1 00:00:00,200 --> 00:00:04,000 Speaker 1: Fellow Ridiculous Historians, thank you, as always so much for 2 00:00:04,120 --> 00:00:09,879 Speaker 1: tuning in. We are presenting two classic episodes that we 3 00:00:10,039 --> 00:00:13,119 Speaker 1: could not be more excited about. 4 00:00:13,680 --> 00:00:13,880 Speaker 2: Yeah. 5 00:00:13,920 --> 00:00:16,919 Speaker 3: This one publishes on our day, where we typically get 6 00:00:16,960 --> 00:00:18,959 Speaker 3: a new episode, but we wanted to take a little 7 00:00:18,960 --> 00:00:22,240 Speaker 3: family time for the Memorial Day weekend. So you're getting 8 00:00:22,239 --> 00:00:25,919 Speaker 3: a classic, but followed up with our weekend classic being 9 00:00:26,000 --> 00:00:30,560 Speaker 3: part two of History's Weirdest Flexes with our buddies Miles 10 00:00:30,600 --> 00:00:32,720 Speaker 3: and Jack from the Daily Zeitgeist. 11 00:00:33,200 --> 00:00:40,120 Speaker 1: So let's roll the tape. Ridiculous Histories a production of iHeartRadio. 12 00:00:40,800 --> 00:01:09,280 Speaker 1: Ridiculous Histories, a production of iHeartRadio. Welcome back to the show, folks, 13 00:01:09,360 --> 00:01:11,319 Speaker 1: this is Ridiculous History. 14 00:01:11,400 --> 00:01:12,920 Speaker 3: My name is Ben, my name is Nolan. 15 00:01:13,000 --> 00:01:16,040 Speaker 1: It's not Ridiculous Historians, it's not. That's our Facebook group. 16 00:01:16,080 --> 00:01:18,280 Speaker 1: But hey, look at us. We're getting the plug in early. 17 00:01:18,360 --> 00:01:20,240 Speaker 3: Yeah, join the Facebook group if you like the show. 18 00:01:20,319 --> 00:01:22,280 Speaker 3: We always say it for the end. Maybe we'll see 19 00:01:22,319 --> 00:01:25,760 Speaker 3: a giant spike in activity of flurry of activity on 20 00:01:25,800 --> 00:01:26,800 Speaker 3: our Facebook group, a. 21 00:01:26,880 --> 00:01:31,680 Speaker 1: Cavalcade of content. Speaking of cavalcades of awesomeness, we want 22 00:01:31,720 --> 00:01:35,280 Speaker 1: to give a shout out to our super producer Casey Pegram. 23 00:01:35,480 --> 00:01:37,600 Speaker 3: There he is, Look at him. Look at our boy, Casey. 24 00:01:37,720 --> 00:01:39,760 Speaker 3: There he is a glint in his eye as always. 25 00:01:40,040 --> 00:01:45,000 Speaker 1: Oh, we should mention that today's episode is pretty fascinating 26 00:01:45,040 --> 00:01:47,920 Speaker 1: to us. We started talking with some friends of ours 27 00:01:48,000 --> 00:01:52,680 Speaker 1: off air about the most petty or strangest flexes in 28 00:01:52,800 --> 00:01:53,720 Speaker 1: human history. 29 00:01:53,840 --> 00:01:56,200 Speaker 3: Ben, you're gonna have to You're gonna have to hip 30 00:01:56,200 --> 00:01:59,440 Speaker 3: me to this lingo here. What is a flex? Ah? 31 00:01:59,480 --> 00:02:02,040 Speaker 1: Well, who better to explain that than our friends that 32 00:02:02,080 --> 00:02:05,160 Speaker 1: we actually brought on the air for the episode today 33 00:02:05,480 --> 00:02:09,280 Speaker 1: of the host of one of our favorite podcasts, The 34 00:02:09,440 --> 00:02:10,519 Speaker 1: Daily Zeitgeist. 35 00:02:10,840 --> 00:02:13,799 Speaker 3: Yeah, we have Miles and Jack from the Daily Zeite 36 00:02:13,800 --> 00:02:15,280 Speaker 3: guys joining us as we speak. 37 00:02:15,360 --> 00:02:19,560 Speaker 2: Gentlemen, what's up guys? Hello Jack? How are you so? 38 00:02:19,560 --> 00:02:19,680 Speaker 4: So? 39 00:02:19,760 --> 00:02:23,800 Speaker 3: These guys us, Miles and Jack are the anchors of 40 00:02:23,840 --> 00:02:27,119 Speaker 3: our Los Angeles operation. They do a lot of comedy. 41 00:02:27,200 --> 00:02:30,360 Speaker 3: They have this amazing political comedy show that they do 42 00:02:30,440 --> 00:02:32,840 Speaker 3: every day of the week, and they're kind of the 43 00:02:33,160 --> 00:02:35,520 Speaker 3: cooler versions of us. So can you just explain what 44 00:02:35,560 --> 00:02:36,120 Speaker 3: a flex is? 45 00:02:38,080 --> 00:02:42,760 Speaker 5: Yes, flex, if we go strictly by the Urban Dictionary definition, 46 00:02:43,280 --> 00:02:47,240 Speaker 5: would be a verb in which someone would show off 47 00:02:47,360 --> 00:02:49,520 Speaker 5: or gloat in a boastful display. 48 00:02:49,680 --> 00:02:52,680 Speaker 2: Wow, that was very official, Miles, Thank you so much. 49 00:02:52,960 --> 00:02:54,920 Speaker 6: Yes, yeah, so that's what a flex is. 50 00:02:55,000 --> 00:02:57,600 Speaker 3: How is a flex different than a stunt? I mean 51 00:02:57,639 --> 00:02:59,560 Speaker 3: it's kind of the same thing. A stunt, you're still 52 00:02:59,639 --> 00:03:03,480 Speaker 3: kind of showing out as you will. But sometimes a flex, 53 00:03:03,520 --> 00:03:05,440 Speaker 3: you know, it's really about, like you know, coming from 54 00:03:05,440 --> 00:03:09,280 Speaker 3: flexing your muscles, like showing how strong you are, showing 55 00:03:09,280 --> 00:03:09,840 Speaker 3: off that way. 56 00:03:09,919 --> 00:03:10,480 Speaker 2: I feel like a. 57 00:03:10,440 --> 00:03:13,920 Speaker 4: Flex can come from within maybe where a stunt can be. 58 00:03:14,080 --> 00:03:17,480 Speaker 4: A stunt would be more like showing off things. 59 00:03:18,560 --> 00:03:18,960 Speaker 2: I don't know. 60 00:03:19,160 --> 00:03:21,600 Speaker 5: No, you nailed it, Thank you so much. But yeah, 61 00:03:21,600 --> 00:03:23,720 Speaker 5: I mean essentially it's all the same thing. It's just 62 00:03:23,760 --> 00:03:25,400 Speaker 5: sort of you know, and then the gave way to 63 00:03:25,480 --> 00:03:28,880 Speaker 5: the weird flex phenomenon, which are just sort of like, uh, 64 00:03:29,000 --> 00:03:32,280 Speaker 5: you know, just recontextualizing people's quotes or things to be 65 00:03:32,720 --> 00:03:33,600 Speaker 5: boastful moments. 66 00:03:33,639 --> 00:03:33,720 Speaker 4: Right. 67 00:03:33,840 --> 00:03:36,560 Speaker 5: Yeah, it's really just about showing off really or yeah, 68 00:03:36,640 --> 00:03:39,360 Speaker 5: unnecessarily showing your power or wealth or something like that. 69 00:03:39,440 --> 00:03:42,240 Speaker 4: I love weird flex because it has taken over for 70 00:03:42,560 --> 00:03:45,320 Speaker 4: people used to say anytime they wanted to make fun 71 00:03:45,320 --> 00:03:47,600 Speaker 4: of someone for bragging about something weird, they'd be like, 72 00:03:47,720 --> 00:03:52,080 Speaker 4: humble brag and they just didn't know what humble brag meant, right, 73 00:03:52,120 --> 00:03:54,920 Speaker 4: I think they misunderstood. So weird flex is actually an 74 00:03:55,000 --> 00:03:58,720 Speaker 4: accurate way to make fun of somebody for bragging about something. 75 00:03:58,480 --> 00:04:01,880 Speaker 2: Weird, and we're happier here weird. 76 00:04:01,640 --> 00:04:05,680 Speaker 1: Flex like, for example, setting the record for eating the 77 00:04:05,760 --> 00:04:08,280 Speaker 1: largest amount of cheese in twenty four hours. That's a 78 00:04:08,320 --> 00:04:08,960 Speaker 1: weird flex. 79 00:04:09,280 --> 00:04:12,040 Speaker 2: That is a weird flex. Yeah, and then bragging about 80 00:04:12,040 --> 00:04:13,240 Speaker 2: it and then bragging about it. 81 00:04:13,320 --> 00:04:16,320 Speaker 3: Well, and since this is a ridiculous history today, we're 82 00:04:16,360 --> 00:04:20,040 Speaker 3: talking about weird historical flexes. Ben, you brought this one 83 00:04:20,040 --> 00:04:23,200 Speaker 3: to the table, so I think maybe you should start. Sure. 84 00:04:23,360 --> 00:04:26,200 Speaker 1: Yeah, yeah, we're going to explore not all of but 85 00:04:26,400 --> 00:04:29,680 Speaker 1: some of the weirdest flexes and maybe the most petty 86 00:04:29,720 --> 00:04:33,400 Speaker 1: power moves throughout this ridiculous thing that we call human history. 87 00:04:33,640 --> 00:04:36,039 Speaker 1: So I'm going to lay one out just to set 88 00:04:36,080 --> 00:04:39,640 Speaker 1: the tone here. We've all heard of garden gnomes, right. 89 00:04:39,600 --> 00:04:41,599 Speaker 3: Which is already a weird flex in and of itself. 90 00:04:41,720 --> 00:04:45,200 Speaker 1: Yeah, it's a strange choice, very much landscaping. 91 00:04:45,160 --> 00:04:47,719 Speaker 4: The fact that I have the second largest collection of 92 00:04:47,760 --> 00:04:50,800 Speaker 4: garden gnomes on the East side of Los Angeles. I'm 93 00:04:50,800 --> 00:04:53,280 Speaker 4: not going to brag about that, because that would be 94 00:04:53,279 --> 00:04:54,000 Speaker 4: a weird flex. 95 00:04:54,240 --> 00:04:55,880 Speaker 2: Right, I'll just leave it out there. 96 00:04:56,040 --> 00:04:59,240 Speaker 1: But I know East LA is pretty competitive and cutthroat 97 00:04:59,320 --> 00:05:01,640 Speaker 1: in that regard, right, Yeah. 98 00:05:01,160 --> 00:05:03,360 Speaker 4: Yeah, man, It's taken a lot of hard work, and 99 00:05:03,440 --> 00:05:05,520 Speaker 4: I just get thanks to my parents for you know, 100 00:05:05,640 --> 00:05:06,680 Speaker 4: raising me the way they did. 101 00:05:06,920 --> 00:05:08,520 Speaker 2: And yeah, but go on with. 102 00:05:08,520 --> 00:05:11,159 Speaker 5: I mean, yeah, I mean, Jessica Sable has not recovered 103 00:05:11,200 --> 00:05:12,560 Speaker 5: since you retook the throne. 104 00:05:14,080 --> 00:05:18,479 Speaker 4: Second second, Yeah, garden home Prince, the garden home King. 105 00:05:18,560 --> 00:05:19,560 Speaker 2: I'm never going to beat him. 106 00:05:19,640 --> 00:05:20,960 Speaker 6: Vice garden home President. 107 00:05:21,080 --> 00:05:23,279 Speaker 1: Yes, So this should be this should be close to 108 00:05:23,320 --> 00:05:26,760 Speaker 1: you personally, because it turns out that there is a 109 00:05:26,760 --> 00:05:30,359 Speaker 1: an historical precedent in the creation of this sort of 110 00:05:30,480 --> 00:05:33,040 Speaker 1: garden gnome. Uh well, I guess we can call it 111 00:05:33,080 --> 00:05:35,680 Speaker 1: an industry now, at least in Los Angeles. 112 00:05:35,200 --> 00:05:38,040 Speaker 3: Culture, nome culture, what I'm going to call. 113 00:05:38,080 --> 00:05:43,680 Speaker 1: The nomen culture life. So there was this moment, primarily 114 00:05:43,800 --> 00:05:48,880 Speaker 1: during the eighteenth century when wealthy landowners in Britain said, 115 00:05:49,080 --> 00:05:53,279 Speaker 1: you know, how can I show my fellow landed aristocrats 116 00:05:53,600 --> 00:05:56,800 Speaker 1: that I am somehow better than them, you know, without 117 00:05:56,920 --> 00:06:01,720 Speaker 1: actually doing something to improve myself. And they decided that 118 00:06:01,839 --> 00:06:07,159 Speaker 1: they would resurrect an old practice of paying someone to 119 00:06:07,279 --> 00:06:12,640 Speaker 1: be a professional hermit, an ornamental hermit in their garden. 120 00:06:12,839 --> 00:06:16,560 Speaker 1: And these guys had a really weird gig. First off, 121 00:06:16,760 --> 00:06:20,960 Speaker 1: they were expected to in some cases not bathe, not 122 00:06:21,160 --> 00:06:25,960 Speaker 1: talk to anyone for seven years. They had to dress like, quote, 123 00:06:26,240 --> 00:06:30,440 Speaker 1: a druid. But the problem was these wealthy landowners had 124 00:06:30,560 --> 00:06:34,040 Speaker 1: no clue what a druid actually looked like, so they 125 00:06:34,040 --> 00:06:37,560 Speaker 1: looked more like the modern version of train kids, you know, 126 00:06:37,720 --> 00:06:42,159 Speaker 1: minus the stick and pok face tattoos. And the weird 127 00:06:42,200 --> 00:06:44,960 Speaker 1: thing about it was it caught on. There's a great 128 00:06:44,960 --> 00:06:47,640 Speaker 1: book called The Hermit in the Garden from Imperial Rome 129 00:06:47,720 --> 00:06:52,760 Speaker 1: to ornamental gnome like the rhyme there that traces the 130 00:06:52,800 --> 00:06:58,520 Speaker 1: evolution of this from back in the fifteenth century when 131 00:06:59,200 --> 00:07:03,880 Speaker 1: Francis of Paula was one of the first paid hermits 132 00:07:03,920 --> 00:07:07,440 Speaker 1: in a cave on his own dad's estate. So how's 133 00:07:07,480 --> 00:07:10,040 Speaker 1: that for nepotism. Let me unpack this just briefly. I 134 00:07:10,040 --> 00:07:11,560 Speaker 1: just want to make sure that I'm getting the right 135 00:07:11,600 --> 00:07:16,520 Speaker 1: picture for it. So they're paying like smelly hobo types 136 00:07:16,600 --> 00:07:18,440 Speaker 1: to hang around in their yard. 137 00:07:18,400 --> 00:07:19,200 Speaker 3: Yes, yep. 138 00:07:19,480 --> 00:07:21,880 Speaker 1: And in some case and they have their own special 139 00:07:22,280 --> 00:07:25,680 Speaker 1: kind of like hermit habitats, you know how if you 140 00:07:25,720 --> 00:07:28,920 Speaker 1: have fish, or sort of like if you have fish, 141 00:07:29,000 --> 00:07:32,880 Speaker 1: there's the fake ubiquitous sand castle. Of course the fish 142 00:07:32,920 --> 00:07:33,840 Speaker 1: quote unquote lives in. 143 00:07:33,920 --> 00:07:36,640 Speaker 3: Yeah, the little diver and a helmet or whatever. Yeah, 144 00:07:36,680 --> 00:07:38,040 Speaker 3: they had a small chest. 145 00:07:38,320 --> 00:07:40,280 Speaker 1: Yes, yes, of course that has bubbles that come out 146 00:07:40,320 --> 00:07:42,320 Speaker 1: the course of the chest, because otherwise, what the hell 147 00:07:42,360 --> 00:07:45,880 Speaker 1: are you doing with this fish? So they I'm glad 148 00:07:45,920 --> 00:07:48,200 Speaker 1: you guys have my back on this. So they have 149 00:07:48,440 --> 00:07:53,440 Speaker 1: these different tiers of hermitage. Some of them are expected 150 00:07:53,520 --> 00:07:58,040 Speaker 1: to come out when visitors walk by and then do 151 00:07:58,160 --> 00:08:00,960 Speaker 1: things that you know, we would probably find offensive in 152 00:08:01,000 --> 00:08:04,320 Speaker 1: the modern day, like come up and recite spoken word 153 00:08:04,440 --> 00:08:06,560 Speaker 1: without an invitation or a solicitation. 154 00:08:06,720 --> 00:08:09,320 Speaker 3: There's literally a dude that hangs out outside my neighborhood 155 00:08:09,360 --> 00:08:11,560 Speaker 3: bar that does that every time I walk past him, 156 00:08:11,760 --> 00:08:14,400 Speaker 3: and he thinks that I don't remember that I've already 157 00:08:14,480 --> 00:08:15,880 Speaker 3: heard the one poem that he has. 158 00:08:15,960 --> 00:08:17,440 Speaker 1: Oh you're talking about ticket, that's the guy. 159 00:08:17,600 --> 00:08:19,480 Speaker 3: Yeah, And it's like he's like, hey, I got a 160 00:08:19,520 --> 00:08:21,360 Speaker 3: new one. I'm like, bro, it's not a new one. 161 00:08:21,360 --> 00:08:24,120 Speaker 3: I've heard. I literally had memorized at this point and 162 00:08:24,160 --> 00:08:25,320 Speaker 3: I'm not giving you a dollar. 163 00:08:25,440 --> 00:08:27,120 Speaker 1: At this point, I can do his ad libs. 164 00:08:27,200 --> 00:08:29,200 Speaker 5: To flex on him, you should come up to him 165 00:08:29,240 --> 00:08:31,240 Speaker 5: and say I have a poem for you, and tell 166 00:08:31,320 --> 00:08:32,760 Speaker 5: him his own poem to his fate. 167 00:08:33,520 --> 00:08:33,720 Speaker 6: Yeah. 168 00:08:34,520 --> 00:08:34,920 Speaker 3: Wow. 169 00:08:35,520 --> 00:08:38,040 Speaker 1: He might even say I love that. I've never heard 170 00:08:38,040 --> 00:08:38,640 Speaker 1: that before. 171 00:08:38,880 --> 00:08:39,720 Speaker 3: That's also true. 172 00:08:40,920 --> 00:08:43,680 Speaker 1: So the thing that they were attempting to do with 173 00:08:43,720 --> 00:08:49,520 Speaker 1: this was to recreate a sort of idealized time in 174 00:08:49,720 --> 00:08:57,760 Speaker 1: history that never actually existed. The hermits eventually became the 175 00:08:57,800 --> 00:09:04,000 Speaker 1: inspiration for the no sculptures that were so prominent and 176 00:09:04,080 --> 00:09:08,760 Speaker 1: prevalent today in Los Angeles. But the concept of these 177 00:09:08,880 --> 00:09:12,959 Speaker 1: being a normal thing in ancient Roman villas and so on, 178 00:09:13,679 --> 00:09:18,520 Speaker 1: isn't that accurate? Like so many eighteenth century British beliefs, 179 00:09:18,840 --> 00:09:23,360 Speaker 1: it was based on complete malarchy. It never actually happened 180 00:09:23,760 --> 00:09:29,600 Speaker 1: in a widespread fashion in ancient civilizations, but that didn't 181 00:09:29,640 --> 00:09:32,520 Speaker 1: stop people. The facts will never stop you from having 182 00:09:32,720 --> 00:09:35,880 Speaker 1: a good time with weird flex. The last thing. The 183 00:09:35,880 --> 00:09:40,560 Speaker 1: most famous of the ornamental hermits is a guy named 184 00:09:40,640 --> 00:09:44,080 Speaker 1: John Big with two g's. It's a nice surname, the 185 00:09:44,240 --> 00:09:48,880 Speaker 1: Denton Hermit. He was not himself a garden hermit, but 186 00:09:49,160 --> 00:09:52,199 Speaker 1: in a lot of the publications of the time, he 187 00:09:52,320 --> 00:09:58,000 Speaker 1: was called like the og hermit, and they explore, like 188 00:09:58,080 --> 00:10:02,040 Speaker 1: how you're supposed to interact with these people. You walk 189 00:10:02,120 --> 00:10:04,920 Speaker 1: up to them, even if you're the owner of this garden. 190 00:10:05,160 --> 00:10:08,720 Speaker 1: You walk up to the hermit's hideout or his heidi hole, 191 00:10:08,840 --> 00:10:11,720 Speaker 1: or his treasure chest and his equivalent of his treasure 192 00:10:11,760 --> 00:10:14,200 Speaker 1: chest in his castle, and then you ring a bell 193 00:10:14,440 --> 00:10:17,200 Speaker 1: or you knock, or you say a phrase, and then 194 00:10:17,280 --> 00:10:21,680 Speaker 1: the hermit comes out. And depending upon what the owners 195 00:10:21,880 --> 00:10:26,400 Speaker 1: want from this guy, they either of course start speaking 196 00:10:26,480 --> 00:10:31,360 Speaker 1: in weird riddles or spoken word, or they pretend not 197 00:10:31,559 --> 00:10:35,040 Speaker 1: to see you and maybe silently pray to themselves or 198 00:10:35,160 --> 00:10:39,400 Speaker 1: work on some like I kid you not arrangement of 199 00:10:39,520 --> 00:10:43,320 Speaker 1: shells in a way that is supposed to look purposeful 200 00:10:43,640 --> 00:10:47,040 Speaker 1: and super deep. As you can tell, Yeah, as you 201 00:10:47,040 --> 00:10:50,080 Speaker 1: can tell, this is a short lived trend. It died 202 00:10:50,120 --> 00:10:55,680 Speaker 1: out in the early nineteenth century or so when weirder 203 00:10:55,720 --> 00:10:58,840 Speaker 1: flexes rose. The thing was, we can only imagine that 204 00:10:58,960 --> 00:11:02,840 Speaker 1: this stuff was really a status symbol when not many 205 00:11:02,880 --> 00:11:06,880 Speaker 1: people were doing it. So when the ornamental hermit became 206 00:11:07,000 --> 00:11:12,320 Speaker 1: closer to being commonplace, its social value decreased because people 207 00:11:12,360 --> 00:11:14,760 Speaker 1: were like, oh, you've got a you got a hermit. 208 00:11:14,800 --> 00:11:17,800 Speaker 3: You see, there was a hermit bubble basically, Yeah, like. 209 00:11:19,440 --> 00:11:23,520 Speaker 4: People start getting cheap, knockoff garden hermits right then the 210 00:11:23,559 --> 00:11:24,880 Speaker 4: whole thing just went. 211 00:11:25,040 --> 00:11:25,240 Speaker 2: Yeah. 212 00:11:25,679 --> 00:11:28,120 Speaker 5: I mean the hermit bubble really hurt a lot of people. 213 00:11:28,160 --> 00:11:31,680 Speaker 5: I remember someone I dated their family. Oh they were 214 00:11:31,720 --> 00:11:33,480 Speaker 5: they they were upside down. 215 00:11:33,400 --> 00:11:34,200 Speaker 2: Their entire. 216 00:11:35,559 --> 00:11:35,760 Speaker 3: Yeah. 217 00:11:41,080 --> 00:11:42,959 Speaker 4: I feel like this is really a testament to how 218 00:11:43,720 --> 00:11:47,079 Speaker 4: like this is one of those pastimes from history. There 219 00:11:47,120 --> 00:11:50,439 Speaker 4: really is a testament to how boring life. 220 00:11:50,280 --> 00:11:50,840 Speaker 2: Used to be. 221 00:11:51,360 --> 00:11:55,680 Speaker 4: Like that that people would just go and see a 222 00:11:55,760 --> 00:11:59,240 Speaker 4: guy who didn't want you to interact with him and 223 00:11:59,360 --> 00:12:03,240 Speaker 4: like play like a weird like troll pass ord game 224 00:12:03,320 --> 00:12:08,120 Speaker 4: with them, and it was yeah, it's just And it's 225 00:12:08,160 --> 00:12:11,960 Speaker 4: also you know, the the economy was not overly diverse 226 00:12:12,040 --> 00:12:14,440 Speaker 4: back in the day, so you know, you needed to 227 00:12:14,559 --> 00:12:18,960 Speaker 4: create work for your weird son who didn't never wanted 228 00:12:18,960 --> 00:12:20,800 Speaker 4: to leave the house. And so it sounds like that 229 00:12:20,880 --> 00:12:23,480 Speaker 4: kind of got it started, was just having a kid 230 00:12:23,520 --> 00:12:25,920 Speaker 4: at home who you couldn't get off the couch, and 231 00:12:25,960 --> 00:12:29,000 Speaker 4: so you're like, what if we dressed them in weird 232 00:12:29,040 --> 00:12:31,640 Speaker 4: clothes and made him live under a rock in the 233 00:12:31,679 --> 00:12:32,680 Speaker 4: backyard and then. 234 00:12:32,600 --> 00:12:34,960 Speaker 6: Luckily that gave rise to art school. 235 00:12:37,960 --> 00:12:41,400 Speaker 3: Not only that, I feel like there's another analog here, 236 00:12:41,440 --> 00:12:44,480 Speaker 3: you guys, in the in the whole Hollywood universe where 237 00:12:44,520 --> 00:12:47,400 Speaker 3: you have these glitzy parties where people are kind of 238 00:12:47,440 --> 00:12:50,840 Speaker 3: paid to just wander around dressed in costumes, whatever the 239 00:12:50,840 --> 00:12:54,160 Speaker 3: theme is. I could see this being brought back for 240 00:12:54,280 --> 00:12:57,080 Speaker 3: some sort of weird flex Hollywood party where you just 241 00:12:57,120 --> 00:13:00,200 Speaker 3: have these oddly dressed kind of like court gestertypes just 242 00:13:00,240 --> 00:13:02,800 Speaker 3: wandering around and reciting riddles to people. How do you 243 00:13:02,840 --> 00:13:05,920 Speaker 3: guys feel about this? I mean, I think that makes sense. 244 00:13:06,000 --> 00:13:08,600 Speaker 5: You know, it's we always it's always a flex, even 245 00:13:08,679 --> 00:13:11,000 Speaker 5: just to hire someone to do something that doesn't even 246 00:13:11,040 --> 00:13:13,120 Speaker 5: seem like a job, right, And you're like, yeah, I'm 247 00:13:13,120 --> 00:13:13,960 Speaker 5: paying somebody to do that. 248 00:13:13,960 --> 00:13:15,640 Speaker 6: That's because that's where my wealth is acting. 249 00:13:17,040 --> 00:13:18,439 Speaker 5: And it's the same thing reminds me of even like 250 00:13:18,480 --> 00:13:21,080 Speaker 5: at bar Mitzvah's there's like pump up dancers that you 251 00:13:21,160 --> 00:13:21,640 Speaker 5: hire for that. 252 00:13:21,960 --> 00:13:23,720 Speaker 6: Yeah, it's like, yeah, they're just lighting up the mood. 253 00:13:23,720 --> 00:13:25,800 Speaker 6: Oh I don't know them, but I hired them because 254 00:13:25,800 --> 00:13:26,079 Speaker 6: I can. 255 00:13:26,400 --> 00:13:30,640 Speaker 4: My social life currently is mostly mostly involved going to 256 00:13:30,880 --> 00:13:34,640 Speaker 4: two to three year old birthday parties not involving my 257 00:13:34,760 --> 00:13:37,319 Speaker 4: kids at all, just because that's what I'm into these days. 258 00:13:37,400 --> 00:13:41,960 Speaker 4: But they there's always like a Disney princess or some 259 00:13:43,160 --> 00:13:47,120 Speaker 4: actor who came to Hollywood to chase their dreams. 260 00:13:47,120 --> 00:13:49,360 Speaker 2: Who is playing. 261 00:13:49,760 --> 00:13:53,040 Speaker 4: Usually it's Elsa, although I actually saw the bubble. 262 00:13:52,720 --> 00:13:53,520 Speaker 2: Burst on Elsa. 263 00:13:53,559 --> 00:13:55,920 Speaker 4: In the past couple of weeks, people just stopped really 264 00:13:55,960 --> 00:13:59,680 Speaker 4: caring about Elsa and she was literally chasing the kids 265 00:13:59,720 --> 00:14:01,679 Speaker 4: around because nobody would talk to. 266 00:14:01,679 --> 00:14:04,839 Speaker 6: Her because they're like, oh, else is so three years ago? 267 00:14:04,880 --> 00:14:07,400 Speaker 4: Yeah. Yeah, she's like, I have to do something. 268 00:14:07,720 --> 00:14:08,640 Speaker 2: This is too awkward. 269 00:14:08,760 --> 00:14:09,720 Speaker 3: Kids are so cruel. 270 00:14:10,040 --> 00:14:13,160 Speaker 2: Yeah, kids are very cool. It's not that different. 271 00:14:13,280 --> 00:14:16,840 Speaker 4: I guess it's just that it's almost like creating, turning 272 00:14:17,000 --> 00:14:21,320 Speaker 4: a little part of your garden into a historical reenactment town, 273 00:14:21,800 --> 00:14:22,760 Speaker 4: which we also have. 274 00:14:23,000 --> 00:14:27,840 Speaker 5: A woe right right, Yeah, a bit of a step 275 00:14:27,920 --> 00:14:32,960 Speaker 5: up from traditional slavery, like Hi, i'll clothe you, like and. 276 00:14:32,920 --> 00:14:35,000 Speaker 6: You get to kind of just beat you or do 277 00:14:35,080 --> 00:14:35,760 Speaker 6: some weird. 278 00:14:35,560 --> 00:14:39,080 Speaker 3: Okay, I'll be back here. Food and a couple of shekels. 279 00:14:39,240 --> 00:14:42,800 Speaker 4: Yeah, were they just kind of paid or paid in 280 00:14:42,920 --> 00:14:45,400 Speaker 4: food and the shelter or. 281 00:14:45,440 --> 00:14:49,800 Speaker 1: That they had room and board, they received a stipend. 282 00:14:49,960 --> 00:14:54,120 Speaker 1: The usual contract was for seven years. The stipend though, 283 00:14:54,240 --> 00:14:57,280 Speaker 1: you know, whenever somebody says stipend instead of a salary, 284 00:14:57,560 --> 00:15:00,880 Speaker 1: you know, it's not a huge chunk of wretch. But 285 00:15:01,160 --> 00:15:04,400 Speaker 1: the last thing that was fascinating about this to me, 286 00:15:05,120 --> 00:15:09,880 Speaker 1: and a very very damning comment on society at the time, 287 00:15:10,520 --> 00:15:15,600 Speaker 1: is that Britain at the time was full of incredibly destitute, 288 00:15:15,640 --> 00:15:19,640 Speaker 1: impoverished or homeless people. So of course someone would end 289 00:15:19,720 --> 00:15:22,280 Speaker 1: up taking this job. And it's not surprising if someone's 290 00:15:22,360 --> 00:15:26,320 Speaker 1: like telling their kids, all right, goodbye, you know, little 291 00:15:26,480 --> 00:15:29,760 Speaker 1: Darren or whatever, Dad has to go off and pretend 292 00:15:29,840 --> 00:15:32,800 Speaker 1: to be homeless mystic for seven years. 293 00:15:32,880 --> 00:15:35,360 Speaker 3: Yep, so that we can get your leg fixed. Do 294 00:15:35,440 --> 00:15:37,600 Speaker 3: you think his children are allowed to visit little Tom 295 00:15:37,760 --> 00:15:41,280 Speaker 3: Tim No, no, no, no, no, don't have family, no contact, 296 00:15:41,280 --> 00:15:44,240 Speaker 3: it's a no contact. Yeah. That is a very very 297 00:15:44,240 --> 00:15:47,840 Speaker 3: weird flex. Just societally, I would say that's a weird flex. 298 00:15:47,560 --> 00:15:49,400 Speaker 5: But I think it's kind of It could come back 299 00:15:49,440 --> 00:15:51,800 Speaker 5: around right where even in this country you have we 300 00:15:51,880 --> 00:15:55,160 Speaker 5: have growing populations of just the destitute or people who 301 00:15:55,200 --> 00:15:57,920 Speaker 5: are not faring well in the economy, and eventually people 302 00:15:58,000 --> 00:15:59,920 Speaker 5: at the very top could be like, oh, yeah, I 303 00:16:00,080 --> 00:16:02,240 Speaker 5: hired these five people to do pop patrol for my 304 00:16:02,360 --> 00:16:03,600 Speaker 5: kids for three years. 305 00:16:03,680 --> 00:16:05,560 Speaker 3: Right right exactly. 306 00:16:06,280 --> 00:16:09,040 Speaker 1: But that is that is my that that is my 307 00:16:09,280 --> 00:16:12,880 Speaker 1: first entry into our weird fleg show. And it sounds 308 00:16:12,920 --> 00:16:15,280 Speaker 1: like we can we can all agree. Oh maybe that's 309 00:16:15,280 --> 00:16:17,480 Speaker 1: what we can do at the end, we can we 310 00:16:17,520 --> 00:16:19,760 Speaker 1: can vote on whether or not that's a weird flex. 311 00:16:19,840 --> 00:16:21,040 Speaker 1: I think it is, obviously. 312 00:16:21,120 --> 00:16:22,640 Speaker 3: I think it is too. And another thing that I 313 00:16:22,680 --> 00:16:24,920 Speaker 3: think is I think this might have enough weird flex 314 00:16:24,960 --> 00:16:27,320 Speaker 3: ammunition to make two weird flex episodes. 315 00:16:27,920 --> 00:16:29,560 Speaker 1: This this is alone, Yes. 316 00:16:29,440 --> 00:16:31,120 Speaker 3: Yes, alone. I'm just pointing, just putting that out there 317 00:16:31,200 --> 00:16:34,280 Speaker 3: right now, fingers crossed. I could be proven wrong, but 318 00:16:34,560 --> 00:16:36,640 Speaker 3: I would like to throw it to our guests. You 319 00:16:36,920 --> 00:16:39,240 Speaker 3: talk amongst yourselves, who would like to go next? 320 00:16:40,080 --> 00:16:42,800 Speaker 4: I could go, by the way, if you guys are 321 00:16:42,840 --> 00:16:46,400 Speaker 4: George Saunders fans. He's a fiction writer and he has 322 00:16:46,400 --> 00:16:49,240 Speaker 4: a short story I think in tenth of December. Yes, 323 00:16:49,360 --> 00:16:54,080 Speaker 4: like sort of a weird futuristic version of this that 324 00:16:54,560 --> 00:16:58,040 Speaker 4: where it's like that there are people who are paid 325 00:16:58,200 --> 00:17:04,080 Speaker 4: to re enact lynchings in people's gardens in the near future, 326 00:17:04,119 --> 00:17:07,280 Speaker 4: in the American South and it's like this weird class 327 00:17:07,320 --> 00:17:10,760 Speaker 4: consciousness thing that that I don't. 328 00:17:10,600 --> 00:17:11,480 Speaker 2: Know goes off the rails. 329 00:17:11,520 --> 00:17:15,200 Speaker 4: But it's very, very creepy and interesting story that makes 330 00:17:15,240 --> 00:17:19,639 Speaker 4: me think he knew about this phenomenon when he was 331 00:17:19,680 --> 00:17:22,919 Speaker 4: writing it. So I want to talk to you guys 332 00:17:23,480 --> 00:17:29,840 Speaker 4: about a time when the human species was still a 333 00:17:29,920 --> 00:17:33,240 Speaker 4: little bit insecure about our place on top of the 334 00:17:33,240 --> 00:17:38,560 Speaker 4: food chain. And this is back when Charles Darwin was 335 00:17:38,680 --> 00:17:43,280 Speaker 4: kicking around and you know, he was actually discovering that 336 00:17:43,480 --> 00:17:48,720 Speaker 4: we weren't all that different from our animal brethren, and that, 337 00:17:48,920 --> 00:17:52,480 Speaker 4: you know, we were all part of the same evolutionary 338 00:17:52,560 --> 00:17:56,040 Speaker 4: stew as a lot of animals. A thing that a 339 00:17:56,040 --> 00:17:58,959 Speaker 4: lot of people don't know about Darwin though, is that 340 00:17:59,240 --> 00:18:06,000 Speaker 4: he basically ate every animal that he ever documented like 341 00:18:06,480 --> 00:18:10,720 Speaker 4: that was his and it's I mean, he kind of 342 00:18:10,800 --> 00:18:14,119 Speaker 4: viewed it as part of the scientific process, but it 343 00:18:14,160 --> 00:18:17,560 Speaker 4: seems to go deeper than that, because even when he 344 00:18:17,680 --> 00:18:21,160 Speaker 4: was a kid at Cambridge. You know Harvard, if you've 345 00:18:21,160 --> 00:18:24,000 Speaker 4: seen the social network, you know that they have instead 346 00:18:24,040 --> 00:18:27,840 Speaker 4: of like sorority and fraternity houses, they have like dining clubs, 347 00:18:28,200 --> 00:18:34,200 Speaker 4: and at Cambridge they had something similar. But Darwin started 348 00:18:34,280 --> 00:18:37,679 Speaker 4: something called the Glutton Club, which was a group of 349 00:18:37,720 --> 00:18:42,359 Speaker 4: students devoted to devouring quote, birds and beasts which were 350 00:18:42,400 --> 00:18:49,480 Speaker 4: before unknown to human palate. They toasted hawk, they ate 351 00:18:49,600 --> 00:18:54,480 Speaker 4: a heron like wading bird called a bittern, and they 352 00:18:54,560 --> 00:18:58,600 Speaker 4: were dissolved after trying to eat a brown owl, which 353 00:18:58,680 --> 00:19:02,119 Speaker 4: you're not supposed to eat those. Darwin said the taste 354 00:19:02,240 --> 00:19:06,720 Speaker 4: was indescribable. Uh, So that that might seem strange for 355 00:19:06,920 --> 00:19:09,720 Speaker 4: a guy who then went on to devote his life to, 356 00:19:10,119 --> 00:19:12,840 Speaker 4: you know, documenting animals in that habitat. 357 00:19:12,640 --> 00:19:16,879 Speaker 1: Does it does it seem strange? He might just have 358 00:19:16,960 --> 00:19:17,320 Speaker 1: a thing. 359 00:19:18,119 --> 00:19:21,720 Speaker 4: Yeah, so, well so, I I kind of always associated 360 00:19:21,760 --> 00:19:25,679 Speaker 4: him with you know, science and biology and you know, 361 00:19:25,960 --> 00:19:31,040 Speaker 4: putting putting humans in there in their place on the 362 00:19:32,200 --> 00:19:36,160 Speaker 4: you know, in in natural history. But he was more 363 00:19:36,359 --> 00:19:39,960 Speaker 4: about putting us in our place, but then also reminding 364 00:19:40,000 --> 00:19:43,760 Speaker 4: every animal he encountered, uh that we could still eat 365 00:19:43,800 --> 00:19:46,760 Speaker 4: them if we wanted to. Because during the course of 366 00:19:46,840 --> 00:19:52,040 Speaker 4: his you know, journeys on the beagle, he ate puma, 367 00:19:53,000 --> 00:19:58,760 Speaker 4: he ate iguanas, armadillos. He not only ate giant tortoises, 368 00:19:59,480 --> 00:20:02,400 Speaker 4: he ate like so many of the giant giant tortoises. 369 00:20:02,440 --> 00:20:05,399 Speaker 4: He documented that there weren't any left when he got 370 00:20:05,440 --> 00:20:08,320 Speaker 4: back to England. He had eaten like twenty something of them. 371 00:20:08,560 --> 00:20:10,560 Speaker 2: Jesus, and he tried. 372 00:20:10,920 --> 00:20:14,560 Speaker 4: He also tried drinking their bladder contents. He said the 373 00:20:14,560 --> 00:20:18,320 Speaker 4: fluid was quite limpid, you know, very societly bitter taste. 374 00:20:18,400 --> 00:20:20,880 Speaker 4: You gotta drink the bladder contents for science. 375 00:20:21,000 --> 00:20:21,280 Speaker 1: I have. 376 00:20:23,720 --> 00:20:26,800 Speaker 3: It's on my license plate. This is incredible because I 377 00:20:26,800 --> 00:20:29,479 Speaker 3: think of him and this is obviously misguided, but I've 378 00:20:29,520 --> 00:20:32,880 Speaker 3: always thought of Darwin as like a conservationist. But that's 379 00:20:32,880 --> 00:20:35,320 Speaker 3: never even right. He was pitched as honestly. I mean, 380 00:20:35,560 --> 00:20:38,680 Speaker 3: he was a documentar and he you know, wrote down 381 00:20:38,720 --> 00:20:41,760 Speaker 3: detailed notes about all these things, but he wasn't exactly 382 00:20:41,800 --> 00:20:44,840 Speaker 3: out there to like save the wildlife. And this just 383 00:20:44,960 --> 00:20:48,240 Speaker 3: pushes that point home. Go on, man, this is fascinating 384 00:20:48,280 --> 00:20:49,320 Speaker 3: and bizarre to me. 385 00:20:49,400 --> 00:20:51,560 Speaker 5: It's all it's all cover, right. I think we have 386 00:20:51,640 --> 00:20:54,600 Speaker 5: it all wrong thinking, oh, he was some kind of scientist, right. 387 00:20:54,800 --> 00:20:57,640 Speaker 5: His main goal was to eat as many animals as possible. 388 00:20:57,680 --> 00:21:00,080 Speaker 5: I think of him as actually the first guy Fieri. 389 00:21:01,720 --> 00:21:02,600 Speaker 3: Had nothing to do with science. 390 00:21:02,720 --> 00:21:04,399 Speaker 6: The science bit was just a cover to be like 391 00:21:04,800 --> 00:21:05,760 Speaker 6: you see chuck again. 392 00:21:06,040 --> 00:21:10,520 Speaker 5: Yeah, drinking, he's drinking turtle pea. I know he's talking. 393 00:21:10,280 --> 00:21:11,920 Speaker 6: About his evolution thing. 394 00:21:12,000 --> 00:21:13,400 Speaker 2: Yeah, yeah, yeah guy. 395 00:21:13,359 --> 00:21:16,360 Speaker 1: Because even if we're being generous, we can say, okay, 396 00:21:16,840 --> 00:21:19,640 Speaker 1: one turtle. You know, you might be in a situation 397 00:21:19,720 --> 00:21:21,479 Speaker 1: when you're like where am I going to? When am 398 00:21:21,520 --> 00:21:24,000 Speaker 1: I going to be here again? But twenty twenty? 399 00:21:24,640 --> 00:21:24,840 Speaker 3: Right? 400 00:21:24,960 --> 00:21:28,679 Speaker 4: Yeah, Look, we've all been to uh what's the the 401 00:21:28,720 --> 00:21:32,800 Speaker 4: Galapagos Island and you know, tried to eat one of 402 00:21:32,840 --> 00:21:33,520 Speaker 4: the turtles. 403 00:21:34,200 --> 00:21:36,120 Speaker 2: First, you got to ride after the one. 404 00:21:36,240 --> 00:21:39,880 Speaker 3: You got to ride the turtle and then my head 405 00:21:39,960 --> 00:21:41,560 Speaker 3: and then you eat it. That's just how you do. 406 00:21:41,640 --> 00:21:42,800 Speaker 3: That's the order of operation. 407 00:21:43,920 --> 00:21:46,120 Speaker 4: They frown on that. In my experience, I mean, maybe 408 00:21:46,160 --> 00:21:47,360 Speaker 4: you had a cooler guide. 409 00:21:47,480 --> 00:21:49,160 Speaker 5: The first thing I do when I see a turtle 410 00:21:49,240 --> 00:21:52,160 Speaker 5: is try and dump toxic ooze on it, right that 411 00:21:52,240 --> 00:21:54,000 Speaker 5: it will then turn into some kind of hero and 412 00:21:54,080 --> 00:21:54,760 Speaker 5: Nisa mutant. 413 00:21:55,080 --> 00:21:56,960 Speaker 4: And it's a numbers you know, the s Miles is 414 00:21:57,000 --> 00:22:02,320 Speaker 4: wearing a cheese shredder on his face, Like, do you guys. 415 00:22:02,040 --> 00:22:04,800 Speaker 3: Have a guy for toxic ooze? That is my question 416 00:22:04,960 --> 00:22:07,080 Speaker 3: because oh yeah, yeah, yeah, okay. 417 00:22:07,200 --> 00:22:08,720 Speaker 2: La man I can get to. 418 00:22:10,560 --> 00:22:10,840 Speaker 1: Market. 419 00:22:10,920 --> 00:22:13,560 Speaker 3: We'll talk off air. Yeah, well specialized too. 420 00:22:13,560 --> 00:22:15,600 Speaker 5: There's certain kinds for mammals, and there's other ones for 421 00:22:15,640 --> 00:22:17,040 Speaker 5: reptiles and ones for insects. 422 00:22:17,240 --> 00:22:23,919 Speaker 1: Yeah, as there should be. That makes sense. Did this 423 00:22:24,000 --> 00:22:27,720 Speaker 1: ever become a matter of controversy in Darwin's life? Like, 424 00:22:27,800 --> 00:22:31,560 Speaker 1: did anybody ever say, hey, man, you can just eat 425 00:22:31,600 --> 00:22:32,280 Speaker 1: run tortoise? 426 00:22:33,680 --> 00:22:38,040 Speaker 4: I mean, I think right, So I think it was 427 00:22:38,160 --> 00:22:42,840 Speaker 4: actually more common, uh than you would expect, because there's 428 00:22:42,880 --> 00:22:47,919 Speaker 4: also a great scientist named William Buckland. He was the 429 00:22:47,920 --> 00:22:51,959 Speaker 4: first person to publish a scientific study of a dinosaur, uh, 430 00:22:52,000 --> 00:22:55,680 Speaker 4: and he made it his life's mission to eat everyone, 431 00:22:56,400 --> 00:23:01,480 Speaker 4: or eat one of every animal that existed, and even 432 00:23:01,520 --> 00:23:04,760 Speaker 4: at one point ate a human heart. So and they 433 00:23:05,160 --> 00:23:08,760 Speaker 4: exit they were around at the same time. So apparently 434 00:23:08,800 --> 00:23:14,440 Speaker 4: this was just a way to kind of flex your 435 00:23:14,600 --> 00:23:19,720 Speaker 4: scientific legitimacy to the world. Just be like, yo, this 436 00:23:19,720 --> 00:23:23,440 Speaker 4: this is how I get down showing my superiority over 437 00:23:23,480 --> 00:23:27,600 Speaker 4: the natural world by putting it in my stomach. 438 00:23:27,280 --> 00:23:27,600 Speaker 1: You know it. 439 00:23:27,640 --> 00:23:29,640 Speaker 3: Also, it also occurs to me that this is kind 440 00:23:29,640 --> 00:23:33,040 Speaker 3: of a weird reverse Noah's Arc kind of scenario where 441 00:23:33,080 --> 00:23:35,720 Speaker 3: instead of like saving one of every animal, you're gonna 442 00:23:35,760 --> 00:23:39,120 Speaker 3: eat one of every animal. Just to show that you've 443 00:23:39,119 --> 00:23:41,800 Speaker 3: got one over on these dumb creatures and that you 444 00:23:41,840 --> 00:23:44,920 Speaker 3: are the top of the food chain. And they better 445 00:23:45,000 --> 00:23:45,360 Speaker 3: know that. 446 00:23:45,400 --> 00:23:48,880 Speaker 4: I mean, as a scientist, when you spend that much 447 00:23:48,920 --> 00:23:53,240 Speaker 4: time around the animals, you really come to understand that 448 00:23:53,320 --> 00:23:56,080 Speaker 4: they think they're better than you. Yeah, that they need 449 00:23:56,119 --> 00:23:59,880 Speaker 4: to be put in their place. But just two quick 450 00:24:00,160 --> 00:24:04,600 Speaker 4: facts that I found particularly interesting. He ate a twenty 451 00:24:04,640 --> 00:24:07,600 Speaker 4: pound rodent and said it was the very best meat 452 00:24:07,680 --> 00:24:11,680 Speaker 4: he had ever tasted. So rodent meat is apparently underrated. 453 00:24:12,200 --> 00:24:17,639 Speaker 4: And at one point his hunger came into contrast with 454 00:24:18,000 --> 00:24:22,639 Speaker 4: his scientific drive because he had spent months trying to 455 00:24:22,680 --> 00:24:27,160 Speaker 4: find this ostrich like bird called a lesser rihea, and 456 00:24:27,800 --> 00:24:31,720 Speaker 4: he was eating what he thought to be a greater rea, 457 00:24:32,800 --> 00:24:37,320 Speaker 4: and about halfway through the portion, or about halfway through 458 00:24:37,359 --> 00:24:41,440 Speaker 4: his portion of greater rea, he realized, oh no, that 459 00:24:41,520 --> 00:24:44,480 Speaker 4: bone being there means this is actually a lesser rea, 460 00:24:44,520 --> 00:24:47,280 Speaker 4: the thing I've been looking for forever. So he had 461 00:24:47,280 --> 00:24:51,320 Speaker 4: to basically send this animal he was hoping to scientifically 462 00:24:51,400 --> 00:24:55,000 Speaker 4: document back to England as just a bunch of like 463 00:24:55,560 --> 00:24:59,639 Speaker 4: chicken bones and skin and feathers because he had eaten 464 00:24:59,680 --> 00:25:00,200 Speaker 4: most of. 465 00:25:00,160 --> 00:25:02,920 Speaker 1: It, so he uh, he sent them leftovers. 466 00:25:03,200 --> 00:25:04,480 Speaker 2: Yes, yeah, exactly. 467 00:25:04,560 --> 00:25:07,680 Speaker 4: He did send it in a styrofoam clamshell container. 468 00:25:07,880 --> 00:25:09,760 Speaker 3: I have to do it, did he did? He then 469 00:25:09,840 --> 00:25:17,560 Speaker 3: get dia rhea? Imagine I had to. I had to, 470 00:25:17,840 --> 00:25:18,280 Speaker 3: I had to. 471 00:25:19,359 --> 00:25:21,400 Speaker 2: You are absolved. That was necessary. 472 00:25:21,400 --> 00:25:21,679 Speaker 3: Thank you. 473 00:25:21,680 --> 00:25:22,600 Speaker 2: Somebody had to say it. 474 00:25:22,640 --> 00:25:24,240 Speaker 3: They had it had to be said. 475 00:25:24,880 --> 00:25:27,080 Speaker 2: Was gonna feel unfulf the. 476 00:25:27,040 --> 00:25:30,520 Speaker 6: Judges, and yes, we will accept it, we will thank you. 477 00:25:30,920 --> 00:25:32,280 Speaker 1: Thanks for taking one for the team. 478 00:25:32,320 --> 00:25:33,600 Speaker 3: Noyeah. Of course glad to do. 479 00:25:33,560 --> 00:25:35,520 Speaker 2: It, so we really appreciate it. 480 00:25:35,840 --> 00:25:39,760 Speaker 1: So so far we have two. I would say legitimate 481 00:25:39,880 --> 00:25:44,480 Speaker 1: flex is legitimately weird at least, and both are somewhat 482 00:25:44,560 --> 00:25:47,280 Speaker 1: cruel when you think about it. Uh, you know, I 483 00:25:47,320 --> 00:25:50,240 Speaker 1: think the gambit was correct in the beginning. I think 484 00:25:50,359 --> 00:25:52,879 Speaker 1: this is a two part episode. 485 00:25:53,000 --> 00:25:55,560 Speaker 3: And you know, I really hate it when Pete podcasters saying, well, 486 00:25:55,560 --> 00:25:57,840 Speaker 3: we're running out of time, so we're going to make 487 00:25:57,840 --> 00:26:01,600 Speaker 3: this a two parter shenanigans. No, our episodes can be 488 00:26:01,680 --> 00:26:03,080 Speaker 3: as long as we want. We just are trying to 489 00:26:03,080 --> 00:26:04,920 Speaker 3: get two episodes out of this because we're lazy. 490 00:26:05,119 --> 00:26:07,360 Speaker 1: No Well, I mean maybe that's where you're coming from, Noel, 491 00:26:07,520 --> 00:26:09,879 Speaker 1: I'm not gonna lie. I was gonna walk outside and 492 00:26:09,920 --> 00:26:12,040 Speaker 1: see if there was some kind of rodent that I 493 00:26:12,080 --> 00:26:17,200 Speaker 1: could eat for science, because apparently that's okay now you know, well, Ben, 494 00:26:17,240 --> 00:26:20,280 Speaker 1: we went We're very different people, Ben, We're very different people. 495 00:26:20,600 --> 00:26:23,000 Speaker 2: Lazy and hungry, lazy and hungry. 496 00:26:23,080 --> 00:26:26,600 Speaker 1: That's it. That's the that's our combo before before we 497 00:26:26,640 --> 00:26:30,320 Speaker 1: go on this episode, though, a very very important question 498 00:26:30,400 --> 00:26:34,439 Speaker 1: that I know everybody listening is waiting to hear, which 499 00:26:34,520 --> 00:26:37,359 Speaker 1: of the teenage mutant Ninja Turtles is your favorite or 500 00:26:37,560 --> 00:26:40,679 Speaker 1: which one do you identify with the most. I couldn't 501 00:26:40,720 --> 00:26:41,399 Speaker 1: let it be unset. 502 00:26:42,880 --> 00:26:46,560 Speaker 4: I was more of a casual Turtles fan, So I 503 00:26:46,640 --> 00:26:50,440 Speaker 4: was more Michaelangelo, just the everybody's first choice when they're 504 00:26:50,720 --> 00:26:52,359 Speaker 4: young and first getting to know it. 505 00:26:52,400 --> 00:26:53,680 Speaker 6: Yeah, Michael Angelo. 506 00:26:53,760 --> 00:26:54,520 Speaker 3: He's like a rebel. 507 00:26:54,600 --> 00:26:57,080 Speaker 2: Yeah, he's a rebel who likes pizza. 508 00:26:56,760 --> 00:26:57,159 Speaker 3: Just like me. 509 00:26:57,320 --> 00:26:59,959 Speaker 6: Maybe all love pizza, but he really loves he loves pizza. 510 00:27:01,240 --> 00:27:02,480 Speaker 6: Yeah for me, I was. 511 00:27:02,800 --> 00:27:06,240 Speaker 5: I liked Michaelangelo for the swag, the confidence, yes, the 512 00:27:06,480 --> 00:27:09,800 Speaker 5: rebellious attitude, the weird flecks. But in the end I 513 00:27:09,880 --> 00:27:12,080 Speaker 5: kind of said I was more of a Donatello guy, Okay, 514 00:27:12,119 --> 00:27:12,960 Speaker 5: because I like blue. 515 00:27:13,160 --> 00:27:15,600 Speaker 3: Dona Tello is a smart one, right, didn't Donna Tello? 516 00:27:15,680 --> 00:27:16,760 Speaker 3: Wasn't he the sciencey guy? 517 00:27:16,920 --> 00:27:20,680 Speaker 1: Yeah? Don Tello has inventions. I yeah, and the bowstat. 518 00:27:20,240 --> 00:27:22,600 Speaker 3: Bowsta, which is which is admittedly the most boring of 519 00:27:22,600 --> 00:27:25,480 Speaker 3: the Ninja Turtles weapons. And in my opinion, really I 520 00:27:25,480 --> 00:27:28,040 Speaker 3: think Michaelangelo the nunchucks are obviously the most fun. He's 521 00:27:28,080 --> 00:27:30,000 Speaker 3: got two of them. He can swing him around, do 522 00:27:30,040 --> 00:27:31,119 Speaker 3: all kinds of crazy tricks. 523 00:27:31,160 --> 00:27:32,880 Speaker 1: But he's got no reach. No, he's got no reach. 524 00:27:32,960 --> 00:27:33,920 Speaker 3: What do you mean he's got no reach. 525 00:27:34,040 --> 00:27:35,800 Speaker 1: He's got to reach with the nunchucks. You gotta be 526 00:27:35,840 --> 00:27:38,600 Speaker 1: really active to well Doe, Okay, I'm just my bias 527 00:27:38,640 --> 00:27:40,240 Speaker 1: is showing. I'm also team Donna Tello. 528 00:27:40,280 --> 00:27:41,200 Speaker 3: You're on team don Tello. 529 00:27:41,280 --> 00:27:42,240 Speaker 1: Hell yeah, yeah. 530 00:27:42,480 --> 00:27:46,200 Speaker 3: I always liked to Actually I misspoke. 531 00:27:46,240 --> 00:27:49,280 Speaker 5: I meant to say Leonardo is the one who is blue. 532 00:27:49,760 --> 00:27:52,520 Speaker 3: Oh, that's right, wear blue. Yes, But don Tello was 533 00:27:52,560 --> 00:27:54,800 Speaker 3: still the sciencey guy. Leonardo was sort of the de 534 00:27:54,880 --> 00:27:57,959 Speaker 3: facto leader. Yeah, he's like the cyclops, yes, of the Turtles. 535 00:27:58,000 --> 00:28:01,760 Speaker 3: That's right, that's right. I was always Michael Angelo. I'm 536 00:28:01,800 --> 00:28:04,040 Speaker 3: with that, And I was not a casual Turtles fan. 537 00:28:04,480 --> 00:28:08,159 Speaker 3: I've seen both the original film and the Secret of 538 00:28:08,200 --> 00:28:12,040 Speaker 3: the Use, and I know the Ninja wrap by heart. 539 00:28:12,080 --> 00:28:14,840 Speaker 3: And I had the cassette called Coming Out of Our 540 00:28:14,880 --> 00:28:18,480 Speaker 3: Shells that was distributed with Domino's pizzas back in the day. 541 00:28:18,600 --> 00:28:22,240 Speaker 6: But yeah, wow, you did you? Do you remember that 542 00:28:22,320 --> 00:28:24,160 Speaker 6: Sam Rockwell is in the first Teenage? 543 00:28:24,080 --> 00:28:26,760 Speaker 3: Yes, that's right. Isn't he in the Foot? Is he 544 00:28:26,880 --> 00:28:27,600 Speaker 3: in the Foot Clan? 545 00:28:27,880 --> 00:28:30,800 Speaker 5: Yeah, he's like the main sort of like forward facing 546 00:28:30,880 --> 00:28:31,360 Speaker 5: foot guy. 547 00:28:31,480 --> 00:28:36,680 Speaker 3: He's like Fagan from Oliver He's like recruiting little street 548 00:28:36,800 --> 00:28:38,760 Speaker 3: urchin kids. Totally. I forgot that. 549 00:28:39,160 --> 00:28:41,400 Speaker 2: I still stand by that as his greatest work as 550 00:28:41,440 --> 00:28:41,680 Speaker 2: an act. 551 00:28:41,760 --> 00:28:42,640 Speaker 3: Oh, absolutely, he. 552 00:28:42,680 --> 00:28:45,200 Speaker 1: Agrees, he agrees. I think he has gone on record 553 00:28:45,200 --> 00:28:45,440 Speaker 1: with that. 554 00:28:45,520 --> 00:28:47,880 Speaker 3: Yeah, it's that. And then Moon Moon would be number 555 00:28:47,880 --> 00:28:48,160 Speaker 3: two for. 556 00:28:48,240 --> 00:28:50,360 Speaker 1: Me, distant number two. 557 00:28:50,440 --> 00:28:50,840 Speaker 3: Agreed. 558 00:28:50,960 --> 00:28:55,040 Speaker 1: But so we we are going to pause for today's episode. 559 00:28:55,080 --> 00:28:58,160 Speaker 1: We'll be back with the second part of Weirdest Historical 560 00:28:58,280 --> 00:29:03,320 Speaker 1: Flexes in the meeting time will forego our usual This 561 00:29:03,400 --> 00:29:04,960 Speaker 1: is where you can find us on the internet because 562 00:29:05,000 --> 00:29:06,440 Speaker 1: we did that at the front up front. 563 00:29:06,440 --> 00:29:08,120 Speaker 3: We still have to thank everybody though, Yeah. 564 00:29:07,960 --> 00:29:10,520 Speaker 1: Yes, we want to think of course, our super producer 565 00:29:10,600 --> 00:29:12,840 Speaker 1: Casey Pegram, Alex Williams, who composed our. 566 00:29:12,720 --> 00:29:16,480 Speaker 3: Track, Yes, our fabulous research associate Gabe Lucier, our buddy 567 00:29:16,520 --> 00:29:19,560 Speaker 3: Christopher Hasciotis, who is due for an appearance. I actually 568 00:29:19,600 --> 00:29:21,600 Speaker 3: had lunch with Christopher of the day and he really 569 00:29:21,640 --> 00:29:23,720 Speaker 3: misses us and he's so happy to see the show 570 00:29:23,720 --> 00:29:26,760 Speaker 3: doing well. Whyte me it was in a different city. 571 00:29:26,920 --> 00:29:29,640 Speaker 3: Ice cold, I'm really sorry. Next time you're an ice 572 00:29:29,640 --> 00:29:32,360 Speaker 3: cold dude. I am not, man, I'm not. I'm a sweetheart. 573 00:29:32,840 --> 00:29:35,760 Speaker 3: But we'd also like to thank our incredible guests who 574 00:29:35,800 --> 00:29:37,640 Speaker 3: are going to stick around if you would, for part 575 00:29:37,640 --> 00:29:41,200 Speaker 3: two of this kind of anthology episode on Ridiculous History. 576 00:29:41,680 --> 00:29:44,120 Speaker 1: Yeah, thanks so much for coming. Guys, where can people 577 00:29:44,120 --> 00:29:46,400 Speaker 1: while they're waiting for this next episode, where can they 578 00:29:46,440 --> 00:29:48,120 Speaker 1: hear more from you? Miles and Jack? 579 00:29:48,360 --> 00:29:50,880 Speaker 5: Oh, you can find us every day on this network 580 00:29:51,200 --> 00:29:55,040 Speaker 5: on our show The Daily Zeitgeist every morning or whenever 581 00:29:55,120 --> 00:29:56,000 Speaker 5: you want to listen to it. 582 00:29:56,200 --> 00:29:56,560 Speaker 3: Yeah. 583 00:29:56,600 --> 00:29:58,240 Speaker 5: And if you're interested in social media, I mean you 584 00:29:58,280 --> 00:30:01,240 Speaker 5: can follow me at Miles of Gray wherever you wherever 585 00:30:01,280 --> 00:30:02,360 Speaker 5: you get your social media. 586 00:30:02,600 --> 00:30:06,880 Speaker 4: Yeah, and Jack underscore O Brian on Twitter and yes, 587 00:30:07,120 --> 00:30:09,400 Speaker 4: so much of us you can find so much of 588 00:30:09,480 --> 00:30:14,160 Speaker 4: us over at the Daily Zeitgeist, wherever find podcasts are 589 00:30:14,200 --> 00:30:15,320 Speaker 4: given away for free. 590 00:30:15,680 --> 00:30:18,200 Speaker 3: And I guess we can drop our little social media 591 00:30:18,240 --> 00:30:21,880 Speaker 3: handles too. I on Instagram at Embryonic Insider you. 592 00:30:21,720 --> 00:30:24,920 Speaker 1: Can see me get kicked into and out of various 593 00:30:24,920 --> 00:30:29,160 Speaker 1: countries around the world at Ben Bullen on Instagram. So 594 00:30:29,960 --> 00:30:33,360 Speaker 1: that's all for now, Everybody run off. I'm gonna hunt. 595 00:30:33,640 --> 00:30:36,320 Speaker 1: I'm gonna hunt some rudents. We're gonna talk about the 596 00:30:36,320 --> 00:30:39,480 Speaker 1: turtles and maybe rewatch Secret of the Use, and we'll 597 00:30:39,520 --> 00:30:40,600 Speaker 1: be back very soon. 598 00:30:40,680 --> 00:30:51,880 Speaker 3: We'll see you next time, folks. For more podcasts from iHeartRadio, 599 00:30:51,960 --> 00:30:55,240 Speaker 3: visit the iHeartRadio app, apple Podcasts, or wherever you listen 600 00:30:55,280 --> 00:30:58,240 Speaker 3: to your favorite shows. For more podcasts from my heart Radio, 601 00:30:58,360 --> 00:31:01,239 Speaker 3: visit the iHeartRadio app, apple pot podcast or wherever you 602 00:31:01,320 --> 00:31:02,680 Speaker 3: listen to your favorite shows.