WEBVTT - Danielle with…Tom Bergeron

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<v Speaker 1>It's been a minute, but welcome back to Danielle with

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<v Speaker 1>a podcast that at one time faithfully followed my journey

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<v Speaker 1>from normal, everyday plead to exceptional exceptional professional dancer, and now,

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<v Speaker 1>with announcements and events popping up all over pop culture,

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<v Speaker 1>the season has returned. It's officially time to talk Dancing

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<v Speaker 1>with the Stars. I'm excited to be diving back into

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<v Speaker 1>the universe at the end of July at Dancing with

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<v Speaker 1>the Stars Con twenty six in Palm Springs, California, where

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<v Speaker 1>I'll be partaking in the festivities and endlessly complaining about

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<v Speaker 1>the heat. Tickets available now, and they've already welcomed three

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<v Speaker 1>new cast members for season thirty five, reality TV stars

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<v Speaker 1>Mora Higgins and Sierra Miller and Savannah Bananas baseball player

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<v Speaker 1>Jackson Olsen. But none of this could be possible without

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<v Speaker 1>the contributions of this week's special guest. There's been a

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<v Speaker 1>lot of Mount Rushmore talk on social media this year,

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<v Speaker 1>and I think you'd be hard pressed to leave this

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<v Speaker 1>legend off when it comes to Dancing with the Stars.

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<v Speaker 1>Variation Originally a radio DJ with stops in New Hampshire

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<v Speaker 1>and Boston, he did the unthinkable and did have a

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<v Speaker 1>face for TV, landing local hosting spots, including a teenage

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<v Speaker 1>discussion series called Wrap Around Spelled Rap I'm going to

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<v Speaker 1>need to know everything about that. And then the floodgates opened.

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<v Speaker 1>Three years at FX and Fox, guest hosts on Good

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<v Speaker 1>Morning America and a gig that landed him the Daytime

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<v Speaker 1>Emmy for Outstanding Game Show Host, Hollywood Squares. Then for

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<v Speaker 1>thirteen years he was the face of America's Funniest Home Videos,

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<v Speaker 1>still the show's longest tenured host, introducing dudes getting hit

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<v Speaker 1>in the genitals, which led to another Emmy winning spot,

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<v Speaker 1>the Master of Ceremonies for Dancing with the Stars from

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<v Speaker 1>two thousand and five to twenty twenty. He co hosted

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<v Speaker 1>the Emmys in two thousand and eight, wrote a best

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<v Speaker 1>selling autobiography in two thousand and nine, and made his

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<v Speaker 1>triumphant return to the ballroom last year, a hopeful sign

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<v Speaker 1>that we will get to see him even more during

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<v Speaker 1>this new renaissance of the show.

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<v Speaker 2>Also, we work out at the same gym this week.

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<v Speaker 1>I'm honored to welcome to Danielle with a pioneer of

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<v Speaker 1>reality and competition TV, Tom bergeron.

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<v Speaker 3>Well, I just have to tell you after hearing of

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<v Speaker 3>all my accomplishments, I'm exhausted.

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<v Speaker 4>Aren't you tired?

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<v Speaker 3>I've just I have to go lie down now.

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<v Speaker 2>No wonder you just want to stay in your home

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<v Speaker 2>and have food delivered, you know?

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<v Speaker 3>Yeah, it's we were Danielle and I were talking just

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<v Speaker 3>before we invited you in that I had become a

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<v Speaker 3>recluse very happily with streaming services and Instacart and door

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<v Speaker 3>Dash and Zoom. I mean, why leave?

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<v Speaker 2>Why leave your house?

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<v Speaker 3>You know?

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<v Speaker 1>My mom actually has been saying that for years, long

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<v Speaker 1>before the streaming services.

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<v Speaker 2>In the Zoom.

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<v Speaker 1>Whenever we would pitch the idea of going camping, my

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<v Speaker 1>mom would say, but I've worked very hard for this house.

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<v Speaker 1>Why would I want to pretend I don't have one?

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<v Speaker 3>Yeah, exactly, Why go into a smaller version, you know,

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<v Speaker 3>where we're all bumping into each other?

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<v Speaker 2>Exactly.

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<v Speaker 1>Well, it's in my absolute pleasure to get to sit

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<v Speaker 1>here with you for the podcast. I did mention in

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<v Speaker 1>your intro that we go to the same gym, and

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<v Speaker 1>there is not a single person at our gym who

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<v Speaker 1>doesn't say, what an absolute lovely gem of a human

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<v Speaker 1>being you are.

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<v Speaker 3>Oh stop, stop, I have to say at the outset.

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<v Speaker 3>One thing I really missed when I went back to

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<v Speaker 3>be a guest judge for the twentieth you were voted

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<v Speaker 3>off like the week before.

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<v Speaker 1>Right, I know I missed you missed you by that much,

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<v Speaker 1>I know, I think so.

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<v Speaker 2>Yeah, because what week were you there?

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<v Speaker 3>Was the I think it was week nine?

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<v Speaker 2>Yeah, I was voted off week eight, so yeah.

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<v Speaker 3>Yes, the twentieth celebration was week now. Yeah, sorry about that.

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<v Speaker 2>Yeah, I was there.

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<v Speaker 1>I was just sitting in the audience now going hey everyone, Well,

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<v Speaker 1>first of all, I'm going to need to get wrap

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<v Speaker 1>around out of the way first. This was a weekend

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<v Speaker 1>TV show with troubled teens at WBZ in Boston.

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<v Speaker 3>Right, Yeah, yeah, they weren't all troubled. They were probably

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<v Speaker 3>troubled about it on a par with me. Okay, but yeah,

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<v Speaker 3>it was a really cool format. It was me with

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<v Speaker 3>a different high school or high schools every week talking

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<v Speaker 3>about issues a specific two teens, and some of them

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<v Speaker 3>were you know, like peer pressure, gang influences in and

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<v Speaker 3>around the Boston area, et cetera. So I only had

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<v Speaker 3>one rule. I said, I'm I'm I'm not going to

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<v Speaker 3>be either your parent or your peer Okay, I just

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<v Speaker 3>want to listen, and I'm going to respond with my

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<v Speaker 3>natural curiosity based on what you're telling me. Once we

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<v Speaker 3>establish what the topic for any given show is. And

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<v Speaker 3>we sat around together on these cushioned It was a

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<v Speaker 3>really cool, like graffiti Layton set that they came up with,

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<v Speaker 3>and I did that for a couple of seasons on

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<v Speaker 3>the what was then the NBC affiliate in Boston.

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<v Speaker 2>OW I mean, how did you get that job?

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<v Speaker 1>Because, with all due respect, when I think of gang

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<v Speaker 1>violence and hip hop music, my first thought is not, Yeah.

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<v Speaker 3>The whitest man in America. When I would show up

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<v Speaker 3>what I would show up for Hollywood Squares because we'd

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<v Speaker 3>shoot during the summer, and I'd show up, you know,

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<v Speaker 3>a T shirt and shorts because the wardrobe people had

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<v Speaker 3>my c was hanging up and Whoopy would look at

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<v Speaker 3>me and go, those are the whitest legs in America.

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<v Speaker 3>So I had been doing other stuff at that station

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<v Speaker 3>at BC, and I had done a magazine show for

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<v Speaker 3>younger kids called super Kids prior to wrap Around, and

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<v Speaker 3>then I started hosting the midday talk show called People

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<v Speaker 3>Were Talking, which was on the Westinghouse stations. Oprah did

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<v Speaker 3>the one in Baltimore as a matter of fact, at

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<v Speaker 3>one time, and as a result of that, they said, Hey,

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<v Speaker 3>would you like to do another show, just a weekend

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<v Speaker 3>show that we taped during the week just with kids. Yeah,

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<v Speaker 3>And I thought, well, that's you know, I think at

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<v Speaker 3>that point I was a new dad as well. Oh

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<v Speaker 3>so I wanted to see what I was in for exactly. Yeah.

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<v Speaker 1>Well, you had just started to make a name for

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<v Speaker 1>yourself as a host. Apparently you were so good that

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<v Speaker 1>people wanted you on other shows. You mentioned, people are talking,

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<v Speaker 1>and like you said, it was a big regional talk

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<v Speaker 1>show with guests like Spike Lee, New Kids on the Block,

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<v Speaker 1>Roseanne Barr and other very time relevant names. And then

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<v Speaker 1>this was in the Donna Hue or Oprah format of

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<v Speaker 1>the era.

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<v Speaker 2>Was this your style of talk show?

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<v Speaker 1>It's very host reliant, so you had to love it.

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<v Speaker 3>It was What I loved about it was it was

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<v Speaker 3>like cramming for an exam every night, because five days

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<v Speaker 3>a week for one hour midday live, which I love. Wow,

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<v Speaker 3>it was a given topic or guest. One of my

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<v Speaker 3>favorite guests he was on twice with me, was President

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<v Speaker 3>Jimmy Carter, the late Jimmy Carter, wonderful guests, and we

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<v Speaker 3>ran the gamut from sublime to ridiculous on that format.

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<v Speaker 3>But my favorite, my absolute favorite experience hosting on television.

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<v Speaker 3>And this might surprise people who think, well, it's got

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<v Speaker 3>to be America's funniest vidy as stars, it's not. It's

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<v Speaker 3>Breakfast Time on FX, which I co hosted from ninety

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<v Speaker 3>four to ninety six, and it was set in a

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<v Speaker 3>sixty five hundred square foot apartment in the Flatiron district

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<v Speaker 3>of New York, made for television, and it was just

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<v Speaker 3>and the cast was incredible, and I loved going to

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<v Speaker 3>work every day. I'd get up in Connecticut at three

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<v Speaker 3>point thirty in the morning and drive to Manhattan, so

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<v Speaker 3>I'd get there the office at about five, and you know,

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<v Speaker 3>loved it, not that part of it, but I loved

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<v Speaker 3>the actual show.

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<v Speaker 2>What was Your bedtime? For a three thirty wake up?

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<v Speaker 3>It was early as a matter of and the girls

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<v Speaker 3>were see our daughters at that point were probably do

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<v Speaker 3>six and four. So Lois, my wife, actually got them

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<v Speaker 3>a board game called Don't Wake Daddy. And I was

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<v Speaker 3>basically on the same sleep schedule as my kids.

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<v Speaker 1>Yeah, yeah, exactly. I actually know that schedule. Well, because

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<v Speaker 1>my husband did morning radio out in LA when we

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<v Speaker 1>first got married, and so he had a very similar

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<v Speaker 1>four am alarm clock.

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<v Speaker 2>And I said, listen, I'm pregnant. Let's just start getting

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<v Speaker 2>on that baby schedule.

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<v Speaker 1>So we'd go to bed at eight thirty and then

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<v Speaker 1>get up at four. It's actually kind of glorious. So

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<v Speaker 1>what was Breakfast Time about.

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<v Speaker 3>Well, it was about two hours.

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<v Speaker 2>And then it happened.

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<v Speaker 3>Yeah. It was kind of a gonzo version of a

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<v Speaker 3>morning television show. We had news and weather and guests

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<v Speaker 3>and all that, but we did it in almost a

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<v Speaker 3>morning zoo kind of format. It was like a radio

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<v Speaker 3>show on television. Great, there are compilation videos on YouTube

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<v Speaker 3>and you can type in my name and Breakfast Time

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<v Speaker 3>and just I'm the guy with the brown hair in

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<v Speaker 3>those videos. But yeah, it was just wonderful. My co

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<v Speaker 3>host was Laurie Hibbert now Laurie Gelman, married to Michael Gelman. Yeah,

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<v Speaker 3>what is it, Kelly and somebody else? Now Mark or.

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<v Speaker 2>I think it's Mark, Yeah, Mark, thank you?

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<v Speaker 3>Well, anyway that Laurie's married to Gelman. Yeah, but we

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<v Speaker 3>we just hit it off. I've been very fortunate with

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<v Speaker 3>with co hosts. Over the years.

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<v Speaker 1>Yeah, Well, as I mentioned my husband being a morning

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<v Speaker 1>radio DJ, and you said, like a morning zoo type thing.

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<v Speaker 1>Do you love We love radio. We think radio is

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<v Speaker 1>just one of the greatest formats ever. Do you think

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<v Speaker 1>it is something there's something special about that skill set

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<v Speaker 1>that helps with the transition then to TV.

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<v Speaker 3>That's a really good question, and I think you're spot on.

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<v Speaker 3>I think the thing that I always tell aspiring broadcasters, podcasters, whatever,

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<v Speaker 3>is that, however big an audience you're shooting for, just

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<v Speaker 3>remember you're only talking to one person, right, And you

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<v Speaker 3>know that was really as a matter of fact, when

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<v Speaker 3>I first started in radio, Danielle, I had in my

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<v Speaker 3>hometown in Massachusetts. So that I could focus on one person,

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<v Speaker 3>I had an album cover on the other side of

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<v Speaker 3>the microphone that had this really attractive woman's face on it.

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<v Speaker 3>I couldn't tell you what band it was or but

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<v Speaker 3>I'm sure that for the first couple of years of

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<v Speaker 3>my career I just sounded horny.

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<v Speaker 1>You're like, I'm gonna keep my eyes locked on.

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<v Speaker 3>But I think that keeping that in mind, that you're

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<v Speaker 3>talking to one person, that was something easy to develop

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<v Speaker 3>in radio because you're kind of in a room by

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<v Speaker 3>yourself unless you have a morning team around you. And

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<v Speaker 3>then for television, it was funny. There was one one

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<v Speaker 3>time Fantastic with the Stars. Some friends from the East

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<v Speaker 3>Coast were in the audience visiting, and during a commercial break,

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<v Speaker 3>my buddy Greg called me over. He goes, Tom, you know,

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<v Speaker 3>there's so much noise here in the ballroom. I can't

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<v Speaker 3>hear you when you're talking. And I said, well, that's

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<v Speaker 3>all right, I'm not talking to you. Nothing I'm saying

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<v Speaker 3>is that person on the other side of the lens.

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<v Speaker 1>Yeah, exactly, I know. I have noticed. I've been toasting

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<v Speaker 1>the American Idol Official podcast in. Ryan Seacrest, of course,

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<v Speaker 1>is the host of that show, another legendary host, and

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<v Speaker 1>whenever he's talking, he's just it's.

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<v Speaker 2>His absolute same volume. Everyone in the audience is going crazy.

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<v Speaker 1>No one knows what he's saying or when he's even

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<v Speaker 1>done saying it, but he's not talking to us.

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<v Speaker 3>That's right.

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<v Speaker 1>You mentioned Dancing with the Stars, and I always imagine

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<v Speaker 1>the first time somebody hears the pitch for the show,

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<v Speaker 1>and I think this, it must have just sounded insane.

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<v Speaker 1>It's not like ballroom dancing was having a moment or anything.

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<v Speaker 1>And then this concept of teaching celebrit parties how to

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<v Speaker 1>do it.

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<v Speaker 2>It kind of sounds like a car wreck.

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<v Speaker 3>Well, you know, yes and no. I mean there was

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<v Speaker 3>a there was some momentum for ballroom okay time, there

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<v Speaker 3>was the movie Strictly Ballroom came out. I think Richard

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<v Speaker 3>Gear and j Low were in it. And as a

0:13:18.400 --> 0:13:21.960
<v Speaker 3>matter of fact, that's why the mothership, which had been

0:13:22.080 --> 0:13:29.720
<v Speaker 3>called Come Dancing for years, yeah, added illogically Strictly because

0:13:29.720 --> 0:13:32.320
<v Speaker 3>they were sort of, you know, in the slipstream of

0:13:32.360 --> 0:13:37.600
<v Speaker 3>the success of that movie, and Strictly Come Dancing shifted

0:13:37.640 --> 0:13:39.960
<v Speaker 3>from being I think originally it was like a weekend

0:13:40.640 --> 0:13:44.800
<v Speaker 3>legit ballroom professional show, and then they started adding the

0:13:44.840 --> 0:13:48.000
<v Speaker 3>celebrity element and moved it to prime time and it

0:13:48.240 --> 0:13:52.360
<v Speaker 3>blew up and it okay. So that's what prompted the

0:13:52.400 --> 0:13:56.280
<v Speaker 3>head of entertainment programming at the time, Andrew Along, to

0:13:56.440 --> 0:14:00.280
<v Speaker 3>pitch of an American version of that. And she told

0:14:00.280 --> 0:14:03.560
<v Speaker 3>me later, once we were established in a hit, she said, Tom,

0:14:03.600 --> 0:14:06.280
<v Speaker 3>when I was in that room pitching it, nobody would

0:14:06.320 --> 0:14:07.600
<v Speaker 3>make eye contact with me.

0:14:08.080 --> 0:14:09.120
<v Speaker 2>Like this is on com.

0:14:11.120 --> 0:14:13.839
<v Speaker 3>She's killing her career right now, we're watching it happen.

0:14:14.559 --> 0:14:17.000
<v Speaker 2>Yeah, and turn away from the car wreck.

0:14:17.320 --> 0:14:20.400
<v Speaker 3>That's right. So she had a pretty big I told

0:14:20.400 --> 0:14:22.960
<v Speaker 3>you so in her back pocket for quite some time.

0:14:23.200 --> 0:14:24.080
<v Speaker 1>Boy, I love that.

0:14:24.680 --> 0:14:27.320
<v Speaker 2>Did you have any dance knowledge going into it?

0:14:27.840 --> 0:14:27.920
<v Speaker 4>No?

0:14:28.200 --> 0:14:35.280
<v Speaker 3>I barely have any now, Yeah, No, I didn't at all. All.

0:14:35.440 --> 0:14:38.240
<v Speaker 3>The only knowledge I had was, you know, being comfortable

0:14:38.240 --> 0:14:42.800
<v Speaker 3>hosting live television. And in some ways that was an

0:14:42.840 --> 0:14:47.400
<v Speaker 3>advantage because I became your surrogate as the viewer. I

0:14:47.560 --> 0:14:50.960
<v Speaker 3>was learning while you were learning, you know, And I

0:14:51.000 --> 0:14:55.440
<v Speaker 3>mean I have some dance lingo. But I said to

0:14:55.440 --> 0:14:57.840
<v Speaker 3>everybody when I showed up to be a guest judge

0:14:57.840 --> 0:15:02.920
<v Speaker 3>in November, I said, I'm not gonna be critiquing technique.

0:15:03.000 --> 0:15:05.920
<v Speaker 3>I'm just going to tell you emotionally what I felt

0:15:06.920 --> 0:15:09.920
<v Speaker 3>watching the dance, because you know, Derek and Carrie Ann

0:15:09.960 --> 0:15:12.160
<v Speaker 3>and Bruno, they've got the technique stuff down.

0:15:12.360 --> 0:15:13.960
<v Speaker 2>Yeah, you're not going to compete with them?

0:15:14.440 --> 0:15:18.480
<v Speaker 3>No that No, I wouldn't even pretend to have any

0:15:18.520 --> 0:15:22.520
<v Speaker 3>of that knowledge. But I could. I could critique based

0:15:22.600 --> 0:15:26.200
<v Speaker 3>as a viewer, and my role, I think when I

0:15:26.280 --> 0:15:29.880
<v Speaker 3>hosted it over the years was to basically protect you guys,

0:15:30.600 --> 0:15:33.760
<v Speaker 3>you know, from the judges and then God bless him.

0:15:33.800 --> 0:15:38.080
<v Speaker 3>I did miss him. I wish he was still with us.

0:15:38.120 --> 0:15:39.000
<v Speaker 2>Everybody misses.

0:15:39.200 --> 0:15:46.680
<v Speaker 3>Everybody's such a wonderful, lovely man with just the right amount.

0:15:46.320 --> 0:15:49.000
<v Speaker 1>Of snark yep, exactly, yes.

0:15:48.880 --> 0:15:52.320
<v Speaker 3>And you know, sometimes the judges were a little harsh,

0:15:52.360 --> 0:15:55.880
<v Speaker 3>and I try to be like a comedic shield between

0:15:55.920 --> 0:15:58.760
<v Speaker 3>the couples and the judges and try to and just

0:15:58.840 --> 0:16:02.400
<v Speaker 3>keep the show move, just keep everything going, because as

0:16:02.440 --> 0:16:04.760
<v Speaker 3>you know, there are a lot of moving parts.

0:16:04.640 --> 0:16:05.440
<v Speaker 2>There sure are.

0:16:05.560 --> 0:16:07.840
<v Speaker 1>Okay, what can you tell me about that first season,

0:16:07.880 --> 0:16:10.120
<v Speaker 1>because I have to imagine it was like the wild West.

0:16:11.440 --> 0:16:14.440
<v Speaker 3>Yeah, it was the summer of two thousand and five.

0:16:15.640 --> 0:16:19.080
<v Speaker 3>I was on hiatus from America's Funniest Videos. So when

0:16:19.120 --> 0:16:22.840
<v Speaker 3>ABC asked if I would host a summer show, I thought, well,

0:16:22.960 --> 0:16:26.240
<v Speaker 3>you know, sure, Okay, six weeks live TV. Why not,

0:16:26.960 --> 0:16:29.920
<v Speaker 3>expecting nothing of it other than it might be it

0:16:30.000 --> 0:16:32.840
<v Speaker 3>might come back next summer if it's a hit this summer.

0:16:34.360 --> 0:16:37.880
<v Speaker 3>But you know, it didn't know what we had. I mean,

0:16:38.240 --> 0:16:43.280
<v Speaker 3>I was really skeptical about a celebrity ballroom show. Yeah,

0:16:43.480 --> 0:16:47.320
<v Speaker 3>but I'll give it a go. What the heck. The

0:16:47.360 --> 0:16:50.280
<v Speaker 3>one thing that I insisted on changing by the time

0:16:50.320 --> 0:16:53.760
<v Speaker 3>we got to season two. In season one, there were

0:16:53.760 --> 0:16:57.360
<v Speaker 3>a lot of scripted jokes. Okay, and the joke writer

0:16:57.640 --> 0:17:00.520
<v Speaker 3>is actually a friend of mine. He's award winning, great guy,

0:17:01.400 --> 0:17:05.879
<v Speaker 3>but it always felt weird. I finally said to the producers,

0:17:05.880 --> 0:17:09.119
<v Speaker 3>you know what, We're a live show. I should be

0:17:09.200 --> 0:17:13.000
<v Speaker 3>reacting in real time to what I'm seeing and feeling.

0:17:13.720 --> 0:17:17.199
<v Speaker 3>And sometimes that might be with a joke. Sometimes it

0:17:17.320 --> 0:17:20.280
<v Speaker 3>might be with a hug. You know. Sometimes it's just

0:17:20.359 --> 0:17:24.000
<v Speaker 3>but to have something scripted days earlier that has no

0:17:24.080 --> 0:17:27.120
<v Speaker 3>bearing on what we just saw, what's the point of that.

0:17:27.720 --> 0:17:30.800
<v Speaker 3>So I made the pitch. I said, just I'm asking

0:17:30.800 --> 0:17:34.200
<v Speaker 3>you to trust me, and and thankfully they did. And

0:17:34.840 --> 0:17:39.639
<v Speaker 3>from season two on, I pretty much abandoned having anything

0:17:39.760 --> 0:17:43.480
<v Speaker 3>prepared other than getting you to the commercial and bringing

0:17:43.520 --> 0:17:44.240
<v Speaker 3>you back.

0:17:44.240 --> 0:17:47.760
<v Speaker 1>Yes, yes, that's so great, and in the script, just

0:17:48.080 --> 0:17:50.320
<v Speaker 1>Tom reacts.

0:17:50.440 --> 0:17:55.760
<v Speaker 3>Yeah. That was basically. We'd be in script meetings and

0:17:56.680 --> 0:17:59.439
<v Speaker 3>especially leading into season two, and I'd look at something

0:17:59.640 --> 0:18:02.200
<v Speaker 3>that you know, on its own was a good joke,

0:18:02.240 --> 0:18:04.679
<v Speaker 3>but not germane to anything, right, and I would go on,

0:18:04.960 --> 0:18:07.080
<v Speaker 3>I'm not doing that. As a matter of fact. On

0:18:07.160 --> 0:18:10.160
<v Speaker 3>America's Funniest Videos in the early years, before they kind

0:18:10.200 --> 0:18:13.440
<v Speaker 3>of got my rhythm and my voice. We would sit

0:18:13.720 --> 0:18:18.000
<v Speaker 3>in a room before the taping and the head writer

0:18:18.240 --> 0:18:20.480
<v Speaker 3>was Todd Thick, and he would turn to the other

0:18:20.520 --> 0:18:25.199
<v Speaker 3>writers and he said, Okay, guys, here's where Tom kills

0:18:25.240 --> 0:18:25.920
<v Speaker 3>your babies.

0:18:28.680 --> 0:18:30.000
<v Speaker 2>Don't be too attached to anything.

0:18:30.080 --> 0:18:30.960
<v Speaker 3>I'll busy at that.

0:18:31.359 --> 0:18:35.199
<v Speaker 1>Yeah. Now, a lot of fans talk about how the

0:18:35.240 --> 0:18:38.640
<v Speaker 1>focus of the show has moved away from the drama

0:18:38.800 --> 0:18:43.280
<v Speaker 1>packages of the early days, the arguments between partners, the bickering.

0:18:43.920 --> 0:18:46.800
<v Speaker 2>Do you miss that element at all? Is there room

0:18:46.960 --> 0:18:49.000
<v Speaker 2>for it? In twenty twenty six.

0:18:51.000 --> 0:18:55.200
<v Speaker 3>In all candor, I hadn't been watching.

0:18:55.520 --> 0:18:57.080
<v Speaker 2>Oh yeah, so.

0:18:58.640 --> 0:19:03.760
<v Speaker 3>You know I I had mixed feelings had yeah, exactly,

0:19:04.280 --> 0:19:08.359
<v Speaker 3>So I wasn't really watching until the few weeks prior

0:19:08.400 --> 0:19:11.159
<v Speaker 3>to being the guest judge. I mean, I still I

0:19:11.200 --> 0:19:13.440
<v Speaker 3>think that was evident when I was back, have great

0:19:13.560 --> 0:19:19.320
<v Speaker 3>fondness everybody there, and the people that I didn't have

0:19:19.400 --> 0:19:22.960
<v Speaker 3>fondness for pretty much were all gone. Son made it

0:19:23.000 --> 0:19:26.520
<v Speaker 3>easy to come back. But so I can't speak to

0:19:26.720 --> 0:19:31.320
<v Speaker 3>how the packages have changed, but I will say since

0:19:32.000 --> 0:19:35.480
<v Speaker 3>Conrad Green came back as the showrunner, who was my

0:19:35.560 --> 0:19:39.840
<v Speaker 3>original showrunner, the ship has been righted. I know it

0:19:39.920 --> 0:19:43.280
<v Speaker 3>got a little rocky for a couple of seasons there

0:19:43.880 --> 0:19:48.280
<v Speaker 3>and seemed to spiral a bit, but I think Conrad

0:19:48.440 --> 0:19:51.520
<v Speaker 3>got you know, got back in there, and as I

0:19:51.560 --> 0:19:54.920
<v Speaker 3>said on the show last November, you know, it's it's

0:19:54.960 --> 0:19:58.439
<v Speaker 3>having a ratings resurgence. And so whatever they're doing, whatever

0:19:58.520 --> 0:20:03.080
<v Speaker 3>the in terms of cast or the packages or the focus,

0:20:03.520 --> 0:20:08.240
<v Speaker 3>they have adapted that show so brilliantly for now that

0:20:08.359 --> 0:20:10.399
<v Speaker 3>it's it's having a bit of a renaissance. And I

0:20:10.640 --> 0:20:15.200
<v Speaker 3>couldn't be happier. Somebody asked me on social media, Tom,

0:20:15.240 --> 0:20:18.160
<v Speaker 3>you must have been aware that the ratings went down

0:20:18.280 --> 0:20:20.920
<v Speaker 3>after they fired you and Aaron. You must have been

0:20:21.320 --> 0:20:24.639
<v Speaker 3>really happy, And I said no. I said I was

0:20:24.680 --> 0:20:26.120
<v Speaker 3>aware of it, but you know, there are a lot

0:20:26.119 --> 0:20:29.240
<v Speaker 3>of friends of mine working on that show who I

0:20:29.320 --> 0:20:32.879
<v Speaker 3>wanted to still have jobs. So I took no you know,

0:20:32.920 --> 0:20:35.600
<v Speaker 3>I took no pleasure in that. Yeah, And I was

0:20:35.760 --> 0:20:38.480
<v Speaker 3>just what I did, take pleasure and was seeing it

0:20:39.000 --> 0:20:42.800
<v Speaker 3>catch itself, yeah, and build into what it is again,

0:20:43.040 --> 0:20:44.280
<v Speaker 3>especially in this environment.

0:20:44.560 --> 0:20:47.760
<v Speaker 1>There has been a lot of love in the in

0:20:47.880 --> 0:20:51.119
<v Speaker 1>the you know, mainstream media, certainly from the celebs and

0:20:51.119 --> 0:20:54.040
<v Speaker 1>stuff for Dina Cats Dina Cats. Her name comes up

0:20:54.040 --> 0:20:56.040
<v Speaker 1>all the time people talk about her. I would like

0:20:56.119 --> 0:20:58.640
<v Speaker 1>to have just a moment where we do talk about Conrad,

0:20:58.760 --> 0:21:02.080
<v Speaker 1>because Conrad's and doesn't necessarily get mentioned in the same

0:21:02.119 --> 0:21:04.240
<v Speaker 1>way Dina's name gets mentioned.

0:21:04.520 --> 0:21:08.639
<v Speaker 2>But one of the things I so appreciated.

0:21:07.880 --> 0:21:11.040
<v Speaker 1>About my experience on that show where the amount of

0:21:11.119 --> 0:21:15.600
<v Speaker 1>times there were group meetings leading into the start of

0:21:15.640 --> 0:21:17.800
<v Speaker 1>the show and then during the season where they would

0:21:17.880 --> 0:21:19.439
<v Speaker 1>let us know about something that was going to be

0:21:19.480 --> 0:21:25.000
<v Speaker 1>going on. I don't think I've ever felt more genuinely

0:21:25.680 --> 0:21:31.080
<v Speaker 1>protected than I did from Conrad, who made it very

0:21:31.240 --> 0:21:36.120
<v Speaker 1>clear how much of an open door there was for

0:21:36.480 --> 0:21:40.160
<v Speaker 1>anything we wanted to talk about, and that if anything

0:21:40.280 --> 0:21:43.240
<v Speaker 1>was going on, we shouldn't stay quiet about it, We

0:21:43.240 --> 0:21:46.480
<v Speaker 1>shouldn't talk about it, you know, amongst ourselves, we could

0:21:46.560 --> 0:21:51.800
<v Speaker 1>go directly to him, and I just he truly was

0:21:52.840 --> 0:21:56.080
<v Speaker 1>the way he runs that show makes the people who

0:21:56.080 --> 0:21:58.840
<v Speaker 1>are a part of it know that you are a

0:21:58.880 --> 0:22:01.080
<v Speaker 1>family and you're working together, and he's there for you

0:22:01.119 --> 0:22:01.919
<v Speaker 1>if you need him.

0:22:02.200 --> 0:22:06.200
<v Speaker 3>And really well said and absolutely spot on. And again

0:22:06.440 --> 0:22:11.199
<v Speaker 3>he's the reason I went back. I would had he

0:22:11.280 --> 0:22:13.480
<v Speaker 3>not been at the Helm, I wouldn't have gone back

0:22:13.520 --> 0:22:15.639
<v Speaker 3>as much affection as I have for all the other people.

0:22:16.240 --> 0:22:18.960
<v Speaker 3>You know, I just had it been the regime I

0:22:19.640 --> 0:22:23.639
<v Speaker 3>locked horns with. I mean, you know, well, frankly, if

0:22:23.640 --> 0:22:25.320
<v Speaker 3>they were still running the show, it'd be off the

0:22:25.359 --> 0:22:25.840
<v Speaker 3>air by now.

0:22:25.920 --> 0:22:27.800
<v Speaker 2>But yeah, you're right, you're right.

0:22:27.880 --> 0:22:31.560
<v Speaker 3>Yeah, But yeah, Conrad being there made all the difference

0:22:31.560 --> 0:22:31.800
<v Speaker 3>for me.

0:22:44.560 --> 0:22:47.479
<v Speaker 1>So what do you think is the special sauce of

0:22:47.520 --> 0:22:49.560
<v Speaker 1>this show? Why do you think so many people who've

0:22:49.560 --> 0:22:52.440
<v Speaker 1>been a part of it, myself included, walk away from

0:22:52.480 --> 0:22:54.440
<v Speaker 1>it saying it's life changing.

0:22:55.680 --> 0:22:58.119
<v Speaker 3>Well, I think that I can only base it on

0:22:58.240 --> 0:23:01.040
<v Speaker 3>what I've seen in the years and what I've seen

0:23:01.880 --> 0:23:06.160
<v Speaker 3>now that he's back, and Alfonso and Julianne are there,

0:23:06.200 --> 0:23:09.240
<v Speaker 3>and Derek's in the center seat and all that, and

0:23:09.240 --> 0:23:13.040
<v Speaker 3>and I experienced it like a tsunami of affection when

0:23:13.080 --> 0:23:16.320
<v Speaker 3>I when I went back in November, and and that

0:23:16.480 --> 0:23:19.840
<v Speaker 3>to me is key that that what I would see

0:23:20.320 --> 0:23:26.080
<v Speaker 3>every season when I was host was the obvious competitiveness

0:23:26.240 --> 0:23:30.160
<v Speaker 3>among the couples, but also the support among the couples,

0:23:30.480 --> 0:23:34.440
<v Speaker 3>you know who. They'd walk into their somebody else's rehearsal

0:23:34.520 --> 0:23:38.920
<v Speaker 3>and offer a few suggestions, not not for sabotage, he

0:23:39.160 --> 0:23:43.480
<v Speaker 3>genuinely helped and and and that was lovely and and

0:23:43.640 --> 0:23:46.960
<v Speaker 3>you know, friendships that have lasted years after the show

0:23:48.240 --> 0:23:51.080
<v Speaker 3>or the season they competed in. So you know, that

0:23:51.240 --> 0:23:55.679
<v Speaker 3>speaks to I think that kind of quality that you

0:23:55.920 --> 0:23:59.960
<v Speaker 3>really uh, it was very well said about the environ

0:24:00.200 --> 0:24:04.080
<v Speaker 3>and Conrad creates and so for you know, a lot

0:24:04.359 --> 0:24:06.960
<v Speaker 3>of my time there, he was at the Helm, and

0:24:07.760 --> 0:24:10.800
<v Speaker 3>after he left it was people that he had brought

0:24:10.840 --> 0:24:13.720
<v Speaker 3>up through the ranks, so they up until a certain point,

0:24:13.800 --> 0:24:15.040
<v Speaker 3>had the same philosophy.

0:24:15.400 --> 0:24:19.360
<v Speaker 1>Right. Is there a contestant you remember from your time

0:24:19.400 --> 0:24:27.040
<v Speaker 1>on the show whose journey really stayed with you?

0:24:27.040 --> 0:24:29.480
<v Speaker 3>You know, I probably could come up with a better example,

0:24:29.520 --> 0:24:33.240
<v Speaker 3>but the one that always pops into my mind first

0:24:33.359 --> 0:24:37.480
<v Speaker 3>is from an early season, and it was Jerry Springer.

0:24:38.440 --> 0:24:40.960
<v Speaker 3>And you know, because i'd only known him for his

0:24:41.640 --> 0:24:44.320
<v Speaker 3>talk show, which was you know, who was the Father?

0:24:44.840 --> 0:24:45.080
<v Speaker 1>Yeah?

0:24:45.160 --> 0:24:49.199
<v Speaker 3>Yeah, you know throwing Yeah, yeah, yeah, the Father, you

0:24:49.240 --> 0:24:52.280
<v Speaker 3>know all that stuff. So when I heard he had

0:24:52.280 --> 0:24:55.880
<v Speaker 3>been cast and went really curious. But he turned out

0:24:55.920 --> 0:25:00.400
<v Speaker 3>to be the sweetest guy, just absolute mench And he

0:25:00.440 --> 0:25:02.840
<v Speaker 3>said the only reason he did the show was to

0:25:02.920 --> 0:25:05.919
<v Speaker 3>learn how to waltz for his daughter's wedding. Oh, I

0:25:05.960 --> 0:25:09.520
<v Speaker 3>thought was lovely. And she actually was in the audience

0:25:09.560 --> 0:25:11.680
<v Speaker 3>at one point and he was able to I think

0:25:11.680 --> 0:25:12.879
<v Speaker 3>he did the actual waltz.

0:25:13.080 --> 0:25:15.120
<v Speaker 2>Oh, that's beautiful.

0:25:15.520 --> 0:25:20.080
<v Speaker 3>Layla Ali danced for her dad. Muhammad Ali was in

0:25:20.160 --> 0:25:24.560
<v Speaker 3>the audience and it was sort of at a point

0:25:24.560 --> 0:25:28.000
<v Speaker 3>where the Parkinson's had taken his speech from him and

0:25:28.560 --> 0:25:30.639
<v Speaker 3>he was able to be there and you could still

0:25:30.640 --> 0:25:32.480
<v Speaker 3>see the sparkle in his eyes.

0:25:33.280 --> 0:25:36.600
<v Speaker 1>Oh, those are such special moments. I'll never forget having

0:25:36.640 --> 0:25:39.120
<v Speaker 1>my children in the ballroom when I dance, like, I'll

0:25:39.119 --> 0:25:42.159
<v Speaker 1>never forget that moment. So I will say, and this

0:25:42.240 --> 0:25:45.720
<v Speaker 1>isn't just me trying to cope. It feels like nowadays

0:25:45.800 --> 0:25:50.520
<v Speaker 1>contestants like Whitney Lovett or Alex Earl, these are superstar

0:25:50.880 --> 0:25:55.800
<v Speaker 1>athletes basically doing insane moves, different than the old celebrity

0:25:55.840 --> 0:25:57.880
<v Speaker 1>trying to dance model.

0:25:58.720 --> 0:25:59.639
<v Speaker 3>Like Andy Rich There.

0:26:00.480 --> 0:26:03.680
<v Speaker 2>Yeah, not naming any names, but you know.

0:26:03.720 --> 0:26:07.200
<v Speaker 3>But that's part of it. There's always been an aspect

0:26:07.240 --> 0:26:10.479
<v Speaker 3>of the show, going back to the early seasons where

0:26:10.560 --> 0:26:14.960
<v Speaker 3>athletes were part of it or people who you know,

0:26:15.200 --> 0:26:17.160
<v Speaker 3>And it was no surprise to me that a lot

0:26:17.160 --> 0:26:20.040
<v Speaker 3>of NFL players did so well because you know, they're

0:26:20.119 --> 0:26:23.639
<v Speaker 3>used to being coached there, used to being part of

0:26:23.680 --> 0:26:27.960
<v Speaker 3>a team mentality. They tend not to have as many

0:26:28.160 --> 0:26:30.679
<v Speaker 3>yes people around them as some of the celebrities do

0:26:31.760 --> 0:26:38.359
<v Speaker 3>from entertainment, so they're better able to adapt to the

0:26:38.480 --> 0:26:41.800
<v Speaker 3>environment I think of dancing. But that's always been part

0:26:41.840 --> 0:26:45.320
<v Speaker 3>of it. I used to say when when people would say, oh,

0:26:45.359 --> 0:26:49.000
<v Speaker 3>it's just a it's a popularity contest, I said, well, look,

0:26:49.000 --> 0:26:52.959
<v Speaker 3>if you want a pure ballroom competition, I would suggest PBS.

0:26:53.200 --> 0:26:54.320
<v Speaker 2>Yeah exactly.

0:26:55.119 --> 0:26:58.240
<v Speaker 1>Yeah, we're still putting on a show that people want

0:26:58.280 --> 0:26:59.720
<v Speaker 1>to run into every week.

0:27:00.119 --> 0:27:04.280
<v Speaker 3>Here's a news flash. Bruno, isn't that flamboyant off camera?

0:27:04.440 --> 0:27:08.040
<v Speaker 3>He's just you know, he ratchets it up. I mean,

0:27:08.160 --> 0:27:11.040
<v Speaker 3>Len God love him. He would, you know, sometimes be

0:27:11.840 --> 0:27:17.320
<v Speaker 3>very direct and almost porderline hurtful with comments. He never

0:27:17.520 --> 0:27:20.639
<v Speaker 3>was lying about his critique. He actually felt it, but

0:27:20.960 --> 0:27:23.800
<v Speaker 3>he'd amp it up a little bit because we're doing

0:27:23.840 --> 0:27:26.399
<v Speaker 3>a TV show, of course, and then he'd call me

0:27:26.440 --> 0:27:29.240
<v Speaker 3>over during the commercial and he'd go, that.

0:27:29.240 --> 0:27:31.119
<v Speaker 2>Was good, right, did you like it?

0:27:33.920 --> 0:27:36.560
<v Speaker 1>Do you think it's fair to have prior dance experience

0:27:36.600 --> 0:27:37.680
<v Speaker 1>before coming onto the show.

0:27:38.320 --> 0:27:41.159
<v Speaker 3>Yeah, look, I think I think that ship has sailed.

0:27:41.359 --> 0:27:45.320
<v Speaker 3>I mean we've had they've had people with prior dance

0:27:45.400 --> 0:27:48.560
<v Speaker 3>experience going back oh yeah, two thousand and six. I

0:27:48.600 --> 0:27:53.320
<v Speaker 3>think so. Yeah, that's part of it. But by the

0:27:53.359 --> 0:27:58.720
<v Speaker 3>same token, it's somebody like Andy Richter who really stole

0:27:58.760 --> 0:28:04.479
<v Speaker 3>everybody's heart. I think because he epitomized a lot of

0:28:04.520 --> 0:28:07.359
<v Speaker 3>what the best parts of the show are. Somebody coming

0:28:07.400 --> 0:28:12.240
<v Speaker 3>in completely out of left field and really embracing it

0:28:12.320 --> 0:28:16.480
<v Speaker 3>and working hard and being supportive of the other couple.

0:28:16.560 --> 0:28:19.439
<v Speaker 3>I mean, it's just he kind of epitomized the best

0:28:19.480 --> 0:28:21.720
<v Speaker 3>of the show. Now, did he deserve to win, No,

0:28:21.800 --> 0:28:26.080
<v Speaker 3>of course not. But you know, at the end of

0:28:26.080 --> 0:28:29.200
<v Speaker 3>the day, if you had a bunch of people who

0:28:29.280 --> 0:28:34.080
<v Speaker 3>never danced before on a two hour show, you'd be

0:28:34.520 --> 0:28:35.520
<v Speaker 3>going for the remote.

0:28:36.160 --> 0:28:37.520
<v Speaker 2>Yes, correct.

0:28:37.880 --> 0:28:42.280
<v Speaker 3>There's only so much learning and fumbling around that you

0:28:42.280 --> 0:28:45.880
<v Speaker 3>can see. You want to see some actual jaw dropping

0:28:45.920 --> 0:28:47.120
<v Speaker 3>performances as well.

0:28:47.880 --> 0:28:47.960
<v Speaker 4>Well.

0:28:48.080 --> 0:28:51.720
<v Speaker 3>That's you know, it's a tough show to produce for

0:28:51.760 --> 0:28:54.840
<v Speaker 3>all those reasons, because you're never going to please everybody

0:28:54.880 --> 0:28:57.640
<v Speaker 3>one hundred percent of the time. It's just not going

0:28:57.720 --> 0:28:58.120
<v Speaker 3>to happen.

0:28:58.800 --> 0:29:00.680
<v Speaker 1>You mentioned that the only reason when you came back

0:29:00.800 --> 0:29:03.880
<v Speaker 1>last year, it was because Conrad Green was back. You

0:29:03.880 --> 0:29:07.000
<v Speaker 1>felt like, you know, your people were back. Were you

0:29:07.640 --> 0:29:10.200
<v Speaker 1>were you still nervous at all going back. I know

0:29:10.240 --> 0:29:12.160
<v Speaker 1>it can be tied to a lot of emotions.

0:29:12.480 --> 0:29:19.840
<v Speaker 3>Yeah, No, I wasn't. I was really excited too, because

0:29:20.000 --> 0:29:24.360
<v Speaker 3>it you know, obviously I left in a manner that

0:29:25.440 --> 0:29:29.360
<v Speaker 3>wasn't of my choosing. Yeah, and I you know, I

0:29:29.480 --> 0:29:36.320
<v Speaker 3>kind of grieved that camaraderie and that sense of work

0:29:36.400 --> 0:29:40.040
<v Speaker 3>family that we had really built over the fifteen years

0:29:40.080 --> 0:29:44.200
<v Speaker 3>I was there, so to go back. I think I

0:29:44.320 --> 0:29:48.840
<v Speaker 3>posted when I was back for the rehearsal day. It

0:29:48.920 --> 0:29:52.400
<v Speaker 3>was me with several of the dancers, and my caption

0:29:52.680 --> 0:29:55.880
<v Speaker 3>was like I never left, because that's what it felt like.

0:29:56.000 --> 0:30:00.160
<v Speaker 3>And I was just greeted so warmly by everybody, and

0:30:00.200 --> 0:30:03.360
<v Speaker 3>it really felt like I had never left. Alfonso and

0:30:03.400 --> 0:30:08.040
<v Speaker 3>I did a really really funny video where he walks

0:30:08.040 --> 0:30:11.600
<v Speaker 3>into what had been my dressing room and I'm on

0:30:11.760 --> 0:30:14.800
<v Speaker 3>the couch meditating, which I always used to do between

0:30:14.840 --> 0:30:18.440
<v Speaker 3>the dress rehearsal and the live show, and he comes

0:30:18.440 --> 0:30:22.560
<v Speaker 3>in and he's going Tom. I said, Oh, I'm sorry, Alfonso,

0:30:22.600 --> 0:30:25.440
<v Speaker 3>I'm just you know, back in my old routine meditating

0:30:25.440 --> 0:30:28.560
<v Speaker 3>in my dressing room before the show. He goes, wait

0:30:28.560 --> 0:30:31.760
<v Speaker 3>a minute, Tom, now this is my dressing room, And

0:30:31.760 --> 0:30:35.320
<v Speaker 3>as I stand up apologetically, I said, well, that explains

0:30:35.320 --> 0:30:39.960
<v Speaker 3>why it took so long to pick the lock. But

0:30:40.040 --> 0:30:44.520
<v Speaker 3>it was just lovely. It was a wonderful experience. It

0:30:44.600 --> 0:30:48.520
<v Speaker 3>was it put a nice sweet button on the time

0:30:48.720 --> 0:30:52.280
<v Speaker 3>that I was associated with the show, and I couldn't

0:30:52.280 --> 0:30:57.360
<v Speaker 3>have been happier. And Derek and Hayley and raych they

0:30:57.440 --> 0:31:00.800
<v Speaker 3>built this incredible open that paid tribute to the original

0:31:00.920 --> 0:31:05.560
<v Speaker 3>pros that took youah gorgeous journey and a dance journey

0:31:05.600 --> 0:31:09.440
<v Speaker 3>through the entire twenty years of the show. And then

0:31:09.600 --> 0:31:12.840
<v Speaker 3>and of course I'm waiting. I'm standing behind this massive

0:31:13.000 --> 0:31:16.000
<v Speaker 3>led wall YEP, which I know is going to open.

0:31:16.400 --> 0:31:19.880
<v Speaker 3>I'll be backlit with smoke. I mean, it was you know,

0:31:20.440 --> 0:31:23.960
<v Speaker 3>my ego was an overdrive at that point, but it

0:31:24.080 --> 0:31:31.080
<v Speaker 3>was just such a lovely gesture, and you know, Derek's

0:31:33.000 --> 0:31:37.760
<v Speaker 3>stated desire to really give me a nice entrance was

0:31:37.840 --> 0:31:41.160
<v Speaker 3>so appreciated. So yeah, I just had nothing but fondness

0:31:41.160 --> 0:31:42.640
<v Speaker 3>about that night and going.

0:31:42.400 --> 0:31:45.400
<v Speaker 1>Back, well, you got a front row seat as a

0:31:45.440 --> 0:31:49.440
<v Speaker 1>guest judge among Carrie, Anne Bruno and Derek, a few

0:31:49.480 --> 0:31:53.160
<v Speaker 1>of whom found themselves with some online criticism this year.

0:31:53.600 --> 0:31:58.560
<v Speaker 1>People never seem happy with the judging. How hard is

0:31:58.680 --> 0:31:59.400
<v Speaker 1>that job?

0:32:00.480 --> 0:32:03.200
<v Speaker 3>Well, it was easy for me. I was one and done.

0:32:04.800 --> 0:32:09.440
<v Speaker 3>And also, you know, at the risk of just sounding

0:32:11.080 --> 0:32:16.600
<v Speaker 3>like an old guy, don't you know these these people

0:32:16.680 --> 0:32:21.040
<v Speaker 3>on line about anything, the hell with him? You know,

0:32:21.440 --> 0:32:23.800
<v Speaker 3>it's just I mean, you've got to take something seriously,

0:32:23.920 --> 0:32:27.760
<v Speaker 3>somebody you know, scratching their shorts and their parents' basement typing.

0:32:29.120 --> 0:32:31.480
<v Speaker 3>But you know, you got to let that roll off

0:32:31.520 --> 0:32:34.040
<v Speaker 3>your back and just do the job, you know, and

0:32:34.480 --> 0:32:36.560
<v Speaker 3>just can you look in the mirror and say, Okay,

0:32:36.960 --> 0:32:38.920
<v Speaker 3>I'm doing it the way I think I should be

0:32:38.960 --> 0:32:42.360
<v Speaker 3>doing it. Uh, People, you're not going to please everybody.

0:32:42.520 --> 0:32:46.080
<v Speaker 2>That would be boring yea, absolutely.

0:32:45.720 --> 0:32:48.400
<v Speaker 3>Yeah, but I think you know that it's it's really

0:32:48.440 --> 0:32:52.560
<v Speaker 3>tough to see some of the the vitriol they you know,

0:32:52.720 --> 0:32:55.440
<v Speaker 3>just some of the stuff that they had to put

0:32:55.520 --> 0:32:55.840
<v Speaker 3>up with.

0:32:55.960 --> 0:32:59.680
<v Speaker 1>It's just, you know, especially carry Anne this year, I

0:32:59.760 --> 0:33:03.280
<v Speaker 1>really feel like this year it was it was just unfair.

0:33:03.840 --> 0:33:06.760
<v Speaker 3>Yeah, And there's almost like a feeding frenzy, isn't there

0:33:06.800 --> 0:33:08.640
<v Speaker 3>it's always like, oh, who are we going to attack

0:33:08.680 --> 0:33:11.440
<v Speaker 3>this season? Okay, it's gonna and that everybody just gotta

0:33:12.160 --> 0:33:14.320
<v Speaker 3>gets on board. So I don't have a lot of

0:33:14.360 --> 0:33:15.440
<v Speaker 3>patience for trolling.

0:33:15.840 --> 0:33:18.760
<v Speaker 1>Yeah I don't either. I really felt for Carrie in

0:33:18.920 --> 0:33:20.880
<v Speaker 1>this year in particular. I really there were a couple

0:33:20.920 --> 0:33:23.000
<v Speaker 1>of times I went over to her privately and was

0:33:23.040 --> 0:33:24.840
<v Speaker 1>just like, I am furious.

0:33:25.560 --> 0:33:25.960
<v Speaker 3>Yeah.

0:33:26.200 --> 0:33:38.760
<v Speaker 4>Yeah.

0:33:38.800 --> 0:33:41.240
<v Speaker 1>When Alfonso came on the podcast, we talked about the

0:33:41.280 --> 0:33:43.640
<v Speaker 1>one piece of advice he gave us all at the

0:33:43.720 --> 0:33:47.800
<v Speaker 1>kickoff dinner, and that was to remember that it is

0:33:47.840 --> 0:33:51.640
<v Speaker 1>a reality show at the end of the day. What

0:33:51.680 --> 0:33:55.320
<v Speaker 1>would you say your one piece of advice for contestants

0:33:55.400 --> 0:33:56.600
<v Speaker 1>joining the show would be today.

0:33:59.720 --> 0:34:03.160
<v Speaker 3>Well, well, I'll answer it sort of indirectly. One of

0:34:03.200 --> 0:34:07.640
<v Speaker 3>the things that I was known for. I don't think

0:34:07.680 --> 0:34:13.640
<v Speaker 3>Alfonso probably followed in this respect. My dress rehearsals were

0:34:14.200 --> 0:34:19.799
<v Speaker 3>really like NC seventeen. They were I got everything out

0:34:19.840 --> 0:34:22.200
<v Speaker 3>of my system in the dress rehearsal that.

0:34:22.239 --> 0:34:24.200
<v Speaker 2>You didn't have to worry about it in the live show.

0:34:24.440 --> 0:34:29.479
<v Speaker 3>Would have been canceled instantly. But the reason I did

0:34:29.480 --> 0:34:34.560
<v Speaker 3>it was to break up the couples, like especially in

0:34:34.600 --> 0:34:38.880
<v Speaker 3>those early weeks. It was a way of saying, don't

0:34:38.880 --> 0:34:42.680
<v Speaker 3>take it. You know, do the work, but don't take

0:34:42.719 --> 0:34:46.040
<v Speaker 3>it so seriously that you lose the joy. You lose

0:34:46.080 --> 0:34:50.879
<v Speaker 3>the fun, you lose the absurdity of this environment. I mean,

0:34:50.960 --> 0:34:56.560
<v Speaker 3>you're in a makeshift ballroom with mirror balls and glittering

0:34:56.880 --> 0:35:01.880
<v Speaker 3>spray tanning and and you know, all paddles, and you know,

0:35:02.120 --> 0:35:06.840
<v Speaker 3>don't lose sight of how deliciously ludicrous this all is.

0:35:07.080 --> 0:35:10.440
<v Speaker 3>Totally so, you know, as opposed to maybe having a

0:35:10.600 --> 0:35:14.000
<v Speaker 3>chat with you at a dinner. I put it into

0:35:14.080 --> 0:35:17.239
<v Speaker 3>practice in the rehearsals as a way of saying, and

0:35:17.600 --> 0:35:19.440
<v Speaker 3>then I would throw a party, which I think they

0:35:19.520 --> 0:35:23.439
<v Speaker 3>still do mid season. So great that I would throw

0:35:23.560 --> 0:35:25.719
<v Speaker 3>for the staff, cast and crew, and there were no

0:35:25.880 --> 0:35:29.000
<v Speaker 3>plus ones allowed. I love that. So it would just

0:35:29.120 --> 0:35:33.200
<v Speaker 3>be different departments that might not otherwise mingle in the

0:35:33.280 --> 0:35:35.880
<v Speaker 3>course of the season because it's a big machine to

0:35:35.920 --> 0:35:38.759
<v Speaker 3>put that show on there, and they would all get

0:35:38.800 --> 0:35:41.120
<v Speaker 3>to mingle, and later in the week I'd get the

0:35:41.200 --> 0:35:44.040
<v Speaker 3>benefit of hearing about hangovers and hookups.

0:35:44.320 --> 0:35:45.040
<v Speaker 4>I love it.

0:35:45.560 --> 0:35:47.279
<v Speaker 3>Yeah, it was great. It was money well spent.

0:35:48.000 --> 0:35:48.560
<v Speaker 2>Perfect.

0:35:49.160 --> 0:35:51.799
<v Speaker 1>You mentioned spray tans, which is something I have now

0:35:51.920 --> 0:35:54.440
<v Speaker 1>not been able to shake since doing dancing.

0:35:55.040 --> 0:35:55.759
<v Speaker 2>Yeah, I really.

0:35:55.880 --> 0:35:59.040
<v Speaker 1>Well, you know, I also did the tour, and I

0:35:59.120 --> 0:36:01.680
<v Speaker 1>did a month of the tour, and I became just

0:36:01.880 --> 0:36:03.719
<v Speaker 1>completely obsessed.

0:36:03.360 --> 0:36:06.520
<v Speaker 2>With being tan all the time. Did you ever get

0:36:06.560 --> 0:36:07.239
<v Speaker 2>a spray tan.

0:36:07.680 --> 0:36:11.880
<v Speaker 3>No, I I held out deliberately to be the pasty

0:36:11.920 --> 0:36:12.600
<v Speaker 3>old white guy.

0:36:14.120 --> 0:36:17.880
<v Speaker 2>Someone has to represent, someone has to represent.

0:36:18.200 --> 0:36:21.880
<v Speaker 3>Yeah, exactly. So No, I never did that, and I would.

0:36:22.480 --> 0:36:25.480
<v Speaker 3>I would just caution you, Danielle, if you're if you're

0:36:25.520 --> 0:36:29.719
<v Speaker 3>still addicted, I am there. There are Spray Tanner's anonymous

0:36:29.840 --> 0:36:31.680
<v Speaker 3>meetings all across the country.

0:36:31.920 --> 0:36:32.960
<v Speaker 2>I'm going to need that number.

0:36:33.480 --> 0:36:37.480
<v Speaker 3>Yeah. Yeah, you'll see a lot of people in various

0:36:37.520 --> 0:36:38.600
<v Speaker 3>stages of tanning.

0:36:39.080 --> 0:36:47.360
<v Speaker 2>Yeah, exactly, bright orange, pasty white. We're all there. Weresented. Okay.

0:36:47.640 --> 0:36:50.640
<v Speaker 1>Another thing I'd love your opinion on are people who

0:36:50.800 --> 0:36:55.240
<v Speaker 1>are judging both the audience and the judges behind the desk.

0:36:55.560 --> 0:36:59.320
<v Speaker 1>Should they be judging the dancing or the journey?

0:37:01.120 --> 0:37:05.719
<v Speaker 3>Well, I think you can appreciate the journey, but ultimately

0:37:05.840 --> 0:37:08.520
<v Speaker 3>you have to judge the dance, Okay, you know, I

0:37:08.640 --> 0:37:12.359
<v Speaker 3>really think that. I mean, the journey is what makes

0:37:12.400 --> 0:37:15.440
<v Speaker 3>it compelling television to come back to every week. For

0:37:15.560 --> 0:37:20.920
<v Speaker 3>the viewer, and certainly it's a story that is told

0:37:21.800 --> 0:37:26.480
<v Speaker 3>from each couple's perspective as the season unfolds. But in

0:37:26.680 --> 0:37:30.880
<v Speaker 3>the moment, you know, that shouldn't weigh on the judges' reactions.

0:37:30.920 --> 0:37:34.440
<v Speaker 3>They should just be judging what they saw right then.

0:37:35.520 --> 0:37:38.200
<v Speaker 3>And that's what I did. You know, I didn't do

0:37:38.320 --> 0:37:40.680
<v Speaker 3>it from a technique standpoint, But what did that make

0:37:40.760 --> 0:37:43.719
<v Speaker 3>me feel? And I don't care what your journey is.

0:37:44.080 --> 0:37:47.560
<v Speaker 3>What were those two minutes like to me? You know,

0:37:47.800 --> 0:37:50.359
<v Speaker 3>I think that's the way to go now.

0:37:50.680 --> 0:37:53.839
<v Speaker 1>As I don't know that we would call you a fan,

0:37:54.080 --> 0:37:58.839
<v Speaker 1>but as someone watching, what would you like to see next?

0:37:58.960 --> 0:38:03.000
<v Speaker 1>For the franchise second season? Every year a non celebrity season,

0:38:03.080 --> 0:38:04.920
<v Speaker 1>we already mentioned that that would probably be prick to

0:38:04.960 --> 0:38:06.360
<v Speaker 1>bring all stars.

0:38:07.040 --> 0:38:09.920
<v Speaker 3>I made my desire pretty clear. I think they should

0:38:10.080 --> 0:38:12.920
<v Speaker 3>have brought back the result show. I agree, which I

0:38:13.000 --> 0:38:16.680
<v Speaker 3>guess they're not doing. I guess they unveiled their fall schedule,

0:38:17.719 --> 0:38:20.120
<v Speaker 3>and you know, they might be right. They seem to

0:38:20.160 --> 0:38:23.279
<v Speaker 3>be doing very well without a result show. My only

0:38:23.680 --> 0:38:26.760
<v Speaker 3>feeling was it just wasn't fair to a large swath

0:38:26.880 --> 0:38:30.600
<v Speaker 3>of the country that they're either voting blind or not

0:38:30.800 --> 0:38:34.000
<v Speaker 3>voting at all, because it's you know, it's already by

0:38:34.040 --> 0:38:36.600
<v Speaker 3>the time it gets to the you know, the last

0:38:36.680 --> 0:38:40.480
<v Speaker 3>two time zones especially, it's all done. Yes, you know,

0:38:40.840 --> 0:38:44.959
<v Speaker 3>somebody's already been voted off hours ago. Your vote doesn't matter.

0:38:45.080 --> 0:38:46.800
<v Speaker 3>And in the old days, when we had a result

0:38:46.880 --> 0:38:51.560
<v Speaker 3>show the next day, everybody's vote mattered because you'd vote

0:38:51.640 --> 0:38:54.400
<v Speaker 3>as you saw the show in your time zone, and

0:38:54.480 --> 0:38:57.520
<v Speaker 3>so all of those votes were tabulated. So that would

0:38:57.560 --> 0:38:59.640
<v Speaker 3>have been my I don't think two seasons is a

0:38:59.680 --> 0:39:02.440
<v Speaker 3>good eye yeah, because it, you know, it just wears

0:39:02.560 --> 0:39:07.719
<v Speaker 3>down the anticipation. There's just so much to watch on

0:39:07.840 --> 0:39:11.759
<v Speaker 3>television now. I know, with you know, TV networks and

0:39:12.120 --> 0:39:15.520
<v Speaker 3>streaming services and all that that it could get lost

0:39:15.600 --> 0:39:17.880
<v Speaker 3>in the shuffle. So I think one season a year

0:39:17.960 --> 0:39:19.799
<v Speaker 3>is good. But I would I would say, a half

0:39:19.880 --> 0:39:22.120
<v Speaker 3>hour result show the next night.

0:39:22.480 --> 0:39:24.520
<v Speaker 2>I think that'd be I think that'd be great.

0:39:24.640 --> 0:39:27.920
<v Speaker 1>I'm right there with you. And finally, and this is

0:39:28.000 --> 0:39:31.680
<v Speaker 1>one I am all ears for. What do you think

0:39:31.960 --> 0:39:35.920
<v Speaker 1>makes a good host other than talking to just the

0:39:36.000 --> 0:39:36.520
<v Speaker 1>one person?

0:39:36.680 --> 0:39:42.919
<v Speaker 3>Well, I think and again I'll just use my love,

0:39:43.040 --> 0:39:47.239
<v Speaker 3>which is live television. It's it's it's an ability to

0:39:47.320 --> 0:39:50.839
<v Speaker 3>be present. And this is true whether it's a live

0:39:50.920 --> 0:39:55.319
<v Speaker 3>show or a tape show, or location or studio. Are

0:39:55.440 --> 0:39:56.399
<v Speaker 3>you here now?

0:39:56.920 --> 0:39:57.160
<v Speaker 4>Yeah?

0:39:57.640 --> 0:40:01.960
<v Speaker 3>Are you in this moment, fielding as much potential as

0:40:02.040 --> 0:40:05.520
<v Speaker 3>you can from the environment you're in. It's why I meditate.

0:40:06.080 --> 0:40:10.399
<v Speaker 3>You know that meditation is all about being present. It's

0:40:10.480 --> 0:40:13.000
<v Speaker 3>why I would meditate between the dress rehearsal and the

0:40:13.080 --> 0:40:18.440
<v Speaker 3>live show, going out on that stage, knowing, you know,

0:40:18.719 --> 0:40:21.160
<v Speaker 3>knowing there are seven hundred people at that time in

0:40:21.280 --> 0:40:24.080
<v Speaker 3>the in the ballroom audience and millions watching.

0:40:24.840 --> 0:40:25.000
<v Speaker 4>You know.

0:40:25.640 --> 0:40:27.240
<v Speaker 3>I was like a kid in a candy store.

0:40:27.480 --> 0:40:27.719
<v Speaker 2>Yeah.

0:40:27.840 --> 0:40:29.600
<v Speaker 3>It was because it was like, what's going to happen?

0:40:29.719 --> 0:40:33.080
<v Speaker 3>I know, I'm ready. I know I'm ready, and and

0:40:33.480 --> 0:40:38.560
<v Speaker 3>so that to not lose the joy of it, and

0:40:38.760 --> 0:40:41.480
<v Speaker 3>to not be in your head so much that you're

0:40:41.600 --> 0:40:45.879
<v Speaker 3>not here now. Don't think about what happened earlier, don't

0:40:46.040 --> 0:40:49.520
<v Speaker 3>think about what you might do later. Make sure you're present.

0:40:49.719 --> 0:40:50.400
<v Speaker 3>I think that's it.

0:40:51.000 --> 0:40:52.520
<v Speaker 2>What type of meditation do you do?

0:40:53.040 --> 0:40:57.840
<v Speaker 3>I do TM popularized back in the days of the Beatles.

0:40:57.880 --> 0:41:01.600
<v Speaker 3>But I think you know, they'll they'll take issue, I'm sure,

0:41:01.680 --> 0:41:04.520
<v Speaker 3>but I think meditation is meditation. It just it's coke

0:41:04.560 --> 0:41:07.759
<v Speaker 3>and pepsi. You know. The key is do you have

0:41:09.080 --> 0:41:12.080
<v Speaker 3>a word, a sound, a place that you focus on

0:41:12.920 --> 0:41:17.120
<v Speaker 3>to build a mental muscle. And it's similar to like,

0:41:17.360 --> 0:41:19.239
<v Speaker 3>you know, with the gym, we go to the gym

0:41:19.360 --> 0:41:24.920
<v Speaker 3>to build physical muscles. Meditation builds through repetition, a mental

0:41:25.000 --> 0:41:28.879
<v Speaker 3>muscle so that you're better able to determine, at least

0:41:28.920 --> 0:41:34.120
<v Speaker 3>in my experience, incoming stress. So you don't treat everything equally,

0:41:34.560 --> 0:41:37.560
<v Speaker 3>you know. It's like because all of us every day,

0:41:37.960 --> 0:41:41.520
<v Speaker 3>you know, shit happens and it's coming at you, and

0:41:41.680 --> 0:41:45.399
<v Speaker 3>when you're present, when you're centered, you can determine better

0:41:45.520 --> 0:41:48.799
<v Speaker 3>whether this deserves your attention or you can just like, oh,

0:41:48.880 --> 0:41:51.000
<v Speaker 3>that's just flotsam and jetsam.

0:41:51.120 --> 0:41:57.279
<v Speaker 1>That's you know, don't have to worry about that flotsam

0:41:57.360 --> 0:41:58.000
<v Speaker 1>and jetsam.

0:41:58.120 --> 0:42:00.960
<v Speaker 3>I think it's yeah, it's not a law firm. It's

0:42:01.080 --> 0:42:05.200
<v Speaker 3>just like, oh, that a law firm of flotsam and jetson.

0:42:07.120 --> 0:42:10.120
<v Speaker 2>Have you been injured on the job, Yeah, yeah, me too.

0:42:10.840 --> 0:42:14.120
<v Speaker 3>But I tell people who say, oh, you know, I

0:42:14.560 --> 0:42:17.520
<v Speaker 3>try meditating, but I always have thoughts getting in the way,

0:42:18.520 --> 0:42:21.680
<v Speaker 3>so do I. The key is not to beat yourself

0:42:21.760 --> 0:42:23.880
<v Speaker 3>up about it. The key is not to judge yourself

0:42:24.040 --> 0:42:28.760
<v Speaker 3>when you're aware that your focal point is shifting, without judgment.

0:42:28.920 --> 0:42:31.239
<v Speaker 3>Just I said, treat it like styrofoam on the top

0:42:31.320 --> 0:42:33.879
<v Speaker 3>of a river. Just reach up, move it down, Yeah,

0:42:34.360 --> 0:42:36.680
<v Speaker 3>and get back to whatever your focal point is. And

0:42:36.840 --> 0:42:39.440
<v Speaker 3>you keep doing that and it keeps building that muscle,

0:42:40.000 --> 0:42:44.239
<v Speaker 3>and yeah, I think, and it has repercussions throughout your life. Yeah,

0:42:44.280 --> 0:42:44.879
<v Speaker 3>it really does.

0:42:45.360 --> 0:42:45.560
<v Speaker 4>Well.

0:42:45.719 --> 0:42:49.120
<v Speaker 1>I'm definitely taking away from this interview and conversation that

0:42:49.600 --> 0:42:51.520
<v Speaker 1>I need to start incorporating that more. I used to.

0:42:51.640 --> 0:42:54.879
<v Speaker 1>I used to start my morning with meditation, and then

0:42:55.360 --> 0:42:56.840
<v Speaker 1>you know, I've got a six year old and a

0:42:56.880 --> 0:42:59.319
<v Speaker 1>four year old, and you know I got mine. Now

0:42:59.360 --> 0:43:02.400
<v Speaker 1>my morning's are filled with packing lunches and trying to

0:43:02.440 --> 0:43:05.120
<v Speaker 1>scarf down at least one hot cup of coffee at

0:43:05.160 --> 0:43:09.000
<v Speaker 1>some point, and I've kind of lost that practice. But

0:43:09.600 --> 0:43:13.040
<v Speaker 1>you're right that it helps in so many different aspects

0:43:13.239 --> 0:43:14.239
<v Speaker 1>and avenues of life.

0:43:14.280 --> 0:43:17.480
<v Speaker 3>You just carve out whenever, you know, whenever they're at

0:43:17.520 --> 0:43:21.080
<v Speaker 3>school or or whatever. You know, if you've got even

0:43:21.239 --> 0:43:24.640
<v Speaker 3>five or ten minutes, just sometimes in traffic, I'll be

0:43:24.760 --> 0:43:27.160
<v Speaker 3>on the four h five and I'll just go in

0:43:27.239 --> 0:43:29.680
<v Speaker 3>my heir now am I present? Am I getting too

0:43:29.760 --> 0:43:33.200
<v Speaker 3>irritated at you know, the guy who's directional has been

0:43:33.239 --> 0:43:34.600
<v Speaker 3>on for the last three miles?

0:43:35.120 --> 0:43:37.360
<v Speaker 2>Exactly are you getting over or not?

0:43:38.000 --> 0:43:41.719
<v Speaker 3>Yeah? Exactly. So it helps in those moments to kind of,

0:43:41.920 --> 0:43:44.319
<v Speaker 3>you know, stop and smell the roses a bit.

0:43:45.360 --> 0:43:48.320
<v Speaker 1>Tom. Thank you so much for spending your very precious

0:43:48.360 --> 0:43:49.320
<v Speaker 1>time with me today.

0:43:49.880 --> 0:43:50.800
<v Speaker 3>It's been a pleasure.

0:43:51.040 --> 0:43:53.960
<v Speaker 1>I have so enjoyed this. I'm sorry I was voted

0:43:54.000 --> 0:43:56.640
<v Speaker 1>off in week eight and didn't get to, you know,

0:43:58.360 --> 0:44:01.160
<v Speaker 1>enjoy hearing how my dance made you feel.

0:44:01.560 --> 0:44:03.080
<v Speaker 2>But I hope I get to see you again.

0:44:03.280 --> 0:44:04.960
<v Speaker 1>I feel like once you are a part of the

0:44:05.040 --> 0:44:08.239
<v Speaker 1>Dancing with the Stars family, you never really leave, and

0:44:08.320 --> 0:44:10.279
<v Speaker 1>they have embraced me so warmly, So I hope that

0:44:10.320 --> 0:44:11.200
<v Speaker 1>I get to see you again.

0:44:11.560 --> 0:44:12.879
<v Speaker 3>That'd be great, That'd be great.

0:44:13.200 --> 0:44:15.440
<v Speaker 1>Thank you and a pleasure, Danielle, and I would be

0:44:15.520 --> 0:44:17.720
<v Speaker 1>remiss if I did not tell you that. Richard Leecock,

0:44:18.160 --> 0:44:21.839
<v Speaker 1>it just loves you. He's that's my trainer at the gym.

0:44:22.239 --> 0:44:27.240
<v Speaker 1>He's my trainer. Gat gosh, he's wonderful. He's a great trainer,

0:44:27.280 --> 0:44:28.200
<v Speaker 1>and he's a wonderful man.

0:44:28.520 --> 0:44:31.480
<v Speaker 3>He is, indeed and we're good buddies and the two

0:44:31.560 --> 0:44:35.120
<v Speaker 3>of us with Jonathan Franks from Star Trek. It's actually

0:44:36.120 --> 0:44:38.040
<v Speaker 3>a couple times a year we try to get lunch.

0:44:38.440 --> 0:44:42.040
<v Speaker 3>I love it together. But yeah, Richard's he's a class act.

0:44:42.280 --> 0:44:43.960
<v Speaker 2>Yes he is, and so are you. Thank you for

0:44:44.040 --> 0:44:44.359
<v Speaker 2>being here.

0:44:44.920 --> 0:44:45.440
<v Speaker 3>All the best.

0:44:48.160 --> 0:44:51.560
<v Speaker 1>Danielle with the Stars Produced and hosted by Danielle Fischl.

0:44:51.719 --> 0:44:55.440
<v Speaker 1>Executive Producers Jensen Carponamy Sugarman, Executive in charge of production,

0:44:55.600 --> 0:44:59.920
<v Speaker 1>Danielle Romo, producer, editor and engineer Tara Sudbosch. Theme song

0:45:00.080 --> 0:45:03.239
<v Speaker 1>by Justin Siegel. Follow us on Instagram at Danielle wood

0:45:03.280 --> 0:45:05.440
<v Speaker 1>Stars and vote for me