WEBVTT - #Throwback Episode - w/ DJ Premier & Pete Rock | (Ep.68)

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<v Speaker 1>Yeah, what's up, y'all was going on Bro Drinks. He's

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<v Speaker 1>a legendary Queen's rapper. Hey Hanks agree? Is your boy

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<v Speaker 1>in OI? He's a Miami hip hop pioneer. What Up

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<v Speaker 1>is dj E f N?

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<v Speaker 2>Together?

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<v Speaker 3>They drink it up with some of the biggest players

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<v Speaker 3>in music and sports.

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<v Speaker 1>You know what I mean?

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<v Speaker 4>The most professional, unprofessional podcast and your number one source

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<v Speaker 4>for drunk facts.

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<v Speaker 1>This is drinks Champed. Every day is New Year's Eve.

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<v Speaker 5>That's right, Hey Hanks agree? Hold this up means your

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<v Speaker 5>boy in What Up?

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<v Speaker 1>Is dj e f N?

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<v Speaker 6>And this drinks mona fucker podcast makes.

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<v Speaker 2>You've got some of that presents you guys on behalf

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<v Speaker 2>of CBS.

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<v Speaker 3>Oh okay, okay, and that's when Jeff, But they want

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<v Speaker 3>to congratulate you on twenty five million listen.

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<v Speaker 1>Wow, oh damn oh that.

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<v Speaker 3>I don't get what.

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<v Speaker 2>You knew it?

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<v Speaker 1>You know this is going there. You didn't tell me

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<v Speaker 1>you fucking that million and doing hip ho. We're doing

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<v Speaker 1>it hip hop. So I would like to introduce.

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<v Speaker 5>If you are into hip hop, if you if this

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<v Speaker 5>is something that you say you love and this is

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<v Speaker 5>something to say you adapted and you don't know these

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<v Speaker 5>two brothers, and you don't know how these brothers shaped

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<v Speaker 5>and molded the culture for everything that you love right

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<v Speaker 5>now if it wasn't for these two people that standing

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<v Speaker 5>besides me in front of me. Rather what hip hop

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<v Speaker 5>is is because of them. They single handedly had their

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<v Speaker 5>hands on the best artists ever. When you think about Illmatic,

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<v Speaker 5>think about reasonable doubt about Biggie.

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<v Speaker 1>They worked with the three top best.

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<v Speaker 5>They continuously out here looking young, they out here and

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<v Speaker 5>then and then the beat battle had just took place,

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<v Speaker 5>and a lot of people with Swiss beats bigging.

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<v Speaker 1>Him up and big up just Blade.

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<v Speaker 7>But a lot of people don't know that these brothers

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<v Speaker 7>been doing this for years, for years, they started it,

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<v Speaker 7>and I am so proud to introduce and to represent

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<v Speaker 7>people that I look up to personally.

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<v Speaker 5>Pete Rocken, motherfucker DJ. You're listening, brothers. So I'm gonna

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<v Speaker 5>be honest. The fact that both of you brothers had

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<v Speaker 5>worked on my favorite hip hop album of all times,

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<v Speaker 5>which is Illmatic.

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<v Speaker 1>Now, I just want to.

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<v Speaker 5>Take it from there, because was it because we had

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<v Speaker 5>q Tip on here? And I believe q Tip. I

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<v Speaker 5>think he said he suggested that he worked with them,

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<v Speaker 5>or so how did Yeah, yeah, so was it large.

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<v Speaker 2>Together?

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<v Speaker 8>He oh wow, actual chief in command some week week

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<v Speaker 8>actual the chief and command of mad Get.

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<v Speaker 1>So you telling me you never heard of not both.

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<v Speaker 3>Brothers and the thing is back. You know queen's artists,

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<v Speaker 3>including yourself. For one, y'all rapped longer than any other

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<v Speaker 3>with no hooks, and you know, love of visit is

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<v Speaker 3>so New York like he'd be like yo, like yo,

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<v Speaker 3>like like world like yo. He do that for like

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<v Speaker 3>ten minutes before he said sence, he was like, yo,

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<v Speaker 3>your prema got this.

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<v Speaker 1>Do name the rappernas nasty? It wasn't last.

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<v Speaker 3>In his lyrics, so he wasn't even nasty.

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<v Speaker 1>He does it on hanging. He like the reppernas. Yeah,

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<v Speaker 1>he says, you know.

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<v Speaker 3>And so even rapping big noise, I figured, that's just

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<v Speaker 3>the thing, that's a queen thing.

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<v Speaker 1>That's a queen thing.

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<v Speaker 5>And we got we got Pete Rock. I mean, we

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<v Speaker 5>got premier drinking jim Bean out mother glasses when someone

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<v Speaker 5>opened one for me.

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<v Speaker 1>Please whatever, you're just so, y'all know that.

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<v Speaker 5>So y'all know, y'all been y'all, y'all personally raised me.

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<v Speaker 5>You probably didn't know that but it was so honor

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<v Speaker 5>to work with both of you brothers. Your brothers are

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<v Speaker 5>hip hop. When I think of hip hop, your name.

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<v Speaker 5>I know both of your names start with A pete,

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<v Speaker 5>but it feels like it feels like your name should

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<v Speaker 5>be a.

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<v Speaker 1>You know.

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<v Speaker 3>The first time I met you DN D. Let's go

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<v Speaker 3>to D and D studio front door. You know what

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<v Speaker 3>he's saying, Hey, y'o from man was something. Man, Yo,

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<v Speaker 3>my name is Loui and the thing is the l

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<v Speaker 3>A l A record. Yeah, okay, we got him drinking

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<v Speaker 3>years old. Man.

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<v Speaker 5>I know, I know, I know you're gonna do on

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<v Speaker 5>whiskey and do something.

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<v Speaker 3>I'll do this rocking nobody.

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<v Speaker 1>You're trying to give him that shot and then you

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<v Speaker 1>call another one.

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<v Speaker 3>But but the crazy thing is when I heard l

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<v Speaker 3>A l A, you opened up lids, Louise, Louise.

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<v Speaker 1>That's how we do.

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<v Speaker 2>For Pete rocket for. I used to hang in Queens

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<v Speaker 2>with Flush.

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<v Speaker 1>I heard you play unreleased on me Casina. Was that

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<v Speaker 1>unreleased Flush versus.

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<v Speaker 2>That was worldwide remix? I never put at that beat.

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<v Speaker 2>That beat.

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<v Speaker 1>We got to do that back for y'all. You're ringing

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<v Speaker 1>for you all. I gotta do that beating for you.

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<v Speaker 5>Also, big you up of plugging me in the Supreme

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<v Speaker 5>and people don't know pe Rock was the person that

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<v Speaker 5>plugged me in with the Creme.

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<v Speaker 3>Know that.

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<v Speaker 1>Let's make some Lloyd smoke, right, Yeah, I do, but

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<v Speaker 1>I did.

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<v Speaker 3>I didn't mind, you know, in ninety two. So let's

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<v Speaker 3>another Herves still Flow. Now, let's still flow. Let's take

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<v Speaker 3>it from the beginning Still Flow Premier. How did you

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<v Speaker 3>in and Google?

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<v Speaker 1>Even me?

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<v Speaker 3>I met gool because it goes back to nineteen eighty

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<v Speaker 3>seven into eighty eight. My good friend who's still my man,

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<v Speaker 3>Carlos Garza in Houston, Texas, helped me get a job

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<v Speaker 3>at the front regis he's and he's a boss Boston.

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<v Speaker 3>So Wild Pitch Records is a husband and wife label

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<v Speaker 3>shop Stu Fin and with that search search was later,

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<v Speaker 3>Surge was later.

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<v Speaker 1>Yeah, it was just Stup Fine and his wife, no

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<v Speaker 1>one else.

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<v Speaker 3>They never rapp Promotion Guru was a person that would

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<v Speaker 3>go over their house every day and then listening to

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<v Speaker 3>every demo that came in. They had Latti already signed.

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<v Speaker 3>Who's Apache Recipes? That's Apache's brother Wow, and did a

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<v Speaker 3>lot of writing, you know with Latifa and in the

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<v Speaker 3>Flavor Unit and he had a record call this cut

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<v Speaker 3>got Flavored, which was big in.

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<v Speaker 1>New York at the time. That isn't putting on the hiss.

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<v Speaker 1>That's how forty five King came into doing the wild

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<v Speaker 1>pitch work. And then Jill rob G came along.

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<v Speaker 3>Who's also part of Lati's crew in the Flavor Unit,

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<v Speaker 3>and he got signed a Wild Pitch Gangstar I got

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<v Speaker 3>signed after that in nineteen eighty six, and so they

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<v Speaker 3>had a rec call the lesson I wasn't in the group.

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<v Speaker 3>Then three Gangstar goes through three different chambers. The first

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<v Speaker 3>chamber was Big Sug and Gool Gangstar.

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<v Speaker 1>It was Big Sugar.

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<v Speaker 3>Gurul when when Goo was going to school at more House, right,

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<v Speaker 3>so they they they were both from Boston, Yeah Yeah, And.

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<v Speaker 1>It was Shug Brother swave D. They were the first

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<v Speaker 1>Gang Star.

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<v Speaker 3>Then swave D stepped out and it became two ms Damodiski,

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<v Speaker 3>but Guru wrote all the rhymes and it was Guru

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<v Speaker 3>and then DJ Mike D but he was called DJ

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<v Speaker 3>want to Be Down Wow, but it's the DJ one.

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<v Speaker 3>The number two name let her Be and Jay want

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<v Speaker 3>to Be Down. It was one the number two let

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<v Speaker 3>her be and then down want to be down. So

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<v Speaker 3>he he has a brother named Gangstar t you know

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<v Speaker 3>what I'm saying.

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<v Speaker 1>So all of that trickled down into the name.

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<v Speaker 3>But Sugar and Guru originated again shot the Sugar everything

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<v Speaker 3>he's doing, the things and movies now like yeah, we're

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<v Speaker 3>working with Larry David all that stuff. So so from there,

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<v Speaker 3>when Goo moved to New York, the rest of the

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<v Speaker 3>members didn't. Sugar got locked up for a while, so

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<v Speaker 3>now it's just grew on his own. But anytime work

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<v Speaker 3>wouldn't involved with any money, no one would come up

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<v Speaker 3>to New York to help him doing any movement around,

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<v Speaker 3>hopping around to get get in the clubs, get on

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<v Speaker 3>the radio, because they weren't. They weren't really getting radio

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<v Speaker 3>played till they dropped their second single called Buster Move Boy,

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<v Speaker 3>which is when I heard him. I was in New

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<v Speaker 3>York at the time for the summer and Red Alert

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<v Speaker 3>was cutting it up, mally Mal was cutting it up,

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<v Speaker 3>and if they're playing it and I thought they were

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<v Speaker 3>called game Stop because of his Boston accent.

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<v Speaker 1>He's his gang sty but knowledge that's about that.

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<v Speaker 3>Yeah, But this is right before how anything in control

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<v Speaker 3>was just about to start bubbling but before Magic left.

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<v Speaker 3>But uh, and Chillie Q used to be up there,

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<v Speaker 3>and and and Kevin cav So when.

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<v Speaker 1>Yeah, and YouTube of course we met. When I met

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<v Speaker 1>with Google, I met you had the red stroglet the mic. Yeah, yeah,

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<v Speaker 1>you had to go out.

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<v Speaker 2>He's like fucked up and he's like, now keep it going.

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<v Speaker 1>Yeah, he'll keep going. You'll keep going.

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<v Speaker 3>But so from that point, uh, those three artists were

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<v Speaker 3>the label Chier, Rob g Lati and Gangstar and forty

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<v Speaker 3>five King was the only producer that worked after that

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<v Speaker 3>after Donald D produced the first single. So from there, uh,

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<v Speaker 3>Google used to go through a box of the demos

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<v Speaker 3>when every time mail came in, because back then it

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<v Speaker 3>was about mailing your stuff, walking it in. Carlos snugg

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<v Speaker 3>my my my demo over to Stu.

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<v Speaker 1>Just be your beat, you know.

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<v Speaker 3>I was in a group called mcason Control and Texas

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<v Speaker 3>and my MC was from Boston's name was top Ski

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<v Speaker 3>top Ski. We're uh, we're uh.

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<v Speaker 1>Where's a keno a Lord?

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<v Speaker 3>Tops Key Sugar Pop And.

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<v Speaker 1>They heard my demo but they didn't like my MC.

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<v Speaker 1>They like me and they were like we really want you.

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<v Speaker 1>But I was like, basically saying, like the beats right

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<v Speaker 1>and my scratching. They were bugging off my scratches. So

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<v Speaker 1>I didn't really want to leave my.

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<v Speaker 3>Group, so I said, I can't do it. I gotta stay,

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<v Speaker 3>stay doing what I do. Tom passed my MC. Pretty

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<v Speaker 3>much got frustrated after going shopping other deals. We couldn't

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<v Speaker 3>get a deal, so he said, I'm joining the military.

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<v Speaker 3>I thought he was just bluffing. One day, we're at

0:10:33.120 --> 0:10:35.400
<v Speaker 3>the house shot to Gordon Franklin, the whole Franklin family,

0:10:35.440 --> 0:10:38.160
<v Speaker 3>Gary Arden recipes in Maryland, Franklin. We were staying at

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<v Speaker 3>their house after we were going to college together. That's

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<v Speaker 3>how I met them. And next thing, you know, the

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<v Speaker 3>bell rings on the weekend and the recruiting officers at

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<v Speaker 3>the door on Yeah. Man, he said, yea, I'm looking

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<v Speaker 3>for Theodore Campbell. And I'm like, for what he said,

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<v Speaker 3>he signed he joined the Navy, and I thought I

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<v Speaker 3>was like, I thought he was lying. I'm like, yo,

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<v Speaker 3>topgether on the basement because we all lived together, and

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<v Speaker 3>he's like, yo, I'm out.

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<v Speaker 1>He has his bag packed already. I'm like, how did

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<v Speaker 1>you did you? Did you join he said for four

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<v Speaker 1>years at MC? Yeah, okay, he.

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<v Speaker 3>Said, four years and already met top of everything. I'm

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<v Speaker 3>like four years, so I'm not gonna wait for you

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<v Speaker 3>for four years. He said, Yo, I'm out do your thing.

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<v Speaker 3>And that's when I called back to Wild Pitch, say yo,

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<v Speaker 3>my man. My man left, so now I'm available to

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<v Speaker 3>not be Lived in the group because that's my front

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<v Speaker 3>man and the grouls.

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<v Speaker 1>I gotta want you in the group. So that's how

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<v Speaker 1>I joined Gangs start and then from there Googs. He's

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<v Speaker 1>on my tape and Lord for Neess's tape.

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<v Speaker 3>That's how Lord from Nes got signed to Wild Pitch,

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<v Speaker 3>and that's how I ended up.

0:11:32.200 --> 0:11:37.280
<v Speaker 1>That's the first artist I ever produced was Lord. Let's

0:11:37.320 --> 0:11:45.760
<v Speaker 1>take some noise for that. LA is like that? Okay,

0:11:45.800 --> 0:11:49.440
<v Speaker 1>So now how did you meet? Y'all went to school together.

0:11:49.600 --> 0:11:50.480
<v Speaker 2>Went to school together.

0:11:51.520 --> 0:11:55.440
<v Speaker 8>Through some street guys, and you know when I heard,

0:11:55.480 --> 0:11:57.120
<v Speaker 8>you know, they was telling me he could rap or whatever.

0:11:57.240 --> 0:11:59.080
<v Speaker 2>And when I heard his voice in high school because

0:11:59.080 --> 0:12:00.000
<v Speaker 2>he was always a producer.

0:12:01.240 --> 0:12:03.839
<v Speaker 8>Yeah, well, in the hood, I started doing my high

0:12:03.880 --> 0:12:07.199
<v Speaker 8>school parties djas. You know, I became a DJ in

0:12:07.240 --> 0:12:12.240
<v Speaker 8>mynt RN motherfuckers, you know, flocked to so I met Clo.

0:12:12.440 --> 0:12:15.360
<v Speaker 8>He had a distinctive voice. We did like fifty sixty

0:12:15.400 --> 0:12:17.319
<v Speaker 8>demos in my basement on four.

0:12:17.200 --> 0:12:21.280
<v Speaker 5>Track, four track, like and got signed off that ship,

0:12:21.640 --> 0:12:22.120
<v Speaker 5>you know what I mean.

0:12:22.640 --> 0:12:25.200
<v Speaker 8>Like we was taking like dance to the drummers beat

0:12:25.280 --> 0:12:28.560
<v Speaker 8>and making songs, you know, taking the break beats that

0:12:28.840 --> 0:12:31.480
<v Speaker 8>man Lenny from the Bronx was put street beat and

0:12:31.520 --> 0:12:34.320
<v Speaker 8>I would make betime to them. Since just normal ship.

0:12:34.440 --> 0:12:38.160
<v Speaker 5>And then because it is like it's like the Bronx

0:12:38.200 --> 0:12:42.120
<v Speaker 5>being a place of hippen right birthplaces, right, Mount Vernon

0:12:42.200 --> 0:12:42.480
<v Speaker 5>is like.

0:12:43.040 --> 0:12:44.319
<v Speaker 1>Cousin his cousins.

0:12:44.400 --> 0:12:47.960
<v Speaker 5>Yeah, so y'all had to have hip hop justice.

0:12:48.040 --> 0:12:49.720
<v Speaker 1>You originally from the Bronx.

0:12:49.960 --> 0:12:50.160
<v Speaker 6>Oh.

0:12:52.520 --> 0:12:55.000
<v Speaker 8>You know, when I was young, I went to Bronx

0:12:55.120 --> 0:12:57.240
<v Speaker 8>Room Park, not knowing what was doing on you know

0:12:57.280 --> 0:12:59.280
<v Speaker 8>what I'm saying. All I know is I've seen a

0:12:59.280 --> 0:13:02.760
<v Speaker 8>bunch of cool who was smoking, drinking and listening to

0:13:02.840 --> 0:13:03.240
<v Speaker 8>hip hop.

0:13:03.400 --> 0:13:05.920
<v Speaker 2>It sh had me. And then when I turned seven

0:13:06.000 --> 0:13:07.400
<v Speaker 2>years old, I met James Brown.

0:13:07.640 --> 0:13:14.920
<v Speaker 1>What wow, that's gonna change your cousin.

0:13:15.880 --> 0:13:19.960
<v Speaker 8>Your cousin is my cousin of course, family, all right,

0:13:20.360 --> 0:13:23.280
<v Speaker 8>bless some peace, bro. And you know he took me

0:13:23.360 --> 0:13:25.920
<v Speaker 8>under his wing. And that's how I learned everything. That's

0:13:25.960 --> 0:13:29.920
<v Speaker 8>how I met everybody before I even became who I was.

0:13:30.480 --> 0:13:32.840
<v Speaker 8>I was Teddy Wiley, I was in the studio.

0:13:32.920 --> 0:13:33.440
<v Speaker 1>How we team.

0:13:34.920 --> 0:13:38.440
<v Speaker 3>Let's take it rimming this Soul with You, which is

0:13:38.520 --> 0:13:40.160
<v Speaker 3>such an iconic song for an.

0:13:40.280 --> 0:13:45.400
<v Speaker 5>Iconic song, but now that is about actual person, correct,

0:13:46.200 --> 0:13:47.000
<v Speaker 5>Can we break that down?

0:13:47.040 --> 0:13:49.320
<v Speaker 1>It's Troy right, It's on tour.

0:13:49.840 --> 0:13:54.040
<v Speaker 2>Heavy Dena boys, you know him and canting plays road.

0:13:53.920 --> 0:13:57.040
<v Speaker 8>Managers playing around, you know, we's always be on tour

0:13:57.120 --> 0:14:00.880
<v Speaker 8>plane and they were playing with empty guards cancer throw them,

0:14:01.000 --> 0:14:03.240
<v Speaker 8>throwing them, trying to hit each other and you know,

0:14:03.360 --> 0:14:06.920
<v Speaker 8>never you know, mister steps when he was at the

0:14:07.000 --> 0:14:11.360
<v Speaker 8>edge of the stage, I didn't know what and have

0:14:11.520 --> 0:14:13.600
<v Speaker 8>called me and started to crying, and you know, the

0:14:13.640 --> 0:14:17.840
<v Speaker 8>whole honey, all fucked up. Even today, to this day,

0:14:17.880 --> 0:14:21.880
<v Speaker 8>I don't even know how I was able to listen

0:14:21.920 --> 0:14:23.640
<v Speaker 8>to a record and make a beat because I was

0:14:23.640 --> 0:14:27.280
<v Speaker 8>so destraught that but man, and the whole was he was.

0:14:27.320 --> 0:14:32.000
<v Speaker 1>Infamous in the hood, but you know, legendary that I didn't,

0:14:32.600 --> 0:14:33.640
<v Speaker 1>you know.

0:14:33.720 --> 0:14:35.880
<v Speaker 8>And when I found the sample, you know, I was

0:14:35.920 --> 0:14:39.080
<v Speaker 8>with Extra Pe when we was in Queen's and we

0:14:39.120 --> 0:14:40.840
<v Speaker 8>were digging and I found the record, you know what

0:14:40.840 --> 0:14:43.640
<v Speaker 8>I mean, and we you know, took it home, fucked

0:14:43.640 --> 0:14:47.680
<v Speaker 8>with it, you know, and next thing, you know, I

0:14:47.720 --> 0:14:49.960
<v Speaker 8>put you know, after the beat was made and everything

0:14:50.040 --> 0:14:51.120
<v Speaker 8>like that, we got in the.

0:14:51.080 --> 0:14:54.640
<v Speaker 2>Stuc came with the lyrics and it's like, but he

0:14:54.680 --> 0:14:57.400
<v Speaker 2>didn't have the beat, like he already had the rhymes rope,

0:14:57.440 --> 0:15:00.720
<v Speaker 2>but he needed a beat to match the rhymes. And

0:15:00.760 --> 0:15:02.200
<v Speaker 2>that's very It was not.

0:15:02.240 --> 0:15:05.800
<v Speaker 1>Easy to Yeah, that's magical for that to.

0:15:05.960 --> 0:15:09.000
<v Speaker 8>So it melt it right and it was just like

0:15:09.080 --> 0:15:13.600
<v Speaker 8>damn classic talked about his aunt and you know, did you.

0:15:13.640 --> 0:15:15.760
<v Speaker 1>Know that was going to be as classic as it is?

0:15:15.800 --> 0:15:16.320
<v Speaker 1>When you made?

0:15:16.360 --> 0:15:19.600
<v Speaker 2>When I had Charlie Brown from me decisions.

0:15:20.760 --> 0:15:23.440
<v Speaker 8>And he was there for the mixed up and we

0:15:23.760 --> 0:15:26.640
<v Speaker 8>were just all that crying. I just let it out

0:15:26.720 --> 0:15:28.400
<v Speaker 8>like I didn't even care if he, you know, who

0:15:28.520 --> 0:15:30.720
<v Speaker 8>was around, because I was thinking about Troy.

0:15:31.320 --> 0:15:36.400
<v Speaker 2>He started crying, and then the engineers started and I.

0:15:36.360 --> 0:15:39.280
<v Speaker 1>Said, I think we got I think the day.

0:15:39.560 --> 0:15:41.920
<v Speaker 3>You know. The only thing I don't like about that

0:15:42.000 --> 0:15:53.440
<v Speaker 3>record is that wait, what what are you say is

0:15:53.480 --> 0:15:55.240
<v Speaker 3>wrong about It's a lot of.

0:15:56.840 --> 0:15:58.760
<v Speaker 1>So now I gotta take it to one of my

0:15:58.880 --> 0:16:10.360
<v Speaker 1>favorite games, one of them the whole night mass appeal.

0:16:11.000 --> 0:16:21.120
<v Speaker 1>What drugs was you smoking? That's the ruler era. Man.

0:16:23.920 --> 0:16:26.160
<v Speaker 3>You know it's crazy because I mean everybody has the

0:16:26.280 --> 0:16:27.680
<v Speaker 3>eras of getting lifted.

0:16:27.720 --> 0:16:29.560
<v Speaker 1>I mean, now the pills they are, the young kids,

0:16:29.840 --> 0:16:31.080
<v Speaker 1>they're crazy. That's not my thing.

0:16:31.160 --> 0:16:33.800
<v Speaker 3>But I mean we all have ways of escaping and

0:16:33.920 --> 0:16:37.440
<v Speaker 3>and uh, music and drugs and drinking and sex and

0:16:37.440 --> 0:16:40.240
<v Speaker 3>all that sports. It has always been in a twine.

0:16:40.320 --> 0:16:42.920
<v Speaker 3>But it's all about how strong your mind is or

0:16:43.000 --> 0:16:44.040
<v Speaker 3>how weak your mind is.

0:16:44.080 --> 0:16:45.080
<v Speaker 2>That I've always kept your.

0:16:45.040 --> 0:16:47.520
<v Speaker 1>Grown mind to know how to turn the switch off

0:16:47.520 --> 0:16:49.080
<v Speaker 1>and get back like manager properly.

0:16:49.240 --> 0:16:55.480
<v Speaker 3>I'm glad, yeah you is.

0:16:55.560 --> 0:17:00.360
<v Speaker 1>You know when I've heard that this happened.

0:17:01.600 --> 0:17:04.280
<v Speaker 3>Me to that it was a good old day at

0:17:04.320 --> 0:17:06.640
<v Speaker 3>ninety three into ninety four. That album came out ninety four,

0:17:06.680 --> 0:17:08.560
<v Speaker 3>Folk Song came out ninety three. But I mean, though

0:17:08.640 --> 0:17:10.840
<v Speaker 3>those were the good old days of just ye you know,

0:17:10.920 --> 0:17:12.879
<v Speaker 3>you would torch before you go on the lab and

0:17:12.920 --> 0:17:15.359
<v Speaker 3>start cooking something off and and and even with the

0:17:15.359 --> 0:17:17.080
<v Speaker 3>one with that, I mean, my mind approach is still

0:17:17.119 --> 0:17:17.480
<v Speaker 3>the same.

0:17:17.880 --> 0:17:20.000
<v Speaker 1>So thank Goodness said that it is because I'm still

0:17:20.040 --> 0:17:22.200
<v Speaker 1>active even if it is old. Does the work is

0:17:22.200 --> 0:17:22.720
<v Speaker 1>still coming.

0:17:22.960 --> 0:17:25.440
<v Speaker 3>We're still active, which we still are addicted to making

0:17:25.520 --> 0:17:29.160
<v Speaker 3>beats and performing in DJing. We're like we're battling, Yeah, battle,

0:17:29.359 --> 0:17:32.159
<v Speaker 3>you know what I'm saying. But Master Hill was a wizard,

0:17:32.400 --> 0:17:34.720
<v Speaker 3>was a We was actually making it as a goof

0:17:35.200 --> 0:17:38.880
<v Speaker 3>to radio because we wasn't getting regular rotations on radio

0:17:38.960 --> 0:17:39.880
<v Speaker 3>as a hip hop group.

0:17:40.119 --> 0:17:41.880
<v Speaker 1>But like who always.

0:17:41.560 --> 0:17:44.480
<v Speaker 3>Said, we got platinum respect, So they came out the

0:17:44.520 --> 0:17:47.240
<v Speaker 3>platinum artists are loving us, but we can't sell some

0:17:47.440 --> 0:17:47.960
<v Speaker 3>on records.

0:17:48.000 --> 0:17:51.040
<v Speaker 1>But everybody that that's platinum and selling millions of Love

0:17:51.080 --> 0:17:51.679
<v Speaker 1>Gang Stars.

0:17:51.800 --> 0:17:54.639
<v Speaker 3>We were like, let's make a radio making fun of radio,

0:17:55.240 --> 0:17:56.680
<v Speaker 3>and I said, I want to make something that sounds

0:17:56.720 --> 0:17:58.159
<v Speaker 3>like you're on the elevator going here.

0:18:00.119 --> 0:18:02.040
<v Speaker 1>That was my mind stage.

0:18:02.240 --> 0:18:04.119
<v Speaker 3>I wanted to make the records, you know, you know

0:18:04.160 --> 0:18:06.000
<v Speaker 3>he elevators crazy.

0:18:07.119 --> 0:18:08.399
<v Speaker 1>I'm thinking about your logic.

0:18:08.960 --> 0:18:15.520
<v Speaker 2>Found the record that's closest to It's like, yeah, closest.

0:18:15.080 --> 0:18:16.680
<v Speaker 1>To what That's what it is. There's a lot of

0:18:16.720 --> 0:18:17.400
<v Speaker 1>times I.

0:18:17.400 --> 0:18:19.960
<v Speaker 3>Pre hear the song and I'm looking for the stuff

0:18:19.960 --> 0:18:21.439
<v Speaker 3>that matches my what I'm looking for.

0:18:21.520 --> 0:18:23.680
<v Speaker 1>That's why the drums usually come first.

0:18:23.680 --> 0:18:26.399
<v Speaker 3>But you know, because it's like, you know what it's

0:18:26.400 --> 0:18:28.719
<v Speaker 3>going whatnots on this one. I'm going in pizza on

0:18:28.720 --> 0:18:31.000
<v Speaker 3>this one, going sub on this one. You know, we

0:18:31.040 --> 0:18:32.320
<v Speaker 3>can't already know where.

0:18:32.160 --> 0:18:32.639
<v Speaker 1>We're gonna go.

0:18:33.440 --> 0:18:39.800
<v Speaker 5>Talk got In the early days of my gang Start career,

0:18:40.720 --> 0:18:42.440
<v Speaker 5>there's three people that really taught.

0:18:42.160 --> 0:18:44.800
<v Speaker 3>Me how to get to the level, actually four of

0:18:44.920 --> 0:18:47.720
<v Speaker 3>the level that where I should now I'll take anybody on.

0:18:47.800 --> 0:18:52.200
<v Speaker 3>I'll Balanti. He taught me how to feel to show biz.

0:18:53.320 --> 0:18:55.880
<v Speaker 3>D I t C from shows A taught me thinking

0:18:55.880 --> 0:18:58.200
<v Speaker 3>about how to chop men. I learned how shot beat

0:18:58.240 --> 0:19:01.159
<v Speaker 3>some show biz and then lost professor just showed me

0:19:01.440 --> 0:19:02.080
<v Speaker 3>crazy tricks.

0:19:02.119 --> 0:19:04.199
<v Speaker 1>That used to come to Miles and Hill with us

0:19:04.359 --> 0:19:06.639
<v Speaker 1>because we we met me to hers and we used

0:19:06.640 --> 0:19:08.880
<v Speaker 1>to go to Ms Mackenzie's house. Who's who's the DJs?

0:19:09.200 --> 0:19:12.280
<v Speaker 3>The mom shirt cutting k scratch, I mean Kate cutting

0:19:12.359 --> 0:19:13.680
<v Speaker 3>her scratch, So we used to go to the house.

0:19:13.720 --> 0:19:16.479
<v Speaker 3>So I was around Large Pete a lot, and they

0:19:16.480 --> 0:19:17.080
<v Speaker 3>were way more.

0:19:17.000 --> 0:19:19.159
<v Speaker 1>Advanced on the d programming front from me.

0:19:19.240 --> 0:19:21.399
<v Speaker 3>We all way into the records and the sampling, but

0:19:21.600 --> 0:19:24.120
<v Speaker 3>my skill didn't really get to a point until around

0:19:24.160 --> 0:19:24.680
<v Speaker 3>ninety two.

0:19:25.320 --> 0:19:25.880
<v Speaker 1>You know what I'm saying.

0:19:25.920 --> 0:19:28.879
<v Speaker 3>When I started working on boom Bat with KRS because

0:19:29.920 --> 0:19:35.040
<v Speaker 3>original rap, not that that song, but the majority of

0:19:35.200 --> 0:19:42.200
<v Speaker 3>from the Mortal out of Here Mortal Carriers want attacks

0:19:42.600 --> 0:19:43.120
<v Speaker 3>and you didn't.

0:19:43.160 --> 0:19:47.520
<v Speaker 1>We still the lawn too. You killed that album. You killed.

0:19:51.000 --> 0:19:54.080
<v Speaker 3>It was just a laugh at radio for not playing us.

0:19:54.240 --> 0:19:56.159
<v Speaker 3>And then its going to be our biggest in that.

0:19:57.840 --> 0:20:00.639
<v Speaker 1>Crazy you know, you know, you know what else I

0:20:00.680 --> 0:20:02.879
<v Speaker 1>gotta I gotta go straight into it. I'm so sorry.

0:20:04.040 --> 0:20:08.080
<v Speaker 1>Stick up the kids. That was a true story, just

0:20:08.160 --> 0:20:10.280
<v Speaker 1>to get a rep. We just got idea.

0:20:11.080 --> 0:20:12.280
<v Speaker 3>We were living in the Bronx on one of the

0:20:12.440 --> 0:20:14.000
<v Speaker 3>third Street. I moved out of East New York and

0:20:14.119 --> 0:20:16.520
<v Speaker 3>moved I was living in Yeah, we moved to the

0:20:16.560 --> 0:20:20.240
<v Speaker 3>Bronx one of the third Street. That's how I met That's.

0:20:19.320 --> 0:20:20.800
<v Speaker 1>How I met that.

0:20:21.480 --> 0:20:24.240
<v Speaker 3>That's how I fancy from the n Y Jesus, That's

0:20:24.280 --> 0:20:29.720
<v Speaker 3>how met Smiley together town Nutcracker, Cracker. I lived on

0:20:29.760 --> 0:20:32.040
<v Speaker 3>one of the third and Andrews and they all they

0:20:32.119 --> 0:20:33.440
<v Speaker 3>all lived down the hill on Andrews.

0:20:33.720 --> 0:20:34.280
<v Speaker 9>Was in the hood.

0:20:34.480 --> 0:20:43.840
<v Speaker 3>Yeah, middle was We got our first check. I was

0:20:44.000 --> 0:20:47.080
<v Speaker 3>moving into and with brand from our sellers. Uh he

0:20:47.520 --> 0:20:50.560
<v Speaker 3>he was about to be the music director for the

0:20:50.640 --> 0:20:53.600
<v Speaker 3>Tonight Show with jay Leno. So he his wife and

0:20:53.640 --> 0:20:55.800
<v Speaker 3>his son was still still living there before they moved

0:20:55.800 --> 0:20:57.680
<v Speaker 3>down a they was, you know, so they were kind

0:20:57.680 --> 0:20:59.800
<v Speaker 3>of back and forth. So at the time before he

0:20:59.880 --> 0:21:02.320
<v Speaker 3>made Offishley moved he we all moved in together. So

0:21:02.400 --> 0:21:04.800
<v Speaker 3>now Brandford, his wife, his son, and me and gul

0:21:05.119 --> 0:21:07.480
<v Speaker 3>all living together on three seventy four Washington and Brooklyn.

0:21:07.560 --> 0:21:08.480
<v Speaker 1>So we moved back to Brooklyn.

0:21:08.960 --> 0:21:11.840
<v Speaker 3>We both bought our first brand new cars. And you know,

0:21:11.880 --> 0:21:14.280
<v Speaker 3>I had had a whip already, but I'm up the

0:21:14.359 --> 0:21:18.320
<v Speaker 3>m PV. The car over the time, for sure, but

0:21:18.440 --> 0:21:23.359
<v Speaker 3>it was very famous every yeah, the car videos. One

0:21:23.359 --> 0:21:26.240
<v Speaker 3>of the minds a Jackie Boy car because it was

0:21:26.320 --> 0:21:28.880
<v Speaker 3>the sound system. Everybody knew me for him around the way.

0:21:29.480 --> 0:21:32.800
<v Speaker 3>So when when that happened, Guru by a four Runner.

0:21:32.800 --> 0:21:34.560
<v Speaker 3>These werein the four Runners new.

0:21:34.560 --> 0:21:35.480
<v Speaker 1>Style body style.

0:21:36.800 --> 0:21:38.760
<v Speaker 3>Grew got into a problem with some dudes in Brooklyn

0:21:39.200 --> 0:21:43.560
<v Speaker 3>and uh he yeah, and then and they took the car.

0:21:44.040 --> 0:21:46.560
<v Speaker 3>They took Tom Tom passed when looking at the cats,

0:21:46.600 --> 0:21:48.000
<v Speaker 3>looking at the cats, couldn't find a car.

0:21:48.640 --> 0:21:53.159
<v Speaker 1>One day we just poured GPS. Yeah, one day we're.

0:21:53.040 --> 0:21:57.159
<v Speaker 3>Moving around, we see the car start chasing after the

0:21:57.240 --> 0:22:01.080
<v Speaker 3>guy going after him his high speed chase. Cops see

0:22:01.240 --> 0:22:03.920
<v Speaker 3>us start chasing too, going after him. He's like, that's

0:22:03.920 --> 0:22:05.800
<v Speaker 3>our car, that's our car. Because they want to pull

0:22:05.880 --> 0:22:08.600
<v Speaker 3>us over. They go after the car that he keeps

0:22:08.640 --> 0:22:12.920
<v Speaker 3>on driving. He the driver hits an ice cream truck

0:22:13.040 --> 0:22:13.719
<v Speaker 3>and dies.

0:22:13.920 --> 0:22:15.920
<v Speaker 1>Oh ship, yeah yeah.

0:22:16.280 --> 0:22:19.359
<v Speaker 3>And it's crazy because Grew had a picture of the

0:22:19.440 --> 0:22:20.879
<v Speaker 3>day he got the car, and he's in front of

0:22:20.920 --> 0:22:21.440
<v Speaker 3>it going.

0:22:21.960 --> 0:22:23.200
<v Speaker 1>Like like, yeah, I got my car.

0:22:23.840 --> 0:22:25.480
<v Speaker 3>Were going to the precinct where they brought the car

0:22:25.520 --> 0:22:27.320
<v Speaker 3>and it was all switched in and everything from the

0:22:27.560 --> 0:22:28.680
<v Speaker 3>from the crash and it was all.

0:22:28.600 --> 0:22:30.280
<v Speaker 1>Switched up and grew, So I got to take a

0:22:30.320 --> 0:22:36.840
<v Speaker 1>picture body's standing by going before I sold.

0:22:37.040 --> 0:22:39.600
<v Speaker 3>He said, I'm writing a song about this, and we

0:22:39.680 --> 0:22:41.920
<v Speaker 3>wrote the song with the and see the album only

0:22:41.960 --> 0:22:44.080
<v Speaker 3>has two verses. When we came up with the video

0:22:44.160 --> 0:22:45.840
<v Speaker 3>with fab for Freddy and did that, he said, we

0:22:45.920 --> 0:22:49.800
<v Speaker 3>need that. That's me swatching there there hook, I mean

0:22:49.840 --> 0:22:52.200
<v Speaker 3>their voice on Funky for You.

0:22:53.000 --> 0:22:55.720
<v Speaker 1>Oh yeah, it's so so fab fire.

0:22:55.720 --> 0:22:58.680
<v Speaker 3>Freddy said we need a closing way of the video,

0:22:58.760 --> 0:23:00.760
<v Speaker 3>and being it that the guy did die in the end,

0:23:01.440 --> 0:23:03.359
<v Speaker 3>he said, we gotta do a third versal. Guru or

0:23:03.400 --> 0:23:05.280
<v Speaker 3>the third verse, and that's why the twelve minutes has

0:23:05.320 --> 0:23:07.320
<v Speaker 3>a diffinite type of a bounce, and it's been re

0:23:07.480 --> 0:23:09.000
<v Speaker 3>recorded three.

0:23:08.920 --> 0:23:10.960
<v Speaker 1>Verses nineteen ninety.

0:23:11.119 --> 0:23:13.560
<v Speaker 3>So yeah, isn't that crazy that we actually found a

0:23:13.640 --> 0:23:16.560
<v Speaker 3>dude to took off after the cops go after after us,

0:23:16.640 --> 0:23:18.359
<v Speaker 3>and once we say, you know, we're trying to get

0:23:18.359 --> 0:23:21.880
<v Speaker 3>our car back, and the dude running and crashed karm

0:23:21.960 --> 0:23:23.400
<v Speaker 3>up for your ice cream truck.

0:23:23.880 --> 0:23:25.520
<v Speaker 2>That's why you gotta love game star.

0:23:25.800 --> 0:23:27.440
<v Speaker 1>This is why you got it a love true star.

0:23:27.600 --> 0:23:35.119
<v Speaker 1>You got it now, Pete, the world is sure. I

0:23:35.280 --> 0:23:37.320
<v Speaker 1>was hating that now.

0:23:39.840 --> 0:23:42.240
<v Speaker 2>That means I was instilled though when he heard the beat.

0:23:42.119 --> 0:23:44.920
<v Speaker 4>Ship Hold on, hold that, hold up on a second,

0:23:44.920 --> 0:23:50.000
<v Speaker 4>because I want to say, arguably might be my favorite

0:23:50.040 --> 0:23:52.320
<v Speaker 4>record on him my back is my favorite album of

0:23:52.400 --> 0:23:52.760
<v Speaker 4>all time.

0:23:52.800 --> 0:23:55.520
<v Speaker 2>Wow in mind too. Not because I'm on it. It

0:23:55.520 --> 0:23:57.440
<v Speaker 2>would have been my favorite even.

0:23:57.240 --> 0:23:58.760
<v Speaker 1>If I ain't on it at all.

0:24:00.160 --> 0:24:01.320
<v Speaker 2>I'm glad I was made.

0:24:02.320 --> 0:24:06.280
<v Speaker 5>I just want you describe he was there. He was

0:24:06.359 --> 0:24:10.440
<v Speaker 5>there just to watch, all right. So now you meet

0:24:10.480 --> 0:24:14.240
<v Speaker 5>this kid that lost professor. Yes, it brings you to them, Yes,

0:24:14.359 --> 0:24:15.600
<v Speaker 5>and then they say they want you to work on.

0:24:15.720 --> 0:24:16.680
<v Speaker 2>Came up to mom vernon.

0:24:16.880 --> 0:24:19.600
<v Speaker 8>Okay, And there's a story where I had not waiting.

0:24:19.960 --> 0:24:22.879
<v Speaker 8>I didn't even realize. I don't even remember. He said that.

0:24:23.000 --> 0:24:25.280
<v Speaker 2>I was in the car talking to a girl and

0:24:25.440 --> 0:24:26.119
<v Speaker 2>he was behind me.

0:24:26.200 --> 0:24:28.760
<v Speaker 1>But you know, if it's people behind me to get out,

0:24:30.800 --> 0:24:33.520
<v Speaker 1>you know what I mean. But he waited. He just

0:24:33.560 --> 0:24:35.280
<v Speaker 1>stood in the car shot.

0:24:37.080 --> 0:24:40.399
<v Speaker 2>I'm still we got it together. We got downstairs right,

0:24:41.000 --> 0:24:43.359
<v Speaker 2>going through a couple of as SPEK twelve hundred this right,

0:24:44.200 --> 0:24:47.639
<v Speaker 2>the first three, the second one I discome put in.

0:24:48.440 --> 0:24:51.040
<v Speaker 2>When I played it, he just said, oh wait, wait, wait, wait,

0:24:51.040 --> 0:24:55.760
<v Speaker 2>wait a minute, and he just stood there. I was like, okay, that.

0:24:55.880 --> 0:24:56.600
<v Speaker 3>Means he likes it.

0:24:57.280 --> 0:24:59.520
<v Speaker 1>I just knew it, you know, And this is the

0:24:59.560 --> 0:25:01.240
<v Speaker 1>world is you? Was he saying, He's like, you want

0:25:01.240 --> 0:25:01.600
<v Speaker 1>to single?

0:25:01.840 --> 0:25:07.720
<v Speaker 2>I want you to do the whole well, you know,

0:25:08.680 --> 0:25:12.000
<v Speaker 2>got some hip hop ship. And then we got in

0:25:12.040 --> 0:25:14.919
<v Speaker 2>the studio, went to Battery. That's where we did it, you.

0:25:14.920 --> 0:25:19.000
<v Speaker 1>Know, bat that's our job O record. I watched later

0:25:19.080 --> 0:25:20.120
<v Speaker 1>Scratches one tape.

0:25:20.160 --> 0:25:23.840
<v Speaker 2>Premo came in there and I did the Scratches take.

0:25:24.720 --> 0:25:26.159
<v Speaker 1>I think I was the quietest I've ever been to

0:25:27.119 --> 0:25:30.040
<v Speaker 1>this like this looking and I was just like, but

0:25:30.160 --> 0:25:32.600
<v Speaker 1>the world don't know. Does the world know? Who knows?

0:25:32.720 --> 0:25:32.879
<v Speaker 3>Is like?

0:25:34.760 --> 0:25:34.960
<v Speaker 9>Yeah?

0:25:35.000 --> 0:25:39.879
<v Speaker 1>Back again? Time was half time? Okay, what about back

0:25:39.880 --> 0:25:43.960
<v Speaker 1>to the grill again? Was he back to the grille before? Yeah? Yeah,

0:25:45.560 --> 0:25:48.280
<v Speaker 1>building at this point right, so yeah, the buzz already

0:25:48.320 --> 0:25:50.200
<v Speaker 1>this was crashed.

0:25:49.840 --> 0:25:53.560
<v Speaker 8>Through mad because super was out when it was done

0:25:53.640 --> 0:25:56.760
<v Speaker 8>and finished, man, man.

0:25:58.160 --> 0:26:02.480
<v Speaker 2>Like, that's done. His three join us on.

0:26:03.280 --> 0:26:07.879
<v Speaker 3>Shot and half three at the time that all had represented,

0:26:08.320 --> 0:26:10.200
<v Speaker 3>but not the one on the album. The one is

0:26:10.240 --> 0:26:11.600
<v Speaker 3>on the allmatic is a remix?

0:26:12.240 --> 0:26:14.119
<v Speaker 1>What not the one on the single?

0:26:14.240 --> 0:26:15.680
<v Speaker 3>No, just the one that's the one is on the

0:26:15.680 --> 0:26:18.240
<v Speaker 3>album period. The one is on the album period is

0:26:18.280 --> 0:26:19.840
<v Speaker 3>the remix? I had the baseline?

0:26:20.000 --> 0:26:26.520
<v Speaker 1>Yo, hold on, what's the original represent? I don't have

0:26:26.600 --> 0:26:27.479
<v Speaker 1>to keep you it up there?

0:26:29.040 --> 0:26:29.240
<v Speaker 10>Do that?

0:26:31.080 --> 0:26:34.160
<v Speaker 1>Yeah, but I can't believe I'm I'm crazy. I make

0:26:34.240 --> 0:26:36.879
<v Speaker 1>that story because I still can't believe. What is this?

0:26:37.560 --> 0:26:37.880
<v Speaker 1>This again?

0:26:38.000 --> 0:26:42.680
<v Speaker 3>We celebrate over twenty five million, twenty being congratulated by yeah, man.

0:26:44.480 --> 0:26:50.680
<v Speaker 1>Around, that's another round. I knew I wanted another flack.

0:26:50.760 --> 0:26:52.600
<v Speaker 1>I just didn't know I was gonna get a podcast.

0:26:53.680 --> 0:26:58.080
<v Speaker 1>What hip hop? You the fact that you know?

0:26:58.640 --> 0:27:01.520
<v Speaker 5>I don't know if you guys know, we only interview legends,

0:27:01.680 --> 0:27:04.560
<v Speaker 5>not because we don't have love for the new generation,

0:27:04.640 --> 0:27:05.159
<v Speaker 5>because we do.

0:27:05.800 --> 0:27:08.240
<v Speaker 1>But I feel like in hip hop, hip hop is

0:27:08.280 --> 0:27:11.480
<v Speaker 1>the only place that you get ten years in, you

0:27:11.600 --> 0:27:13.240
<v Speaker 1>get fifteen years in and they say you.

0:27:13.359 --> 0:27:17.359
<v Speaker 3>Old, and they're right, we're all old older, but we

0:27:17.520 --> 0:27:18.680
<v Speaker 3>have old Thomas music.

0:27:19.160 --> 0:27:22.560
<v Speaker 1>But we are true to what we do, absolutely believe

0:27:22.600 --> 0:27:23.320
<v Speaker 1>in refuge.

0:27:23.760 --> 0:27:26.080
<v Speaker 5>So I just want to keep the interviewing legends and

0:27:26.480 --> 0:27:29.400
<v Speaker 5>for us to have a twenty five million flack congratulations,

0:27:29.520 --> 0:27:32.119
<v Speaker 5>congratulations then and I hate you.

0:27:32.960 --> 0:27:37.320
<v Speaker 1>Why would he knew he had? When did you get

0:27:37.359 --> 0:27:38.040
<v Speaker 1>the bro?

0:27:38.400 --> 0:27:38.640
<v Speaker 3>Listen?

0:27:38.760 --> 0:27:38.920
<v Speaker 1>Man?

0:27:39.240 --> 0:27:42.119
<v Speaker 2>Yeah, like I didn't know?

0:27:43.720 --> 0:27:47.159
<v Speaker 5>And then big up r big up the sidebar my

0:27:47.280 --> 0:27:53.840
<v Speaker 5>boy Raoul J Heron DJ Heron definitely, man, you know

0:27:53.920 --> 0:27:55.320
<v Speaker 5>what I got. You always got a big up a

0:27:55.359 --> 0:27:58.080
<v Speaker 5>Heron Because if you go to a Hera party, you

0:27:58.280 --> 0:28:00.320
<v Speaker 5>coming around, it's real pop.

0:28:00.840 --> 0:28:02.800
<v Speaker 1>The bitch is going to be there with the sneaker

0:28:02.840 --> 0:28:06.040
<v Speaker 1>scoff with the that's real hip hop. When the chicks

0:28:06.080 --> 0:28:09.119
<v Speaker 1>got their hells on, that's not hip hop. Like you

0:28:09.200 --> 0:28:12.600
<v Speaker 1>got your sneakers. Gotta be dirty to a certain extent,

0:28:12.960 --> 0:28:14.320
<v Speaker 1>you know what to be real hip hop?

0:28:20.520 --> 0:28:20.680
<v Speaker 3>Now?

0:28:21.440 --> 0:28:25.080
<v Speaker 1>So you do the world as your Yes, you said

0:28:25.200 --> 0:28:27.560
<v Speaker 1>after you did the record, you was just happy for him,

0:28:27.760 --> 0:28:28.240
<v Speaker 1>very happy.

0:28:28.440 --> 0:28:31.840
<v Speaker 5>But did you did you had the foresight to think

0:28:31.920 --> 0:28:35.720
<v Speaker 5>that this guy would actually like you know, this guy.

0:28:37.760 --> 0:28:38.240
<v Speaker 1>Was gonna blow.

0:28:39.400 --> 0:28:41.239
<v Speaker 3>There was a lot of anticipation when you guys were

0:28:41.280 --> 0:28:42.080
<v Speaker 3>working on the project.

0:28:43.120 --> 0:28:43.440
<v Speaker 11>The game.

0:28:44.440 --> 0:28:48.560
<v Speaker 8>It was like rock him again, right, Yeah, he stood

0:28:48.600 --> 0:28:51.240
<v Speaker 8>in his own light, but he was in poppy by.

0:28:51.160 --> 0:28:53.160
<v Speaker 2>The WHOI rapped the rock?

0:28:53.600 --> 0:28:56.400
<v Speaker 1>No question, you know question? But was open?

0:28:56.520 --> 0:28:58.120
<v Speaker 2>Yeah? That was that was That was one.

0:28:58.720 --> 0:28:59.280
<v Speaker 3>This was new.

0:29:00.080 --> 0:29:03.760
<v Speaker 2>I've been coming and we were confident and he was confident.

0:29:03.800 --> 0:29:05.240
<v Speaker 6>And I was happening.

0:29:05.280 --> 0:29:06.840
<v Speaker 3>Were there a lot of records on that project that

0:29:07.160 --> 0:29:08.480
<v Speaker 3>didn't make the project that you guys are?

0:29:09.240 --> 0:29:11.800
<v Speaker 1>Was that the only beat you made? Oh so it

0:29:11.880 --> 0:29:15.160
<v Speaker 1>was one and one hit her quit? Now the repe

0:29:15.360 --> 0:29:19.320
<v Speaker 1>that go in what was blowing away from?

0:29:20.080 --> 0:29:25.960
<v Speaker 5>And then you tip at the remixed you talk about okay, yeah, yeah,

0:29:26.080 --> 0:29:28.080
<v Speaker 5>that remixes had me all upset.

0:29:28.280 --> 0:29:34.120
<v Speaker 1>Wait oh wait, wait wait your competition like in a

0:29:34.160 --> 0:29:35.920
<v Speaker 1>good way, like damn.

0:29:36.000 --> 0:29:37.800
<v Speaker 2>Should I should have just did a quick remix?

0:29:40.360 --> 0:29:44.640
<v Speaker 3>You know, but they're both amazing. Yeah, and it's totally different,

0:29:44.880 --> 0:29:46.240
<v Speaker 3>you know, different approaches.

0:29:46.440 --> 0:29:49.160
<v Speaker 2>His Town's amazing. Q tip shout out to him.

0:29:49.280 --> 0:29:54.200
<v Speaker 1>I saw brother, So now you did, you said? Three

0:29:54.320 --> 0:29:58.000
<v Speaker 1>joints represented by Memory Lane in New York State of Mind,

0:29:58.680 --> 0:30:02.720
<v Speaker 1>Memory Lane, I don't remembory, ain't member Lane, bemer Lane

0:30:02.840 --> 0:30:05.080
<v Speaker 1>Man Me and me and NAS had a debate on

0:30:05.160 --> 0:30:07.200
<v Speaker 1>that one because I actually didn't like that one. This

0:30:07.400 --> 0:30:09.640
<v Speaker 1>is prime. This is the crazy way. I mean. I've

0:30:09.640 --> 0:30:12.120
<v Speaker 1>been in the studio with Free Vow. Yo, you're really

0:30:12.200 --> 0:30:14.680
<v Speaker 1>a perfectionist, yo, because I do it on the spot. Yo,

0:30:14.760 --> 0:30:16.120
<v Speaker 1>you really are perfected.

0:30:16.280 --> 0:30:16.400
<v Speaker 2>Yo.

0:30:16.520 --> 0:30:19.800
<v Speaker 1>I'm winning six times. Get a beat right? And he

0:30:19.880 --> 0:30:22.080
<v Speaker 1>says he came to me. He came to me and said,

0:30:22.400 --> 0:30:27.920
<v Speaker 1>what's your rom Nikola? I said, drop, I don't believe

0:30:27.960 --> 0:30:32.600
<v Speaker 1>my bug never made That's an incredible Then you made

0:30:32.720 --> 0:30:37.280
<v Speaker 1>the beat in two fucking seconds, flack. Is that No,

0:30:37.600 --> 0:30:39.200
<v Speaker 1>that's not a big records when I performed.

0:30:40.040 --> 0:30:42.320
<v Speaker 5>But the thing about it is is that what you

0:30:42.520 --> 0:30:44.720
<v Speaker 5>have to you have to hear the voters first time,

0:30:44.800 --> 0:30:48.200
<v Speaker 5>because now, but what all particular.

0:30:50.080 --> 0:30:53.840
<v Speaker 3>Is one of the best hip hop as so much definite,

0:30:53.880 --> 0:30:57.000
<v Speaker 3>so much from understand. I was on the War Report

0:30:57.280 --> 0:31:00.520
<v Speaker 3>and now you got me on another and and allly

0:31:00.600 --> 0:31:02.920
<v Speaker 3>that this is the year reunion that merged as a

0:31:03.000 --> 0:31:06.080
<v Speaker 3>solo artist too, I mean your first, your first no

0:31:07.160 --> 0:31:10.160
<v Speaker 3>sick is sick thinking, I.

0:31:10.200 --> 0:31:12.280
<v Speaker 1>Mean like that, like to this day.

0:31:13.320 --> 0:31:15.640
<v Speaker 12>I'm sorry, so I want to get Backti bating. What

0:31:15.920 --> 0:31:20.400
<v Speaker 12>happened was we wanted a premo be so bad right everybody,

0:31:20.440 --> 0:31:24.880
<v Speaker 12>and for some reason our schedules was messed up. And

0:31:24.960 --> 0:31:26.440
<v Speaker 12>then we went to D and D. We went to

0:31:26.560 --> 0:31:30.000
<v Speaker 12>D and D and I felt like he needed something

0:31:30.120 --> 0:31:32.720
<v Speaker 12>from us and we just kept wasn't giving it to you?

0:31:33.360 --> 0:31:37.480
<v Speaker 1>And then you just remember it was the sixth section.

0:31:37.640 --> 0:31:38.760
<v Speaker 1>You said he's after going and.

0:31:39.000 --> 0:31:43.440
<v Speaker 3>And screened on it and I was like yo, and

0:31:43.720 --> 0:31:45.840
<v Speaker 3>I'm just saying, oh god too. And I was like, yo,

0:31:46.160 --> 0:31:51.840
<v Speaker 3>just meet me this, you know, I know he's on

0:31:53.080 --> 0:31:55.840
<v Speaker 3>and he was like yo, mane like you know, break

0:31:57.360 --> 0:32:00.760
<v Speaker 3>and in that day and you can't even like thirty.

0:32:01.040 --> 0:32:09.040
<v Speaker 3>I'm sorry, I'm sorry, sorry the crazy He said, what's

0:32:09.120 --> 0:32:10.080
<v Speaker 3>your opening line?

0:32:10.240 --> 0:32:12.560
<v Speaker 5>And I said that so you had that rhyme already.

0:32:12.960 --> 0:32:15.240
<v Speaker 5>I had the rhyme already. I just was waiting for

0:32:15.360 --> 0:32:18.040
<v Speaker 5>something perfect to go because that fit perfectly. I said

0:32:18.080 --> 0:32:19.840
<v Speaker 5>it and he said say it again.

0:32:21.440 --> 0:32:27.120
<v Speaker 1>He meant. I was like, right, my mind.

0:32:27.440 --> 0:32:27.800
<v Speaker 3>I was like.

0:32:30.120 --> 0:32:31.200
<v Speaker 1>About to be at the television.

0:32:31.560 --> 0:32:34.360
<v Speaker 3>Yeah, my turntable set up on a big old nineteen

0:32:34.400 --> 0:32:38.000
<v Speaker 3>seventies television with the with the wood never with the.

0:32:38.000 --> 0:32:40.400
<v Speaker 1>Record player on the twos, and I got the turntable

0:32:40.440 --> 0:32:41.160
<v Speaker 1>in the mix on there.

0:32:41.200 --> 0:32:43.720
<v Speaker 3>Capone sat right there and going, yo, I still can't

0:32:43.760 --> 0:32:47.320
<v Speaker 3>believe I got a turntable on a television.

0:32:47.080 --> 0:32:49.800
<v Speaker 1>Seven round there, And that's what he said.

0:32:50.040 --> 0:32:54.720
<v Speaker 3>He said with the fifteen fan, I mean, with the panasonics,

0:32:54.800 --> 0:32:57.000
<v Speaker 3>with everybody in the hood and the projects have a radio.

0:32:57.440 --> 0:32:59.960
<v Speaker 5>What we got to do right now, Premo is describe

0:33:00.160 --> 0:33:05.440
<v Speaker 5>D and D Studios because that's like I'm pacle hip hop.

0:33:06.080 --> 0:33:10.640
<v Speaker 5>The studios was actually not nowhere neighborhood, nah, but it

0:33:10.720 --> 0:33:11.640
<v Speaker 5>was motherfucker.

0:33:11.640 --> 0:33:14.400
<v Speaker 1>It was block though in the city. But once you

0:33:14.520 --> 0:33:16.360
<v Speaker 1>get into dn D, you in the project.

0:33:17.280 --> 0:33:18.800
<v Speaker 2>But that was at that was.

0:33:19.040 --> 0:33:21.720
<v Speaker 1>That was a heroin block. Even when we started working

0:33:21.760 --> 0:33:24.440
<v Speaker 1>there in ninety two, that was a heroin block.

0:33:24.760 --> 0:33:28.960
<v Speaker 3>So during that time, a renovant private before y'all started coming,

0:33:29.000 --> 0:33:31.920
<v Speaker 3>it was drug central and there was no lights, so

0:33:32.080 --> 0:33:34.680
<v Speaker 3>it was very dark. They ran a newspaper right across

0:33:34.720 --> 0:33:36.920
<v Speaker 3>the street, so we used always beat with them. And

0:33:37.200 --> 0:33:39.280
<v Speaker 3>it was a lot of fighting and threats and and

0:33:39.440 --> 0:33:41.440
<v Speaker 3>I'll go get my gun and all this crazy stuff

0:33:41.480 --> 0:33:44.320
<v Speaker 3>back then, and and it was just I remember Heavy

0:33:44.360 --> 0:33:47.000
<v Speaker 3>Diglis who came out and said, do we really got

0:33:47.120 --> 0:33:48.160
<v Speaker 3>to finish the sound here?

0:33:49.280 --> 0:33:52.320
<v Speaker 1>But you demanded the people give everything that.

0:33:53.880 --> 0:33:54.960
<v Speaker 3>So have.

0:33:55.160 --> 0:33:56.760
<v Speaker 1>I had to go. I went. I went and went

0:33:56.800 --> 0:33:58.600
<v Speaker 1>over to Hip Factory to finished working for them. And

0:33:58.680 --> 0:34:01.400
<v Speaker 1>he was like, Yo, this is Ryaney frame. And I

0:34:01.520 --> 0:34:02.800
<v Speaker 1>was like, Yo, that's how I do it.

0:34:03.480 --> 0:34:07.280
<v Speaker 5>You had a machine that had Philly cigars and what

0:34:07.480 --> 0:34:10.160
<v Speaker 5>is it called the machine machine?

0:34:10.200 --> 0:34:17.200
<v Speaker 1>The Vendom machine and Philly Did you have callers in

0:34:17.239 --> 0:34:19.360
<v Speaker 1>there as well? I think you'd call it.

0:34:20.400 --> 0:34:22.279
<v Speaker 2>It was kind It was.

0:34:23.760 --> 0:34:25.919
<v Speaker 1>The way the dude we had to restock at least

0:34:25.960 --> 0:34:27.960
<v Speaker 1>every week what.

0:34:29.840 --> 0:34:30.680
<v Speaker 3>The philis were being.

0:34:31.040 --> 0:34:31.840
<v Speaker 2>Know, I kid you not.

0:34:32.200 --> 0:34:33.520
<v Speaker 5>I used to be like, because you know, every time

0:34:33.600 --> 0:34:36.480
<v Speaker 5>we used to go to the studio, we always stopping cigars.

0:34:36.719 --> 0:34:39.440
<v Speaker 5>But we went to DNNG and we never stopped. We

0:34:39.520 --> 0:34:41.600
<v Speaker 5>said just go straight there. It was a little bit

0:34:41.760 --> 0:34:50.440
<v Speaker 5>like more expensive, but it was like working. Recently, Pete

0:34:51.000 --> 0:34:54.080
<v Speaker 5>Kanye and jay Z just hired you.

0:34:54.719 --> 0:34:58.360
<v Speaker 1>To do a joint Describe what what was that like

0:34:58.719 --> 0:35:01.640
<v Speaker 1>going on being black scene. Okay, I'm sorry I didn't.

0:35:07.360 --> 0:35:10.279
<v Speaker 2>So he was being a kid in the candy store

0:35:10.320 --> 0:35:13.600
<v Speaker 2>with me. Kanye gotten this new whip brand, new whip tags,

0:35:13.640 --> 0:35:17.520
<v Speaker 2>doing me and him kid cutting in Hawaii's burning the

0:35:17.680 --> 0:35:20.960
<v Speaker 2>road from zero to sixty in less than three seconds.

0:35:22.120 --> 0:35:26.240
<v Speaker 2>That's that's how hot that got pulled over, Oh police,

0:35:26.920 --> 0:35:28.640
<v Speaker 2>because he's Kanye.

0:35:29.280 --> 0:35:34.200
<v Speaker 1>But now when he gives you that call, because at

0:35:34.239 --> 0:35:36.319
<v Speaker 1>the end of the day, you represent the purest form

0:35:36.360 --> 0:35:39.000
<v Speaker 1>of hip hop. So when you get a call from Kanye,

0:35:39.160 --> 0:35:40.200
<v Speaker 1>what is your first reaction.

0:35:40.960 --> 0:35:42.920
<v Speaker 2>I'm just going to bring all my knowledge around.

0:35:43.520 --> 0:35:46.320
<v Speaker 8>And when I got there, he actually impressed me with

0:35:46.480 --> 0:35:49.160
<v Speaker 8>what he knew what I'm saying and from my interluce

0:35:49.280 --> 0:35:51.359
<v Speaker 8>to just like music in general.

0:35:52.040 --> 0:35:55.040
<v Speaker 2>And how he respects him. So I knew he was

0:35:55.080 --> 0:35:56.359
<v Speaker 2>on to something good from the start.

0:35:56.840 --> 0:35:59.399
<v Speaker 8>So I started helping him out like run away all

0:35:59.480 --> 0:36:04.760
<v Speaker 8>asking in the bathroom, helping him out doing little beats,

0:36:05.800 --> 0:36:08.759
<v Speaker 8>you know, you know, just hitting it popping. But when

0:36:08.800 --> 0:36:11.640
<v Speaker 8>we got together and did the joy, I didn't know

0:36:11.760 --> 0:36:15.440
<v Speaker 8>jay Z was gonna be on. My engineer at the

0:36:15.520 --> 0:36:21.000
<v Speaker 8>time was young girl, so young at the time at

0:36:21.040 --> 0:36:23.840
<v Speaker 8>that time, So I was working with him, and you know,

0:36:24.400 --> 0:36:27.279
<v Speaker 8>he called me and he said, Yo, listen to this

0:36:28.080 --> 0:36:31.480
<v Speaker 8>and I was driving at the time, and he needs

0:36:31.520 --> 0:36:33.480
<v Speaker 8>some boy scout on there and that was familiar to me.

0:36:36.440 --> 0:36:43.120
<v Speaker 2>Pulled over her son who he's like, listen, listen. He

0:36:43.239 --> 0:36:47.080
<v Speaker 2>played it against and I had to do that. Is

0:36:47.120 --> 0:36:54.080
<v Speaker 2>that jay Z finally get something together and finally he

0:36:54.280 --> 0:36:56.719
<v Speaker 2>finally gets on the feat and it happened through Kanye, So.

0:37:00.960 --> 0:37:03.120
<v Speaker 1>The racket drive real good.

0:37:03.719 --> 0:37:06.000
<v Speaker 2>I was happy for that, even though Primon was already

0:37:06.320 --> 0:37:09.319
<v Speaker 2>you know, deep into jay Z music.

0:37:09.640 --> 0:37:17.160
<v Speaker 1>Let's make now premon you were actually on reason moved out.

0:37:18.520 --> 0:37:21.240
<v Speaker 1>A lot of us done to D and D. That's correct,

0:37:21.400 --> 0:37:22.239
<v Speaker 1>credits say D and D.

0:37:22.440 --> 0:37:25.200
<v Speaker 5>So now this kid comes from now you already worked

0:37:25.200 --> 0:37:31.680
<v Speaker 5>with NAS, albums already outre you already crowned the top producer.

0:37:32.080 --> 0:37:35.200
<v Speaker 5>But now this guy comes to you. He got some Brad,

0:37:36.239 --> 0:37:38.439
<v Speaker 5>But I know you. You don't give a fuck about Brad.

0:37:38.560 --> 0:37:41.800
<v Speaker 1>I know you, And did you know him from original flavor?

0:37:42.080 --> 0:37:45.240
<v Speaker 3>I know before that before I knew Jay, probably about

0:37:45.320 --> 0:37:48.759
<v Speaker 3>eighty seven because jazz O was on your mind. And

0:37:49.080 --> 0:37:51.120
<v Speaker 3>even when we got signed to your mind, which was

0:37:51.160 --> 0:37:54.520
<v Speaker 3>through Christmas the same distribution, Jay was Silver would always

0:37:54.520 --> 0:37:57.759
<v Speaker 3>come up there with Jazz. Oh so, anytime Jazz would

0:37:57.760 --> 0:37:59.720
<v Speaker 3>show up to any club or whatever, Jay was always

0:37:59.719 --> 0:38:00.000
<v Speaker 3>with him.

0:38:00.080 --> 0:38:02.560
<v Speaker 1>And back then Jay had the big long lukie case

0:38:02.920 --> 0:38:07.439
<v Speaker 1>were go get squashed with. Yeah, we were talking about

0:38:07.480 --> 0:38:16.279
<v Speaker 1>that drink chances squash And uh so, being he comes

0:38:16.320 --> 0:38:17.879
<v Speaker 1>to you, what does he say to you? He says,

0:38:18.120 --> 0:38:20.400
<v Speaker 1>pream because you've seen him in the industry.

0:38:20.680 --> 0:38:24.280
<v Speaker 5>Yeah, and one thing about cream cream don't give everybody

0:38:24.320 --> 0:38:27.200
<v Speaker 5>a beat. Now, you got to prove yourself as a

0:38:27.440 --> 0:38:31.520
<v Speaker 5>real MC to get a beat. So what did jay

0:38:31.600 --> 0:38:33.040
<v Speaker 5>Z do that you said?

0:38:33.080 --> 0:38:35.600
<v Speaker 1>I'm well, even when it got to the point of

0:38:36.160 --> 0:38:37.640
<v Speaker 1>him hanging with the original flavor.

0:38:37.680 --> 0:38:39.279
<v Speaker 3>But that's when I was selling the Bronx and each

0:38:39.280 --> 0:38:43.120
<v Speaker 3>other live down the block Ski so that down university

0:38:43.160 --> 0:38:45.720
<v Speaker 3>down there, down the other way, down the hill, familiar

0:38:45.760 --> 0:38:48.440
<v Speaker 3>from where we were. Uh you know, he goes uphill

0:38:48.480 --> 0:38:50.839
<v Speaker 3>down everything, down the hill, up the hill were they were,

0:38:50.880 --> 0:38:53.520
<v Speaker 3>down the hill from from where I was. And uh so,

0:38:55.320 --> 0:38:59.160
<v Speaker 3>being a new j already, it's crazy because Big l

0:38:59.800 --> 0:39:03.120
<v Speaker 3>Well was already saying, yo, you know if you notice

0:39:03.120 --> 0:39:05.360
<v Speaker 3>a big l with with with Jay a lot, but

0:39:05.440 --> 0:39:09.960
<v Speaker 3>also Ja managed right, Yeah, Yeah, they were they were

0:39:10.200 --> 0:39:12.319
<v Speaker 3>merging into doing some work, which is how the rocket

0:39:12.320 --> 0:39:14.399
<v Speaker 3>fellas situation was about to happen.

0:39:14.480 --> 0:39:18.160
<v Speaker 1>But but I knew Jay also aside from the jazz

0:39:18.239 --> 0:39:19.160
<v Speaker 1>oh winning through King.

0:39:19.760 --> 0:39:23.040
<v Speaker 3>So you see him with Caine, mister misters from l

0:39:23.120 --> 0:39:27.680
<v Speaker 3>G projects. Yeah, and then Missus moved in.

0:39:27.800 --> 0:39:29.799
<v Speaker 1>I think it was just on at somebody's house right now,

0:39:29.840 --> 0:39:41.360
<v Speaker 1>people in your own come on, it's a family. We

0:39:41.440 --> 0:39:42.120
<v Speaker 1>spread love.

0:39:46.520 --> 0:39:47.200
<v Speaker 2>Getting my job.

0:39:49.440 --> 0:39:51.759
<v Speaker 3>People there are about the hot contact because I've seen

0:39:51.800 --> 0:39:55.239
<v Speaker 3>people go and I'm like, hey, you know.

0:39:55.840 --> 0:39:57.320
<v Speaker 1>You know you told me to and I want you

0:39:57.360 --> 0:39:58.400
<v Speaker 1>to finish your story please.

0:39:59.080 --> 0:40:02.279
<v Speaker 3>Fans all right, but I was.

0:40:02.360 --> 0:40:07.120
<v Speaker 1>Actually drinking with Joe Pesty one night. He us right now,

0:40:09.600 --> 0:40:09.959
<v Speaker 1>you did.

0:40:16.960 --> 0:40:18.279
<v Speaker 3>Know it was.

0:40:20.680 --> 0:40:24.799
<v Speaker 1>The fans like he would not let me take a shot.

0:40:24.840 --> 0:40:27.080
<v Speaker 5>But I look at and this is old school because

0:40:27.800 --> 0:40:32.239
<v Speaker 5>in the nineties, so everybody else from Queens moved to

0:40:32.320 --> 0:40:35.200
<v Speaker 5>Long Island. I was the only asshole to move to

0:40:35.320 --> 0:40:38.120
<v Speaker 5>Jersey and so I was, you know, I was amongst

0:40:38.160 --> 0:40:40.000
<v Speaker 5>you know there for some reason.

0:40:40.040 --> 0:40:42.040
<v Speaker 1>I don't know why, but I always moved next to

0:40:42.080 --> 0:40:44.000
<v Speaker 1>the tire in my field. I'm sorry, I don't know,

0:40:44.440 --> 0:40:49.000
<v Speaker 1>but it's always something I live. You are looking at

0:40:49.040 --> 0:40:52.480
<v Speaker 1>the queens rear ready.

0:40:52.800 --> 0:40:59.839
<v Speaker 5>I was going, oh yeah, bunch, I always with hard

0:41:00.080 --> 0:41:03.399
<v Speaker 5>up Italians and and they just went and I say,

0:41:03.560 --> 0:41:05.839
<v Speaker 5>why why I gotta look out the eye? They said,

0:41:05.920 --> 0:41:08.040
<v Speaker 5>because in the mafia, if a person can't look at

0:41:08.040 --> 0:41:09.600
<v Speaker 5>you the eye and they take a shot, that's the

0:41:09.680 --> 0:41:13.440
<v Speaker 5>person's gonna shoot you. And you know, back then it

0:41:13.600 --> 0:41:15.880
<v Speaker 5>was like that, you know what I mean, it's not normal.

0:41:16.239 --> 0:41:19.680
<v Speaker 3>Yeah, I've been living by that, and I've been when

0:41:19.719 --> 0:41:21.239
<v Speaker 3>somebody don't do that, I would say, hey, excuse me,

0:41:21.640 --> 0:41:24.560
<v Speaker 3>you just always look at me, and it's a it's

0:41:24.600 --> 0:41:25.920
<v Speaker 3>a very very fun thing.

0:41:26.000 --> 0:41:28.240
<v Speaker 1>Well general, they can't look at you in the period

0:41:29.200 --> 0:41:30.120
<v Speaker 1>it's reasonable down.

0:41:31.280 --> 0:41:33.440
<v Speaker 13>So by the time you got the reason you did

0:41:33.480 --> 0:41:37.480
<v Speaker 13>on reason three I did. I did the Evils at

0:41:37.680 --> 0:41:40.880
<v Speaker 13>just three for three and anybody man full man and

0:41:41.040 --> 0:41:44.160
<v Speaker 13>three yep, I mean, and and.

0:41:44.200 --> 0:41:47.880
<v Speaker 1>You gotta also to manage me. You gotta manage me.

0:41:49.000 --> 0:41:51.600
<v Speaker 1>By that time, me and jan knew each other so well.

0:41:52.800 --> 0:41:54.520
<v Speaker 1>But you know, I was doing for w b l

0:41:54.640 --> 0:41:57.080
<v Speaker 1>S at the time and I was doing radio.

0:41:56.960 --> 0:42:00.200
<v Speaker 3>So Clark can't brought jay Z up there to let

0:42:00.320 --> 0:42:03.279
<v Speaker 3>me uh here in my lifetime. The single that they

0:42:03.840 --> 0:42:07.920
<v Speaker 3>themselves the original because they the I can't get with

0:42:08.000 --> 0:42:10.960
<v Speaker 3>that with false money. As I met sau So when

0:42:11.000 --> 0:42:13.120
<v Speaker 3>they brought it up during my commercial break and I

0:42:13.239 --> 0:42:14.560
<v Speaker 3>heard it, I was like, yo, I'm gonna play this.

0:42:14.600 --> 0:42:15.560
<v Speaker 3>Had a lot of commercial break.

0:42:15.600 --> 0:42:18.160
<v Speaker 1>They're like, but you just listen to you gonna You're

0:42:18.160 --> 0:42:20.160
<v Speaker 1>gonna play it now. I'm like, yeah, open the show

0:42:20.239 --> 0:42:22.520
<v Speaker 1>with it. Next thing, you know, Jay's like, you know,

0:42:22.560 --> 0:42:24.280
<v Speaker 1>I got something before you give me a bottle Crystal.

0:42:24.440 --> 0:42:26.160
<v Speaker 3>I didn't know who Cristal was because we were still

0:42:26.200 --> 0:42:29.360
<v Speaker 3>drinking more and he's like, you know, this is the

0:42:29.520 --> 0:42:32.160
<v Speaker 3>real deal champagne right here. There's a big, big ball

0:42:32.200 --> 0:42:35.120
<v Speaker 3>of stuff. I was like, cool, and I saved for

0:42:35.360 --> 0:42:38.480
<v Speaker 3>years and years save the bottle. Yeah, I'm finally drinking,

0:42:38.880 --> 0:42:40.520
<v Speaker 3>you know, and that now for you know, Jay, don't

0:42:40.520 --> 0:42:41.160
<v Speaker 3>fucking Crystal.

0:42:41.280 --> 0:42:45.160
<v Speaker 1>But we don't go. I don't forget about so yeah.

0:42:45.520 --> 0:42:49.400
<v Speaker 1>So now the space now space yea, So that's not

0:42:49.520 --> 0:42:52.759
<v Speaker 1>the best, but it's okay, you know. I say that

0:42:56.160 --> 0:42:57.120
<v Speaker 1>was a birthday party.

0:42:58.040 --> 0:42:59.920
<v Speaker 3>Was the first time I take the space because Jay

0:43:00.080 --> 0:43:01.839
<v Speaker 3>came to the birthday party and was like, I think

0:43:01.920 --> 0:43:02.640
<v Speaker 3>nothing never tasted that.

0:43:02.719 --> 0:43:04.840
<v Speaker 1>He said, oh no, he pour poured me a glass

0:43:05.120 --> 0:43:07.640
<v Speaker 1>and we had slammed down. I'm on a whiskey. I'm

0:43:07.640 --> 0:43:10.960
<v Speaker 1>a brown liquor guy, whiskey. Gud Now, let me before

0:43:11.000 --> 0:43:14.480
<v Speaker 1>we get into this, into the interview.

0:43:14.640 --> 0:43:19.200
<v Speaker 3>So, so Dame approached well, Jay approached me about it

0:43:19.280 --> 0:43:21.560
<v Speaker 3>since we had had a friendship already, and then he

0:43:21.600 --> 0:43:22.440
<v Speaker 3>introduced me to Dame.

0:43:22.480 --> 0:43:24.520
<v Speaker 1>I used to see Dame and in the Bronx walking

0:43:24.560 --> 0:43:26.120
<v Speaker 1>his dogs all the time.

0:43:26.239 --> 0:43:27.799
<v Speaker 3>Yeah, he always had his dogs, and he was walking

0:43:27.880 --> 0:43:29.520
<v Speaker 3>around because he was going to see Chubby Chubb.

0:43:29.320 --> 0:43:32.239
<v Speaker 5>And Steve because he was handling managing them, and said,

0:43:32.320 --> 0:43:34.840
<v Speaker 5>Chubby Chubby, Chubby Chuff d Yeah, j.

0:43:34.920 --> 0:43:38.120
<v Speaker 1>Chummy Chuff original flavor. As it's a big DJ in Boston.

0:43:38.200 --> 0:43:40.240
<v Speaker 1>In Boston, Okay, Boston.

0:43:40.360 --> 0:43:42.680
<v Speaker 3>So, so Dame used to be around there walking his

0:43:42.760 --> 0:43:45.120
<v Speaker 3>dogs all the time. So we met then, but it

0:43:45.239 --> 0:43:47.200
<v Speaker 3>was just small talking. We were just you know, everybody

0:43:47.239 --> 0:43:48.319
<v Speaker 3>knew Gangshaw was at the time.

0:43:48.360 --> 0:43:49.600
<v Speaker 1>We were we were known enough.

0:43:49.920 --> 0:43:52.600
<v Speaker 3>So from there, Jay said, this is gotta handles the business.

0:43:53.080 --> 0:43:55.640
<v Speaker 3>So I went down with him, tolding my much. I said,

0:43:55.960 --> 0:43:59.319
<v Speaker 3>because it's Jay, it's all love. I'm only gonna charge

0:43:59.320 --> 0:44:02.840
<v Speaker 3>you four thousands, which was very very very lucky.

0:44:03.040 --> 0:44:05.280
<v Speaker 1>And I don't believe in luck, but that's a blessing

0:44:05.360 --> 0:44:07.279
<v Speaker 1>for me to give you that type of number. We

0:44:07.400 --> 0:44:09.360
<v Speaker 1>went in the back. They gave me the cash and

0:44:09.480 --> 0:44:10.440
<v Speaker 1>I started getting busy.

0:44:10.520 --> 0:44:11.480
<v Speaker 3>Now Jacob.

0:44:13.000 --> 0:44:22.800
<v Speaker 2>And and and and here you go.

0:44:23.160 --> 0:44:25.520
<v Speaker 3>So Jay called me and said, I got this song

0:44:26.040 --> 0:44:28.759
<v Speaker 3>called the Heavil. He explained it to me, and my god,

0:44:30.920 --> 0:44:32.799
<v Speaker 3>he explained it to me. Then he wrapped the whole

0:44:32.880 --> 0:44:35.440
<v Speaker 3>song on the phone. Then after he wrapped it on

0:44:35.520 --> 0:44:39.160
<v Speaker 3>the phone, then he gave me the scratch idea and said,

0:44:39.520 --> 0:44:40.000
<v Speaker 3>what do you mean?

0:44:40.960 --> 0:44:42.360
<v Speaker 1>He said, I want to judge, So he had it

0:44:42.400 --> 0:44:43.000
<v Speaker 1>all mapped up.

0:44:44.760 --> 0:44:45.239
<v Speaker 3>You saved me.

0:44:47.200 --> 0:44:47.759
<v Speaker 2>He got my mind.

0:44:48.960 --> 0:44:49.839
<v Speaker 1>I can't die. I can't.

0:44:49.920 --> 0:44:51.520
<v Speaker 14>Even though he said, make it go, I can't gave you.

0:44:52.440 --> 0:44:55.000
<v Speaker 14>He knew that he knew the samples. He want, not

0:44:55.080 --> 0:44:57.800
<v Speaker 14>sample to make the beat. He just he gave me

0:44:57.880 --> 0:44:59.600
<v Speaker 14>the idea of how to. He said, this is the

0:44:59.640 --> 0:45:02.759
<v Speaker 14>apps feel I want musically, but I want you to,

0:45:02.920 --> 0:45:05.880
<v Speaker 14>no matter what you make, do these scratches. And I

0:45:05.960 --> 0:45:07.479
<v Speaker 14>went down there and I said, yo, I'll be ready

0:45:07.480 --> 0:45:08.319
<v Speaker 14>by the time you get there.

0:45:08.320 --> 0:45:10.000
<v Speaker 1>And it was ready. And when he walked in, I said,

0:45:13.320 --> 0:45:17.680
<v Speaker 1>the scratches That's what I'm saying that he the cut.

0:45:18.160 --> 0:45:23.800
<v Speaker 1>He said, hey, yeah, estamples, he picked that already on

0:45:23.920 --> 0:45:28.480
<v Speaker 1>the phone on the phone, so so he had that

0:45:28.560 --> 0:45:29.919
<v Speaker 1>well thought out and you know, so crazy.

0:45:30.040 --> 0:45:33.480
<v Speaker 3>Him and Biggie's are always lay the cup vocals. And

0:45:33.560 --> 0:45:35.640
<v Speaker 3>then they both to leave and go all right, do.

0:45:35.719 --> 0:45:38.359
<v Speaker 1>The premier thing. And they both said the same thing,

0:45:38.480 --> 0:45:40.279
<v Speaker 1>do the premier thing. They wouldn't sit there like y,

0:45:40.360 --> 0:45:42.400
<v Speaker 1>I gotta watch you, man, I gotta make sure it's right.

0:45:43.080 --> 0:45:43.719
<v Speaker 1>Do the premier thing.

0:45:43.800 --> 0:45:45.360
<v Speaker 3>Were going out and they would leave and let me

0:45:45.480 --> 0:45:49.040
<v Speaker 3>just do my thing. I might have said, you did

0:45:49.080 --> 0:45:51.680
<v Speaker 3>it in the first dround.

0:45:52.160 --> 0:45:53.239
<v Speaker 1>You know I'm good.

0:45:53.560 --> 0:45:59.719
<v Speaker 5>So now, Pete Rock, you established your super producer. You

0:46:00.040 --> 0:46:02.880
<v Speaker 5>if you've done everything you work with the best, what

0:46:03.120 --> 0:46:05.720
<v Speaker 5>makes you say I want to do a whole album?

0:46:05.960 --> 0:46:09.640
<v Speaker 1>First off with Duck Down before smoke this, because you

0:46:09.800 --> 0:46:12.319
<v Speaker 1>you did a whole He did the Loud, the joint

0:46:12.360 --> 0:46:13.719
<v Speaker 1>on Loud, did Smith.

0:46:13.480 --> 0:46:15.839
<v Speaker 2>And Wesson Soul Survivor too?

0:46:17.440 --> 0:46:19.520
<v Speaker 1>With Yeah.

0:46:22.120 --> 0:46:23.000
<v Speaker 2>Everybody Aloud?

0:46:25.040 --> 0:46:30.319
<v Speaker 5>You know it was crazy and then the best make

0:46:30.440 --> 0:46:32.439
<v Speaker 5>you say, you know what, I'm gonna do a whole

0:46:32.520 --> 0:46:34.560
<v Speaker 5>project with Smith and Wesson.

0:46:34.680 --> 0:46:37.840
<v Speaker 2>I think it was just the all and it just

0:46:37.920 --> 0:46:39.600
<v Speaker 2>made me say, you know what, Damn, I love all

0:46:39.719 --> 0:46:42.319
<v Speaker 2>these two. If I could make a joint with him.

0:46:42.360 --> 0:46:44.760
<v Speaker 8>Then I went to Steve. He was with the idea.

0:46:45.520 --> 0:46:47.800
<v Speaker 8>I knew he could make make it happen, you know.

0:46:48.040 --> 0:46:50.759
<v Speaker 8>Then I was on the label they signed me, and

0:46:50.840 --> 0:46:53.360
<v Speaker 8>I was like, wow, okay, the one album deal. But

0:46:53.760 --> 0:46:56.560
<v Speaker 8>I said, no, I'm gonna make this one real good.

0:46:56.960 --> 0:46:59.160
<v Speaker 2>I'm saying. And then look I got the count and

0:46:59.239 --> 0:47:02.200
<v Speaker 2>hand me. Let me just see what's happen. And then boom,

0:47:02.239 --> 0:47:03.560
<v Speaker 2>I'm just go in and start.

0:47:03.760 --> 0:47:06.399
<v Speaker 1>Thinking in the half man and now you got a joint.

0:47:07.160 --> 0:47:07.680
<v Speaker 2>It's funny.

0:47:07.760 --> 0:47:10.560
<v Speaker 1>The ship with me and you house most strange, real

0:47:10.640 --> 0:47:13.000
<v Speaker 1>close with each other, like are we talking strange food

0:47:13.080 --> 0:47:13.359
<v Speaker 1>right now?

0:47:13.560 --> 0:47:18.279
<v Speaker 2>You know we're talking. We're talking and the fat albat

0:47:18.360 --> 0:47:19.759
<v Speaker 2>Johnson the ship on.

0:47:19.880 --> 0:47:24.480
<v Speaker 1>So there, Yeah, had I had such a great time

0:47:24.760 --> 0:47:27.920
<v Speaker 1>studio What was the green studio? Yeah you was? You

0:47:28.120 --> 0:47:30.960
<v Speaker 1>was green Street? Yeah you know you look at my

0:47:31.040 --> 0:47:37.000
<v Speaker 1>memory memory of Pete it was Green Street, but that

0:47:37.160 --> 0:47:40.120
<v Speaker 1>was way down to that was that was his. That

0:47:40.239 --> 0:47:43.600
<v Speaker 1>was like Jamie friends in my house.

0:47:43.960 --> 0:47:47.160
<v Speaker 2>The flood I came in right after that and the

0:47:48.040 --> 0:47:48.920
<v Speaker 2>whole story.

0:47:51.600 --> 0:47:54.360
<v Speaker 1>About you missed.

0:47:54.400 --> 0:47:59.920
<v Speaker 3>It was like.

0:48:01.680 --> 0:48:02.520
<v Speaker 2>Shot a bullet holes.

0:48:02.520 --> 0:48:04.480
<v Speaker 1>Bullet holes in the warm. It's still in the wall.

0:48:04.719 --> 0:48:05.600
<v Speaker 1>God damn, that's makes some.

0:48:10.239 --> 0:48:13.120
<v Speaker 2>Regardless, you know, it was a great time and great

0:48:13.200 --> 0:48:14.080
<v Speaker 2>test was my home.

0:48:14.480 --> 0:48:18.160
<v Speaker 1>That's so who was it? It was me? Pun in common, Me,

0:48:18.360 --> 0:48:21.000
<v Speaker 1>pun in common. What a combination? That's yeah.

0:48:21.400 --> 0:48:22.839
<v Speaker 2>Me and pun got real tight.

0:48:23.040 --> 0:48:23.480
<v Speaker 10>You know what I mean?

0:48:23.560 --> 0:48:25.520
<v Speaker 1>No, listen, Pete, let me just tell you something. We

0:48:25.560 --> 0:48:27.880
<v Speaker 1>were so hoarded to come back if we had a

0:48:28.040 --> 0:48:34.920
<v Speaker 1>ball or the pieces. It was Green Street Studios.

0:48:34.920 --> 0:48:37.879
<v Speaker 5>I could never forget it because you know, Pete showed

0:48:37.920 --> 0:48:39.920
<v Speaker 5>me and I remember I had the Cardier frames on

0:48:40.080 --> 0:48:42.799
<v Speaker 5>at that time too, and I also and I also

0:48:42.880 --> 0:48:46.040
<v Speaker 5>had a very important sweater on and I worked from Miami.

0:48:46.760 --> 0:48:50.160
<v Speaker 5>It was called because this is the guy who designed Iceberg.

0:48:50.480 --> 0:48:52.080
<v Speaker 5>But then he went and did his own thing and

0:48:52.160 --> 0:48:54.440
<v Speaker 5>I forgot what it was called. But it was some

0:48:54.640 --> 0:48:57.160
<v Speaker 5>fly ship and I bought it from bout Harborough and

0:48:57.239 --> 0:48:59.239
<v Speaker 5>I only wore the peate rock super got that makes

0:48:59.280 --> 0:48:59.600
<v Speaker 5>a noise.

0:49:03.440 --> 0:49:09.160
<v Speaker 1>So now, you guys, you work with knobs, You worked

0:49:09.200 --> 0:49:11.799
<v Speaker 1>with ja Have you ever worked with Beg? You never

0:49:11.840 --> 0:49:12.319
<v Speaker 1>worked a bit?

0:49:13.040 --> 0:49:15.600
<v Speaker 2>He'd been to my crib. He was picking my in

0:49:15.719 --> 0:49:20.080
<v Speaker 2>the little beats and he's like, you know, and then

0:49:20.239 --> 0:49:22.279
<v Speaker 2>you know he heard the idea of juicy at my

0:49:22.400 --> 0:49:25.920
<v Speaker 2>baseball you know, the one that brought Big to the

0:49:26.200 --> 0:49:27.600
<v Speaker 2>to my house. You know, we all from.

0:49:30.040 --> 0:49:33.880
<v Speaker 8>Puffers from dell Avenue and Mount Vernon and do it

0:49:33.920 --> 0:49:37.000
<v Speaker 8>bigg to the crib and he's just like, yo, Big,

0:49:37.120 --> 0:49:38.520
<v Speaker 8>He's like, yo, I just won't see how you make

0:49:38.600 --> 0:49:38.879
<v Speaker 8>a beat.

0:49:39.239 --> 0:49:43.239
<v Speaker 2>And then I made this be called uh that's a

0:49:43.320 --> 0:49:46.080
<v Speaker 2>song called in the Flesh on the main ingredient, and

0:49:46.239 --> 0:49:51.160
<v Speaker 2>I made that. He wanted it, you know, but it didn't.

0:49:51.000 --> 0:49:54.080
<v Speaker 8>Happen somehow, but we ended up using it for an hour.

0:49:54.239 --> 0:49:56.480
<v Speaker 8>But he was there and saw the process.

0:49:56.640 --> 0:50:00.520
<v Speaker 5>But now described that because now you know offers from

0:50:00.560 --> 0:50:02.920
<v Speaker 5>Malvern So you look at him like a pier. But

0:50:03.120 --> 0:50:05.960
<v Speaker 5>now do you do you realize that this guy that

0:50:06.040 --> 0:50:09.520
<v Speaker 5>he just rung to your studio is the most legendary.

0:50:09.560 --> 0:50:12.240
<v Speaker 1>Person in the world. You knew what you do already.

0:50:12.280 --> 0:50:14.840
<v Speaker 5>The order was because I think puff came on the

0:50:14.920 --> 0:50:18.040
<v Speaker 5>show and he's squire big as disruptive, Like his look

0:50:18.160 --> 0:50:18.440
<v Speaker 5>was there.

0:50:19.239 --> 0:50:20.520
<v Speaker 1>Did you get that feeling?

0:50:21.280 --> 0:50:23.480
<v Speaker 2>I didn't even pay attention to that. I was I

0:50:23.560 --> 0:50:24.560
<v Speaker 2>was about to skip.

0:50:24.360 --> 0:50:25.120
<v Speaker 1>The lyrics.

0:50:26.360 --> 0:50:30.279
<v Speaker 2>Homely, I got to beat the match, you know what

0:50:30.280 --> 0:50:33.160
<v Speaker 2>I mean, let's keep some poppings. But he heard the

0:50:33.280 --> 0:50:36.600
<v Speaker 2>idea of juicy and just you know, I didn't actually

0:50:36.680 --> 0:50:38.120
<v Speaker 2>do the actual rich, but I.

0:50:38.520 --> 0:50:40.759
<v Speaker 8>Ended up doing the remix and that was the only

0:50:40.840 --> 0:50:44.120
<v Speaker 8>thing I get big at them. But you know, if

0:50:44.640 --> 0:50:47.520
<v Speaker 8>you know he did pick beats, you know, we just

0:50:47.560 --> 0:50:48.799
<v Speaker 8>didn't get a chance to him.

0:50:49.200 --> 0:50:50.840
<v Speaker 1>But yeah, he knew what he wanted to rap to.

0:50:51.080 --> 0:50:51.279
<v Speaker 3>Yeah.

0:50:51.400 --> 0:50:56.520
<v Speaker 1>Man, now you primo, how did you first meet there?

0:50:57.120 --> 0:51:01.680
<v Speaker 1>I met Big when we moved actual Brooklyn's for green

0:51:02.160 --> 0:51:05.000
<v Speaker 1>living with Branford, not in a lot of rough places.

0:51:05.160 --> 0:51:11.239
<v Speaker 3>Yeah, yeah, yeah we will this way when Branford, when

0:51:11.280 --> 0:51:15.480
<v Speaker 3>Brandford Valley officially moved out and went to California, we

0:51:15.600 --> 0:51:19.600
<v Speaker 3>turned this place into a frat house, party house. Was

0:51:20.440 --> 0:51:24.800
<v Speaker 3>jes was where Washington life yet and green and this

0:51:24.920 --> 0:51:27.520
<v Speaker 3>Brooklyn yeah brook Okay, it's old school Brooklyn.

0:51:27.600 --> 0:51:33.000
<v Speaker 1>Ye, so that you can get get spots every other

0:51:33.120 --> 0:51:40.400
<v Speaker 1>storm shot coming out. He's like you that shoot him

0:51:40.440 --> 0:51:43.120
<v Speaker 1>up corner and it's not this is not this is

0:51:43.200 --> 0:51:44.920
<v Speaker 1>not the vegans.

0:51:46.280 --> 0:51:52.080
<v Speaker 3>This is this is himpster, hipster, the old English. Yeah

0:51:52.960 --> 0:51:56.560
<v Speaker 3>you know this when Biggie wore the same green. This

0:51:56.640 --> 0:51:58.919
<v Speaker 3>is when in Biggie the Biggie wore the same green

0:51:59.280 --> 0:52:01.680
<v Speaker 3>on me Jack and the sleeves were about the right

0:52:03.120 --> 0:52:06.880
<v Speaker 3>ri showing, but he bore it all the time. I

0:52:06.960 --> 0:52:09.439
<v Speaker 3>knew Nino Chico sees Kim.

0:52:09.560 --> 0:52:10.879
<v Speaker 1>Would they bring you this guy?

0:52:11.560 --> 0:52:13.920
<v Speaker 3>No, Miss, I gotta give mister c the credit, miss,

0:52:14.880 --> 0:52:17.720
<v Speaker 3>But he's from the beginning with Yeah.

0:52:16.880 --> 0:52:20.480
<v Speaker 1>He was annoying me, like yo, he wouldn't be I

0:52:20.600 --> 0:52:23.880
<v Speaker 1>g yet he was Biggie Smalls and I mean somebody

0:52:23.960 --> 0:52:26.360
<v Speaker 1>else had Biggie small, so that he just dad. But

0:52:26.840 --> 0:52:28.239
<v Speaker 1>I used to a lot of shoulder with Caine, and

0:52:28.280 --> 0:52:29.920
<v Speaker 1>there was times that I couldn't.

0:52:30.120 --> 0:52:32.680
<v Speaker 3>My turntables got damaged because back then you carried your

0:52:32.719 --> 0:52:34.640
<v Speaker 3>equipment on tour and uh.

0:52:34.800 --> 0:52:40.120
<v Speaker 1>And you're right, d he want he wanted to still

0:52:40.120 --> 0:52:44.120
<v Speaker 1>bring his He got run out, mister his.

0:52:44.160 --> 0:52:47.560
<v Speaker 3>Turntables right before Caine took the stage so the gang

0:52:47.600 --> 0:52:49.000
<v Speaker 3>start could perform so well.

0:52:49.040 --> 0:52:49.320
<v Speaker 1>Again.

0:52:49.400 --> 0:52:51.040
<v Speaker 3>He lived right down the block from all the weak

0:52:51.080 --> 0:52:53.279
<v Speaker 3>spots that we knew, and so you gotta go out,

0:52:53.280 --> 0:52:56.719
<v Speaker 3>mister Sea and the wet spots right there, the new one,

0:52:56.800 --> 0:52:58.239
<v Speaker 3>the one is like oh no, no, that one was

0:52:58.280 --> 0:53:04.200
<v Speaker 3>dead this one and so the nice Franklin Abe. So

0:53:04.480 --> 0:53:07.840
<v Speaker 3>then during that time, Missus steves to call me go

0:53:08.000 --> 0:53:09.879
<v Speaker 3>pream Biggie Small, Biggie Small.

0:53:09.920 --> 0:53:11.480
<v Speaker 1>I'm like, see, I'm gonna listen.

0:53:11.360 --> 0:53:14.640
<v Speaker 3>To it, like, ex, give me some time weeks past, yo,

0:53:14.719 --> 0:53:17.360
<v Speaker 3>Pream Biggie Small. That's why I'm like, yo, see before

0:53:18.280 --> 0:53:21.040
<v Speaker 3>yeah right, yeah, just Biggie small and Biggie Small big.

0:53:21.080 --> 0:53:22.880
<v Speaker 3>And I'm like, dude, I'm gonna listen to it because

0:53:22.880 --> 0:53:24.120
<v Speaker 3>we're pretty busy that at that time.

0:53:24.160 --> 0:53:26.880
<v Speaker 1>I read it Monday, I listened to it, liked it

0:53:27.040 --> 0:53:29.160
<v Speaker 1>like the demos that I heard, And then I met

0:53:29.239 --> 0:53:31.400
<v Speaker 1>Big on the corner. I was going to the corner store.

0:53:31.320 --> 0:53:34.520
<v Speaker 3>Me Guru, Big Sugar Dap, and Dap was in love

0:53:34.600 --> 0:53:36.120
<v Speaker 3>with Little Kim, and Little Kim was like the way

0:53:36.920 --> 0:53:37.200
<v Speaker 3>they like.

0:53:37.239 --> 0:53:45.560
<v Speaker 1>Yeah, yeah, y'allkind yeah, that's this very shout.

0:53:47.640 --> 0:53:50.640
<v Speaker 3>Yeah. And that family MELICOI Melkai got locked up for

0:53:50.719 --> 0:53:54.280
<v Speaker 3>many homes, well home Melicott. You know, we all connected

0:53:54.360 --> 0:53:57.239
<v Speaker 3>me jaw, all of us are still good. So uh

0:53:57.560 --> 0:54:00.640
<v Speaker 3>So then Big was like, yo, see she told you.

0:54:00.760 --> 0:54:02.839
<v Speaker 3>You told me he's been stressing you. I was like, yeah,

0:54:02.880 --> 0:54:05.359
<v Speaker 3>I finally heard it. I said, we gotta get something

0:54:05.440 --> 0:54:07.800
<v Speaker 3>in and then he goes, Joe puffing is that? This

0:54:07.920 --> 0:54:10.279
<v Speaker 3>is what he said, Puffing is interressing, is signing me.

0:54:10.800 --> 0:54:16.239
<v Speaker 3>So this is how far back before ninety he said,

0:54:16.280 --> 0:54:17.520
<v Speaker 3>puff addressing and signed him.

0:54:17.520 --> 0:54:18.440
<v Speaker 1>I said, dude, go with him.

0:54:18.560 --> 0:54:21.400
<v Speaker 3>I said, puff of Puff not only has money, he

0:54:21.520 --> 0:54:23.600
<v Speaker 3>got a vision. He gonna blow you up.

0:54:23.640 --> 0:54:25.239
<v Speaker 1>He said, well, I don't know, man, you know, I

0:54:25.400 --> 0:54:26.240
<v Speaker 1>want to keep his hood.

0:54:26.320 --> 0:54:28.400
<v Speaker 3>I'm like, yo, he don't want to go with go

0:54:28.520 --> 0:54:30.560
<v Speaker 3>with puff? Wow, you know, and then boom, next thing

0:54:30.600 --> 0:54:33.359
<v Speaker 3>you know, Puff started coming around. And actually I tell

0:54:33.400 --> 0:54:33.759
<v Speaker 3>people this.

0:54:34.440 --> 0:54:39.319
<v Speaker 1>Puff was the first one, because Puff is the first.

0:54:39.680 --> 0:54:43.000
<v Speaker 5>Remember state, Yeah, but so what was the first record

0:54:43.040 --> 0:54:45.480
<v Speaker 5>you actually worked on with a big Unbelievable?

0:54:45.920 --> 0:54:52.880
<v Speaker 1>Oh believe this is actually what trick. This is what trickleed.

0:54:52.920 --> 0:54:55.239
<v Speaker 1>That was a single trickle.

0:54:55.000 --> 0:54:57.840
<v Speaker 3>Down into why I gave jay Z and him the

0:54:57.880 --> 0:55:03.040
<v Speaker 3>price a lower price for a reasonable doubt, because when

0:55:03.080 --> 0:55:08.319
<v Speaker 3>we did Unbelievable the the the budget had run out

0:55:08.719 --> 0:55:10.440
<v Speaker 3>for Big and I told Big, I don't have.

0:55:10.520 --> 0:55:12.320
<v Speaker 1>Time to make a beat, and he goes, yo, I

0:55:12.400 --> 0:55:17.000
<v Speaker 1>got five thousand dollars And I was like, you know,

0:55:17.520 --> 0:55:18.920
<v Speaker 1>but we were already cool with each other.

0:55:19.280 --> 0:55:21.399
<v Speaker 3>But I felt weird telling him no, But I really

0:55:21.440 --> 0:55:22.840
<v Speaker 3>didn't have the time and I'm a person.

0:55:23.360 --> 0:55:25.640
<v Speaker 1>Then Pete will tell you this. I make the beat

0:55:25.719 --> 0:55:26.160
<v Speaker 1>on the spot.

0:55:27.360 --> 0:55:29.399
<v Speaker 3>And now that's something that people don't realize. I don't

0:55:29.440 --> 0:55:31.160
<v Speaker 3>have like twenty beats and go your pick one, like.

0:55:31.480 --> 0:55:34.840
<v Speaker 1>Taking number six and number four number that's a real.

0:55:36.280 --> 0:55:36.440
<v Speaker 2>Beat.

0:55:37.840 --> 0:55:39.520
<v Speaker 1>They said that that's what they do. They make it

0:55:39.680 --> 0:55:42.640
<v Speaker 1>to the artists. So I didn't have nothing for big.

0:55:42.719 --> 0:55:43.279
<v Speaker 1>That was dope.

0:55:43.360 --> 0:55:44.759
<v Speaker 3>You know. I'd be like, come on, man, I know

0:55:44.840 --> 0:55:47.200
<v Speaker 3>you got something's like I don't. I really don't. You

0:55:47.320 --> 0:55:50.200
<v Speaker 3>come here, we can make it big old. I don't

0:55:50.239 --> 0:55:52.640
<v Speaker 3>care if you're taking piece of president and just some

0:55:52.840 --> 0:55:57.160
<v Speaker 3>funny stab sounds and you know he knew the slag. Yeah,

0:55:57.160 --> 0:56:01.440
<v Speaker 3>and you know what we're saying product in the production era.

0:56:01.840 --> 0:56:04.040
<v Speaker 3>So he said, I don't give it's just some stabs.

0:56:04.080 --> 0:56:07.200
<v Speaker 1>I said a word. So coming up tonight, then that's

0:56:07.239 --> 0:56:09.160
<v Speaker 1>what happened. He comes up. I said, I'll take the

0:56:09.239 --> 0:56:09.920
<v Speaker 1>five thousand.

0:56:10.200 --> 0:56:12.239
<v Speaker 3>I said, but if you get a deal and you

0:56:12.440 --> 0:56:16.600
<v Speaker 3>go platinum, I won thirty five thousand dollars per track.

0:56:17.320 --> 0:56:21.960
<v Speaker 1>Wow. After after him, Yeah, we did the song.

0:56:23.640 --> 0:56:27.640
<v Speaker 11>Negotiation it's crazy in this ninety five, there's ninety five.

0:56:27.719 --> 0:56:31.000
<v Speaker 3>He comes in, we do the song. It becomes the

0:56:31.160 --> 0:56:34.120
<v Speaker 3>B side of Juicy. It was like the street singles

0:56:34.200 --> 0:56:36.160
<v Speaker 3>for Juicy. It was my first gold single.

0:56:36.239 --> 0:56:37.000
<v Speaker 1>So I was a wow.

0:56:37.480 --> 0:56:39.520
<v Speaker 3>As soon as he got the deal to up the money.

0:56:39.880 --> 0:56:42.279
<v Speaker 3>I remember, he goes, yo, I got to check for it.

0:56:42.360 --> 0:56:44.560
<v Speaker 3>You said thirty five, right, He said, I got. I

0:56:44.640 --> 0:56:47.200
<v Speaker 3>got two of them and brought me to check and

0:56:47.360 --> 0:56:49.000
<v Speaker 3>Puffy gave me the check and I was like, wow,

0:56:49.080 --> 0:56:49.839
<v Speaker 3>he kept his word.

0:56:50.400 --> 0:56:52.560
<v Speaker 1>Oh so this was it on paper. This is a word.

0:56:52.680 --> 0:56:58.960
<v Speaker 1>It was like a handshake ship. Yeah, that's big. Damn damn,

0:56:59.320 --> 0:57:03.239
<v Speaker 1>you learned it. So it's hip hop history. Getting thirty back,

0:57:03.320 --> 0:57:07.400
<v Speaker 1>thirty five back then no triple, that's ninety.

0:57:09.480 --> 0:57:09.520
<v Speaker 3>So.

0:57:09.680 --> 0:57:13.759
<v Speaker 5>Now let me ask you, because you the reputation is

0:57:13.840 --> 0:57:18.280
<v Speaker 5>like the most hip hoppis of hip hoppis now Janet Jackson.

0:57:18.360 --> 0:57:22.160
<v Speaker 1>You work with Janet Jackson, You work with Christina Million,

0:57:25.240 --> 0:57:26.760
<v Speaker 1>you worked did you work with Britney Spears?

0:57:27.240 --> 0:57:27.280
<v Speaker 3>No?

0:57:29.000 --> 0:57:32.520
<v Speaker 5>So just is crazy. As a hip hop producer. You

0:57:32.640 --> 0:57:35.120
<v Speaker 5>get this call, what is your first thing to say

0:57:35.280 --> 0:57:36.000
<v Speaker 5>for Christina?

0:57:36.320 --> 0:57:39.000
<v Speaker 1>Yeah? Because you know that wasn't her, dude, that put

0:57:39.040 --> 0:57:41.600
<v Speaker 1>her on her ex husband JORDI had put her on

0:57:41.760 --> 0:57:43.840
<v Speaker 1>some of my stuff, but she liked it. So she

0:57:43.960 --> 0:57:45.600
<v Speaker 1>called me and goes, yo, I just heard the group

0:57:45.680 --> 0:57:53.880
<v Speaker 1>home album. Oh Ship, that's that's wait what Christian she

0:57:54.160 --> 0:57:54.560
<v Speaker 1>just heard?

0:57:55.600 --> 0:57:58.080
<v Speaker 3>I met at the Chateau Mama down the hill on

0:57:58.200 --> 0:57:59.640
<v Speaker 3>sunset you kind of front.

0:58:05.360 --> 0:58:08.840
<v Speaker 1>In Germany, clean shatter.

0:58:08.640 --> 0:58:10.240
<v Speaker 3>My moms with a lot of a lot of wigs,

0:58:10.360 --> 0:58:16.120
<v Speaker 3>big wigs, lamp and drinking and get enough money. Right

0:58:16.160 --> 0:58:18.600
<v Speaker 3>down the hill, it's right before tower, like right after

0:58:18.600 --> 0:58:21.040
<v Speaker 3>the Beast Tower records or any little the big Tower

0:58:21.080 --> 0:58:23.720
<v Speaker 3>records right there and it's got a big neon size

0:58:23.760 --> 0:58:25.520
<v Speaker 3>and shout told my mom with bushes so you can't

0:58:25.560 --> 0:58:26.560
<v Speaker 3>really see the spot.

0:58:27.200 --> 0:58:29.840
<v Speaker 1>And she said, my rolls Royce is outside. I saw

0:58:29.920 --> 0:58:33.440
<v Speaker 1>the white the white fan. I said, she's here, walk in.

0:58:33.600 --> 0:58:35.480
<v Speaker 1>She's sitting there with Jordie. She goes, you know, I

0:58:35.600 --> 0:58:41.400
<v Speaker 1>love Goopong and I was like, that's Brando pinpoint crazy

0:58:41.680 --> 0:58:47.760
<v Speaker 1>Grimy is out like like like the jazz samples I

0:58:47.880 --> 0:58:48.760
<v Speaker 1>used on some of the games.

0:58:49.600 --> 0:58:50.240
<v Speaker 2>So she liked.

0:58:51.480 --> 0:58:55.880
<v Speaker 1>She liked the jazz things. She like worked, she liked

0:58:55.920 --> 0:58:59.560
<v Speaker 1>the Yeah she works like you know my Steves even

0:58:59.560 --> 0:59:02.320
<v Speaker 1>though that was a song. But the song she was

0:59:02.440 --> 0:59:05.720
<v Speaker 1>naming with joints like wow, that attracted you to want

0:59:05.720 --> 0:59:08.200
<v Speaker 1>to work with me. Let's go in. And then we

0:59:08.360 --> 0:59:10.760
<v Speaker 1>ended up we were suposed to do one record, which

0:59:10.880 --> 0:59:12.240
<v Speaker 1>was called we were called back in the day.

0:59:12.920 --> 0:59:14.600
<v Speaker 3>Next thing you know, she was like, Yo, stay here

0:59:14.640 --> 0:59:16.360
<v Speaker 3>a couple more weeks and we just started banging out

0:59:16.400 --> 0:59:18.600
<v Speaker 3>and turned it into five records. And then that was

0:59:18.640 --> 0:59:21.120
<v Speaker 3>the first Grammy I ever got for a single, whereas

0:59:21.240 --> 0:59:22.880
<v Speaker 3>you know, not for for being on the album. I

0:59:22.880 --> 0:59:25.320
<v Speaker 3>got a Grammy for D'Angelo being up working on the

0:59:25.360 --> 0:59:27.560
<v Speaker 3>album and for jay Z on Hannack Life. But to

0:59:27.600 --> 0:59:31.080
<v Speaker 3>get one for the single is singles out all the

0:59:31.160 --> 0:59:33.560
<v Speaker 3>other songs on the album. It's like, for that one song,

0:59:33.680 --> 0:59:34.480
<v Speaker 3>you got a Grammy.

0:59:34.560 --> 0:59:37.120
<v Speaker 1>So that was a big monumental name of my career.

0:59:37.200 --> 0:59:39.560
<v Speaker 1>It was dope. It was beautiful. Man make a noise

0:59:39.600 --> 0:59:40.240
<v Speaker 1>for that. God damn it.

0:59:43.480 --> 0:59:47.840
<v Speaker 5>Who was it that you said, you work with them,

0:59:48.440 --> 0:59:51.040
<v Speaker 5>but you wanted to see them right the rhyme and

0:59:51.560 --> 0:59:52.120
<v Speaker 5>they face.

0:59:54.480 --> 0:59:57.080
<v Speaker 1>It was somebody I forget. I'll work with them, but

0:59:57.120 --> 0:59:59.240
<v Speaker 1>I want to see them right the rhyme right the rhyme.

0:59:59.280 --> 1:00:00.920
<v Speaker 1>I think it was like a Justin Bieber.

1:00:01.400 --> 1:00:07.080
<v Speaker 3>Okay, all right, yeah, you know the cipher which I've

1:00:07.080 --> 1:00:09.160
<v Speaker 3>been doing, that was the site there. Yeah, we didn't

1:00:09.200 --> 1:00:11.680
<v Speaker 3>know the cipher for BT hip hopwa was gonna even

1:00:11.720 --> 1:00:12.320
<v Speaker 3>get this big.

1:00:12.960 --> 1:00:16.080
<v Speaker 1>It was an idea. Shouting shot to Jesse Collins and

1:00:16.200 --> 1:00:17.080
<v Speaker 1>congratulations to.

1:00:17.120 --> 1:00:21.040
<v Speaker 3>Jesse Collins for doing real well with a new edition story.

1:00:21.120 --> 1:00:23.440
<v Speaker 3>That was his idea and it blew up and did

1:00:23.800 --> 1:00:25.920
<v Speaker 3>really really well, did big numbers. And Justice is a

1:00:26.000 --> 1:00:29.000
<v Speaker 3>good friend of mine. We arguing, fight a lot over

1:00:29.160 --> 1:00:31.080
<v Speaker 3>and know it's wrong if you do it this way.

1:00:31.120 --> 1:00:32.720
<v Speaker 3>You know it's right if you do it this way.

1:00:33.120 --> 1:00:34.840
<v Speaker 3>We fight a lot, but he's such a good friend

1:00:34.880 --> 1:00:37.680
<v Speaker 3>that we always find a compromise. When he brought up

1:00:37.720 --> 1:00:39.600
<v Speaker 3>the idea of doing the cipher, it was a one

1:00:39.760 --> 1:00:45.680
<v Speaker 3>time thing. It was Pat Poo's styles, p Remy who

1:00:45.760 --> 1:00:49.280
<v Speaker 3>else was in it rom Fest and then it was

1:00:49.360 --> 1:00:52.040
<v Speaker 3>a second one and those two I couldn't make it

1:00:52.040 --> 1:00:54.200
<v Speaker 3>because I was on tour, so I had DJ Scratch

1:00:54.280 --> 1:00:55.800
<v Speaker 3>fill in for me. I just gave him the beat

1:00:56.000 --> 1:00:58.600
<v Speaker 3>and said let's keep it break beach only you know,

1:00:58.640 --> 1:01:00.760
<v Speaker 3>because something now is that elevation and if you're like yo, man,

1:01:00.760 --> 1:01:01.640
<v Speaker 3>I need something to turn up to.

1:01:01.760 --> 1:01:04.160
<v Speaker 1>It's like, no, this is the pure form of how

1:01:04.200 --> 1:01:05.640
<v Speaker 1>we do it. We're keeping the break beat, so are

1:01:05.640 --> 1:01:08.040
<v Speaker 1>you're a producer on that PI specific thing. I picked

1:01:08.040 --> 1:01:08.800
<v Speaker 1>the beat, I'll loop it.

1:01:09.160 --> 1:01:12.040
<v Speaker 3>I'll do maybefore James Brown loop a break beef from

1:01:12.080 --> 1:01:15.040
<v Speaker 3>Ultimate breaks and beats whatever, and I'll send those and whatever.

1:01:15.080 --> 1:01:15.200
<v Speaker 2>One.

1:01:15.280 --> 1:01:17.240
<v Speaker 1>Jesse's like, yo, I like this one. We'll clear it

1:01:17.600 --> 1:01:19.680
<v Speaker 1>with whoever owns it, and then we'll send it to

1:01:19.760 --> 1:01:20.960
<v Speaker 1>all the artists and we.

1:01:21.120 --> 1:01:26.320
<v Speaker 3>Tell them sixteen bars and quick everybody's got ninety bars everything,

1:01:26.320 --> 1:01:28.600
<v Speaker 3>and it's like they never follow the rules. Then they

1:01:28.640 --> 1:01:30.720
<v Speaker 3>get mad, like yo, they edited my stuff. It's like no,

1:01:31.440 --> 1:01:34.680
<v Speaker 3>he told you sixteen and quit right and again it

1:01:34.840 --> 1:01:35.480
<v Speaker 3>was one time.

1:01:35.600 --> 1:01:39.400
<v Speaker 1>Only. Second year comes around up to set cipher, They're like,

1:01:39.560 --> 1:01:42.600
<v Speaker 1>we want to do it again. Now they got three ciphers,

1:01:43.040 --> 1:01:45.600
<v Speaker 1>then that turning the four ciphers after that.

1:01:46.160 --> 1:01:48.200
<v Speaker 3>Now it's starting to get ciphers where they're starting to

1:01:48.240 --> 1:01:49.520
<v Speaker 3>put a lot of artists.

1:01:49.240 --> 1:01:52.600
<v Speaker 1>That I'm like, nah, nah, they can't rhyme, don't put

1:01:52.640 --> 1:01:53.120
<v Speaker 1>them in there.

1:01:53.560 --> 1:01:56.040
<v Speaker 3>And it's going into that stage of it where now

1:01:56.120 --> 1:01:59.560
<v Speaker 3>it's like where they're popular, they're no more known than

1:01:59.640 --> 1:02:02.160
<v Speaker 3>the kill them seas. I'm like, yeah, but if you're

1:02:02.200 --> 1:02:06.400
<v Speaker 3>taking away the skill that that causes problems with the authenticity.

1:02:06.520 --> 1:02:08.880
<v Speaker 3>And that's why I have a problem because I wanted

1:02:08.920 --> 1:02:11.720
<v Speaker 3>to stay authentic. Yeah, but all the fans love them,

1:02:11.760 --> 1:02:13.720
<v Speaker 3>and they're on TV and they're on every video, and

1:02:13.960 --> 1:02:16.720
<v Speaker 3>these other guys nobody's paying attention to them. I'm like, well,

1:02:16.760 --> 1:02:18.480
<v Speaker 3>you know what they're going to pay attention to when

1:02:18.520 --> 1:02:21.160
<v Speaker 3>they see how dope they spread beat. So we always

1:02:21.200 --> 1:02:25.160
<v Speaker 3>have that fight. One year, they say, yo, what do

1:02:25.200 --> 1:02:27.560
<v Speaker 3>you think of Justin Bieber was spitting on the sipher.

1:02:27.640 --> 1:02:30.160
<v Speaker 3>I said, I don't know he heard it, as long

1:02:30.240 --> 1:02:33.080
<v Speaker 3>as he writes to rhyme and if it's a dope rohm,

1:02:33.160 --> 1:02:36.240
<v Speaker 3>let's do He said, what if somebody else writes?

1:02:36.440 --> 1:02:44.200
<v Speaker 1>I said, no, that was it with roomors being saying

1:02:44.200 --> 1:02:45.840
<v Speaker 1>that I mentioned this person this person.

1:02:46.000 --> 1:02:49.240
<v Speaker 3>No, it was just as simple. If he's going to

1:02:49.320 --> 1:02:51.560
<v Speaker 3>do it, let him spit. And and so next thing,

1:02:51.640 --> 1:02:55.240
<v Speaker 3>you know, it's next thing he turns in the whole

1:02:55.280 --> 1:02:59.120
<v Speaker 3>campaign and showing him spinning versus on radio stations on that,

1:02:59.160 --> 1:03:01.360
<v Speaker 3>and I'm like, yo, I work with Justin Bieber as

1:03:01.440 --> 1:03:03.960
<v Speaker 3>long as it's authentic, let's rock. I don't care if

1:03:04.000 --> 1:03:04.640
<v Speaker 3>it's Justin Bieber.

1:03:04.680 --> 1:03:07.840
<v Speaker 1>I don't care if it's Mary Poppins. If it's authenticless rock.

1:03:07.920 --> 1:03:10.320
<v Speaker 1>That's how important is that for you guys?

1:03:11.320 --> 1:03:11.560
<v Speaker 3>I know?

1:03:11.640 --> 1:03:14.920
<v Speaker 1>Problem with that with just I was like, yes, but

1:03:15.240 --> 1:03:17.840
<v Speaker 1>just you wanted him to write and they didn't.

1:03:17.640 --> 1:03:19.080
<v Speaker 3>Say that he wasn't gonna write, and they said what

1:03:19.200 --> 1:03:22.400
<v Speaker 3>if he doesn't? And I'm like that he shows on

1:03:22.480 --> 1:03:24.400
<v Speaker 3>the blog d premiere band.

1:03:24.640 --> 1:03:26.800
<v Speaker 1>Justin Bieber's like, how can I band nobody?

1:03:26.920 --> 1:03:28.840
<v Speaker 3>Because if it was my cipher, You're gonna see Cane

1:03:28.960 --> 1:03:33.640
<v Speaker 3>theremel there, rock him there, d I T C doing

1:03:33.680 --> 1:03:34.600
<v Speaker 3>the whole cypher.

1:03:34.360 --> 1:03:37.720
<v Speaker 1>With a G and Diamond and and and the old

1:03:37.800 --> 1:03:38.480
<v Speaker 1>Ce and all of them.

1:03:38.520 --> 1:03:42.360
<v Speaker 3>It's gonna be people like that, you know, yeah, because

1:03:42.960 --> 1:03:46.800
<v Speaker 3>you see when the Shady Cipher it was eminem You know,

1:03:46.880 --> 1:03:52.320
<v Speaker 3>people with skills them Broyce, Joe Budden, uh Crooked Eye skills.

1:03:52.640 --> 1:03:54.680
<v Speaker 1>Know how important is that for you?

1:03:54.840 --> 1:03:57.200
<v Speaker 5>For you guys, You guys have to integral that you

1:03:57.320 --> 1:03:59.680
<v Speaker 5>guys are on the top of the line of producers

1:03:59.720 --> 1:04:03.840
<v Speaker 5>when when we're speaking real real world hip hop, you

1:04:03.960 --> 1:04:06.800
<v Speaker 5>guys name has to be brought up now. Is is

1:04:07.640 --> 1:04:11.000
<v Speaker 5>it ever a time where you sit back and say,

1:04:11.400 --> 1:04:14.200
<v Speaker 5>you know, I'm gonna do it for the money this time,

1:04:14.880 --> 1:04:17.880
<v Speaker 5>or you say I'm gonna always stay who I.

1:04:17.920 --> 1:04:21.760
<v Speaker 1>Am always say and I've been tempted.

1:04:24.280 --> 1:04:24.440
<v Speaker 3>Much.

1:04:25.480 --> 1:04:28.440
<v Speaker 8>We are a good example of olymp Biscuit. But it's

1:04:28.480 --> 1:04:30.600
<v Speaker 8>in our hearts to the asking it about love.

1:04:30.960 --> 1:04:33.640
<v Speaker 2>We do that do it for the love. It's like,

1:04:33.760 --> 1:04:35.320
<v Speaker 2>it's just that's who we are.

1:04:38.040 --> 1:04:40.840
<v Speaker 3>Biscuit was a good example tell us because when my

1:04:40.960 --> 1:04:44.080
<v Speaker 3>manager kept pressing me to do it Patrick Moxey at

1:04:44.120 --> 1:04:46.640
<v Speaker 3>the time, I was like nah, because I said, fred

1:04:46.720 --> 1:04:49.040
<v Speaker 3>durstkin't rapt it. And in my eyes on the level

1:04:49.080 --> 1:04:51.640
<v Speaker 3>of what people, I don't want my fans going damn

1:04:51.720 --> 1:04:54.320
<v Speaker 3>praying you've work with him and and I like Limp

1:04:54.320 --> 1:04:56.880
<v Speaker 3>Biscuit for what they do, but if you're gonna get

1:04:56.920 --> 1:04:58.480
<v Speaker 3>with me, it's not what you do.

1:04:58.720 --> 1:05:01.360
<v Speaker 1>And that's a lot more ink, you know what I'm saying.

1:05:02.320 --> 1:05:03.960
<v Speaker 1>And that's the bottom line.

1:05:04.440 --> 1:05:07.000
<v Speaker 3>They go, well, method man is on the song. I said, oh,

1:05:08.000 --> 1:05:10.080
<v Speaker 3>I said, then send me the rough and send me

1:05:10.160 --> 1:05:12.760
<v Speaker 3>the rough and meth was on it. I was like, then, okay,

1:05:12.840 --> 1:05:15.520
<v Speaker 3>then I'll do it. And it was a big check,

1:05:15.680 --> 1:05:19.160
<v Speaker 3>a huge check, one of the biggest checks I've ever gotten.

1:05:20.080 --> 1:05:23.280
<v Speaker 3>So the good thing I liked about Fred Durst was

1:05:23.440 --> 1:05:25.560
<v Speaker 3>he called me and said, I need to talk to

1:05:25.680 --> 1:05:28.640
<v Speaker 3>Kreme and he was just becoming one of the new

1:05:28.680 --> 1:05:32.520
<v Speaker 3>executives at Interscope with Jimmy Ivean, and he said, yo, man.

1:05:32.800 --> 1:05:35.920
<v Speaker 1>This is recently. We knew it all back when they

1:05:36.520 --> 1:05:37.880
<v Speaker 1>popping and we were doing.

1:05:37.960 --> 1:05:41.000
<v Speaker 3>But he had respect for what you and we had

1:05:41.040 --> 1:05:44.000
<v Speaker 3>a dope conversation and it was to the point he said,

1:05:44.040 --> 1:05:44.680
<v Speaker 3>the best.

1:05:44.480 --> 1:05:46.160
<v Speaker 1>You can get out of me, I'll do it. He

1:05:46.200 --> 1:05:49.160
<v Speaker 1>came to D and D and so he tried, he tried,

1:05:50.560 --> 1:05:53.479
<v Speaker 1>he tried nobody, nobody, God know nothing.

1:05:53.800 --> 1:05:55.560
<v Speaker 3>And they were big at the time. This is the

1:05:55.680 --> 1:05:59.000
<v Speaker 3>second second album and he was like, Yo, get the

1:05:59.040 --> 1:05:59.760
<v Speaker 3>best you can get.

1:05:59.640 --> 1:05:59.880
<v Speaker 2>Out of me.

1:06:00.040 --> 1:06:01.800
<v Speaker 1>Okay, if you don't like it, whatever, I'll do it.

1:06:01.880 --> 1:06:03.760
<v Speaker 3>And he that was the best I could get when

1:06:03.760 --> 1:06:06.160
<v Speaker 3>what's on the song. But the fact he put the

1:06:06.200 --> 1:06:07.840
<v Speaker 3>effort in. I like the fact he put in the

1:06:07.880 --> 1:06:09.960
<v Speaker 3>effort and he knocked it out. Next thing, you know,

1:06:10.000 --> 1:06:11.160
<v Speaker 3>he said, Yo, we're doing a video.

1:06:11.880 --> 1:06:14.440
<v Speaker 1>Flew us out. We had a big video shoot. We

1:06:14.520 --> 1:06:16.560
<v Speaker 1>had a good time and it was just a just

1:06:16.600 --> 1:06:18.840
<v Speaker 1>a really really fun session. And then me and Me

1:06:18.880 --> 1:06:21.720
<v Speaker 1>and Fred were cool after that. Yo. Before the thing

1:06:21.840 --> 1:06:24.800
<v Speaker 1>is that you guys mentioned Dwick and we didn't go

1:06:24.960 --> 1:06:27.160
<v Speaker 1>back to do it. Let's go back to Troy is

1:06:27.240 --> 1:06:28.280
<v Speaker 1>one of the biggest.

1:06:28.000 --> 1:06:31.960
<v Speaker 3>Hip hop will ever be and it's one of the

1:06:32.000 --> 1:06:33.080
<v Speaker 3>biggest hip hop records.

1:06:34.360 --> 1:06:38.760
<v Speaker 1>We need to hear. We need to hear the story

1:06:38.920 --> 1:06:39.480
<v Speaker 1>of Dwick.

1:06:40.160 --> 1:06:42.880
<v Speaker 3>Dwich the only reason why Dwick happened, because that's all

1:06:42.920 --> 1:06:43.920
<v Speaker 3>of our summer anthems.

1:06:44.000 --> 1:06:46.760
<v Speaker 1>By the way, like we all the nicest move did

1:06:46.840 --> 1:06:47.520
<v Speaker 1>a song.

1:06:47.400 --> 1:06:50.320
<v Speaker 3>Called on the Ain't a Damning Change called down the Line.

1:06:50.680 --> 1:06:52.480
<v Speaker 3>It was with a whole bunch of mcs based Blaster

1:06:52.560 --> 1:06:54.200
<v Speaker 3>Big up to him, a whole bunch of other mc

1:06:54.400 --> 1:06:58.040
<v Speaker 3>he said, based Blaster Yeah from Connecticut, including and shout

1:06:58.120 --> 1:07:00.880
<v Speaker 3>to Ray Pouncy and Ray Paul See and uh and

1:07:01.040 --> 1:07:03.680
<v Speaker 3>then Google's also on it. He said, I want to

1:07:03.720 --> 1:07:06.400
<v Speaker 3>loop the Manifest beat and do my own version because

1:07:06.400 --> 1:07:08.280
<v Speaker 3>a lot of people don't know most of the nicest

1:07:08.320 --> 1:07:13.960
<v Speaker 3>who hits. Greg Knice does all the beats. Wow, I've

1:07:14.000 --> 1:07:16.240
<v Speaker 3>seen him do it. He's for all that stuff. Hip

1:07:16.280 --> 1:07:18.600
<v Speaker 3>hop junkies, every every.

1:07:20.320 --> 1:07:32.960
<v Speaker 1>Oh my sorry yell all that kicking wicked rocks like

1:07:33.000 --> 1:07:35.840
<v Speaker 1>a fortunate time had a dog and on his old

1:07:35.920 --> 1:07:37.680
<v Speaker 1>yellow he did all that stuff.

1:07:37.760 --> 1:07:41.880
<v Speaker 3>Yeah, Greg Knife, he did be for me to make

1:07:41.920 --> 1:07:50.680
<v Speaker 3>him up hip hop right now, the punky bu all

1:07:50.720 --> 1:07:53.040
<v Speaker 3>that stuff does less be plays a sack. I know

1:07:53.120 --> 1:07:55.320
<v Speaker 3>he doesn't play a sack. I remember brand for myself.

1:07:55.520 --> 1:07:56.800
<v Speaker 1>He gonna played the fu sack.

1:07:58.240 --> 1:08:00.960
<v Speaker 3>It works me and myself alove to Max. He did

1:08:01.040 --> 1:08:03.840
<v Speaker 3>all those beats. So Greg Nice is a dope beat maker.

1:08:03.920 --> 1:08:10.160
<v Speaker 1>Wow. So he took the Manifest instrumental, made a beat

1:08:10.680 --> 1:08:13.040
<v Speaker 1>and all we were doing was because we hang tough.

1:08:13.120 --> 1:08:15.560
<v Speaker 1>It was the nicest smooth gang star riding.

1:08:15.320 --> 1:08:16.080
<v Speaker 2>The d trained.

1:08:16.560 --> 1:08:18.760
<v Speaker 3>We go to the castle which was grimy in the

1:08:18.800 --> 1:08:21.280
<v Speaker 3>Bronx and this was the when they had to shoot out.

1:08:21.280 --> 1:08:23.320
<v Speaker 3>Would say, Greg, all that stuff like we were around

1:08:23.600 --> 1:08:28.600
<v Speaker 3>all that stuff. Boom, next thing you know, we said, well,

1:08:28.680 --> 1:08:30.400
<v Speaker 3>let's return the favor and do a record for us.

1:08:30.560 --> 1:08:32.600
<v Speaker 1>So that's all. It was just y'all doing for us.

1:08:32.640 --> 1:08:35.320
<v Speaker 1>We're gonna do one feel doing on there.

1:08:35.400 --> 1:08:37.479
<v Speaker 3>That's why it was the B side and it wasn't

1:08:37.479 --> 1:08:39.320
<v Speaker 3>on the album. I remember people are like, oh yeah,

1:08:39.400 --> 1:08:41.160
<v Speaker 3>y'all left you off the album. It's like, nah, the

1:08:41.280 --> 1:08:43.200
<v Speaker 3>album was already done. We're just doing it for fun.

1:08:44.000 --> 1:08:48.720
<v Speaker 1>We was doing it and that became a huge right now.

1:08:48.760 --> 1:08:50.479
<v Speaker 1>We didn't know it's gonna be a huge We're just

1:08:50.560 --> 1:08:56.960
<v Speaker 1>doing it. No, it was just fun. I remember, I know.

1:08:57.320 --> 1:09:00.679
<v Speaker 1>Shout out to duve C. He was There't you related

1:09:00.720 --> 1:09:02.800
<v Speaker 1>to to somebody on the West like that? No, we

1:09:03.000 --> 1:09:04.800
<v Speaker 1>just good friends. We're just good friend. But you did

1:09:04.840 --> 1:09:07.000
<v Speaker 1>the album m C A recently. Yeah, that's coming out

1:09:07.040 --> 1:09:12.240
<v Speaker 1>of that. Let's go back to was most wanted.

1:09:12.800 --> 1:09:15.439
<v Speaker 3>He did two of the uh theme records for Boys

1:09:15.479 --> 1:09:17.479
<v Speaker 3>in the Hood, he did Grow m C and he

1:09:17.560 --> 1:09:19.920
<v Speaker 3>did She's on Everybody Side.

1:09:20.720 --> 1:09:23.080
<v Speaker 1>So yeah, we have an we have an out hit.

1:09:23.280 --> 1:09:25.920
<v Speaker 1>We have a one hit one. We have which way

1:09:26.040 --> 1:09:33.679
<v Speaker 1>is West's coming? So and and also you haven't, idiot

1:09:35.640 --> 1:09:38.160
<v Speaker 1>know of the connoisseurs and we you know people know.

1:09:38.640 --> 1:09:41.880
<v Speaker 3>Uh and then uh uh shout to Tory Wolf and

1:09:42.080 --> 1:09:43.479
<v Speaker 3>also shot to Miguel.

1:09:43.680 --> 1:09:46.559
<v Speaker 1>We have a single out right now called to Loving You. Now.

1:09:47.520 --> 1:09:50.320
<v Speaker 1>What happened was where where we where? We dwick so

1:09:50.640 --> 1:09:55.080
<v Speaker 1>dub she was there. Wow, that's Don Barron from the Masters.

1:09:54.680 --> 1:09:59.280
<v Speaker 3>And sure yeah, because he was good friends with Greg Knight.

1:10:00.360 --> 1:10:03.360
<v Speaker 2>How did the horny version happen to I was just

1:10:03.439 --> 1:10:03.880
<v Speaker 2>doing that, just.

1:10:03.920 --> 1:10:10.639
<v Speaker 1>Bugging out, and the morning version, the horn the horny

1:10:10.800 --> 1:10:13.759
<v Speaker 1>version as a vocal version had a glitch.

1:10:13.880 --> 1:10:18.160
<v Speaker 3>You remember you when you go to dad Tod. Yeah,

1:10:20.840 --> 1:10:23.120
<v Speaker 3>So when we bounced into we stay quiet, let them

1:10:23.200 --> 1:10:25.200
<v Speaker 3>tell that and had.

1:10:25.120 --> 1:10:29.920
<v Speaker 1>To remember that she's the glitches We couldn't. I was like,

1:10:29.960 --> 1:10:32.320
<v Speaker 1>we can't put it out, like that's why I just

1:10:32.360 --> 1:10:35.160
<v Speaker 1>put the instrumental on the on the B side of

1:10:35.240 --> 1:10:45.240
<v Speaker 1>the twelve. Wow.

1:10:47.840 --> 1:10:50.920
<v Speaker 3>When did y'all know you had something with Dwick? Like,

1:10:51.000 --> 1:10:53.560
<v Speaker 3>I mean immediately when that ship came out when we

1:10:53.680 --> 1:10:56.040
<v Speaker 3>finished it. It was crazy because, like I said, duve

1:10:56.200 --> 1:10:59.840
<v Speaker 3>C is from the West Coast, wearing scullies.

1:10:59.280 --> 1:11:02.880
<v Speaker 9>All the heat of it West Cyde Connection and House

1:11:03.320 --> 1:11:07.960
<v Speaker 9>and west Side, the Crypto, Crypto and Khakis and and

1:11:08.160 --> 1:11:10.519
<v Speaker 9>Pendleton's all hot and I'm just like, yo, you ain't

1:11:10.560 --> 1:11:12.680
<v Speaker 9>hot and all that stuff, because that's how it is

1:11:12.760 --> 1:11:13.439
<v Speaker 9>in the West Coast.

1:11:13.680 --> 1:11:15.320
<v Speaker 1>And that's how I learned about the West Coast. This

1:11:15.360 --> 1:11:18.599
<v Speaker 1>is nineteen eighty nine. Master Ace had just joined our

1:11:19.439 --> 1:11:22.000
<v Speaker 1>Mass States was heaving doing the car show stuff on

1:11:22.040 --> 1:11:24.120
<v Speaker 1>the West. I knew sul Night already back then it's

1:11:24.160 --> 1:11:28.080
<v Speaker 1>eighty nine. I shouldn't Bobby he was, and he was.

1:11:28.200 --> 1:11:29.640
<v Speaker 1>He was hanging over the.

1:11:32.240 --> 1:11:32.360
<v Speaker 2>Man.

1:11:32.560 --> 1:11:35.080
<v Speaker 3>So I was there with JJ FAD, the n w A,

1:11:35.200 --> 1:11:37.479
<v Speaker 3>all that stuff, Me and Heasy. He came to the

1:11:37.520 --> 1:11:41.080
<v Speaker 3>first Game Star release party in nineteen eighty nine. Did

1:11:41.120 --> 1:11:47.080
<v Speaker 3>you want the pictures now? Yeah, the recipes to so

1:11:47.600 --> 1:11:50.040
<v Speaker 3>we met them back in eighty nine, so killed you

1:11:50.120 --> 1:11:53.080
<v Speaker 3>know what for dove c to be there back then?

1:11:53.240 --> 1:11:55.040
<v Speaker 3>That shows you we go to and recipes of his

1:11:55.160 --> 1:11:56.320
<v Speaker 3>brother who passed on.

1:11:56.400 --> 1:11:59.840
<v Speaker 1>January, Ice Cubes, DJ Crazy Tones, that stuff.

1:12:00.200 --> 1:12:03.439
<v Speaker 3>Yeah, when we set them off right, and we had

1:12:03.479 --> 1:12:05.559
<v Speaker 3>an incredible homegoing service and.

1:12:06.760 --> 1:12:08.080
<v Speaker 1>Your family reunion.

1:12:08.280 --> 1:12:10.240
<v Speaker 3>Man, seeing all these West Coast on from King t

1:12:10.880 --> 1:12:13.320
<v Speaker 3>and then seeing you know, Chuck d n l L

1:12:13.520 --> 1:12:15.479
<v Speaker 3>there and everybody and and you know.

1:12:15.960 --> 1:12:18.320
<v Speaker 1>Just every artist and hip hop family.

1:12:19.400 --> 1:12:22.000
<v Speaker 3>It was so packed and and they just did it right,

1:12:22.080 --> 1:12:24.160
<v Speaker 3>you know what I'm saying, playing dope music in the church,

1:12:24.520 --> 1:12:27.080
<v Speaker 3>playing flashlight and doing a whole collage of all the

1:12:27.120 --> 1:12:29.400
<v Speaker 3>people he's been around on a video screen.

1:12:29.960 --> 1:12:31.519
<v Speaker 1>And and and then even when it did.

1:12:31.439 --> 1:12:35.960
<v Speaker 3>To everybody's on site, the shows tunes throwing up the

1:12:36.160 --> 1:12:39.320
<v Speaker 3>w looking up to the st with with clouds.

1:12:38.880 --> 1:12:41.479
<v Speaker 1>And wings and all that stuff, and I was like, yo, man,

1:12:42.200 --> 1:12:43.400
<v Speaker 1>you see he's trying to get.

1:12:48.760 --> 1:12:49.120
<v Speaker 3>That was it?

1:12:51.439 --> 1:12:54.640
<v Speaker 1>June. You're fifty. You're very smart about how you do

1:12:54.800 --> 1:12:56.040
<v Speaker 1>things on TV.

1:13:03.320 --> 1:13:05.760
<v Speaker 5>We we are with two of the best producers of

1:13:05.920 --> 1:13:10.000
<v Speaker 5>all the best in my best and I'm going to

1:13:10.040 --> 1:13:11.200
<v Speaker 5>celebrate you guys life.

1:13:11.560 --> 1:13:13.320
<v Speaker 1>Hey man, I'm going to get team.

1:13:13.800 --> 1:13:17.040
<v Speaker 5>I can't believe, like I continue, I got to come

1:13:17.120 --> 1:13:19.519
<v Speaker 5>back and look a little black absolutely because it's twenty

1:13:19.600 --> 1:13:21.680
<v Speaker 5>five million. But you know what the crazy shi it

1:13:21.840 --> 1:13:26.600
<v Speaker 5>is is this guy is a vinyl guy. He's a

1:13:26.960 --> 1:13:32.519
<v Speaker 5>real hip hot person. I am a hip hop person.

1:13:32.840 --> 1:13:37.200
<v Speaker 5>For us to come together and want to commemorate hip hop,

1:13:37.439 --> 1:13:39.120
<v Speaker 5>thissolute hip hop and for.

1:13:39.240 --> 1:13:42.400
<v Speaker 1>It to get twenty five million, man for picking it

1:13:42.479 --> 1:13:52.800
<v Speaker 1>out CBS, CBS first, BBS first, and then Coming home

1:13:54.720 --> 1:13:59.760
<v Speaker 1>Man coming here May. I thought, when you go you

1:13:59.840 --> 1:14:01.840
<v Speaker 1>go to LA, you gotta le's beak of your premier.

1:14:02.120 --> 1:14:05.599
<v Speaker 3>No, I'm doing screening screening at the LA Film School

1:14:06.600 --> 1:14:10.160
<v Speaker 3>March ninth, but March twenty third on Revolt Airs is

1:14:10.240 --> 1:14:13.439
<v Speaker 3>the premier Coming Home Vietnam. I'm going to different countries

1:14:13.479 --> 1:14:14.360
<v Speaker 3>and exploring hip hop.

1:14:16.560 --> 1:14:19.240
<v Speaker 1>The dope thing is, I've been watching Drink Drink Chances

1:14:19.240 --> 1:14:23.280
<v Speaker 1>for a minute. You don't feel like you're lighting it up.

1:14:24.040 --> 1:14:28.720
<v Speaker 3>I've been checking a minute, and Uh, it's just ill.

1:14:28.920 --> 1:14:33.320
<v Speaker 3>How how the two of y'all are from really different,

1:14:33.600 --> 1:14:37.040
<v Speaker 3>totally different directions. I've known Nord from the streets, like

1:14:37.200 --> 1:14:41.920
<v Speaker 3>we've been streeting for so long, right, I've seen him

1:14:41.920 --> 1:14:48.200
<v Speaker 3>elevate from the street level of rhymen to the sharper.

1:14:48.120 --> 1:14:49.360
<v Speaker 1>Version of writing rhymes.

1:14:50.000 --> 1:14:52.160
<v Speaker 3>Even when you and Bubby had joke rama and then

1:14:52.200 --> 1:14:54.439
<v Speaker 3>we end up doing a record together and.

1:14:54.760 --> 1:14:57.840
<v Speaker 1>Me and together, and even when that happened, it wasn't

1:14:57.840 --> 1:14:59.439
<v Speaker 1>even a dish. He was just like, yo, I'm a

1:14:59.600 --> 1:15:00.400
<v Speaker 1>band of GNY.

1:15:00.880 --> 1:15:05.120
<v Speaker 3>He didn't want him to elevate and fan and where

1:15:05.240 --> 1:15:09.600
<v Speaker 3>everybody knows bumping Freddie Fox and being where he is

1:15:09.800 --> 1:15:13.720
<v Speaker 3>more into. There's certain people he's attracted to for what

1:15:13.840 --> 1:15:17.240
<v Speaker 3>they represented, and he loves no more than the same.

1:15:17.360 --> 1:15:21.240
<v Speaker 1>See as a person, A big, big fan of Big

1:15:22.240 --> 1:15:23.560
<v Speaker 1>Big because he pushed me.

1:15:23.640 --> 1:15:26.360
<v Speaker 5>He told me from the beginning, like if he had

1:15:26.840 --> 1:15:28.479
<v Speaker 5>mentioned my name on the record, they told me like

1:15:29.360 --> 1:15:31.200
<v Speaker 5>I just I don't want you to say what but

1:15:31.800 --> 1:15:34.639
<v Speaker 5>I'm gonna be honest, I keep it one.

1:15:36.400 --> 1:15:41.320
<v Speaker 1>When I recorded to with the right, that's how I

1:15:41.439 --> 1:15:44.360
<v Speaker 1>used to count bars. I used to say, what what

1:15:44.600 --> 1:15:44.920
<v Speaker 1>what what?

1:15:45.160 --> 1:15:49.680
<v Speaker 3>What? What? What? What? What? What? What? What? What? What?

1:15:49.920 --> 1:15:50.160
<v Speaker 2>What what?

1:15:51.560 --> 1:15:57.559
<v Speaker 1>I'm from the resource from education child.

1:16:00.680 --> 1:16:01.639
<v Speaker 5>I told for real.

1:16:01.760 --> 1:16:05.479
<v Speaker 15>I said, they're gonna lave it. He said, that's the hook.

1:16:06.120 --> 1:16:10.120
<v Speaker 15>But he was a h He was because the game

1:16:10.240 --> 1:16:12.519
<v Speaker 15>was taking up the ones like when I said what

1:16:12.680 --> 1:16:12.960
<v Speaker 15>what what?

1:16:13.160 --> 1:16:13.200
<v Speaker 9>What?

1:16:13.320 --> 1:16:13.360
<v Speaker 3>What?

1:16:13.720 --> 1:16:16.160
<v Speaker 1>So what I wanted it? All he did was muted.

1:16:16.920 --> 1:16:19.120
<v Speaker 1>And then so I gotta give it to morell.

1:16:21.560 --> 1:16:22.000
<v Speaker 8>You did that.

1:16:22.439 --> 1:16:25.040
<v Speaker 1>So now when you listen to it, you hear and

1:16:25.160 --> 1:16:26.360
<v Speaker 1>you say what what what?

1:16:26.600 --> 1:16:28.040
<v Speaker 3>What? What? What? What? What?

1:16:29.760 --> 1:16:31.760
<v Speaker 1>But yeah, this day you don't even got to go

1:16:31.800 --> 1:16:34.080
<v Speaker 1>to the verse. That is the club.

1:16:34.800 --> 1:16:35.000
<v Speaker 7>Yeah.

1:16:37.360 --> 1:16:40.240
<v Speaker 1>And what I was trying to say was when I

1:16:40.439 --> 1:16:42.960
<v Speaker 1>did it, I felt what Bumpy felt.

1:16:43.680 --> 1:16:46.639
<v Speaker 5>That's why I never took it personal, because I felt

1:16:47.120 --> 1:16:48.800
<v Speaker 5>I told for I said it for real.

1:16:50.000 --> 1:16:50.479
<v Speaker 2>We need is.

1:16:51.560 --> 1:16:53.519
<v Speaker 5>I said, oh, we need is because you know from

1:16:53.520 --> 1:16:58.000
<v Speaker 5>the research room. So you know, I'm sorry, said and

1:16:58.120 --> 1:17:01.760
<v Speaker 5>he said relax. We didn't say relax, but in my mind,

1:17:02.040 --> 1:17:08.840
<v Speaker 5>he said, I will never forget it. We were in

1:17:08.880 --> 1:17:12.200
<v Speaker 5>the Right Track Recording Studios. His chain was choking him.

1:17:16.000 --> 1:17:21.240
<v Speaker 1>I told Choker, like, you gotta release because it was

1:17:21.320 --> 1:17:24.400
<v Speaker 1>just so tight on this licking. I love him, he

1:17:24.520 --> 1:17:25.800
<v Speaker 1>love he knows I love for.

1:17:29.000 --> 1:17:29.160
<v Speaker 2>Real.

1:17:31.040 --> 1:17:34.720
<v Speaker 5>I'm very upset, but I love you for me and

1:17:34.800 --> 1:17:40.400
<v Speaker 5>mister Lee kicks. So I remember, I'm going upstairs, I

1:17:40.479 --> 1:17:43.960
<v Speaker 5>would saying, you remember right track, youmember. So I went

1:17:44.080 --> 1:17:46.240
<v Speaker 5>upstairs and I said, all we need is a hook

1:17:46.280 --> 1:17:49.000
<v Speaker 5>and we good, And he said we got the hook already,

1:17:50.000 --> 1:17:52.080
<v Speaker 5>and I looked at him. I was like, because I

1:17:52.200 --> 1:17:58.200
<v Speaker 5>had previously did that on every other record before, Joe.

1:17:58.360 --> 1:18:01.080
<v Speaker 1>The first time I heard you were t O, N

1:18:01.320 --> 1:18:05.400
<v Speaker 1>Y and and just the whole bo It's like, that's

1:18:05.439 --> 1:18:08.120
<v Speaker 1>your stamp, that no one of those owners that you

1:18:08.200 --> 1:18:11.120
<v Speaker 1>are owner. But that's the reason why I got it.

1:18:11.560 --> 1:18:14.760
<v Speaker 1>I gotta give it because he was the nigga like

1:18:14.840 --> 1:18:15.639
<v Speaker 1>I did that ass.

1:18:15.560 --> 1:18:19.479
<v Speaker 5>Ball because you remember back then. You gotta remember back then.

1:18:20.120 --> 1:18:27.880
<v Speaker 5>We couldn't punch in recorded the roll record in one day, No,

1:18:28.400 --> 1:18:30.080
<v Speaker 5>and it want to punch in even.

1:18:32.160 --> 1:18:39.240
<v Speaker 3>No punching it, you know, proud, but listen, I'll be

1:18:39.320 --> 1:18:41.160
<v Speaker 3>fifty one March twenty first.

1:18:46.080 --> 1:18:48.200
<v Speaker 1>So pree, So I did this ship.

1:18:49.040 --> 1:18:51.360
<v Speaker 5>That's how I always recorded my records.

1:18:51.520 --> 1:18:53.360
<v Speaker 1>Was all the way too, because remember we had the

1:18:53.400 --> 1:18:57.439
<v Speaker 1>eight year Hrails back then two inch get two inchel

1:19:02.600 --> 1:19:03.600
<v Speaker 1>whatever you think it was.

1:19:03.640 --> 1:19:09.479
<v Speaker 5>It was, so I was trained to just lay everything

1:19:09.600 --> 1:19:12.439
<v Speaker 5>all together. So I came out and then he had

1:19:12.479 --> 1:19:13.200
<v Speaker 5>the girl come in.

1:19:13.439 --> 1:19:16.080
<v Speaker 1>And then the girl was saying, which is not callous

1:19:16.120 --> 1:19:21.000
<v Speaker 1>because everybody everybody thinks it's not. Everybody thought it was

1:19:21.880 --> 1:19:26.160
<v Speaker 1>its getting what she was around during that time. Yeah,

1:19:26.200 --> 1:19:27.240
<v Speaker 1>but everybody thought was it.

1:19:28.520 --> 1:19:32.960
<v Speaker 5>I'm so sorry I forgot Remember tammy is definitely a tammy.

1:19:33.000 --> 1:19:38.600
<v Speaker 1>Sounds like that was something like that, right, That was

1:19:38.640 --> 1:19:42.759
<v Speaker 1>an that time that that we were all cool, khalise,

1:19:43.040 --> 1:19:44.320
<v Speaker 1>but look so crazy.

1:19:44.479 --> 1:19:47.320
<v Speaker 5>I come back out and I'll say, yo, praps, all

1:19:47.360 --> 1:19:49.600
<v Speaker 5>we need is to hook and we've done and he

1:19:49.720 --> 1:19:53.160
<v Speaker 5>said he god don And I said, where.

1:19:53.080 --> 1:19:53.360
<v Speaker 9>Is it a?

1:19:54.439 --> 1:19:58.960
<v Speaker 1>And then he played what they're gonna laugh at me?

1:19:59.800 --> 1:20:02.519
<v Speaker 1>When Reddy Fox name at me? He's like, I don't

1:20:02.560 --> 1:20:03.320
<v Speaker 1>want to hit it?

1:20:03.400 --> 1:20:03.960
<v Speaker 3>What what? What?

1:20:04.640 --> 1:20:08.920
<v Speaker 1>But he didn't know that was it literally wasn't me.

1:20:09.080 --> 1:20:11.560
<v Speaker 1>So I was literally mad, mona, what's going on?

1:20:11.880 --> 1:20:17.080
<v Speaker 5>Because the monad the drink chance God damn it on

1:20:17.280 --> 1:20:19.559
<v Speaker 5>him in my mind.

1:20:21.160 --> 1:20:21.400
<v Speaker 1>Shout.

1:20:24.080 --> 1:20:29.400
<v Speaker 5>So now listen, you guys see hip hop. You worked

1:20:29.479 --> 1:20:34.800
<v Speaker 5>with Cool Rest in Peace, you worked with C. L.

1:20:34.920 --> 1:20:39.120
<v Speaker 5>Simon Heavy, Now Heavens.

1:20:39.439 --> 1:20:45.320
<v Speaker 1>I'm going there. So now what makes y'all say I'm

1:20:45.400 --> 1:20:47.360
<v Speaker 1>going to work with people outside?

1:20:48.680 --> 1:20:48.840
<v Speaker 3>Oh?

1:20:49.400 --> 1:20:53.840
<v Speaker 1>Because the thing about hip hop back then was one

1:20:53.960 --> 1:20:57.560
<v Speaker 1>producer did the whole album. I'm wonder I'm working on

1:20:57.680 --> 1:20:59.960
<v Speaker 1>going back to that one producer did the whole.

1:21:00.360 --> 1:21:06.960
<v Speaker 5>Now you've got you, you got Illmatic where it's Pete Rock, Premier,

1:21:07.800 --> 1:21:12.559
<v Speaker 5>Tip Large, Professor l E. S. Then you go into

1:21:12.800 --> 1:21:17.040
<v Speaker 5>at the big big.

1:21:21.240 --> 1:21:24.720
<v Speaker 1>LP. Yeah, Lord for neess Uh.

1:21:25.800 --> 1:21:29.120
<v Speaker 5>So what makes y'all what makes y'all say I'm gonna

1:21:29.120 --> 1:21:31.439
<v Speaker 5>work with people outside of my group?

1:21:32.120 --> 1:21:35.320
<v Speaker 1>Because we're not just We're just not in a hip

1:21:35.360 --> 1:21:38.599
<v Speaker 1>hop box. We're in a music box, and the music.

1:21:38.479 --> 1:21:43.160
<v Speaker 3>Box has all styles that we appreciate based.

1:21:42.880 --> 1:21:44.000
<v Speaker 1>On the cloth.

1:21:44.120 --> 1:21:47.200
<v Speaker 3>We're cut from a pioneers that opened the door and

1:21:47.360 --> 1:21:54.160
<v Speaker 3>we're goinning fire. James Brown BOUTSI the whole Parliament from Adomph. Yeah,

1:21:54.280 --> 1:21:57.840
<v Speaker 3>just on any of that from parlet brids and anything

1:21:57.880 --> 1:22:00.880
<v Speaker 3>Boots anything, Parliament, anything, George anything.

1:22:00.760 --> 1:22:02.880
<v Speaker 1>That's an era after James Brown.

1:22:03.000 --> 1:22:06.720
<v Speaker 3>That's so funky, you know, like like that, that's a

1:22:06.920 --> 1:22:09.639
<v Speaker 3>funk that they ain't never funk. Like he said, funk

1:22:09.760 --> 1:22:11.800
<v Speaker 3>not only moves they can remove.

1:22:12.520 --> 1:22:14.000
<v Speaker 1>We come from that, you know.

1:22:14.160 --> 1:22:17.320
<v Speaker 3>So Aretha Franklin, Natalie Cold, Gladys Knight and the Pips,

1:22:18.160 --> 1:22:20.880
<v Speaker 3>Curtis Mayfield, all that stuff, and Mac and all that stuff.

1:22:21.520 --> 1:22:22.680
<v Speaker 1>That's my childhood.

1:22:23.080 --> 1:22:25.040
<v Speaker 3>I don't know about no hip hop to hippie and

1:22:25.080 --> 1:22:28.000
<v Speaker 3>hippie I'm on that. I'm seeing my mom playing back

1:22:28.080 --> 1:22:34.240
<v Speaker 3>to Yeah, Donad Rose anything, Amotown, Tamla, Gordy Soul Records,

1:22:34.520 --> 1:22:35.200
<v Speaker 3>any of that stuff.

1:22:35.640 --> 1:22:37.519
<v Speaker 1>My mama tried to get you hit one more time,

1:22:38.200 --> 1:22:42.880
<v Speaker 1>drink Champs, God damn you want to make it smoke.

1:22:43.880 --> 1:22:50.400
<v Speaker 5>He ross the roster, roster, saying, why why.

1:22:50.840 --> 1:22:57.640
<v Speaker 3>My child his platform shoes, Afros this big afrosine commercials.

1:22:57.680 --> 1:22:58.360
<v Speaker 1>But Johnson and.

1:23:01.640 --> 1:23:05.960
<v Speaker 3>Good Times, the Jeffersons, all in the family. You know,

1:23:06.200 --> 1:23:12.280
<v Speaker 3>the monsters. That's my monsters. That yeah, remember that's my Yeah,

1:23:12.920 --> 1:23:15.040
<v Speaker 3>I'm gonna throw something in there. What's happening?

1:23:15.160 --> 1:23:16.720
<v Speaker 1>That's my my era, A.

1:23:18.680 --> 1:23:22.080
<v Speaker 3>Rock and stuff, all that, you know, all that. Yeah,

1:23:22.479 --> 1:23:26.680
<v Speaker 3>roller skating, we run, we run, That's what I know.

1:23:27.680 --> 1:23:29.080
<v Speaker 1>This is no rapping and scratching.

1:23:29.160 --> 1:23:34.479
<v Speaker 5>Yet, what is Peak Rock's favorite studio session all these years?

1:23:34.880 --> 1:23:38.759
<v Speaker 8>My favorite studio session that I've ever had was probably

1:23:38.840 --> 1:23:42.200
<v Speaker 8>had been with Run DMC, down with the.

1:23:43.880 --> 1:23:50.759
<v Speaker 1>Ship with the King, down with the light. That's problem

1:23:51.439 --> 1:23:59.840
<v Speaker 1>was you know the Brasy that's the owner of this club,

1:24:00.520 --> 1:24:02.240
<v Speaker 1>and he's not gonna like and we got to like.

1:24:05.600 --> 1:24:05.720
<v Speaker 2>Yo.

1:24:06.360 --> 1:24:09.720
<v Speaker 3>We were on a gang start tour last day and

1:24:10.320 --> 1:24:13.280
<v Speaker 3>Writ and Run called us and said, hurry.

1:24:13.120 --> 1:24:15.400
<v Speaker 1>Up and get hit on the twenty five million streets.

1:24:15.400 --> 1:24:17.519
<v Speaker 1>Why was I like one that we did not and

1:24:17.600 --> 1:24:28.560
<v Speaker 1>we did not make it? It been perfect and we

1:24:28.680 --> 1:24:30.559
<v Speaker 1>came over the wall was and everybody was.

1:24:30.600 --> 1:24:31.680
<v Speaker 2>Gone, damn. You know.

1:24:31.720 --> 1:24:35.200
<v Speaker 5>I gave CBS this idea though, come on, bro, I

1:24:35.280 --> 1:24:40.080
<v Speaker 5>give him that idea. You gotta relax. Gave him I said,

1:24:40.080 --> 1:24:41.479
<v Speaker 5>we need a streamer in the plaque.

1:24:42.760 --> 1:24:45.559
<v Speaker 3>We sat on the podcast buddy, We just said podcast,

1:24:46.280 --> 1:24:47.320
<v Speaker 3>I gotta go with you events.

1:24:49.320 --> 1:24:54.640
<v Speaker 1>He feels more sober than me. Yeah, I don't know

1:24:54.680 --> 1:24:55.080
<v Speaker 1>if it's.

1:24:55.000 --> 1:24:55.720
<v Speaker 2>A d J thing.

1:24:55.960 --> 1:24:59.240
<v Speaker 1>Yes, yes, you can do about We have a memory.

1:25:01.200 --> 1:25:03.400
<v Speaker 1>Jay Z saw me one day. Jay Z said you,

1:25:03.439 --> 1:25:04.840
<v Speaker 1>I'm gonna call you memory man.

1:25:05.640 --> 1:25:09.040
<v Speaker 3>You remember every show you're seeing jay Z and he'll go,

1:25:09.920 --> 1:25:12.040
<v Speaker 3>but you remember this time, I'll say, I remember we

1:25:12.120 --> 1:25:16.040
<v Speaker 3>were and we were in Paris. Were at a show

1:25:16.160 --> 1:25:18.080
<v Speaker 3>like two in the morning, and he was doing the

1:25:18.200 --> 1:25:21.080
<v Speaker 3>uh this after the justin tim latour and watch the throwne.

1:25:21.360 --> 1:25:23.800
<v Speaker 3>He was doing a Holy Grail tour. We found out

1:25:23.840 --> 1:25:26.639
<v Speaker 3>he was in town me and Keebler or wherever Keybler

1:25:26.720 --> 1:25:28.519
<v Speaker 3>is at. I said, y'all want to go see jay

1:25:28.560 --> 1:25:30.720
<v Speaker 3>Z before him reach out. That's when he was still

1:25:30.840 --> 1:25:32.559
<v Speaker 3>talking you no, no, in Paris.

1:25:33.479 --> 1:25:36.280
<v Speaker 1>In Paris, and we got a little a couple of

1:25:36.320 --> 1:25:38.479
<v Speaker 1>little timas. I want to go to the show. I

1:25:38.600 --> 1:25:40.600
<v Speaker 1>reached out to the proper people and they was like, yo,

1:25:40.680 --> 1:25:42.280
<v Speaker 1>Jam and Dad when he was a John and Neely.

1:25:44.000 --> 1:25:46.160
<v Speaker 3>Reached out to John and Neely he's handling everything. I

1:25:46.240 --> 1:25:48.280
<v Speaker 3>reached out to John, send him an email, and I'm like,

1:25:48.280 --> 1:25:48.840
<v Speaker 3>I'm out of here.

1:25:49.080 --> 1:25:50.080
<v Speaker 1>Anyway we can go to the show.

1:25:50.080 --> 1:25:52.280
<v Speaker 3>I'm thinking I ain't gonna respond, and thing blipped in

1:25:52.360 --> 1:25:54.679
<v Speaker 3>like two men's He said, Yo, there's gonna be passes

1:25:54.720 --> 1:25:57.080
<v Speaker 3>waiting for you all access come backstage and I'm gonna

1:25:57.080 --> 1:25:57.680
<v Speaker 3>have a spot for you.

1:26:01.560 --> 1:26:01.960
<v Speaker 1>I'm sorry.

1:26:02.479 --> 1:26:05.760
<v Speaker 3>As soon as we go backstage after the show, because

1:26:05.800 --> 1:26:07.080
<v Speaker 3>Timblin was d dan Form.

1:26:07.479 --> 1:26:10.360
<v Speaker 1>We go back stage after the show. Jay Z goes,

1:26:11.280 --> 1:26:14.479
<v Speaker 1>all right, well remember you got this time? Hey, could

1:26:14.479 --> 1:26:18.479
<v Speaker 1>I'm introduce him to the Keepler, my tour man. He goes, yeah,

1:26:18.560 --> 1:26:22.760
<v Speaker 1>he said, He's like, how you doing, He's like, how

1:26:22.760 --> 1:26:24.400
<v Speaker 1>you doing? Keep it nice to meet you. He'll know

1:26:24.479 --> 1:26:25.599
<v Speaker 1>what you got memory this time?

1:26:25.720 --> 1:26:28.720
<v Speaker 3>I said, you met Keebler Before he goes, oh no,

1:26:30.240 --> 1:26:36.280
<v Speaker 3>I said, we were at Battery Baseline Studios and Loupe

1:26:36.439 --> 1:26:40.360
<v Speaker 3>Fiasco was auditioning for you and he had on a

1:26:40.560 --> 1:26:41.160
<v Speaker 3>big chain.

1:26:41.240 --> 1:26:43.479
<v Speaker 1>This is on Lupe Avasco had a big chain home

1:26:43.520 --> 1:26:45.400
<v Speaker 1>with a big medalla, which he would never do. Right now.

1:26:45.479 --> 1:26:47.599
<v Speaker 1>He was rapping for you know none that he needs

1:26:47.680 --> 1:26:51.040
<v Speaker 1>much more focus on another level. But Loop fans come on,

1:26:51.120 --> 1:26:55.160
<v Speaker 1>Drink Champs going up. Man Homie shot shot the first

1:26:55.200 --> 1:26:55.719
<v Speaker 1>and fifteen.

1:26:56.400 --> 1:27:00.160
<v Speaker 3>So he goes, he's the auditioning for Jay Jasons all

1:27:00.200 --> 1:27:03.559
<v Speaker 3>these rhymes. Louey puts on a beat in the CD player.

1:27:03.960 --> 1:27:08.639
<v Speaker 3>The CD starts to go, you know when they loop

1:27:08.840 --> 1:27:15.200
<v Speaker 3>goes and and then it finally stops skipping, goes back

1:27:15.240 --> 1:27:21.280
<v Speaker 3>into the rhymes. Right there, Jay goos, I totally.

1:27:21.040 --> 1:27:25.519
<v Speaker 1>Remember that day. Next you know him and keep off

1:27:25.560 --> 1:27:28.559
<v Speaker 1>in the corner talking about sports, you know, make some noise.

1:27:31.240 --> 1:27:36.240
<v Speaker 5>Now here's the deal. Like when I interview people, I

1:27:36.439 --> 1:27:39.320
<v Speaker 5>like to, you know, dig into their life. When I

1:27:39.479 --> 1:27:42.800
<v Speaker 5>know the people, the people, I don't dig into their

1:27:42.880 --> 1:27:44.000
<v Speaker 5>like because I know them are rent.

1:27:44.200 --> 1:27:47.879
<v Speaker 1>Both of you guys, I know already. I know exactly

1:27:47.920 --> 1:27:48.600
<v Speaker 1>what to ask you.

1:27:48.720 --> 1:27:53.360
<v Speaker 5>But the thing about y'all which surprised me is y'all

1:27:53.479 --> 1:27:56.920
<v Speaker 5>both come and y'all both do your own sound check.

1:27:58.840 --> 1:28:06.240
<v Speaker 1>Mandatory and so man as always would. I always think like,

1:28:06.520 --> 1:28:08.720
<v Speaker 1>you guys have a DJ, but he'll do.

1:28:09.280 --> 1:28:12.920
<v Speaker 3>We were talking about this me and Yeah, was so like,

1:28:13.360 --> 1:28:20.240
<v Speaker 3>he's like DJ, that sounds that we've done, Joe, And

1:28:20.320 --> 1:28:22.479
<v Speaker 3>I'm like, yo, make sure to heaven everything.

1:28:22.479 --> 1:28:28.400
<v Speaker 1>He's gonna make it right. Fixed the speakers somehow they

1:28:28.439 --> 1:28:31.760
<v Speaker 1>got a bump. They gotta do sound check. I don't care.

1:28:32.200 --> 1:28:35.959
<v Speaker 3>Even if I don't get get to eat sleep, I'm starving,

1:28:37.000 --> 1:28:41.240
<v Speaker 3>take a nap. I will not miss sound they produced.

1:28:41.240 --> 1:28:44.000
<v Speaker 3>It got to be right because a lot of festivals

1:28:44.040 --> 1:28:47.280
<v Speaker 3>you gotta just plug in check. I'm like, Yo, it's

1:28:47.320 --> 1:28:50.240
<v Speaker 3>gotta bang, and I'm gonna deliver what you paid to

1:28:50.400 --> 1:28:53.120
<v Speaker 3>get to get what you paid for. You you're gonna

1:28:53.120 --> 1:28:54.360
<v Speaker 3>pay to get me again, and you.

1:28:54.360 --> 1:28:56.320
<v Speaker 1>Want your beat to be hurt, right, so you don't

1:28:56.400 --> 1:29:01.519
<v Speaker 1>never see like your assistant or nobody you. You said,

1:29:01.560 --> 1:29:03.400
<v Speaker 1>we'll check it again before we start tonight.

1:29:04.360 --> 1:29:07.880
<v Speaker 3>But other than that, now I got outside, I want

1:29:07.960 --> 1:29:09.400
<v Speaker 3>to even see the rock the room looks like, so

1:29:09.400 --> 1:29:11.920
<v Speaker 3>I already have a picture of what I'm stepping into

1:29:12.000 --> 1:29:13.000
<v Speaker 3>when the crowd is here.

1:29:13.160 --> 1:29:15.599
<v Speaker 2>But you gotta let the man do what you gotta

1:29:15.640 --> 1:29:18.439
<v Speaker 2>do if you want to do it. He wanted to

1:29:18.520 --> 1:29:18.720
<v Speaker 2>do it.

1:29:23.479 --> 1:29:26.720
<v Speaker 5>I said, if if free mooted in, he was like yo,

1:29:26.880 --> 1:29:29.320
<v Speaker 5>he said, he said, you did, stayed there?

1:29:29.439 --> 1:29:30.040
<v Speaker 2>I would.

1:29:31.760 --> 1:29:35.720
<v Speaker 3>He know that.

1:29:35.960 --> 1:29:38.320
<v Speaker 2>I just still love him open up for himself.

1:29:38.400 --> 1:29:40.439
<v Speaker 1>He would have. He would have, dude, he would have

1:29:40.520 --> 1:29:42.400
<v Speaker 1>done another hour. And we were like, yo, peak, come on,

1:29:42.840 --> 1:29:44.720
<v Speaker 1>it's not even a bad thing. And I was like,

1:29:44.840 --> 1:29:45.760
<v Speaker 1>your peak, come on.

1:29:46.360 --> 1:29:48.320
<v Speaker 3>We've been on the road where I'll get mad and

1:29:48.439 --> 1:29:52.360
<v Speaker 3>nothing in a bad way. He's like, Pete, I'm at

1:29:52.439 --> 1:29:53.040
<v Speaker 3>the record store.

1:29:53.160 --> 1:29:53.599
<v Speaker 1>He forgot.

1:29:53.640 --> 1:29:56.719
<v Speaker 3>We were here in Tokyo one time and we're about

1:29:56.720 --> 1:30:00.680
<v Speaker 3>to miss our plane, and he goes, I gotta get

1:30:00.720 --> 1:30:01.240
<v Speaker 3>this record.

1:30:01.600 --> 1:30:05.200
<v Speaker 1>We're like, y'all I'm not missing my plane for you, especially.

1:30:04.880 --> 1:30:07.240
<v Speaker 3>On the day you're finally going home, and you know,

1:30:07.280 --> 1:30:08.760
<v Speaker 3>the day you're going home, you're just so ready to

1:30:08.800 --> 1:30:09.360
<v Speaker 3>go back home.

1:30:09.760 --> 1:30:12.880
<v Speaker 1>And we've been out for like a week in another country,

1:30:13.240 --> 1:30:14.040
<v Speaker 1>and he's like, yo.

1:30:14.000 --> 1:30:16.720
<v Speaker 3>I gotta get this record. I'm like, dogs, if we

1:30:17.160 --> 1:30:19.960
<v Speaker 3>do not make this plane because of you, we're gonna

1:30:20.000 --> 1:30:22.599
<v Speaker 3>be And that's actually how the whole Pee Rock versus

1:30:22.720 --> 1:30:25.920
<v Speaker 3>Premier things started because of that day we got on

1:30:26.000 --> 1:30:27.720
<v Speaker 3>the Butther said, you know what, man, we need to

1:30:27.760 --> 1:30:29.439
<v Speaker 3>make an album where we can get our attention now

1:30:29.520 --> 1:30:31.880
<v Speaker 3>to make the album going at each other, making hill

1:30:32.280 --> 1:30:33.040
<v Speaker 3>y'all doing the album.

1:30:33.360 --> 1:30:35.559
<v Speaker 1>We're going to do an album called pe p VP

1:30:36.080 --> 1:30:40.479
<v Speaker 1>Pete Goddamn the hats the record that record? Are we

1:30:40.600 --> 1:30:46.080
<v Speaker 1>doing that? You're about a half right recommend with due. Yeah,

1:30:46.080 --> 1:30:47.920
<v Speaker 1>I have a website that just carries the hats.

1:30:48.560 --> 1:30:52.080
<v Speaker 3>Now say the website again, Premiere was here dot com

1:30:53.320 --> 1:30:55.439
<v Speaker 3>dot com to and just go to the shop section.

1:30:57.200 --> 1:31:01.479
<v Speaker 3>It has all of it has all official Gangshow products,

1:31:01.800 --> 1:31:04.479
<v Speaker 3>all official Guru products, all official Premier products.

1:31:04.760 --> 1:31:08.400
<v Speaker 1>And me and Peach share the hats and we have green, red, blue,

1:31:08.479 --> 1:31:09.559
<v Speaker 1>black and black.

1:31:09.640 --> 1:31:12.280
<v Speaker 5>We have too, so what happened when y'all saw this

1:31:12.439 --> 1:31:18.920
<v Speaker 5>battle individually? Know I'm talking about when y'all saw the

1:31:19.080 --> 1:31:19.720
<v Speaker 5>Just Blade and.

1:31:20.720 --> 1:31:23.960
<v Speaker 1>Everybody, honestly everybody, we don't acting like that was the

1:31:24.040 --> 1:31:26.559
<v Speaker 1>first battle and side you know what because we've been

1:31:26.600 --> 1:31:27.479
<v Speaker 1>doing it so much.

1:31:28.160 --> 1:31:29.840
<v Speaker 3>Yeah, it was more like, all right, cool, and this

1:31:29.960 --> 1:31:31.240
<v Speaker 3>ain't their first battle together.

1:31:31.280 --> 1:31:33.800
<v Speaker 1>They've done it before. No, no, not, this is the

1:31:33.920 --> 1:31:40.000
<v Speaker 1>first one. Kanye. It's not drink chance because but it's

1:31:40.040 --> 1:31:46.639
<v Speaker 1>not drink Kanye. Y'alls is like y'alls is like migrating.

1:31:47.200 --> 1:31:49.160
<v Speaker 3>But the next day they started posting that me and

1:31:49.240 --> 1:31:51.479
<v Speaker 3>you need to doing I'm like, we've been doing you've.

1:31:51.320 --> 1:31:51.840
<v Speaker 1>Been doing it.

1:31:51.920 --> 1:31:53.560
<v Speaker 5>It's like, y'all miss you need to do you know

1:31:53.680 --> 1:31:56.120
<v Speaker 5>my hip hop and story and I know, but what

1:31:56.280 --> 1:31:58.360
<v Speaker 5>did you What was your first.

1:31:58.200 --> 1:32:01.479
<v Speaker 1>Thing when you when you heard the day battle and Swiss,

1:32:01.720 --> 1:32:07.040
<v Speaker 1>I have the phone? Where's my phone at you to come?

1:32:07.400 --> 1:32:13.080
<v Speaker 3>Yes, okay, we believe it. Actually, while we're waiting, I forgot,

1:32:13.320 --> 1:32:19.240
<v Speaker 3>I got you. We got y'all man Drink Clod and nine.

1:32:19.479 --> 1:32:28.920
<v Speaker 1>I remember when you did the remix to again Me.

1:32:29.560 --> 1:32:36.599
<v Speaker 1>I got damn. I don't know, but uh it's from

1:32:36.640 --> 1:32:38.720
<v Speaker 1>the perspective of what we think is hot. And I

1:32:38.800 --> 1:32:42.400
<v Speaker 1>remember when you did the remix to uh those calling

1:32:42.520 --> 1:32:45.240
<v Speaker 1>I picking up those you did what uh?

1:32:45.880 --> 1:32:45.920
<v Speaker 14>What?

1:32:46.120 --> 1:32:46.240
<v Speaker 3>Uh?

1:32:46.600 --> 1:32:49.680
<v Speaker 1>What's the name city boy D? Look at you know

1:32:50.680 --> 1:33:02.000
<v Speaker 1>element you did a you gotta stop? Definitely know you

1:33:02.080 --> 1:33:09.080
<v Speaker 1>know past to me now, Yes, yes, yes, I play,

1:33:10.520 --> 1:33:11.360
<v Speaker 1>I said the Diego.

1:33:13.400 --> 1:33:17.200
<v Speaker 3>I played your your version more than fast Chapter Fab

1:33:17.400 --> 1:33:21.720
<v Speaker 3>figure because Fat Fab is a dope lyricist and knows

1:33:21.760 --> 1:33:24.760
<v Speaker 3>how to do club records, radio records and still have

1:33:24.920 --> 1:33:27.280
<v Speaker 3>a really clever way of writing his rhymes.

1:33:27.960 --> 1:33:28.479
<v Speaker 1>Love Fab.

1:33:28.560 --> 1:33:31.320
<v Speaker 3>I'm a big fan of his, but your version fit

1:33:31.560 --> 1:33:35.160
<v Speaker 3>more of the format of what I represent the most grimiest,

1:33:37.040 --> 1:33:39.920
<v Speaker 3>like you said, no clean shoes, no hot I don't like.

1:33:40.080 --> 1:33:41.559
<v Speaker 1>Your version was the one I played.

1:33:42.240 --> 1:33:45.080
<v Speaker 3>So it's we're We're on every Friday night from Tempi

1:33:45.160 --> 1:33:48.800
<v Speaker 3>on the midnight serious light radio Channel forty four.

1:33:48.880 --> 1:33:54.120
<v Speaker 1>Hip my Nation, and uh, what I represent is the

1:33:54.320 --> 1:33:58.599
<v Speaker 1>era of the eighties with Morley mal Red alerts, chill out.

1:33:58.560 --> 1:34:04.320
<v Speaker 3>Also to my just yeah just shut just In the

1:34:04.439 --> 1:34:07.960
<v Speaker 3>two thousand ear or whatever year we're in, I still

1:34:08.080 --> 1:34:09.760
<v Speaker 3>keep it to that. And there's so many artists that

1:34:09.840 --> 1:34:13.040
<v Speaker 3>have hot stuff out that will never get played anywhere else.

1:34:13.120 --> 1:34:15.360
<v Speaker 3>So I'm like, I'll play it, send it to me

1:34:15.479 --> 1:34:17.240
<v Speaker 3>if I like it, and it's on that that level,

1:34:17.520 --> 1:34:21.439
<v Speaker 3>it's gonna get broken. And that way, not only do

1:34:21.560 --> 1:34:24.760
<v Speaker 3>you trust me, you also start to focus on you

1:34:24.840 --> 1:34:26.920
<v Speaker 3>know what, if he's playing it, it's gotta be real.

1:34:27.800 --> 1:34:30.040
<v Speaker 1>And that's really what it is. So all of that

1:34:30.200 --> 1:34:30.680
<v Speaker 1>truth that.

1:34:32.920 --> 1:34:40.240
<v Speaker 3>The just blaze Swiss Beast. So it happens, I'm on

1:34:40.320 --> 1:34:42.720
<v Speaker 3>my way to the show and Swiss is texting me saying, Yo,

1:34:42.880 --> 1:34:44.800
<v Speaker 3>I'd like you to come check this out. Put my

1:34:44.840 --> 1:34:47.360
<v Speaker 3>shows off ten to midnight. It's starting at ten o'clock.

1:34:47.840 --> 1:34:49.439
<v Speaker 3>He's like, Yo, man, I really like it. And now

1:34:49.439 --> 1:34:51.479
<v Speaker 3>I would have gone definitely. I definitely would have gone.

1:34:51.520 --> 1:34:54.519
<v Speaker 3>But I'm not abandoned my show because again, it's live.

1:34:54.520 --> 1:34:55.759
<v Speaker 3>It's not previous pre recorded.

1:34:55.920 --> 1:35:00.840
<v Speaker 1>Cool. Live is a whole different animal. Five is when

1:35:01.000 --> 1:35:05.160
<v Speaker 1>you have when I scripted nothing, We just roll, you

1:35:05.240 --> 1:35:05.760
<v Speaker 1>know what I'm saying.

1:35:06.240 --> 1:35:09.160
<v Speaker 3>And when it comes to how we do it, everything

1:35:09.320 --> 1:35:12.439
<v Speaker 3>just flows from minute to minute, second to second, beat

1:35:12.520 --> 1:35:17.160
<v Speaker 3>to beat, voice to voice on just the realness of

1:35:17.240 --> 1:35:20.080
<v Speaker 3>hip hop from my perspective. So when it came to

1:35:20.479 --> 1:35:24.760
<v Speaker 3>Swiss Beats and uh, just Blade doing doing the show.

1:35:25.200 --> 1:35:28.120
<v Speaker 3>As soon as I got off the air, I checked

1:35:28.160 --> 1:35:29.040
<v Speaker 3>my Instagram and.

1:35:29.080 --> 1:35:31.640
<v Speaker 1>Saw they were live. I went to Swiss Beats, I

1:35:31.760 --> 1:35:32.360
<v Speaker 1>clicked on it.

1:35:33.120 --> 1:35:35.160
<v Speaker 3>I want to see my man DJ Rectangle, who's one

1:35:35.200 --> 1:35:39.160
<v Speaker 3>of the dopest battle dude ever give me the scratch Vinyl.

1:35:40.320 --> 1:35:43.240
<v Speaker 3>I go to his show to watch him do a

1:35:43.800 --> 1:35:46.880
<v Speaker 3>party gig, and I'm in there with my phone going

1:35:50.080 --> 1:35:53.360
<v Speaker 3>yeah in the morning, I'm like, just still on from

1:35:53.439 --> 1:35:57.080
<v Speaker 3>ten oclas, Yeah, and I'm doing this looking at him

1:35:57.080 --> 1:35:57.479
<v Speaker 3>a little bit.

1:36:00.080 --> 1:36:01.880
<v Speaker 1>They switch it over now just got the big.

1:36:06.800 --> 1:36:07.400
<v Speaker 3>And the guy.

1:36:09.520 --> 1:36:12.320
<v Speaker 1>Said, yo, just playing them still battling. It's almost two

1:36:12.360 --> 1:36:13.840
<v Speaker 1>in the morning and I'm.

1:36:13.680 --> 1:36:16.559
<v Speaker 3>Sitting there doing this in a corner in the club

1:36:16.600 --> 1:36:20.560
<v Speaker 3>where it looks like I'm like a sore thumb, but

1:36:20.680 --> 1:36:22.800
<v Speaker 3>I'm like, no, I'm watching and check it out because

1:36:22.800 --> 1:36:25.200
<v Speaker 3>i want to see what they're doing to battle because

1:36:25.200 --> 1:36:26.120
<v Speaker 3>they started pulling O beas.

1:36:27.640 --> 1:36:30.439
<v Speaker 1>So that's what I'm like, Will you still a fan

1:36:30.560 --> 1:36:31.519
<v Speaker 1>of the culture like that?

1:36:31.920 --> 1:36:34.920
<v Speaker 3>I will remain because you know why, after I guess,

1:36:35.040 --> 1:36:37.439
<v Speaker 3>being from Texas, I wanted to be accepted by New

1:36:37.520 --> 1:36:40.240
<v Speaker 3>York because at the time I came if New York

1:36:40.280 --> 1:36:42.120
<v Speaker 3>didn't accept you. It didn't matter where you were from.

1:36:42.200 --> 1:36:45.519
<v Speaker 3>And that time that acceptance. I got that acceptance from

1:36:45.560 --> 1:36:46.160
<v Speaker 3>the greats.

1:36:46.600 --> 1:36:47.280
<v Speaker 1>I wanted E. P.

1:36:47.439 --> 1:36:50.160
<v Speaker 3>M D To love me. I wanted Big Daddy came

1:36:50.240 --> 1:36:53.800
<v Speaker 3>to love me around Kim krst one, I wanted Grandmaster

1:36:53.920 --> 1:37:01.720
<v Speaker 3>Flash Molly. It was me Jazz, DJ, jase J.

1:37:01.920 --> 1:37:03.360
<v Speaker 1>You became Jazzy.

1:37:03.240 --> 1:37:08.040
<v Speaker 3>Jeff Cash Money, d J Scratch and I just want

1:37:08.280 --> 1:37:08.760
<v Speaker 3>Howie T.

1:37:10.000 --> 1:37:13.920
<v Speaker 1>Give you ain't smoking? Yeah, smoke though I did earlier. No,

1:37:14.080 --> 1:37:17.760
<v Speaker 1>let's just say he's earlier. It was That's not the

1:37:17.840 --> 1:37:18.960
<v Speaker 1>word that was reaching.

1:37:19.080 --> 1:37:19.280
<v Speaker 3>It was.

1:37:20.840 --> 1:37:21.120
<v Speaker 1>Sorry.

1:37:22.680 --> 1:37:25.439
<v Speaker 3>I told you fifty years old, Union State shot shot

1:37:26.080 --> 1:37:31.479
<v Speaker 3>shot because it got me. Listen, this is when you

1:37:31.680 --> 1:37:36.040
<v Speaker 3>know you're on point. Never has any drugs that I've

1:37:36.120 --> 1:37:41.080
<v Speaker 3>ever used defeated me, and at fifty.

1:37:41.400 --> 1:37:43.640
<v Speaker 1>I'm on my level. You got to take a molly, though,

1:37:43.920 --> 1:37:49.000
<v Speaker 1>take a molly. This guy, Yes, that was bro dude.

1:37:49.040 --> 1:37:49.240
<v Speaker 2>That was.

1:37:52.600 --> 1:37:56.360
<v Speaker 1>That was That was no, no, no, no, that was

1:37:56.400 --> 1:37:58.479
<v Speaker 1>eighty one when it was called black molly, and that

1:37:58.640 --> 1:38:00.920
<v Speaker 1>was the own. Oh my god, this is a black molly.

1:38:01.040 --> 1:38:01.360
<v Speaker 12>What the.

1:38:03.439 --> 1:38:03.920
<v Speaker 1>Put us on.

1:38:05.800 --> 1:38:05.840
<v Speaker 3>You?

1:38:07.600 --> 1:38:08.200
<v Speaker 2>Like a black.

1:38:09.520 --> 1:38:12.560
<v Speaker 1>Like all that stuff. Now it's just like that's not

1:38:13.000 --> 1:38:15.280
<v Speaker 1>there's the mumble jumble stuff. Now you know what I'm saying. So,

1:38:15.840 --> 1:38:18.640
<v Speaker 1>like I said, this is my high school days. So

1:38:18.720 --> 1:38:20.519
<v Speaker 1>my high school days. I graduated in the high school

1:38:20.520 --> 1:38:24.400
<v Speaker 1>in eighty four. Okay, And so imagine our era of

1:38:24.800 --> 1:38:27.280
<v Speaker 1>getting lifted and you're looking good and we're gonna respect you.

1:38:27.479 --> 1:38:30.920
<v Speaker 1>I just started training again, be black. I'm getting my

1:38:31.760 --> 1:38:33.720
<v Speaker 1>You know, I love food, man, I love I love

1:38:33.920 --> 1:38:38.000
<v Speaker 1>ice cream. I love hersy shot shot all that. It's

1:38:38.040 --> 1:38:41.479
<v Speaker 1>the first time ice cream shout it out on the broadcast. Wait,

1:38:41.600 --> 1:38:45.200
<v Speaker 1>that's all. And that's that's when you go to the

1:38:46.439 --> 1:38:47.160
<v Speaker 1>ice cream.

1:38:47.160 --> 1:38:48.519
<v Speaker 3>If you go to the baskeroom ride and you get

1:38:48.520 --> 1:38:50.960
<v Speaker 3>treat scoops in the cup, it ain't official till you

1:38:51.040 --> 1:38:52.040
<v Speaker 3>take the hersy syrup.

1:38:53.760 --> 1:38:54.800
<v Speaker 1>You can't shot.

1:38:55.200 --> 1:38:57.840
<v Speaker 3>Syrup when you when you make a wooler, you don't

1:38:57.880 --> 1:38:59.960
<v Speaker 3>want to see no greens. Let you know, the green

1:39:00.120 --> 1:39:00.759
<v Speaker 3>is in the blood.

1:39:01.360 --> 1:39:02.200
<v Speaker 1>That's how you do it.

1:39:02.320 --> 1:39:02.600
<v Speaker 2>Let's go.

1:39:02.960 --> 1:39:10.720
<v Speaker 1>That's the level drugs, you know. So I don't I

1:39:10.880 --> 1:39:15.080
<v Speaker 1>just say that they really just far from all the time.

1:39:15.080 --> 1:39:17.679
<v Speaker 3>That we've lost and that we've lost to all different

1:39:17.720 --> 1:39:20.439
<v Speaker 3>things from being shot, being the bad disease and eating

1:39:20.520 --> 1:39:23.880
<v Speaker 3>bad health all that stuff. It let me know I'm

1:39:23.920 --> 1:39:27.439
<v Speaker 3>here for a reason. Love your life and fix your

1:39:27.520 --> 1:39:29.680
<v Speaker 3>life to be able to have a longer life. My

1:39:29.880 --> 1:39:36.519
<v Speaker 3>parents are eighty My parents, my dad's eighty eight. They

1:39:36.800 --> 1:39:39.519
<v Speaker 3>they got issues, but they still kicking. My father makes

1:39:39.600 --> 1:39:42.400
<v Speaker 3>all the food. He's like, get away from say, out

1:39:42.400 --> 1:39:44.479
<v Speaker 3>of my kitchen. Let me take it on my way.

1:39:45.040 --> 1:39:46.720
<v Speaker 1>I want to be eighty eight doing that. But I

1:39:46.800 --> 1:39:49.320
<v Speaker 1>guarantee they never did the black molly. You don't know

1:39:49.439 --> 1:39:55.519
<v Speaker 1>that his way with the black molly.

1:39:55.560 --> 1:39:55.800
<v Speaker 2>I'm in.

1:39:58.040 --> 1:40:03.280
<v Speaker 1>When I was in high school, you have, yes, tenth

1:40:03.360 --> 1:40:09.600
<v Speaker 1>grade six? Ain't man talking about black mother? When I

1:40:09.680 --> 1:40:10.240
<v Speaker 1>was sixteen?

1:40:10.320 --> 1:40:14.280
<v Speaker 3>And when I was sixteen, there was only one ecstasy,

1:40:15.080 --> 1:40:17.720
<v Speaker 3>only one. It was wait, wait, what year is this?

1:40:18.240 --> 1:40:23.400
<v Speaker 3>Nineteen eighty eighty two? That was already yeah, okay, yeah,

1:40:23.640 --> 1:40:26.200
<v Speaker 3>eighty two. Ext I'm forty one.

1:40:26.560 --> 1:40:29.920
<v Speaker 1>Oh damn wait that ecstasy in eighty two? What the fuck?

1:40:30.680 --> 1:40:32.120
<v Speaker 1>Actually a white man name?

1:40:32.160 --> 1:40:35.960
<v Speaker 2>But everybody cool over here, bro, Why.

1:40:35.920 --> 1:40:38.719
<v Speaker 1>Is that a surprise? Joe dude? It was only one

1:40:39.280 --> 1:40:43.240
<v Speaker 1>ecstasy was closed this uh, this would right? This would yeah?

1:40:43.520 --> 1:40:43.680
<v Speaker 3>It was.

1:40:44.160 --> 1:40:47.519
<v Speaker 1>It was called ecstasy, yes, but damn it wasn't popping

1:40:47.600 --> 1:40:49.880
<v Speaker 1>til then. I didn't know that you weren't around during

1:40:49.920 --> 1:40:52.760
<v Speaker 1>that time. This no, no, I was about you tell

1:40:52.760 --> 1:40:56.639
<v Speaker 1>you one ten years older than you, so you gotta relax.

1:40:59.400 --> 1:40:59.920
<v Speaker 3>Eighty one.

1:41:00.200 --> 1:41:06.960
<v Speaker 1>I graduated high school in eighty four. Grag listen, listen.

1:41:07.360 --> 1:41:10.920
<v Speaker 1>There was like one style of XC, one style of milley.

1:41:10.800 --> 1:41:13.720
<v Speaker 3>That was it. There wasn't all twenty and there was

1:41:13.880 --> 1:41:17.320
<v Speaker 3>all these that wasn't really bear and cherry cherry juice

1:41:17.400 --> 1:41:19.080
<v Speaker 3>and all these funny names.

1:41:19.240 --> 1:41:22.760
<v Speaker 1>And you smoke coat smoker. Cocaine was more of a

1:41:22.960 --> 1:41:24.519
<v Speaker 1>smoking cocaine. Let's call it cool.

1:41:24.640 --> 1:41:29.560
<v Speaker 3>It's called cracko no woola is crack and weed a

1:41:29.760 --> 1:41:32.080
<v Speaker 3>cool coke and a cigarette.

1:41:32.560 --> 1:41:37.160
<v Speaker 1>How you smoke it's a crack Damn well, it's yeah, yeah,

1:41:38.040 --> 1:41:40.479
<v Speaker 1>seventy seven. It's all good. It's even the blackout. I

1:41:40.600 --> 1:41:45.000
<v Speaker 1>was there. It was it was in my grandfather, but

1:41:45.120 --> 1:41:47.880
<v Speaker 1>I was there staying with my grandfather. Turn off.

1:41:49.360 --> 1:41:52.000
<v Speaker 3>But yeah, during those days, it was only one of

1:41:52.040 --> 1:41:54.479
<v Speaker 3>each tide. That's why when I see what's going on now,

1:41:54.560 --> 1:41:55.840
<v Speaker 3>it's like, damn man, these.

1:41:55.680 --> 1:41:59.080
<v Speaker 1>People are so lost because there's all kinds of weird

1:41:59.160 --> 1:41:59.719
<v Speaker 1>ship flowing.

1:41:59.720 --> 1:41:59.840
<v Speaker 14>Now.

1:42:00.000 --> 1:42:01.840
<v Speaker 1>Don't want to be around none of that, you know,

1:42:02.200 --> 1:42:03.360
<v Speaker 1>we're around the pure.

1:42:03.439 --> 1:42:07.160
<v Speaker 3>And again that that's kind of like the hippie seventies hallucinogens.

1:42:07.280 --> 1:42:09.840
<v Speaker 1>It was a time and all the the the those

1:42:09.920 --> 1:42:15.360
<v Speaker 1>beat is making the give the drugs a little bit

1:42:15.400 --> 1:42:15.880
<v Speaker 1>of props.

1:42:17.439 --> 1:42:18.479
<v Speaker 3>We have to be.

1:42:19.840 --> 1:42:23.320
<v Speaker 1>You're the only guy that I feel like you got

1:42:23.400 --> 1:42:26.479
<v Speaker 1>to making.

1:42:29.600 --> 1:42:29.880
<v Speaker 3>Drugs.

1:42:29.960 --> 1:42:33.240
<v Speaker 1>But but again, I'm glad that drink.

1:42:33.280 --> 1:42:35.639
<v Speaker 3>I'm glad that I understand the concept of that era

1:42:36.160 --> 1:42:39.960
<v Speaker 3>because understanding it and understanding where your cut off point is,

1:42:40.920 --> 1:42:43.280
<v Speaker 3>you don't need to rehab. You reab yourself with your mind.

1:42:44.600 --> 1:42:48.760
<v Speaker 3>I always said that you control of yourself. I know

1:42:48.840 --> 1:42:52.720
<v Speaker 3>when control with you myself, that's too much. Go back

1:42:52.760 --> 1:42:55.840
<v Speaker 3>to normal. And then that that's how people can wonder

1:42:55.960 --> 1:42:59.599
<v Speaker 3>about you. But they can't say, yo, my man is lost,

1:42:59.680 --> 1:43:01.759
<v Speaker 3>he's you can never say I'm gone.

1:43:02.120 --> 1:43:08.800
<v Speaker 1>I'm always here. Let's make some for that now. He

1:43:08.960 --> 1:43:14.479
<v Speaker 1>was recently beefing with what what Young Liggy was being.

1:43:15.600 --> 1:43:19.439
<v Speaker 2>Listen from young Dog.

1:43:20.120 --> 1:43:20.640
<v Speaker 1>You don't even know.

1:43:21.040 --> 1:43:24.160
<v Speaker 16>I mean all of us from our time, we all

1:43:25.280 --> 1:43:30.519
<v Speaker 16>describe what happened. He dissatisfied with the no, he's not,

1:43:30.680 --> 1:43:31.680
<v Speaker 16>he's not. I'll say this.

1:43:31.960 --> 1:43:35.040
<v Speaker 3>We avery targetment had a little listen I had a

1:43:35.040 --> 1:43:36.360
<v Speaker 3>little hoosy verse situation.

1:43:36.800 --> 1:43:37.840
<v Speaker 2>Oh that was you.

1:43:38.760 --> 1:43:39.200
<v Speaker 1>Yeah, But.

1:43:42.080 --> 1:43:45.080
<v Speaker 3>I wasn't offended by that, offended that he don't want

1:43:45.080 --> 1:43:46.479
<v Speaker 3>to wrap to that if that's not what you want

1:43:46.520 --> 1:43:49.200
<v Speaker 3>to wrap was massive, that's not.

1:43:49.280 --> 1:43:52.360
<v Speaker 1>Really a beat. Don't make sense for him, don't make

1:43:52.400 --> 1:43:53.960
<v Speaker 1>sense for him, don't make sense for him.

1:43:55.080 --> 1:43:57.960
<v Speaker 3>Those gangsta you can wrap to for freestyle time out.

1:43:59.520 --> 1:44:00.559
<v Speaker 3>It wasn't mass appeal.

1:44:00.960 --> 1:44:07.040
<v Speaker 1>It was was from memory. Man, Sorry, I saw it too,

1:44:07.520 --> 1:44:10.760
<v Speaker 1>and what happened? Describe I'm not rapping to that? So

1:44:11.160 --> 1:44:14.599
<v Speaker 1>and he said, why is that break beat? So listen?

1:44:14.760 --> 1:44:17.479
<v Speaker 3>He still would Twitter started blowing up on my Twitter.

1:44:18.439 --> 1:44:21.000
<v Speaker 3>He started getting out of hand, everybody disting him. Then

1:44:21.160 --> 1:44:23.439
<v Speaker 3>he joins in. So I watched see what he says.

1:44:23.439 --> 1:44:25.360
<v Speaker 3>So I checked his traffic because I got to make

1:44:25.400 --> 1:44:28.080
<v Speaker 3>sure I'm on point before I do anything. You always

1:44:28.120 --> 1:44:29.640
<v Speaker 3>gotta stay focused.

1:44:29.280 --> 1:44:31.080
<v Speaker 1>On being on point. I know who I am.

1:44:31.479 --> 1:44:32.720
<v Speaker 3>I don't never want to be looked at as a

1:44:32.760 --> 1:44:35.280
<v Speaker 3>person that got played ever and not really be looked

1:44:35.320 --> 1:44:39.240
<v Speaker 3>that way. Absolutely, So when I checked the thread, I

1:44:39.400 --> 1:44:41.439
<v Speaker 3>was like, yo, yeah, because it's getting out of hand.

1:44:41.640 --> 1:44:44.720
<v Speaker 1>My fans are going hard on him, like yo, you

1:44:45.200 --> 1:44:48.920
<v Speaker 1>know they they're doing enough with this. They want to

1:44:49.000 --> 1:44:51.960
<v Speaker 1>kill him. Yeah, So I'm like, yo, I'm like, listen,

1:44:53.000 --> 1:44:55.760
<v Speaker 1>big up to him. Man, he ain't get around to that.

1:44:56.160 --> 1:44:57.800
<v Speaker 1>If he don't like that, he doesn't like that. That's

1:44:57.800 --> 1:45:00.720
<v Speaker 1>what I put he said, then wrapped to what he

1:45:00.760 --> 1:45:02.720
<v Speaker 1>feels like. It's comfortable. So that made him join in

1:45:03.080 --> 1:45:06.120
<v Speaker 1>and said, yo, d m me. We damned each other.

1:45:06.160 --> 1:45:09.519
<v Speaker 3>He said, listen, man, anything I can learn from you,

1:45:10.400 --> 1:45:15.680
<v Speaker 3>put me on and and give me. I said, you

1:45:15.720 --> 1:45:17.800
<v Speaker 3>know what, we didn't know what I said, I'm down

1:45:17.880 --> 1:45:20.559
<v Speaker 3>to doing join with you. My fans may get mad,

1:45:20.760 --> 1:45:24.840
<v Speaker 3>but the only nine The difference is I'm not going

1:45:24.920 --> 1:45:25.920
<v Speaker 3>to make a record.

1:45:25.680 --> 1:45:28.880
<v Speaker 1>That I can't let leave the studio to me and

1:45:29.080 --> 1:45:30.720
<v Speaker 1>him on the same level where it say, yo, wait

1:45:30.720 --> 1:45:33.320
<v Speaker 1>today you got to you gotta compromise yourself. You're gonna

1:45:33.320 --> 1:45:36.320
<v Speaker 1>work no. But but that's what I like. Let me

1:45:36.400 --> 1:45:37.760
<v Speaker 1>tell you something. Let me tell you something.

1:45:37.840 --> 1:45:41.760
<v Speaker 5>When you work with Pream, you work with Pete, these

1:45:41.920 --> 1:45:43.840
<v Speaker 5>brothers are so professional.

1:45:44.840 --> 1:45:47.519
<v Speaker 1>All you gotta do is send the vocals and then relax.

1:45:49.120 --> 1:45:52.519
<v Speaker 3>He told me the skills that I turned into my

1:45:52.680 --> 1:45:54.599
<v Speaker 3>own skill and it's not biting them.

1:45:55.080 --> 1:45:56.600
<v Speaker 1>But he's like Yo, this is how you do it.

1:45:57.400 --> 1:45:57.800
<v Speaker 3>I was like.

1:45:59.360 --> 1:46:00.760
<v Speaker 1>This, I say, yo, by I was like, how are

1:46:00.800 --> 1:46:03.840
<v Speaker 1>you making that? I was like, how are you making

1:46:03.920 --> 1:46:08.200
<v Speaker 1>the base get fuller? And mimick the sample? He said,

1:46:08.240 --> 1:46:10.400
<v Speaker 1>it's the same sample, but I feel to them. I'm like,

1:46:10.439 --> 1:46:12.400
<v Speaker 1>but how do you do that? And he says, come over,

1:46:12.439 --> 1:46:15.360
<v Speaker 1>I'll show you, but don't show me. He showed me.

1:46:15.439 --> 1:46:19.840
<v Speaker 3>I'm like, so you turn it to that same thing

1:46:19.960 --> 1:46:22.280
<v Speaker 3>we have. But I never knew that part of the

1:46:22.400 --> 1:46:25.519
<v Speaker 3>equipment he said, turned into that. I started doing it

1:46:25.720 --> 1:46:26.880
<v Speaker 3>ex girl or the next girl.

1:46:27.920 --> 1:46:33.080
<v Speaker 1>That's one of my joints rights. This reminds me of

1:46:33.160 --> 1:46:36.479
<v Speaker 1>all my relationships. So when it goes in that part,

1:46:36.520 --> 1:46:41.080
<v Speaker 1>where does it go? It muffled. I sent it to

1:46:41.160 --> 1:46:43.280
<v Speaker 1>Pete to make sure I was doing it right. I

1:46:43.320 --> 1:46:43.880
<v Speaker 1>love my wife.

1:46:44.040 --> 1:46:46.040
<v Speaker 3>Sorry, I believe in myself and all that stuff, but

1:46:46.080 --> 1:46:47.400
<v Speaker 3>I wanted to make sure I was doing it right.

1:46:47.439 --> 1:46:49.920
<v Speaker 3>So I sent it to him for approval and I go, yo.

1:46:49.960 --> 1:46:51.840
<v Speaker 1>Did I do it right? He goes, Lo, that's gonna

1:46:51.840 --> 1:46:54.640
<v Speaker 1>be a hit. It was a hit, big hit.

1:46:55.200 --> 1:46:58.960
<v Speaker 3>So when you come back, that right there shows you

1:46:59.080 --> 1:47:02.080
<v Speaker 3>that there is respect for what he was doing before

1:47:02.120 --> 1:47:05.000
<v Speaker 3>I even knew how he was doing it. He was

1:47:05.120 --> 1:47:08.160
<v Speaker 3>willing to show me the trick because he knew. He

1:47:08.520 --> 1:47:10.160
<v Speaker 3>didn't think it like, oh no, you would beat my

1:47:10.280 --> 1:47:14.160
<v Speaker 3>bite my style, Nah, let me borrow that tool. And

1:47:14.280 --> 1:47:17.040
<v Speaker 3>then when I applied that tool, it wasn't a bite.

1:47:17.280 --> 1:47:20.280
<v Speaker 3>It's just another another extension of what he taught me.

1:47:20.640 --> 1:47:25.200
<v Speaker 3>That's why hamlags professors showbiz on my three mentors and

1:47:25.280 --> 1:47:25.880
<v Speaker 3>again Marlly.

1:47:25.960 --> 1:47:29.280
<v Speaker 1>Marl didn't show me anything in person, but just what

1:47:29.439 --> 1:47:30.240
<v Speaker 1>he did.

1:47:31.000 --> 1:47:34.519
<v Speaker 3>Make the music with your mouth biz. Nobody beats to Biz,

1:47:35.320 --> 1:47:37.280
<v Speaker 3>rode to the ridges. A lot of people in the

1:47:37.360 --> 1:47:39.800
<v Speaker 3>circle have said they've given him them the I gave

1:47:39.840 --> 1:47:40.439
<v Speaker 3>him that record.

1:47:40.600 --> 1:47:43.439
<v Speaker 1>That's all good. He did the.

1:47:47.840 --> 1:47:51.000
<v Speaker 3>That's what it's all about. Who made it bounce that way?

1:47:51.040 --> 1:47:52.559
<v Speaker 3>Who made your echo sound that way?

1:47:52.760 --> 1:47:55.120
<v Speaker 1>Who made your voice sound funky that way?

1:47:55.680 --> 1:47:58.320
<v Speaker 3>Marlly did it, And that's all that matters to me

1:47:58.840 --> 1:48:02.439
<v Speaker 3>because that's what makes me the premiere in order to

1:48:02.680 --> 1:48:04.360
<v Speaker 3>be to stay doing it the way you do it

1:48:04.400 --> 1:48:07.080
<v Speaker 3>for the rest of my life and in my passion,

1:48:07.600 --> 1:48:10.680
<v Speaker 3>it's because of how I study a great one. So

1:48:10.920 --> 1:48:12.880
<v Speaker 3>whatever you brought to him is what you brought to him.

1:48:13.320 --> 1:48:15.840
<v Speaker 3>He still made it glow. Guruus to always say that

1:48:16.439 --> 1:48:19.600
<v Speaker 3>you and Eddie Sancho make everything glow. He said, I

1:48:19.800 --> 1:48:22.000
<v Speaker 3>just laid my part down, but you make it light up.

1:48:22.600 --> 1:48:24.760
<v Speaker 3>Mally makes things light up. So no matter what you

1:48:24.880 --> 1:48:27.640
<v Speaker 3>bring him or you gave him everything, he made it

1:48:27.760 --> 1:48:30.080
<v Speaker 3>light up. And without the light, there's darkness. I want

1:48:30.120 --> 1:48:31.880
<v Speaker 3>to be in light. What do y'all think about like

1:48:32.280 --> 1:48:34.240
<v Speaker 3>the separation of sampling and hip hop?

1:48:34.720 --> 1:48:38.400
<v Speaker 1>No, I mean does it matter. We understand the rules

1:48:38.520 --> 1:48:39.519
<v Speaker 1>and the sample of law.

1:48:39.600 --> 1:48:43.760
<v Speaker 3>I mean I understand it sampling finance, but it takes

1:48:43.800 --> 1:48:45.559
<v Speaker 3>away the soul me personally.

1:48:45.640 --> 1:48:48.240
<v Speaker 1>I think sometimes it doesn't. You just get ill with

1:48:48.320 --> 1:48:52.439
<v Speaker 1>your sample. Well man cutting it so nobody knows what

1:48:52.520 --> 1:48:55.560
<v Speaker 1>it is. If it's bad, but you're still sampling, you

1:48:55.640 --> 1:49:01.879
<v Speaker 1>may go and just get there. You're still sampling little bootprint,

1:49:02.120 --> 1:49:03.240
<v Speaker 1>which is what which?

1:49:03.479 --> 1:49:07.320
<v Speaker 3>Yeah, the traps, I mean we're lost because we're not

1:49:07.520 --> 1:49:13.880
<v Speaker 3>records in little little Oh, like we know now the

1:49:14.040 --> 1:49:17.120
<v Speaker 3>safety Z versus and then it's a point where we

1:49:17.200 --> 1:49:19.120
<v Speaker 3>got to do it and it's really that that that

1:49:19.560 --> 1:49:24.160
<v Speaker 3>that important? Clear clear clear Now I got mad clear now, No,

1:49:24.240 --> 1:49:26.080
<v Speaker 3>we got no money. We can't clear anything.

1:49:30.880 --> 1:49:31.680
<v Speaker 1>Don't tell me that I.

1:49:34.680 --> 1:49:36.519
<v Speaker 2>Like I said, he taught me scratch ups. If you

1:49:36.680 --> 1:49:39.439
<v Speaker 2>just listen to a lot of my joints, it's just

1:49:39.600 --> 1:49:40.840
<v Speaker 2>me scratches.

1:49:41.240 --> 1:49:45.280
<v Speaker 1>And they're crazy. You were doing radio already with Marley ma.

1:49:45.520 --> 1:49:50.080
<v Speaker 3>I'm like, damn, this new guy, Pete Browden, he's nasty

1:49:50.160 --> 1:49:52.360
<v Speaker 3>because Molly had a certain scratch style.

1:49:53.080 --> 1:49:55.360
<v Speaker 5>Showed us out there, kind of found Nigga, I'm gonna

1:49:55.360 --> 1:49:56.479
<v Speaker 5>smoke with camel crush.

1:49:57.200 --> 1:50:00.640
<v Speaker 1>In our face. Our face died because it.

1:50:02.880 --> 1:50:06.920
<v Speaker 3>Just give us cancer people, Okay with white people like

1:50:07.080 --> 1:50:08.800
<v Speaker 3>lucky strikes, callnaments?

1:50:09.200 --> 1:50:17.200
<v Speaker 1>You got the momaments? Are you good the white person?

1:50:18.080 --> 1:50:20.360
<v Speaker 3>What? When we did the record, the record that we

1:50:20.439 --> 1:50:24.200
<v Speaker 3>did together, I say, I think that I was the

1:50:24.280 --> 1:50:27.879
<v Speaker 3>first person to ask you to cut up Guru's vocals.

1:50:28.160 --> 1:50:31.000
<v Speaker 1>Was I would have sent me everything, right, every person

1:50:31.040 --> 1:50:34.640
<v Speaker 1>to do that or no, no, no no.

1:50:34.760 --> 1:50:39.639
<v Speaker 3>But after his death, that's what I'm saying, Oh yeah, yeah, okay,

1:50:40.640 --> 1:50:41.479
<v Speaker 3>you send me everything.

1:50:41.640 --> 1:50:42.120
<v Speaker 9>Yeah no.

1:50:42.280 --> 1:50:45.519
<v Speaker 3>He had hosted Mad States from me. He had case

1:50:45.880 --> 1:50:50.840
<v Speaker 3>and I was honored. Yeah yeah, yeah, No d J

1:50:51.120 --> 1:50:54.880
<v Speaker 3>e f N no ef N was Guru DJ was case?

1:50:56.000 --> 1:50:58.040
<v Speaker 3>Damn your memory really isn't backing?

1:51:00.120 --> 1:51:01.080
<v Speaker 2>Have nothing against him?

1:51:01.160 --> 1:51:05.439
<v Speaker 1>I think they have hill memories. Yeah, memory, I apologize fact,

1:51:05.920 --> 1:51:13.120
<v Speaker 1>no need, but passes. There's no apology needed when you

1:51:13.280 --> 1:51:18.560
<v Speaker 1>had this word, so pol don't get that.

1:51:19.200 --> 1:51:22.680
<v Speaker 5>Only sold one million records, so you have to you

1:51:22.760 --> 1:51:28.600
<v Speaker 5>think it's better stop listen seasons, all right, but google Bachaco?

1:51:29.240 --> 1:51:34.800
<v Speaker 1>Who passes away? What's what? What's this man?

1:51:35.439 --> 1:51:35.840
<v Speaker 3>His name?

1:51:36.680 --> 1:51:41.160
<v Speaker 1>You gotta say it. I can't say no, no, no, no,

1:51:41.560 --> 1:51:46.080
<v Speaker 1>not even yeah, holy ship? What's going on right now?

1:51:46.600 --> 1:51:46.720
<v Speaker 3>You know?

1:51:47.200 --> 1:51:49.120
<v Speaker 1>He'll help me out. He don't deserve, he don't deserve

1:51:49.160 --> 1:51:52.160
<v Speaker 1>to be being said from instead a good person. Ain't

1:51:52.160 --> 1:51:56.880
<v Speaker 1>gonna say the Solar and the friends. No, no, that's

1:51:56.920 --> 1:51:59.479
<v Speaker 1>two different ones and it's not the same. He's so large,

1:51:59.800 --> 1:52:02.599
<v Speaker 1>so l a, it's another soul. He's from France.

1:52:02.640 --> 1:52:05.639
<v Speaker 3>He's dope, that's my dude, right, So there's another so together,

1:52:06.200 --> 1:52:07.479
<v Speaker 3>all right, so we got to clarify.

1:52:07.560 --> 1:52:12.920
<v Speaker 5>That's so I'm so sorry to actually as long as

1:52:12.960 --> 1:52:16.720
<v Speaker 5>you said. But Solar makes these claims, and then with

1:52:16.920 --> 1:52:19.640
<v Speaker 5>this premier standing on these claims.

1:52:19.600 --> 1:52:23.040
<v Speaker 3>Ohship and all that type of stuff put to you

1:52:23.200 --> 1:52:28.000
<v Speaker 3>like this, people could yeah say what they want to

1:52:28.080 --> 1:52:29.439
<v Speaker 3>say and all that type of stuff.

1:52:29.479 --> 1:52:31.200
<v Speaker 1>That's all cool because I don't have nothing to say

1:52:31.280 --> 1:52:35.640
<v Speaker 1>when it comes to that. But if old boy does anything,

1:52:36.439 --> 1:52:36.840
<v Speaker 1>then I'm.

1:52:36.720 --> 1:52:39.679
<v Speaker 3>Gonna have a lot to sense a problem. Sybil and plan.

1:52:40.840 --> 1:52:42.439
<v Speaker 3>That's my belichick, mam, and heard you.

1:52:43.439 --> 1:52:50.560
<v Speaker 1>That was Bill BELLI done. What's agree? We love you,

1:52:51.400 --> 1:52:53.960
<v Speaker 1>we love you back, and we love you and everything

1:52:54.040 --> 1:52:56.040
<v Speaker 1>you meant to hip hop and then you know it

1:52:56.120 --> 1:52:58.360
<v Speaker 1>was it was a funny moment. What everything I mean

1:52:58.439 --> 1:52:58.680
<v Speaker 1>to him?

1:53:00.080 --> 1:53:04.800
<v Speaker 5>Everything I apologize, you mean the hip hop and you know,

1:53:05.439 --> 1:53:07.679
<v Speaker 5>it was a funny moment for us in hip hop

1:53:08.040 --> 1:53:11.240
<v Speaker 5>when we got to hear like, you know, it's like

1:53:11.360 --> 1:53:15.240
<v Speaker 5>yo gangs so and you know room and then then

1:53:15.320 --> 1:53:19.880
<v Speaker 5>this guy we never because it's similar to how Pun like.

1:53:20.000 --> 1:53:23.840
<v Speaker 5>When Pun died, I walked to his casket and they

1:53:24.000 --> 1:53:25.200
<v Speaker 5>told me, I said, all the.

1:53:25.320 --> 1:53:30.280
<v Speaker 3>Jewels, because I thought the most funeral rooms the caskets

1:53:30.280 --> 1:53:33.840
<v Speaker 3>at the front. His was in the middle, middle of

1:53:33.880 --> 1:53:36.800
<v Speaker 3>the lord. So when I'm walking like he was right there,

1:53:37.320 --> 1:53:40.160
<v Speaker 3>right there, and the casket. I've never seen a casket

1:53:40.280 --> 1:53:42.960
<v Speaker 3>like this. Okay, I've never seen the castle like this.

1:53:43.080 --> 1:53:47.920
<v Speaker 3>The casket was short and super duper live, and he

1:53:48.000 --> 1:53:51.040
<v Speaker 3>had all his ts changed around his hands and it

1:53:51.120 --> 1:53:53.240
<v Speaker 3>looked like he was kissing the sky because the lips

1:53:53.280 --> 1:53:55.720
<v Speaker 3>were puck it up, like that's the man.

1:53:55.800 --> 1:53:59.600
<v Speaker 5>That's my point to bring this up was when I

1:54:00.160 --> 1:54:02.600
<v Speaker 5>when I went to Punt's casket, people told me that

1:54:02.760 --> 1:54:06.599
<v Speaker 5>Pun and subject, that something Pun suffered, right.

1:54:06.720 --> 1:54:08.960
<v Speaker 1>And that now he's in a better place. And I didn't.

1:54:09.040 --> 1:54:12.800
<v Speaker 1>I didn't know what people meant by that. So when

1:54:12.840 --> 1:54:16.800
<v Speaker 1>I heard, you know, Googles, yeah, and I've never I've

1:54:16.880 --> 1:54:21.080
<v Speaker 1>never seen Google suffering, nah, So I ain't neither me either.

1:54:21.800 --> 1:54:25.920
<v Speaker 1>So everything was just a strange to not just me, everybody,

1:54:26.040 --> 1:54:30.040
<v Speaker 1>and like, if not the fans who we are massive,

1:54:30.800 --> 1:54:33.880
<v Speaker 1>it's strange to everybody. It's strange to me. It's strange

1:54:33.960 --> 1:54:37.240
<v Speaker 1>to the fans because old boy don't know my man

1:54:37.400 --> 1:54:38.360
<v Speaker 1>like I know my man.

1:54:38.840 --> 1:54:43.040
<v Speaker 3>We know him well, Yes, yes, If I really wanted

1:54:43.080 --> 1:54:47.840
<v Speaker 3>to grade dude on a five quiz question.

1:54:47.760 --> 1:54:54.920
<v Speaker 1>There, I guarantee you'll fail. Every answer simple and plain because.

1:54:54.640 --> 1:54:58.680
<v Speaker 3>You had to really really really really really really really

1:54:58.840 --> 1:55:03.040
<v Speaker 3>really know my So you will fail. I can watch

1:55:03.080 --> 1:55:06.040
<v Speaker 3>you right now and make every little sense simple questions.

1:55:06.520 --> 1:55:08.879
<v Speaker 3>How hard on simple questions?

1:55:09.120 --> 1:55:10.200
<v Speaker 1>He's going to fail.

1:55:10.480 --> 1:55:14.720
<v Speaker 3>And it's gonna also be multiple choice ABC A D

1:55:15.520 --> 1:55:16.760
<v Speaker 3>not gonna pick the right answer.

1:55:16.960 --> 1:55:19.400
<v Speaker 1>And I know this because I know this and I

1:55:19.520 --> 1:55:20.920
<v Speaker 1>know him. I know both of them.

1:55:21.800 --> 1:55:26.040
<v Speaker 3>So that's why I don't entertain him, because anytime he

1:55:26.200 --> 1:55:28.400
<v Speaker 3>wants to ever go there, I'm here.

1:55:28.720 --> 1:55:32.480
<v Speaker 1>I mean, if I'm not here, I'm here, you feel me.

1:55:36.440 --> 1:55:41.120
<v Speaker 1>I will not say his name. It's because hip hop

1:55:41.240 --> 1:55:43.560
<v Speaker 1>needed to hear that hip hop?

1:55:44.920 --> 1:55:45.960
<v Speaker 2>How can we make them do that?

1:55:46.760 --> 1:55:48.200
<v Speaker 1>When things is the right move?

1:55:48.680 --> 1:55:50.960
<v Speaker 3>I know when it is about the right people around me,

1:55:51.040 --> 1:55:54.960
<v Speaker 3>from legal to my management, to my artists, to the street.

1:55:55.080 --> 1:55:58.320
<v Speaker 3>Me even being in the street, I have extream mentality

1:55:58.680 --> 1:56:01.600
<v Speaker 3>that keeps me grounded. And I have a dope mom

1:56:01.680 --> 1:56:04.400
<v Speaker 3>and dad and sisters and niece and nephews. Your five

1:56:04.480 --> 1:56:07.400
<v Speaker 3>year old son, who's my dude, shout to his mother.

1:56:07.560 --> 1:56:13.000
<v Speaker 3>She's everybody Like, we're that connected on making sure we

1:56:13.120 --> 1:56:15.920
<v Speaker 3>don't ever fuck up with the social media.

1:56:15.720 --> 1:56:18.760
<v Speaker 1>Stuff making us look like we're fools. Ain't going out

1:56:18.840 --> 1:56:29.040
<v Speaker 1>like that. I'm premiere. Listen, I'm gonna be honest. I'm

1:56:29.040 --> 1:56:31.520
<v Speaker 1>gonna be honest with me. And this guy to the

1:56:31.640 --> 1:56:34.960
<v Speaker 1>right of me started this and we sat down and

1:56:35.080 --> 1:56:39.360
<v Speaker 1>we said we want the only give love to the legends.

1:56:40.760 --> 1:56:41.960
<v Speaker 1>The legends and hip hop.

1:56:43.040 --> 1:56:46.400
<v Speaker 5>You guys are the impitted me of leg This is

1:56:47.080 --> 1:56:49.520
<v Speaker 5>this is the pinnacle and I can't I can't thank

1:56:49.600 --> 1:56:51.640
<v Speaker 5>you enough, like you know, both of you guys that

1:56:51.760 --> 1:56:52.520
<v Speaker 5>gave me beats.

1:56:54.120 --> 1:56:57.400
<v Speaker 10>And that's what's crazy about this about it is I

1:56:57.520 --> 1:57:03.720
<v Speaker 10>still can't do that. I still oh yeah, I still

1:57:03.880 --> 1:57:07.040
<v Speaker 10>owe you both because I love.

1:57:06.960 --> 1:57:14.760
<v Speaker 1>You, don't na, I love you guys, because definitely I'm starting.

1:57:15.320 --> 1:57:17.000
<v Speaker 1>I'm just ready to give yourself.

1:57:17.400 --> 1:57:20.560
<v Speaker 6>Would that be that me tonight? Please give me that

1:57:20.800 --> 1:57:24.440
<v Speaker 6>be That's crazy, man, Dude, I was going to peep

1:57:24.480 --> 1:57:33.120
<v Speaker 6>with imagine you give me because I want Pete to know, so.

1:57:35.320 --> 1:57:39.080
<v Speaker 1>Up the club. I really want to do this for

1:57:39.200 --> 1:57:40.320
<v Speaker 1>your album, Pete.

1:57:41.200 --> 1:57:44.000
<v Speaker 5>For man, if it wasn't for you, guys, I probably

1:57:44.040 --> 1:57:45.720
<v Speaker 5>wouldn't have a childhood, no doubt.

1:57:45.840 --> 1:57:48.800
<v Speaker 1>And this is real ship, man, that's real ship. I

1:57:48.920 --> 1:57:51.840
<v Speaker 1>really love you. Joint said we love but I want

1:57:51.880 --> 1:58:05.720
<v Speaker 1>to just tell I heard oh okay, look I don't Swiss.

1:58:06.440 --> 1:58:12.920
<v Speaker 3>Swiss not only killed that everybody on that song destroyed

1:58:13.200 --> 1:58:13.640
<v Speaker 3>and dude, you.

1:58:13.680 --> 1:58:16.160
<v Speaker 1>Had I wanted to do a posse cut. You know

1:58:16.280 --> 1:58:20.560
<v Speaker 1>what happened. I wanted to do a posse cut your

1:58:20.760 --> 1:58:24.720
<v Speaker 1>body that open whoever get crazy ship, whoever goes first

1:58:24.760 --> 1:58:27.320
<v Speaker 1>to me, and whoever goes last has the most pressure.

1:58:27.920 --> 1:58:30.280
<v Speaker 1>I went last. That was that era because right now

1:58:32.280 --> 1:58:35.160
<v Speaker 1>the record, I have to punt. It was nature pun

1:58:35.640 --> 1:58:37.320
<v Speaker 1>cam what what you wanted?

1:58:37.480 --> 1:58:39.880
<v Speaker 5>I'm the last you can what what all you wanted?

1:58:40.200 --> 1:58:43.080
<v Speaker 5>That's what I wanted to do, dude. But you know what,

1:58:43.800 --> 1:58:46.320
<v Speaker 5>my whole life, my whole career wouldn't make sense.

1:58:46.520 --> 1:58:47.600
<v Speaker 1>I have a question if it.

1:58:47.760 --> 1:58:48.080
<v Speaker 2>Was for you.

1:58:48.280 --> 1:58:50.440
<v Speaker 3>I have a question on that song he said, That's

1:58:50.480 --> 1:58:53.240
<v Speaker 3>why I'll never do a song with you. Wasn't directed

1:58:53.240 --> 1:58:53.880
<v Speaker 3>to anybody else.

1:58:53.920 --> 1:58:57.080
<v Speaker 1>I just hate you're talking about somebody, bro, I want

1:59:00.080 --> 1:59:02.720
<v Speaker 1>what I know he was talking about somebody directing somebody

1:59:03.000 --> 1:59:05.040
<v Speaker 1>or is because you know, I can also be universal.

1:59:05.160 --> 1:59:09.880
<v Speaker 1>Just he's somebody I know this guy like that's why

1:59:09.920 --> 1:59:12.240
<v Speaker 1>I'm not It was like Joseph on the Block.

1:59:12.640 --> 1:59:15.440
<v Speaker 5>It's very trick because the thing about it is this,

1:59:17.920 --> 1:59:22.000
<v Speaker 5>I'm very pretty for me. I'm sorry sometimes you got

1:59:22.120 --> 1:59:23.640
<v Speaker 5>to I'm very credit Pete.

1:59:24.360 --> 1:59:28.760
<v Speaker 1>So just I don't get trying to come up and

1:59:28.880 --> 1:59:32.040
<v Speaker 1>you take a slight shot at me, I'm coming to

1:59:32.120 --> 1:59:35.400
<v Speaker 1>fuck out. I'm bodying you on the wreck, which is

1:59:35.560 --> 1:59:40.960
<v Speaker 1>very very but that's what that's who I am when

1:59:41.000 --> 1:59:43.280
<v Speaker 1>I met him. This is how he looked at me.

1:59:43.840 --> 1:59:47.720
<v Speaker 3>Get only twist in his head that he's at the

1:59:47.760 --> 1:59:49.640
<v Speaker 3>front door. Yo, we gotta sesching up a D N

1:59:49.720 --> 1:59:52.200
<v Speaker 3>D yo for me. I love your stuff, yo, Jo,

1:59:55.680 --> 1:59:56.040
<v Speaker 3>how you doing?

1:59:56.120 --> 2:00:04.480
<v Speaker 1>He's like, yeah, but l A l A l A

2:00:04.680 --> 2:00:06.240
<v Speaker 1>was really bumping with a lot of d js at

2:00:06.240 --> 2:00:09.120
<v Speaker 1>that time. It was early, so we don't really know

2:00:09.200 --> 2:00:09.920
<v Speaker 1>who he is yet.

2:00:10.480 --> 2:00:20.839
<v Speaker 17>We just know weise got raw rockm morale like emeralds

2:00:20.920 --> 2:00:21.560
<v Speaker 17>and morale.

2:00:23.080 --> 2:00:27.240
<v Speaker 3>L A l A. That's my first meeting in him.

2:00:27.320 --> 2:00:34.920
<v Speaker 3>Not he goes the weeds like like, don't forget a

2:00:35.040 --> 2:00:39.360
<v Speaker 3>little dip is the reason why you and I. But

2:00:39.520 --> 2:00:40.760
<v Speaker 3>the song was already out where.

2:00:40.760 --> 2:00:43.200
<v Speaker 1>It's like, that's to do that the day and that's

2:00:43.240 --> 2:00:50.160
<v Speaker 1>the verse that maybe J I can't believe you know

2:00:50.560 --> 2:00:55.120
<v Speaker 1>I got We just did a b for you right now. Yeah,

2:00:55.880 --> 2:00:57.560
<v Speaker 1>let me tell you something. You know what we gotta

2:00:57.560 --> 2:01:00.560
<v Speaker 1>do somewhere we make a beat together, which we never done.

2:01:03.280 --> 2:01:07.760
<v Speaker 3>We start things that drinks that right now because you know,

2:01:07.960 --> 2:01:10.680
<v Speaker 3>you know, you know, you don't know if you're not

2:01:10.960 --> 2:01:13.080
<v Speaker 3>you know, I don't know, I don't know if you

2:01:13.160 --> 2:01:17.440
<v Speaker 3>know wherever state you are, I'll fly like that far

2:01:17.720 --> 2:01:21.080
<v Speaker 3>and I would just love you for Lace and Black

2:01:21.200 --> 2:01:22.680
<v Speaker 3>Poets album black Print.

2:01:22.800 --> 2:01:30.120
<v Speaker 1>Oh no, no problem, problem body that problem. But this

2:01:30.280 --> 2:01:33.600
<v Speaker 1>is the reason why you're so much of important producer.

2:01:34.120 --> 2:01:38.200
<v Speaker 5>You can go and you can work with Carsina, and

2:01:38.280 --> 2:01:40.480
<v Speaker 5>then you can turn around and you still care.

2:01:40.360 --> 2:01:44.760
<v Speaker 1>A black music listen. I love music. I love ship listen.

2:01:44.800 --> 2:01:46.520
<v Speaker 1>I love that I get to consider.

2:01:49.280 --> 2:01:50.480
<v Speaker 2>That's what it is.

2:01:50.560 --> 2:01:53.400
<v Speaker 3>I like this.

2:01:53.720 --> 2:01:56.880
<v Speaker 1>I like messing with all styles of music because I

2:01:57.080 --> 2:01:57.720
<v Speaker 1>am into.

2:01:57.640 --> 2:02:03.120
<v Speaker 3>Country, blues, gospel rock on yeah, praier View is the

2:02:03.240 --> 2:02:04.120
<v Speaker 3>town drinks.

2:02:05.720 --> 2:02:10.040
<v Speaker 1>Yeah, the DJ screw by the way, DJ Screw, let's

2:02:10.080 --> 2:02:13.920
<v Speaker 1>talk about but the leans to But even that, that's

2:02:14.040 --> 2:02:16.520
<v Speaker 1>when it was like now it's an epidemic.

2:02:17.200 --> 2:02:19.960
<v Speaker 3>It wasn't epidemic then, and it was something that you

2:02:20.080 --> 2:02:23.120
<v Speaker 3>just did every occasion, like going out to a bar.

2:02:23.040 --> 2:02:25.080
<v Speaker 1>And having I don't drink every day. I don't you know.

2:02:25.120 --> 2:02:26.040
<v Speaker 1>I got I got work to do it.

2:02:26.080 --> 2:02:28.120
<v Speaker 3>I business a handle. I stay focused. From a five

2:02:28.200 --> 2:02:29.360
<v Speaker 3>year old son, I'm focused.

2:02:29.880 --> 2:02:42.320
<v Speaker 1>But you're still question they're about to open the car.

2:02:43.960 --> 2:02:44.240
<v Speaker 3>Finish.

2:02:45.000 --> 2:02:45.840
<v Speaker 1>So I mean so.

2:02:47.320 --> 2:02:49.680
<v Speaker 3>A lot of the things again that are just out

2:02:49.720 --> 2:02:53.800
<v Speaker 3>of control, are just way publicized or promoted on a

2:02:53.880 --> 2:02:54.720
<v Speaker 3>higher pedestal.

2:02:55.400 --> 2:02:56.800
<v Speaker 1>I already did all that stuff.

2:02:57.240 --> 2:03:00.840
<v Speaker 3>It's about living past that and being able to still

2:03:00.920 --> 2:03:04.640
<v Speaker 3>function on what's the matters that keep you in the

2:03:04.800 --> 2:03:06.000
<v Speaker 3>longevity bucket.

2:03:06.320 --> 2:03:08.240
<v Speaker 1>I want to be in the longevity bucket. I don't

2:03:08.240 --> 2:03:09.840
<v Speaker 1>want to be in the eye. You know you had

2:03:09.880 --> 2:03:13.120
<v Speaker 1>your time bucket. My bucket. I want to go all

2:03:13.160 --> 2:03:16.320
<v Speaker 1>the way even again. When I'm gone, it's still hot.

2:03:16.560 --> 2:03:17.720
<v Speaker 1>Gang starts still hot.

2:03:18.240 --> 2:03:20.840
<v Speaker 3>I keep gangs start still hot because I care about

2:03:21.320 --> 2:03:23.600
<v Speaker 3>not just his legacy and our legacy as a.

2:03:23.880 --> 2:03:26.320
<v Speaker 1>Team, but his son. He has a sixteen year old son.

2:03:26.640 --> 2:03:28.880
<v Speaker 1>I'm making sure his son's eating. I'm making sure his

2:03:28.960 --> 2:03:36.080
<v Speaker 1>son's getting everything that his father's have. I wouldn't feel

2:03:36.160 --> 2:03:36.720
<v Speaker 1>right that.

2:03:37.120 --> 2:03:37.280
<v Speaker 2>Hell.

2:03:37.920 --> 2:03:40.440
<v Speaker 1>My model is this. I can sleep at night.

2:03:41.000 --> 2:03:41.600
<v Speaker 2>That's my mind.

2:03:41.640 --> 2:03:44.840
<v Speaker 1>That's the most important thing at night. I can sleep

2:03:44.920 --> 2:03:46.440
<v Speaker 1>at night. A lot of people you can go. You

2:03:46.520 --> 2:03:51.440
<v Speaker 1>don't understand that like anybody else, But.

2:03:51.560 --> 2:03:54.960
<v Speaker 3>My nightmares are clear from how I analyzed what I

2:03:55.040 --> 2:03:56.600
<v Speaker 3>woke up to business.

2:03:57.000 --> 2:03:59.680
<v Speaker 1>You can sleep, man. My mind is strong.

2:03:59.760 --> 2:03:59.920
<v Speaker 3>Man.

2:04:00.160 --> 2:04:04.000
<v Speaker 1>So I'm going to end this podcast, but I can't

2:04:04.040 --> 2:04:07.600
<v Speaker 1>thank you brothers enough. Thank for having for helping helping me.

2:04:09.560 --> 2:04:13.320
<v Speaker 5>Both of you both helped me personally because my career

2:04:13.480 --> 2:04:16.720
<v Speaker 5>couldn't be complete. I could never complete my career without

2:04:16.760 --> 2:04:21.320
<v Speaker 5>having a beat, rock beat, the premier beat appreciation. Hip

2:04:21.360 --> 2:04:24.080
<v Speaker 5>hop is what I want to continue to represent.

2:04:24.520 --> 2:04:26.160
<v Speaker 1>I want to continue to stand by it.

2:04:26.320 --> 2:04:30.000
<v Speaker 5>I can't believe twenty five million and I hate this

2:04:30.160 --> 2:04:33.320
<v Speaker 5>guy right here a me brous you knew you had

2:04:33.400 --> 2:04:34.880
<v Speaker 5>a twenty five million flat?

2:04:35.240 --> 2:04:38.400
<v Speaker 1>Let me ask. You should have told me on Wednesday. No, No,

2:04:40.160 --> 2:04:42.400
<v Speaker 1>you just a good friend. You deserve. I want to

2:04:42.440 --> 2:04:44.320
<v Speaker 1>surprise you at.

2:04:46.200 --> 2:04:46.800
<v Speaker 11>You don't know that.

2:04:47.080 --> 2:04:50.360
<v Speaker 1>Yeah, I love you. Yeah, I'm having a movie, but

2:04:50.680 --> 2:04:51.080
<v Speaker 1>I love you.

2:04:52.200 --> 2:04:52.640
<v Speaker 6>I let you.

2:04:53.800 --> 2:04:55.880
<v Speaker 1>I can't believe just you asked.

2:04:56.160 --> 2:04:59.680
<v Speaker 3>Yes, everything I do outside of hip hop, when I

2:04:59.800 --> 2:05:02.800
<v Speaker 3>do hip hop, I keep it hood, keep it hood.

2:05:02.880 --> 2:05:05.880
<v Speaker 1>Everything else I can do balance, slow songs, pop songs.

2:05:06.560 --> 2:05:07.440
<v Speaker 1>I like that music too.

2:05:07.560 --> 2:05:11.840
<v Speaker 3>Yes, hip hop, I keep keep it hood because that's

2:05:11.840 --> 2:05:14.480
<v Speaker 3>why I like to listen to it when I buy it, drive.

2:05:14.400 --> 2:05:17.320
<v Speaker 1>To it, or have my radio. If it's either my

2:05:17.440 --> 2:05:20.960
<v Speaker 1>radio or this. You guys are the bedrock. Please stay

2:05:21.040 --> 2:05:22.320
<v Speaker 1>let's rock listen.

2:05:22.440 --> 2:05:25.320
<v Speaker 5>If it wasn't for YouTube, brothers, I wouldn't have a childhood.

2:05:26.080 --> 2:05:28.000
<v Speaker 1>You brothers, that's well deserved what you got.

2:05:29.000 --> 2:05:30.560
<v Speaker 2>It's better than you could say.

2:05:31.080 --> 2:05:34.120
<v Speaker 1>Ain't gonna let's be on wrap. This is a podcast.

2:05:34.160 --> 2:05:36.120
<v Speaker 1>They should make it platinum though, why do you make it?

2:05:36.240 --> 2:05:43.640
<v Speaker 1>Go Matt Steps, it's not twenty five five hundred. You

2:05:43.680 --> 2:05:53.160
<v Speaker 1>know what, You're right, you know what, you know what?

2:05:55.800 --> 2:06:00.600
<v Speaker 11>He actually right, It should be, should be. I'm just

2:06:00.680 --> 2:06:05.120
<v Speaker 11>happy to be here right now and listen, give thanks

2:06:05.160 --> 2:06:06.160
<v Speaker 11>man too.

2:06:06.240 --> 2:06:09.200
<v Speaker 5>Of the best producers of all times have just now

2:06:09.400 --> 2:06:12.200
<v Speaker 5>sat down absolutely all drink champs and.

2:06:13.800 --> 2:06:15.520
<v Speaker 2>The bi up.

2:06:18.080 --> 2:06:20.280
<v Speaker 1>Cut the check and if you have a one more shot,

2:06:21.160 --> 2:06:26.960
<v Speaker 1>one ship shot because at the end of the day,

2:06:27.080 --> 2:06:29.000
<v Speaker 1>and we're gonna say and watching the battle.

2:06:30.200 --> 2:06:33.080
<v Speaker 5>Because when I seen the battle and when I see

2:06:33.160 --> 2:06:35.800
<v Speaker 5>that they said, this is the first time, excuse me

2:06:36.880 --> 2:06:39.320
<v Speaker 5>say the whole thing, don't.

2:06:39.760 --> 2:06:44.000
<v Speaker 1>My brother, I definitely have a shot. Careful.

2:06:45.200 --> 2:06:50.200
<v Speaker 5>When they said that this is the first time us battled,

2:06:50.840 --> 2:06:51.440
<v Speaker 5>no shot.

2:06:53.320 --> 2:06:55.040
<v Speaker 1>Terrible. I felt terrible.

2:06:55.120 --> 2:06:57.000
<v Speaker 5>They said that this is the first time the produces

2:06:57.360 --> 2:06:59.800
<v Speaker 5>first bat And I knew that y'all guys have done this.

2:07:00.000 --> 2:07:01.960
<v Speaker 5>I knew that just Blazer actually had done it with

2:07:02.400 --> 2:07:06.000
<v Speaker 5>Alchemists before and so I wanted to. I wanted to

2:07:06.120 --> 2:07:10.160
<v Speaker 5>actually big you brothers up because I understand what it is.

2:07:10.640 --> 2:07:18.480
<v Speaker 5>But I also understand that Swiss also knows he's a.

2:07:18.440 --> 2:07:21.480
<v Speaker 1>Student of the game, because he never said that. He

2:07:21.640 --> 2:07:25.160
<v Speaker 1>never saw I love you, brothers.

2:07:26.160 --> 2:07:29.400
<v Speaker 5>If you motherfuckers can't, if your motherfucker's Google don't work,

2:07:29.480 --> 2:07:33.760
<v Speaker 5>you need to relax because these are the two of us,

2:07:34.520 --> 2:07:41.680
<v Speaker 5>the best producers of all fucking time, Pete and Premier

2:07:41.960 --> 2:07:43.600
<v Speaker 5>of best producers of all

2:07:50.400 --> 2:07:52.760
<v Speaker 1>Let's take that FI drop