WEBVTT - Andor Season 2 (Episodes 1-3) Roundtable

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<v Speaker 1>Warning, Today's episode contains spoilers for and Or season two

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<v Speaker 1>episodes one, two, and three. Will be talking about them

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<v Speaker 1>at length. Hello, my name is Jason Concepcion, been on

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<v Speaker 1>Mersday Night and welcome back to x ray Vision of

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<v Speaker 1>the podcast where we dive deep bit your VIVERI shows movies, comics,

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<v Speaker 1>pop culture, bringing you three massive episodes a week every Tuesday, Wednesday,

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<v Speaker 1>Thursday plus news.

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<v Speaker 2>In today's episode, we are convening the Jedi Council to

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<v Speaker 2>break down the excellent first three episodes of and Or

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<v Speaker 2>season two. If you haven't listened to our recap, go

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<v Speaker 2>back and get recast in to it, and then jump

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<v Speaker 2>in and listen to us with our super producers Joel Naboo,

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<v Speaker 2>who we are welcoming right now.

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<v Speaker 3>Hello, Hello, Hey, Hey, how's it going.

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<v Speaker 4>How you're feeling emotional?

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<v Speaker 1>Yes, it is emotional. It's emotional.

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<v Speaker 4>You know.

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<v Speaker 1>Rosie and I have have opined at length your thoughts

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<v Speaker 1>on the first three episodes of van Or. Joel, let's

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<v Speaker 1>start with you.

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<v Speaker 5>There's so much to say in these first three episodes

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<v Speaker 5>for not a lot of events happening, I feel like

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<v Speaker 5>a lot of information is gained, which is kind of

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<v Speaker 5>what you want out of a pilot, And I think

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<v Speaker 5>you can look at these first three episodes as a

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<v Speaker 5>single pilot for this season. I know it's not launching

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<v Speaker 5>the show, but it is setting us up for like

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<v Speaker 5>a super specific time. Androy is such a weird experience

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<v Speaker 5>because we know where it ends and we're getting a

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<v Speaker 5>very clean lead up into this moment.

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<v Speaker 4>And I was like between the.

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<v Speaker 5>Wedding, like bigs if we're gonna have to talk about

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<v Speaker 5>bixs because I'm concerned that she's just gonna be a

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<v Speaker 5>punching bag for the season. And it makes me nervous

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<v Speaker 5>the love we get between Ceial and Deda. You know,

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<v Speaker 5>I think what really moves me is like it's Star

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<v Speaker 5>Wars guys, like in a way that I'd not quite

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<v Speaker 5>hear the first season.

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<v Speaker 6>One carry Star Wars.

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<v Speaker 5>We get like a comical moment with a pilot entering

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<v Speaker 5>the scene, which is crazy.

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<v Speaker 4>We're getting like.

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<v Speaker 5>Stunts and spycrafts and Padme levels of costuming.

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<v Speaker 2>The wedding dress, the Padme web inspired wedding dress stunning.

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<v Speaker 5>And I just feel like Star Wars has grown up

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<v Speaker 5>and I'm not sure if it's like I've grown up

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<v Speaker 5>into original ideas of Star Wars. I didn't care about

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<v Speaker 5>trade roots and shit when I was a kid, all

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<v Speaker 5>that stuff, and wait, I said, bring out the lightsabers.

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<v Speaker 4>Now I'm facing real life threats and I'm like, oh.

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<v Speaker 5>It's a study book. It's a guy like, let me

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<v Speaker 5>take notes. And I feel like we've stepped into a

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<v Speaker 5>completely new era of Star Wars. And for you know,

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<v Speaker 5>the team to have built both a BBC style great

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<v Speaker 5>epic of season one and now'll match it with the

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<v Speaker 5>epicness of Star Wars.

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<v Speaker 4>The heart of Star Wars that.

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<v Speaker 5>Like Kernel of Hope, which is what I really think

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<v Speaker 5>resonates in Rogue one to combine it all here. I mean,

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<v Speaker 5>I am blown away by these first three episodes.

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<v Speaker 6>How about you a boom?

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<v Speaker 7>I feel like Joelle covered it. I am having such

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<v Speaker 7>a great time. Honestly, I haven't had this much fun

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<v Speaker 7>since Anakin Skywalker said this is where the fun begins

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<v Speaker 7>and a revenge of the sip.

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<v Speaker 1>Like it is too early.

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<v Speaker 7>They were only three episodes in, so it's like too

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<v Speaker 7>early for me to make any bold claims like and

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<v Speaker 7>Or is the best thing to ever come out of

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<v Speaker 7>Star Wars. But I am already very tempted to say

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<v Speaker 7>things like that I loved this.

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<v Speaker 6>You wouldn't be the only person if we look at

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<v Speaker 6>those come out. That's a very big.

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<v Speaker 7>The reviews are glowing from folks who have seen the

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<v Speaker 7>whole season. I loved these first three episodes. Everything was

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<v Speaker 7>top notch writing, acting, cinematography, costume, set design, just like

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<v Speaker 7>twelve out of ten across the board. Rosie, I believe

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<v Speaker 7>you said in the recap that the money is on

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<v Speaker 7>the screen.

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<v Speaker 8>And boy, isn't you know?

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<v Speaker 7>Like, yeah, it is an absolutely gorgeous show top to bottom.

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<v Speaker 7>And I think, to Joel's point, like I'm in a

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<v Speaker 7>different place in life. I too, only cared about the

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<v Speaker 7>lightsabers when I was just rewatching the original films as

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<v Speaker 7>a kid. But now that I'm more grown up, I

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<v Speaker 7>want my Star Wars to be more grown up too,

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<v Speaker 7>And this show offers me like a level of gravitas

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<v Speaker 7>that I do nowadays find myself craving from other Star

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<v Speaker 7>Wars stories, and those Star Wars stories often fall short

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<v Speaker 7>for me, and that regard.

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<v Speaker 8>This one is amazing. Just like a quick thing.

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<v Speaker 7>I want to call out the very opening scene of

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<v Speaker 7>episode one where Cassine and that young real worker. We're

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<v Speaker 7>talking just some beautiful writing and dialogue. There some beautiful

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<v Speaker 7>themes around and relevant themes as I'm sure we will

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<v Speaker 7>get into today about oppression and rebellion.

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<v Speaker 5>Are immigrant workers fighting?

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<v Speaker 1>You know?

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<v Speaker 7>Like it's prescient in that way when you consider this

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<v Speaker 7>show has been in production for many, many years.

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<v Speaker 8>So I'm loving it.

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<v Speaker 7>I'm having an absolute last I can't wait to get

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<v Speaker 7>into the rest of the season, and I'm sure I

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<v Speaker 7>too will be calling this the best thing to come

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<v Speaker 7>out of Star Wars once we're done.

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<v Speaker 2>Okay, so before we get into the nitegrity of the episode,

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<v Speaker 2>let's talk about what the reception is gonna be.

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<v Speaker 6>Jason, do you think season two is gonna pull in

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<v Speaker 6>me more viewers?

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<v Speaker 2>Do you think it's gonna be that big kind of

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<v Speaker 2>impact show that Disney has been spending the money on

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<v Speaker 2>and been marketing it on, and has clearly wants it

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<v Speaker 2>to be.

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<v Speaker 1>I think that. No, I don't think so. I think

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<v Speaker 1>that there will there might be a statistically unimportant rise

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<v Speaker 1>in viewership. I think that could happen because of the

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<v Speaker 1>at least sitting here Wednesday morning, the almost overwhelming critical

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<v Speaker 1>claim that is like very loud and very strong from

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<v Speaker 1>everybody who's seen it as saying, this is great, this

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<v Speaker 1>is great, this is great, this is trenchant, this is

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<v Speaker 1>the Star Wars for our time. I was blown away,

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<v Speaker 1>et cetera, et cetera. I think you see a bump.

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<v Speaker 1>Do I think it's a hit? Sadly I suspect not,

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<v Speaker 1>because you know, I think they're structural problems. And then

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<v Speaker 1>you know, three episodes a lot to get people to

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<v Speaker 1>watch in a week, you know, of one show. I

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<v Speaker 1>think that's a that's a big ask. And listen, we're

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<v Speaker 1>all freaks.

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<v Speaker 6>Stars, right, I can't deny it.

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<v Speaker 1>So if you're a Star Wars freak, the hook here

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<v Speaker 1>is it's Star Wars, and the people who have seen

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<v Speaker 1>it are telling you it's potentially the best Star Wars

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<v Speaker 1>that they've ever seen, most adult, etcetera.

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<v Speaker 4>I mean, it's now the highest rated Star Wars project

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<v Speaker 4>all time.

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<v Speaker 1>I think if you are a more general fan of

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<v Speaker 1>Star Wars, or the kind of fan maybe that we

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<v Speaker 1>were when we were younger, I think you're thinking, where's

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<v Speaker 1>the hook, where's the lightsabers? You know, it's the same thing,

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<v Speaker 1>kind of is the Jedi, the same thing that kind

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<v Speaker 1>of kept people from engaging with and or or season one.

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<v Speaker 1>I think those problems are still I hesitate to call

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<v Speaker 1>them problems. I think they're still there. I think those

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<v Speaker 1>obstacles are still there.

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<v Speaker 5>Yeah, obstacles for the IP to overcome are rather large,

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<v Speaker 5>just because of what's been built in before. I do

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<v Speaker 5>think that the three, if you haven't watched yet, what

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<v Speaker 5>are you doing here? But if you are and you

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<v Speaker 5>haven't seen it yet, I would encourage you to find

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<v Speaker 5>a time when you can watch all three time together.

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<v Speaker 5>I think yeah, I think they hit more. At least

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<v Speaker 5>this first batch certainly did. As like a movie like

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<v Speaker 5>it feels like you get the whole arc. You can

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<v Speaker 5>stop and pause and watch them as individual episodes. It

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<v Speaker 5>still feels structured like television and that you have a

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<v Speaker 5>single theme uniting each episode or whatever. But when you

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<v Speaker 5>watch them at a movie and you get the time

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<v Speaker 5>and pacing of these three days and the importance and

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<v Speaker 5>the impact, I think that's when you get the full experience.

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<v Speaker 5>Make it a Friday night thing. I think what we'll

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<v Speaker 5>see is you don't have to be caught. This won't

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<v Speaker 5>be appointment television.

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<v Speaker 4>And maybe that.

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<v Speaker 5>Will because that's how we agrees it is how many

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<v Speaker 5>did you get in one night?

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<v Speaker 4>That'll be a little bit different.

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<v Speaker 5>But if you can watch by Friday, you can go

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<v Speaker 5>back and listen to all the conversations you're interested in.

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<v Speaker 5>I think that works perfectly well, and I do hope

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<v Speaker 5>we see a huge spike in viewership because gosh, I mean.

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<v Speaker 1>It's so good that people see at the.

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<v Speaker 4>Top of excellent television we're getting right now.

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<v Speaker 2>Yeah.

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<v Speaker 1>I also think folks like you can also speed run

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<v Speaker 1>it like it's really like it's an hour show, but

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<v Speaker 1>there's really only forty ish minutes of actual show, its recaps,

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<v Speaker 1>and skip the recap, skip the title, skip the there's

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<v Speaker 1>never a stinger. As soon as you see the credits,

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<v Speaker 1>move on, and you can cut your viewing. You can

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<v Speaker 1>cut your viewing time down by a lot.

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<v Speaker 7>Yeah, watch it at one point five speed, honestly, I mean.

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<v Speaker 2>Honestly, Look, the truth is, oh my god, I'm actually

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<v Speaker 2>not I'm not someone who's ever done that. I don't

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<v Speaker 2>listen to stuff at that speed. It doesn't work for me.

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<v Speaker 2>I don't watch stuff at that speed. But you know what,

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<v Speaker 2>if that is how people want to choose to interact

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<v Speaker 2>with art, then who am I to say no? Like,

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<v Speaker 2>if that, if it works for you better that way,

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<v Speaker 2>go for it, and then maybe you'll want to check

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<v Speaker 2>it out at the normal speed that it was made

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<v Speaker 2>to be watched that afterwards, you know.

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<v Speaker 6>But I would also.

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<v Speaker 2>Say I when I went to the premiere van Or,

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<v Speaker 2>which was more of like a teaser of the show,

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<v Speaker 2>Tony Gilroy did basically say they feel like they made

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<v Speaker 2>over this season of two, you know, two seasons of TV.

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<v Speaker 2>They basically felt like they made eight movies. And they

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<v Speaker 2>do feel like it's that way. It's in these arcs,

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<v Speaker 2>and I think if you can, you know, on a

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<v Speaker 2>Saturday afternoon, just put it on and give it a try.

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<v Speaker 2>And I think people who weren't necessarily huge fans of

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<v Speaker 2>the first season or dropped off after the first three episodes,

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<v Speaker 2>which were very slow burn, I think this opens in

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<v Speaker 2>a way that is made to hook any kind of

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<v Speaker 2>Star Wars viewer, just the first open it.

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<v Speaker 6>I don't mean the whole preseason three episodes, but I the.

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<v Speaker 2>Opening sequence, which we'll talk about more in a little bit.

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<v Speaker 2>I think that was designed to hook anyone who likes

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<v Speaker 2>Star Wars. Now, whether you'll commit after that when it

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<v Speaker 2>gets a little bit more andorish and becomes a bit

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<v Speaker 2>more about interpersonal conflict and all the stuff we touched

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<v Speaker 2>on in the in the recaps. Who knows, but I

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<v Speaker 2>do think that most people, if you put on that

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<v Speaker 2>first episode and you have that like ten to fifteen

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<v Speaker 2>minute cold open, I think that will hook people who

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<v Speaker 2>aren't necessarily into the more kind of political trade war

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<v Speaker 2>side of Star Wars that George Lucas.

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<v Speaker 6>Did really introduce in the prequels.

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<v Speaker 2>Aboo, how did you feel about the first three episodes

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<v Speaker 2>and do you feel like it's gonna get that spike

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<v Speaker 2>in viewers? Is it gonna make more people watch and Or.

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<v Speaker 8>I don't think we're gonna see a huge spike.

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<v Speaker 7>I probably fall somewhere between Jason and Joelle, like I.

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<v Speaker 8>Think it remains to be seen.

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<v Speaker 7>I think the show is getting a lot of word

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<v Speaker 7>of mouth support that I they don't necessarily remember and

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<v Speaker 7>Or season one getting in the same sense. And I

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<v Speaker 7>do feel to your point, Rosie, that these first three

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<v Speaker 7>episodes are a are a stronger hook for a wider

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<v Speaker 7>swath of Star Wars.

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<v Speaker 2>Fan I think the first three episodes of and Or

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<v Speaker 2>season one, and me and Jason talked about this when

0:11:21.280 --> 0:11:22.200
<v Speaker 2>we covered it on the pod.

0:11:22.280 --> 0:11:24.840
<v Speaker 6>It was kind of boring, had a little it kind

0:11:24.840 --> 0:11:25.360
<v Speaker 6>of had some.

0:11:25.800 --> 0:11:28.600
<v Speaker 2>Flaws that hinted that maybe they didn't have the political

0:11:28.679 --> 0:11:31.079
<v Speaker 2>juice to tell the stories they were telling. But by

0:11:31.120 --> 0:11:33.440
<v Speaker 2>the time you get to that second arc, you suddenly realized,

0:11:33.480 --> 0:11:34.280
<v Speaker 2>oh no, this is something.

0:11:34.360 --> 0:11:37.000
<v Speaker 7>Yeah, the second arc is incredible, but you do have

0:11:37.080 --> 0:11:39.199
<v Speaker 7>to get through an hour and a half of television

0:11:39.200 --> 0:11:40.800
<v Speaker 7>to get there, and I'm sure a lot of folks

0:11:40.880 --> 0:11:44.160
<v Speaker 7>dropped off at that point. I think this first hour

0:11:44.200 --> 0:11:48.200
<v Speaker 7>and a half maybe has enough hooks to grab more people.

0:11:49.160 --> 0:11:51.720
<v Speaker 7>And I think it's quite interesting that they're dropping the

0:11:51.760 --> 0:11:55.520
<v Speaker 7>show three episodes at a time. And I wonder if

0:11:56.559 --> 0:12:00.559
<v Speaker 7>this sort of Tony Gilroy saying we're making movies, releasing

0:12:00.559 --> 0:12:04.319
<v Speaker 7>eight movies one chunk at a time is a strategy

0:12:04.360 --> 0:12:07.760
<v Speaker 7>that other streamers might consider, because I think like a

0:12:07.800 --> 0:12:10.760
<v Speaker 7>lot of streamers have been have felt like bound by

0:12:10.840 --> 0:12:13.400
<v Speaker 7>old school TV rules like we either released once a week,

0:12:13.760 --> 0:12:16.760
<v Speaker 7>or we're Netflix and we binge drop and we haven't

0:12:16.800 --> 0:12:20.600
<v Speaker 7>seen experimental releases in this way, and and or might

0:12:20.640 --> 0:12:23.880
<v Speaker 7>be it could scenario that opens the floodgates for that.

0:12:24.440 --> 0:12:27.200
<v Speaker 5>It could they just have the unfortunate result of having

0:12:27.200 --> 0:12:29.960
<v Speaker 5>to follow Tony Gilroy, who's created such a great struggle

0:12:30.720 --> 0:12:32.800
<v Speaker 5>because hand Or has such like a unique position as

0:12:32.880 --> 0:12:36.040
<v Speaker 5>like you know the end of the story like this

0:12:36.120 --> 0:12:38.520
<v Speaker 5>works for a lot of really specific reasons that I

0:12:38.559 --> 0:12:40.080
<v Speaker 5>don't know if other series or you have the jews

0:12:40.120 --> 0:12:40.679
<v Speaker 5>to pull off.

0:12:40.840 --> 0:12:42.240
<v Speaker 4>We saw a little bit of our cane. It kind

0:12:42.240 --> 0:12:43.960
<v Speaker 4>of worked, though though it definitely could.

0:12:44.120 --> 0:12:45.800
<v Speaker 6>I was gonna say it's more of an anime or

0:12:45.840 --> 0:12:46.640
<v Speaker 6>animation thing.

0:12:46.679 --> 0:12:50.000
<v Speaker 2>I will say specifically, what is interesting about this if

0:12:50.000 --> 0:12:51.719
<v Speaker 2>you have yet to watch, or you watch the first

0:12:51.760 --> 0:12:55.680
<v Speaker 2>three episodes and you didn't realize this is every three

0:12:55.760 --> 0:13:00.440
<v Speaker 2>episode chunk is three days over a different year, and

0:13:00.480 --> 0:13:04.160
<v Speaker 2>then you jump a year ahead to the next chunk

0:13:04.160 --> 0:13:07.240
<v Speaker 2>of episodes, which I think is really unique and also

0:13:07.400 --> 0:13:10.840
<v Speaker 2>is a nice framework that was actually made for the show.

0:13:10.880 --> 0:13:12.280
<v Speaker 6>The story this show is telling.

0:13:12.440 --> 0:13:14.800
<v Speaker 2>Was trying to work out how do we do this because,

0:13:14.840 --> 0:13:18.520
<v Speaker 2>as Tony has spoken about, this was originally meant to

0:13:18.520 --> 0:13:21.520
<v Speaker 2>be five seasons, and then after season one, they were like,

0:13:21.559 --> 0:13:24.000
<v Speaker 2>wait a minute, like can we really do that? Or

0:13:24.040 --> 0:13:26.120
<v Speaker 2>is there a way we can tell every season that

0:13:26.120 --> 0:13:30.080
<v Speaker 2>we wanted to tell in these chunks that could be

0:13:30.160 --> 0:13:33.600
<v Speaker 2>in one season and that's what season two is, just to.

0:13:35.000 --> 0:13:37.720
<v Speaker 1>Lightly push back. I do think that though the difference

0:13:37.760 --> 0:13:42.360
<v Speaker 1>between Arcane dropping three at a time and and or

0:13:42.440 --> 0:13:45.160
<v Speaker 1>dropping three at a time is Arcane was dropping. Netflix

0:13:45.200 --> 0:13:46.920
<v Speaker 1>was dropping Arcane three at a time to try and

0:13:47.040 --> 0:13:52.160
<v Speaker 1>prolong the buzz, the massive buzz, and they were already

0:13:52.200 --> 0:13:57.000
<v Speaker 1>so ideologically opposed to anything other than a binge drop

0:13:57.040 --> 0:13:58.960
<v Speaker 1>that it's notable when they do things like this with

0:13:59.040 --> 0:14:02.720
<v Speaker 1>Stranger Things Greatful, you know, love is blind, and with

0:14:03.600 --> 0:14:07.280
<v Speaker 1>Arcane it's really an attempt to try and capture the

0:14:07.320 --> 0:14:10.920
<v Speaker 1>news cycle for a longer period of time, whereas with

0:14:11.000 --> 0:14:13.560
<v Speaker 1>and Or you get the sense that it's most that

0:14:13.679 --> 0:14:15.679
<v Speaker 1>on the one hand, it's structural because the story is

0:14:15.679 --> 0:14:19.200
<v Speaker 1>structured that way, but it's also like let's get in out,

0:14:19.280 --> 0:14:22.600
<v Speaker 1>let's get in and out. Nobody's well yeah, And also that.

0:14:22.800 --> 0:14:24.840
<v Speaker 6>Because I was you make it no, no, no. But

0:14:24.880 --> 0:14:26.800
<v Speaker 6>I think Jason makes a good point because.

0:14:26.520 --> 0:14:29.960
<v Speaker 2>It does sit in that interesting space between a weekly

0:14:30.000 --> 0:14:33.240
<v Speaker 2>drop like Agatha all Along or the Acolyte, and then

0:14:33.640 --> 0:14:35.920
<v Speaker 2>something where they'll drop it all at once, which is

0:14:35.920 --> 0:14:37.600
<v Speaker 2>something they said they were never going to do, which

0:14:37.600 --> 0:14:39.960
<v Speaker 2>they did with American born Chinese because they didn't.

0:14:39.800 --> 0:14:42.320
<v Speaker 6>Know how to market it. They wasted the opportunity.

0:14:42.520 --> 0:14:45.240
<v Speaker 2>And I think that this does sit in that interesting space,

0:14:45.280 --> 0:14:48.840
<v Speaker 2>and we are probably repeating conversations that Execs has Because

0:14:48.840 --> 0:14:52.680
<v Speaker 2>this also answers the Emmy contention, it can still be

0:14:52.680 --> 0:14:53.640
<v Speaker 2>in Emy contention.

0:14:54.240 --> 0:14:55.760
<v Speaker 6>So I think there's many.

0:14:55.440 --> 0:14:59.840
<v Speaker 2>Different reasons, and I think for me, I do feel

0:14:59.840 --> 0:15:04.560
<v Speaker 2>like this will have a significantly wider impact. I don't know,

0:15:05.320 --> 0:15:07.600
<v Speaker 2>you know, we can't really trust if Disney says, hey,

0:15:07.640 --> 0:15:10.000
<v Speaker 2>so many more people watch this, like those numbers are

0:15:10.000 --> 0:15:13.960
<v Speaker 2>not necessarily true or like accurate to how much how

0:15:14.000 --> 0:15:16.240
<v Speaker 2>many people watch more than two minutes, you know, same

0:15:16.280 --> 0:15:18.480
<v Speaker 2>with any streamer, But I would be I wouldn't be

0:15:18.520 --> 0:15:23.080
<v Speaker 2>surprised if by the finale, if the word of mouth continues,

0:15:23.120 --> 0:15:26.640
<v Speaker 2>it's only three weeks away, that final chunk of episodes.

0:15:26.680 --> 0:15:28.280
<v Speaker 6>I could see it showing up on Nielsen.

0:15:28.880 --> 0:15:31.440
<v Speaker 2>If the conversation is hot, if people want to write

0:15:31.440 --> 0:15:34.120
<v Speaker 2>cool articles about it, if people are doing podcasts about

0:15:34.120 --> 0:15:36.120
<v Speaker 2>it like we are, I think the word of mouth

0:15:36.480 --> 0:15:39.920
<v Speaker 2>could make it where by the final episode, we're seeing, Okay,

0:15:39.960 --> 0:15:41.640
<v Speaker 2>this is the kind of show that people want to

0:15:41.640 --> 0:15:45.560
<v Speaker 2>watch the into I think I'm crossing my fingers, but

0:15:45.800 --> 0:15:50.120
<v Speaker 2>I will I will say obviously, as Jason pointed out,

0:15:50.160 --> 0:15:53.160
<v Speaker 2>we're all freaks, little Star Wars freaky guys, just little

0:15:53.200 --> 0:15:56.280
<v Speaker 2>dudes in a fucking canteena watching Star Wars, right.

0:15:56.640 --> 0:15:59.880
<v Speaker 6>But in the discord, you know, our.

0:15:59.480 --> 0:16:03.400
<v Speaker 2>Very thoughtful for one of our very thoughtful Discord leaders, Mara,

0:16:03.480 --> 0:16:06.280
<v Speaker 2>who always runs our watch parties, she made sure to

0:16:06.360 --> 0:16:09.760
<v Speaker 2>make a different Discord channel for every episode, and there

0:16:09.840 --> 0:16:11.680
<v Speaker 2>was a lot of people in our discord, along with

0:16:11.760 --> 0:16:14.480
<v Speaker 2>super producer Aaron, who were basically like, I cannot watch

0:16:14.520 --> 0:16:18.600
<v Speaker 2>three in a row like that, and that's people. I

0:16:18.640 --> 0:16:21.520
<v Speaker 2>also wonder if the word of mouth buzz will be

0:16:21.560 --> 0:16:23.520
<v Speaker 2>impacted by the fact that a lot of people are

0:16:23.560 --> 0:16:26.320
<v Speaker 2>not going to read an article about the first three episodes.

0:16:26.320 --> 0:16:28.200
<v Speaker 2>They're going to want to read a little bit about

0:16:28.240 --> 0:16:30.480
<v Speaker 2>the first one and then when they watched the second one.

0:16:30.600 --> 0:16:32.480
<v Speaker 2>So I'm interested to see how the word of mouth

0:16:32.520 --> 0:16:35.920
<v Speaker 2>buzz kind of continues, because again, this is a unique

0:16:36.000 --> 0:16:38.760
<v Speaker 2>situation and a unique release schedule.

0:16:39.160 --> 0:16:42.320
<v Speaker 1>Yeah, I think word of mouth is interesting. People don't

0:16:42.320 --> 0:16:48.400
<v Speaker 1>read anymore, which is and and try to keep to

0:16:48.440 --> 0:16:51.040
<v Speaker 1>write about this are going to be very very pro right.

0:16:51.120 --> 0:16:54.160
<v Speaker 1>But I also like nobody's people aren't reading them. And

0:16:54.200 --> 0:17:00.000
<v Speaker 1>then the the more kind of active social media slash

0:17:00.160 --> 0:17:06.960
<v Speaker 1>YouTube influencer based narrative spheres are you know, kind of

0:17:07.960 --> 0:17:12.080
<v Speaker 1>very toxic. I'm I am interested to see how those spaces,

0:17:12.160 --> 0:17:14.760
<v Speaker 1>how the like Star Wars has gone to woke spaces,

0:17:14.920 --> 0:17:17.200
<v Speaker 1>react to this, because.

0:17:16.920 --> 0:17:20.199
<v Speaker 7>There's there's a lot of like toxic racist bait in

0:17:20.240 --> 0:17:22.560
<v Speaker 7>this show for people like that to latch onto.

0:17:22.920 --> 0:17:25.200
<v Speaker 1>Yeah, let's take a quick break and then we'll be

0:17:25.280 --> 0:17:46.200
<v Speaker 1>right back. And we're back, folks, let's continue to talk

0:17:46.240 --> 0:17:50.160
<v Speaker 1>about these three episodes and or season two episodes one, two,

0:17:50.240 --> 0:17:57.520
<v Speaker 1>and three. From these episodes, is there a scene, Is

0:17:57.560 --> 0:18:00.960
<v Speaker 1>there a moment that stood out to y'all as either

0:18:01.000 --> 0:18:04.040
<v Speaker 1>a wow moment or just something that hit you in

0:18:04.119 --> 0:18:07.359
<v Speaker 1>an emotional place unexpectedly? Joelle, I want to start with you.

0:18:08.119 --> 0:18:10.560
<v Speaker 4>It's it's all about the wedding. For me, we have

0:18:10.840 --> 0:18:12.320
<v Speaker 4>royal weddings. Listen.

0:18:12.680 --> 0:18:16.640
<v Speaker 5>I really feel like tons of understood what the people love,

0:18:16.720 --> 0:18:19.840
<v Speaker 5>which is padme and fabulous dresses. And we got the

0:18:19.840 --> 0:18:21.920
<v Speaker 5>next meet name, which is the man Mathma looking good

0:18:22.040 --> 0:18:24.840
<v Speaker 5>in every single scene, all of like the wedding dresses.

0:18:24.960 --> 0:18:26.919
<v Speaker 4>She looks good in the Senate. She looks fabulous at

0:18:26.960 --> 0:18:27.320
<v Speaker 4>a wedding.

0:18:28.640 --> 0:18:31.959
<v Speaker 5>The dress reveal, which I thought was so poignant and lovely.

0:18:32.520 --> 0:18:33.080
<v Speaker 4>You have these.

0:18:34.680 --> 0:18:36.760
<v Speaker 2>I love the way that Chang drill and braids. They

0:18:36.800 --> 0:18:39.920
<v Speaker 2>kind of look like they look like Jedi braids. They

0:18:39.920 --> 0:18:43.240
<v Speaker 2>look like Padawan braids. Like there's so much in the

0:18:43.359 --> 0:18:45.640
<v Speaker 2>language of Star Wars that we can recognize from the web.

0:18:45.720 --> 0:18:47.479
<v Speaker 5>I was just gonna say, there's so much coding of

0:18:47.520 --> 0:18:51.520
<v Speaker 5>how young Leda is in this. The way she leads

0:18:51.560 --> 0:18:53.600
<v Speaker 5>the girls to the dresses. They're all holding hands, sneaking

0:18:53.680 --> 0:18:57.840
<v Speaker 5>down the hallway like they're eight. Like it's they're blindfolded too,

0:18:57.880 --> 0:19:00.560
<v Speaker 5>Like it's so precious, and it's She's like, I'm getting

0:19:00.560 --> 0:19:03.080
<v Speaker 5>married and you're like, girl, this is too much. But

0:19:03.440 --> 0:19:06.760
<v Speaker 5>like throughout the ceremony, I loved everything. I love Parents speech,

0:19:06.800 --> 0:19:08.760
<v Speaker 5>which actually I wanted to talk to you guys about

0:19:08.760 --> 0:19:12.960
<v Speaker 5>while we're here. So I was watching Celebration and Tony

0:19:13.160 --> 0:19:16.320
<v Speaker 5>was talking about how he was upset at people's response

0:19:16.359 --> 0:19:18.840
<v Speaker 5>and reaction to Parent in season one. He was like,

0:19:19.040 --> 0:19:21.199
<v Speaker 5>they don't understand this guy, and I think he's just

0:19:21.680 --> 0:19:24.240
<v Speaker 5>out here lying and cheating and wild and like, but

0:19:24.280 --> 0:19:25.840
<v Speaker 5>he's like a person I love to make up a

0:19:25.840 --> 0:19:29.000
<v Speaker 5>person so Gunzech. He gives him this great speech, where

0:19:29.160 --> 0:19:31.040
<v Speaker 5>so clear that parent has such love and affection for

0:19:31.080 --> 0:19:33.960
<v Speaker 5>his daughter, but he's a heenist. He's like, you know

0:19:34.119 --> 0:19:36.119
<v Speaker 5>what a party like, live life, guys, drink.

0:19:36.840 --> 0:19:37.560
<v Speaker 4>This is what I was.

0:19:37.600 --> 0:19:41.440
<v Speaker 2>About the Rebellion like, and I think that that's also

0:19:41.560 --> 0:19:43.920
<v Speaker 2>that's it's a fine thing to have in the show.

0:19:43.960 --> 0:19:46.000
<v Speaker 2>But also as well, I think it's like, sorry, Tony,

0:19:46.040 --> 0:19:47.320
<v Speaker 2>like people are going to be pissed at that.

0:19:47.400 --> 0:19:50.320
<v Speaker 6>Mom Mothama is like a queen, and we feel like

0:19:50.440 --> 0:19:52.240
<v Speaker 6>we don't necessarily see.

0:19:52.119 --> 0:19:56.080
<v Speaker 2>Him loving her in the way that I would feel

0:19:56.160 --> 0:19:59.119
<v Speaker 2>like she is she deserves to be loved. Me and Jason,

0:19:59.119 --> 0:20:00.879
<v Speaker 2>in case you didn't know, we've both got big more

0:20:00.920 --> 0:20:01.720
<v Speaker 2>muffin macrushes.

0:20:01.840 --> 0:20:05.720
<v Speaker 4>Who doesn't she is. She's amazing.

0:20:05.840 --> 0:20:10.280
<v Speaker 5>She's like hers the strength and calm and like moral

0:20:10.400 --> 0:20:12.920
<v Speaker 5>conviction and trying to navigate all of this is really beautiful.

0:20:13.440 --> 0:20:17.040
<v Speaker 5>I liked this idea of It's to me, it's another

0:20:17.080 --> 0:20:20.520
<v Speaker 5>way to explore like the average person in the Rebellion,

0:20:20.560 --> 0:20:23.520
<v Speaker 5>which is what this show seems to like. Going back

0:20:23.560 --> 0:20:26.000
<v Speaker 5>in season one into now like has been really excellent

0:20:26.000 --> 0:20:28.639
<v Speaker 5>at it's like these are just the normal people of

0:20:28.680 --> 0:20:30.680
<v Speaker 5>the rebellion and like this is what so parents not

0:20:30.720 --> 0:20:32.159
<v Speaker 5>a party. He's not interested in the rebellion. But he's

0:20:32.160 --> 0:20:34.399
<v Speaker 5>also not interested in the Senate. He's not interested really

0:20:35.200 --> 0:20:37.480
<v Speaker 5>in his way, he's trying to throw good parties and

0:20:37.480 --> 0:20:38.400
<v Speaker 5>make sure people feel good.

0:20:38.560 --> 0:20:42.800
<v Speaker 2>I was gonna says the tilistic because some people's response

0:20:43.480 --> 0:20:45.679
<v Speaker 2>is like, well, how can we get through this in

0:20:45.680 --> 0:20:47.840
<v Speaker 2>a way where we just feel good? Like how can

0:20:47.920 --> 0:20:50.040
<v Speaker 2>we know everything sucks? And if it comes to it,

0:20:50.080 --> 0:20:51.920
<v Speaker 2>I'm sure I would do the right thing. But right

0:20:52.000 --> 0:20:55.480
<v Speaker 2>now I'm really feeling like I'll just keep throwing these

0:20:55.520 --> 0:20:58.919
<v Speaker 2>parties and like entertaining people and maybe there's some some dealing,

0:20:58.920 --> 0:21:01.720
<v Speaker 2>wheeling and dealing going on, you know. I think the

0:21:01.760 --> 0:21:04.520
<v Speaker 2>wedding is a really good call, Joel, I personally am

0:21:04.560 --> 0:21:06.560
<v Speaker 2>going to say. I think for me the most like

0:21:06.640 --> 0:21:10.320
<v Speaker 2>the money money scene where I was like, oh, okay,

0:21:10.320 --> 0:21:13.240
<v Speaker 2>this movie is this show is so expensive. It's just

0:21:13.280 --> 0:21:18.080
<v Speaker 2>the opening where you know and Or is trying to steal.

0:21:17.960 --> 0:21:19.800
<v Speaker 6>What they call here like a it's a test.

0:21:19.880 --> 0:21:21.679
<v Speaker 2>It's like a new version of a tie fighter, but

0:21:22.000 --> 0:21:24.840
<v Speaker 2>it's an avenger, a tie fighter avenger which is like

0:21:25.119 --> 0:21:28.760
<v Speaker 2>a big part of Legends Cannon but has never been

0:21:28.760 --> 0:21:32.680
<v Speaker 2>seen like in canon on screen, so it can be faster.

0:21:33.040 --> 0:21:36.480
<v Speaker 2>It was created by Admiral Thraun in the actual books.

0:21:36.960 --> 0:21:39.560
<v Speaker 2>He had a hand in creating it. And something that

0:21:39.600 --> 0:21:45.480
<v Speaker 2>I think is really unbelievable about that scene is often

0:21:45.520 --> 0:21:49.160
<v Speaker 2>when we see people steal a ship in Star Wars, right,

0:21:50.240 --> 0:21:52.520
<v Speaker 2>they are immediately able to do it.

0:21:52.560 --> 0:21:53.480
<v Speaker 6>They get it.

0:21:53.560 --> 0:21:56.240
<v Speaker 2>Like even Finn and Poem one of my favorite scenes

0:21:56.359 --> 0:21:59.600
<v Speaker 2>ever of any Star Wars movie where they steal the

0:21:59.680 --> 0:22:02.199
<v Speaker 2>ship and they run away and they bond and he

0:22:02.280 --> 0:22:04.760
<v Speaker 2>gives Finn his name, and it's very gay because clearly

0:22:04.800 --> 0:22:06.200
<v Speaker 2>they're in love.

0:22:06.240 --> 0:22:08.880
<v Speaker 6>They're in love. It's love at first sight. But even

0:22:08.960 --> 0:22:12.040
<v Speaker 6>that scene, like it goes relatively well for them, right.

0:22:12.240 --> 0:22:15.240
<v Speaker 2>It's like there's moments like they're still attached to the

0:22:15.480 --> 0:22:18.120
<v Speaker 2>you know, the charging cables or whatever, but the force

0:22:18.240 --> 0:22:19.840
<v Speaker 2>is with them now, I tell you who the force

0:22:19.920 --> 0:22:23.240
<v Speaker 2>is absolutely not within this situation Cassie and angel. I

0:22:24.240 --> 0:22:28.040
<v Speaker 2>love how bad he is at doing this because it's

0:22:28.119 --> 0:22:31.800
<v Speaker 2>so realistic to like how rebellions work, what revolution is.

0:22:32.000 --> 0:22:33.400
<v Speaker 6>He gets into this ti fire that.

0:22:33.320 --> 0:22:35.639
<v Speaker 2>He's supposed to be taking to say, hey, this is

0:22:35.680 --> 0:22:38.159
<v Speaker 2>a test, this is what they're doing now, but he

0:22:38.200 --> 0:22:40.080
<v Speaker 2>never considers that he won't know how to fly it.

0:22:40.119 --> 0:22:41.800
<v Speaker 6>And then he gets in and he's like, Oh, what

0:22:41.840 --> 0:22:42.520
<v Speaker 6>the fuck is this?

0:22:42.800 --> 0:22:45.760
<v Speaker 2>And I loved the moment and I got to see

0:22:45.760 --> 0:22:47.399
<v Speaker 2>this scene on the big screen, and I have to

0:22:47.440 --> 0:22:50.040
<v Speaker 2>say it was it was yelling in my ear, my

0:22:50.200 --> 0:22:53.040
<v Speaker 2>fucking head voice was like why didn't they release this

0:22:53.119 --> 0:22:54.919
<v Speaker 2>in the movie there? Why didn't they release this in

0:22:54.960 --> 0:22:57.040
<v Speaker 2>the movie there? And I do believe that in another

0:22:57.119 --> 0:22:59.879
<v Speaker 2>exact choice is probably at some point they did probably

0:22:59.920 --> 0:23:02.240
<v Speaker 2>a conversation about whether this could be like an event

0:23:02.400 --> 0:23:05.760
<v Speaker 2>style movie release, which I think could have worked. But

0:23:06.160 --> 0:23:08.200
<v Speaker 2>we have Disney Plus and they need they need people

0:23:08.240 --> 0:23:09.320
<v Speaker 2>to join Disney Plus.

0:23:09.640 --> 0:23:11.359
<v Speaker 4>And I haven't had a lot of success release.

0:23:11.680 --> 0:23:14.520
<v Speaker 6>No, they haven't yet television, they haven't yet found it.

0:23:14.560 --> 0:23:17.080
<v Speaker 2>But I just for me, I thought that scene obviously

0:23:17.119 --> 0:23:19.199
<v Speaker 2>looked like I texted the group and was like, this

0:23:19.240 --> 0:23:22.240
<v Speaker 2>show looks like a million bucks. Every single moment is

0:23:22.280 --> 0:23:25.320
<v Speaker 2>on the screen and it hooks in your classic Star

0:23:25.400 --> 0:23:28.040
<v Speaker 2>Wars viewer, because I think what is really interesting is

0:23:28.040 --> 0:23:31.360
<v Speaker 2>they open the episode and they open this big opening

0:23:31.400 --> 0:23:36.359
<v Speaker 2>scene with him in you know, a black Stormtrooper costume, Like,

0:23:36.440 --> 0:23:37.920
<v Speaker 2>I don't know if it's a death Trooper. I don't

0:23:37.920 --> 0:23:39.240
<v Speaker 2>know what version it is. I don't know if it's

0:23:39.240 --> 0:23:41.840
<v Speaker 2>just like an early Stormtrooper or I guess it's a

0:23:41.840 --> 0:23:43.280
<v Speaker 2>Stormtrooper pilot costume.

0:23:43.520 --> 0:23:46.640
<v Speaker 6>But this motherfucker. Look, you're like, whoa, isn't this meant

0:23:46.680 --> 0:23:47.240
<v Speaker 6>to be our hero?

0:23:47.800 --> 0:23:48.040
<v Speaker 4>Shit?

0:23:48.240 --> 0:23:49.120
<v Speaker 6>Like he's and if you.

0:23:49.080 --> 0:23:51.199
<v Speaker 2>Don't know the first season very well, you might be

0:23:51.280 --> 0:23:53.800
<v Speaker 2>completely shocked. And I think that's a first hook. And

0:23:53.840 --> 0:23:57.600
<v Speaker 2>then you get this unbelievable crash where he's just smashing

0:23:57.720 --> 0:23:59.480
<v Speaker 2>up the space and he has to get out through

0:23:59.520 --> 0:24:03.000
<v Speaker 2>just brute force of shooting the cannon, and it really

0:24:03.040 --> 0:24:05.080
<v Speaker 2>gave me that feeling of like, by the end of this,

0:24:05.200 --> 0:24:07.400
<v Speaker 2>you know, fifty to twenty minutes, you're cheering for him.

0:24:07.400 --> 0:24:09.680
<v Speaker 2>You're like, yeah, go for it, man, you can do it.

0:24:09.920 --> 0:24:11.840
<v Speaker 2>Do I think they keep up that momentum for the

0:24:11.840 --> 0:24:15.320
<v Speaker 2>whole three first three episodes, But I do think that

0:24:15.320 --> 0:24:19.040
<v Speaker 2>that that is, to me, the reason I've been recommending

0:24:19.080 --> 0:24:20.960
<v Speaker 2>this to everyone, because I'm like, even if you don't like,

0:24:21.520 --> 0:24:24.479
<v Speaker 2>you know, your standard long form Star Wars storytelling, if

0:24:24.480 --> 0:24:26.320
<v Speaker 2>you're more of a like let's just get to it.

0:24:26.359 --> 0:24:27.040
<v Speaker 6>What's going on.

0:24:27.240 --> 0:24:29.960
<v Speaker 2>The three episode release does that, and that scene at

0:24:30.000 --> 0:24:34.520
<v Speaker 2>the beginning is such an unbelievable visual feast that I

0:24:34.560 --> 0:24:36.800
<v Speaker 2>think that is the one that really got me excited.

0:24:37.200 --> 0:24:40.080
<v Speaker 5>That ship is also such a great symbol of the

0:24:40.200 --> 0:24:42.760
<v Speaker 5>power of the Empire to start, like, without giving you

0:24:42.840 --> 0:24:45.840
<v Speaker 5>any additional information on the Empire, to be like, as

0:24:45.840 --> 0:24:48.320
<v Speaker 5>difficult as it is for him to escape, it's not

0:24:48.359 --> 0:24:50.320
<v Speaker 5>that hard for him to learn the ship exactly and

0:24:50.720 --> 0:24:54.440
<v Speaker 5>take out so many people so fat You're like, this

0:24:54.480 --> 0:24:58.360
<v Speaker 5>is one ship he is actively learning how to use,

0:24:58.440 --> 0:25:01.520
<v Speaker 5>and he does so much destruction and still gets away

0:25:01.520 --> 0:25:04.280
<v Speaker 5>and wins. They're fucked, Like, how are you supposed to

0:25:04.280 --> 0:25:07.200
<v Speaker 5>go up against an army of this is incredible. I'd

0:25:07.200 --> 0:25:08.840
<v Speaker 5>love that opening scene boot.

0:25:08.560 --> 0:25:11.240
<v Speaker 8>And the seat reclines, which is the height of luxury.

0:25:11.359 --> 0:25:16.040
<v Speaker 2>So you know, obviously I'm climbing right now in my

0:25:16.240 --> 0:25:19.679
<v Speaker 2>Eternals gaming chag guys, And I know Marvel did not

0:25:19.760 --> 0:25:20.320
<v Speaker 2>send it to me.

0:25:20.440 --> 0:25:21.600
<v Speaker 6>I bought it on clearance.

0:25:22.119 --> 0:25:24.720
<v Speaker 2>Marvel send me all your old Eve, your Eternals merch

0:25:24.760 --> 0:25:26.000
<v Speaker 2>that I know nobody else is buying.

0:25:27.280 --> 0:25:27.800
<v Speaker 8>Well for me.

0:25:27.960 --> 0:25:31.520
<v Speaker 7>I think the wedding scene is the obvious response to

0:25:31.560 --> 0:25:34.119
<v Speaker 7>this question for me, like which scene looks like a

0:25:34.160 --> 0:25:38.920
<v Speaker 7>million bucks? Where's the price tag? But since Joel already

0:25:38.960 --> 0:25:41.399
<v Speaker 7>picked that, I also want to throw in Mina raw.

0:25:42.280 --> 0:25:43.600
<v Speaker 8>Akaka Big Wheat.

0:25:44.480 --> 0:25:47.320
<v Speaker 7>I thought all the scenes on Big Wheat were really gorgeous,

0:25:47.520 --> 0:25:49.600
<v Speaker 7>like the sprawling wheat fields that you can see all

0:25:49.600 --> 0:25:52.639
<v Speaker 7>the way to the horizon. This like warm color palette,

0:25:53.000 --> 0:25:57.000
<v Speaker 7>the like grungey but simple like homesteads and shops that

0:25:57.040 --> 0:26:01.080
<v Speaker 7>they're all living in, the beautiful silos. It's all kind

0:26:01.080 --> 0:26:03.399
<v Speaker 7>of like very cozy and idyllic, and y'all compared it

0:26:03.440 --> 0:26:06.280
<v Speaker 7>to Stardo Valley, which I think is perfectly apt in

0:26:06.320 --> 0:26:10.080
<v Speaker 7>your recap. It looks like a simple life on this planet,

0:26:10.200 --> 0:26:13.159
<v Speaker 7>your work, you participate in your community. I can I

0:26:13.160 --> 0:26:17.640
<v Speaker 7>imagine generations and farmers lived on Mina raw So even

0:26:17.680 --> 0:26:21.119
<v Speaker 7>that sequence and that scene and those scenes on that

0:26:21.160 --> 0:26:22.920
<v Speaker 7>planet were absolutely gorgeous.

0:26:23.440 --> 0:26:24.200
<v Speaker 6>I totally agree.

0:26:24.200 --> 0:26:25.600
<v Speaker 2>And you know this is going to maybe sound like

0:26:25.640 --> 0:26:28.960
<v Speaker 2>a random comparison, But when I saw Sinners, which you

0:26:29.000 --> 0:26:32.480
<v Speaker 2>should all go and see, it's amazing. When I saw

0:26:32.480 --> 0:26:35.560
<v Speaker 2>it the imax, I immediately thought about and Or and

0:26:35.600 --> 0:26:38.120
<v Speaker 2>the scenes on Big Weight, because there are these moments

0:26:38.160 --> 0:26:42.359
<v Speaker 2>that Ryan Coogle are in a cinematographer just showcase just

0:26:43.400 --> 0:26:46.960
<v Speaker 2>a landscape, but it tells you so much about the

0:26:47.119 --> 0:26:49.160
<v Speaker 2>story and where we are and what.

0:26:49.080 --> 0:26:49.840
<v Speaker 6>People are doing.

0:26:50.200 --> 0:26:52.720
<v Speaker 2>And I feel like the way that Tony Gilroy shoots

0:26:52.960 --> 0:26:55.679
<v Speaker 2>Big Wheat especially, is like, look at this, this is

0:26:55.680 --> 0:26:58.000
<v Speaker 2>what it could be. This is how they have been living.

0:26:58.080 --> 0:27:01.240
<v Speaker 2>It's peaceful, it's calm. There's a version of life where

0:27:01.280 --> 0:27:03.520
<v Speaker 2>you can hide from the Empire and still do great stuff.

0:27:03.560 --> 0:27:06.520
<v Speaker 2>And obviously, you know, we see that disrupted by the Empire.

0:27:06.680 --> 0:27:09.120
<v Speaker 2>But I love that sequence and I thought they did

0:27:09.160 --> 0:27:11.720
<v Speaker 2>such a good job of reintroducing us to characters like

0:27:11.800 --> 0:27:15.760
<v Speaker 2>Will and Bigs and see it like showing us where

0:27:15.800 --> 0:27:17.480
<v Speaker 2>they're at. You know, Jason, how about you? What was

0:27:17.520 --> 0:27:18.600
<v Speaker 2>your big money scene?

0:27:19.400 --> 0:27:20.520
<v Speaker 5>Gosh?

0:27:20.760 --> 0:27:23.080
<v Speaker 1>I do I think the wedding as well. You know,

0:27:23.119 --> 0:27:24.960
<v Speaker 1>I don't think we've ever seen anything like that in

0:27:25.000 --> 0:27:27.879
<v Speaker 1>Star Wars. There's been a lot of music, obviously, like

0:27:27.960 --> 0:27:34.119
<v Speaker 1>a dull back to you know, Episode four, Cantena scene,

0:27:35.160 --> 0:27:38.040
<v Speaker 1>Return of the Jedi, the wonderful party in the in

0:27:38.119 --> 0:27:42.199
<v Speaker 1>the gigantic redwood trees of end Or. There's always been

0:27:42.240 --> 0:27:45.840
<v Speaker 1>these kind of party scenes, but there's never been one that,

0:27:48.240 --> 0:27:50.840
<v Speaker 1>you know, like I think looked and felt like this.

0:27:50.840 --> 0:27:52.080
<v Speaker 1>This is m.

0:27:54.000 --> 0:27:54.040
<v Speaker 5>It.

0:27:54.840 --> 0:27:57.520
<v Speaker 1>First of all, the music was legitimately great. The dance

0:27:58.320 --> 0:28:00.200
<v Speaker 1>two there's like a there you know there, there's a

0:28:01.640 --> 0:28:04.240
<v Speaker 1>there's a thing that Mon is doing here where she's

0:28:04.320 --> 0:28:07.520
<v Speaker 1>under stress. She's having to deal with the outcome of

0:28:07.560 --> 0:28:13.400
<v Speaker 1>this really tough decision she made the results of her

0:28:13.560 --> 0:28:16.879
<v Speaker 1>money laundering in order to send funds to the rebellion,

0:28:17.440 --> 0:28:19.920
<v Speaker 1>which ended up with her having to offer her daughter's

0:28:19.920 --> 0:28:22.840
<v Speaker 1>hand in marriage, and this she doesn't want to do,

0:28:23.440 --> 0:28:29.359
<v Speaker 1>and she's under tremendous stress. There's multiple undercover rebel spies

0:28:30.200 --> 0:28:36.199
<v Speaker 1>and imperial figures at this wedding, Like that is you know,

0:28:36.480 --> 0:28:39.440
<v Speaker 1>I think anybody that's ever been in a room with

0:28:40.800 --> 0:28:45.920
<v Speaker 1>your current partner and an ex or your or your situation,

0:28:46.520 --> 0:28:48.920
<v Speaker 1>or your current partner and someone you hooked up with,

0:28:49.080 --> 0:28:51.080
<v Speaker 1>or two people that you hooked up with who don't

0:28:51.080 --> 0:28:55.840
<v Speaker 1>know about each other, can only imagine the fraction of

0:28:55.880 --> 0:29:02.320
<v Speaker 1>the stress that Mon is feeling with figures who if

0:29:02.360 --> 0:29:07.400
<v Speaker 1>they talk, could result in like interrogation and death. For

0:29:08.280 --> 0:29:10.480
<v Speaker 1>you know, a dozen people in this room, including like

0:29:10.520 --> 0:29:13.280
<v Speaker 1>her love ones like this is incredibly stressful and for.

0:29:14.320 --> 0:29:15.880
<v Speaker 4>Losing their absolute ship.

0:29:16.080 --> 0:29:19.640
<v Speaker 6>Well, yeah he's not. He's in my enemy list for

0:29:19.680 --> 0:29:20.440
<v Speaker 6>this show, Tay.

0:29:21.520 --> 0:29:25.080
<v Speaker 1>Yeah, well let me tell you I have empathy for TA.

0:29:25.280 --> 0:29:28.080
<v Speaker 1>But that's true. Later he helped, he really did help

0:29:28.160 --> 0:29:31.880
<v Speaker 1>them out. And now he's like, hey, I'm the only

0:29:31.880 --> 0:29:35.000
<v Speaker 1>one without a fucking raincoat in and it's storming.

0:29:35.480 --> 0:29:39.120
<v Speaker 5>And that's what you think. Or you get into these situations, Tay,

0:29:39.440 --> 0:29:45.640
<v Speaker 5>you can't contra just just i mean charged into this

0:29:45.720 --> 0:29:48.320
<v Speaker 5>to help, which is lovely. Thank you, they needed your help,

0:29:48.520 --> 0:29:51.080
<v Speaker 5>But then you didn't build any protection for yourself.

0:29:51.080 --> 0:29:55.680
<v Speaker 4>The deal is over, I mean loudly, just to anyone, I.

0:29:55.600 --> 0:29:59.440
<v Speaker 1>Will say that I have Again, I'm not saying that

0:29:59.760 --> 0:30:02.360
<v Speaker 1>I I'm just saying that I have empathy for the game.

0:30:02.760 --> 0:30:05.040
<v Speaker 7>He helped get it too. When your childhood crushed, man,

0:30:05.120 --> 0:30:07.120
<v Speaker 7>Mathma shows up with a request, you just say.

0:30:08.080 --> 0:30:08.760
<v Speaker 4>Do it help?

0:30:09.560 --> 0:30:13.240
<v Speaker 1>And then you know surely she doesn't. She doesn't share

0:30:13.400 --> 0:30:16.360
<v Speaker 1>all the details about what was happening. And then as

0:30:16.400 --> 0:30:19.479
<v Speaker 1>he begins to kind of glean the danger he's in,

0:30:19.640 --> 0:30:23.040
<v Speaker 1>he's sitting there going, well, wait a second, you've got

0:30:23.080 --> 0:30:23.920
<v Speaker 1>your people.

0:30:23.640 --> 0:30:24.400
<v Speaker 4>Backing you up.

0:30:25.280 --> 0:30:29.440
<v Speaker 1>Davel Skolden is a fucking active warlord in the galaxy.

0:30:29.560 --> 0:30:33.280
<v Speaker 1>He's fine, like I'm just take Homo like out here,

0:30:33.320 --> 0:30:35.240
<v Speaker 1>like what's for me? So I get his wife.

0:30:35.360 --> 0:30:37.240
<v Speaker 2>His wife left them, which I do think they kind

0:30:37.240 --> 0:30:40.440
<v Speaker 2>of imply is because of this reconnection with.

0:30:40.520 --> 0:30:42.400
<v Speaker 6>Ma We and Mon.

0:30:42.600 --> 0:30:45.680
<v Speaker 1>Will listen, Mon feels terrible that she put it in.

0:30:45.840 --> 0:30:50.040
<v Speaker 1>She's not just terrified that that Tay could blow everything

0:30:50.160 --> 0:30:54.520
<v Speaker 1>up with this very hamhanded attempted extortion that he's very

0:30:54.800 --> 0:31:00.520
<v Speaker 1>lightly unhurling, right, but also the fact that that she

0:31:00.680 --> 0:31:02.880
<v Speaker 1>did put him in this but like she reached out

0:31:02.920 --> 0:31:06.400
<v Speaker 1>to a friend and put them under the executioner's block.

0:31:06.480 --> 0:31:08.640
<v Speaker 1>She did that, so she's feeling terrible about it.

0:31:08.760 --> 0:31:11.040
<v Speaker 2>That was one when she didn't know, like she was

0:31:11.120 --> 0:31:13.360
<v Speaker 2>not aware of what the rebellion was really about. She

0:31:13.400 --> 0:31:15.440
<v Speaker 2>hadn't got a handstudy, and we start to see how

0:31:15.520 --> 0:31:17.080
<v Speaker 2>kind of more coming from her.

0:31:17.000 --> 0:31:21.719
<v Speaker 1>Hands have been getting progressively dirtier. So she's there's an

0:31:21.720 --> 0:31:26.960
<v Speaker 1>aspect to this for a different this is a different conversation,

0:31:27.080 --> 0:31:29.800
<v Speaker 1>but like there is an aspect of idealism and recklessness

0:31:29.800 --> 0:31:32.400
<v Speaker 1>that you need to have to enter into this kind

0:31:32.400 --> 0:31:37.600
<v Speaker 1>of ongoing concern. That said, the when Mom breaks into

0:31:37.640 --> 0:31:40.160
<v Speaker 1>the dance and kind of is like, you know what,

0:31:40.240 --> 0:31:45.000
<v Speaker 1>for the next fifteen minutes, I'm gonna I'm gonna dip

0:31:45.040 --> 0:31:48.720
<v Speaker 1>into Parent's energy, the one who is like, you know,

0:31:49.040 --> 0:31:51.800
<v Speaker 1>like from parent. I have empathy for him.

0:31:51.920 --> 0:31:52.400
<v Speaker 4>I get it.

0:31:52.400 --> 0:31:57.920
<v Speaker 1>It's like his perspective is his perspective is, Hey, we're rich.

0:31:59.000 --> 0:32:03.560
<v Speaker 1>Why are we getting in with anything troubling? Why not shossle?

0:32:03.600 --> 0:32:05.320
<v Speaker 4>But I understand why not?

0:32:05.560 --> 0:32:10.720
<v Speaker 1>Just got to fuck up and enjoy our money. It's

0:32:10.800 --> 0:32:13.840
<v Speaker 1>not my neck, it's not our neck, it's not our

0:32:13.920 --> 0:32:17.480
<v Speaker 1>daughter's neck. Let's just sit back. It's terrible what's going on.

0:32:17.960 --> 0:32:20.920
<v Speaker 2>But look at how much we have to lose Jason's

0:32:20.920 --> 0:32:23.280
<v Speaker 2>classic for this season we go to add the classic

0:32:23.280 --> 0:32:26.400
<v Speaker 2>disclaim obviously no relevance that to anything in real life.

0:32:27.440 --> 0:32:29.000
<v Speaker 4>Anyway, all.

0:32:30.440 --> 0:32:33.000
<v Speaker 1>I was, we're going to share the list later, but

0:32:33.040 --> 0:32:37.200
<v Speaker 1>I made a list on letterbox of films that I

0:32:37.200 --> 0:32:39.560
<v Speaker 1>think have influenced and or or at least in the

0:32:39.600 --> 0:32:42.040
<v Speaker 1>same kind of vibe as and Or in season one

0:32:42.080 --> 0:32:43.960
<v Speaker 1>and two. One of them is a doctor Renner called

0:32:44.280 --> 0:32:47.200
<v Speaker 1>The Sorrow and the Pity about the French resistance in

0:32:47.240 --> 0:32:52.200
<v Speaker 1>World War Two, and uh, you know, one of the things,

0:32:52.200 --> 0:32:56.320
<v Speaker 1>one of the Resistors talks about how the people who

0:32:56.440 --> 0:32:58.920
<v Speaker 1>it was, the blue collar people, the working people who

0:32:58.960 --> 0:33:00.800
<v Speaker 1>would give you the shirt off back and help you

0:33:00.840 --> 0:33:02.880
<v Speaker 1>and hide the guns and do all these things. It

0:33:02.920 --> 0:33:05.959
<v Speaker 1>was the people who had something to lose that you

0:33:06.000 --> 0:33:10.320
<v Speaker 1>had a lot of trouble getting to help you. And

0:33:10.360 --> 0:33:13.440
<v Speaker 1>I think and that really resonated, like that's that's Peren.

0:33:13.640 --> 0:33:15.600
<v Speaker 1>He has got too much to lose in his mind.

0:33:15.680 --> 0:33:16.120
<v Speaker 1>And I get it.

0:33:16.160 --> 0:33:18.560
<v Speaker 2>Yeah, I understand, and he's worked in his you know,

0:33:18.640 --> 0:33:21.280
<v Speaker 2>it's like why put ourselves at risk? Well this actually

0:33:21.320 --> 0:33:24.440
<v Speaker 2>sets up our next question perfectly, which is that? And

0:33:24.480 --> 0:33:25.960
<v Speaker 2>we kind of touched on it because for me, I

0:33:26.000 --> 0:33:28.960
<v Speaker 2>think Mon is that like mon'stance is definitely up there.

0:33:29.160 --> 0:33:31.239
<v Speaker 2>But for you guys were like that, what was the

0:33:31.280 --> 0:33:34.400
<v Speaker 2>moment that was like the biggest emotional gut punch? Like

0:33:34.560 --> 0:33:38.480
<v Speaker 2>what was it that kept that kind of went Oh, like,

0:33:38.520 --> 0:33:40.600
<v Speaker 2>you're watching it, you're into it, you're vibing on the

0:33:40.640 --> 0:33:43.200
<v Speaker 2>tie fighters, you're looking at the wedding, But what was

0:33:43.200 --> 0:33:44.960
<v Speaker 2>that moment where you were like, oh shit, I can

0:33:45.000 --> 0:33:47.720
<v Speaker 2>remember like the power of this show A boo, who

0:33:47.760 --> 0:33:50.400
<v Speaker 2>is your what's your biggest gut punch moment? The moment

0:33:50.400 --> 0:33:52.560
<v Speaker 2>that kind of really hooked you in on that emotional

0:33:52.680 --> 0:33:55.040
<v Speaker 2>level of what this show can do. Uh.

0:33:55.080 --> 0:33:57.240
<v Speaker 7>I definitely had a couple of ones that I was

0:33:57.920 --> 0:34:00.560
<v Speaker 7>tossing around in response to this question, but the one

0:34:00.600 --> 0:34:02.959
<v Speaker 7>I'm gonna go with happens in episode three. It's that

0:34:04.240 --> 0:34:07.920
<v Speaker 7>short scene where Mon is talking to her daughter before

0:34:07.960 --> 0:34:11.400
<v Speaker 7>they enter the circle and do the like traditional official

0:34:11.560 --> 0:34:15.160
<v Speaker 7>whatever wedding ceremony thing, and Man tells her daughter that

0:34:15.200 --> 0:34:17.440
<v Speaker 7>she doesn't have to go through with this, that they

0:34:17.480 --> 0:34:20.359
<v Speaker 7>can walk through that door and just tell everybody that

0:34:20.960 --> 0:34:28.000
<v Speaker 7>wedding it's delayed, and h For some reason, I found

0:34:28.040 --> 0:34:31.800
<v Speaker 7>that really really touching, like it speaks to Man's characters

0:34:31.840 --> 0:34:34.359
<v Speaker 7>so much, because I feel for her like she is

0:34:35.520 --> 0:34:39.239
<v Speaker 7>in this family the only rebel, the only person that

0:34:39.280 --> 0:34:41.319
<v Speaker 7>can like look at the status quo, that can look

0:34:41.360 --> 0:34:45.040
<v Speaker 7>at all this pomp and circumstance and chandrill and tradition

0:34:45.200 --> 0:34:48.440
<v Speaker 7>around her and go, we don't fucking need this, Like there,

0:34:48.640 --> 0:34:51.680
<v Speaker 7>we can do away with all of this in much

0:34:51.719 --> 0:34:53.920
<v Speaker 7>the same way that like thematically, and she's like, we

0:34:53.960 --> 0:34:56.040
<v Speaker 7>can do away with the empire, like we don't need

0:34:56.080 --> 0:35:00.400
<v Speaker 7>this status quo and sticking to tradition and seeking to

0:35:00.440 --> 0:35:02.319
<v Speaker 7>what we know, is it maybe always the right path?

0:35:03.360 --> 0:35:07.360
<v Speaker 7>And in fact, she even tells Leita that if we

0:35:07.440 --> 0:35:09.359
<v Speaker 7>go out there and call off this wedding right now,

0:35:09.840 --> 0:35:13.279
<v Speaker 7>that it will quote be remembered as a great act

0:35:13.320 --> 0:35:17.080
<v Speaker 7>of bravery, which could be said about many of many

0:35:17.120 --> 0:35:19.240
<v Speaker 7>acts by many rebels over the course of Star.

0:35:19.080 --> 0:35:20.160
<v Speaker 8>Wars against the Empire.

0:35:20.239 --> 0:35:23.960
<v Speaker 7>Right. Yeah, And so I really resonated with Mon here,

0:35:24.000 --> 0:35:26.239
<v Speaker 7>not necessarily as a mother speaking to her daughter, but

0:35:26.320 --> 0:35:30.400
<v Speaker 7>as sort of the outcast of the family. Maybe everyone

0:35:30.440 --> 0:35:34.000
<v Speaker 7>in your family thinks you're crazy for thinking differently, mm hmm.

0:35:34.000 --> 0:35:35.240
<v Speaker 8>I felt that I think.

0:35:35.680 --> 0:35:37.479
<v Speaker 6>That touches on are really good.

0:35:37.560 --> 0:35:39.360
<v Speaker 2>My one I have like a I have a couple

0:35:39.360 --> 0:35:41.839
<v Speaker 2>of split ones, but but one I think the one

0:35:41.840 --> 0:35:43.840
<v Speaker 2>that really made me kind of like catch my breath

0:35:43.880 --> 0:35:47.200
<v Speaker 2>was actually in the first episode, I believe, which is

0:35:47.200 --> 0:35:51.040
<v Speaker 2>when Liita has the argument with her future husband he

0:35:51.040 --> 0:35:53.080
<v Speaker 2>won't hold her hand, he's like a kid. She kind

0:35:53.120 --> 0:35:55.759
<v Speaker 2>of has this romantic ideal of what it should be

0:35:55.840 --> 0:35:58.520
<v Speaker 2>this wedding, obviously because she has seen it points her

0:35:58.560 --> 0:36:01.360
<v Speaker 2>parents be in love and those kind of people. But

0:36:01.440 --> 0:36:04.400
<v Speaker 2>the thing that got me is just when Mon says

0:36:04.480 --> 0:36:08.279
<v Speaker 2>she's just like I'm sorry, and I think it was

0:36:08.320 --> 0:36:11.960
<v Speaker 2>the nature of a sincere apology from an adult to

0:36:12.000 --> 0:36:13.280
<v Speaker 2>a child, which we never.

0:36:13.120 --> 0:36:13.760
<v Speaker 6>Get to see.

0:36:13.920 --> 0:36:17.160
<v Speaker 2>But also in that moment, the apology is so weighted

0:36:17.360 --> 0:36:20.160
<v Speaker 2>because she's actually not apologizing because they don't get along.

0:36:20.200 --> 0:36:24.080
<v Speaker 2>She's apologizing because I fucking sold you into this marriage

0:36:24.520 --> 0:36:26.440
<v Speaker 2>to help these other people who I would.

0:36:26.239 --> 0:36:29.240
<v Speaker 6>Probably never meet. And there was so much in that moment,

0:36:29.320 --> 0:36:29.920
<v Speaker 6>so much.

0:36:29.760 --> 0:36:33.000
<v Speaker 2>In that I'm sorry that that really caught me and

0:36:33.000 --> 0:36:35.000
<v Speaker 2>I thought about it a lot the rest of the episodes.

0:36:35.040 --> 0:36:35.840
<v Speaker 6>Joelle, how about you.

0:36:36.560 --> 0:36:39.319
<v Speaker 5>Yeah, So if the full circle moments for Mon are devastating,

0:36:39.480 --> 0:36:44.720
<v Speaker 5>like her whole thing about her mother, you know, being drugs,

0:36:44.760 --> 0:36:46.920
<v Speaker 5>she I just I just now understand, like why my

0:36:46.960 --> 0:36:50.400
<v Speaker 5>mother's behaving'sway at my own wedding. The b is a

0:36:50.400 --> 0:36:52.920
<v Speaker 5>brave act almost read to me as like a wish

0:36:52.920 --> 0:36:54.759
<v Speaker 5>Mon Mathma had been brave enough to do on her

0:36:54.800 --> 0:36:58.640
<v Speaker 5>wedding day, you know, like she's coming to these complete

0:36:59.120 --> 0:37:03.960
<v Speaker 5>full conclusions about everything in her life, about her status

0:37:04.000 --> 0:37:06.080
<v Speaker 5>as a rebel, like what it means, like what that

0:37:06.160 --> 0:37:08.919
<v Speaker 5>actual sacrifice is going to have to look like on

0:37:09.440 --> 0:37:12.440
<v Speaker 5>she has like these come toutment with her husband it's

0:37:12.440 --> 0:37:13.239
<v Speaker 5>like not cheating on you?

0:37:13.239 --> 0:37:14.040
<v Speaker 4>What are you talking about?

0:37:14.040 --> 0:37:15.160
<v Speaker 6>Like that's crazy, like she is.

0:37:17.160 --> 0:37:19.480
<v Speaker 5>She's like, I'm in a rebellion. That's the deception that

0:37:19.560 --> 0:37:21.560
<v Speaker 5>you're sensing. It's not cheating.

0:37:22.320 --> 0:37:25.000
<v Speaker 1>This trust you.

0:37:24.280 --> 0:37:27.440
<v Speaker 4>Right, Like the the all of that is great.

0:37:27.560 --> 0:37:29.560
<v Speaker 5>I put down something and then Aaron came at me

0:37:29.640 --> 0:37:31.960
<v Speaker 5>so hard with a fact that I just could. I

0:37:32.080 --> 0:37:35.200
<v Speaker 5>was like, I was like, since a barely acknowledged vel

0:37:35.280 --> 0:37:38.040
<v Speaker 5>the tragedy. He was like, what about Bix And I

0:37:38.080 --> 0:37:40.760
<v Speaker 5>was like, Nope, you're right, You're right, it's not about

0:37:41.120 --> 0:37:45.799
<v Speaker 5>uh my queer love obsession was let's roll back. So

0:37:45.840 --> 0:37:50.200
<v Speaker 5>I'm gonna say the the PTSD elements of Bicks' story

0:37:50.680 --> 0:37:55.240
<v Speaker 5>are destroying me, like when the dream with the doctor

0:37:55.760 --> 0:37:57.719
<v Speaker 5>and her, she's waking up in bed and he's like,

0:37:57.880 --> 0:38:03.640
<v Speaker 5>that's so terrifying. And then to be without you know,

0:38:03.760 --> 0:38:08.680
<v Speaker 5>and Or who you know. We talked about this before

0:38:08.680 --> 0:38:11.040
<v Speaker 5>we started recording. There's not a kiss when and Or

0:38:11.160 --> 0:38:14.680
<v Speaker 5>and Bixed reunite, but there is a love connection if you.

0:38:14.880 --> 0:38:17.440
<v Speaker 2>There is a hug, there's a you're so happy to

0:38:17.480 --> 0:38:18.719
<v Speaker 2>see that person hug.

0:38:18.840 --> 0:38:19.000
<v Speaker 8>Yeah.

0:38:19.000 --> 0:38:21.000
<v Speaker 5>I would leave at one point, Andor calls her his

0:38:21.239 --> 0:38:22.800
<v Speaker 5>home and so I was just gonna say, like the

0:38:24.320 --> 0:38:27.720
<v Speaker 5>everything Bix goes through and then to be attacked again

0:38:28.560 --> 0:38:32.920
<v Speaker 5>by the Empire in a way that if you're a woman,

0:38:32.960 --> 0:38:34.920
<v Speaker 5>is almost mundane, Like you know what I mean, Like

0:38:34.960 --> 0:38:36.240
<v Speaker 5>she's a beautiful woman alone.

0:38:36.480 --> 0:38:41.080
<v Speaker 2>Agree, I agree. I actually found to me the assault

0:38:41.280 --> 0:38:43.399
<v Speaker 2>I could have done without it. I think that the

0:38:43.400 --> 0:38:46.160
<v Speaker 2>thing that really scared me and that we talked about

0:38:46.160 --> 0:38:49.600
<v Speaker 2>on the podcast is just the guy showing up at

0:38:49.600 --> 0:38:52.880
<v Speaker 2>her door and being like, I'm aware you're alone, and

0:38:52.920 --> 0:38:56.240
<v Speaker 2>there's nothing you can do about this. And if I

0:38:56.239 --> 0:38:58.680
<v Speaker 2>if you don't agree to consensually like go to the

0:38:58.719 --> 0:39:00.840
<v Speaker 2>bar with me, I can just whatever I want to.

0:39:00.920 --> 0:39:01.560
<v Speaker 6>I can kill you.

0:39:01.719 --> 0:39:02.360
<v Speaker 8>Yeah, yeah, the.

0:39:04.680 --> 0:39:07.560
<v Speaker 5>I will force you to do this is so swift

0:39:07.640 --> 0:39:12.799
<v Speaker 5>and genuinely terrifying. It again very mundane and does not

0:39:12.840 --> 0:39:15.359
<v Speaker 5>a galaxy bar for away needs happen like it is.

0:39:15.440 --> 0:39:17.879
<v Speaker 5>It is very in your face for her to get

0:39:17.880 --> 0:39:19.600
<v Speaker 5>her lick back so soon I was, I was on

0:39:19.640 --> 0:39:21.160
<v Speaker 5>the same fence with you, Rosie.

0:39:21.680 --> 0:39:23.840
<v Speaker 7>Of just it's also with the additional subtext in that

0:39:23.960 --> 0:39:28.960
<v Speaker 7>scene that he is pretty aware that she's probably undocumented

0:39:29.000 --> 0:39:31.960
<v Speaker 7>as well. So even the additional subtext of like I

0:39:32.040 --> 0:39:34.840
<v Speaker 7>have power over you because I know you have no incourse.

0:39:35.280 --> 0:39:37.000
<v Speaker 7>You can't even do anything about this.

0:39:37.920 --> 0:39:40.319
<v Speaker 1>Yeah, just not to interrupt, but just to say I

0:39:40.360 --> 0:39:42.319
<v Speaker 1>think that one of the I think one of the

0:39:45.000 --> 0:39:48.600
<v Speaker 1>what that made me think of that particular interaction, with

0:39:48.880 --> 0:39:54.040
<v Speaker 1>multiple interactions with that Imperial squad leader, is it. You

0:39:54.080 --> 0:40:00.080
<v Speaker 1>know what, at a certain point people joined to do that.

0:40:00.560 --> 0:40:04.080
<v Speaker 1>You know they will join when you learn that you

0:40:04.080 --> 0:40:08.040
<v Speaker 1>can join an organization that lets you have complete power

0:40:08.120 --> 0:40:12.680
<v Speaker 1>over other people. Nobody's really looking at what's happening. You know,

0:40:12.760 --> 0:40:15.839
<v Speaker 1>you just kind of like snatch people, disappear them. There's

0:40:15.840 --> 0:40:19.600
<v Speaker 1>no logs, there's no nothing. The people who want to

0:40:19.640 --> 0:40:22.400
<v Speaker 1>do that are drawn to that life. And that's what

0:40:22.560 --> 0:40:25.719
<v Speaker 1>the Empire is now on a lot of levels, is

0:40:25.760 --> 0:40:27.000
<v Speaker 1>people who want to do that.

0:40:27.640 --> 0:40:28.000
<v Speaker 8>Yeah.

0:40:28.040 --> 0:40:29.759
<v Speaker 5>And I think my big concern coming off because I

0:40:29.760 --> 0:40:33.360
<v Speaker 5>had to say, like we've for sure seen through throughout

0:40:33.360 --> 0:40:37.680
<v Speaker 5>the history of film and television sexual assault against women

0:40:37.760 --> 0:40:40.839
<v Speaker 5>being used as plot devices for guys to get their

0:40:40.920 --> 0:40:44.840
<v Speaker 5>lick back, to make us empathetic to women or whatever.

0:40:45.200 --> 0:40:48.719
<v Speaker 5>I think Tony has a more deft pen. I do worry.

0:40:49.440 --> 0:40:51.480
<v Speaker 5>I can't have BIGS being a punching bag all season

0:40:51.600 --> 0:40:52.160
<v Speaker 5>like that.

0:40:52.080 --> 0:40:54.360
<v Speaker 6>She has to ship back together.

0:40:54.960 --> 0:40:56.880
<v Speaker 5>Yeah, like whatever that means for her, there has to

0:40:56.920 --> 0:40:59.560
<v Speaker 5>be healing and and I'm moving on from this point

0:40:59.760 --> 0:41:03.919
<v Speaker 5>to some degree because I just I my poor soul

0:41:03.960 --> 0:41:07.759
<v Speaker 5>can't handle it. And it's also it's just to me,

0:41:07.840 --> 0:41:09.799
<v Speaker 5>that's an important element of the rebellion. I'll put it

0:41:09.800 --> 0:41:12.040
<v Speaker 5>that way. To me, like, if this is a constant

0:41:12.040 --> 0:41:14.200
<v Speaker 5>thing that women go through, whether we're in a chaotic

0:41:14.239 --> 0:41:17.080
<v Speaker 5>time or not, and we know that it is, then

0:41:17.680 --> 0:41:20.520
<v Speaker 5>but we also know how many if you know, women

0:41:20.560 --> 0:41:22.520
<v Speaker 5>come back, they fight back, they find the ground. We

0:41:22.600 --> 0:41:25.160
<v Speaker 5>just we need that arc for her or it's going

0:41:25.200 --> 0:41:27.759
<v Speaker 5>to be very disappointing. So that's a yeah, that all

0:41:27.760 --> 0:41:30.839
<v Speaker 5>of that storyline was incredible, But thank god she got

0:41:30.840 --> 0:41:33.920
<v Speaker 5>to kill that guy. How satisfying fucking cop guy who

0:41:33.960 --> 0:41:34.520
<v Speaker 5>came in and.

0:41:34.520 --> 0:41:38.359
<v Speaker 4>Was like wa talked too awful. Yeah, we should probably

0:41:38.360 --> 0:41:40.920
<v Speaker 4>also very quickly just mention brass. So getting shot right

0:41:41.239 --> 0:41:42.239
<v Speaker 4>to that man, RP.

0:41:42.520 --> 0:41:43.960
<v Speaker 1>That man he did a lot.

0:41:44.080 --> 0:41:47.280
<v Speaker 6>He should never have got shot, Jon, hero of Pheris.

0:41:47.400 --> 0:41:49.400
<v Speaker 2>Was there any other moments we didn't touch on that

0:41:49.520 --> 0:41:51.040
<v Speaker 2>kind of caught you in that way? And how'd you

0:41:51.080 --> 0:41:52.760
<v Speaker 2>think in like this show still has the juice.

0:41:52.800 --> 0:41:55.800
<v Speaker 1>Well, there's so many there's so many themes and things

0:41:55.800 --> 0:41:58.680
<v Speaker 1>in the show and interactions and scenes that I just

0:41:58.719 --> 0:42:02.440
<v Speaker 1>think about on a as a person who cares deeply

0:42:02.480 --> 0:42:04.920
<v Speaker 1>about the world and reads a lot. And I think

0:42:04.960 --> 0:42:07.160
<v Speaker 1>one of them, even though I shit on them through

0:42:07.320 --> 0:42:10.960
<v Speaker 1>our recap, was the scene of the the infighting, the

0:42:11.000 --> 0:42:15.040
<v Speaker 1>rebel infighting, because it's you know, it's something I think

0:42:15.080 --> 0:42:19.040
<v Speaker 1>about so much as a person who's been to a

0:42:19.080 --> 0:42:25.799
<v Speaker 1>lot of protests over my adult life and has experienced

0:42:25.880 --> 0:42:31.080
<v Speaker 1>like these kind of debates where rather than fighting the

0:42:31.200 --> 0:42:36.040
<v Speaker 1>enemy in front of you, you're fighting each other over

0:42:36.320 --> 0:42:39.719
<v Speaker 1>small Now I don't want to say small over details

0:42:39.800 --> 0:42:43.040
<v Speaker 1>that are unimportant. If you don't defeat the enemy. There

0:42:43.120 --> 0:42:48.960
<v Speaker 1>is no conversation about how we can shape the world

0:42:49.960 --> 0:42:53.440
<v Speaker 1>after the empire if you don't get to after the empire.

0:42:53.880 --> 0:43:01.080
<v Speaker 1>And so that scene of these like young idealistic rebels

0:43:01.760 --> 0:43:04.760
<v Speaker 1>scrapping with each other, shooting at each other, like arguing

0:43:04.800 --> 0:43:09.320
<v Speaker 1>about bullshit, not knowing what they're doing, it really resonated.

0:43:09.320 --> 0:43:12.719
<v Speaker 1>And I think part of the thing about resistance that

0:43:12.800 --> 0:43:16.160
<v Speaker 1>I think is necessary, that this I think this show

0:43:16.280 --> 0:43:21.120
<v Speaker 1>is saying is necessary, is like an amount of recklessness,

0:43:21.520 --> 0:43:26.680
<v Speaker 1>because if you are a rational person like paren, then

0:43:26.719 --> 0:43:29.520
<v Speaker 1>you say, I don't want to go to jail. I

0:43:29.520 --> 0:43:31.359
<v Speaker 1>don't want to lose everything. I don't want to lose

0:43:31.360 --> 0:43:33.279
<v Speaker 1>my job. I don't want to lose my friends. I

0:43:33.280 --> 0:43:34.760
<v Speaker 1>don't want to die. I don't want to get executed.

0:43:34.760 --> 0:43:37.920
<v Speaker 1>I don' want to get interrogated. Let's just like for

0:43:38.000 --> 0:43:41.279
<v Speaker 1>allow the rules and okay, So what you need is

0:43:41.280 --> 0:43:44.239
<v Speaker 1>people who go, I can't stand this so much that

0:43:44.320 --> 0:43:47.160
<v Speaker 1>I have to do something. And those are the people

0:43:47.200 --> 0:43:49.239
<v Speaker 1>who are you're gonna end up with, right like that

0:43:49.640 --> 0:43:53.279
<v Speaker 1>are first going to enter your barracks as recruits or

0:43:53.840 --> 0:43:57.040
<v Speaker 1>the people who like, I can't stand this anymore, I

0:43:57.160 --> 0:43:59.680
<v Speaker 1>have to do something. And the fact is those people

0:43:59.719 --> 0:44:05.920
<v Speaker 1>are are sometimes unstable, like sometimes they don't know what

0:44:05.920 --> 0:44:10.839
<v Speaker 1>they're doing. They don't have a fully formed ideological worldview.

0:44:10.880 --> 0:44:14.719
<v Speaker 1>They just know that they hate this and they want

0:44:14.719 --> 0:44:18.239
<v Speaker 1>to fight. And what you get is this like infighting.

0:44:18.280 --> 0:44:18.440
<v Speaker 4>Now.

0:44:18.440 --> 0:44:20.400
<v Speaker 1>The issue is that I think about a lot in

0:44:20.440 --> 0:44:23.920
<v Speaker 1>our real world is like, how come we need that level?

0:44:24.239 --> 0:44:28.719
<v Speaker 1>Just uh, it seems to devour its own and then

0:44:28.760 --> 0:44:31.719
<v Speaker 1>nobody ever rises from that to be like to be

0:44:31.800 --> 0:44:34.759
<v Speaker 1>able to like actually lead a group, and so it's

0:44:34.800 --> 0:44:39.120
<v Speaker 1>interesting to watch Cassie and I think kind of struggle

0:44:39.160 --> 0:44:42.320
<v Speaker 1>with this, Like he could be the leader of these kids,

0:44:42.480 --> 0:44:45.120
<v Speaker 1>right He's telling them, here, do this, it's rain and

0:44:45.200 --> 0:44:47.840
<v Speaker 1>collect water all these things, but he also like doesn't

0:44:47.880 --> 0:44:50.080
<v Speaker 1>want to. He's like, you guys are fucking annoying. You

0:44:50.080 --> 0:44:50.520
<v Speaker 1>guys are.

0:44:50.400 --> 0:44:54.319
<v Speaker 5>Idiots, exactly such a side that part. It'd be such

0:44:54.320 --> 0:44:56.319
<v Speaker 5>a side quest for him that he just completely throw

0:44:56.360 --> 0:44:58.000
<v Speaker 5>them off mission. And on top of that, there's no

0:44:58.040 --> 0:45:01.719
<v Speaker 5>one here willing to capitulate. There's nobody here willing to

0:45:01.760 --> 0:45:04.480
<v Speaker 5>bend the need to know you've got we're going in

0:45:04.480 --> 0:45:06.239
<v Speaker 5>this direction, like we just have to go, and like

0:45:06.880 --> 0:45:10.160
<v Speaker 5>that ability to coordinate and move together is such an

0:45:10.239 --> 0:45:14.200
<v Speaker 5>essential element of any like group task. I mean, take

0:45:14.239 --> 0:45:16.160
<v Speaker 5>rebellion and fighting and war out of it. Like there

0:45:16.200 --> 0:45:18.520
<v Speaker 5>were never going to get past this point. They couldn't

0:45:18.560 --> 0:45:21.759
<v Speaker 5>agree on who to follow. It was a hot mess.

0:45:22.120 --> 0:45:23.600
<v Speaker 7>I also think, while we're on the topic of the

0:45:23.680 --> 0:45:28.640
<v Speaker 7>Yavint scenes and the the young clueless rebels, on my

0:45:28.640 --> 0:45:31.520
<v Speaker 7>first watch, I was kind of like, these guys are

0:45:31.560 --> 0:45:36.759
<v Speaker 7>so annoying and these scenes are annoying me. But on

0:45:36.800 --> 0:45:40.480
<v Speaker 7>a rewatch sort of considering the bigger themes of this story,

0:45:41.400 --> 0:45:43.960
<v Speaker 7>I also wonder if these first three episodes and the

0:45:43.960 --> 0:45:46.399
<v Speaker 7>purpose of that those scenes in particular is to show

0:45:46.480 --> 0:45:49.120
<v Speaker 7>us like it is time for the rebellion to maybe

0:45:49.200 --> 0:45:53.279
<v Speaker 7>come out of the shadows. Like having Luthan, somebody like

0:45:53.360 --> 0:45:58.760
<v Speaker 7>Luthen operating different cells and total shadow secrecy will only

0:45:58.840 --> 0:46:02.560
<v Speaker 7>be so effective in a rebellion in achieving the end goal.

0:46:03.120 --> 0:46:07.640
<v Speaker 7>And someone like mon Mathma, some figurehead, bail organa, somebody

0:46:07.680 --> 0:46:10.440
<v Speaker 7>needs to step up and come out of the shadows

0:46:10.640 --> 0:46:13.120
<v Speaker 7>in order to finish the fight. This is not the

0:46:13.160 --> 0:46:15.480
<v Speaker 7>way you'll finish the fight. This is how you'll start it.

0:46:16.480 --> 0:46:19.560
<v Speaker 2>Yeah, the shadow what could still work under but you

0:46:19.680 --> 0:46:22.120
<v Speaker 2>just it's part of the rebellion so far, it's all

0:46:22.160 --> 0:46:24.080
<v Speaker 2>of the rebellion. So I think you're right, you need

0:46:24.160 --> 0:46:26.520
<v Speaker 2>that side, and I do believe that we will get

0:46:26.560 --> 0:46:30.520
<v Speaker 2>to that place thinking of the timeline, But like you're right,

0:46:30.560 --> 0:46:32.640
<v Speaker 2>they need like a figurehead, you know, they need somebody

0:46:32.680 --> 0:46:34.080
<v Speaker 2>who will can kind.

0:46:34.200 --> 0:46:36.799
<v Speaker 1>This is the here's the problem, and it's I think

0:46:36.840 --> 0:46:39.520
<v Speaker 1>a problem that I think people will resonate with the

0:46:39.680 --> 0:46:45.480
<v Speaker 1>rebellion controls nothing. Yeah, they don't have the heights of

0:46:45.520 --> 0:46:48.279
<v Speaker 1>the economy completely in they hands of the empire. They

0:46:48.280 --> 0:46:51.279
<v Speaker 1>don't have the media and an ability to communicate in

0:46:51.320 --> 0:46:55.319
<v Speaker 1>a safe and secure space. They're ideals what they want

0:46:55.360 --> 0:47:00.719
<v Speaker 1>to do. They can't voice an opinion anywhere. Three, they

0:47:00.760 --> 0:47:03.200
<v Speaker 1>don't even they Yavin is a place right that they're

0:47:03.280 --> 0:47:06.160
<v Speaker 1>hiding out it, but it's not a base yet. This

0:47:06.280 --> 0:47:08.560
<v Speaker 1>is why Yavin is so important, because you need that

0:47:08.680 --> 0:47:10.879
<v Speaker 1>safe space where you can gather and start to talk

0:47:10.920 --> 0:47:13.800
<v Speaker 1>about things. And so what you're I think you're absolutely

0:47:13.880 --> 0:47:15.960
<v Speaker 1>right aboot, like they need that. But there's also the

0:47:16.040 --> 0:47:22.759
<v Speaker 1>thing of everybody's been operating underground necessarily because again, the

0:47:22.800 --> 0:47:26.719
<v Speaker 1>rebellion controls nothing. They have no they have none of

0:47:26.760 --> 0:47:29.120
<v Speaker 1>the resources or the control of the recess or the

0:47:29.560 --> 0:47:32.760
<v Speaker 1>gates to control of the resources that would be necessary

0:47:32.800 --> 0:47:34.759
<v Speaker 1>to fight this. They don't even have gas for their

0:47:34.800 --> 0:47:39.280
<v Speaker 1>fucking chips yet. So how do you get that stuff?

0:47:40.160 --> 0:47:46.400
<v Speaker 1>And how do you get that stuff without getting arrested?

0:47:46.800 --> 0:47:49.080
<v Speaker 1>You have to do it in these little weird cells

0:47:49.120 --> 0:47:51.279
<v Speaker 1>that are just kind of coalescing on their own, and

0:47:51.400 --> 0:47:54.600
<v Speaker 1>it's a mess. And this is this is a necessary

0:47:54.640 --> 0:47:59.120
<v Speaker 1>stage to it, and it just it's you know, I

0:47:59.160 --> 0:48:01.160
<v Speaker 1>think a thing that maybe a lot of people are

0:48:01.160 --> 0:48:03.319
<v Speaker 1>thinking about is like, well, how do I I hate

0:48:03.320 --> 0:48:06.920
<v Speaker 1>what's going on? How do I do anything? And I think, like,

0:48:07.239 --> 0:48:08.960
<v Speaker 1>you know, I've seen other people write like this is

0:48:09.040 --> 0:48:10.920
<v Speaker 1>kind of a resistance handbook, and it is in the

0:48:10.920 --> 0:48:14.319
<v Speaker 1>way that like people decide I can do this one thing.

0:48:14.360 --> 0:48:16.360
<v Speaker 1>So I'm going to do this and I'm not going

0:48:16.440 --> 0:48:19.560
<v Speaker 1>to coordinate with anybody because that's dangerous. And that's where

0:48:19.560 --> 0:48:22.440
<v Speaker 1>the rebels are now. They can't coordinate because it's dangerous,

0:48:23.360 --> 0:48:26.480
<v Speaker 1>and it looks messy because it is, and hopefully they

0:48:26.480 --> 0:48:29.719
<v Speaker 1>get their shit together. Let's take a quick break and

0:48:29.760 --> 0:48:50.799
<v Speaker 1>regret back. Okay, world building, I think did we say

0:48:50.880 --> 0:48:54.480
<v Speaker 1>in these first three episodes, Rosie that this is the

0:48:54.480 --> 0:48:59.719
<v Speaker 1>best world building of Star Wars? I believe that, But

0:49:00.560 --> 0:49:03.319
<v Speaker 1>abou Joel, I'd love to hear your takes, Like, what

0:49:03.360 --> 0:49:04.960
<v Speaker 1>did you think of the world building in this in

0:49:05.000 --> 0:49:07.000
<v Speaker 1>these three episodes thus far? Aboo, Let's start with you.

0:49:07.600 --> 0:49:08.840
<v Speaker 7>So I'm just going to call out a couple of

0:49:08.880 --> 0:49:11.880
<v Speaker 7>small world building details that I really liked. I totally

0:49:11.920 --> 0:49:13.520
<v Speaker 7>agree that, like this is some of the best Star

0:49:13.560 --> 0:49:17.200
<v Speaker 7>Wars world building we're getting on screen. You know, I

0:49:17.239 --> 0:49:19.760
<v Speaker 7>think there are many books that do wonderful.

0:49:19.400 --> 0:49:20.880
<v Speaker 8>Star Wars world building.

0:49:20.920 --> 0:49:25.520
<v Speaker 7>Yes, I want to shout out the DJ droid at

0:49:25.520 --> 0:49:27.960
<v Speaker 7>the wedding. He was having a great time and he

0:49:28.000 --> 0:49:29.680
<v Speaker 7>was helping everybody else have a great time.

0:49:30.280 --> 0:49:30.600
<v Speaker 8>Love it.

0:49:30.760 --> 0:49:35.200
<v Speaker 2>Aaron is like, I'm seeing Yeah, It's like, finally, this

0:49:35.239 --> 0:49:36.279
<v Speaker 2>is the most important part.

0:49:36.760 --> 0:49:37.759
<v Speaker 6>What did Aaron call them?

0:49:37.840 --> 0:49:42.800
<v Speaker 7>Like diplow three poe three diplow po Aaron tried his best,

0:49:42.840 --> 0:49:46.560
<v Speaker 7>I get it, good joke. I also really, I mean,

0:49:46.600 --> 0:49:49.560
<v Speaker 7>I think a lot of the Chadrilline customs I found

0:49:49.680 --> 0:49:54.520
<v Speaker 7>really really fascinating. As Rosie you and Joel stated it,

0:49:54.520 --> 0:49:58.400
<v Speaker 7>it really connected to many aspects of Star Wars that

0:49:58.440 --> 0:50:00.800
<v Speaker 7>we can identify the braids. There was even a cutting

0:50:00.800 --> 0:50:04.560
<v Speaker 7>of the braids ceremony at one moment. So I really

0:50:04.640 --> 0:50:06.880
<v Speaker 7>enjoyed a lot of the chentrill and the custom of

0:50:06.920 --> 0:50:08.840
<v Speaker 7>like going up the side of the mountain to this

0:50:08.880 --> 0:50:12.200
<v Speaker 7>pointless little tradition. I liked a lot of that, and

0:50:12.239 --> 0:50:14.960
<v Speaker 7>I liked that the show was brave enough to just

0:50:15.040 --> 0:50:17.839
<v Speaker 7>dwell on that right, like to have a very long

0:50:17.920 --> 0:50:20.600
<v Speaker 7>drawn out scene where the parents and the kids who

0:50:20.600 --> 0:50:23.439
<v Speaker 7>are getting married do this whole song and dance thing,

0:50:24.440 --> 0:50:27.040
<v Speaker 7>and to let that scene Breathe and take take up

0:50:27.080 --> 0:50:30.080
<v Speaker 7>five minutes of an episode. I also want to shout

0:50:30.080 --> 0:50:34.520
<v Speaker 7>out that I really liked seeing Deirdre and cereals apartment

0:50:34.640 --> 0:50:35.480
<v Speaker 7>and coroside.

0:50:35.600 --> 0:50:39.040
<v Speaker 6>Yes, it's interesting. It's interesting to see this.

0:50:39.280 --> 0:50:41.560
<v Speaker 2>And I will say one of the biggest things I've

0:50:41.560 --> 0:50:45.160
<v Speaker 2>been running through the reddits today. I've been going on

0:50:45.200 --> 0:50:47.799
<v Speaker 2>the discord like and there was a Reddit post I

0:50:47.840 --> 0:50:49.359
<v Speaker 2>was going to bring up later, but really the point

0:50:49.400 --> 0:50:52.640
<v Speaker 2>he makes is so relevant to this reddit was a

0:50:52.640 --> 0:50:56.839
<v Speaker 2>black Drew and the he said he gave a great

0:50:56.960 --> 0:50:59.319
<v Speaker 2>kind of feeling about the show.

0:50:59.320 --> 0:51:01.120
<v Speaker 6>But what he said that I think is very true.

0:51:01.520 --> 0:51:04.480
<v Speaker 2>It is just seeing the normal the lives of the

0:51:04.560 --> 0:51:07.960
<v Speaker 2>normal people in this universe is fascinating. And I guess

0:51:08.040 --> 0:51:11.560
<v Speaker 2>that is what seeing people's apartments, What does it look

0:51:11.640 --> 0:51:12.960
<v Speaker 2>like if you work for the Empire?

0:51:13.000 --> 0:51:14.000
<v Speaker 6>Where do you live?

0:51:14.320 --> 0:51:14.440
<v Speaker 1>Like?

0:51:15.000 --> 0:51:18.160
<v Speaker 2>It's so interesting to me, And I think the same

0:51:18.200 --> 0:51:22.040
<v Speaker 2>with Big Week. I think those sections of like building

0:51:22.120 --> 0:51:25.200
<v Speaker 2>out the world are easily some of the best that

0:51:25.200 --> 0:51:27.880
<v Speaker 2>we've seen in Star Wars and definitely feel very Lucas

0:51:28.160 --> 0:51:31.839
<v Speaker 2>like very prequels, very Lucas. Very Maybe you don't even

0:51:32.080 --> 0:51:34.640
<v Speaker 2>think you care about this, but then you end up

0:51:34.680 --> 0:51:37.520
<v Speaker 2>something like the DJ Droid. I'm already seeing so many

0:51:37.560 --> 0:51:41.040
<v Speaker 2>memes about that and about Mon's wedding, and.

0:51:40.960 --> 0:51:41.640
<v Speaker 4>I think.

0:51:43.520 --> 0:51:48.560
<v Speaker 2>Cyril laying on the bed getting to see Chandrilla before

0:51:48.719 --> 0:51:51.319
<v Speaker 2>the Battle of end Or, when it's like and then

0:51:51.360 --> 0:51:53.600
<v Speaker 2>it becomes the capital of the new Republic, and seeing

0:51:53.640 --> 0:51:56.320
<v Speaker 2>what it was like before that, and seeing Mon's life

0:51:56.320 --> 0:51:58.319
<v Speaker 2>and the life of the people who just you know,

0:51:58.480 --> 0:52:00.920
<v Speaker 2>live and work there. I just think that stuff is

0:52:00.960 --> 0:52:03.239
<v Speaker 2>so interesting, and I do think that is one of

0:52:03.280 --> 0:52:06.200
<v Speaker 2>the biggest things that this show gets. Right Joelle, what

0:52:06.280 --> 0:52:08.680
<v Speaker 2>about you, What was your big world building moment that

0:52:08.719 --> 0:52:09.400
<v Speaker 2>you just loved.

0:52:09.840 --> 0:52:12.400
<v Speaker 5>I was really interested in the internal world of and Or,

0:52:13.040 --> 0:52:16.120
<v Speaker 5>if that makes sense of like the character himself, we

0:52:16.160 --> 0:52:20.319
<v Speaker 5>meet him at such an interesting time, like Okay, first

0:52:20.320 --> 0:52:22.960
<v Speaker 5>of all, shout out to Curvy Girls in Space, our

0:52:23.040 --> 0:52:26.759
<v Speaker 5>very first one. She's amazing to start the show on

0:52:26.840 --> 0:52:32.239
<v Speaker 5>her inauguration into the rebellion, right, Yeah, to have When

0:52:32.280 --> 0:52:35.480
<v Speaker 5>we think about when we first meet Cassian, it's in

0:52:35.600 --> 0:52:39.720
<v Speaker 5>rogue one. He's meeting a spy. The spy's TELLINGHI, somebody's nervous,

0:52:39.760 --> 0:52:42.120
<v Speaker 5>and he's scared, and that's making and Or nervous and scared,

0:52:42.120 --> 0:52:43.840
<v Speaker 5>and so he killed him because he's like, yeah, we

0:52:43.840 --> 0:52:45.040
<v Speaker 5>don't have time for this, and I have to flee

0:52:45.040 --> 0:52:48.520
<v Speaker 5>from this planet. The fact that he takes time to

0:52:48.520 --> 0:52:52.239
<v Speaker 5>stop and speak to this woman and give her not

0:52:52.280 --> 0:52:56.480
<v Speaker 5>just encouragement, not just you know, like a little support

0:52:56.480 --> 0:52:58.040
<v Speaker 5>ince the moment she asked him a question. She said,

0:52:58.000 --> 0:53:00.600
<v Speaker 5>if I die tonight, was it worth it? Which is

0:53:00.640 --> 0:53:03.120
<v Speaker 5>sort of like the ultimate question, you know, for us

0:53:03.160 --> 0:53:05.800
<v Speaker 5>as a viewership because of where we're entering, We're asking,

0:53:06.040 --> 0:53:09.319
<v Speaker 5>is the eventual outcome of Cassian sacrifice worth it?

0:53:09.960 --> 0:53:12.279
<v Speaker 4>You know, we understand it was worth it in.

0:53:12.200 --> 0:53:15.200
<v Speaker 5>That our heroes later and episode four are going to

0:53:15.239 --> 0:53:16.960
<v Speaker 5>be but we're like in the last of us space,

0:53:16.960 --> 0:53:20.160
<v Speaker 5>which like, hmm, it's our love for Cassian that we've

0:53:20.200 --> 0:53:22.160
<v Speaker 5>built over time. Is it going to be worthy to

0:53:22.280 --> 0:53:23.840
<v Speaker 5>us to lose him even though we know that eventually

0:53:23.840 --> 0:53:26.040
<v Speaker 5>it works out for everybody. And so he gives us

0:53:26.080 --> 0:53:28.640
<v Speaker 5>this line, which is this makes it worth it? This

0:53:29.120 --> 0:53:32.719
<v Speaker 5>right now being with you being here at the moment

0:53:32.760 --> 0:53:34.799
<v Speaker 5>you step into the circle again, We'll come back to

0:53:34.800 --> 0:53:37.040
<v Speaker 5>the idea of how important circles is. You made this

0:53:37.080 --> 0:53:39.560
<v Speaker 5>decision long ago. The Empire cannot win You'll never feel

0:53:39.640 --> 0:53:41.680
<v Speaker 5>right until you're doing what you can to stop them.

0:53:41.719 --> 0:53:44.680
<v Speaker 5>You're coming home to yourself. You've become more than your fear.

0:53:45.360 --> 0:53:46.480
<v Speaker 5>Let that protect you.

0:53:47.600 --> 0:53:50.719
<v Speaker 2>What I love about this too, is like when he

0:53:50.800 --> 0:53:55.000
<v Speaker 2>meets Jin in the in he says to a welcome home.

0:53:55.120 --> 0:53:57.319
<v Speaker 2>So this is part of He's like practice say, like,

0:53:57.400 --> 0:53:59.839
<v Speaker 2>what do you say to rebels? And you're more than

0:53:59.840 --> 0:54:04.040
<v Speaker 2>you fear is something that Nemick said to him, you

0:54:04.160 --> 0:54:06.360
<v Speaker 2>know about when he was talking about the journals. So

0:54:06.400 --> 0:54:10.160
<v Speaker 2>I love that we're seeing Andor's life as it is

0:54:10.239 --> 0:54:12.880
<v Speaker 2>influenced by other rebels that he has met and the

0:54:12.880 --> 0:54:15.040
<v Speaker 2>way they have made an impact on him, and then

0:54:15.040 --> 0:54:17.800
<v Speaker 2>how he is going to continue that to other young rebels.

0:54:17.800 --> 0:54:19.000
<v Speaker 6>I think that's so amazing.

0:54:19.880 --> 0:54:22.200
<v Speaker 5>Yeah, I just feel like we sort of removed a

0:54:22.239 --> 0:54:24.600
<v Speaker 5>lot of the fantasy element of Star Wars, even tho

0:54:24.600 --> 0:54:26.080
<v Speaker 5>I started this episode saying, bout like the Star Wars

0:54:26.200 --> 0:54:29.360
<v Speaker 5>is so back in here. It like the stripping down

0:54:29.480 --> 0:54:33.560
<v Speaker 5>of that over time, Like it makes the show so

0:54:33.719 --> 0:54:37.480
<v Speaker 5>much more terrifying and brilliant, brilliant, And I think it

0:54:37.560 --> 0:54:41.000
<v Speaker 5>does break the world wide open to experience not just

0:54:41.640 --> 0:54:44.960
<v Speaker 5>the black and whites of good and evil, but like

0:54:45.280 --> 0:54:46.560
<v Speaker 5>the idea of who are you going to save in

0:54:46.600 --> 0:54:48.920
<v Speaker 5>this moment and what can you do right here in

0:54:49.000 --> 0:54:49.600
<v Speaker 5>this space?

0:54:49.680 --> 0:54:50.880
<v Speaker 4>I think that is.

0:54:52.440 --> 0:54:55.120
<v Speaker 5>Just so vital to the storytelling, and it makes everything

0:54:55.239 --> 0:54:57.759
<v Speaker 5>feel so much more like I just think you can

0:54:57.800 --> 0:54:59.759
<v Speaker 5>feel for these care even more than you could feel

0:54:59.760 --> 0:55:02.000
<v Speaker 5>like Lay and Lukey wanted them to get out, okay,

0:55:02.040 --> 0:55:05.200
<v Speaker 5>but they were adventurers and heroes, and because they were

0:55:05.200 --> 0:55:08.799
<v Speaker 5>built on that hero's journey, you know where their outcome is.

0:55:08.840 --> 0:55:11.000
<v Speaker 5>They've already busted that wide open and so now all

0:55:11.040 --> 0:55:14.200
<v Speaker 5>you can do is hurt and feel while you're watching

0:55:14.239 --> 0:55:16.000
<v Speaker 5>these people do what they need to do so that

0:55:16.040 --> 0:55:18.480
<v Speaker 5>everybody else can have a brighter future. It's devastating, but

0:55:18.520 --> 0:55:20.560
<v Speaker 5>it's so good and I think it makes everything feel

0:55:20.560 --> 0:55:21.959
<v Speaker 5>so much more tangible and real.

0:55:22.440 --> 0:55:25.200
<v Speaker 7>Yeah, and speaking to the idea of this being a

0:55:25.239 --> 0:55:29.200
<v Speaker 7>rebellion guidebook, right and Cassie and telling all of us

0:55:29.239 --> 0:55:30.720
<v Speaker 7>that it's okay to be scared.

0:55:30.920 --> 0:55:32.400
<v Speaker 8>It's okay that we maybe did.

0:55:32.200 --> 0:55:35.839
<v Speaker 7>Have some good times with the Empire, but that deep down,

0:55:35.880 --> 0:55:40.680
<v Speaker 7>if you if you really feel something is wrong, doing

0:55:40.719 --> 0:55:43.080
<v Speaker 7>something about it will be coming home to yourself that

0:55:43.080 --> 0:55:44.960
<v Speaker 7>that will finally feel like the right thing.

0:55:44.840 --> 0:55:45.680
<v Speaker 8>To do to me.

0:55:45.800 --> 0:55:48.560
<v Speaker 1>That's like, is it okay that I enjoyed this? Save

0:55:48.600 --> 0:55:55.239
<v Speaker 1>it for your therapi, save it for your therapist. But

0:55:55.480 --> 0:55:57.839
<v Speaker 1>I get it, like we've all been there, right, but

0:55:58.480 --> 0:55:59.839
<v Speaker 1>we're here to do a thing right.

0:56:00.120 --> 0:56:00.600
<v Speaker 6>Doing the thing.

0:56:01.000 --> 0:56:02.439
<v Speaker 1>Yeah, I will say doing the thing.

0:56:02.520 --> 0:56:04.400
<v Speaker 6>I do not disagree with Jason. We had quite a

0:56:04.440 --> 0:56:06.360
<v Speaker 6>lot of fun talking about that moment on the recap.

0:56:06.360 --> 0:56:08.719
<v Speaker 2>But I will say I think it speaks to one

0:56:08.719 --> 0:56:10.640
<v Speaker 2>of the things I love the most in these kind

0:56:10.680 --> 0:56:13.280
<v Speaker 2>of stories. It's very Claudia Gray Lost Stars.

0:56:13.400 --> 0:56:17.800
<v Speaker 6>It's very kind of like it's this notion of like it's.

0:56:17.640 --> 0:56:20.799
<v Speaker 2>The clerk's conundrum that they raised in that movie, you know,

0:56:21.080 --> 0:56:23.279
<v Speaker 2>forty years ago whenever that came out now because we're

0:56:23.320 --> 0:56:26.680
<v Speaker 2>all old, But like, who is working on the Death Star?

0:56:26.760 --> 0:56:28.480
<v Speaker 2>Like when they blew up the Death Star? Aren't there

0:56:28.480 --> 0:56:30.560
<v Speaker 2>a bunch of contractors there who probably don't even have

0:56:30.560 --> 0:56:33.320
<v Speaker 2>a choice. Are there a bunch of enslaved people there working?

0:56:33.440 --> 0:56:35.840
<v Speaker 2>Are there a bunch of children who were literally picked

0:56:35.920 --> 0:56:39.279
<v Speaker 2>up from their planets and stolen and turned into stormtroopers?

0:56:39.280 --> 0:56:43.839
<v Speaker 2>Like if you start thinking about the real collateral damage,

0:56:44.400 --> 0:56:46.680
<v Speaker 2>you realize that nothing is as you know, it's a

0:56:46.719 --> 0:56:49.239
<v Speaker 2>lot more complicated than a gold medal at the end

0:56:49.280 --> 0:56:52.120
<v Speaker 2>of a New Hope, and I mean at the end

0:56:52.120 --> 0:56:54.680
<v Speaker 2>of her Return of the Jedi. But I also think,

0:56:54.800 --> 0:56:58.719
<v Speaker 2>like I loved that little moment where she is aware

0:56:59.400 --> 0:57:01.080
<v Speaker 2>that she shouldn't have been having fun because it's a

0:57:01.080 --> 0:57:04.000
<v Speaker 2>fucking Nazi shit. But guess what, she's also a human

0:57:04.040 --> 0:57:07.640
<v Speaker 2>being who probably like made friends with people and was

0:57:07.680 --> 0:57:09.520
<v Speaker 2>able to make the best of what she did. And

0:57:09.560 --> 0:57:12.279
<v Speaker 2>I think those little lines are so so real because

0:57:12.280 --> 0:57:14.160
<v Speaker 2>it's like you said, Jason, keep that in the group chat,

0:57:14.360 --> 0:57:16.880
<v Speaker 2>message that to your friends, like it's not you don't

0:57:16.920 --> 0:57:19.960
<v Speaker 2>need to tell this random rebel, but luckily he is

0:57:20.000 --> 0:57:21.840
<v Speaker 2>Cassie and Andel, and he gives you the best speech

0:57:21.880 --> 0:57:23.680
<v Speaker 2>of your life, like you're never gonna forget that.

0:57:24.240 --> 0:57:26.400
<v Speaker 1>I feel the same way about in terms of world

0:57:26.400 --> 0:57:32.120
<v Speaker 1>being about For me, it's that emotional territory of Joelle

0:57:32.120 --> 0:57:36.000
<v Speaker 1>put it best, like the in the Star Wars movies, right,

0:57:36.040 --> 0:57:39.880
<v Speaker 1>everybody's a fucking adventure. You never ever, ever, for one

0:57:39.960 --> 0:57:43.240
<v Speaker 1>moment get the feeling that anybody's actually afraid or nervous

0:57:43.720 --> 0:57:50.920
<v Speaker 1>or wondering like is this gonna work? Whereas there's every

0:57:51.000 --> 0:57:54.600
<v Speaker 1>character in this story on different levels, it's like, fuck,

0:57:54.680 --> 0:57:59.360
<v Speaker 1>did I I didn't know that it would mean doing this? Likeman,

0:57:59.560 --> 0:58:04.440
<v Speaker 1>is like, know what would mean? I have to be

0:58:04.560 --> 0:58:08.360
<v Speaker 1>okay with the murder of my former boyfriend and I

0:58:08.400 --> 0:58:11.480
<v Speaker 1>just have to pretend I knew nothing about the fact

0:58:11.480 --> 0:58:13.320
<v Speaker 1>that he's going to drop off the face of the earth,

0:58:13.400 --> 0:58:17.240
<v Speaker 1>right this person that I cared about, Or it's it's

0:58:17.280 --> 0:58:21.160
<v Speaker 1>this you know, imperial worker who's like, fuck, I kind

0:58:21.160 --> 0:58:23.040
<v Speaker 1>of like liked my time here. Even though I agree

0:58:23.040 --> 0:58:24.680
<v Speaker 1>that this is fine, I'm doing this, but like, am

0:58:24.720 --> 0:58:26.280
<v Speaker 1>I doing the right thing? Is this going to work?

0:58:26.320 --> 0:58:28.840
<v Speaker 1>Is this going to come back on me? Going to think?

0:58:29.680 --> 0:58:29.880
<v Speaker 4>Yeah?

0:58:29.880 --> 0:58:34.400
<v Speaker 1>And I think that emotional territory of what did I

0:58:34.400 --> 0:58:37.480
<v Speaker 1>get myself into? This is the right thing? But is

0:58:37.520 --> 0:58:41.640
<v Speaker 1>it the cost too high? Is is really really rich?

0:58:41.840 --> 0:58:42.040
<v Speaker 2>You know?

0:58:42.240 --> 0:58:45.800
<v Speaker 1>I think? And it's there's a moment where Luthen where

0:58:46.520 --> 0:58:48.760
<v Speaker 1>they're talking around it. It's one of the you know,

0:58:48.880 --> 0:58:52.440
<v Speaker 1>the tone zone pen is so good because a lot

0:58:52.480 --> 0:58:54.880
<v Speaker 1>of times, you know, these are spies, So they're talking

0:58:54.920 --> 0:58:57.040
<v Speaker 1>about a thing, but they're talking around it, and they're

0:58:57.080 --> 0:59:01.080
<v Speaker 1>at the wedding and mon is saying Tayte freaking out

0:59:01.320 --> 0:59:04.080
<v Speaker 1>he's kind of extorting me. He's suggesting that he might

0:59:04.720 --> 0:59:08.479
<v Speaker 1>need more money or something to protect himself. I don't

0:59:08.560 --> 0:59:12.760
<v Speaker 1>I don't know what to do. And Luthan is like, really,

0:59:12.800 --> 0:59:15.080
<v Speaker 1>you don't know what to do. You don't know what

0:59:15.080 --> 0:59:15.240
<v Speaker 1>to do.

0:59:15.360 --> 0:59:16.680
<v Speaker 6>You don't you do it?

0:59:17.240 --> 0:59:19.680
<v Speaker 1>He says, he I think he she and then she

0:59:20.040 --> 0:59:23.000
<v Speaker 1>under picks up what he's putting down. This means you're

0:59:23.560 --> 0:59:25.880
<v Speaker 1>your guy's gonna have to go away, like we're gonna

0:59:25.880 --> 0:59:29.840
<v Speaker 1>have to do him in somehow. And she's like, I'm shocked,

0:59:30.400 --> 0:59:32.040
<v Speaker 1>and he says, I'm shocked.

0:59:32.120 --> 0:59:32.840
<v Speaker 8>You're shocked.

0:59:33.160 --> 0:59:37.040
<v Speaker 1>Yeah, And it's that real come to Jesus, like what

0:59:37.120 --> 0:59:38.440
<v Speaker 1>did you think we were doing?

0:59:39.360 --> 0:59:39.600
<v Speaker 4>You know?

0:59:39.680 --> 0:59:44.000
<v Speaker 1>What do you what do you think? Yeah? And it's

0:59:44.080 --> 0:59:50.160
<v Speaker 1>that real reckoning with the cost. The cost is here's

0:59:50.200 --> 0:59:52.880
<v Speaker 1>this person that you like. You generally like this person.

0:59:53.680 --> 0:59:57.160
<v Speaker 1>We're going to kill them to keep this whole because

0:59:57.160 --> 0:59:59.360
<v Speaker 1>we're in it to win it. We're not in it

0:59:59.400 --> 1:00:01.680
<v Speaker 1>to or a few hits and walk away and go

1:00:01.840 --> 1:00:05.000
<v Speaker 1>vacation on the on the beach planet. We're here to

1:00:05.160 --> 1:00:06.400
<v Speaker 1>actually win the thing.

1:00:06.960 --> 1:00:09.120
<v Speaker 6>And that means we're probably never gonna see the win.

1:00:09.760 --> 1:00:11.880
<v Speaker 1>Yeah, And that means a lot of other people maybe

1:00:11.880 --> 1:00:13.480
<v Speaker 1>that you like, are not going to see the win.

1:00:13.600 --> 1:00:17.240
<v Speaker 1>And it's those moments where characters are reckoning with the

1:00:17.280 --> 1:00:20.800
<v Speaker 1>cost that is you've never seen that in Star Wars

1:00:20.880 --> 1:00:24.480
<v Speaker 1>before on this level on this and maybe in the

1:00:24.480 --> 1:00:26.160
<v Speaker 1>comics some of the comics are maybe in some of

1:00:26.200 --> 1:00:29.720
<v Speaker 1>the books, but like not like this on the big

1:00:29.920 --> 1:00:33.040
<v Speaker 1>on a screen where everything looks amazing, and that is

1:00:33.080 --> 1:00:35.800
<v Speaker 1>the stuff that has really captured me about this show.

1:00:35.880 --> 1:00:36.640
<v Speaker 8>Completely agreed.

1:00:36.720 --> 1:00:39.480
<v Speaker 6>Yeah, yeah, it's it's really fantastic.

1:00:39.520 --> 1:00:42.200
<v Speaker 2>I mean, let's look at what some some things Aaron

1:00:42.280 --> 1:00:45.280
<v Speaker 2>thought as as as a person watching this show.

1:00:49.200 --> 1:00:53.600
<v Speaker 3>The discord is always gang live, he cannot live.

1:00:53.720 --> 1:00:55.400
<v Speaker 6>They love going in the discord.

1:00:55.720 --> 1:00:58.400
<v Speaker 3>Okay, He's gonna make a point though that I think

1:00:58.440 --> 1:01:00.360
<v Speaker 3>we're all gonna agree with it.

1:00:59.680 --> 1:01:04.120
<v Speaker 2>Yea. Cyril's mom, Edie, the greatest Star Wars villain since Thorn.

1:01:04.600 --> 1:01:06.680
<v Speaker 1>I I love her.

1:01:06.840 --> 1:01:07.720
<v Speaker 4>She's incredible.

1:01:11.880 --> 1:01:19.040
<v Speaker 5>It's the fact that she's so tactfully like it's one

1:01:19.080 --> 1:01:21.400
<v Speaker 5>thing if you're a bit and you're just hyper unaware

1:01:21.440 --> 1:01:25.360
<v Speaker 5>of it, but she know that and it's immediately like, Okay,

1:01:25.440 --> 1:01:29.040
<v Speaker 5>I won't be the most annoying possible thing to Cirial like.

1:01:29.680 --> 1:01:32.280
<v Speaker 4>You're doing this so intentionally, it's so mean.

1:01:32.360 --> 1:01:35.320
<v Speaker 5>But I mean, listen, I have a lot of issues

1:01:35.360 --> 1:01:38.320
<v Speaker 5>with Dada, but her getting her man's ship in order

1:01:38.320 --> 1:01:41.200
<v Speaker 5>when he is just literally collapsing on the bed.

1:01:41.880 --> 1:01:43.760
<v Speaker 4>He threw himself like a Victorian woman off the.

1:01:47.360 --> 1:01:48.560
<v Speaker 1>Cyril's got the vapors.

1:01:48.640 --> 1:01:52.360
<v Speaker 6>I've got the vapis, you know.

1:01:52.600 --> 1:01:54.680
<v Speaker 2>I think as well, something that I thought was really

1:01:54.680 --> 1:01:57.960
<v Speaker 2>cool at the premiere, the actressho places Dandro was like, please, guys,

1:01:58.040 --> 1:02:03.080
<v Speaker 2>just remember she's a fascist, right, But I think that

1:02:03.120 --> 1:02:07.640
<v Speaker 2>what Tony does so brilliantly here is shows how, you know,

1:02:07.920 --> 1:02:11.680
<v Speaker 2>normal people inverted commas like can get a job in

1:02:11.840 --> 1:02:15.760
<v Speaker 2>like a really boring government job that ends up becoming

1:02:15.800 --> 1:02:20.080
<v Speaker 2>a pipeline to true fascism. And he's showing here like, hey, yeah,

1:02:20.120 --> 1:02:23.439
<v Speaker 2>maybe this person does have relationships, maybe they have their

1:02:23.480 --> 1:02:26.720
<v Speaker 2>own version of a moral compass whatever that is, but

1:02:26.760 --> 1:02:29.560
<v Speaker 2>they're still a fascist. Like this is the it's you know,

1:02:29.920 --> 1:02:32.320
<v Speaker 2>we we you know, we had a name for people

1:02:32.360 --> 1:02:35.400
<v Speaker 2>who voted for the Nazis, that voted because they cared

1:02:35.400 --> 1:02:38.480
<v Speaker 2>about their job, or they cared about money or blah

1:02:38.520 --> 1:02:41.720
<v Speaker 2>blah blah. And they said in Germany, Nazi it's fucking Nazis.

1:02:42.480 --> 1:02:45.520
<v Speaker 2>It doesn't matter, You're still doing it, you know. So

1:02:45.640 --> 1:02:48.320
<v Speaker 2>I think I think the Deirdre Edie Cyril stuff I've

1:02:48.320 --> 1:02:50.919
<v Speaker 2>been I was surprised by how much I was into

1:02:50.920 --> 1:02:52.520
<v Speaker 2>the Cyril storyline this season.

1:02:52.640 --> 1:02:55.440
<v Speaker 5>Aaron dropped the letter from Windles in the Discord, which

1:02:55.480 --> 1:02:57.760
<v Speaker 5>is pretty good, or he says, man if I'd an

1:02:57.760 --> 1:03:00.200
<v Speaker 5>audience reaction to Dandre to be fascinating, like he is

1:03:00.200 --> 1:03:03.400
<v Speaker 5>an unapologetic fascist from the first second we see her,

1:03:03.600 --> 1:03:06.720
<v Speaker 5>and people, really we have a hard time processing that

1:03:06.760 --> 1:03:09.120
<v Speaker 5>this pretty blond lady is exactly what she seems. I

1:03:09.120 --> 1:03:11.040
<v Speaker 5>think Tony Giloa has done an amazing job playing off

1:03:11.040 --> 1:03:14.640
<v Speaker 5>our expectations for what a fascist actually absolutely yes.

1:03:14.960 --> 1:03:18.080
<v Speaker 2>And I also think by showing that a fascist can

1:03:18.600 --> 1:03:21.720
<v Speaker 2>have a relationship and be in love, as fucked up

1:03:21.760 --> 1:03:26.720
<v Speaker 2>as that relationship is, is another great reality check of like, yeah,

1:03:26.760 --> 1:03:29.200
<v Speaker 2>somebody can feel these normal things, but they can still

1:03:29.240 --> 1:03:32.880
<v Speaker 2>be enacting like horrific things on people around the world.

1:03:33.440 --> 1:03:36.320
<v Speaker 1>I think part of the issue that we did, you know,

1:03:36.600 --> 1:03:40.880
<v Speaker 1>we're bringing a real world term fascism into Star Wars, right,

1:03:40.960 --> 1:03:44.000
<v Speaker 1>and part of the problem is that like, Okay, you

1:03:44.040 --> 1:03:48.919
<v Speaker 1>say that someone's a fascist. It's true, they're a hard

1:03:48.960 --> 1:03:53.760
<v Speaker 1>working government bureaucrat, okay, and you call them a fascist.

1:03:54.120 --> 1:03:59.160
<v Speaker 1>That The problem that star Wars and Or is kind

1:03:59.160 --> 1:04:03.080
<v Speaker 1>of like grappling in a metaw way, is like how

1:04:03.080 --> 1:04:08.000
<v Speaker 1>do you match your words to action? Yes, because it's

1:04:08.200 --> 1:04:12.640
<v Speaker 1>it's part of I think the problem big like capital

1:04:12.720 --> 1:04:16.400
<v Speaker 1>letters quotes, is that we throw these terms around there

1:04:16.400 --> 1:04:23.600
<v Speaker 1>technically correct, but because action never follows the seriousness of

1:04:23.680 --> 1:04:27.439
<v Speaker 1>the term, everything loses meaning. And I think that's part

1:04:27.440 --> 1:04:32.040
<v Speaker 1>of like what the what we're getting at with Deirdre.

1:04:32.280 --> 1:04:34.680
<v Speaker 1>She's a girl boss, she's got ambition.

1:04:34.480 --> 1:04:39.880
<v Speaker 2>She's doing a thing in a male centric landscape, and.

1:04:40.000 --> 1:04:44.320
<v Speaker 1>She's succeeding, and she's she's like unafraid to be like

1:04:44.440 --> 1:04:46.640
<v Speaker 1>ambitious and to be like I'm going for it, and

1:04:46.680 --> 1:04:50.080
<v Speaker 1>those are all ideals that we like, and so it's

1:04:50.160 --> 1:04:56.600
<v Speaker 1>hard to then match what she is to how we

1:04:56.680 --> 1:05:00.880
<v Speaker 1>feel about what she's doing or even And I think

1:05:00.920 --> 1:05:03.200
<v Speaker 1>part of it is that when you like to call

1:05:03.240 --> 1:05:05.280
<v Speaker 1>someone a fascist or an imperial or whatever in this

1:05:05.360 --> 1:05:11.040
<v Speaker 1>world is to say like it's almost like cross a

1:05:11.120 --> 1:05:13.320
<v Speaker 1>threshold and say like now I have to stand in

1:05:13.320 --> 1:05:15.480
<v Speaker 1>opposition to this person. When really we did. Like a

1:05:15.480 --> 1:05:17.400
<v Speaker 1>lot of people are like parent and they don't want to.

1:05:17.960 --> 1:05:18.600
<v Speaker 4>I don't want to.

1:05:18.840 --> 1:05:21.800
<v Speaker 1>I'm gonna like engaging with that term means like I

1:05:21.800 --> 1:05:23.080
<v Speaker 1>have to take a stand, and I don't want to

1:05:23.080 --> 1:05:24.760
<v Speaker 1>take a stand. And I think a lot of like

1:05:24.920 --> 1:05:29.480
<v Speaker 1>how people feel about Deirdre is muddled in that same way.

1:05:29.520 --> 1:05:31.800
<v Speaker 1>And I think that's part of what makes it really interesting.

1:05:31.880 --> 1:05:37.320
<v Speaker 1>She's got all these traits that that that we in

1:05:36.960 --> 1:05:40.400
<v Speaker 1>real life in a more normal time with like in

1:05:40.400 --> 1:05:43.600
<v Speaker 1>a more normal context with lawed, but she's doing it

1:05:43.640 --> 1:05:47.400
<v Speaker 1>in service to like the worst project in the fucking galaxy.

1:05:47.600 --> 1:05:49.520
<v Speaker 5>She's also like an empathetic character, like we get her

1:05:49.560 --> 1:05:54.920
<v Speaker 5>backstory here, yeah with uh she was raised by the

1:05:55.000 --> 1:05:57.880
<v Speaker 5>empire of an orphan who's raised by the empire, so

1:05:57.960 --> 1:06:01.720
<v Speaker 5>like that shades in so much of who Deja is,

1:06:01.720 --> 1:06:04.480
<v Speaker 5>Like you understand, like, oh, this like radical devotion is

1:06:04.520 --> 1:06:06.160
<v Speaker 5>like a parent, Like this is all you know. There

1:06:06.240 --> 1:06:08.880
<v Speaker 5>is nothing outside of this and the only way to

1:06:08.920 --> 1:06:11.960
<v Speaker 5>prove yourself within this organization is to climb the ladder.

1:06:12.200 --> 1:06:14.680
<v Speaker 5>And she's found something that nobody else has. It's not

1:06:14.680 --> 1:06:16.760
<v Speaker 5>something she really needs to fight for other than to

1:06:16.800 --> 1:06:19.000
<v Speaker 5>like try to get this little bit of information. If

1:06:19.040 --> 1:06:22.920
<v Speaker 5>she can find her guy, her spy, then she's golden

1:06:23.120 --> 1:06:25.760
<v Speaker 5>in the eyes of the only thing that really has

1:06:25.880 --> 1:06:29.560
<v Speaker 5>value to her, or her shown value within herself. I

1:06:29.560 --> 1:06:33.560
<v Speaker 5>think that is, you know, just from a character perspective,

1:06:33.560 --> 1:06:35.480
<v Speaker 5>You're like, Wow, I love this character. I want to

1:06:35.480 --> 1:06:37.720
<v Speaker 5>follow her all over it like what she doing. And

1:06:37.760 --> 1:06:39.160
<v Speaker 5>I think maybe that's where a lot of people are

1:06:39.160 --> 1:06:41.840
<v Speaker 5>getting tripped up. I'm not sure if everyone loves Deirdre

1:06:41.960 --> 1:06:43.840
<v Speaker 5>the Fascist. I think people are interested, like, what is

1:06:43.880 --> 1:06:45.000
<v Speaker 5>this woman gonna do next?

1:06:45.080 --> 1:06:46.120
<v Speaker 4>She says, yah, yeah she is.

1:06:46.440 --> 1:06:49.880
<v Speaker 2>I will say in the last season A season one,

1:06:49.920 --> 1:06:53.400
<v Speaker 2>I was not particularly interested in several and I felt

1:06:53.400 --> 1:06:56.360
<v Speaker 2>like Deirdre was just like an antagonist, right, like she's

1:06:56.400 --> 1:06:59.720
<v Speaker 2>just hunting them down. But actually, this first three episodes

1:06:59.720 --> 1:07:01.800
<v Speaker 2>I felt like they built them both out so well

1:07:01.800 --> 1:07:04.400
<v Speaker 2>that now I am very invested in those characters and

1:07:04.400 --> 1:07:08.840
<v Speaker 2>where they will go, because there is chaos coming to

1:07:08.880 --> 1:07:12.400
<v Speaker 2>the galaxy, and these people are all living in the

1:07:12.440 --> 1:07:13.640
<v Speaker 2>incoming chaos.

1:07:13.760 --> 1:07:17.880
<v Speaker 1>Here's what's great about the serial Dear dear relationship. He's

1:07:17.920 --> 1:07:20.080
<v Speaker 1>the boot liquor and she's the boots.

1:07:20.960 --> 1:07:23.920
<v Speaker 6>Yes, yes, yes, yes, that's the truth.

1:07:24.840 --> 1:07:28.800
<v Speaker 1>That's why it works. He is this idealistic like, oh

1:07:28.840 --> 1:07:34.160
<v Speaker 1>the Empire. Wow, cool, we're hunts. I got to hunt spies.

1:07:34.840 --> 1:07:38.439
<v Speaker 1>If you do your job well and you're lucky enough,

1:07:38.520 --> 1:07:41.200
<v Speaker 1>you might get to hunt a spy too. And by

1:07:41.240 --> 1:07:44.120
<v Speaker 1>the way, my girlfriend and by the way, my girlfriend

1:07:44.200 --> 1:07:48.200
<v Speaker 1>hunts spies all the time. And yeah, and it's that

1:07:48.440 --> 1:07:52.240
<v Speaker 1>dynamic that makes them just fascinating.

1:07:52.040 --> 1:07:54.920
<v Speaker 2>Utterly fascinating to watch. I'm excited to see what happens.

1:07:55.120 --> 1:07:56.400
<v Speaker 2>Let's talk Aaron producer.

1:07:56.440 --> 1:07:59.840
<v Speaker 6>Aaron before we go, had a question and I'm sorry.

1:07:59.640 --> 1:08:02.240
<v Speaker 2>To tell you the Saron, with your pure innocent heart,

1:08:02.320 --> 1:08:04.920
<v Speaker 2>that you put this question in here. Aaron said, what

1:08:05.120 --> 1:08:08.000
<v Speaker 2>happened with Cinta and take Cob Is she still working

1:08:08.040 --> 1:08:08.560
<v Speaker 2>for Lutheran?

1:08:08.800 --> 1:08:10.120
<v Speaker 6>Do we think mon can clear that.

1:08:13.120 --> 1:08:21.360
<v Speaker 3>She's killing that mother budy assassin. She's coming killing that guy?

1:08:21.400 --> 1:08:23.320
<v Speaker 5>Do send her to kill and Or? At the end

1:08:23.320 --> 1:08:25.439
<v Speaker 5>of season one, Like that's her role, That's why she

1:08:25.520 --> 1:08:27.640
<v Speaker 5>goes back to Ferris is to kill Andor.

1:08:27.520 --> 1:08:30.840
<v Speaker 2>Which is so funny, like she's just a total badass

1:08:31.040 --> 1:08:34.679
<v Speaker 2>and obviously she's gonna kill Tay. Like sorry, guys, loose lips,

1:08:34.720 --> 1:08:39.200
<v Speaker 2>loose lips, sink ships, and in this case of even.

1:08:39.000 --> 1:08:43.759
<v Speaker 1>This suggestion of loose lips, said Tay has only merely

1:08:43.800 --> 1:08:44.640
<v Speaker 1>been suggested.

1:08:45.960 --> 1:08:51.759
<v Speaker 4>Lips was flapping at the park. Guy, don't even worry

1:08:51.760 --> 1:08:52.360
<v Speaker 4>about it.

1:08:53.240 --> 1:08:56.040
<v Speaker 5>And then, well, you see who gives me the most money?

1:08:56.120 --> 1:08:58.559
<v Speaker 5>So this is you're playing the game terribly and it's

1:08:58.560 --> 1:08:59.160
<v Speaker 5>bothering me.

1:09:01.560 --> 1:09:04.640
<v Speaker 6>Yes, Jason, plug your letterbox? Where can people follow you?

1:09:04.720 --> 1:09:05.880
<v Speaker 6>I love the list you made.

1:09:05.920 --> 1:09:08.280
<v Speaker 2>We're gonna link to it in the show notes. It's

1:09:08.320 --> 1:09:10.720
<v Speaker 2>such a fucking good list. It was blowing my mind.

1:09:10.760 --> 1:09:12.800
<v Speaker 2>We've talked a lot about classic cinema. We're going to

1:09:12.840 --> 1:09:15.960
<v Speaker 2>try and keep bringing those references as the show continues,

1:09:15.960 --> 1:09:18.559
<v Speaker 2>because we're sure that more of them will come. Tony

1:09:18.640 --> 1:09:21.679
<v Speaker 2>is not He's a student of cinema clearly. So yeah, Jason,

1:09:21.720 --> 1:09:23.720
<v Speaker 2>what is it? How do people follow it? What's on it?

1:09:24.120 --> 1:09:26.200
<v Speaker 1>I am just good? You know? Go to search me

1:09:26.240 --> 1:09:29.000
<v Speaker 1>on letterbox. I'm an ETW three r K on letterbox,

1:09:29.040 --> 1:09:31.280
<v Speaker 1>or you can search my name. I made a list

1:09:31.320 --> 1:09:34.280
<v Speaker 1>called Indoor Season two Syllabus or how to Resist a Vampire.

1:09:34.320 --> 1:09:37.439
<v Speaker 1>It's got a variety of movies on there that you

1:09:37.479 --> 1:09:40.800
<v Speaker 1>can check out. I'll give you some of them Casablanca, Roam,

1:09:40.880 --> 1:09:45.320
<v Speaker 1>Open City, a Man Escape, a lot of French on here,

1:09:45.439 --> 1:09:50.519
<v Speaker 1>which I think is apt and ending with rogue one

1:09:50.640 --> 1:09:54.679
<v Speaker 1>of course, so check that out on Letterbox next week.

1:09:54.720 --> 1:09:57.639
<v Speaker 1>On ext Revision Tuesday, we're heading back to Jackson Hole

1:09:57.720 --> 1:09:59.599
<v Speaker 1>for the third episode of the Last of Us. Wednesday

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<v Speaker 1>we'll have our recap of episodes four, five and six

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<v Speaker 1>command Or season two, and then Thursday, we're deep diving

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<v Speaker 1>into the misfit heroes of Marvel's upcoming Thunderbolts. That's it

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<v Speaker 1>for this episode.

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<v Speaker 6>Thanks for listening, Goodbye.

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<v Speaker 1>X ray Vision is hosted by Jason Sepcion and Rosie

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<v Speaker 1>Night and is a production of iHeart Podcast.

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<v Speaker 2>Our executive producers are Joel Monique and Aaron Kletman.

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<v Speaker 1>Our supervising producer is Abu Safar.

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<v Speaker 2>Our producers are Common Laurent Dean Jonathan and Bay Wag.

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<v Speaker 1>Our theme song is by Brian Vasquez, with alternate theme

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<v Speaker 1>songs by Aaron Kaufman.

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<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

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<v Speaker 2>Heidi our Discord moderate them