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Speaker 1: Over the last couple of weeks, you and Aiden Ross

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Speaker 1: has had a back and forth online Don't.

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Speaker 2: You I'm about don't you tomorrow? Not gonna that dumb

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Speaker 2: fat there's not fat, that dumb body to that stupid

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Speaker 2: smelly she dropped talking about the black queen about none

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Speaker 2: of that.

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Speaker 3: You cannot be no more white man talking that much

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Speaker 3: shit about that that black woman.

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Speaker 4: That is not gonna fly, Homie.

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Speaker 3: I don't know what she's saying, and if you keep

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Speaker 3: doing it, I'm gonna start pressing all the around you.

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Speaker 3: I'm not gonna press you because I don't know where

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Speaker 3: you're at and I don't know how to get to you,

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Speaker 3: but all the needs around you, they don't got your money,

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Speaker 3: they don't gotten no that shit.

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Speaker 4: It's gonna start pressing all them.

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Speaker 3: And I'm gonna make it my business to make crips

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Speaker 3: start pressing all the news around.

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Speaker 1: I think the FBI can get involved with it. Right,

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Speaker 1: It's like now streamer end up getting shot it up

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Speaker 1: through here. Got this, dude, it can just be tedious

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Speaker 1: situation you can place yourself in by going public and

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Speaker 1: saying things that that nature is what I'm saying, This.

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Speaker 3: Is what is worth and is it worth paying the all?

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Speaker 3: Is it worth the ultimate sacrifice? Is it worth going

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Speaker 3: to prison for thirty years? Is it worth dying over easy?

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Speaker 5: Is it worth to him though it's worth doing all?

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Speaker 1: Is it worth because I look at him like this

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Speaker 1: here too, if i'm him and I know I'm the

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Speaker 1: most powerful person in my position in my crew. Out

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Speaker 1: of respect for the church, you take your head off. Yeah,

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Speaker 1: but academics is in the club.

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Speaker 3: So academics is somebody that to me we should deal

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Speaker 3: with personally. The fact that mekin't had that conversation with

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Speaker 3: him will put you know, or made it a thing

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Speaker 3: to show him that here's the consequence for talking about me?

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Speaker 4: Is the problem?

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Speaker 6: I took a million dollars out of your label's budget.

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Speaker 6: You not talking about shit. You ain't never take a

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Speaker 6: million dollars out of my pocket. Let's do the math

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Speaker 6: to the whole career up when twenty one Savage couldn't

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Speaker 6: save you, what twenty one put me on the phone

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Speaker 6: with you? You was a broken best, washed up rapper

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Speaker 6: who needed me more than I needed you.

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Speaker 4: I know ifin needed you.

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Speaker 3: I mean something about it says that mek told him

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Speaker 3: that they could fight I don't think he would say.

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Speaker 5: No, so they take the fade.

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Speaker 4: I believe it.

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Speaker 5: Him and Aiden.

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Speaker 1: If both of those guys are not hip hop, and

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Speaker 1: both of those guys are handling black women in a

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Speaker 1: certain way, why does Aiden get held in a weight

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Speaker 1: that academics doesn't it.

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Speaker 5: That's what I'm saying.

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Speaker 1: What do you say to people who say Adam twenty

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Speaker 1: two and no jump or hold the spot? That should

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Speaker 1: be you should be critical of if you're going to

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Speaker 1: hold their stance.

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Speaker 7: Some stuff was coming to the surface for the first time,

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Speaker 7: like the fact that you know his baby mother deonce

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Speaker 7: share this room. Guys used to be selling you know.

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Speaker 7: That's uh, it's not really up for debate. The thing

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Speaker 7: not up for debate this is this is real shit.

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Speaker 3: I mean, if Adam twenty two is doing that in

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Speaker 3: front of me, or if I ever seen Adam twenty

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Speaker 3: two calling that.

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Speaker 1: But what do you feel about how do you feel

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Speaker 1: about the way that Joe took your side in that

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Speaker 1: docy thing?

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Speaker 5: He kind of rolled with you as I'm round with.

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Speaker 4: Glad honestly doing I didn't even see.

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Speaker 5: For real, You've been tied up.

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Speaker 3: I mean, it's not that dog, it's gonna sound the

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Speaker 3: loon because I really believe in us. So, so you

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Speaker 3: think Drake wouldn't fight.

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Speaker 4: I think Drake wasn't raised that way.

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Speaker 5: Wasn't raised to defend himself.

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Speaker 3: I think Drake was raised to report to the proper

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Speaker 3: authorities what happened. I think he was to tell the

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Speaker 3: teacher and the principal, Hey, this person did this. Welcome

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Speaker 3: to us up there podcast. You already know the vibes.

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Speaker 3: I'm big norm your host. You know what it is, man.

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Speaker 3: I represent the Southern District, the executive branch. The vibrations

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Speaker 3: is always. How come topatreon dot com It's up there

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Speaker 3: podcast to support my vibe, to be a part of

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Speaker 3: my congregation. Today, I got someone from the West Coast,

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Speaker 3: a legend out there, been in the headlines, man, and

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Speaker 3: we want to have a conversation today.

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Speaker 5: How we have conversations? You dig what I'm saying.

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Speaker 1: And so for those of y'allists watching this, be prepared

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Speaker 1: for too highly decorated men to exercise some ideas.

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Speaker 3: I got glasses, malone. How you doing, brother, I'm cooling, dog?

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Speaker 3: What's the deal?

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Speaker 5: I'm lovely, man, I'm lovely. I'm lovely. How you feeling

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Speaker 5: out there on the West, man, what's the state of

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Speaker 5: the West.

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Speaker 4: You know what, because I think everybody in a good space.

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Speaker 4: I think they got his moments.

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Speaker 3: I don't think much has changed, but I feel like

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Speaker 3: people are optimistic about the art, you know what I mean.

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Speaker 3: That we're projecting from the streets. So I think that's

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Speaker 3: always a good place to be in.

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Speaker 5: Does it feel like Kendrick disappeared?

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Speaker 3: Nah, Man, it feels like his presence is even more looming,

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Speaker 3: you know, with with less material out there. It feels

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Speaker 3: like his presence has never been as looming and as

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Speaker 3: you know, overbearing as it does now. It's it's it's

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Speaker 3: it's a different weight on the game, you know. It's

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Speaker 3: it's reserved for a few dudes to ever touch hip hop,

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Speaker 3: you know what I mean.

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Speaker 1: Yeah, I think but from an industry standard, right, I

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Speaker 1: think if the perception was He's gonna take the workhorse position,

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Speaker 1: which was Drake Drake, his output was extremely high.

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Speaker 5: Right.

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Speaker 3: What do you say to that hole has been left?

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Speaker 4: Right?

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Speaker 5: Do you or do you not see that hole as

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Speaker 5: being left?

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Speaker 3: Not because the workhorse is still releasing material. You know,

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Speaker 3: Drake put out fifty songs since the Battle was over,

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Speaker 3: you know what I'm saying.

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Speaker 4: So it's true, the person that's doing what they do

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Speaker 4: is still doing what they doing. You feel me.

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Speaker 3: But you know the presence of Kendrick is even more

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Speaker 3: illumined than ever, you know what I mean, even without

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Speaker 3: all the material, because a real cultural stance was made

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Speaker 3: like a like a like a A wait, A burden had

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Speaker 3: been placed over the game and things you want to represent.

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Speaker 3: So but I think for people that were into that,

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Speaker 3: you know what I mean, the receiving so much material,

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Speaker 3: I think that person is still doing what they're supposed

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Speaker 3: to do. I think Drake is constantly putting out music.

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Speaker 3: You know, he hasn't changed his plan at all.

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Speaker 1: It is to support the same from the label. Because

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Speaker 1: of the lawsuits and different things, they have a fracture

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Speaker 1: relationship at this point. Something is not connecting. Do you

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Speaker 1: think it's the music or is it the system not

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Speaker 1: behind them? What do you feel as those or is

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Speaker 1: he just he's been damaged as far as his image

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Speaker 1: is concerned coming out of that battle and the interest

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Speaker 1: is and there.

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Speaker 3: I really question his fandom, like I really question the

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Speaker 3: people that act like they supported him, you know what

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Speaker 3: I mean. It's like he's one of the best record

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Speaker 3: makers in the business, you know, I mean historically, So

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Speaker 3: it's like he's going to deliver records in the same

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Speaker 3: fashion he's always He didn't just forget how because he

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Speaker 3: lost the rat battle. I definitely think the label, you know,

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Speaker 3: and and iHeart and Spotify, you know, have to move

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Speaker 3: a little bit more reserved because he kind of accused

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Speaker 3: him of doing crimes and kind of you know, try

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Speaker 3: to put their business out in the streets, you know,

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Speaker 3: whatever that looks like. So I definitely don't think they're

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Speaker 3: going to do the same type of things that they

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Speaker 3: may have been doing for him once before, if it

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Speaker 3: was wrong, things to get him in position. But again,

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Speaker 3: it's not like his records are not achieving the same.

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Speaker 3: You know, he's still got a platinum album. You know,

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Speaker 3: he's still got songs that charted in the top five.

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Speaker 3: Like I think what happened is it was a level

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Speaker 3: of cultural cachet that we lent him, you know what

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Speaker 3: I mean, that the culture lent him that is not

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Speaker 3: there anymore. And you know, he's back to just really

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Speaker 3: being a great record maker and the support of his

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Speaker 3: fan base.

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Speaker 4: But I think he's fine. I don't.

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Speaker 3: I don't think he's not achieving the same success, Like

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Speaker 3: you know, a couple songs with number two, you know,

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Speaker 3: I mean, he's still placing songs in the top five.

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Speaker 3: He's still got a platinum album. You know, he still

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Speaker 3: was streamed incredibly well, whether catalog or a ton of

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Speaker 3: new music. People that fans still are preparing for his album.

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Speaker 3: But I think you really get to see the power

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Speaker 3: of the culture, you know what I mean when people

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Speaker 3: is like you look funny, you know what I'm saying,

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Speaker 3: Like whether it's you know, you things that we don't

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Speaker 3: approve of culturally, and you overstep it because you feel

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Speaker 3: like you bigger than the program. You're starting to see

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Speaker 3: that you not nobody is bigger than the program.

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Speaker 1: I think I feel as though a lot of his

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Speaker 1: strengths was took from him, Like his ability to stand

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Speaker 1: next to certain people was always like instrumental in him

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Speaker 1: reaching certain audiences. I think he still possesses that ability,

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Speaker 1: and I think certain rappers are still standing next to him,

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Speaker 1: but I think they've shookn his confidence in doing that,

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Speaker 1: Like he doesn't want to stand next to certain people

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Speaker 1: because people may say always running back to this artist

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Speaker 1: to try to get with these people. I would ignore

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Speaker 1: that if I was him, would you ignore that? Like

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Speaker 1: if I said, your glasses just be with them, crypt dudes. Man,

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Speaker 1: if it weren't for them, crypt dudes, it wouldn't be none. Man,

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Speaker 1: we wouldn't even look at it like that. You would

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Speaker 1: ignore that, wouldn't you.

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Speaker 4: Well, I mean I would believe you.

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Speaker 3: You know, the source of my power, you know, is

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Speaker 3: of this street urban culture, you know, based out of

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Speaker 3: southern California. That's that's a global phenomenon. That is the

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Speaker 3: source of my power, the depth and knowledge and understanding.

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Speaker 3: I don't think Drake is not like standing next to people.

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Speaker 3: I think he's expanding, right, I think he like, Okay,

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Speaker 3: I mean, and I don't want to try to imagine

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Speaker 3: what Cousin's feeling, but I mean, he just did some

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Speaker 3: stuff with Central c He's doing stuff with international artists, right,

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Speaker 3: and again, I think.

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Speaker 4: His cultural cachet.

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Speaker 3: I think people are starting to see exactly how much

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Speaker 3: hip hop meant in his fold, because it's not like

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Speaker 3: for some reason he's been discounted, like it's not he's

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Speaker 3: not having the same successes, and it's like that's just

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Speaker 3: not true.

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Speaker 4: Of course, he's having successes.

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Speaker 3: It's the same success, but when you see the culture

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Speaker 3: kind of like it's a question. And you could be

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Speaker 3: right because I don't know what he's thinking. He could

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Speaker 3: be looking at the culture like, man, this is fucked up.

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Speaker 3: But you know the people that roll would even roll

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Speaker 3: with him, you know, I mean, they stood with him.

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Speaker 4: They didn't switch on him. They you know, they stayed

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Speaker 4: down with him. I mean, So.

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Speaker 3: If I was him, honestly, I would spend more time.

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Speaker 3: I'd be on an apology tour, you know what I mean.

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Speaker 3: I'd be like, you know what apologist? Well, I'd be

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Speaker 3: apologizing to hip hop because there's no reason I should

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Speaker 3: have sued the record label over this record under no circumstances,

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Speaker 3: let alone through your partner businesses out in the street

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Speaker 3: like that, you know, I mean, and try to you

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Speaker 3: know them type of civil case can make the federal

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Speaker 3: government come and investigat And you shouldn't be doing that

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Speaker 3: to UMG over a this record. You shouldn't be doing

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Speaker 3: that to none of these people over a battle because

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Speaker 3: they not taking a song down.

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Speaker 4: I'd apologize to them.

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Speaker 3: I'd apologize for hip hop because I'm like, yo, I

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Speaker 3: shouldn't have sued over this.

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Speaker 4: I know better. I know.

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Speaker 3: Once I can tend in this, I can't come out

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Speaker 3: of it, even if it doesn't go my way or

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Speaker 3: I don't like how it goes. I can't do this

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Speaker 3: because this could actually damage everything that these people use

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Speaker 3: to profit. I'd be apologizing to Eyeheart because they supported me.

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Speaker 4: For years and years and years and years, and it's.

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Speaker 3: Like, okay, they support some other records like I'm Mad

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Speaker 3: and now I thought they business in the streets.

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Speaker 1: From a UMG perspective, you don't think there's any validity

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Speaker 1: to him saying they may have tried to take its

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Speaker 1: value by pumping up Kendrick at all.

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Speaker 5: You don't. You don't think yeah, no.

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Speaker 4: Zero zero Jans, not even close.

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Speaker 1: Is there any truth to it to I think that

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Speaker 1: was what's the dirt said that. I guess Kendrick may

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Speaker 1: have sounded deal the day after he dropped the Dish

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Speaker 1: record or something day before he dropped the Dish record.

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Speaker 3: I didn't ask, but I believe that could be true.

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Speaker 3: I believe once he remember that, Remember Mister Moriah was

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Speaker 3: his last album with Top Dog. As far as you know,

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Speaker 3: that deal that they had been in that the whole time,

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Speaker 3: So I'm sure he needed a new situation. But I

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Speaker 3: think it's disingenuous to discount the fact that like that

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Speaker 3: one number one probably like without him being in the deal.

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Speaker 3: So you know, his cachet was still his cachet. It

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Speaker 3: wasn't a circle, It wasn't a certain thing that happened

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Speaker 3: with Interscope Sony put out like that, you know what

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Speaker 3: I'm saying. So he just had to sway and he

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Speaker 3: just had the movement, you know, he had the moment

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Speaker 3: and he really captured it at that time. Definitely, Definitely,

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Speaker 3: he did a hell of a job for some of

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Speaker 3: the Southern audience who may not know some of your background.

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Speaker 3: Explain to them where you're from out in LA and

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Speaker 3: some of your background. So I grew up and watch,

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Speaker 3: you know what I'm saying. My mom lived in Compton,

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Speaker 3: so my background is pretty sturdy in both places and

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Speaker 3: staring there.

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Speaker 4: I got my.

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Speaker 3: First record deal, well not my first, but I got

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Speaker 3: my record deal that impacted the business with cash money records.

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Speaker 3: So I was cultivated by Birdman slimming tune on how

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Speaker 3: to do the business. My first hit record came from

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Speaker 3: DJ Toomp out of Atlanta, I mean it's familiar with

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Speaker 3: tip stuff.

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Speaker 4: Yeah, it's been.

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Speaker 3: Like that, man, it is. That's pretty much my background

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Speaker 3: in the business. Mac ten you know Mac ten and

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Speaker 3: Cash Money Records. Was my first opportunity to have a

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Speaker 3: hit record in the business. Was Mac Tin your introduction

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Speaker 3: and Cash Money Guaranteed. As far as personal that makes sense,

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Speaker 3: that makes sense. I think I did. I do remember

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Speaker 3: a couple of videos and songs you've done with them

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Speaker 3: back then. How's the house podcasting been to you?

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Speaker 4: I don't like it, you know what I mean.

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Speaker 3: I'm trying to do I know, right, I know, and

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Speaker 3: I can't just lie shit forgive me what's going on? Nah,

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Speaker 3: It's like, okay, it's one thing explaining your point, it's

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Speaker 3: another thing.

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Speaker 4: Okay.

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Speaker 3: I just haven't found myself in it, Like I think

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Speaker 3: I'm finding places. But I don't think I found myself

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Speaker 3: in it. But at the same time, loo because it

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Speaker 3: took me, uh, I just found my place in hip

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Speaker 3: hop in twenty nineteen. Like sometimes it might take me

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Speaker 3: a little more time to figure out how I belong

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Speaker 3: to something, you know what I mean, Like where do

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Speaker 3: I fit in it? And so it's always that journey

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Speaker 3: and I think I'm starting to figure it out, Like slowly,

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Speaker 3: I'm starting to understand exactly how I fit in it.

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Speaker 4: But so much of it just.

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Speaker 3: It feels in that time you don't like in podcasting, No, no, no,

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Speaker 3: it's all good. It ain't really the pizza how you

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Speaker 3: don't like podcaster brother? He said, no, I know, I

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Speaker 3: just haven't found my place in it, you know what

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Speaker 3: I'm saying, Like I have, yeah, and I think that's

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Speaker 3: what it is. So not so much I don't like

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Speaker 3: it as much as I haven't figured it out for me.

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Speaker 3: But Charlotta Magne is certain that I'm supposed to be doing,

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Speaker 3: and everybody convinces me that I'm the same thing with

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Speaker 3: hip hop, you know, I mean with rap, It's like

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Speaker 3: I didn't know my place in it at first. I'm like,

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Speaker 3: you know, you meeting people, You're like, this shit is

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Speaker 3: it's crazy, you know what I mean? And when you

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Speaker 3: grew up, how we grew up. Like, don't get me wrong.

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Speaker 3: There are homies that put on the show, you know

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Speaker 3: what I mean. There's homies that put Ten's on fours.

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Speaker 3: But you know, it's like you see it at a

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Speaker 3: different pace. So it was all about finding my place

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Speaker 3: in hip hop, and once I figured it out, you

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Speaker 3: know what I mean, then it was like okay, cool.

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Speaker 3: And I think that's the journey for me in podcasting

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Speaker 3: and streaming at this point as well, Like how does

329
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Speaker 3: it assist this thing that I dedicated my life to?

330
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Speaker 3: Where is my proper place? What am I really the

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Speaker 3: voice of? Who am I speaking to?

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Speaker 4: Like? What am I doing?

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Speaker 3: Like I've been going through this thing lately where people

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Speaker 3: trying to compare somebody's voice to mine, you know what

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Speaker 3: I mean, And it's like.

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Speaker 4: They their voice.

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Speaker 3: It creates a false sense of equality. I guess that's

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Speaker 3: the point, Like it's we not all equal in this space.

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Speaker 3: And it's a lot of people to me that's talking

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Speaker 3: that don't have the validity to talk like that.

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Speaker 4: And that's the thing.

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Speaker 3: That I'm like, And you see that person kind of

343
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Speaker 3: holding sway and you're like, Wow, that's who y'all listening

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Speaker 3: to when it comes to this topic.

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Speaker 5: Right, Yeah.

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Speaker 1: Nah, I came in with that imager just why a

347
00:16:50,920 --> 00:16:52,840
Speaker 1: lot of these guys don't like me right now, But

348
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Speaker 1: I've learned to turn it down some because I understand

349
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Speaker 1: it's easy for them to paint us a certain way.

350
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Speaker 1: We got to be careful. You know what I'm saying.

351
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Speaker 1: We got to be extremely careful, especially when we escape.

352
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Speaker 1: I'm escaping the burning building. I always looked at the

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Speaker 1: streets like that, you understand. So for me escaping at

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Speaker 1: burning building and I'm over here in this space, I

355
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Speaker 1: can't let them play me against me. If anything, they

356
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Speaker 1: gotta beat me with what they got. I like that,

357
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Speaker 1: you know what I'm saying. They got to beat me

358
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Speaker 1: with what they got. But yeah, let's talk about that too,

359
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Speaker 1: because over the last couple of weeks, and again we

360
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Speaker 1: can get into whatever, man, But over the last couple

361
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Speaker 1: of weeks, you and Aiden Ross has had a back

362
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Speaker 1: and forth online.

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Speaker 5: What can you tell us about that? Is there any

364
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Speaker 5: update on that?

365
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Speaker 3: I know it was over because he was being disrespectful

366
00:17:41,359 --> 00:17:43,720
Speaker 3: the dough shit do she ain't how you say your name?

367
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Speaker 4: Yeah right?

368
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Speaker 1: And he was being disrespectful to Hunt, saying some disparaging,

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Speaker 1: you know things to the young lady.

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Speaker 8: You tomorrow.

371
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Speaker 2: But that dumb fat, so's your fat, that dumb body,

372
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Speaker 2: that's stupid, smelly.

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Speaker 8: She dropped from talking about the black queen. You talk

374
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Speaker 8: about none of that.

375
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Speaker 2: I hope everyone, Oh Doc, you're in Oh dude, don't

376
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Speaker 2: get me started on that bitch. Hey, don't get me

377
00:18:07,840 --> 00:18:09,840
Speaker 2: started on that bitch. Don't get me started on that

378
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Speaker 2: industry plant. Don't get me started. You guys can say

379
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Speaker 2: shit whatever you want about me, but one thing about

380
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Speaker 2: me is I'm not an industry plant. I've been streaming

381
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Speaker 2: for like a long time now. Fuck Doci. The umbrella

382
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Speaker 2: clip pissed me off. What an un what an entitled,

383
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Speaker 2: unintelligent piece of shit?

384
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Speaker 4: She is? Bro?

385
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Speaker 8: She deserved Bro, I'm not joking. Bro, Stop listener music,

386
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Speaker 8: cardian Abel. Why would you give her a feature on

387
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Speaker 8: a remix?

388
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Speaker 4: You shouldn't have cleared it.

389
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Speaker 8: She's just the worst. She's a piece of shit.

390
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Speaker 2: She stole someone like that that I used to know.

391
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Speaker 2: She makes no good music. She's horrible. Jake Fuder, what's

392
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Speaker 2: up my dog?

393
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Speaker 3: So?

394
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Speaker 8: Fuck Doci? Fuck Doci, fuck Doci. Okay, she is uh,

395
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Speaker 8: she has zero talent.

396
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Speaker 3: You kind of put that on your shoulders and say

397
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Speaker 3: enough is enough?

398
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Speaker 5: What made you do that?

399
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Speaker 3: I ain't really saw a white man called the black

400
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Speaker 3: lady one hundred in front of me, or slugs or

401
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Speaker 3: say to a black man, I don't care about none

402
00:19:02,640 --> 00:19:05,199
Speaker 3: of that black shit or sucking. I never saw that,

403
00:19:06,800 --> 00:19:09,600
Speaker 3: And I'm starting to understand as I'm being informed to

404
00:19:09,640 --> 00:19:12,240
Speaker 3: who he is and who his audience is, right that

405
00:19:12,359 --> 00:19:14,960
Speaker 3: this is how they talk. And it's like, yeah, but

406
00:19:15,040 --> 00:19:18,080
Speaker 3: now you're in the big leagues and not money, don't

407
00:19:18,080 --> 00:19:20,639
Speaker 3: mean the big leagues when you start actually when you

408
00:19:20,800 --> 00:19:23,640
Speaker 3: reach the space of accountability, you know what I mean.

409
00:19:23,720 --> 00:19:25,640
Speaker 3: Now you're in the big leagues, and it's like, now

410
00:19:25,720 --> 00:19:27,879
Speaker 3: you gotta deal with people that matter to This is

411
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Speaker 3: not the same little audience, a little kids playing the

412
00:19:30,280 --> 00:19:33,240
Speaker 3: games and stuff where y'all could call the monkeys and

413
00:19:33,280 --> 00:19:36,280
Speaker 3: hardy yers and all that, and that's player, because that's you.

414
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Speaker 4: Now you in the now you at.

415
00:19:37,920 --> 00:19:39,679
Speaker 3: Now you're in the show where people can see you,

416
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Speaker 3: and it's like none of the relationships matter because you know,

417
00:19:44,320 --> 00:19:47,959
Speaker 3: even to me, his take about you know, disrespecting her

418
00:19:48,040 --> 00:19:49,760
Speaker 3: like that, I never saw that alone. I ain't never

419
00:19:49,800 --> 00:19:51,280
Speaker 3: in my life saw that. I don't even see it

420
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Speaker 3: on the internet, Like I don't know if it's my algorithm,

421
00:19:53,720 --> 00:19:55,560
Speaker 3: because I'm starting to hear people saying this is happening,

422
00:19:55,600 --> 00:19:57,480
Speaker 3: and I'm like, well, how do y'all let this happen?

423
00:19:57,800 --> 00:19:58,439
Speaker 4: Like how are you?

424
00:19:58,480 --> 00:20:01,360
Speaker 3: How can you see this and some white man kind

425
00:20:01,359 --> 00:20:05,320
Speaker 3: of verbally lynching some sister is like a standard, like

426
00:20:05,440 --> 00:20:08,080
Speaker 3: I've never seen it, so it was natural to me

427
00:20:08,200 --> 00:20:09,960
Speaker 3: to you know how you grew up in the streets

428
00:20:10,040 --> 00:20:12,240
Speaker 3: like hey, bro, that's that's like my sister, my mother,

429
00:20:12,440 --> 00:20:16,119
Speaker 3: my daughter, like anything like stop talking to her like that,

430
00:20:16,240 --> 00:20:19,240
Speaker 3: simple as that. And to me, most of the rhetoric

431
00:20:19,280 --> 00:20:23,080
Speaker 3: coming back, it's been about polices or money, and it's like, oh,

432
00:20:23,119 --> 00:20:25,119
Speaker 3: you don't know that that don't matter at this level,

433
00:20:25,720 --> 00:20:27,400
Speaker 3: you know what I mean, That don't matter. Like it's

434
00:20:27,840 --> 00:20:31,160
Speaker 3: people willing to die and go to prison over what

435
00:20:31,200 --> 00:20:33,160
Speaker 3: they believe in. And you could tell it's a new

436
00:20:33,200 --> 00:20:36,440
Speaker 3: experience for them and their audience, you know what I mean,

437
00:20:36,480 --> 00:20:38,359
Speaker 3: they never felt this type of energy.

438
00:20:38,400 --> 00:20:42,120
Speaker 4: And it's like that's where we're at with it, wherever

439
00:20:42,160 --> 00:20:42,560
Speaker 4: it's like.

440
00:20:42,800 --> 00:20:45,080
Speaker 1: And you know, but see but two though, man, you

441
00:20:45,119 --> 00:20:51,520
Speaker 1: know what I I look at it. I'm saying to myself, Yes,

442
00:20:51,720 --> 00:20:54,720
Speaker 1: it's a weird space. You know, this entire space gets

443
00:20:54,760 --> 00:20:57,960
Speaker 1: weird at times, you know what I'm saying. But when

444
00:20:58,119 --> 00:21:02,280
Speaker 1: when I still don't think, I don't I don't think

445
00:21:02,320 --> 00:21:04,840
Speaker 1: nobody is going to harm the little dude, you know,

446
00:21:04,880 --> 00:21:07,320
Speaker 1: what I'm saying, because what I don't see it being

447
00:21:07,400 --> 00:21:13,320
Speaker 1: worth is the ramifications that come behind it. And trust me,

448
00:21:13,760 --> 00:21:16,960
Speaker 1: trust me, I know, trust me, I know right. But

449
00:21:17,359 --> 00:21:19,480
Speaker 1: when you came out and said it, I'm like, man,

450
00:21:20,200 --> 00:21:24,040
Speaker 1: are we really gonna do that? Oh, it's like you

451
00:21:24,200 --> 00:21:25,359
Speaker 1: really standing on.

452
00:21:25,280 --> 00:21:29,760
Speaker 3: That police involved in everything. First off, you can't hire

453
00:21:29,800 --> 00:21:32,600
Speaker 3: the police. It don't work that way. Like stop. A

454
00:21:32,600 --> 00:21:34,600
Speaker 3: lot of that stuff is just cap like that would

455
00:21:34,600 --> 00:21:36,600
Speaker 3: work on the last Come on, bro, like.

456
00:21:36,600 --> 00:21:41,040
Speaker 1: I you can't cops, but you can't hire the cops

457
00:21:41,160 --> 00:21:42,600
Speaker 1: rolling around with you, right.

458
00:21:42,600 --> 00:21:45,119
Speaker 3: Yeah, And even all that was sad like that's cute,

459
00:21:45,160 --> 00:21:48,200
Speaker 3: that's cap like, stop playing like that just ain't the programming.

460
00:21:48,280 --> 00:21:49,360
Speaker 4: You won't got it like that.

461
00:21:49,600 --> 00:21:51,639
Speaker 3: Like I've been around the hottest in the world and

462
00:21:51,680 --> 00:21:54,399
Speaker 3: it just ain't like that and you ain't no different

463
00:21:54,400 --> 00:21:57,040
Speaker 3: when all you could do is just apologize. But long,

464
00:21:57,160 --> 00:22:00,520
Speaker 3: this is worth it. This is worth it right here.

465
00:22:00,800 --> 00:22:03,480
Speaker 3: If nothing else in hip hop has ever been worth it,

466
00:22:03,760 --> 00:22:06,040
Speaker 3: this is one of those things that's worth it as well.

467
00:22:06,280 --> 00:22:09,200
Speaker 3: This is a big thing. This is a problem where

468
00:22:10,119 --> 00:22:12,680
Speaker 3: they're trying to convince us that it's okay for them

469
00:22:12,720 --> 00:22:16,639
Speaker 3: to disrespect black people in this overtone that we know

470
00:22:16,760 --> 00:22:20,160
Speaker 3: that we're familiar with historically, and they want to weaponize

471
00:22:20,160 --> 00:22:23,080
Speaker 3: it and use it as part of their marketing campaign

472
00:22:23,200 --> 00:22:25,760
Speaker 3: to show that they're fearless to their audience, like I'll

473
00:22:25,800 --> 00:22:27,879
Speaker 3: talk to these the way I want to, and it's.

474
00:22:27,760 --> 00:22:28,520
Speaker 4: Like, no, you won't.

475
00:22:29,040 --> 00:22:31,840
Speaker 3: And here is the here is the you know, here's

476
00:22:31,880 --> 00:22:34,960
Speaker 3: the barrier right here, and yeah.

477
00:22:34,880 --> 00:22:37,240
Speaker 4: All the way. For me, it's worth it all away,

478
00:22:37,560 --> 00:22:40,080
Speaker 4: like if nothing else, this is worth it all the way,

479
00:22:40,280 --> 00:22:43,080
Speaker 4: Like we would throw away our life for less.

480
00:22:44,200 --> 00:22:46,399
Speaker 1: Yeah, but I think you know what I'm saying for me,

481
00:22:46,520 --> 00:22:50,040
Speaker 1: I think because now even when you because I think

482
00:22:50,160 --> 00:22:52,480
Speaker 1: on the West Coast, y'all look at the CRYPT thing.

483
00:22:53,560 --> 00:22:56,600
Speaker 5: It's respected for sure. But I'm saying I think the.

484
00:22:56,560 --> 00:22:59,960
Speaker 1: FBI can get involved with it, right, It's like now

485
00:23:00,119 --> 00:23:03,240
Speaker 1: streamer end up getting shot it up through here. Got this, dude,

486
00:23:03,640 --> 00:23:07,520
Speaker 1: it can just be tedious situation you can place yourself

487
00:23:07,560 --> 00:23:10,800
Speaker 1: in by going public and saying things that that nature

488
00:23:10,840 --> 00:23:13,479
Speaker 1: is what I'm saying, And coming from where we come from,

489
00:23:13,720 --> 00:23:15,920
Speaker 1: I know you have an understanding of how they can

490
00:23:15,920 --> 00:23:19,520
Speaker 1: connect certain dots even when you have not been responsible

491
00:23:19,680 --> 00:23:22,760
Speaker 1: or involved at all. And I think that's just it'll

492
00:23:22,840 --> 00:23:25,600
Speaker 1: just be a tedious situation you will put yourself in.

493
00:23:26,080 --> 00:23:29,760
Speaker 3: So yeah, I'm totally totally yeah, I totally understand that.

494
00:23:29,840 --> 00:23:35,040
Speaker 3: But it's worth it. It's worth it, like if it

495
00:23:35,080 --> 00:23:38,040
Speaker 3: has showed the next generation of moments that follow him

496
00:23:38,080 --> 00:23:40,399
Speaker 3: that you can't talk to black people this way and

497
00:23:40,440 --> 00:23:43,119
Speaker 3: it's not a free past. Going to prison to be

498
00:23:43,200 --> 00:23:45,000
Speaker 3: worth it, dying to be worth it.

499
00:23:46,000 --> 00:23:48,919
Speaker 1: Yeah, but we're saying two different things. I ain't speaking

500
00:23:48,960 --> 00:23:52,359
Speaker 1: about the action, right. I'm with you on the action.

501
00:23:52,800 --> 00:23:55,439
Speaker 1: Once you made your decision on what the action should be.

502
00:23:55,480 --> 00:23:58,199
Speaker 1: I'm saying that when you're doing it, when you have

503
00:23:58,320 --> 00:24:02,439
Speaker 1: come to the public and say it those things, it

504
00:24:02,440 --> 00:24:03,840
Speaker 1: can coust too much.

505
00:24:04,040 --> 00:24:05,040
Speaker 4: You know what I'm saying.

506
00:24:05,040 --> 00:24:08,440
Speaker 3: But it wasn't even the initial onslot, and I think

507
00:24:08,480 --> 00:24:11,080
Speaker 3: that's the confusion. It wasn't like I was making content

508
00:24:11,600 --> 00:24:13,879
Speaker 3: even though that's what I was working, or I was

509
00:24:13,920 --> 00:24:16,000
Speaker 3: doing the stream like it wasn't a topic.

510
00:24:16,560 --> 00:24:17,760
Speaker 4: It wasn't like that. It was.

511
00:24:18,880 --> 00:24:21,640
Speaker 3: So I'm doing my stream right, the lunch hour, no ceilings,

512
00:24:21,680 --> 00:24:24,919
Speaker 3: lunch hour stream, right, I'm doing the stream, and a

513
00:24:25,040 --> 00:24:28,000
Speaker 3: super chat came in right after I finished talking about

514
00:24:28,040 --> 00:24:31,000
Speaker 3: my mom dying in prison, right, so as I'm in

515
00:24:31,040 --> 00:24:34,200
Speaker 3: a space to where I'm already like not feeling it,

516
00:24:34,240 --> 00:24:36,320
Speaker 3: and somebody said it because I saw the video and

517
00:24:36,359 --> 00:24:38,200
Speaker 3: I made it in my mind that when I seen him,

518
00:24:38,200 --> 00:24:40,639
Speaker 3: I probably was gonna make it a problem for you.

519
00:24:40,680 --> 00:24:42,400
Speaker 3: You know what I'm saying, Like, right then and there,

520
00:24:42,400 --> 00:24:44,000
Speaker 3: it wasn't gonna be no cool. I don't want to

521
00:24:44,000 --> 00:24:46,560
Speaker 3: be cool with you. It was based off of the

522
00:24:46,600 --> 00:24:49,360
Speaker 3: only few things that I knew, Like, I don't know him,

523
00:24:49,400 --> 00:24:51,639
Speaker 3: I don't know his history, I don't know who is

524
00:24:51,760 --> 00:24:54,000
Speaker 3: following is, and it really didn't matter to me. It

525
00:24:54,040 --> 00:24:56,720
Speaker 3: was just like I saw this white man making all

526
00:24:56,720 --> 00:24:59,920
Speaker 3: these disparaging remarks about this black woman, and that shit

527
00:25:01,280 --> 00:25:03,760
Speaker 3: pissed me off. So when somebody in my super chat

528
00:25:03,840 --> 00:25:06,760
Speaker 3: asked me, did I see it? I responded, I said,

529
00:25:06,760 --> 00:25:08,680
Speaker 3: oh nah, yeah, I saw that. I'm glad you brought

530
00:25:08,680 --> 00:25:11,119
Speaker 3: that up. I wasn't even gonna talk about it, but

531
00:25:12,040 --> 00:25:14,280
Speaker 3: stop talking to that black lady that way, Heydrian, I'm

532
00:25:14,280 --> 00:25:18,520
Speaker 3: glad you brought that up. I saw that aiden talking

533
00:25:18,560 --> 00:25:22,600
Speaker 3: shit about DOCI. There's no way you gonna think this cool.

534
00:25:23,400 --> 00:25:24,240
Speaker 3: There's no way you.

535
00:25:26,400 --> 00:25:29,280
Speaker 4: Can't do that. You thinking you popping and talking shit

536
00:25:29,320 --> 00:25:32,359
Speaker 4: about that sister. I'm she said of that art you

537
00:25:32,440 --> 00:25:33,400
Speaker 4: keep calling her names?

538
00:25:33,400 --> 00:25:33,520
Speaker 9: Bro?

539
00:25:33,600 --> 00:25:35,520
Speaker 3: I sure to god on Olivia, Bro, it's going to

540
00:25:35,520 --> 00:25:38,879
Speaker 3: come to a place where that's that's that's like, it's permanent.

541
00:25:39,240 --> 00:25:42,960
Speaker 4: You can't take that off. Ad let you get away

542
00:25:43,000 --> 00:25:43,720
Speaker 4: with it. The first time.

543
00:25:43,760 --> 00:25:46,200
Speaker 3: He should have put you around and he didn't keep

544
00:25:46,280 --> 00:25:47,639
Speaker 3: letting you get it off because they want to be

545
00:25:47,640 --> 00:25:49,920
Speaker 3: cool with you. It's one thing to say, hey man,

546
00:25:49,960 --> 00:25:52,119
Speaker 3: you know what that man that lady ain't said joe name.

547
00:25:52,200 --> 00:25:54,000
Speaker 3: So you assuming that you're Finnah, start calling her out

548
00:25:54,040 --> 00:25:56,320
Speaker 3: her name. I'm telling you right now, seven Street Cruit

549
00:25:56,560 --> 00:25:58,960
Speaker 3: not going for that. It ain't even got nothing to

550
00:25:59,000 --> 00:25:59,480
Speaker 3: do with TV.

551
00:25:59,600 --> 00:26:00,000
Speaker 4: You don't.

552
00:26:00,280 --> 00:26:03,720
Speaker 3: Eventually, you just a white man talking shit about the system. Yeah,

553
00:26:04,440 --> 00:26:06,920
Speaker 3: that's what it's coming down to. And I'm just keeping

554
00:26:06,960 --> 00:26:07,560
Speaker 3: it a being with you.

555
00:26:07,600 --> 00:26:10,160
Speaker 4: Bro. I know you, I know you floing a couple.

556
00:26:11,359 --> 00:26:14,200
Speaker 3: You cannot be no white man talking that much shit

557
00:26:14,240 --> 00:26:17,600
Speaker 3: about that that black woman. That is not gonna fly, Homie.

558
00:26:17,600 --> 00:26:19,960
Speaker 3: I don'other fuck what she's saying. I'm about what you

559
00:26:20,000 --> 00:26:21,920
Speaker 3: think is happened. I'm the if you think that shit

560
00:26:22,000 --> 00:26:24,200
Speaker 3: dishing you You're not finna be snupt there just talking

561
00:26:24,200 --> 00:26:26,560
Speaker 3: shit about that black woman on God Bro and I'm

562
00:26:26,560 --> 00:26:28,600
Speaker 3: and i'm and if you keep doing it, I'm gonna

563
00:26:28,600 --> 00:26:31,520
Speaker 3: start pressing all the around you. I'm not gonna press

564
00:26:31,560 --> 00:26:32,800
Speaker 3: you because I don't know where you're at and I

565
00:26:32,800 --> 00:26:34,440
Speaker 3: do't know how to get to you. But all things

566
00:26:34,480 --> 00:26:36,520
Speaker 3: around you, they don't got your money, they don't got

567
00:26:36,520 --> 00:26:38,439
Speaker 3: none of that shit. It's gonna start pressing all and

568
00:26:38,440 --> 00:26:40,680
Speaker 3: I'm gonna make it my business to make crips start

569
00:26:40,680 --> 00:26:45,440
Speaker 3: pressing all the frown all things that's black around you,

570
00:26:45,480 --> 00:26:46,960
Speaker 3: everything that lets you get that off.

571
00:26:47,920 --> 00:26:49,640
Speaker 4: You're not finna sit there and just be talking about

572
00:26:49,680 --> 00:26:50,280
Speaker 4: that black lady.

573
00:26:50,280 --> 00:26:50,440
Speaker 6: Bro.

574
00:26:50,480 --> 00:26:53,400
Speaker 4: That is not gonna fly like that. It's not gonna

575
00:26:53,440 --> 00:26:54,480
Speaker 4: fly like this one thing.

576
00:26:54,560 --> 00:26:56,720
Speaker 3: I get what you said, but now, homie, like I

577
00:26:56,720 --> 00:26:58,679
Speaker 3: saw you doing that other thing when you tell her

578
00:26:58,880 --> 00:27:01,320
Speaker 3: not to apologize for you the word A few offending

579
00:27:01,359 --> 00:27:05,640
Speaker 3: black people crip gang like, nobody say not Chuck, not nobody,

580
00:27:05,720 --> 00:27:07,520
Speaker 3: not nobody. They're gonna all have to get down with

581
00:27:07,560 --> 00:27:10,080
Speaker 3: what I'm saying, with every last one of them, because

582
00:27:10,080 --> 00:27:12,320
Speaker 3: I'm gonna make it real hard for everybody because we

583
00:27:12,440 --> 00:27:14,679
Speaker 3: not no suckers and we not no sellouts. So you

584
00:27:14,840 --> 00:27:17,359
Speaker 3: keep doing all of that shit, that's gonna be a problem.

585
00:27:17,440 --> 00:27:19,960
Speaker 3: Stop playing with that lady name, don't call her out

586
00:27:19,960 --> 00:27:22,000
Speaker 3: her name, don't be doing all that shit because you're

587
00:27:22,000 --> 00:27:23,879
Speaker 3: gonna ground and you finish say the wrong thing, and

588
00:27:23,920 --> 00:27:27,520
Speaker 3: it's gonna be a problem. And everybody cool with you.

589
00:27:27,560 --> 00:27:29,080
Speaker 3: I swear to God on Seventh Street. Crypt If you

590
00:27:29,119 --> 00:27:31,200
Speaker 3: see this and you cool with Cuz and you see

591
00:27:31,240 --> 00:27:32,960
Speaker 3: him doing that, just know we're gonna have a problem.

592
00:27:33,000 --> 00:27:35,120
Speaker 3: I'm if you wanted the homies or not, it's gonna

593
00:27:35,119 --> 00:27:36,480
Speaker 3: be a problem with me and you, and I mean

594
00:27:36,520 --> 00:27:40,880
Speaker 3: a physical problem, no other way around it, no other

595
00:27:40,920 --> 00:27:42,920
Speaker 3: way around it. I'm cool with you writing dish record,

596
00:27:43,000 --> 00:27:45,560
Speaker 3: that's cool this sir. Don't get on that thing. I

597
00:27:45,560 --> 00:27:47,480
Speaker 3: think we're supposed to. Let you just keep talking about

598
00:27:47,480 --> 00:27:48,160
Speaker 3: this black lady.

599
00:27:48,480 --> 00:27:49,080
Speaker 4: No chance.

600
00:27:50,160 --> 00:27:53,280
Speaker 3: So it wasn't about you know, this kind of grand

601
00:27:53,280 --> 00:27:55,200
Speaker 3: idea of let me put this message out, you know

602
00:27:55,240 --> 00:27:57,439
Speaker 3: what I mean, like, let me tell everybody what I

603
00:27:57,480 --> 00:28:00,000
Speaker 3: want to do more than just another part of the show.

604
00:28:00,400 --> 00:28:03,160
Speaker 3: That's the very end of it that somehow people got

605
00:28:03,160 --> 00:28:06,080
Speaker 3: their hands on and then it became a big deal. Again,

606
00:28:06,160 --> 00:28:08,520
Speaker 3: I didn't even know he was a big deal enough,

607
00:28:08,920 --> 00:28:11,240
Speaker 3: like think about it, I would have if that was

608
00:28:11,240 --> 00:28:12,840
Speaker 3: the case, I would have made it a topic, you

609
00:28:12,880 --> 00:28:14,439
Speaker 3: know what I mean. I'm not even thinking about it

610
00:28:14,480 --> 00:28:19,240
Speaker 3: like that. I'm not even you know, that's not a

611
00:28:19,400 --> 00:28:21,439
Speaker 3: part of my thought process when it came to it.

612
00:28:21,480 --> 00:28:27,240
Speaker 3: So it went viral and then it became Okay, I'm

613
00:28:27,280 --> 00:28:29,720
Speaker 3: going to you know their position, and it's like they're

614
00:28:29,760 --> 00:28:32,560
Speaker 3: going to insult me, and they're gonna tell me who

615
00:28:32,600 --> 00:28:36,360
Speaker 3: that they are connected to, the Federal Bureau, the President,

616
00:28:36,480 --> 00:28:40,120
Speaker 3: the police. I don't get. And so then that's when

617
00:28:40,120 --> 00:28:42,240
Speaker 3: it started being like, Okay, maybe you don't understand this.

618
00:28:42,360 --> 00:28:45,000
Speaker 3: I don't give about none of that. I don't believe you,

619
00:28:45,040 --> 00:28:46,040
Speaker 3: and you're gonna have to show me.

620
00:28:47,240 --> 00:28:51,000
Speaker 5: Right, And that's what I'm saying. But we agree there, man.

621
00:28:51,120 --> 00:28:54,840
Speaker 1: I just for me, I'm saying that that it's cost

622
00:28:54,960 --> 00:28:59,480
Speaker 1: too much to be in public at your status, especially

623
00:28:59,560 --> 00:29:03,960
Speaker 1: on the coach, with your situation out there, for you

624
00:29:04,040 --> 00:29:06,200
Speaker 1: to be saying and having some sort of call to

625
00:29:06,280 --> 00:29:09,800
Speaker 1: action like that, doubling down if you're asking me. Coming

626
00:29:09,840 --> 00:29:12,280
Speaker 1: from where we come from, like I just feel as

627
00:29:12,280 --> 00:29:16,040
Speaker 1: though that that's expensive. I ain't saying that whatever action

628
00:29:16,240 --> 00:29:19,880
Speaker 1: you feel should be took should be taken. I'm saying

629
00:29:20,400 --> 00:29:22,560
Speaker 1: I feel as though coming out in public with it,

630
00:29:22,600 --> 00:29:26,920
Speaker 1: that's just expensive for a man of your magnitude.

631
00:29:27,040 --> 00:29:31,240
Speaker 4: Just get it. Yeah, it was the moment, and it

632
00:29:31,280 --> 00:29:37,800
Speaker 4: was a level of but it was well, I.

633
00:29:37,760 --> 00:29:40,000
Speaker 3: Can't even say that because it starts off I'm not

634
00:29:40,160 --> 00:29:42,960
Speaker 3: knowing that this is It's not something I put on

635
00:29:43,000 --> 00:29:45,920
Speaker 3: my Instagram as a call to action, more or less

636
00:29:45,960 --> 00:29:49,720
Speaker 3: a part of a conversation that got clipped and.

637
00:29:49,360 --> 00:29:51,560
Speaker 5: Call to action.

638
00:29:52,040 --> 00:29:56,120
Speaker 1: Sometimes just being who you are, you understand what I'm saying.

639
00:29:56,200 --> 00:29:58,880
Speaker 1: You can create an environment just by who you are.

640
00:29:59,640 --> 00:30:02,320
Speaker 1: Right And did hear no?

641
00:30:02,320 --> 00:30:06,160
Speaker 4: No? Yeah, you're right? And so what the final thing became,

642
00:30:06,520 --> 00:30:07,400
Speaker 4: this is worth.

643
00:30:07,160 --> 00:30:11,480
Speaker 3: Sacrificing over right, and I that's where and when I

644
00:30:11,560 --> 00:30:16,680
Speaker 3: made the choice right because the initial idea is you know,

645
00:30:16,720 --> 00:30:19,840
Speaker 3: it wasn't on purpose. The double down and triple down

646
00:30:19,920 --> 00:30:23,880
Speaker 3: after the respect, it goes into another level of overtone

647
00:30:23,920 --> 00:30:26,120
Speaker 3: of like, oh, I'm a show the these I could

648
00:30:26,160 --> 00:30:28,640
Speaker 3: talk to him a certain way. You got kids, you

649
00:30:28,640 --> 00:30:31,440
Speaker 3: don't take care of your baby moms? Yeah, okay, So

650
00:30:31,560 --> 00:30:34,480
Speaker 3: now it went from this one thing the week before

651
00:30:34,640 --> 00:30:40,600
Speaker 3: where he's telling another white man, Hey, you could use

652
00:30:40,640 --> 00:30:43,720
Speaker 3: that in word, don't apologize to them.

653
00:30:42,520 --> 00:30:47,600
Speaker 8: And no, dude, don't pop Ricky. You're going backwards.

654
00:30:47,680 --> 00:30:51,680
Speaker 2: Dude, there's nothing wrong with saying that if you're saying

655
00:30:51,680 --> 00:30:55,120
Speaker 2: it in a non racist way with your friends and

656
00:30:55,160 --> 00:30:58,040
Speaker 2: you're not doing it on stream and they're okay with

657
00:30:58,120 --> 00:30:58,680
Speaker 2: you doing that.

658
00:30:59,160 --> 00:31:01,960
Speaker 8: No, it's not about aiden. I don't care, bro, I'm

659
00:31:01,960 --> 00:31:03,360
Speaker 8: being real with you, guys.

660
00:31:03,680 --> 00:31:05,680
Speaker 2: Like, stop acting like shumers are perfect if people on

661
00:31:05,680 --> 00:31:06,400
Speaker 2: the internet are perfect.

662
00:31:06,480 --> 00:31:08,840
Speaker 8: No, that's not the case. And it's not about race,

663
00:31:09,360 --> 00:31:09,760
Speaker 8: it's not.

664
00:31:10,200 --> 00:31:11,680
Speaker 2: It's the same way my friends will call me a

665
00:31:11,720 --> 00:31:14,800
Speaker 2: Kaike or all all call my Mexican friend. Then it's

666
00:31:14,840 --> 00:31:17,120
Speaker 2: the same shit, but he's not calling it to him

667
00:31:17,480 --> 00:31:18,560
Speaker 2: in a in a racist way.

668
00:31:21,280 --> 00:31:21,680
Speaker 8: It's not.

669
00:31:23,400 --> 00:31:25,360
Speaker 3: You know, as long as you using it blah blah.

670
00:31:25,640 --> 00:31:28,680
Speaker 3: So that's that's how I got introduced to his content.

671
00:31:29,200 --> 00:31:29,720
Speaker 4: His name.

672
00:31:29,800 --> 00:31:33,040
Speaker 3: I got introduced based around him getting in too with

673
00:31:33,080 --> 00:31:35,160
Speaker 3: my my one of my young homeboys, one of my

674
00:31:35,520 --> 00:31:39,120
Speaker 3: young dudes from around the way, a d And that's

675
00:31:39,160 --> 00:31:41,200
Speaker 3: the first time I heard his name. And then here's

676
00:31:41,280 --> 00:31:45,239
Speaker 3: this thing right where he's talking about telling another white man,

677
00:31:45,280 --> 00:31:47,760
Speaker 3: he shouldn't apologize to black people for using the N word.

678
00:31:48,160 --> 00:31:52,479
Speaker 3: So that's strike one. Strike two is not you judging

679
00:31:52,480 --> 00:31:55,680
Speaker 3: this lady's ability, talent or talking about how she got

680
00:31:55,680 --> 00:31:59,959
Speaker 3: herself into the business, but sheerly just verbally lynching her

681
00:32:00,280 --> 00:32:03,240
Speaker 3: like in front of everybody, right and thinking it's cute,

682
00:32:03,240 --> 00:32:06,200
Speaker 3: and then the great and black people at the same

683
00:32:06,240 --> 00:32:09,600
Speaker 3: time by saying you don't care about black queens or

684
00:32:09,640 --> 00:32:13,160
Speaker 3: people protecting black women or that being a thing. So

685
00:32:13,280 --> 00:32:17,440
Speaker 3: that strike too, and so even emotionally when it first

686
00:32:17,480 --> 00:32:20,520
Speaker 3: happened after you know what would be the second strike

687
00:32:20,560 --> 00:32:23,600
Speaker 3: where you're saying that and I respond on as part

688
00:32:23,600 --> 00:32:24,560
Speaker 3: of a stream.

689
00:32:24,840 --> 00:32:26,760
Speaker 4: Strike three is how you came back.

690
00:32:27,720 --> 00:32:30,000
Speaker 3: Strike three is when you say, oh, you know, don't

691
00:32:30,000 --> 00:32:31,600
Speaker 3: you y'all should be taking care of your kids. Don't

692
00:32:31,640 --> 00:32:34,800
Speaker 3: y'all got baby moms? So you playing for your audience?

693
00:32:36,000 --> 00:32:38,480
Speaker 3: So I got you. Let me tell your audience something.

694
00:32:38,760 --> 00:32:40,760
Speaker 3: And now this is where we're at, right It becomes like,

695
00:32:41,040 --> 00:32:43,080
Speaker 3: am I willing to pay the consequence? Am I willing

696
00:32:43,120 --> 00:32:46,040
Speaker 3: to pay the toe? I was willing to pay the

697
00:32:46,080 --> 00:32:48,440
Speaker 3: toe for a lot less. I was willing to pay

698
00:32:48,480 --> 00:32:50,800
Speaker 3: the toll for just my friends. That I grew up

699
00:32:50,840 --> 00:32:52,520
Speaker 3: with that we call the gang. I was willing to

700
00:32:52,520 --> 00:32:56,480
Speaker 3: pay the toll for a lot less just for the

701
00:32:56,560 --> 00:32:59,240
Speaker 3: ability to earn if I can't pay the toe for

702
00:32:59,280 --> 00:33:02,120
Speaker 3: this sister for me, and to make sure that these

703
00:33:02,120 --> 00:33:05,640
Speaker 3: people know that we not gonna accept them talking about

704
00:33:05,680 --> 00:33:07,880
Speaker 3: black women publicly that way, and then they have a

705
00:33:07,920 --> 00:33:11,440
Speaker 3: safe space of passage in this. This is worth going

706
00:33:11,480 --> 00:33:13,120
Speaker 3: to prison for the rest of my life. This is

707
00:33:13,160 --> 00:33:16,160
Speaker 3: worth dying over. And I made that choice based off

708
00:33:16,160 --> 00:33:19,160
Speaker 3: of that third strike when he responded, because easily could

709
00:33:19,160 --> 00:33:21,040
Speaker 3: have just been like, nah, that was an emotional moment.

710
00:33:21,280 --> 00:33:23,120
Speaker 4: I'm talking about my mom's for me.

711
00:33:23,160 --> 00:33:24,880
Speaker 3: And then they caught that, and I caught that even

712
00:33:24,920 --> 00:33:27,160
Speaker 3: though there was a real plan of action in my mind.

713
00:33:27,880 --> 00:33:31,360
Speaker 3: But the double down on the on the overtone, not

714
00:33:31,440 --> 00:33:35,080
Speaker 3: the disrespect, but the overtone of like, I get your

715
00:33:35,240 --> 00:33:37,080
Speaker 3: I get your jig, Like I'm seeing three or four

716
00:33:37,080 --> 00:33:39,200
Speaker 3: different things, and I can size up what you're doing.

717
00:33:39,320 --> 00:33:42,640
Speaker 3: You showing the rest of these people right that you

718
00:33:42,720 --> 00:33:44,880
Speaker 3: can be racist to us. You could kind of use

719
00:33:44,920 --> 00:33:47,400
Speaker 3: these terms and ideas and then talk them out of

720
00:33:47,440 --> 00:33:49,520
Speaker 3: it by saying, you know, all it's an all lives

721
00:33:49,520 --> 00:33:52,240
Speaker 3: matter program. And it's like, y'all see what you're doing,

722
00:33:52,640 --> 00:33:55,080
Speaker 3: and this is worth paying the ultimate consequence to make

723
00:33:55,120 --> 00:33:58,040
Speaker 3: sure you know at all costs, this is not gonna

724
00:33:58,040 --> 00:34:01,160
Speaker 3: go about free of charge. This is gonna cost It

725
00:34:01,680 --> 00:34:04,440
Speaker 3: is gonna cost you something. It's gonna cost us all something.

726
00:34:04,960 --> 00:34:06,720
Speaker 3: And me and you know that, coming for where we

727
00:34:06,760 --> 00:34:09,160
Speaker 3: come from, we know once we get into these situations,

728
00:34:09,360 --> 00:34:12,280
Speaker 3: it's gonna all cost us something. Even him saying having

729
00:34:12,320 --> 00:34:15,440
Speaker 3: your security you feel me being ready to do something, well,

730
00:34:15,680 --> 00:34:18,279
Speaker 3: it could cost your security life or they could take

731
00:34:18,280 --> 00:34:19,719
Speaker 3: a life. It could be a lot of things you're

732
00:34:19,719 --> 00:34:21,960
Speaker 3: gonna have to be accountable for. But it's going to

733
00:34:22,040 --> 00:34:22,920
Speaker 3: cost you something.

734
00:34:22,920 --> 00:34:27,480
Speaker 4: You're gonna earn. This ability to disrespect us in public.

735
00:34:27,719 --> 00:34:29,080
Speaker 5: It's gonna be expensive for you.

736
00:34:29,160 --> 00:34:32,359
Speaker 1: And also I also don't appreciate how people are trying

737
00:34:32,400 --> 00:34:34,520
Speaker 1: to position some of these streamers.

738
00:34:34,560 --> 00:34:35,640
Speaker 5: And let me say this too.

739
00:34:35,680 --> 00:34:38,200
Speaker 1: My children watch Aid and Ross right, and so I'm

740
00:34:38,280 --> 00:34:41,200
Speaker 1: kind of familiar with who he is. He's a famous guy,

741
00:34:41,280 --> 00:34:43,160
Speaker 1: been to one of these events and things that that

742
00:34:43,280 --> 00:34:45,759
Speaker 1: nature with Charleston white Fould. I went to band seeing

743
00:34:45,800 --> 00:34:48,839
Speaker 1: what they was doing, and he's someone my children love.

744
00:34:50,120 --> 00:34:51,319
Speaker 5: But at the end of the day.

745
00:34:52,760 --> 00:34:55,960
Speaker 1: I don't understand why people are positioning it like he

746
00:34:56,000 --> 00:34:58,400
Speaker 1: can't be touched because of the security and the police.

747
00:34:58,520 --> 00:35:03,120
Speaker 1: Shit funny because what happens is right, he's his ability

748
00:35:03,160 --> 00:35:04,680
Speaker 1: to hide is gonna be compromised.

749
00:35:04,680 --> 00:35:05,440
Speaker 5: He's a streamer.

750
00:35:05,480 --> 00:35:09,040
Speaker 1: He's competing with speed and casing that he cannot just

751
00:35:09,120 --> 00:35:11,239
Speaker 1: sit in that warehouse. He has to be at this

752
00:35:11,360 --> 00:35:15,360
Speaker 1: mall and at this he's gonna have to move at points,

753
00:35:15,400 --> 00:35:17,960
Speaker 1: and so I don't think it's wise to even put

754
00:35:18,040 --> 00:35:20,320
Speaker 1: him in a scenario to be like, oh, he's moving

755
00:35:20,360 --> 00:35:26,320
Speaker 1: this way, he can't be that, yeah, right, And all all.

756
00:35:26,160 --> 00:35:29,440
Speaker 3: I asked was just first off, it was simple, just

757
00:35:29,480 --> 00:35:33,080
Speaker 3: stop talking about her like that, like, you know, bro,

758
00:35:33,239 --> 00:35:35,600
Speaker 3: do your thing, Like I don't know you, bro, Like

759
00:35:35,680 --> 00:35:37,440
Speaker 3: you know, I don't know who you like, I'm not

760
00:35:37,640 --> 00:35:38,279
Speaker 3: aware of you.

761
00:35:38,680 --> 00:35:39,239
Speaker 4: Do your thing.

762
00:35:39,400 --> 00:35:42,239
Speaker 3: Just don't do that thing that you keep doing. And

763
00:35:42,280 --> 00:35:45,000
Speaker 3: then it went into the triple down and the quadruple down,

764
00:35:45,080 --> 00:35:47,120
Speaker 3: like and don't get me wrong, he has been reeling

765
00:35:47,160 --> 00:35:50,920
Speaker 3: it back, but it's like it's a level of I

766
00:35:50,960 --> 00:35:54,600
Speaker 3: still don't feel the accountability needed to make me believe

767
00:35:54,680 --> 00:35:56,799
Speaker 3: that you gonna stop doing what you're doing, Like I

768
00:35:56,840 --> 00:35:58,960
Speaker 3: feel like we're a moment of a way. So in

769
00:35:59,000 --> 00:36:01,480
Speaker 3: my mind, I'm like, okay, here, this is what is

770
00:36:01,520 --> 00:36:04,319
Speaker 3: worth and is it worth paying the ultimate? Is it

771
00:36:04,360 --> 00:36:06,800
Speaker 3: worth the ultimate sacrifice? Is it worth going to prison

772
00:36:06,840 --> 00:36:09,320
Speaker 3: for thirty years? Is it worth dying over easy?

773
00:36:09,840 --> 00:36:12,040
Speaker 4: Easy? You know what I mean? Like easy?

774
00:36:12,160 --> 00:36:16,799
Speaker 5: Like is it worth to him? Though it's worth doing all?

775
00:36:17,000 --> 00:36:17,480
Speaker 5: Is it worth?

776
00:36:17,640 --> 00:36:20,560
Speaker 1: Because I look at him like this here too, right,

777
00:36:20,640 --> 00:36:23,440
Speaker 1: Because you know, I'm learning as I get older to

778
00:36:24,040 --> 00:36:28,759
Speaker 1: try to lend people somewhat of some understanding. Not when

779
00:36:28,800 --> 00:36:31,319
Speaker 1: he comes to disrespect, because you know, again as a

780
00:36:31,400 --> 00:36:34,319
Speaker 1: zero tolerance policy. But at the end of the day,

781
00:36:34,360 --> 00:36:37,360
Speaker 1: I look at this young dude here and say, he

782
00:36:37,480 --> 00:36:40,560
Speaker 1: a rich little jew boy. None of these people gonna

783
00:36:40,600 --> 00:36:43,520
Speaker 1: try to explain him the relationship that he should respect

784
00:36:43,560 --> 00:36:46,040
Speaker 1: between whites and blacks, to make it where that word

785
00:36:46,040 --> 00:36:49,359
Speaker 1: should be prohibited. You understand, even some of the black

786
00:36:49,480 --> 00:36:54,520
Speaker 1: dudes that's in those videos with him, like what's his name?

787
00:36:54,600 --> 00:36:57,160
Speaker 1: I don't know his name, shout out to emotion man,

788
00:36:57,200 --> 00:37:00,440
Speaker 1: whatever the dude name is, but he is see it there,

789
00:37:00,520 --> 00:37:02,800
Speaker 1: he's trying to pete it pant with him.

790
00:37:03,120 --> 00:37:03,520
Speaker 4: Eighteen.

791
00:37:04,120 --> 00:37:06,840
Speaker 2: Well, listen, I'm doubling down. Bro Dochi your horror musician.

792
00:37:07,719 --> 00:37:09,640
Speaker 2: You suck at music. That's why you fell off, and

793
00:37:09,680 --> 00:37:11,800
Speaker 2: you're coming at me a streamer, don't you.

794
00:37:11,880 --> 00:37:13,600
Speaker 4: He's hating you want Grammys for the reason.

795
00:37:13,640 --> 00:37:15,799
Speaker 2: Man, it was a rigged as grammy. What you can't

796
00:37:15,920 --> 00:37:18,960
Speaker 2: name me three dot you songs right now? Besides besides

797
00:37:18,960 --> 00:37:22,040
Speaker 2: the one she sampled three anxiety. That's when she sampled

798
00:37:22,960 --> 00:37:24,960
Speaker 2: name three That way.

799
00:37:24,880 --> 00:37:27,319
Speaker 4: You stop talking about while I'm in the camera. They're

800
00:37:27,320 --> 00:37:32,040
Speaker 4: calling me a coon. They think everything is about race.

801
00:37:32,760 --> 00:37:36,040
Speaker 8: Holy yeah, Literally, I don't just come at black a

802
00:37:36,120 --> 00:37:39,000
Speaker 8: maximum women. I call white like this call all women.

803
00:37:39,000 --> 00:37:40,680
Speaker 4: I come with all dudes like.

804
00:37:42,160 --> 00:37:45,600
Speaker 8: Joe Budden too, like the same way. Come on bro

805
00:37:45,880 --> 00:37:47,759
Speaker 8: like what hey?

806
00:37:47,800 --> 00:37:50,239
Speaker 4: Who bro? What brod is in the video? On this

807
00:37:50,440 --> 00:37:53,840
Speaker 4: to him? You want my respect?

808
00:37:53,880 --> 00:37:56,480
Speaker 9: I respect woman. I love all my black queens. That's

809
00:37:56,480 --> 00:37:57,799
Speaker 9: a lot of people on Twitter trying to call me

810
00:37:57,800 --> 00:38:02,280
Speaker 9: a coon. What because because aid and beef for adult

811
00:38:02,480 --> 00:38:06,920
Speaker 9: They're just like, you're supposed to slap him gang. It's

812
00:38:06,960 --> 00:38:09,560
Speaker 9: a two way street. Bron's just because she's a girl,

813
00:38:09,600 --> 00:38:13,320
Speaker 9: don't mean shit. She just happens to be black, Lily,

814
00:38:14,280 --> 00:38:17,160
Speaker 9: Like when you got Beef's saying that I.

815
00:38:17,120 --> 00:38:17,400
Speaker 7: Got be.

816
00:38:18,960 --> 00:38:21,440
Speaker 1: He'll sit there and he's trying to pit it pat

817
00:38:21,520 --> 00:38:23,760
Speaker 1: with him, you understand on something.

818
00:38:23,800 --> 00:38:25,680
Speaker 5: Come on, man, stop stop saying that.

819
00:38:25,840 --> 00:38:28,200
Speaker 1: And so what I'm saying is if I'm him, and

820
00:38:28,280 --> 00:38:30,920
Speaker 1: I know I'm the most powerful person in my position,

821
00:38:31,400 --> 00:38:34,000
Speaker 1: in my crew, how to respect for the church?

822
00:38:34,040 --> 00:38:37,080
Speaker 5: You take your head off, Yeah, out of respect for

823
00:38:37,120 --> 00:38:37,600
Speaker 5: the flag.

824
00:38:37,680 --> 00:38:39,680
Speaker 1: You put your hand over, you standing and put your

825
00:38:39,719 --> 00:38:43,000
Speaker 1: hand over for the national anthem, right, out of respect

826
00:38:43,000 --> 00:38:45,840
Speaker 1: for the people that guard your life. And some of

827
00:38:45,880 --> 00:38:50,239
Speaker 1: your friends understand the relationship between whites and blacks. That

828
00:38:50,400 --> 00:38:52,600
Speaker 1: makes that undertone irresponsible.

829
00:38:53,000 --> 00:38:56,520
Speaker 3: And I think that conversation can be had, uh, And

830
00:38:56,560 --> 00:38:59,120
Speaker 3: I think he just don't have like, look at the

831
00:38:59,160 --> 00:39:02,800
Speaker 3: situation he put his security and these his black home boys.

832
00:39:02,800 --> 00:39:04,760
Speaker 5: They got to go back to their mothers.

833
00:39:04,680 --> 00:39:08,680
Speaker 1: And aunties and grandmothers and and and say y'all know

834
00:39:08,719 --> 00:39:11,280
Speaker 1: aiight and ain't like that he just be They gotta

835
00:39:11,360 --> 00:39:15,759
Speaker 1: constantly deal with that, right, Yeah, I think out of

836
00:39:15,760 --> 00:39:17,120
Speaker 1: respect for that.

837
00:39:17,120 --> 00:39:20,360
Speaker 3: It's hella irresponsible on his behalf, especially a somebody that

838
00:39:20,719 --> 00:39:24,400
Speaker 3: obviously I'm learning is as successful as he is. But again,

839
00:39:25,239 --> 00:39:29,520
Speaker 3: like in this particular situation, and my belief we got

840
00:39:29,560 --> 00:39:34,000
Speaker 3: one task. Now if every whoever else that really affiliate

841
00:39:34,120 --> 00:39:36,440
Speaker 3: with him, I mean, because I don't know, Like I'm

842
00:39:36,480 --> 00:39:40,600
Speaker 3: starting to realize, Like I just realized Drake, you know, uh,

843
00:39:40,760 --> 00:39:44,600
Speaker 3: different people affiliate that are black people. You had to

844
00:39:44,640 --> 00:39:49,920
Speaker 3: have seen Drake and Aiden before, never that she never nah.

845
00:39:49,880 --> 00:39:51,120
Speaker 4: Dog, not like that.

846
00:39:51,160 --> 00:39:51,319
Speaker 2: Bro.

847
00:39:51,360 --> 00:39:55,400
Speaker 3: It's like I just seen them together in a lawsuit.

848
00:39:56,080 --> 00:39:58,239
Speaker 3: But I saw act and I saw somebody else in

849
00:39:58,280 --> 00:40:00,640
Speaker 3: the same lawsuit. So I'm not you know again, like

850
00:40:00,719 --> 00:40:02,480
Speaker 3: even when I talk about it, I don't know the

851
00:40:02,520 --> 00:40:04,920
Speaker 3: depth of any of these relationships. I can only talk

852
00:40:04,960 --> 00:40:08,520
Speaker 3: about the legal ramifications or the civil idea, not the

853
00:40:08,920 --> 00:40:12,200
Speaker 3: depth of relationship. So I'm starting to realize their relationship

854
00:40:12,640 --> 00:40:16,759
Speaker 3: is deeper, or it's not just this, Hey, that they

855
00:40:16,840 --> 00:40:20,080
Speaker 3: just happen to be in the entertainment business, because that's

856
00:40:20,200 --> 00:40:21,160
Speaker 3: kind of how it was.

857
00:40:21,560 --> 00:40:22,520
Speaker 4: Now I'm saying is more.

858
00:40:22,600 --> 00:40:26,520
Speaker 3: But to anybody that's black around him, that's not saying, hey,

859
00:40:26,560 --> 00:40:29,799
Speaker 3: here's the overtone it. Maybe Loane is not an intelligent

860
00:40:30,160 --> 00:40:33,520
Speaker 3: us around him to explain this is because like even

861
00:40:33,560 --> 00:40:36,080
Speaker 3: how you articulate it, that's the problem. I agree, he's

862
00:40:36,080 --> 00:40:39,400
Speaker 3: not getting that or he knows, and he just like

863
00:40:39,640 --> 00:40:43,400
Speaker 3: getting this is his brand of entertainment. Because I genuinely

864
00:40:43,480 --> 00:40:46,840
Speaker 3: think he's not. I can listen to him talk. I

865
00:40:46,880 --> 00:40:50,600
Speaker 3: can tell he's a really smart dude, right, witty, Yeah,

866
00:40:50,600 --> 00:40:55,000
Speaker 3: he's really witty. He's smart. But the ability to listen

867
00:40:55,080 --> 00:40:58,320
Speaker 3: is what makes you intelligent. And I don't think he's listening,

868
00:40:58,680 --> 00:41:00,919
Speaker 3: Like I know people keep telling him, but I don't

869
00:41:00,920 --> 00:41:05,000
Speaker 3: think he's listening. I think it's like an arrogance about success.

870
00:41:05,280 --> 00:41:09,319
Speaker 3: It's an arrogance about accomplishment that really don't make you

871
00:41:09,400 --> 00:41:12,480
Speaker 3: understand when you come into this realm, right, you moved

872
00:41:12,520 --> 00:41:15,560
Speaker 3: from this realm into this realm, and this realm has

873
00:41:15,600 --> 00:41:20,200
Speaker 3: a different thing happening you and you in our world, Loan.

874
00:41:20,080 --> 00:41:21,080
Speaker 4: This is our world.

875
00:41:21,400 --> 00:41:22,319
Speaker 5: Yeah, for sure, you.

876
00:41:22,320 --> 00:41:25,600
Speaker 4: Know what I mean. So it's like, and it's expensive.

877
00:41:25,080 --> 00:41:28,400
Speaker 1: Over here the words meaning things in this constance, But

878
00:41:28,480 --> 00:41:32,000
Speaker 1: it's expensive over here. You've now entered the luxury side

879
00:41:32,040 --> 00:41:35,879
Speaker 1: of the business, right, things are expensive. A T shirt

880
00:41:35,920 --> 00:41:38,480
Speaker 1: ain't just ten dollars over here. It costs a little

881
00:41:38,480 --> 00:41:41,080
Speaker 1: more to be able to wear certain things on your

882
00:41:41,120 --> 00:41:42,480
Speaker 1: chests and things of that nature.

883
00:41:42,520 --> 00:41:46,319
Speaker 4: So exactly, and you know, yeah, that was my that's

884
00:41:46,320 --> 00:41:46,840
Speaker 4: my belief.

885
00:41:46,920 --> 00:41:49,640
Speaker 3: So I do think that his task on the black

886
00:41:49,680 --> 00:41:52,439
Speaker 3: people around him, you know that if they don't want

887
00:41:52,480 --> 00:41:56,400
Speaker 3: to check him, is to explain to him, here's what's wrong.

888
00:41:57,040 --> 00:42:00,799
Speaker 3: But I don't think I could be wrong. But he

889
00:42:00,880 --> 00:42:03,359
Speaker 3: doesn't give me vibes of I don't know what's wrong.

890
00:42:03,480 --> 00:42:06,200
Speaker 3: As much as I don't care about that, I don't

891
00:42:06,200 --> 00:42:07,480
Speaker 3: have to exist in that space.

892
00:42:07,520 --> 00:42:08,640
Speaker 4: I don't have to respect that.

893
00:42:09,200 --> 00:42:11,919
Speaker 3: So I'm going to call this lady, you know, blah

894
00:42:11,920 --> 00:42:14,120
Speaker 3: blah blah, even though he said I'm not gonna talk

895
00:42:14,160 --> 00:42:16,560
Speaker 3: about her no more, which is a good start, but

896
00:42:16,760 --> 00:42:19,160
Speaker 3: it also needs to be some understanding on why you

897
00:42:19,200 --> 00:42:22,759
Speaker 3: shouldn't do that thing specifically, I don't care who else

898
00:42:22,800 --> 00:42:23,239
Speaker 3: you do it to.

899
00:42:25,200 --> 00:42:27,879
Speaker 1: Yeah, And I think the climate of America has changed too,

900
00:42:27,880 --> 00:42:30,000
Speaker 1: where it's like, yeah.

901
00:42:29,840 --> 00:42:32,680
Speaker 5: You're young. Yeah, if you're a young powerful Jew.

902
00:42:34,200 --> 00:42:37,160
Speaker 1: And Trump is the president, you've sat next to Trump

903
00:42:37,200 --> 00:42:39,919
Speaker 1: at some point, right, you in a scenario where they've

904
00:42:39,960 --> 00:42:44,520
Speaker 1: tied speech to freedom, So you don't you know the

905
00:42:44,600 --> 00:42:47,799
Speaker 1: shit gets It's it's muddy out there these days, right,

906
00:42:47,880 --> 00:42:55,440
Speaker 1: But again, it's irresponsible to ignore the relationship between blacks

907
00:42:55,480 --> 00:42:56,239
Speaker 1: and whites.

908
00:42:57,840 --> 00:43:01,680
Speaker 3: That carries that undertone, right, and he carries a stench.

909
00:43:01,960 --> 00:43:05,080
Speaker 4: That shouldn't be ignored.

910
00:43:05,520 --> 00:43:08,080
Speaker 5: Yeah, for sure, one hundred.

911
00:43:08,080 --> 00:43:09,360
Speaker 4: Especially in his position.

912
00:43:09,760 --> 00:43:12,920
Speaker 3: You know, as people are informing me of this mass following,

913
00:43:13,200 --> 00:43:16,200
Speaker 3: you gotta be a little bit more responsible than that.

914
00:43:17,239 --> 00:43:17,799
Speaker 5: Yeah.

915
00:43:17,840 --> 00:43:20,600
Speaker 1: But see, I think what made me is just like

916
00:43:20,719 --> 00:43:24,240
Speaker 1: the only reason because you know, we're just flushing out ideas.

917
00:43:23,800 --> 00:43:25,279
Speaker 5: And seeing this, you know what I'm saying.

918
00:43:25,360 --> 00:43:27,520
Speaker 1: So for me, it's just I want to see both

919
00:43:27,560 --> 00:43:29,560
Speaker 1: sides of it and try to I'm trying to see

920
00:43:29,600 --> 00:43:32,759
Speaker 1: what who around him could tell him. Could his security

921
00:43:32,760 --> 00:43:35,840
Speaker 1: pull him to the side when his paycheck depends on

922
00:43:35,960 --> 00:43:41,840
Speaker 1: him believing that against all odds, You understand, I'm with you,

923
00:43:41,920 --> 00:43:43,000
Speaker 1: against all lodds.

924
00:43:43,200 --> 00:43:45,920
Speaker 3: My paycheck depends on that. Is it worth for us

925
00:43:45,960 --> 00:43:47,880
Speaker 3: even going there? When I love this little dude and

926
00:43:47,920 --> 00:43:50,960
Speaker 3: he's paying the bills? Can Can some of these young

927
00:43:51,040 --> 00:43:54,239
Speaker 3: dudes around him articulate it? I'm just not sure, And

928
00:43:54,280 --> 00:43:58,640
Speaker 3: I don't think they understand the relationship and what's took

929
00:43:58,680 --> 00:43:59,200
Speaker 3: in place.

930
00:43:59,280 --> 00:43:59,480
Speaker 6: Man.

931
00:43:59,560 --> 00:44:03,200
Speaker 1: I just you know, my children don't understand, and they're

932
00:44:03,239 --> 00:44:05,919
Speaker 1: they're they're they're part of it, you know what I'm saying.

933
00:44:06,239 --> 00:44:09,600
Speaker 3: Remember, they they grew up with baraccas the president, so

934
00:44:09,640 --> 00:44:11,839
Speaker 3: they see a different level of America than we do.

935
00:44:11,920 --> 00:44:13,880
Speaker 4: But that don't change for him.

936
00:44:14,239 --> 00:44:16,400
Speaker 3: Like I have a lot of patience for black folks.

937
00:44:16,520 --> 00:44:18,680
Speaker 3: I don't know which one of it is, which one

938
00:44:18,680 --> 00:44:20,719
Speaker 3: of us it is, Like I just believe in that,

939
00:44:20,880 --> 00:44:23,560
Speaker 3: even even as a gang member. I feel like gang

940
00:44:23,600 --> 00:44:26,040
Speaker 3: members don't get enough credit for having enough patience for

941
00:44:26,040 --> 00:44:31,160
Speaker 3: black folks because we really do. But for that shit,

942
00:44:32,000 --> 00:44:34,680
Speaker 3: once you get the three strikes, you can't convince me

943
00:44:34,719 --> 00:44:37,359
Speaker 3: it's not purposed at that way, Like it's purposed at

944
00:44:37,360 --> 00:44:40,359
Speaker 3: that point. It's like you're doing this on purpose. So

945
00:44:40,360 --> 00:44:43,440
Speaker 3: it's like, I hear you, I got the message, so

946
00:44:43,600 --> 00:44:44,040
Speaker 3: we'll see.

947
00:44:44,120 --> 00:44:46,719
Speaker 1: I guess when he called Whack, did you feel like

948
00:44:46,800 --> 00:44:48,680
Speaker 1: he was trying to step on?

949
00:44:48,840 --> 00:44:51,640
Speaker 3: Like how did you feel when the Whack reference was mentioned?

950
00:44:52,160 --> 00:44:55,360
Speaker 3: I didn't even see it thog to be honest, like Whack.

951
00:44:55,440 --> 00:44:57,000
Speaker 3: The only way I knew we called Whack is when

952
00:44:57,000 --> 00:44:59,880
Speaker 3: Whack called me, you know what I'm saying? And I

953
00:45:00,080 --> 00:45:02,440
Speaker 3: told Whack and I said, Whack, I say that line.

954
00:45:02,680 --> 00:45:06,320
Speaker 3: He said, You're right, Yeah, as simple as that. You know,

955
00:45:06,680 --> 00:45:08,919
Speaker 3: he called him, called him at some point. I guess,

956
00:45:09,000 --> 00:45:11,279
Speaker 3: you know, what I'm saying, but I think it. I

957
00:45:11,280 --> 00:45:14,120
Speaker 3: didn't like how it felt between when. I just didn't

958
00:45:14,200 --> 00:45:17,239
Speaker 3: like how it felt, you know what I'm saying, How

959
00:45:17,280 --> 00:45:19,440
Speaker 3: both y'all were kind of in that and.

960
00:45:20,560 --> 00:45:22,160
Speaker 5: What calls did and things.

961
00:45:22,160 --> 00:45:25,759
Speaker 1: It just again, it just felt irresponsible to handle this

962
00:45:25,880 --> 00:45:29,520
Speaker 1: in public, especially if we having real call to actions,

963
00:45:29,560 --> 00:45:31,440
Speaker 1: that expensive.

964
00:45:30,840 --> 00:45:32,560
Speaker 5: Call to actions.

965
00:45:32,600 --> 00:45:35,440
Speaker 1: Not because we directly are saying things that you know,

966
00:45:35,520 --> 00:45:39,600
Speaker 1: but it's like who you are, your position, you dig

967
00:45:39,640 --> 00:45:41,239
Speaker 1: and it's just like I just think it.

968
00:45:41,360 --> 00:45:43,360
Speaker 5: You know what I'm saying. I didn't. I didn't appreciate that.

969
00:45:43,440 --> 00:45:45,400
Speaker 1: What do you say to people who say Adam twenty

970
00:45:45,400 --> 00:45:47,600
Speaker 1: two and no jump or hold the spot that should

971
00:45:47,680 --> 00:45:49,560
Speaker 1: be you should be critical of if you're going to

972
00:45:49,600 --> 00:45:50,400
Speaker 1: hold their stance.

973
00:45:50,960 --> 00:45:55,160
Speaker 7: Since the fat Munity girls mentioned me right, if you remember,

974
00:45:55,360 --> 00:45:58,080
Speaker 7: if you go back in time, he'll remember that I

975
00:45:58,160 --> 00:46:00,800
Speaker 7: kind of held my tongue because a lot of information

976
00:46:00,920 --> 00:46:03,719
Speaker 7: was coming to the surface about the fact that uh

977
00:46:04,520 --> 00:46:08,640
Speaker 7: little baby t rail and debt. Some stuff was coming

978
00:46:08,640 --> 00:46:10,640
Speaker 7: to the surface for the first time, like the fact

979
00:46:10,640 --> 00:46:14,439
Speaker 7: that you know his his baby mother deonce share this room.

980
00:46:14,520 --> 00:46:17,239
Speaker 7: Guys used to be selling it, you know that's uh,

981
00:46:17,920 --> 00:46:21,320
Speaker 7: it's not really up for debate. The bankruptcy, the attempted bankruptcy.

982
00:46:21,320 --> 00:46:24,560
Speaker 7: He actually tried to file bankruptcy and they wouldn't let him. Uh,

983
00:46:24,600 --> 00:46:27,000
Speaker 7: the thing not up for debate. This is this is

984
00:46:27,080 --> 00:46:27,560
Speaker 7: real shit.

985
00:46:28,040 --> 00:46:30,400
Speaker 3: I mean, if Adam twenty two is doing that in

986
00:46:30,400 --> 00:46:32,279
Speaker 3: front of me, or if I ever seen Adam twenty

987
00:46:32,280 --> 00:46:34,359
Speaker 3: two calling that, you know, doing any of that, We're

988
00:46:34,360 --> 00:46:37,440
Speaker 3: gonna have a problem, you know what I mean, We're

989
00:46:37,440 --> 00:46:39,759
Speaker 3: gonna have a big problem. And Adam knows that, like

990
00:46:39,800 --> 00:46:42,240
Speaker 3: he not, you know what I mean, Like Adam knows

991
00:46:42,480 --> 00:46:43,840
Speaker 3: whyam you know what I'm about?

992
00:46:43,880 --> 00:46:45,560
Speaker 4: Like it's not no question, you know what I mean.

993
00:46:45,680 --> 00:46:48,239
Speaker 3: I'm I'm grateful with Adam because he put two of

994
00:46:48,280 --> 00:46:49,880
Speaker 3: my own boys own, you know what I mean. But

995
00:46:50,520 --> 00:46:53,600
Speaker 3: if he calling some black woman, if he verbally lynches

996
00:46:53,640 --> 00:46:55,680
Speaker 3: some sister, feel me and I feel that.

997
00:46:55,719 --> 00:46:59,279
Speaker 5: Overton content they saying this is intent, they.

998
00:46:59,239 --> 00:47:02,799
Speaker 3: Make it none of that like not no content, none

999
00:47:02,840 --> 00:47:06,320
Speaker 3: of that like not that way, not publicly, I mean not.

1000
00:47:06,520 --> 00:47:10,520
Speaker 3: You can't verbally lynch a sister publicly in front of me.

1001
00:47:10,960 --> 00:47:14,120
Speaker 3: And I don't care Adam lad, none of them. I'm

1002
00:47:14,120 --> 00:47:17,120
Speaker 3: not riding. I feel me And they shouldn't ride. If

1003
00:47:17,120 --> 00:47:19,080
Speaker 3: they really down with the coaching like they say they

1004
00:47:19,080 --> 00:47:21,640
Speaker 3: shouldn't ride, they should be like, hey, that's wrong.

1005
00:47:21,680 --> 00:47:22,879
Speaker 4: You did go a look too far.

1006
00:47:23,760 --> 00:47:25,440
Speaker 5: But academics is in the clip.

1007
00:47:26,200 --> 00:47:28,719
Speaker 3: So academics is somebody that, to me, we should deal

1008
00:47:28,760 --> 00:47:32,000
Speaker 3: with personally. I feel like everybody that he'd been saying

1009
00:47:32,000 --> 00:47:34,080
Speaker 3: shit about shit had already gotten his ass. I had

1010
00:47:34,080 --> 00:47:36,719
Speaker 3: a conversation with him. The fact that mekin't had that

1011
00:47:36,760 --> 00:47:39,360
Speaker 3: conversation with him will put you know, or made it

1012
00:47:39,400 --> 00:47:41,680
Speaker 3: a thing to show him that here's the consequence for

1013
00:47:41,719 --> 00:47:43,720
Speaker 3: talking about me is the problem.

1014
00:47:43,920 --> 00:47:47,560
Speaker 6: I'm still gonna be that your career ain't coming back.

1015
00:47:47,960 --> 00:47:52,120
Speaker 6: I kilt it. Drake kilt it, the game tilted. Rick

1016
00:47:52,239 --> 00:47:54,000
Speaker 6: Ross kilt it. Even though you cool with him now

1017
00:47:54,200 --> 00:47:56,840
Speaker 6: they all kilt it. But I issued the last and

1018
00:47:56,880 --> 00:47:59,920
Speaker 6: final blow. You could tweet about me all you wanted

1019
00:48:00,040 --> 00:48:03,319
Speaker 6: tweet might, but trust me, your counterparts called me every

1020
00:48:03,360 --> 00:48:06,840
Speaker 6: day and said, act you a bad mocker. You killed

1021
00:48:06,880 --> 00:48:10,360
Speaker 6: that career. I did it because you disrespected me. The

1022
00:48:10,400 --> 00:48:12,919
Speaker 6: next time you see somebody you call a nerd, next

1023
00:48:12,920 --> 00:48:15,240
Speaker 6: time you see somebody who you you feel is lesser

1024
00:48:15,280 --> 00:48:15,520
Speaker 6: than you.

1025
00:48:15,800 --> 00:48:17,120
Speaker 4: All that street shit don't matter.

1026
00:48:19,080 --> 00:48:21,080
Speaker 6: Boy, all that shooting and all that dumb shit you

1027
00:48:21,080 --> 00:48:24,359
Speaker 6: didn't boy, You ain't talking about any car you get.

1028
00:48:24,440 --> 00:48:26,120
Speaker 6: I could get any house you got, I could get.

1029
00:48:26,239 --> 00:48:28,560
Speaker 6: I got the same money what you're talking about. I

1030
00:48:28,680 --> 00:48:31,080
Speaker 6: just did this to show a nick like you you

1031
00:48:31,120 --> 00:48:34,040
Speaker 6: should have respect. The reason why your career is that

1032
00:48:34,120 --> 00:48:36,040
Speaker 6: where is at. I'm gonna keep laughing at it. I

1033
00:48:36,040 --> 00:48:38,360
Speaker 6: don't care what you tweet out for the rest of

1034
00:48:38,400 --> 00:48:43,240
Speaker 6: your life. Remember you says you have had more followers

1035
00:48:43,239 --> 00:48:45,800
Speaker 6: in me, and I'm sitting here laughing at your demise.

1036
00:48:46,440 --> 00:48:48,760
Speaker 6: I took a million dollars out of your label's budget.

1037
00:48:48,840 --> 00:48:51,200
Speaker 6: You not talking about shit. You ain't never take a

1038
00:48:51,200 --> 00:48:55,640
Speaker 6: million dollars out of my pocket. Let's do the math

1039
00:48:57,120 --> 00:49:00,000
Speaker 6: the whole career up when don't blame it on nobody.

1040
00:49:00,120 --> 00:49:05,120
Speaker 6: You disrespected me, you weird ass, and I made sure

1041
00:49:05,160 --> 00:49:08,880
Speaker 6: your career died where I saw it at. It died

1042
00:49:09,000 --> 00:49:14,080
Speaker 6: right there, and I pissed on it every day. Twenty

1043
00:49:14,080 --> 00:49:16,640
Speaker 6: one Savage couldn't save you. When twenty one put me

1044
00:49:16,640 --> 00:49:20,879
Speaker 6: on the phone with you, you was a broken bass, washed

1045
00:49:20,960 --> 00:49:23,520
Speaker 6: up rapper who needed me more than I needed you.

1046
00:49:23,760 --> 00:49:26,560
Speaker 4: I never needed you. What he put me on the

1047
00:49:26,600 --> 00:49:29,000
Speaker 4: phone with you. That was after Clubhouse.

1048
00:49:29,040 --> 00:49:32,600
Speaker 6: You should have said, maybe I give somebody I got

1049
00:49:32,600 --> 00:49:36,560
Speaker 6: to deal with. You never had that respect. Boy, You're

1050
00:49:36,560 --> 00:49:39,040
Speaker 6: gonna be on Twitter for the rest of your life.

1051
00:49:39,440 --> 00:49:43,040
Speaker 6: Say goodbye to the charts, bye bye. It will never

1052
00:49:43,200 --> 00:49:48,879
Speaker 6: be in your favor again. That's because of your disrespect.

1053
00:49:49,600 --> 00:49:50,560
Speaker 6: I don't care what.

1054
00:49:50,560 --> 00:49:52,920
Speaker 4: X amount you follow. I don't care how much you

1055
00:49:52,960 --> 00:49:56,040
Speaker 4: stalk me. You block me and follow my exes. You're

1056
00:49:56,080 --> 00:49:56,680
Speaker 4: a weirdough.

1057
00:49:56,920 --> 00:49:59,279
Speaker 6: I could follow your baby mom's and your kids. I

1058
00:49:59,320 --> 00:50:01,680
Speaker 6: don't need a play like that. I killed your career.

1059
00:50:01,960 --> 00:50:03,080
Speaker 4: That's all I needed to do.

1060
00:50:03,520 --> 00:50:06,800
Speaker 6: Bye bye, meek Mill, Bye bye, get out of the storyline,

1061
00:50:07,080 --> 00:50:09,719
Speaker 6: Bye bye, bye bye. I got my went off of

1062
00:50:09,719 --> 00:50:13,760
Speaker 6: you ready, bye bye, bye, bye bye bye.

1063
00:50:14,840 --> 00:50:15,960
Speaker 4: If you got a problem with you know.

1064
00:50:17,880 --> 00:50:19,840
Speaker 1: Yeah, and I know me. I know I've talked to me,

1065
00:50:19,960 --> 00:50:22,479
Speaker 1: He's had conversations with him. But you're correct. This should

1066
00:50:22,520 --> 00:50:26,120
Speaker 1: be much more expensive. It should be much more expensive

1067
00:50:26,160 --> 00:50:28,400
Speaker 1: to have done and said some of those certain things.

1068
00:50:28,400 --> 00:50:30,719
Speaker 1: But hey, they letting it ride. I came in the

1069
00:50:30,800 --> 00:50:33,200
Speaker 1: game a certain way and they didn't understand it. And

1070
00:50:33,719 --> 00:50:35,920
Speaker 1: to this day they feel as though I hate that dude.

1071
00:50:36,280 --> 00:50:39,200
Speaker 1: But I look at that dude like irresponsible on a

1072
00:50:39,200 --> 00:50:41,759
Speaker 1: lot of levels. When I came in the game on

1073
00:50:41,800 --> 00:50:44,920
Speaker 1: the heels of him reporting on takeoff murder and putting

1074
00:50:44,920 --> 00:50:49,200
Speaker 1: a murder on the wrong persons that come from a

1075
00:50:49,239 --> 00:50:51,120
Speaker 1: tree of people to help me get in the game,

1076
00:50:51,280 --> 00:50:54,240
Speaker 1: and I felt that personally to say, Yo, that's the wrong.

1077
00:50:54,719 --> 00:50:58,399
Speaker 1: This dude got family, this dude got people that care

1078
00:50:58,480 --> 00:51:00,840
Speaker 1: about him, and I know it's content and his rolling

1079
00:51:00,920 --> 00:51:04,680
Speaker 1: and everybody interested because he's a high profile guy. And again,

1080
00:51:04,800 --> 00:51:07,200
Speaker 1: coming off the streets, you don't have the same feel

1081
00:51:07,239 --> 00:51:11,799
Speaker 1: to that the business requires you to operate with to

1082
00:51:11,880 --> 00:51:15,719
Speaker 1: get certain chicks in certain you know, avenues unlocked for you.

1083
00:51:16,160 --> 00:51:18,520
Speaker 1: And so I was so raughty. People felt like, man,

1084
00:51:18,560 --> 00:51:21,440
Speaker 1: he really don't like that dude, that dude. They it

1085
00:51:21,480 --> 00:51:23,239
Speaker 1: ain't that I don't like him, It's just that I'm

1086
00:51:23,280 --> 00:51:25,319
Speaker 1: weighing in on the content, like you.

1087
00:51:25,760 --> 00:51:27,400
Speaker 4: Looking at him being irresponsible.

1088
00:51:27,400 --> 00:51:29,560
Speaker 3: But my belief is me should have actually been they

1089
00:51:29,560 --> 00:51:33,799
Speaker 3: should have been fought already. You got to pay. I

1090
00:51:33,960 --> 00:51:37,040
Speaker 3: like how you use that. It's expensive over here. The

1091
00:51:37,239 --> 00:51:41,640
Speaker 3: opinions are expensive, especially commenting on the business of this

1092
00:51:41,760 --> 00:51:45,080
Speaker 3: culture and his life, and because he hasn't had to

1093
00:51:45,120 --> 00:51:48,360
Speaker 3: pay anything. You know, he doesn't. He's not quite aware,

1094
00:51:48,880 --> 00:51:51,879
Speaker 3: but I mean something about it says and Mick told

1095
00:51:51,960 --> 00:51:52,959
Speaker 3: him that they could fight.

1096
00:51:53,000 --> 00:51:55,640
Speaker 4: I don't think he would say no, so.

1097
00:51:55,680 --> 00:51:57,080
Speaker 5: They can take the fade.

1098
00:51:57,160 --> 00:51:59,760
Speaker 4: I believe it, you know what I mean. I believe

1099
00:51:59,760 --> 00:52:01,800
Speaker 4: you gonna have to show me different, you know what

1100
00:52:01,840 --> 00:52:02,080
Speaker 4: I mean?

1101
00:52:02,120 --> 00:52:04,160
Speaker 3: The fact that the fact that ain none of them

1102
00:52:04,239 --> 00:52:06,439
Speaker 3: dudes told him that, after the after all the shit

1103
00:52:06,480 --> 00:52:08,480
Speaker 3: he keeps saying about him, and they ain't said that

1104
00:52:08,520 --> 00:52:10,879
Speaker 3: we need to fight, because that should be the next thing.

1105
00:52:10,960 --> 00:52:12,920
Speaker 3: The ship he's saying about some of them people, we

1106
00:52:12,960 --> 00:52:15,080
Speaker 3: need to fight, and he need to. He need to

1107
00:52:15,120 --> 00:52:18,160
Speaker 3: earn some of these opinions when it comes to especially

1108
00:52:18,200 --> 00:52:20,839
Speaker 3: as it's not about music, like I think that's what's

1109
00:52:20,840 --> 00:52:23,719
Speaker 3: being conflated. If it was just about music and they

1110
00:52:23,800 --> 00:52:25,440
Speaker 3: was talking about, hey, I don't like your album, your

1111
00:52:25,480 --> 00:52:28,799
Speaker 3: songs as whack, and any of this stuff. But I

1112
00:52:28,840 --> 00:52:32,560
Speaker 3: think dealing with a white man, even dealing with Act

1113
00:52:32,560 --> 00:52:35,200
Speaker 3: being a Jamaican man, it's still different, you know. I mean,

1114
00:52:35,239 --> 00:52:38,200
Speaker 3: that's our private business to handle. I shouldn't even know

1115
00:52:38,280 --> 00:52:40,840
Speaker 3: that Meek and Act already had they fight. I should

1116
00:52:40,840 --> 00:52:42,880
Speaker 3: hear it in the way act talk. You know what

1117
00:52:42,920 --> 00:52:44,520
Speaker 3: I mean, I should hear it the way he talk.

1118
00:52:44,840 --> 00:52:45,240
Speaker 4: I should.

1119
00:52:46,440 --> 00:52:49,560
Speaker 5: Yeah, he pays something for it with one losers.

1120
00:52:50,600 --> 00:52:54,520
Speaker 3: Yeah yeah, he's not supposed to be ten times bigger

1121
00:52:55,080 --> 00:52:57,080
Speaker 3: or it's not supposed to be ten times smaller. After

1122
00:52:57,080 --> 00:53:00,080
Speaker 3: that conversation, feel me show at that point, it's like,

1123
00:53:00,080 --> 00:53:03,040
Speaker 3: like the shit he's saying about certain people, you know,

1124
00:53:03,200 --> 00:53:05,319
Speaker 3: even some of the homies from Atlanta, It's like that

1125
00:53:05,400 --> 00:53:08,160
Speaker 3: shit should come with a fight, Like we're supposed to

1126
00:53:08,200 --> 00:53:09,279
Speaker 3: be fighting over this shit.

1127
00:53:09,400 --> 00:53:10,520
Speaker 4: That what's up?

1128
00:53:10,600 --> 00:53:13,000
Speaker 3: Like we need to get down. If this is what

1129
00:53:13,040 --> 00:53:16,200
Speaker 3: you're think of me, you beat these.

1130
00:53:16,880 --> 00:53:18,720
Speaker 5: Dudes like academics with a fight.

1131
00:53:18,800 --> 00:53:22,360
Speaker 3: Though, for some reason, the way he talk about some

1132
00:53:22,440 --> 00:53:25,799
Speaker 3: of these, I don't think he's scared of some of these.

1133
00:53:26,040 --> 00:53:28,440
Speaker 3: And that's kind of where the energy come from. Like

1134
00:53:29,160 --> 00:53:31,640
Speaker 3: I think it's like in his mind he like, I

1135
00:53:31,680 --> 00:53:33,560
Speaker 3: think I could take some of these, And I'm like,

1136
00:53:33,640 --> 00:53:36,120
Speaker 3: how y'all ain't showed this man yet that y'all come

1137
00:53:36,160 --> 00:53:37,000
Speaker 3: from these environments.

1138
00:53:37,120 --> 00:53:38,719
Speaker 4: Y'all will understand up for y'allself.

1139
00:53:39,040 --> 00:53:40,640
Speaker 5: You can't hear what you can't see.

1140
00:53:41,000 --> 00:53:43,839
Speaker 1: But also I think you can talk like that from

1141
00:53:43,920 --> 00:53:46,239
Speaker 1: a safe space. And I'm not saying he won't fight.

1142
00:53:46,320 --> 00:53:48,400
Speaker 1: Maybe he'll fight them all. I'm not calling that in

1143
00:53:48,480 --> 00:53:51,839
Speaker 1: the question, but I'm just stating the obvious right from

1144
00:53:51,840 --> 00:53:52,760
Speaker 1: a safe space.

1145
00:53:53,400 --> 00:53:54,719
Speaker 5: It's just you know what I'm saying.

1146
00:53:54,719 --> 00:53:57,719
Speaker 1: You got a little liquor, you get going, you do

1147
00:53:57,840 --> 00:54:02,839
Speaker 1: this enough times, this becomes a second nature, and here

1148
00:54:02,880 --> 00:54:03,320
Speaker 1: we are.

1149
00:54:03,840 --> 00:54:05,640
Speaker 5: You know, I.

1150
00:54:05,600 --> 00:54:08,160
Speaker 4: Just need to see it first. I need to hear ay.

1151
00:54:08,840 --> 00:54:13,879
Speaker 3: I'm actively calling you out for a fight at least,

1152
00:54:14,200 --> 00:54:15,120
Speaker 3: and it's not my look.

1153
00:54:15,239 --> 00:54:18,520
Speaker 4: They don't got to appease me. That's not what I'm saying.

1154
00:54:18,600 --> 00:54:21,680
Speaker 3: I'm saying here is how you handle it to me

1155
00:54:21,920 --> 00:54:25,759
Speaker 3: with a man that's a Jamaican man versus a white man. Right,

1156
00:54:25,800 --> 00:54:28,239
Speaker 3: Here's this Jamaican man that's in the culture that's a

1157
00:54:28,239 --> 00:54:31,160
Speaker 3: black man, right, And it's like, Hey, I don't like

1158
00:54:31,200 --> 00:54:32,400
Speaker 3: the shit you're saying about me.

1159
00:54:32,520 --> 00:54:34,240
Speaker 4: This is not about music.

1160
00:54:34,719 --> 00:54:38,520
Speaker 3: If somebody wanted to fight him over him fatiguing their

1161
00:54:38,560 --> 00:54:41,600
Speaker 3: album or critiguing their song or blah blah blah, that's

1162
00:54:41,600 --> 00:54:44,000
Speaker 3: not what I'm talking about. I'm talking about all them

1163
00:54:44,000 --> 00:54:46,880
Speaker 3: bitch ass niggas and punk ass niggas and nigga use

1164
00:54:46,920 --> 00:54:49,879
Speaker 3: a bitch, and that should come with a damn fight,

1165
00:54:50,280 --> 00:54:52,040
Speaker 3: you know what I mean that at least public you'd

1166
00:54:52,040 --> 00:54:53,040
Speaker 3: be like, hey, we need to get down.

1167
00:54:53,360 --> 00:54:55,200
Speaker 4: Whoever need to tell him, we need to get out.

1168
00:54:55,280 --> 00:54:57,919
Speaker 3: So now if me say, hey, gee, I did try

1169
00:54:57,920 --> 00:55:00,760
Speaker 3: to fight this motherfucker, then it's different.

1170
00:55:01,160 --> 00:55:03,239
Speaker 4: But I just don't get that act.

1171
00:55:03,320 --> 00:55:05,799
Speaker 3: Is this person the way he's talking and carrying on

1172
00:55:05,880 --> 00:55:08,360
Speaker 3: about some of these people, that it's the thing that

1173
00:55:08,400 --> 00:55:09,640
Speaker 3: he's not willing to give them.

1174
00:55:09,680 --> 00:55:10,240
Speaker 4: They fade.

1175
00:55:11,120 --> 00:55:13,239
Speaker 3: Now I think hands is just missing and all this.

1176
00:55:13,360 --> 00:55:15,640
Speaker 3: I think the hands is missing all this. And don't

1177
00:55:15,640 --> 00:55:17,840
Speaker 3: get me wrong, I don't think every last person that

1178
00:55:17,920 --> 00:55:20,359
Speaker 3: act says or has critigue over he's willing to fight.

1179
00:55:20,719 --> 00:55:21,720
Speaker 4: But also I don't.

1180
00:55:21,520 --> 00:55:25,080
Speaker 3: Think you know, even all of streamers or any streamers

1181
00:55:25,120 --> 00:55:28,719
Speaker 3: whether they white or black, deserve hands for critigue. But

1182
00:55:28,800 --> 00:55:31,640
Speaker 3: when it starts getting past critigue, long couzin, it starts

1183
00:55:31,640 --> 00:55:34,359
Speaker 3: getting a bitch ass niggas and punk ass niggas and

1184
00:55:34,560 --> 00:55:35,719
Speaker 3: nigga you hold, he.

1185
00:55:36,040 --> 00:55:37,160
Speaker 5: Crash they business.

1186
00:55:37,200 --> 00:55:40,400
Speaker 1: He done fuck niggas business up and started a narrative

1187
00:55:41,120 --> 00:55:46,040
Speaker 1: that led to certain business being affected. That shit, to

1188
00:55:46,080 --> 00:55:48,120
Speaker 1: me is like that's what I'm saying I came in

1189
00:55:48,200 --> 00:55:49,520
Speaker 1: with no understanding about that.

1190
00:55:49,680 --> 00:55:54,640
Speaker 3: Oh no, no, But I'm saying if he holds enough, Okay,

1191
00:55:54,680 --> 00:55:57,440
Speaker 3: we are the cuating loon, right. We come from this

1192
00:55:57,440 --> 00:55:59,880
Speaker 3: street urban culture thing we call hip hop or lingo.

1193
00:56:00,360 --> 00:56:02,279
Speaker 3: The way we pop it. That's why we fans of

1194
00:56:02,360 --> 00:56:05,640
Speaker 3: whatever Tennessee produces. We fans with Georgia producers.

1195
00:56:05,800 --> 00:56:06,799
Speaker 4: We control it.

1196
00:56:07,480 --> 00:56:12,040
Speaker 3: We gave life to Act. The Chicago street urban scene

1197
00:56:12,080 --> 00:56:14,720
Speaker 3: gave life to Act. That's how I discovered his talent.

1198
00:56:14,960 --> 00:56:18,240
Speaker 3: He was able to use their culture to display his talent.

1199
00:56:19,120 --> 00:56:19,319
Speaker 4: Right.

1200
00:56:20,080 --> 00:56:24,440
Speaker 3: Cool, But I'm never confused that we give them the

1201
00:56:24,560 --> 00:56:27,320
Speaker 3: ability to be who they are. So it's no way

1202
00:56:27,360 --> 00:56:30,640
Speaker 3: possible ACT can truly ruin their business if it's rooted

1203
00:56:30,680 --> 00:56:35,520
Speaker 3: in street urban culture. And they also especially when it

1204
00:56:35,640 --> 00:56:40,400
Speaker 3: goes past simple ideas of like critiguing what I'm doing

1205
00:56:40,760 --> 00:56:43,600
Speaker 3: and to flat out disrespect you know what I mean,

1206
00:56:43,920 --> 00:56:47,800
Speaker 3: not like that. So I think, again, I'm not totally

1207
00:56:47,920 --> 00:56:50,920
Speaker 3: aware of everything that's happening that he's doing, and I

1208
00:56:51,000 --> 00:56:52,600
Speaker 3: know some of the stuff that I've heard.

1209
00:56:53,680 --> 00:56:54,960
Speaker 4: You know, he should be in a fight.

1210
00:56:55,400 --> 00:56:57,480
Speaker 3: We should have watched in my mind already should have

1211
00:56:57,560 --> 00:57:00,360
Speaker 3: knew if Act had hands I should not even be

1212
00:57:00,400 --> 00:57:03,839
Speaker 3: assuming if he had hands, I should have already saw it.

1213
00:57:04,239 --> 00:57:06,759
Speaker 3: If he had hands, I was supposed to be like, man, well,

1214
00:57:06,800 --> 00:57:09,319
Speaker 3: you know what, because if you start punching those shit long,

1215
00:57:09,600 --> 00:57:12,920
Speaker 3: if you start punching on shit, even your even the

1216
00:57:12,920 --> 00:57:16,240
Speaker 3: way you carry yourself changes because you're not gonna need

1217
00:57:16,280 --> 00:57:18,960
Speaker 3: to talk about it that way. Yeah, so I just

1218
00:57:19,000 --> 00:57:21,920
Speaker 3: need to see because the way you talking about some

1219
00:57:22,000 --> 00:57:24,760
Speaker 3: of these niggas, it should have been a fight, you

1220
00:57:24,800 --> 00:57:25,920
Speaker 3: know what I mean. It should have been a fight.

1221
00:57:25,960 --> 00:57:27,360
Speaker 3: It should have been called out for a fight. It

1222
00:57:27,400 --> 00:57:29,600
Speaker 3: should have been as public as the disrespect was public.

1223
00:57:29,720 --> 00:57:31,840
Speaker 3: Well you saying that, show me where you want to

1224
00:57:31,840 --> 00:57:32,120
Speaker 3: meet up.

1225
00:57:32,160 --> 00:57:32,600
Speaker 4: We could fight.

1226
00:57:33,400 --> 00:57:34,720
Speaker 5: Yeah, we can go to a gym.

1227
00:57:34,760 --> 00:57:36,200
Speaker 4: I don't care. If you want to make it cool,

1228
00:57:36,400 --> 00:57:38,720
Speaker 4: go to a gym. Put on they do it.

1229
00:57:38,720 --> 00:57:41,000
Speaker 1: They'd be like, well, I'm not a street dude. So

1230
00:57:41,160 --> 00:57:43,200
Speaker 1: this is what they and they try to I'm not

1231
00:57:43,280 --> 00:57:45,000
Speaker 1: a street guy. I want to put that on the record.

1232
00:57:45,040 --> 00:57:47,200
Speaker 1: I'm a scholar. I'm a nigga. I'm a smart nigga.

1233
00:57:47,360 --> 00:57:50,440
Speaker 1: I come out to trenches with nothing and winning, really

1234
00:57:50,520 --> 00:57:51,840
Speaker 1: ran it up with nothing.

1235
00:57:51,920 --> 00:57:55,800
Speaker 5: So like miss me with the street shit talk, most

1236
00:57:55,840 --> 00:57:56,240
Speaker 5: of the end.

1237
00:57:57,280 --> 00:58:00,960
Speaker 3: And I ain't talking about come from I'm saying about

1238
00:58:01,240 --> 00:58:04,600
Speaker 3: content guys, because they're putting us in a box with

1239
00:58:04,720 --> 00:58:07,040
Speaker 3: that label, and I don't respect the box.

1240
00:58:07,200 --> 00:58:10,040
Speaker 4: I think that's a coward way out. This is man shit.

1241
00:58:10,760 --> 00:58:13,080
Speaker 3: Even when they use a term street ship, that's the

1242
00:58:13,120 --> 00:58:18,280
Speaker 3: most primitive version of the count Yeah, yeah, yah, you

1243
00:58:18,360 --> 00:58:21,040
Speaker 3: let them escape with that. They can't escape that with

1244
00:58:21,120 --> 00:58:26,400
Speaker 3: me because somebody articulate, what that's the highest song on

1245
00:58:26,520 --> 00:58:28,919
Speaker 3: it right there? If you said it about me, Lou

1246
00:58:29,320 --> 00:58:30,560
Speaker 3: said to my face.

1247
00:58:30,680 --> 00:58:32,000
Speaker 5: Exactly and so.

1248
00:58:32,360 --> 00:58:35,000
Speaker 1: But but I'm wondering because I don't feel as though

1249
00:58:35,040 --> 00:58:37,840
Speaker 1: Academics puts hisself in a position to get into the

1250
00:58:37,880 --> 00:58:40,240
Speaker 1: fights with these guys. I think the content guys will

1251
00:58:40,280 --> 00:58:43,280
Speaker 1: fall back on I'm not a street guy. I'm not

1252
00:58:43,360 --> 00:58:45,160
Speaker 1: a street guy. I don't know what you get for

1253
00:58:45,240 --> 00:58:47,360
Speaker 1: fighting me. I get to say what I want to say.

1254
00:58:47,760 --> 00:58:51,480
Speaker 3: I mean, well, listen at that point, I don't believe

1255
00:58:51,600 --> 00:58:55,200
Speaker 3: anybody he's calling a bitch ass nigga, a punk ass

1256
00:58:55,280 --> 00:58:59,400
Speaker 3: nigga or bitch Would he say that about those two

1257
00:58:59,400 --> 00:59:02,840
Speaker 3: things for some reason do not align to me with him. Now,

1258
00:59:02,880 --> 00:59:04,720
Speaker 3: if Glass has said it and he not calling me

1259
00:59:04,760 --> 00:59:07,640
Speaker 3: a bitch ass nigga. Then I believe that becomes the energy.

1260
00:59:07,680 --> 00:59:09,520
Speaker 3: Oh man, you know what, I'm not a street god glass,

1261
00:59:09,600 --> 00:59:12,600
Speaker 3: I ain't that. I'm not disrespecting you like It's one

1262
00:59:12,640 --> 00:59:14,680
Speaker 3: thing I'm critiguing you if I say, hey, I think

1263
00:59:14,720 --> 00:59:17,160
Speaker 3: you chasing cloud, or I don't like this, or I

1264
00:59:17,160 --> 00:59:17,720
Speaker 3: don't like this.

1265
00:59:17,800 --> 00:59:18,760
Speaker 4: Or I don't understand this.

1266
00:59:19,240 --> 00:59:23,280
Speaker 3: It's another thing when he flat outs assaults other people's

1267
00:59:23,360 --> 00:59:26,240
Speaker 3: manhood and they don't stand up for theyself.

1268
00:59:26,720 --> 00:59:27,520
Speaker 4: Feel me and.

1269
00:59:27,440 --> 00:59:30,640
Speaker 3: Say hey, coming out online and standing up for yourself.

1270
00:59:31,520 --> 00:59:34,920
Speaker 3: I mean, if the public disrespect is loud, then the

1271
00:59:34,960 --> 00:59:36,919
Speaker 3: public challenge should be just as loud.

1272
00:59:37,040 --> 00:59:39,720
Speaker 1: That's a lot of times, especially once i'd have ran

1273
00:59:39,800 --> 00:59:42,520
Speaker 1: a bag up coming from where I come from, whatever background,

1274
00:59:42,600 --> 00:59:45,000
Speaker 1: I got that. A lot of times this used as

1275
00:59:45,000 --> 00:59:47,560
Speaker 1: a tool to trick me out my spot because once

1276
00:59:47,600 --> 00:59:51,160
Speaker 1: I do react and do something, I'm in a bad scenario.

1277
00:59:51,560 --> 00:59:54,040
Speaker 1: We look at Dirk, who reacted in a way way

1278
00:59:54,240 --> 00:59:57,560
Speaker 1: where we come from it allegedly, let's not even talk

1279
00:59:57,600 --> 01:00:01,080
Speaker 1: about that, but certain reactions are called for, and if

1280
01:00:01,160 --> 01:00:04,200
Speaker 1: you move on it again, they go back to that

1281
01:00:04,280 --> 01:00:09,160
Speaker 1: word expensive, it becomes extremely expensive. And so I'm saying,

1282
01:00:09,200 --> 01:00:11,920
Speaker 1: at what point is it a stupid move for a

1283
01:00:12,040 --> 01:00:15,520
Speaker 1: rap nigga to bite into what academics is saying, knowing

1284
01:00:15,560 --> 01:00:17,400
Speaker 1: he ain't gonna be nowhere but at his house or

1285
01:00:17,400 --> 01:00:19,800
Speaker 1: at his business, he probably gonna have one or two

1286
01:00:19,920 --> 01:00:21,240
Speaker 1: guys with him with guns.

1287
01:00:21,600 --> 01:00:23,880
Speaker 5: We could we can cause a we can cause a

1288
01:00:23,880 --> 01:00:24,320
Speaker 5: band guy.

1289
01:00:25,280 --> 01:00:28,720
Speaker 3: Look, but I don't want it to be the same

1290
01:00:28,920 --> 01:00:33,360
Speaker 3: thing as this. It's nothing to ask a man to

1291
01:00:35,000 --> 01:00:36,800
Speaker 3: I'm not saying you should go out. I don't want

1292
01:00:36,800 --> 01:00:38,880
Speaker 3: somebody to go out and murder this man. It ain't

1293
01:00:39,240 --> 01:00:39,720
Speaker 3: I ain't hurt.

1294
01:00:39,960 --> 01:00:40,440
Speaker 4: I don't know.

1295
01:00:40,960 --> 01:00:43,760
Speaker 3: Look, I don't follow enough of what he does to

1296
01:00:43,800 --> 01:00:46,800
Speaker 3: see that he's did something to be murdered.

1297
01:00:47,400 --> 01:00:48,800
Speaker 4: Right, I'm not saying that.

1298
01:00:48,920 --> 01:00:53,200
Speaker 3: I'm saying there's nothing wrong with challenging a man if

1299
01:00:53,240 --> 01:00:57,480
Speaker 3: he's disrespecting you, to ask him to fight, I'm not

1300
01:00:57,520 --> 01:00:58,320
Speaker 3: saying you got.

1301
01:00:58,840 --> 01:01:01,640
Speaker 5: Wrong with that. That's comp hundred percent fast.

1302
01:01:01,600 --> 01:01:04,280
Speaker 3: And that's what I'm not seeing. I'm not seeing that

1303
01:01:04,560 --> 01:01:09,680
Speaker 3: when he's publicly insulting other brothers and it's like, eventually

1304
01:01:09,960 --> 01:01:13,480
Speaker 3: we need to see that. Hey, this is because to me,

1305
01:01:13,600 --> 01:01:16,640
Speaker 3: that's what we're arguing. We're saying, is what he's saying,

1306
01:01:18,280 --> 01:01:20,080
Speaker 3: is is he being charged for it?

1307
01:01:20,840 --> 01:01:21,040
Speaker 5: Yeah?

1308
01:01:21,120 --> 01:01:25,320
Speaker 1: Yeah, yeah, even the way that we're saying Aiden should

1309
01:01:25,320 --> 01:01:26,720
Speaker 1: be charged, it's different.

1310
01:01:26,760 --> 01:01:28,640
Speaker 4: See what I'm saying, it's completely different.

1311
01:01:28,720 --> 01:01:32,920
Speaker 3: Aiden is a different case than academics, even though they

1312
01:01:32,960 --> 01:01:36,000
Speaker 3: both stream. And then that's to me because some people

1313
01:01:36,040 --> 01:01:39,200
Speaker 3: feel like it's the same, it's the different. One is

1314
01:01:39,200 --> 01:01:40,640
Speaker 3: a white man, one's a black man.

1315
01:01:43,000 --> 01:01:46,880
Speaker 1: But black man don't mean nigga. Black man don't mean

1316
01:01:46,920 --> 01:01:47,760
Speaker 1: black culture.

1317
01:01:48,360 --> 01:01:51,520
Speaker 4: No. I agree. Again, I'm not saying somebody.

1318
01:01:53,000 --> 01:01:56,960
Speaker 1: There's still there, still can be a gaping experience that

1319
01:01:57,000 --> 01:01:59,440
Speaker 1: he can have that he don't understand certain things because

1320
01:01:59,480 --> 01:02:02,280
Speaker 1: he just And then sometimes that's our biggest fuck up.

1321
01:02:02,640 --> 01:02:04,880
Speaker 5: It's because you black hang you the past.

1322
01:02:04,600 --> 01:02:05,520
Speaker 4: That you of us.

1323
01:02:05,880 --> 01:02:09,480
Speaker 3: No, no, no, But I'm I'm the loudest person saying

1324
01:02:10,080 --> 01:02:13,480
Speaker 3: I've said openly he's not hip hop. I think he

1325
01:02:13,560 --> 01:02:17,160
Speaker 3: understands his role as far as covering hip hop, but

1326
01:02:17,480 --> 01:02:18,959
Speaker 3: as a fight as a man.

1327
01:02:19,480 --> 01:02:23,680
Speaker 4: That's standard for men, that standard for men.

1328
01:02:25,280 --> 01:02:27,920
Speaker 1: Yeah, but I'm saying to that him and Aiden, if

1329
01:02:27,960 --> 01:02:31,240
Speaker 1: both of those guys are not hip hop, and both

1330
01:02:31,280 --> 01:02:34,080
Speaker 1: of those guys are handling black women in a certain way,

1331
01:02:34,480 --> 01:02:37,760
Speaker 1: why does Aiden get healed in a way that academics doesn't.

1332
01:02:37,880 --> 01:02:38,720
Speaker 5: That's what I'm saying.

1333
01:02:38,800 --> 01:02:40,560
Speaker 4: I don't think it should be in a different way.

1334
01:02:40,600 --> 01:02:44,240
Speaker 3: I think the people that Okay, So again, if if

1335
01:02:44,320 --> 01:02:48,480
Speaker 3: A is disrespecting black women in front of you, not me,

1336
01:02:49,480 --> 01:02:53,280
Speaker 3: in the same way like Young Miami or like some

1337
01:02:53,360 --> 01:02:57,480
Speaker 3: of the for instance, again again, I think that's when

1338
01:02:57,480 --> 01:03:01,240
Speaker 3: it's time for people to actually challenge him about his

1339
01:03:01,320 --> 01:03:04,000
Speaker 3: position and the things he's saying. If he's calling my

1340
01:03:04,360 --> 01:03:08,280
Speaker 3: Young Miami a bunch of black bitches and and whores

1341
01:03:08,360 --> 01:03:10,280
Speaker 3: and sluts and I don't care about that black ship,

1342
01:03:10,320 --> 01:03:13,040
Speaker 3: which would be hard because again, it's not just as

1343
01:03:13,080 --> 01:03:16,280
Speaker 3: simple with Aiden saying those things as much as the

1344
01:03:16,920 --> 01:03:20,480
Speaker 3: under and overtones of what he's doing. That's part of

1345
01:03:20,760 --> 01:03:23,320
Speaker 3: where the rage is coming from.

1346
01:03:23,840 --> 01:03:26,160
Speaker 4: Right, Act, it would.

1347
01:03:25,960 --> 01:03:30,320
Speaker 3: Be virtually impossible for Act to accomplish what Aiden accomplishes.

1348
01:03:30,880 --> 01:03:34,440
Speaker 3: To me when it comes to black people, right it

1349
01:03:34,440 --> 01:03:36,880
Speaker 3: can he can have a he could have a class

1350
01:03:36,960 --> 01:03:40,800
Speaker 3: this attitude, but he couldn't have a or hateful.

1351
01:03:40,840 --> 01:03:42,720
Speaker 5: They both can be quote unquote.

1352
01:03:42,400 --> 01:03:47,920
Speaker 3: Hateful, sure, but one is attached to something completely different

1353
01:03:48,520 --> 01:03:52,240
Speaker 3: and history, which is what I need to be respected. Yes, yes,

1354
01:03:52,280 --> 01:03:57,480
Speaker 3: but Act specifically, should have already been in ten fights,

1355
01:03:59,000 --> 01:04:01,960
Speaker 3: and the fact that he has been in one. I'll

1356
01:04:02,000 --> 01:04:04,919
Speaker 3: be honest, it's not because he's in his house. Let's

1357
01:04:04,960 --> 01:04:07,080
Speaker 3: take a break from the show. This episode is brought

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Speaker 5: Let's get back to the show.

1397
01:05:59,280 --> 01:06:02,080
Speaker 4: I'll be is not because he's in his house.

1398
01:06:03,920 --> 01:06:07,000
Speaker 3: You don't think so, No, you think these dudes don't

1399
01:06:07,040 --> 01:06:08,040
Speaker 3: want them.

1400
01:06:08,400 --> 01:06:08,600
Speaker 5: Man.

1401
01:06:09,960 --> 01:06:14,160
Speaker 3: I know it sounds crazy, but I genuinely get listening

1402
01:06:14,640 --> 01:06:16,960
Speaker 3: that it's some people that he thinks he could take

1403
01:06:17,880 --> 01:06:21,200
Speaker 3: and the fact that they ain't showed him. Even even

1404
01:06:21,240 --> 01:06:23,440
Speaker 3: if they let him win the fight, and he wins

1405
01:06:23,480 --> 01:06:26,040
Speaker 3: the fight, you would have to earn that opinion.

1406
01:06:27,800 --> 01:06:30,280
Speaker 4: So nobody made him to earn his opinion.

1407
01:06:30,400 --> 01:06:35,880
Speaker 3: As far as disrespecting or disrespectful, you know a verbiage,

1408
01:06:35,920 --> 01:06:38,320
Speaker 3: you know, I mean again, not albums. We're not talking

1409
01:06:38,360 --> 01:06:41,480
Speaker 3: about cuz fight niggas over him not liking their music.

1410
01:06:41,760 --> 01:06:43,760
Speaker 4: But bitch ass nigga is.

1411
01:06:43,720 --> 01:06:48,000
Speaker 3: A very serious term and should be really escalated to.

1412
01:06:48,560 --> 01:06:50,680
Speaker 3: We need to we need to have a physical conversation.

1413
01:06:50,760 --> 01:06:53,360
Speaker 3: We need to actually change ideas so we could see

1414
01:06:53,360 --> 01:06:54,080
Speaker 3: who's a bitch.

1415
01:06:54,040 --> 01:06:55,920
Speaker 4: Because that could be true, that could be right.

1416
01:06:56,080 --> 01:06:58,160
Speaker 3: Somebody could be a bitch ass nigga and he don't

1417
01:06:58,160 --> 01:06:59,040
Speaker 3: put hands on them.

1418
01:06:59,080 --> 01:07:01,520
Speaker 4: But I guarantee that changes how he sees it.

1419
01:07:01,960 --> 01:07:05,720
Speaker 3: That's the one thing about being a man like we

1420
01:07:05,840 --> 01:07:08,920
Speaker 3: learn to talk based off of consequence. Right, That's how

1421
01:07:08,920 --> 01:07:11,400
Speaker 3: we learn how to talk by which consequence we willing

1422
01:07:11,480 --> 01:07:12,400
Speaker 3: to accept.

1423
01:07:12,720 --> 01:07:12,840
Speaker 4: Right.

1424
01:07:12,920 --> 01:07:16,600
Speaker 3: What I'm saying about Homeboy, right is based off the consequence.

1425
01:07:16,640 --> 01:07:18,720
Speaker 3: I'm willing to accept. I already made.

1426
01:07:18,480 --> 01:07:20,400
Speaker 4: My peace for whatever the consequence is.

1427
01:07:21,280 --> 01:07:24,920
Speaker 3: I think like in that situation, right, it's like if

1428
01:07:24,960 --> 01:07:27,520
Speaker 3: people are talking, if he's saying, hey, this nigga is

1429
01:07:27,560 --> 01:07:31,640
Speaker 3: a bitch ass nigga, and you ain't saying, hey, we

1430
01:07:31,680 --> 01:07:32,200
Speaker 3: need to fight.

1431
01:07:32,240 --> 01:07:34,640
Speaker 4: You gotta stop calling me. This is here's the problem.

1432
01:07:35,160 --> 01:07:38,160
Speaker 4: I'm not saying. We people go into his house and

1433
01:07:38,160 --> 01:07:39,640
Speaker 4: and and and and and.

1434
01:07:39,520 --> 01:07:43,680
Speaker 5: You know, blowing out what you said like a man.

1435
01:07:44,320 --> 01:07:44,920
Speaker 5: What you said?

1436
01:07:45,000 --> 01:07:51,720
Speaker 4: That's it shout out to uh? Uh? What's the rapper

1437
01:07:51,800 --> 01:07:52,880
Speaker 4: from Miami? Uh?

1438
01:07:53,760 --> 01:07:56,120
Speaker 3: The dude that uh he like a dude, but he

1439
01:07:56,240 --> 01:08:01,560
Speaker 3: tried to be a girl at the same time. You know,

1440
01:08:01,800 --> 01:08:05,200
Speaker 3: he got like, uh he had that song step.

1441
01:08:08,120 --> 01:08:11,680
Speaker 5: Ah, look at my boy your phone?

1442
01:08:12,120 --> 01:08:14,960
Speaker 4: Hold on, let me see. Yeah, what's that full name?

1443
01:08:15,640 --> 01:08:17,479
Speaker 4: He's like a dude, but he's wearing makeup and ship.

1444
01:08:17,520 --> 01:08:22,800
Speaker 4: He just looked crazy as hell. What you know crazy?

1445
01:08:22,840 --> 01:08:25,679
Speaker 4: I said, You're gonna see just what I'm talking about. Mia.

1446
01:08:25,680 --> 01:08:34,320
Speaker 4: I mean, what's his name? Hold on? Hold on? Let

1447
01:08:34,360 --> 01:08:43,519
Speaker 4: me put gay no, because he's gay. Uh. I told

1448
01:08:43,520 --> 01:08:47,400
Speaker 4: you he wanted the squabbling Saucy Saucy Santana.

1449
01:08:47,640 --> 01:08:49,160
Speaker 3: Okay, yeah, I know it.

1450
01:08:51,080 --> 01:08:51,919
Speaker 4: Like, let's squabble.

1451
01:08:52,160 --> 01:08:54,160
Speaker 10: See what type of nigga we're dealing with right now?

1452
01:08:54,400 --> 01:09:00,800
Speaker 11: Put up to your headquarters quarters quarters, niggas is in

1453
01:09:00,960 --> 01:09:08,920
Speaker 11: the screeks. I want to meet in the role, yo, headquarters,

1454
01:09:08,920 --> 01:09:10,040
Speaker 11: Like what the fuck is somebody mean?

1455
01:09:10,040 --> 01:09:12,040
Speaker 4: You got your headquarters for that's the problem.

1456
01:09:12,240 --> 01:09:14,160
Speaker 10: See, I think I'm starting to think that maybe this

1457
01:09:14,280 --> 01:09:15,040
Speaker 10: is your aesthetic.

1458
01:09:15,400 --> 01:09:18,760
Speaker 4: You do the fake in, then that shit, and then.

1459
01:09:18,680 --> 01:09:21,240
Speaker 10: You and you sit in a room full of motherfucking

1460
01:09:21,240 --> 01:09:23,400
Speaker 10: cameras and try to make a bitch crash out. You

1461
01:09:23,560 --> 01:09:25,800
Speaker 10: know that's like we're from the hood. Oh yeah, that's

1462
01:09:25,800 --> 01:09:27,120
Speaker 10: why we talking the beach. I n huh, come in

1463
01:09:27,120 --> 01:09:28,640
Speaker 10: my house. Come in my house because I could do

1464
01:09:28,680 --> 01:09:30,479
Speaker 10: whatever I want to see. You were not You don't

1465
01:09:30,479 --> 01:09:32,120
Speaker 10: have the men you can meet. We want to meet

1466
01:09:32,160 --> 01:09:34,800
Speaker 10: you outside. I want to meet you outside.

1467
01:09:35,000 --> 01:09:35,679
Speaker 4: I don't want to pull.

1468
01:09:35,600 --> 01:09:40,599
Speaker 10: Up to the motherfucking headquarters, bitch, corporate ass nigga.

1469
01:09:41,200 --> 01:09:42,960
Speaker 11: I want to put set the motherfucking headquarters.

1470
01:09:43,000 --> 01:09:43,920
Speaker 8: I want to meet you in the club.

1471
01:09:43,960 --> 01:09:44,880
Speaker 4: I want to meet you in the field.

1472
01:09:44,880 --> 01:09:46,160
Speaker 8: I want to meet you in the screeks.

1473
01:09:46,320 --> 01:09:47,760
Speaker 4: I want to see you outside.

1474
01:09:47,920 --> 01:09:51,439
Speaker 10: But we all know your motherfucking headquarters is giving nine

1475
01:09:51,479 --> 01:09:54,720
Speaker 10: one one. What's your emergency? Bitch, No, we're not doing that.

1476
01:09:54,760 --> 01:09:56,760
Speaker 10: We want to see you out the door outside in

1477
01:09:56,760 --> 01:09:57,759
Speaker 10: the motherfucking field.

1478
01:09:57,840 --> 01:10:00,799
Speaker 4: Bitch. Fuck is you chatting about? Fuck as you talking about?

1479
01:10:00,840 --> 01:10:01,200
Speaker 10: Bitch?

1480
01:10:01,600 --> 01:10:02,280
Speaker 4: Batty mind?

1481
01:10:02,360 --> 01:10:03,160
Speaker 5: Bitch ass nigga?

1482
01:10:03,280 --> 01:10:07,920
Speaker 10: Nobody not pulling up to the motherfucking headquarters.

1483
01:10:07,520 --> 01:10:15,320
Speaker 3: Tody my beach Like, let's squabble, Yeah, bruh. If you

1484
01:10:15,520 --> 01:10:18,559
Speaker 3: gonna call me a bitch ass nigga, a punk ass nigga,

1485
01:10:18,600 --> 01:10:23,200
Speaker 3: any man that should come with a squabble. So I

1486
01:10:23,479 --> 01:10:27,000
Speaker 3: feel like ACT is a product of black people, you

1487
01:10:27,000 --> 01:10:29,040
Speaker 3: know what I mean? Or ACT is a product of

1488
01:10:29,080 --> 01:10:33,439
Speaker 3: people not holding him accountable for disrespect. So at this point,

1489
01:10:33,439 --> 01:10:35,280
Speaker 3: it's like if you can say what you want and

1490
01:10:35,400 --> 01:10:39,120
Speaker 3: is free, and it's not because the belief is he's hiding.

1491
01:10:39,760 --> 01:10:43,960
Speaker 3: It's not like I'm watching people running to him. And

1492
01:10:44,000 --> 01:10:45,720
Speaker 3: why would he not feel like a hero coming out

1493
01:10:45,720 --> 01:10:47,679
Speaker 3: of these situations if he ain't gotten the one fight,

1494
01:10:49,080 --> 01:10:50,880
Speaker 3: if he ain't gotten the one fight, why would he

1495
01:10:50,960 --> 01:10:53,840
Speaker 3: not feel like, you know, if he ran into this person,

1496
01:10:53,920 --> 01:10:56,000
Speaker 3: this person drinking with him and chilling with him and

1497
01:10:56,040 --> 01:10:58,720
Speaker 3: all that, why would he not think feel me like,

1498
01:10:58,920 --> 01:11:00,720
Speaker 3: oh yeah, this shit is all theatrics.

1499
01:11:01,320 --> 01:11:03,160
Speaker 5: Yeah, that's why they talk like that.

1500
01:11:03,479 --> 01:11:04,040
Speaker 4: Yeah.

1501
01:11:04,080 --> 01:11:08,280
Speaker 3: So I feel like he's our problem that we created

1502
01:11:08,800 --> 01:11:11,320
Speaker 3: right by not saying, here, be accountable for the things

1503
01:11:11,320 --> 01:11:16,040
Speaker 3: you said. Aiden is he's the product of, you know,

1504
01:11:16,680 --> 01:11:19,760
Speaker 3: four hundred years of fucking oppression. It's different, and he's

1505
01:11:19,840 --> 01:11:23,160
Speaker 3: weaponizing it for his benefit to look fearless in front

1506
01:11:23,200 --> 01:11:25,400
Speaker 3: of his base. At least that's my opinion on it.

1507
01:11:26,000 --> 01:11:28,080
Speaker 3: Act is just a product of one life.

1508
01:11:29,040 --> 01:11:29,240
Speaker 4: You know.

1509
01:11:29,760 --> 01:11:33,080
Speaker 3: However young he is thirty, you know, thirty four years

1510
01:11:33,080 --> 01:11:35,840
Speaker 3: of being on the earth and nobody him not having

1511
01:11:35,880 --> 01:11:37,840
Speaker 3: to punch nobody in the myn Ford's opinion, or not

1512
01:11:37,920 --> 01:11:40,439
Speaker 3: being punched in the my Ford's opinion when it comes

1513
01:11:40,439 --> 01:11:41,320
Speaker 3: to disrespect.

1514
01:11:41,680 --> 01:11:42,840
Speaker 4: Because again, I don't want.

1515
01:11:42,680 --> 01:11:46,360
Speaker 3: To advocate a place where people can't judge art or

1516
01:11:46,640 --> 01:11:49,800
Speaker 3: have high critigue for business and we be upset about it.

1517
01:11:49,840 --> 01:11:53,280
Speaker 3: That's That's not what I'm saying. I'm saying they are

1518
01:11:53,280 --> 01:11:55,880
Speaker 3: so far past that when niggas is calling each other

1519
01:11:55,920 --> 01:11:59,559
Speaker 3: bitch ass niggas, punk ass niggas, fuck you, blah blah blah,

1520
01:11:59,600 --> 01:12:03,360
Speaker 3: I do DoD all what like, Yeah, you need to show.

1521
01:12:03,439 --> 01:12:05,600
Speaker 3: It's show and proved, like you know, third grade, you

1522
01:12:05,640 --> 01:12:08,320
Speaker 3: gotta bring it to school, gotta bring.

1523
01:12:08,160 --> 01:12:10,559
Speaker 5: It to school. Cuh yeah, for sure.

1524
01:12:11,080 --> 01:12:15,479
Speaker 1: What do you think about the way Joe Budden handled well,

1525
01:12:15,479 --> 01:12:17,400
Speaker 1: before I get to that, what do you think about

1526
01:12:17,439 --> 01:12:21,080
Speaker 1: the way academics handled Aiden Ross and your encounter as

1527
01:12:21,080 --> 01:12:22,320
Speaker 1: it pertains the dolt.

1528
01:12:22,080 --> 01:12:27,280
Speaker 3: You again, somebody that's not from this thing right here,

1529
01:12:27,520 --> 01:12:29,800
Speaker 3: he handled it the way I expected to handle it,

1530
01:12:31,200 --> 01:12:35,120
Speaker 3: you know what I mean. Like culturally, you know, it's

1531
01:12:35,160 --> 01:12:39,439
Speaker 3: a different culture, so the way we feel about how

1532
01:12:39,439 --> 01:12:41,920
Speaker 3: white people talk to black people may be a little different.

1533
01:12:41,920 --> 01:12:44,040
Speaker 3: And honestly, I probably can't say that because in Jamaica,

1534
01:12:44,080 --> 01:12:47,439
Speaker 3: I think they are very aware. But I mean I

1535
01:12:47,479 --> 01:12:49,400
Speaker 3: said this and I think it kind of bothered him.

1536
01:12:49,400 --> 01:12:52,639
Speaker 3: And you know, again, it's not about me trying to insult,

1537
01:12:52,720 --> 01:12:55,320
Speaker 3: because it's just saying I don't think a lot of

1538
01:12:55,320 --> 01:12:59,760
Speaker 3: these people see their self in group identity, you know

1539
01:12:59,760 --> 01:13:01,880
Speaker 3: what I'm I'm saying, like, I don't think everybody sees

1540
01:13:01,960 --> 01:13:03,520
Speaker 3: himself in group identity.

1541
01:13:03,600 --> 01:13:05,719
Speaker 4: I think Obama was the president.

1542
01:13:05,800 --> 01:13:10,320
Speaker 3: There's a lot of like personal conquest that's happening, you know,

1543
01:13:10,600 --> 01:13:14,120
Speaker 3: uniqueness in the space versus how you know, I would

1544
01:13:14,120 --> 01:13:16,320
Speaker 3: imagine me and you grew up where we understood the

1545
01:13:16,479 --> 01:13:20,759
Speaker 3: US idea. So he's speaking to him, and he's even saying,

1546
01:13:21,760 --> 01:13:24,679
Speaker 3: you know, he got undertone and overtones talking to him

1547
01:13:24,680 --> 01:13:26,439
Speaker 3: in his face, and he knows some of this stuff

1548
01:13:26,520 --> 01:13:30,040
Speaker 3: is not true, yet he's still kind of allowing him

1549
01:13:30,040 --> 01:13:32,200
Speaker 3: to say it because he doesn't understand. At that point

1550
01:13:32,560 --> 01:13:34,439
Speaker 3: that would be his goal to say, hey, you know what,

1551
01:13:34,520 --> 01:13:37,479
Speaker 3: I have to see us in what's happening. And I

1552
01:13:37,520 --> 01:13:39,839
Speaker 3: don't think he does a good job of seeing us

1553
01:13:40,160 --> 01:13:40,880
Speaker 3: and what's happening.

1554
01:13:40,920 --> 01:13:41,439
Speaker 4: I think act.

1555
01:13:41,520 --> 01:13:44,320
Speaker 3: He's acting what's happening. And I know that offend of

1556
01:13:44,360 --> 01:13:46,920
Speaker 3: him before. But again, I'm not trying to insult him.

1557
01:13:46,920 --> 01:13:49,240
Speaker 3: I'm just saying, that's why you don't kind of get

1558
01:13:49,280 --> 01:13:50,640
Speaker 3: what happened in front of you.

1559
01:13:52,160 --> 01:13:53,920
Speaker 4: Yeah, I mean, I don't think you know.

1560
01:13:54,000 --> 01:13:58,120
Speaker 1: One of my first conversations was like, yo, man, he

1561
01:13:58,240 --> 01:14:01,200
Speaker 1: talking to we're talking about akad me. One of my

1562
01:14:01,240 --> 01:14:04,680
Speaker 1: first conversations about him was he don't got no aunties

1563
01:14:04,760 --> 01:14:07,120
Speaker 1: or brof. I come out on my platform and go

1564
01:14:07,200 --> 01:14:10,320
Speaker 1: off on black women. My mama gonna call me my

1565
01:14:10,439 --> 01:14:14,439
Speaker 1: aunties and cousins, and people gonna call me from my

1566
01:14:14,600 --> 01:14:18,120
Speaker 1: family saying what are you doing? Like what's going on?

1567
01:14:18,280 --> 01:14:21,240
Speaker 1: Like you understand what I'm saying. That's accountability on what

1568
01:14:21,360 --> 01:14:23,920
Speaker 1: I say. So I wondered that about him when I

1569
01:14:23,960 --> 01:14:26,160
Speaker 1: first ran into Summer is Content. I was like, Yo,

1570
01:14:26,240 --> 01:14:30,120
Speaker 1: he talking hard about that girl. Man, if she couldn't

1571
01:14:30,160 --> 01:14:32,240
Speaker 1: beat my family, that's the first thing.

1572
01:14:35,280 --> 01:14:37,160
Speaker 3: And to me, that's what I feel like when we

1573
01:14:37,200 --> 01:14:39,599
Speaker 3: deal with black people, right, when we deal with other

1574
01:14:39,640 --> 01:14:43,160
Speaker 3: black people, even Black people that are not culturally savvy, right,

1575
01:14:43,160 --> 01:14:44,920
Speaker 3: because I know when we say black people, we talking

1576
01:14:44,920 --> 01:14:49,120
Speaker 3: about Black America for a standard, but there's a consistent

1577
01:14:49,160 --> 01:14:52,200
Speaker 3: thing throughout all black people in the world that we

1578
01:14:52,320 --> 01:14:55,920
Speaker 3: understand a level of especially us whyt schu what you

1579
01:14:56,000 --> 01:14:58,240
Speaker 3: say to each other for sure. So I feel like

1580
01:14:58,320 --> 01:15:03,120
Speaker 3: there's a lot of personal, personal things that he hasn't

1581
01:15:03,280 --> 01:15:06,680
Speaker 3: really been exposed to that he should have been exposed to.

1582
01:15:07,200 --> 01:15:08,599
Speaker 4: So I blame it on the game.

1583
01:15:09,200 --> 01:15:12,360
Speaker 3: I blame it on that generation of niggas that allowed

1584
01:15:12,439 --> 01:15:14,599
Speaker 3: him to say what he wanted to say and not

1585
01:15:14,720 --> 01:15:18,160
Speaker 3: be in one fight. Like it goes into different people

1586
01:15:18,439 --> 01:15:21,559
Speaker 3: feel like I can keep talking my way through these

1587
01:15:21,600 --> 01:15:26,280
Speaker 3: things versus literally saying Okay, you gotta show me that

1588
01:15:26,439 --> 01:15:29,880
Speaker 3: you deserve the things you say, that you deserve the

1589
01:15:29,920 --> 01:15:33,080
Speaker 3: ability to disrespect me, Show me why you deserve it.

1590
01:15:33,520 --> 01:15:37,880
Speaker 3: And it's very primitive, it's very fundamental, but it's worked historically.

1591
01:15:38,320 --> 01:15:39,640
Speaker 3: It's worked historically, you.

1592
01:15:39,640 --> 01:15:40,120
Speaker 4: Know what I mean.

1593
01:15:40,160 --> 01:15:43,720
Speaker 3: And again, if act whoop, somebody asked, I don't think

1594
01:15:43,800 --> 01:15:46,800
Speaker 3: we get the same act back anyway. I think he

1595
01:15:47,000 --> 01:15:50,240
Speaker 3: takes hisself differently. I think he takes who he is differently.

1596
01:15:50,280 --> 01:15:52,639
Speaker 3: I think it becomes different if you get his ass whoop.

1597
01:15:53,280 --> 01:15:56,280
Speaker 3: It makes the public understand that here's a consequence for

1598
01:15:56,360 --> 01:15:57,799
Speaker 3: you disrespecting somebody.

1599
01:15:58,439 --> 01:16:02,680
Speaker 4: So again, for something to change, you know, I mean, now,

1600
01:16:02,720 --> 01:16:05,760
Speaker 4: if it don't change, then you know, it is what

1601
01:16:05,800 --> 01:16:06,120
Speaker 4: it is.

1602
01:16:06,160 --> 01:16:12,160
Speaker 3: But historically that physical conversation has impacted people's life before.

1603
01:16:13,240 --> 01:16:16,240
Speaker 1: Yeah, but he basically was telling Aiden Ross to yo,

1604
01:16:16,439 --> 01:16:21,000
Speaker 1: you know, and he was again, yeah, it's like, you know,

1605
01:16:21,040 --> 01:16:23,720
Speaker 1: you're kind of telling him like yo, No, it's the undertone,

1606
01:16:23,840 --> 01:16:26,640
Speaker 1: like you know that that they're viewing it with an undertone.

1607
01:16:26,680 --> 01:16:27,920
Speaker 5: He was trying to tell him.

1608
01:16:28,280 --> 01:16:31,120
Speaker 1: And then they they, I guess, got around to a

1609
01:16:31,160 --> 01:16:33,320
Speaker 1: point where it was like I talked to everybody like this.

1610
01:16:33,479 --> 01:16:35,519
Speaker 1: They must don't know this is just how I speak

1611
01:16:35,560 --> 01:16:37,720
Speaker 1: to everybody.

1612
01:16:37,120 --> 01:16:41,320
Speaker 4: And that's kind of what they Yeah, but but again.

1613
01:16:43,160 --> 01:16:47,000
Speaker 1: Again it and how confusing is that one of the

1614
01:16:47,040 --> 01:16:50,400
Speaker 1: biggest black So if I'm Aiden Ross, I got two

1615
01:16:50,479 --> 01:16:53,320
Speaker 1: black guys that I called who I think, all right,

1616
01:16:53,400 --> 01:16:55,120
Speaker 1: these dudes don't need money from.

1617
01:16:54,960 --> 01:16:57,639
Speaker 5: Me, whether I'm being tricked, food or whatever.

1618
01:16:57,720 --> 01:17:00,120
Speaker 1: They don't need me for nothing in Aiden Ross and

1619
01:17:00,160 --> 01:17:02,000
Speaker 1: he probably thinks Whack probably don't.

1620
01:17:02,040 --> 01:17:02,280
Speaker 4: I can't.

1621
01:17:02,320 --> 01:17:04,880
Speaker 3: I'm gonna call Whack. I'm gonna call Act. Both of

1622
01:17:04,920 --> 01:17:09,680
Speaker 3: these guys are basically it gets confusing for him. You

1623
01:17:09,760 --> 01:17:12,479
Speaker 3: know what I'm saying, like yo, hold on Aki saying, yeah,

1624
01:17:12,520 --> 01:17:13,000
Speaker 3: you get it.

1625
01:17:13,040 --> 01:17:14,840
Speaker 5: Act, you know what I'm talking about.

1626
01:17:15,000 --> 01:17:17,000
Speaker 1: So it's like, you want me to listen to this

1627
01:17:17,080 --> 01:17:20,000
Speaker 1: dude that popped up on the internet or Academics, which

1628
01:17:20,040 --> 01:17:22,240
Speaker 1: is one of the black people who is one of

1629
01:17:22,240 --> 01:17:25,200
Speaker 1: the biggest people in hip hop in his opinion, and

1630
01:17:25,600 --> 01:17:28,040
Speaker 1: a guy that I call my friend, I'm probably gonna

1631
01:17:28,120 --> 01:17:30,120
Speaker 1: listen to when ACT say it ain't a big deal,

1632
01:17:30,200 --> 01:17:31,720
Speaker 1: like they're trying to make it. Man, this shit ain't

1633
01:17:31,760 --> 01:17:34,400
Speaker 1: really a big deal, like they're overreacting.

1634
01:17:35,280 --> 01:17:38,479
Speaker 3: But but again, now that determines, like you know, do

1635
01:17:38,600 --> 01:17:40,400
Speaker 3: you listen to that or do you listen to the

1636
01:17:40,400 --> 01:17:45,639
Speaker 3: streets something we've already seen it make his decision? Well

1637
01:17:45,880 --> 01:17:48,200
Speaker 3: to me, this is well to me, it's decision. I'm

1638
01:17:48,200 --> 01:17:50,439
Speaker 3: gonna listen to the streets, right, because That's why it's

1639
01:17:50,520 --> 01:17:52,639
Speaker 3: like I'm not gonna say nothing loss about it, right

1640
01:17:52,720 --> 01:17:53,639
Speaker 3: even and I'm.

1641
01:17:53,439 --> 01:17:56,599
Speaker 4: Sitting there he was, He was mindful, but I think

1642
01:17:56,640 --> 01:17:57,280
Speaker 4: it kind of.

1643
01:17:57,240 --> 01:18:02,000
Speaker 3: Casts even more horrible life own act, whereas like as

1644
01:18:02,040 --> 01:18:05,960
Speaker 3: a brother is like people already question you again, like

1645
01:18:07,280 --> 01:18:10,960
Speaker 3: these are very private conversations that we should be not

1646
01:18:11,120 --> 01:18:14,200
Speaker 3: having publicly, I believe, like unless I was having it

1647
01:18:14,240 --> 01:18:18,040
Speaker 3: with him, right, because it's like I feel like act

1648
01:18:18,479 --> 01:18:22,519
Speaker 3: and okay, Aiden is a product of years and years

1649
01:18:22,560 --> 01:18:25,400
Speaker 3: of the mistreatment of black people in this country, you

1650
01:18:25,439 --> 01:18:28,120
Speaker 3: know what I mean, And I know how to use

1651
01:18:28,160 --> 01:18:30,600
Speaker 3: that to look superior and look fearless in front of

1652
01:18:30,600 --> 01:18:33,160
Speaker 3: my fan base, Like I don't care. I think AC

1653
01:18:33,479 --> 01:18:37,639
Speaker 3: is thirty something years of doing the things he's doing

1654
01:18:37,680 --> 01:18:43,479
Speaker 3: without ever being held accountable by by other people, if

1655
01:18:43,520 --> 01:18:44,400
Speaker 3: that makes sense, right.

1656
01:18:44,439 --> 01:18:44,960
Speaker 4: So it's like.

1657
01:18:46,560 --> 01:18:49,040
Speaker 3: The fact that AC has existed in this space. He

1658
01:18:49,160 --> 01:18:53,240
Speaker 3: built hisself off of the street urban culture of Chicago, right,

1659
01:18:54,120 --> 01:18:57,960
Speaker 3: he doesn't quite understand to me why he should be

1660
01:18:58,600 --> 01:19:01,799
Speaker 3: obligated to it right, or why he should have a reverence.

1661
01:19:01,840 --> 01:19:03,439
Speaker 4: Well, I mean, he probably doesn't have a reverence. It's

1662
01:19:03,439 --> 01:19:03,800
Speaker 4: not fair.

1663
01:19:04,160 --> 01:19:08,080
Speaker 3: But I think that people should have been already put

1664
01:19:08,120 --> 01:19:10,960
Speaker 3: He should have already had enough fights to earn his

1665
01:19:11,080 --> 01:19:15,800
Speaker 3: place in position when it comes to disrespecting other men.

1666
01:19:16,320 --> 01:19:17,080
Speaker 4: Does that make sense?

1667
01:19:17,080 --> 01:19:19,000
Speaker 1: But see, none of you're saying that. Yeah, none that

1668
01:19:19,040 --> 01:19:21,040
Speaker 1: you're saying that. I'm flushing this out a little bit

1669
01:19:21,080 --> 01:19:24,040
Speaker 1: in my head. If Atka's in a scenario where he

1670
01:19:24,840 --> 01:19:29,479
Speaker 1: has to be held responsible from some of these rap guys,

1671
01:19:29,560 --> 01:19:32,240
Speaker 1: this is him in his later days, This is him

1672
01:19:32,280 --> 01:19:34,559
Speaker 1: in his third quarter of the game.

1673
01:19:35,240 --> 01:19:36,880
Speaker 5: Who should have heard him responsible?

1674
01:19:37,040 --> 01:19:39,840
Speaker 1: What he should have paid for, if anything, was the

1675
01:19:39,880 --> 01:19:44,439
Speaker 1: treatment of Chicago. I think when that was skilled, I

1676
01:19:44,479 --> 01:19:47,760
Speaker 1: think that was the part that he kind of came

1677
01:19:47,840 --> 01:19:50,360
Speaker 1: to his senses. And then the birth of the people

1678
01:19:50,439 --> 01:19:53,320
Speaker 1: like Takashi six' nine and certain things happening in the,

1679
01:19:53,400 --> 01:19:55,320
Speaker 1: game some of those compounded.

1680
01:19:55,360 --> 01:19:57,960
Speaker 5: Things he's, like oh, no this, shit is this?

1681
01:19:58,120 --> 01:20:01,360
Speaker 1: Theater they just talking, agree you, know but but we

1682
01:20:01,439 --> 01:20:04,760
Speaker 1: didn't pay. Anything why would he think he gonna listen

1683
01:20:04,800 --> 01:20:08,000
Speaker 1: to one of these dudes that these rap, dudes that's just.

1684
01:20:08,160 --> 01:20:11,840
Speaker 5: MAN i was Covering chicago and them. Niggas it was.

1685
01:20:11,960 --> 01:20:13,599
Speaker 5: CHEAP i got.

1686
01:20:13,520 --> 01:20:16,839
Speaker 3: Rich fucking with that and making other videos and building

1687
01:20:16,880 --> 01:20:18,360
Speaker 3: my YouTube channels and playing.

1688
01:20:18,400 --> 01:20:20,479
Speaker 5: Games BUT i never paid For.

1689
01:20:20,640 --> 01:20:23,840
Speaker 3: Chicago EVERYTHING i may have, said ANYBODY i may have.

1690
01:20:23,880 --> 01:20:26,200
Speaker 5: Offended there is no tax on these.

1691
01:20:26,240 --> 01:20:29,519
Speaker 1: CONVERSATIONS i think us coming from some of the places

1692
01:20:29,560 --> 01:20:34,280
Speaker 1: we come, from we're telling ourselves that that tax carries.

1693
01:20:34,360 --> 01:20:37,479
Speaker 3: Over i'm just not sure it's carrying. Over we're watching

1694
01:20:37,520 --> 01:20:40,880
Speaker 3: the results of. IT i like that tax. Idea that's fire.

1695
01:20:42,439 --> 01:20:47,479
Speaker 3: Fire but, AGAIN i think that's when you need to

1696
01:20:47,520 --> 01:20:49,920
Speaker 3: talk To. CHICAGO i think we need to be talking

1697
01:20:49,960 --> 01:20:53,000
Speaker 3: to the STREET rb before From, Chicago Vic, menta who

1698
01:20:53,040 --> 01:20:56,000
Speaker 3: had him right, there cut a challenge him to a fight.

1699
01:20:55,920 --> 01:20:58,439
Speaker 4: Different people versus you.

1700
01:20:58,479 --> 01:21:05,320
Speaker 3: Know, AGAIN i think he's the product of being in this.

1701
01:21:05,439 --> 01:21:08,360
Speaker 3: Business for the, LAST i think The warren Side RACK

1702
01:21:08,439 --> 01:21:13,000
Speaker 3: i remember starting seeing in twenty twelve, THIRTEEN i think

1703
01:21:13,000 --> 01:21:15,400
Speaker 3: WHEN i first started seeing his. Content so for the,

1704
01:21:15,520 --> 01:21:19,720
Speaker 3: last you, know thirteen years twelve fourteen to thirteen year

1705
01:21:19,800 --> 01:21:20,519
Speaker 3: thirteen fourteen.

1706
01:21:20,600 --> 01:21:26,120
Speaker 4: Years you have to hold men accountable for.

1707
01:21:26,200 --> 01:21:31,640
Speaker 3: Disrespect you have to hold men accountable for disrespect and

1708
01:21:31,720 --> 01:21:33,280
Speaker 3: the first time that you feel.

1709
01:21:33,040 --> 01:21:35,960
Speaker 5: Like they gotta be. Seen, Man, yeah BUT i just

1710
01:21:35,960 --> 01:21:38,320
Speaker 5: don't know how you. Go you can't go to him

1711
01:21:38,360 --> 01:21:38,840
Speaker 5: because they.

1712
01:21:39,200 --> 01:21:43,400
Speaker 3: Loom they are seeing these, people these people running into these.

1713
01:21:43,439 --> 01:21:46,840
Speaker 3: People he's talking about running into these people and these

1714
01:21:46,840 --> 01:21:47,960
Speaker 3: people not holding him.

1715
01:21:47,960 --> 01:21:52,360
Speaker 4: Accountable he's saying. THIS i heard him, SAYING i don't

1716
01:21:52,400 --> 01:21:55,320
Speaker 4: follow all this, content But i'll see clinch where he

1717
01:21:55,360 --> 01:21:57,839
Speaker 4: talked about he ran into this person and this person

1718
01:21:57,920 --> 01:21:58,760
Speaker 4: didn't do shit.

1719
01:21:59,760 --> 01:22:03,920
Speaker 5: Right and maybe because we just examined, it we don't

1720
01:22:03,920 --> 01:22:06,439
Speaker 5: got to be with. Him were just examining what his.

1721
01:22:06,479 --> 01:22:08,840
Speaker 1: Behavior is and the coaching in the, market and you

1722
01:22:08,840 --> 01:22:10,800
Speaker 1: ain't learning about. That he's ran into a.

1723
01:22:12,479 --> 01:22:15,880
Speaker 4: After he just said some disrespectful ship and no hair got.

1724
01:22:15,920 --> 01:22:20,240
Speaker 3: Cambed he shouldn't even Be people ain't running too. Though

1725
01:22:20,760 --> 01:22:22,080
Speaker 3: But i'm, saying but, AGAIN.

1726
01:22:21,920 --> 01:22:24,519
Speaker 1: I understand THAT i can't say that in, public SO

1727
01:22:24,560 --> 01:22:26,160
Speaker 1: i won't say anything.

1728
01:22:26,640 --> 01:22:29,920
Speaker 3: Else but but the initial problem is the people he ran,

1729
01:22:30,000 --> 01:22:33,880
Speaker 3: into police or. WHOEVER i don't know the first problem

1730
01:22:34,040 --> 01:22:37,280
Speaker 3: because it ain't about nobody talking about harming him or

1731
01:22:37,320 --> 01:22:37,719
Speaker 3: he should.

1732
01:22:37,760 --> 01:22:37,960
Speaker 4: Pack.

1733
01:22:38,240 --> 01:22:39,920
Speaker 3: Bro All i'm saying is you got to show them.

1734
01:22:39,960 --> 01:22:43,400
Speaker 3: Hands you got to show. Them you can't be calling

1735
01:22:43,479 --> 01:22:47,800
Speaker 3: niggas as niggas and come, on, BRO i need to see.

1736
01:22:47,840 --> 01:22:51,120
Speaker 3: HIM i shouldn't. KNOW i should be, like, well you know,

1737
01:22:51,200 --> 01:22:54,960
Speaker 3: What act gonna? Squally he, said he's standing in on

1738
01:22:55,400 --> 01:22:59,599
Speaker 3: the fact that he's running into people and those people

1739
01:22:59,640 --> 01:23:02,880
Speaker 3: are on His they're not holding him accountable when they

1740
01:23:02,960 --> 01:23:03,360
Speaker 3: run into.

1741
01:23:03,400 --> 01:23:04,720
Speaker 4: Him created that.

1742
01:23:04,880 --> 01:23:08,400
Speaker 3: Monster aiden is a product of years and years of

1743
01:23:08,439 --> 01:23:12,200
Speaker 3: systemic oppression and this country looking down at black.

1744
01:23:12,240 --> 01:23:13,120
Speaker 4: People that's what he.

1745
01:23:13,280 --> 01:23:19,080
Speaker 3: Is act is a Few it's thirteen, years fourteen, fifteen thirteen,

1746
01:23:19,200 --> 01:23:22,240
Speaker 3: fourteen fifteen years have been able to talk about street

1747
01:23:22,280 --> 01:23:25,720
Speaker 3: shit and then insult street people and not have to

1748
01:23:25,760 --> 01:23:30,640
Speaker 3: get in one fight even though he's running into. Him,

1749
01:23:30,760 --> 01:23:32,840
Speaker 3: because for, Sure, loun the one thing that made us

1750
01:23:32,880 --> 01:23:35,280
Speaker 3: talk the way we talk is the punches we gave

1751
01:23:35,320 --> 01:23:36,760
Speaker 3: in the mouth and the punches we took in the.

1752
01:23:36,800 --> 01:23:41,200
Speaker 5: Mouth god On god, again it's not. Cheap there's a

1753
01:23:41,320 --> 01:23:41,840
Speaker 5: tax on this.

1754
01:23:41,920 --> 01:23:44,720
Speaker 1: Shit but you, know for, ME i look at the

1755
01:23:44,760 --> 01:23:49,840
Speaker 1: two man And i'm, wondering if academics is this in your?

1756
01:23:49,880 --> 01:23:53,799
Speaker 1: Eyes what's what do you Call adam in no jumper?

1757
01:23:54,960 --> 01:23:59,240
Speaker 3: Again Adam adam is it's gonna say if we're gonna Because,

1758
01:23:59,600 --> 01:24:02,320
Speaker 3: OKAY i, mean so here's here's the, collective, right we're

1759
01:24:02,320 --> 01:24:05,800
Speaker 3: talking about people that are not hip hop that make their.

1760
01:24:05,840 --> 01:24:11,200
Speaker 3: Business i'm, fair adamscovered street shit ten times more than.

1761
01:24:11,280 --> 01:24:12,800
Speaker 5: Academics BUT i don't have no.

1762
01:24:12,960 --> 01:24:15,719
Speaker 3: PROBLEM i don't have a problem with people covering street.

1763
01:24:15,760 --> 01:24:19,960
Speaker 3: Shit if if if the streets feel like they want

1764
01:24:19,960 --> 01:24:23,960
Speaker 3: to get into, information feel, me then that's. Show that's

1765
01:24:23,960 --> 01:24:25,760
Speaker 3: your you, know that's your that's your.

1766
01:24:25,800 --> 01:24:26,280
Speaker 4: Decision.

1767
01:24:27,040 --> 01:24:32,439
Speaker 3: Disrespect i'm standing completely on. Disrespect that's. IT i CAN'T

1768
01:24:32,960 --> 01:24:36,639
Speaker 3: i can't. ARGUE i, mean the things that make gangs

1769
01:24:36,680 --> 01:24:39,240
Speaker 3: work is a desire to matter and, relevant to be.

1770
01:24:39,360 --> 01:24:41,680
Speaker 3: Heard that's that's the driving force of the streets in,

1771
01:24:41,720 --> 01:24:45,439
Speaker 3: general opportunity when there is, None when When america hasn't

1772
01:24:45,439 --> 01:24:47,920
Speaker 3: carved out an opportunity for, you the streets to give

1773
01:24:47,960 --> 01:24:50,400
Speaker 3: you an opportunity to be. Something don't let me. Wrong

1774
01:24:50,439 --> 01:24:52,960
Speaker 3: the interest rate is, high you, know the tax on

1775
01:24:53,000 --> 01:24:55,360
Speaker 3: that ship is. High you can you fuck around and

1776
01:24:55,360 --> 01:25:00,320
Speaker 3: throw everything. Away but When america hasn't created a world for,

1777
01:25:00,400 --> 01:25:03,880
Speaker 3: you the streets. Do SO i get why they are

1778
01:25:03,920 --> 01:25:06,120
Speaker 3: so in love with this thing we call the. CULTURE

1779
01:25:06,680 --> 01:25:09,360
Speaker 3: i get why all of those guys are in love

1780
01:25:09,400 --> 01:25:12,120
Speaker 3: with this. SHIT i, mean it is modern day, Cowboys

1781
01:25:12,479 --> 01:25:16,000
Speaker 3: it's modern day mob. Moth it's everything.

1782
01:25:15,520 --> 01:25:16,240
Speaker 4: That you heard but.

1783
01:25:16,520 --> 01:25:20,479
Speaker 3: Accessible and here are the, Cowboys Here's billy The, kid

1784
01:25:20,600 --> 01:25:24,519
Speaker 3: here is you, know all of these, people Here's Doc,

1785
01:25:24,560 --> 01:25:27,479
Speaker 3: holliday here's all these. People you feel me right here

1786
01:25:27,479 --> 01:25:31,280
Speaker 3: in the. Flesh SO i get there. Intrigue but, again

1787
01:25:31,400 --> 01:25:34,519
Speaker 3: it's up to us to determine are they paying us.

1788
01:25:34,640 --> 01:25:38,240
Speaker 3: Enough it all go back to us undervaluing this thing

1789
01:25:38,320 --> 01:25:41,360
Speaker 3: we call street urban. Culture if we valued it, correctly

1790
01:25:41,800 --> 01:25:42,960
Speaker 3: they probably couldn't afford.

1791
01:25:43,000 --> 01:25:47,680
Speaker 4: It but again, sure but, again if you sell it for,

1792
01:25:47,800 --> 01:25:50,160
Speaker 4: cheap what comes cheap is.

1793
01:25:50,280 --> 01:25:53,040
Speaker 3: Disrespect like and here we are back to. Disrespect so

1794
01:25:54,160 --> 01:25:57,080
Speaker 3: people have to be informing them on the. Content AND

1795
01:25:57,120 --> 01:25:59,400
Speaker 3: i know why they. ARE i know why they're trying

1796
01:25:59,479 --> 01:26:01,880
Speaker 3: to change their. Life, remember we use all this to

1797
01:26:01,960 --> 01:26:04,479
Speaker 3: change our. Lives we're trying to change our, Lives so

1798
01:26:04,520 --> 01:26:07,680
Speaker 3: we use these outlets and. Platforms, RIGHT a lot of

1799
01:26:07,720 --> 01:26:11,160
Speaker 3: people look at them as the only. Way i've heard

1800
01:26:11,200 --> 01:26:12,800
Speaker 3: people say, that And i'll be, like what to? ME

1801
01:26:12,960 --> 01:26:16,880
Speaker 3: i never thought. That i've always understood the value of

1802
01:26:17,160 --> 01:26:20,519
Speaker 3: Los Angeles street urban culture out on your. FOLKS i always,

1803
01:26:20,560 --> 01:26:23,040
Speaker 3: did AND i always made sure you couldn't buy. It

1804
01:26:23,320 --> 01:26:24,800
Speaker 3: and if you want to be in a business with,

1805
01:26:24,800 --> 01:26:28,639
Speaker 3: it it's gonna cost you top. Dollar everybody else ain't

1806
01:26:28,680 --> 01:26:32,840
Speaker 3: holding to that. Standard you, know we don't know the,

1807
01:26:32,960 --> 01:26:36,439
Speaker 3: value so it's next to. Us imagine having a yard

1808
01:26:36,479 --> 01:26:39,360
Speaker 3: full of you, know. Cows you, know how much do

1809
01:26:39,400 --> 01:26:42,240
Speaker 3: you really valuate? Oxtail you know WHAT i? Mean you

1810
01:26:42,240 --> 01:26:44,600
Speaker 3: can get our stills whenever you want. To SO i

1811
01:26:44,640 --> 01:26:47,160
Speaker 3: feel like we don't value this street urban, culture so

1812
01:26:47,200 --> 01:26:49,000
Speaker 3: we so fast to barter it for.

1813
01:26:49,200 --> 01:26:53,679
Speaker 4: Looks and they. Understand they are in love with this. Shit,

1814
01:26:54,360 --> 01:26:55,600
Speaker 4: oh they are in love with.

1815
01:26:55,680 --> 01:26:57,559
Speaker 3: It they want to talk like, Us they want to

1816
01:26:57,600 --> 01:27:00,400
Speaker 3: be like, Us they want to use the. Lingo always

1817
01:27:00,439 --> 01:27:03,160
Speaker 3: say where would they be without? Us where would they?

1818
01:27:03,160 --> 01:27:05,320
Speaker 3: Be who would want to listen to them talk About

1819
01:27:05,400 --> 01:27:09,960
Speaker 3: Taylor swift or you know Or olivia shout out to

1820
01:27:10,000 --> 01:27:11,000
Speaker 3: a homegirl Or.

1821
01:27:11,479 --> 01:27:14,120
Speaker 4: Adele nobody want to hear their opinion on. THEM i,

1822
01:27:14,120 --> 01:27:15,040
Speaker 4: mean they don't fit that.

1823
01:27:15,160 --> 01:27:20,439
Speaker 3: Demo so, again until we understand the, VALUE i can't

1824
01:27:20,439 --> 01:27:22,320
Speaker 3: get mad at somebody else saying, like, Look i'll buy

1825
01:27:22,360 --> 01:27:24,280
Speaker 3: it if you sell it to me for that's like

1826
01:27:24,320 --> 01:27:27,840
Speaker 3: me being mad at. Somebody if you're setting the if

1827
01:27:27,880 --> 01:27:31,599
Speaker 3: you allow them to set the value of what you represent,

1828
01:27:31,680 --> 01:27:34,559
Speaker 3: culturally what you're connected, to and you allow them to

1829
01:27:34,640 --> 01:27:37,040
Speaker 3: set it, cheap, man that's on.

1830
01:27:37,120 --> 01:27:40,120
Speaker 4: YOU i can't argue with. YOU i just ain't fucking with. It,

1831
01:27:41,080 --> 01:27:43,000
Speaker 4: now don't go up there and let them disrespect.

1832
01:27:43,040 --> 01:27:45,200
Speaker 3: You don't go none of these places and let none

1833
01:27:45,200 --> 01:27:48,640
Speaker 3: of these motherfuckers disrespect. You don't let them disrespect this

1834
01:27:49,920 --> 01:27:52,720
Speaker 3: feel me and to, me that's WHERE i think hip

1835
01:27:52,800 --> 01:27:55,960
Speaker 3: hop and street are and. Cultured the actual inspiration for

1836
01:27:56,120 --> 01:27:57,720
Speaker 3: the art kind of gets it.

1837
01:27:57,760 --> 01:27:59,680
Speaker 4: Wrong we sell it.

1838
01:27:59,760 --> 01:28:03,000
Speaker 3: Cheat they are in the business of, buying and they

1839
01:28:03,120 --> 01:28:05,559
Speaker 3: sell it top. Dollar they buy it for us from

1840
01:28:05,720 --> 01:28:07,840
Speaker 3: they buy it from us for ten, dollars to sell it.

1841
01:28:07,720 --> 01:28:08,360
Speaker 4: For one thousand.

1842
01:28:08,400 --> 01:28:12,080
Speaker 3: Dollars and then we act like like niggas is trying

1843
01:28:12,080 --> 01:28:13,040
Speaker 3: to convince me that they got.

1844
01:28:13,080 --> 01:28:15,639
Speaker 4: Cloud i'm, like, Nigga, no they, Don't, Nigga i'm the. Cloud.

1845
01:28:15,840 --> 01:28:16,960
Speaker 4: Nigga we could walk.

1846
01:28:17,000 --> 01:28:20,560
Speaker 3: Outside let's go stand out in any ghetto Around. America

1847
01:28:20,680 --> 01:28:22,040
Speaker 3: let's go to the, mall.

1848
01:28:23,560 --> 01:28:24,000
Speaker 4: Let's go.

1849
01:28:24,120 --> 01:28:28,639
Speaker 3: Anywhere let's see what it has to look like in real. Life,

1850
01:28:28,800 --> 01:28:30,640
Speaker 3: RIGHT i don't care if it's a famous one or.

1851
01:28:30,720 --> 01:28:34,760
Speaker 3: Not then people that tear you, apart you know What i'm.

1852
01:28:34,800 --> 01:28:38,519
Speaker 3: Saying so real cloud is. Respect, see they didn't try

1853
01:28:38,560 --> 01:28:40,719
Speaker 3: to make, Clout they didn't try to Make cloud cheap

1854
01:28:40,880 --> 01:28:41,680
Speaker 3: or it's money or its.

1855
01:28:41,760 --> 01:28:47,200
Speaker 4: Popularity it leads with. Respect people don't respect niggas like.

1856
01:28:47,240 --> 01:28:48,280
Speaker 4: You niggas can't.

1857
01:28:48,080 --> 01:28:51,120
Speaker 3: Walk outside and do. THIS i, mean and that's why

1858
01:28:51,160 --> 01:28:53,719
Speaker 3: they respect. Us but then.

1859
01:28:53,800 --> 01:28:57,240
Speaker 4: They meet us and then we start doing boo fast shit.

1860
01:28:57,120 --> 01:28:59,320
Speaker 3: And they be, like, man them niggas ain't nothing LIKE i.

1861
01:28:59,439 --> 01:29:02,680
Speaker 3: Thought that's what they be. Feeling they be, like, MAN

1862
01:29:02,720 --> 01:29:04,760
Speaker 3: i can say this and not nothing. Happened Man, a

1863
01:29:04,800 --> 01:29:08,160
Speaker 3: niggas supposed to slap the skin off your. Face you

1864
01:29:08,160 --> 01:29:10,639
Speaker 3: know What i'm saying, fast because guess, What, loud that's

1865
01:29:10,680 --> 01:29:12,240
Speaker 3: what we would do in the.

1866
01:29:12,280 --> 01:29:15,400
Speaker 4: COMMUNITY a nigga call you a bitch ass. NIGGA i

1867
01:29:15,400 --> 01:29:18,519
Speaker 4: couldn't imagine a nigga And philly calling me a bitch.

1868
01:29:18,600 --> 01:29:20,680
Speaker 3: As that's a fight for, Sure, nigga we got to.

1869
01:29:20,680 --> 01:29:23,160
Speaker 3: Fight i'm the FUCK i win to. Lose so it's

1870
01:29:23,200 --> 01:29:25,360
Speaker 3: not JUST i get. It i'm not saying he's in his,

1871
01:29:25,439 --> 01:29:28,040
Speaker 3: face but the same type of. Challenge shit be puppic

1872
01:29:28,080 --> 01:29:31,640
Speaker 3: and we need to. Fight AND i just don't believe actors, like,

1873
01:29:31,640 --> 01:29:32,600
Speaker 3: well you know, WHAT i don't want to.

1874
01:29:32,600 --> 01:29:32,960
Speaker 4: FIGHT i.

1875
01:29:32,960 --> 01:29:35,720
Speaker 3: DON'T i don't think that in his, mind he's, like

1876
01:29:36,600 --> 01:29:39,080
Speaker 3: MAYBE i. Can why would he not start thinking he's.

1877
01:29:39,120 --> 01:29:41,880
Speaker 3: Confident he been saying all this shit running in the.

1878
01:29:41,960 --> 01:29:44,720
Speaker 3: Niggas niggas is fucking with, Him niggas is hanging with.

1879
01:29:44,800 --> 01:29:45,720
Speaker 3: Him niggas is all.

1880
01:29:45,760 --> 01:29:48,639
Speaker 4: This and know why one, person, man nigga ain't got

1881
01:29:48,680 --> 01:29:51,840
Speaker 4: one black. Eye he ain't had to give one black eye,

1882
01:29:51,880 --> 01:29:54,000
Speaker 4: loan he ain't had to get at least have to give.

1883
01:29:54,080 --> 01:29:55,320
Speaker 4: One he's supposed to be.

1884
01:29:55,400 --> 01:29:58,559
Speaker 3: Like it's BECAUSE i think if he wins a, fight

1885
01:29:58,600 --> 01:30:00,360
Speaker 3: he's not finna come out and be talking. Shit he

1886
01:30:00,400 --> 01:30:03,559
Speaker 3: gonna be, like oh, shit he gonna feel the same

1887
01:30:03,640 --> 01:30:06,040
Speaker 3: pressure that we feel if you get the punching on somebody.

1888
01:30:06,520 --> 01:30:10,559
Speaker 1: Exactly so then you understand that he couch. Something it's

1889
01:30:10,640 --> 01:30:13,080
Speaker 1: just couch. Something AM i prepared to go through this

1890
01:30:13,320 --> 01:30:14,320
Speaker 1: every single.

1891
01:30:14,040 --> 01:30:19,280
Speaker 3: Time in the, news like there's a real trade.

1892
01:30:19,360 --> 01:30:21,000
Speaker 5: Off you understand What i'm.

1893
01:30:21,000 --> 01:30:23,439
Speaker 1: Saying but it's just been our upside for a lot

1894
01:30:23,479 --> 01:30:26,960
Speaker 1: of these content, guys and, Listen i'm in content, now

1895
01:30:27,040 --> 01:30:28,800
Speaker 1: so you KNOW i live in the, space but not

1896
01:30:28,880 --> 01:30:29,120
Speaker 1: in that.

1897
01:30:29,200 --> 01:30:30,240
Speaker 5: Way, LIKE i just.

1898
01:30:30,400 --> 01:30:30,960
Speaker 4: Refuse to.

1899
01:30:33,640 --> 01:30:36,320
Speaker 3: You not running around calling niggas a bunch of bitch

1900
01:30:36,320 --> 01:30:39,600
Speaker 3: ass niggas because we come from a world where that

1901
01:30:39,760 --> 01:30:43,280
Speaker 3: shit Means i'm be ready to fight. You so at that,

1902
01:30:43,320 --> 01:30:45,240
Speaker 3: point let me just skip that and just fight. You,

1903
01:30:45,520 --> 01:30:47,040
Speaker 3: hey we need to get, down BECAUSE i don't like.

1904
01:30:47,120 --> 01:30:51,920
Speaker 3: This SO i think those guys are guys that are

1905
01:30:51,960 --> 01:30:54,400
Speaker 3: in love with this thing we call street urban, culture

1906
01:30:54,479 --> 01:30:56,160
Speaker 3: AND i mean not just the. Art they are in

1907
01:30:56,160 --> 01:31:01,280
Speaker 3: love with the, inspiration, right so they how CAN i

1908
01:31:01,320 --> 01:31:06,000
Speaker 3: get in the business of Niggas and it's like niggas

1909
01:31:06,040 --> 01:31:07,120
Speaker 3: is selling it for five.

1910
01:31:07,160 --> 01:31:11,400
Speaker 4: Dollars they, like, Okay i'll buy a hundred of.

1911
01:31:11,400 --> 01:31:15,000
Speaker 3: Them i'll take a, hundred and they take it back

1912
01:31:15,040 --> 01:31:18,160
Speaker 3: to Mainstream america and sell them bitches for five thousand.

1913
01:31:18,240 --> 01:31:20,840
Speaker 3: Apiece and then we mad because they start to feel

1914
01:31:20,880 --> 01:31:23,640
Speaker 3: the power of. It we make it so accessible and

1915
01:31:23,720 --> 01:31:27,360
Speaker 3: cheap they get the journey around niggas community, like AND

1916
01:31:27,400 --> 01:31:31,559
Speaker 3: i remember kind OF i made that mistake, before And i'm, LIKE.

1917
01:31:32,320 --> 01:31:34,680
Speaker 4: I should let The homas robbed that, nigga feel me

1918
01:31:34,760 --> 01:31:37,040
Speaker 4: BECAUSE i need to fulfill your.

1919
01:31:37,160 --> 01:31:43,360
Speaker 3: DREAMS i need to feel your expectations for real have

1920
01:31:43,479 --> 01:31:43,800
Speaker 3: been to.

1921
01:31:43,840 --> 01:31:45,560
Speaker 4: You we need to because.

1922
01:31:45,720 --> 01:31:48,920
Speaker 3: You have expectations of, us and we should rise to set.

1923
01:31:49,040 --> 01:31:52,439
Speaker 3: Expectations and every time we, don't they feel, Like, oh

1924
01:31:52,520 --> 01:31:55,439
Speaker 3: our world's is the. Same, no it's. NOT i don't

1925
01:31:55,520 --> 01:31:58,320
Speaker 3: know why these people are letting you think that our

1926
01:31:58,360 --> 01:32:01,519
Speaker 3: world's little cousin is the. Same it's. Not all world's

1927
01:32:01,600 --> 01:32:04,280
Speaker 3: not the, same feel, Me but it's because we become

1928
01:32:04,360 --> 01:32:07,679
Speaker 3: representative of our. World even in the pursuit of trying

1929
01:32:07,720 --> 01:32:10,479
Speaker 3: to change our, life we still become.

1930
01:32:10,520 --> 01:32:11,760
Speaker 4: Representative so we need to.

1931
01:32:11,800 --> 01:32:14,479
Speaker 3: Care that's one Thing i'm thankful for my Old Onmie

1932
01:32:14,479 --> 01:32:17,280
Speaker 3: Plucked Shady moon because they, Like, hey take The Seventh

1933
01:32:17,280 --> 01:32:20,200
Speaker 3: street shit wherever you. Go do not leave that shit.

1934
01:32:20,240 --> 01:32:24,920
Speaker 3: Here don't let none of these niggas play, around show

1935
01:32:24,960 --> 01:32:27,720
Speaker 3: them real, fat fuck that moneyfuck all. That this is

1936
01:32:27,760 --> 01:32:29,880
Speaker 3: gonna get you all the way there with the level

1937
01:32:29,920 --> 01:32:30,640
Speaker 3: of respect that you.

1938
01:32:30,760 --> 01:32:31,800
Speaker 4: Need SO.

1939
01:32:33,280 --> 01:32:36,440
Speaker 3: I feel like when our representatives get into those, spaces

1940
01:32:36,560 --> 01:32:40,120
Speaker 3: they try to leave the morals, behind and then people

1941
01:32:40,200 --> 01:32:43,320
Speaker 3: see you and expect you to be that it's. Expected

1942
01:32:43,800 --> 01:32:47,800
Speaker 3: so when you disappoint. Them they treat you like they are.

1943
01:32:47,880 --> 01:32:50,840
Speaker 3: Disappointed that's where them bitch ass niggas come. From i'm

1944
01:32:50,840 --> 01:32:53,479
Speaker 3: a rise to that. Expectation you can't you can't call

1945
01:32:53,479 --> 01:32:54,960
Speaker 3: me no bitch ass. Nigga, bro you call me a

1946
01:32:54,960 --> 01:32:57,439
Speaker 3: bitch ass. Nigga, yeah like, homie like you can't dispect

1947
01:32:57,479 --> 01:32:59,439
Speaker 3: no black lady in my, face, nigga all.

1948
01:32:59,560 --> 01:33:01,240
Speaker 4: Costs i'm gonna show you.

1949
01:33:01,280 --> 01:33:04,640
Speaker 3: Real fast Cuz i'm not rocking with that right there for,

1950
01:33:04,840 --> 01:33:07,320
Speaker 3: me that right there you, doing that's. Crazy and if

1951
01:33:07,320 --> 01:33:09,599
Speaker 3: it was my, sister me and act would have to get.

1952
01:33:09,600 --> 01:33:09,800
Speaker 4: Down.

1953
01:33:10,360 --> 01:33:12,880
Speaker 3: Nigga you calling all these bitches and hordes and all that.

1954
01:33:12,960 --> 01:33:15,120
Speaker 3: Nigga IF i act my brother, Nigga i'm not finish

1955
01:33:15,160 --> 01:33:17,439
Speaker 3: say it to you and like if you, didn't pupla

1956
01:33:17,479 --> 01:33:18,120
Speaker 3: he cuz.

1957
01:33:17,920 --> 01:33:19,160
Speaker 4: We need to see each. Other we need to get.

1958
01:33:19,160 --> 01:33:21,360
Speaker 3: Down you gonna have to tell everybody because Then i'm

1959
01:33:21,360 --> 01:33:23,720
Speaker 3: a back. Door i'm Calling Charlotmagny tell CAUSE i want

1960
01:33:23,720 --> 01:33:26,200
Speaker 3: to get. Down i'm tell CAUSE i need to get.

1961
01:33:26,240 --> 01:33:28,120
Speaker 3: Out tell A, cus tell CAUSE i need to Get

1962
01:33:28,120 --> 01:33:29,840
Speaker 3: we need to get. Down you gotta show WHAT i

1963
01:33:29,960 --> 01:33:31,960
Speaker 3: was telling, you, man like they were acting like it

1964
01:33:32,080 --> 01:33:34,519
Speaker 3: was a problem Like charlemagne and my. Brother, man IF

1965
01:33:34,560 --> 01:33:36,880
Speaker 3: i had a, PROBLEM i will call. Him get due to.

1966
01:33:36,880 --> 01:33:38,519
Speaker 4: The area because we need to.

1967
01:33:38,560 --> 01:33:41,160
Speaker 3: Travel tell that nigga because he don't want he don't

1968
01:33:41,200 --> 01:33:42,080
Speaker 3: want death com.

1969
01:33:42,080 --> 01:33:44,920
Speaker 5: Three so just just give me.

1970
01:33:44,840 --> 01:33:47,920
Speaker 3: My fair one because you disrespecting my. People So i'm

1971
01:33:47,960 --> 01:33:51,000
Speaker 3: not saying this shit be over your opinion on, music but,

1972
01:33:51,160 --> 01:33:54,760
Speaker 3: man this ship is going past music even with that,

1973
01:33:54,840 --> 01:33:58,679
Speaker 3: man cause this is straight out verbal. Lynchings when he's

1974
01:33:58,720 --> 01:34:01,880
Speaker 3: doing this verbal lynchit at doing. It it's verbal. Bullying it's, like,

1975
01:34:02,400 --> 01:34:05,760
Speaker 3: bro somebody's supposed to stand. Up, hey stop stop doing.

1976
01:34:05,800 --> 01:34:09,479
Speaker 3: That hey, hey you need to squabble Me AND i

1977
01:34:09,600 --> 01:34:12,720
Speaker 3: just think that getting this money do not absolve you

1978
01:34:12,760 --> 01:34:15,720
Speaker 3: from being a. Man like you can't solve everything through

1979
01:34:15,760 --> 01:34:17,240
Speaker 3: a couple of dollars and all it's gonna.

1980
01:34:17,240 --> 01:34:18,240
Speaker 4: Be, no, no, no.

1981
01:34:18,400 --> 01:34:21,439
Speaker 3: Keep your hands fresh because you you may need. Him

1982
01:34:21,439 --> 01:34:23,760
Speaker 3: i'm not saying you got to go, yo put a

1983
01:34:23,840 --> 01:34:25,920
Speaker 3: hit out on this. Man fight this. Nigga what the

1984
01:34:25,920 --> 01:34:27,840
Speaker 3: fuck is wrong with? Y'all even called you a bitch ass,

1985
01:34:27,880 --> 01:34:30,880
Speaker 3: nigga show make him show you you a bitch ass.

1986
01:34:30,920 --> 01:34:31,920
Speaker 4: Nigga at least.

1987
01:34:33,240 --> 01:34:36,200
Speaker 1: That's crazy BECAUSE i believe, that you, know old school

1988
01:34:36,280 --> 01:34:38,800
Speaker 1: culture calls for, that you, KNOW i think it was

1989
01:34:38,880 --> 01:34:43,920
Speaker 1: interesting the way that the way that academics tried to

1990
01:34:43,960 --> 01:34:46,960
Speaker 1: explain that. Aiden but even on top of, that him

1991
01:34:47,000 --> 01:34:50,040
Speaker 1: And Joe budden kind of took two different sides in

1992
01:34:50,200 --> 01:34:53,040
Speaker 1: what you know your stance was on The dochi. Thing

1993
01:34:53,080 --> 01:34:56,000
Speaker 1: it's Like Joe budden is riding with what you're, saying

1994
01:34:56,400 --> 01:34:58,840
Speaker 1: but in the past he's been critical Of. DOTIE i

1995
01:34:58,880 --> 01:35:02,440
Speaker 1: think what has happened is they've all kind of contributed

1996
01:35:03,000 --> 01:35:06,639
Speaker 1: to this bot, narrative to this narrative that she's been

1997
01:35:06,760 --> 01:35:07,920
Speaker 1: placed in industry.

1998
01:35:07,960 --> 01:35:08,280
Speaker 5: Planet.

1999
01:35:08,640 --> 01:35:11,160
Speaker 3: See my thing, IS i don't even care about. THAT

2000
01:35:12,439 --> 01:35:16,559
Speaker 3: i think that's just you creating. Content if you can't

2001
01:35:16,560 --> 01:35:20,640
Speaker 3: see that lady ability to do, that if you should do,

2002
01:35:20,720 --> 01:35:23,160
Speaker 3: That if you can't see that lady, talented and you

2003
01:35:23,200 --> 01:35:25,360
Speaker 3: can't hear these songs and see this lady got some,

2004
01:35:25,439 --> 01:35:28,800
Speaker 3: shit that's that's, good that's your. Fault i'm not finna

2005
01:35:28,840 --> 01:35:31,160
Speaker 3: get into all. THAT i don't you, know your ability

2006
01:35:31,240 --> 01:35:33,200
Speaker 3: to judge talent must be. Questioned if you can't see

2007
01:35:33,200 --> 01:35:36,760
Speaker 3: this lady got like a genuine she's a genuine, talent that's, real,

2008
01:35:37,320 --> 01:35:39,120
Speaker 3: right it's not like, this it's.

2009
01:35:39,160 --> 01:35:41,040
Speaker 5: TALENT i think it's placement that they were.

2010
01:35:41,160 --> 01:35:44,080
Speaker 1: Questioning they were saying she was just in too many

2011
01:35:44,120 --> 01:35:46,880
Speaker 1: different places at one. Time and the reason bringing that, up,

2012
01:35:46,960 --> 01:35:52,760
Speaker 1: yeah it's because The bot conversation leads to people disrespecting

2013
01:35:52,840 --> 01:35:58,320
Speaker 1: her who also lived in That bot, conversation you know

2014
01:35:58,479 --> 01:36:00,479
Speaker 1: area over there where they it. Was there's a bunch

2015
01:36:00,479 --> 01:36:02,840
Speaker 1: of them that was running with that. Narrative that's why

2016
01:36:02,840 --> 01:36:05,720
Speaker 1: she addressed it on the. Song Why Aiden ross took

2017
01:36:05,720 --> 01:36:08,320
Speaker 1: it like she was directly speaking to. Him you, know

2018
01:36:08,439 --> 01:36:11,160
Speaker 1: it's a lot of them people that was running with that, narrative,

2019
01:36:11,720 --> 01:36:14,200
Speaker 1: Right and So i'm just saying THAT i think it

2020
01:36:14,320 --> 01:36:18,040
Speaker 1: led to some, disrespect you, know all of all of that.

2021
01:36:18,200 --> 01:36:21,120
Speaker 1: Together but what do you feel About how do you

2022
01:36:21,160 --> 01:36:25,080
Speaker 1: feel about the way That joe took your side in

2023
01:36:25,160 --> 01:36:26,080
Speaker 1: That docy?

2024
01:36:26,200 --> 01:36:29,360
Speaker 5: Thing he kind of rolled with. You i'm run with glasses.

2025
01:36:28,960 --> 01:36:31,120
Speaker 4: On, that honestly DOING i didn't even see.

2026
01:36:31,880 --> 01:36:32,920
Speaker 5: For, real you've been tied.

2027
01:36:33,000 --> 01:36:34,519
Speaker 4: UP i, mean it's not that.

2028
01:36:34,640 --> 01:36:38,400
Speaker 3: Dog it's gonna sound fucked up long BECAUSE i really

2029
01:36:38,439 --> 01:36:41,040
Speaker 3: believe in us for, Sure.

2030
01:36:42,880 --> 01:36:45,599
Speaker 4: So i'm Only I'm joe Is don't get me, Wrong

2031
01:36:45,640 --> 01:36:45,960
Speaker 4: joe is a.

2032
01:36:46,000 --> 01:36:48,559
Speaker 3: Nigga that's that's Been i've been Doing joe SINCE i

2033
01:36:48,640 --> 01:36:49,200
Speaker 3: started my.

2034
01:36:49,320 --> 01:36:52,840
Speaker 4: Career, yeah you know WHAT i, Mean so i'd expect.

2035
01:36:52,880 --> 01:36:56,679
Speaker 3: HIM i think he Knows i'm a reasonable man if nothing,

2036
01:36:56,720 --> 01:36:59,920
Speaker 3: else you know WHAT i. Mean and he still is,

2037
01:37:00,080 --> 01:37:02,360
Speaker 3: black SO i would imagine he like that's not.

2038
01:37:02,520 --> 01:37:04,120
Speaker 4: Right but, AGAIN i.

2039
01:37:04,080 --> 01:37:07,400
Speaker 3: Don't think having to believe that something is a bot

2040
01:37:07,680 --> 01:37:10,920
Speaker 3: means that you call somebody a, bitch, Right, like it's

2041
01:37:10,960 --> 01:37:11,599
Speaker 3: one thing.

2042
01:37:11,439 --> 01:37:14,120
Speaker 4: If you don't. Believe and of course they're gonna place

2043
01:37:14,160 --> 01:37:14,719
Speaker 4: here Every.

2044
01:37:14,600 --> 01:37:18,000
Speaker 3: This motherfucker could dance and, sing and it's what fucking

2045
01:37:18,080 --> 01:37:22,320
Speaker 3: like an all five star talent, entertainer like right, Now i'm, Young.

2046
01:37:22,240 --> 01:37:23,360
Speaker 4: Like look at her.

2047
01:37:23,400 --> 01:37:26,639
Speaker 3: Performance she's a fucking Amazing Like i'm not even Into

2048
01:37:26,800 --> 01:37:28,200
Speaker 3: LIKE i don't like people.

2049
01:37:27,960 --> 01:37:28,559
Speaker 4: Act LIKE i know.

2050
01:37:28,640 --> 01:37:31,519
Speaker 3: HER i don't know her for. Me, yeah the HOMIT

2051
01:37:31,600 --> 01:37:33,760
Speaker 3: tv is my, boys BUT i don't know. Her Like

2052
01:37:33,800 --> 01:37:35,840
Speaker 3: i'm doing my own, Thing i'm my own. World But

2053
01:37:36,520 --> 01:37:40,759
Speaker 3: i'm not bothered by bad takes on you not understanding

2054
01:37:40,760 --> 01:37:44,840
Speaker 3: why they would place real talent into entertainment, fronts that's your,

2055
01:37:44,960 --> 01:37:48,760
Speaker 3: choice the bitch part of, it the horror part of,

2056
01:37:48,800 --> 01:37:49,040
Speaker 3: it the.

2057
01:37:49,080 --> 01:37:51,000
Speaker 4: Slept part of it THAT i don't care about black.

2058
01:37:51,040 --> 01:37:55,160
Speaker 3: People part of, It, yeah you doing too, much like

2059
01:37:55,240 --> 01:38:01,320
Speaker 3: that's out of, line that's. Problem sopec him to rad

2060
01:38:01,439 --> 01:38:04,840
Speaker 3: with that just because of how he came up.

2061
01:38:06,880 --> 01:38:08,000
Speaker 4: From Jersey. City he.

2062
01:38:08,200 --> 01:38:10,840
Speaker 3: BLACK i didn't been on tour that nigga. Black if nothing,

2063
01:38:10,840 --> 01:38:13,680
Speaker 3: else that nigga black for, sure you know WHAT i?

2064
01:38:13,680 --> 01:38:13,800
Speaker 6: Mean.

2065
01:38:13,880 --> 01:38:18,840
Speaker 3: Joe the first TIME i Met, Joe joe was dissing

2066
01:38:18,920 --> 01:38:22,439
Speaker 3: me about my song With akon and we was gonna

2067
01:38:22,520 --> 01:38:25,679
Speaker 3: kick the ship out Of joe And royce de five nine.

2068
01:38:25,439 --> 01:38:26,320
Speaker 4: Introduced us on the.

2069
01:38:26,360 --> 01:38:29,800
Speaker 3: Phone that's all, wet and my mom was gonna kick

2070
01:38:29,880 --> 01:38:30,560
Speaker 3: the ship out Of.

2071
01:38:30,640 --> 01:38:32,320
Speaker 4: Joe you know WHAT i, Mean joe is a Fucking

2072
01:38:33,000 --> 01:38:34,479
Speaker 4: joe was like A you.

2073
01:38:34,479 --> 01:38:36,679
Speaker 3: Know the problem with niggas when they be really dope

2074
01:38:36,840 --> 01:38:39,680
Speaker 3: is they don't give a fuck if you. Okay they

2075
01:38:39,760 --> 01:38:41,960
Speaker 3: like nigga everybody's. Whack they not as good as. Me

2076
01:38:42,479 --> 01:38:45,280
Speaker 3: and that's HOW i first Met. Joe royce introduced us

2077
01:38:45,360 --> 01:38:48,160
Speaker 3: over the phone and he was like, man. Gee and

2078
01:38:48,200 --> 01:38:51,000
Speaker 3: then we was on tour together AND i really got

2079
01:38:51,000 --> 01:38:54,120
Speaker 3: a chance to bond with him and really start to

2080
01:38:54,200 --> 01:38:57,080
Speaker 3: understand who he was and and really could respect him,

2081
01:38:57,120 --> 01:38:59,240
Speaker 3: more not just as a, rapper but see where his

2082
01:38:59,280 --> 01:39:02,120
Speaker 3: stands was at a man and start to see kind

2083
01:39:02,120 --> 01:39:04,720
Speaker 3: of what makes him. Tick but that's also ALL i

2084
01:39:04,760 --> 01:39:06,560
Speaker 3: need to understand that he's a black, man you know

2085
01:39:06,560 --> 01:39:07,639
Speaker 3: WHAT i, Mean he's still a black.

2086
01:39:07,680 --> 01:39:11,559
Speaker 1: Man, YEAH i, mean, yeah you, know, yeah, yeah you're.

2087
01:39:11,600 --> 01:39:16,200
Speaker 1: Right what about do you take an offense? Too because

2088
01:39:16,360 --> 01:39:18,519
Speaker 1: you don't want. TO i wanted to talk to somebody

2089
01:39:18,560 --> 01:39:21,639
Speaker 1: from The, west reputable from The west about this Because

2090
01:39:21,680 --> 01:39:26,919
Speaker 1: kendrick kind of leaned into the culture as it pertains

2091
01:39:26,920 --> 01:39:30,719
Speaker 1: to The drake. Battle, sure do you think That drake

2092
01:39:30,920 --> 01:39:32,920
Speaker 1: using THE n word is offensive at?

2093
01:39:32,960 --> 01:39:38,040
Speaker 4: All that's a.

2094
01:39:37,960 --> 01:39:45,840
Speaker 3: Tricky, question right because it's, like, no, NO i think

2095
01:39:45,920 --> 01:39:49,599
Speaker 3: it is. Cringey it just always sounds a bit.

2096
01:39:49,680 --> 01:39:52,960
Speaker 5: Weird you, know you make it sound.

2097
01:39:53,000 --> 01:39:57,439
Speaker 3: Weird, yeah, yeah, yeah it sounds a bit. Weird but

2098
01:39:57,560 --> 01:39:59,000
Speaker 3: he's still a black, man you know WHAT i. Mean

2099
01:39:59,040 --> 01:40:02,000
Speaker 3: but it do, LIKE i don't know if you really

2100
01:40:02,040 --> 01:40:05,040
Speaker 3: talk like, that you know What i'm, Saying, like and

2101
01:40:05,080 --> 01:40:08,080
Speaker 3: it comes across that when it's, different because because then

2102
01:40:08,120 --> 01:40:11,559
Speaker 3: it becomes, performative like right to, me it's like hip

2103
01:40:11,560 --> 01:40:13,680
Speaker 3: hop is an extension of, self not a you know

2104
01:40:13,840 --> 01:40:16,519
Speaker 3: extension of, us so you, know at times it could

2105
01:40:16,520 --> 01:40:19,720
Speaker 3: be a bit, performative but Now i'm not really then

2106
01:40:19,800 --> 01:40:22,320
Speaker 3: word was always. CRINGEY i don't remember hearing him use

2107
01:40:22,360 --> 01:40:25,040
Speaker 3: it so in real, life so you feel me, LIKE

2108
01:40:25,160 --> 01:40:26,160
Speaker 3: i don't quite know.

2109
01:40:26,880 --> 01:40:28,479
Speaker 5: THAT i didn't think about.

2110
01:40:28,520 --> 01:40:32,120
Speaker 1: THAT i think that's an interesting way to look at, that,

2111
01:40:32,320 --> 01:40:34,759
Speaker 1: right if you don't use it in your everyday, language

2112
01:40:34,760 --> 01:40:38,679
Speaker 1: but using in music that's intentionally using it in, music

2113
01:40:38,760 --> 01:40:43,040
Speaker 1: which you know What i'm saying is, performative that's. INTERESTING

2114
01:40:43,120 --> 01:40:45,920
Speaker 1: i didn't think about that, definitely AND i think.

2115
01:40:45,880 --> 01:40:49,559
Speaker 3: It comes across that way, historically SO i think that's

2116
01:40:49,680 --> 01:40:50,040
Speaker 3: kind of.

2117
01:40:50,840 --> 01:40:55,920
Speaker 4: Where but Again I'm i'm so proud.

2118
01:40:55,600 --> 01:40:59,840
Speaker 3: Of kendrick BECAUSE i am a huge advocate obviously loan

2119
01:40:59,880 --> 01:41:02,760
Speaker 3: of all of our street urban. CULTURES i think it's

2120
01:41:02,800 --> 01:41:07,040
Speaker 3: our gold. MINDS i think it's our gold mines in our, communities.

2121
01:41:07,120 --> 01:41:08,120
Speaker 4: RIGHT i think it's.

2122
01:41:07,920 --> 01:41:10,519
Speaker 3: Truly whether it don't matter where you're, At if there's

2123
01:41:10,520 --> 01:41:14,080
Speaker 3: a street urban cultural feel me movement and a, renaissance

2124
01:41:14,080 --> 01:41:16,759
Speaker 3: there's things that are happening. There that's our true gold.

2125
01:41:16,800 --> 01:41:19,680
Speaker 3: Minds when you come from our, ghettos, right we all

2126
01:41:19,720 --> 01:41:23,800
Speaker 3: can access. Them so when he taps into. That it's

2127
01:41:23,920 --> 01:41:26,920
Speaker 3: always the greatest versions of. Him, LIKE i think he

2128
01:41:27,000 --> 01:41:29,639
Speaker 3: does a great job of being an outstanding black man

2129
01:41:29,680 --> 01:41:31,800
Speaker 3: when he makes. ART i think he always wants to

2130
01:41:31,840 --> 01:41:34,760
Speaker 3: represent his highest. SELF i think he tells he does

2131
01:41:34,760 --> 01:41:37,920
Speaker 3: a great job of connecting to every black person In

2132
01:41:37,960 --> 01:41:42,960
Speaker 3: america and Explaining blackness In america to everybody.

2133
01:41:42,960 --> 01:41:44,439
Speaker 4: Else BUT i.

2134
01:41:44,360 --> 01:41:47,919
Speaker 3: Love when he turns into a flat Out compton, nigga

2135
01:41:47,960 --> 01:41:48,920
Speaker 3: because that's.

2136
01:41:48,680 --> 01:41:51,960
Speaker 4: The version of him THAT i. KNOW i, know the

2137
01:41:52,040 --> 01:41:53,000
Speaker 4: outstanding black.

2138
01:41:53,040 --> 01:41:57,040
Speaker 3: Man yeah, yeah, yeah that's but he at heart is

2139
01:41:57,120 --> 01:42:01,120
Speaker 3: really a Little. Compton you feelish when he turns into.

2140
01:42:01,160 --> 01:42:07,160
Speaker 3: That it's my favorite. Version it's so So Huey, Newton MALCOLM.

2141
01:42:07,360 --> 01:42:09,720
Speaker 3: X it's so like you know WHAT i. Mean it's, like,

2142
01:42:10,280 --> 01:42:13,920
Speaker 3: ah you know WHAT i. Mean And i'm. Glad you,

2143
01:42:13,960 --> 01:42:16,920
Speaker 3: know even with all his, success he was able to channel.

2144
01:42:16,960 --> 01:42:18,680
Speaker 4: It he never removed.

2145
01:42:18,800 --> 01:42:22,559
Speaker 3: Himself even through all his journeys of developing who he

2146
01:42:22,800 --> 01:42:25,080
Speaker 3: was and you, know who he wanted to, be he

2147
01:42:25,200 --> 01:42:29,679
Speaker 3: understood why it was important to remain A compton. Nigga

2148
01:42:30,320 --> 01:42:32,559
Speaker 3: and that's WHAT i was most proud of in that,

2149
01:42:32,640 --> 01:42:35,840
Speaker 3: Battle and that's what hip hop is all. About being

2150
01:42:35,960 --> 01:42:39,760
Speaker 3: A memphis, nigga An atlanta, NIGGA A bronx, nigga Or

2151
01:42:40,439 --> 01:42:43,639
Speaker 3: quan's nigga Or chicago. Nigga it's, like you know how

2152
01:42:43,720 --> 01:42:49,000
Speaker 3: we do, it even explain, intellectually it's still that because

2153
01:42:49,080 --> 01:42:52,679
Speaker 3: again it's, underrated is the intellect of the ghetto period.

2154
01:42:53,320 --> 01:42:57,680
Speaker 3: Facts so that's WHAT i applauded the. Most and you

2155
01:42:57,800 --> 01:43:01,000
Speaker 3: got to really see. Why you, Know homie wasn't hip?

2156
01:43:01,040 --> 01:43:05,439
Speaker 3: Hop you got to that isn't hip hop To, no

2157
01:43:05,479 --> 01:43:07,800
Speaker 3: not at. ALL i think he's a pop artist that

2158
01:43:08,240 --> 01:43:09,439
Speaker 3: makes great rap.

2159
01:43:09,520 --> 01:43:14,880
Speaker 4: SONGS i think his approach is. POP i think he's always.

2160
01:43:14,240 --> 01:43:17,360
Speaker 5: Is the only facet in hip, hop that's the only.

2161
01:43:18,000 --> 01:43:19,880
Speaker 4: Sid if you don't dance the way the streets dancing

2162
01:43:19,880 --> 01:43:20,280
Speaker 4: ain't hip.

2163
01:43:20,280 --> 01:43:22,000
Speaker 3: Hop if you don't talk the way the streets talking

2164
01:43:22,000 --> 01:43:25,080
Speaker 3: at hip, hop if you DON'T dj the way streets, dj.

2165
01:43:24,800 --> 01:43:26,320
Speaker 5: It ain't hi hip.

2166
01:43:26,320 --> 01:43:29,880
Speaker 3: Hop kanye wouldn't be hip, hop, WELL i, think and

2167
01:43:29,960 --> 01:43:32,439
Speaker 3: Tyl Lib kuali wouldn't be hip. HOP i, MEAN i

2168
01:43:32,479 --> 01:43:35,360
Speaker 3: Think COmON talks about street life In chicago all the,

2169
01:43:35,400 --> 01:43:38,000
Speaker 3: time like the, corner different, Ideas LIKE i think he's

2170
01:43:38,040 --> 01:43:40,680
Speaker 3: always been. Street Ty lib has always been, STREET i

2171
01:43:40,680 --> 01:43:41,880
Speaker 3: don't think the streets is.

2172
01:43:41,840 --> 01:43:45,559
Speaker 4: Just like the proverbial d boy or you, know gang.

2173
01:43:45,640 --> 01:43:48,680
Speaker 3: Member the streets has always been this composite makeup of

2174
01:43:48,760 --> 01:43:51,679
Speaker 3: different brothers who come up in the ghetto and they

2175
01:43:51,760 --> 01:43:54,000
Speaker 3: understand the lingo and they talk to talk and they

2176
01:43:54,040 --> 01:43:56,599
Speaker 3: walk the walk and you can't call him a bitch

2177
01:43:56,600 --> 01:43:57,800
Speaker 3: ass nigga is gonna come with a?

2178
01:43:57,840 --> 01:43:58,760
Speaker 4: FIGHT i don't.

2179
01:43:59,120 --> 01:44:02,439
Speaker 3: Listen common seems like a nigga that's gonna fight. You

2180
01:44:04,000 --> 01:44:05,040
Speaker 3: i'm not gonna lie to.

2181
01:44:05,280 --> 01:44:06,200
Speaker 4: Live crazy.

2182
01:44:06,240 --> 01:44:08,639
Speaker 3: Ass seemed like a nigga that's gonna fight. You nothing

2183
01:44:08,680 --> 01:44:11,200
Speaker 3: about them Says i'm not going to fight. YOU i

2184
01:44:11,200 --> 01:44:13,280
Speaker 3: don't give a fuck about none of that intellect. Shit

2185
01:44:13,400 --> 01:44:17,040
Speaker 3: same for most Death sang F andre three, Thousand same

2186
01:44:17,160 --> 01:44:19,960
Speaker 3: for Ce, Loo same for any of these niggas that

2187
01:44:20,040 --> 01:44:23,519
Speaker 3: you think got a level OF iq that's. Outstanding none of.

2188
01:44:23,560 --> 01:44:25,759
Speaker 3: THEM i think you calling them no bitch ass nigga

2189
01:44:25,880 --> 01:44:27,960
Speaker 3: not expecting no. FIGHT i don't think they're gonna turn

2190
01:44:28,000 --> 01:44:30,519
Speaker 3: the other. CHEEK i don't think they're gonna intellectually try

2191
01:44:30,520 --> 01:44:31,400
Speaker 3: to figure out a way out of.

2192
01:44:31,439 --> 01:44:32,719
Speaker 4: It you're gonna be in a fucking.

2193
01:44:32,760 --> 01:44:35,679
Speaker 3: FIGHT i don't give a fuck if it was a black,

2194
01:44:35,720 --> 01:44:40,880
Speaker 3: thought you finna. Fight so you Think drake wouldn't. FIGHT

2195
01:44:41,560 --> 01:44:46,439
Speaker 3: i Think drake wasn't raised that, way wasn't raised to defend.

2196
01:44:46,520 --> 01:44:49,920
Speaker 3: HIMSELF i Think drake was raised to report to the

2197
01:44:49,960 --> 01:44:52,400
Speaker 3: proper authorities what. HAPPENED i think he was to tell

2198
01:44:52,439 --> 01:44:54,880
Speaker 3: the teacher and the, Principal, hey this person did.

2199
01:44:54,880 --> 01:44:58,840
Speaker 4: This you know What i'm. SAYING i don't think that's.

2200
01:44:58,960 --> 01:45:01,040
Speaker 4: BAD i think that's fuck, man.

2201
01:45:01,120 --> 01:45:03,320
Speaker 3: Y'all and then now the niggas gonna because of me

2202
01:45:03,360 --> 01:45:07,200
Speaker 3: out for the next eighteen weeks on Fucking twitter off

2203
01:45:07,200 --> 01:45:11,840
Speaker 3: of some shit that Really i'm not attempting to be, offensive,

2204
01:45:12,000 --> 01:45:13,320
Speaker 3: Like i'm just saying it's.

2205
01:45:13,479 --> 01:45:15,759
Speaker 4: Different that's not a lot.

2206
01:45:15,600 --> 01:45:17,800
Speaker 3: Of people are taught to go tell the principle when something,

2207
01:45:17,840 --> 01:45:21,439
Speaker 3: happens you know WHAT i. Mean we TAUGHT i don't

2208
01:45:21,439 --> 01:45:24,360
Speaker 3: give a, fuck you better fight that. Motherfucker, yeah you

2209
01:45:24,400 --> 01:45:27,599
Speaker 3: know WHAT i. Mean SO i don't think that's what you.

2210
01:45:27,600 --> 01:45:30,360
Speaker 3: Know moms was Telling, cuz, like you, know you need

2211
01:45:30,400 --> 01:45:31,840
Speaker 3: to go fight. Him he's, like, no you need to

2212
01:45:31,840 --> 01:45:33,040
Speaker 3: tell the proper. Authorities you.

2213
01:45:33,040 --> 01:45:35,679
Speaker 4: Know, yeah you know WHAT i. Mean you get ribbed

2214
01:45:35,760 --> 01:45:38,360
Speaker 4: for your, chain call the proper, authorities you, know WHAT i.

2215
01:45:38,400 --> 01:45:39,360
Speaker 4: Mean AND i don't think that's.

2216
01:45:39,400 --> 01:45:42,599
Speaker 3: BAD i think that's normally how humans handle.

2217
01:45:42,680 --> 01:45:43,680
Speaker 4: Things but that's.

2218
01:45:43,439 --> 01:45:48,000
Speaker 3: Also what makes us culturally special to offer the. World

2219
01:45:48,040 --> 01:45:51,559
Speaker 3: we represent that one percent or that that outlawed, mindset

2220
01:45:51,600 --> 01:45:53,439
Speaker 3: you know WHAT i, mean that whole, like now we're

2221
01:45:53,439 --> 01:45:55,280
Speaker 3: gonna take justice into our own.

2222
01:45:55,360 --> 01:45:58,080
Speaker 4: Hands you know WHAT i? Mean right is, Right wrong is?

2223
01:45:58,120 --> 01:45:59,200
Speaker 4: Wrong fuck what the law.

2224
01:45:59,320 --> 01:46:04,040
Speaker 3: Says so, YEAH i feel like genuinely that's where the

2225
01:46:04,120 --> 01:46:08,240
Speaker 3: separation happens at and when you channel that if you

2226
01:46:08,840 --> 01:46:13,640
Speaker 3: drake hip hop, THOUGH i, mean, WELL i. DON'T i

2227
01:46:13,640 --> 01:46:16,240
Speaker 3: don't think he grew up in In toronto street urban

2228
01:46:16,240 --> 01:46:19,840
Speaker 3: culture at. ALL i don't think he grew up in that.

2229
01:46:20,000 --> 01:46:23,880
Speaker 3: CULTURE i don't know how did he grow?

2230
01:46:23,960 --> 01:46:26,439
Speaker 5: Up that's. INTERESTING i. DIDN'T i. DIDN'T i don't. Know

2231
01:46:26,640 --> 01:46:28,160
Speaker 5: he talks about going.

2232
01:46:28,080 --> 01:46:31,400
Speaker 3: To jewish schools and having bar mitzvahs and living in

2233
01:46:31,439 --> 01:46:33,720
Speaker 3: this community and and you, know being a part of

2234
01:46:33,760 --> 01:46:35,040
Speaker 3: a television show as a.

2235
01:46:35,120 --> 01:46:35,720
Speaker 4: Kid you know WHAT i.

2236
01:46:35,720 --> 01:46:39,120
Speaker 3: MEAN i think he grew up like MOST i, mean

2237
01:46:40,400 --> 01:46:43,680
Speaker 3: that's the pretty Standard american existence except In, canada you

2238
01:46:43,720 --> 01:46:43,920
Speaker 3: know WHAT i.

2239
01:46:43,920 --> 01:46:46,600
Speaker 4: MEAN i think it's JUST i think he grew up

2240
01:46:46,680 --> 01:46:50,240
Speaker 4: like regular. People grow, up you know WHAT i.

2241
01:46:50,280 --> 01:46:51,960
Speaker 3: MEAN i think he grew up like regular people grew.

2242
01:46:52,040 --> 01:46:54,679
Speaker 3: Up BUT i think there's a con people are conflating

2243
01:46:54,720 --> 01:46:56,960
Speaker 3: that that doesn't make him. Black his father is black From.

2244
01:46:56,960 --> 01:46:59,559
Speaker 3: Tennessee he's, BLACK i, mean BUT i think when it

2245
01:46:59,560 --> 01:47:02,720
Speaker 3: comes to sreet urban, culture that's a different, bag and

2246
01:47:02,760 --> 01:47:06,439
Speaker 3: that's truly where hip hop becomes its own entity in

2247
01:47:06,600 --> 01:47:12,559
Speaker 3: its own kind of you, know, Universe let's talk about

2248
01:47:12,600 --> 01:47:15,519
Speaker 3: The game And. Kendrick how do you feel about their

2249
01:47:15,520 --> 01:47:18,800
Speaker 3: interactions in? Public it feels like that there's some.

2250
01:47:19,080 --> 01:47:22,840
Speaker 1: Undertones in the same way When aiden spoke if there

2251
01:47:22,880 --> 01:47:25,439
Speaker 1: was an, undertone it feels like there's an undertone with

2252
01:47:26,439 --> 01:47:27,400
Speaker 1: A game And.

2253
01:47:27,560 --> 01:47:33,680
Speaker 3: Kendrick game Think game is not accepting that nobody is

2254
01:47:33,760 --> 01:47:36,320
Speaker 3: better a better rapper than, him even though he did

2255
01:47:36,320 --> 01:47:38,120
Speaker 3: a list and he Put kendrick over him on the.

2256
01:47:38,200 --> 01:47:41,960
Speaker 3: List but you, know one thing is being honest with

2257
01:47:42,040 --> 01:47:44,680
Speaker 3: your take of what somebody's accomplishing career. Is another thing

2258
01:47:44,760 --> 01:47:50,120
Speaker 3: was SAYING i think somebody could outrap. ME i think

2259
01:47:50,160 --> 01:47:52,639
Speaker 3: that that is a little bit more complex because there's

2260
01:47:52,680 --> 01:47:56,360
Speaker 3: a real dynamic that, matters and then there's the version

2261
01:47:56,400 --> 01:48:00,439
Speaker 3: that's being marketed and spoken of to create conversations around.

2262
01:48:00,560 --> 01:48:03,559
Speaker 4: Names BUT i don't.

2263
01:48:03,320 --> 01:48:05,439
Speaker 3: Think Game jane ain't fit to tell You JAY z

2264
01:48:05,520 --> 01:48:08,599
Speaker 3: rap better than. HIM i for to tell you That

2265
01:48:08,760 --> 01:48:10,519
Speaker 3: Jack game rap better than. Me there was a TIME

2266
01:48:10,560 --> 01:48:13,080
Speaker 3: i used to think, so SO i THINK i don't,

2267
01:48:13,080 --> 01:48:15,240
Speaker 3: REALLY i really don't pay that ship no mind BECAUSE

2268
01:48:15,240 --> 01:48:18,120
Speaker 3: i don't buy, it, RIGHT i don't buy.

2269
01:48:18,160 --> 01:48:18,880
Speaker 4: IT i kind of just.

2270
01:48:18,960 --> 01:48:21,400
Speaker 5: Laugh you did you used to compete With Game.

2271
01:48:21,880 --> 01:48:23,680
Speaker 3: NO i was signed To Black Wall. Street, WELL i

2272
01:48:23,760 --> 01:48:25,599
Speaker 3: was a part of that unit WHEN i first, started

2273
01:48:26,240 --> 01:48:29,880
Speaker 3: so he was kind of the. Centerpiece AND i definitely

2274
01:48:29,920 --> 01:48:32,040
Speaker 3: didn't THINK i was nearly as good as he.

2275
01:48:32,000 --> 01:48:32,360
Speaker 4: Was when we.

2276
01:48:32,400 --> 01:48:35,400
Speaker 3: Started he was like he was able To he was

2277
01:48:35,479 --> 01:48:37,920
Speaker 3: like something, special you know WHAT i. Mean but, now,

2278
01:48:38,200 --> 01:48:40,679
Speaker 3: YEAH i tear the. SHIP i tear his life.

2279
01:48:40,479 --> 01:48:41,120
Speaker 4: Out you know WHAT i?

2280
01:48:41,160 --> 01:48:43,080
Speaker 3: Mean, like you know WHAT i, MEAN i ain't going

2281
01:48:43,200 --> 01:48:44,800
Speaker 3: for none of that. Shit we talk about it right.

2282
01:48:44,840 --> 01:48:46,840
Speaker 4: Now we talked shit like, yeah, nigga you, Not i'll

2283
01:48:46,840 --> 01:48:49,240
Speaker 4: wrap me that shit over, with you know WHAT i? Mean,

2284
01:48:49,320 --> 01:48:51,439
Speaker 4: so but, nah nah.

2285
01:48:51,520 --> 01:48:55,760
Speaker 3: Nah chuck is one of those people where he's accomplished so.

2286
01:48:55,880 --> 01:48:57,200
Speaker 4: Much he put The west.

2287
01:48:57,000 --> 01:48:59,000
Speaker 3: On his back at the time when we didn't have anybody,

2288
01:48:59,000 --> 01:49:03,200
Speaker 3: else and all of us respected him for, that every

2289
01:49:03,240 --> 01:49:04,960
Speaker 3: last one of, us you know WHAT i, mean especially

2290
01:49:05,040 --> 01:49:07,280
Speaker 3: our generation and your culture that.

2291
01:49:07,360 --> 01:49:11,679
Speaker 5: You, say don't leave. Him same with told you he took.

2292
01:49:11,520 --> 01:49:14,200
Speaker 3: That motherfucker on the road with, him took it cross,

2293
01:49:14,280 --> 01:49:17,760
Speaker 3: country around the, world around the world for shit, show

2294
01:49:18,880 --> 01:49:19,280
Speaker 3: around the.

2295
01:49:19,280 --> 01:49:20,880
Speaker 5: World was you around with the gu not?

2296
01:49:20,960 --> 01:49:23,679
Speaker 4: Shit, No so that's when we kind of actually.

2297
01:49:24,000 --> 01:49:28,000
Speaker 3: Separated like that's WHEN i got my first record deal

2298
01:49:28,400 --> 01:49:32,320
Speaker 3: and it was outside Of Black Wall, Street but, nah kind.

2299
01:49:32,320 --> 01:49:34,639
Speaker 3: OF i caught the first. TAPE i had a song

2300
01:49:34,720 --> 01:49:36,559
Speaker 3: on the first, tape AND i Remember chuck asking, Me,

2301
01:49:36,960 --> 01:49:38,720
Speaker 3: man you want to disunit. Too i'm, like, NIGGA i

2302
01:49:38,760 --> 01:49:41,439
Speaker 3: don't even know. Them IF i did, Them, nigga my

2303
01:49:41,479 --> 01:49:43,400
Speaker 3: homi's really a beat shooting at, them AND i don't

2304
01:49:43,400 --> 01:49:46,360
Speaker 3: think they did nothing to be in no situation with.

2305
01:49:46,439 --> 01:49:48,639
Speaker 3: Me so, nah you, KNOW i don't know what's going, on,

2306
01:49:48,720 --> 01:49:50,280
Speaker 3: bro you know WHAT i. MEAN i didn't even know

2307
01:49:50,320 --> 01:49:52,479
Speaker 3: what at that. TIME i didn't really know what it

2308
01:49:52,600 --> 01:49:56,080
Speaker 3: was even about to just you, Know i'm Not i'm

2309
01:49:56,080 --> 01:49:58,080
Speaker 3: not that type of performative artist to get on the

2310
01:49:58,120 --> 01:50:00,040
Speaker 3: song and just start chitting on. SOMEBODY i don't, no

2311
01:50:01,000 --> 01:50:03,240
Speaker 3: just because it's too close to the streets for.

2312
01:50:03,320 --> 01:50:07,160
Speaker 1: Me, Right, YEAH i think it was interesting because he

2313
01:50:07,200 --> 01:50:09,720
Speaker 1: took a he took a mean stands back, there like

2314
01:50:10,120 --> 01:50:12,800
Speaker 1: and you've seen all them la niggas activate with. Him

2315
01:50:12,800 --> 01:50:15,720
Speaker 1: it just it looked crazy because we felt like G

2316
01:50:15,920 --> 01:50:19,000
Speaker 1: union couldn't be messed with back, Then like it felt

2317
01:50:19,000 --> 01:50:22,280
Speaker 1: like G union was unstoppable for. Us he pop up

2318
01:50:22,280 --> 01:50:25,000
Speaker 1: with the gu not. Shit and that's What i'm saying about.

2319
01:50:25,120 --> 01:50:30,280
Speaker 1: Today when you fast forward to, today it starts from

2320
01:50:30,320 --> 01:50:32,599
Speaker 1: all of that kind of shit they grew up. Watching

2321
01:50:32,760 --> 01:50:35,040
Speaker 1: certain people grew up watching all this kind of shit.

2322
01:50:35,160 --> 01:50:38,559
Speaker 1: Happen and she. Didn't nothing happen the. Game she didn't

2323
01:50:38,560 --> 01:50:41,840
Speaker 1: nothing happen to this person did not And pa got. Shot,

2324
01:50:42,680 --> 01:50:45,519
Speaker 1: yeah But i'm saying we know that because you know

2325
01:50:45,640 --> 01:50:47,600
Speaker 1: that because you tied in and you out there on

2326
01:50:47,640 --> 01:50:50,320
Speaker 1: The west. Coast But i'm saying this the casual onlooker

2327
01:50:50,680 --> 01:50:53,240
Speaker 1: they look at, game he still appears to be. Successful

2328
01:50:53,280 --> 01:50:56,240
Speaker 1: for this. Successful they hugged it out at some. Points

2329
01:50:56,560 --> 01:50:58,720
Speaker 1: ain't never out they hug it.

2330
01:50:58,760 --> 01:51:01,400
Speaker 4: Out, NO i thought.

2331
01:51:01,160 --> 01:51:06,839
Speaker 3: They hugged, Me hell, no hell, NO i mean, listen

2332
01:51:07,880 --> 01:51:13,000
Speaker 3: they didn't hug you out, no that shit will never be. Cool, Fifth,

2333
01:51:13,200 --> 01:51:17,200
Speaker 3: no they'll never be. Cool got Hit, yeah, no peanut

2334
01:51:17,280 --> 01:51:19,160
Speaker 3: got shot In New, York like you know WHAT i,

2335
01:51:19,200 --> 01:51:20,120
Speaker 3: Mean they'll never be.

2336
01:51:20,200 --> 01:51:22,240
Speaker 4: Cool BUT i, mean.

2337
01:51:27,320 --> 01:51:29,800
Speaker 3: The thing About chuck that makes him different is you're

2338
01:51:29,840 --> 01:51:32,840
Speaker 3: going to see him Right and as long as you're

2339
01:51:32,880 --> 01:51:35,120
Speaker 3: willing to walk outside and be, that that's what gives

2340
01:51:35,160 --> 01:51:35,320
Speaker 3: you the.

2341
01:51:35,360 --> 01:51:38,800
Speaker 4: Cloud the cloud is when you're actually willing to.

2342
01:51:38,720 --> 01:51:41,439
Speaker 3: Be accountable for the things you, said when you were

2343
01:51:41,479 --> 01:51:44,559
Speaker 3: able to put yourself in, position you, KNOW i, mean,

2344
01:51:44,640 --> 01:51:47,040
Speaker 3: yeah you got whatever people call that internet cloud where

2345
01:51:47,080 --> 01:51:50,400
Speaker 3: y'all following somebody talking, Crazy but are they gonna put

2346
01:51:50,439 --> 01:51:52,160
Speaker 3: themselves in front of the people they talking?

2347
01:51:52,240 --> 01:51:55,439
Speaker 4: To and that's where you're gonna separate the boys from the.

2348
01:51:55,479 --> 01:51:57,880
Speaker 3: Men the man is WHATEVER i said to any nigga

2349
01:51:57,880 --> 01:51:59,519
Speaker 3: THAT i ever said it about, Man i'm gonna talk

2350
01:51:59,560 --> 01:52:01,320
Speaker 3: to the ass and they facing whatever they want to

2351
01:52:01,360 --> 01:52:03,600
Speaker 3: do about, it we could do about. It that's what

2352
01:52:03,720 --> 01:52:07,559
Speaker 3: separate me and from. Boys i'm not gonna sit here

2353
01:52:07,600 --> 01:52:09,360
Speaker 3: talk about nobody THAT i wouldn't say it to their,

2354
01:52:09,439 --> 01:52:11,360
Speaker 3: face And i'm trying to say it to their face.

2355
01:52:11,400 --> 01:52:13,240
Speaker 4: Anyway you.

2356
01:52:13,240 --> 01:52:17,160
Speaker 3: Know some somehow y'all just got privy to. It all

2357
01:52:17,160 --> 01:52:18,240
Speaker 3: other people got privy to.

2358
01:52:18,280 --> 01:52:22,400
Speaker 4: It SO i don't. KNOW i don't think that's really

2359
01:52:22,439 --> 01:52:22,720
Speaker 4: what it.

2360
01:52:22,760 --> 01:52:25,000
Speaker 3: IS i, think LIKE i, said even in them, SITUATIONS

2361
01:52:25,000 --> 01:52:27,240
Speaker 3: i think it goes into them people not ever being

2362
01:52:27,240 --> 01:52:28,680
Speaker 3: held accountable even when it was.

2363
01:52:28,720 --> 01:52:31,599
Speaker 5: Time, yeah but you don't think it's.

2364
01:52:31,640 --> 01:52:33,960
Speaker 1: That but but so you saying to me that WHEN

2365
01:52:34,000 --> 01:52:36,320
Speaker 1: i look back at the push game head back then

2366
01:52:36,360 --> 01:52:39,840
Speaker 1: with the when THE g unit shit fell, off would

2367
01:52:39,880 --> 01:52:41,880
Speaker 1: you would have made that? Move what's that a wise?

2368
01:52:42,000 --> 01:52:45,240
Speaker 1: Move or would you would have stayed? Down OR i

2369
01:52:45,280 --> 01:52:50,720
Speaker 1: MEAN i would Get SO i have my opinion of what.

2370
01:52:50,880 --> 01:52:53,880
Speaker 1: HAPPENED i wish they didn't fall. Out i'll tell you that.

2371
01:52:53,960 --> 01:52:55,240
Speaker 4: MUCH i.

2372
01:52:55,280 --> 01:52:58,559
Speaker 3: THINK i THINK i think the pure streets would have

2373
01:52:58,560 --> 01:53:00,920
Speaker 3: been in a better position if that movement stayed. TOGETHER

2374
01:53:02,200 --> 01:53:06,400
Speaker 3: i think THAT i think the most concentrated versions of

2375
01:53:06,439 --> 01:53:08,640
Speaker 3: street life would have benefited better in hip hop if

2376
01:53:08,680 --> 01:53:09,439
Speaker 3: that movement stayed.

2377
01:53:09,479 --> 01:53:13,360
Speaker 4: Together but you, KNOW.

2378
01:53:13,400 --> 01:53:16,439
Speaker 3: I i THINK i know what, happened But i've never

2379
01:53:16,880 --> 01:53:20,840
Speaker 3: talked To game Of fifth to quite validate everything THAT

2380
01:53:20,960 --> 01:53:24,320
Speaker 3: i know about it to say. That but SO i

2381
01:53:24,360 --> 01:53:27,920
Speaker 3: wish it would have stayed. TOGETHER i think everybody would

2382
01:53:27,920 --> 01:53:30,040
Speaker 3: have benefited more if it stayed. TOGETHER i think hip

2383
01:53:30,040 --> 01:53:33,120
Speaker 3: hop would have benefited more if it stayed. TOGETHER i

2384
01:53:33,160 --> 01:53:35,360
Speaker 3: Think dre would have been happier if it stayed. TOGETHER

2385
01:53:35,439 --> 01:53:37,240
Speaker 3: i think m would have been. Happier you know WHAT i.

2386
01:53:37,240 --> 01:53:43,439
Speaker 3: Mean but you know, Shit so it's life for.

2387
01:53:43,520 --> 01:53:48,479
Speaker 1: Sure when you hear about bad business with cash, money

2388
01:53:48,520 --> 01:53:49,880
Speaker 1: what was your experience over?

2389
01:53:49,920 --> 01:53:52,680
Speaker 4: There fantastic business.

2390
01:53:53,360 --> 01:53:53,880
Speaker 5: Stories a.

2391
01:53:53,880 --> 01:53:57,559
Speaker 3: LOT i think it's important to highlight to. You i'm

2392
01:53:57,560 --> 01:54:01,000
Speaker 3: gonna say this About. Stunnerman Stunner man is one of

2393
01:54:01,040 --> 01:54:04,240
Speaker 3: the greatest PEOPLE i ever met in the. Business one

2394
01:54:04,320 --> 01:54:09,800
Speaker 3: of the most, smartest, helpful, straightforward.

2395
01:54:09,439 --> 01:54:13,240
Speaker 4: Like you, know wise People i've ever met in this.

2396
01:54:13,360 --> 01:54:18,080
Speaker 3: Business like it's not about how much money he's given

2397
01:54:18,120 --> 01:54:20,840
Speaker 3: me or none of. That it's about listening to him,

2398
01:54:20,840 --> 01:54:23,600
Speaker 3: speak listening to his passion for the game even as an,

2399
01:54:23,680 --> 01:54:28,200
Speaker 3: elder listening to his wisdom for the game slam, Tune

2400
01:54:28,360 --> 01:54:29,000
Speaker 3: like just their.

2401
01:54:29,080 --> 01:54:33,120
Speaker 4: Ethic being around him was like it gave me the

2402
01:54:33,160 --> 01:54:36,440
Speaker 4: hard and soul Of southern work, ethic BECAUSE i think

2403
01:54:36,480 --> 01:54:38,120
Speaker 4: that's what makes it really work for.

2404
01:54:38,160 --> 01:54:41,400
Speaker 3: Them like there's the, talent but their ability to work

2405
01:54:41,440 --> 01:54:44,400
Speaker 3: and stay working no matter what is the greatest gift

2406
01:54:44,480 --> 01:54:49,400
Speaker 3: anybody's ever gave me in his, business And stunt is

2407
01:54:49,440 --> 01:54:51,760
Speaker 3: just one of the best PEOPLE i ever, met you,

2408
01:54:51,800 --> 01:54:56,720
Speaker 3: Know Like I'm i'm sure some of these people claims

2409
01:54:56,760 --> 01:54:59,920
Speaker 3: have validity right where they haven't gotten, paid but again

2410
01:55:00,000 --> 01:55:05,200
Speaker 3: and they really the infrastructure is not as you, know

2411
01:55:06,000 --> 01:55:08,960
Speaker 3: like a record. Label it really is stunning and, slim

2412
01:55:09,080 --> 01:55:11,080
Speaker 3: and it's some other people that's in the. Fold but

2413
01:55:11,160 --> 01:55:13,720
Speaker 3: it's not like a, building you, know you like when

2414
01:55:13,720 --> 01:55:15,680
Speaker 3: we go To universe When New, york it's not like.

2415
01:55:15,760 --> 01:55:18,640
Speaker 3: That SO i think a lot of the things is

2416
01:55:18,640 --> 01:55:21,240
Speaker 3: about just getting the. People and you, KNOW i believe

2417
01:55:21,240 --> 01:55:23,600
Speaker 3: in my heart he'll always make it. RIGHT i could be,

2418
01:55:23,640 --> 01:55:26,720
Speaker 3: wrong but that's WHAT i believe in my. Heart when

2419
01:55:26,720 --> 01:55:28,240
Speaker 3: you get to, him he'll always make it.

2420
01:55:28,320 --> 01:55:29,360
Speaker 4: RIGHT i.

2421
01:55:29,360 --> 01:55:32,200
Speaker 3: Mean so it does bother me watching people kind of

2422
01:55:32,680 --> 01:55:35,480
Speaker 3: talk about him BECAUSE i don't know the person they talking.

2423
01:55:35,480 --> 01:55:36,080
Speaker 4: About and.

2424
01:55:37,480 --> 01:55:39,560
Speaker 3: You, KNOW i don't think he treated me any more

2425
01:55:39,600 --> 01:55:42,640
Speaker 3: special than anybody, else for, sure because it's people that

2426
01:55:42,680 --> 01:55:44,640
Speaker 3: have been way more successful for him THAN i.

2427
01:55:44,720 --> 01:55:50,320
Speaker 1: Have right appreciate you for stopping, man stopping through your.

2428
01:55:50,400 --> 01:55:53,040
Speaker 1: Time you got my, number called me, outline drop it,

2429
01:55:53,080 --> 01:55:55,920
Speaker 1: down chop it, up, man shut out to our Homeboy charlmagne,

2430
01:55:55,960 --> 01:56:01,160
Speaker 1: too providing so many. Jobs there's so many black creates,

2431
01:56:01,240 --> 01:56:04,800
Speaker 1: RIGHT a lot of times just, understated. RIGHT a lot

2432
01:56:04,840 --> 01:56:08,280
Speaker 1: of us get good money from my audio because this

2433
01:56:08,400 --> 01:56:10,360
Speaker 1: dude is in position. Man SO i want to give

2434
01:56:10,360 --> 01:56:13,120
Speaker 1: a shout out the dude because there's a lot of

2435
01:56:13,160 --> 01:56:15,560
Speaker 1: hate on the on their brother out here and it's not.

2436
01:56:15,760 --> 01:56:16,960
Speaker 4: That AND i have to tell them all the.

2437
01:56:17,000 --> 01:56:19,640
Speaker 3: TIME i always go out and spread as godspel speak

2438
01:56:19,680 --> 01:56:20,680
Speaker 3: the truthful, body.

2439
01:56:20,480 --> 01:56:21,920
Speaker 4: You know WHAT i, mean and righteous.

2440
01:56:21,960 --> 01:56:24,960
Speaker 5: Fashion appreciate, you my, brother