05:56,040
Speaker 2: I thought it was a great idea, man, you know,

1520
01:05:56,160 --> 01:05:58,240
Speaker 2: Fox is a brilliant mind. And I said, to make

1521
01:05:58,280 --> 01:06:00,840
Speaker 2: it real, like we got to go out and you know,

1522
01:06:01,040 --> 01:06:03,520
Speaker 2: of course happen into all our relationships. So it started

1523
01:06:03,560 --> 01:06:05,800
Speaker 2: off is just the idea for men, Like we were

1524
01:06:05,920 --> 01:06:07,360
Speaker 2: heavy on the men's side, and then we were like, yo,

1525
01:06:07,440 --> 01:06:09,480
Speaker 2: it's dope if you have it to where you know

1526
01:06:09,880 --> 01:06:12,120
Speaker 2: there's a male version. And then we go and we

1527
01:06:12,200 --> 01:06:15,600
Speaker 2: tap into a female version as well, and really just

1528
01:06:15,720 --> 01:06:20,960
Speaker 2: expand the conversation of success or lack thereof. And it's, uh,

1529
01:06:21,280 --> 01:06:22,600
Speaker 2: it's dope to hear all these people.

1530
01:06:22,440 --> 01:06:22,880
Speaker 3: Talk about it.

1531
01:06:22,960 --> 01:06:24,640
Speaker 2: So I think people are gonna be blown away by

1532
01:06:25,080 --> 01:06:27,520
Speaker 2: hearing the good and the bad. Like everybody doesn't with

1533
01:06:27,680 --> 01:06:29,560
Speaker 2: the concept of it, you know, will being a number

1534
01:06:29,560 --> 01:06:30,120
Speaker 2: one on the cause ease?

1535
01:06:30,120 --> 01:06:32,840
Speaker 1: Everybody doesn't. When did you become number one on the

1536
01:06:32,880 --> 01:06:33,280
Speaker 1: cast sheet?

1537
01:06:33,320 --> 01:06:34,160
Speaker 11: And what does it mean to be that.

1538
01:06:34,200 --> 01:06:38,560
Speaker 1: I've been number one for a while. I love it.

1539
01:06:40,760 --> 01:06:42,040
Speaker 2: I love it like I don't know, I don't want

1540
01:06:42,040 --> 01:06:42,640
Speaker 2: to make it very clear.

1541
01:06:42,720 --> 01:06:44,640
Speaker 1: I love it now. You never left the road. Why

1542
01:06:44,720 --> 01:06:46,800
Speaker 1: is the road so important to you because you control it,

1543
01:06:46,880 --> 01:06:47,240
Speaker 1: you own it.

1544
01:06:47,840 --> 01:06:50,240
Speaker 2: There's small venues, you do big venues like you nothing

1545
01:06:50,320 --> 01:06:53,640
Speaker 2: better than the stand up coming. There's no job better

1546
01:06:54,000 --> 01:06:58,240
Speaker 2: than the job of live entertainment, live audience, your fans,

1547
01:06:58,360 --> 01:07:02,000
Speaker 2: your connection, your relateation. Shit, it doesn't die if you

1548
01:07:02,120 --> 01:07:04,840
Speaker 2: treated like a plant and you've ever water it, the

1549
01:07:04,960 --> 01:07:07,160
Speaker 2: plan is never going to die, right like, So if

1550
01:07:07,200 --> 01:07:10,720
Speaker 2: it can grow and you have good seasons, bad seasons,

1551
01:07:10,760 --> 01:07:12,840
Speaker 2: it's always going to be there and those fans are

1552
01:07:12,880 --> 01:07:15,400
Speaker 2: just gonna ride with you forever. So I'm very adamant

1553
01:07:15,520 --> 01:07:17,600
Speaker 2: on staying true to stand up Coming. Nothing takes the

1554
01:07:17,600 --> 01:07:19,520
Speaker 2: place to stand up Coming. I don't give what I'm

1555
01:07:19,560 --> 01:07:21,760
Speaker 2: doing the level that I'm doing at. I will go

1556
01:07:21,840 --> 01:07:24,160
Speaker 2: and do comedy clubs. I will come to New York

1557
01:07:24,600 --> 01:07:26,280
Speaker 2: for months on the time and just do a run

1558
01:07:26,400 --> 01:07:29,240
Speaker 2: of pop ups. That's my muse, that's my stress reliever.

1559
01:07:29,400 --> 01:07:31,240
Speaker 2: So if you had Demon Waye and say that he

1560
01:07:31,280 --> 01:07:33,320
Speaker 2: would never do a stand up anymore because he was like.

1561
01:07:33,320 --> 01:07:35,360
Speaker 1: People are too sensitive. He said people are stupid.

1562
01:07:35,480 --> 01:07:38,960
Speaker 2: Well, yeah, it's basically you know, he says anything people

1563
01:07:39,000 --> 01:07:39,880
Speaker 2: get offended too fast.

1564
01:07:39,960 --> 01:07:41,480
Speaker 1: It's like it's just not worth the distress.

1565
01:07:41,760 --> 01:07:44,160
Speaker 2: I understand. I don't see it the same way because

1566
01:07:44,160 --> 01:07:46,320
Speaker 2: I don't have that level of given I don't want

1567
01:07:46,320 --> 01:07:47,720
Speaker 2: to do the thing that I love to do because

1568
01:07:47,920 --> 01:07:50,840
Speaker 2: I'm caring so much about what everybody else is thinking

1569
01:07:50,920 --> 01:07:52,440
Speaker 2: about what I'm doing, Like, I don't I.

1570
01:07:52,480 --> 01:07:54,720
Speaker 12: Think he meant that on you know how the wayns

1571
01:07:54,880 --> 01:07:57,480
Speaker 12: used to be like they no limit, like you talk

1572
01:07:57,520 --> 01:07:59,960
Speaker 12: about anything. But now that since the new trend is

1573
01:08:00,200 --> 01:08:02,720
Speaker 12: being offended and a lot of people are just you.

1574
01:08:02,760 --> 01:08:06,959
Speaker 2: Know, it is what it is, though, I mean, Dame

1575
01:08:07,120 --> 01:08:09,479
Speaker 2: is Dame. Dame is a legend. Like if Dyame wanted

1576
01:08:09,480 --> 01:08:11,960
Speaker 2: to go on stage and around, Dame can do what

1577
01:08:12,000 --> 01:08:14,640
Speaker 2: he wants when he wants. The idea of people being

1578
01:08:15,200 --> 01:08:18,559
Speaker 2: upset or triggered, if you're thinking about that, like then

1579
01:08:18,600 --> 01:08:21,000
Speaker 2: you're you're going down a crazy spiral. I'm not doing

1580
01:08:21,120 --> 01:08:23,720
Speaker 2: comedy and thinking about the thought of what you think

1581
01:08:23,760 --> 01:08:25,439
Speaker 2: about what I'm saying. I have the things I want

1582
01:08:25,439 --> 01:08:27,120
Speaker 2: to talk about. I know the direction I want to

1583
01:08:27,160 --> 01:08:29,360
Speaker 2: go in. I'm not here to offend. I'm not here

1584
01:08:29,479 --> 01:08:31,479
Speaker 2: to aggravate or piss people off.

1585
01:08:31,680 --> 01:08:34,240
Speaker 1: I'm here to do my craft. Have you apologized yet

1586
01:08:34,280 --> 01:08:38,560
Speaker 1: to Delaware State university for what you don't let it go.

1587
01:08:38,880 --> 01:08:46,200
Speaker 1: Come on, she didn't. I thought I was trying to university.

1588
01:09:03,680 --> 01:09:05,120
Speaker 1: Sean Jackson said, you was sorry.

1589
01:09:08,520 --> 01:09:10,840
Speaker 2: I mean, first of all, it is all right, but

1590
01:09:10,960 --> 01:09:16,559
Speaker 2: it's like smart people there too. We're talking about Hellora

1591
01:09:16,680 --> 01:09:18,800
Speaker 2: State knows. I have no ill will towards them. I

1592
01:09:18,840 --> 01:09:21,360
Speaker 2: love you guys, but it was a funny bit at.

1593
01:09:24,360 --> 01:09:27,639
Speaker 12: You guys, your animated show out little Yes, talk about

1594
01:09:27,640 --> 01:09:28,400
Speaker 12: your life growing up.

1595
01:09:28,479 --> 01:09:30,920
Speaker 9: Yes, it made you want to do that animation style.

1596
01:09:31,080 --> 01:09:32,720
Speaker 2: You know, crazy, This has been a this is a

1597
01:09:32,800 --> 01:09:35,600
Speaker 2: crazy development, man. This is I want to say, like

1598
01:09:35,880 --> 01:09:38,000
Speaker 2: seven to eight years in the making before we could

1599
01:09:38,040 --> 01:09:41,240
Speaker 2: actually do it properly. Shouts out to Scott Mills over

1600
01:09:41,280 --> 01:09:44,240
Speaker 2: there at BT man for understanding like my world of

1601
01:09:44,360 --> 01:09:46,640
Speaker 2: want and allowing me to do it the way I

1602
01:09:46,720 --> 01:09:48,519
Speaker 2: wanted to do it. You know, it's a doubt animation,

1603
01:09:49,040 --> 01:09:51,240
Speaker 2: and I wanted to like flip the story of the

1604
01:09:51,320 --> 01:09:53,639
Speaker 2: conversation attached to the hood, right, Like everybody talks about

1605
01:09:53,640 --> 01:09:54,519
Speaker 2: the hood from.

1606
01:09:54,400 --> 01:09:55,120
Speaker 1: One point of view.

1607
01:09:55,280 --> 01:09:57,280
Speaker 2: You know, the hood is the hood, and people like

1608
01:09:57,320 --> 01:10:00,680
Speaker 2: the hood is bad in the neighborhood. Yeah, Like, and

1609
01:10:00,800 --> 01:10:03,120
Speaker 2: I think that there's a there's a positive side to it.

1610
01:10:03,240 --> 01:10:05,880
Speaker 2: You know, there's a role that everybody plays in the hood,

1611
01:10:06,320 --> 01:10:09,519
Speaker 2: especially when it comes to kids, families, Like everybody's part

1612
01:10:09,520 --> 01:10:13,559
Speaker 2: of the village. Everybody's raising everybody's child, everybody is aware,

1613
01:10:13,680 --> 01:10:16,639
Speaker 2: everybody's in the know. Everybody's trying their best to service

1614
01:10:16,680 --> 01:10:19,080
Speaker 2: and need a good and even bad it is happening,

1615
01:10:19,160 --> 01:10:21,040
Speaker 2: you know, when people find out, there is an energy

1616
01:10:21,080 --> 01:10:23,280
Speaker 2: attached to trying to solve it and make it better.

1617
01:10:23,439 --> 01:10:25,000
Speaker 2: And this is a way of just flipping the conversation

1618
01:10:25,120 --> 01:10:28,280
Speaker 2: on the hood upside down. So it's about me, my upbringing,

1619
01:10:28,680 --> 01:10:30,519
Speaker 2: being in the hood, but having such a high level

1620
01:10:30,560 --> 01:10:32,640
Speaker 2: of love for the hood, for my family and for

1621
01:10:32,760 --> 01:10:33,760
Speaker 2: all the people around it.

1622
01:10:33,960 --> 01:10:35,800
Speaker 1: And just Larius is in it, keeping her away from

1623
01:10:35,800 --> 01:10:36,320
Speaker 1: breakfast club.

1624
01:10:36,640 --> 01:10:39,000
Speaker 2: Come on, just don't listen to that.

1625
01:10:39,360 --> 01:10:39,679
Speaker 9: I don't.

1626
01:10:40,400 --> 01:10:40,639
Speaker 1: I don't.

1627
01:10:40,880 --> 01:10:43,040
Speaker 2: First, I want to make something very clear. When people

1628
01:10:43,040 --> 01:10:44,840
Speaker 2: say like kah, thank you for giving people a job,

1629
01:10:44,920 --> 01:10:47,320
Speaker 2: people earn them like, I'm not giving thank you anything.

1630
01:10:47,479 --> 01:10:50,760
Speaker 2: I'm not out like, hey, here, Jess, here's a gift.

1631
01:10:50,880 --> 01:10:53,680
Speaker 2: Like that's just that's her team, that's people working and

1632
01:10:53,760 --> 01:10:56,120
Speaker 2: saying hey, this is a good thing to possibly put

1633
01:10:56,200 --> 01:10:59,920
Speaker 2: Jess up for it process I mean, you could say,

1634
01:11:00,160 --> 01:11:02,920
Speaker 2: but when people are talented and earning things on their own,

1635
01:11:03,000 --> 01:11:05,160
Speaker 2: it's happening the way it's supposed to be. I'm not

1636
01:11:05,360 --> 01:11:08,280
Speaker 2: in the space of know of everything and I'm hand

1637
01:11:08,360 --> 01:11:10,439
Speaker 2: picking people and doing like that would mean that I'm

1638
01:11:10,840 --> 01:11:13,000
Speaker 2: I mean the time in the day to do that

1639
01:11:13,200 --> 01:11:14,280
Speaker 2: and do it and do it and do it.

1640
01:11:14,400 --> 01:11:15,639
Speaker 9: Then that means that the people.

1641
01:11:15,400 --> 01:11:17,720
Speaker 2: Around me aren't doing what they're supposed to do. So

1642
01:11:18,000 --> 01:11:20,439
Speaker 2: it is your job to like properly package and put

1643
01:11:20,520 --> 01:11:23,760
Speaker 2: people in places to make these projects good, and it's

1644
01:11:24,040 --> 01:11:26,400
Speaker 2: my job to see it. At the end stage, we're going, Wow,

1645
01:11:26,479 --> 01:11:28,960
Speaker 2: this is a great cast. These are great personnel, great roles.

1646
01:11:29,000 --> 01:11:29,360
Speaker 3: I like this.

1647
01:11:29,560 --> 01:11:30,800
Speaker 2: I like this configuration.

1648
01:11:31,280 --> 01:11:33,680
Speaker 1: But justice earning it and you know, you do take

1649
01:11:33,720 --> 01:11:35,280
Speaker 1: the time to pour into the next generation.

1650
01:11:35,360 --> 01:11:37,200
Speaker 4: You know, drewski was up here and Drewskie said that

1651
01:11:37,360 --> 01:11:39,680
Speaker 4: you gave him and Kis and not a bunch of

1652
01:11:39,840 --> 01:11:42,920
Speaker 4: movies to watch. Told them to get you stupid. Whatever

1653
01:11:42,960 --> 01:11:45,040
Speaker 4: your stupid ass is doing right now, watch these movies.

1654
01:11:45,120 --> 01:11:46,760
Speaker 1: Yeah, and prepare for the next level. That's right.

1655
01:11:47,320 --> 01:11:50,719
Speaker 2: I like what the younger generation is doing. It's crazy.

1656
01:11:50,760 --> 01:11:52,559
Speaker 2: I'm saying it like I'm I'm really am a part

1657
01:11:52,600 --> 01:11:56,360
Speaker 2: of like a time of old forty five Damn well

1658
01:11:56,400 --> 01:12:07,800
Speaker 2: doesn't look it, you know, uh, that older generation of

1659
01:12:07,960 --> 01:12:10,840
Speaker 2: like how we approach the business, how we approach the

1660
01:12:10,920 --> 01:12:13,679
Speaker 2: craft right like. And I think it's dopest to see

1661
01:12:13,960 --> 01:12:18,040
Speaker 2: this new generation navigate differently, like the comedians of today

1662
01:12:18,479 --> 01:12:21,400
Speaker 2: did not go and work at it the same way

1663
01:12:21,439 --> 01:12:24,000
Speaker 2: that we did. Like they're they're breaking new ground, finding

1664
01:12:24,280 --> 01:12:26,880
Speaker 2: ways to be the personalities first and then get to

1665
01:12:26,960 --> 01:12:30,040
Speaker 2: the stage after. And the way they're engaging with their

1666
01:12:30,040 --> 01:12:32,120
Speaker 2: audience and the way that the audience is responding to them.

1667
01:12:32,479 --> 01:12:34,760
Speaker 2: I think it's dopest in being a fan of it.

1668
01:12:35,080 --> 01:12:36,720
Speaker 2: I feel like it's my job now to figure out

1669
01:12:36,760 --> 01:12:39,720
Speaker 2: ways to like grab this personnel when it where I can,

1670
01:12:39,880 --> 01:12:41,519
Speaker 2: and you know, try to push them forward with Kay

1671
01:12:41,600 --> 01:12:44,920
Speaker 2: and Drewski. Kai is such a monster man. I told him.

1672
01:12:44,920 --> 01:12:46,439
Speaker 2: I said, look, man, I want to show you guys

1673
01:12:46,520 --> 01:12:50,519
Speaker 2: ways to like give your audience more and ways to

1674
01:12:50,680 --> 01:12:52,320
Speaker 2: do more. So I came up with, like with some

1675
01:12:52,400 --> 01:12:55,639
Speaker 2: dope ass ideas concepts for us to rock in together,

1676
01:12:56,080 --> 01:12:58,200
Speaker 2: but stay true to the space of what they're doing.

1677
01:12:58,640 --> 01:13:00,240
Speaker 2: So Drewski, I know he came in he was like

1678
01:13:00,320 --> 01:13:01,600
Speaker 2: telling you guys about the movie. I don't want to

1679
01:13:01,600 --> 01:13:03,240
Speaker 2: tell you'all what it is, but it's a big it's

1680
01:13:03,240 --> 01:13:04,880
Speaker 2: a big idea that we're working now. But I was

1681
01:13:04,920 --> 01:13:07,120
Speaker 2: like to do it. You guys got to educate yourself

1682
01:13:07,240 --> 01:13:08,880
Speaker 2: on things in this space.

1683
01:13:09,120 --> 01:13:10,320
Speaker 1: So it wasn't homework.

1684
01:13:10,360 --> 01:13:13,880
Speaker 2: I was like, understand production, Understand how movies are made,

1685
01:13:13,960 --> 01:13:15,760
Speaker 2: Understand the look and feel. I want you to be

1686
01:13:15,800 --> 01:13:18,000
Speaker 2: a part of the process so you can understand the process.

1687
01:13:18,320 --> 01:13:20,759
Speaker 2: And after you do this with me, go do it yourself.

1688
01:13:20,880 --> 01:13:22,880
Speaker 2: Go do it and figure out ways to you know,

1689
01:13:23,040 --> 01:13:24,559
Speaker 2: do it with the other people that you're around.

1690
01:13:24,720 --> 01:13:26,360
Speaker 1: All Right, we got more with Kevin Hart. When we

1691
01:13:26,479 --> 01:13:28,880
Speaker 1: come back, don't move. It's the Breakfast Club. Good morning,

1692
01:13:29,720 --> 01:13:30,840
Speaker 1: the breakfast Club.

1693
01:13:33,520 --> 01:13:37,559
Speaker 2: Warning, everybody's the j Envy Jess hilarious charlamage the guy.

1694
01:13:37,640 --> 01:13:39,320
Speaker 2: We are the breakfast Club. We're still kicking it with

1695
01:13:39,400 --> 01:13:42,720
Speaker 2: Kevin Hart. Juicy said, you actually set him up in

1696
01:13:42,760 --> 01:13:45,479
Speaker 2: that stream with that little kid. He said, boy, he said,

1697
01:13:45,640 --> 01:13:48,720
Speaker 2: it was you that actually said this is what's that's what.

1698
01:13:49,680 --> 01:13:54,479
Speaker 1: Start off said. Started follow league, follow your league's.

1699
01:13:54,560 --> 01:13:56,639
Speaker 2: First of all, what you need to understand is where

1700
01:13:56,640 --> 01:13:58,240
Speaker 2: the cameras are at all times what I said the

1701
01:13:58,280 --> 01:14:02,080
Speaker 2: juice key was in his here, I said something in

1702
01:14:02,160 --> 01:14:04,560
Speaker 2: his ear. Okay, nobody really knows what I said. He

1703
01:14:04,640 --> 01:14:07,000
Speaker 2: knows what I said. And then he took the liberty

1704
01:14:07,080 --> 01:14:09,559
Speaker 2: of going and saying very harsh things, by the way,

1705
01:14:10,360 --> 01:14:12,479
Speaker 2: things it shouldn't be senior, walk right out, like you see.

1706
01:14:12,560 --> 01:14:14,800
Speaker 2: I mean, I don't want to be around that. I've

1707
01:14:14,840 --> 01:14:16,880
Speaker 2: seen a lot of people getting fights. I've seen what

1708
01:14:16,920 --> 01:14:19,640
Speaker 2: it's about to happen. I goes, I shouldn't be here, right,

1709
01:14:19,720 --> 01:14:22,640
Speaker 2: I shouldn't be here. They're about to start shooting. By

1710
01:14:22,680 --> 01:14:24,000
Speaker 2: the way, he's got the gun.

1711
01:14:24,439 --> 01:14:24,840
Speaker 1: I see it.

1712
01:14:24,960 --> 01:14:27,560
Speaker 2: I'm gonna leave right now. So I just exited the

1713
01:14:27,640 --> 01:14:29,280
Speaker 2: room because I think I think at the time, I

1714
01:14:29,320 --> 01:14:31,280
Speaker 2: had to go to the vathroom actually, and then a

1715
01:14:31,320 --> 01:14:33,759
Speaker 2: lot of stuff from what I was told. When I happened,

1716
01:14:33,760 --> 01:14:35,280
Speaker 2: from what I was told, the kids started crying and

1717
01:14:35,320 --> 01:14:38,479
Speaker 2: stuff like that, and I came back and I was like,

1718
01:14:38,520 --> 01:14:41,519
Speaker 2: what's going on? Right at that time, I'm the adult

1719
01:14:41,600 --> 01:14:44,439
Speaker 2: in the room trying to calm down, like, hey man,

1720
01:14:44,640 --> 01:14:46,600
Speaker 2: what's happening. And I think all the cameras caught me

1721
01:14:46,680 --> 01:14:48,840
Speaker 2: saying that, which is good for me legally so I

1722
01:14:49,000 --> 01:14:49,799
Speaker 2: was never attached.

1723
01:14:50,080 --> 01:14:52,080
Speaker 4: Jukie said he felt like he could make those jokes

1724
01:14:52,080 --> 01:14:54,439
Speaker 4: because he's fat and y'all were teasing him all day

1725
01:14:54,439 --> 01:14:55,840
Speaker 4: about being fat or juicy.

1726
01:14:56,000 --> 01:15:00,280
Speaker 2: First of all, calling people fats, that's aggressive when you

1727
01:15:00,320 --> 01:15:01,120
Speaker 2: start a big thinking of you.

1728
01:15:01,320 --> 01:15:01,840
Speaker 3: I just want to.

1729
01:15:05,520 --> 01:15:13,800
Speaker 1: I just want to know what I'm saying. Drewy big

1730
01:15:14,600 --> 01:15:15,400
Speaker 1: see a little bigger?

1731
01:15:15,560 --> 01:15:15,720
Speaker 8: Yeah?

1732
01:15:15,880 --> 01:15:16,000
Speaker 3: Right?

1733
01:15:16,080 --> 01:15:18,400
Speaker 2: Does he had problems breathing when he walks up the steps? Yeah,

1734
01:15:18,439 --> 01:15:22,400
Speaker 2: of course, But but you know that little kid, I

1735
01:15:22,439 --> 01:15:24,200
Speaker 2: think it was on his way to a healthy lifestyle.

1736
01:15:24,640 --> 01:15:26,479
Speaker 2: You got to support that, right, a little kid because

1737
01:15:26,479 --> 01:15:27,720
Speaker 2: he was talking. I think the little kid was talking

1738
01:15:27,720 --> 01:15:30,479
Speaker 2: about exercising and stuff, which is good and I'm always

1739
01:15:30,520 --> 01:15:32,719
Speaker 2: glad to just be on the positive side of conversation.

1740
01:15:33,000 --> 01:15:35,200
Speaker 2: That's what I'm about, you know, a beacon of light.

1741
01:15:35,520 --> 01:15:36,679
Speaker 9: Joy Kevin.

1742
01:15:36,760 --> 01:15:39,800
Speaker 12: At at the level of success that you are being

1743
01:15:39,840 --> 01:15:42,320
Speaker 12: an actor, do you still have to audition.

1744
01:15:42,120 --> 01:15:43,880
Speaker 1: For roles or actually not?

1745
01:15:44,720 --> 01:15:45,439
Speaker 11: What are you talking to.

1746
01:15:47,520 --> 01:15:48,760
Speaker 9: That he had said that he does?

1747
01:15:49,520 --> 01:15:51,360
Speaker 1: I think said he had to he pitches. He still

1748
01:15:51,360 --> 01:15:52,280
Speaker 1: got to pitch projects.

1749
01:15:53,240 --> 01:15:56,800
Speaker 2: Yeah, that makes sense if he's pitching things, man, Am

1750
01:15:56,840 --> 01:15:59,080
Speaker 2: I am I really pitching things? I think I'm pitching

1751
01:15:59,560 --> 01:16:02,519
Speaker 2: ideas to my team. I'm more in the business of

1752
01:16:03,000 --> 01:16:05,840
Speaker 2: creating the things that I think best service my want

1753
01:16:06,160 --> 01:16:08,840
Speaker 2: in my direction and the business. Like when you think

1754
01:16:08,880 --> 01:16:10,840
Speaker 2: about the dramas, you think about all the things that

1755
01:16:10,840 --> 01:16:13,559
Speaker 2: I've done as serious, like that's been me so true story.

1756
01:16:13,600 --> 01:16:15,040
Speaker 2: I was like, I want to I want to kill

1757
01:16:15,080 --> 01:16:16,960
Speaker 2: somebody on camera. I think it'd be dope, and I

1758
01:16:17,040 --> 01:16:20,320
Speaker 2: want to found a guy that created Narcos and I

1759
01:16:20,400 --> 01:16:22,280
Speaker 2: was like, Yo, it'll be dopes if we can collab

1760
01:16:22,400 --> 01:16:24,800
Speaker 2: and talk. But we developed it and then I was like, Okay,

1761
01:16:24,880 --> 01:16:26,840
Speaker 2: this is great, let's go and take this out. Like

1762
01:16:26,920 --> 01:16:30,360
Speaker 2: that's developing it and then going to sell it. Fight night.

1763
01:16:30,560 --> 01:16:33,400
Speaker 2: That was me Will Packer will tell me you had

1764
01:16:33,439 --> 01:16:35,280
Speaker 2: to right and not saying, hey, to do it. This

1765
01:16:35,360 --> 01:16:37,240
Speaker 2: can be dope, but let's do it this way and

1766
01:16:37,760 --> 01:16:40,080
Speaker 2: put the right people in it. So like the creative

1767
01:16:40,160 --> 01:16:42,719
Speaker 2: side of from start to finish is where I'm playing

1768
01:16:42,720 --> 01:16:46,040
Speaker 2: at now. But like auditioning, I'm not really auditioning. I

1769
01:16:46,080 --> 01:16:47,960
Speaker 2: think people if they have a project, they're like, oh,

1770
01:16:48,040 --> 01:16:50,200
Speaker 2: Kevin would be good for this, and I'm getting those calls, hey,

1771
01:16:50,240 --> 01:16:52,439
Speaker 2: we want you to do and then I got a

1772
01:16:52,479 --> 01:16:53,800
Speaker 2: decision of if I want to do it or not.

1773
01:16:54,000 --> 01:16:55,920
Speaker 12: Like fans is the Upside, That's still one of my

1774
01:16:55,960 --> 01:16:57,960
Speaker 12: favorite movies. You and Brian Cranston.

1775
01:16:58,240 --> 01:16:59,920
Speaker 1: They already saw you for that role.

1776
01:17:00,040 --> 01:17:02,400
Speaker 2: They said, we want to do the remake and we

1777
01:17:02,520 --> 01:17:05,360
Speaker 2: see you and Brian Cranston doing this. Are you interested?

1778
01:17:05,439 --> 01:17:08,639
Speaker 2: And that was absolutely and Nicole Kipman I was like absolutely,

1779
01:17:08,720 --> 01:17:11,679
Speaker 2: hands down. But it's it's it's coming out and having

1780
01:17:11,760 --> 01:17:14,040
Speaker 2: an ask not to say that I wouldn't audition, you

1781
01:17:14,120 --> 01:17:21,000
Speaker 2: would trying to anybody trying because I don't know your

1782
01:17:21,080 --> 01:17:22,800
Speaker 2: cameras there. I just wanted to look in and make

1783
01:17:22,840 --> 01:17:24,840
Speaker 2: it just look like I'm willing to do right.

1784
01:17:26,160 --> 01:17:29,320
Speaker 4: What about like social media BACKLASDS because everybody, for whatever reason,

1785
01:17:29,320 --> 01:17:31,840
Speaker 4: it was highly upset when you hosted a NBA All

1786
01:17:31,880 --> 01:17:32,400
Speaker 4: Star Weekend.

1787
01:17:32,600 --> 01:17:34,519
Speaker 1: There was a sector a section of the Internet that

1788
01:17:34,600 --> 01:17:35,439
Speaker 1: was acting like they were you.

1789
01:17:35,520 --> 01:17:38,280
Speaker 2: Know, you know what, what what energy do you give

1790
01:17:38,400 --> 01:17:41,839
Speaker 2: that I'm a partner to the NBA, Like I understand

1791
01:17:41,880 --> 01:17:44,080
Speaker 2: what that means. I'm not I'm not coming on to

1792
01:17:44,640 --> 01:17:46,800
Speaker 2: be Kevin Hart and have funny moments to the NBA.

1793
01:17:46,920 --> 01:17:50,960
Speaker 2: The NBA has been a servicing aid to my career

1794
01:17:51,040 --> 01:17:54,120
Speaker 2: for over fifteen years. Like you go back and you'll

1795
01:17:54,120 --> 01:17:56,479
Speaker 2: look at how much I've been on NBA T and

1796
01:17:56,600 --> 01:18:00,280
Speaker 2: T and All Star weekends, Celebrity weekends, all all these

1797
01:18:00,320 --> 01:18:02,919
Speaker 2: events like this you're not looking at. It's it's almost

1798
01:18:03,560 --> 01:18:07,240
Speaker 2: host adjacent, right, Like the personalities that we lean on

1799
01:18:07,400 --> 01:18:10,160
Speaker 2: because we're familiar with family and we know how they work.

1800
01:18:10,439 --> 01:18:11,200
Speaker 3: That's what that is.

1801
01:18:11,360 --> 01:18:13,200
Speaker 2: So the All Star I'm not going to the All

1802
01:18:13,280 --> 01:18:15,560
Speaker 2: Star Game to trying to create a big moment for me.

1803
01:18:16,040 --> 01:18:18,240
Speaker 2: I'm there because the energy of the All Star Game

1804
01:18:18,320 --> 01:18:21,800
Speaker 2: comes with Chuck, Ernie Kenny, myself, Shack, like we've been

1805
01:18:21,800 --> 01:18:24,479
Speaker 2: doing this for years, Like just talking and playing with

1806
01:18:24,680 --> 01:18:27,200
Speaker 2: one another, bantering on camera. That's not an easy thing

1807
01:18:27,280 --> 01:18:30,000
Speaker 2: to do. They make it look easy. They make it

1808
01:18:30,040 --> 01:18:30,519
Speaker 2: look great.

1809
01:18:30,600 --> 01:18:33,240
Speaker 12: That's not an easy thing between you and shit, Yeah,

1810
01:18:33,479 --> 01:18:35,800
Speaker 12: that's not an easy thing to do.

1811
01:18:35,960 --> 01:18:38,800
Speaker 2: Like that chemistry, that rapport. It comes from like having

1812
01:18:38,840 --> 01:18:41,120
Speaker 2: a real understanding for how TV works, So you can't

1813
01:18:41,240 --> 01:18:44,280
Speaker 2: just throw new things in there because it gets weird.

1814
01:18:44,600 --> 01:18:47,120
Speaker 2: People don't understand the times, peoplen't understand the cuts. How

1815
01:18:47,160 --> 01:18:48,720
Speaker 2: much time you gotta go cut back to the game.

1816
01:18:48,760 --> 01:18:50,960
Speaker 2: They're trying to do so much new sh they're trying

1817
01:18:51,000 --> 01:18:52,680
Speaker 2: to discover it. So why they're trying to figure it out.

1818
01:18:52,960 --> 01:18:54,840
Speaker 2: Here's personality that we can lean on. So at least

1819
01:18:54,840 --> 01:18:57,479
Speaker 2: we don't have dead space or dull moments on camera.

1820
01:18:57,680 --> 01:18:58,360
Speaker 3: That's what that is.

1821
01:18:58,520 --> 01:19:01,000
Speaker 2: So when you understand the technical county behind it, then

1822
01:19:01,080 --> 01:19:03,360
Speaker 2: you you understand my involvement. I don't I don't feed

1823
01:19:03,439 --> 01:19:05,799
Speaker 2: into the other like I know why I'm there, partnership.

1824
01:19:06,080 --> 01:19:08,640
Speaker 4: Do you ever tell Shaq to like really back up

1825
01:19:08,680 --> 01:19:10,880
Speaker 4: off you could he be kind of sexually assaulting.

1826
01:19:10,520 --> 01:19:15,519
Speaker 2: You in a little bit, come on, only one time,

1827
01:19:15,560 --> 01:19:18,720
Speaker 2: but Shack has done some crazy where I was uncomfortable

1828
01:19:19,840 --> 01:19:22,120
Speaker 2: real husbands when that whole thing that's on the internet

1829
01:19:22,160 --> 01:19:26,960
Speaker 2: that they that was, I wasn't scripted. It was a moment,

1830
01:19:27,040 --> 01:19:31,880
Speaker 2: but honestly, be really, I couldn't do nothing about it. Yeah,

1831
01:19:32,320 --> 01:19:33,880
Speaker 2: they gotta cut this.

1832
01:19:34,680 --> 01:19:34,880
Speaker 4: You know.

1833
01:19:36,600 --> 01:19:39,240
Speaker 2: Before just before I put a little size on not

1834
01:19:39,320 --> 01:19:41,040
Speaker 2: to say I could do something to shock, but I didn't.

1835
01:19:41,439 --> 01:19:43,080
Speaker 2: You know, it was a very frail version of me.

1836
01:19:43,800 --> 01:19:45,720
Speaker 2: And you know it was this is when Shaq was

1837
01:19:45,840 --> 01:19:48,519
Speaker 2: like when they were like just talking about Shaq being

1838
01:19:48,560 --> 01:19:51,240
Speaker 2: a cop, and he really was a COPA be funny

1839
01:19:51,240 --> 01:19:53,439
Speaker 2: at Shack pulled me over on real husbands of Hollywood,

1840
01:19:53,800 --> 01:19:56,400
Speaker 2: and you know, like Shack is like basically about the arrestment.

1841
01:19:56,520 --> 01:19:58,360
Speaker 2: You know, everybody can't improv.

1842
01:20:00,920 --> 01:20:04,519
Speaker 1: They kept they kept on.

1843
01:20:05,200 --> 01:20:06,760
Speaker 2: You don't even have to say this. We're not even

1844
01:20:06,880 --> 01:20:07,640
Speaker 2: to discussing.

1845
01:20:07,280 --> 01:20:09,280
Speaker 1: People who haven't seen it is a great show. You should.

1846
01:20:09,600 --> 01:20:10,920
Speaker 1: It's a great show, but it's not online.

1847
01:20:11,160 --> 01:20:12,760
Speaker 2: But we're not gonna do is make it scene like

1848
01:20:12,840 --> 01:20:16,120
Speaker 2: something that was so But what he did was he

1849
01:20:16,240 --> 01:20:18,479
Speaker 2: grabbed me when I got out the car, and he

1850
01:20:18,640 --> 01:20:19,960
Speaker 2: just tried to get a little physical right.

1851
01:20:20,040 --> 01:20:21,040
Speaker 1: It was like pat you down.

1852
01:20:21,520 --> 01:20:25,280
Speaker 2: But it's like like everybody doesn't improve the same comedy.

1853
01:20:25,840 --> 01:20:28,240
Speaker 2: Comedy is an art. Like you ever see comedians when

1854
01:20:28,280 --> 01:20:30,120
Speaker 2: they try to like improvate, some of them go too

1855
01:20:30,160 --> 01:20:32,120
Speaker 2: far or they don't know when to stop. He's like,

1856
01:20:32,120 --> 01:20:34,680
Speaker 2: hey man, we got to end the scene, like they

1857
01:20:34,720 --> 01:20:36,439
Speaker 2: can't go over there. I'm like, oh, yeah, well your mama,

1858
01:20:36,479 --> 01:20:38,639
Speaker 2: And you're like, well mom, you can't bring up moms

1859
01:20:38,640 --> 01:20:40,439
Speaker 2: because we don't know who our moms are. In the scene.

1860
01:20:40,439 --> 01:20:45,120
Speaker 4: It's like it says hashtag calls of the week, Hey yo,

1861
01:20:45,640 --> 01:20:47,720
Speaker 4: nah shock, you strayed, violated Kevin Hart.

1862
01:20:47,880 --> 01:20:50,760
Speaker 1: You literally took that man a pound town. This is

1863
01:20:50,960 --> 01:20:54,360
Speaker 1: this is what you're doing. That's actually that's actually nuts.

1864
01:20:55,640 --> 01:20:57,760
Speaker 1: That's nuts. That's why he grabbed me.

1865
01:20:58,160 --> 01:21:00,559
Speaker 2: He grabbed me, throws me over the over a card,

1866
01:21:00,640 --> 01:21:02,880
Speaker 2: a car, and he and he he starts humping me.

1867
01:21:03,680 --> 01:21:06,200
Speaker 3: So I'm like, I remember around.

1868
01:21:09,040 --> 01:21:11,040
Speaker 9: His face and I said, you let me tell you how.

1869
01:21:11,120 --> 01:21:12,640
Speaker 2: Let me tell you what I can tell Charlotte Mane

1870
01:21:12,680 --> 01:21:15,880
Speaker 2: and Charla Mayne is perfect. Like he's a nasty man.

1871
01:21:16,360 --> 01:21:19,040
Speaker 2: That's like in this brief time, I just found out

1872
01:21:19,040 --> 01:21:21,320
Speaker 2: a lot about him. By the way he starts describing stuff.

1873
01:21:21,439 --> 01:21:22,840
Speaker 2: You're very graphic, nasty man.

1874
01:21:23,320 --> 01:21:25,400
Speaker 1: I just told you, just described with you.

1875
01:21:25,640 --> 01:21:27,880
Speaker 2: He grabbed me and he throws me over the car.

1876
01:21:28,120 --> 01:21:30,560
Speaker 2: He's like, you don't know what. He starts humping me.

1877
01:21:30,600 --> 01:21:33,439
Speaker 2: I remember Ralph about rest of the episode. I remember

1878
01:21:33,520 --> 01:21:35,519
Speaker 2: I looked at Ralph and I'm like, hey, did y'all

1879
01:21:35,600 --> 01:21:41,240
Speaker 2: did job something happened? And they was like, uh, they

1880
01:21:41,280 --> 01:21:43,280
Speaker 2: were like all right, Uh, nobody