WEBVTT - Muni Long Serves Revenge

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<v Speaker 1>And money.

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<v Speaker 2>We are.

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<v Speaker 1>Take out the chi We are the authority on all

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<v Speaker 1>things R and ladies and gentlemen. Money is Tank time

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<v Speaker 1>and this is the R and B Money Podcast. Here

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<v Speaker 1>authority on.

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<v Speaker 3>All things R and B money. We are looking for revenge.

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<v Speaker 3>We sending this ship. Mm hm we take it over.

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<v Speaker 4>And you said it. I mean, I'm really tiry.

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<v Speaker 2>You don't leave the charge a whole lot of money?

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<v Speaker 4>Not yeah, yeah, I'm bad.

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<v Speaker 2>Yeah, the first double up, the first yeah, Yes, won't

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<v Speaker 2>be letting nobody come to this motherfucker twice.

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<v Speaker 4>Y'all want to be like we so bad ship. I

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<v Speaker 4>feel really comfortable with you guys. Oh god, that's not

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<v Speaker 4>a good thing. I'm probably gonna say something great.

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<v Speaker 3>Turn up some more of that, you know, a little

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<v Speaker 3>bit more Jesus, your little more.

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<v Speaker 1>Than Lord's nectar. I'm gonna say this off top. I'm

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<v Speaker 1>an go on record. What month is this?

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<v Speaker 4>September?

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<v Speaker 1>This is September, top of it, top of September.

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<v Speaker 4>My birthday month?

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<v Speaker 1>Your birthday was your birthday?

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<v Speaker 4>In two weeks?

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<v Speaker 1>In two weeks and the album drops.

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<v Speaker 4>It dropped the thirtieth.

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<v Speaker 1>Thirtieth A yeah, I had it, I've had it.

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<v Speaker 4>But it's dropping all months, is.

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<v Speaker 1>Dropping all months, right, it's dropping.

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<v Speaker 5>It continues to dah every day.

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<v Speaker 2>I'm just going on record. I'm going on record what

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<v Speaker 2>you on record saying, album.

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<v Speaker 4>Of the year, No R and B in front, just

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<v Speaker 4>album of the year period, R and B.

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<v Speaker 1>Album of the year is easy for what you have?

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<v Speaker 1>Album of the year, you think, so.

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<v Speaker 3>Put in Thank you, Universe, the fucking year. Revenge is amazing.

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<v Speaker 4>Thank you.

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<v Speaker 1>The album is amazing.

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<v Speaker 3>It is so much it is. I listen, I have

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<v Speaker 3>a great job.

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<v Speaker 4>Thank you.

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<v Speaker 1>You know. I know we're going to talk about a

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<v Speaker 1>lot of.

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<v Speaker 4>I've had the music for so long.

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<v Speaker 3>You know how it gets, you know me, I don't

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<v Speaker 3>never drop nothing, so I actually do know how it gets.

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<v Speaker 3>I don't care about none of those people like this

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<v Speaker 3>is crazy, Like I.

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<v Speaker 1>Said, as you say that, what's the oldest record on here?

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<v Speaker 4>Thirties was the first song that I wrote back in November,

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<v Speaker 4>and then it would be made for me November twenty

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<v Speaker 4>twenty two. I actually wrote it while I was still pregnant.

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<v Speaker 4>You know, I was with travel last time I came here.

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<v Speaker 4>You guys didn't know that I did.

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<v Speaker 3>You did, just you know, I mind my business.

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<v Speaker 4>And you want to call me back, you weren't you.

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<v Speaker 1>I don't even know if that's possible.

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<v Speaker 3>I can't do that.

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<v Speaker 4>You know, you'd be like congratulations, be like, what do

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<v Speaker 4>you mean?

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<v Speaker 5>I don't know.

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<v Speaker 3>I learned that very young.

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<v Speaker 5>As a child.

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<v Speaker 4>I can't remember how many months I was, but yeah,

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<v Speaker 4>we had four yests on the show that day.

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<v Speaker 3>Congratulations.

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<v Speaker 4>Yeah, So thirties. I wrote that while I was pregnant.

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<v Speaker 4>Thirties is crazy, and then it was made for me,

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<v Speaker 4>and then it was reverse things I never said. I

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<v Speaker 4>wrote all of those at the same time.

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<v Speaker 3>Let's get into thirties before. Why are you looking good?

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<v Speaker 1>Good?

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<v Speaker 2>Thirties is one of the most honest records I've heard

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<v Speaker 2>from a female.

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<v Speaker 4>From a female because of the age thing.

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<v Speaker 2>Yes, yes, because I feel like women tend to stay

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<v Speaker 2>away from that, you know.

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<v Speaker 4>I get a lot of what's the word massaging around

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<v Speaker 4>the age. I'll be thirty six in two weeks. I

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<v Speaker 4>do not give a buck if y'all know how old

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<v Speaker 4>I am. What Adele said, I make music for the ears.

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<v Speaker 4>If you have a problem with what I'm saying, I'm

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<v Speaker 4>talking about the human experience. How old I am has

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<v Speaker 4>nothing to do and I'm not selling sex. I don't

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<v Speaker 4>want you to like me. I want you to listen

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<v Speaker 4>to the music and be affected by it. My age

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<v Speaker 4>has absolutely nothing to do with it. I could be

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<v Speaker 4>fifty saying the same things. I think the problem is

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<v Speaker 4>is that it's such a cognitive dissonance that people feel

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<v Speaker 4>when they look at me, they see a youthful and

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<v Speaker 4>thirty six is young, by the way, still, but they

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<v Speaker 4>see like a twenty something, you know. So like a

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<v Speaker 4>lot of the younger artists, they think I'm their age.

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<v Speaker 4>They think I'm like twenty three, you know, twenty five

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<v Speaker 4>somewhere near. And so I think it bothers people when

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<v Speaker 4>they realize that I'm a grown woman.

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<v Speaker 3>I don't know if.

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<v Speaker 4>Yeah, no, it's like, how how are you doing that?

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<v Speaker 4>How are you so youthful?

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<v Speaker 1>I don't think it's a bother I think the system

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<v Speaker 1>is always It has just been set up to get

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<v Speaker 1>all of it, all of it, all that it can

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<v Speaker 1>get out of you, and it feels like, or what

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<v Speaker 1>has been programmed feel like, is that by the thirties

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<v Speaker 1>it's gotten all its need and it's now ready to

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<v Speaker 1>move you on to pasture and usher in the new right.

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<v Speaker 4>Well in other words, you're no longer stupid and we

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<v Speaker 4>can no longer take advantage of you.

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<v Speaker 1>And now we're starting to realize, we're starting to re

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<v Speaker 1>reshape that idea because we don't we don't look it,

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<v Speaker 1>don't really I don't know if there's an act that.

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<v Speaker 1>I don't even know if that's a thing. But we're

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<v Speaker 1>not We're not last last generations thirty and forty and fifty.

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<v Speaker 4>And also, I think the age of like viability value

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<v Speaker 4>has been extended through TikTok and things like that, where

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<v Speaker 4>you're seeing older influencers, content creators. You're seeing models now

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<v Speaker 4>do have gray hair, you know, doing beauty campaigns. I

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<v Speaker 4>just don't think that, like I think usefulness and results

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<v Speaker 4>are more valued than actual age, because there's a lot

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<v Speaker 4>of young people who are just in the way. You're

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<v Speaker 4>not doing nothing. You don't want to work hard, you

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<v Speaker 4>know what I'm saying. You want to get paid and

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<v Speaker 4>you don't want to do nothing.

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<v Speaker 1>Just move around, said, which was a great point he said.

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<v Speaker 1>During the pandemic, versus was a very telling moment for

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<v Speaker 1>the people who actually had talent and the people who didn't,

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<v Speaker 1>and it reminded people of the quality that they had

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<v Speaker 1>been missing in music for a very very long time.

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<v Speaker 1>And he was like, that was the re emergence of

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<v Speaker 1>R and B taking a place that that had been

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<v Speaker 1>missed from it for so long.

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<v Speaker 2>Like we were in the pandemic, R and B was mainstream,

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<v Speaker 2>absolutely mainstream. Absolutely everybody was tapped in R.

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<v Speaker 1>And B, tapped in D nice, R and B mainstream

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<v Speaker 1>artists pandemic?

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<v Speaker 2>Can we talk the biggest record industrys during the pandemic.

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<v Speaker 1>And coming out of that, it is like you said, now,

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<v Speaker 1>it's like people are like, hold on now, they're not

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<v Speaker 1>allowing themselves to be programmed by that age thing or

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<v Speaker 1>whatever that is. No, we like that. We liked the

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<v Speaker 1>model with the great hand something. Yeah, we liked we

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<v Speaker 1>liked these songs. I don't I don't care that it

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<v Speaker 1>doesn't stay in sonically with what with what that guy

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<v Speaker 1>is rapping.

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<v Speaker 5>About it is now.

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<v Speaker 4>But there was a lot of things being offered to

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<v Speaker 4>me during hours and hours, uh you know peak of

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<v Speaker 4>that song where there was maybe some artists who were

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<v Speaker 4>past their time in the light, but there were still

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<v Speaker 4>legends wanting to work with me, and I was being

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<v Speaker 4>advised not to do it. It's like I was like, oh,

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<v Speaker 4>that's not your demographic. But I'm not thinking about it.

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<v Speaker 4>I'm thinking about what experience am I having as an artist.

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<v Speaker 4>I've always wanted to work with these people. I've looked

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<v Speaker 4>up to them, and I would hope that when I

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<v Speaker 4>get to that place that people aren't using that same

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<v Speaker 4>fear based I never make decisions based on fear. So

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<v Speaker 4>you're saying that I shouldn't do it because we don't

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<v Speaker 4>want people to age me and think I'm old. That's crazy.

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<v Speaker 4>I want to be able to say I have a

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<v Speaker 4>song with this person, because in ten years, fifteen years,

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<v Speaker 4>if they're not here any longer, that becomes something special,

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<v Speaker 4>you know. So I never make decisions based on that.

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<v Speaker 4>But I do think that it's really silly that we

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<v Speaker 4>have all these like limiting beliefs. But that's so crazy

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<v Speaker 4>to me.

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<v Speaker 2>The most interesting part about that, though, is that it's

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<v Speaker 2>usually older people advising.

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<v Speaker 3>You, right, that's the right thing.

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<v Speaker 4>Your own fear projection, you're old. Yeah, no, I don't

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<v Speaker 4>really care about none of.

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<v Speaker 3>That, you know, I don't.

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<v Speaker 1>I can care too.

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<v Speaker 3>Shit, it's about most of the shit to they be

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<v Speaker 3>talking about.

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<v Speaker 2>So for me, it's just like you you have to

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<v Speaker 2>at some point you have to take the stance of

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<v Speaker 2>I want to do that what feels good to me.

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<v Speaker 2>Like you said, you want to have that experience. There

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<v Speaker 2>are people that you've looked up to that made that

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<v Speaker 2>phone call that you're like, oh, I'm going to answer

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<v Speaker 2>that call.

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<v Speaker 4>Absolutely.

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<v Speaker 2>I don't give a damn thing. You put out a

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<v Speaker 2>record in twenty years. So what they called me, I

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<v Speaker 2>enjoyed their music. I'm a fan because that's the other

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<v Speaker 2>thing I think that it's happened in this business too,

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<v Speaker 2>is that people forget that at one.

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<v Speaker 3>Point we were off just fans.

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<v Speaker 2>At some point, you know what I mean, and hopefully

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<v Speaker 2>they remember that we're still fan. I'm listening to your album.

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<v Speaker 2>Let's get back to that. To revenge as a pure fan. Yes,

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<v Speaker 2>I've known you and you're my friend, but I don't

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<v Speaker 2>judge people's music as my friends. I judge as a

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<v Speaker 2>fan because I got shit to do.

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<v Speaker 4>Because that I support that I really don't like their music.

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<v Speaker 3>I'm me telling niggas.

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<v Speaker 4>Nigga you tell.

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<v Speaker 3>Don't send it to me, don't send it to me,

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<v Speaker 3>do not send it to me.

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<v Speaker 6>Can't.

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<v Speaker 3>But I also can't lie to you. I can't.

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<v Speaker 4>I can't I'm not pushing, but everybody's expressed.

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<v Speaker 2>But if you asked your one type questions when you

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<v Speaker 2>say are you still rapping, that's what I ask You

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<v Speaker 2>got really pay attention to the.

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<v Speaker 5>Music you got me? Yeah, you got me.

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<v Speaker 3>Sometimes you gotta.

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<v Speaker 1>Hey, listen, bro, you sent me five songs I did

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<v Speaker 1>not like neither none of them.

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<v Speaker 4>Well, now if they keep sending it to you for you,

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<v Speaker 4>that's different.

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<v Speaker 3>Niggas, don't stop.

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<v Speaker 5>You know that, check out this, don't stop.

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<v Speaker 4>I think people know better than that.

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<v Speaker 1>But it's also like to I also, I encourage the perseverance.

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<v Speaker 4>No I blocked people like you get to send to

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<v Speaker 4>me links and either.

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<v Speaker 1>What I've experienced, getting experienced, the breakthrough, breakthrough I've experienced.

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<v Speaker 4>Okay, let me just say this. I feel like you

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<v Speaker 4>could tell when somebody is on the US and it's

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<v Speaker 4>not just limited to music, it's they've locked in on

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<v Speaker 4>a look, They've locked in on an aesthetic, they've locked

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<v Speaker 4>in on a sound like oh, you onto something here,

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<v Speaker 4>and you can your spidy senses start tingling like, oh

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<v Speaker 4>maybe I can be useful now because you know who

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<v Speaker 4>you are and you have a This is one thing

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<v Speaker 4>that there's many artists that have wanted me to write

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<v Speaker 4>for them, And I'm like, but do you really know

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<v Speaker 4>who you are? Because if you did, you would be

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<v Speaker 4>able to articulate to me yours and your dislikes. You

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<v Speaker 4>might not have. There might not be exactly what you

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<v Speaker 4>and if you're a true artist, what you're searching for

0:11:41.080 --> 0:11:45.880
<v Speaker 4>should not exist yet. There shouldn't be an example. There

0:11:45.880 --> 0:11:49.000
<v Speaker 4>could be things that are very close that you could say,

0:11:49.200 --> 0:11:52.440
<v Speaker 4>if such and such and such a baby, you know,

0:11:52.679 --> 0:11:55.600
<v Speaker 4>like that, But you should be able to tell me

0:11:55.679 --> 0:12:00.080
<v Speaker 4>like acoustic you know, the drums got to hit at always,

0:12:00.120 --> 0:12:02.760
<v Speaker 4>like you should be able to tell me the essence

0:12:02.840 --> 0:12:05.920
<v Speaker 4>or the ingredients of who you are, even if it's

0:12:06.000 --> 0:12:13.920
<v Speaker 4>if it's just sight words like leather, spice, like you know, okay, dark, sensual, okay,

0:12:16.400 --> 0:12:19.560
<v Speaker 4>Because now I can take those things and say, does

0:12:19.600 --> 0:12:21.840
<v Speaker 4>this make me feel? Can I see me in some leather?

0:12:23.000 --> 0:12:26.600
<v Speaker 4>Can I you know what I'm saying? Candles? Okay? Like

0:12:27.240 --> 0:12:31.440
<v Speaker 4>what is the But there are certain things sounds that

0:12:31.520 --> 0:12:37.640
<v Speaker 4>evol you know. But if you just saying ship like edgy,

0:12:38.679 --> 0:12:43.360
<v Speaker 4>like this is an edge? You know what I'm saying?

0:12:43.360 --> 0:12:47.319
<v Speaker 4>Oh you mean cursing? You want to curse that's not edgy. Really,

0:12:47.360 --> 0:12:50.920
<v Speaker 4>that's authentic. I would say, you know, that's how you talk.

0:12:51.559 --> 0:12:55.199
<v Speaker 4>And so I think it's really important when you start

0:12:55.200 --> 0:12:59.199
<v Speaker 4>to see an artist lock in to who they are

0:12:59.679 --> 0:13:02.200
<v Speaker 4>and they start kind of grasping at the edges of

0:13:03.120 --> 0:13:06.200
<v Speaker 4>this person that they want to become and they just

0:13:06.240 --> 0:13:09.720
<v Speaker 4>need your help to mold it. That's one thing. But

0:13:09.760 --> 0:13:13.000
<v Speaker 4>you want to come to me for everything, but you

0:13:13.360 --> 0:13:16.160
<v Speaker 4>need to let that cook a little bit more before

0:13:16.160 --> 0:13:21.840
<v Speaker 4>you come to me. Now, the people sending songs, they're

0:13:21.880 --> 0:13:24.920
<v Speaker 4>just gonna get blocked. Friend or not, I don't care.

0:13:25.000 --> 0:13:27.400
<v Speaker 2>You know, if they're my friend, you know, I tell

0:13:27.440 --> 0:13:31.160
<v Speaker 2>them and I'll you're sending it to me for my opinion.

0:13:32.160 --> 0:13:34.440
<v Speaker 2>You may not like that. Well, if you don't like

0:13:34.480 --> 0:13:36.440
<v Speaker 2>my opinion, it don't send anymore. But if you do

0:13:36.520 --> 0:13:38.640
<v Speaker 2>and you're my friend, I'm still going to give you

0:13:38.640 --> 0:13:40.200
<v Speaker 2>my opinions.

0:13:41.080 --> 0:13:43.480
<v Speaker 4>Sometimes I just don't even find out that they wanted

0:13:43.520 --> 0:13:45.720
<v Speaker 4>to do music. I have to find out, like, why

0:13:45.760 --> 0:13:47.760
<v Speaker 4>you ain't telling me that you was a singer.

0:13:47.640 --> 0:13:50.320
<v Speaker 3>Because they thought she was gonna block them.

0:13:50.840 --> 0:13:51.400
<v Speaker 4>I probably will.

0:13:51.880 --> 0:13:53.480
<v Speaker 1>Was like, yeah, my stuff ain't like her stuff, so

0:13:54.320 --> 0:13:55.920
<v Speaker 1>wait till my stuff gets a little bit more like

0:13:56.000 --> 0:13:57.120
<v Speaker 1>herves before I send it.

0:13:57.880 --> 0:13:59.599
<v Speaker 4>Yeah, no, they don't even be telling me. I'll just

0:13:59.640 --> 0:14:02.680
<v Speaker 4>be fine it at later. Like you a whole singer,

0:14:02.679 --> 0:14:03.240
<v Speaker 4>that's crazy.

0:14:03.280 --> 0:14:06.480
<v Speaker 3>You a whole singer's weird. A lot of half singers

0:14:06.520 --> 0:14:06.760
<v Speaker 3>out here.

0:14:06.840 --> 0:14:15.480
<v Speaker 4>Yeah no, here we go, but you know, speaking and

0:14:15.520 --> 0:14:17.480
<v Speaker 4>half singing. No, I do want to say this. I

0:14:17.480 --> 0:14:20.800
<v Speaker 4>can really sing, right, I know that I can't. I'm

0:14:20.800 --> 0:14:25.320
<v Speaker 4>not asking y'all's opinion. I can't. I don't like that

0:14:26.040 --> 0:14:30.800
<v Speaker 4>on purpose number one, because it's not fun singing like that.

0:14:31.240 --> 0:14:31.880
<v Speaker 5>Maybe it is for.

0:14:31.840 --> 0:14:34.160
<v Speaker 1>You, Well, you got to pick your moments.

0:14:34.720 --> 0:14:37.680
<v Speaker 4>Yeah, but then once you start that, they demand it

0:14:37.680 --> 0:14:40.280
<v Speaker 4>from you all the time. Sometimes I just want to

0:14:40.280 --> 0:14:42.720
<v Speaker 4>have a good time. I don't feel like doing all that.

0:14:43.320 --> 0:14:45.520
<v Speaker 4>I can't wear no high heels if I'm gonna try

0:14:45.520 --> 0:14:47.560
<v Speaker 4>to be singing like you know what I'm saying. I

0:14:47.560 --> 0:14:51.040
<v Speaker 4>can't look cute and have all my stuff being placed.

0:14:51.400 --> 0:14:53.640
<v Speaker 4>You see what fantastic look like when she gets that singing.

0:14:54.760 --> 0:14:56.880
<v Speaker 4>I'm not finna do that. I'm not gonna do that.

0:14:58.120 --> 0:15:02.640
<v Speaker 4>I'm not finna do that because I'm gonna cringe if

0:15:02.760 --> 0:15:05.560
<v Speaker 4>I look back at that, Look at the whole God,

0:15:07.240 --> 0:15:07.680
<v Speaker 4>look at.

0:15:07.560 --> 0:15:10.720
<v Speaker 3>The FUFA, but you have to.

0:15:11.840 --> 0:15:14.640
<v Speaker 1>But I think music is that now, especially for you.

0:15:14.720 --> 0:15:17.880
<v Speaker 1>I don't think. I don't think you sing one way.

0:15:18.080 --> 0:15:20.920
<v Speaker 1>I want to you sing so many different ways.

0:15:23.680 --> 0:15:26.080
<v Speaker 3>Her album don't say that. Her album shows the many

0:15:26.160 --> 0:15:27.400
<v Speaker 3>colors and the many levels.

0:15:27.600 --> 0:15:31.360
<v Speaker 4>But I'm saying it with my performance, with my vocal performance,

0:15:31.880 --> 0:15:34.680
<v Speaker 4>even with the way that I sing and the runs

0:15:34.680 --> 0:15:37.240
<v Speaker 4>that I choose, it's lazy. And I'm just being honest

0:15:37.280 --> 0:15:39.920
<v Speaker 4>with you. I want to get on stage.

0:15:39.800 --> 0:15:42.720
<v Speaker 1>Your I wouldn't. I wouldn't choose lazy.

0:15:43.040 --> 0:15:46.720
<v Speaker 4>But as somebody who can really sing, I could have done.

0:15:46.800 --> 0:15:47.400
<v Speaker 3>Bad word.

0:15:48.000 --> 0:15:51.680
<v Speaker 4>Okay, listen, No, I'm being I'm being so serious, and

0:15:51.680 --> 0:15:54.640
<v Speaker 4>this is a singer. This is a singer's conversation.

0:15:54.800 --> 0:15:56.920
<v Speaker 3>Which is why lazy is a bad word.

0:15:57.200 --> 0:15:59.960
<v Speaker 4>But what I'm saying is I can do the technical thing.

0:16:00.400 --> 0:16:03.640
<v Speaker 1>You are doing the technical things. Hold on, let's cut

0:16:03.640 --> 0:16:07.360
<v Speaker 1>this shit out. You are doing the technical things. They're

0:16:07.400 --> 0:16:09.080
<v Speaker 1>just very easy for you.

0:16:09.960 --> 0:16:13.000
<v Speaker 4>But yes, that's what I'm saying.

0:16:13.760 --> 0:16:18.480
<v Speaker 1>No, they're easy for you as a very gifted singer. Yes,

0:16:18.720 --> 0:16:21.520
<v Speaker 1>So to the people listening to this who are not

0:16:21.600 --> 0:16:24.560
<v Speaker 1>as gifted, not even close to as gifted as you,

0:16:24.560 --> 0:16:26.720
<v Speaker 1>you are you are put it on the white glove

0:16:27.040 --> 0:16:28.720
<v Speaker 1>and you are slapping them in the face.

0:16:30.360 --> 0:16:34.960
<v Speaker 4>Okay, we're giving them seasoning. But I am openly admitting

0:16:35.560 --> 0:16:40.240
<v Speaker 4>I do not try to go there with my vocal

0:16:40.960 --> 0:16:44.520
<v Speaker 4>with how I really could because I don't want that stamp.

0:16:45.000 --> 0:16:49.600
<v Speaker 4>I don't want that burden responsibility. No, I want to

0:16:49.640 --> 0:16:52.880
<v Speaker 4>have fun. So I give you just enough to where

0:16:52.960 --> 0:16:55.720
<v Speaker 4>when I'm singing it live on stage, I can hit

0:16:55.760 --> 0:16:59.480
<v Speaker 4>a little you do, give you a little bit, and

0:16:59.480 --> 0:17:04.200
<v Speaker 4>it's like, wow, did you hear that? And I'm like, yeah, there,

0:17:05.920 --> 0:17:06.960
<v Speaker 4>that ain't even nothing.

0:17:07.119 --> 0:17:08.560
<v Speaker 3>Everything you say makes sense to me.

0:17:08.720 --> 0:17:11.520
<v Speaker 1>I think you to me if I'm categorizing it, I

0:17:11.600 --> 0:17:12.760
<v Speaker 1>just think you don't oversing.

0:17:13.840 --> 0:17:14.640
<v Speaker 4>Yeah on purpose?

0:17:15.040 --> 0:17:18.400
<v Speaker 1>Okay, and then we agree to agree you don't over sing,

0:17:18.480 --> 0:17:21.200
<v Speaker 1>but you're not over singing is really really good.

0:17:22.040 --> 0:17:24.000
<v Speaker 4>But like I could do all of that stuff like

0:17:24.080 --> 0:17:26.360
<v Speaker 4>the church, Like you know, I can do all of.

0:17:26.320 --> 0:17:28.919
<v Speaker 1>It, but you save it for if you need it.

0:17:28.920 --> 0:17:32.360
<v Speaker 4>You keep it in the When I do that, because

0:17:32.400 --> 0:17:37.000
<v Speaker 4>I don't do it, it gives you a little shiver.

0:17:37.320 --> 0:17:39.879
<v Speaker 4>Yeah you know, Now, if I just gave you that,

0:17:40.680 --> 0:17:41.760
<v Speaker 4>you wouldn't appreciate it.

0:17:43.280 --> 0:17:44.840
<v Speaker 3>I agree, would you know?

0:17:44.880 --> 0:17:49.119
<v Speaker 4>What I'm saying because Jazmine Celevan be singing and we

0:17:49.240 --> 0:17:54.560
<v Speaker 4>do not give her the amount of agilation that she

0:17:54.840 --> 0:17:57.080
<v Speaker 4>deserves for what she is doing.

0:17:58.560 --> 0:18:01.240
<v Speaker 3>That lady can sing super same same.

0:18:01.640 --> 0:18:05.800
<v Speaker 4>Okay, she's given you volume, she's given you the crescendo

0:18:06.200 --> 0:18:11.920
<v Speaker 4>that is technical, breath support, incredible. If you've ever heard

0:18:11.960 --> 0:18:13.040
<v Speaker 4>the lady sing live.

0:18:12.880 --> 0:18:15.080
<v Speaker 3>She don't leave a micro People take it for granted.

0:18:14.880 --> 0:18:17.760
<v Speaker 4>And they do take it for granted. I'm not gonna

0:18:17.800 --> 0:18:20.120
<v Speaker 4>give y'all all that, and y'all ain't no, you're gonna

0:18:20.119 --> 0:18:26.159
<v Speaker 4>get this, but.

0:18:25.119 --> 0:18:30.480
<v Speaker 1>But is it a thing where more people can appreciate

0:18:31.320 --> 0:18:32.920
<v Speaker 1>being able to participate?

0:18:33.160 --> 0:18:36.720
<v Speaker 4>Absolutely? Oh, I know exactly what I'm doing, the same

0:18:36.720 --> 0:18:38.719
<v Speaker 4>thing as to Brenda Carpenter because she could sing, but

0:18:38.760 --> 0:18:43.359
<v Speaker 4>she don't. She'd give you. I'm working late because I'm

0:18:43.400 --> 0:18:48.840
<v Speaker 4>a singer, which is also hard to do to sing

0:18:48.920 --> 0:18:49.840
<v Speaker 4>those notes and be.

0:18:50.280 --> 0:18:52.280
<v Speaker 3>To get get a dope still tone like the.

0:18:52.320 --> 0:18:56.359
<v Speaker 4>Tone and it's not wavering, it's not cracking. Singing with

0:18:56.400 --> 0:19:00.480
<v Speaker 4>no vibrado is actually very difficult, and that girl to sing,

0:19:01.200 --> 0:19:04.399
<v Speaker 4>but she's giving you something that's palatable and she's having

0:19:04.440 --> 0:19:06.960
<v Speaker 4>fun like that's the That's what I have learned, if

0:19:06.960 --> 0:19:09.840
<v Speaker 4>I've learned anything, I'm not going to be singing from

0:19:09.840 --> 0:19:12.680
<v Speaker 4>the crack of my house up there, sweating.

0:19:12.320 --> 0:19:15.879
<v Speaker 3>From the cracks. That's what she said.

0:19:17.040 --> 0:19:22.000
<v Speaker 4>Mm hmmm, the core. I'm not about to be doing

0:19:22.000 --> 0:19:24.480
<v Speaker 4>that just for y'all to be like, oh girl, that

0:19:24.560 --> 0:19:26.200
<v Speaker 4>one know that two o three, that.

0:19:26.240 --> 0:19:29.720
<v Speaker 3>One three was killing your mind.

0:19:30.840 --> 0:19:33.080
<v Speaker 2>You know, it's funny when like this, like the super

0:19:33.119 --> 0:19:37.120
<v Speaker 2>technical niggas run up on tape like nig when you did,

0:19:37.119 --> 0:19:41.400
<v Speaker 2>it wasn't I'm like, man, your niggas is nerves, bro, I.

0:19:41.359 --> 0:19:45.560
<v Speaker 4>Don't even remember what you talked about. I was just gone.

0:19:47.720 --> 0:19:49.680
<v Speaker 1>When you went from the black to the white, because

0:19:49.680 --> 0:19:51.159
<v Speaker 1>I know where I put where I put it.

0:19:51.240 --> 0:19:52.200
<v Speaker 3>I was right here.

0:19:52.440 --> 0:19:59.159
<v Speaker 1>Somebody's gonna hear this. But again, to your point, the

0:19:59.200 --> 0:20:01.280
<v Speaker 1>way you're saying and the way I'm saying it is

0:20:01.320 --> 0:20:04.399
<v Speaker 1>maybe maybe different like the like for me, like a

0:20:04.440 --> 0:20:08.560
<v Speaker 1>long time ago I started, I stopped singing against me,

0:20:08.680 --> 0:20:10.679
<v Speaker 1>I stopped being me versus me. I'm looking in the

0:20:10.680 --> 0:20:16.040
<v Speaker 1>mirror and and go back and forth with me. And

0:20:16.080 --> 0:20:19.760
<v Speaker 1>by the time it got to everybody else, you know,

0:20:19.800 --> 0:20:21.720
<v Speaker 1>it kind of felt like, well, who's who's the nigga?

0:20:21.760 --> 0:20:25.520
<v Speaker 1>Thinking for who's who can understand this ship? And it

0:20:25.640 --> 0:20:29.639
<v Speaker 1>was awesome to get the love from the purest but

0:20:31.000 --> 0:20:33.520
<v Speaker 1>I also wanted a career in this ship. I also

0:20:33.640 --> 0:20:37.240
<v Speaker 1>wanted to pack out a theater, or pack out an arena,

0:20:37.320 --> 0:20:40.879
<v Speaker 1>and and and and go number one and and be

0:20:41.040 --> 0:20:44.679
<v Speaker 1>on different radio formats and all. Like I I desired

0:20:44.720 --> 0:20:45.680
<v Speaker 1>that out of Pears.

0:20:45.880 --> 0:20:48.560
<v Speaker 4>Well, let's talk about that too, because that stuff when

0:20:48.560 --> 0:20:52.160
<v Speaker 4>you get to an arena that just came off through crist.

0:20:57.640 --> 0:21:02.119
<v Speaker 2>Say hello, I tend to all right, because I like

0:21:02.160 --> 0:21:04.080
<v Speaker 2>to I like, once again, I like to be a fan.

0:21:05.000 --> 0:21:07.520
<v Speaker 3>I like to just go to shows, watch the show.

0:21:07.760 --> 0:21:08.560
<v Speaker 3>I had to find me.

0:21:09.160 --> 0:21:14.399
<v Speaker 4>He's like to say, I would have been, because it

0:21:14.480 --> 0:21:19.120
<v Speaker 4>gets very lonely out there, and so seeing familiar faces.

0:21:19.320 --> 0:21:21.680
<v Speaker 4>I did see you because.

0:21:21.440 --> 0:21:24.560
<v Speaker 3>Once we got to once we got to the booth,

0:21:25.359 --> 0:21:27.240
<v Speaker 3>because we came back and you were about to go on.

0:21:28.000 --> 0:21:30.359
<v Speaker 1>And so when we came back and I saw Frank

0:21:30.400 --> 0:21:32.240
<v Speaker 1>and everybody was all talk chopping it up, and then

0:21:32.520 --> 0:21:33.920
<v Speaker 1>we went out because I went to see the show.

0:21:34.280 --> 0:21:36.480
<v Speaker 4>Yeah, about twenty minutes before I go on, I get

0:21:36.480 --> 0:21:39.119
<v Speaker 4>into this mode. Yeah, I'll just be like, don't talk

0:21:39.160 --> 0:21:39.320
<v Speaker 4>to me.

0:21:39.680 --> 0:21:41.880
<v Speaker 3>Do you think hat on talk before the show.

0:21:42.280 --> 0:21:44.479
<v Speaker 4>No, I just get I just started thinking about like

0:21:44.600 --> 0:21:46.200
<v Speaker 4>what I'm about to do my.

0:21:46.240 --> 0:21:48.640
<v Speaker 1>Steps any teas.

0:21:48.960 --> 0:21:53.320
<v Speaker 4>No, I do peppermint oil, fresh ginger.

0:21:53.119 --> 0:21:56.760
<v Speaker 3>Juice oil like it's in a steam or in my hands.

0:21:57.720 --> 0:21:59.520
<v Speaker 4>And then I do like a couple drops in some

0:21:59.560 --> 0:22:05.639
<v Speaker 4>water in your juice juice ginger root juiced with the

0:22:05.680 --> 0:22:07.360
<v Speaker 4>skin on skin.

0:22:07.720 --> 0:22:09.359
<v Speaker 5>So it's very very shy.

0:22:10.119 --> 0:22:11.879
<v Speaker 4>Not just have it with like a cup and a

0:22:11.920 --> 0:22:16.440
<v Speaker 4>straw like juice. It's spicy. That's how I like it.

0:22:17.520 --> 0:22:22.960
<v Speaker 4>I want it to just exfoliate all in the inside. Yeah, okay, yeah, yeah,

0:22:23.000 --> 0:22:23.800
<v Speaker 4>I want it to burn.

0:22:23.880 --> 0:22:24.840
<v Speaker 1>Are you vocalizing?

0:22:25.600 --> 0:22:26.119
<v Speaker 4>Uh?

0:22:26.440 --> 0:22:26.600
<v Speaker 6>No.

0:22:26.760 --> 0:22:28.960
<v Speaker 4>So I've learned that for the best way for me

0:22:29.000 --> 0:22:32.760
<v Speaker 4>to do it is that if I just gargle the

0:22:32.800 --> 0:22:37.840
<v Speaker 4>melody of whatever I'm about to sing, that works better

0:22:37.880 --> 0:22:39.880
<v Speaker 4>for me than all of that. No, no, no, no, no

0:22:39.880 --> 0:22:44.800
<v Speaker 4>no no no. So like if I'm in the sing

0:22:47.560 --> 0:22:49.640
<v Speaker 4>like you do that with the water in your mouth.

0:22:50.160 --> 0:22:53.840
<v Speaker 3>Mhmm. Yeah. And this is this is at twenty minutes,

0:22:53.920 --> 0:22:54.280
<v Speaker 3>is when.

0:22:54.160 --> 0:22:57.760
<v Speaker 1>You start this if I need that, because sometimes you

0:22:57.760 --> 0:22:58.280
<v Speaker 1>don't need it.

0:22:58.760 --> 0:23:00.960
<v Speaker 4>No, that's just like a little like oh I feel

0:23:01.960 --> 0:23:05.600
<v Speaker 4>a tight or I'm stressed because sometimes if I have

0:23:05.600 --> 0:23:08.160
<v Speaker 4>a flare up, you know, I have lupus, so that's

0:23:08.160 --> 0:23:11.359
<v Speaker 4>something that stress me out or something like that. It

0:23:11.400 --> 0:23:14.480
<v Speaker 4>gets a little tight, like tense. But for the most part,

0:23:14.520 --> 0:23:19.000
<v Speaker 4>like I had surrounded myself with people my glam squad.

0:23:19.160 --> 0:23:23.600
<v Speaker 4>I didn't have any new people on the tour because

0:23:23.600 --> 0:23:26.240
<v Speaker 4>I knew it was going to be highly stressful. It

0:23:26.359 --> 0:23:30.240
<v Speaker 4>was a new experience for me. The first few days

0:23:30.280 --> 0:23:32.800
<v Speaker 4>I was very nervous of like, am I going to

0:23:32.880 --> 0:23:35.639
<v Speaker 4>be able to fill this space? You know?

0:23:36.280 --> 0:23:37.320
<v Speaker 3>And how long was you said?

0:23:38.960 --> 0:23:42.359
<v Speaker 4>Yeah, am I going to be able to touch all

0:23:42.400 --> 0:23:42.959
<v Speaker 4>these people?

0:23:43.359 --> 0:23:43.600
<v Speaker 3>Yeah?

0:23:43.800 --> 0:23:47.119
<v Speaker 4>I don't know, because I've never really performed. I mean

0:23:47.160 --> 0:23:49.120
<v Speaker 4>I've done like theaters and stuff, but like a jump

0:23:49.160 --> 0:23:52.520
<v Speaker 4>from like seven hundred seaters to fifteen.

0:23:52.119 --> 0:23:53.480
<v Speaker 3>Thousand, that's a huge jump.

0:23:53.640 --> 0:23:56.800
<v Speaker 4>Twenty thousand and oh that's crazy crazy.

0:24:09.119 --> 0:24:11.760
<v Speaker 2>This is something that a lot of artists don't know too,

0:24:12.160 --> 0:24:14.640
<v Speaker 2>is what they're going into when you're going to someone

0:24:14.720 --> 0:24:17.280
<v Speaker 2>else's stage.

0:24:17.400 --> 0:24:20.000
<v Speaker 4>Right, And I got really lucky because Chris's audience was

0:24:20.119 --> 0:24:23.159
<v Speaker 4>lit super, they was ready, super.

0:24:23.440 --> 0:24:26.800
<v Speaker 1>I think what you did was educational too, because you

0:24:26.880 --> 0:24:29.959
<v Speaker 1>were You're so different from him, and so it was

0:24:30.000 --> 0:24:34.200
<v Speaker 1>interesting to see the kids watching and paying attention.

0:24:35.080 --> 0:24:40.600
<v Speaker 4>Differently, I never got that experience of like what the audiences.

0:24:41.119 --> 0:24:44.199
<v Speaker 4>It always shocked me from city to city when they

0:24:44.240 --> 0:24:46.480
<v Speaker 4>actually were singing my songs. Like there was a couple

0:24:47.160 --> 0:24:50.840
<v Speaker 4>cities where they were singing the entire set and I

0:24:50.960 --> 0:24:56.959
<v Speaker 4>was like.

0:24:54.840 --> 0:24:58.840
<v Speaker 3>My son and his best friend. They was these two

0:24:58.880 --> 0:25:00.360
<v Speaker 3>young m hmm.

0:25:00.880 --> 0:25:04.439
<v Speaker 4>That's so wild to me, these young kids and they

0:25:04.520 --> 0:25:08.000
<v Speaker 4>be boys to that's the thing too. Like my security

0:25:08.080 --> 0:25:10.439
<v Speaker 4>said he got six sons, he said, his kids listening

0:25:10.640 --> 0:25:13.040
<v Speaker 4>six okay, okay.

0:25:13.200 --> 0:25:16.000
<v Speaker 3>Six dumping.

0:25:16.760 --> 0:25:20.000
<v Speaker 4>We know what you'll be doing. You know, no, but

0:25:20.119 --> 0:25:22.960
<v Speaker 4>he said, he said, his sons listening to was like

0:25:24.080 --> 0:25:27.760
<v Speaker 4>my music really be touching, like the little like.

0:25:27.760 --> 0:25:31.480
<v Speaker 1>You were getting those after applause, like appreciation applauses. You

0:25:31.520 --> 0:25:34.439
<v Speaker 1>were getting those. She so she's really good Like that

0:25:34.600 --> 0:25:37.120
<v Speaker 1>was that was like those you know what I'm saying.

0:25:37.200 --> 0:25:40.159
<v Speaker 1>And that's for me. That's different for his crowd, because his.

0:25:40.240 --> 0:25:42.640
<v Speaker 4>Crowd, you say, oh no, there was only one night.

0:25:42.760 --> 0:25:45.560
<v Speaker 4>The first night in Atlanta, the niggas was like, boo,

0:25:47.640 --> 0:25:51.960
<v Speaker 4>where's Christopher.

0:25:51.359 --> 0:25:53.760
<v Speaker 3>As an artist? Though, okay, give us that experience.

0:25:54.040 --> 0:25:54.760
<v Speaker 4>Oh you don't care.

0:25:54.840 --> 0:25:58.199
<v Speaker 2>I don't care because some artists do, though I do

0:25:58.320 --> 0:25:59.720
<v Speaker 2>not give it. But for you, you were just.

0:26:02.160 --> 0:26:03.760
<v Speaker 3>Like a love trying to speak to music.

0:26:05.680 --> 0:26:07.399
<v Speaker 4>I just did feel like but at that time, like

0:26:07.480 --> 0:26:10.160
<v Speaker 4>you've rehearsed so much and your show is the same

0:26:10.480 --> 0:26:11.880
<v Speaker 4>I mean even, I mean I don't want to give

0:26:11.880 --> 0:26:14.760
<v Speaker 4>away to imagine, like even like the DJ, everything that

0:26:14.840 --> 0:26:18.040
<v Speaker 4>they saying, they say it in every city the same

0:26:18.080 --> 0:26:20.840
<v Speaker 4>exact way. I know what's about to happen. You know,

0:26:21.359 --> 0:26:24.440
<v Speaker 4>Chris every now and then he would yeah DJ first

0:26:24.600 --> 0:26:26.720
<v Speaker 4>he was lit, but Chris would like change it up

0:26:26.760 --> 0:26:28.960
<v Speaker 4>every now and then. But for the most part it

0:26:29.040 --> 0:26:32.760
<v Speaker 4>was the same show. So I'm gonna get through my set.

0:26:33.760 --> 0:26:35.280
<v Speaker 4>I know y'all not feeling me tonight.

0:26:37.520 --> 0:26:38.280
<v Speaker 2>I know, I know.

0:26:38.800 --> 0:26:40.679
<v Speaker 4>I know when I see hours and hours, Jo're going

0:26:40.720 --> 0:26:42.800
<v Speaker 4>to sing along. And I know when I sing for me,

0:26:42.880 --> 0:26:44.560
<v Speaker 4>y'all gonna sing along. So let me just hurry up,

0:26:46.080 --> 0:26:48.320
<v Speaker 4>get to what I know. I'm here to see Christopher too,

0:26:48.440 --> 0:26:51.280
<v Speaker 4>just like the first of y'all. So levy a goal

0:26:51.400 --> 0:26:52.280
<v Speaker 4>to get out of the way.

0:26:53.280 --> 0:26:54.480
<v Speaker 3>Did you take a meet and greet picture?

0:26:54.920 --> 0:26:57.639
<v Speaker 5>I sure did recreate one? No did I posted on

0:26:57.640 --> 0:26:58.200
<v Speaker 5>my page?

0:26:58.119 --> 0:26:59.440
<v Speaker 3>Yeah, I got to check it out.

0:26:59.359 --> 0:27:02.160
<v Speaker 4>I said, I said, I'm I'm gonna do a peebag

0:27:02.640 --> 0:27:04.399
<v Speaker 4>and then the captain gonna be carrying R and B

0:27:04.520 --> 0:27:11.800
<v Speaker 4>on his back. Yeah, it's always good made it head.

0:27:16.359 --> 0:27:17.119
<v Speaker 3>That's hard.

0:27:17.400 --> 0:27:19.360
<v Speaker 4>But he's so sweet, like he literally would have did

0:27:19.920 --> 0:27:20.840
<v Speaker 4>he loves you anything?

0:27:21.160 --> 0:27:24.959
<v Speaker 1>Then I was like, he don't love everybody. Yeah, he

0:27:25.000 --> 0:27:25.280
<v Speaker 1>loves you.

0:27:25.600 --> 0:27:27.520
<v Speaker 4>He seems like he's like just a very.

0:27:27.640 --> 0:27:31.040
<v Speaker 1>So he's so giving, he's so that he has to

0:27:31.080 --> 0:27:33.879
<v Speaker 1>protect that at this point because everybody doesn't appreciate you.

0:27:33.880 --> 0:27:35.320
<v Speaker 3>I feel that, you know what I'm saying.

0:27:35.960 --> 0:27:39.959
<v Speaker 4>I'm telling you I'm tired.

0:27:40.400 --> 0:27:43.639
<v Speaker 1>You get enough, You get enough, and then you just

0:27:43.680 --> 0:27:45.879
<v Speaker 1>get to a point. The way you say fuck it

0:27:45.960 --> 0:27:46.600
<v Speaker 1>is just off of me.

0:27:47.640 --> 0:27:50.919
<v Speaker 4>Yeah, I think I'm there. Yeah, yeah, because it's just

0:27:50.960 --> 0:27:56.080
<v Speaker 4>like yo, it was always something. Yeah, everybody always mad

0:27:56.119 --> 0:27:58.320
<v Speaker 4>at you for something, and then if you don't do

0:27:58.400 --> 0:28:00.679
<v Speaker 4>what they want you to do, they with whole and

0:28:00.720 --> 0:28:03.400
<v Speaker 4>it's just like that's a cold game. You know what.

0:28:04.800 --> 0:28:06.719
<v Speaker 4>I'm just gonna turn into the bitch that y'all keep

0:28:06.760 --> 0:28:11.000
<v Speaker 4>saying I am. I'm gonna just turn into her cool back.

0:28:13.760 --> 0:28:15.480
<v Speaker 5>I get it about nothing.

0:28:15.520 --> 0:28:16.199
<v Speaker 4>My answer is no.

0:28:18.400 --> 0:28:20.560
<v Speaker 2>No has served me really well in my life and

0:28:20.640 --> 0:28:22.399
<v Speaker 2>my career does good things for you.

0:28:22.480 --> 0:28:24.480
<v Speaker 3>It just has. It just has because when.

0:28:26.240 --> 0:28:27.760
<v Speaker 4>Just being a boss, when I do.

0:28:27.680 --> 0:28:35.800
<v Speaker 2>It, nah, they be saying ship, they're gonna gloss it

0:28:35.840 --> 0:28:38.360
<v Speaker 2>over as oh yeah, that's just bosses have to do that.

0:28:38.480 --> 0:28:40.880
<v Speaker 2>But as soon as we walk out the door, somebody

0:28:40.880 --> 0:28:44.080
<v Speaker 2>got something, they're gonna say something about not feeling the

0:28:44.080 --> 0:28:45.680
<v Speaker 2>way because if it didn't go the way that they

0:28:45.720 --> 0:28:48.200
<v Speaker 2>wanted to. What I just learned is is that you know,

0:28:49.880 --> 0:28:53.320
<v Speaker 2>a boss told me a long time ago, make sure

0:28:53.360 --> 0:28:56.640
<v Speaker 2>that you'll know is as fast as you're yes. He

0:28:56.760 --> 0:28:58.520
<v Speaker 2>was like, they might not like it, but they're gonna

0:28:58.560 --> 0:28:59.040
<v Speaker 2>respect it.

0:29:00.080 --> 0:29:00.920
<v Speaker 3>That's just what it is.

0:29:00.960 --> 0:29:03.240
<v Speaker 2>It's like, the worst thing you can do is drag

0:29:03.320 --> 0:29:05.200
<v Speaker 2>to know out. If you knew you were going to

0:29:05.240 --> 0:29:08.920
<v Speaker 2>say no, just say no, I can't do it. But

0:29:09.080 --> 0:29:12.200
<v Speaker 2>a nigga happen to call you forty five times.

0:29:12.800 --> 0:29:14.120
<v Speaker 3>But a lot of people do that though, and you

0:29:14.240 --> 0:29:15.600
<v Speaker 3>know that, even especially in this business.

0:29:15.680 --> 0:29:18.200
<v Speaker 4>I'll just say let me think about it, or like no,

0:29:18.280 --> 0:29:20.400
<v Speaker 4>but like but not in the way of like trying

0:29:20.440 --> 0:29:23.920
<v Speaker 4>to avoid the confrontation, but just like I feel like

0:29:23.920 --> 0:29:26.120
<v Speaker 4>you're rushing me to make this decision, and how long

0:29:26.160 --> 0:29:28.880
<v Speaker 4>have you had this information? So now I need to

0:29:28.920 --> 0:29:32.160
<v Speaker 4>think about it because if it's not sitting right, like

0:29:32.200 --> 0:29:34.640
<v Speaker 4>I trust my gut for sure. Like when you ask

0:29:34.680 --> 0:29:37.960
<v Speaker 4>me a question, you might hear me go, that's me

0:29:38.160 --> 0:29:41.240
<v Speaker 4>testing it to see how does it feel in my body?

0:29:42.320 --> 0:29:44.840
<v Speaker 4>How is it resonating that don't sound like fun? Or

0:29:45.280 --> 0:29:47.440
<v Speaker 4>if you tell me something like for example, I got

0:29:47.440 --> 0:29:50.920
<v Speaker 4>the offer to do Battle of the Bands in Houston.

0:29:51.960 --> 0:29:56.000
<v Speaker 4>When I heard them, like, oh, that's cool, Like if

0:29:56.040 --> 0:29:59.080
<v Speaker 4>it doesn't make me feel that for the most part

0:29:59.200 --> 0:30:00.520
<v Speaker 4>is going to be a no, it's gonna be like,

0:30:00.560 --> 0:30:04.479
<v Speaker 4>let me think about it. It was. It was like

0:30:04.480 --> 0:30:07.600
<v Speaker 4>two a week ago too. It was actually really fun.

0:30:07.640 --> 0:30:11.800
<v Speaker 4>I did it with but Cookman College. A lot of

0:30:11.800 --> 0:30:14.320
<v Speaker 4>my family went there. My best friend from high school

0:30:14.360 --> 0:30:18.680
<v Speaker 4>went there. I would have gone there or Fami you

0:30:18.800 --> 0:30:21.800
<v Speaker 4>one of those. But you know, in Florida, like the

0:30:21.840 --> 0:30:25.440
<v Speaker 4>Battle of the Band is a classic. It's like you

0:30:25.480 --> 0:30:28.080
<v Speaker 4>grew up wanting I wanted to be a flat girl,

0:30:29.240 --> 0:30:32.680
<v Speaker 4>you know, like the Color Guards either that or like

0:30:32.720 --> 0:30:35.920
<v Speaker 4>the girls who do all that. But my mom was like,

0:30:35.960 --> 0:30:43.120
<v Speaker 4>you can't do that because those girls are less than wholesome. Yeah,

0:30:43.240 --> 0:30:46.840
<v Speaker 4>they have a reputation I don't know. I don't know. Well,

0:30:46.880 --> 0:30:50.000
<v Speaker 4>my cousin used to be one, and she's definitely she

0:30:50.160 --> 0:30:54.280
<v Speaker 4>was no, because those girls are actually like you know,

0:30:54.320 --> 0:30:54.959
<v Speaker 4>they're the baddies.

0:30:55.000 --> 0:30:56.960
<v Speaker 5>They you know, the whole.

0:30:56.760 --> 0:31:01.120
<v Speaker 4>Football team looking at them every you know, Lily, you

0:31:01.160 --> 0:31:04.520
<v Speaker 4>can't say.

0:31:04.800 --> 0:31:06.040
<v Speaker 1>I got to tell them.

0:31:07.000 --> 0:31:10.200
<v Speaker 4>God, I thought you said the note has served you haven't.

0:31:10.440 --> 0:31:15.000
<v Speaker 3>I'm talking about the girls.

0:31:14.880 --> 0:31:17.800
<v Speaker 4>When they say no, it's fine. When when the batty

0:31:17.840 --> 0:31:21.320
<v Speaker 4>say those, it's a problem because it be me being

0:31:21.360 --> 0:31:24.960
<v Speaker 4>in my bubble. I'll be like, seriously, like my glam

0:31:25.000 --> 0:31:27.160
<v Speaker 4>team is always like, no, girl, girl, you cannot go out.

0:31:27.400 --> 0:31:29.400
<v Speaker 4>You need to put some make up on, like you

0:31:29.480 --> 0:31:32.000
<v Speaker 4>must don't know who you is. And I'm like, what

0:31:32.120 --> 0:31:34.720
<v Speaker 4>you mean, I'm just it's just I just want to

0:31:34.720 --> 0:31:37.680
<v Speaker 4>go to the concert put some chas on. No girl, no,

0:31:37.840 --> 0:31:39.440
<v Speaker 4>you need to put some clothes on. People know who

0:31:39.440 --> 0:31:41.719
<v Speaker 4>you are. And then when I do go outside and

0:31:41.720 --> 0:31:46.040
<v Speaker 4>I hear them being like that's money long, Like I

0:31:46.240 --> 0:31:50.680
<v Speaker 4>want to be like, hey, girl, how you saying you know?

0:31:51.040 --> 0:31:58.080
<v Speaker 4>It still doesn't know. But then I also realized, like

0:31:58.120 --> 0:32:01.080
<v Speaker 4>now like when I go outside, I have to be mindful,

0:32:01.520 --> 0:32:05.640
<v Speaker 4>very cute, see very demure. I cannot get to tipsy.

0:32:07.000 --> 0:32:10.320
<v Speaker 4>You know, I understand now why they do that. Why

0:32:10.720 --> 0:32:12.800
<v Speaker 4>if I walk past you and I don't say nothing is?

0:32:13.120 --> 0:32:16.680
<v Speaker 4>Girl'm about to fall over? Girl? How to drake this

0:32:16.720 --> 0:32:17.280
<v Speaker 4>whole out of.

0:32:19.760 --> 0:32:20.360
<v Speaker 3>Do you see?

0:32:22.800 --> 0:32:22.880
<v Speaker 1>Like?

0:32:22.960 --> 0:32:24.680
<v Speaker 3>How much of the difference do you see?

0:32:25.160 --> 0:32:28.040
<v Speaker 2>As far as all right, I was you had to

0:32:28.240 --> 0:32:30.480
<v Speaker 2>you had the record, your big record when he first

0:32:30.800 --> 0:32:33.640
<v Speaker 2>kicked off for you as an artist with hours and

0:32:33.720 --> 0:32:38.520
<v Speaker 2>hours and just now continuing in that space, like, how

0:32:38.560 --> 0:32:40.880
<v Speaker 2>has that been for you as far as dealing with

0:32:40.920 --> 0:32:41.880
<v Speaker 2>the fame side of it?

0:32:42.080 --> 0:32:42.280
<v Speaker 3>Yeah?

0:32:42.320 --> 0:32:46.080
<v Speaker 4>No, I think I have definitely elevated as far as

0:32:46.120 --> 0:32:51.600
<v Speaker 4>like my taste, just like having access. When you have

0:32:51.720 --> 0:32:57.840
<v Speaker 4>access to the best, you start to refine.

0:32:58.040 --> 0:32:59.320
<v Speaker 3>You don't like Popeye's no more?

0:33:00.400 --> 0:33:05.200
<v Speaker 4>What you mean? I'm just trying to.

0:33:05.240 --> 0:33:09.840
<v Speaker 2>Okay, okay with absolutely got to if you go to Popeye's.

0:33:10.280 --> 0:33:12.480
<v Speaker 4>Yeah, and if they if they have the Strawberry biscuits,

0:33:12.480 --> 0:33:14.680
<v Speaker 4>you get that you're gonna go something different at Pope.

0:33:16.360 --> 0:33:20.520
<v Speaker 3>I mean guys Strawberry, So you got to.

0:33:20.280 --> 0:33:24.480
<v Speaker 4>Winning wrong we got and if they don't have that

0:33:24.560 --> 0:33:25.280
<v Speaker 4>then I'll do great.

0:33:25.960 --> 0:33:28.440
<v Speaker 3>Oh yeah, you're keeping it on.

0:33:28.440 --> 0:33:32.120
<v Speaker 4>You come on, you keep it on.

0:33:32.200 --> 0:33:36.000
<v Speaker 3>I understand Yeah with me Money Long and Bootsy Pope.

0:33:38.040 --> 0:33:40.200
<v Speaker 4>And I'm gonna be the loud as what crazy the

0:33:40.240 --> 0:33:45.360
<v Speaker 4>way my good is that it's can I get another sweet?

0:33:45.560 --> 0:33:47.480
<v Speaker 2>When you're talking about taste that we're not talking what

0:33:47.520 --> 0:33:49.480
<v Speaker 2>do you mean when you say just taste level?

0:33:49.640 --> 0:33:52.840
<v Speaker 4>Just like understanding less, it's more like how to paint

0:33:52.840 --> 0:34:00.960
<v Speaker 4>the picture. Yeah, Like I have learned what my standards

0:34:01.000 --> 0:34:09.239
<v Speaker 4>are and realizing that like majority of the world, I

0:34:09.239 --> 0:34:11.640
<v Speaker 4>don't even just want to say America does not have

0:34:12.719 --> 0:34:16.000
<v Speaker 4>a certain level. They just be like this's not good enough.

0:34:16.000 --> 0:34:18.960
<v Speaker 4>It's like, no, no, we need to make sure I'm

0:34:19.000 --> 0:34:22.480
<v Speaker 4>sounding a certain way, looking a certain way, Like we

0:34:22.520 --> 0:34:26.600
<v Speaker 4>need to quality control, Like I'm not a rapper. I'm

0:34:26.640 --> 0:34:31.640
<v Speaker 4>not just about to get up there. Yes. I hate

0:34:31.680 --> 0:34:33.200
<v Speaker 4>when I don't have sound checks, so like for a

0:34:33.200 --> 0:34:35.279
<v Speaker 4>Battle of the Bands, I did not have one and

0:34:35.280 --> 0:34:38.279
<v Speaker 4>that mike was distorting and it was like, like I

0:34:38.360 --> 0:34:40.680
<v Speaker 4>cringe as stuff like that because that stuff lives forever,

0:34:40.800 --> 0:34:43.600
<v Speaker 4>especially when you nail it and it's a really good moment,

0:34:44.120 --> 0:34:46.200
<v Speaker 4>people gonna keep playing it over and over and over.

0:34:47.040 --> 0:34:48.759
<v Speaker 4>You know, I absolutely go to sound check if I can.

0:34:48.960 --> 0:34:50.560
<v Speaker 4>If I didn't go to sound check. It's because I

0:34:50.600 --> 0:34:53.920
<v Speaker 4>was told that I couldn't have one, or that there

0:34:54.000 --> 0:34:56.759
<v Speaker 4>was no time, or doors are opening. But now I'm

0:34:56.800 --> 0:34:58.640
<v Speaker 4>at the point now whe're gonna be like push doors.

0:34:59.800 --> 0:35:02.440
<v Speaker 4>I'm I'm not getting up there if I can't. I

0:35:02.480 --> 0:35:04.480
<v Speaker 4>need to hear what it sounds like, Yeah.

0:35:04.960 --> 0:35:06.640
<v Speaker 1>You got some of my people out there, so you

0:35:06.960 --> 0:35:07.760
<v Speaker 1>Oh I got.

0:35:09.120 --> 0:35:11.960
<v Speaker 3>I took somebody from you.

0:35:11.800 --> 0:35:12.520
<v Speaker 4>Oh you're not working.

0:35:12.560 --> 0:35:16.200
<v Speaker 1>So I'm one of those guys where it's like I

0:35:16.280 --> 0:35:17.399
<v Speaker 1>tell my guys to go get it.

0:35:17.800 --> 0:35:19.400
<v Speaker 4>Yeah. No, I don't know if y'all know that happens.

0:35:19.440 --> 0:35:21.279
<v Speaker 4>So like there's only like a few really really good

0:35:21.280 --> 0:35:25.439
<v Speaker 4>people and we be sharing them, so like like okay,

0:35:25.480 --> 0:35:26.560
<v Speaker 4>when when do they go out?

0:35:26.640 --> 0:35:27.520
<v Speaker 5>Okay?

0:35:27.719 --> 0:35:28.520
<v Speaker 4>And when you're done?

0:35:28.640 --> 0:35:28.960
<v Speaker 5>Okay?

0:35:29.000 --> 0:35:29.239
<v Speaker 1>Cool?

0:35:29.320 --> 0:35:32.399
<v Speaker 4>So are you're gonna miss the first three days of mine? Okay? Cool?

0:35:32.440 --> 0:35:34.680
<v Speaker 3>That's cool.

0:35:34.840 --> 0:35:37.600
<v Speaker 1>People. I've told plenty of my guys what do they

0:35:37.640 --> 0:35:41.240
<v Speaker 1>want me to go? Do it? Go? I'll be fine.

0:35:41.560 --> 0:35:44.800
<v Speaker 1>I know how to supplement, you know.

0:35:44.960 --> 0:35:47.680
<v Speaker 4>And I also think one thing that people don't understand

0:35:47.760 --> 0:35:49.520
<v Speaker 4>is like when you're a developing artist. I'm very much

0:35:49.560 --> 0:35:52.759
<v Speaker 4>a developing live performer. That Arena tour was like my

0:35:52.800 --> 0:36:00.399
<v Speaker 4>first thing, which is so like going from Yes, I've

0:36:00.440 --> 0:36:03.960
<v Speaker 4>done shows before, but like when you're at this level

0:36:04.239 --> 0:36:08.040
<v Speaker 4>and it's lights and it's screens and it's you know,

0:36:08.239 --> 0:36:11.640
<v Speaker 4>video camera. I forgot what those people are called. But

0:36:11.680 --> 0:36:14.759
<v Speaker 4>it's like the people who follow you. You think my

0:36:14.760 --> 0:36:20.640
<v Speaker 4>face just appears up there. No, there's three cameras or one, two, three, four,

0:36:20.840 --> 0:36:24.720
<v Speaker 4>five cameras and they're going back and forth. So every

0:36:24.719 --> 0:36:27.960
<v Speaker 4>angle gotta be and I you know, and so it's

0:36:28.000 --> 0:36:33.880
<v Speaker 4>like it's such a production. You have to think about

0:36:33.920 --> 0:36:37.080
<v Speaker 4>all that. It's not just standing up there singing. You

0:36:37.120 --> 0:36:39.000
<v Speaker 4>got to think about all that. So when I'm walking

0:36:39.000 --> 0:36:41.959
<v Speaker 4>from left to right, I'm not only just performing for you,

0:36:42.520 --> 0:36:45.719
<v Speaker 4>I'm performing for the tape two for.

0:36:45.719 --> 0:36:47.680
<v Speaker 1>The spot hit yeah.

0:36:47.719 --> 0:36:49.640
<v Speaker 4>And then like when I'm standing in front of the

0:36:49.680 --> 0:36:52.040
<v Speaker 4>fans and it's the hair is whipping in my face,

0:36:52.080 --> 0:36:54.400
<v Speaker 4>I have to move its the camera like you're thinking

0:36:54.480 --> 0:36:57.520
<v Speaker 4>about all of that, and I'm trying to hit my

0:36:57.560 --> 0:37:00.160
<v Speaker 4>note and I'm trying to be like I see you, baby,

0:37:01.200 --> 0:37:04.160
<v Speaker 4>you know, I can't see sit up here, but yeah,

0:37:04.280 --> 0:37:06.200
<v Speaker 4>I like you and the green.

0:37:06.280 --> 0:37:10.560
<v Speaker 5>Yeah you know.

0:37:10.719 --> 0:37:12.960
<v Speaker 4>Or sometimes when the lights go for a second, I'll

0:37:12.960 --> 0:37:15.520
<v Speaker 4>be like, oh yeah, I can see something first, clit second,

0:37:16.640 --> 0:37:19.400
<v Speaker 4>and you try to use those moments. It's such a

0:37:19.400 --> 0:37:25.359
<v Speaker 4>crash course doing it at that level. Like now when

0:37:25.400 --> 0:37:29.399
<v Speaker 4>I go into a fifteen hundred seater room, it's easy, yeh.

0:37:29.960 --> 0:37:31.719
<v Speaker 4>Or like when I did Battle Levans, it was in

0:37:31.719 --> 0:37:33.600
<v Speaker 4>the stadium. Granted it wasn't full, it was maybe like

0:37:33.680 --> 0:37:36.960
<v Speaker 4>half full. That's still a lot of people in the

0:37:36.960 --> 0:37:42.960
<v Speaker 4>football stadium, like thirty thousand people, and they all singing,

0:37:43.960 --> 0:37:47.440
<v Speaker 4>and it's just like and I'm like, you know, like

0:37:47.760 --> 0:37:50.759
<v Speaker 4>it with zero anxiety, even though I didn't do a

0:37:50.760 --> 0:37:53.759
<v Speaker 4>sound check. Like that only comes from having those high

0:37:53.840 --> 0:37:57.440
<v Speaker 4>level experiences. And so I get really nervous when I

0:37:57.480 --> 0:38:00.600
<v Speaker 4>don't have all my things, you know, because this is

0:38:00.680 --> 0:38:04.239
<v Speaker 4>like I already have a lot to think about. Now

0:38:04.280 --> 0:38:08.120
<v Speaker 4>I gotta worry about what you're hearing. Like when I

0:38:08.160 --> 0:38:12.200
<v Speaker 4>have my people, I know that the audience and the

0:38:12.200 --> 0:38:17.080
<v Speaker 4>consumer experience is gonna be it's gonna sound like the record.

0:38:18.239 --> 0:38:21.759
<v Speaker 4>You're gonna be able to hear my words, you'll hear

0:38:21.800 --> 0:38:25.040
<v Speaker 4>the music. It's not gonna be muddy. That's the most

0:38:25.080 --> 0:38:27.600
<v Speaker 4>important for me. If I'm gonna go do a show,

0:38:28.680 --> 0:38:32.040
<v Speaker 4>I want the user experience to be good. You know,

0:38:32.200 --> 0:38:34.120
<v Speaker 4>no might hit the wrong no here and there, whatever,

0:38:34.920 --> 0:38:36.920
<v Speaker 4>but I want you to be able to hear me.

0:38:38.360 --> 0:38:39.240
<v Speaker 1>I didn't hear anything.

0:38:40.360 --> 0:38:41.919
<v Speaker 4>It depends on one night, because I had a couple

0:38:41.960 --> 0:38:42.560
<v Speaker 4>of nights where I.

0:38:42.520 --> 0:38:46.160
<v Speaker 3>Was just like, whoa, that's part of it.

0:38:46.200 --> 0:38:47.920
<v Speaker 4>But you came to l A.

0:38:48.520 --> 0:38:51.600
<v Speaker 1>If you get through a whole LA show with no

0:38:51.640 --> 0:38:58.600
<v Speaker 1>bad notes, nigga, if you have three ship yeah, you're good.

0:38:58.840 --> 0:39:01.560
<v Speaker 1>You're bad in ninety eight percent it are you went crazy?

0:39:01.600 --> 0:39:01.759
<v Speaker 7>Now?

0:39:02.000 --> 0:39:03.239
<v Speaker 4>Thank you crazy?

0:39:03.719 --> 0:39:04.120
<v Speaker 1>Very good?

0:39:04.960 --> 0:39:05.359
<v Speaker 3>Very good?

0:39:05.480 --> 0:39:07.160
<v Speaker 4>And then I'm also learning, like you don't have to

0:39:07.160 --> 0:39:08.120
<v Speaker 4>sing every word.

0:39:10.000 --> 0:39:12.680
<v Speaker 1>Yeah, listen, you have to sing every word, and you

0:39:12.719 --> 0:39:15.960
<v Speaker 1>don't have to sing every note right.

0:39:16.000 --> 0:39:18.520
<v Speaker 3>You can sing around the mid the deviation can't.

0:39:18.719 --> 0:39:20.120
<v Speaker 4>Oh is that what it's called deviation?

0:39:20.440 --> 0:39:23.000
<v Speaker 1>Yeah? I devate in a minute if I if I.

0:39:22.560 --> 0:39:25.359
<v Speaker 5>Find nooying hot you can't hear that.

0:39:25.320 --> 0:39:29.080
<v Speaker 3>I'm gonna get that lou rass. You'll never find right down.

0:39:31.600 --> 0:39:32.920
<v Speaker 3>Don't go.

0:39:34.719 --> 0:39:37.440
<v Speaker 1>Right in there. I'll come off stage and J be

0:39:37.560 --> 0:39:38.400
<v Speaker 1>like I heard you.

0:39:42.400 --> 0:39:45.280
<v Speaker 4>See that's what happens when you write these like singing

0:39:45.360 --> 0:39:47.640
<v Speaker 4>as songs. Like I'd be thinking about that later, Like

0:39:48.520 --> 0:39:50.239
<v Speaker 4>what was I thinking?

0:39:50.520 --> 0:39:51.040
<v Speaker 3>Everything?

0:39:51.160 --> 0:39:53.120
<v Speaker 2>You don't have to sing every single note, you know

0:39:53.160 --> 0:39:54.920
<v Speaker 2>what I mean? A live performance is a live performance.

0:39:54.960 --> 0:39:55.120
<v Speaker 1>Now.

0:39:55.200 --> 0:39:58.640
<v Speaker 2>I personally, I like when people sing the way it

0:39:58.719 --> 0:39:59.280
<v Speaker 2>is on the record.

0:39:59.280 --> 0:39:59.759
<v Speaker 4>You want to hear that.

0:40:00.000 --> 0:40:01.440
<v Speaker 2>I'm one of those type of people. But I do

0:40:01.560 --> 0:40:05.080
<v Speaker 2>also understand, like listen, a live performance is supposed to

0:40:05.120 --> 0:40:08.200
<v Speaker 2>have a different type of element to it.

0:40:08.320 --> 0:40:10.600
<v Speaker 4>I'm spoiled now because I have background singers now, or

0:40:10.600 --> 0:40:13.200
<v Speaker 4>I call them vocal support. June's Diary. I don't know

0:40:13.200 --> 0:40:16.520
<v Speaker 4>if you guys are yeah, so yeah, So that was

0:40:16.520 --> 0:40:16.840
<v Speaker 4>part of it.

0:40:17.880 --> 0:40:18.399
<v Speaker 2>Oh my god.

0:40:18.520 --> 0:40:20.319
<v Speaker 4>And then when I say they sing, and they do,

0:40:20.360 --> 0:40:23.840
<v Speaker 4>they do movement like they sing down. So it was

0:40:23.880 --> 0:40:26.480
<v Speaker 4>some nice when I was like, girls, I need your

0:40:26.480 --> 0:40:28.880
<v Speaker 4>help today. Ladies like I need you to finish my

0:40:28.960 --> 0:40:31.880
<v Speaker 4>phrases for me. When we was in college, what was

0:40:31.880 --> 0:40:35.799
<v Speaker 4>that Denver with that altitude? Oh my god. I had

0:40:35.800 --> 0:40:38.640
<v Speaker 4>the oxygen in the back, like I had to go

0:40:38.719 --> 0:40:41.560
<v Speaker 4>around and I was like, tonight, y'all gonna have ten

0:40:41.560 --> 0:40:44.200
<v Speaker 4>minutes on my set or five minutes or whatever it was.

0:40:44.600 --> 0:40:46.840
<v Speaker 4>I'm gonna go back here and get this oxygen and

0:40:46.840 --> 0:40:47.719
<v Speaker 4>then I'm gonna come back.

0:40:47.840 --> 0:40:48.000
<v Speaker 3>You know.

0:40:48.080 --> 0:40:51.400
<v Speaker 4>It was just very much like a given tex like

0:40:51.480 --> 0:40:53.839
<v Speaker 4>look like I wanted them to shine. I'm like, don't

0:40:53.840 --> 0:40:57.359
<v Speaker 4>be scared sing, do your runs whatever, if you're feel

0:40:57.400 --> 0:41:00.000
<v Speaker 4>in it, do it. Let the people hear you sing.

0:41:00.200 --> 0:41:00.640
<v Speaker 3>That's dope.

0:41:00.760 --> 0:41:02.880
<v Speaker 4>I love that, yeah, because I'm gonna be the principal,

0:41:02.960 --> 0:41:06.080
<v Speaker 4>Like you can't you can't step on me, you know

0:41:06.080 --> 0:41:09.120
<v Speaker 4>what I'm saying, Like the spotlight is following me, like

0:41:09.560 --> 0:41:12.799
<v Speaker 4>I got my light. Y'all sing if y'all want to sing?

0:41:13.040 --> 0:41:15.799
<v Speaker 2>Yeah, Now that's really cool because every artist isn't like

0:41:15.840 --> 0:41:18.000
<v Speaker 2>that though, no matter if you got your spotlight or not.

0:41:18.600 --> 0:41:22.800
<v Speaker 2>Some artists are just like, yeah, you know what you're saying.

0:41:22.920 --> 0:41:25.160
<v Speaker 3>I heard that note. You hit what you're trying to do?

0:41:25.719 --> 0:41:28.560
<v Speaker 4>Stop singing the pod now, baby?

0:41:29.000 --> 0:41:32.640
<v Speaker 1>Yes, right, niggas get kicked off the tour like as

0:41:32.800 --> 0:41:35.880
<v Speaker 1>opening acts, you're doing too much. Basically, no, we're not

0:41:35.920 --> 0:41:38.960
<v Speaker 1>gonna need you for the rest of the way like that.

0:41:39.000 --> 0:41:40.839
<v Speaker 3>It be like that no matter.

0:41:40.880 --> 0:41:43.920
<v Speaker 4>I feel like it's the intention, right, So like if

0:41:43.960 --> 0:41:47.200
<v Speaker 4>you're trying to if you you could tell when somebody

0:41:47.400 --> 0:41:49.360
<v Speaker 4>trying to artist get at you.

0:41:49.280 --> 0:41:52.680
<v Speaker 3>Artists don't care, oh nat.

0:41:51.840 --> 0:41:57.240
<v Speaker 4>Because because I'm I'm I am uh involved in every

0:41:57.320 --> 0:42:00.239
<v Speaker 4>aspect like, for example, I got some offers to go

0:42:00.320 --> 0:42:03.920
<v Speaker 4>perform in the UK and I want Sasha Keebel to

0:42:04.160 --> 0:42:06.320
<v Speaker 4>open for me. For those I don't know if you

0:42:06.360 --> 0:42:08.319
<v Speaker 4>know her, she's amazing. She has a song called hold

0:42:08.400 --> 0:42:16.120
<v Speaker 4>Up incredible Uh Colombian British r and b artists Sasha Keeble.

0:42:16.360 --> 0:42:19.759
<v Speaker 3>Look her up, Sasha kee We're looking for you.

0:42:20.320 --> 0:42:23.760
<v Speaker 4>I think she just went back to London. But she's amazing,

0:42:23.880 --> 0:42:26.799
<v Speaker 4>So it's like, yeah, why would I want to step

0:42:26.800 --> 0:42:28.200
<v Speaker 4>on her? I'm the one who will be throwing the

0:42:28.239 --> 0:42:33.640
<v Speaker 4>shoe from backstage, like yeah, you know, can.

0:42:33.480 --> 0:42:37.120
<v Speaker 1>We are we going to get a revenge to her.

0:42:38.480 --> 0:42:43.080
<v Speaker 4>Probably in the spring February somewhere. I need a minute you.

0:42:43.080 --> 0:42:47.320
<v Speaker 1>Say yes, yes, okay, because I need a yes yes absolutely,

0:42:47.400 --> 0:42:51.680
<v Speaker 1>because I absolutely need to hear this album from top

0:42:51.719 --> 0:42:53.840
<v Speaker 1>to bottom. I know you're going to pick the songs

0:42:53.880 --> 0:42:58.920
<v Speaker 1>that you want to perform from the album, but I

0:42:58.960 --> 0:43:03.600
<v Speaker 1>will say this from experience, and not just my experience,

0:43:03.640 --> 0:43:06.920
<v Speaker 1>but from watching you know, whether it be Beyonce, whether

0:43:06.960 --> 0:43:10.000
<v Speaker 1>it be justin Timberleg, whether it be they sing that

0:43:10.120 --> 0:43:14.239
<v Speaker 1>whole album damn near top to bottom top. I did

0:43:14.280 --> 0:43:16.560
<v Speaker 1>it with Sex Loving Thing too. That's the only tour

0:43:16.600 --> 0:43:18.439
<v Speaker 1>where I sing an album from damn there on top

0:43:18.440 --> 0:43:21.000
<v Speaker 1>to bottom, And when that album came on, people was

0:43:21.080 --> 0:43:23.680
<v Speaker 1>like that, I've been waiting and I am waiting to

0:43:23.880 --> 0:43:27.600
<v Speaker 1>hear Revenge from top to bottom. That is one of

0:43:27.680 --> 0:43:29.440
<v Speaker 1>two songs that you don't want to I.

0:43:29.400 --> 0:43:36.520
<v Speaker 4>Get it all. Yeah, and anything I would take out

0:43:36.600 --> 0:43:38.920
<v Speaker 4>make me made for me because I don't saying it's

0:43:38.960 --> 0:43:39.359
<v Speaker 4>so much.

0:43:39.719 --> 0:43:40.759
<v Speaker 3>Don't you don't you dare?

0:43:40.960 --> 0:43:46.400
<v Speaker 4>You can't if anything that, but I wouldn't you.

0:43:46.400 --> 0:43:49.959
<v Speaker 1>You have created a body of work that I want

0:43:50.000 --> 0:43:53.600
<v Speaker 1>to hear from top to bottom.

0:43:53.800 --> 0:43:55.839
<v Speaker 3>I want to hear it. I want to see what.

0:43:57.280 --> 0:44:00.440
<v Speaker 2>You know. And it's no business of singles, no skips, ye,

0:44:01.000 --> 0:44:04.280
<v Speaker 2>not even just no skips of somebody really caring about

0:44:04.320 --> 0:44:08.000
<v Speaker 2>an album, because it's just not promoted that way anymore.

0:44:08.360 --> 0:44:12.920
<v Speaker 2>It's not promoted that way anymore. And your experience it

0:44:12.960 --> 0:44:15.200
<v Speaker 2>has to be promoted that way because this is your life.

0:44:15.239 --> 0:44:18.040
<v Speaker 2>This is something that you truly you you let us

0:44:18.040 --> 0:44:19.480
<v Speaker 2>into something, you know what I mean?

0:44:19.640 --> 0:44:21.200
<v Speaker 3>Like this is not like like.

0:44:21.120 --> 0:44:27.880
<v Speaker 2>You said, I'm not writing about seeing something. I'm writing

0:44:27.880 --> 0:44:33.799
<v Speaker 2>about experiencing it for cloud. Yeah, So that's that has

0:44:33.840 --> 0:44:35.719
<v Speaker 2>to be pushed in a different way. It has to

0:44:35.760 --> 0:44:38.160
<v Speaker 2>be promoted, talked as a full body of work.

0:44:38.400 --> 0:44:43.520
<v Speaker 1>And I'm saying this as a challenge, and then y'all

0:44:43.560 --> 0:44:44.279
<v Speaker 1>can be mad at me.

0:44:45.960 --> 0:44:46.600
<v Speaker 3>What was challenge?

0:44:47.239 --> 0:44:47.399
<v Speaker 4>Jam?

0:44:48.440 --> 0:44:49.560
<v Speaker 3>Who it is? Jam?

0:44:51.280 --> 0:44:57.080
<v Speaker 1>Just try it for one week? Sell this album as

0:44:57.120 --> 0:45:00.359
<v Speaker 1>an album. That's it.

0:45:02.320 --> 0:45:03.799
<v Speaker 3>You have. You can't get another way.

0:45:03.880 --> 0:45:09.080
<v Speaker 1>You can't get it no other way. You've already proven

0:45:09.320 --> 0:45:12.719
<v Speaker 1>that you got the ship on there. You've already proven it.

0:45:13.000 --> 0:45:19.280
<v Speaker 1>Now we need everybody to buy into the entire story,

0:45:19.440 --> 0:45:25.120
<v Speaker 1>the entire off the wall, the entire thing. Because I'm

0:45:25.480 --> 0:45:30.200
<v Speaker 1>invested in the story. I'm not invested in one song

0:45:30.320 --> 0:45:33.319
<v Speaker 1>on the album. I listen to your album from top

0:45:33.360 --> 0:45:36.160
<v Speaker 1>to about it and I feel like that is the way,

0:45:36.400 --> 0:45:39.200
<v Speaker 1>Like it is fine dining, Like when you go into

0:45:39.239 --> 0:45:43.719
<v Speaker 1>that fine dining and there's there's an appetizer, and there

0:45:43.800 --> 0:45:46.400
<v Speaker 1>is a main and there is a dessert. It comes

0:45:46.440 --> 0:45:58.280
<v Speaker 1>with it. You sit there, menu, you can set menu

0:45:59.360 --> 0:46:02.600
<v Speaker 1>and it's two fifty person purpose.

0:46:04.520 --> 0:46:13.279
<v Speaker 3>Always that's something you didn't say anything. I would.

0:46:13.440 --> 0:46:18.439
<v Speaker 1>I would love it if your album was sold as

0:46:18.480 --> 0:46:26.319
<v Speaker 1>a complete package. You can't buy one song, just just

0:46:26.360 --> 0:46:28.719
<v Speaker 1>the thing. And maybe it's too late, Maybe you know

0:46:28.760 --> 0:46:30.759
<v Speaker 1>it is what it is. It's in the system, it's

0:46:30.840 --> 0:46:33.480
<v Speaker 1>it's doing what it's supposed to do. You're having success.

0:46:34.200 --> 0:46:38.520
<v Speaker 4>It needs to be treated with a certain integrity.

0:46:38.120 --> 0:46:43.239
<v Speaker 1>Because the other part is like, to me, it's just

0:46:43.280 --> 0:46:47.799
<v Speaker 1>the work that you put into it. It validates that

0:46:49.160 --> 0:46:52.360
<v Speaker 1>you you you you deserve for the songs that weren't

0:46:52.440 --> 0:46:55.040
<v Speaker 1>radio songs.

0:46:55.120 --> 0:46:56.080
<v Speaker 4>I have that argument.

0:46:56.200 --> 0:47:00.400
<v Speaker 1>Yeah, I got to be played. Like the fact that Okay,

0:47:00.680 --> 0:47:03.399
<v Speaker 1>they could stream one song fifteen hundred times and that

0:47:03.680 --> 0:47:05.760
<v Speaker 1>is a pure album. So that works for you because

0:47:05.760 --> 0:47:09.520
<v Speaker 1>you write everything, But for everyone else who's participated with

0:47:09.560 --> 0:47:12.480
<v Speaker 1>you on the rest of those songs, that that misses them.

0:47:12.600 --> 0:47:17.160
<v Speaker 4>And I will say, like there is sort of an

0:47:17.320 --> 0:47:23.520
<v Speaker 4>endangered species sort of thing happening with artists who put

0:47:23.560 --> 0:47:27.680
<v Speaker 4>that much effort into making a full body of work

0:47:27.719 --> 0:47:30.960
<v Speaker 4>and the album packaging, and you know, like it's a lot,

0:47:31.400 --> 0:47:35.840
<v Speaker 4>and if you don't support it, it's going to die. Yes,

0:47:35.960 --> 0:47:38.719
<v Speaker 4>it's going to die. Because labels are like, well, why

0:47:38.760 --> 0:47:42.600
<v Speaker 4>do we have to spend half a million on a project?

0:47:42.840 --> 0:47:46.280
<v Speaker 4>And we could just spend ten thousand dollars on one single?

0:47:46.280 --> 0:47:48.759
<v Speaker 4>What makes us two million? And then we can move

0:47:48.800 --> 0:47:50.920
<v Speaker 4>on to the next artist. You know, don't have to

0:47:50.960 --> 0:47:54.239
<v Speaker 4>invest because it costs money to invest in an artist

0:47:54.320 --> 0:47:58.480
<v Speaker 4>and brand them. You know, it's millions, So you end

0:47:58.560 --> 0:48:01.719
<v Speaker 4>up needing three or four or five five hits in

0:48:01.800 --> 0:48:04.880
<v Speaker 4>order to break even versus just that one that you

0:48:04.920 --> 0:48:07.840
<v Speaker 4>made in your closet. So it's like it's like a

0:48:07.960 --> 0:48:13.200
<v Speaker 4>cannibalizing self, cannibalizing with all the artists that are like, oh, well,

0:48:13.239 --> 0:48:15.640
<v Speaker 4>I made this song, you know, with a microphone in

0:48:15.680 --> 0:48:20.600
<v Speaker 4>my room, Like yeah, but you don't understand how it's deteriorating.

0:48:20.800 --> 0:48:26.600
<v Speaker 4>You can't sustain the business like that. You need artists

0:48:26.600 --> 0:48:29.480
<v Speaker 4>that are putting out full bodies of work. Adele just

0:48:29.480 --> 0:48:32.160
<v Speaker 4>says she's going away for a minute, Like we're tired,

0:48:33.760 --> 0:48:37.080
<v Speaker 4>you know what I'm saying. It's a lot, and like

0:48:37.120 --> 0:48:40.040
<v Speaker 4>the labels make you feel like you're doing so much.

0:48:40.120 --> 0:48:44.160
<v Speaker 4>I'm asking for so much. I'm actually cheap compared to no,

0:48:44.280 --> 0:48:52.759
<v Speaker 4>I am, I'm cheap compared to my contemporaries. I am.

0:48:52.880 --> 0:48:55.319
<v Speaker 4>But this is an expensive game. You don't complain about

0:48:55.680 --> 0:48:57.560
<v Speaker 4>if you drop a bumley, You're not complaining about how

0:48:57.640 --> 0:49:00.440
<v Speaker 4>much the gas costs or how much the tires cost.

0:49:00.600 --> 0:49:02.400
<v Speaker 4>You shouldn't have it if you can't afford it.

0:49:12.120 --> 0:49:13.879
<v Speaker 1>Yeah, I don't. I don't even know how many times

0:49:13.880 --> 0:49:16.040
<v Speaker 1>I can say that your album is crazy to mak

0:49:16.120 --> 0:49:21.839
<v Speaker 1>your album is crazy out now, revenge out. Now. You've

0:49:21.840 --> 0:49:25.560
<v Speaker 1>done a top five already, you've done a Maybe we

0:49:25.680 --> 0:49:28.040
<v Speaker 1>just do a top five songs on your album? Do

0:49:28.120 --> 0:49:28.480
<v Speaker 1>we do that?

0:49:29.440 --> 0:49:32.000
<v Speaker 3>Or we can do we can do a what's your

0:49:32.040 --> 0:49:32.480
<v Speaker 3>top five?

0:49:32.520 --> 0:49:32.759
<v Speaker 1>Now?

0:49:33.880 --> 0:49:36.759
<v Speaker 2>What's your current things that you like? Let's get into

0:49:36.800 --> 0:49:40.080
<v Speaker 2>your playlist, play list, let's get into your playlist.

0:49:42.120 --> 0:49:50.200
<v Speaker 7>Currents, let's get into your plist, current top five, current

0:49:50.360 --> 0:49:58.400
<v Speaker 7>top five, current top five, Thank you Valentine, current top

0:49:58.480 --> 0:50:00.560
<v Speaker 7>five singer.

0:50:04.080 --> 0:50:18.520
<v Speaker 3>So we want to do maybe on the radio? You know, yes.

0:50:20.960 --> 0:50:42.400
<v Speaker 4>Yes, houses like gospel rock. Thank everybody.

0:50:43.000 --> 0:50:43.839
<v Speaker 1>I'm here all week.

0:50:44.440 --> 0:50:49.319
<v Speaker 4>My current five are singers. What am I listening to?

0:50:51.000 --> 0:50:51.480
<v Speaker 4>I don't know.

0:50:53.440 --> 0:50:55.320
<v Speaker 3>I really like to put the singer and song together.

0:50:55.520 --> 0:50:55.719
<v Speaker 3>You know.

0:50:55.719 --> 0:50:57.680
<v Speaker 4>I was gonna say, I really like Chloy Bailey's Rosa

0:50:57.880 --> 0:51:00.000
<v Speaker 4>like that worried combo play.

0:51:00.280 --> 0:51:02.640
<v Speaker 1>Yeah, she made a combo. She made her on combo.

0:51:03.920 --> 0:51:07.080
<v Speaker 4>Chloe Bailey Rose Nice one of my favorite songs.

0:51:07.239 --> 0:51:07.520
<v Speaker 3>Nice.

0:51:07.840 --> 0:51:13.799
<v Speaker 4>I really like Kilny Borders uh. And I guess just

0:51:13.800 --> 0:51:15.560
<v Speaker 4>because I'm biased, just because I was on the road

0:51:15.600 --> 0:51:22.240
<v Speaker 4>with him. But I've been listening to Chris's eleven eleven project,

0:51:23.680 --> 0:51:26.719
<v Speaker 4>the whole thing, three, the whole thing. Just anytime I

0:51:26.719 --> 0:51:27.439
<v Speaker 4>hear like, you.

0:51:27.360 --> 0:51:28.000
<v Speaker 6>Know, he.

0:51:30.440 --> 0:51:31.240
<v Speaker 1>Don't it do something?

0:51:31.520 --> 0:51:32.040
<v Speaker 5>It does?

0:51:32.880 --> 0:51:41.280
<v Speaker 3>Did who my music?

0:51:41.320 --> 0:51:43.160
<v Speaker 4>I've been listening to wearing it out.

0:51:43.880 --> 0:51:45.720
<v Speaker 3>What's your favorite song from your project?

0:51:45.840 --> 0:51:49.279
<v Speaker 4>Reverse reverse, and then I would reverse interlude, and then

0:51:49.280 --> 0:51:52.719
<v Speaker 4>I will say thirties mm hmmm, and then the baddest

0:51:54.280 --> 0:51:56.920
<v Speaker 4>those are the ones that really resume. And then I

0:51:56.920 --> 0:51:59.880
<v Speaker 4>have a deluxe coming with like four other songs, dude, dukes,

0:52:00.239 --> 0:52:03.080
<v Speaker 4>because you got more music I do. I really wanted

0:52:03.080 --> 0:52:05.120
<v Speaker 4>to put like nineteen songs on this project, but Tricky

0:52:05.200 --> 0:52:10.279
<v Speaker 4>was like too much, Absolutely not. It was thirteen. And

0:52:10.280 --> 0:52:13.239
<v Speaker 4>then I was like, please, can we have a ruin me?

0:52:14.160 --> 0:52:15.480
<v Speaker 3>Oh nice? No.

0:52:15.600 --> 0:52:18.960
<v Speaker 4>I turned that in like two weeks before at the

0:52:18.960 --> 0:52:20.920
<v Speaker 4>album packaging shoot. Actually the night before I was like,

0:52:20.920 --> 0:52:21.360
<v Speaker 4>I got.

0:52:21.200 --> 0:52:25.120
<v Speaker 2>One more so on you can't turn that record down.

0:52:25.520 --> 0:52:30.200
<v Speaker 4>And then I've been listening to it either. It would

0:52:30.239 --> 0:52:33.840
<v Speaker 4>be a tie between four Bats and Laila.

0:52:33.960 --> 0:52:36.640
<v Speaker 3>I love four Bats, I love.

0:52:38.280 --> 0:52:41.719
<v Speaker 2>And I love that he made kind of a a

0:52:41.800 --> 0:52:46.160
<v Speaker 2>nostalgic R and B album along with his new way.

0:52:46.680 --> 0:52:48.800
<v Speaker 3>You know what I'm saying.

0:52:48.600 --> 0:52:49.400
<v Speaker 5>Doing it on stage?

0:52:49.480 --> 0:52:51.560
<v Speaker 3>You seen that? That's how I felt like I was

0:52:51.560 --> 0:52:52.960
<v Speaker 3>gonna here on this album.

0:52:53.080 --> 0:52:56.240
<v Speaker 4>Did you see that they been doing it on stage?

0:52:56.440 --> 0:53:01.680
<v Speaker 4>Doing it on stage or like they like simulated it's

0:53:01.719 --> 0:53:06.880
<v Speaker 4>like a bed in here now. Yeah, and then the

0:53:06.920 --> 0:53:09.360
<v Speaker 4>girl get under the covers they be on stage.

0:53:09.360 --> 0:53:14.480
<v Speaker 2>They bring in the bed on the stage. Okay, that's

0:53:14.480 --> 0:53:15.239
<v Speaker 2>throw back R and B.

0:53:15.760 --> 0:53:16.560
<v Speaker 4>That's dangerous.

0:53:17.000 --> 0:53:20.760
<v Speaker 2>I mean you gotta get but you gott get some papers.

0:53:20.760 --> 0:53:22.600
<v Speaker 2>A part of Christ where all the girls come out

0:53:22.600 --> 0:53:26.200
<v Speaker 2>and yeah, they want to talk about that is that's dangerous.

0:53:25.800 --> 0:53:27.240
<v Speaker 3>To the girls.

0:53:27.600 --> 0:53:28.440
<v Speaker 1>Fucking rope with us?

0:53:28.560 --> 0:53:31.240
<v Speaker 3>Son, you mean with the girls is like dancers.

0:53:31.440 --> 0:53:33.120
<v Speaker 5>Absolutely, that's his dancer.

0:53:34.040 --> 0:53:35.239
<v Speaker 1>Still got to get a permission slip.

0:53:35.280 --> 0:53:38.160
<v Speaker 4>They don't be kissing real, they kind of do, they

0:53:38.239 --> 0:53:40.279
<v Speaker 4>don't know. It's the angle of the.

0:53:44.160 --> 0:53:44.600
<v Speaker 3>Grinding.

0:53:44.760 --> 0:53:46.319
<v Speaker 4>They did not be kissing. You come out the part

0:53:46.320 --> 0:53:48.600
<v Speaker 4>where like him and Taylor, it's.

0:53:48.440 --> 0:53:50.160
<v Speaker 3>A bumping the grinding.

0:53:50.200 --> 0:53:51.440
<v Speaker 1>You gonna tell me no different.

0:53:51.719 --> 0:53:53.759
<v Speaker 4>You know that that grinding and stuff that's real.

0:53:53.800 --> 0:53:57.600
<v Speaker 1>They got that right is real. Body parts respond to

0:53:57.680 --> 0:53:58.319
<v Speaker 1>that type of ship.

0:53:58.600 --> 0:53:59.080
<v Speaker 5>You know that.

0:53:59.200 --> 0:54:05.680
<v Speaker 4>She was definitely heard, but right on every night close.

0:54:06.840 --> 0:54:07.920
<v Speaker 4>But that was not kissing.

0:54:08.160 --> 0:54:09.959
<v Speaker 1>I used to be able to do that in my show.

0:54:10.000 --> 0:54:10.680
<v Speaker 3>I can't do.

0:54:10.960 --> 0:54:13.680
<v Speaker 4>My marriage is got to be respectful.

0:54:15.600 --> 0:54:15.799
<v Speaker 2>Yeah.

0:54:15.840 --> 0:54:22.400
<v Speaker 4>No, but Christy his baby mamas be right there, they

0:54:22.480 --> 0:54:26.520
<v Speaker 4>be like, oh my god. Yeah, it's part of the show.

0:54:26.640 --> 0:54:29.399
<v Speaker 4>Like I wouldn't get mad. It's part of the show

0:54:29.440 --> 0:54:29.799
<v Speaker 4>that I.

0:54:29.880 --> 0:54:33.080
<v Speaker 1>Think you So you wouldn't get mad if it's part

0:54:33.080 --> 0:54:35.439
<v Speaker 1>of the show because it's just part of the show.

0:54:35.440 --> 0:54:36.920
<v Speaker 5>It's just's just dancer.

0:54:37.160 --> 0:54:40.400
<v Speaker 3>That's my dancer. I'm not doing anything with my dance.

0:54:41.160 --> 0:54:41.680
<v Speaker 4>What you're doing?

0:54:42.440 --> 0:54:44.040
<v Speaker 3>What am I doing?

0:54:44.200 --> 0:54:44.799
<v Speaker 4>I didn't say that.

0:54:44.800 --> 0:54:45.680
<v Speaker 1>I'm just performing.

0:54:46.239 --> 0:54:46.640
<v Speaker 3>It's just.

0:54:48.800 --> 0:54:58.880
<v Speaker 4>Is it me? Personally? Me, I would not get upset. Cool, No,

0:54:59.000 --> 0:55:02.719
<v Speaker 4>I don't like that. Out I see what you're trying

0:55:02.719 --> 0:55:02.920
<v Speaker 4>to do.

0:55:03.480 --> 0:55:09.440
<v Speaker 1>No, welcome to this phone call.

0:55:10.880 --> 0:55:12.200
<v Speaker 4>Did I try to use this later?

0:55:12.280 --> 0:55:13.560
<v Speaker 1>Welcome to the straight Way conference?

0:55:14.520 --> 0:55:16.560
<v Speaker 4>Not me personally, I wouldn't want money.

0:55:16.560 --> 0:55:17.640
<v Speaker 3>What did you What did you say?

0:55:17.760 --> 0:55:17.840
<v Speaker 1>So?

0:55:17.880 --> 0:55:19.920
<v Speaker 3>What was you saying when it's all the show?

0:55:21.560 --> 0:55:22.440
<v Speaker 4>I wouldn't get upset.

0:55:22.600 --> 0:55:27.719
<v Speaker 1>Do you do you have a current? I ain't saying

0:55:27.719 --> 0:55:30.680
<v Speaker 1>no names that you wouldn't want to get off.

0:55:32.120 --> 0:55:35.880
<v Speaker 2>Yeah, let's get the let's get the the Grammy win

0:55:35.960 --> 0:55:39.480
<v Speaker 2>in on that tour ship changed.

0:55:40.960 --> 0:55:42.280
<v Speaker 5>Now, you know, just as a whole.

0:55:42.400 --> 0:55:45.200
<v Speaker 4>Like it's crazy how people just when they think you

0:55:45.280 --> 0:55:49.000
<v Speaker 4>got it, whether you have it or not, it's mine. Yeah,

0:55:49.239 --> 0:55:51.480
<v Speaker 4>it's so crazy. How the prices go up like before,

0:55:52.400 --> 0:55:55.080
<v Speaker 4>why you change? We're still doing the same show.

0:55:56.280 --> 0:55:58.080
<v Speaker 5>Oh yeah, it's the same show.

0:55:58.239 --> 0:56:01.440
<v Speaker 4>Why are you charging me more now? And like you know,

0:56:01.480 --> 0:56:03.440
<v Speaker 4>if i'm if, I'm I was. I went from like

0:56:03.560 --> 0:56:05.880
<v Speaker 4>paying to perform, so now I get to take a

0:56:05.880 --> 0:56:07.719
<v Speaker 4>little bit of something home and you want to take that.

0:56:08.840 --> 0:56:11.759
<v Speaker 4>So basically everybody get paid but me. That's crazy.

0:56:11.880 --> 0:56:14.480
<v Speaker 3>Oh that's that's uh, that's it.

0:56:14.800 --> 0:56:18.520
<v Speaker 4>That's crazy. That's how I might take a thousand dollars.

0:56:18.239 --> 0:56:21.560
<v Speaker 5>On maybe hey hey hey hey.

0:56:22.800 --> 0:56:26.919
<v Speaker 3>Maybe no not anymore. Yeah no.

0:56:27.320 --> 0:56:29.279
<v Speaker 4>But like I started seeing that happen, I'm like, what

0:56:29.320 --> 0:56:34.040
<v Speaker 4>the fuck I'm making more money and getting less because

0:56:34.040 --> 0:56:34.600
<v Speaker 4>it's crazy.

0:56:34.680 --> 0:56:39.279
<v Speaker 1>You gotta like, like everybody has to realize this. It

0:56:39.280 --> 0:56:41.360
<v Speaker 1>doesn't start with you on stage.

0:56:41.280 --> 0:56:44.040
<v Speaker 4>Right There's all this work that I have to do

0:56:44.480 --> 0:56:44.960
<v Speaker 4>start with.

0:56:44.920 --> 0:56:46.120
<v Speaker 3>You years ago.

0:56:46.760 --> 0:56:51.120
<v Speaker 1>Yeah, to get to this stage right here. So for

0:56:51.239 --> 0:56:53.960
<v Speaker 1>me to get to this stage right here, I should

0:56:54.000 --> 0:56:54.960
<v Speaker 1>be seeing the bulk.

0:56:54.760 --> 0:56:58.440
<v Speaker 4>Of this, and I'm not well. I wasn't. I just

0:56:58.480 --> 0:57:00.960
<v Speaker 4>put it stopped. I'm like, don't book me no more shows.

0:57:01.520 --> 0:57:03.560
<v Speaker 4>I'm not finna get up there and take time away

0:57:03.560 --> 0:57:06.759
<v Speaker 4>from my family, my baby. I'm busting my butt. I

0:57:06.760 --> 0:57:09.520
<v Speaker 4>can't have fun. Everybody else having a good time. I

0:57:09.520 --> 0:57:11.839
<v Speaker 4>gotta go to sleep at nine o'clock so I could

0:57:11.840 --> 0:57:13.560
<v Speaker 4>actually wake up and sing, because.

0:57:13.360 --> 0:57:14.320
<v Speaker 1>You got to sing lead.

0:57:17.160 --> 0:57:18.919
<v Speaker 5>Y'all getting paid everybody else.

0:57:19.480 --> 0:57:22.920
<v Speaker 1>Everybody else can coast and cruise and we won't notice.

0:57:23.520 --> 0:57:27.720
<v Speaker 1>You cannot. You cannot go to sleep.

0:57:28.880 --> 0:57:31.400
<v Speaker 4>All these people in my dressing room. Why y'all drinking

0:57:31.480 --> 0:57:34.960
<v Speaker 4>up all my cost Guys like why? Why?

0:57:35.240 --> 0:57:38.160
<v Speaker 3>Ah? Why?

0:57:38.720 --> 0:57:38.880
<v Speaker 5>Why?

0:57:39.040 --> 0:57:39.960
<v Speaker 4>Where is my rebel?

0:57:40.840 --> 0:57:41.360
<v Speaker 3>Where where?

0:57:42.920 --> 0:57:45.240
<v Speaker 4>The first day of tour, bro I came in the

0:57:45.320 --> 0:57:49.360
<v Speaker 4>dressing room, snacks ran through everything. I said, well, damn,

0:57:50.200 --> 0:57:53.640
<v Speaker 4>y'all don't give a about me. That's crazy. Nobody asked me.

0:57:53.640 --> 0:57:58.400
<v Speaker 4>Did I eat? Y'all don't open my watermelon? Wow. The

0:57:58.480 --> 0:58:01.320
<v Speaker 4>next day I came in there, I had a full

0:58:01.360 --> 0:58:04.480
<v Speaker 4>style refrigerator. Nobody had touched nothing. I was like, thank

0:58:04.600 --> 0:58:06.920
<v Speaker 4>you to speak on that's so crazy that you just

0:58:07.000 --> 0:58:08.960
<v Speaker 4>didn't even think about me, Like y'all took all the

0:58:08.960 --> 0:58:11.080
<v Speaker 4>good chips, left me to free doos talk about to

0:58:11.120 --> 0:58:19.920
<v Speaker 4>eat free id't know on motherfucking corn chips, and I

0:58:20.000 --> 0:58:23.240
<v Speaker 4>want vegan chips neither. I want the smart fool popcorn,

0:58:23.840 --> 0:58:25.680
<v Speaker 4>and I want the solven ship, and I want all

0:58:25.680 --> 0:58:26.800
<v Speaker 4>the stuff that's on my writer.

0:58:27.160 --> 0:58:29.360
<v Speaker 1>Well, my thing is that don't open my twinkies till

0:58:29.400 --> 0:58:32.200
<v Speaker 1>I opened my twins thank you, then you can have

0:58:32.240 --> 0:58:32.640
<v Speaker 1>a twinky.

0:58:32.840 --> 0:58:35.600
<v Speaker 2>Nobody want twinky, and you gotta start picking that the

0:58:35.680 --> 0:58:40.680
<v Speaker 2>dumbody want your niggas want Boston Bean exactly.

0:58:40.440 --> 0:58:43.360
<v Speaker 1>And don't don't got too many lamp stops. Don't get

0:58:43.360 --> 0:58:46.480
<v Speaker 1>no lamp stops until shot get his lamb chops. The

0:58:46.600 --> 0:58:47.880
<v Speaker 1>shot get his lamp chops first.

0:58:48.000 --> 0:58:51.280
<v Speaker 4>Remember, on the first day to LA, we couldn't even

0:58:51.280 --> 0:58:53.720
<v Speaker 4>get into the stable center or the crypto. Excuse me,

0:58:54.640 --> 0:59:00.200
<v Speaker 4>excuse me, we couldn't even get in. It's the thirty

0:59:00.280 --> 0:59:03.160
<v Speaker 4>minutes before I got to go on stage. I'm still

0:59:03.200 --> 0:59:08.520
<v Speaker 4>not even so I'm like, I started getting pissed because

0:59:08.560 --> 0:59:11.520
<v Speaker 4>I'm like, Noah, I know, damn will they are in

0:59:11.560 --> 0:59:18.000
<v Speaker 4>there getting ready all this. Why ain't nobody calling my

0:59:18.000 --> 0:59:19.080
<v Speaker 4>phone make see where I'm.

0:59:18.960 --> 0:59:21.800
<v Speaker 3>At, to make sure yeah, I get.

0:59:21.600 --> 0:59:24.880
<v Speaker 4>In the venue, they politicking everybody in the hallway. Just

0:59:26.600 --> 0:59:32.600
<v Speaker 4>I'm pissedide I'm like, ain't now one of y'all just

0:59:32.600 --> 0:59:34.720
<v Speaker 4>trying to see where I'm at because if I don't

0:59:34.720 --> 0:59:39.280
<v Speaker 4>get on this stage, y'all not getting paid, none of y'all.

0:59:39.360 --> 0:59:41.240
<v Speaker 4>Like bro, it began to black.

0:59:42.040 --> 0:59:43.040
<v Speaker 1>What was that about?

0:59:43.560 --> 0:59:46.320
<v Speaker 4>Somebody didn't do what they were supposed to do. We

0:59:46.360 --> 0:59:47.480
<v Speaker 4>ain't had no parking past.

0:59:49.040 --> 0:59:50.600
<v Speaker 3>It be a lot of shit going on the road,

0:59:50.600 --> 0:59:51.840
<v Speaker 3>and crazy is.

0:59:51.640 --> 0:59:54.680
<v Speaker 4>I just now realized that the person who invited me

0:59:54.720 --> 0:59:58.240
<v Speaker 4>on tour, Chris, didn't know anything about all the stuff

0:59:58.280 --> 1:00:01.760
<v Speaker 4>that I was dealing with the whole tour. He sleeps

1:00:01.760 --> 1:00:05.840
<v Speaker 4>till five o'clock. He's not but he had no clue

1:00:06.880 --> 1:00:08.560
<v Speaker 4>of all the bs that I was the ones. I

1:00:08.560 --> 1:00:09.320
<v Speaker 4>took it like a chimp.

1:00:09.360 --> 1:00:12.640
<v Speaker 3>I'm just like, hey, he's an open He definitely would.

1:00:12.760 --> 1:00:14.080
<v Speaker 4>But at the end of the tour he was like, no,

1:00:14.320 --> 1:00:16.680
<v Speaker 4>you you got seniority like you should. I'm like, maam,

1:00:16.760 --> 1:00:17.680
<v Speaker 4>I'm not about to call you.

1:00:19.280 --> 1:00:21.520
<v Speaker 1>He's one of those guys you can tell I could

1:00:21.600 --> 1:00:25.560
<v Speaker 1>have but you should have. And then guess what. Guess what.

1:00:25.680 --> 1:00:27.360
<v Speaker 4>But by the time I started it was the end

1:00:27.400 --> 1:00:31.000
<v Speaker 4>of the tours, like you know, the last two days.

1:00:31.160 --> 1:00:35.560
<v Speaker 1>You have a friend like that, Hey, friend just having

1:00:35.600 --> 1:00:36.439
<v Speaker 1>a tough time.

1:00:36.600 --> 1:00:38.360
<v Speaker 4>I know some people would have got in trouble if

1:00:38.400 --> 1:00:43.440
<v Speaker 4>I would have said the stuff that I had to do, that.

1:00:45.560 --> 1:00:49.400
<v Speaker 1>That's it. He don't. He don't want that to connect.

1:00:49.080 --> 1:00:49.560
<v Speaker 3>It to him.

1:00:50.040 --> 1:00:53.000
<v Speaker 4>I don't want him though, because I started experiencing. That's

1:00:53.000 --> 1:00:55.520
<v Speaker 4>one thing I will say. You asked about the difference

1:00:55.560 --> 1:00:59.280
<v Speaker 4>between hours and hours in the timeframe and how things

1:00:59.280 --> 1:01:03.080
<v Speaker 4>have elevated and grown. There are so many things that

1:01:03.160 --> 1:01:05.920
<v Speaker 4>don't even make it to my desk now, and it's

1:01:05.960 --> 1:01:09.680
<v Speaker 4>it's this weird uh almost like write a passage where

1:01:09.720 --> 1:01:11.840
<v Speaker 4>like people just start to feel like, oh, you're the

1:01:11.880 --> 1:01:14.240
<v Speaker 4>star now. So I need to translate and I need

1:01:14.280 --> 1:01:18.080
<v Speaker 4>to be like, no, I want to know what's going

1:01:18.080 --> 1:01:22.480
<v Speaker 4>on in my world. You know what I'm saying. It's weird.

1:01:22.680 --> 1:01:23.919
<v Speaker 4>It's such a weird thing.

1:01:24.080 --> 1:01:29.680
<v Speaker 1>I'm gonna tell you no, no, no, I don't like.

1:01:29.680 --> 1:01:30.840
<v Speaker 4>Not knowing what's going on.

1:01:31.080 --> 1:01:32.040
<v Speaker 1>No, he's here.

1:01:32.160 --> 1:01:41.360
<v Speaker 6>I don't like so star one on one songwriter, producer, performer,

1:01:42.000 --> 1:01:42.680
<v Speaker 6>one O one.

1:01:43.480 --> 1:01:47.919
<v Speaker 3>That's what you do, that's your focus.

1:01:48.520 --> 1:01:53.640
<v Speaker 1>Anything that's trying to interrupt that. That's everybody else's job

1:01:53.680 --> 1:01:57.640
<v Speaker 1>to keep that from happening. It's not supposed to make

1:01:57.680 --> 1:01:58.400
<v Speaker 1>it to your desk.

1:01:58.600 --> 1:02:00.640
<v Speaker 3>Yes, some things are. They just never supposed to make it.

1:02:01.040 --> 1:02:02.640
<v Speaker 4>And then what if I end up still having to

1:02:02.640 --> 1:02:03.200
<v Speaker 4>deal with it?

1:02:03.640 --> 1:02:08.080
<v Speaker 3>Shouldn't then you have to deal with them. Then you

1:02:08.160 --> 1:02:09.000
<v Speaker 3>gotta deal with them.

1:02:09.240 --> 1:02:11.400
<v Speaker 2>Yeah, that that Those are the conversations I mean, like listen,

1:02:11.440 --> 1:02:15.000
<v Speaker 2>you you're talking to artist manager. There's certain things that like,

1:02:15.240 --> 1:02:18.400
<v Speaker 2>once if it gets to him, I got a black dog.

1:02:19.800 --> 1:02:23.440
<v Speaker 2>This happened because and this is why this happened, and

1:02:23.440 --> 1:02:25.280
<v Speaker 2>and then we have to give you know, we have

1:02:25.320 --> 1:02:27.840
<v Speaker 2>to figure out, like you know, what's the root of

1:02:27.840 --> 1:02:29.680
<v Speaker 2>it and then come to an understanding of it. And

1:02:29.720 --> 1:02:31.520
<v Speaker 2>then it's times where I gotta be like nik, am

1:02:31.520 --> 1:02:33.160
<v Speaker 2>I bad, you know what I'm saying.

1:02:33.320 --> 1:02:34.680
<v Speaker 3>Or even as the.

1:02:34.720 --> 1:02:37.880
<v Speaker 2>Artist, he'll say that something he didn't part of his job,

1:02:37.960 --> 1:02:40.280
<v Speaker 2>he'd be like, ja, my bad, you know what I'm saying,

1:02:40.280 --> 1:02:42.200
<v Speaker 2>Like you have to you have to have that.

1:02:42.280 --> 1:02:43.560
<v Speaker 3>And everybody that's a part of it.

1:02:43.560 --> 1:02:47.000
<v Speaker 2>If it's rolemager, if it's lawyers, if it's assistance, if

1:02:47.040 --> 1:02:47.640
<v Speaker 2>it's you know.

1:02:47.880 --> 1:02:51.600
<v Speaker 3>Whoever, whatever, directors whoever part you play on the team.

1:02:53.160 --> 1:02:55.760
<v Speaker 2>I got it, like we all here to everybody so

1:02:55.800 --> 1:02:58.800
<v Speaker 2>that we can get home safely and we can make

1:02:58.880 --> 1:03:01.880
<v Speaker 2>as much money as possible put on the best show

1:03:01.920 --> 1:03:02.960
<v Speaker 2>us that we can.

1:03:03.400 --> 1:03:05.480
<v Speaker 4>One thing I can't stand is getting a bill for something.

1:03:08.000 --> 1:03:13.200
<v Speaker 1>Who when I first got that, Uh, your bus was

1:03:14.400 --> 1:03:15.320
<v Speaker 1>thirty minutes late?

1:03:15.400 --> 1:03:15.640
<v Speaker 3>Bill?

1:03:16.080 --> 1:03:17.320
<v Speaker 1>Yeah for loading?

1:03:17.840 --> 1:03:19.600
<v Speaker 4>Yeah, oh there's a bill for that.

1:03:19.920 --> 1:03:25.160
<v Speaker 3>Yeah. I mean, well you're getting ready to headline? Tell

1:03:25.200 --> 1:03:25.640
<v Speaker 3>you like.

1:03:25.640 --> 1:03:28.760
<v Speaker 4>This, Thank you for the heads up. So I don't want.

1:03:28.640 --> 1:03:33.480
<v Speaker 1>To be late to these union buildings, Yeah, not a minute.

1:03:33.520 --> 1:03:35.400
<v Speaker 3>The union don't play be there early.

1:03:36.520 --> 1:03:39.680
<v Speaker 4>So basically, if the workers are there ready, oh yeah, it's.

1:03:39.720 --> 1:03:40.240
<v Speaker 3>Down the clock.

1:03:40.560 --> 1:03:41.680
<v Speaker 1>Oh, they're gonna charge you.

1:03:41.680 --> 1:03:43.880
<v Speaker 3>And they're gonna charge you maybe time and a half.

1:03:43.920 --> 1:03:46.400
<v Speaker 3>Yeah for making them wait to make it.

1:03:46.640 --> 1:03:47.280
<v Speaker 4>That's crazy.

1:03:47.480 --> 1:03:50.280
<v Speaker 3>And if you're not out hard out ye.

1:03:50.880 --> 1:03:53.560
<v Speaker 4>See but see I knew about that, hold on, and then.

1:03:53.480 --> 1:03:55.480
<v Speaker 3>You gotta think Chris would have had to pay for all. Yeah.

1:03:55.640 --> 1:03:59.480
<v Speaker 1>And you'll notice some unions are more expensive than others,

1:03:59.840 --> 1:04:01.919
<v Speaker 1>so most cities are going to be at a standard pace.

1:04:02.080 --> 1:04:03.840
<v Speaker 1>And then you're gonna get to a city like Boston

1:04:04.480 --> 1:04:07.240
<v Speaker 1>and get to see like New York and why is

1:04:07.360 --> 1:04:08.400
<v Speaker 1>this so much more?

1:04:09.720 --> 1:04:11.720
<v Speaker 4>Yeah, they don't play, but no, they was in my

1:04:11.840 --> 1:04:14.560
<v Speaker 4>ear so like if I had a hard thirty minutes,

1:04:15.080 --> 1:04:17.040
<v Speaker 4>it doesn't matter. If I started late, they'd be like,

1:04:17.160 --> 1:04:20.280
<v Speaker 4>you got one more song and I'll be like, okay, skip,

1:04:21.280 --> 1:04:23.200
<v Speaker 4>like I know what to you know, like yeah, they

1:04:23.240 --> 1:04:24.480
<v Speaker 4>wasn't playing that so.

1:04:24.760 --> 1:04:29.960
<v Speaker 1>Again, like you know, you're within your delegation process like

1:04:30.360 --> 1:04:34.880
<v Speaker 1>those people like my guys know, hey, man, run it,

1:04:35.840 --> 1:04:37.840
<v Speaker 1>say yes or say no for me, do it.

1:04:38.560 --> 1:04:38.960
<v Speaker 3>I'm good.

1:04:39.160 --> 1:04:41.640
<v Speaker 1>I'm back here. I'm just some push ups and shot

1:04:41.680 --> 1:04:44.000
<v Speaker 1>gonna do like four hundred and fifty push ups. Man,

1:04:44.120 --> 1:04:47.160
<v Speaker 1>I'm gonna drink my Red Bull, which is always waiting

1:04:47.200 --> 1:04:47.360
<v Speaker 1>on me.

1:04:47.840 --> 1:04:48.440
<v Speaker 3>You know what I'm saying.

1:04:48.840 --> 1:04:49.200
<v Speaker 4>I need it.

1:04:49.600 --> 1:04:50.400
<v Speaker 1>You got to have it.

1:04:50.800 --> 1:04:53.280
<v Speaker 4>Need it because you can't do coffee because it's like

1:04:53.400 --> 1:04:53.920
<v Speaker 4>more drying.

1:04:54.120 --> 1:04:54.920
<v Speaker 1>I do coffee too.

1:04:55.040 --> 1:04:56.600
<v Speaker 4>I can't do the coffee. It drives me out.

1:04:56.680 --> 1:04:58.240
<v Speaker 1>I did coffee the other night and I was like

1:04:58.400 --> 1:04:59.880
<v Speaker 1>and I was like, I'm not gonna do a Red Bull.

1:05:00.040 --> 1:05:01.120
<v Speaker 4>Then I get like jittering.

1:05:02.560 --> 1:05:06.200
<v Speaker 3>Yeah, sometimes that ship I went, I went.

1:05:06.440 --> 1:05:07.400
<v Speaker 1>He was up for like three days.

1:05:08.680 --> 1:05:11.440
<v Speaker 4>Coffee or you know, there's a new energy drink. I

1:05:11.480 --> 1:05:13.680
<v Speaker 4>think it's the rock. It's called zoa.

1:05:14.560 --> 1:05:17.600
<v Speaker 5>No, I know you, it's it's been out.

1:05:18.000 --> 1:05:18.640
<v Speaker 4>I just discovered.

1:05:18.720 --> 1:05:21.560
<v Speaker 5>But it's a it's a greater way better well.

1:05:21.560 --> 1:05:23.800
<v Speaker 4>Than other things that I tried. You don't have to

1:05:23.840 --> 1:05:24.760
<v Speaker 4>drink the whole thing.

1:05:25.520 --> 1:05:27.280
<v Speaker 3>Because that'd be still away from all of it.

1:05:27.760 --> 1:05:28.920
<v Speaker 4>I drink just naturally.

1:05:29.080 --> 1:05:33.600
<v Speaker 1>Just I just find my voice. I just find my

1:05:33.800 --> 1:05:37.320
<v Speaker 1>voice for some reason. Me and Lannie one time, I

1:05:37.400 --> 1:05:41.400
<v Speaker 1>think it was a cruise or something like, we were

1:05:41.520 --> 1:05:46.880
<v Speaker 1>performing somewhere and we was tired, and we had never

1:05:47.000 --> 1:05:49.000
<v Speaker 1>sang off an energy drink before. This is like maybe

1:05:49.200 --> 1:05:49.920
<v Speaker 1>you know twelve.

1:05:50.080 --> 1:05:51.400
<v Speaker 4>Make it it sound like it's drugs.

1:05:52.280 --> 1:05:58.040
<v Speaker 1>It's drugs, No, it's and so we had we had

1:05:58.560 --> 1:06:01.360
<v Speaker 1>some muster drinks around and he's like, man, let's give

1:06:01.360 --> 1:06:04.400
<v Speaker 1>me some of this monster. We went out mons and

1:06:04.440 --> 1:06:05.800
<v Speaker 1>I told were singing up here.

1:06:07.320 --> 1:06:08.480
<v Speaker 3>I was like this, what was that?

1:06:08.840 --> 1:06:15.080
<v Speaker 4>That was basically a four logo. That's basically what it was.

1:06:15.160 --> 1:06:16.960
<v Speaker 4>Drinking Foster energy drink is insane.

1:06:17.000 --> 1:06:19.040
<v Speaker 1>And that's where we kind of got the idea maybe

1:06:19.040 --> 1:06:20.680
<v Speaker 1>a little pinch of energy drink or get.

1:06:20.640 --> 1:06:23.480
<v Speaker 3>Us, it is a pinch of and so the red

1:06:25.640 --> 1:06:26.400
<v Speaker 3>this is micro.

1:06:27.920 --> 1:06:31.440
<v Speaker 1>Microdose red bull when when I do my show, just

1:06:32.360 --> 1:06:35.120
<v Speaker 1>a little bit SIPs because you got to think too,

1:06:35.400 --> 1:06:38.439
<v Speaker 1>as I learned from my nutritionists, Like as you're going

1:06:38.560 --> 1:06:43.320
<v Speaker 1>through this what he likes to call kind of event,

1:06:46.200 --> 1:06:48.400
<v Speaker 1>well we're reference it as like a game, right, So

1:06:48.480 --> 1:06:52.240
<v Speaker 1>you're playing a thirty minute energy You're playing a thirty

1:06:52.320 --> 1:06:53.520
<v Speaker 1>minute basketball game.

1:06:53.640 --> 1:06:56.920
<v Speaker 3>Yeah, straight, right, So.

1:06:57.080 --> 1:07:00.520
<v Speaker 1>Within that thirty minutes, so you can and just drink

1:07:01.680 --> 1:07:04.080
<v Speaker 1>you can't. So you got to figure out and you

1:07:04.160 --> 1:07:05.720
<v Speaker 1>got to figure out if you can take a bite

1:07:05.760 --> 1:07:06.200
<v Speaker 1>in between.

1:07:06.440 --> 1:07:09.400
<v Speaker 4>So that's like athletes when they go on the side.

1:07:10.240 --> 1:07:12.439
<v Speaker 1>When the runners are running, they're running those distance runs,

1:07:13.000 --> 1:07:14.840
<v Speaker 1>there are there are stations, there are stops where they

1:07:14.880 --> 1:07:18.720
<v Speaker 1>can grab jails to replenish electrolytes, they can grab water,

1:07:18.760 --> 1:07:20.320
<v Speaker 1>they can grab Most performers.

1:07:19.960 --> 1:07:21.560
<v Speaker 3>Don't do that. Most performers don't do They don't even

1:07:22.040 --> 1:07:22.440
<v Speaker 3>going off to.

1:07:22.480 --> 1:07:23.680
<v Speaker 5>The side of the stuff.

1:07:23.800 --> 1:07:26.720
<v Speaker 4>It's not candy though, I should maybe put something.

1:07:27.080 --> 1:07:29.200
<v Speaker 1>Listen, even if it's like some crackers and something like

1:07:29.520 --> 1:07:33.840
<v Speaker 1>you need to replenish and get on the side.

1:07:41.280 --> 1:07:41.640
<v Speaker 4>Already.

1:07:45.720 --> 1:07:46.480
<v Speaker 5>I'll usually do this.

1:07:46.600 --> 1:07:51.720
<v Speaker 1>But yeah, that's it. That's that's the thing that red

1:07:51.760 --> 1:07:55.480
<v Speaker 1>bullets is a thing, but I mean the people. It

1:07:55.600 --> 1:07:57.840
<v Speaker 1>has to be easier for you because the work that

1:07:57.960 --> 1:07:59.200
<v Speaker 1>you do to to create that.

1:08:00.040 --> 1:08:01.320
<v Speaker 4>And then not to mention, I'll be up there with

1:08:01.440 --> 1:08:05.800
<v Speaker 4>a course at all out four layers of tights. Yeah

1:08:06.200 --> 1:08:11.000
<v Speaker 4>that's what y'all don't see. I'll be up yeah, singing.

1:08:10.760 --> 1:08:12.040
<v Speaker 1>Through that being a woman.

1:08:12.680 --> 1:08:15.680
<v Speaker 4>Mm hmmm. And the ones you said he's gonna make

1:08:15.720 --> 1:08:19.639
<v Speaker 4>cute songs, Yeah, that's why, because I want to look cute.

1:08:22.360 --> 1:08:27.240
<v Speaker 4>I ain't trying to be Yeah. May no, thank you.

1:08:27.760 --> 1:08:30.120
<v Speaker 3>It looks good, it sounds good, Thank you, It is

1:08:30.280 --> 1:08:30.760
<v Speaker 3>really good.

1:08:31.200 --> 1:08:31.760
<v Speaker 4>Thank y'all.

1:08:32.520 --> 1:08:36.280
<v Speaker 3>We're here for you. The first double up ever, the

1:08:36.360 --> 1:08:38.559
<v Speaker 3>first double well, and we thought it was important.

1:08:39.720 --> 1:08:40.280
<v Speaker 4>I appreciate.

1:08:40.400 --> 1:08:42.160
<v Speaker 1>We thought it was important that you.

1:08:42.200 --> 1:08:44.040
<v Speaker 3>Know that you do this with us.

1:08:44.600 --> 1:08:46.479
<v Speaker 4>Are we going to do R and B money Pinky

1:08:46.560 --> 1:08:51.519
<v Speaker 4>Ring first of all in Vegas album release party Vegas.

1:08:51.760 --> 1:08:58.640
<v Speaker 3>I love that. I love that, and we just you know,

1:08:59.280 --> 1:09:02.080
<v Speaker 3>we'll figure out the workarounds and work in you know.

1:09:02.240 --> 1:09:03.360
<v Speaker 5>Because really I like that.

1:09:04.040 --> 1:09:09.120
<v Speaker 4>Really I'm releasing my album all year, yes, ye, dropping

1:09:09.160 --> 1:09:09.519
<v Speaker 4>every day.

1:09:09.680 --> 1:09:14.519
<v Speaker 1>If you're not promoting all year, if you're not dropping

1:09:14.560 --> 1:09:18.439
<v Speaker 1>them dimes on your socials and all that, all year,

1:09:18.640 --> 1:09:20.759
<v Speaker 1>you are doing this album at this service.

1:09:21.479 --> 1:09:26.200
<v Speaker 3>I want to hear about this everything for me, you know.

1:09:26.400 --> 1:09:29.559
<v Speaker 4>I mean, I'm putting my music behind every video that I'm.

1:09:30.200 --> 1:09:32.840
<v Speaker 3>Yeah, every you're doing a video for every song.

1:09:32.960 --> 1:09:35.479
<v Speaker 4>No, no, but you know how I really want to

1:09:35.600 --> 1:09:38.800
<v Speaker 4>That's what I would normally do, but how my time

1:09:38.880 --> 1:09:40.320
<v Speaker 4>is set up these days, I just don't.

1:09:40.160 --> 1:09:42.479
<v Speaker 1>Have time but think about this, think about this, think

1:09:42.479 --> 1:09:44.879
<v Speaker 1>about this. What's crazy is that what we don't realize

1:09:45.200 --> 1:09:49.479
<v Speaker 1>as I was going through the TikTok you know, rabbit hole,

1:09:49.600 --> 1:09:51.439
<v Speaker 1>and I'm just looking and I'm just looking at all

1:09:51.520 --> 1:09:56.040
<v Speaker 1>of these different kinds of videos that are just that

1:09:56.160 --> 1:10:00.759
<v Speaker 1>are just tracking a million, two three, four fifty teen million,

1:10:01.439 --> 1:10:06.080
<v Speaker 1>and they are just sitting there with a microphone giving

1:10:06.200 --> 1:10:11.679
<v Speaker 1>people a visual of their song. It's not the videos

1:10:11.760 --> 1:10:14.240
<v Speaker 1>we think it is because I'm always trying to figure

1:10:14.280 --> 1:10:17.400
<v Speaker 1>out a production. I'm always trying to that he's trying

1:10:17.439 --> 1:10:19.800
<v Speaker 1>to talk me off the roof of chief. That's two

1:10:19.920 --> 1:10:21.840
<v Speaker 1>hundred and fifty thou never.

1:10:24.560 --> 1:10:26.679
<v Speaker 3>That's true. Money.

1:10:27.520 --> 1:10:30.680
<v Speaker 1>There is value. There is so much value in you

1:10:30.800 --> 1:10:33.920
<v Speaker 1>sitting in that black chair right there behind that microphone,

1:10:34.920 --> 1:10:40.400
<v Speaker 1>singing your song or not even singing your song, enjoying

1:10:40.439 --> 1:10:44.320
<v Speaker 1>your song. There is so much value because at the

1:10:44.479 --> 1:10:46.680
<v Speaker 1>end of the day, whether you realize it or not,

1:10:46.800 --> 1:10:48.000
<v Speaker 1>people just want to see you.

1:10:48.680 --> 1:10:51.800
<v Speaker 4>Yeah, it's a lot of effort to get up and

1:10:51.840 --> 1:10:53.840
<v Speaker 4>get your hair and makeup and put on an outfit.

1:10:54.240 --> 1:10:57.400
<v Speaker 1>Well you chose to be dope, your fault and cute.

1:10:57.720 --> 1:10:59.160
<v Speaker 1>Yeah you're fuck get back to it.

1:11:00.240 --> 1:11:04.120
<v Speaker 4>Yeah yeah, yeah, But when I do it, it just

1:11:05.080 --> 1:11:07.760
<v Speaker 4>like I love so cute today. You know what I'm saying,

1:11:08.680 --> 1:11:11.679
<v Speaker 4>It's worth it. Like when you put.

1:11:11.520 --> 1:11:13.080
<v Speaker 5>Everything on you look good.

1:11:14.160 --> 1:11:16.360
<v Speaker 4>Yeah, you put everything on, you get that carry.

1:11:16.120 --> 1:11:19.280
<v Speaker 2>You like you look good on purpose supposed to. I'll

1:11:19.320 --> 1:11:21.280
<v Speaker 2>be surprised. You see me with I watches next time.

1:11:21.680 --> 1:11:23.840
<v Speaker 5>You know what I'm saying, I got none of them.

1:11:24.360 --> 1:11:27.160
<v Speaker 5>I find some more, one of them all upside down.

1:11:27.280 --> 1:11:31.960
<v Speaker 1>Give money. I don't know you know what to say.

1:11:32.200 --> 1:11:36.040
<v Speaker 5>Congratulations, Thank you, Tang, thank you j of course you are.

1:11:35.960 --> 1:11:39.639
<v Speaker 1>Always welcome here for anything anytime. You know what I'm saying.

1:11:39.640 --> 1:11:41.280
<v Speaker 1>I know you're doing a bunch of remixes. You know

1:11:41.320 --> 1:11:43.160
<v Speaker 1>what I'm saying. You I know, we don't. I know

1:11:43.280 --> 1:11:46.360
<v Speaker 1>we dealt away with the age conversation. But you the

1:11:46.439 --> 1:11:47.240
<v Speaker 1>old Nigga remix.

1:11:47.360 --> 1:11:50.120
<v Speaker 4>You know what I'm saying, I would love to do

1:11:50.240 --> 1:11:53.360
<v Speaker 4>like a genuine like do it. I don't think people

1:11:53.439 --> 1:11:56.479
<v Speaker 4>know what that means anymore, like they be like feature

1:11:56.720 --> 1:12:02.280
<v Speaker 4>like no, yeah, yeah, you know on a Psychiki.

1:12:03.160 --> 1:12:06.559
<v Speaker 1>Fire you know, ain't gone nowhere, still cracking to this day.

1:12:07.640 --> 1:12:09.200
<v Speaker 1>Still I'm in it.

1:12:09.280 --> 1:12:10.760
<v Speaker 4>I would love to do.

1:12:11.479 --> 1:12:14.519
<v Speaker 1>We got that going, We got the Pinky Ring, we

1:12:14.680 --> 1:12:19.320
<v Speaker 1>got the Revenge tour. Revenge is out basically on book.

1:12:22.080 --> 1:12:24.360
<v Speaker 5>That's what it sounds like, your book where it's glam

1:12:25.040 --> 1:12:25.400
<v Speaker 5>your book.

1:12:29.320 --> 1:12:32.799
<v Speaker 4>I got videos to shoot. We got an album release party.

1:12:33.280 --> 1:12:35.080
<v Speaker 1>And you know what's another thing. I was gonna say,

1:12:37.720 --> 1:12:40.920
<v Speaker 1>either get you a tour bus or get you a

1:12:40.960 --> 1:12:42.160
<v Speaker 1>sprinter by one.

1:12:43.000 --> 1:12:47.840
<v Speaker 4>Yeah, tour buses. So I had Cat Williams bus he.

1:12:47.880 --> 1:12:50.360
<v Speaker 3>Was about to buy. So you can clearly buy it,

1:12:50.880 --> 1:12:51.439
<v Speaker 3>you know whatever.

1:12:52.120 --> 1:12:55.599
<v Speaker 4>Yeah, but you can't drop the tour bus around it's going.

1:12:55.960 --> 1:12:58.400
<v Speaker 1>It's gonna save you some money and make you some money.

1:12:58.600 --> 1:13:01.880
<v Speaker 4>We've got a blood You got a tour bus, boy,

1:13:02.640 --> 1:13:04.200
<v Speaker 4>because I feel like I have to get one made

1:13:04.360 --> 1:13:08.080
<v Speaker 4>because like customs, because they just don't have them just

1:13:08.160 --> 1:13:08.559
<v Speaker 4>sitting there.

1:13:08.720 --> 1:13:08.880
<v Speaker 3>They do.

1:13:09.320 --> 1:13:11.840
<v Speaker 1>Absolutely, you want to buy a used one. You don't

1:13:11.840 --> 1:13:12.240
<v Speaker 1>want to buy no.

1:13:12.280 --> 1:13:14.080
<v Speaker 4>One, but then they break down.

1:13:14.160 --> 1:13:17.360
<v Speaker 1>Though everything breaks down, you find a good used one

1:13:17.400 --> 1:13:19.840
<v Speaker 1>with good it was so good. Yeah, you find a

1:13:19.840 --> 1:13:20.759
<v Speaker 1>good one with good papers.

1:13:20.800 --> 1:13:21.600
<v Speaker 3>I know guys on them.

1:13:21.800 --> 1:13:24.439
<v Speaker 2>Like you said you had someone else's bus YEP, someone

1:13:24.479 --> 1:13:26.519
<v Speaker 2>could also have your bus YEP, because I'm sure you

1:13:26.640 --> 1:13:27.920
<v Speaker 2>paid good money for I.

1:13:28.000 --> 1:13:31.160
<v Speaker 4>Did cat Apocalypse. It was very comfortable.

1:13:31.320 --> 1:13:35.160
<v Speaker 1>I'm telling you, get you to call this investments to Chris,

1:13:35.240 --> 1:13:36.679
<v Speaker 1>Daddy said, I'm getting a tour bus.

1:13:37.280 --> 1:13:38.599
<v Speaker 4>His tour bus is insane.

1:13:38.680 --> 1:13:40.640
<v Speaker 1>Said, I'm getting my own tour bus, like in.

1:13:41.040 --> 1:13:42.559
<v Speaker 4>Saying I never seen a bus like that before.

1:13:42.560 --> 1:13:45.519
<v Speaker 1>Because you're a touring artist now yep. Yeah, and you

1:13:45.640 --> 1:13:48.280
<v Speaker 1>want to be calmfort too at the highest.

1:13:49.160 --> 1:13:51.160
<v Speaker 4>You don't want to know argu about that because management

1:13:51.280 --> 1:13:55.080
<v Speaker 4>was like, yeah, you need your bus. Said listen, I'm

1:13:55.120 --> 1:13:59.080
<v Speaker 4>too old and I'm too picky. You ain't about to

1:13:59.120 --> 1:14:02.439
<v Speaker 4>have me uncomfortable. I need that one. I don't care

1:14:03.960 --> 1:14:06.000
<v Speaker 4>whatever we gotta do, that's my bus.

1:14:07.920 --> 1:14:09.840
<v Speaker 1>I'm just throwing it out there. You know, Well, the

1:14:09.880 --> 1:14:12.479
<v Speaker 1>millions are flowing. I need to figure out, well it's

1:14:12.800 --> 1:14:15.439
<v Speaker 1>while it's coming on in because I might rent your

1:14:15.439 --> 1:14:15.800
<v Speaker 1>to bus.

1:14:19.160 --> 1:14:20.360
<v Speaker 4>It was a bunch of people trying to get the

1:14:20.439 --> 1:14:20.680
<v Speaker 4>one I.

1:14:20.760 --> 1:14:24.479
<v Speaker 3>Had, which, lets you know that could be your bus.

1:14:26.600 --> 1:14:31.680
<v Speaker 4>Them out, You're right, see you see how they get

1:14:31.720 --> 1:14:33.160
<v Speaker 4>you game? These got money.

1:14:36.560 --> 1:14:38.840
<v Speaker 1>Got to be playing the lottery every week. I'm trying

1:14:38.880 --> 1:14:41.759
<v Speaker 1>to hear it. I got I got big money ideas.

1:14:44.160 --> 1:14:45.760
<v Speaker 2>I already know the Lord ain't gonna bless me with

1:14:45.880 --> 1:14:49.280
<v Speaker 2>no lot of money. Why because I've been blessed enough.

1:14:49.960 --> 1:14:51.599
<v Speaker 3>I really feel like that I am the lottery.

1:14:51.760 --> 1:14:52.000
<v Speaker 2>I'm not.

1:14:52.320 --> 1:14:55.320
<v Speaker 3>Yeah, I am not the I'm not the lottery wunner anybody.

1:14:55.800 --> 1:14:59.720
<v Speaker 4>Literally, I feel like we could make out of thin air,

1:14:59.880 --> 1:15:02.280
<v Speaker 4>like like literally, you ain't gonna.

1:15:02.120 --> 1:15:02.760
<v Speaker 3>Win the lottery too.

1:15:03.040 --> 1:15:06.439
<v Speaker 1>I agree with all these things you're saying. I'm going

1:15:06.520 --> 1:15:07.760
<v Speaker 1>to hit the lottery as well.

1:15:07.960 --> 1:15:08.439
<v Speaker 3>I hope you do.

1:15:10.840 --> 1:15:15.120
<v Speaker 1>Busses for everybody. Give me a bus, busses for everywhere,

1:15:15.400 --> 1:15:20.880
<v Speaker 1>the busses and planes for everybody.

1:15:21.360 --> 1:15:23.800
<v Speaker 4>Now I take a plane. Now, let me get a plane.

1:15:24.240 --> 1:15:26.000
<v Speaker 3>You know what I'm gonna do. I believe in you.

1:15:26.560 --> 1:15:29.320
<v Speaker 3>We're going up are here for five hundred million.

1:15:30.439 --> 1:15:35.440
<v Speaker 2>You get at your local seven eleven, dropping a thousand dollars.

1:15:37.880 --> 1:15:41.639
<v Speaker 5>This week, the whole day for everybody.

1:15:41.640 --> 1:15:48.160
<v Speaker 8>We come through this seven elevens on me, everybody, don't

1:15:48.160 --> 1:15:51.160
<v Speaker 8>forget about me when you I want to win, to give,

1:15:52.360 --> 1:15:56.639
<v Speaker 8>that's that's because my honestly, that's my sole mission in life,

1:15:56.680 --> 1:15:57.120
<v Speaker 8>my mission.

1:15:57.200 --> 1:15:59.640
<v Speaker 1>I'm I'm designed to be of service. I'm here to

1:15:59.680 --> 1:16:02.200
<v Speaker 1>give and I want to be a blessing to its

1:16:02.439 --> 1:16:05.120
<v Speaker 1>memorable people is humanly possible.

1:16:05.520 --> 1:16:09.599
<v Speaker 3>I want a lot of regivings. The forty seven dollars,

1:16:10.560 --> 1:16:11.759
<v Speaker 3>it's not going to change.

1:16:14.120 --> 1:16:15.439
<v Speaker 1>I want to be able to be like this. You

1:16:15.520 --> 1:16:17.920
<v Speaker 1>know what I want to be when I'm doing tank

1:16:18.000 --> 1:16:20.120
<v Speaker 1>pay for this. I want to pay. I want to

1:16:20.160 --> 1:16:20.920
<v Speaker 1>pay the house off.

1:16:21.960 --> 1:16:25.880
<v Speaker 4>I just want a hundred million. I'm doing it. Yeah,

1:16:27.040 --> 1:16:27.840
<v Speaker 4>one hundred million.

1:16:28.120 --> 1:16:30.160
<v Speaker 1>You're tracking, You're tracking four hundred million?

1:16:30.760 --> 1:16:31.000
<v Speaker 3>Really?

1:16:31.200 --> 1:16:31.400
<v Speaker 1>Yeah?

1:16:32.200 --> 1:16:35.160
<v Speaker 4>How fast is how it's.

1:16:35.080 --> 1:16:35.439
<v Speaker 3>Going to be?

1:16:35.840 --> 1:16:39.599
<v Speaker 1>Tell me you have a date, You're you're, you're, you're

1:16:39.720 --> 1:16:44.639
<v Speaker 1>you're tracking from a success standpoint like algorithm, algorithm and numbers.

1:16:44.720 --> 1:16:47.439
<v Speaker 1>Right now, you keep at this pace, you're tracking four

1:16:47.520 --> 1:16:53.200
<v Speaker 1>hundred million. Keep to his coming, keep and I will.

1:16:53.680 --> 1:16:55.800
<v Speaker 3>I know you will. You've been writing hits for a

1:16:55.880 --> 1:16:56.559
<v Speaker 3>long time.

1:16:57.160 --> 1:16:58.519
<v Speaker 4>Got a bunch of but I really want to get

1:16:58.520 --> 1:17:00.320
<v Speaker 4>into my life. Read it.

1:17:03.960 --> 1:17:08.479
<v Speaker 1>I'm just hoping Bessie seize the light of dau. Just

1:17:08.600 --> 1:17:10.960
<v Speaker 1>avoid my son. I don't want me to dance.

1:17:14.160 --> 1:17:15.599
<v Speaker 2>I want your song to come out. I don't want

1:17:15.680 --> 1:17:18.479
<v Speaker 2>him to dance whatever I'm in the video, And don't

1:17:18.479 --> 1:17:19.240
<v Speaker 2>put him in the video.

1:17:22.120 --> 1:17:24.519
<v Speaker 4>You would whoa what was that?

1:17:25.520 --> 1:17:26.200
<v Speaker 3>I got your hands?

1:17:26.880 --> 1:17:33.880
<v Speaker 5>Okay, all right, ladies and gentleman.

1:17:33.920 --> 1:17:36.439
<v Speaker 1>My name is Tank Valentine and this is the Army

1:17:36.479 --> 1:17:41.000
<v Speaker 1>Money Podcast, the authority on all things R and B

1:17:43.040 --> 1:17:45.519
<v Speaker 1>and I don't, I don't. We don't say this much.

1:17:46.160 --> 1:17:48.439
<v Speaker 3>We don't. We we try to claim things here.

1:17:48.560 --> 1:17:52.000
<v Speaker 1>We try to believe in everything that we do, and

1:17:52.200 --> 1:17:54.719
<v Speaker 1>we believe in money, long.

1:17:54.760 --> 1:18:00.960
<v Speaker 3>Revenge out right now out now, go get it, go

1:18:01.160 --> 1:18:01.400
<v Speaker 3>get it.

1:18:02.960 --> 1:18:08.639
<v Speaker 1>We're still clapping, guys, We're still We're still clapping. Blam

1:18:10.080 --> 1:18:14.599
<v Speaker 1>red bull the premium chips eat.

1:18:14.960 --> 1:18:15.680
<v Speaker 3>Don't eat up the.

1:18:15.760 --> 1:18:17.880
<v Speaker 5>Premium you're supposed to get in the jumping rum.

1:18:17.960 --> 1:18:19.720
<v Speaker 3>Yeah, but don't stop shouting out ship that don't pay

1:18:22.800 --> 1:18:24.320
<v Speaker 3>nigga niga hear me up?

1:18:26.200 --> 1:18:29.320
<v Speaker 4>Yeah, Energy, energy, drink.

1:18:32.360 --> 1:18:35.160
<v Speaker 1>And are R and money.

1:18:36.320 --> 1:18:38.080
<v Speaker 2>R and B Money is a production of the Black

1:18:38.120 --> 1:18:44.200
<v Speaker 2>Effect podcast Network. For more podcasts from iHeartRadio, visit the iHeartRadio, app,

1:18:44.360 --> 1:18:47.599
<v Speaker 2>Apple podcasts, or wherever you listen to your favorite shows.

1:18:48.120 --> 1:18:51.120
<v Speaker 2>Don't forget to subscribe to and rate our show, and

1:18:51.240 --> 1:18:53.920
<v Speaker 2>you can connect with us on social media at Jay

1:18:54.040 --> 1:18:58.000
<v Speaker 2>Valentine and at the Real Tank. For the extended episode,

1:18:58.120 --> 1:19:02.320
<v Speaker 2>subscribe to YouTube dot com, Forward, slash r, and b

1:19:02.439 --> 1:19:02.679
<v Speaker 2>Money