WEBVTT - Alien: Earth Episodes 1 & 2

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<v Speaker 1>Warning. Today's episode Candad spoilers for the first two episodes

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<v Speaker 1>of Alien Earth on e FX be warned Oo it

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<v Speaker 1>was Jason good zepsion and on Rosday Night And welcome

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<v Speaker 1>back to Xtra Vision of the podcast where we dive

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<v Speaker 1>deep to your favorite shows, movies, comics of pop culture.

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<v Speaker 1>Coming from My Heart Podcast. We're bringing you episodes every

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<v Speaker 1>Tuesday and Thursday, plus the summer's biggest movies every Friday.

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<v Speaker 2>And in today's episode bad News, Guys, Aliens coming to us.

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<v Speaker 2>It's happened and Mason's begun and what surprised it was

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<v Speaker 2>the once again the absolute machinations of the corporation that

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<v Speaker 2>have done it as a but the entire story of

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<v Speaker 2>the Alien franchise and guys, something creepies happened to the children.

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<v Speaker 2>So we're gonna be talking about.

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<v Speaker 1>But first stay away from are you since okay? Alienor

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<v Speaker 1>of episode one Wow. We open uh contemporaneously just just

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<v Speaker 1>a few years before the events of the first Alien movie,

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<v Speaker 1>and we get this epigram to start off with. In

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<v Speaker 1>the future, the race for immortality will come in three guys,

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<v Speaker 1>cyborgs haven't seen those yet since we've seen them, and

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<v Speaker 1>hybrids oh, sounds like a weed dispenser.

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<v Speaker 2>Everyone does at g light, No dro What do you

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<v Speaker 2>so when you.

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<v Speaker 1>Come home, like after screening and you're looking to relax,

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<v Speaker 1>do you like to hit the hybrid or do you

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<v Speaker 1>like to hit the synth?

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<v Speaker 2>Are you a cyborg person? I got to like which

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<v Speaker 2>one is the sleepiest? So I'm going for cybal because

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<v Speaker 2>it's probably like mostly humans.

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<v Speaker 1>Thill we open in space, the is sc SS Magino.

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<v Speaker 1>The year is twenty one twenty. The crew is waking

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<v Speaker 1>from cryo sleep, and it's all the cinematographical moves from

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<v Speaker 1>Ridley Scott's masterpiece Alien. You're seeing the crew getting out

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<v Speaker 1>of their pause. You're seeing them shake off the effects

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<v Speaker 1>of cryo sleep. You're seeing them having their breakfast after

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<v Speaker 1>the cryo sleep.

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<v Speaker 2>And smoking a cigarette after the cryo sleep got to

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<v Speaker 2>be the first thing that you do.

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<v Speaker 1>Right this timeline, we notice that one of the crew members,

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<v Speaker 1>who I think we all expect is probably the synthetic

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<v Speaker 1>as mister is being very strange about he's creating. He's

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<v Speaker 1>he's like reaching out towards one of the crew members

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<v Speaker 1>who still in cryo and like kind of like gesturing

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<v Speaker 1>towards the glass being very very strange. We get some

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<v Speaker 1>very well executed exposition about the current corporate governance structure

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<v Speaker 1>of Earth and its colonies. Wayland Utani, of which this

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<v Speaker 1>ship is property of, owns North and South America, as

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<v Speaker 1>well as Mars and Saturn. The other companies that dominate

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<v Speaker 1>the world are Dynamic, which has the Moon Prodigy, which

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<v Speaker 1>is the newest of the big companies that makes synthetics

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<v Speaker 1>and does ai stuff, and the other the other ones

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<v Speaker 1>we don't get.

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<v Speaker 2>Are they as important?

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<v Speaker 1>Probably not, because we haven't Probably not, or maybe eventually,

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<v Speaker 1>but not right now. Mister Tang, the weirdo, shows up

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<v Speaker 1>to the breakfast in his bathrobe, and he's like invading,

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<v Speaker 1>particularly the women's space, like sitting right. You know, there's

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<v Speaker 1>many seats, but he sits right next to this crew

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<v Speaker 1>mout and makes her uncomfortable. She moves away. The captain

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<v Speaker 1>shows up and is like, hey, we have issues with

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<v Speaker 1>the ship. We're burning too much fuel all of this

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<v Speaker 1>other stuff. You guys need to go work on this.

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<v Speaker 1>And we also see in these kind of snippets of

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<v Speaker 1>intercut scenes that the ship is carrying specimens of various

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<v Speaker 1>alien races, including face huggers.

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<v Speaker 2>Yeah, I think with mister tens Well, like they there

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<v Speaker 2>is this feeling that sure, he is probably a sin.

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<v Speaker 2>He's got a weird vibe. And they keep saying like

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<v Speaker 2>he was looking over the women and like, but I'm

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<v Speaker 2>thinking probably because he's implanted some aliens. That's like, let's

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<v Speaker 2>be real, like he's the babies inside the bellies.

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<v Speaker 1>Yeah, that's probably always.

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<v Speaker 2>Doing that kind of snat.

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<v Speaker 1>So we get these flashes of violence as we as

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<v Speaker 1>we blatantly rip off Ridley's kind of dissolve cuts and

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<v Speaker 1>pans across the crew, and we see.

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<v Speaker 2>They want you to feel that you are really watching

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<v Speaker 2>and alien movie from the seventies, which I will say

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<v Speaker 2>the retrofuturist petrology, the production, You really do feel like

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<v Speaker 2>this just instantly fits in in a way the other movies, haven't.

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<v Speaker 1>I love that the tech is is feels concurrent with

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<v Speaker 1>the tech that exists in the In the first Alien film,

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<v Speaker 1>we go to Earth the Prodigy Research Island. It's a

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<v Speaker 1>collection of islands somewhere tropical. There is a tremulent ill

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<v Speaker 1>child who is asking mister Kersh about a scorpion. They

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<v Speaker 1>have this little conversation.

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<v Speaker 2>About say by Timothy Oliphant.

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<v Speaker 1>Mister Timothy looking looking somewhat menacing but still very handsome,

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<v Speaker 1>and she's concerned about this scorpion. The child, she's afraid

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<v Speaker 1>of it, but then you know he's mister Kirsch is

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<v Speaker 1>basically like, oh, don't you know, it's no reason to

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<v Speaker 1>kill it, because if you kill it, then another one

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<v Speaker 1>might bite you. Just leave it alone. Then this woman,

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<v Speaker 1>Dame Sylvia, comes to take the child to the thing

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<v Speaker 1>that she's about to undergo, and that thing is a

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<v Speaker 1>consciousness transference into a android body. The child is again

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<v Speaker 1>terminally ill. Now she sees her new body for the

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<v Speaker 1>first time, laying on the table. I would describe the

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<v Speaker 1>new body as like omily yes, literally young yeah. The

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<v Speaker 1>girl says she's very pretty. Boy cavalier boy, genius, prodigies,

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<v Speaker 1>young CEO and founder young, they say, the youngest trillionaire

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<v Speaker 1>in history comes to tell the girl that, hey, you're

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<v Speaker 1>going to be the Neil Armstrong of consciousness transference, and

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<v Speaker 1>he tries to put her at ease in his own

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<v Speaker 1>kind of weird way, and we get among the first

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<v Speaker 1>of dozens of Peter Pan references per episode. The child

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<v Speaker 1>wants to see her mom, but there's very succeeds. This

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<v Speaker 1>is for why her mom can't be there, and she's

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<v Speaker 1>clearly scared about what's happening, and we see her memories

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<v Speaker 1>kind of from childhood flash as the process is underway,

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<v Speaker 1>and then we're done. She opens her eyes as Wendy.

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<v Speaker 1>Now her name Wendy another Peter Pan reference, and we

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<v Speaker 1>flash forward some amount of time later and forget about it.

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<v Speaker 1>She's like superhuman, post human. She can. She is sitting

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<v Speaker 1>on the edge of a cliff watching the sunset and

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<v Speaker 1>she jumps down to meet Dame Sylvia on the beach

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<v Speaker 1>and it's a drop of like one hundred.

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<v Speaker 2>Feet and she doesn't even do a superhero landing. She

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<v Speaker 2>just lands straight on the feet, slight knee bent.

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<v Speaker 1>Then yeah, a little flexing of the knees, but that's it,

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<v Speaker 1>and she's like, hi, okay. Later Damon Kirsh interview Wendy,

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<v Speaker 1>there is a lot of she's still grappling with how

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<v Speaker 1>adult her body is. She's I don't know ten or something. Yeah, mentally,

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<v Speaker 1>and we discover that, you know, there are some obstacles

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<v Speaker 1>and that's part of what this process they're trying to

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<v Speaker 1>smooth out. And some of those being that the hormones,

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<v Speaker 1>you know, that regulate human emotions, human physiology. They don't

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<v Speaker 1>exist anymore. So the Prodigy team has had to improvise

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<v Speaker 1>to recreate those things digitally one would expect, and so

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<v Speaker 1>they want to see how that's going. And that's what

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<v Speaker 1>this interview process is about. Kersh, who is a synthetic,

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<v Speaker 1>is completely averse to treating Wendy as a human. She's

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<v Speaker 1>not that anymore. He wants to just treat her as

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<v Speaker 1>this posthuman thing that she is. Dame takes the opposite view,

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<v Speaker 1>seeing as how Wendy has the mind of a human

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<v Speaker 1>child and she sees herself that way, why not treat

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<v Speaker 1>her that way because that's how she sees herself. Meanwhile,

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<v Speaker 1>boy Ceo is like like a total freak, always watching

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<v Speaker 1>from the other arm.

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<v Speaker 2>This guy's just always creepily watching through like a creepy

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<v Speaker 2>watching kind of gloss. Absolutely, I will say I do

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<v Speaker 2>think that something that is gonna feel extra creepy right

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<v Speaker 2>now about this is like the island set up that

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<v Speaker 2>they have where it's this rich guy who has an

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<v Speaker 2>island where he's doing like experiments.

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<v Speaker 1>Let's just say it. Let's just say it. The the

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<v Speaker 1>FC Pearlols are like, they're they're very much there. They

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<v Speaker 1>are and and and let's see because you know what,

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<v Speaker 1>let's table this because it's really episode two where that

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<v Speaker 1>stuff is like because I didn't pick up on it

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<v Speaker 1>at this point. Yeah, but it's episode two where you're

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<v Speaker 1>just like, oh, okay, we're kind of doing that.

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<v Speaker 2>I think something that's interesting is just kind of the

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<v Speaker 2>idea of eeriness and how to build like creepiness and airiness.

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<v Speaker 2>And even though this is obviously and in some stories

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<v Speaker 2>would be promoted as this positive thing that they're doing

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<v Speaker 2>where they can traanspy these consciousnesses, this episode, in the

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<v Speaker 2>second episode just plant it completely for creepiness and kind

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<v Speaker 2>of airiness, which I think works really well. Well, you

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<v Speaker 2>know what, I would slightly push back on that film

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<v Speaker 2>in the sense that.

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<v Speaker 1>I almost wanted more drawbacks for Wendy. It's only it's

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<v Speaker 1>too perfect. It works so well, and we're gonna see that. Yeah,

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<v Speaker 1>as this goes forward. Yes, clearly the process is unethical. Creepy,

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<v Speaker 1>illegal doesn't count in this world anymore, in a world

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<v Speaker 1>in which the globe has been carved up by various

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<v Speaker 1>corporate states that have their own rules within their own territories, right,

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<v Speaker 1>so that doesn't count, but it's clearly unethical. But I

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<v Speaker 1>would argue that, like, if you undergo this process, hard

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<v Speaker 1>to find the draw back right now.

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<v Speaker 2>Likes positivity in the notion of like who doesn't want

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<v Speaker 2>to be immortal? But I like that the show always

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<v Speaker 2>poses it from this kind of creepy space.

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<v Speaker 1>Absolutely the whole thing, Boy Genius is a creep damon.

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<v Speaker 1>Kursh want to use Wendy as this the kind of

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<v Speaker 1>kind face to shepherd this new crop of terminally ill

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<v Speaker 1>kids who are coming to the island, the rich Man's Island,

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<v Speaker 1>and so she can help shepherd them through this process

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<v Speaker 1>in a kind of stress free as stress free as

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<v Speaker 1>ways as possible. When he meets the kids and is like,

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<v Speaker 1>I used to be sick, just like you, but now

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<v Speaker 1>I'm super strong and I'm immortal. And we learn that

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<v Speaker 1>it has to specifically be kids because they haven't figured

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<v Speaker 1>out how to transfer adult minds. Adult minds are too

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<v Speaker 1>rigid to undergo the process, to which I would say,

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<v Speaker 1>how did how did we figure out? What is the

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<v Speaker 1>process that by which we can guessing that.

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<v Speaker 2>Some adults died baby ye yes, and that multiple adults

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<v Speaker 2>died Probably whatas because it's Helam.

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<v Speaker 1>So the kids undergo this process and one by one

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<v Speaker 1>they emerge with their new immortal adult bodies. We get

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<v Speaker 1>a scene of Boy Genius reading pages of Peter Pan

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<v Speaker 1>as we get more quick cuts of various experiments that

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<v Speaker 1>are going on in the island, a scene I'll just say,

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<v Speaker 1>I didn't very much needed references For me, I don't

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<v Speaker 1>need an actual reading, but I get it. He's a creep.

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<v Speaker 2>He is a creep also at this point, like his

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<v Speaker 2>obsession with Peter Pan, and obviously also the fact this

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<v Speaker 2>was made by FX so they can use multiple clips

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<v Speaker 2>of the Disney Pea Pan movie, which I think was

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<v Speaker 2>a big part of this. But like, why at this point,

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<v Speaker 2>why do you think that Boy Genius Boykavlia is so

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<v Speaker 2>obsessed with Peta Pan? Like is he already an old

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<v Speaker 2>man in that body? Is he dying? Like what is

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<v Speaker 2>it about him that has made him so obsessed with

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<v Speaker 2>this because he's still so young? So like, does he

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<v Speaker 2>want to be the pet du Pan to these when

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<v Speaker 2>to Wendy and her lost boys, Like, well, is his obsession?

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<v Speaker 1>It's a good question, and I think he gives us

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<v Speaker 1>in episode two a good kind of encapsulation of his

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<v Speaker 1>core motivation. But I will say at this point that

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<v Speaker 1>you know, I don't know anybody that's ever been a

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<v Speaker 1>child prodigy, but like having been a musician, it's something

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<v Speaker 1>you know, you see like the eleven year old who's

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<v Speaker 1>like can play all of Chopin and like that's stuff

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<v Speaker 1>you see, and it's kind of like that. And the

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<v Speaker 1>visual arts, drawing and illustrating is a place where you

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<v Speaker 1>see that kind of young genius. And whenever I would

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<v Speaker 1>read or see like a clip or today's show thing

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<v Speaker 1>about oh, the nine year old genius who can do this,

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<v Speaker 1>I was I always felt like that's cool now, but

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<v Speaker 1>what you know, what you once after you're sixteen or seventeen,

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<v Speaker 1>nobody's you're just a good piano player. Yeah, nobody facts

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<v Speaker 1>about it that way anymore. And so I wonder, I

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<v Speaker 1>did wonder if part of it for boy genius is

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<v Speaker 1>the fact that someday he's not gonna be a boy.

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<v Speaker 2>He's just gonna regular of being a boy.

0:14:22.960 --> 0:14:24.960
<v Speaker 1>He's just gonna be a regular old genius. And those

0:14:24.960 --> 0:14:29.400
<v Speaker 1>are a diamond dozen. We go to the ship after nightmare,

0:14:29.440 --> 0:14:34.680
<v Speaker 1>cuts of various creatures on the loose and arm red

0:14:34.800 --> 0:14:39.880
<v Speaker 1>lights and just like collision alarms flashing something bad has

0:14:39.920 --> 0:14:42.640
<v Speaker 1>occurred on the ship as it is wont to do

0:14:42.760 --> 0:14:47.360
<v Speaker 1>in an alien feature, exactly, Morrow, who is a crew

0:14:47.360 --> 0:14:52.960
<v Speaker 1>member and a cyborg, so a human with machine parts,

0:14:53.520 --> 0:14:57.000
<v Speaker 1>is in the mother computer room and he's updating the

0:14:57.000 --> 0:15:00.760
<v Speaker 1>ship's AI on what's gone on. Specimens are out, crew

0:15:00.880 --> 0:15:03.440
<v Speaker 1>is dead. There's a crew member who's banging on the

0:15:03.440 --> 0:15:05.760
<v Speaker 1>door trying to get in. He gets up and is like, oh,

0:15:05.800 --> 0:15:11.320
<v Speaker 1>you want to come in. He like produces a welding

0:15:11.400 --> 0:15:13.000
<v Speaker 1>device from his forearm.

0:15:13.160 --> 0:15:15.800
<v Speaker 2>Yeah, from his welldic cyborg forum.

0:15:16.480 --> 0:15:20.560
<v Speaker 1>Yeah, weld's you know, like like Buck from the from

0:15:20.560 --> 0:15:27.200
<v Speaker 1>a Daredevil comic. Welds the door shut and then uh

0:15:27.400 --> 0:15:30.400
<v Speaker 1>sits back at the terminal as this woman is cut

0:15:30.440 --> 0:15:32.120
<v Speaker 1>to pieces. I felt alien.

0:15:32.440 --> 0:15:35.440
<v Speaker 2>I feel like Morrow is like so extra because there's

0:15:35.480 --> 0:15:37.120
<v Speaker 2>no way she was getting in that door. But he

0:15:37.200 --> 0:15:39.040
<v Speaker 2>was like, bitch, I'm gonna weld you out. She was like,

0:15:39.120 --> 0:15:41.520
<v Speaker 2>I hope you're gonna die just in case. And obviously

0:15:41.600 --> 0:15:45.040
<v Speaker 2>we get our first real look at the really incredible

0:15:45.200 --> 0:15:48.720
<v Speaker 2>like classics animal, which I think gives you a hint

0:15:48.760 --> 0:15:51.280
<v Speaker 2>at how well the creatures are gonna be done in

0:15:51.360 --> 0:15:53.520
<v Speaker 2>this show. Because this shit is scary as how and

0:15:53.600 --> 0:15:55.800
<v Speaker 2>the last classic moment of like.

0:15:57.080 --> 0:15:59.479
<v Speaker 1>The entire show looks.

0:16:00.040 --> 0:16:02.800
<v Speaker 2>Looks like a million dollars by may Zing.

0:16:03.680 --> 0:16:08.680
<v Speaker 1>Amazing. So the alien smashes through the door, it gets

0:16:08.680 --> 0:16:14.000
<v Speaker 1>into the mother room. Uhmorrow again updates Mothers like we're

0:16:14.000 --> 0:16:16.720
<v Speaker 1>crashing one hundred percent, we are going to crash into earth.

0:16:16.720 --> 0:16:19.240
<v Speaker 1>And then he goes into like this little safe room

0:16:19.320 --> 0:16:21.920
<v Speaker 1>under the floor of the computer room, and as the

0:16:21.960 --> 0:16:25.480
<v Speaker 1>alien pounds on the door, the ship crashes. We go

0:16:25.520 --> 0:16:26.480
<v Speaker 1>to Moisely.

0:16:26.600 --> 0:16:29.680
<v Speaker 2>Morrow's mission, it feels like to me, was to make

0:16:29.720 --> 0:16:32.960
<v Speaker 2>sure that the plane crashed on a and and he

0:16:33.000 --> 0:16:35.000
<v Speaker 2>because he didn't let that woman in, he lied that

0:16:35.040 --> 0:16:36.360
<v Speaker 2>they were dead, Like what are you?

0:16:36.560 --> 0:16:40.120
<v Speaker 1>I'm eager to discover that because why crash a you

0:16:40.280 --> 0:16:44.920
<v Speaker 1>tiny ship into prodigy Dodgy territory unless he was like

0:16:45.040 --> 0:16:49.360
<v Speaker 1>a prodigy spot. I was going to say, maybe we're

0:16:49.400 --> 0:16:51.920
<v Speaker 1>going to find that out. So we go to New Siam,

0:16:51.960 --> 0:16:55.960
<v Speaker 1>which is a Prodigy city in this kind of tropical,

0:16:56.240 --> 0:17:01.680
<v Speaker 1>seemingly Asian belt of Prodigy Territory. Wendy is watching videos

0:17:01.960 --> 0:17:06.879
<v Speaker 1>of a medic her brother, who you know, was her

0:17:06.880 --> 0:17:09.199
<v Speaker 1>brother when she was human. She is talking to all

0:17:09.240 --> 0:17:13.560
<v Speaker 1>her stuffed animals about his history and who he is

0:17:13.840 --> 0:17:17.840
<v Speaker 1>and how does she have access to all the feeds

0:17:17.880 --> 0:17:18.680
<v Speaker 1>that pick him up?

0:17:19.080 --> 0:17:20.480
<v Speaker 2>Very interesting stuff.

0:17:21.040 --> 0:17:23.680
<v Speaker 1>We as soon discovered that her prodigy managers have let

0:17:23.720 --> 0:17:26.040
<v Speaker 1>her do that as a way to kind of, I guess,

0:17:27.000 --> 0:17:28.880
<v Speaker 1>ease her transition into her post.

0:17:28.760 --> 0:17:32.520
<v Speaker 2>Humanness, and they also like don't It becomes very clear

0:17:32.600 --> 0:17:34.560
<v Speaker 2>in this episode and episode two like they also don't

0:17:34.600 --> 0:17:39.600
<v Speaker 2>really know. They have a you know, classic alien technology

0:17:39.600 --> 0:17:42.200
<v Speaker 2>where it's like they kind of know what she can do,

0:17:42.240 --> 0:17:44.640
<v Speaker 2>but they also have don't really know what she can

0:17:44.720 --> 0:17:47.280
<v Speaker 2>do because they've never done. She is the first one

0:17:47.600 --> 0:17:50.240
<v Speaker 2>as that we see that has you know, been successful.

0:17:50.440 --> 0:17:53.120
<v Speaker 2>But yeah, she is just like she is doom scrolling

0:17:53.200 --> 0:17:54.120
<v Speaker 2>on her brother.

0:17:54.359 --> 0:17:55.560
<v Speaker 1>Like extremely hot.

0:17:55.680 --> 0:17:58.320
<v Speaker 2>She just can't stop watching videos of him and is

0:17:58.480 --> 0:18:03.600
<v Speaker 2>very clear that she is not supposed to be doing this.

0:18:03.720 --> 0:18:05.880
<v Speaker 2>She's not supposed to have this emotional connection.

0:18:07.119 --> 0:18:10.120
<v Speaker 1>Brother is a big baseball fans. He's listening to baseball

0:18:10.119 --> 0:18:13.199
<v Speaker 1>games on his headphones and he goes home and he

0:18:13.240 --> 0:18:16.040
<v Speaker 1>watches he's watching Ice Age, which is a movie that

0:18:16.119 --> 0:18:18.760
<v Speaker 1>he used to watch with his as far as he's

0:18:18.760 --> 0:18:22.760
<v Speaker 1>considered dead sister. Later, while he's you know, pumping iron

0:18:23.320 --> 0:18:28.280
<v Speaker 1>with other colonial marines. Seemingly, the ship crashes like right

0:18:28.320 --> 0:18:33.000
<v Speaker 1>above their heads in an amazing and crazy sequence. It

0:18:33.160 --> 0:18:36.719
<v Speaker 1>just like flips the buildings that are around them and

0:18:36.840 --> 0:18:43.040
<v Speaker 1>crashes into these huge, like residential mixed use towers across

0:18:43.080 --> 0:18:46.200
<v Speaker 1>the city. So they are a search and rescue team

0:18:46.440 --> 0:18:48.200
<v Speaker 1>clearly modeled on the colonial.

0:18:48.280 --> 0:18:51.160
<v Speaker 2>Very colonial marines, like no question.

0:18:51.040 --> 0:18:53.880
<v Speaker 1>And they go in. Yeah, because they don't just search

0:18:53.920 --> 0:18:56.239
<v Speaker 1>and rescue team, you figure, Okay, the dogs, they've got

0:18:56.280 --> 0:19:00.200
<v Speaker 1>the flashlights, they've got these guys have fully like assault rifles.

0:19:00.520 --> 0:19:03.040
<v Speaker 2>Just like going. Guys like have a good time.

0:19:04.080 --> 0:19:08.119
<v Speaker 1>So they go in and they hit the crash site

0:19:08.160 --> 0:19:10.520
<v Speaker 1>and they start, you know, going through these buildings looking

0:19:10.560 --> 0:19:13.120
<v Speaker 1>for a place that they can one they can rescue

0:19:13.160 --> 0:19:16.399
<v Speaker 1>people out of the various floors of the damaged building

0:19:16.640 --> 0:19:18.720
<v Speaker 1>and also go into the ship which is part way

0:19:18.760 --> 0:19:22.280
<v Speaker 1>embedded into the buildings and see if there's anybody alive

0:19:22.320 --> 0:19:25.920
<v Speaker 1>in there. Meanwhile, Marrow emerges from his safe room. Crewe

0:19:26.080 --> 0:19:30.200
<v Speaker 1>is one hundred percent dead now. He tells mother, Hey

0:19:30.320 --> 0:19:34.200
<v Speaker 1>send a message to Corporate HQ. We lost the ship

0:19:34.760 --> 0:19:40.480
<v Speaker 1>and also appears that we've crashed in competitor territory who

0:19:40.480 --> 0:19:43.520
<v Speaker 1>appear poised to steal our alien ip. Let's take a

0:19:43.560 --> 0:20:00.520
<v Speaker 1>quick break, and we were right back to and we're

0:20:00.520 --> 0:20:05.960
<v Speaker 1>back elsewhere. Wendy is still being tested alongside the new machines. She,

0:20:06.800 --> 0:20:11.920
<v Speaker 1>we learn, can hear frequencies way beyond human hearing, and

0:20:12.000 --> 0:20:13.960
<v Speaker 1>as they're testing her, she looks up at the screen,

0:20:14.040 --> 0:20:17.280
<v Speaker 1>sees the news about the crash and is like, search

0:20:17.320 --> 0:20:19.440
<v Speaker 1>and rescue. My brothers, search and rescue. He's got to

0:20:19.520 --> 0:20:23.000
<v Speaker 1>be there. And in fact, we see her interface with

0:20:23.080 --> 0:20:26.080
<v Speaker 1>the screen somehow and like flip through the different camera

0:20:26.160 --> 0:20:31.440
<v Speaker 1>feeds and she sees him, and she's extremely troubled, as

0:20:31.760 --> 0:20:35.080
<v Speaker 1>one would guess. Meanwhile, Boy Genius gets briefed on the

0:20:35.119 --> 0:20:39.600
<v Speaker 1>crash by his butler, mass casualties, blah blah blah. But

0:20:40.560 --> 0:20:45.240
<v Speaker 1>whyland Utani ship with potentially some top secret and very

0:20:45.280 --> 0:20:49.640
<v Speaker 1>expensive whyland Utani ip on there? Boy Genius is like,

0:20:50.520 --> 0:20:54.360
<v Speaker 1>that's great, So sad about everybody who's died, but we're

0:20:54.440 --> 0:20:57.040
<v Speaker 1>keeping that fucking ship, no question of no.

0:20:57.160 --> 0:20:59.399
<v Speaker 2>But it's not going back, baby, this is mine, not

0:21:00.119 --> 0:21:00.560
<v Speaker 2>that is.

0:21:03.720 --> 0:21:04.840
<v Speaker 1>Oh.

0:21:03.920 --> 0:21:04.040
<v Speaker 2>Oh.

0:21:04.920 --> 0:21:08.040
<v Speaker 1>Wendy comes in and is like, hey, I'm going on

0:21:08.040 --> 0:21:11.399
<v Speaker 1>the crash site. I want to get my brother. I

0:21:11.520 --> 0:21:15.320
<v Speaker 1>want to help him, and why not? Why can't I go?

0:21:15.600 --> 0:21:18.639
<v Speaker 1>I'm can't be hurt, I'm immortal, I'm super strong.

0:21:18.800 --> 0:21:19.320
<v Speaker 2>I'm fine.

0:21:19.440 --> 0:21:21.960
<v Speaker 1>Like, let's see the Lost Boys. We can help. Boy

0:21:22.000 --> 0:21:27.720
<v Speaker 1>Genius is like that sounds dumb, but like whatever, yeah,

0:21:27.800 --> 0:21:30.919
<v Speaker 1>let's go. You know we're gonna be monitoring you the

0:21:30.920 --> 0:21:33.119
<v Speaker 1>whole time. We later find out that Boy Genius can

0:21:33.160 --> 0:21:36.240
<v Speaker 1>actually see through their eyes, like he has camera shots

0:21:36.280 --> 0:21:39.520
<v Speaker 1>where he's like literally looking through their eye holes and

0:21:39.560 --> 0:21:41.199
<v Speaker 1>he says, curse, you go with them and you make

0:21:41.200 --> 0:21:45.720
<v Speaker 1>sure they don't get any trouble. So meanwhile, the Lost

0:21:45.720 --> 0:21:48.520
<v Speaker 1>Boys are sitting around, they're they're getting to know each other,

0:21:49.200 --> 0:21:52.040
<v Speaker 1>talking about like how strong their bodies are now and

0:21:52.080 --> 0:21:54.439
<v Speaker 1>they're immortal. They're wondering like, okay do we die? Like

0:21:54.440 --> 0:21:56.280
<v Speaker 1>what happens when our batteries run out?

0:21:56.640 --> 0:21:59.359
<v Speaker 2>Also clearly like ten years old, Like this is such

0:21:59.400 --> 0:22:01.960
<v Speaker 2>a good seats to show, like how acting.

0:22:03.280 --> 0:22:06.200
<v Speaker 1>The acting, yeah, very very good. When he comes in

0:22:06.359 --> 0:22:09.560
<v Speaker 1>and is like, hey guys, mount up. I know we've

0:22:09.560 --> 0:22:11.680
<v Speaker 1>only been in these bodies for I don't know, a week,

0:22:11.800 --> 0:22:13.960
<v Speaker 1>two weeks or something, but it's time to rescue people.

0:22:14.600 --> 0:22:19.000
<v Speaker 1>So Meanwhile, the actual search and rescue team that's on site,

0:22:19.600 --> 0:22:22.680
<v Speaker 1>they get into the lab of the ship. They see

0:22:22.720 --> 0:22:25.919
<v Speaker 1>all the weird specimens in their glass cases. They're like,

0:22:26.040 --> 0:22:28.920
<v Speaker 1>what the fuck are these? There's a body on the floor.

0:22:28.960 --> 0:22:33.159
<v Speaker 1>This guy's been shot. Meanwhile, the gross some of the

0:22:33.200 --> 0:22:36.880
<v Speaker 1>gross insects that were like in one of the pods

0:22:36.920 --> 0:22:40.359
<v Speaker 1>and being fed earlier in an earlier scene, dropped from

0:22:40.400 --> 0:22:43.840
<v Speaker 1>the ceiling onto a guy's shoulder, full spider kind of Oh,

0:22:44.200 --> 0:22:47.120
<v Speaker 1>I call that the the I A puss? Oh?

0:22:47.160 --> 0:22:48.560
<v Speaker 2>I like that, that's good.

0:22:49.359 --> 0:22:52.440
<v Speaker 1>Yeah, there's an I A puss running around, which is yes,

0:22:53.680 --> 0:22:58.359
<v Speaker 1>it's like an octopus with an eyeball head. And they

0:22:58.440 --> 0:23:00.399
<v Speaker 1>it freaked out by all these gross things. They're like,

0:23:00.600 --> 0:23:06.200
<v Speaker 1>let's okay, let's leave. Morrow just gets flat out gets

0:23:06.200 --> 0:23:09.200
<v Speaker 1>to drop on them. Oh. He makes them drop their guns,

0:23:09.280 --> 0:23:14.040
<v Speaker 1>he makes them cuff themselves to a pillar. He uh

0:23:14.080 --> 0:23:18.240
<v Speaker 1>disarms them and is like, where's boy Cavalier. They're like,

0:23:18.240 --> 0:23:21.600
<v Speaker 1>how the fuck? What do you think? We updates us

0:23:22.119 --> 0:23:23.840
<v Speaker 1>where he's going, Like, how the fuck do we know?

0:23:24.520 --> 0:23:24.639
<v Speaker 2>Uh?

0:23:24.800 --> 0:23:27.880
<v Speaker 1>And Marrow's like fine, he goes off to update mother again.

0:23:28.359 --> 0:23:30.840
<v Speaker 1>The rest of the search and rescue team gets the

0:23:30.920 --> 0:23:33.639
<v Speaker 1>crier room. No survivors, but there's weird stuff. You know,

0:23:33.640 --> 0:23:36.439
<v Speaker 1>there's a blood trail, there's evidence of what we know

0:23:36.520 --> 0:23:38.439
<v Speaker 1>as a chest burst, but like they don't know what

0:23:38.480 --> 0:23:41.720
<v Speaker 1>that is. There's a dead face hugger nearby. All of

0:23:41.760 --> 0:23:46.639
<v Speaker 1>this stuff is very mysterious to them. Meanwhile, that gross

0:23:46.680 --> 0:23:52.320
<v Speaker 1>alien insect thing, now that's like a it's like a

0:23:52.400 --> 0:23:54.439
<v Speaker 1>slug beetle, Like.

0:23:54.359 --> 0:23:55.680
<v Speaker 2>It's really creepy stuff.

0:23:55.800 --> 0:23:59.320
<v Speaker 1>It just absolutely sucks all the blood that it can

0:23:59.440 --> 0:24:01.720
<v Speaker 1>out of this guy as juggular and he dies, while

0:24:01.720 --> 0:24:03.439
<v Speaker 1>the other guy who's like cuffed to his back is

0:24:03.480 --> 0:24:10.560
<v Speaker 1>like freaking the fuck out, and you know, it crawls

0:24:10.600 --> 0:24:14.040
<v Speaker 1>onto a new one, crawls onto the still living guy,

0:24:14.200 --> 0:24:21.600
<v Speaker 1>and that guy does on the way in. Meanwhile, Kersh

0:24:21.760 --> 0:24:23.000
<v Speaker 1>tells Wendy.

0:24:22.920 --> 0:24:25.760
<v Speaker 2>This is Sacha, like synnis the conversation.

0:24:26.040 --> 0:24:28.800
<v Speaker 1>I mean, because Kirsh is all the time. Kirsh is

0:24:28.800 --> 0:24:36.960
<v Speaker 1>a synthetic. Here's my as a synthetic and a living

0:24:37.480 --> 0:24:42.720
<v Speaker 1>sentient thing. Kersh is like wants to like rip the

0:24:42.760 --> 0:24:44.600
<v Speaker 1>band aid off. He wants to be like.

0:24:44.640 --> 0:24:47.760
<v Speaker 2>Listen, they're not actually you need to get it.

0:24:48.160 --> 0:24:53.920
<v Speaker 1>Like, here's what animals. Human animals are like they used

0:24:53.920 --> 0:24:57.600
<v Speaker 1>to live in fear because they were eaten by lions,

0:24:57.640 --> 0:25:01.440
<v Speaker 1>tigers and bears. Oh my, but then you guys evolved

0:25:01.480 --> 0:25:04.960
<v Speaker 1>in order to make tools, and then with those high

0:25:05.000 --> 0:25:07.200
<v Speaker 1>tech tools, they made cool stuff. And you're one of

0:25:07.240 --> 0:25:10.120
<v Speaker 1>the cool things. You're not one of them anymore. You're

0:25:10.119 --> 0:25:12.199
<v Speaker 1>not gonna run around wondering if you're gonna die or

0:25:12.200 --> 0:25:15.360
<v Speaker 1>get eaten by a thing. Okay, your brother will though,

0:25:15.400 --> 0:25:18.480
<v Speaker 1>because he is still one of these like meat things,

0:25:18.560 --> 0:25:21.040
<v Speaker 1>he's still a person. He's he'll die one day. And

0:25:21.080 --> 0:25:23.639
<v Speaker 1>when he's like put off by this, she's like, no,

0:25:23.680 --> 0:25:26.479
<v Speaker 1>he won't, just like, yeah, he'll get sick, You'll get injured,

0:25:26.600 --> 0:25:29.440
<v Speaker 1>so he'll die, and she's like, no, I will save him.

0:25:29.920 --> 0:25:33.600
<v Speaker 2>Oh really equally as like also creepy because you get

0:25:33.600 --> 0:25:36.560
<v Speaker 2>to see that like ten year old kind of stubbornness

0:25:36.560 --> 0:25:39.520
<v Speaker 2>coming out of like an inability to understand the difference

0:25:39.600 --> 0:25:44.160
<v Speaker 2>between humans and sins and hybrids. So she's obviously a hybrid.

0:25:44.280 --> 0:25:47.640
<v Speaker 2>So yeah, very interesting fast episode, and that is.

0:25:48.400 --> 0:25:51.200
<v Speaker 1>The end of episode one. Let's take a quick break

0:25:51.280 --> 0:25:54.680
<v Speaker 1>and go to episode two and we're back. Episode two.

0:25:55.400 --> 0:26:00.639
<v Speaker 1>Joe Is aka Hermit code named Hermit is continue his

0:26:00.680 --> 0:26:04.680
<v Speaker 1>search of the ship, but of course there's something else

0:26:05.240 --> 0:26:09.919
<v Speaker 1>fully running around in there, stalking him, stalking everybody. We

0:26:10.000 --> 0:26:11.960
<v Speaker 1>know it's a xenomorph, but they have no idea what

0:26:12.040 --> 0:26:15.000
<v Speaker 1>that is. They find other dead bodies with signs of

0:26:15.000 --> 0:26:20.920
<v Speaker 1>strange injuries, signs of surgery, signs of hemorrhaging, signs of gunfire.

0:26:21.200 --> 0:26:22.440
<v Speaker 1>It's very creepy and weird.

0:26:22.480 --> 0:26:25.840
<v Speaker 2>Also very clear that these people did not die in

0:26:25.880 --> 0:26:28.920
<v Speaker 2>the crash, but it's very clear that they were killed

0:26:28.960 --> 0:26:31.920
<v Speaker 2>before the crash. So that's just starting to pick up

0:26:32.000 --> 0:26:34.480
<v Speaker 2>as a medic that maybe this is not a good

0:26:34.480 --> 0:26:35.000
<v Speaker 2>place to be.

0:26:35.680 --> 0:26:41.880
<v Speaker 1>Hermit and one of his compatriots, Rashidi chat. Apparently, according

0:26:41.880 --> 0:26:45.880
<v Speaker 1>to the logs, there were one hundred and sixty two

0:26:46.560 --> 0:26:53.199
<v Speaker 1>alien biologics on the ship and unknown how clearly some

0:26:53.280 --> 0:26:57.000
<v Speaker 1>of them survived, and we don't know what's where they are,

0:26:57.119 --> 0:27:00.119
<v Speaker 1>all of them. And also they don't know this, but

0:27:00.119 --> 0:27:03.760
<v Speaker 1>there's a fully adult xenomorph now lurking around. We go

0:27:03.800 --> 0:27:08.320
<v Speaker 1>to Research Island where Dame is watching the children's recruiting videos.

0:27:08.680 --> 0:27:12.679
<v Speaker 1>Boy Genius comes in and he doesn't care about the

0:27:12.760 --> 0:27:16.879
<v Speaker 1>kids at all. He's just like the technological breakthroughs. I

0:27:16.920 --> 0:27:20.080
<v Speaker 1>can't wait for the technological breakthroughs. I am so excited

0:27:20.119 --> 0:27:22.640
<v Speaker 1>about pushing the potential of the human race forward by

0:27:23.160 --> 0:27:26.520
<v Speaker 1>merging Man a machine. And he says, it's not about

0:27:26.520 --> 0:27:30.600
<v Speaker 1>the money, it's not about the ego. It's about he's

0:27:30.720 --> 0:27:34.320
<v Speaker 1>so exhausted by being the smartest person seemingly in the

0:27:34.359 --> 0:27:40.600
<v Speaker 1>world that he's hopeful that by merging Man a machine

0:27:40.640 --> 0:27:44.400
<v Speaker 1>like this, they will unlock a different level of intellectual

0:27:44.440 --> 0:27:47.960
<v Speaker 1>potential where he could finally have interesting conversations with people

0:27:47.960 --> 0:27:52.880
<v Speaker 1>who are smarter than him. Now so outrageous, it's outrageous.

0:27:52.920 --> 0:27:57.080
<v Speaker 1>And I'll say this, My read on this is he

0:27:57.119 --> 0:27:57.960
<v Speaker 1>doesn't really want that.

0:27:58.359 --> 0:28:01.000
<v Speaker 2>No, he even kind I kind of says it. He's

0:28:01.040 --> 0:28:02.879
<v Speaker 2>even kind of like, She's like, so, is that what

0:28:02.920 --> 0:28:05.800
<v Speaker 2>you're doing with the kids, And he's like maybe, he's what, huh,

0:28:05.840 --> 0:28:07.119
<v Speaker 2>maybe that'll be what happens.

0:28:07.560 --> 0:28:13.720
<v Speaker 1>I don't flee. I've never in my life seen or

0:28:13.840 --> 0:28:17.040
<v Speaker 1>read about a competitive person who is elite at what

0:28:17.080 --> 0:28:20.919
<v Speaker 1>they do, who wants to be Oh, I would actually

0:28:21.000 --> 0:28:22.760
<v Speaker 1>like to be around people who are better than me. No,

0:28:22.880 --> 0:28:25.200
<v Speaker 1>I still want to be the best. What he wants

0:28:25.240 --> 0:28:29.440
<v Speaker 1>to happen is, I think, is to be challenged by

0:28:30.720 --> 0:28:34.479
<v Speaker 1>much smarter beings so that he then can like raise

0:28:34.520 --> 0:28:37.240
<v Speaker 1>his he the smartest, still be the smartest person, and

0:28:37.680 --> 0:28:38.600
<v Speaker 1>still be the smartest.

0:28:38.800 --> 0:28:40.320
<v Speaker 2>Yeah. I think that's a really good way of looking

0:28:40.360 --> 0:28:43.440
<v Speaker 2>at I also think I'm guessing because this is a

0:28:43.560 --> 0:28:46.920
<v Speaker 2>now Horley situation. I find the boy, I find that

0:28:47.120 --> 0:28:50.560
<v Speaker 2>boy genious conversation. I find the boigenious character is like

0:28:50.840 --> 0:28:55.680
<v Speaker 2>so just outwardly obviously like sucks that I'm just very

0:28:55.720 --> 0:28:58.560
<v Speaker 2>interested to find out, like what really drives him or

0:28:58.600 --> 0:29:00.719
<v Speaker 2>what is really going on because I think there is

0:29:00.800 --> 0:29:01.560
<v Speaker 2>more to it.

0:29:02.200 --> 0:29:04.360
<v Speaker 1>And I say, yeah, I feel the same way, like

0:29:04.400 --> 0:29:07.560
<v Speaker 1>there must be a subversion coming right, because he's so

0:29:09.160 --> 0:29:10.960
<v Speaker 1>almost cartoonishly the vague.

0:29:11.960 --> 0:29:14.160
<v Speaker 2>You know what. I think it's interesting though, is like

0:29:14.600 --> 0:29:16.680
<v Speaker 2>again if we're we you know, we were talking about

0:29:16.720 --> 0:29:20.719
<v Speaker 2>in episode one about the kind of obvious Epstein kind

0:29:20.760 --> 0:29:24.560
<v Speaker 2>of the Lost Boys Island, the you know neverland obviously

0:29:24.640 --> 0:29:27.960
<v Speaker 2>with like the Michael Jackson stuff. I'm like, also, there

0:29:28.080 --> 0:29:31.680
<v Speaker 2>is obviously an Elon Musk element here, but it's more like,

0:29:31.880 --> 0:29:35.600
<v Speaker 2>what if Elon Musk actually invented everything and was a kid,

0:29:35.720 --> 0:29:37.720
<v Speaker 2>So it's kind of he was a genius. What if

0:29:37.720 --> 0:29:42.160
<v Speaker 2>he was a genius. It's this interesting kind of hypothetical

0:29:42.440 --> 0:29:48.480
<v Speaker 2>of the future that is Yeah, it's also like painfully

0:29:48.480 --> 0:29:53.160
<v Speaker 2>painfully yeah, it feels prescient while you're watching it, even

0:29:53.200 --> 0:29:55.560
<v Speaker 2>though it's new and is made. It feels like it's

0:29:55.560 --> 0:29:58.640
<v Speaker 2>in conversation with the world we're living in in a

0:29:58.640 --> 0:30:01.720
<v Speaker 2>way that just kept to me hooked, even though I've seen,

0:30:01.760 --> 0:30:04.400
<v Speaker 2>you know, ten alien movies in my library.

0:30:04.600 --> 0:30:22.240
<v Speaker 1>We'll be right back after a quick break, and we're back.

0:30:22.320 --> 0:30:24.920
<v Speaker 1>I also think that here's the thing about being one

0:30:24.920 --> 0:30:29.560
<v Speaker 1>of these rich freaks. I also think that boy genius

0:30:29.600 --> 0:30:32.760
<v Speaker 1>wants to put himself in a and probably the best

0:30:33.640 --> 0:30:37.400
<v Speaker 1>possibly manufactured and produced hybrid bodies.

0:30:37.520 --> 0:30:39.400
<v Speaker 2>Of course that's really what it's about.

0:30:39.840 --> 0:30:42.040
<v Speaker 1>But for a guy like this, it's like the It's

0:30:42.080 --> 0:30:44.840
<v Speaker 1>like the billionaires who like have the bunker in New Zealand.

0:30:45.080 --> 0:30:47.520
<v Speaker 1>It's all well and good, but who flies you to

0:30:47.560 --> 0:30:48.160
<v Speaker 1>New Zealand?

0:30:48.240 --> 0:30:49.719
<v Speaker 2>Who gets you that exactly?

0:30:49.760 --> 0:30:53.560
<v Speaker 1>Who's to Who's to say that the pilot doesn't just

0:30:53.680 --> 0:30:56.360
<v Speaker 1>like put two in your head, leave you on the

0:30:56.360 --> 0:30:59.600
<v Speaker 1>tarmac and fly themselves.

0:30:59.880 --> 0:31:02.040
<v Speaker 2>They want to fucking crash the plane, so you.

0:31:02.480 --> 0:31:08.440
<v Speaker 1>So, I think that what going for is the loyalty

0:31:08.480 --> 0:31:11.640
<v Speaker 1>of these hybrids so that they can do the process.

0:31:11.240 --> 0:31:14.440
<v Speaker 2>To him put him that is so smart.

0:31:14.360 --> 0:31:16.560
<v Speaker 1>Or or you know, because I think, like, listen, if

0:31:16.600 --> 0:31:18.280
<v Speaker 1>it's going to be Dame or any of these other

0:31:18.320 --> 0:31:20.440
<v Speaker 1>people who kind of like argue with you a little bit,

0:31:20.480 --> 0:31:22.040
<v Speaker 1>do you trust them to even sleep?

0:31:22.480 --> 0:31:23.040
<v Speaker 2>I don't try.

0:31:23.080 --> 0:31:25.040
<v Speaker 1>You know you can, because you'll be like when the

0:31:25.080 --> 0:31:26.840
<v Speaker 1>boss is asleep, aren't you going to look at each

0:31:26.840 --> 0:31:29.400
<v Speaker 1>other and go, let's just fucking unplug it? Do it exactly?

0:31:29.520 --> 0:31:33.040
<v Speaker 2>Like no joke, because this guy also like doesn't treat

0:31:33.080 --> 0:31:35.920
<v Speaker 2>people well, which I think is the classic corporate thing. Also,

0:31:35.960 --> 0:31:40.160
<v Speaker 2>I found this so I'm very interested generally about the

0:31:40.200 --> 0:31:45.400
<v Speaker 2>notion of introducing these new like Prodigy and Dynamic and

0:31:45.400 --> 0:31:48.560
<v Speaker 2>boy Cavallet, because it would have been very easy for

0:31:48.640 --> 0:31:53.280
<v Speaker 2>them to just make this character, right Whalen, because we

0:31:53.400 --> 0:31:57.360
<v Speaker 2>know through the movies that Ridley Scott returned to with

0:31:57.440 --> 0:32:01.880
<v Speaker 2>Prometheus and Covenant, that Whalen's been obsessed with like extending

0:32:01.960 --> 0:32:05.720
<v Speaker 2>the life of himself, of other people, of humans, of

0:32:05.800 --> 0:32:07.760
<v Speaker 2>meeting God, of all this kind of stuff of like

0:32:08.000 --> 0:32:10.280
<v Speaker 2>how can you live as long as possible? So I

0:32:10.360 --> 0:32:12.840
<v Speaker 2>kind of love the Instead they were like, no, here's

0:32:12.840 --> 0:32:16.280
<v Speaker 2>this child who is maybe already doing it better.

0:32:16.800 --> 0:32:21.640
<v Speaker 1>He's scared of growing old, growing up, Yeah, because then

0:32:21.640 --> 0:32:23.640
<v Speaker 1>he'll be like a normal smart guy. He wants to

0:32:23.640 --> 0:32:26.280
<v Speaker 1>be like the most genius like man the young.

0:32:26.080 --> 0:32:30.239
<v Speaker 2>Guy forever realized how the cuse of the gifted and

0:32:30.280 --> 0:32:33.280
<v Speaker 2>Talented section. Yeah, it's like and guess what, when you

0:32:33.280 --> 0:32:34.959
<v Speaker 2>go to he'll always be people.

0:32:35.240 --> 0:32:37.920
<v Speaker 1>He'll like, always be on the thirty under thirty list

0:32:38.000 --> 0:32:39.800
<v Speaker 1>forever for the next hundred years.

0:32:39.880 --> 0:32:42.000
<v Speaker 2>Yeah, exactly, that's his dream.

0:32:42.040 --> 0:32:44.480
<v Speaker 1>So Kirsh and Wendy and the other hybrids are on

0:32:44.520 --> 0:32:48.160
<v Speaker 1>the way. Wendy tells one of the lost bies Slightly that.

0:32:48.520 --> 0:32:50.920
<v Speaker 2>Yeah, because that all named doctor Peter Pan characters too.

0:32:51.000 --> 0:32:53.440
<v Speaker 1>Yes, She's like, I can't wait to my brother is there.

0:32:53.640 --> 0:32:56.400
<v Speaker 1>I want to see him. He's a regular human and

0:32:56.520 --> 0:32:59.600
<v Speaker 1>I'm going to go there and I'm going to find him.

0:33:00.000 --> 0:33:02.120
<v Speaker 1>Slightly talks a little bit about the fact that his

0:33:02.240 --> 0:33:08.080
<v Speaker 1>dad passed away of an illness and how hard that

0:33:08.280 --> 0:33:11.480
<v Speaker 1>was for him, and then kersh. Finally, when they arrive

0:33:11.560 --> 0:33:13.280
<v Speaker 1>on the scene, is like, Okay, let's get ready to

0:33:13.280 --> 0:33:17.080
<v Speaker 1>go in. In the ship, Joe has met up with

0:33:18.120 --> 0:33:20.680
<v Speaker 1>you know, two of his other search and Rescue team members,

0:33:20.960 --> 0:33:24.240
<v Speaker 1>Rashidi and Siberian. There's a big gap between like where

0:33:24.240 --> 0:33:29.960
<v Speaker 1>the ship crashed and the infrastructure of the building, and

0:33:30.240 --> 0:33:33.400
<v Speaker 1>so they're like, let's just like jump it. Siberian jumps it.

0:33:33.880 --> 0:33:36.960
<v Speaker 1>Then it becomes Joe's turn to jump it. And as

0:33:37.040 --> 0:33:41.120
<v Speaker 1>he's jumping about to jump, like the saliva drops on

0:33:41.160 --> 0:33:43.040
<v Speaker 1>his shoulder and you all know what that means. He

0:33:43.080 --> 0:33:45.880
<v Speaker 1>looks up. The Xenomorph is there looking at him. He

0:33:45.960 --> 0:33:50.200
<v Speaker 1>goes to jump, but the Xenomorph, you know, goes for him,

0:33:50.360 --> 0:33:54.520
<v Speaker 1>and they end up falling together into like the lower

0:33:54.640 --> 0:34:01.040
<v Speaker 1>level halls of this crash site, and Joe's down there.

0:34:01.640 --> 0:34:03.360
<v Speaker 1>He's trying to call for back up. He can't get

0:34:03.640 --> 0:34:05.640
<v Speaker 1>back up. He tries to gain it, and he gets

0:34:05.640 --> 0:34:07.720
<v Speaker 1>on an elevator and manages to escape for a moment,

0:34:07.760 --> 0:34:10.160
<v Speaker 1>and he's bleeding from a gash and it's bad. We

0:34:10.239 --> 0:34:14.520
<v Speaker 1>flash back to yesterday. Hermit goes to the Prodigy DMV

0:34:14.680 --> 0:34:16.680
<v Speaker 1>to try and quit his job as a search and

0:34:16.719 --> 0:34:18.560
<v Speaker 1>rescue guy, but they're like, no, you have seven months

0:34:18.560 --> 0:34:21.480
<v Speaker 1>in your contract, which means very basically an indentured servant.

0:34:21.560 --> 0:34:24.680
<v Speaker 2>Yeah, very alien coded. If you weren't aware that this

0:34:24.840 --> 0:34:30.239
<v Speaker 2>is kind of the ecosystem that the Alien franchise exists

0:34:30.280 --> 0:34:32.520
<v Speaker 2>in and is why the First Alien is so beloved

0:34:32.560 --> 0:34:35.680
<v Speaker 2>as this kind of like unexpected kind of pro worker movie.

0:34:35.840 --> 0:34:39.399
<v Speaker 2>Alien Romulus got back into that with the kids who

0:34:39.400 --> 0:34:42.120
<v Speaker 2>were on mining contracts who couldn't escape. And I think

0:34:42.160 --> 0:34:46.120
<v Speaker 2>it's really interesting to see here that even you know,

0:34:46.239 --> 0:34:49.200
<v Speaker 2>these other corporations are also doing this. It's not just

0:34:49.239 --> 0:34:54.520
<v Speaker 2>wailing you, Tani. This is how basically everyone exists. And honestly,

0:34:54.960 --> 0:34:58.120
<v Speaker 2>you know, when he's like, I'm gonna leave to go

0:34:58.239 --> 0:35:00.560
<v Speaker 2>to medical school, They're like, no or not. You've got

0:35:00.600 --> 0:35:03.000
<v Speaker 2>seven months left on your contracts, right, And isn't that

0:35:03.040 --> 0:35:05.440
<v Speaker 2>all of us just trying to afford to go to college?

0:35:05.560 --> 0:35:07.360
<v Speaker 1>Like it's actually extremely bleak.

0:35:08.360 --> 0:35:11.000
<v Speaker 2>But yeah, it's just a it's just like a faceless,

0:35:11.600 --> 0:35:15.200
<v Speaker 2>non humanized robot, which I find really interesting because it's

0:35:15.200 --> 0:35:18.400
<v Speaker 2>also introducing like a class system within robots. This is

0:35:18.480 --> 0:35:21.719
<v Speaker 2>just kind of your face. This is just like a

0:35:21.800 --> 0:35:24.160
<v Speaker 2>ball but like a camera looking at Yes.

0:35:24.120 --> 0:35:25.600
<v Speaker 1>You don't even get to talk to the robot with

0:35:25.640 --> 0:35:30.520
<v Speaker 1>the face. And meanwhile, Wendy, who is you know, watching

0:35:30.520 --> 0:35:34.799
<v Speaker 1>her brother on cams back on Research Island, manages through

0:35:34.840 --> 0:35:38.480
<v Speaker 1>her tablet to interface with the robot clerk, and she

0:35:38.520 --> 0:35:39.080
<v Speaker 1>begins like.

0:35:39.080 --> 0:35:43.200
<v Speaker 2>Saying lines from Ice Age Ice.

0:35:42.960 --> 0:35:45.480
<v Speaker 1>Age to her brother, and he's like, what are you

0:35:45.480 --> 0:35:50.760
<v Speaker 1>talking about. Meanwhile, you know, all the Boy Genius people,

0:35:50.960 --> 0:35:53.799
<v Speaker 1>all the managers of Prodigy and Boy Genius himself are

0:35:53.840 --> 0:35:54.840
<v Speaker 1>absolutely bricked up.

0:35:54.880 --> 0:35:59.399
<v Speaker 2>Boi Genus is like, yeah, and I kind of love

0:35:59.480 --> 0:36:01.719
<v Speaker 2>this too, but because they basically like how did she

0:36:01.800 --> 0:36:04.200
<v Speaker 2>do this? And then they go, well, you know, they're

0:36:04.200 --> 0:36:06.120
<v Speaker 2>like kind of like they're like, well, you know, the

0:36:06.239 --> 0:36:08.920
<v Speaker 2>Internet kind of runs through her, but we never imagine

0:36:08.920 --> 0:36:11.040
<v Speaker 2>that she would be able to kind of like run

0:36:11.080 --> 0:36:12.920
<v Speaker 2>through the Internet. And I'm like, maybe you should have

0:36:12.920 --> 0:36:15.200
<v Speaker 2>thought of that when before you made this robot that

0:36:15.239 --> 0:36:19.799
<v Speaker 2>conceeemingly just like touch any screen and interact with the

0:36:19.800 --> 0:36:21.560
<v Speaker 2>people on the other side of it. That seems like

0:36:22.000 --> 0:36:23.320
<v Speaker 2>a massive amount of power.

0:36:24.160 --> 0:36:26.520
<v Speaker 1>Back in the present, they arrive at the crash site

0:36:26.560 --> 0:36:29.799
<v Speaker 1>and Wendy immediately begins like picking up some high frequency

0:36:29.920 --> 0:36:34.600
<v Speaker 1>like interference that is messing with her sensors and it's

0:36:34.680 --> 0:36:37.160
<v Speaker 1>kind of interfering with her hearing. Nobody else can pick

0:36:37.200 --> 0:36:39.640
<v Speaker 1>it up. Boy Genius is of course watching it all

0:36:39.680 --> 0:36:43.560
<v Speaker 1>from his office. They Kirsh goes to talk to the

0:36:43.640 --> 0:36:45.279
<v Speaker 1>chief of the Search and rescue, the guy who's like

0:36:45.320 --> 0:36:47.440
<v Speaker 1>running the whole thing, and it's like, what's going on.

0:36:47.960 --> 0:36:50.319
<v Speaker 1>The guy's like, okay, well we're concerned about radiation. They're

0:36:50.400 --> 0:36:51.720
<v Speaker 1>like we're not because we're not human.

0:36:52.760 --> 0:36:53.600
<v Speaker 2>They're like, oh well.

0:36:53.880 --> 0:36:56.440
<v Speaker 1>Meanwhile, Wendy just like walks up to their computer system

0:36:56.480 --> 0:36:58.879
<v Speaker 1>and is like scrolling through their database and all their

0:36:58.920 --> 0:37:01.759
<v Speaker 1>feeds and finds her brother and she just leaves. She

0:37:01.800 --> 0:37:05.320
<v Speaker 1>doesn't even say she heads off to go find him.

0:37:05.920 --> 0:37:09.160
<v Speaker 1>Kersh is like okay, fine, lost boys on me, let's

0:37:09.200 --> 0:37:14.839
<v Speaker 1>go boy. Genius meanwhile, is just so jazzed about like

0:37:14.960 --> 0:37:17.439
<v Speaker 1>everything happening around the ship and the until they're getting

0:37:17.480 --> 0:37:20.719
<v Speaker 1>from the ship and Utani calls and Utani's like, hey,

0:37:21.360 --> 0:37:24.720
<v Speaker 1>so obviously, like we fucked up, very expensive day for us,

0:37:25.120 --> 0:37:28.440
<v Speaker 1>So sorry about the loss of x amount of.

0:37:28.480 --> 0:37:31.000
<v Speaker 2>Definitely at least one hundred thousand people like this crash

0:37:31.080 --> 0:37:32.520
<v Speaker 2>really absolutely.

0:37:32.200 --> 0:37:35.400
<v Speaker 1>Because so sorry about that, but we do need the

0:37:35.440 --> 0:37:37.840
<v Speaker 1>ship back and we'd love to send a team to

0:37:38.040 --> 0:37:41.200
<v Speaker 1>go and just get some of our important ip back.

0:37:42.320 --> 0:37:44.680
<v Speaker 1>And Genius is like, speaking of that, like anything we

0:37:44.680 --> 0:37:47.360
<v Speaker 1>should know about this did crash on my territory and

0:37:47.400 --> 0:37:49.600
<v Speaker 1>lots of people down here like should should I know

0:37:49.640 --> 0:37:52.239
<v Speaker 1>about any weird stuff on there that could possibly pose

0:37:52.280 --> 0:37:54.239
<v Speaker 1>a threat, And Utani is like, well, you know, I

0:37:54.239 --> 0:37:55.120
<v Speaker 1>can't talk about.

0:37:54.920 --> 0:37:58.760
<v Speaker 2>That proprietary baby prot Sorry.

0:37:58.840 --> 0:38:02.560
<v Speaker 1>That's all whyland Utani the ip, which again is why

0:38:02.600 --> 0:38:05.120
<v Speaker 1>we must send a team to get that. And boy

0:38:05.200 --> 0:38:07.200
<v Speaker 1>Genius is like, no, I have your lawyer, call my

0:38:07.280 --> 0:38:08.920
<v Speaker 1>lawyer and we'll work it out. Okay, that's why we

0:38:08.960 --> 0:38:12.799
<v Speaker 1>have lawyers, and goodbye, And it's very clear that boy

0:38:12.840 --> 0:38:15.239
<v Speaker 1>Genius is not going to give back anything at all.

0:38:15.360 --> 0:38:19.040
<v Speaker 1>He wants everything on that chip. The Lost Boys get

0:38:19.040 --> 0:38:23.960
<v Speaker 1>into the ship. Wendy senses, whether it's the interference or

0:38:24.000 --> 0:38:27.640
<v Speaker 1>the alien that's running around, she senses something. She knows

0:38:27.680 --> 0:38:31.719
<v Speaker 1>something's happening on this ship. Kersh tells all the you know,

0:38:31.760 --> 0:38:36.400
<v Speaker 1>these are kids again, don't be afraid. We're gonna be fine.

0:38:36.480 --> 0:38:38.680
<v Speaker 1>You're immortal, you're very strong. And then they come up

0:38:38.760 --> 0:38:44.839
<v Speaker 1>across this weird like plantinus clear like straight out of Prometheus.

0:38:44.960 --> 0:38:48.400
<v Speaker 2>Yeah, like really horrific kind of it's like a gland

0:38:49.239 --> 0:38:51.839
<v Speaker 2>like full of something. It's just, you know, nothing good

0:38:51.880 --> 0:38:52.319
<v Speaker 2>is coming out.

0:38:52.440 --> 0:38:56.240
<v Speaker 1>It's making moist sounds. It's hanging from the ceiling they're studying,

0:38:56.280 --> 0:38:59.480
<v Speaker 1>and they begin to study it. Kurseh is like be careful.

0:38:59.600 --> 0:39:04.960
<v Speaker 1>He realized is that it's not of earth. It's an alien. Meanwhile,

0:39:05.040 --> 0:39:08.239
<v Speaker 1>boys watching all of this and just absolutely salivating, you know,

0:39:09.280 --> 0:39:12.760
<v Speaker 1>So they decide to try and capture this glandular alien.

0:39:13.480 --> 0:39:17.359
<v Speaker 1>Kersh is like sense one team led by Curly to go, Hey,

0:39:17.360 --> 0:39:20.680
<v Speaker 1>go find a lab where they have equipment where we

0:39:20.719 --> 0:39:23.319
<v Speaker 1>can like scoop this thing off the fucking ceiling and

0:39:23.360 --> 0:39:26.439
<v Speaker 1>we can capture it. They go there, they find more

0:39:26.440 --> 0:39:29.399
<v Speaker 1>dead bodies and more disgusting aliens. They find a cat

0:39:29.480 --> 0:39:34.920
<v Speaker 1>that's injured that suddenly disgorges this parasitical the spider octopus

0:39:35.440 --> 0:39:40.759
<v Speaker 1>the iOpus rather and the iOpus attacks them, but they

0:39:40.800 --> 0:39:43.879
<v Speaker 1>managed to capture it in like this metal tin.

0:39:44.600 --> 0:39:47.400
<v Speaker 2>Yeah, and also I have to say, I really I

0:39:48.080 --> 0:39:51.480
<v Speaker 2>love that. I think that something that this episode does.

0:39:51.840 --> 0:39:56.719
<v Speaker 2>First episode establishes a lot of like Piapan references and

0:39:56.760 --> 0:39:59.000
<v Speaker 2>this idea of the Lost Boys and stuff, which you know,

0:39:59.120 --> 0:40:02.239
<v Speaker 2>your milech may vary, but what I think that they

0:40:02.280 --> 0:40:05.000
<v Speaker 2>do in this episode that is so unbelievable with the

0:40:05.000 --> 0:40:08.920
<v Speaker 2>Lost Boys is like every single one of those actors who,

0:40:08.960 --> 0:40:11.719
<v Speaker 2>by the way, many of you, like there's Jasper from

0:40:12.440 --> 0:40:15.880
<v Speaker 2>Six of Crows and you know, Shadow and Bone and stuff.

0:40:15.880 --> 0:40:20.920
<v Speaker 2>These are people you recognize. The absolute belief that you

0:40:21.000 --> 0:40:23.719
<v Speaker 2>will have that these are ten year olds is.

0:40:23.800 --> 0:40:25.200
<v Speaker 1>Just so excuse.

0:40:25.560 --> 0:40:29.000
<v Speaker 2>The acting is unbelievable, and the way they react to

0:40:29.080 --> 0:40:32.480
<v Speaker 2>these scary things adds a whole different layer than we've

0:40:32.520 --> 0:40:34.880
<v Speaker 2>seen before in an alien movie. So they were really

0:40:34.920 --> 0:40:38.439
<v Speaker 2>starting to lock me in at that point. Especially Yeah,

0:40:38.520 --> 0:40:39.880
<v Speaker 2>they're like, Okay.

0:40:40.080 --> 0:40:44.120
<v Speaker 1>There's an openness of emotion on their faces on all

0:40:44.200 --> 0:40:46.239
<v Speaker 1>the actors who play the Lost Boys, including Wendy Y

0:40:46.400 --> 0:40:51.239
<v Speaker 1>faces they're just you buy you really, you asolutely buy it.

0:40:51.360 --> 0:40:56.279
<v Speaker 1>You buy it. So Wendy and slightly find her brother's

0:40:56.320 --> 0:40:59.920
<v Speaker 1>like vest and they see scratch marks all over the walls,

0:41:00.080 --> 0:41:05.239
<v Speaker 1>so they go off in that direction. Hermit, meanwhile, is

0:41:05.320 --> 0:41:08.720
<v Speaker 1>now in part of the residential tower and he runs

0:41:08.719 --> 0:41:12.000
<v Speaker 1>into another Search and Rescue member. He's like, have you

0:41:12.040 --> 0:41:15.080
<v Speaker 1>seen like any weird animals? Like I was like, what, Like,

0:41:15.080 --> 0:41:17.520
<v Speaker 1>what are you talking about? You forget about that, Let's

0:41:17.560 --> 0:41:19.360
<v Speaker 1>just like get everybody out of here. They knock on

0:41:19.400 --> 0:41:21.399
<v Speaker 1>a door and they find like people having like this

0:41:21.520 --> 0:41:22.600
<v Speaker 1>eighteenth century.

0:41:23.480 --> 0:41:26.239
<v Speaker 2>This sh it was so creepy giving. It's very much

0:41:26.320 --> 0:41:31.880
<v Speaker 2>exchanging ballad. It's giving. It's definitely giving, like high Rise,

0:41:31.960 --> 0:41:35.040
<v Speaker 2>it's also giving, you know, all the worst things you

0:41:35.080 --> 0:41:36.719
<v Speaker 2>imagine about rich people and what.

0:41:36.880 --> 0:41:41.080
<v Speaker 1>It's a very pre French revolutionary kind of let them

0:41:41.080 --> 0:41:44.960
<v Speaker 1>eat cake vibe in there and they're like, fuck you what,

0:41:45.520 --> 0:41:48.000
<v Speaker 1>Oh a big ship crashed into our building. You know,

0:41:48.040 --> 0:41:51.520
<v Speaker 1>we have boy genius call me. We go to the

0:41:51.520 --> 0:41:54.799
<v Speaker 1>same golf club. Okay, so by and closes the door.

0:41:55.600 --> 0:41:58.640
<v Speaker 1>You know, as the door closes, the alien comes up

0:41:58.760 --> 0:42:03.879
<v Speaker 1>behind and the other guy immediately kills the other guy,

0:42:04.480 --> 0:42:09.239
<v Speaker 1>and you know, while the killing is going on, the

0:42:09.480 --> 0:42:12.320
<v Speaker 1>eighteenth century people are like, what's that sound outside? So

0:42:12.360 --> 0:42:14.720
<v Speaker 1>they open the door to see what with the rockets

0:42:14.800 --> 0:42:18.680
<v Speaker 1>is outside, and the alien immediately is like oh meat,

0:42:18.960 --> 0:42:24.120
<v Speaker 1>goes in there and just cuts everybody absolutely to pieces.

0:42:25.600 --> 0:42:30.800
<v Speaker 1>Hermit is you know, kind of not silly, but manages

0:42:30.880 --> 0:42:34.080
<v Speaker 1>to push the bisected corpse that landed on top of

0:42:34.120 --> 0:42:35.839
<v Speaker 1>him off of me. He picks up a gun and

0:42:35.920 --> 0:42:39.840
<v Speaker 1>he goes into that room, to the eighteenth century party

0:42:39.920 --> 0:42:41.920
<v Speaker 1>room to like, I guess kill the alien.

0:42:42.120 --> 0:42:45.759
<v Speaker 2>Something that I love here is that one, this is

0:42:45.800 --> 0:42:48.520
<v Speaker 2>giving you know, common in the group chat. I mean

0:42:48.560 --> 0:42:50.400
<v Speaker 2>in the in the chat is talking to us about

0:42:50.400 --> 0:42:52.680
<v Speaker 2>like kind of the mix of like the high tech

0:42:52.920 --> 0:42:56.880
<v Speaker 2>and then the eighteenth century kind of aristocrats. Really cool.

0:42:57.120 --> 0:42:59.640
<v Speaker 2>I just also want to say it's giving hell. Ray's

0:42:59.680 --> 0:43:03.680
<v Speaker 2>a full bloodline where this is busy exact combos. But

0:43:03.800 --> 0:43:06.080
<v Speaker 2>this also is a great moment if you are someone

0:43:06.080 --> 0:43:09.680
<v Speaker 2>who's not one hundred percent sure how scary this show

0:43:09.719 --> 0:43:13.600
<v Speaker 2>may be. The show is really scary, but Noah Hawley

0:43:13.920 --> 0:43:18.160
<v Speaker 2>has multiple moments throughout this where he chooses not to

0:43:18.280 --> 0:43:21.440
<v Speaker 2>show you stuff, and at first, when you are hearing

0:43:21.480 --> 0:43:23.960
<v Speaker 2>them get killed, you are not seeing it. You are

0:43:24.000 --> 0:43:26.400
<v Speaker 2>just seeing the blood. Later on you will pull out

0:43:26.440 --> 0:43:28.920
<v Speaker 2>and get to see it. But there are multiple episode

0:43:29.120 --> 0:43:32.600
<v Speaker 2>There are multiple moments in this where Harley decides, hey,

0:43:32.640 --> 0:43:35.560
<v Speaker 2>you've kind of already seen that. And something that I

0:43:35.560 --> 0:43:38.000
<v Speaker 2>think is really interesting about this episode is when the

0:43:38.040 --> 0:43:42.680
<v Speaker 2>Lost Boys are going through the crash Chip, we are

0:43:42.760 --> 0:43:48.040
<v Speaker 2>essentially getting in a retroactive sense, what we usually get

0:43:48.040 --> 0:43:50.080
<v Speaker 2>from an alien movie, which is you meet the crew,

0:43:50.560 --> 0:43:52.560
<v Speaker 2>then we see them all get killed. Here we don't

0:43:52.600 --> 0:43:54.799
<v Speaker 2>see that first crew get killed. We go through and

0:43:54.840 --> 0:43:57.279
<v Speaker 2>pick through kind of the wreckage, and I think he

0:43:57.400 --> 0:44:01.240
<v Speaker 2>does so many different interesting makes so many different interesting

0:44:01.360 --> 0:44:05.320
<v Speaker 2>choices like that that make it feel like you're seeing

0:44:05.360 --> 0:44:07.680
<v Speaker 2>something you haven't seen before. And this is one of

0:44:07.680 --> 0:44:09.600
<v Speaker 2>those moments where you really.

0:44:09.200 --> 0:44:14.719
<v Speaker 1>Get that it's really cool. Well, Hermit gets into a

0:44:14.719 --> 0:44:18.360
<v Speaker 1>fight with an alien and it basically takes him out easily,

0:44:18.480 --> 0:44:25.279
<v Speaker 1>and it's about to minimouth him when Marrow shows up

0:44:25.320 --> 0:44:28.719
<v Speaker 1>and zaps it with this big bug zapper so sick

0:44:29.400 --> 0:44:34.799
<v Speaker 1>like a Ghostbusters type gun. And when it's down and

0:44:34.840 --> 0:44:37.000
<v Speaker 1>it's totally down in a way we've.

0:44:36.840 --> 0:44:39.960
<v Speaker 2>Never seen it looks it's like culled up in like

0:44:39.960 --> 0:44:40.680
<v Speaker 2>a fetod.

0:44:40.920 --> 0:44:42.680
<v Speaker 1>It's position down.

0:44:43.080 --> 0:44:43.880
<v Speaker 2>Yeah.

0:44:44.280 --> 0:44:48.239
<v Speaker 1>He then takes like a spray gun and sprays it

0:44:48.320 --> 0:44:52.000
<v Speaker 1>with this like glue that turns into like a sack,

0:44:52.200 --> 0:44:53.839
<v Speaker 1>and then he starts dragging the sack.

0:44:53.960 --> 0:44:57.279
<v Speaker 2>But he also does he also does shoot Hermit with

0:44:57.440 --> 0:45:00.000
<v Speaker 2>that same Ghostbuster's gun, which I thought was really fine.

0:45:00.080 --> 0:45:02.160
<v Speaker 2>He can say it's like yay, thank you, and he's

0:45:02.200 --> 0:45:06.560
<v Speaker 2>like nope, no, like I get bugs apps too, like

0:45:06.600 --> 0:45:08.000
<v Speaker 2>I've hopefully turned the.

0:45:08.719 --> 0:45:12.520
<v Speaker 1>Volume down or like the zapp down. Back at the plant,

0:45:12.600 --> 0:45:16.160
<v Speaker 1>Anus curshes, Liken, what the fuck am I looking at

0:45:16.239 --> 0:45:19.319
<v Speaker 1>like this thing is so insane. He hears the other

0:45:19.440 --> 0:45:22.319
<v Speaker 1>team yelling from the other room, yelling for him. He

0:45:22.400 --> 0:45:25.040
<v Speaker 1>goes in there and Smee and Nibs are like, hey,

0:45:25.040 --> 0:45:28.160
<v Speaker 1>we captured the Ioplus, this crazy Ioplus thing, and we

0:45:28.239 --> 0:45:31.400
<v Speaker 1>have it in this bin. And curseh is like okay,

0:45:31.440 --> 0:45:32.920
<v Speaker 1>and he goes over to there. He's like, oh, good

0:45:32.920 --> 0:45:37.439
<v Speaker 1>to terminal. He interfaces with mother and basically gets a

0:45:37.480 --> 0:45:40.680
<v Speaker 1>ton of information about like what is on this ship.

0:45:41.719 --> 0:45:43.920
<v Speaker 1>Let's go to break and we'll be right back to that.

0:45:59.440 --> 0:46:02.520
<v Speaker 1>And we're at So Marrow is dragging the aliens of

0:46:02.520 --> 0:46:07.000
<v Speaker 1>the elevator when another search and rescue team arrives and

0:46:07.040 --> 0:46:09.600
<v Speaker 1>they're like, stop right there, sir, where are you going

0:46:09.680 --> 0:46:13.120
<v Speaker 1>with that bag or stuff? Drop that bug zapp or

0:46:13.239 --> 0:46:17.000
<v Speaker 1>drop that bag. Hey he's a cyborg. Okay, don't make

0:46:17.000 --> 0:46:22.520
<v Speaker 1>any funny moves, buddy. And he's trying. Marrow is trying

0:46:22.520 --> 0:46:26.000
<v Speaker 1>to be like, listen, it can it senses your fear.

0:46:26.280 --> 0:46:29.000
<v Speaker 1>Don't be afraid of me. Chill out because it can

0:46:29.040 --> 0:46:31.759
<v Speaker 1>sense it. Like what are you talking about? Shut up?

0:46:32.120 --> 0:46:35.400
<v Speaker 1>And meanwhile, like the bag is starting to ripple and

0:46:35.560 --> 0:46:37.839
<v Speaker 1>tear and the thing is coming. He's like, okay, well

0:46:37.920 --> 0:46:41.400
<v Speaker 1>I warned you, and then the alien bursts out kills

0:46:41.600 --> 0:46:42.919
<v Speaker 1>all the people.

0:46:42.960 --> 0:46:45.160
<v Speaker 2>Behind me again, kind of in this way that you

0:46:45.200 --> 0:46:46.799
<v Speaker 2>don't necessarily see but you hear.

0:46:47.280 --> 0:46:52.279
<v Speaker 1>So well done does the ripley in the alien like

0:46:52.360 --> 0:46:56.239
<v Speaker 1>it's right behind me, like breath on my shoulder thing,

0:46:56.360 --> 0:46:58.279
<v Speaker 1>and then it runs away to go kill other people.

0:46:58.280 --> 0:47:00.880
<v Speaker 2>Okay, very important moment. I fail. But because Morrow is

0:47:01.200 --> 0:47:04.400
<v Speaker 2>a cyborg, Morow is also at this point handcuffed, so

0:47:04.440 --> 0:47:06.759
<v Speaker 2>he could he had no They do this great shot

0:47:06.760 --> 0:47:10.040
<v Speaker 2>where his face just starts dripping with sweat the closer

0:47:10.080 --> 0:47:13.120
<v Speaker 2>they get in, because he knows. And then the next

0:47:13.160 --> 0:47:17.200
<v Speaker 2>scene I think inspires an interesting conversation following that up.

0:47:17.920 --> 0:47:20.879
<v Speaker 1>Yes, because I I've been thinking about that as well.

0:47:21.040 --> 0:47:21.520
<v Speaker 2>That's okay.

0:47:21.560 --> 0:47:24.880
<v Speaker 1>So we go to the plant sphincter and it releases

0:47:24.960 --> 0:47:29.000
<v Speaker 1>like a tentacle phallus thing like in Prometheus.

0:47:29.080 --> 0:47:31.920
<v Speaker 2>It kind of splits into a plant.

0:47:31.560 --> 0:47:35.560
<v Speaker 1>Right that wants to clearly face hug, but it doesn't

0:47:35.800 --> 0:47:40.560
<v Speaker 1>because my guess is Curly is a machine.

0:47:40.880 --> 0:47:44.200
<v Speaker 2>Yes, Curly is at least a hybrid. And I think

0:47:44.239 --> 0:47:47.400
<v Speaker 2>the fact that the xenomorph also did not strike Morrow,

0:47:47.440 --> 0:47:51.080
<v Speaker 2>who is a cyborg is leaving us with some interesting

0:47:51.160 --> 0:47:55.560
<v Speaker 2>questions about this, like do the aliens and do the

0:47:55.680 --> 0:47:58.640
<v Speaker 2>xenomorphs and do all the creatures you know that Michael

0:47:58.719 --> 0:48:02.560
<v Speaker 2>created as we know and from Prometheus because he created them,

0:48:02.640 --> 0:48:08.680
<v Speaker 2>Like do they have a version to getting like attacking

0:48:08.760 --> 0:48:11.799
<v Speaker 2>us in or something that's not organic? Or is it

0:48:11.800 --> 0:48:14.040
<v Speaker 2>because they need the organic nature to implant the egg

0:48:14.120 --> 0:48:16.319
<v Speaker 2>I don't know. I think they want us to know

0:48:16.680 --> 0:48:17.080
<v Speaker 2>that it is.

0:48:18.400 --> 0:48:21.960
<v Speaker 1>I wonder if it's not because in a new environment,

0:48:22.520 --> 0:48:25.840
<v Speaker 1>they're in reproduction mode now they need meat for the eggs,

0:48:26.360 --> 0:48:31.640
<v Speaker 1>and so they're looking for egg stuff. Maybe, but it's

0:48:32.640 --> 0:48:34.640
<v Speaker 1>like the alien was just like killing So I don't know,

0:48:35.040 --> 0:48:40.239
<v Speaker 1>unclear right now. Meanwhile, Kersh on the Terminal locates a

0:48:40.280 --> 0:48:42.759
<v Speaker 1>storage bay with eggs with alien eggs in it, and

0:48:42.800 --> 0:48:45.480
<v Speaker 1>he's like, Smeek, go down there and take a team,

0:48:45.560 --> 0:48:48.600
<v Speaker 1>go down there and secure that. I Meanwhile, you know,

0:48:48.719 --> 0:48:50.120
<v Speaker 1>the ioplus, I guess.

0:48:49.840 --> 0:48:52.000
<v Speaker 2>Will just like what you just hope.

0:48:51.760 --> 0:48:54.080
<v Speaker 1>That it doesn't jump out of the bin it. Yeah,

0:48:54.440 --> 0:48:57.560
<v Speaker 1>Wendy has slightly come to the eighteenth century party, which

0:48:57.800 --> 0:49:00.160
<v Speaker 1>they're like a bear must have done this because it's

0:49:00.160 --> 0:49:04.719
<v Speaker 1>fucking crazy. Meanwhile, hermit, who is you know running around

0:49:04.760 --> 0:49:07.760
<v Speaker 1>now in the back hallways of this weird residential tower,

0:49:07.800 --> 0:49:11.080
<v Speaker 1>comes to like a museum where he finds Reggie Jackson's

0:49:12.000 --> 0:49:16.520
<v Speaker 1>nineteen seventy seven World Series Game six home run ball,

0:49:16.600 --> 0:49:19.120
<v Speaker 1>which he knows everything about because he and his dad

0:49:19.160 --> 0:49:22.400
<v Speaker 1>are huge baseball fans. Now they are fans of a

0:49:22.400 --> 0:49:24.719
<v Speaker 1>sport that's like three hundred years in the past now,

0:49:24.719 --> 0:49:26.439
<v Speaker 1>and this is a game that's like three hundred years old.

0:49:26.480 --> 0:49:29.000
<v Speaker 2>And his dad used to watch, like they used to

0:49:29.000 --> 0:49:31.719
<v Speaker 2>watch three Buns together while they were drinking PiZZ when

0:49:31.760 --> 0:49:32.799
<v Speaker 2>they would and he was like.

0:49:32.880 --> 0:49:39.640
<v Speaker 1>His dad, by the way, in the flashback Ryan Murphy, Yeah,

0:49:39.680 --> 0:49:43.440
<v Speaker 1>And when he when the TV presentation of what the

0:49:44.000 --> 0:49:47.239
<v Speaker 1>historical significance of this ball turns off, Wendy is right

0:49:47.239 --> 0:49:50.440
<v Speaker 1>behind him and big smile on her face, like again

0:49:50.480 --> 0:49:57.640
<v Speaker 1>this incredible face acting, And of course he doesn't recognize

0:49:57.640 --> 0:50:00.319
<v Speaker 1>her to know who she is, and she he wants

0:50:00.320 --> 0:50:02.120
<v Speaker 1>to know, like, oh, who are you talking to? And

0:50:02.200 --> 0:50:04.480
<v Speaker 1>he's like my dad and he's explaining, Oh, my dad

0:50:04.560 --> 0:50:08.640
<v Speaker 1>loved baseball. I love baseball. There's this whole thing like

0:50:08.719 --> 0:50:11.480
<v Speaker 1>when you come back then, like when you came through

0:50:11.560 --> 0:50:13.840
<v Speaker 1>in the World Series. They called you mister October, and

0:50:13.840 --> 0:50:17.839
<v Speaker 1>Reggie Jackson was mister October. And Hermit sees that these

0:50:17.920 --> 0:50:22.799
<v Speaker 1>two people are covered in like blood and he's like,

0:50:22.840 --> 0:50:25.200
<v Speaker 1>are you okay, Like, oh my god, He's like no,

0:50:25.239 --> 0:50:26.680
<v Speaker 1>it's not our blood. And he's like, oh my god,

0:50:26.680 --> 0:50:31.200
<v Speaker 1>you're synthetics. Wow, And they're like no, we don't like

0:50:31.280 --> 0:50:33.640
<v Speaker 1>that word, but we don't, you know. And you can

0:50:33.680 --> 0:50:36.720
<v Speaker 1>see them trying to struggle with how do we explain

0:50:36.760 --> 0:50:38.000
<v Speaker 1>what we are because we're not synthetic?

0:50:38.080 --> 0:50:40.919
<v Speaker 2>And then allowed to talk about it, allowed to talk.

0:50:42.000 --> 0:50:46.520
<v Speaker 1>Meanwhile, Wendy's absolutely buzzing because here is her brother. She

0:50:46.680 --> 0:50:50.360
<v Speaker 1>found him. Meanwhile, Kursh calls and is like, we're sending

0:50:50.360 --> 0:50:53.560
<v Speaker 1>you to the loading bay with the eggs. Wendy go there,

0:50:54.480 --> 0:50:58.520
<v Speaker 1>and Wendy's like, oh uh, Search and Rescue guy come

0:50:58.560 --> 0:51:02.360
<v Speaker 1>with us because they probably be like hurt people down there.

0:51:03.040 --> 0:51:10.320
<v Speaker 2>Many of them. They're just arms are chopped off every leading.

0:51:06.600 --> 0:51:09.920
<v Speaker 1>Like gonna need you.

0:51:10.200 --> 0:51:13.520
<v Speaker 2>Sydney Chandler, who plays Wendy, is unreal in this role,

0:51:13.640 --> 0:51:17.600
<v Speaker 2>like going like this, this is emmy city.

0:51:17.640 --> 0:51:20.280
<v Speaker 1>This is a good They make a really smart choice

0:51:20.280 --> 0:51:25.200
<v Speaker 1>here because there is a moment where you know, Wendy

0:51:25.200 --> 0:51:28.879
<v Speaker 1>has met her brother and she's treating him like her

0:51:28.920 --> 0:51:32.080
<v Speaker 1>long lost brother, but he doesn't know what's going on,

0:51:32.239 --> 0:51:34.440
<v Speaker 1>and she's asking him to come to this thing. And

0:51:34.480 --> 0:51:39.480
<v Speaker 1>I think there's a reasonable version of this where Joe

0:51:39.560 --> 0:51:42.479
<v Speaker 1>right now is thinking, like, is this woman hitting on me? Yeah?

0:51:42.680 --> 0:51:43.439
<v Speaker 2>I think so too.

0:51:44.000 --> 0:51:49.680
<v Speaker 1>Luckily, they resolve that right away very impressively expressively, because.

0:51:49.560 --> 0:51:52.680
<v Speaker 2>They like usually to do a born sexy Yesterday trope

0:51:52.680 --> 0:51:54.759
<v Speaker 2>and have like a weird There's been a lot of

0:51:54.760 --> 0:51:58.200
<v Speaker 2>shows recently that have been, you know, getting critique for

0:51:58.360 --> 0:52:02.640
<v Speaker 2>kind of like having weird, like sub incestuous, like implied

0:52:02.800 --> 0:52:05.880
<v Speaker 2>plots and like ya romance and drama and TV and stuff.

0:52:06.000 --> 0:52:07.680
<v Speaker 2>So I think that they do a good job here of.

0:52:07.600 --> 0:52:13.200
<v Speaker 1>Just killing and smartly they immediately resolve this by having

0:52:13.920 --> 0:52:19.600
<v Speaker 1>the kids Wendy and slightly basically spill the beans like, oh,

0:52:19.040 --> 0:52:22.319
<v Speaker 1>we're kids. Hermon's like, what do you mean you're not?

0:52:22.680 --> 0:52:24.600
<v Speaker 1>Your kids are used to be kids. He's like, well,

0:52:24.600 --> 0:52:26.760
<v Speaker 1>we were dying kids, and then they put our brains

0:52:26.800 --> 0:52:31.560
<v Speaker 1>into these machine bodies, and Hermit kind of immediately makes

0:52:31.560 --> 0:52:35.839
<v Speaker 1>the connection with like, oh my sister was like terminally ill.

0:52:35.960 --> 0:52:39.480
<v Speaker 1>That's interesting and so she immediately just leaps to the

0:52:39.920 --> 0:52:43.239
<v Speaker 1>and is like Joe, it's me and Joe is like

0:52:43.320 --> 0:52:47.120
<v Speaker 1>flipping out. She's like, I've been spying on you. And

0:52:47.360 --> 0:52:48.920
<v Speaker 1>this is a lot to take in for Joe. She's like,

0:52:48.920 --> 0:52:53.280
<v Speaker 1>I've been spying on you. That I didn't die, I'm

0:52:53.320 --> 0:52:55.480
<v Speaker 1>still alive. And he's like, but there was a funeral

0:52:55.640 --> 0:53:00.560
<v Speaker 1>and we learned that clearly everything that happened is a lie.

0:53:00.680 --> 0:53:04.680
<v Speaker 1>And this is where it really gets into uncomfortable, like, yeah,

0:53:04.760 --> 0:53:10.399
<v Speaker 1>Epstein Island territory because Wendy is like, well, Dad took

0:53:10.440 --> 0:53:13.719
<v Speaker 1>me there and he told me that it has this

0:53:13.760 --> 0:53:15.880
<v Speaker 1>has to be a secret and not to tell anybody.

0:53:15.880 --> 0:53:18.280
<v Speaker 1>It had to be our secret that I was going

0:53:18.560 --> 0:53:23.239
<v Speaker 1>to the Prodigy Research Island. And when this is unfolding,

0:53:23.320 --> 0:53:26.279
<v Speaker 1>I was really like wow, okay, I know.

0:53:26.440 --> 0:53:29.520
<v Speaker 2>I was like, this shit's like really brutal, like they

0:53:29.640 --> 0:53:33.440
<v Speaker 2>do that, like he creeped out as possible. And honestly,

0:53:33.760 --> 0:53:36.840
<v Speaker 2>I actually think it works really well because something that

0:53:36.920 --> 0:53:38.480
<v Speaker 2>was kind of blowing my mind. I think it works

0:53:38.960 --> 0:53:42.200
<v Speaker 2>throughout this first two episodes, especially when I rewatched them,

0:53:42.560 --> 0:53:45.000
<v Speaker 2>was just like, there's this show has so much to

0:53:45.000 --> 0:53:49.880
<v Speaker 2>say about, like the bodily autonomy and kind of the

0:53:49.920 --> 0:53:52.240
<v Speaker 2>way that they feel like they can just do whatever

0:53:52.320 --> 0:53:55.200
<v Speaker 2>with these adult bodies, and the way that these you know,

0:53:55.320 --> 0:53:58.359
<v Speaker 2>for Wendy, it's like they essentially created her to then,

0:53:58.880 --> 0:54:02.640
<v Speaker 2>you know, be the be the safe face of taking

0:54:02.680 --> 0:54:05.640
<v Speaker 2>away these other kids bodily autonomy, which.

0:54:05.440 --> 0:54:06.600
<v Speaker 1>Is very part.

0:54:07.920 --> 0:54:10.919
<v Speaker 2>Exactly like so I think they do. They have something

0:54:10.960 --> 0:54:13.160
<v Speaker 2>to say with it, which I think is really interesting.

0:54:13.680 --> 0:54:15.000
<v Speaker 2>I'm excite see how it goes.

0:54:15.280 --> 0:54:17.120
<v Speaker 1>So they arrived down at the loading bay with the

0:54:17.160 --> 0:54:21.360
<v Speaker 1>eggs in it, and and Hermit is like, fully, he's

0:54:21.400 --> 0:54:24.960
<v Speaker 1>like unable to grapple with this information. So finally he

0:54:25.120 --> 0:54:31.279
<v Speaker 1>like is like, okay, Christmas morning many years ago, and

0:54:31.320 --> 0:54:33.680
<v Speaker 1>this feels like a line from something clearly a line

0:54:33.719 --> 0:54:36.120
<v Speaker 1>from something that I did not recognize. What did you

0:54:36.160 --> 0:54:38.480
<v Speaker 1>say to me? And then she says the thing for

0:54:38.640 --> 0:54:43.480
<v Speaker 1>ice age and he absolutely is like, oh my god,

0:54:43.520 --> 0:54:46.839
<v Speaker 1>it's you. He can't and I can't believe it. They

0:54:46.840 --> 0:54:47.800
<v Speaker 1>get in there and.

0:54:47.680 --> 0:54:51.399
<v Speaker 2>It's eggs, eggs.

0:54:51.840 --> 0:54:53.960
<v Speaker 1>You know. Back at the research island, boy Genius is

0:54:54.840 --> 0:54:58.280
<v Speaker 1>boy genius. Epstein is like absolutely going nuts.

0:54:58.440 --> 0:55:03.000
<v Speaker 2>He's just love nature has led to finishing. He's he

0:55:03.080 --> 0:55:06.920
<v Speaker 2>could be happy yeah, he's so happy. He's like so,

0:55:07.960 --> 0:55:10.320
<v Speaker 2>which is also so funny because I'm always like, why

0:55:10.320 --> 0:55:13.520
<v Speaker 2>do these like they're so excited to have this new

0:55:13.719 --> 0:55:16.040
<v Speaker 2>terrible thing on earth? And I'm like, guys, why, I

0:55:16.040 --> 0:55:18.000
<v Speaker 2>guess because they hope to make money from it. But

0:55:18.040 --> 0:55:19.759
<v Speaker 2>I'm just like, this is never gonna end.

0:55:19.800 --> 0:55:24.120
<v Speaker 1>Well, I mean, any biological controls quarantine, like don't have

0:55:24.239 --> 0:55:25.560
<v Speaker 1>to like at least be careful.

0:55:25.760 --> 0:55:28.520
<v Speaker 2>Aren't you? Aren't you in charge? But maybe this is

0:55:28.560 --> 0:55:32.040
<v Speaker 2>going to be part of the show's commentary is like, well,

0:55:32.360 --> 0:55:34.239
<v Speaker 2>a corporate state is not.

0:55:35.200 --> 0:55:37.680
<v Speaker 1>Let's talk about that. Yeah, the people is, let's talk

0:55:37.680 --> 0:55:39.640
<v Speaker 1>about it in the conversation because I thought about that

0:55:39.719 --> 0:55:43.239
<v Speaker 1>as well. So they get to the eggs, and you know,

0:55:43.239 --> 0:55:49.680
<v Speaker 1>it's the classic kind of like laser beam film over

0:55:49.719 --> 0:55:52.879
<v Speaker 1>the top of the eggs which breaks when you walk

0:55:52.960 --> 0:55:56.120
<v Speaker 1>close to them. Wendy can is hearing this interference. To me,

0:55:56.200 --> 0:55:58.319
<v Speaker 1>it's unclear if it's the eggs or something else, but

0:55:58.400 --> 0:56:00.680
<v Speaker 1>she's really hearing it, and she's like, do you guys

0:56:00.680 --> 0:56:04.920
<v Speaker 1>hear that. Meanwhile, the eggs begin to, if not stir,

0:56:06.800 --> 0:56:09.440
<v Speaker 1>rustle a little bit in that way that makes you

0:56:09.480 --> 0:56:12.880
<v Speaker 1>feel like, oh face hurger is coming. Hermit meanwhile, not

0:56:13.000 --> 0:56:17.520
<v Speaker 1>knowing anything about these eggs, gets into that face classic face.

0:56:17.360 --> 0:56:21.960
<v Speaker 2>Hugga hugged just gonna be looking in an egg, gonna

0:56:22.000 --> 0:56:23.640
<v Speaker 2>face something right off.

0:56:24.360 --> 0:56:29.440
<v Speaker 1>But before that can happen, the xenomorph shows up and says,

0:56:30.200 --> 0:56:32.480
<v Speaker 1>you know, get away from my eggs, you bitch.

0:56:32.640 --> 0:56:35.960
<v Speaker 2>Also as well as like this fucking motherfucker hummt like this,

0:56:36.120 --> 0:56:38.800
<v Speaker 2>I thought I killed this bitch, and the atheen Century

0:56:39.120 --> 0:56:40.759
<v Speaker 2>room like I got to get him.

0:56:41.080 --> 0:56:43.400
<v Speaker 1>This alien loves Hermit.

0:56:43.920 --> 0:56:46.560
<v Speaker 2>He's feeling, he's feeling something.

0:56:46.719 --> 0:56:51.640
<v Speaker 1>And it tackles Joe and they fall together again deeper

0:56:51.719 --> 0:56:54.319
<v Speaker 1>down into the superstructure of the ship and when he's like,

0:56:54.440 --> 0:56:58.640
<v Speaker 1>I'm going after him, and we cut there. Okay, let's

0:56:58.680 --> 0:57:02.200
<v Speaker 1>talk about some of those I think that you know,

0:57:02.280 --> 0:57:04.560
<v Speaker 1>one of the things that I found really you mentioned

0:57:04.560 --> 0:57:07.040
<v Speaker 1>the corporate governance space and what that would mean for

0:57:07.239 --> 0:57:10.320
<v Speaker 1>laws and for corporate risk, you know, because one of

0:57:10.400 --> 0:57:13.160
<v Speaker 1>the things I was like, really, would would boy Genius

0:57:13.200 --> 0:57:17.440
<v Speaker 1>send these like highly advanced but like basically one of

0:57:17.440 --> 0:57:20.360
<v Speaker 1>a kind prototypes like into this crash site? And then

0:57:20.360 --> 0:57:21.920
<v Speaker 1>I thought about it more and I'm like, well, that's

0:57:22.200 --> 0:57:27.080
<v Speaker 1>why you have an entire like corporate city is who cares,

0:57:27.480 --> 0:57:30.520
<v Speaker 1>No one's going to steal it. This is your island,

0:57:30.880 --> 0:57:32.120
<v Speaker 1>like it can't go anywhere.

0:57:32.240 --> 0:57:34.720
<v Speaker 2>To him, he's like, you know what, I have already

0:57:34.920 --> 0:57:37.280
<v Speaker 2>made these ones, like I'll just make them again.

0:57:37.680 --> 0:57:40.840
<v Speaker 1>And yeah. And I think the fact that this city

0:57:40.920 --> 0:57:44.560
<v Speaker 1>is like separate from where he lives on the Research

0:57:44.600 --> 0:57:47.120
<v Speaker 1>Island by like, I mean the flight there seemingly took

0:57:47.160 --> 0:57:48.200
<v Speaker 1>several hours, yeah.

0:57:48.000 --> 0:57:50.440
<v Speaker 2>Which is ter also called Nabalande Island, so.

0:57:50.440 --> 0:57:57.880
<v Speaker 1>Like yeah, and so I think for him, of course

0:57:57.920 --> 0:58:00.880
<v Speaker 1>you would want to put up a quarantine. But also

0:58:01.400 --> 0:58:03.480
<v Speaker 1>I suppose he's thinking, well, let's see what happens a

0:58:03.520 --> 0:58:08.280
<v Speaker 1>little bit exactly a little bit of a breakout. I

0:58:08.320 --> 0:58:10.320
<v Speaker 1>live on Research Island. I'm fine. Yeah.

0:58:10.360 --> 0:58:14.120
<v Speaker 2>I kind of like that. It reflects the real recklessness

0:58:14.120 --> 0:58:17.120
<v Speaker 2>that we have seen from like real CEOs, where it's like, yeah,

0:58:17.200 --> 0:58:19.760
<v Speaker 2>let's see what happens. It's not really going to impact me,

0:58:20.080 --> 0:58:23.320
<v Speaker 2>Like what happens if I create a social media platform

0:58:23.360 --> 0:58:26.080
<v Speaker 2>there's just nothing but disinformation. Well, I'll be okay in

0:58:26.160 --> 0:58:29.480
<v Speaker 2>my bunker or whatever, you know. So I think that

0:58:29.560 --> 0:58:31.480
<v Speaker 2>you're right. I think that's probably going to be one

0:58:31.520 --> 0:58:35.560
<v Speaker 2>of the big through lines, especially because Noah Hawley is

0:58:36.200 --> 0:58:39.240
<v Speaker 2>He's no like Slump, He's he's a serious person. He

0:58:39.320 --> 0:58:44.320
<v Speaker 2>loves to put a thematic storyline into a genre program,

0:58:44.400 --> 0:58:47.480
<v Speaker 2>as you will know if you watched the very controversially

0:58:47.600 --> 0:58:52.360
<v Speaker 2>ended but I think incredibly powerful Legion television program. So

0:58:52.440 --> 0:58:54.920
<v Speaker 2>I'm very interested in that. I love that we're already

0:58:54.960 --> 0:58:59.520
<v Speaker 2>getting these kind of questions of corporate ownership over the body.

0:58:59.600 --> 0:59:02.600
<v Speaker 2>And in a way, this is really just taking what

0:59:02.760 --> 0:59:07.640
<v Speaker 2>Alien has already done with the notion of workers and

0:59:08.200 --> 0:59:11.440
<v Speaker 2>worker protections and how in the first Alien movie they

0:59:11.440 --> 0:59:13.760
<v Speaker 2>don't have a choice, they have to go on this

0:59:13.840 --> 0:59:17.160
<v Speaker 2>mission because they are essentially owned. Now we are in

0:59:17.200 --> 0:59:19.720
<v Speaker 2>a situation where Noah is saying, okay, well these kids

0:59:19.760 --> 0:59:23.880
<v Speaker 2>are literally owned, like their body is company property. You

0:59:23.960 --> 0:59:26.080
<v Speaker 2>put a great there's a great question that you popped

0:59:26.080 --> 0:59:27.680
<v Speaker 2>in here that I want to ask you, like, how

0:59:27.680 --> 0:59:30.600
<v Speaker 2>do you feel about the idea of like transferring your

0:59:30.640 --> 0:59:34.040
<v Speaker 2>consciousness to it? Because let's be real, when Wendy, they

0:59:34.040 --> 0:59:36.440
<v Speaker 2>do a good job of shit, Like Wendy's powers are sick,

0:59:36.800 --> 0:59:39.840
<v Speaker 2>Like who wouldn't want to be able to jump, you know,

0:59:40.040 --> 0:59:43.280
<v Speaker 2>the tour building. It's essentially superhero powers. But how do

0:59:43.360 --> 0:59:46.880
<v Speaker 2>you feel about the ultimate question of like, when you

0:59:46.960 --> 0:59:49.920
<v Speaker 2>transfer your consciousness into that body at this point is

0:59:50.000 --> 0:59:52.920
<v Speaker 2>essentially company property rather than you know, dying in a

0:59:52.960 --> 0:59:55.360
<v Speaker 2>body that is free. I think that's like a big question.

0:59:56.360 --> 1:00:00.320
<v Speaker 1>Yeah. I mean, listen, we haven't seen the drawback yet,

1:00:00.320 --> 1:00:03.160
<v Speaker 1>but there clearly must be drawbacks. Among these drawbacks is

1:00:03.200 --> 1:00:08.280
<v Speaker 1>the fact that in a in a real sense, Wendy

1:00:08.480 --> 1:00:14.960
<v Speaker 1>died and this is like a conscious mission exactly because

1:00:16.760 --> 1:00:19.760
<v Speaker 1>it's not like when you as a person like move

1:00:19.800 --> 1:00:22.320
<v Speaker 1>into a new apartment and you go there and you've

1:00:22.400 --> 1:00:24.640
<v Speaker 1>left your old apartment and now you're in this new apartment.

1:00:25.600 --> 1:00:30.120
<v Speaker 1>They made a copy of her brain waves, she died,

1:00:30.360 --> 1:00:33.960
<v Speaker 1>and they put the copy in something else. So yeah,

1:00:34.080 --> 1:00:36.600
<v Speaker 1>I mean there's a lot of there's a lot of

1:00:36.640 --> 1:00:39.520
<v Speaker 1>things to mull over. And clearly, I think if you

1:00:39.640 --> 1:00:44.280
<v Speaker 1>just look at the scope of human ambition, there are

1:00:44.280 --> 1:00:45.280
<v Speaker 1>people who want to do this.

1:00:45.760 --> 1:00:49.200
<v Speaker 2>Yeah, this is like something that people are walking towards now.

1:00:49.640 --> 1:00:56.280
<v Speaker 1>Yes, And I think what's interesting is the fact that

1:00:59.200 --> 1:01:02.960
<v Speaker 1>by trying to escape death, you're essentially hastening it. I

1:01:03.000 --> 1:01:05.040
<v Speaker 1>think that there's a lot of there's a lot of

1:01:05.080 --> 1:01:09.000
<v Speaker 1>things to talk about here and the effects of a

1:01:09.240 --> 1:01:15.080
<v Speaker 1>completely governed, autocratic compt space I think is that in

1:01:15.120 --> 1:01:19.240
<v Speaker 1>which no private property exists, Like you don't even again,

1:01:19.320 --> 1:01:21.760
<v Speaker 1>like as you said, you don't even own your own body.

1:01:21.960 --> 1:01:25.200
<v Speaker 2>Yeah. Even the rich, even that rich guy who lives

1:01:25.240 --> 1:01:28.920
<v Speaker 2>in his you know, high rise style eighty fifth floor apartment,

1:01:29.000 --> 1:01:32.480
<v Speaker 2>even he to the point where, like he believes if

1:01:32.480 --> 1:01:35.120
<v Speaker 2>something goes wrong, boy Genius will call him and let

1:01:35.200 --> 1:01:37.919
<v Speaker 2>him know, even he doesn't have like full autonomy over

1:01:37.960 --> 1:01:40.800
<v Speaker 2>his home, or his safety or his situation. Because in

1:01:40.800 --> 1:01:44.320
<v Speaker 2>that moment, despite being rich and doing whatever weird creepy

1:01:44.320 --> 1:01:46.800
<v Speaker 2>shit he wants to do, boy Genius is like, well,

1:01:46.880 --> 1:01:50.000
<v Speaker 2>that's a sacrifice I'm willing to make. So essentially everyone

1:01:50.080 --> 1:01:53.120
<v Speaker 2>is a sacrifice that he can make in this situation.

1:01:53.840 --> 1:01:54.120
<v Speaker 1>Yeah.

1:01:54.160 --> 1:01:57.439
<v Speaker 2>So I'm very intrigued to see where the show goes

1:01:57.480 --> 1:02:00.840
<v Speaker 2>from here, and I'm especially it's been you know, it's

1:02:00.920 --> 1:02:03.160
<v Speaker 2>kind of rare that we get two shows in a

1:02:03.240 --> 1:02:06.480
<v Speaker 2>year where every single review is like nine out of ten,

1:02:06.560 --> 1:02:09.440
<v Speaker 2>ten out of ten. And that was really and Or first,

1:02:09.560 --> 1:02:12.040
<v Speaker 2>and now we're getting that with these reviews. We are

1:02:12.080 --> 1:02:14.760
<v Speaker 2>just doing as we always do. We're going as we go.

1:02:14.920 --> 1:02:17.080
<v Speaker 2>So these are our two episodes that we've seen, but

1:02:17.240 --> 1:02:20.360
<v Speaker 2>Jason watt'sake, what would be the biggest surprise for you

1:02:21.080 --> 1:02:23.280
<v Speaker 2>as we head into the surprise?

1:02:23.680 --> 1:02:26.760
<v Speaker 1>I guess the thing that I'm most wondering is are

1:02:26.760 --> 1:02:30.000
<v Speaker 1>we going to witness the downfall of the Prodigy Corporation?

1:02:30.600 --> 1:02:33.440
<v Speaker 1>I feel like it just right? How much does the

1:02:33.600 --> 1:02:40.480
<v Speaker 1>lure established by Alien and Aliens in which Prodigy does

1:02:40.480 --> 1:02:44.080
<v Speaker 1>not exist? Right? Or like, certainly by aliens we never

1:02:44.120 --> 1:02:46.200
<v Speaker 1>hear about it. You only hear about wheland U Tani,

1:02:46.240 --> 1:02:48.480
<v Speaker 1>and there's like illusions to other corporations, but you don't

1:02:48.480 --> 1:02:51.640
<v Speaker 1>really hear about it, and certainly you don't. There are

1:02:51.720 --> 1:02:56.200
<v Speaker 1>not even hints that anything like a hybrid exists. So

1:02:57.840 --> 1:03:00.840
<v Speaker 1>is this the downfall of that corporation? Is that what

1:03:00.880 --> 1:03:03.800
<v Speaker 1>we are witnesses? Or is there going to be a

1:03:03.840 --> 1:03:09.040
<v Speaker 1>way for the lure to expand around what was established

1:03:09.040 --> 1:03:11.280
<v Speaker 1>by those first two films? That's my question? What about Yeah?

1:03:11.400 --> 1:03:15.280
<v Speaker 2>No, I think that's I want to know how Prodigy

1:03:15.920 --> 1:03:19.240
<v Speaker 2>goes so wrong and how Prodigy ends up in a

1:03:19.320 --> 1:03:24.720
<v Speaker 2>situation where whaling Utani is the only kind of corporate

1:03:24.760 --> 1:03:27.960
<v Speaker 2>overlord that we know of the planet by the time

1:03:28.560 --> 1:03:31.760
<v Speaker 2>you know, we get to Alien. Also, I am really

1:03:31.800 --> 1:03:35.520
<v Speaker 2>interested to see where Noah Howley takes this exploration of

1:03:35.760 --> 1:03:39.320
<v Speaker 2>childhood and Peter Pan because you know, it's very heavy

1:03:39.360 --> 1:03:41.800
<v Speaker 2>handed in the first episode. It works for me because

1:03:41.840 --> 1:03:45.040
<v Speaker 2>I generally enjoy a show that can do an interesting

1:03:45.160 --> 1:03:47.600
<v Speaker 2>version of a story about children. And I feel like,

1:03:47.760 --> 1:03:51.040
<v Speaker 2>so far, especially with episode two where we get the

1:03:51.080 --> 1:03:55.120
<v Speaker 2>adult actors really embodying that childishness, I think this is

1:03:55.160 --> 1:03:58.520
<v Speaker 2>a very interesting take, but I want to know ten

1:03:58.560 --> 1:04:02.000
<v Speaker 2>episodes in what that really means. I want to know

1:04:02.160 --> 1:04:05.959
<v Speaker 2>the mystery box kind of reasoning for that. And I'm

1:04:06.080 --> 1:04:10.040
<v Speaker 2>I'm also like, I have to say Boy Cavalier, like

1:04:10.320 --> 1:04:13.880
<v Speaker 2>is such an easily haterable character, which is always fun

1:04:13.920 --> 1:04:16.400
<v Speaker 2>to have, But I have to say, like what else,

1:04:16.880 --> 1:04:20.080
<v Speaker 2>as you feel Samuel Blankin is like such a good actor.

1:04:20.320 --> 1:04:23.880
<v Speaker 2>But yeah, I also don't believe in any way, shape

1:04:23.960 --> 1:04:26.520
<v Speaker 2>or form that Noah Hawley ever just does a simple,

1:04:27.320 --> 1:04:31.160
<v Speaker 2>like MS bad character. Like I want to know the

1:04:31.200 --> 1:04:34.360
<v Speaker 2>truth about him. I mean, is Boy Cavalier a synth

1:04:34.360 --> 1:04:37.080
<v Speaker 2>who was created by Waylan Utani? Like I don't know,

1:04:37.400 --> 1:04:40.840
<v Speaker 2>you know, Like there's I'm just always interested to see

1:04:40.880 --> 1:04:43.520
<v Speaker 2>where we're going to go, and I do think surprising

1:04:43.680 --> 1:04:47.600
<v Speaker 2>synth and who is a surprising synth that could be

1:04:47.640 --> 1:04:50.880
<v Speaker 2>a very big twist headed into the later show, simply

1:04:50.920 --> 1:04:54.000
<v Speaker 2>because that's something that all alien movies always have, and

1:04:54.080 --> 1:04:56.960
<v Speaker 2>I kind of think that we are going to be

1:04:57.000 --> 1:04:59.920
<v Speaker 2>on the lookout for, like, you know, is it is

1:05:00.080 --> 1:05:03.680
<v Speaker 2>this the new David? Is this the person who you

1:05:03.680 --> 1:05:07.960
<v Speaker 2>know has that twist behind them? Who's really being controlled?

1:05:08.040 --> 1:05:11.720
<v Speaker 2>The kind of notion of the freedom of Well, you've

1:05:11.720 --> 1:05:15.120
<v Speaker 2>got choices of which corporate state you live in. Maybe

1:05:15.200 --> 1:05:17.760
<v Speaker 2>there isn't really five, maybe there's three, maybe there's one,

1:05:17.840 --> 1:05:21.120
<v Speaker 2>and this is the illusion of choice. I'm excited to

1:05:21.120 --> 1:05:24.800
<v Speaker 2>see where the threads and seeds that are set out

1:05:24.840 --> 1:05:28.640
<v Speaker 2>here kind of lead as we head in. And I'm

1:05:28.640 --> 1:05:33.760
<v Speaker 2>also just like really excited to see more fucking xenomorphs,

1:05:33.800 --> 1:05:37.120
<v Speaker 2>because like the aliens look so good in this show,

1:05:37.280 --> 1:05:40.919
<v Speaker 2>Like they look money, money, money. This isn't better than

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<v Speaker 2>like fifty percent of alien movies visually.

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<v Speaker 1>Can I yeah, please this with something ominous? Yes, I

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<v Speaker 1>see the human body like bodybag gets zipped up, but

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<v Speaker 1>like once they're transferred and thought to be dead, they

1:06:01.440 --> 1:06:04.440
<v Speaker 1>kind of don't exist anymore, and we don't know that

1:06:04.560 --> 1:06:09.440
<v Speaker 1>the rest of them are dead. Hm hmm, you know,

1:06:09.600 --> 1:06:14.840
<v Speaker 1>like they could be somewhere. This could also be a

1:06:17.000 --> 1:06:19.000
<v Speaker 1>I mean, these kids are off the books anyway.

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<v Speaker 2>Maybe the kids don't even say off.

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<v Speaker 1>The books are like, how do we know that? Yeah,

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<v Speaker 1>like they're not still alive somewhere.

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<v Speaker 2>Oh so ominis and I love it. That's horrifying.

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<v Speaker 1>Well, I can't wait to see where this goes. Yeah,

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<v Speaker 1>really fun show Friday on Extra Vision. It's another episode

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<v Speaker 1>of Popcorn Pop Out with Nobody Too. That's it for

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<v Speaker 1>this episode. Thanks for listening. Bye x ray Vision is

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<v Speaker 1>hosted by Jason Concepcion and Rosy Night and is a

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<v Speaker 1>production of iHeart Podcasts.

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<v Speaker 2>Our executive producers are Joe Alminique and Aaron Kolefman.

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<v Speaker 1>Our supervising producer is Abusa.

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<v Speaker 2>Part All produces are Common, Laurent Dean, Jonathan and Bay Wag.

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<v Speaker 1>The theme song is by Brian Vasquez, with alternate theme

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<v Speaker 1>songs by Aaron Kaufman.

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<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

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<v Speaker 2>Heidi our discord moderator.