Speaker 1: And money.
Speaker 2: We are.
Speaker 1: Take out the chi We are the authority on all
Speaker 1: things R and ladies and gentlemen. Money is Tank time
Speaker 1: and this is the R and B Money Podcast. Here
Speaker 1: authority on.
Speaker 3: All things R and B money. We are looking for revenge.
Speaker 3: We sending this ship. Mm hm we take it over.
Speaker 4: And you said it. I mean, I'm really tiry.
Speaker 2: You don't leave the charge a whole lot of money?
Speaker 4: Not yeah, yeah, I'm bad.
Speaker 2: Yeah, the first double up, the first yeah, Yes, won't
Speaker 2: be letting nobody come to this motherfucker twice.
Speaker 4: Y'all want to be like we so bad ship. I
Speaker 4: feel really comfortable with you guys. Oh god, that's not
Speaker 4: a good thing. I'm probably gonna say something great.
Speaker 3: Turn up some more of that, you know, a little
Speaker 3: bit more Jesus, your little more.
Speaker 1: Than Lord's nectar. I'm gonna say this off top. I'm
Speaker 1: an go on record. What month is this?
Speaker 4: September?
Speaker 1: This is September, top of it, top of September.
Speaker 4: My birthday month?
Speaker 1: Your birthday was your birthday?
Speaker 4: In two weeks?
Speaker 1: In two weeks and the album drops.
Speaker 4: It dropped the thirtieth.
Speaker 1: Thirtieth A yeah, I had it, I've had it.
Speaker 4: But it's dropping all months, is.
Speaker 1: Dropping all months, right, it's dropping.
Speaker 5: It continues to dah every day.
Speaker 2: I'm just going on record. I'm going on record what
Speaker 2: you on record saying, album.
Speaker 4: Of the year, No R and B in front, just
Speaker 4: album of the year period, R and B.
Speaker 1: Album of the year is easy for what you have?
Speaker 1: Album of the year, you think, so.
Speaker 3: Put in Thank you, Universe, the fucking year. Revenge is amazing.
Speaker 4: Thank you.
Speaker 1: The album is amazing.
Speaker 3: It is so much it is. I listen, I have
Speaker 3: a great job.
Speaker 4: Thank you.
Speaker 1: You know. I know we're going to talk about a
Speaker 1: lot of.
Speaker 4: I've had the music for so long.
Speaker 3: You know how it gets, you know me, I don't
Speaker 3: never drop nothing, so I actually do know how it gets.
Speaker 3: I don't care about none of those people like this
Speaker 3: is crazy, Like I.
Speaker 1: Said, as you say that, what's the oldest record on here?
Speaker 4: Thirties was the first song that I wrote back in November,
Speaker 4: and then it would be made for me November twenty
Speaker 4: twenty two. I actually wrote it while I was still pregnant.
Speaker 4: You know, I was with travel last time I came here.
Speaker 4: You guys didn't know that I did.
Speaker 3: You did, just you know, I mind my business.
Speaker 4: And you want to call me back, you weren't you.
Speaker 1: I don't even know if that's possible.
Speaker 3: I can't do that.
Speaker 4: You know, you'd be like congratulations, be like, what do
Speaker 4: you mean?
Speaker 5: I don't know.
Speaker 3: I learned that very young.
Speaker 5: As a child.
Speaker 4: I can't remember how many months I was, but yeah,
Speaker 4: we had four yests on the show that day.
Speaker 3: Congratulations.
Speaker 4: Yeah, So thirties. I wrote that while I was pregnant.
Speaker 4: Thirties is crazy, and then it was made for me,
Speaker 4: and then it was reverse things I never said. I
Speaker 4: wrote all of those at the same time.
Speaker 3: Let's get into thirties before. Why are you looking good?
Speaker 1: Good?
Speaker 2: Thirties is one of the most honest records I've heard
Speaker 2: from a female.
Speaker 4: From a female because of the age thing.
Speaker 2: Yes, yes, because I feel like women tend to stay
Speaker 2: away from that, you know.
Speaker 4: I get a lot of what's the word massaging around
Speaker 4: the age. I'll be thirty six in two weeks. I
Speaker 4: do not give a buck if y'all know how old
Speaker 4: I am. What Adele said, I make music for the ears.
Speaker 4: If you have a problem with what I'm saying, I'm
Speaker 4: talking about the human experience. How old I am has
Speaker 4: nothing to do and I'm not selling sex. I don't
Speaker 4: want you to like me. I want you to listen
Speaker 4: to the music and be affected by it. My age
Speaker 4: has absolutely nothing to do with it. I could be
Speaker 4: fifty saying the same things. I think the problem is
Speaker 4: is that it's such a cognitive dissonance that people feel
Speaker 4: when they look at me, they see a youthful and
Speaker 4: thirty six is young, by the way, still, but they
Speaker 4: see like a twenty something, you know. So like a
Speaker 4: lot of the younger artists, they think I'm their age.
Speaker 4: They think I'm like twenty three, you know, twenty five
Speaker 4: somewhere near. And so I think it bothers people when
Speaker 4: they realize that I'm a grown woman.
Speaker 3: I don't know if.
Speaker 4: Yeah, no, it's like, how how are you doing that?
Speaker 4: How are you so youthful?
Speaker 1: I don't think it's a bother I think the system
Speaker 1: is always It has just been set up to get
Speaker 1: all of it, all of it, all that it can
Speaker 1: get out of you, and it feels like, or what
Speaker 1: has been programmed feel like, is that by the thirties
Speaker 1: it's gotten all its need and it's now ready to
Speaker 1: move you on to pasture and usher in the new right.
Speaker 4: Well in other words, you're no longer stupid and we
Speaker 4: can no longer take advantage of you.
Speaker 1: And now we're starting to realize, we're starting to re
Speaker 1: reshape that idea because we don't we don't look it,
Speaker 1: don't really I don't know if there's an act that.
Speaker 1: I don't even know if that's a thing. But we're
Speaker 1: not We're not last last generations thirty and forty and fifty.
Speaker 4: And also, I think the age of like viability value
Speaker 4: has been extended through TikTok and things like that, where
Speaker 4: you're seeing older influencers, content creators. You're seeing models now
Speaker 4: do have gray hair, you know, doing beauty campaigns. I
Speaker 4: just don't think that, like I think usefulness and results
Speaker 4: are more valued than actual age, because there's a lot
Speaker 4: of young people who are just in the way. You're
Speaker 4: not doing nothing. You don't want to work hard, you
Speaker 4: know what I'm saying. You want to get paid and
Speaker 4: you don't want to do nothing.
Speaker 1: Just move around, said, which was a great point he said.
Speaker 1: During the pandemic, versus was a very telling moment for
Speaker 1: the people who actually had talent and the people who didn't,
Speaker 1: and it reminded people of the quality that they had
Speaker 1: been missing in music for a very very long time.
Speaker 1: And he was like, that was the re emergence of
Speaker 1: R and B taking a place that that had been
Speaker 1: missed from it for so long.
Speaker 2: Like we were in the pandemic, R and B was mainstream,
Speaker 2: absolutely mainstream. Absolutely everybody was tapped in R.
Speaker 1: And B, tapped in D nice, R and B mainstream
Speaker 1: artists pandemic?
Speaker 2: Can we talk the biggest record industrys during the pandemic.
Speaker 1: And coming out of that, it is like you said, now,
Speaker 1: it's like people are like, hold on now, they're not
Speaker 1: allowing themselves to be programmed by that age thing or
Speaker 1: whatever that is. No, we like that. We liked the
Speaker 1: model with the great hand something. Yeah, we liked we
Speaker 1: liked these songs. I don't I don't care that it
Speaker 1: doesn't stay in sonically with what with what that guy
Speaker 1: is rapping.
Speaker 5: About it is now.
Speaker 4: But there was a lot of things being offered to
Speaker 4: me during hours and hours, uh you know peak of
Speaker 4: that song where there was maybe some artists who were
Speaker 4: past their time in the light, but there were still
Speaker 4: legends wanting to work with me, and I was being
Speaker 4: advised not to do it. It's like I was like, oh,
Speaker 4: that's not your demographic. But I'm not thinking about it.
Speaker 4: I'm thinking about what experience am I having as an artist.
Speaker 4: I've always wanted to work with these people. I've looked
Speaker 4: up to them, and I would hope that when I
Speaker 4: get to that place that people aren't using that same
Speaker 4: fear based I never make decisions based on fear. So
Speaker 4: you're saying that I shouldn't do it because we don't
Speaker 4: want people to age me and think I'm old. That's crazy.
Speaker 4: I want to be able to say I have a
Speaker 4: song with this person, because in ten years, fifteen years,
Speaker 4: if they're not here any longer, that becomes something special,
Speaker 4: you know. So I never make decisions based on that.
Speaker 4: But I do think that it's really silly that we
Speaker 4: have all these like limiting beliefs. But that's so crazy
Speaker 4: to me.
Speaker 2: The most interesting part about that, though, is that it's
Speaker 2: usually older people advising.
Speaker 3: You, right, that's the right thing.
Speaker 4: Your own fear projection, you're old. Yeah, no, I don't
Speaker 4: really care about none of.
Speaker 3: That, you know, I don't.
Speaker 1: I can care too.
Speaker 3: Shit, it's about most of the shit to they be
Speaker 3: talking about.
Speaker 2: So for me, it's just like you you have to
Speaker 2: at some point you have to take the stance of
Speaker 2: I want to do that what feels good to me.
Speaker 2: Like you said, you want to have that experience. There
Speaker 2: are people that you've looked up to that made that
Speaker 2: phone call that you're like, oh, I'm going to answer
Speaker 2: that call.
Speaker 4: Absolutely.
Speaker 2: I don't give a damn thing. You put out a
Speaker 2: record in twenty years. So what they called me, I
Speaker 2: enjoyed their music. I'm a fan because that's the other
Speaker 2: thing I think that it's happened in this business too,
Speaker 2: is that people forget that at one.
Speaker 3: Point we were off just fans.
Speaker 2: At some point, you know what I mean, and hopefully
Speaker 2: they remember that we're still fan. I'm listening to your album.
Speaker 2: Let's get back to that. To revenge as a pure fan. Yes,
Speaker 2: I've known you and you're my friend, but I don't
Speaker 2: judge people's music as my friends. I judge as a
Speaker 2: fan because I got shit to do.
Speaker 4: Because that I support that I really don't like their music.
Speaker 3: I'm me telling niggas.
Speaker 4: Nigga you tell.
Speaker 3: Don't send it to me, don't send it to me,
Speaker 3: do not send it to me.
Speaker 6: Can't.
Speaker 3: But I also can't lie to you. I can't.
Speaker 4: I can't I'm not pushing, but everybody's expressed.
Speaker 2: But if you asked your one type questions when you
Speaker 2: say are you still rapping, that's what I ask You
Speaker 2: got really pay attention to the.
Speaker 5: Music you got me? Yeah, you got me.
Speaker 3: Sometimes you gotta.
Speaker 1: Hey, listen, bro, you sent me five songs I did
Speaker 1: not like neither none of them.
Speaker 4: Well, now if they keep sending it to you for you,
Speaker 4: that's different.
Speaker 3: Niggas, don't stop.
Speaker 5: You know that, check out this, don't stop.
Speaker 4: I think people know better than that.
Speaker 1: But it's also like to I also, I encourage the perseverance.
Speaker 4: No I blocked people like you get to send to
Speaker 4: me links and either.
Speaker 1: What I've experienced, getting experienced, the breakthrough, breakthrough I've experienced.
Speaker 4: Okay, let me just say this. I feel like you
Speaker 4: could tell when somebody is on the US and it's
Speaker 4: not just limited to music, it's they've locked in on
Speaker 4: a look, They've locked in on an aesthetic, they've locked
Speaker 4: in on a sound like oh, you onto something here,
Speaker 4: and you can your spidy senses start tingling like, oh
Speaker 4: maybe I can be useful now because you know who
Speaker 4: you are and you have a This is one thing
Speaker 4: that there's many artists that have wanted me to write
Speaker 4: for them, And I'm like, but do you really know
Speaker 4: who you are? Because if you did, you would be
Speaker 4: able to articulate to me yours and your dislikes. You
Speaker 4: might not have. There might not be exactly what you
Speaker 4: and if you're a true artist, what you're searching for
Speaker 4: should not exist yet. There shouldn't be an example. There
Speaker 4: could be things that are very close that you could say,
Speaker 4: if such and such and such a baby, you know,
Speaker 4: like that, But you should be able to tell me
Speaker 4: like acoustic you know, the drums got to hit at always,
Speaker 4: like you should be able to tell me the essence
Speaker 4: or the ingredients of who you are, even if it's
Speaker 4: if it's just sight words like leather, spice, like you know, okay, dark, sensual, okay,
Speaker 4: Because now I can take those things and say, does
Speaker 4: this make me feel? Can I see me in some leather?
Speaker 4: Can I you know what I'm saying? Candles? Okay? Like
Speaker 4: what is the But there are certain things sounds that
Speaker 4: evol you know. But if you just saying ship like edgy,
Speaker 4: like this is an edge? You know what I'm saying?
Speaker 4: Oh you mean cursing? You want to curse that's not edgy. Really,
Speaker 4: that's authentic. I would say, you know, that's how you talk.
Speaker 4: And so I think it's really important when you start
Speaker 4: to see an artist lock in to who they are
Speaker 4: and they start kind of grasping at the edges of
Speaker 4: this person that they want to become and they just
Speaker 4: need your help to mold it. That's one thing. But
Speaker 4: you want to come to me for everything, but you
Speaker 4: need to let that cook a little bit more before
Speaker 4: you come to me. Now, the people sending songs, they're
Speaker 4: just gonna get blocked. Friend or not, I don't care.
Speaker 2: You know, if they're my friend, you know, I tell
Speaker 2: them and I'll you're sending it to me for my opinion.
Speaker 2: You may not like that. Well, if you don't like
Speaker 2: my opinion, it don't send anymore. But if you do
Speaker 2: and you're my friend, I'm still going to give you
Speaker 2: my opinions.
Speaker 4: Sometimes I just don't even find out that they wanted
Speaker 4: to do music. I have to find out, like, why
Speaker 4: you ain't telling me that you was a singer.
Speaker 3: Because they thought she was gonna block them.
Speaker 4: I probably will.
Speaker 1: Was like, yeah, my stuff ain't like her stuff, so
Speaker 1: wait till my stuff gets a little bit more like
Speaker 1: herves before I send it.
Speaker 4: Yeah, no, they don't even be telling me. I'll just
Speaker 4: be fine it at later. Like you a whole singer,
Speaker 4: that's crazy.
Speaker 3: You a whole singer's weird. A lot of half singers
Speaker 3: out here.
Speaker 4: Yeah no, here we go, but you know, speaking and
Speaker 4: half singing. No, I do want to say this. I
Speaker 4: can really sing, right, I know that I can't. I'm
Speaker 4: not asking y'all's opinion. I can't. I don't like that
Speaker 4: on purpose number one, because it's not fun singing like that.
Speaker 5: Maybe it is for.
Speaker 1: You, Well, you got to pick your moments.
Speaker 4: Yeah, but then once you start that, they demand it
Speaker 4: from you all the time. Sometimes I just want to
Speaker 4: have a good time. I don't feel like doing all that.
Speaker 4: I can't wear no high heels if I'm gonna try
Speaker 4: to be singing like you know what I'm saying. I
Speaker 4: can't look cute and have all my stuff being placed.
Speaker 4: You see what fantastic look like when she gets that singing.
Speaker 4: I'm not finna do that. I'm not gonna do that.
Speaker 4: I'm not finna do that because I'm gonna cringe if
Speaker 4: I look back at that, Look at the whole God,
Speaker 4: look at.
Speaker 3: The FUFA, but you have to.
Speaker 1: But I think music is that now, especially for you.
Speaker 1: I don't think. I don't think you sing one way.
Speaker 1: I want to you sing so many different ways.
Speaker 3: Her album don't say that. Her album shows the many
Speaker 3: colors and the many levels.
Speaker 4: But I'm saying it with my performance, with my vocal performance,
Speaker 4: even with the way that I sing and the runs
Speaker 4: that I choose, it's lazy. And I'm just being honest
Speaker 4: with you. I want to get on stage.
Speaker 1: Your I wouldn't. I wouldn't choose lazy.
Speaker 4: But as somebody who can really sing, I could have done.
Speaker 3: Bad word.
Speaker 4: Okay, listen, No, I'm being I'm being so serious, and
Speaker 4: this is a singer. This is a singer's conversation.
Speaker 3: Which is why lazy is a bad word.
Speaker 4: But what I'm saying is I can do the technical thing.
Speaker 1: You are doing the technical things. Hold on, let's cut
Speaker 1: this shit out. You are doing the technical things. They're
Speaker 1: just very easy for you.
Speaker 4: But yes, that's what I'm saying.
Speaker 1: No, they're easy for you as a very gifted singer. Yes,
Speaker 1: So to the people listening to this who are not
Speaker 1: as gifted, not even close to as gifted as you,
Speaker 1: you are you are put it on the white glove
Speaker 1: and you are slapping them in the face.
Speaker 4: Okay, we're giving them seasoning. But I am openly admitting
Speaker 4: I do not try to go there with my vocal
Speaker 4: with how I really could because I don't want that stamp.
Speaker 4: I don't want that burden responsibility. No, I want to
Speaker 4: have fun. So I give you just enough to where
Speaker 4: when I'm singing it live on stage, I can hit
Speaker 4: a little you do, give you a little bit, and
Speaker 4: it's like, wow, did you hear that? And I'm like, yeah, there,
Speaker 4: that ain't even nothing.
Speaker 3: Everything you say makes sense to me.
Speaker 1: I think you to me if I'm categorizing it, I
Speaker 1: just think you don't oversing.
Speaker 4: Yeah on purpose?
Speaker 1: Okay, and then we agree to agree you don't over sing,
Speaker 1: but you're not over singing is really really good.
Speaker 4: But like I could do all of that stuff like
Speaker 4: the church, Like you know, I can do all of.
Speaker 1: It, but you save it for if you need it.
Speaker 4: You keep it in the When I do that, because
Speaker 4: I don't do it, it gives you a little shiver.
Speaker 4: Yeah you know, Now, if I just gave you that,
Speaker 4: you wouldn't appreciate it.
Speaker 3: I agree, would you know?
Speaker 4: What I'm saying because Jazmine Celevan be singing and we
Speaker 4: do not give her the amount of agilation that she
Speaker 4: deserves for what she is doing.
Speaker 3: That lady can sing super same same.
Speaker 4: Okay, she's given you volume, she's given you the crescendo
Speaker 4: that is technical, breath support, incredible. If you've ever heard
Speaker 4: the lady sing live.
Speaker 3: She don't leave a micro People take it for granted.
Speaker 4: And they do take it for granted. I'm not gonna
Speaker 4: give y'all all that, and y'all ain't no, you're gonna
Speaker 4: get this, but.
Speaker 1: But is it a thing where more people can appreciate
Speaker 1: being able to participate?
Speaker 4: Absolutely? Oh, I know exactly what I'm doing, the same
Speaker 4: thing as to Brenda Carpenter because she could sing, but
Speaker 4: she don't. She'd give you. I'm working late because I'm
Speaker 4: a singer, which is also hard to do to sing
Speaker 4: those notes and be.
Speaker 3: To get get a dope still tone like the.
Speaker 4: Tone and it's not wavering, it's not cracking. Singing with
Speaker 4: no vibrado is actually very difficult, and that girl to sing,
Speaker 4: but she's giving you something that's palatable and she's having
Speaker 4: fun like that's the That's what I have learned, if
Speaker 4: I've learned anything, I'm not going to be singing from
Speaker 4: the crack of my house up there, sweating.
Speaker 3: From the cracks. That's what she said.
Speaker 4: Mm hmmm, the core. I'm not about to be doing
Speaker 4: that just for y'all to be like, oh girl, that
Speaker 4: one know that two o three, that.
Speaker 3: One three was killing your mind.
Speaker 2: You know, it's funny when like this, like the super
Speaker 2: technical niggas run up on tape like nig when you did,
Speaker 2: it wasn't I'm like, man, your niggas is nerves, bro, I.
Speaker 4: Don't even remember what you talked about. I was just gone.
Speaker 1: When you went from the black to the white, because
Speaker 1: I know where I put where I put it.
Speaker 3: I was right here.
Speaker 1: Somebody's gonna hear this. But again, to your point, the
Speaker 1: way you're saying and the way I'm saying it is
Speaker 1: maybe maybe different like the like for me, like a
Speaker 1: long time ago I started, I stopped singing against me,
Speaker 1: I stopped being me versus me. I'm looking in the
Speaker 1: mirror and and go back and forth with me. And
Speaker 1: by the time it got to everybody else, you know,
Speaker 1: it kind of felt like, well, who's who's the nigga?
Speaker 1: Thinking for who's who can understand this ship? And it
Speaker 1: was awesome to get the love from the purest but
Speaker 1: I also wanted a career in this ship. I also
Speaker 1: wanted to pack out a theater, or pack out an arena,
Speaker 1: and and and and go number one and and be
Speaker 1: on different radio formats and all. Like I I desired
Speaker 1: that out of Pears.
Speaker 4: Well, let's talk about that too, because that stuff when
Speaker 4: you get to an arena that just came off through crist.
Speaker 2: Say hello, I tend to all right, because I like
Speaker 2: to I like, once again, I like to be a fan.
Speaker 3: I like to just go to shows, watch the show.
Speaker 3: I had to find me.
Speaker 4: He's like to say, I would have been, because it
Speaker 4: gets very lonely out there, and so seeing familiar faces.
Speaker 4: I did see you because.
Speaker 3: Once we got to once we got to the booth,
Speaker 3: because we came back and you were about to go on.
Speaker 1: And so when we came back and I saw Frank
Speaker 1: and everybody was all talk chopping it up, and then
Speaker 1: we went out because I went to see the show.
Speaker 4: Yeah, about twenty minutes before I go on, I get
Speaker 4: into this mode. Yeah, I'll just be like, don't talk
Speaker 4: to me.
Speaker 3: Do you think hat on talk before the show.
Speaker 4: No, I just get I just started thinking about like
Speaker 4: what I'm about to do my.
Speaker 1: Steps any teas.
Speaker 4: No, I do peppermint oil, fresh ginger.
Speaker 3: Juice oil like it's in a steam or in my hands.
Speaker 4: And then I do like a couple drops in some
Speaker 4: water in your juice juice ginger root juiced with the
Speaker 4: skin on skin.
Speaker 5: So it's very very shy.
Speaker 4: Not just have it with like a cup and a
Speaker 4: straw like juice. It's spicy. That's how I like it.
Speaker 4: I want it to just exfoliate all in the inside. Yeah, okay, yeah, yeah,
Speaker 4: I want it to burn.
Speaker 1: Are you vocalizing?
Speaker 4: Uh?
Speaker 6: No.
Speaker 4: So I've learned that for the best way for me
Speaker 4: to do it is that if I just gargle the
Speaker 4: melody of whatever I'm about to sing, that works better
Speaker 4: for me than all of that. No, no, no, no, no
Speaker 4: no no no. So like if I'm in the sing
Speaker 4: like you do that with the water in your mouth.
Speaker 3: Mhmm. Yeah. And this is this is at twenty minutes,
Speaker 3: is when.
Speaker 1: You start this if I need that, because sometimes you
Speaker 1: don't need it.
Speaker 4: No, that's just like a little like oh I feel
Speaker 4: a tight or I'm stressed because sometimes if I have
Speaker 4: a flare up, you know, I have lupus, so that's
Speaker 4: something that stress me out or something like that. It
Speaker 4: gets a little tight, like tense. But for the most part,
Speaker 4: like I had surrounded myself with people my glam squad.
Speaker 4: I didn't have any new people on the tour because
Speaker 4: I knew it was going to be highly stressful. It
Speaker 4: was a new experience for me. The first few days
Speaker 4: I was very nervous of like, am I going to
Speaker 4: be able to fill this space? You know?
Speaker 3: And how long was you said?
Speaker 4: Yeah, am I going to be able to touch all
Speaker 4: these people?
Speaker 3: Yeah?
Speaker 4: I don't know, because I've never really performed. I mean
Speaker 4: I've done like theaters and stuff, but like a jump
Speaker 4: from like seven hundred seaters to fifteen.
Speaker 3: Thousand, that's a huge jump.
Speaker 4: Twenty thousand and oh that's crazy crazy.
Speaker 2: This is something that a lot of artists don't know too,
Speaker 2: is what they're going into when you're going to someone
Speaker 2: else's stage.
Speaker 4: Right, And I got really lucky because Chris's audience was
Speaker 4: lit super, they was ready, super.
Speaker 1: I think what you did was educational too, because you
Speaker 1: were You're so different from him, and so it was
Speaker 1: interesting to see the kids watching and paying attention.
Speaker 4: Differently, I never got that experience of like what the audiences.
Speaker 4: It always shocked me from city to city when they
Speaker 4: actually were singing my songs. Like there was a couple
Speaker 4: cities where they were singing the entire set and I
Speaker 4: was like.
Speaker 3: My son and his best friend. They was these two
Speaker 3: young m hmm.
Speaker 4: That's so wild to me, these young kids and they
Speaker 4: be boys to that's the thing too. Like my security
Speaker 4: said he got six sons, he said, his kids listening
Speaker 4: six okay, okay.
Speaker 3: Six dumping.
Speaker 4: We know what you'll be doing. You know, no, but
Speaker 4: he said, he said, his sons listening to was like
Speaker 4: my music really be touching, like the little like.
Speaker 1: You were getting those after applause, like appreciation applauses. You
Speaker 1: were getting those. She so she's really good Like that
Speaker 1: was that was like those you know what I'm saying.
Speaker 1: And that's for me. That's different for his crowd, because his.
Speaker 4: Crowd, you say, oh no, there was only one night.
Speaker 4: The first night in Atlanta, the niggas was like, boo,
Speaker 4: where's Christopher.
Speaker 3: As an artist? Though, okay, give us that experience.
Speaker 4: Oh you don't care.
Speaker 2: I don't care because some artists do, though I do
Speaker 2: not give it. But for you, you were just.
Speaker 3: Like a love trying to speak to music.
Speaker 4: I just did feel like but at that time, like
Speaker 4: you've rehearsed so much and your show is the same
Speaker 4: I mean even, I mean I don't want to give
Speaker 4: away to imagine, like even like the DJ, everything that
Speaker 4: they saying, they say it in every city the same
Speaker 4: exact way. I know what's about to happen. You know,
Speaker 4: Chris every now and then he would yeah DJ first
Speaker 4: he was lit, but Chris would like change it up
Speaker 4: every now and then. But for the most part it
Speaker 4: was the same show. So I'm gonna get through my set.
Speaker 4: I know y'all not feeling me tonight.
Speaker 2: I know, I know.
Speaker 4: I know when I see hours and hours, Jo're going
Speaker 4: to sing along. And I know when I sing for me,
Speaker 4: y'all gonna sing along. So let me just hurry up,
Speaker 4: get to what I know. I'm here to see Christopher too,
Speaker 4: just like the first of y'all. So levy a goal
Speaker 4: to get out of the way.
Speaker 3: Did you take a meet and greet picture?
Speaker 5: I sure did recreate one? No did I posted on
Speaker 5: my page?
Speaker 3: Yeah, I got to check it out.
Speaker 4: I said, I said, I'm I'm gonna do a peebag
Speaker 4: and then the captain gonna be carrying R and B
Speaker 4: on his back. Yeah, it's always good made it head.
Speaker 3: That's hard.
Speaker 4: But he's so sweet, like he literally would have did
Speaker 4: he loves you anything?
Speaker 1: Then I was like, he don't love everybody. Yeah, he
Speaker 1: loves you.
Speaker 4: He seems like he's like just a very.
Speaker 1: So he's so giving, he's so that he has to
Speaker 1: protect that at this point because everybody doesn't appreciate you.
Speaker 3: I feel that, you know what I'm saying.
Speaker 4: I'm telling you I'm tired.
Speaker 1: You get enough, You get enough, and then you just
Speaker 1: get to a point. The way you say fuck it
Speaker 1: is just off of me.
Speaker 4: Yeah, I think I'm there. Yeah, yeah, because it's just
Speaker 4: like yo, it was always something. Yeah, everybody always mad
Speaker 4: at you for something, and then if you don't do
Speaker 4: what they want you to do, they with whole and
Speaker 4: it's just like that's a cold game. You know what.
Speaker 4: I'm just gonna turn into the bitch that y'all keep
Speaker 4: saying I am. I'm gonna just turn into her cool back.
Speaker 5: I get it about nothing.
Speaker 4: My answer is no.
Speaker 2: No has served me really well in my life and
Speaker 2: my career does good things for you.
Speaker 3: It just has. It just has because when.
Speaker 4: Just being a boss, when I do.
Speaker 2: It, nah, they be saying ship, they're gonna gloss it
Speaker 2: over as oh yeah, that's just bosses have to do that.
Speaker 2: But as soon as we walk out the door, somebody
Speaker 2: got something, they're gonna say something about not feeling the
Speaker 2: way because if it didn't go the way that they
Speaker 2: wanted to. What I just learned is is that you know,
Speaker 2: a boss told me a long time ago, make sure
Speaker 2: that you'll know is as fast as you're yes. He
Speaker 2: was like, they might not like it, but they're gonna
Speaker 2: respect it.
Speaker 3: That's just what it is.
Speaker 2: It's like, the worst thing you can do is drag
Speaker 2: to know out. If you knew you were going to
Speaker 2: say no, just say no, I can't do it. But
Speaker 2: a nigga happen to call you forty five times.
Speaker 3: But a lot of people do that though, and you
Speaker 3: know that, even especially in this business.
Speaker 4: I'll just say let me think about it, or like no,
Speaker 4: but like but not in the way of like trying
Speaker 4: to avoid the confrontation, but just like I feel like
Speaker 4: you're rushing me to make this decision, and how long
Speaker 4: have you had this information? So now I need to
Speaker 4: think about it because if it's not sitting right, like
Speaker 4: I trust my gut for sure. Like when you ask
Speaker 4: me a question, you might hear me go, that's me
Speaker 4: testing it to see how does it feel in my body?
Speaker 4: How is it resonating that don't sound like fun? Or
Speaker 4: if you tell me something like for example, I got
Speaker 4: the offer to do Battle of the Bands in Houston.
Speaker 4: When I heard them, like, oh, that's cool, Like if
Speaker 4: it doesn't make me feel that for the most part
Speaker 4: is going to be a no, it's gonna be like,
Speaker 4: let me think about it. It was. It was like
Speaker 4: two a week ago too. It was actually really fun.
Speaker 4: I did it with but Cookman College. A lot of
Speaker 4: my family went there. My best friend from high school
Speaker 4: went there. I would have gone there or Fami you
Speaker 4: one of those. But you know, in Florida, like the
Speaker 4: Battle of the Band is a classic. It's like you
Speaker 4: grew up wanting I wanted to be a flat girl,
Speaker 4: you know, like the Color Guards either that or like
Speaker 4: the girls who do all that. But my mom was like,
Speaker 4: you can't do that because those girls are less than wholesome. Yeah,
Speaker 4: they have a reputation I don't know. I don't know. Well,
Speaker 4: my cousin used to be one, and she's definitely she
Speaker 4: was no, because those girls are actually like you know,
Speaker 4: they're the baddies.
Speaker 5: They you know, the whole.
Speaker 4: Football team looking at them every you know, Lily, you
Speaker 4: can't say.
Speaker 1: I got to tell them.
Speaker 4: God, I thought you said the note has served you haven't.
Speaker 3: I'm talking about the girls.
Speaker 4: When they say no, it's fine. When when the batty
Speaker 4: say those, it's a problem because it be me being
Speaker 4: in my bubble. I'll be like, seriously, like my glam
Speaker 4: team is always like, no, girl, girl, you cannot go out.
Speaker 4: You need to put some make up on, like you
Speaker 4: must don't know who you is. And I'm like, what
Speaker 4: you mean, I'm just it's just I just want to
Speaker 4: go to the concert put some chas on. No girl, no,
Speaker 4: you need to put some clothes on. People know who
Speaker 4: you are. And then when I do go outside and
Speaker 4: I hear them being like that's money long, Like I
Speaker 4: want to be like, hey, girl, how you saying you know?
Speaker 4: It still doesn't know. But then I also realized, like
Speaker 4: now like when I go outside, I have to be mindful,
Speaker 4: very cute, see very demure. I cannot get to tipsy.
Speaker 4: You know, I understand now why they do that. Why
Speaker 4: if I walk past you and I don't say nothing is?
Speaker 4: Girl'm about to fall over? Girl? How to drake this
Speaker 4: whole out of.
Speaker 3: Do you see?
Speaker 1: Like?
Speaker 3: How much of the difference do you see?
Speaker 2: As far as all right, I was you had to
Speaker 2: you had the record, your big record when he first
Speaker 2: kicked off for you as an artist with hours and
Speaker 2: hours and just now continuing in that space, like, how
Speaker 2: has that been for you as far as dealing with
Speaker 2: the fame side of it?
Speaker 3: Yeah?
Speaker 4: No, I think I have definitely elevated as far as
Speaker 4: like my taste, just like having access. When you have
Speaker 4: access to the best, you start to refine.
Speaker 3: You don't like Popeye's no more?
Speaker 4: What you mean? I'm just trying to.
Speaker 2: Okay, okay with absolutely got to if you go to Popeye's.
Speaker 4: Yeah, and if they if they have the Strawberry biscuits,
Speaker 4: you get that you're gonna go something different at Pope.
Speaker 3: I mean guys Strawberry, So you got to.
Speaker 4: Winning wrong we got and if they don't have that
Speaker 4: then I'll do great.
Speaker 3: Oh yeah, you're keeping it on.
Speaker 4: You come on, you keep it on.
Speaker 3: I understand Yeah with me Money Long and Bootsy Pope.
Speaker 4: And I'm gonna be the loud as what crazy the
Speaker 4: way my good is that it's can I get another sweet?
Speaker 2: When you're talking about taste that we're not talking what
Speaker 2: do you mean when you say just taste level?
Speaker 4: Just like understanding less, it's more like how to paint
Speaker 4: the picture. Yeah, Like I have learned what my standards
Speaker 4: are and realizing that like majority of the world, I
Speaker 4: don't even just want to say America does not have
Speaker 4: a certain level. They just be like this's not good enough.
Speaker 4: It's like, no, no, we need to make sure I'm
Speaker 4: sounding a certain way, looking a certain way, Like we
Speaker 4: need to quality control, Like I'm not a rapper. I'm
Speaker 4: not just about to get up there. Yes. I hate
Speaker 4: when I don't have sound checks, so like for a
Speaker 4: Battle of the Bands, I did not have one and
Speaker 4: that mike was distorting and it was like, like I
Speaker 4: cringe as stuff like that because that stuff lives forever,
Speaker 4: especially when you nail it and it's a really good moment,
Speaker 4: people gonna keep playing it over and over and over.
Speaker 4: You know, I absolutely go to sound check if I can.
Speaker 4: If I didn't go to sound check. It's because I
Speaker 4: was told that I couldn't have one, or that there
Speaker 4: was no time, or doors are opening. But now I'm
Speaker 4: at the point now whe're gonna be like push doors.
Speaker 4: I'm I'm not getting up there if I can't. I
Speaker 4: need to hear what it sounds like, Yeah.
Speaker 1: You got some of my people out there, so you
Speaker 1: Oh I got.
Speaker 3: I took somebody from you.
Speaker 4: Oh you're not working.
Speaker 1: So I'm one of those guys where it's like I
Speaker 1: tell my guys to go get it.
Speaker 4: Yeah. No, I don't know if y'all know that happens.
Speaker 4: So like there's only like a few really really good
Speaker 4: people and we be sharing them, so like like okay,
Speaker 4: when when do they go out?
Speaker 5: Okay?
Speaker 4: And when you're done?
Speaker 5: Okay?
Speaker 1: Cool?
Speaker 4: So are you're gonna miss the first three days of mine? Okay? Cool?
Speaker 3: That's cool.
Speaker 1: People. I've told plenty of my guys what do they
Speaker 1: want me to go? Do it? Go? I'll be fine.
Speaker 1: I know how to supplement, you know.
Speaker 4: And I also think one thing that people don't understand
Speaker 4: is like when you're a developing artist. I'm very much
Speaker 4: a developing live performer. That Arena tour was like my
Speaker 4: first thing, which is so like going from Yes, I've
Speaker 4: done shows before, but like when you're at this level
Speaker 4: and it's lights and it's screens and it's you know,
Speaker 4: video camera. I forgot what those people are called. But
Speaker 4: it's like the people who follow you. You think my
Speaker 4: face just appears up there. No, there's three cameras or one, two, three, four,
Speaker 4: five cameras and they're going back and forth. So every
Speaker 4: angle gotta be and I you know, and so it's
Speaker 4: like it's such a production. You have to think about
Speaker 4: all that. It's not just standing up there singing. You
Speaker 4: got to think about all that. So when I'm walking
Speaker 4: from left to right, I'm not only just performing for you,
Speaker 4: I'm performing for the tape two for.
Speaker 1: The spot hit yeah.
Speaker 4: And then like when I'm standing in front of the
Speaker 4: fans and it's the hair is whipping in my face,
Speaker 4: I have to move its the camera like you're thinking
Speaker 4: about all of that, and I'm trying to hit my
Speaker 4: note and I'm trying to be like I see you, baby,
Speaker 4: you know, I can't see sit up here, but yeah,
Speaker 4: I like you and the green.
Speaker 5: Yeah you know.
Speaker 4: Or sometimes when the lights go for a second, I'll
Speaker 4: be like, oh yeah, I can see something first, clit second,
Speaker 4: and you try to use those moments. It's such a
Speaker 4: crash course doing it at that level. Like now when
Speaker 4: I go into a fifteen hundred seater room, it's easy, yeh.
Speaker 4: Or like when I did Battle Levans, it was in
Speaker 4: the stadium. Granted it wasn't full, it was maybe like
Speaker 4: half full. That's still a lot of people in the
Speaker 4: football stadium, like thirty thousand people, and they all singing,
Speaker 4: and it's just like and I'm like, you know, like
Speaker 4: it with zero anxiety, even though I didn't do a
Speaker 4: sound check. Like that only comes from having those high
Speaker 4: level experiences. And so I get really nervous when I
Speaker 4: don't have all my things, you know, because this is
Speaker 4: like I already have a lot to think about. Now
Speaker 4: I gotta worry about what you're hearing. Like when I
Speaker 4: have my people, I know that the audience and the
Speaker 4: consumer experience is gonna be it's gonna sound like the record.
Speaker 4: You're gonna be able to hear my words, you'll hear
Speaker 4: the music. It's not gonna be muddy. That's the most
Speaker 4: important for me. If I'm gonna go do a show,
Speaker 4: I want the user experience to be good. You know,
Speaker 4: no might hit the wrong no here and there, whatever,
Speaker 4: but I want you to be able to hear me.
Speaker 1: I didn't hear anything.
Speaker 4: It depends on one night, because I had a couple
Speaker 4: of nights where I.
Speaker 3: Was just like, whoa, that's part of it.
Speaker 4: But you came to l A.
Speaker 1: If you get through a whole LA show with no
Speaker 1: bad notes, nigga, if you have three ship yeah, you're good.
Speaker 1: You're bad in ninety eight percent it are you went crazy?
Speaker 7: Now?
Speaker 4: Thank you crazy?
Speaker 1: Very good?
Speaker 3: Very good?
Speaker 4: And then I'm also learning, like you don't have to
Speaker 4: sing every word.
Speaker 1: Yeah, listen, you have to sing every word, and you
Speaker 1: don't have to sing every note right.
Speaker 3: You can sing around the mid the deviation can't.
Speaker 4: Oh is that what it's called deviation?
Speaker 1: Yeah? I devate in a minute if I if I.
Speaker 5: Find nooying hot you can't hear that.
Speaker 3: I'm gonna get that lou rass. You'll never find right down.
Speaker 3: Don't go.
Speaker 1: Right in there. I'll come off stage and J be
Speaker 1: like I heard you.
Speaker 4: See that's what happens when you write these like singing
Speaker 4: as songs. Like I'd be thinking about that later, Like
Speaker 4: what was I thinking?
Speaker 3: Everything?
Speaker 2: You don't have to sing every single note, you know
Speaker 2: what I mean? A live performance is a live performance.
Speaker 1: Now.
Speaker 2: I personally, I like when people sing the way it
Speaker 2: is on the record.
Speaker 4: You want to hear that.
Speaker 2: I'm one of those type of people. But I do
Speaker 2: also understand, like listen, a live performance is supposed to
Speaker 2: have a different type of element to it.
Speaker 4: I'm spoiled now because I have background singers now, or
Speaker 4: I call them vocal support. June's Diary. I don't know
Speaker 4: if you guys are yeah, so yeah, So that was
Speaker 4: part of it.
Speaker 2: Oh my god.
Speaker 4: And then when I say they sing, and they do,
Speaker 4: they do movement like they sing down. So it was
Speaker 4: some nice when I was like, girls, I need your
Speaker 4: help today. Ladies like I need you to finish my
Speaker 4: phrases for me. When we was in college, what was
Speaker 4: that Denver with that altitude? Oh my god. I had
Speaker 4: the oxygen in the back, like I had to go
Speaker 4: around and I was like, tonight, y'all gonna have ten
Speaker 4: minutes on my set or five minutes or whatever it was.
Speaker 4: I'm gonna go back here and get this oxygen and
Speaker 4: then I'm gonna come back.
Speaker 3: You know.
Speaker 4: It was just very much like a given tex like
Speaker 4: look like I wanted them to shine. I'm like, don't
Speaker 4: be scared sing, do your runs whatever, if you're feel
Speaker 4: in it, do it. Let the people hear you sing.
Speaker 3: That's dope.
Speaker 4: I love that, yeah, because I'm gonna be the principal,
Speaker 4: Like you can't you can't step on me, you know
Speaker 4: what I'm saying, Like the spotlight is following me, like
Speaker 4: I got my light. Y'all sing if y'all want to sing?
Speaker 2: Yeah, Now that's really cool because every artist isn't like
Speaker 2: that though, no matter if you got your spotlight or not.
Speaker 2: Some artists are just like, yeah, you know what you're saying.
Speaker 3: I heard that note. You hit what you're trying to do?
Speaker 4: Stop singing the pod now, baby?
Speaker 1: Yes, right, niggas get kicked off the tour like as
Speaker 1: opening acts, you're doing too much. Basically, no, we're not
Speaker 1: gonna need you for the rest of the way like that.
Speaker 3: It be like that no matter.
Speaker 4: I feel like it's the intention, right, So like if
Speaker 4: you're trying to if you you could tell when somebody
Speaker 4: trying to artist get at you.
Speaker 3: Artists don't care, oh nat.
Speaker 4: Because because I'm I'm I am uh involved in every
Speaker 4: aspect like, for example, I got some offers to go
Speaker 4: perform in the UK and I want Sasha Keebel to
Speaker 4: open for me. For those I don't know if you
Speaker 4: know her, she's amazing. She has a song called hold
Speaker 4: Up incredible Uh Colombian British r and b artists Sasha Keeble.
Speaker 3: Look her up, Sasha kee We're looking for you.
Speaker 4: I think she just went back to London. But she's amazing,
Speaker 4: So it's like, yeah, why would I want to step
Speaker 4: on her? I'm the one who will be throwing the
Speaker 4: shoe from backstage, like yeah, you know, can.
Speaker 1: We are we going to get a revenge to her.
Speaker 4: Probably in the spring February somewhere. I need a minute you.
Speaker 1: Say yes, yes, okay, because I need a yes yes absolutely,
Speaker 1: because I absolutely need to hear this album from top
Speaker 1: to bottom. I know you're going to pick the songs
Speaker 1: that you want to perform from the album, but I
Speaker 1: will say this from experience, and not just my experience,
Speaker 1: but from watching you know, whether it be Beyonce, whether
Speaker 1: it be justin Timberleg, whether it be they sing that
Speaker 1: whole album damn near top to bottom top. I did
Speaker 1: it with Sex Loving Thing too. That's the only tour
Speaker 1: where I sing an album from damn there on top
Speaker 1: to bottom, And when that album came on, people was
Speaker 1: like that, I've been waiting and I am waiting to
Speaker 1: hear Revenge from top to bottom. That is one of
Speaker 1: two songs that you don't want to I.
Speaker 4: Get it all. Yeah, and anything I would take out
Speaker 4: make me made for me because I don't saying it's
Speaker 4: so much.
Speaker 3: Don't you don't you dare?
Speaker 4: You can't if anything that, but I wouldn't you.
Speaker 1: You have created a body of work that I want
Speaker 1: to hear from top to bottom.
Speaker 3: I want to hear it. I want to see what.
Speaker 2: You know. And it's no business of singles, no skips, ye,
Speaker 2: not even just no skips of somebody really caring about
Speaker 2: an album, because it's just not promoted that way anymore.
Speaker 2: It's not promoted that way anymore. And your experience it
Speaker 2: has to be promoted that way because this is your life.
Speaker 2: This is something that you truly you you let us
Speaker 2: into something, you know what I mean?
Speaker 3: Like this is not like like.
Speaker 2: You said, I'm not writing about seeing something. I'm writing
Speaker 2: about experiencing it for cloud. Yeah, So that's that has
Speaker 2: to be pushed in a different way. It has to
Speaker 2: be promoted, talked as a full body of work.
Speaker 1: And I'm saying this as a challenge, and then y'all
Speaker 1: can be mad at me.
Speaker 3: What was challenge?
Speaker 4: Jam?
Speaker 3: Who it is? Jam?
Speaker 1: Just try it for one week? Sell this album as
Speaker 1: an album. That's it.
Speaker 3: You have. You can't get another way.
Speaker 1: You can't get it no other way. You've already proven
Speaker 1: that you got the ship on there. You've already proven it.
Speaker 1: Now we need everybody to buy into the entire story,
Speaker 1: the entire off the wall, the entire thing. Because I'm
Speaker 1: invested in the story. I'm not invested in one song
Speaker 1: on the album. I listen to your album from top
Speaker 1: to about it and I feel like that is the way,
Speaker 1: Like it is fine dining, Like when you go into
Speaker 1: that fine dining and there's there's an appetizer, and there
Speaker 1: is a main and there is a dessert. It comes
Speaker 1: with it. You sit there, menu, you can set menu
Speaker 1: and it's two fifty person purpose.
Speaker 3: Always that's something you didn't say anything. I would.
Speaker 1: I would love it if your album was sold as
Speaker 1: a complete package. You can't buy one song, just just
Speaker 1: the thing. And maybe it's too late, Maybe you know
Speaker 1: it is what it is. It's in the system, it's
Speaker 1: it's doing what it's supposed to do. You're having success.
Speaker 4: It needs to be treated with a certain integrity.
Speaker 1: Because the other part is like, to me, it's just
Speaker 1: the work that you put into it. It validates that
Speaker 1: you you you you deserve for the songs that weren't
Speaker 1: radio songs.
Speaker 4: I have that argument.
Speaker 1: Yeah, I got to be played. Like the fact that Okay,
Speaker 1: they could stream one song fifteen hundred times and that
Speaker 1: is a pure album. So that works for you because
Speaker 1: you write everything, But for everyone else who's participated with
Speaker 1: you on the rest of those songs, that that misses them.
Speaker 4: And I will say, like there is sort of an
Speaker 4: endangered species sort of thing happening with artists who put
Speaker 4: that much effort into making a full body of work
Speaker 4: and the album packaging, and you know, like it's a lot,
Speaker 4: and if you don't support it, it's going to die. Yes,
Speaker 4: it's going to die. Because labels are like, well, why
Speaker 4: do we have to spend half a million on a project?
Speaker 4: And we could just spend ten thousand dollars on one single?
Speaker 4: What makes us two million? And then we can move
Speaker 4: on to the next artist. You know, don't have to
Speaker 4: invest because it costs money to invest in an artist
Speaker 4: and brand them. You know, it's millions, So you end
Speaker 4: up needing three or four or five five hits in
Speaker 4: order to break even versus just that one that you
Speaker 4: made in your closet. So it's like it's like a
Speaker 4: cannibalizing self, cannibalizing with all the artists that are like, oh, well,
Speaker 4: I made this song, you know, with a microphone in
Speaker 4: my room, Like yeah, but you don't understand how it's deteriorating.
Speaker 4: You can't sustain the business like that. You need artists
Speaker 4: that are putting out full bodies of work. Adele just
Speaker 4: says she's going away for a minute, Like we're tired,
Speaker 4: you know what I'm saying. It's a lot, and like
Speaker 4: the labels make you feel like you're doing so much.
Speaker 4: I'm asking for so much. I'm actually cheap compared to no,
Speaker 4: I am, I'm cheap compared to my contemporaries. I am.
Speaker 4: But this is an expensive game. You don't complain about
Speaker 4: if you drop a bumley, You're not complaining about how
Speaker 4: much the gas costs or how much the tires cost.
Speaker 4: You shouldn't have it if you can't afford it.
Speaker 1: Yeah, I don't. I don't even know how many times
Speaker 1: I can say that your album is crazy to mak
Speaker 1: your album is crazy out now, revenge out. Now. You've
Speaker 1: done a top five already, you've done a Maybe we
Speaker 1: just do a top five songs on your album? Do
Speaker 1: we do that?
Speaker 3: Or we can do we can do a what's your
Speaker 3: top five?
Speaker 1: Now?
Speaker 2: What's your current things that you like? Let's get into
Speaker 2: your playlist, play list, let's get into your playlist.
Speaker 7: Currents, let's get into your plist, current top five, current
Speaker 7: top five, current top five, Thank you Valentine, current top
Speaker 7: five singer.
Speaker 3: So we want to do maybe on the radio? You know, yes.
Speaker 4: Yes, houses like gospel rock. Thank everybody.
Speaker 1: I'm here all week.
Speaker 4: My current five are singers. What am I listening to?
Speaker 4: I don't know.
Speaker 3: I really like to put the singer and song together.
Speaker 3: You know.
Speaker 4: I was gonna say, I really like Chloy Bailey's Rosa
Speaker 4: like that worried combo play.
Speaker 1: Yeah, she made a combo. She made her on combo.
Speaker 4: Chloe Bailey Rose Nice one of my favorite songs.
Speaker 3: Nice.
Speaker 4: I really like Kilny Borders uh. And I guess just
Speaker 4: because I'm biased, just because I was on the road
Speaker 4: with him. But I've been listening to Chris's eleven eleven project,
Speaker 4: the whole thing, three, the whole thing. Just anytime I
Speaker 4: hear like, you.
Speaker 6: Know, he.
Speaker 1: Don't it do something?
Speaker 5: It does?
Speaker 3: Did who my music?
Speaker 4: I've been listening to wearing it out.
Speaker 3: What's your favorite song from your project?
Speaker 4: Reverse reverse, and then I would reverse interlude, and then
Speaker 4: I will say thirties mm hmmm, and then the baddest
Speaker 4: those are the ones that really resume. And then I
Speaker 4: have a deluxe coming with like four other songs, dude, dukes,
Speaker 4: because you got more music I do. I really wanted
Speaker 4: to put like nineteen songs on this project, but Tricky
Speaker 4: was like too much, Absolutely not. It was thirteen. And
Speaker 4: then I was like, please, can we have a ruin me?
Speaker 3: Oh nice? No.
Speaker 4: I turned that in like two weeks before at the
Speaker 4: album packaging shoot. Actually the night before I was like,
Speaker 4: I got.
Speaker 2: One more so on you can't turn that record down.
Speaker 4: And then I've been listening to it either. It would
Speaker 4: be a tie between four Bats and Laila.
Speaker 3: I love four Bats, I love.
Speaker 2: And I love that he made kind of a a
Speaker 2: nostalgic R and B album along with his new way.
Speaker 3: You know what I'm saying.
Speaker 5: Doing it on stage?
Speaker 3: You seen that? That's how I felt like I was
Speaker 3: gonna here on this album.
Speaker 4: Did you see that they been doing it on stage?
Speaker 4: Doing it on stage or like they like simulated it's
Speaker 4: like a bed in here now. Yeah, and then the
Speaker 4: girl get under the covers they be on stage.
Speaker 2: They bring in the bed on the stage. Okay, that's
Speaker 2: throw back R and B.
Speaker 4: That's dangerous.
Speaker 2: I mean you gotta get but you gott get some papers.
Speaker 2: A part of Christ where all the girls come out
Speaker 2: and yeah, they want to talk about that is that's dangerous.
Speaker 3: To the girls.
Speaker 1: Fucking rope with us?
Speaker 3: Son, you mean with the girls is like dancers.
Speaker 5: Absolutely, that's his dancer.
Speaker 1: Still got to get a permission slip.
Speaker 4: They don't be kissing real, they kind of do, they
Speaker 4: don't know. It's the angle of the.
Speaker 3: Grinding.
Speaker 4: They did not be kissing. You come out the part
Speaker 4: where like him and Taylor, it's.
Speaker 3: A bumping the grinding.
Speaker 1: You gonna tell me no different.
Speaker 4: You know that that grinding and stuff that's real.
Speaker 1: They got that right is real. Body parts respond to
Speaker 1: that type of ship.
Speaker 5: You know that.
Speaker 4: She was definitely heard, but right on every night close.
Speaker 4: But that was not kissing.
Speaker 1: I used to be able to do that in my show.
Speaker 3: I can't do.
Speaker 4: My marriage is got to be respectful.
Speaker 2: Yeah.
Speaker 4: No, but Christy his baby mamas be right there, they
Speaker 4: be like, oh my god. Yeah, it's part of the show.
Speaker 4: Like I wouldn't get mad. It's part of the show
Speaker 4: that I.
Speaker 1: Think you So you wouldn't get mad if it's part
Speaker 1: of the show because it's just part of the show.
Speaker 5: It's just's just dancer.
Speaker 3: That's my dancer. I'm not doing anything with my dance.
Speaker 4: What you're doing?
Speaker 3: What am I doing?
Speaker 4: I didn't say that.
Speaker 1: I'm just performing.
Speaker 3: It's just.
Speaker 4: Is it me? Personally? Me, I would not get upset. Cool, No,
Speaker 4: I don't like that. Out I see what you're trying
Speaker 4: to do.
Speaker 1: No, welcome to this phone call.
Speaker 4: Did I try to use this later?
Speaker 1: Welcome to the straight Way conference?
Speaker 4: Not me personally, I wouldn't want money.
Speaker 3: What did you What did you say?
Speaker 1: So?
Speaker 3: What was you saying when it's all the show?
Speaker 4: I wouldn't get upset.
Speaker 1: Do you do you have a current? I ain't saying
Speaker 1: no names that you wouldn't want to get off.
Speaker 2: Yeah, let's get the let's get the the Grammy win
Speaker 2: in on that tour ship changed.
Speaker 5: Now, you know, just as a whole.
Speaker 4: Like it's crazy how people just when they think you
Speaker 4: got it, whether you have it or not, it's mine. Yeah,
Speaker 4: it's so crazy. How the prices go up like before,
Speaker 4: why you change? We're still doing the same show.
Speaker 5: Oh yeah, it's the same show.
Speaker 4: Why are you charging me more now? And like you know,
Speaker 4: if i'm if, I'm I was. I went from like
Speaker 4: paying to perform, so now I get to take a
Speaker 4: little bit of something home and you want to take that.
Speaker 4: So basically everybody get paid but me. That's crazy.
Speaker 3: Oh that's that's uh, that's it.
Speaker 4: That's crazy. That's how I might take a thousand dollars.
Speaker 5: On maybe hey hey hey hey.
Speaker 3: Maybe no not anymore. Yeah no.
Speaker 4: But like I started seeing that happen, I'm like, what
Speaker 4: the fuck I'm making more money and getting less because
Speaker 4: it's crazy.
Speaker 1: You gotta like, like everybody has to realize this. It
Speaker 1: doesn't start with you on stage.
Speaker 4: Right There's all this work that I have to do
Speaker 4: start with.
Speaker 3: You years ago.
Speaker 1: Yeah, to get to this stage right here. So for
Speaker 1: me to get to this stage right here, I should
Speaker 1: be seeing the bulk.
Speaker 4: Of this, and I'm not well. I wasn't. I just
Speaker 4: put it stopped. I'm like, don't book me no more shows.
Speaker 4: I'm not finna get up there and take time away
Speaker 4: from my family, my baby. I'm busting my butt. I
Speaker 4: can't have fun. Everybody else having a good time. I
Speaker 4: gotta go to sleep at nine o'clock so I could
Speaker 4: actually wake up and sing, because.
Speaker 1: You got to sing lead.
Speaker 5: Y'all getting paid everybody else.
Speaker 1: Everybody else can coast and cruise and we won't notice.
Speaker 1: You cannot. You cannot go to sleep.
Speaker 4: All these people in my dressing room. Why y'all drinking
Speaker 4: up all my cost Guys like why? Why?
Speaker 3: Ah? Why?
Speaker 5: Why?
Speaker 4: Where is my rebel?
Speaker 3: Where where?
Speaker 4: The first day of tour, bro I came in the
Speaker 4: dressing room, snacks ran through everything. I said, well, damn,
Speaker 4: y'all don't give a about me. That's crazy. Nobody asked me.
Speaker 4: Did I eat? Y'all don't open my watermelon? Wow. The
Speaker 4: next day I came in there, I had a full
Speaker 4: style refrigerator. Nobody had touched nothing. I was like, thank
Speaker 4: you to speak on that's so crazy that you just
Speaker 4: didn't even think about me, Like y'all took all the
Speaker 4: good chips, left me to free doos talk about to
Speaker 4: eat free id't know on motherfucking corn chips, and I
Speaker 4: want vegan chips neither. I want the smart fool popcorn,
Speaker 4: and I want the solven ship, and I want all
Speaker 4: the stuff that's on my writer.
Speaker 1: Well, my thing is that don't open my twinkies till
Speaker 1: I opened my twins thank you, then you can have
Speaker 1: a twinky.
Speaker 2: Nobody want twinky, and you gotta start picking that the
Speaker 2: dumbody want your niggas want Boston Bean exactly.
Speaker 1: And don't don't got too many lamp stops. Don't get
Speaker 1: no lamp stops until shot get his lamb chops. The
Speaker 1: shot get his lamp chops first.
Speaker 4: Remember, on the first day to LA, we couldn't even
Speaker 4: get into the stable center or the crypto. Excuse me,
Speaker 4: excuse me, we couldn't even get in. It's the thirty
Speaker 4: minutes before I got to go on stage. I'm still
Speaker 4: not even so I'm like, I started getting pissed because
Speaker 4: I'm like, Noah, I know, damn will they are in
Speaker 4: there getting ready all this. Why ain't nobody calling my
Speaker 4: phone make see where I'm.
Speaker 3: At, to make sure yeah, I get.
Speaker 4: In the venue, they politicking everybody in the hallway. Just
Speaker 4: I'm pissedide I'm like, ain't now one of y'all just
Speaker 4: trying to see where I'm at because if I don't
Speaker 4: get on this stage, y'all not getting paid, none of y'all.
Speaker 4: Like bro, it began to black.
Speaker 1: What was that about?
Speaker 4: Somebody didn't do what they were supposed to do. We
Speaker 4: ain't had no parking past.
Speaker 3: It be a lot of shit going on the road,
Speaker 3: and crazy is.
Speaker 4: I just now realized that the person who invited me
Speaker 4: on tour, Chris, didn't know anything about all the stuff
Speaker 4: that I was dealing with the whole tour. He sleeps
Speaker 4: till five o'clock. He's not but he had no clue
Speaker 4: of all the bs that I was the ones. I
Speaker 4: took it like a chimp.
Speaker 3: I'm just like, hey, he's an open He definitely would.
Speaker 4: But at the end of the tour he was like, no,
Speaker 4: you you got seniority like you should. I'm like, maam,
Speaker 4: I'm not about to call you.
Speaker 1: He's one of those guys you can tell I could
Speaker 1: have but you should have. And then guess what. Guess what.
Speaker 4: But by the time I started it was the end
Speaker 4: of the tours, like you know, the last two days.
Speaker 1: You have a friend like that, Hey, friend just having
Speaker 1: a tough time.
Speaker 4: I know some people would have got in trouble if
Speaker 4: I would have said the stuff that I had to do, that.
Speaker 1: That's it. He don't. He don't want that to connect.
Speaker 3: It to him.
Speaker 4: I don't want him though, because I started experiencing. That's
Speaker 4: one thing I will say. You asked about the difference
Speaker 4: between hours and hours in the timeframe and how things
Speaker 4: have elevated and grown. There are so many things that
Speaker 4: don't even make it to my desk now, and it's
Speaker 4: it's this weird uh almost like write a passage where
Speaker 4: like people just start to feel like, oh, you're the
Speaker 4: star now. So I need to translate and I need
Speaker 4: to be like, no, I want to know what's going
Speaker 4: on in my world. You know what I'm saying. It's weird.
Speaker 4: It's such a weird thing.
Speaker 1: I'm gonna tell you no, no, no, I don't like.
Speaker 4: Not knowing what's going on.
Speaker 1: No, he's here.
Speaker 6: I don't like so star one on one songwriter, producer, performer,
Speaker 6: one O one.
Speaker 3: That's what you do, that's your focus.
Speaker 1: Anything that's trying to interrupt that. That's everybody else's job
Speaker 1: to keep that from happening. It's not supposed to make
Speaker 1: it to your desk.
Speaker 3: Yes, some things are. They just never supposed to make it.
Speaker 4: And then what if I end up still having to
Speaker 4: deal with it?
Speaker 3: Shouldn't then you have to deal with them. Then you
Speaker 3: gotta deal with them.
Speaker 2: Yeah, that that Those are the conversations I mean, like listen,
Speaker 2: you you're talking to artist manager. There's certain things that like,
Speaker 2: once if it gets to him, I got a black dog.
Speaker 2: This happened because and this is why this happened, and
Speaker 2: and then we have to give you know, we have
Speaker 2: to figure out, like you know, what's the root of
Speaker 2: it and then come to an understanding of it. And
Speaker 2: then it's times where I gotta be like nik, am
Speaker 2: I bad, you know what I'm saying.
Speaker 3: Or even as the.
Speaker 2: Artist, he'll say that something he didn't part of his job,
Speaker 2: he'd be like, ja, my bad, you know what I'm saying,
Speaker 2: Like you have to you have to have that.
Speaker 3: And everybody that's a part of it.
Speaker 2: If it's rolemager, if it's lawyers, if it's assistance, if
Speaker 2: it's you know.
Speaker 3: Whoever, whatever, directors whoever part you play on the team.
Speaker 2: I got it, like we all here to everybody so
Speaker 2: that we can get home safely and we can make
Speaker 2: as much money as possible put on the best show
Speaker 2: us that we can.
Speaker 4: One thing I can't stand is getting a bill for something.
Speaker 1: Who when I first got that, Uh, your bus was
Speaker 1: thirty minutes late?
Speaker 3: Bill?
Speaker 1: Yeah for loading?
Speaker 4: Yeah, oh there's a bill for that.
Speaker 3: Yeah. I mean, well you're getting ready to headline? Tell
Speaker 3: you like.
Speaker 4: This, Thank you for the heads up. So I don't want.
Speaker 1: To be late to these union buildings, Yeah, not a minute.
Speaker 3: The union don't play be there early.
Speaker 4: So basically, if the workers are there ready, oh yeah, it's.
Speaker 3: Down the clock.
Speaker 1: Oh, they're gonna charge you.
Speaker 3: And they're gonna charge you maybe time and a half.
Speaker 3: Yeah for making them wait to make it.
Speaker 4: That's crazy.
Speaker 3: And if you're not out hard out ye.
Speaker 4: See but see I knew about that, hold on, and then.
Speaker 3: You gotta think Chris would have had to pay for all. Yeah.
Speaker 1: And you'll notice some unions are more expensive than others,
Speaker 1: so most cities are going to be at a standard pace.
Speaker 1: And then you're gonna get to a city like Boston
Speaker 1: and get to see like New York and why is
Speaker 1: this so much more?
Speaker 4: Yeah, they don't play, but no, they was in my
Speaker 4: ear so like if I had a hard thirty minutes,
Speaker 4: it doesn't matter. If I started late, they'd be like,
Speaker 4: you got one more song and I'll be like, okay, skip,
Speaker 4: like I know what to you know, like yeah, they
Speaker 4: wasn't playing that so.
Speaker 1: Again, like you know, you're within your delegation process like
Speaker 1: those people like my guys know, hey, man, run it,
Speaker 1: say yes or say no for me, do it.
Speaker 3: I'm good.
Speaker 1: I'm back here. I'm just some push ups and shot
Speaker 1: gonna do like four hundred and fifty push ups. Man,
Speaker 1: I'm gonna drink my Red Bull, which is always waiting
Speaker 1: on me.
Speaker 3: You know what I'm saying.
Speaker 4: I need it.
Speaker 1: You got to have it.
Speaker 4: Need it because you can't do coffee because it's like
Speaker 4: more drying.
Speaker 1: I do coffee too.
Speaker 4: I can't do the coffee. It drives me out.
Speaker 1: I did coffee the other night and I was like
Speaker 1: and I was like, I'm not gonna do a Red Bull.
Speaker 4: Then I get like jittering.
Speaker 3: Yeah, sometimes that ship I went, I went.
Speaker 1: He was up for like three days.
Speaker 4: Coffee or you know, there's a new energy drink. I
Speaker 4: think it's the rock. It's called zoa.
Speaker 5: No, I know you, it's it's been out.
Speaker 4: I just discovered.
Speaker 5: But it's a it's a greater way better well.
Speaker 4: Than other things that I tried. You don't have to
Speaker 4: drink the whole thing.
Speaker 3: Because that'd be still away from all of it.
Speaker 4: I drink just naturally.
Speaker 1: Just I just find my voice. I just find my
Speaker 1: voice for some reason. Me and Lannie one time, I
Speaker 1: think it was a cruise or something like, we were
Speaker 1: performing somewhere and we was tired, and we had never
Speaker 1: sang off an energy drink before. This is like maybe
Speaker 1: you know twelve.
Speaker 4: Make it it sound like it's drugs.
Speaker 1: It's drugs, No, it's and so we had we had
Speaker 1: some muster drinks around and he's like, man, let's give
Speaker 1: me some of this monster. We went out mons and
Speaker 1: I told were singing up here.
Speaker 3: I was like this, what was that?
Speaker 4: That was basically a four logo. That's basically what it was.
Speaker 4: Drinking Foster energy drink is insane.
Speaker 1: And that's where we kind of got the idea maybe
Speaker 1: a little pinch of energy drink or get.
Speaker 3: Us, it is a pinch of and so the red
Speaker 3: this is micro.
Speaker 1: Microdose red bull when when I do my show, just
Speaker 1: a little bit SIPs because you got to think too,
Speaker 1: as I learned from my nutritionists, Like as you're going
Speaker 1: through this what he likes to call kind of event,
Speaker 1: well we're reference it as like a game, right, So
Speaker 1: you're playing a thirty minute energy You're playing a thirty
Speaker 1: minute basketball game.
Speaker 3: Yeah, straight, right, So.
Speaker 1: Within that thirty minutes, so you can and just drink
Speaker 1: you can't. So you got to figure out and you
Speaker 1: got to figure out if you can take a bite
Speaker 1: in between.
Speaker 4: So that's like athletes when they go on the side.
Speaker 1: When the runners are running, they're running those distance runs,
Speaker 1: there are there are stations, there are stops where they
Speaker 1: can grab jails to replenish electrolytes, they can grab water,
Speaker 1: they can grab Most performers.
Speaker 3: Don't do that. Most performers don't do They don't even
Speaker 3: going off to.
Speaker 5: The side of the stuff.
Speaker 4: It's not candy though, I should maybe put something.
Speaker 1: Listen, even if it's like some crackers and something like
Speaker 1: you need to replenish and get on the side.
Speaker 4: Already.
Speaker 5: I'll usually do this.
Speaker 1: But yeah, that's it. That's that's the thing that red
Speaker 1: bullets is a thing, but I mean the people. It
Speaker 1: has to be easier for you because the work that
Speaker 1: you do to to create that.
Speaker 4: And then not to mention, I'll be up there with
Speaker 4: a course at all out four layers of tights. Yeah
Speaker 4: that's what y'all don't see. I'll be up yeah, singing.
Speaker 1: Through that being a woman.
Speaker 4: Mm hmmm. And the ones you said he's gonna make
Speaker 4: cute songs, Yeah, that's why, because I want to look cute.
Speaker 4: I ain't trying to be Yeah. May no, thank you.
Speaker 3: It looks good, it sounds good, Thank you, It is
Speaker 3: really good.
Speaker 4: Thank y'all.
Speaker 3: We're here for you. The first double up ever, the
Speaker 3: first double well, and we thought it was important.
Speaker 4: I appreciate.
Speaker 1: We thought it was important that you.
Speaker 3: Know that you do this with us.
Speaker 4: Are we going to do R and B money Pinky
Speaker 4: Ring first of all in Vegas album release party Vegas.
Speaker 3: I love that. I love that, and we just you know,
Speaker 3: we'll figure out the workarounds and work in you know.
Speaker 5: Because really I like that.
Speaker 4: Really I'm releasing my album all year, yes, ye, dropping
Speaker 4: every day.
Speaker 1: If you're not promoting all year, if you're not dropping
Speaker 1: them dimes on your socials and all that, all year,
Speaker 1: you are doing this album at this service.
Speaker 3: I want to hear about this everything for me, you know.
Speaker 4: I mean, I'm putting my music behind every video that I'm.
Speaker 3: Yeah, every you're doing a video for every song.
Speaker 4: No, no, but you know how I really want to
Speaker 4: That's what I would normally do, but how my time
Speaker 4: is set up these days, I just don't.
Speaker 1: Have time but think about this, think about this, think
Speaker 1: about this. What's crazy is that what we don't realize
Speaker 1: as I was going through the TikTok you know, rabbit hole,
Speaker 1: and I'm just looking and I'm just looking at all
Speaker 1: of these different kinds of videos that are just that
Speaker 1: are just tracking a million, two three, four fifty teen million,
Speaker 1: and they are just sitting there with a microphone giving
Speaker 1: people a visual of their song. It's not the videos
Speaker 1: we think it is because I'm always trying to figure
Speaker 1: out a production. I'm always trying to that he's trying
Speaker 1: to talk me off the roof of chief. That's two
Speaker 1: hundred and fifty thou never.
Speaker 3: That's true. Money.
Speaker 1: There is value. There is so much value in you
Speaker 1: sitting in that black chair right there behind that microphone,
Speaker 1: singing your song or not even singing your song, enjoying
Speaker 1: your song. There is so much value because at the
Speaker 1: end of the day, whether you realize it or not,
Speaker 1: people just want to see you.
Speaker 4: Yeah, it's a lot of effort to get up and
Speaker 4: get your hair and makeup and put on an outfit.
Speaker 1: Well you chose to be dope, your fault and cute.
Speaker 1: Yeah you're fuck get back to it.
Speaker 4: Yeah yeah, yeah, But when I do it, it just
Speaker 4: like I love so cute today. You know what I'm saying,
Speaker 4: It's worth it. Like when you put.
Speaker 5: Everything on you look good.
Speaker 4: Yeah, you put everything on, you get that carry.
Speaker 2: You like you look good on purpose supposed to. I'll
Speaker 2: be surprised. You see me with I watches next time.
Speaker 5: You know what I'm saying, I got none of them.
Speaker 5: I find some more, one of them all upside down.
Speaker 1: Give money. I don't know you know what to say.
Speaker 5: Congratulations, Thank you, Tang, thank you j of course you are.
Speaker 1: Always welcome here for anything anytime. You know what I'm saying.
Speaker 1: I know you're doing a bunch of remixes. You know
Speaker 1: what I'm saying. You I know, we don't. I know
Speaker 1: we dealt away with the age conversation. But you the
Speaker 1: old Nigga remix.
Speaker 4: You know what I'm saying, I would love to do
Speaker 4: like a genuine like do it. I don't think people
Speaker 4: know what that means anymore, like they be like feature
Speaker 4: like no, yeah, yeah, you know on a Psychiki.
Speaker 1: Fire you know, ain't gone nowhere, still cracking to this day.
Speaker 1: Still I'm in it.
Speaker 4: I would love to do.
Speaker 1: We got that going, We got the Pinky Ring, we
Speaker 1: got the Revenge tour. Revenge is out basically on book.
Speaker 5: That's what it sounds like, your book where it's glam
Speaker 5: your book.
Speaker 4: I got videos to shoot. We got an album release party.
Speaker 1: And you know what's another thing. I was gonna say,
Speaker 1: either get you a tour bus or get you a
Speaker 1: sprinter by one.
Speaker 4: Yeah, tour buses. So I had Cat Williams bus he.
Speaker 3: Was about to buy. So you can clearly buy it,
Speaker 3: you know whatever.
Speaker 4: Yeah, but you can't drop the tour bus around it's going.
Speaker 1: It's gonna save you some money and make you some money.
Speaker 4: We've got a blood You got a tour bus, boy,
Speaker 4: because I feel like I have to get one made
Speaker 4: because like customs, because they just don't have them just
Speaker 4: sitting there.
Speaker 3: They do.
Speaker 1: Absolutely, you want to buy a used one. You don't
Speaker 1: want to buy no.
Speaker 4: One, but then they break down.
Speaker 1: Though everything breaks down, you find a good used one
Speaker 1: with good it was so good. Yeah, you find a
Speaker 1: good one with good papers.
Speaker 3: I know guys on them.
Speaker 2: Like you said you had someone else's bus YEP, someone
Speaker 2: could also have your bus YEP, because I'm sure you
Speaker 2: paid good money for I.
Speaker 4: Did cat Apocalypse. It was very comfortable.
Speaker 1: I'm telling you, get you to call this investments to Chris,
Speaker 1: Daddy said, I'm getting a tour bus.
Speaker 4: His tour bus is insane.
Speaker 1: Said, I'm getting my own tour bus, like in.
Speaker 4: Saying I never seen a bus like that before.
Speaker 1: Because you're a touring artist now yep. Yeah, and you
Speaker 1: want to be calmfort too at the highest.
Speaker 4: You don't want to know argu about that because management
Speaker 4: was like, yeah, you need your bus. Said listen, I'm
Speaker 4: too old and I'm too picky. You ain't about to
Speaker 4: have me uncomfortable. I need that one. I don't care
Speaker 4: whatever we gotta do, that's my bus.
Speaker 1: I'm just throwing it out there. You know, Well, the
Speaker 1: millions are flowing. I need to figure out, well it's
Speaker 1: while it's coming on in because I might rent your
Speaker 1: to bus.
Speaker 4: It was a bunch of people trying to get the
Speaker 4: one I.
Speaker 3: Had, which, lets you know that could be your bus.
Speaker 4: Them out, You're right, see you see how they get
Speaker 4: you game? These got money.
Speaker 1: Got to be playing the lottery every week. I'm trying
Speaker 1: to hear it. I got I got big money ideas.
Speaker 2: I already know the Lord ain't gonna bless me with
Speaker 2: no lot of money. Why because I've been blessed enough.
Speaker 3: I really feel like that I am the lottery.
Speaker 2: I'm not.
Speaker 3: Yeah, I am not the I'm not the lottery wunner anybody.
Speaker 4: Literally, I feel like we could make out of thin air,
Speaker 4: like like literally, you ain't gonna.
Speaker 3: Win the lottery too.
Speaker 1: I agree with all these things you're saying. I'm going
Speaker 1: to hit the lottery as well.
Speaker 3: I hope you do.
Speaker 1: Busses for everybody. Give me a bus, busses for everywhere,
Speaker 1: the busses and planes for everybody.
Speaker 4: Now I take a plane. Now, let me get a plane.
Speaker 3: You know what I'm gonna do. I believe in you.
Speaker 3: We're going up are here for five hundred million.
Speaker 2: You get at your local seven eleven, dropping a thousand dollars.
Speaker 5: This week, the whole day for everybody.
Speaker 8: We come through this seven elevens on me, everybody, don't
Speaker 8: forget about me when you I want to win, to give,
Speaker 8: that's that's because my honestly, that's my sole mission in life,
Speaker 8: my mission.
Speaker 1: I'm I'm designed to be of service. I'm here to
Speaker 1: give and I want to be a blessing to its
Speaker 1: memorable people is humanly possible.
Speaker 3: I want a lot of regivings. The forty seven dollars,
Speaker 3: it's not going to change.
Speaker 1: I want to be able to be like this. You
Speaker 1: know what I want to be when I'm doing tank
Speaker 1: pay for this. I want to pay. I want to
Speaker 1: pay the house off.
Speaker 4: I just want a hundred million. I'm doing it. Yeah,
Speaker 4: one hundred million.
Speaker 1: You're tracking, You're tracking four hundred million?
Speaker 3: Really?
Speaker 1: Yeah?
Speaker 4: How fast is how it's.
Speaker 3: Going to be?
Speaker 1: Tell me you have a date, You're you're, you're, you're
Speaker 1: you're tracking from a success standpoint like algorithm, algorithm and numbers.
Speaker 1: Right now, you keep at this pace, you're tracking four
Speaker 1: hundred million. Keep to his coming, keep and I will.
Speaker 3: I know you will. You've been writing hits for a
Speaker 3: long time.
Speaker 4: Got a bunch of but I really want to get
Speaker 4: into my life. Read it.
Speaker 1: I'm just hoping Bessie seize the light of dau. Just
Speaker 1: avoid my son. I don't want me to dance.
Speaker 2: I want your song to come out. I don't want
Speaker 2: him to dance whatever I'm in the video, And don't
Speaker 2: put him in the video.
Speaker 4: You would whoa what was that?
Speaker 3: I got your hands?
Speaker 5: Okay, all right, ladies and gentleman.
Speaker 1: My name is Tank Valentine and this is the Army
Speaker 1: Money Podcast, the authority on all things R and B
Speaker 1: and I don't, I don't. We don't say this much.
Speaker 3: We don't. We we try to claim things here.
Speaker 1: We try to believe in everything that we do, and
Speaker 1: we believe in money, long.
Speaker 3: Revenge out right now out now, go get it, go
Speaker 3: get it.
Speaker 1: We're still clapping, guys, We're still We're still clapping. Blam
Speaker 1: red bull the premium chips eat.
Speaker 3: Don't eat up the.
Speaker 5: Premium you're supposed to get in the jumping rum.
Speaker 3: Yeah, but don't stop shouting out ship that don't pay
Speaker 3: nigga niga hear me up?
Speaker 4: Yeah, Energy, energy, drink.
Speaker 1: And are R and money.
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Speaker 2: Valentine and at the Real Tank. For the extended episode,
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Speaker 2: Money