WEBVTT - Martin Luther King, the Jewelry Genius, and the Art of Public Speaking (Classic)

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<v Speaker 1>Pushkin. This week was Martin Luther King Junior Day, which

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<v Speaker 1>reminded me that one of my favorite ever episodes of

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<v Speaker 1>Cautionary Tales was about Martin Luther King Junior's most famous

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<v Speaker 1>speech and about an infamous speech given by a very

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<v Speaker 1>different character, Gerald Ratner. A confession. I am a public

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<v Speaker 1>speaking nerd. I competed in international debate competitions at school

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<v Speaker 1>and once had a career plan to write books about

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<v Speaker 1>public speaking. I find the art of public speaking fascinating

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<v Speaker 1>and much misunderstood. And the more I looked into the

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<v Speaker 1>story of these two speeches, each of which defined a

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<v Speaker 1>man's career, the more I thought to myself, we're thinking

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<v Speaker 1>about this all wrong. We have a marvelous slate of

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<v Speaker 1>Cautionary Tales coming in twenty twenty four, but I hope

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<v Speaker 1>you'll forgive me if I and the Cautionary Tales team

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<v Speaker 1>take a short rest to recharge our batteries. We will

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<v Speaker 1>be back with new episodes in February. But until then,

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<v Speaker 1>here is another chance to hear the astonishing talents of

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<v Speaker 1>Jeffrey Wright in Martin Luther King Junior, the Jewelry Genius,

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<v Speaker 1>and the art of public speaking. One late summer day

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<v Speaker 1>in nineteen sixty three, thousands upon thousands of people gathered

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<v Speaker 1>on the Mall in Washington, d C. They had come

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<v Speaker 1>to America's capital for jobs and freedom, to show the

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<v Speaker 1>Kennedy administration that civil rights legislation must be pushed through Congress,

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<v Speaker 1>and to hear the Reverend Doctor Martin Luther King Junior speak.

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<v Speaker 1>The official program had been long and packed with speeches,

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<v Speaker 1>but a quarter of a million people defied the heat

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<v Speaker 1>as they waited. The crowd stretched back from the Lincoln Memorial,

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<v Speaker 1>packing the sides of the famous reflecting pool, swirling around

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<v Speaker 1>the base of the Washington Monument, and extending toward the

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<v Speaker 1>intransigent capital itself. The Mall usually dwarfs anything on a

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<v Speaker 1>human scale. Not that afternoon. The gospel singer Mahalia Jackson sang,

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<v Speaker 1>I've been butked and I've been scorned. Anticipation was building.

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<v Speaker 1>All three television networks switched to live coverage. Doctor King

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<v Speaker 1>stepped forward to speak to address not only the sweltering crowd,

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<v Speaker 1>but a national audience he had never had before and

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<v Speaker 1>might never have again. Doctor King had spent the night

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<v Speaker 1>laboring on his speech with a few trusted aids, weighing

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<v Speaker 1>every word of what he would say. For a few minutes,

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<v Speaker 1>the nation, even the world, would be focused on those

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<v Speaker 1>words from the Lincoln Memorial steps. Doctor King knew that

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<v Speaker 1>those words had to be perfect. But now let's leave

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<v Speaker 1>this iconic scene behind us and travel across time and

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<v Speaker 1>across the Atlantic. Twenty eight years later, a very different

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<v Speaker 1>man would give a very different speech in front of

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<v Speaker 1>a very different audience. This man's name was Gerald Ratner,

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<v Speaker 1>and he didn't have a dream. He had a nightmare.

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<v Speaker 1>I'm Tim Harford, and you're listening to cautionary tales. Gerald

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<v Speaker 1>Ratner's speech, to be clear, wasn't about civil rights. It

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<v Speaker 1>was about selling cheap jewelry. It became iconic because it

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<v Speaker 1>didn't go well. And as you've probably figured out by now,

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<v Speaker 1>I'm fascinated by things that didn't go well. But I'll

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<v Speaker 1>let you into a secret. I'm also fascinated by the

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<v Speaker 1>art of public speaking. I love doing it and i

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<v Speaker 1>love studying it. Public speaking is such a strange thing,

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<v Speaker 1>as natural as talking and yet wrenchingly difficult. And how

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<v Speaker 1>it was approached by these two men, Gerald Ratner and

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<v Speaker 1>Martin Luther King, and what happened to them could teach

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<v Speaker 1>us a lot. Dr King and mister Ratner are a

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<v Speaker 1>study in con trusts. Martin Luther King took the high

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<v Speaker 1>road through education, earning a doctorate in theology. Gerald Ratner

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<v Speaker 1>took the low road. Ratner was born in London in

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<v Speaker 1>nineteen forty nine and expelled from school at the age

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<v Speaker 1>of thirteen. When he was fifteen, he joined the family business,

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<v Speaker 1>a group of six jewelry shops. Ratner worked behind the

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<v Speaker 1>counter for ten years, but noticed that he didn't have

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<v Speaker 1>many customers his age or younger. Those people had no

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<v Speaker 1>interest in gold and diamond rings. They were spending plenty

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<v Speaker 1>of money on clothes and music. Shopping malls were busy.

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<v Speaker 1>Jewelers were not. They were dusty and intimidating. Nothing had

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<v Speaker 1>a price tag. The doors would be locked behind you

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<v Speaker 1>when you entered. Young Gerald soon had a management role

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<v Speaker 1>and steered the family business towards more informal shops, selling

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<v Speaker 1>products that would appeal to young shoppers on a budget.

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<v Speaker 1>It was a canny move. By the age of thirty five,

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<v Speaker 1>Ratner was a millionaire. He began a series of ambitious takeovers.

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<v Speaker 1>By the age of forty, he was running fifteen hundred stores,

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<v Speaker 1>in the UK and a thousand in the US. His

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<v Speaker 1>brands included k Watches of Switzerland and Ratner's itself. Gerald

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<v Speaker 1>Ratner had built the largest jewelry group on the planet,

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<v Speaker 1>and then he destroyed it in a matter of seconds.

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<v Speaker 1>Gerald Ratner had been asked to address the Institute of Directors,

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<v Speaker 1>a prestigious audience of six thousand British business leaders. The

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<v Speaker 1>venue was the Royal Albert Hall, vast and trimmed with

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<v Speaker 1>gold and red velvet, perhaps the grandest auditorium in London. Understandably,

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<v Speaker 1>Ratner started his speech looking nervous. He was a self

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<v Speaker 1>made man, a school dropout who now stood in front

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<v Speaker 1>of business royalty, and in fact, there were actual royalty

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<v Speaker 1>in the audience too. Ratner was rich and successful, to

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<v Speaker 1>be sure, but did he fit in? Three minutes after

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<v Speaker 1>starting his speech, he finds his theme mocking his own products.

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<v Speaker 2>We've got this imitation book that you lay on your

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<v Speaker 2>coffee table. Pages don't actually open, but they're beautiful, curled

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<v Speaker 2>up corners with imitation antique. Dust I knows you might

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<v Speaker 2>say it's not in the best possible taste, but we

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<v Speaker 2>sold a quarter a million of them last year.

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<v Speaker 1>The audience love it, They laugh, They clap. Ratner looks braver.

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<v Speaker 2>We also do this nice sherry to canter. It's cut

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<v Speaker 2>glass and it comes complete with six glasses on a

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<v Speaker 2>silver plated tray that your butler could bring you in

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<v Speaker 2>he serve you drinks on.

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<v Speaker 1>Oh you're too funny, Gerald. Some other people in the

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<v Speaker 1>audience would have employed butler's, but Ratner's customers certainly couldn't

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<v Speaker 1>afford one any more than they could afford a genuine

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<v Speaker 1>antique book, a decanter in a silver tray for your butler.

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<v Speaker 1>Nice one, and.

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<v Speaker 2>It's really only cost four pounds ninety five pence.

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<v Speaker 1>That's about twelve dollars in today's money.

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<v Speaker 2>People say to me, how can you sell this for

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<v Speaker 2>such a low price? I say, because it's total craft.

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<v Speaker 1>Moll laughter, more applause. Ratner's killing it on stage. He's

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<v Speaker 1>also just killed his own business empire. He didn't realize

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<v Speaker 1>it at the time. The speech had gone down very

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<v Speaker 1>well with the audience in the Royal Albert Hall, but

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<v Speaker 1>the newspaper reporters in the room smelled a story. The

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<v Speaker 1>jokes that have played so brilliantly on the day did

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<v Speaker 1>not go down so well when served up cold on

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<v Speaker 1>the front page age of the morning papers. At the time,

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<v Speaker 1>the UK was in the middle of a recession. Ordinary

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<v Speaker 1>people didn't take kindly to a multi millionaire standing in

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<v Speaker 1>front of his fellow one percenters and mocking his own

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<v Speaker 1>customers for their crass taste. And who would buy an

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<v Speaker 1>engagement ring from a company whose own boss had declared

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<v Speaker 1>their products were crap sales ebbed Ratner's group shares fell

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<v Speaker 1>nearly ninety percent between the speech in April and Christmas.

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<v Speaker 1>Ratner was sacked from his own company. Inevitably, they changed

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<v Speaker 1>the company name. Ratner's was a toxic brand, forever tarnished

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<v Speaker 1>to this day. In the UK, doing a Ratner is

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<v Speaker 1>part of the language, universally understood as committing a humiliating

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<v Speaker 1>career ending gaff. Ratner's name became its own one word

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<v Speaker 1>cautionary tale. The lesson seems obvious enough if everyone's watching,

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<v Speaker 1>choose your words with care, don't wing it. But what

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<v Speaker 1>if that lesson has the story completely backwards in retrospect?

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<v Speaker 1>The Reverend Doctor King had been preparing his whole life

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<v Speaker 1>to give the speech from the steps of the Lincoln Memorial.

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<v Speaker 1>His memory had always been prodigious at the age of five,

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<v Speaker 1>he was learning Bible passages by heart. He told his

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<v Speaker 1>parents that when he grew up, he was going to

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<v Speaker 1>get some big words, so he did. Martin's father was

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<v Speaker 1>a preacher, and the boy took to the craft of

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<v Speaker 1>speechmaking early. At the age of fourteen, Martin traveled across

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<v Speaker 1>Georgia on a bus to compete in public speaking contest.

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<v Speaker 1>On the way home to Atlanta, things went sour, very sour.

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<v Speaker 1>King and his friend were sitting near the front of

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<v Speaker 1>the bus with their teacher, Sarah Grace Bradley. At a

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<v Speaker 1>busy stop, a rush of white passengers got on, and

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<v Speaker 1>the bus driver, also white, ordered King and his friend

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<v Speaker 1>to give up their seats.

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<v Speaker 3>You buys, move it, get yourself to the back.

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<v Speaker 4>Of the bus.

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<v Speaker 1>There was a pause. Dr King later said.

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<v Speaker 3>We didn't move quickly enough to suit him, so he

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<v Speaker 3>began cursing us.

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<v Speaker 1>The driver was now hurling every racist slur you can

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<v Speaker 1>imagine and threatening to call the police.

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<v Speaker 3>Harm Martin, Please do what he says. So we walked

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<v Speaker 3>to the back of the bus and I had to

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<v Speaker 3>stand all the way to Atlanta.

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<v Speaker 1>It was dark outside for ninety miles. There was nothing

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<v Speaker 1>to look at but the seat on the bus filled

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<v Speaker 1>with white people.

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<v Speaker 3>It was late at night, and I was tired, but

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<v Speaker 3>that wasn't the point. It was the humiliation.

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<v Speaker 1>Martin, remember, was just fourteen years old.

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<v Speaker 3>That night will never leave my memory. It was the

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<v Speaker 3>angriest I've ever been in my life. Suddenly I realized,

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<v Speaker 3>you don't count. You're nobody.

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<v Speaker 1>But Martin Luther King Junior wasn't destined to be nobody

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<v Speaker 1>for long. And the journey on the way to being

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<v Speaker 1>not just somebody, but somebody who made his mark on

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<v Speaker 1>history arguably began not with that unforgettable humiliation, but with

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<v Speaker 1>the triumphant day that had preceded it. The long and

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<v Speaker 1>infuriating bus journey of Martin Luther King Junior had been

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<v Speaker 1>on the way home from a public speaking competition. Martin

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<v Speaker 1>had won a prize at the contest, delivering his speech

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<v Speaker 1>titled The Negro and the Constitution entirely from memory. My

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<v Speaker 1>heart throbs anew in the hope that, inspired by the

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<v Speaker 1>example of Lincoln, imbued with the spirit of Christ, they

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<v Speaker 1>will cast down the last barrier to perfect freedom. That

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<v Speaker 1>speech showed off the teenage King's approach. He would research

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<v Speaker 1>draft redraft memorize, finally deliver with passion. King used the

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<v Speaker 1>same principles three years later, preaching for the first time

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<v Speaker 1>in a small meeting room at his father's church. He

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<v Speaker 1>was spectacular. The crowds kept coming until young Martin had

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<v Speaker 1>to move to the main auditorium. Martin won an oratory

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<v Speaker 1>prize in college. He used to practice imagined court testimony

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<v Speaker 1>in front of a mirror, dreaming of becoming a lawyer. Instead,

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<v Speaker 1>he applied for a job as a minister at a

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<v Speaker 1>Baptist church in Montgomery, Alabama. As part of his application,

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<v Speaker 1>he had to give a sermon, and of course, he

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<v Speaker 1>used something meticulously crafted, a sermon he had preached several

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<v Speaker 1>times before practice don't just make it up as you

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<v Speaker 1>go along. Once he secured that job, he stuck to

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<v Speaker 1>that winning formula. King's responsibilities as a minister had to

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<v Speaker 1>be fulfilled while he was still finishing his doctorate in theology,

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<v Speaker 1>so he rose at half past five each morning, made coffee,

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<v Speaker 1>shaved his stubborn bristles into a neat mustache, then worked

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<v Speaker 1>on his doctorate for three hours before his pregnant wife,

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<v Speaker 1>Coreta woke to join him for breakfast. All the while

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<v Speaker 1>King lavished enormous effort on his sermons. He would begin

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<v Speaker 1>drafting on Tuesday and continued to research and draft throughout

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<v Speaker 1>the week, drawing ideas from Plato Aquinas freud Gandy. As

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<v Speaker 1>Sunday approached, he would write it all out on yellow

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<v Speaker 1>lined paper and commit it to memory, just as he

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<v Speaker 1>had done at the age of fourteen. He would bring

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<v Speaker 1>the script to church with him, but as he ascended

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<v Speaker 1>to the pulpit, he would leave it in his chair

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<v Speaker 1>and speak without notes for half an hour or more.

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<v Speaker 1>He was fantastic, people said. The congregation adored him and

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<v Speaker 1>the way he spoke with style about matters of substance,

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<v Speaker 1>and to achieve this mastery, the young Reverend King spent

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<v Speaker 1>fifteen hours or more crafting each sermon. Martin Luther King

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<v Speaker 1>was one of the greatest speechmakers to grace the English language,

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<v Speaker 1>and at first it might seem obvious why, as well

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<v Speaker 1>as being educated and prodigiously talented, he ensured that every

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<v Speaker 1>syllable of his oratory was meticulously prepared. Gerald Ratner could

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<v Speaker 1>have learned from doctor King's example, couldn't he, Well, the

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<v Speaker 1>truth is way more interesting than that, So why would

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<v Speaker 1>a public speaker set aside the script or memorized remarks

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<v Speaker 1>and speak off the cuff. I asked Charles Limb. He's

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<v Speaker 1>a neuroscientist, a surgeon, a jazz saxophonist, and one of

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<v Speaker 1>very few people who's actually studied the improvising brain. Lim

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<v Speaker 1>researches people as they improvise inside brain scanners called fmur

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<v Speaker 1>eye machines. Imagine sliding on your back so that your

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<v Speaker 1>head is surrounded by a giant, white plastic doughnut with

0:17:04.010 --> 0:17:07.810
<v Speaker 1>the feel of a vintage iPod. The scanner is generating

0:17:08.010 --> 0:17:12.730
<v Speaker 1>powerful magnetic fields to illuminate the contrast between oxygen rich

0:17:12.810 --> 0:17:16.050
<v Speaker 1>blood flowing to different areas of your brain and the

0:17:16.090 --> 0:17:20.810
<v Speaker 1>oxygen depleted blood flowing away. Again, your head is held

0:17:21.050 --> 0:17:25.170
<v Speaker 1>perfectly still. If you're a hip hop artist, you then

0:17:25.250 --> 0:17:28.330
<v Speaker 1>have to spit some rhymes in response to random words.

0:17:28.650 --> 0:17:30.970
<v Speaker 1>If you're a jazz musician, you have to tap out

0:17:31.050 --> 0:17:34.690
<v Speaker 1>riffs on a plastic keyboard lying across your knees and

0:17:34.730 --> 0:17:38.570
<v Speaker 1>no metal, Otherwise the magnetic field would rip the keyboard

0:17:38.570 --> 0:17:42.170
<v Speaker 1>apart and pull the shrapnel into the scanner with your head.

0:17:43.210 --> 0:17:49.330
<v Speaker 1>It's a tough gig. Through these experiments, Limb and other

0:17:49.410 --> 0:17:53.490
<v Speaker 1>neuroscientists have been discovering hints of what goes on in

0:17:53.570 --> 0:17:58.530
<v Speaker 1>an improvising brain. There's a distinctive pattern in the prefrontal cortex,

0:17:58.730 --> 0:18:02.770
<v Speaker 1>which seems to be the seat of consciousness, memory, morality, humor,

0:18:03.050 --> 0:18:07.170
<v Speaker 1>and even the sense of self. But the pattern isn't

0:18:07.410 --> 0:18:11.930
<v Speaker 1>that the prefrontal cortex is lighting up during improvisation. On

0:18:12.010 --> 0:18:16.810
<v Speaker 1>the contrary, broad areas of it shutting down the dorso

0:18:16.930 --> 0:18:19.610
<v Speaker 1>lateral areas either side of the top of your forehead

0:18:19.850 --> 0:18:24.650
<v Speaker 1>and the lateral orbital areas behind your eyes. Improvisers are

0:18:24.970 --> 0:18:29.810
<v Speaker 1>escaping their internal restraints. They're letting go. Most of us

0:18:29.850 --> 0:18:33.010
<v Speaker 1>go through our days holding back our mental impulses to

0:18:33.090 --> 0:18:36.570
<v Speaker 1>swear or lash out. All this requires a degree of

0:18:36.650 --> 0:18:41.370
<v Speaker 1>self control, so that filtering is a good thing. That

0:18:41.450 --> 0:18:44.330
<v Speaker 1>you can have too much of a good thing, says

0:18:44.410 --> 0:18:50.170
<v Speaker 1>Charles Limb. Too much filtering can squash our creativity. Improvisers

0:18:50.410 --> 0:18:53.930
<v Speaker 1>shut down their inner critics and allow new ideas to

0:18:54.010 --> 0:18:58.610
<v Speaker 1>flow out. The improvising brain is disinhibited, although not so

0:18:58.690 --> 0:19:02.650
<v Speaker 1>crudely as the drunk brain. That is why improvisers can

0:19:02.690 --> 0:19:08.570
<v Speaker 1>produce flashes of pure brilliance. It's also why improvisation feels

0:19:08.610 --> 0:19:18.130
<v Speaker 1>so risk. A script can seem protective, like a bulletproof vest,

0:19:19.090 --> 0:19:24.250
<v Speaker 1>but sometimes it's more like a strait jacket. Improvising unleashes creativity.

0:19:24.410 --> 0:19:27.810
<v Speaker 1>It feels fresh and honest and personal. Above all, it

0:19:27.890 --> 0:19:33.050
<v Speaker 1>turns a monologue into a dialogue. Miles Davis, the legendary

0:19:33.130 --> 0:19:37.850
<v Speaker 1>jazz trumpeter, talked about improvisation as the freedom and space

0:19:38.330 --> 0:19:42.450
<v Speaker 1>to hear things. That's a fascinating turn of phrase. Not

0:19:42.530 --> 0:19:45.930
<v Speaker 1>the freedom and space to play things or to do things,

0:19:46.690 --> 0:19:49.850
<v Speaker 1>but to hear things, to be more open to the

0:19:49.890 --> 0:19:52.810
<v Speaker 1>sound of your own instrument, the sound of the group,

0:19:53.490 --> 0:19:56.530
<v Speaker 1>And that matters for more than just music or rhetoric,

0:19:56.970 --> 0:20:01.170
<v Speaker 1>because we're scared of improvising, and we're not just afraid

0:20:01.210 --> 0:20:05.450
<v Speaker 1>to improvise on stage, we're also becoming afraid to improvise

0:20:05.770 --> 0:20:11.170
<v Speaker 1>face to face. The sociologist Sherry Turkle has been interviewing

0:20:11.210 --> 0:20:15.690
<v Speaker 1>young people about their communications through smartphone apps. It wasn't

0:20:15.730 --> 0:20:18.610
<v Speaker 1>just because the apps were convenient or addictive, although they

0:20:18.650 --> 0:20:24.690
<v Speaker 1>could be both. Texting is attractive because traditional conversations feel scary.

0:20:25.490 --> 0:20:27.210
<v Speaker 3>I'll tell you what's wrong with conversation.

0:20:27.770 --> 0:20:30.610
<v Speaker 1>One high school senior told Sherry Turkele.

0:20:30.610 --> 0:20:33.730
<v Speaker 3>It takes place in real time, and you can't control

0:20:33.770 --> 0:20:34.810
<v Speaker 3>what you're going to say.

0:20:35.090 --> 0:20:39.410
<v Speaker 1>What you're going to say. This student is so used

0:20:39.410 --> 0:20:43.210
<v Speaker 1>to being able to proofread every message that he's become

0:20:43.290 --> 0:20:49.250
<v Speaker 1>scared of simply talking and seeing what happens. But then

0:20:49.850 --> 0:20:53.930
<v Speaker 1>perhaps he's right to be scared. We should ask Gerald Ratner.

0:20:55.370 --> 0:20:59.770
<v Speaker 1>Gerald Ratner learned to laugh at himself a long time ago,

0:20:59.930 --> 0:21:03.570
<v Speaker 1>but he rejects the idea that somehow his mistake all

0:21:03.650 --> 0:21:06.730
<v Speaker 1>worked out for the best. People ask me if I'm

0:21:06.730 --> 0:21:09.850
<v Speaker 1>glad I said what I said. They're ridiculous. How could

0:21:09.890 --> 0:21:15.490
<v Speaker 1>I be grateful? I lost everything? Ratner plunged into depression.

0:21:15.970 --> 0:21:19.290
<v Speaker 1>He has bounced back in some ways. He had some success,

0:21:19.370 --> 0:21:21.570
<v Speaker 1>setting up a chain of health clubs and even an

0:21:21.650 --> 0:21:25.450
<v Speaker 1>online jewelry business. But the truth is that there was

0:21:25.530 --> 0:21:29.090
<v Speaker 1>nothing he could do, no success that he could achieve

0:21:29.690 --> 0:21:33.650
<v Speaker 1>that would ever be as famous as his gaff. The

0:21:33.690 --> 0:21:37.530
<v Speaker 1>search for a good joke destroyed his business, and it

0:21:37.610 --> 0:21:40.930
<v Speaker 1>nearly destroyed him. Who would want to risk the fate

0:21:41.010 --> 0:21:44.410
<v Speaker 1>of Gerald Ratner when they could follow the meticulous example

0:21:44.450 --> 0:21:47.770
<v Speaker 1>of the young Martin Luther King. It seems obvious that

0:21:47.850 --> 0:21:51.130
<v Speaker 1>when speaking in public, we should prepare as diligently as

0:21:51.250 --> 0:21:55.450
<v Speaker 1>King did when he drafted and memorized his sermons. But

0:21:55.690 --> 0:21:59.810
<v Speaker 1>the truth about Gerald Dratner's impromptu remark about his products

0:21:59.850 --> 0:22:07.330
<v Speaker 1>being total crap is this. It wasn't impromptu. He chose

0:22:07.410 --> 0:22:11.090
<v Speaker 1>those words with care to circulating drafts of the speech

0:22:11.130 --> 0:22:14.530
<v Speaker 1>to get comments. He had used the total crap joke

0:22:14.650 --> 0:22:18.450
<v Speaker 1>before without running into problems, and as he prepared to

0:22:18.490 --> 0:22:21.690
<v Speaker 1>deliver the speech on a larger stage, he sought advice.

0:22:22.290 --> 0:22:25.730
<v Speaker 1>His wife told him to be careful that others, including

0:22:25.770 --> 0:22:28.610
<v Speaker 1>a friend who was one of the most influential figures

0:22:28.610 --> 0:22:31.810
<v Speaker 1>in the advertising industry, encouraged him to tell even more

0:22:31.890 --> 0:22:36.250
<v Speaker 1>daring jokes. They thought Ratna would sound self deprecating and

0:22:36.290 --> 0:22:39.170
<v Speaker 1>that his audience would love the gags, which was true.

0:22:39.530 --> 0:22:42.130
<v Speaker 1>Those in the hall that day did love it. But

0:22:42.250 --> 0:22:46.090
<v Speaker 1>in the newspapers the next morning, Ratner simply sounded like

0:22:46.130 --> 0:22:55.850
<v Speaker 1>a millionaire mocking his struggling customers. When I listened back

0:22:55.890 --> 0:22:59.050
<v Speaker 1>to Ratner's speech, I don't hear the mockery at all.

0:22:59.490 --> 0:23:03.330
<v Speaker 1>I hear something else. Immediately after saying his own products

0:23:03.370 --> 0:23:06.330
<v Speaker 1>were crap, Ratner says are.

0:23:06.290 --> 0:23:10.810
<v Speaker 2>Ratner's shots will never win any awards. Design they're not

0:23:10.930 --> 0:23:13.850
<v Speaker 2>in the best possible taste. I admit that. In fact,

0:23:13.930 --> 0:23:16.170
<v Speaker 2>some people say they can't even see the jewelry for

0:23:16.210 --> 0:23:19.090
<v Speaker 2>all the banners and posters smothering the shot windows.

0:23:19.730 --> 0:23:23.530
<v Speaker 1>There's a different tone. Suddenly, there's a note of defiance,

0:23:24.010 --> 0:23:24.730
<v Speaker 1>even anger.

0:23:25.050 --> 0:23:29.330
<v Speaker 2>So it's interesting that these shots that everyone has a

0:23:29.330 --> 0:23:33.850
<v Speaker 2>good laugh about take more money per square foot than

0:23:33.890 --> 0:23:36.290
<v Speaker 2>any other retailer in Europe.

0:23:36.490 --> 0:23:39.490
<v Speaker 1>The hall is hush, now, nobody's laughing.

0:23:40.370 --> 0:23:44.850
<v Speaker 2>Why, because we give the customer what they want.

0:23:46.770 --> 0:23:52.450
<v Speaker 1>Gerald Ratner wasn't laughing at his customers. He identified with them.

0:23:52.730 --> 0:23:55.810
<v Speaker 1>He thought the business royalty in the hall were laughing

0:23:55.810 --> 0:24:01.090
<v Speaker 1>at his customers and his business ideas and him. This

0:24:01.690 --> 0:24:05.010
<v Speaker 1>was his response, You laugh at us, he was saying,

0:24:05.610 --> 0:24:09.090
<v Speaker 1>but my customers are happy and I'm rich, So who's

0:24:09.210 --> 0:24:15.090
<v Speaker 1>laughing now. Ratner's downfall wasn't caused by a lack of preparation,

0:24:15.850 --> 0:24:19.770
<v Speaker 1>but by a lack of judgment. Ratner did exactly what

0:24:19.890 --> 0:24:23.410
<v Speaker 1>he planned to do. He had simply failed to foresee

0:24:23.450 --> 0:24:30.250
<v Speaker 1>the consequences. Improvisation was not to blame. Improvising does expose

0:24:30.330 --> 0:24:34.810
<v Speaker 1>us to new and different risks, but even careful preparation

0:24:35.450 --> 0:24:53.130
<v Speaker 1>cannot remove Risks entirely. In December nineteen fifty five, Rosa

0:24:53.250 --> 0:24:56.490
<v Speaker 1>Parks was arrested after refusing to give up her seat

0:24:56.530 --> 0:25:00.130
<v Speaker 1>on a bus in Montgomery, Alabama to a white man.

0:25:01.210 --> 0:25:04.610
<v Speaker 1>As a local church leader with a reputation as an orator,

0:25:05.330 --> 0:25:09.250
<v Speaker 1>Martin Luther King was asked to organize a boycott of

0:25:09.290 --> 0:25:17.170
<v Speaker 1>Montgomery's buses. He hesitated. He was exhausted. His newborn baby daughter, Yoki,

0:25:17.410 --> 0:25:21.330
<v Speaker 1>wouldn't stop crying in the night. King asked for time

0:25:21.450 --> 0:25:24.330
<v Speaker 1>to mull over the idea of a bus boycott, but

0:25:24.450 --> 0:25:28.810
<v Speaker 1>an influential local activist, Edie Nixon, would have no delays.

0:25:29.490 --> 0:25:32.170
<v Speaker 1>You ain't got much time to think, said Nixon. You're

0:25:32.210 --> 0:25:35.570
<v Speaker 1>in the chair from now on. So it was that

0:25:35.690 --> 0:25:41.050
<v Speaker 1>King found himself bounced into leading the Montgomery Improvement Association.

0:25:41.930 --> 0:25:44.410
<v Speaker 1>He had to give an inaugural speech, and he had

0:25:44.410 --> 0:25:47.850
<v Speaker 1>to give it immediately. Rosa Parks was news. The bus

0:25:47.850 --> 0:25:52.330
<v Speaker 1>boycott was news. There wasn't time to spend days redrafting

0:25:52.410 --> 0:25:56.730
<v Speaker 1>or consulting the sayings of Plato or Gandhy. Doctor King

0:25:56.930 --> 0:25:59.450
<v Speaker 1>arrived home from the meeting with Edie Nixon and the

0:25:59.490 --> 0:26:02.730
<v Speaker 1>activists at half past six. He had to head to

0:26:02.770 --> 0:26:06.690
<v Speaker 1>the speech venue Holt Street Church at ten to seven.

0:26:07.250 --> 0:26:10.530
<v Speaker 3>I had only twenty minutes to prepare the most decisive

0:26:10.650 --> 0:26:14.650
<v Speaker 3>speech of my life. I became possessed by fear.

0:26:15.850 --> 0:26:19.050
<v Speaker 1>King knew that newspaper men would be there, perhaps even

0:26:19.090 --> 0:26:22.970
<v Speaker 1>television crews. And yet just as the stakes were highest,

0:26:23.450 --> 0:26:26.210
<v Speaker 1>the habit of meticulous preparation that had served him so

0:26:26.410 --> 0:26:31.850
<v Speaker 1>well all his life was useless. He couldn't research, draft, redraft,

0:26:31.930 --> 0:26:36.130
<v Speaker 1>and memorized. He had no time. King looked at his watch.

0:26:36.690 --> 0:26:40.490
<v Speaker 1>Already five minutes had ticked away while he fretted. Every

0:26:40.530 --> 0:26:43.650
<v Speaker 1>Sunday he delivered a sermon based on fifteen hours of

0:26:43.730 --> 0:26:46.610
<v Speaker 1>hard work. Now he was about to deliver the most

0:26:46.650 --> 0:26:50.130
<v Speaker 1>important speech of his life, and he had just fifteen minutes.

0:26:51.410 --> 0:26:54.450
<v Speaker 1>He sketched a couple of thoughts with his hand shaking,

0:26:54.930 --> 0:26:58.250
<v Speaker 1>pondering the delicate balance he had to strike between militancy

0:26:58.610 --> 0:27:03.530
<v Speaker 1>and moderation. Then he prayed that was all the preparation

0:27:03.650 --> 0:27:06.810
<v Speaker 1>he could spare before driving to the Holt Street Church.

0:27:12.250 --> 0:27:16.530
<v Speaker 1>Ten thousand people stood outside, unable to cram themselves in,

0:27:16.850 --> 0:27:19.770
<v Speaker 1>listening to the proceedings via a loud speaker on the roof.

0:27:20.370 --> 0:27:23.770
<v Speaker 1>The Montgomery police were their in force. So were the

0:27:23.810 --> 0:27:27.890
<v Speaker 1>television cameras pointing at the pulpit as King stepped up

0:27:28.170 --> 0:27:29.490
<v Speaker 1>and began to speak.

0:27:30.490 --> 0:27:33.770
<v Speaker 3>My friends, we're here this evening for serious business.

0:27:34.890 --> 0:27:39.370
<v Speaker 1>The speech is brilliantly described in Taylor Branch's biography of King.

0:27:40.210 --> 0:27:44.250
<v Speaker 1>Instead of the usual careful script, lovingly prepared and committed

0:27:44.290 --> 0:27:49.010
<v Speaker 1>to memory, King was groping his way towards the right words.

0:27:49.810 --> 0:27:52.850
<v Speaker 4>I think I speak with legal authority, not that I

0:27:52.890 --> 0:27:55.250
<v Speaker 4>have any legal authority, but I think I speak with

0:27:55.410 --> 0:27:58.810
<v Speaker 4>legal authority behind me. That the law, the ordinance, the

0:27:58.850 --> 0:28:01.570
<v Speaker 4>city ordinance, has never been totally clarified.

0:28:02.690 --> 0:28:06.010
<v Speaker 1>He had never in his life delivered a sermon with

0:28:06.130 --> 0:28:10.410
<v Speaker 1>a line as weak and confused as that one. Fifteen

0:28:10.530 --> 0:28:15.490
<v Speaker 1>hours of preparation always ironed out every wrinkle. But King

0:28:15.730 --> 0:28:20.370
<v Speaker 1>was finding something more valuable than time to prepare, in

0:28:20.450 --> 0:28:25.210
<v Speaker 1>Miles Davis's phrase, the freedom and space to hear things.

0:28:25.930 --> 0:28:29.810
<v Speaker 1>As he spoke, King listened to the crowd, feeling out

0:28:29.850 --> 0:28:34.090
<v Speaker 1>their response. Speaking in the moment. His early sentences were

0:28:34.130 --> 0:28:39.170
<v Speaker 1>experiments grasping for a theme, exploring how each sounded and

0:28:39.290 --> 0:28:43.330
<v Speaker 1>how the crowd responded. Each phrase shaped The phrase that

0:28:43.410 --> 0:28:47.330
<v Speaker 1>followed his speech was not a solo. It was a

0:28:47.450 --> 0:28:53.410
<v Speaker 1>duet with his audience. After a cautious opening, King talked

0:28:53.490 --> 0:28:57.970
<v Speaker 1>of Rosa Parks, of her character and Christian commitment, and.

0:28:58.090 --> 0:29:02.730
<v Speaker 3>Just because she refused to get up, she was arrested.

0:29:03.210 --> 0:29:07.410
<v Speaker 1>The crowd murmured their assent. After a pause for breath,

0:29:07.890 --> 0:29:10.410
<v Speaker 1>King changed irec you.

0:29:10.410 --> 0:29:13.770
<v Speaker 4>Know, my friends, there comes a time when people get

0:29:13.850 --> 0:29:17.170
<v Speaker 4>tired of being trampled over by the iron feet of oppression.

0:29:18.770 --> 0:29:23.330
<v Speaker 1>And suddenly the avalanche began. A few yells of support

0:29:23.530 --> 0:29:27.250
<v Speaker 1>became a roar of approval and anger. The spirit of

0:29:27.290 --> 0:29:31.010
<v Speaker 1>the crowd was self sustaining, a torrent of emotion and sound,

0:29:31.050 --> 0:29:34.530
<v Speaker 1>which grew stronger. Just when it seemed the soundless fade,

0:29:35.050 --> 0:29:38.650
<v Speaker 1>further waves crashed in from the thousands of voices outside.

0:29:39.490 --> 0:29:44.410
<v Speaker 1>The cheering was everywhere. Then King spoke up again. With

0:29:44.490 --> 0:29:46.770
<v Speaker 1>the help of the crowd, he found his theme.

0:29:47.770 --> 0:29:50.250
<v Speaker 4>There comes a time when people get tired of getting

0:29:50.290 --> 0:29:54.130
<v Speaker 4>pushed out of the glittering sunlight of life's July and

0:29:54.250 --> 0:29:58.650
<v Speaker 4>left standing amidst the piercing chill of an alpine November.

0:29:59.210 --> 0:30:03.650
<v Speaker 1>Amid the sound of feet thundering on the church's wooden floorboards.

0:30:04.290 --> 0:30:09.650
<v Speaker 1>King was forced to pause as with any extemporaneous performance,

0:30:10.210 --> 0:30:14.610
<v Speaker 1>Kings was imperfect, with some meandering lines and a limp conclusion.

0:30:15.650 --> 0:30:20.850
<v Speaker 1>Despite all that, these improvised remarks were easily the finest

0:30:20.970 --> 0:30:23.890
<v Speaker 1>speech that King had yet given. People who had seen

0:30:23.970 --> 0:30:27.530
<v Speaker 1>him speak many times were astonished. He spoke with so

0:30:27.850 --> 0:30:34.050
<v Speaker 1>much force, Nobody, said one witness, nobody dreamed of Martin

0:30:34.210 --> 0:30:37.970
<v Speaker 1>Luther King being that sort of man under these conditions.

0:30:39.490 --> 0:30:43.330
<v Speaker 1>King himself, one suspects, had not truly understood what he

0:30:43.370 --> 0:30:47.170
<v Speaker 1>could unleash once he let himself go. He didn't want

0:30:47.250 --> 0:30:50.530
<v Speaker 1>to improvise the speech, preferred the script for when the

0:30:50.570 --> 0:30:54.330
<v Speaker 1>situation gave him no alternative. He came to understand what

0:30:54.490 --> 0:30:56.330
<v Speaker 1>older preachers had told.

0:30:56.170 --> 0:30:59.410
<v Speaker 3>Him, open your mouth and God will speak for you.

0:31:03.610 --> 0:31:06.970
<v Speaker 1>Seven and a half years later, in nineteen sixty three,

0:31:07.450 --> 0:31:10.290
<v Speaker 1>he found himself faced with see King to a quarter

0:31:10.450 --> 0:31:13.210
<v Speaker 1>of a million people who'd marched on Washington d C.

0:31:13.890 --> 0:31:17.130
<v Speaker 1>He knew he'd be live on every national television network.

0:31:17.770 --> 0:31:21.290
<v Speaker 1>This speech demanded the preparation of old It was too

0:31:21.330 --> 0:31:25.170
<v Speaker 1>important to be left to chance. Doctor King and his

0:31:25.250 --> 0:31:29.770
<v Speaker 1>aides had prepared a typewritten script, unpromisingly.

0:31:29.010 --> 0:31:31.690
<v Speaker 3>Titled almost Never Again.

0:31:32.890 --> 0:31:36.290
<v Speaker 1>King's team was trying to navigate complex waters with the

0:31:36.330 --> 0:31:39.370
<v Speaker 1>text of this address. King needed to reach out to

0:31:39.450 --> 0:31:43.050
<v Speaker 1>white allies, to rebut the hardline approach of Malcolm X

0:31:43.050 --> 0:31:47.290
<v Speaker 1>and others, and to respond to President Kennedy's Civil Rights Bill.

0:31:47.890 --> 0:31:51.330
<v Speaker 1>Was the bill to be criticized as inadequate or welcomed

0:31:51.370 --> 0:31:55.770
<v Speaker 1>as progress. There was much politicking behind the scenes, and

0:31:55.970 --> 0:31:59.570
<v Speaker 1>each speaker had been allotted only seven minutes. There was

0:31:59.570 --> 0:32:03.810
<v Speaker 1>no exception for Martin Luther King. All of these constraints

0:32:04.490 --> 0:32:08.770
<v Speaker 1>called for precise drafting. He knew that he would be

0:32:08.770 --> 0:32:13.090
<v Speaker 1>speaking King with a vast statue of Abraham Lincoln behind him,

0:32:13.410 --> 0:32:18.290
<v Speaker 1>one hundred years after Lincoln's Emancipation Proclamation had declared the

0:32:18.450 --> 0:32:23.890
<v Speaker 1>enslaved people of the United States to be free. So

0:32:24.410 --> 0:32:28.170
<v Speaker 1>King decided to open with an artful echo of Lincoln's

0:32:28.170 --> 0:32:32.610
<v Speaker 1>Great Gettysburg Address and referred to the Emancipation Proclamation as

0:32:32.650 --> 0:32:38.170
<v Speaker 1>a promisory note on which America had defaulted. As a

0:32:38.210 --> 0:32:43.250
<v Speaker 1>script normal scene never again was over formal and flawed.

0:32:43.970 --> 0:32:49.570
<v Speaker 1>Parts of it read like poetry. Others were clumsy legalese.

0:32:49.730 --> 0:32:53.050
<v Speaker 1>As King read out the speech, it did not stir

0:32:53.250 --> 0:32:58.250
<v Speaker 1>the soul, but then toward the end came a biblical flourish.

0:32:58.810 --> 0:33:03.570
<v Speaker 4>We will not be satisfied until justice rolls down like waters,

0:33:03.610 --> 0:33:07.570
<v Speaker 4>and righteousness like a mighty stream.

0:33:07.610 --> 0:33:12.130
<v Speaker 1>And as King said those words, approving cheers rippled up

0:33:12.210 --> 0:33:16.970
<v Speaker 1>and down the mall. Then King looked down at his script.

0:33:18.050 --> 0:33:22.130
<v Speaker 1>The next line was pretentious and limp. He couldn't bring

0:33:22.210 --> 0:33:26.690
<v Speaker 1>himself to say the words, and so instead he started

0:33:26.730 --> 0:33:29.770
<v Speaker 1>to improvise, telling the crowd go.

0:33:29.650 --> 0:33:32.890
<v Speaker 3>Back to Mississippi, go back to Alabama.

0:33:33.290 --> 0:33:37.890
<v Speaker 1>Behind him stood his friends and colleagues. They knew that

0:33:38.130 --> 0:33:41.690
<v Speaker 1>King had stepped away from the script, and at the

0:33:41.730 --> 0:33:46.770
<v Speaker 1>moment of maximum danger and maximum opportunity, the climax of

0:33:46.810 --> 0:33:51.370
<v Speaker 1>his speech, he was looking for something to say, something

0:33:51.410 --> 0:33:54.090
<v Speaker 1>that would touch the people there at the mall and

0:33:54.530 --> 0:33:56.010
<v Speaker 1>watching across the country.

0:33:56.530 --> 0:33:58.490
<v Speaker 2>Tell him about the dream.

0:33:58.450 --> 0:34:02.850
<v Speaker 1>Mine, yelled the singer Mahalia Jackson. It was a reference

0:34:02.850 --> 0:34:05.610
<v Speaker 1>to something doctor King had been preaching of late to

0:34:05.730 --> 0:34:09.930
<v Speaker 1>church congregations, a dream of a brighter future in which

0:34:09.930 --> 0:34:13.690
<v Speaker 1>whites and blacks lived in harmony. And as he stood

0:34:14.170 --> 0:34:19.010
<v Speaker 1>facing the television cameras and the vast expectant crowd looking

0:34:19.130 --> 0:34:24.290
<v Speaker 1>for inspiration, Martin Luther King heard Mahalia Jackson, and he

0:34:24.370 --> 0:34:27.850
<v Speaker 1>began to create on the fly one of the most

0:34:27.930 --> 0:34:32.490
<v Speaker 1>famous speeches of the century about how he had a dream,

0:34:32.690 --> 0:34:34.850
<v Speaker 1>a dream that America would live up to the.

0:34:34.810 --> 0:34:38.050
<v Speaker 3>Words all Men are Created.

0:34:37.690 --> 0:34:42.010
<v Speaker 1>Equal, A dream of an oasis of freedom and justice.

0:34:42.570 --> 0:34:46.650
<v Speaker 1>A dream that little black boys and black girls would

0:34:46.690 --> 0:34:49.050
<v Speaker 1>be able to join hands with little white boys and

0:34:49.090 --> 0:35:00.450
<v Speaker 1>white girls as sisters and brothers. Normalcy never again was forgotten.

0:35:02.050 --> 0:35:05.730
<v Speaker 1>The conclusion to the speech that shook the twentieth century

0:35:06.370 --> 0:35:18.890
<v Speaker 1>wasn't in the script. The best things usually aren't. Key

0:35:18.970 --> 0:35:24.050
<v Speaker 1>sources for this episode include Taylor Branch's book Parting the Waters,

0:35:24.090 --> 0:35:28.330
<v Speaker 1>Martin Luther King Junior's autobiography, and my own book MESSI

0:35:28.810 --> 0:35:32.730
<v Speaker 1>The Power of Disorder to Transform Our Lives. For a

0:35:32.770 --> 0:35:39.490
<v Speaker 1>full list of references, see Timharford dot com. Cautionary Tales

0:35:39.570 --> 0:35:42.850
<v Speaker 1>is written by me Tim Harford with Andrew Wright. It's

0:35:42.890 --> 0:35:46.530
<v Speaker 1>produced by Ryan Dilly and Marilyn Rust. The sound design

0:35:46.610 --> 0:35:50.610
<v Speaker 1>and original music is the work of Pascal Wise. Julia

0:35:50.650 --> 0:35:55.130
<v Speaker 1>Barton edited the scripts. Starring in this series of Cautionary

0:35:55.170 --> 0:36:00.490
<v Speaker 1>Tales Helena Bonham Carter, and Jeffrey Wright, alongside Nizzar Elderazi

0:36:01.130 --> 0:36:07.570
<v Speaker 1>Ed Gochen, Melanie Gutteridge, Rachel Hanshaw, copenaholbrook Smith, Greg Lockett,

0:36:07.970 --> 0:36:12.410
<v Speaker 1>Messea Munroe, and Rufus Wright. This show wouldn't have been

0:36:12.450 --> 0:36:16.730
<v Speaker 1>possible without the work of Mea LaBelle, Jacob Weisberg, Heather Fine,

0:36:17.170 --> 0:36:23.810
<v Speaker 1>John Schnaz, Carlimgliori, Eric Sandler, Emily Rostick, Maggie Taylor, Aniela

0:36:23.890 --> 0:36:29.090
<v Speaker 1>La Khan, and Maya Kanig. Cautionary Tales is a production

0:36:29.650 --> 0:36:33.810
<v Speaker 1>of Pushkin Industries. If you like the show, please remember

0:36:33.850 --> 0:36:36.450
<v Speaker 1>to rate, share, and review.