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Speaker 1: Welcome back to another episode of Alchemy. This I'm he

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Speaker 1: os Kevin Pollo. Guess that Kevin Pollock. Yeah, No, I

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Speaker 1: don't see how that's your business, but I digress. I'm

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Speaker 1: so very happy to welcome you all to another episode.

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Speaker 1: Oh Alchemy. This, that's meet Today's Alchemy Showy no particular orders.

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Speaker 1: Say hello to Joey Greer. Grimmy. If you will when

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Speaker 1: you die and arrive in hell, how would you like

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Speaker 1: to greet you? Wow, so this is already known. I

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Speaker 1: will die and go to Hell, probably with prosecco. Look

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Speaker 1: behind you, it's Vanessa Raglan. When you get to heaven,

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Speaker 1: when you get to have what would you like God

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Speaker 1: to say about Joey Greer? Next up, it's Chris Alvarado

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Speaker 1: Creez Simo, how will you begin your Oscar acceptance speech?

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Speaker 1: Kevin Paul made this happen? That's correct, that's correct. That

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Speaker 1: is a correct answer. Hey, now there's James Heeney, Jimmy China.

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Speaker 1: Let's let's go. I may need a T shirt. By

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Speaker 1: the way, those are be out there, listeners. I may

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Speaker 1: need a T shirt that Jimmy Jinna you spell it,

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Speaker 1: however you need to Jimmy Johna, please summarize for us

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Speaker 1: your night school valedictorian speech. I really appreciate everybody allowing

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Speaker 1: me to come into class and learn and become a

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Speaker 1: better person. That's weird because I had my name in

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Speaker 1: your speech. Also, oh, I'm so sorry and don't know

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Speaker 1: it's too late. No. And last, but by your tongue

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Speaker 1: hard well chewing if you think him Lee say hello

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Speaker 1: to returning guests Alchemist Mark Gagle, I Mark five by Gillette.

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Speaker 1: Please recite the alphabet backwards now z y x w

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Speaker 1: v U. T uh. You know what You're gonna have

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Speaker 1: to take me to jail because that's as far as

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Speaker 1: that's pretty good, pretty close, a way more impressive. All right.

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Speaker 1: All of our scenes today are suggested by you, the listeners.

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Speaker 1: If you want to have your own damn suggestion in here,

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Speaker 1: write to us at your name here at alchemy this

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Speaker 1: dot com. Your name here at alchemy this dot com.

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Speaker 1: Our first scene cons indeed from Amanda Parker, who wrote,

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Speaker 1: hey there, First of all, thank you from the bottom

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Speaker 1: of my heart. Why is it always the bottom? Uh?

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Speaker 1: You folks may help me make it through my everyday life.

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Speaker 1: I listened to the show everywhere, whether it's at the

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Speaker 1: office my boyfriend and I own a massage clinic. Hello,

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Speaker 1: or at my part time job at night where I

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Speaker 1: deliver pizza until three am. Keep me laughing so I

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Speaker 1: don't break down crying. Ah. I have an idea for

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Speaker 1: a scene. A pizza place that never closes despite any

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Speaker 1: natural disaster, much like the one I work at in

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Speaker 1: Sioux Falls, South Dakota. Um, even when the wind chilled

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Speaker 1: dips blow six degrees, We're still delivering pizza. Ya um.

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Speaker 1: In this scene, the natural disaster might have something to

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Speaker 1: do with the zombie apocalypse. Whatever you want to do, go,

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Speaker 1: Thanks for entertaining me with all your amazing hilarity, Amanda Park.

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Speaker 1: We could take you to that pizza place now, yep.

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Speaker 1: I was wondering, Um, do you think I could um

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Speaker 1: leave um a little bit earlier today? Oh, someone wants

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Speaker 1: to leave early just a little bit. You got something wrong,

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Speaker 1: something wrong with your kid again? Is that what's happening? Well, yeah, Clark,

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Speaker 1: it ain't two more Pepperoni's. Yeah, I'll get you more

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Speaker 1: Pepperoni's coming out. Yeah, there's something wrong with my kid again. Yeah. Look,

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Speaker 1: I'm not I'm not calling you a liar or anything,

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Speaker 1: but there's something been wrong with how many of your

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Speaker 1: kids you had? Now, like eleven you've said that there's

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Speaker 1: something's been wrong with Yeah, yeah, I think you're full

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Speaker 1: of bologney. But you go ahead, you know what you

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Speaker 1: take girls. I don't like it this way. I don't

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Speaker 1: like it this way. I'd rather really have like your

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Speaker 1: true blessing before I take off. Yeah, you're not gonna

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Speaker 1: get okay, okay, I did think about it. I wanted

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Speaker 1: for the record that I did. Oh, come on, come

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Speaker 1: on the customer. Oh gosh, sorry, I was berating, berating

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Speaker 1: one of my one of my one of my cooks.

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Speaker 1: That's what it sounded like. He lies about children a lot.

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Speaker 1: My kids are sick, are they? That is that is

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Speaker 1: is that snow coming down out there? That that is

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Speaker 1: snow and it is sharp snowing. Oh gosh, sharp snow

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Speaker 1: cutt my nose. Wow. Oh yeah, I didn't know. I thought,

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Speaker 1: you know what you see so much Marinera on people

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Speaker 1: here that I oh sharp snow day, I'm starving. Well,

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Speaker 1: you know what, you came to the right place. Pasta?

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Speaker 1: Do we do we have pasta? Let me get our

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Speaker 1: pasta guy out here for you. Good, Hey, Tino, what

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Speaker 1: do you need? This is Tino or pasta guy? You

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Speaker 1: tell him whatever kind of pasta you want and he

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Speaker 1: can make it special for you. You know, I'm having

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Speaker 1: a day. My nose is bleeding. It was a sharp snow.

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Speaker 1: I'm so cold. I'd love some warm pasta with some meatballs.

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Speaker 1: Do you want it to the creamy sauce? The okay? Okay,

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Speaker 1: so no laguini. Uh you want to meet what kind

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Speaker 1: of sauce you want in there? You know the good guy.

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Speaker 1: I mean there's a lot of good kinds of some

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Speaker 1: kinds of friends. Do you have butter with ketchup inside? What?

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Speaker 1: Like my mom used to make any six? Okay, okay,

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Speaker 1: I'll be right there. Listen. Let me let me give

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Speaker 1: you something no no, no, no, no no spaghetti catch up

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Speaker 1: and bother that's not a good sauce. Let me bring

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Speaker 1: you back something really special. They bring you back something. Hey,

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Speaker 1: rich Um, I was maybe you can cover my my

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Speaker 1: shift tomorrow. Yeah, man, that's not a problem. Banks, man,

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Speaker 1: it's my kids. Tell me about it. Man. Wow, well, like,

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Speaker 1: so you know I have you loving children. Yeah, it's

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Speaker 1: just like one by one, like one gets sick and

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Speaker 1: the other get sick. They get sick, and then they

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Speaker 1: get sicked, and you know, they get sick, and they

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Speaker 1: get sicked and the o they get sicked in you

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Speaker 1: they get sicked and you know, they get sicked and

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Speaker 1: the other get sick. And so it's like I gotta

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Speaker 1: be there for them. They're like spreading a disease amongst themselves. Man, Yeah,

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Speaker 1: that's what it feels like. So it feels like like

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Speaker 1: I feel like I'm a little congested myself. So I

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Speaker 1: really appreciate that. Man. Maybe we don't tell. We don't tell.

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Speaker 1: Bost and those kids got nailed this, man, you should.

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Speaker 1: I don't know if fire is the thing, but what

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Speaker 1: take care of it? What do you mean? What do

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Speaker 1: you mean? What I mean? Like, is there a fire remedy?

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Speaker 1: I could be using ancient one? Yeah, okay, I'm into

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Speaker 1: like holistic stuff. Check out this tone. Yeah, my buddy,

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Speaker 1: dug it a lot of dust. Yeah, it's like from

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Speaker 1: I don't know, fourteenth century or twelveth century or something

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Speaker 1: like that. I don't know what Christ was alive anyway.

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Speaker 1: So if you read some of these passages right here

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Speaker 1: in Latin, it should evoke some kind of temple charm.

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Speaker 1: It's gonna open up a portal dimension. It's gonna be

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Speaker 1: able to clench your children through fire. Are you on

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Speaker 1: an eight am or seven eight am ship? Yeah, but

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Speaker 1: you're gonna need the blood of each one. You're gonna

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Speaker 1: need hair articles, and you're gonna need a charm. I

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Speaker 1: just need to guarantee I can't keep missing work, Dude,

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Speaker 1: I get that. Man, this chi Yeah, yeah, thank you

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Speaker 1: so much. Kitchen Steve. Yep, Kitchen Steve, what's going on

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Speaker 1: back there? Why are we eighty six? And everything? Are we?

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Speaker 1: Did you not place an order this week for nothing? Yeah?

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Speaker 1: You're right, that's on me. I'm the one who orders

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Speaker 1: the pasta. Is that your point? All right? Are you

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Speaker 1: busting my balls again? I'm simply saying you're pointing fingers

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Speaker 1: away from yourself. Yeah, I'm always point fingers away from myself,

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Speaker 1: Kitchen Steve. Your job, Kitchen Steve, is to stay in

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Speaker 1: the kitchen and make sure the food gets made. And

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Speaker 1: when I hear the words the numbers eighty six coming

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Speaker 1: out of the kitchen right makes me upset. Well, maybe

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Speaker 1: if we go back to my original name, Chicago Steve,

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Speaker 1: that wouldn't be these problems. Oh, okay, Chicago Steve. Maybe

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Speaker 1: little Lumbridge with Kitchen Steve. Sure you look you you

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Speaker 1: when you were in Chicago, when you were in Chicago

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Speaker 1: for Chicago Steve. You know who New Chicago Steve. Every

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Speaker 1: mobster in town, New Chicago Steve. I bring you in here.

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Speaker 1: I name you Kitchen Eve, so no one's gonna know who. Sorry,

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Speaker 1: hold on, I'm getting a little bit. Does that not

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Speaker 1: feel good? Yeah? Do you get that? I got a

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Speaker 1: little like it's not object it's like a like a

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Speaker 1: congestion of heartache, heartache, heart attack. What do you know

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Speaker 1: about heartache? Not a lot, I'll be honest with you.

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Speaker 1: But pretty cheery, rosy guy. You probably noticed that. Yeah,

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Speaker 1: ah man, Yeah, you guys, taste this really quick. Tell

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Speaker 1: me if this taste like the best spaghetti sauce you've

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Speaker 1: ever had. Where's that butter and ketchup? It's definitely butter

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Speaker 1: inside ketchup. So I was gonna try something super special

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Speaker 1: and different. I've decided to make this woman's homemade recipe.

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Speaker 1: I don't know what we should call it. Lilac that's

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Speaker 1: already taken, flower good Ginger also already takes. No. You're

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Speaker 1: terrible at you guys, I hate didn't rupt, but I

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Speaker 1: wasn't listening to just about one of your kids, know

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Speaker 1: all right, Uh, that's rude of you to say, though

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Speaker 1: I love him, that's all. Thank you, Just a cheery guy. Yeah,

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Speaker 1: listen to the new report and it says that the

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Speaker 1: snow is coming down sharper than we've ever seen to

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Speaker 1: stay indoors mean sharp. Well, it was a flesh freeze.

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Speaker 1: It dropped so quick that the water is just sharpest basically.

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Speaker 1: I mean, there's a super bloody lady in the front

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Speaker 1: of the restaurant, super blush. She's been she's caked it out.

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Speaker 1: I'm not even sure she's awake or passed out. She's

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Speaker 1: this is her. I got to go out there get

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Speaker 1: that tour. Hey, what's this? What's this book doing on

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Speaker 1: the prep table? What is this? Some kind of tone? Yeah,

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Speaker 1: from when when like Christ was alive something like that.

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Speaker 1: Who brought you? Bring that? In the end, buddy, I'm

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Speaker 1: just holding for a bit. It's got a really cool

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Speaker 1: pictures on the inside. And you know, open open him up?

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Speaker 1: Is it open? You keep closing it when you talk.

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Speaker 1: I can't you seem to have you seem to have

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Speaker 1: diminished significantly since we wandered away from you. I think

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Speaker 1: they were more cuts under my snows. Let's take a look, Rich,

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Speaker 1: Maybe now the time to bring your book. Read some

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Speaker 1: of those Latin phrases. Let's se if you can help

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Speaker 1: this woman my poetry to get me healing. Maybe a

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Speaker 1: Kinkos in an hour. You're not gonna make kinkles. Why

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Speaker 1: don't I call your work? Why don't I call your work?

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Speaker 1: Your work? What do you have to get there in

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Speaker 1: an hour? Well? I told the lady on the phone,

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Speaker 1: makings and prints for me, and I told I'd be there.

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Speaker 1: Goes up for you. We can, we can send. I'm

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Speaker 1: sure Kinkos is going to be closed. I think every

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Speaker 1: single store in the city is gonna be closed due

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Speaker 1: to the sharp super sharp. Eventually, we got to save

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Speaker 1: this fish man. We have a cot in the back.

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Speaker 1: It's pretty comfy, be honest with you. If the storm

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Speaker 1: done let up, you know who can we contact? That smell?

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Speaker 1: That's the pasta? Yeah, I actually use your recipe and

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Speaker 1: made butter catch a pasta watch a servant to her

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Speaker 1: already I put it to but it just got I

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Speaker 1: think the blood rich, we're losing her. Rich, really want

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Speaker 1: to see how she enjoys the post. Let everyone make

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Speaker 1: a star shape, so you go A little five point

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Speaker 1: point is the Jewish thing. Everybody here realized that jewish six.

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Speaker 1: Just cut your finger? Cut you everyone cut your finger?

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Speaker 1: You there we go. I think that's what it's. Yeah,

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Speaker 1: that's that. Two more. We all have a knife. It's company. Pause.

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Speaker 1: That's what you said. Fair enough? Two sons and more

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Speaker 1: timatia a foreign and lamium for Tullius. Feel better, man,

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Speaker 1: I know that. Don't sound like it's what everyone say.

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Speaker 1: Everyone say more to human is she's looking man and

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Speaker 1: spinning ahead. Holy no, I think we did some wrong.

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Speaker 1: Why are their scales coming out of her cutshing zard?

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Speaker 1: Oh no, I'll tell your kids sound oh boy, wait

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Speaker 1: a minute, you're eleven kids all sound like this. Give

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Speaker 1: us some of the pasta. I don't want to get

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Speaker 1: close here. My god, that's gotta leave a scar for sure. No,

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Speaker 1: shim's happy. Now, boss, what do you think now? Can

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Speaker 1: we close? No, we don't close, No matter the disaster,

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Speaker 1: we do not close. In the back. Put her in

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Speaker 1: the back of the on the wait. This lizard speaks English.

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Speaker 1: People's oh sure, you better feed it my hair my

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Speaker 1: good scales. You don't know. It's like he's he's not.

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Speaker 1: Rocko's got some scales. We got order, we got we

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Speaker 1: got that order. We have fifteen PEPs in here, all right,

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Speaker 1: we gotta make these PEPs quick. Al right, back to work,

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Speaker 1: Back to work. I just want to say, either it's

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Speaker 1: the snow or the night or the only two people

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Speaker 1: who have scales coming out of the skin, or the

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Speaker 1: same two that ate the catchup inside butter pols. So

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Speaker 1: I'm just saying this Lezard is really mocking. We just

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Speaker 1: kill it. Was the greatest thing that's ever happened in

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Speaker 1: around this place. You kill it, I'll put it on

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Speaker 1: the pizza. No, no, put it to work, give it

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Speaker 1: an apron. Hey can you cover my shift tomorrow? Whoa dude?

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Speaker 1: You just offered me that. Yeah, but I mean we

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Speaker 1: have a new employee. But I told you I knew that. Okay,

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Speaker 1: she's taking it. Do that. I already said, no, this

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Speaker 1: is bullsh I need that money for you. Take your

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Speaker 1: tone and like do something. Here we go. Wait, did

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Speaker 1: you just pull a lot of several thousand dollars a

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Speaker 1: d That's all I got? Okay. I was deeply concerned

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Speaker 1: for a second. Yeah, just it was two hundreds wrapped

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Speaker 1: around a lot of ones. Oh sure, the Italian way.

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Speaker 1: That's right, lizard lady, I'm gonna need you to put

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Speaker 1: this apron on. Uh and what will you train heard?

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Speaker 1: You're only you're the only dad you're probably used to

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Speaker 1: teaching kids. Okay, okay, all right. Uh so go ahead

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Speaker 1: and put your hands in this dough. Perfect your claws,

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Speaker 1: your claws in the dough. Nice, So we have we

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Speaker 1: have fifteen pepsps. Okay, great, we can do this. Now

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Speaker 1: roll it out. Great, great, this is great. Guys. Someone

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Speaker 1: get a picture which is an employee to a month

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Speaker 1: going on the wall. It's just eight all the dough

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Speaker 1: all so, one step forward and a couple of steps back. Alright, alright,

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Speaker 1: got a picture with my phontino. Take this over to

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Speaker 1: Kinko's for it closes, gone full, lizard bill, Now can

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Speaker 1: we close? And that's when they close? Fantastic? All right,

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Speaker 1: let's get the same number two. This one comes in

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Speaker 1: from Paul, who wrote the surviving members of an Antarctic

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Speaker 1: research station who have run out of food and at

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Speaker 1: least one who suspects that there might be a thing

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Speaker 1: from another world hiding in the midst keep up the

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Speaker 1: excellent work. Paul manjaridises, well, I've checked all the vitals.

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Speaker 1: Everything seems to be okay. In this section here we

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Speaker 1: had to quarantine off all of the observation areas. And

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Speaker 1: you think that's being a little dramatic. Can I ask

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Speaker 1: a question, yes, should it be so hard to get

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Speaker 1: some ice for my drink? I mean, considering where we are,

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Speaker 1: do we look like fucking waitresses? I'm just you, guys,

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Speaker 1: Why did you have to be waitress? Why does a

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Speaker 1: gender thing with you? This is me? This will be fine.

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Speaker 1: If we start in fighting, we are going to destroy

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Speaker 1: the only thing that we have to survive with, and

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Speaker 1: that's each other. So focus up. Okay, okay, okay. We

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Speaker 1: got two weeks until anybody comes to check on us,

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Speaker 1: and that's just to resupply. Nobody knows we're fucked out here. Okay,

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Speaker 1: how fucked? We're so funny that nobody can remember to

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Speaker 1: put a new tray of water in the freezer to

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Speaker 1: make guys. Yeah, that's the kind of people we're dealing

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Speaker 1: with here. Okay. Sorry, is that's the bottom line of

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Speaker 1: that's pretty well? I mean, if you can't count on

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Speaker 1: your companions that we had cocktail Tuesdays. I thought that

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Speaker 1: was a really fun bonding thing. But that doesn't exist anymore. Now.

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Speaker 1: It's just us trying to fucking survive. It's not enough

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Speaker 1: alcohol out of alcohol so even better, which it's fine

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Speaker 1: with me with you because you seem to really push

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Speaker 1: the limit alcohol. You push it. It's not to me.

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Speaker 1: It's not to me to say whether you are You

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Speaker 1: know what you already said it. I heard him say it.

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Speaker 1: You guys heard him say it. I heard him say it.

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Speaker 1: But if I was an alcoholic, I wouldn't be functioning

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Speaker 1: right now. When you set up a meeting, maybe this

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Speaker 1: is the meeting. We are in the meeting. There is it?

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Speaker 1: We are here? Oh wait, that do but maybe racist.

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Speaker 1: Let's just be quiet, if please please help speak English.

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Speaker 1: Open that door, open that door, get him a blanket quick.

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Speaker 1: Thank you for bringing me in. It's very cool your

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00:17:52,200 --> 00:17:58,560
Speaker 1: face is it must be really storing alcohol wherever you

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Speaker 1: coming from, like I came. I came for cocktail Tuesday?

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Speaker 1: Did you put an E blast out? Who put an

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00:18:06,400 --> 00:18:09,760
Speaker 1: E blast out? Email that you have? You're a week

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00:18:09,800 --> 00:18:12,400
Speaker 1: all that emails a week? All? There is no more

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00:18:12,640 --> 00:18:16,960
Speaker 1: there is no more out of alcohol, not one. It

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Speaker 1: wasn't one person that drank most of it. That's right,

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Speaker 1: it wasn't. It was equally distributed. Sir, you have the

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Speaker 1: hands of an alcoholically Okay, Okay, so you're a guest. Okay?

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Speaker 1: Are you from the Russian stage? How far can we

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Speaker 1: get to your station? I am from somewhere that was mysterious? Right,

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00:18:39,680 --> 00:18:42,760
Speaker 1: we've lost power to almost three fourths of our facility.

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Speaker 1: We're just yes, the punch is broken. Guess we give

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Speaker 1: us one second so we can do it quick. Down

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Speaker 1: on this on this small sofa, please lay down. What

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Speaker 1: is your name? By the way, you can call me.

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00:18:58,720 --> 00:19:02,960
Speaker 1: Most people do guys for guys, guys, guys, guys, guys.

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Speaker 1: Let's talk for guys and ladies. Thank you, lady, just one.

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Speaker 1: Why don't we just say folks, folks, folks, people, country term.

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Speaker 1: I'm more of a city guy, so much more people. People.

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Speaker 1: I don't think. I don't think this guy's here for cocktaw?

317
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Speaker 1: What do you think he's here for? What? I don't know.

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Speaker 1: What do you think he's an alcoholic? Jason? I bet

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00:19:23,720 --> 00:19:28,280
Speaker 1: Jason thinks he's a Now I'm foreigner who came storming

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00:19:28,320 --> 00:19:32,240
Speaker 1: in from the storm for foreigner, I got an idea

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00:19:32,400 --> 00:19:36,720
Speaker 1: for we are the foreigners were kind of invading to

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Speaker 1: our party. I know how to make a little cocktail.

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Speaker 1: Can't bring it. We'll all have a drink and when

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Speaker 1: we get back then do you have alcohol that we

325
00:19:47,400 --> 00:19:51,560
Speaker 1: don't know about? Wink wink, yep ye, Bridge, you now

326
00:19:51,680 --> 00:19:54,240
Speaker 1: have a new girlfriend. Bridge have a girlfriend. You don't

327
00:19:54,240 --> 00:19:57,400
Speaker 1: have a girlfriend. You have a girlfriend. You've got a friend.

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Speaker 1: One fucking second, Okay, can we just all say, well

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Speaker 1: we think this guy's doing here? What is I think

330
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Speaker 1: he's here to kill us here for a contown? Why

331
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Speaker 1: we're not? I don't care what he said. You said

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00:20:08,680 --> 00:20:11,879
Speaker 1: that you're a great poker player and you're terrible. Oh god, Okay,

333
00:20:11,920 --> 00:20:16,800
Speaker 1: what's going on? Because its cards? It's a lot. She's

334
00:20:16,800 --> 00:20:18,480
Speaker 1: just saying that too, because she wants keep taking your money.

335
00:20:19,800 --> 00:20:22,920
Speaker 1: What is happening here? All I'm saying is he's probably here.

336
00:20:23,000 --> 00:20:26,840
Speaker 1: He probably knows about her top secret mission. And here

337
00:20:26,840 --> 00:20:29,120
Speaker 1: are you five years old? Do you think you'll want

338
00:20:29,119 --> 00:20:30,960
Speaker 1: to have sex with one of us? Oh my god,

339
00:20:31,080 --> 00:20:33,280
Speaker 1: you're positioning yourself to have sex with him? Why do

340
00:20:33,320 --> 00:20:38,560
Speaker 1: you when he has some of this is that with

341
00:20:38,600 --> 00:20:44,200
Speaker 1: a C. My friends, Okay, I'm just gonna felt cool. Yeah,

342
00:20:44,800 --> 00:20:47,560
Speaker 1: what does that mean? What is the represent what? Well,

343
00:20:47,680 --> 00:20:51,200
Speaker 1: that's the word coolest. Spell it differently with what's in there,

344
00:20:51,960 --> 00:20:54,560
Speaker 1: the same with the parts cool aid with a K.

345
00:20:54,880 --> 00:21:01,720
Speaker 1: But it's angy one I propo. Hey, Christ, that's a

346
00:21:01,760 --> 00:21:09,359
Speaker 1: clear wounds. Hey friend? So, uh, it's cold, is very cold?

347
00:21:09,520 --> 00:21:14,159
Speaker 1: It's cold, it's cold. I am man. I feel like

348
00:21:14,200 --> 00:21:18,560
Speaker 1: if I was like some kind of secret agent or something.

349
00:21:19,359 --> 00:21:22,359
Speaker 1: Are you some kind of secret No? No, why would

350
00:21:22,359 --> 00:21:24,560
Speaker 1: you begin the conversation with if I was a secret

351
00:21:24,720 --> 00:21:26,679
Speaker 1: Give me one tech, guys, I'm not doing great? Over that?

352
00:21:27,480 --> 00:21:30,840
Speaker 1: Doing great? What was that? Found it? Man? I got scared. Hey,

353
00:21:30,920 --> 00:21:38,199
Speaker 1: let's just trying. Okay, don't ask him if he has

354
00:21:38,200 --> 00:21:42,080
Speaker 1: anything to drink? Hello? V V yes, V. What is

355
00:21:42,119 --> 00:21:46,160
Speaker 1: your name but Jeremiah, Jeremiah from the Bible, from your

356
00:21:46,480 --> 00:21:49,679
Speaker 1: Jeremiah from the The name is from the Bible forgiving me.

357
00:21:49,680 --> 00:21:51,600
Speaker 1: And I do not know your culture. You don't know

358
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Speaker 1: the Bible. Of question of the Bible, there's a always

359
00:22:01,200 --> 00:22:04,600
Speaker 1: the time to involve Christ. Not listen, You're on your

360
00:22:04,600 --> 00:22:06,800
Speaker 1: own trip with that. Okay. I just feel like I

361
00:22:06,840 --> 00:22:09,080
Speaker 1: see where Bridget is going. She'll just unbutton a couple

362
00:22:09,080 --> 00:22:13,639
Speaker 1: of buttons and get all the information she needs. Crazy,

363
00:22:13,760 --> 00:22:17,959
Speaker 1: that is the rudest thing ever. House doesn't even have buttons,

364
00:22:18,000 --> 00:22:24,280
Speaker 1: it has zippers. Let Bredge give it a shot though. Okay, okay, boys,

365
00:22:24,560 --> 00:22:29,840
Speaker 1: I guess I will thank you. See I believe your clothes.

366
00:22:31,480 --> 00:22:35,199
Speaker 1: Oh it's so chilly. Well please please sip up your

367
00:22:35,320 --> 00:22:40,800
Speaker 1: your your click can't can't. Why are you making that

368
00:22:40,960 --> 00:22:49,879
Speaker 1: face so sad about boops? She's never done that, Just

369
00:22:50,080 --> 00:22:52,240
Speaker 1: this whole conversation about jennerquality always things, and then you

370
00:22:52,280 --> 00:22:55,000
Speaker 1: go do that what I don't know. So I felt

371
00:22:55,040 --> 00:22:56,680
Speaker 1: like I saw it in a movie, but I don't

372
00:22:56,720 --> 00:23:00,040
Speaker 1: know that's true. Movie your cocktails. I just did a

373
00:23:00,119 --> 00:23:02,919
Speaker 1: Google search. No one's ever been sad about their boobs.

374
00:23:03,119 --> 00:23:06,639
Speaker 1: Never know, it's no one's said everyone likes boobs. That

375
00:23:06,760 --> 00:23:09,560
Speaker 1: I've made these drinks, let's share a drink and then afterwards,

376
00:23:09,600 --> 00:23:12,960
Speaker 1: I'm sure he'll just leave. This smells too strong. It's

377
00:23:12,960 --> 00:23:15,680
Speaker 1: going to burn. Of course it's going to burn. It's alcohol,

378
00:23:16,520 --> 00:23:20,679
Speaker 1: so clean equipment, clean wounds. It's only one shot per cops.

379
00:23:20,720 --> 00:23:23,000
Speaker 1: So your plan is that we just have a night

380
00:23:23,480 --> 00:23:26,440
Speaker 1: cocktail Tuesday, Leonard, why don't you go serve and let's

381
00:23:26,440 --> 00:23:28,640
Speaker 1: see what happens. Okay, it's gonna be weird if I'm

382
00:23:28,640 --> 00:23:35,200
Speaker 1: not just it's good, okay, okay, okay? How quickly? Did

383
00:23:35,200 --> 00:23:43,119
Speaker 1: you drink? Very quick? It's a small glass. Quickly. We

384
00:23:43,119 --> 00:23:46,960
Speaker 1: we don't do taco Tuesdays or cocktail Tuesday. We don't

385
00:23:46,960 --> 00:23:48,640
Speaker 1: do it much more. But I brought you a drink.

386
00:23:49,000 --> 00:23:52,160
Speaker 1: Here is this? Is this? Cool with the sea? Oh

387
00:23:52,200 --> 00:23:54,240
Speaker 1: my god? Do you know? Coolate with a C? In

388
00:23:54,280 --> 00:23:57,119
Speaker 1: my country? If this all we drink? Really, what do

389
00:23:57,160 --> 00:24:01,560
Speaker 1: you do for alcohol? What do you think you? I

390
00:24:01,640 --> 00:24:03,679
Speaker 1: kiss what I thought? But maybe that was just that

391
00:24:03,800 --> 00:24:07,919
Speaker 1: is that is typical? This is I mean correct, but stereotypical.

392
00:24:09,960 --> 00:24:14,240
Speaker 1: You're attacking this culture. That was really inappropriate. I'm going

393
00:24:14,280 --> 00:24:22,760
Speaker 1: back in. I'm going back back. What is going on? Okay?

394
00:24:22,400 --> 00:24:26,960
Speaker 1: What what are we trying to do? Trying to twofold question? Whoa?

395
00:24:27,000 --> 00:24:33,840
Speaker 1: It's hitting me? Whoa? Okay, seriousness of the situation, No, no, ers,

396
00:24:34,080 --> 00:24:40,720
Speaker 1: enter dancing, bridget everybody. You cannot expel too much energy.

397
00:24:41,520 --> 00:24:48,080
Speaker 1: We don't ask that much water. Oh my god, put

398
00:24:48,160 --> 00:24:50,359
Speaker 1: him down, please put that put me down. Bridges but

399
00:24:52,080 --> 00:24:57,199
Speaker 1: everybody listening up. Everybody listen up. Okay, everybody listening up. Alright,

400
00:24:57,240 --> 00:25:04,520
Speaker 1: Look I'm from Washaw, Mr b. Yes, okay, we gotta

401
00:25:04,560 --> 00:25:08,240
Speaker 1: get him warm. You've been cold for two longs, very cold.

402
00:25:08,480 --> 00:25:10,560
Speaker 1: I was working for a very long time. And we're

403
00:25:10,560 --> 00:25:14,920
Speaker 1: gonna have these body language like the sea witch. Come

404
00:25:14,960 --> 00:25:23,600
Speaker 1: here you are? Okay, let's just put her down. She's

405
00:25:23,640 --> 00:25:26,600
Speaker 1: gonna pass up. Okay, great. She should not have drink

406
00:25:26,680 --> 00:25:30,080
Speaker 1: that much. You can go blind. What are you giving us?

407
00:25:30,280 --> 00:25:33,960
Speaker 1: You've poisoned us. I told you it was alcohol that

408
00:25:34,880 --> 00:25:37,560
Speaker 1: is not in my country. And they said I was

409
00:25:37,640 --> 00:25:41,439
Speaker 1: being racist. I was being nice. You said it, you

410
00:25:41,480 --> 00:25:45,119
Speaker 1: said culturally insensitive. That's what I hear. I hear. Okay,

411
00:25:45,160 --> 00:25:49,320
Speaker 1: it was a disco nap. I'm back in. Actually, let's

412
00:25:49,320 --> 00:25:55,960
Speaker 1: just get real with you. Just are you on a missions?

413
00:25:56,000 --> 00:25:57,880
Speaker 1: What it is? What was your real purpose of coming

414
00:25:57,920 --> 00:26:02,320
Speaker 1: to our side? My my entire purpose for coming here,

415
00:26:02,760 --> 00:26:05,919
Speaker 1: it was for cocktail Tuesday. I told you, where did

416
00:26:05,960 --> 00:26:09,520
Speaker 1: you come from? The police? Far away the police, far

417
00:26:09,560 --> 00:26:13,680
Speaker 1: away place. She does not have a good relationship with

418
00:26:13,720 --> 00:26:19,440
Speaker 1: the police. That good should it be? If I open

419
00:26:19,560 --> 00:26:22,359
Speaker 1: up this amulet, I can produce anything in the world.

420
00:26:22,359 --> 00:26:24,080
Speaker 1: So let me produce a map. I will show you

421
00:26:24,080 --> 00:26:27,439
Speaker 1: what I hold, my Nicholas amulet. If I opened it up,

422
00:26:27,440 --> 00:26:30,399
Speaker 1: it produced. Okay, that looks like it was around the

423
00:26:30,440 --> 00:26:33,879
Speaker 1: time of Christ. And oh it's from the twelfth century. Amulets,

424
00:26:33,880 --> 00:26:36,360
Speaker 1: ammulets make me a map. Okay, now if you look

425
00:26:36,400 --> 00:26:39,880
Speaker 1: at this map here, this is the country where anyone

426
00:26:39,640 --> 00:26:42,399
Speaker 1: see that. I'm sorry, it's a hologram. What am I

427
00:26:42,400 --> 00:26:45,520
Speaker 1: looking at? It's actually you can feel it's got texture.

428
00:26:45,600 --> 00:26:47,960
Speaker 1: Oh my gosh. Can I ask you some questions? You

429
00:26:49,440 --> 00:26:53,159
Speaker 1: just say twice? Amulet? Amulet, make me a fill in

430
00:26:53,200 --> 00:26:57,159
Speaker 1: the blank drink? Can we go with helicopter? Amulet? Amulets

431
00:26:57,200 --> 00:27:12,640
Speaker 1: make me a helicopter? The helicopter my legs broken? There

432
00:27:12,760 --> 00:27:18,280
Speaker 1: is a propellative of story. Uh that. Unfortunately I do

433
00:27:18,359 --> 00:27:20,760
Speaker 1: not have a medical amulet. I only have a building ale.

434
00:27:21,760 --> 00:27:24,399
Speaker 1: So you came to kill us with no No. I

435
00:27:25,160 --> 00:27:28,440
Speaker 1: really did just come from cocktail Tuesday. I wouldn't stand it.

436
00:27:28,840 --> 00:27:34,200
Speaker 1: Make me a cocktail. It from a distance to work.

437
00:27:34,880 --> 00:27:36,560
Speaker 1: It does work. It as long as it is in

438
00:27:36,560 --> 00:27:39,479
Speaker 1: the room with you. I did not want to drink alone.

439
00:27:40,840 --> 00:27:44,119
Speaker 1: I felt I came. I came to meet people and

440
00:27:44,240 --> 00:27:47,240
Speaker 1: have have cocktail. It is It's not about the drinking,

441
00:27:47,240 --> 00:27:49,800
Speaker 1: It's about the social element. What's that growing out of

442
00:27:49,800 --> 00:27:54,960
Speaker 1: your back? V? What is this? This is it's getting bigger. V. Yes,

443
00:27:55,000 --> 00:27:57,320
Speaker 1: this growing out of my back must be my time

444
00:27:57,359 --> 00:28:00,720
Speaker 1: to leave. Wait a second, it is one wing. It's

445
00:28:00,760 --> 00:28:04,240
Speaker 1: taking form. It is one one giant wing it takes

446
00:28:04,680 --> 00:28:08,840
Speaker 1: and then I fly in this circle out of here, Jeremiah.

447
00:28:08,920 --> 00:28:11,600
Speaker 1: I do not have much time left. Jeremiah is dead.

448
00:28:12,119 --> 00:28:14,120
Speaker 1: He was the best one to die because he has

449
00:28:14,119 --> 00:28:19,720
Speaker 1: a faith. He is closer to Christ. Want that I

450
00:28:19,720 --> 00:28:27,040
Speaker 1: will leave this amulets with you. It seems I will

451
00:28:27,080 --> 00:28:31,639
Speaker 1: leave this ammulet with you. Please? You sit wisely spilling away?

452
00:28:35,320 --> 00:28:37,240
Speaker 1: Was he really here? Did that happen? I mean, I've

453
00:28:37,800 --> 00:28:39,720
Speaker 1: been ask what do you mean? Jeremiah is dead. His

454
00:28:39,760 --> 00:28:41,600
Speaker 1: guts are spilling out of his fucking body. That's what

455
00:28:41,720 --> 00:28:44,240
Speaker 1: makes it feel real. I felt my leg is broken.

456
00:28:44,240 --> 00:28:48,360
Speaker 1: The helicopter crushed men. Amulet, amulet, bring me the book

457
00:28:48,360 --> 00:28:54,120
Speaker 1: of Necronomicon? What I mean? What we'd be wish? What

458
00:28:54,200 --> 00:28:58,000
Speaker 1: do you mean? Whom or have you? Are you not

459
00:28:58,120 --> 00:29:01,280
Speaker 1: familiar with raising the demail? But I don't think that's

460
00:29:01,280 --> 00:29:05,960
Speaker 1: the priority. Well we alright, fine, Amulet, amulant, get me

461
00:29:06,040 --> 00:29:08,440
Speaker 1: something to help. Oh, ship, ship, I don't even know

462
00:29:08,480 --> 00:29:13,400
Speaker 1: what to ask a lot of ship. God, I'm trying

463
00:29:13,440 --> 00:29:15,800
Speaker 1: to figure out what helps the length it's broken, Amulant.

464
00:29:15,840 --> 00:29:23,520
Speaker 1: I bring me a woman who doesn't drink. What's your name?

465
00:29:23,720 --> 00:29:33,040
Speaker 1: My name is Lure, All right, get me out of here. Yeah,

466
00:29:33,400 --> 00:29:38,680
Speaker 1: why don't you drink? A love story? Throat surgery. That's

467
00:29:38,680 --> 00:29:41,480
Speaker 1: why my voice is this way. You know. I had

468
00:29:41,520 --> 00:29:43,720
Speaker 1: to stay off it for about six months, and then

469
00:29:43,720 --> 00:29:45,480
Speaker 1: at that time it was very self reflective and I

470
00:29:45,880 --> 00:29:48,680
Speaker 1: felt some clarity without the alcohol, and I thought to myself,

471
00:29:48,680 --> 00:29:50,719
Speaker 1: you know, why use it if it's just a crutch.

472
00:29:51,120 --> 00:29:53,240
Speaker 1: Obviously there's something that totally that I'm dealing with, and

473
00:29:53,320 --> 00:29:54,840
Speaker 1: there's six months that I've had to deal with it.

474
00:29:54,840 --> 00:29:59,040
Speaker 1: I felt very good at clean. Hit me out, and

475
00:29:59,200 --> 00:30:03,760
Speaker 1: you know, it's just all at all. Oh yeah, how

476
00:30:03,800 --> 00:30:07,480
Speaker 1: do you know my hands? Oh yeah, you could tell

477
00:30:07,640 --> 00:30:10,680
Speaker 1: look at that like a plumber. Look at those hands,

478
00:30:10,680 --> 00:30:15,520
Speaker 1: as you know, and that's just one of those what

479
00:30:15,600 --> 00:30:17,560
Speaker 1: do you How do you get through the low moments?

480
00:30:19,040 --> 00:30:23,280
Speaker 1: It's hard, but you know what I do? What I

481
00:30:23,360 --> 00:30:28,560
Speaker 1: make myself smile? How I just make myself, you kid,

482
00:30:28,760 --> 00:30:35,200
Speaker 1: I tickle myself and nothing happened. You now watch me nothing.

483
00:30:35,800 --> 00:30:40,040
Speaker 1: Let me tickle you. All right, that's nice. This is

484
00:30:40,040 --> 00:30:42,960
Speaker 1: a beautiful setup. Oh, thank you, even in a little

485
00:30:42,960 --> 00:30:45,800
Speaker 1: bit of a I don't know situations. That guy, okay,

486
00:30:45,840 --> 00:30:49,560
Speaker 1: it looks like this ship in the stomach wound. He's dead. Yeah,

487
00:30:51,040 --> 00:30:54,760
Speaker 1: before you came. Oh yeah, that happens a lot. I

488
00:30:54,840 --> 00:30:57,600
Speaker 1: like it here. It seems nice. Is this New York?

489
00:30:57,640 --> 00:31:00,360
Speaker 1: I don't even know where where are you from. I'm

490
00:31:00,360 --> 00:31:03,680
Speaker 1: actually from up state St. Louis, up state St. Louis.

491
00:31:04,400 --> 00:31:10,280
Speaker 1: Oh my grandma was from those parts, really well, Louis Greenburger,

492
00:31:10,560 --> 00:31:15,920
Speaker 1: no red. Oh my gosh. Fantastic volleyball circuit I heard. Yeah,

493
00:31:16,520 --> 00:31:19,560
Speaker 1: she was almost on it. But her breasts, Oh my gosh,

494
00:31:19,720 --> 00:31:23,800
Speaker 1: who doesn't love breast? Did you drop off the emulet?

495
00:31:24,200 --> 00:31:29,640
Speaker 1: I did? I did master drop very good. Did you

496
00:31:29,640 --> 00:31:34,400
Speaker 1: witness its distraction? I witnessed all the destruction except for

497
00:31:35,080 --> 00:31:37,160
Speaker 1: the breast. Lady. I can't believe they let you in.

498
00:31:37,520 --> 00:31:40,800
Speaker 1: It's well, you know, if you have it is very cold,

499
00:31:40,880 --> 00:31:43,520
Speaker 1: and you played up the am freeze. I did play

500
00:31:43,680 --> 00:31:48,560
Speaker 1: the very genius for that. We will give you a

501
00:31:48,720 --> 00:31:54,719
Speaker 1: second wing. It's a lot smaller than the first, so

502
00:31:54,760 --> 00:32:01,200
Speaker 1: I was still going circles, yes, and that's internally I

503
00:32:01,280 --> 00:32:04,960
Speaker 1: loved him going in circles. First scene three. It comes

504
00:32:04,960 --> 00:32:08,760
Speaker 1: to us from Will Morris, not William Morris. Will Morris

505
00:32:08,760 --> 00:32:12,520
Speaker 1: who wrote Dear Alchemists. After finally giving into the relentless

506
00:32:12,560 --> 00:32:15,920
Speaker 1: ads on my favorite podcast and wondering many times alloud

507
00:32:16,120 --> 00:32:20,720
Speaker 1: who the fund is? Kevin Pollock fally succumbed and that's

508
00:32:20,720 --> 00:32:25,400
Speaker 1: but absolutely positively fucking hooked. Ever since. To be embarrassingly honest,

509
00:32:25,600 --> 00:32:28,880
Speaker 1: I've probably listened to every episode at a minimum of

510
00:32:29,040 --> 00:32:34,720
Speaker 1: five times. I love Jimmy Jack, James, Heeney, Blumpton, Snazzle Pus,

511
00:32:35,120 --> 00:32:39,800
Speaker 1: and Vanessa Ragas, especially her voices. Y'all make every day

512
00:32:39,840 --> 00:32:43,160
Speaker 1: my day. I literally cheered aloud at work when I

513
00:32:43,200 --> 00:32:45,520
Speaker 1: heard you were all moving to two episodes a week.

514
00:32:45,760 --> 00:32:47,920
Speaker 1: Thank you so much for the laughs. Y'all deserve the

515
00:32:48,000 --> 00:32:52,480
Speaker 1: Nobel for Joy? Isn't this love Morris Fellow? Except for

516
00:32:52,520 --> 00:32:57,200
Speaker 1: the attack of me. Okay, now now my scene suggestion.

517
00:32:57,560 --> 00:33:00,680
Speaker 1: I think it's funniest when the suggestions are smallest set

518
00:33:00,720 --> 00:33:05,040
Speaker 1: up as possible. So here goes mad scientists yard sale.

519
00:33:05,640 --> 00:33:07,840
Speaker 1: Love love love love you guys, so fucking psyche from

520
00:33:07,840 --> 00:33:14,960
Speaker 1: our episodes. You're devoted to scipher Will Morris from upstate st. Wow.

521
00:33:15,000 --> 00:33:18,880
Speaker 1: How much is that lamp? It's lamp, Yes it is.

522
00:33:19,480 --> 00:33:22,920
Speaker 1: Don't make a deal. Shut up, shut shut up, you

523
00:33:23,040 --> 00:33:28,240
Speaker 1: shut up, Go back into your whole. Don't make a deal.

524
00:33:28,440 --> 00:33:33,000
Speaker 1: How many tag is forty five? Is forty five? And

525
00:33:33,120 --> 00:33:34,720
Speaker 1: is it true that it's set? The light sends a

526
00:33:34,760 --> 00:33:38,200
Speaker 1: beam into space. Yeah, it'll go through any kind of planet,

527
00:33:38,200 --> 00:33:50,160
Speaker 1: that doesn't matter. Five you here, you go go. I

528
00:33:50,320 --> 00:33:54,320
Speaker 1: make money. I make money. To excuse me. I noticed

529
00:33:54,360 --> 00:33:57,040
Speaker 1: that you guys were selling laboratory and you got on

530
00:33:57,080 --> 00:34:03,440
Speaker 1: your face. Heard that guys were selling laboratory equipment here,

531
00:34:03,480 --> 00:34:06,360
Speaker 1: and I'm looking for a good deal on it. All

532
00:34:06,440 --> 00:34:09,560
Speaker 1: deals what we have? What do you like for the

533
00:34:09,640 --> 00:34:14,759
Speaker 1: high schools? Or maybe you could bring this machine? Hear

534
00:34:14,800 --> 00:34:21,120
Speaker 1: this laser gone yet? Pointed? The children really get it now?

535
00:34:22,280 --> 00:34:25,640
Speaker 1: I was thinking of speakers and test tubes and maybe

536
00:34:25,640 --> 00:34:31,839
Speaker 1: buns and burners. But go to hunt popole. This is

537
00:34:31,880 --> 00:34:36,520
Speaker 1: the good things children, This is sped risk. I don't

538
00:34:36,520 --> 00:34:38,760
Speaker 1: know if I want to got more snug on your face.

539
00:34:38,800 --> 00:34:45,600
Speaker 1: I'm sorry, you get in the hole. Excuse I'm sorry

540
00:34:45,600 --> 00:34:48,240
Speaker 1: to interrupt. I can't help you. Saw this this science

541
00:34:48,239 --> 00:34:51,719
Speaker 1: equipment that you're selling? Um uh yeah, just take a

542
00:34:51,719 --> 00:34:53,520
Speaker 1: look at this batch this I'm an agent wrote this

543
00:34:53,640 --> 00:34:59,040
Speaker 1: is agent Bishop. He's also a j and could I

544
00:34:59,080 --> 00:35:01,920
Speaker 1: help you? Do want to buy some things? Do not

545
00:35:01,960 --> 00:35:04,279
Speaker 1: see the part of this that says Federal Bureau of Investigation.

546
00:35:04,320 --> 00:35:07,880
Speaker 1: We're wondering, also the FBI and a sign that says

547
00:35:07,880 --> 00:35:12,400
Speaker 1: everything here must go for the right price. When I

548
00:35:12,400 --> 00:35:14,160
Speaker 1: see is an empty space on the table where we

549
00:35:14,200 --> 00:35:16,520
Speaker 1: do believe a ray gun that could take a planet.

550
00:35:16,840 --> 00:35:20,800
Speaker 1: He gave it for twenty dollars. Okay, the price is

551
00:35:20,840 --> 00:35:24,719
Speaker 1: not negotiable. The brice was negosha, but it was negotiated

552
00:35:24,760 --> 00:35:28,200
Speaker 1: to you. Do you want them? This is this? This

553
00:35:28,239 --> 00:35:30,760
Speaker 1: is less about the fact that it's only twenty dollars,

554
00:35:30,840 --> 00:35:33,960
Speaker 1: more about the fact that I'm four foot eleven and

555
00:35:33,960 --> 00:35:39,960
Speaker 1: a half. That's what I thought I would bite myself.

556
00:35:39,960 --> 00:35:43,080
Speaker 1: I have something to make you bigger. I'm not here

557
00:35:43,080 --> 00:35:46,520
Speaker 1: to come on the Please look at this, sir. What

558
00:35:46,560 --> 00:35:49,480
Speaker 1: do you think that looks like a scarf? Knows that

559
00:35:49,880 --> 00:35:52,439
Speaker 1: you put around your neck? You grows seven eight ft.

560
00:35:54,480 --> 00:35:57,080
Speaker 1: But I'm going to have purchased this laser. I decided

561
00:35:57,120 --> 00:36:00,759
Speaker 1: that I will use it from my science class. Here

562
00:36:01,120 --> 00:36:08,480
Speaker 1: five turned off. I'll give you thirty for it. Quarter

563
00:36:08,480 --> 00:36:12,200
Speaker 1: to five the money. We're just gonna let him take

564
00:36:12,200 --> 00:36:15,759
Speaker 1: that laser. The guys in the van outside will take

565
00:36:15,760 --> 00:36:17,879
Speaker 1: care of this little guy. Okay, we're trying to get

566
00:36:17,960 --> 00:36:20,680
Speaker 1: the time share. Sorry to interrupt. This lamp does not

567
00:36:20,840 --> 00:36:24,600
Speaker 1: shoot a beam up into the air like maybe your stupid.

568
00:36:25,000 --> 00:36:27,120
Speaker 1: All right, so I hit every knob on it and

569
00:36:27,160 --> 00:36:31,560
Speaker 1: it's not sure how we do it? You turn up?

570
00:36:32,320 --> 00:36:42,879
Speaker 1: I bet you woman, turn up. Turn that's impressive. Yes, okay,

571
00:36:44,360 --> 00:36:47,400
Speaker 1: we are living in a different era. Now, okay, what

572
00:36:47,480 --> 00:36:52,479
Speaker 1: do you boys buy something? Well, we're here, are six

573
00:36:52,560 --> 00:36:55,080
Speaker 1: three you? That's a funny thing. You two are together?

574
00:36:56,080 --> 00:37:02,799
Speaker 1: A little guy. I get it your bishop or I

575
00:37:02,920 --> 00:37:06,720
Speaker 1: just rookie. I have my eyes on this a little palm?

576
00:37:08,239 --> 00:37:11,000
Speaker 1: Are you shopping were room? But you know how much

577
00:37:11,040 --> 00:37:16,000
Speaker 1: these things are? What do you what are you asking for?

578
00:37:16,000 --> 00:37:20,200
Speaker 1: The little toward off? Don't to make up for a

579
00:37:20,200 --> 00:37:26,080
Speaker 1: ghost to make up for the bishop. We don't even

580
00:37:26,160 --> 00:37:31,319
Speaker 1: know what this room but does had the obstacle. It's

581
00:37:31,320 --> 00:37:35,320
Speaker 1: still clean, really that's all this room but does so little.

582
00:37:35,360 --> 00:37:38,319
Speaker 1: I could step on you. If you touches water, it

583
00:37:38,360 --> 00:37:42,040
Speaker 1: makes animal. Okay, that see that, that's one of those

584
00:37:42,760 --> 00:37:46,480
Speaker 1: is not going to if you want, it's gonna make you.

585
00:37:46,239 --> 00:37:49,239
Speaker 1: Are you? Are you? Are you the one who's adjusting

586
00:37:49,280 --> 00:37:52,239
Speaker 1: all of these goods? What do you mean adjusting? And

587
00:37:52,239 --> 00:37:54,080
Speaker 1: what are you looking at him? Yes, she has a

588
00:37:54,160 --> 00:37:56,239
Speaker 1: big part to play in this. Thank you toward off?

589
00:37:58,000 --> 00:38:01,640
Speaker 1: Are you selling all these goods? Lambs and in rumbas

590
00:38:01,640 --> 00:38:05,839
Speaker 1: and they I'll do something else, that's all right, something

591
00:38:06,040 --> 00:38:09,359
Speaker 1: warn he must be from the look at this, Look

592
00:38:09,400 --> 00:38:16,520
Speaker 1: at this. I am come here, I'm not good. There's

593
00:38:16,520 --> 00:38:19,160
Speaker 1: something that's coming. It's not good. Look, we make things, okay,

594
00:38:19,480 --> 00:38:24,000
Speaker 1: we put things together. The tinker. I'm gonna need to

595
00:38:24,000 --> 00:38:26,640
Speaker 1: see what the stuff is being made in this whle. Yes,

596
00:38:27,160 --> 00:38:29,480
Speaker 1: in this hole down here, all right, we're going down

597
00:38:29,480 --> 00:38:31,920
Speaker 1: inside this. We're going down. You're gonna ask we're not

598
00:38:34,800 --> 00:38:37,080
Speaker 1: right here, ma'am. That's not a warrant. That's a piece

599
00:38:37,120 --> 00:38:40,839
Speaker 1: of toilet paper on it. Come on, don't you do

600
00:38:40,920 --> 00:38:43,520
Speaker 1: an insult? That is Look, I apologize I reached in

601
00:38:43,520 --> 00:38:47,840
Speaker 1: the wrong pocket. This is a warrants. Also speaking of paperwork,

602
00:38:47,840 --> 00:38:52,920
Speaker 1: where is your permits for yard sales? Sales? It's there?

603
00:38:53,239 --> 00:38:56,279
Speaker 1: Where's come inside the hole? I guess master sent you down.

604
00:38:56,560 --> 00:38:58,759
Speaker 1: So nice to see you sing this down. We we

605
00:38:59,480 --> 00:39:01,920
Speaker 1: let me know. How can I be? Well? You can

606
00:39:01,960 --> 00:39:04,319
Speaker 1: tell us everything that you've built down here? You can

607
00:39:04,360 --> 00:39:06,799
Speaker 1: show us around this lab. Can I have records of

608
00:39:06,800 --> 00:39:09,440
Speaker 1: all kinds of everything that has been built in the space?

609
00:39:09,880 --> 00:39:13,759
Speaker 1: All right, well let's see those records right here. Let

610
00:39:13,760 --> 00:39:16,040
Speaker 1: me just get the dust off today. Wow? What what

611
00:39:16,160 --> 00:39:22,160
Speaker 1: year is that book of records? From? Quite a tone? Yeah,

612
00:39:22,400 --> 00:39:24,279
Speaker 1: so if you're see on paid seven here, it gives

613
00:39:24,320 --> 00:39:26,800
Speaker 1: us the last seventy four items that were built in

614
00:39:26,920 --> 00:39:29,400
Speaker 1: this horn. You do see how these items that now

615
00:39:29,400 --> 00:39:34,200
Speaker 1: are you building? What's your name, sir? That is not surprising.

616
00:39:34,680 --> 00:39:38,360
Speaker 1: You do see how most of these are very very illegal.

617
00:39:39,080 --> 00:39:43,360
Speaker 1: Ow so Bishop, you wig in here? I want to

618
00:39:43,400 --> 00:39:47,200
Speaker 1: wait on you. What what what are we doing here? Exactly?

619
00:39:47,520 --> 00:39:51,319
Speaker 1: We're trying to what there is a mad scientist with

620
00:39:51,400 --> 00:39:54,480
Speaker 1: lasers and ray guns, and the day that we decide

621
00:39:54,480 --> 00:39:56,040
Speaker 1: that we're going to do our raid is the day

622
00:39:56,040 --> 00:40:01,440
Speaker 1: that he's having a fucking yard sale. You know what,

623
00:40:01,520 --> 00:40:04,839
Speaker 1: I apologize that's pretty sexist of me. There is a

624
00:40:04,880 --> 00:40:09,840
Speaker 1: couple of mad scientists, and what are you waiting for?

625
00:40:09,880 --> 00:40:12,000
Speaker 1: Why an't we making moves? I'm sorry, I hate you

626
00:40:12,080 --> 00:40:15,439
Speaker 1: in your office. Wonderful chat. But when you say rey gun,

627
00:40:15,880 --> 00:40:19,560
Speaker 1: it's such an archaic term. What exactly in your mind

628
00:40:19,560 --> 00:40:22,719
Speaker 1: does a ray gun do? I'm there, I do you

629
00:40:22,760 --> 00:40:26,280
Speaker 1: see a gun that shoots a ray? He just sold

630
00:40:26,320 --> 00:40:28,359
Speaker 1: one for twenty dollars upstairs that can shoot a reag

631
00:40:28,360 --> 00:40:33,080
Speaker 1: into any planet? Was a lamp? Alright, hardly a gun.

632
00:40:33,520 --> 00:40:36,000
Speaker 1: We've never made a gun in the word before. Okay,

633
00:40:36,000 --> 00:40:37,640
Speaker 1: So it was a lamp that shoots. And what if

634
00:40:37,760 --> 00:40:40,919
Speaker 1: if something shoots something, it's a gun around it's either

635
00:40:41,000 --> 00:40:44,600
Speaker 1: a beam, you understand. Yes, there's no such thing as

636
00:40:44,600 --> 00:40:49,560
Speaker 1: a ray comes out of a gun. Fine, a class

637
00:40:50,400 --> 00:40:59,880
Speaker 1: we're going to be. Please stop, do not make me

638
00:41:00,160 --> 00:41:11,480
Speaker 1: use my science. What have I done? Mr Turner? Mr Turner,

639
00:41:11,520 --> 00:41:14,120
Speaker 1: I see in my office. Um, yeah, so I was

640
00:41:14,160 --> 00:41:19,040
Speaker 1: actually just leaving. I'm I'm sorry. I didn't know anyone

641
00:41:19,160 --> 00:41:23,600
Speaker 1: was coming in. Hi. Hi, I'm sorry my script fell off.

642
00:41:23,719 --> 00:41:26,160
Speaker 1: I'll be we'll put it back. I we'll be back

643
00:41:26,160 --> 00:41:28,759
Speaker 1: in the art room if anyone should need me. And

644
00:41:28,880 --> 00:41:30,759
Speaker 1: I feel like I should not have come in. Thank you.

645
00:41:31,040 --> 00:41:36,040
Speaker 1: I should be going Mr Turner, Um, we really like

646
00:41:36,160 --> 00:41:39,839
Speaker 1: what you did with the kids. What when you get that?

647
00:41:40,040 --> 00:41:46,040
Speaker 1: Whatever the thing, Mr Turner, Unless I know the better, okay, okay,

648
00:41:45,400 --> 00:41:49,040
Speaker 1: I can't, but I think I think we're on the

649
00:41:49,120 --> 00:41:52,120
Speaker 1: right track here. I don't know how many classes I

650
00:41:52,160 --> 00:41:54,239
Speaker 1: could have the goal that way. I want all of

651
00:41:54,280 --> 00:41:56,840
Speaker 1: them to go that way. My man, I've been a

652
00:41:56,920 --> 00:42:00,360
Speaker 1: principle for the thirty two years, and Principal Davis scarse me,

653
00:42:00,360 --> 00:42:02,440
Speaker 1: I'm sorry. I was looking for my son. The class

654
00:42:02,480 --> 00:42:07,879
Speaker 1: just let out, I assume, and yeah, I just can't

655
00:42:07,880 --> 00:42:15,319
Speaker 1: from there. He wasn't there hiding the whole. Yeah. See,

656
00:42:15,360 --> 00:42:19,399
Speaker 1: that's when I do the students and um, I've got

657
00:42:19,400 --> 00:42:25,680
Speaker 1: a lot of bodies. Well they're not They're gone, alright, Bishop.

658
00:42:25,920 --> 00:42:28,160
Speaker 1: I don't I don't know if these two things are connected.

659
00:42:29,040 --> 00:42:35,040
Speaker 1: They are connected. Connected, you plug it in, it makes it. Okay,

660
00:42:35,040 --> 00:42:38,279
Speaker 1: it's an Oreo machine. What do you mean that's not connected? Yeah,

661
00:42:38,440 --> 00:42:40,719
Speaker 1: I get that the Oreo machine connects. I don't. I'm

662
00:42:40,719 --> 00:42:44,680
Speaker 1: not certain this is an Oreo machine. The Aureo you

663
00:42:44,680 --> 00:42:48,680
Speaker 1: should lie is that that goes up and up this yard?

664
00:42:48,719 --> 00:42:51,239
Speaker 1: Sale has been going on for two weeks, and in

665
00:42:51,360 --> 00:42:55,759
Speaker 1: that time, three schools have now had all of their

666
00:42:55,760 --> 00:42:58,840
Speaker 1: students disappear. It's so sad about the student. I mean,

667
00:42:58,920 --> 00:43:03,120
Speaker 1: that's crazy, that's insane. Bad educators, you know, bad educators.

668
00:43:03,480 --> 00:43:07,560
Speaker 1: That's what happened when the public schools aren't funded. But listen, okay,

669
00:43:07,640 --> 00:43:11,160
Speaker 1: why aren't we making any moves? What are you? What

670
00:43:11,200 --> 00:43:14,040
Speaker 1: are you waiting for? We just got to get enough information.

671
00:43:16,000 --> 00:43:18,920
Speaker 1: We just had to get enough information. Prove guilty. I

672
00:43:18,960 --> 00:43:20,520
Speaker 1: tell you who, I tell you who seems to know

673
00:43:20,600 --> 00:43:22,920
Speaker 1: everything about all of this. Let's go back down in

674
00:43:22,960 --> 00:43:26,400
Speaker 1: that hole. Can come back. It's so good to shoot.

675
00:43:26,719 --> 00:43:32,960
Speaker 1: I was your friend. What is going on? What do

676
00:43:33,040 --> 00:43:35,239
Speaker 1: you need to know? It's just telling me why we

677
00:43:35,239 --> 00:43:37,560
Speaker 1: want to know why three schools have now had all

678
00:43:37,600 --> 00:43:41,320
Speaker 1: of their students vanish. That's happened outside the premises. I

679
00:43:41,320 --> 00:43:45,200
Speaker 1: couldn't push understand. Yes, but with equipment that you built, right?

680
00:43:46,040 --> 00:43:50,520
Speaker 1: What do you mean right? Did you just admit to

681
00:43:51,080 --> 00:43:56,760
Speaker 1: building gear that destroyed? Question? Is this espresso for anybody

682
00:43:56,800 --> 00:44:00,440
Speaker 1: to use? Yes? Oh my god? Oh hell yeah, a room,

683
00:44:00,480 --> 00:44:02,960
Speaker 1: but an espresso? Can we please stay on task here

684
00:44:03,520 --> 00:44:07,359
Speaker 1: and be careful it's very strong. Look at that. Yeah,

685
00:44:07,360 --> 00:44:09,879
Speaker 1: they have little barcodes on the bottom of all the

686
00:44:09,600 --> 00:44:11,200
Speaker 1: all of the pot, so it knows what to do.

687
00:44:11,400 --> 00:44:14,880
Speaker 1: Oh my god, that is something. This is this is something.

688
00:44:14,960 --> 00:44:17,799
Speaker 1: Would you like some sort of artificial sweetener? No, thank you?

689
00:44:18,239 --> 00:44:20,879
Speaker 1: Or can we get back to the yes, whatever you'd like. Yeah,

690
00:44:20,880 --> 00:44:23,600
Speaker 1: you you would keep an eye on your partner. I'm

691
00:44:23,640 --> 00:44:26,400
Speaker 1: just suggesting. Are you going to rapture my partner? I didn't.

692
00:44:27,000 --> 00:44:33,520
Speaker 1: He made himself a coffee. I feel I feel, Oh god,

693
00:44:33,680 --> 00:44:38,359
Speaker 1: I feel, Oh god, Bishop bishop, What is going on,

694
00:44:38,440 --> 00:44:44,440
Speaker 1: Bishop bishop? Yeah, i'm your high. Oh no, he's four

695
00:44:44,719 --> 00:44:48,160
Speaker 1: eleven and a half. Oh my god. I thought i'd

696
00:44:48,160 --> 00:44:53,880
Speaker 1: equal to playing fairly. Wow, it's terrible down here. You

697
00:44:53,880 --> 00:44:57,719
Speaker 1: get no respects that bad women are loving, right, it's

698
00:44:57,760 --> 00:45:00,319
Speaker 1: not that bad. Nobody will take me seriously at home.

699
00:45:00,360 --> 00:45:03,160
Speaker 1: Deepo helps you would like to drink from the other

700
00:45:03,440 --> 00:45:09,640
Speaker 1: coffee machine? Well, I do like an espresso opposite resinald. No, No,

701
00:45:09,920 --> 00:45:14,719
Speaker 1: let me take Oh, this is this is nice. I

702
00:45:14,719 --> 00:45:16,040
Speaker 1: think I'm gonna get one of the let's do the

703
00:45:16,120 --> 00:45:18,640
Speaker 1: latte one. And I'm only taking I'm only taking a

704
00:45:18,680 --> 00:45:22,600
Speaker 1: small break because we're on a fact finding mission here, right?

705
00:45:22,640 --> 00:45:26,239
Speaker 1: Can I get you ano deficial? Sweet? Yes? Please? Would

706
00:45:26,280 --> 00:45:31,560
Speaker 1: you like I'd like a splenda? Please? Stevie is technically

707
00:45:31,560 --> 00:45:34,759
Speaker 1: not artificial, though, right. It comes from a planet. They

708
00:45:34,840 --> 00:45:39,680
Speaker 1: do so much. Oh oh, all god, it seemed to

709
00:45:39,680 --> 00:45:41,520
Speaker 1: be growing. Oh my god, I seem to be growing.

710
00:45:41,560 --> 00:45:47,640
Speaker 1: Oh I must be six ft three now. The view

711
00:45:47,719 --> 00:45:54,120
Speaker 1: from up here spectacular? Spectacular? Hey baby, how is it

712
00:45:54,200 --> 00:46:01,800
Speaker 1: being the principal? That's fun? Baby? Yeah? You kim closer,

713
00:46:02,120 --> 00:46:05,239
Speaker 1: kim closer, come closer to me. What's going on? Hug

714
00:46:05,560 --> 00:46:08,680
Speaker 1: why I want one? Hug my husband. I just came

715
00:46:08,719 --> 00:46:14,280
Speaker 1: home from school. What I gotta baby? Smell you smell

716
00:46:14,320 --> 00:46:16,719
Speaker 1: like the goddamn art teacher. Come on and smell like

717
00:46:16,760 --> 00:46:19,920
Speaker 1: the goddamn art teachers. You know you don't know art, No,

718
00:46:20,040 --> 00:46:22,880
Speaker 1: but I know what a floozy looks like. Oh that's right.

719
00:46:22,920 --> 00:46:25,600
Speaker 1: Oh is that her skirt falls off of her constantly?

720
00:46:25,640 --> 00:46:28,800
Speaker 1: Oh my god, that's not her fault. That's not her fault.

721
00:46:29,239 --> 00:46:32,359
Speaker 1: Your penis inside of from Oh and I fell pull

722
00:46:32,400 --> 00:46:35,319
Speaker 1: it up. Let me smell it. Come on, let me smelling. No,

723
00:46:35,440 --> 00:46:40,360
Speaker 1: I there, I had a bad burger. Did you just that? Me?

724
00:46:40,560 --> 00:46:43,640
Speaker 1: I did? I did? Oh my god, oh god, I

725
00:46:43,800 --> 00:46:47,040
Speaker 1: thought with your art slut. Oh my god, Oh my god,

726
00:46:47,120 --> 00:46:49,640
Speaker 1: Oh my god, I killed me even know I didn't.

727
00:46:49,640 --> 00:46:55,080
Speaker 1: It depends in fact. I my mercy is I've been killed.

728
00:46:55,120 --> 00:46:58,439
Speaker 1: Take your time. I died, My wife died. Take your time.

729
00:46:58,440 --> 00:47:02,319
Speaker 1: My wife died. She died. I thought she was at

730
00:47:02,360 --> 00:47:12,160
Speaker 1: my house. And take a breath, my wife. I'm hearing

731
00:47:12,160 --> 00:47:16,040
Speaker 1: that your wife is in trouble. What did you do? Oh?

732
00:47:16,239 --> 00:47:21,280
Speaker 1: What's what did you do? Sir? To marry terror Montana?

733
00:47:21,680 --> 00:47:27,120
Speaker 1: If ever seen Nick? Can you hear me that? One? One?

734
00:47:27,320 --> 00:47:32,000
Speaker 1: Can you hear me? She's one? One? Yes, yes, no one?

735
00:47:32,840 --> 00:47:35,920
Speaker 1: It was a goof? Who was a grand is a

736
00:47:36,040 --> 00:47:47,160
Speaker 1: crazy dream? Thank you? Bye bye? I had a dream?

737
00:47:47,160 --> 00:47:50,439
Speaker 1: Baby Baby, We coup baby, We coup Merri and you

738
00:47:51,239 --> 00:47:55,480
Speaker 1: met you? Baby? Hey? You two quiet down in that cell.

739
00:47:56,680 --> 00:47:59,800
Speaker 1: Visiting hours are over, lights out, we're done. Mr Turner.

740
00:48:03,000 --> 00:48:05,279
Speaker 1: Could you please just leave me a while? I can't

741
00:48:05,320 --> 00:48:06,960
Speaker 1: leave you know, Look, we gotta have a power dynamic

742
00:48:07,040 --> 00:48:09,080
Speaker 1: in the cell, okay, or people can take advantage of us.

743
00:48:09,080 --> 00:48:11,319
Speaker 1: You understand that, I know. But the power dynamic is

744
00:48:11,360 --> 00:48:14,960
Speaker 1: me being powerless. It's not a good power to not true,

745
00:48:15,040 --> 00:48:18,799
Speaker 1: not true? Are you feeling with chess. What chess? I'm

746
00:48:18,920 --> 00:48:20,920
Speaker 1: excellent at chess. Okay, I need you to teach me.

747
00:48:20,960 --> 00:48:24,640
Speaker 1: That's a second thing. Number one, be honored. I need

748
00:48:24,719 --> 00:48:27,760
Speaker 1: you to dominate me. Okay, oh in a chess board.

749
00:48:27,760 --> 00:48:30,120
Speaker 1: That's it's going to be hard. Mr Turner. Mr Turner

750
00:48:30,280 --> 00:48:31,960
Speaker 1: needs you to fight me. I don't let people know

751
00:48:32,080 --> 00:48:33,920
Speaker 1: that you're the ace in the hole. You got that?

752
00:48:34,000 --> 00:48:38,040
Speaker 1: Oh yeah, oh yeah with chess. Oh goddamn turn fight me.

753
00:48:38,080 --> 00:48:41,760
Speaker 1: Beat me up people, Okay, excuse me, gentlemen, nice signy

754
00:48:41,800 --> 00:48:43,840
Speaker 1: train to rap. There's just wondering which one of you

755
00:48:44,000 --> 00:48:49,439
Speaker 1: is the ace in the hood. It's me. I'm the whole.

756
00:48:49,920 --> 00:48:53,719
Speaker 1: I've never guessed. But okay, is it visiting hours? Oh

757
00:48:54,000 --> 00:49:02,440
Speaker 1: darn it, skirts im, It's fine. The FBI is run

758
00:49:02,480 --> 00:49:05,800
Speaker 1: in this prison. Now, okay, baby, I'll talk to you. Okay,

759
00:49:07,480 --> 00:49:10,359
Speaker 1: see her or touch it all or no, that's big man?

760
00:49:10,800 --> 00:49:12,759
Speaker 1: Is that all right? I'm an art teacher, so I'm

761
00:49:12,840 --> 00:49:17,439
Speaker 1: very visual and I'm also skirt lady, so sorry, it's

762
00:49:17,440 --> 00:49:21,040
Speaker 1: a rap skirt. It's not my fault, then it absolutely

763
00:49:21,080 --> 00:49:24,719
Speaker 1: is your fault. Let me ask you a question. How

764
00:49:24,840 --> 00:49:28,279
Speaker 1: is it that all of us members of the community

765
00:49:28,360 --> 00:49:31,480
Speaker 1: are in this prison at the same time, while the

766
00:49:31,520 --> 00:49:35,600
Speaker 1: two mad scientists are thank you for giving me crying.

767
00:49:36,360 --> 00:49:41,680
Speaker 1: Oh you're here. We're looking through the windows here. Oh

768
00:49:41,800 --> 00:49:44,440
Speaker 1: it's not actually a prison. You see. They designed this

769
00:49:44,600 --> 00:49:50,919
Speaker 1: facility themselves. We're in the hole. We're in the hole.

770
00:49:52,280 --> 00:49:55,880
Speaker 1: The hole. It's exactly right, like an asshole. What are

771
00:49:55,880 --> 00:49:57,439
Speaker 1: you gonna do with us? What was your big plan?

772
00:49:58,200 --> 00:50:00,600
Speaker 1: That is? I mean pretty m figure on this with goal.

773
00:50:00,719 --> 00:50:02,440
Speaker 1: We're scientists, you know what I mean. We create the

774
00:50:02,480 --> 00:50:05,239
Speaker 1: situation to see what the results are. We have fun.

775
00:50:06,000 --> 00:50:08,279
Speaker 1: We're still doing the art sale up here. Are you

776
00:50:08,360 --> 00:50:12,000
Speaker 1: not having fun? I didn't misunderstood. No, we're not. No,

777
00:50:12,040 --> 00:50:19,839
Speaker 1: we're not not fun having three Blanco or something like that.

778
00:50:20,320 --> 00:50:23,080
Speaker 1: Blanco is a big guy, huge, that's a long time

779
00:50:23,120 --> 00:50:26,080
Speaker 1: to build. But okay, okay, you like that. I am

780
00:50:26,120 --> 00:50:29,480
Speaker 1: a big price is right fans. But running short it's

781
00:50:29,520 --> 00:50:32,080
Speaker 1: perhaps so that's fun. I do like running short. What

782
00:50:32,120 --> 00:50:36,440
Speaker 1: the fund is happening? That's how we should have every episode.

783
00:50:37,360 --> 00:50:40,759
Speaker 1: Oh that's the thank our engineer of the stars and

784
00:50:40,840 --> 00:50:45,359
Speaker 1: welcome back Doug Babe. Post sound design of course by

785
00:50:45,520 --> 00:50:51,239
Speaker 1: artist Raphaelbrito, predially Sophie Lichterman, and lastly, I heart media.

786
00:50:51,280 --> 00:50:52,960
Speaker 1: Of course, I encourage you all to write a review

787
00:50:53,160 --> 00:50:55,480
Speaker 1: and tell everyone you've ever met to UH and as

788
00:50:55,480 --> 00:50:58,759
Speaker 1: well as UH sending a scene suggestion to your name here,

789
00:50:58,800 --> 00:51:01,560
Speaker 1: tlcome to this dot com. Let's see Joey Greer talk

790
00:51:01,640 --> 00:51:05,480
Speaker 1: to me. Thank you for being here today. I'm sorry

791
00:51:05,600 --> 00:51:08,640
Speaker 1: that you were. You were rejected for whatever that job was,

792
00:51:09,760 --> 00:51:13,280
Speaker 1: Okay cool. James Heineman, thanks for having me Front Times.

793
00:51:13,520 --> 00:51:16,239
Speaker 1: Oh fantastic. Mark Gagley already, thanks so much for joining

794
00:51:16,280 --> 00:51:22,000
Speaker 1: us again. Always a blast. Yeah, we'll see you next week. Yeah, Hi,

795
00:51:22,880 --> 00:51:25,759
Speaker 1: thank you again. Thank you, what a delight to be here.

796
00:51:25,920 --> 00:51:30,600
Speaker 1: And Christoph Varano, You're very welcome, perfectly said. I'm Kevin Pollock.

797
00:51:30,680 --> 00:52:05,680
Speaker 1: Until next time at a football