WEBVTT - Listener Mail: The Moon in Silver Dreams

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, production of My

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<v Speaker 1>Heart Radio. Hello, and welcome to Stuff to Blow Your Mind.

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<v Speaker 1>Listener mail. My name is Joe McCormick. My regular co

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<v Speaker 1>host Robert Lamb is not with us today. He's in

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<v Speaker 1>He's on vacation the day we're recording this, so instead

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<v Speaker 1>I am being joined by our regular producer, Seth Nicholas Johnson.

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<v Speaker 1>How you doing, Seth doing wonderfully? It is the fall,

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<v Speaker 1>the best time of year for us as creepy people,

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<v Speaker 1>but in particular for this podcast. Get to play all

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<v Speaker 1>the fun creepy stuff. That's right. So yeah, we're doing

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<v Speaker 1>horror movies all month on Weird House Cinema. We're talking

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<v Speaker 1>about weird topics as we usually do on on our

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<v Speaker 1>regular core episodes on Tuesdays and Thursdays all month. But Seth,

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<v Speaker 1>since you're I mean, we all love music here, but

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<v Speaker 1>you especially are a music guy, I figured it would

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<v Speaker 1>be a good way to kick off today's episode to

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<v Speaker 1>ask you what you are are spending on the record

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<v Speaker 1>player this month? What? What is? What are some of

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<v Speaker 1>your favorite seasonal Halloween themed albums? I mean, it's it's

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<v Speaker 1>it's a it's a rocky road because a lot of

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<v Speaker 1>it is geared towards children. There are a lot of

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<v Speaker 1>like novelty children's Halloween albums, and most of them are

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<v Speaker 1>actually not very good, you know, like it's it's kind

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<v Speaker 1>of a garbage pile more or less. Like if you

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<v Speaker 1>ever actually take the time to listen to the actual

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<v Speaker 1>Monster Mash album by Bobby Boris Pickett, it's not a

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<v Speaker 1>very good album. You could, of course, the Monster Mashes Beloved.

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<v Speaker 1>We all love that song. The album not so much,

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<v Speaker 1>you know, it's what what are the b sides on

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<v Speaker 1>the Monster Mash? Oh my gosh, they all monster themed.

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<v Speaker 1>Not only are they monster themed, but they are like

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<v Speaker 1>woefully uninformed about what a monster even is. Like it

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<v Speaker 1>starts talking about like the details of like Frankenstein's Monster

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<v Speaker 1>or the Wolfman, and like the little you know, the

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<v Speaker 1>little the little things that we all know as monster

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<v Speaker 1>aficionados are all just false, like like what their weaknesses are,

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<v Speaker 1>what their strengths are, who they are as human beings?

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<v Speaker 1>Is doc or Jekyla and Mr Hyde actually the Wolfman?

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<v Speaker 1>Like they just don't actually clearly. Bobby bores Picket had

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<v Speaker 1>a hit with The Monster Mash and then just filled

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<v Speaker 1>in the rest of the album with a bunch of

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<v Speaker 1>garbage they made up like in a week. So it's

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<v Speaker 1>that kind of things. So so there's a lot of

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<v Speaker 1>that kind of stuff out there, but there's some great

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<v Speaker 1>stuff too, both both like fun, nostalgic and modern day. Um,

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<v Speaker 1>I'll give you one of each, Okay, because this month,

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<v Speaker 1>if the listener doesn't know, I, I host a music

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<v Speaker 1>podcast in my spare time called Rusty Needles Record Club.

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<v Speaker 1>Look it up wherever you find uh, you know your podcasts.

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<v Speaker 1>But this month, of course, October, we're doing what all

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<v Speaker 1>great spooky people do. We're doing four spooky albums throughout

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<v Speaker 1>the month of October's were a weekly podcast. So the

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<v Speaker 1>best Halloween album of all time. It's a bit contentious

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<v Speaker 1>because there are multiple versions of it, but any version

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<v Speaker 1>you find will be a pretty good version. It's called

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<v Speaker 1>Forgotten Freakouts, Lost Halloween Hits nineteen fifty four through nineteen

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<v Speaker 1>seventy seven. Okay, I love it already. It's so good.

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<v Speaker 1>Everything is like a real like Dr Demento, like surf

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<v Speaker 1>rock nostalgia hits. Everything is like a parody. Everything is like, um,

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<v Speaker 1>it's it's a novelty. Everything is a novelty song, but

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<v Speaker 1>it all has that kind of like integrity of just

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<v Speaker 1>something that's lasted throughout the years. A lot of surf

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<v Speaker 1>rocky stuff, a lot of like a lot of kitch,

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<v Speaker 1>A lot of kitch. That's the best one by Fall

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<v Speaker 1>I see hold on now I see tracks by Lee Christofferson.

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<v Speaker 1>Is that brother of Chris or no relation? Do you

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<v Speaker 1>have to tell you? I couldn't tell you. Okay, what

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<v Speaker 1>about secondly? There's a secondly? What about Lee, the Big Masher?

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<v Speaker 1>Lily Like? Aren't these names amazing? I would say, uh,

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<v Speaker 1>nearly every single one of these artists. I have no

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<v Speaker 1>idea who they are. Nearly every single one of them

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<v Speaker 1>must be just a forgotten one hit. Wonder if these

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<v Speaker 1>were even hits. I can't even begin to tell you.

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<v Speaker 1>But they're here. They're here in their grays. Is the

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<v Speaker 1>Big Masher a play on the Big Bopper? I'm sure

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<v Speaker 1>right it had to have been. It had been like

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<v Speaker 1>a joke or something. So it's like a hello baby baby,

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<v Speaker 1>but the call is coming from Dracula rights right, yeah,

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<v Speaker 1>done with the bell of the ghostie voice. That's fun. Okay,

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<v Speaker 1>I gotta listen to this one as soon as we

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<v Speaker 1>finished recording here. It's a good one. And now now, yeah,

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<v Speaker 1>keep an eye out for it because I know, like,

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<v Speaker 1>for example, the version on Spotify is missing a lot

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<v Speaker 1>of tracks, and then like the version I got I

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<v Speaker 1>got off band Camp years ago, I know there are

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<v Speaker 1>physical cassettes of this. Just keep your eye out. It's

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<v Speaker 1>the best compilation of come across. Do your best to

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<v Speaker 1>find the full version. Listening audience, Okay, now let's bring

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<v Speaker 1>this modern modern. Have you ever heard of a band

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<v Speaker 1>called the Marshmallow Ghosts. No, I haven't. The Marshmallow Ghosts

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<v Speaker 1>is so so good. What it is so Actually, this

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<v Speaker 1>is somewhat local to you, Joe. You live in Atlanta, Georgia.

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<v Speaker 1>Over in Savannah, there's a record label called grave Face Records.

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<v Speaker 1>It is founded and run by Ryan grave Face of

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<v Speaker 1>Black Moth, Super Rainbow. Okay, next next time you're in Savannah,

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<v Speaker 1>make sure you go there, Joe, because next door is

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<v Speaker 1>like a like spooky house of mysterious museum stuff. You know,

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<v Speaker 1>so it's like, uh, you know, mermaids were like Fiji mermaids,

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<v Speaker 1>you know that kind of stuff, like real Ripley's Believe

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<v Speaker 1>it or not, Pete Barnum type stuff you know, so anyway,

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<v Speaker 1>exactly so so so anyway, Ryan grave Face is just

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<v Speaker 1>a cool dude who runs a cool label and he

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<v Speaker 1>has many bands, but one of them is an annual

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<v Speaker 1>Halloween themed band called The Marshmallow Ghosts, where every year

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<v Speaker 1>they pick a new theme they have, like a new

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<v Speaker 1>release method they do, like just a weird little thing

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<v Speaker 1>every year. This year, I've already pre ordered their record.

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<v Speaker 1>This year it's all about j H. Holmes, so that'll

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<v Speaker 1>be fun. You know, we're reviewing their one this year

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<v Speaker 1>on my podcast. That one is called The Witching Hour.

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<v Speaker 1>The theme of that one was there's a woman hosting

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<v Speaker 1>a radio show and like, I think it's her either

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<v Speaker 1>her her ex wife or her ex girlfriend. What they died,

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<v Speaker 1>so I don't know if that counts as x whatever.

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<v Speaker 1>Their former wife, her former girlfriend who died keeps calling

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<v Speaker 1>into the radio show. But this woman's just still trying

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<v Speaker 1>to do her job and play music. So it's like

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<v Speaker 1>a little radio play, but also with new music peppered

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<v Speaker 1>in throughout by the Marshmallow Ghosts and others like it's

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<v Speaker 1>it's just cool stuff like that. So check out grave

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<v Speaker 1>Faced Records, in particular, check out the Marshmallow ghosts nice.

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<v Speaker 1>Oh and I guess lastly, check out Rusty Needles Record

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<v Speaker 1>Club because that's where I'll be talking about these things.

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<v Speaker 1>If you like talking about music or hearing about music,

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<v Speaker 1>Rusty Needles Record Club it's a great show. I I

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<v Speaker 1>myself may pop on their in in the near future.

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<v Speaker 1>You've been on there in the past, and yeah, we

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<v Speaker 1>hope to get you on again very soon. Alright, Sece,

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<v Speaker 1>you're ready to talk some stuff to blow your mind?

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<v Speaker 1>Listener mail definitely okay. This first message really got my

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<v Speaker 1>hopes up. It ultimately turned out to be a complete bust,

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<v Speaker 1>but it's a lot of fun and I really appreciate

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<v Speaker 1>this listener getting in touch anyway. So recently Rob and

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<v Speaker 1>I did a couple of episodes about elf shot. These

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<v Speaker 1>are very much in the seasonal October Vain because elf

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<v Speaker 1>shot was a folk belief that used to be found,

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<v Speaker 1>especially in the British Isles, and the belief was that

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<v Speaker 1>livestock and sometimes people would become ill, or they would

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<v Speaker 1>even die, or they would experience mysterious pains because they

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<v Speaker 1>had been attacked with supernatural weapons by the invisible folk,

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<v Speaker 1>such as fairy darts or elf arrows, and one of

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<v Speaker 1>the sources we looked at was a nineteen article in

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<v Speaker 1>the journal Antiquity by an author named Thomas Davidson which

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<v Speaker 1>collect did a bunch of alleged cures for elf shot,

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<v Speaker 1>and one of these cures was sourced to the Shetland Islands,

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<v Speaker 1>and it read as follows. Quote A variant prescription from

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<v Speaker 1>the same area directs the wise woman to take tar,

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<v Speaker 1>a needle, a bible, a firebrand, and some fairy crabs.

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<v Speaker 1>Waving the burning brand, she walked three times wider shans,

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<v Speaker 1>meaning counterclockwise, around the cow, jabbing the animal with the needle,

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<v Speaker 1>waving a leaf of the Bible over its back, and

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<v Speaker 1>muttering an incantation. The firebrand was placed in a pot

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<v Speaker 1>of tars and set at the cow's head so that

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<v Speaker 1>the fumes would make her cough. She was then given

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<v Speaker 1>the fairy crabs to eat alive. The ashes of the

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<v Speaker 1>firebrand were later mixed with the tar into three pills,

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<v Speaker 1>which were administered to the animal on three successive mornings. Now,

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<v Speaker 1>Rob and I were unable to figure out what the

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<v Speaker 1>quote fairy crabs referenced in this cure actually were. Were

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<v Speaker 1>they literally some type of crab is this just a

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<v Speaker 1>cute name for some other kind of animal or object.

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<v Speaker 1>There is actually a species of crustacean that is sometimes

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<v Speaker 1>called a fairy crab, but that seems to be in

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<v Speaker 1>twenty one century sources, and it cannot be what the

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<v Speaker 1>source is talking about. For one thing, because it's native

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<v Speaker 1>to the opposite side of the world. It's a Pacific

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<v Speaker 1>squat lobster around Australian Indonesia. And also I think the

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<v Speaker 1>appellation there is much later than this folk belief. So

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<v Speaker 1>we were asking listeners, does anybody have any idea what

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<v Speaker 1>the Shetland Islands fairy crab might be? All of that

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<v Speaker 1>to set up that listener, Carl wrote in with what

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<v Speaker 1>it first looked like a very promising solution to our question.

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<v Speaker 1>So Carl says, Dear Robin Joe, while listening to elf

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<v Speaker 1>Shot Part two, I paused to find the attached search result,

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<v Speaker 1>which seems to indicate that fairy crabs are some sort

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<v Speaker 1>of insect found on the underside of leaves, and then

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<v Speaker 1>Carl touched some search results for us. Uh. Now, the

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<v Speaker 1>actual text appearing in the Google search preview here was

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<v Speaker 1>very promising because it sounded like a scientific description of

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<v Speaker 1>an animal, including a very official sounding Latin scientific name

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<v Speaker 1>for the species. And it's an animal, as said by Carl,

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<v Speaker 1>described as spending the majority of its life on the

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<v Speaker 1>ground that roams around and behavior similar to a tiger beetle. Now,

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<v Speaker 1>this was very exciting because it did look legitimate at

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<v Speaker 1>first until you look at the domain that this result

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<v Speaker 1>is coming from, and it was dv and R dot com. Yeah,

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<v Speaker 1>at what point did you realize the the U R

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<v Speaker 1>L there? When? When did that? Well, pop pop, the

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<v Speaker 1>pop the balloon of your hopes. Well, my hopes were

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<v Speaker 1>still up because I was like, Okay, this is a

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<v Speaker 1>dv and art post that's referencing something I could look

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<v Speaker 1>up else. Okay, So I wanted to yeah, yeah, and

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<v Speaker 1>then find the the like the scientific name of this animal,

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<v Speaker 1>and then search for it in other sources and see

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<v Speaker 1>what's out there. Uh, And yet I didn't really find

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<v Speaker 1>anything when I tried that. I tried some other search terms,

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<v Speaker 1>and uh. I I kept going, still thinking maybe there

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<v Speaker 1>was something here, but unfortunately I realized that this is

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<v Speaker 1>really the only source for this information and it appears

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<v Speaker 1>to be some user generated content on deva and art, which,

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<v Speaker 1>as best I can tell, is some type of fictional

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<v Speaker 1>bestiary or fictional animal taxonomy that includes scientific sounding names

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<v Speaker 1>and scientific sounding descriptions, except with some cryptic references to

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<v Speaker 1>obviously some kind of fantasy context, Like it says that

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<v Speaker 1>this animal inhabits the barren lands. So so I think

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<v Speaker 1>this is this is just somebody creating some kind of

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<v Speaker 1>fun fictional world. But it kind of reminds me of

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<v Speaker 1>uh Seth that I don't remember if you're actually on

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<v Speaker 1>the show at this point, so this may be before

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<v Speaker 1>your time, but it reminds me of when we were

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<v Speaker 1>covering the invention of cinema and Louis La Prince, who

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<v Speaker 1>was an inventor of an alternate early form of of

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<v Speaker 1>moving pictures, uh, alternate to Edison's method, and we we

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<v Speaker 1>came across this what originally looked like a historical paper

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<v Speaker 1>but in fact I think was actually a fictional found

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<v Speaker 1>document that was purporting to uncover Thomas Edison confessing in

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<v Speaker 1>a diary entry to the murder of Louis La Prince,

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<v Speaker 1>and this this fictional art. I don't think it was

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<v Speaker 1>a hoax. I think it was intentionally meant to be

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<v Speaker 1>a piece of fiction to be understood as such. But

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<v Speaker 1>it was not labeled that way, and so I think

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<v Speaker 1>people got confused to the extent that some good looking,

0:12:45.040 --> 0:12:48.200
<v Speaker 1>kind of serious articles about La Prince reported the plot

0:12:48.280 --> 0:12:51.760
<v Speaker 1>of this fictional document as fact. That that's that's a

0:12:51.800 --> 0:12:56.120
<v Speaker 1>hard part about creating historical fiction at all, just period,

0:12:56.160 --> 0:12:59.400
<v Speaker 1>full stop, is that sometimes you're too convincing, and sometimes

0:12:59.400 --> 0:13:02.880
<v Speaker 1>people don't understand things like satire and and they can't

0:13:02.960 --> 0:13:04.920
<v Speaker 1>figure it out. I mean, that's the same reason why

0:13:05.000 --> 0:13:08.480
<v Speaker 1>so many news sources accidentally, um, you know, make make

0:13:08.520 --> 0:13:11.040
<v Speaker 1>their reference back to the onion, just because they don't

0:13:11.040 --> 0:13:14.680
<v Speaker 1>know they can't figure it out. It's yeah, it's it's

0:13:14.760 --> 0:13:16.960
<v Speaker 1>it's fascinating. And you know, I'm looking at these drawings

0:13:17.160 --> 0:13:19.360
<v Speaker 1>for all, not just the fairy crab, but for the

0:13:19.520 --> 0:13:22.680
<v Speaker 1>orc crab and the elve crab and the goblin crab,

0:13:23.200 --> 0:13:25.720
<v Speaker 1>and I have to say, like clearly these are done,

0:13:25.760 --> 0:13:28.480
<v Speaker 1>you know, quickly with like a like rough hand more

0:13:28.559 --> 0:13:31.840
<v Speaker 1>or less. But they're like it's not like a child's drawing.

0:13:31.920 --> 0:13:34.240
<v Speaker 1>They took the time to like get the proper number

0:13:34.280 --> 0:13:36.040
<v Speaker 1>of legs, that took the time to make them, you know,

0:13:36.080 --> 0:13:40.480
<v Speaker 1>bilateral cemetry, you know, like they they they clearly have

0:13:40.679 --> 0:13:42.840
<v Speaker 1>something that they're going for with this, So I commend

0:13:42.960 --> 0:13:46.080
<v Speaker 1>them on their effort, you know. Yeah, congratulations to DV

0:13:46.200 --> 0:13:51.360
<v Speaker 1>and art user the Siren Lord. Yeah exactly for some

0:13:51.360 --> 0:13:56.360
<v Speaker 1>some some convincing world building. Anyway, do appreciate the message, Carl.

0:13:56.440 --> 0:13:59.120
<v Speaker 1>Even though this didn't pan out, it does seem like

0:13:59.160 --> 0:14:02.600
<v Speaker 1>the fairy crab mystery remains. It's good to know that

0:14:02.640 --> 0:14:06.040
<v Speaker 1>other people are considering the fairy Crab. That perhaps someone

0:14:06.080 --> 0:14:08.160
<v Speaker 1>else went down the same train of thought that we're

0:14:08.160 --> 0:14:10.920
<v Speaker 1>going through now, which is, wow, I heard this word,

0:14:10.960 --> 0:14:14.240
<v Speaker 1>what could it possibly mean? And perhaps they also couldn't

0:14:14.240 --> 0:14:16.680
<v Speaker 1>find any informations they had to craft it themselves. You

0:14:16.679 --> 0:14:19.160
<v Speaker 1>know that That is the way a lot of mythology continues,

0:14:19.640 --> 0:14:21.760
<v Speaker 1>is just a lack of information and then filling in

0:14:21.800 --> 0:14:24.960
<v Speaker 1>your own gaps and then someone else goes, oh, that's plausible,

0:14:25.000 --> 0:14:27.800
<v Speaker 1>and then it becomes canon. You know. So yeah, may

0:14:27.840 --> 0:14:36.040
<v Speaker 1>maybe this is the birth of that. All right, I'm

0:14:36.080 --> 0:14:38.880
<v Speaker 1>ready to move on to this message from Matt about

0:14:38.920 --> 0:14:43.640
<v Speaker 1>cattle mutilation. Are you ready? Seth most definitely all right, Matt.

0:14:43.840 --> 0:14:47.200
<v Speaker 1>This this listener has written several times before to talk

0:14:47.240 --> 0:14:51.200
<v Speaker 1>about or to speak from personal experience about topics related

0:14:51.200 --> 0:14:54.680
<v Speaker 1>to farming and ranching, and so Matt says, good day

0:14:54.680 --> 0:14:59.160
<v Speaker 1>fellas loved the cattle mutilation episode. ILL have an opener

0:14:59.240 --> 0:15:01.360
<v Speaker 1>like that, but that I would add a few thoughts

0:15:01.400 --> 0:15:06.640
<v Speaker 1>from an agricultural perspective. I've seen many of the visuals

0:15:06.640 --> 0:15:09.880
<v Speaker 1>described in the episode and can confirm predators play a

0:15:09.920 --> 0:15:14.520
<v Speaker 1>big role in the avian realm. Corvid's meaning ravens and

0:15:14.560 --> 0:15:18.280
<v Speaker 1>crows do play a significant part, and one which I

0:15:18.320 --> 0:15:21.880
<v Speaker 1>don't think the average person quite understands. Here's a couple

0:15:21.880 --> 0:15:25.120
<v Speaker 1>of examples for you, both pertained sheep, but the general

0:15:25.160 --> 0:15:28.280
<v Speaker 1>idea applies to cattle as well. Warning to the listeners

0:15:28.280 --> 0:15:31.160
<v Speaker 1>this will get a little bit grizzly for a few paragraphs. Here,

0:15:31.480 --> 0:15:34.800
<v Speaker 1>Matt writes, I know some sheep farmers, for example, that

0:15:34.880 --> 0:15:38.680
<v Speaker 1>have to keep ornaments reminiscent of owls and other species

0:15:38.720 --> 0:15:42.080
<v Speaker 1>at the entrances to their barns, because if they don't,

0:15:42.640 --> 0:15:45.800
<v Speaker 1>ravens will fly in and kill their lambs by pecking

0:15:45.840 --> 0:15:50.520
<v Speaker 1>out their eyes. Further feasting commences from there if there's time,

0:15:50.640 --> 0:15:55.000
<v Speaker 1>but they always go for the eyes first. It's pretty metal. Similarly,

0:15:55.040 --> 0:15:58.080
<v Speaker 1>I've talked to sheep farmers in Ireland who lose full

0:15:58.120 --> 0:16:01.560
<v Speaker 1>grown sheep to predatory birds. It happens in part because

0:16:01.600 --> 0:16:04.800
<v Speaker 1>sheep become immobilized when on their backs. You might have

0:16:04.840 --> 0:16:08.120
<v Speaker 1>seen this if you ever watch somebody shear a sheep's wool.

0:16:08.720 --> 0:16:11.200
<v Speaker 1>If they fall over or misstep on the mountain or

0:16:11.280 --> 0:16:15.040
<v Speaker 1>pasture for whatever reason, or become immobilized for another reason,

0:16:15.440 --> 0:16:18.840
<v Speaker 1>the birds will go straight for the exposed soft tissues.

0:16:19.240 --> 0:16:21.960
<v Speaker 1>This includes the inner thigh and gut by which the

0:16:22.000 --> 0:16:25.960
<v Speaker 1>birds peck their way into the fallen animals innards, nasty

0:16:26.000 --> 0:16:29.880
<v Speaker 1>stuff wow. Although cattle are much larger, calves can be

0:16:29.920 --> 0:16:33.720
<v Speaker 1>particularly vulnerable to these kinds of things, particularly if they

0:16:33.760 --> 0:16:37.160
<v Speaker 1>become immobilized for many of the reasons previously discussed, but

0:16:37.720 --> 0:16:40.480
<v Speaker 1>in general, these things can happen to livestock of all

0:16:40.640 --> 0:16:44.720
<v Speaker 1>kinds and sizes. I can also confirm that bloating can

0:16:44.720 --> 0:16:49.720
<v Speaker 1>create clean looking tears, slash slice like damage to flesh.

0:16:49.920 --> 0:16:51.960
<v Speaker 1>Like a lot of these things, bloating is something which

0:16:52.000 --> 0:16:54.400
<v Speaker 1>also freaks people out if they're not familiar with the

0:16:54.400 --> 0:16:58.720
<v Speaker 1>physiological process, though it is generally unpleasant for just about anyone.

0:16:59.240 --> 0:17:02.040
<v Speaker 1>You can see why a bloated bovine with its legs

0:17:02.040 --> 0:17:05.080
<v Speaker 1>sticking out at odd angles a rupture here and there,

0:17:05.400 --> 0:17:08.160
<v Speaker 1>and a clean cut on the belly does look pretty odd.

0:17:08.440 --> 0:17:11.160
<v Speaker 1>I'm sure a few cattle mutilation calls were made by

0:17:11.160 --> 0:17:14.439
<v Speaker 1>folks who were less than experts. Anyway, just a bit

0:17:14.480 --> 0:17:18.280
<v Speaker 1>of my own experience. Nothing more surgical than a hungry corvette.

0:17:18.520 --> 0:17:22.760
<v Speaker 1>Matt uh. Thanks for sharing your experience, Matt. Yeah, one

0:17:22.800 --> 0:17:25.720
<v Speaker 1>thing I wonder about so, you know, we did the

0:17:25.760 --> 0:17:28.600
<v Speaker 1>episode on the cattle mutilation panic of the seventies, and

0:17:28.640 --> 0:17:31.439
<v Speaker 1>then we did the movie The Return, which is a

0:17:31.560 --> 0:17:34.760
<v Speaker 1>you know, a fictional thriller about aliens and cattle mutilation.

0:17:35.920 --> 0:17:38.440
<v Speaker 1>And one of the things we saw in the movie,

0:17:38.520 --> 0:17:41.880
<v Speaker 1>at least was that the rancher was the one who

0:17:41.960 --> 0:17:44.720
<v Speaker 1>was saying, you know, I've never seen a cow that

0:17:44.760 --> 0:17:47.159
<v Speaker 1>looked like this. This is you know, completely out of

0:17:47.160 --> 0:17:50.399
<v Speaker 1>the ordinary. Animals couldn't have done this to it. But

0:17:50.560 --> 0:17:53.280
<v Speaker 1>I wonder if it was often actually people with a

0:17:53.280 --> 0:17:57.879
<v Speaker 1>lot of agricultural experience who were relaying the reports that

0:17:57.920 --> 0:18:00.520
<v Speaker 1>allegedly happened in the seventies. I wonder if times it

0:18:00.600 --> 0:18:03.600
<v Speaker 1>was like the cop who arrived on the scene, who

0:18:03.680 --> 0:18:06.440
<v Speaker 1>put together the report that ends up sounding really crazy

0:18:06.480 --> 0:18:10.159
<v Speaker 1>to somebody. And also you mentioned in that episode that

0:18:10.240 --> 0:18:12.919
<v Speaker 1>a lot of the cattle mutilation happened on the smaller farms,

0:18:12.960 --> 0:18:15.600
<v Speaker 1>not on the larger farms. That might have something to

0:18:15.640 --> 0:18:17.359
<v Speaker 1>do with it too. Just like the law of averages,

0:18:17.840 --> 0:18:21.080
<v Speaker 1>if you have ten cows, you may never see certain

0:18:21.440 --> 0:18:26.240
<v Speaker 1>rarer you know, horrible diseases that can attack to your cows.

0:18:26.480 --> 0:18:29.399
<v Speaker 1>But if you run a large, you know, cattle ranch

0:18:29.520 --> 0:18:32.719
<v Speaker 1>that has thousands upon thousands of cows, I bet you've

0:18:32.760 --> 0:18:34.600
<v Speaker 1>actually seen a little bit of everything. Like when you

0:18:34.640 --> 0:18:37.159
<v Speaker 1>come across this is like, oh, I know what this is.

0:18:37.240 --> 0:18:39.840
<v Speaker 1>I saw this once before, so so that that might

0:18:39.880 --> 0:18:41.639
<v Speaker 1>have something to do with it too, is just pure

0:18:41.720 --> 0:18:45.360
<v Speaker 1>law of averages versus a small cattle ranch and an enormous,

0:18:45.440 --> 0:18:47.840
<v Speaker 1>you know, cattle ranch. That's a really good point. Yeah,

0:18:48.040 --> 0:18:51.320
<v Speaker 1>But as always, Matt, thank you for providing the agricultural

0:18:51.320 --> 0:18:54.359
<v Speaker 1>perspective and for letting us know once again just how

0:18:54.400 --> 0:19:06.359
<v Speaker 1>sick the corvids are. Alright. This next message is in

0:19:06.440 --> 0:19:10.080
<v Speaker 1>response to a somewhat older episode. It was the series

0:19:10.160 --> 0:19:12.760
<v Speaker 1>we did called The Lesser of Two Crab Claws, which

0:19:12.840 --> 0:19:16.879
<v Speaker 1>was about asymmetry and animal bodies, And this is from Morgan.

0:19:17.240 --> 0:19:20.920
<v Speaker 1>Morgan says, Hi, Robert and Joe, longtime listener Morgan here,

0:19:20.960 --> 0:19:23.920
<v Speaker 1>and I've been catching up on my backlog of podcasts.

0:19:24.280 --> 0:19:27.760
<v Speaker 1>Started maternity leaves, so I've thankfully been blowing through a

0:19:27.840 --> 0:19:30.200
<v Speaker 1>large chunk of it during the day while my older

0:19:30.200 --> 0:19:33.600
<v Speaker 1>one is a daycare and my husband works parentheses. Baby

0:19:33.640 --> 0:19:36.520
<v Speaker 1>hasn't come yet. I just listened to the series on

0:19:36.640 --> 0:19:42.360
<v Speaker 1>biological asymmetry, which included your annotation about cilia, and as

0:19:42.400 --> 0:19:46.400
<v Speaker 1>a brief reminder here, the context was that silia are

0:19:46.440 --> 0:19:50.720
<v Speaker 1>these tiny hair like filaments that line the surfaces of

0:19:50.760 --> 0:19:54.240
<v Speaker 1>some cells in our bodies, and one of the ideas

0:19:54.280 --> 0:19:57.920
<v Speaker 1>we talked about in that episode was how silia can

0:19:57.960 --> 0:20:03.040
<v Speaker 1>create currents in the flu it surrounding cells, and how

0:20:03.200 --> 0:20:08.200
<v Speaker 1>the role of cilia in early embryonic development, maybe in creating,

0:20:08.240 --> 0:20:12.360
<v Speaker 1>in guiding the current of fluid moving around the developing embryo,

0:20:12.800 --> 0:20:16.719
<v Speaker 1>may have something to do with the link between having

0:20:16.760 --> 0:20:22.000
<v Speaker 1>typically functioning cilia and having the common a asymmetrical arrangement

0:20:22.160 --> 0:20:24.359
<v Speaker 1>of internal organs, you know, with the heart on the

0:20:24.440 --> 0:20:26.439
<v Speaker 1>left and the liver on the right and so forth,

0:20:26.680 --> 0:20:29.879
<v Speaker 1>And how there are conditions where if you're silia seems

0:20:29.960 --> 0:20:33.040
<v Speaker 1>to function atypically or to be damaged in some way,

0:20:33.280 --> 0:20:36.080
<v Speaker 1>this can lead to having your internal organs swapped to

0:20:36.119 --> 0:20:39.399
<v Speaker 1>the other side. So Morgan continues, when you were talking

0:20:39.400 --> 0:20:42.480
<v Speaker 1>about the functionality of cilia and a recessive human trait

0:20:42.600 --> 0:20:46.280
<v Speaker 1>of cartagen or syndrome, and how oftentimes people diagnosed with

0:20:46.280 --> 0:20:49.480
<v Speaker 1>the syndrome have organs flipped, it made me have to

0:20:49.600 --> 0:20:52.600
<v Speaker 1>stop and rewind and listen again. I have a brother

0:20:52.640 --> 0:20:55.040
<v Speaker 1>who was born very premature and as a baby and

0:20:55.119 --> 0:20:58.479
<v Speaker 1>young boy, was very medically involved. From what I've been

0:20:58.520 --> 0:21:01.960
<v Speaker 1>told through my mom's journey as my brother's medical advocate,

0:21:02.280 --> 0:21:04.480
<v Speaker 1>I've learned that part of why my brother was so

0:21:04.560 --> 0:21:08.920
<v Speaker 1>medically complicated was the cilia in his lungs pushing mucus

0:21:08.960 --> 0:21:13.080
<v Speaker 1>from respiratory illnesses down instead of up and out, causing

0:21:13.119 --> 0:21:18.440
<v Speaker 1>severe pneumonia regularly and eventual deterioration of his respiratory cilia.

0:21:18.680 --> 0:21:22.440
<v Speaker 1>Along with the complications of his premature birth, respiratory illnesses,

0:21:22.520 --> 0:21:24.919
<v Speaker 1>as well as open heart surgery in his youth. My

0:21:25.040 --> 0:21:29.560
<v Speaker 1>family also learned that my brother's internal anatomy is completely reversed,

0:21:29.960 --> 0:21:34.199
<v Speaker 1>including how his blood flows parentheses in verse us total us.

0:21:35.040 --> 0:21:37.439
<v Speaker 1>When my brother has had the heartbeat leads connected to

0:21:37.520 --> 0:21:40.400
<v Speaker 1>him in a medical setting. If the healthcare professional does

0:21:40.440 --> 0:21:43.399
<v Speaker 1>not know of this internal trait, his heartbeat on the

0:21:43.440 --> 0:21:47.159
<v Speaker 1>monitor will read upside down. However, if the leads are

0:21:47.160 --> 0:21:50.600
<v Speaker 1>reversed on the machine, it will appear normal. Now, as

0:21:50.640 --> 0:21:53.240
<v Speaker 1>he is an adult, his health has improved and treatment

0:21:53.280 --> 0:21:56.200
<v Speaker 1>of illnesses is relatively minor compared to how things were

0:21:56.240 --> 0:21:58.840
<v Speaker 1>when he was younger. I will probably have to explain

0:21:58.920 --> 0:22:02.080
<v Speaker 1>to doctors in the few sure my brother's medical idiosyncrasies

0:22:02.440 --> 0:22:04.879
<v Speaker 1>because of his rare and unique medical history as he

0:22:04.880 --> 0:22:07.600
<v Speaker 1>gets older. But until then, it's just a random, weird

0:22:07.680 --> 0:22:10.159
<v Speaker 1>fact that I know about him. Thank you for the

0:22:10.200 --> 0:22:12.719
<v Speaker 1>interesting podcast, and keep up with the topics that keep

0:22:12.800 --> 0:22:17.600
<v Speaker 1>me engaged, Sincerely, Morgan. That's wonderfully fascinating, And I can't

0:22:17.640 --> 0:22:21.159
<v Speaker 1>imagine like how many situations that must come up and

0:22:21.200 --> 0:22:23.919
<v Speaker 1>when it creates just kind of like you know, little

0:22:23.960 --> 0:22:26.520
<v Speaker 1>things like you know, from something as simple as just

0:22:26.600 --> 0:22:28.919
<v Speaker 1>you know, checking your blood pressure all the way up

0:22:28.960 --> 0:22:31.000
<v Speaker 1>to like, oh no, I have to get my appendix removed.

0:22:31.359 --> 0:22:34.439
<v Speaker 1>I need to really assure my doctor where it is

0:22:34.480 --> 0:22:37.719
<v Speaker 1>in my body. Like what a wild set of like

0:22:37.960 --> 0:22:41.240
<v Speaker 1>strange complications that must create for you, you know, Yeah,

0:22:41.560 --> 0:22:44.520
<v Speaker 1>the Morgan definitely glad to hear his his health has

0:22:44.560 --> 0:22:47.399
<v Speaker 1>improved since he's gotten older, for sure, and I'm glad

0:22:47.600 --> 0:22:50.720
<v Speaker 1>that it seems like there are workarounds for this, like

0:22:50.720 --> 0:22:53.040
<v Speaker 1>like putting the leads on backwards and stuff like that.

0:22:53.040 --> 0:22:56.080
<v Speaker 1>That's really fascinating to me. Yeah, So thanks for getting

0:22:56.080 --> 0:23:05.520
<v Speaker 1>in touch, Morgan. Okay, a couple of messages about gimbals.

0:23:05.560 --> 0:23:09.720
<v Speaker 1>One of them comes from Eric. Eric says, greetings, gentlemen,

0:23:10.160 --> 0:23:13.520
<v Speaker 1>I really enjoyed your episode about gimbals. There was one

0:23:13.600 --> 0:23:16.440
<v Speaker 1>really fascinating use of gimbals that is an obscure but

0:23:16.520 --> 0:23:21.480
<v Speaker 1>important part of the Apollo program, the lunar Lander test vehicle.

0:23:22.000 --> 0:23:25.120
<v Speaker 1>I think I've also seen this called the lunar Lander

0:23:25.160 --> 0:23:29.680
<v Speaker 1>Research vehicle. Uh. Eric says this was basically a tube

0:23:29.680 --> 0:23:33.840
<v Speaker 1>frame lunar lander shaped vehicle with a turbojet engine on

0:23:33.880 --> 0:23:37.000
<v Speaker 1>a gimbal. The jet engine was on a gimble to

0:23:37.040 --> 0:23:41.560
<v Speaker 1>provide a constant downward thrust of about five sixths of

0:23:41.680 --> 0:23:45.800
<v Speaker 1>g I mean standard acceleration due to Earth's gravity to

0:23:45.840 --> 0:23:48.080
<v Speaker 1>make the vehicle behave as if it was in the

0:23:48.200 --> 0:23:53.080
<v Speaker 1>one six of g of lunar surface gravity. So does

0:23:53.119 --> 0:23:55.840
<v Speaker 1>that make sense if if the Moon has one sixth

0:23:56.119 --> 0:24:00.159
<v Speaker 1>of Earth's gravity. If you provide down thrust a an

0:24:00.160 --> 0:24:05.439
<v Speaker 1>acceleration creating five six worth of Earth's gravity, then it

0:24:05.480 --> 0:24:09.400
<v Speaker 1>will be like simulating being on the service of the Moon. Yeah, yeah, exactly,

0:24:09.440 --> 0:24:12.040
<v Speaker 1>at least for the this this test vehicle. Yeah yeah,

0:24:12.160 --> 0:24:14.640
<v Speaker 1>but of course you would have to mount the engine

0:24:14.800 --> 0:24:17.720
<v Speaker 1>so that it's down thrust was always aimed straight towards

0:24:17.760 --> 0:24:19.800
<v Speaker 1>the Earth's center of mass, right, so like if you

0:24:20.200 --> 0:24:23.520
<v Speaker 1>slightly moved over, it wouldn't be thrusting diagonal to to

0:24:23.960 --> 0:24:26.040
<v Speaker 1>Earth's center of mass. You know. I feel like there

0:24:26.040 --> 0:24:30.840
<v Speaker 1>were dozens of, you know, very early like eight video

0:24:30.880 --> 0:24:34.239
<v Speaker 1>games all about creating that thrust to try and like

0:24:34.520 --> 0:24:37.520
<v Speaker 1>land like a lunar vehicle. And they definitely did not

0:24:37.600 --> 0:24:39.600
<v Speaker 1>have any gimbals in those video games that would have

0:24:39.600 --> 0:24:43.760
<v Speaker 1>made them much easier. Huh oh. Sorry. Anyway, Eric goes

0:24:43.800 --> 0:24:46.399
<v Speaker 1>on saying it was built to allow the astronauts to

0:24:46.440 --> 0:24:49.600
<v Speaker 1>practice landing on the moon. Uh And then he mentioned

0:24:49.680 --> 0:24:52.960
<v Speaker 1>an incident wherein one of these vehicles, Neil Armstrong had

0:24:53.000 --> 0:24:56.919
<v Speaker 1>to eject once to avoid to avoid a crash, but

0:24:57.119 --> 0:24:58.879
<v Speaker 1>that he still claimed it was a vital part of

0:24:58.920 --> 0:25:02.720
<v Speaker 1>training for lunar land ing. I thought you might appreciate

0:25:02.760 --> 0:25:04.879
<v Speaker 1>this weird but super cool use of gimbals. Have a

0:25:04.880 --> 0:25:14.879
<v Speaker 1>great one, Eric, that is that is interesting, Thank you Eric. Yeah, okay.

0:25:14.920 --> 0:25:17.359
<v Speaker 1>This next message about gimbals is in response to our

0:25:17.359 --> 0:25:21.399
<v Speaker 1>discussion about a device described in an ancient text called

0:25:21.560 --> 0:25:27.160
<v Speaker 1>on Machines by the Greek author named Athanius Mechanicals, who

0:25:27.200 --> 0:25:31.159
<v Speaker 1>probably lived in the first century b c. And the

0:25:31.200 --> 0:25:33.800
<v Speaker 1>device in this text is described as some kind of

0:25:34.440 --> 0:25:39.440
<v Speaker 1>suspension system for siege weaponry at sea. So you would

0:25:39.480 --> 0:25:42.320
<v Speaker 1>have siege weaponry of some kind that was on a

0:25:42.359 --> 0:25:46.040
<v Speaker 1>ship or maybe being carried between ships. Uh, and it

0:25:46.119 --> 0:25:50.520
<v Speaker 1>was suspended somehow in this in this device called the pithecon,

0:25:51.160 --> 0:25:55.480
<v Speaker 1>which translates to little ape, and the somewhat mimics a gimbal,

0:25:55.920 --> 0:25:58.280
<v Speaker 1>and we were wondering why it would be called the

0:25:58.400 --> 0:26:02.359
<v Speaker 1>little ape. Well listener Christian wrote in with an interesting guest.

0:26:02.520 --> 0:26:07.000
<v Speaker 1>Christian says sailors would occasionally capture monkeys or apes if

0:26:07.000 --> 0:26:10.200
<v Speaker 1>given freedom to roam the ship. These arboreal creatures would

0:26:10.280 --> 0:26:13.720
<v Speaker 1>naturally be seen swinging from the rigging. It seems logical

0:26:13.760 --> 0:26:16.159
<v Speaker 1>to me that sailors would make the connection between the

0:26:16.200 --> 0:26:18.719
<v Speaker 1>motion of a swinging ape and the motion of an

0:26:18.720 --> 0:26:22.000
<v Speaker 1>early gimbal, especially if the gimbal was suspended by ropes.

0:26:22.840 --> 0:26:27.159
<v Speaker 1>Interesting idea. I wonder how pronounced that practice actually was,

0:26:27.240 --> 0:26:29.240
<v Speaker 1>because I think, I, you know, obviously we've seen like

0:26:29.280 --> 0:26:31.959
<v Speaker 1>films and books that have that kind of leftover. You know,

0:26:32.320 --> 0:26:34.840
<v Speaker 1>the Pirates the Caribbean movies had a little monkey. The

0:26:35.440 --> 0:26:38.520
<v Speaker 1>I believe its name was like Jack Sparrow Jr. Or something.

0:26:38.880 --> 0:26:43.240
<v Speaker 1>Um what really? Yeah? I think also, um, yet the

0:26:43.240 --> 0:26:46.800
<v Speaker 1>Pippi Longstocking books and movies also had a Mr. Nielsen

0:26:47.119 --> 0:26:51.200
<v Speaker 1>a little monkey. So yeah, that's interesting, Like like I

0:26:51.480 --> 0:26:54.200
<v Speaker 1>know the trope for sure, I wonder how accurate that

0:26:54.200 --> 0:26:56.320
<v Speaker 1>that really was, But it makes perfect sense that it

0:26:56.440 --> 0:26:59.200
<v Speaker 1>is accurate. I'm trying to think of other ancient evidence

0:26:59.240 --> 0:27:01.720
<v Speaker 1>for sailors to king monkeys on ships. I mean, I

0:27:01.760 --> 0:27:06.440
<v Speaker 1>think about how when we did the episode on the

0:27:05.440 --> 0:27:10.840
<v Speaker 1>the Tempest Stone, the ancient Egyptian inscription that has been

0:27:11.880 --> 0:27:17.000
<v Speaker 1>alleged or at least argued by some scholars to describe

0:27:17.359 --> 0:27:21.879
<v Speaker 1>whether an atmospheric phenomena related to the volcanic eruption at

0:27:22.040 --> 0:27:25.480
<v Speaker 1>Theora around six b c E, also known as the

0:27:25.520 --> 0:27:29.119
<v Speaker 1>Minor Interruption. So in that episode we were talking about

0:27:29.720 --> 0:27:33.480
<v Speaker 1>the some of the leftovers, the ruins of the civilization

0:27:33.560 --> 0:27:38.159
<v Speaker 1>that existed at at Theora also today down as Santorini,

0:27:38.920 --> 0:27:41.800
<v Speaker 1>and one of the places there is is a place

0:27:41.800 --> 0:27:44.720
<v Speaker 1>where it has been uh like an ancient building has

0:27:44.720 --> 0:27:47.399
<v Speaker 1>been uncovered and in the wall there are these paintings

0:27:48.040 --> 0:27:51.600
<v Speaker 1>of monkeys that are very accurate monkeys. And I remember

0:27:51.640 --> 0:27:56.040
<v Speaker 1>the this at least suggested some kind of situation of

0:27:56.119 --> 0:27:59.920
<v Speaker 1>monkeys being brought on ships to these islands in the Aegean.

0:28:00.359 --> 0:28:04.080
<v Speaker 1>You know that one word you said, they're very accurate monkeys,

0:28:04.119 --> 0:28:06.520
<v Speaker 1>because I think that's actually a very important part of

0:28:06.560 --> 0:28:09.159
<v Speaker 1>like ancient art is like you can use that as

0:28:09.160 --> 0:28:12.000
<v Speaker 1>a like a determination whether or not this artist has

0:28:12.040 --> 0:28:15.240
<v Speaker 1>only heard of this creature or that whether they've actually

0:28:15.280 --> 0:28:18.080
<v Speaker 1>seen it. Because man, there is nothing more wonderful than

0:28:18.160 --> 0:28:20.600
<v Speaker 1>having an artist to draw a horse that's never seen

0:28:20.600 --> 0:28:25.359
<v Speaker 1>a horse wonderful, or giraffe or rhinoceros or yeah, rhinoceros,

0:28:25.400 --> 0:28:28.480
<v Speaker 1>say an elephant. You can find these pictures all over

0:28:28.520 --> 0:28:31.320
<v Speaker 1>the place ancient artists who have never actually seen the

0:28:31.320 --> 0:28:33.800
<v Speaker 1>animal they're depicting. Is a is a very fun rabbit

0:28:33.800 --> 0:28:37.119
<v Speaker 1>hole to go down the Outbrecht Durer illustration of the

0:28:37.200 --> 0:28:40.440
<v Speaker 1>rhinoceros really stands out in my mind where it looks

0:28:40.440 --> 0:28:43.480
<v Speaker 1>like a some kind of armored vehicle, I mean, and

0:28:43.480 --> 0:28:45.800
<v Speaker 1>and it makes sense to like if I have if

0:28:45.840 --> 0:28:49.080
<v Speaker 1>I had never seen an armadillo and someone describes it

0:28:49.120 --> 0:28:51.640
<v Speaker 1>to me, and they're like draw that, Like, Okay, this

0:28:51.720 --> 0:28:54.840
<v Speaker 1>is gonna be fun. We're gonna have a very strange

0:28:54.880 --> 0:28:57.880
<v Speaker 1>little monster here, you know, because in your imagination it

0:28:57.920 --> 0:29:07.240
<v Speaker 1>definitely turns monstrous or anything else, you know. Okay, Sethew,

0:29:07.280 --> 0:29:11.200
<v Speaker 1>ready to talk a little bit of weird House cinema. Alright,

0:29:11.360 --> 0:29:14.000
<v Speaker 1>a couple of messages here. The first one is from Mike,

0:29:14.560 --> 0:29:19.720
<v Speaker 1>subject line October weird House request. Mike says, Hey, Robin Joe,

0:29:20.360 --> 0:29:24.320
<v Speaker 1>nightmare on Elm Street, three Dream Warriors. That's the opening sentence.

0:29:24.880 --> 0:29:27.440
<v Speaker 1>I feel this is a bloated treasure trove of weird

0:29:27.480 --> 0:29:30.480
<v Speaker 1>Halloween goodness. You guys have made mention of this film

0:29:30.560 --> 0:29:32.680
<v Speaker 1>here and there across the span of Weird House. While

0:29:32.680 --> 0:29:35.720
<v Speaker 1>it might not be weird enough for inclusion, I'm certain

0:29:35.760 --> 0:29:38.400
<v Speaker 1>you guys can find plenty of fodder to make it. So, Hey,

0:29:38.400 --> 0:29:40.880
<v Speaker 1>we've got John Saxon and this one not to mention

0:29:41.080 --> 0:29:44.760
<v Speaker 1>Ja Ja Gabord, Dick Cavitt, and Frank dear A Bantu

0:29:44.960 --> 0:29:48.680
<v Speaker 1>Dearra bant of the Green Mile, Shawshank Redemption and most

0:29:48.720 --> 0:29:54.520
<v Speaker 1>recently notable Walking Dead screenwriting fame. Mike Well, Mike, I

0:29:54.840 --> 0:29:56.880
<v Speaker 1>don't know if we'll do that on Weird House, but

0:29:57.000 --> 0:30:02.400
<v Speaker 1>we did directly cover Nightmare three Dream Warriors one time

0:30:02.640 --> 0:30:05.640
<v Speaker 1>when I was a guest on Movie Crush with Chuck Bryant,

0:30:06.000 --> 0:30:08.480
<v Speaker 1>uh Seth. Do you have thoughts on Dream Warriors. I

0:30:08.480 --> 0:30:12.720
<v Speaker 1>think it's wonderful. I think it is perhaps peak Nightmare

0:30:12.760 --> 0:30:14.800
<v Speaker 1>on Elm Street. Perhaps, I mean, you know, I think

0:30:14.800 --> 0:30:16.880
<v Speaker 1>actually depends on your mood. If you're in the mood

0:30:16.920 --> 0:30:19.440
<v Speaker 1>for a creepy or nightmare on Elm Street. The first

0:30:19.440 --> 0:30:21.560
<v Speaker 1>one is actually really solid for that there there are

0:30:21.600 --> 0:30:24.280
<v Speaker 1>there is really much humor yet. But but if you're

0:30:24.280 --> 0:30:27.720
<v Speaker 1>if you're looking for like the goofy Freddy Krueger, I mean,

0:30:28.080 --> 0:30:30.560
<v Speaker 1>Dream Warriors is probably the peak of that in every

0:30:30.600 --> 0:30:35.040
<v Speaker 1>every fun way. You know. I think much like when

0:30:35.080 --> 0:30:40.880
<v Speaker 1>people think about Jason Vorhees, even though he appears technically

0:30:40.880 --> 0:30:44.120
<v Speaker 1>in all of the Friday Thirteenth movies, they're thinking of

0:30:44.160 --> 0:30:48.320
<v Speaker 1>the Jason Vorhees probably in like part seven or eight. Yes,

0:30:48.640 --> 0:30:50.560
<v Speaker 1>you're right like that, they're probably thinking of the Kane

0:30:50.600 --> 0:30:54.040
<v Speaker 1>Hotter version of Jason. Yeah. And so we have the

0:30:54.080 --> 0:30:57.320
<v Speaker 1>same actor playing Freddy Krueger through all the Nightmare movies,

0:30:57.440 --> 0:31:01.360
<v Speaker 1>but Freddie is presented differently in these different movies. And

0:31:01.440 --> 0:31:05.280
<v Speaker 1>I think when people think of Freddy Krueger, they're mainly

0:31:05.320 --> 0:31:09.800
<v Speaker 1>thinking of Part three, speaking of ostension, uh, Dream Warriors,

0:31:09.880 --> 0:31:13.240
<v Speaker 1>Part three is like the example of Freddy Krueger that

0:31:13.320 --> 0:31:16.920
<v Speaker 1>people think of as most characteristic of the character. Yeah.

0:31:17.080 --> 0:31:19.200
<v Speaker 1>And I actually I think that's one reason why people

0:31:19.240 --> 0:31:22.640
<v Speaker 1>were so down on the Jackie Earl Hayley version of

0:31:22.640 --> 0:31:26.520
<v Speaker 1>Freddy Krueger was that he was definitely depicting, you know,

0:31:26.760 --> 0:31:31.120
<v Speaker 1>part one Freddy, which really isn't funny. It's it's more sinister.

0:31:31.320 --> 0:31:34.360
<v Speaker 1>It's much more creepy, you know than anything else. So

0:31:35.120 --> 0:31:38.000
<v Speaker 1>you know, but thankfully we have both. So if you

0:31:38.040 --> 0:31:40.680
<v Speaker 1>want creepy Freddy, you got it. If you want fun, loving,

0:31:40.760 --> 0:31:43.480
<v Speaker 1>camp be pun making Freddy, you got that too. And

0:31:43.520 --> 0:31:47.240
<v Speaker 1>it has the dock In song. Yeah, yeah, yeah, and

0:31:47.280 --> 0:31:50.160
<v Speaker 1>you know, yeah, I mean it's it's it's it's very

0:31:50.240 --> 0:31:55.480
<v Speaker 1>much um inspired by it's it's decade. It's the most

0:31:55.520 --> 0:31:59.360
<v Speaker 1>eighties tastic, not just of any of the Nightmarre on

0:31:59.480 --> 0:32:03.760
<v Speaker 1>M Streets, but perhaps just of any eighties or her film.

0:32:03.880 --> 0:32:06.920
<v Speaker 1>Like it's it's extremely eighties and in in a in

0:32:06.960 --> 0:32:09.280
<v Speaker 1>a fun way. So yeah, I know I like that

0:32:09.320 --> 0:32:11.640
<v Speaker 1>one quite a bit. It's probably it's it's definitely one

0:32:11.680 --> 0:32:14.240
<v Speaker 1>of my favorites, if not my actual favorites of the

0:32:14.320 --> 0:32:16.800
<v Speaker 1>Nightmare series. Oh but but but but to put a

0:32:16.840 --> 0:32:18.840
<v Speaker 1>put a cap on that, I think you should cover

0:32:18.960 --> 0:32:20.720
<v Speaker 1>for Weird House, because I think we should do everything

0:32:20.760 --> 0:32:24.080
<v Speaker 1>for Weird House, because you're right, like, it's it's not

0:32:24.200 --> 0:32:28.880
<v Speaker 1>quite strange enough. The writer is correct, you you and

0:32:28.960 --> 0:32:34.080
<v Speaker 1>Robert correct, but it's still fun and fun is fun. Yeah, yeah,

0:32:34.440 --> 0:32:37.920
<v Speaker 1>I don't know if we have a necessary like bar

0:32:38.240 --> 0:32:40.680
<v Speaker 1>for strangeness to make it onto the show. I mean,

0:32:41.480 --> 0:32:49.880
<v Speaker 1>criteria pretty loose. One more message to close us out today.

0:32:49.920 --> 0:32:52.640
<v Speaker 1>This is from Matt, a different Matt than the earlier

0:32:52.640 --> 0:32:56.120
<v Speaker 1>Messagett says, good morning, team. I have to say that

0:32:56.200 --> 0:32:59.440
<v Speaker 1>I still get locked up whenever I hear the word phantasm,

0:33:00.080 --> 0:33:02.800
<v Speaker 1>simply because my dad thought it was a great idea

0:33:02.840 --> 0:33:06.000
<v Speaker 1>to have me watch it when I was three. Theaters

0:33:07.040 --> 0:33:11.760
<v Speaker 1>I almost doubt this story. Well, I mean, I I'll

0:33:11.800 --> 0:33:13.360
<v Speaker 1>just wait to hear the rest of the message. But

0:33:13.840 --> 0:33:20.320
<v Speaker 1>three is shocking. Three in theaters in theaters, Okay, Matt says.

0:33:20.400 --> 0:33:22.400
<v Speaker 1>This goes in line with him dragging me to the

0:33:22.400 --> 0:33:26.520
<v Speaker 1>theaters when I was ten to see aliens parentheses a

0:33:26.600 --> 0:33:29.640
<v Speaker 1>great birthday present in hindsight, but for a ten year

0:33:29.640 --> 0:33:34.280
<v Speaker 1>old me terrifying. Even seeing the ball floating through the

0:33:34.320 --> 0:33:37.840
<v Speaker 1>air still gives me an eye twitch. Hooray for bad

0:33:37.960 --> 0:33:42.960
<v Speaker 1>late seventies early eighties parenting styles. As an aside, now,

0:33:43.200 --> 0:33:45.880
<v Speaker 1>you might remember in the Phantasm episode, Rob and I

0:33:45.920 --> 0:33:49.800
<v Speaker 1>had a particular fixation on the character of Reggie Banister,

0:33:50.480 --> 0:33:53.560
<v Speaker 1>who is a is about as cool a cat as

0:33:53.560 --> 0:33:56.560
<v Speaker 1>you can imagine. But we were trying to describe his hairstyle,

0:33:56.760 --> 0:34:00.560
<v Speaker 1>which is bald on top with the horseshoe going around

0:34:00.560 --> 0:34:03.080
<v Speaker 1>the sides and then a ponytail in back. That's a

0:34:03.240 --> 0:34:07.720
<v Speaker 1>that's a plot twist, um, so Matt says, as an aside,

0:34:07.720 --> 0:34:11.640
<v Speaker 1>I believe the term for Reggie's here is called the skullet.

0:34:12.239 --> 0:34:18.000
<v Speaker 1>Skullet popularized by Devon Townsend, who is a Canadian metal musician.

0:34:18.040 --> 0:34:21.640
<v Speaker 1>If you're not familiar Matt says, well, Reggie would have

0:34:21.840 --> 0:34:24.560
<v Speaker 1>nothing on Devon. It is still something used in regular

0:34:24.600 --> 0:34:28.720
<v Speaker 1>conversation here today, at least on the central coast of California.

0:34:29.160 --> 0:34:30.960
<v Speaker 1>Thanks for giving me a little bit of the old

0:34:31.000 --> 0:34:33.520
<v Speaker 1>lock up I needed to keep sharp for an interview

0:34:33.640 --> 0:34:37.400
<v Speaker 1>later today. All the best, Matt, So I looked up

0:34:37.440 --> 0:34:40.319
<v Speaker 1>some images to compare them. I see what you're saying, Matt. Yeah,

0:34:40.400 --> 0:34:43.279
<v Speaker 1>both bald on top, long and back. Oh. I think

0:34:43.320 --> 0:34:47.080
<v Speaker 1>we described it as UM closed for business in front,

0:34:47.160 --> 0:34:50.560
<v Speaker 1>party and back. That's an excellent description. And I can

0:34:50.600 --> 0:34:55.080
<v Speaker 1>actually see that in the central Californian coast where it's UM.

0:34:55.200 --> 0:34:57.960
<v Speaker 1>I would bet there are a lot of people. Let's

0:34:58.000 --> 0:35:01.640
<v Speaker 1>let's let's focus on people with male pattern baldness that

0:35:01.760 --> 0:35:04.080
<v Speaker 1>kick in where they have spent the majority of their

0:35:04.160 --> 0:35:08.360
<v Speaker 1>lives with long, luxurious, hippie like hair and then suddenly

0:35:08.440 --> 0:35:10.799
<v Speaker 1>the male pattern baldness horseshoe kicks in and what they're

0:35:10.800 --> 0:35:15.840
<v Speaker 1>gonna change? Nah, they're not sellouts, man, you know, they've

0:35:16.160 --> 0:35:19.080
<v Speaker 1>they're in on this lifestyle and they're keeping their long,

0:35:19.120 --> 0:35:22.040
<v Speaker 1>flowing locks. And uh, you know, friends don't let friends

0:35:22.080 --> 0:35:25.759
<v Speaker 1>get haircuts. That's that's just the way this Ponytail's hot

0:35:25.800 --> 0:35:29.640
<v Speaker 1>his love, you know, absolutely hot his love. Every time

0:35:29.680 --> 0:35:32.359
<v Speaker 1>I hear that line, um, I try to figure out

0:35:32.400 --> 0:35:34.640
<v Speaker 1>what his intention is behind that, and I can't. I

0:35:34.680 --> 0:35:37.960
<v Speaker 1>can't figure it out. I guess he just means good,

0:35:38.000 --> 0:35:40.120
<v Speaker 1>I guess. Unless unless I think you mentioned this in

0:35:40.120 --> 0:35:42.920
<v Speaker 1>the episode, unless that's the band name, I don't. I

0:35:42.960 --> 0:35:47.040
<v Speaker 1>don't know. So so you got, you got. Let's let's

0:35:47.080 --> 0:35:51.120
<v Speaker 1>get your music reviewers opinion. Sitting here at midnight, what

0:35:51.160 --> 0:35:53.439
<v Speaker 1>do you think? I think it's great, I really do.

0:35:53.640 --> 0:35:56.480
<v Speaker 1>I really do think it's great. It's it's your favorite song.

0:35:56.600 --> 0:36:00.239
<v Speaker 1>It's so ridiculous, but it does. It makes you think

0:36:00.280 --> 0:36:02.120
<v Speaker 1>of a lot of things. It makes me think of

0:36:02.200 --> 0:36:03.960
<v Speaker 1>because you know, when you grow up, because because you

0:36:03.960 --> 0:36:06.239
<v Speaker 1>know I'm a musician, you're a musician. You grow up,

0:36:06.239 --> 0:36:08.680
<v Speaker 1>you know, and knowing lots of musicians, and just that

0:36:08.719 --> 0:36:11.800
<v Speaker 1>person sitting on their front porch with their guitar plugged

0:36:12.000 --> 0:36:16.080
<v Speaker 1>into an AMP and just serenading the neighborhood and part

0:36:16.080 --> 0:36:19.800
<v Speaker 1>of the front it's just like, shut up, shut up.

0:36:20.480 --> 0:36:23.799
<v Speaker 1>But and I love the transition from it being this

0:36:24.280 --> 0:36:28.719
<v Speaker 1>very lazy blueslick over a kind of I don't even

0:36:28.719 --> 0:36:31.240
<v Speaker 1>know what style. You'd call that, you know, easy listening,

0:36:31.360 --> 0:36:34.279
<v Speaker 1>blues rock kind of thing. But then when he comes

0:36:34.280 --> 0:36:37.040
<v Speaker 1>in with the acoustic guitar and they go, oh and

0:36:37.160 --> 0:36:40.600
<v Speaker 1>play the riff, Yes, you can't beat that, and it

0:36:40.600 --> 0:36:42.799
<v Speaker 1>means how many times have they played this before? So

0:36:42.960 --> 0:36:49.400
<v Speaker 1>many times because they didn't synchronized so they knew. But

0:36:49.440 --> 0:36:52.000
<v Speaker 1>you know, I love it. It feels very authentic to

0:36:52.200 --> 0:36:56.319
<v Speaker 1>annoying musicians on their front porch, of which I have been,

0:36:56.520 --> 0:36:58.920
<v Speaker 1>of which I have been, I think all musicians have been.

0:36:59.640 --> 0:37:03.120
<v Speaker 1>I think I've been that guy. All right. I think

0:37:03.160 --> 0:37:05.120
<v Speaker 1>that does it for this episode of Stuff to Blow

0:37:05.120 --> 0:37:07.959
<v Speaker 1>Your Mind listener mail my regular co host Robert Lamb

0:37:08.000 --> 0:37:11.239
<v Speaker 1>should be back with us for all new core episodes

0:37:11.320 --> 0:37:14.920
<v Speaker 1>starting tomorrow. Uh. In the meantime, Hey, if you're not

0:37:14.960 --> 0:37:17.520
<v Speaker 1>subscribed to our feed, you gotta do that. You gotta

0:37:17.520 --> 0:37:20.160
<v Speaker 1>subscribe to the Stuff to Blow your Mind podcast. You

0:37:20.160 --> 0:37:22.480
<v Speaker 1>can get it wherever you get your podcasts. It's on

0:37:22.520 --> 0:37:24.799
<v Speaker 1>all the apps and all that stuff. Or you can

0:37:24.840 --> 0:37:26.840
<v Speaker 1>go to stuff to Blow your Mind dot com. I

0:37:26.880 --> 0:37:29.640
<v Speaker 1>think that will rout you to our to our feed

0:37:29.760 --> 0:37:33.080
<v Speaker 1>through some kind of app that one I guess yeah,

0:37:33.560 --> 0:37:37.160
<v Speaker 1>um and uh yeah, yeah, yeah, so we we do

0:37:37.280 --> 0:37:39.920
<v Speaker 1>listener mail. On Monday's we do core episodes which tend

0:37:40.000 --> 0:37:45.000
<v Speaker 1>to be science focused, often kind of interdisciplinary science with history, mythology,

0:37:45.000 --> 0:37:48.799
<v Speaker 1>other kinds of topics. On Tuesdays and Thursdays. On Wednesdays

0:37:48.880 --> 0:37:52.239
<v Speaker 1>we do a short form episode called the Artifact or

0:37:52.280 --> 0:37:55.839
<v Speaker 1>often the Monster Fact. And on Friday's that's just time

0:37:55.880 --> 0:37:59.360
<v Speaker 1>to have fun we talk about a weird movie on

0:37:59.560 --> 0:38:03.160
<v Speaker 1>Weird House Cinema. And then, of course on Saturdays, that's

0:38:03.200 --> 0:38:06.600
<v Speaker 1>a vault. Big thank you Seth for not only editing

0:38:06.600 --> 0:38:09.240
<v Speaker 1>this episode but joining me on Mike today. Of course,

0:38:09.239 --> 0:38:11.359
<v Speaker 1>happy to be here anytime. If you want to check

0:38:11.360 --> 0:38:14.840
<v Speaker 1>out Seth's podcast once again, that is Rusty Needles Record Club.

0:38:15.320 --> 0:38:18.839
<v Speaker 1>Also anywhere you get your podcasts everywhere and anywhere. If

0:38:18.880 --> 0:38:20.600
<v Speaker 1>you would like to get in touch with us with

0:38:20.760 --> 0:38:24.120
<v Speaker 1>feedback on this episode or any other, you'd like to

0:38:24.120 --> 0:38:27.680
<v Speaker 1>share something interesting with us, if you'd like to suggest

0:38:27.680 --> 0:38:29.799
<v Speaker 1>a topic for a future episode, or if you just

0:38:29.840 --> 0:38:32.520
<v Speaker 1>want to say hi, you can email us at contact

0:38:32.640 --> 0:38:42.560
<v Speaker 1>at stuff to blow your Mind dot com. Stuff to

0:38:42.560 --> 0:38:44.720
<v Speaker 1>Blow your Mind is a production of I Heart Radio.

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<v Speaker 1>For more podcasts for my heart Radio, visit the i

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<v Speaker 1>heart Radio app Apple podcasts, or wherever you listen to

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<v Speaker 1>your favorite shows.