WEBVTT - The 'Watch Party' Trend Sweeping the Video World Amid Lockdown

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<v Speaker 1>Welcome to another episode of Strictly Business, the podcast in

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<v Speaker 1>which we talked with some of the brightest minds working

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<v Speaker 1>in media today. I'm Andrew Wallenstein, president of Variety Intelligence platform.

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<v Speaker 1>The pandemic has altered media habits and all kinds of

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<v Speaker 1>fascinating ways, perhaps none more interesting than what you might

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<v Speaker 1>call virtual co viewing. That's when people connect over live

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<v Speaker 1>stream video, not just with each other, but with a

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<v Speaker 1>TV show or movie that they watched simultaneously. There's many

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<v Speaker 1>companies trying to crack that nut, including Senor, who's co

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<v Speaker 1>founder and CEO, Joe Braidwood, is with me today to

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<v Speaker 1>discuss this trend. Hello Joe, Hi, Andrew, good to be here.

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<v Speaker 1>Thanks for coming. Virtually speaking, virtual co viewing is definitely

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<v Speaker 1>a trend with some serious heat. You're getting some record traffic.

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<v Speaker 1>We'll get to that, but I want for you to

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<v Speaker 1>explain first what exactly Senior is really described the product

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<v Speaker 1>so people get a sense of it exactly. We call

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<v Speaker 1>ourselves the virtual Movie Theater, and what we mean by

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<v Speaker 1>that is we are at an extension for Chrome, the

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<v Speaker 1>web browser, that enables you to synchronize your playback when

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<v Speaker 1>you're watching a movie or a show with friends UM

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<v Speaker 1>in other locations. So really it's sort of Zoom meets

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<v Speaker 1>Netflix kind of concept. Got it. And you and I

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<v Speaker 1>met back in when you had first launched, and I

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<v Speaker 1>was excited about the product and I saw a potential

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<v Speaker 1>in it that I felt was never really realized when

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<v Speaker 1>what you might call social TV was a bigger trend

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<v Speaker 1>many years ago. So here you guys come, and here

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<v Speaker 1>the pandemic comes, and it really changed the reception in

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<v Speaker 1>the marketplace for your product, did it not? Yeah? Absolutely,

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<v Speaker 1>I think sort of prior to the ademic, a lot

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<v Speaker 1>of people predicted that this behavior would grow over time,

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<v Speaker 1>but it hadn't really become mainstream. Most people who are

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<v Speaker 1>doing it would be in long distance relationships or um,

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<v Speaker 1>you know, on a tour of duty or away from

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<v Speaker 1>home for a period of time. And obviously the social

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<v Speaker 1>lockdowns and the social distancing that have been very much

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<v Speaker 1>the main thrust of the last few weeks has really

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<v Speaker 1>changed that behavior set. People are craving social connectivity with

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<v Speaker 1>people that they love and that they care about, and

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<v Speaker 1>they're finding new and creative ways to spend time together,

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<v Speaker 1>and co viewing is a great way to do that. So,

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<v Speaker 1>I mean, you had mentioned some sort of extreme instances,

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<v Speaker 1>but nowadays in the pandemic give us a sense of

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<v Speaker 1>like what kind of coviewing experience, say, you know, a

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<v Speaker 1>group of teenagers might have or maybe a different demographic. Yeah,

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<v Speaker 1>it's interesting. We see a lot of emails come to

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<v Speaker 1>us from mother's planning birthday parties for their kids, which

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<v Speaker 1>is acute and sort of unanticipated development for us. Um.

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<v Speaker 1>We see a lot of people who run movie clubs

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<v Speaker 1>or film clubs that are getting together on a Friday

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<v Speaker 1>night to to to watch an old classic. Um. And

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<v Speaker 1>you know, people who are usually spending time together on

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<v Speaker 1>a day to day basis where they if their coworkers

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<v Speaker 1>or students at a university, are doing this to just

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<v Speaker 1>stay connected to their to their peers. And it's a

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<v Speaker 1>really really great way to do it. So what is

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<v Speaker 1>the upside for something like this? I mean, do you

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<v Speaker 1>see this as being, you know, a very mainstream activity

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<v Speaker 1>in time? Does the pandemic accelerate perhaps that mainstreaming? Yeah,

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<v Speaker 1>a great, A great sort of example of this is

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<v Speaker 1>you know, delivery services. The pandemic has accelerated the adoption

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<v Speaker 1>of food and grocery and other good delivery services, and

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<v Speaker 1>you know, we we see that that acceleration is just

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<v Speaker 1>changing behavior over time, and when the pandemic is no

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<v Speaker 1>longer so in focus, we still think people are going

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<v Speaker 1>to shop with instacot and get their food from uberiats.

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<v Speaker 1>The same is true of co viewing. You know, it's

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<v Speaker 1>a really fun, very convenient way to spend time with

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<v Speaker 1>people that is engaging and um, you know, sort of

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<v Speaker 1>take some of the focus off of trying to constantly

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<v Speaker 1>entertain people, which you might have on a Zoom Happy

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<v Speaker 1>Hour or another video chat. And so that sort of

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<v Speaker 1>shared experience is something that we're all craving and we

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<v Speaker 1>think that you know, making it painless and fun is

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<v Speaker 1>going to be something that sort of continues for for

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<v Speaker 1>years to come. Now, you launched with the ability to

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<v Speaker 1>create this coviewing experience around just a few select services

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<v Speaker 1>like Netflix. More recently, you guys announced a partnership with HBO.

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<v Speaker 1>So what is that about. So as the pandemic was

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<v Speaker 1>setting setting in over the last sort of couple of months,

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<v Speaker 1>U some of the team in Seattle who work on

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<v Speaker 1>on uh the HBO digital direct consumer products, reached out

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<v Speaker 1>to us about, you know, a way to facilitate this

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<v Speaker 1>for their audience, so we work with them and bringing

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<v Speaker 1>support for HBO now and HBO go to the platform.

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<v Speaker 1>And that's great because it enables people to enjoy some

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<v Speaker 1>of the best content out there through the alternative services.

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<v Speaker 1>And our users have written to us since and really

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<v Speaker 1>thanked us for doing that. You know. It really has

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<v Speaker 1>created a way to sort of explore back catalogs of

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<v Speaker 1>really great content with your friends in a way that

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<v Speaker 1>you couldn't before. And have you seen a difference in

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<v Speaker 1>the marketplace since the HBO deal kicked in? Is it

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<v Speaker 1>giving you a new level of visibility? Yeah? I think

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<v Speaker 1>you know, when you have prominent announcements with incredible brand

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<v Speaker 1>slate like there's it really sort of raises your profile.

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<v Speaker 1>And we've had an incredible response from users and partners

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<v Speaker 1>over the last few weeks. Um our usage has sort

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<v Speaker 1>of multiplied several factors, uh, you know, and just the

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<v Speaker 1>that the fact that people have been talking about us

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<v Speaker 1>on social media in ways that they haven't before. We've

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<v Speaker 1>seen a couple of TikTok videos go viral about us.

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<v Speaker 1>It's been really an exciting time, uh. And I think

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<v Speaker 1>it's it's really a rising tide for all co viewing

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<v Speaker 1>services right now, Well, that's the thing. Let's let's give

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<v Speaker 1>a broader sense of what's going on here. I mean, frankly,

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<v Speaker 1>I think if there's any one service that's kind of

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<v Speaker 1>broken out from this pack, it would be the Netflix Party,

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<v Speaker 1>which is also a Chrome. Addition, we've seen other services

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<v Speaker 1>like House Party kind of extend themselves into this space. Frankly,

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<v Speaker 1>I'm surprised Zoom hasn't already done this. So, you know,

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<v Speaker 1>how crowded a marketplace are you operating in. We like

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<v Speaker 1>to think that what we're doing is very distinct because

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<v Speaker 1>we are, um you know, we're built from the ground

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<v Speaker 1>up to be respectful of content rights and we really

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<v Speaker 1>want to be a partner for the industry to think

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<v Speaker 1>about how they merchandise and build engagement around that the

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<v Speaker 1>most exciting pieces of content. And you know, that's quite

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<v Speaker 1>different to some of the other examples that you site,

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<v Speaker 1>where it's more just about hanging out or bootstrapping ways

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<v Speaker 1>to sort of synchronize playback. So, you know, the fact

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<v Speaker 1>that we're working with the industry and the fact that

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<v Speaker 1>we enable video chats synchronized with playback, those are two

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<v Speaker 1>unique traits to what we're doing, and we think that

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<v Speaker 1>it really Um, you know, it makes for a very

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<v Speaker 1>interesting conversation about what the future of coviewing looks like. Well,

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<v Speaker 1>what's it been like in terms of your relationships with

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<v Speaker 1>Hollywood to get these copyrights in place? I mean, do

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<v Speaker 1>content do I P owners understand the coviewing trend even

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<v Speaker 1>a year ago? Do they take it seriously? Do they

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<v Speaker 1>see the potential? Yeah? I think that things are really

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<v Speaker 1>quickly sort of evolving. Um, just in terms of the

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<v Speaker 1>conversations we've been having since the announcement. Um, you know,

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<v Speaker 1>a few months ago, a lot of the marketing around

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<v Speaker 1>a big show or a big move in particular big

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<v Speaker 1>movie would be around the theatrical release. And we know

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<v Speaker 1>we've seen some very interesting stuff happen with um some

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<v Speaker 1>of these sort of premiere we can debuts a big

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<v Speaker 1>big big shows and big movies where you know, people

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<v Speaker 1>pay to watch it, um, you know, as as soon

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<v Speaker 1>as it comes out, rather than waiting for the theatrical runs.

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<v Speaker 1>And you know, so that is the beginning of what

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<v Speaker 1>we see as this sort of this very very new,

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<v Speaker 1>very very exciting trend around creating really really engaging home

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<v Speaker 1>entertainment experiences out of theatrical content. Um. And I think

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<v Speaker 1>you know, the other thing that is rapidly evolving is

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<v Speaker 1>the is the subscription video on demand landscape, and um,

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<v Speaker 1>you know, anything that can differentiate the experience of enjoying

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<v Speaker 1>shows and movies through these big esport services, you know,

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<v Speaker 1>it can be a very very powerful tool around sort

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<v Speaker 1>of engaging and retaining customers. So we're very excited about

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<v Speaker 1>these changes. So, I mean, it's great that you've got

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<v Speaker 1>good relationships that allow you to get your hands on

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<v Speaker 1>this content. On the flip side, I have to ask myself, well,

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<v Speaker 1>why can't Netflix, for instance, just do this themselves. Do

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<v Speaker 1>you have any concern? I mean, you've got enough competitors

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<v Speaker 1>as as as it is big and small, But couldn't

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<v Speaker 1>the rights holders themselves start to roll out this technology too? Yeah,

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<v Speaker 1>it's it's it's it's conceivable that people who are building

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<v Speaker 1>these platforms could focus on this. Um. We haven't seen

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<v Speaker 1>that happen yet. And I think that's really for two reasons.

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<v Speaker 1>The primary reason is just staying competitive in terms of

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<v Speaker 1>the quality level of an spond service with buffering times

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<v Speaker 1>and with recommended content, and with all of the other

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<v Speaker 1>staples that really are required in order to be successful.

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<v Speaker 1>That's that's a ton of work that's very hard, and

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<v Speaker 1>you know, Netflix is really sort of trailblazing on that front,

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<v Speaker 1>and a lot of the other services have been focused

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<v Speaker 1>on how to sort of build features that stay competitive

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<v Speaker 1>with Netflix. The second thing is around the psychographics of

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<v Speaker 1>of this behavior set. I think, you know, it's it's

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<v Speaker 1>a lot easier for us, as a brand that's obsessed

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<v Speaker 1>with this problem to focus on building features for it

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<v Speaker 1>than it is for um, you know, a larger organization

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<v Speaker 1>that has to cater to all of their customers and

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<v Speaker 1>all of their use cases. So we can build something

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<v Speaker 1>that just works on Chrome, just on laptops, but building

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<v Speaker 1>credible tracks behind that, Whereas if you are thinking about

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<v Speaker 1>the sort of product roadmap at a larger organization like

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<v Speaker 1>an Amazon or Hulu or a Netflix, they have to

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<v Speaker 1>think about all of the devices, all of the markets,

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<v Speaker 1>and so it's it's just it's harder to really get

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<v Speaker 1>some momentum behind a breakout idea in that context, which

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<v Speaker 1>is why the startup ecosystem is so great for this. Well,

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<v Speaker 1>let's get back though to Netflix Party, which to me

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<v Speaker 1>seems to be before we should be clear, has no

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<v Speaker 1>affiliation with Netflix UM seems to be the one that's

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<v Speaker 1>sort of driving this trend, or would you even disagree

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<v Speaker 1>with that. I think Netflix Party is stow an incredible

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<v Speaker 1>wave of growth at the very beginning of the pandemic

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<v Speaker 1>because people were sort of desperate for new ways to

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<v Speaker 1>connect and UM, you know, when you punch in how

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<v Speaker 1>do I have a party on Netflix into Google, they

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<v Speaker 1>came up because of their their name UM, that I

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<v Speaker 1>think is an important thing to recognize, and they've done

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<v Speaker 1>a great job a sort of capitalizing on that way.

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<v Speaker 1>The distinction though, is that it's actually just very, very

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<v Speaker 1>difficult to make a really great product in this space.

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<v Speaker 1>There's so much technical UM sort of requirements around sort

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<v Speaker 1>of building a great synchronization algorithm, integrating great immersive experiences,

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<v Speaker 1>and we've really been focused on that from a sort

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<v Speaker 1>of quality level perspective of like building a product that

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<v Speaker 1>that scales really well, that enables these rich and engaging experiences.

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<v Speaker 1>So the thing that we just have started rolling out

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<v Speaker 1>this week is a feature set that enables many more

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<v Speaker 1>people to come into the same coviewing experience UM in

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<v Speaker 1>more of a sort of broadcast models. You can imagine

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<v Speaker 1>someone who worked on a movie, or someone who acted

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<v Speaker 1>in a show, or even someone who's just really funny

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<v Speaker 1>watching a great piece of content and bringing their audience

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<v Speaker 1>to that situation. And that's a very different take on

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<v Speaker 1>co viewing too, you know, pressing a button on the

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<v Speaker 1>tool bar to to send a link to your friends

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<v Speaker 1>to to sort of synchronize the playback, which is what

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<v Speaker 1>Netflix Party does. So yeah, I think there's a lot

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<v Speaker 1>of space in this market for different creative ways to

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<v Speaker 1>tackle the problem of what really the trend that we're

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<v Speaker 1>seeing here is this idea of hanging out virtually, it's

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<v Speaker 1>this idea of being together when you're a part and um, yeah,

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<v Speaker 1>we're very excited about our particular strategy on this. I

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<v Speaker 1>also wonder what the advertising play might be in all this.

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<v Speaker 1>Is that something I mean you're is there something to

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<v Speaker 1>how advertising might work in a co viewing experience that

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<v Speaker 1>might be different than traditional I think yeah that the

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<v Speaker 1>probably the best way to think about that is to

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<v Speaker 1>sort of consider what an AVOD platform like a Pluto

0:12:46.600 --> 0:12:51.160
<v Speaker 1>TV or inn IMDbTV, how they have fewer barriers to entry,

0:12:51.240 --> 0:12:54.000
<v Speaker 1>which is actually a great factor when you're thinking about

0:12:54.400 --> 0:12:57.480
<v Speaker 1>inviting friends and bringing them together you know, at the moment,

0:12:57.520 --> 0:13:00.240
<v Speaker 1>in order to enjoy some content on sena need a

0:13:00.280 --> 0:13:04.079
<v Speaker 1>subscription to Netflix, Rhbo Now or something like that. And

0:13:04.120 --> 0:13:07.000
<v Speaker 1>what that means is there's this sort of a natural

0:13:07.000 --> 0:13:09.760
<v Speaker 1>friction if one of your friends doesn't have a subscription,

0:13:10.200 --> 0:13:13.079
<v Speaker 1>And so you know, looking at ad supportive video on

0:13:13.160 --> 0:13:16.720
<v Speaker 1>demand and thinking about how that reduces the barrier to

0:13:16.840 --> 0:13:19.559
<v Speaker 1>entry and how the biggest metrics for the team's working

0:13:19.559 --> 0:13:23.240
<v Speaker 1>on those products is eyeballs and engagement. We could be

0:13:23.280 --> 0:13:26.120
<v Speaker 1>a very natural partner in that context. The other thing

0:13:26.200 --> 0:13:28.800
<v Speaker 1>that we've been discussing with some some folks is this

0:13:28.880 --> 0:13:32.480
<v Speaker 1>idea of being an influencer and having an audience and

0:13:32.520 --> 0:13:34.920
<v Speaker 1>all of the sort of classic ways that influences already

0:13:34.960 --> 0:13:38.240
<v Speaker 1>monetized that our audiences on other social platforms. So, you know,

0:13:38.720 --> 0:13:42.400
<v Speaker 1>product endorsements, podcast marketing has been a really interesting thing

0:13:42.400 --> 0:13:44.480
<v Speaker 1>for us to think about and and yeah, I think

0:13:44.480 --> 0:13:47.800
<v Speaker 1>there's a ton of opportunity there, But our primary objective

0:13:47.880 --> 0:13:50.000
<v Speaker 1>right now is just to deliver a great experience to

0:13:50.080 --> 0:13:54.000
<v Speaker 1>people viewing and to to grow. So um, we're sort

0:13:54.040 --> 0:13:58.560
<v Speaker 1>of not too immediately focused on the monetization piece. I

0:13:58.640 --> 0:14:02.320
<v Speaker 1>want to get back to the different use cases you

0:14:02.400 --> 0:14:05.760
<v Speaker 1>talked about a few minutes ago, because, as you said,

0:14:05.800 --> 0:14:09.160
<v Speaker 1>it's not necessarily just about a group of friends coming together.

0:14:10.000 --> 0:14:12.520
<v Speaker 1>This could be something. And again this goes with you know,

0:14:12.559 --> 0:14:15.600
<v Speaker 1>what is the strategy of a of a content rights

0:14:15.640 --> 0:14:19.800
<v Speaker 1>holder to take people that are involved in a production,

0:14:19.840 --> 0:14:23.160
<v Speaker 1>a star or director or writer or whatnot, and have

0:14:23.360 --> 0:14:28.200
<v Speaker 1>them have these kind of hosted experiences really not unlike

0:14:29.320 --> 0:14:31.680
<v Speaker 1>the content you might see in a DVD extra, but

0:14:31.920 --> 0:14:36.600
<v Speaker 1>in an interactive, live sense. Um. I mean, do you

0:14:36.720 --> 0:14:39.640
<v Speaker 1>have as big expectations for what that is as opposed

0:14:39.640 --> 0:14:43.760
<v Speaker 1>to the generic, you know friends model of this. Well,

0:14:43.760 --> 0:14:46.640
<v Speaker 1>one of the most interesting things that we've seen over

0:14:46.640 --> 0:14:48.840
<v Speaker 1>the last few weeks is people reach out to us

0:14:48.880 --> 0:14:52.280
<v Speaker 1>to run events. Right, So it's not that you know,

0:14:52.320 --> 0:14:54.720
<v Speaker 1>the analogy of DVD commentary makes the most sense if

0:14:54.720 --> 0:14:56.760
<v Speaker 1>you think about the conventional way that you would engage

0:14:56.760 --> 0:15:00.000
<v Speaker 1>with a director. But there's also incredible events that variety

0:15:00.000 --> 0:15:03.160
<v Speaker 1>tears running. There's incredible events like Comic Con that's been canceled.

0:15:03.200 --> 0:15:07.360
<v Speaker 1>There's all sorts of opportunities across the industry where you

0:15:07.480 --> 0:15:10.280
<v Speaker 1>might have an intimate audience with with someone that has

0:15:10.320 --> 0:15:14.200
<v Speaker 1>been involved in a piece of content, and people are

0:15:14.200 --> 0:15:17.640
<v Speaker 1>asking themselves, like, you know, Zoom doesn't really scale that

0:15:17.680 --> 0:15:19.920
<v Speaker 1>well for that use case, especially if you're screening a

0:15:19.920 --> 0:15:22.560
<v Speaker 1>premium piece of content. So maybe we could play a

0:15:22.680 --> 0:15:25.680
<v Speaker 1>role in that. And yes, that is exactly what we're

0:15:25.680 --> 0:15:28.840
<v Speaker 1>focused on right now. It's it's obviously always in our

0:15:28.880 --> 0:15:31.520
<v Speaker 1>interest to think about the consumer experience, but there is

0:15:31.600 --> 0:15:34.840
<v Speaker 1>also a very very significant opportunity to think about you know,

0:15:35.440 --> 0:15:39.560
<v Speaker 1>very very avid fans or prosumer sort of uh, you know,

0:15:39.640 --> 0:15:41.920
<v Speaker 1>takes on what an event or a screening or a

0:15:41.960 --> 0:15:44.920
<v Speaker 1>premier may look like in the future. So it doesn't

0:15:44.920 --> 0:15:47.480
<v Speaker 1>sound like you have concerns that, as you know, some

0:15:47.560 --> 0:15:51.840
<v Speaker 1>have suggested, not necessarily specific to coviewing, that there will

0:15:51.880 --> 0:15:54.400
<v Speaker 1>be a particular set of behaviors that occur in this

0:15:54.800 --> 0:15:59.400
<v Speaker 1>unique pandemic period. But once things go back to normal,

0:16:00.360 --> 0:16:03.520
<v Speaker 1>who knows how much things returned to the way they were.

0:16:03.960 --> 0:16:10.200
<v Speaker 1>Any concerns that co viewing could be a very temporary trend, No,

0:16:10.400 --> 0:16:12.600
<v Speaker 1>And I think the best example of this is in

0:16:12.840 --> 0:16:15.600
<v Speaker 1>video games, right you know, Fortnite and a number of

0:16:15.600 --> 0:16:17.840
<v Speaker 1>other video games have done a really great job at

0:16:17.880 --> 0:16:22.000
<v Speaker 1>integrating social features, and those have been sticky because people

0:16:22.040 --> 0:16:24.520
<v Speaker 1>are inherently social, they want to spend time with others,

0:16:24.760 --> 0:16:27.560
<v Speaker 1>But we're also inherently constrained by what we can physically

0:16:27.600 --> 0:16:29.280
<v Speaker 1>accomplish in a day. So if you don't have to

0:16:29.320 --> 0:16:31.840
<v Speaker 1>move around, and if you can still have a great

0:16:31.880 --> 0:16:35.280
<v Speaker 1>social experience, that's awesome. And we see this as the same.

0:16:35.400 --> 0:16:38.480
<v Speaker 1>You know, there is so much convenience and so much

0:16:38.520 --> 0:16:41.520
<v Speaker 1>social delight that comes from you know, kicking back with

0:16:41.560 --> 0:16:43.600
<v Speaker 1>a group of friends or being part of the big

0:16:43.640 --> 0:16:47.280
<v Speaker 1>fan experience around a piece of content. And we don't

0:16:47.320 --> 0:16:50.200
<v Speaker 1>think that that's going to change when people can return

0:16:50.280 --> 0:16:54.600
<v Speaker 1>to go into the more or to the workplace. How

0:16:54.760 --> 0:16:57.680
<v Speaker 1>much you know, we've talked about you've got a broad

0:16:57.800 --> 0:17:01.520
<v Speaker 1>range of competitors out there, big and so mall. Twitch

0:17:01.520 --> 0:17:05.200
<v Speaker 1>has been in this space, uh with some authorized content,

0:17:05.240 --> 0:17:08.000
<v Speaker 1>and they've also been sued from sports leaks. It didn't

0:17:08.000 --> 0:17:12.439
<v Speaker 1>like that their content was being transmitted with copyright infringement.

0:17:12.720 --> 0:17:15.840
<v Speaker 1>How much illegal activity is going on here? Do you

0:17:15.840 --> 0:17:17.840
<v Speaker 1>get a sense of you know, there are a lot

0:17:17.840 --> 0:17:20.960
<v Speaker 1>of people who are just using Skype and and face

0:17:21.040 --> 0:17:25.000
<v Speaker 1>time to do this kind of group activity. Yeah, It's

0:17:25.040 --> 0:17:27.480
<v Speaker 1>it's difficult to know because the majority of that stuff

0:17:27.560 --> 0:17:29.280
<v Speaker 1>is peer to peer and you know, I think if

0:17:29.320 --> 0:17:33.320
<v Speaker 1>you think about what happened in the music industries is

0:17:33.320 --> 0:17:35.520
<v Speaker 1>a great example of what we are really focused on.

0:17:35.800 --> 0:17:42.280
<v Speaker 1>We are enabling fully compliant, copyright friendly coviewing experiences in

0:17:42.320 --> 0:17:44.640
<v Speaker 1>the same way that Spotify would enable you to listen

0:17:44.640 --> 0:17:49.800
<v Speaker 1>to your favorite bands and music without infringing copyright, and

0:17:49.840 --> 0:17:53.160
<v Speaker 1>that over time, that that charts to what people actually want,

0:17:53.240 --> 0:17:56.119
<v Speaker 1>because if people are passionate about content, and they're passionate

0:17:56.160 --> 0:17:58.040
<v Speaker 1>about movies, they want to they want to put their

0:17:58.080 --> 0:18:00.439
<v Speaker 1>dollars there, they want to be fans, they want to

0:18:00.480 --> 0:18:04.960
<v Speaker 1>embrace that content, and so um. You know, of course,

0:18:05.000 --> 0:18:07.240
<v Speaker 1>every day we get emails from some some kids who

0:18:07.320 --> 0:18:10.359
<v Speaker 1>used to use Rabbit, which closed down because it was

0:18:10.880 --> 0:18:13.399
<v Speaker 1>struggling to scale because it was so so focused on

0:18:13.480 --> 0:18:17.000
<v Speaker 1>the piracy use case. And you know, they say, well,

0:18:17.280 --> 0:18:19.760
<v Speaker 1>this is this is weird. It didn't share my screen. Yeah,

0:18:19.800 --> 0:18:21.760
<v Speaker 1>we're not. We're not in the industry of screen sharing

0:18:21.760 --> 0:18:25.159
<v Speaker 1>and we're in the industry of delivering premium entertainment and

0:18:25.320 --> 0:18:27.200
<v Speaker 1>bringing your friends along for the ride. And I think

0:18:27.200 --> 0:18:31.000
<v Speaker 1>that that's very exciting, and you know, we're focused on

0:18:31.040 --> 0:18:34.280
<v Speaker 1>the right long term strategy there. But is your product

0:18:34.960 --> 0:18:38.800
<v Speaker 1>a superior user experience from the illegal stuff, because as

0:18:38.800 --> 0:18:42.520
<v Speaker 1>we've seen in an earlier age of Hollywood, where streaming

0:18:43.280 --> 0:18:46.720
<v Speaker 1>copyright protected content wasn't really that much different in user

0:18:46.800 --> 0:18:51.320
<v Speaker 1>experience in the illegal piracy, which has certainly not gone away,

0:18:51.400 --> 0:18:55.720
<v Speaker 1>I think it was an even bigger headache. Yeah, absolutely. Um.

0:18:55.760 --> 0:18:57.680
<v Speaker 1>You know, you only have to be on a zoom

0:18:57.680 --> 0:19:00.200
<v Speaker 1>with twenty people to realize that the quality level ball

0:19:00.240 --> 0:19:03.640
<v Speaker 1>of the video calls goes down significantly, and then if

0:19:03.680 --> 0:19:06.840
<v Speaker 1>someone shares some content on one of those feeds, it's

0:19:06.880 --> 0:19:10.040
<v Speaker 1>just not a good experience. And so we have worked

0:19:10.200 --> 0:19:13.680
<v Speaker 1>tirelessly to make sure that the way that Sena works

0:19:13.920 --> 0:19:16.159
<v Speaker 1>when you fire up the Chrome extension is it is

0:19:16.200 --> 0:19:18.240
<v Speaker 1>writing on top of the content delivery networks of the

0:19:18.280 --> 0:19:20.760
<v Speaker 1>services that you're watching that have been built from the

0:19:20.800 --> 0:19:23.880
<v Speaker 1>ground up to deliver premium viewing experiences. You still get

0:19:23.920 --> 0:19:28.080
<v Speaker 1>that same high resolution, beautiful content, um, you know, direct

0:19:28.119 --> 0:19:31.120
<v Speaker 1>from the source, and then you augment it with with

0:19:31.119 --> 0:19:34.560
<v Speaker 1>with the social layer, and so it works incredibly well

0:19:34.600 --> 0:19:38.000
<v Speaker 1>and the experience is superior. The same is true for

0:19:38.040 --> 0:19:40.160
<v Speaker 1>the audio. You know, you can manage and have full

0:19:40.160 --> 0:19:42.800
<v Speaker 1>control over the audio experience, so you can mute everyone

0:19:42.800 --> 0:19:45.120
<v Speaker 1>that's in the room and just focus on the movie

0:19:45.160 --> 0:19:47.520
<v Speaker 1>or show, or you can turn the movie or show

0:19:47.560 --> 0:19:50.560
<v Speaker 1>down and talk about it if it's a rerun. And

0:19:50.560 --> 0:19:53.479
<v Speaker 1>and you know, giving people the freedom to really create

0:19:53.560 --> 0:19:58.320
<v Speaker 1>their own experience. Here from a device perspective, you guys

0:19:58.560 --> 0:20:05.000
<v Speaker 1>strictly work on a browser in a desktop scenario, not mobile,

0:20:05.400 --> 0:20:09.240
<v Speaker 1>not on the TV screen itself. Correct, Yeah, I mean

0:20:09.240 --> 0:20:12.240
<v Speaker 1>there are ways to leverage your laptop and plug it

0:20:12.280 --> 0:20:14.560
<v Speaker 1>into your TV, and you can even use sort of

0:20:14.600 --> 0:20:17.400
<v Speaker 1>Chrome casts. And we've had people right to us sort

0:20:17.400 --> 0:20:19.800
<v Speaker 1>of being evangelical about the fact that they figured that out.

0:20:20.400 --> 0:20:22.919
<v Speaker 1>Um that we're at the beginning here. We've got a

0:20:22.920 --> 0:20:25.040
<v Speaker 1>ton of work to do, and we're very hungry to

0:20:25.080 --> 0:20:28.880
<v Speaker 1>get it done. Around deeper integrations, and those could take

0:20:29.000 --> 0:20:31.399
<v Speaker 1>one of two forms. They could either be permissioned at

0:20:31.400 --> 0:20:34.600
<v Speaker 1>the platform level, so a row coup or Apple TV

0:20:34.920 --> 0:20:37.600
<v Speaker 1>or you know, a Visio or someone like that could

0:20:37.640 --> 0:20:40.680
<v Speaker 1>could provide an API to allow us to know what

0:20:40.760 --> 0:20:43.440
<v Speaker 1>content is being viewed and to change the shuttle controls

0:20:43.440 --> 0:20:46.240
<v Speaker 1>so that it's synchronized. Or we could partner directly with

0:20:46.280 --> 0:20:48.920
<v Speaker 1>the content owners to to sort of bake this into

0:20:48.960 --> 0:20:52.359
<v Speaker 1>their proprietary apps and and both of those are on

0:20:52.400 --> 0:20:55.040
<v Speaker 1>the table. The beauty of Chrome as a platform is

0:20:55.080 --> 0:20:58.560
<v Speaker 1>it is such an amazing way to sort of integrate

0:20:58.600 --> 0:21:01.359
<v Speaker 1>deeply into these content experience too, in a way that

0:21:01.359 --> 0:21:04.359
<v Speaker 1>doesn't require the spoken permissions, and so that has allowed

0:21:04.440 --> 0:21:06.400
<v Speaker 1>us to prove that this is something that people want

0:21:06.440 --> 0:21:10.960
<v Speaker 1>without needing to persuade sort of very very senior bordering

0:21:11.000 --> 0:21:14.000
<v Speaker 1>folks that they need to change their strategy. Yeah. I

0:21:14.000 --> 0:21:16.840
<v Speaker 1>would imagine, particularly on the mobile front, when you crack

0:21:16.960 --> 0:21:20.240
<v Speaker 1>that nut, that really is going to have a huge

0:21:20.240 --> 0:21:24.800
<v Speaker 1>effect for you. Yeah, exactly. And you know, mobile is

0:21:24.800 --> 0:21:27.400
<v Speaker 1>is a really interesting platform. It just so happens that

0:21:27.480 --> 0:21:30.320
<v Speaker 1>the pandemic has made it slightly less relevant, and so

0:21:31.119 --> 0:21:33.560
<v Speaker 1>we've been able to really sort of take that and

0:21:33.960 --> 0:21:35.960
<v Speaker 1>run with the fact that many people have access to

0:21:36.000 --> 0:21:39.840
<v Speaker 1>a laptop conveniently right now. Um, but as people start

0:21:39.880 --> 0:21:41.919
<v Speaker 1>to move around again and start to want to be

0:21:41.960 --> 0:21:44.720
<v Speaker 1>in these social environments, we've got a ton of ideas

0:21:44.760 --> 0:21:47.720
<v Speaker 1>about how to extend that to mobile and that may

0:21:47.840 --> 0:21:50.600
<v Speaker 1>just be the that, you know, one example of that

0:21:50.640 --> 0:21:52.720
<v Speaker 1>may just be that if you're on mobile, you have

0:21:52.760 --> 0:21:55.359
<v Speaker 1>to manually synchronize your TV, but if you're on laptop

0:21:55.920 --> 0:21:59.400
<v Speaker 1>just magically happens for you, and you're okay with that

0:21:59.480 --> 0:22:03.080
<v Speaker 1>because you know that that's an alternative use case. Obviously,

0:22:03.119 --> 0:22:06.280
<v Speaker 1>we want to provide experiences that are really buttoned up,

0:22:06.280 --> 0:22:08.120
<v Speaker 1>and that worked very well for users who were also

0:22:08.119 --> 0:22:12.840
<v Speaker 1>exploring deeper integrations. Who is your audience there at, sen

0:22:12.960 --> 0:22:15.560
<v Speaker 1>Or Joe. I'm curious just that I keep sort of

0:22:15.600 --> 0:22:19.600
<v Speaker 1>referencing in this conversation, this hypothetical set of teenagers. For all,

0:22:19.640 --> 0:22:22.399
<v Speaker 1>I know your average ages seventy years old. I have

0:22:22.840 --> 0:22:26.960
<v Speaker 1>who who out there is using this kind of technology. So,

0:22:27.880 --> 0:22:31.360
<v Speaker 1>because we worked so fast to to reboot the product

0:22:31.400 --> 0:22:34.040
<v Speaker 1>at the beginning of this this chapter of history, UM,

0:22:34.760 --> 0:22:37.920
<v Speaker 1>we actually have not yet done very much by way

0:22:37.920 --> 0:22:40.000
<v Speaker 1>of sort of using research, and we make it very

0:22:40.080 --> 0:22:42.399
<v Speaker 1>lightweight to join these sessions, so we don't ask people

0:22:42.440 --> 0:22:45.960
<v Speaker 1>how old they are and where they're from. UM, so

0:22:46.240 --> 0:22:48.880
<v Speaker 1>I have an empirical sense of how this has shifted.

0:22:49.320 --> 0:22:51.720
<v Speaker 1>We had a very very dialed in understanding of the

0:22:52.080 --> 0:22:56.639
<v Speaker 1>users prior to this search, but it's definitely broader. You know,

0:22:56.720 --> 0:23:00.320
<v Speaker 1>you're the support emails and the praise that we get

0:23:00.359 --> 0:23:04.320
<v Speaker 1>on social comes from people whom some people who are

0:23:04.359 --> 0:23:07.240
<v Speaker 1>sort of clearly in their middle ages, you know, and

0:23:07.280 --> 0:23:09.000
<v Speaker 1>they're just sort of thinking about this as a great

0:23:09.000 --> 0:23:11.280
<v Speaker 1>way to connect with their friends that they miss. There's

0:23:11.280 --> 0:23:13.479
<v Speaker 1>a lot of young folks because they tend to not

0:23:13.560 --> 0:23:17.159
<v Speaker 1>be worried. We call them screen ages. You know, they

0:23:17.280 --> 0:23:20.080
<v Speaker 1>don't hold back in terms of what it takes to

0:23:20.080 --> 0:23:23.280
<v Speaker 1>to get to their friends and to create experiences on devices.

0:23:24.240 --> 0:23:27.159
<v Speaker 1>But yeah, it's it's very early, and the sense we're

0:23:27.200 --> 0:23:30.400
<v Speaker 1>getting is it's much broader than it was before. Tell

0:23:30.480 --> 0:23:32.800
<v Speaker 1>us a little bit about Senior as a company. How

0:23:32.840 --> 0:23:36.600
<v Speaker 1>did you guys come together? How big are you? I

0:23:36.520 --> 0:23:38.760
<v Speaker 1>I you mentioned you're in Seattle. I assume that's where

0:23:38.720 --> 0:23:42.760
<v Speaker 1>your whole team is. Yeah, we we we have five

0:23:42.800 --> 0:23:46.160
<v Speaker 1>full timers in Seattle and a number of incredibly talented

0:23:46.160 --> 0:23:50.400
<v Speaker 1>freelancers that work in other locations for us. Um we

0:23:50.400 --> 0:23:52.960
<v Speaker 1>were born inside of Real Networks, So, you know, those

0:23:53.359 --> 0:23:55.160
<v Speaker 1>like you with a deep knowledge of the industry will

0:23:55.160 --> 0:23:57.720
<v Speaker 1>know that Real sort of invented streaming audio and video

0:23:57.720 --> 0:24:00.760
<v Speaker 1>back in the nineties and is still based in Seattle.

0:24:00.880 --> 0:24:04.280
<v Speaker 1>And Rob Glazer that the CEO of Real is our

0:24:04.359 --> 0:24:09.920
<v Speaker 1>chairman and has personally been very bullish on the company.

0:24:10.000 --> 0:24:13.720
<v Speaker 1>So yeah, we're based up in Seattle. We're a small team, um,

0:24:13.760 --> 0:24:15.639
<v Speaker 1>and we're very passionate about the space, but we have

0:24:15.680 --> 0:24:18.320
<v Speaker 1>great support from from Robin. The folks are real to

0:24:18.640 --> 0:24:22.199
<v Speaker 1>get things done and to to navigate this space. And

0:24:22.440 --> 0:24:27.800
<v Speaker 1>I'm curious, are there investors that have joined Real Robbing

0:24:27.840 --> 0:24:31.040
<v Speaker 1>in investing in your company? Yeah, so we we we

0:24:31.119 --> 0:24:34.159
<v Speaker 1>went through the Launch Accelerated program run by Jason Calacanis

0:24:34.240 --> 0:24:37.560
<v Speaker 1>last year and Rob and Jason are the sort of

0:24:37.600 --> 0:24:40.840
<v Speaker 1>two primary investors other than Real Networks when we were

0:24:40.840 --> 0:24:44.880
<v Speaker 1>being incubated, and uh, you know, so far, it's it's

0:24:44.920 --> 0:24:47.439
<v Speaker 1>it's been a really great team to have on board.

0:24:48.320 --> 0:24:51.800
<v Speaker 1>We're thinking about, you know, potentially raising another round in

0:24:51.840 --> 0:24:54.639
<v Speaker 1>the next couple of months and and sort of really

0:24:54.760 --> 0:24:56.960
<v Speaker 1>just trying to understand what the best timing would look

0:24:57.000 --> 0:24:58.879
<v Speaker 1>like because we're trying to stay heads down on building

0:24:58.880 --> 0:25:02.399
<v Speaker 1>products right now because as you can imagine, people, you know,

0:25:02.760 --> 0:25:04.560
<v Speaker 1>that feeling you get when you have a product that

0:25:04.760 --> 0:25:08.040
<v Speaker 1>that people actually want to get inundated with requests constantly.

0:25:08.040 --> 0:25:11.000
<v Speaker 1>So we're trying to really stay heads down on that stuff.

0:25:11.520 --> 0:25:17.320
<v Speaker 1>But yeah, and finally, I wonder how Robert Jason look

0:25:17.480 --> 0:25:22.040
<v Speaker 1>at your company's long term ability to monetize. You mentioned

0:25:22.040 --> 0:25:25.160
<v Speaker 1>it's all about scaling up. Now, I get that, but

0:25:25.320 --> 0:25:28.400
<v Speaker 1>have you given much thought to a time who knows

0:25:28.440 --> 0:25:30.879
<v Speaker 1>how long it will be from now? Where how do

0:25:30.960 --> 0:25:35.080
<v Speaker 1>you make money? Yeah? We we We think Twitch is

0:25:35.119 --> 0:25:39.800
<v Speaker 1>probably the best example of a you know, a social

0:25:39.920 --> 0:25:43.639
<v Speaker 1>video platform that has monetized with an industry working with it,

0:25:43.680 --> 0:25:46.840
<v Speaker 1>and that's the gaming industry, in the sports industry, and

0:25:46.960 --> 0:25:48.920
<v Speaker 1>we we'd like to think of that as a similar

0:25:49.000 --> 0:25:52.240
<v Speaker 1>sort of analogy. So, um, you know, proving that we

0:25:52.560 --> 0:25:55.760
<v Speaker 1>build this incredible flywheel where people come into the products,

0:25:55.760 --> 0:25:57.840
<v Speaker 1>they engage with content, and then they stick around to

0:25:58.119 --> 0:26:00.840
<v Speaker 1>hang out with their friends. One we've done that, it

0:26:01.520 --> 0:26:03.600
<v Speaker 1>sort of rights itself in terms of working with the

0:26:03.640 --> 0:26:07.239
<v Speaker 1>industry to promote their content and thinking about you know,

0:26:07.480 --> 0:26:10.640
<v Speaker 1>where you direct consumers to tune into the hottest new content.

0:26:11.720 --> 0:26:14.360
<v Speaker 1>Beyond that as well, there are other models around sort

0:26:14.400 --> 0:26:19.400
<v Speaker 1>of tipping and the sort of social life chat experiences

0:26:19.440 --> 0:26:22.359
<v Speaker 1>that exist, and we're just at the beginning of trying

0:26:22.359 --> 0:26:24.879
<v Speaker 1>to understand those. But we think that if you look

0:26:24.960 --> 0:26:27.080
<v Speaker 1>at the amount of money being invested in great content

0:26:27.200 --> 0:26:30.119
<v Speaker 1>right now, um, it's you know, it's billions and billions

0:26:30.119 --> 0:26:33.800
<v Speaker 1>and billions of dollars and so having the ability to

0:26:33.920 --> 0:26:37.199
<v Speaker 1>create new experiences and engagement around that content and to

0:26:37.320 --> 0:26:40.119
<v Speaker 1>sort of reinvent some of the long tail content given

0:26:40.160 --> 0:26:42.760
<v Speaker 1>that maybe some productions have slowed down during the pandemic.

0:26:43.480 --> 0:26:46.840
<v Speaker 1>We're very polished on our ability to facilitate that. Well,

0:26:47.240 --> 0:26:50.120
<v Speaker 1>you made the Twitch comparison, so I'll bite. I mean,

0:26:50.440 --> 0:26:53.639
<v Speaker 1>do you have Twitch sized the ambitions because I guess

0:26:53.640 --> 0:26:55.760
<v Speaker 1>I'm not sure he's seen or something that is going

0:26:55.800 --> 0:27:00.000
<v Speaker 1>to be remembered as a brand synonymous with a behavior

0:27:00.560 --> 0:27:05.879
<v Speaker 1>or is it just sort of, uh, an infrastructure technology

0:27:05.920 --> 0:27:09.119
<v Speaker 1>that maybe consumers don't even eventually need to know about

0:27:09.160 --> 0:27:12.560
<v Speaker 1>my brand. If I didn't gravitate towards the former, I'd

0:27:12.560 --> 0:27:14.920
<v Speaker 1>be a bad entrepreneur. You know, I think we would

0:27:14.960 --> 0:27:20.040
<v Speaker 1>love to be synonymous with enjoying content together and if

0:27:20.080 --> 0:27:21.760
<v Speaker 1>we can do that, and if you know, our mission

0:27:21.800 --> 0:27:24.280
<v Speaker 1>here is to bring people together around shows and movies

0:27:24.359 --> 0:27:27.680
<v Speaker 1>that they love. It's that simple, and the sky is

0:27:27.760 --> 0:27:30.560
<v Speaker 1>the limit in that respect. That being said, you know,

0:27:30.600 --> 0:27:33.000
<v Speaker 1>would be very happy if we could facilitate that at

0:27:33.040 --> 0:27:36.920
<v Speaker 1>scale for a bunch of other organizations, But our primary

0:27:36.960 --> 0:27:41.920
<v Speaker 1>focuses on the consumer. Well, looking forward, to seeing how

0:27:42.160 --> 0:27:45.159
<v Speaker 1>continues to unfold for you. You're off to a great start.

0:27:45.600 --> 0:27:48.359
<v Speaker 1>Thanks for talking with me, Joe, I really appreciate it. Andrew,

0:27:49.040 --> 0:27:54.680
<v Speaker 1>thanks a lot. This has been another episode of Strictly Business.

0:27:54.840 --> 0:27:58.120
<v Speaker 1>Tune in next week for another helping of scintillating conversation

0:27:58.200 --> 0:28:01.000
<v Speaker 1>with media movers and shakers, and please make sure you

0:28:01.040 --> 0:28:05.360
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0:28:05.400 --> 0:28:08.040
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0:28:10.240 --> 0:28:10.280
<v Speaker 1>M